Part I (part 1 of 2)
’Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu――whit!――Tu――whoo! And hark, again! the crowing cock, How drowsily it crew.
Is the night chilly and dark? The night is chilly, but not dark. The thin gray cloud is spread on high, It covers but not hides the sky. The moon is behind, and at the full; And yet she looks both small and dull. The night is chill, the cloud is gray: ’Tis a month before the month of May, And the Spring comes slowly up this way.
The lovely lady, Christabel, Whom her father loves so well, What makes her in the wood so late, A furlong from the castle gate? She had dreams all yesternight Of her own betrothed knight; And she in the midnight wood will pray For the weal of her lover that’s far away.
She stole along, she nothing spoke, The sighs she heaved were soft and low. And naught was green upon the oak, But moss and rarest mistletoe; She kneels beneath the huge oak tree. And in silence prayeth she.
The lady sprang up suddenly, The lovely lady, Christabel! It moaned as near, as near can be, But what it is, she cannot tell.―― On the other side it seems to be, Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare; Is it the wind that moaneth bleak? There is not wind enough in the air To move away the ringlet curl From the lovely lady’s cheek―― There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance it can. Hanging so light, and hanging so high, On the topmost twig that looks up at the sky.
Hush, beating heart of Christabel! Jesu, Maria, shield her well! She folded her arms beneath her cloak, And stole to the other side of the oak What sees she there?
There she sees a damsel bright, Drest in a silken robe of white, That shadowy in the moonlight shone: The neck that made that white robe wan, Her stately neck, and arms were bare; Her blue-veined feet unsandal’d were, And wildly glittered here and there The gems entangled in her hair, I guess, ’twas frightful there to see A lady so richly clad as she―― Beautiful exceedingly!
Mary mother, save me now! (Said Christabel,) And who art thou?
The lady strange made answer meet, And her voice was faint and sweet:―― Have pity on my sore distress, I scarce can speak for weariness: Stretch forth thy hand, and have no fear: Said Christabel, How camest thou here? And the lady, whose voice was faint and sweet, Did thus pursue her answer meet:――
My sire is of a noble line, And my name is Geraldine: Five warriors seized me yestermorn, Me, even me, a maid forlorn: They choked my cries with force and fright, And tied me on a palfrey white. The palfrey was as fleet as wind, And they rode furiously behind. They spurred amain, their steeds were white! And once we crossed the shade of night. As sure as Heaven shall rescue me, I have no thought what men they be; Nor do I know how long it is (For I have lain entranced I wis) Since one, the tallest of the five, Took me from the palfrey’s back, A weary woman, scarce alive. Some muttered words his comrades spoke: He placed me underneath this oak; He swore they would return with haste; Whither they went I cannot tell―― I thought I heard, some minutes past, Sounds as of a castle bell. Stretch forth thy hand (thus ended she), And help a wretched maid to flee.
Then Christabel stretched forth her hand And comforted fair Geraldine: “O well, bright dame! may you command The service of Sir Leoline; And gladly our stout chivalry Will he send forth and friends withal To guide and guard you safe and free Home to your noble father’s hall.”
She rose: and forth with steps they passed That strove to be, and were not, fast. Her gracious stars the lady blest, And thus spake on sweet Christabel: “All our household are at rest, The hall as silent as the cell; Sir Leoline is weak in health, And may not well awakened be, But we will move as if in stealth, And I beseech your courtesy, This night, to share your couch with me.”
They crossed the moat, and Christabel Took the key that fitted well; A little door she opened straight, All in the middle of the gate; So free from danger, free from fear They crossed the court: right glad they were. They passed the hall, that echoes still, Pass as lightly as you will! O softly tread, said Christabel, My father seldom sleepeth well.
Sweet Christabel her feet doth bare, And, jealous of the listening air, They steal their way from stair to stair, Now in glimmer, and now in gloom, And now they pass the Baron’s room, As still as death with stifled breath! And now have reached her chamber door; And now doth Geraldine press down The rushes of the chamber floor. The silver lamp burns dead and dim; But Christabel the lamp will trim. She trimmed the lamp, and made it bright, And left it swinging to und fro, While Geraldine, in wretched plight, Sank down upon the floor below.
O weary lady, Geraldine, I pray you, drink this cordial wine! It is a wine of virtuous powers; My mother made it of wild flowers.
* * * * *
Again the wild-flower wine she drank: Her fair large eyes ’gan glitter bright, And from the floor whereon she sank, The lofty lady stood upright; She was most beautiful to see, Like a lady of a far countrée.
And thus the lofty lady spake―― All they, who live in the upper sky, Do love you, holy Christabel! And you love them, and for their sake And for the good which me befell, Even I in my degree will try, Fair maiden, to requite you well. But now unrobe yourself; for I Must pray, ere yet in bed I lie.
Quoth Christabel, so let it be And as the lady bade, did she. Her gentle limbs did she undress, And lay down in her loveliness.
But through her brain of weal and woe So many thoughts moved to and fro, That vain it were her lids to close; So half-way from the bed she rose: And on her elbow did recline To look at the lady Geraldine.
Beneath the lamp the lady bowed, And slowly rolled her eyes around; Then drawing in her breath aloud Like one that shuddered, she unbound The cincture from beneath her breast: Her silken robe, and inner vest, Dropt to her feet, and full in view, Behold! her bosom and half her side A sight to dream of, not to tell! O shield her! shield sweet Christabel!
Yet Geraldine nor speaks nor stirs; Ah! what a stricken look was hers! Deep from within she seems half-way To lift some weight with sick assay, And eyes the maid and seeks delay; Then suddenly as one defied Collects herself in scorn and pride, And lay down by the maiden’s side And in her arms the maid she took, Ah well-a-day! And with low voice and doleful look These words did say: In the touch of this bosom there worketh a spell, Which is lord of thy utterance, Christabel! Thou knowest to-night, and wilt know to-morrow This mark of my shame, this seal of my sorrow; But vainly thou warrest, For this is alone in Thy power to declare, That in the dim forest Thou heard’st a low moaning, And found’st a bright lady, surpassingly fair: And didst bring her home with thee in love and in charity, To shield her and shelter her from the damp air.
――――
The Conclusion to Part I.
With open eyes (ah woe is me!) Asleep, and dreaming fearfully, Fearfully dreaming, yet I wis, Dreaming that alone, which is―― O sorrow and shame! Can this be she, The lady, who knelt at the old oak tree? And lo! the worker of these harms, That holds the maiden in her arms, Seems to slumber still and mild, As a mother with her child. A star hath set, a star hath risen, O Geraldine! since arms of thine―― Have been the lovely lady’s prison. O Geraldine! one hour was thine―― Thou’st had thy will!
S. T. COLERIDGE.
――――:o:――――
Dr. Maginn’s Introduction to Part III.
Listen! ye know that I am mad, And ye will listen!――wizard dreams Were with me!――all is true that seems!―― From dreams alone can truth be had―― In dreams divinest lore is taught, For the eye, no more distraught, Rests most calmly, and the ear, Of sound unconscious, may apply Its attributes unknown, to hear The music of philosophy! Thus am I wisest in my sleep, For thoughts and things, which day-light brings, Come to the spirit sad and single, But verse and prose, and, joys and woes Inextricably mingle, When the hushed frame is silent in repose! Twilight and moonlight, mist and storm, Black night, and fire-eyed hurricane, And crested lightning, and the snows That mock the sunbeams, and the rain Which bounds on earth with big drops warm, All are round me while I spell The legend of sweet Christabel!
Christabel. Part III.
Nine moons have waxed, and the tenth, in its wane, Sees Christabel struggle in unknown pain! ――For many moons was her eye less bright, For many moons was her vest more tight, And her cheek was pale, save when, with a start, The life blood came from the panting heart, And fluttering, o’er that thin fair face Past with a rapid nameless pace, And at moments a big tear filled the eye, And at moments a short and smothered sigh Swelled her breast with sudden strain, Breathed half in grief, and half in pain, For her’s are pangs, on the rack that wind The outward frame and the inward mind. ――And when at night she did visit the oak, She wore the Baron’s scarlet cloak, (That cloak which happy to hear and to tell Was lined with the fur of the leopard well,) And as she wandered down the dell None said ’twas the Lady Christabel.―― Some thought ’twas a weird and ugsome elf, Some deemed ’twas the old sick Baron himself, Who wandered beneath the snowy lift To count his beads in solemn shrift―― (For his shape below was wide to see All bloated with the hydropsie.) Oh! had her old father the secret known, He had stood as stark as the statue of stone That stands so silent, and white, and tall, At the upper end of his banquet hall!
Am I asleep or am I awake? In very truth I oft mistake, As the stories of old come over my brain, And I build in spirit the mystic strain;―― Ah! would to the virgin that I were asleep! But I must wake, and I must weep! Sweet Christabel, it is not well That a lady, pure as the sunless snow That lies so soft on the mountain’s brow, That a maiden of sinless chastity In childbirth pangs should be doomed to die, Or live with a name of sorrow and shame, And hear the words of blemish and blame! ――For the world that smiles at the guilt of man, Places woman beneath its ban; Alas, that scandal thus should wreak Its vengeance on the warm and weak, That the arrows of the cold and dull Should wound the breast of the beautiful!
Of the things that be did we know but half, Many, and many would weep, who laugh! Tears would darken many an eye, Or that deeper grief, (when its orb is dry, When it cannot dare the eye of day), O’er the clouded heart would sway, ’Till it crumbled like desert dust away! But here we meet with grief and grudge, And they who cannot know us, judge! Thus, souls on whom good angels smile, Are scoffed at in our world of guile―― Let this, Ladiè, thy comfort be; Man knows not us, good angels know The things that pass in the world below; And scarce, methinks, it seems unjust, That the world should view thee with mistrust, For who that saw that child of thine Pale Christabel, who could divine That its sire was the Ladie Geraldine.
But in I rush, with too swift a gale, Into the ocean of my tale! Not yet young Christabel, I ween, Of her babe hath lighter been. ――’Tis the month of the snow and the blast, And the days of Christmas mirth are past, When the oak-roots heaped on the hearth blazed bright, Casting a broad and dusky light On the shadowy forms of the warriors old, Who stared from the wall, most grim to behold―― On shields where the spider his tapestry weaves, On the holly boughs and the ivy leaves, The few green glories that still remain To mock the storm and welcome the rain, Brighter and livelier mid tempest and shower, Like a hero in the battle hour!―― Brave emblems o’er the winter hearth, They cheered our fathers’ hours of mirth!――
Twelve solar months complete and clear The magic circle of the year! Each (the ancient riddle saith) Children, two times thirty, hath! Three times ten are fair and white, Three times ten are black as night, Three times ten hath Hecatè, Three times ten the God of day; Thus spoke the old hierophant (I saw her big breast swelling pant) What time, I dreamed, in ghostly wise Of Eleusinian mysteries, For I am the hierarch Of the mystical and dark―― And now, if rightly I do spell Of the Lady Christabel, She hates the three times ten so white, And sickens in their searching light, And woe is hers――alas! alack! She hates the three times ten so black―― As a mastiff bitch doth bark, I hear her moaning in the dark!――
’Tis the month of January. Why lovely maiden, light and airy, While the moon can scarcely glow, Thro the plumes of falling snow, While the moss upon the bark Is withered all, and damp, and dark, While cold above the stars in doubt Look dull, and scarcely will stay out, While the snow is heavy on beechen bower And hides its name-sake, the snow-drop flower, Why walk forth thus mysteriously! Dear girl, I ask thee seriously. Thy cheek is pale, thy locks are wild―― Ah, think, how big thou art with child!―― Tho’ the baron’s red cloak thro’ the land hath no fellow, Thou should’st not thus venture without an umbrella!
Dost thou wander to the field of graves Where the elder its spectral branches waves? And will thy hurried footsteps halt Where thy mother sleeps in the silent vault? Where the stranger pauses long to explore The emblems quaint of heraldic lore, Where tho’ the lines are tarnished and dim, Thy mother’s features stare gaunt and grim, And grinning skull, and transverse bone, And the names of warriors dead and gone Mark Sir Leoline’s burial stone; Thither go not, or I deem almost That thou wilt frighten thy mother’s ghost! Or wilt thou wend to the huge oak-tree, And, kneeling down upon thy knee, Number the beads of thy rosary? Nine beads of gold and a tenth of pearl, And a prayer with each, my lovely girl, Nine and one, shalt thou record, Nine to the virgin and one to the Lord! The pearls are ten times one to behold, And ten times nine are the beads of gold, Methinks ’tis hard of the friar to ask On a night like this so weary a task!
’Tis pleasant――’tis pleasant, in summer time, In the green wood to spell the storied rhyme, When the light winds above ’mong the light leaves are singing, And the song of the birds thro’ your heart is ringing, ’Tis pleasant――’tis pleasant, when happily humming To the flowers below the blythe bee is coming!―― When the rivulet coy, and ashamed to be seen, Is heard where it hides ’mong the grass-blades green, When the light of the moon and each sweet starry islet Gives a charm more divine to the long summer twilight, When the breeze o’er the blossomy hawthorn comes cheerful, ’Tis pleasant――with heart――ah, how happy!――tho’ fearful, With heaven-beaming eyes, where tears come, while smiles glisten To the lover’s low vows in the silence to listen!
’Tis pleasant too, on a fine spring day (A month before the month of May) To pray for a lover that’s far away! But, Christabel, I cannot see The powerful cause that sways with thee Thus, with a face all waxen white, To wander forth on a winter night.
The snow hath ceased, dear lady meek, But the night is chill and bleak!―― And clouds are passing swift away Before the moon so cold and gray―― The crescent moon, like a bark of pearl, That lies so calm on the billowy whirl;―― Rapidly――rapidly With the blast, Clouds of ebony Wander fast, And one the maiden hath fixed her eyes on, Hath pass’d o’er the moon, and is near the horizon! Ah Christabel, I dread it, I dread it, That the clouds of shame Will darken and gather O’er the maiden’s name, Who chances unwedded To give birth to a child, and knows not its father!
One――Two――Three――Four――Five――Six――Seven――Eight――Nine――Ten――Eleven!――
Tempest or calm――moonshine or shower, The castle clock still tolls the hour, And the cock awakens, and echoes the sound, And is answered by the owls around―― And at every measured tone You may hear the old baron grunt and groan; ’Tis a thing of wonder, and fright, and fear, The mastiff-bitch’s moans to hear―― And the aged cow in her stall that stands And is milked each morning by female hands (That the baron’s breakfast of milk and bread May be brought betimes to the old man’s bed Who often gives, while he is dressing, His Christabel a father’s blessing) That aged cow, as each stroke sounds slow, Answers it with a plaintive low! And the baron old, who is ill at rest, Curses the favourite cat for a pest―― For let him pray, or let him weep, She mews thro’ all the hours of sleep―― Till morning comes with its pleasant beams, And the cat is at rest, and the baron dreams!
Let it rain, however fast, Rest from rain will come at last, And the blaze that strongest flashes Sinks at last, and ends in ashes! But sorrow from the human heart And mists of care will they depart? I know not, and cannot tell, Saith the Lady Christabel―― But I feel my bosom swell
In my spirit I behold A lady――call her firm, not bold―― Standing lonely by the burn ――Strange feelings thro’ her breast and brain Shoot with a sense of madness and pain. Ah, Christabel return, return, Let me not call on thee in vain! Think, lady dear, if thou art drowned That thy body will be found, What anguish will thy spirit feel, When it must to all reveal What the spell binds thee to conceal! How the baron’s heart will knock ’gainst his chest When the stake is driven into thy breast, When thy body to dust shall be carelessly flung, And over the dead no dirge be sung, No friend in mourning vesture dight, No lykewake sad――no tapered rite!――
Return, return thy home to bless, Daughter of good Sir Leoline; In that chamber a recess Known to no other eye than thine, Contains the powerful wild-flower wine That often cheer’d thy mother’s heart, Lady, lovely as thou art Return, and ere thou dost undress And lie down in thy nakedness Repair to thy secret and favourite haunt And drink the wine as thou art wont! Hard to uncork and bright to decant.
My merry girl――she drinks――she drinks Faster she drinks and faster, My brain reels round as I see her whirl, She hath turned on her heel with a sudden twirl;―― Wine, wine is a cure for every disaster, For when sorrow wets the eye Yet the heart within is dry, Sweet maid upon the bed she sinks―― May her dreams be light, and her rest be deep! Good angels guard her in her sleep!
WILLIAM MAGINN.
――――
THE DREAM, A Psychological Curiosity. BY S. T. C.
ADVERTISEMENT TO THE READER.
The following “wild and singularly original and beautiful poem” was written at the instigation of Mr. Robert Warren, who was desirous of enrolling me among the number of his panegyrists. The circumstances that lead to its original composition are as follows: I had been considering in what way I might best introduce the subject, when suddenly falling asleep over a provincial newspaper which detailed the battle between Cribb and Molineux, the thoughts of my waking hours assumed the aspect of the present poetical reverie. This to an unidead “reading public” may appear incredible, but minds of imaginative temperament are ever most active during the intervals of repose, as my late poem, entitled “The Pains of Sleep,” will sufficiently attest.
Dreams in fact are to be estimated solely in proportion to their wildness; and hence a friend of mine, who is a most magnificent dreamer, imagined but the other night that he invited a flock of sheep to a musical party. Such a flocci, nauci, nihili absurdity will, I am afraid, puzzle even our transcendental philosophers to explain, although Kant, in his treatise on the Phænomena of Dreams, is of opinion that the lens or focus of intestinal light ascending the æsophagus at right angles, a juxtaposition of properties takes place, so that the nucleus of the diaphragm reflecting on the cerebellum the prismatic visions of the pilorus, is made to produce that marvellous operation of mind upon matter better known by the name of dreaming.――To such simple and satisfactory reasoning what answer can be made?
Ten minutes to ten by Saint Dunstan’s clock, And the owl has awakened the crowing cock: Cock-a-doodle-doo, Cock-a-doodle-doo. If he crows at this rate in so thrilling a note, Jesu Maria! he’ll catch a sore throat.
Warren the manufacturer rich Hath a spectral mastiff bitch; To Saint Dunstan’s clock, tho’ silent enow, She barketh her chorus of bow wow, wow: Bow for the quarters, and wow for the hour; Nought cares she for the sun or the shower; But when, like a ghost all-arrayed in its shroud, The wheels of the thunder are muffled in cloud, When the moon, sole chandelier of night, Bathes the blessed earth in light, As wizard to wizard, or witch to witch, Howleth to heaven this mastiff bitch.
Buried in thought O’Warren lay, Like a village queen on the birth of May; He listed the tones of Saint Dunstan’s clock, Of the mastiff bitch and the crowing cock; But louder, far louder, he listed a roar, Loud as the billow that booms on the shore; Bang, bang, with a pause between, Rung the weird sound at his door, I ween. Up from his couch he leaped in affright, Oped his grey lattice and looked on the night, Then put on his coat, and with harlequin hop Stood like a phantom in midst of the shop; In midst of his shop he stood like a sprite, Till peering to left and peering to right, Beside his counter, with tail in hand, He saw a spirit of darkness stand; I guess ’twas frightful there to see A lady so scantily clad as she Ugly and old exceedingly.
In height her figure was six feet two, In breadth exactly two feet six, One eye as summer skies was blue, The other black as the waves of Styx. Her bloodless lips did aught but pair, For one was brown and one was fair, And clattered like maid in hysteric fit, Or jack that turneth a kitchen spit; Jesu Maria! with awe, I trow, O’Warren beheld this worricow, For dreary and dun the death-hue came O’er her cheek, as she traced the words of flame; The words of flame that with mystic fuss Are hatched from a still-born incubus, And doom each wight who reads, to dwell Till the birth of day in the caves of hell.
Oh! read thee not, read thee not, lord of the Strand, The spell that subjects thee to elfin command; Vain hope! the bogle hath marked her hour, And Warren hath read the words of power; Letter by letter he traced the spell, Till the sullen toll of Saint Dunstan’s bell, And the midnight howl of the mastiff bitch, Announced his doom to the Hallowmass witch. Still in her grandeur she stood by, Like an oak that uplooketh to sun and sky; Then shouted to Warren with fitful breath; “I’m old mother Nightmare-life-in-death; Halloo! halloo! we may not stay, Satan is waiting; away, away; Halloo! halloo! we’ve far to go, Then hey for the devil; jee-up! jee-hoe――――” O’Warren requested a little delay, But the evil one muttered “too late, by my fay;” So he put on his breeches and scampered away.
And here mote I tell how they rode on the wind, The witch before and the Warren behind; How they passed in a twinkling the haunts of man, And the proud pagodas of Kubla Khan; How they peeped at the planets like Allan-a-roon, And supped on green cheese with the man in the moon; Or listed the dulcimer’s tremulous notes, Or the voice of the wind through the azure that floats, Till pillar and palace and arching sky Rung to the mingled melody.
* * * * *
Away, away, through the thunder-cloud, Where tempest and ruin sit laughing aloud; Away, away, through the fields of air, Where the night-wind howls to the falling star; This amiable couple have past, and now They gain the swart regions of darkness and woe. O’Warren beheld them, and shrunk with awe, Like a client held fast in the grasp of law, Then hymned to the Virgin for aid and for pity, A highly correct and devotional ditty: “Miserere Maria,” he cried in despair, While the bullet-nosed bogle drew back at the prayer, For Mary, sweet Mary, hath power to fright, And palsy the souls of the dæmons of night; “Miserere Maria,” he bellowed again, And the worricow dropt her eye-tooth at the strain, But spite of her teeth, she eschewed complaint, Till troubled in spirit, and cowed and faint, She collared the tradesman with horrible yell, Then plunged with him head over heels into hell. Oh, how its wild waves bellowed and boomed!! Oh, how its vapors the air perfumed!! As Warren with timid and stifled breath, And followed by old Mrs. Life-in-death, Moved to where Satan Reclined alone, In the silence of thought on his ebon throne.
* * * * *
Proudly he strode to his palace gate, Which the witch and the Warren approached in state, But paused at the threshold as onward they came, And thus, with words of fever and flame, The tradesman addressed, “Your name, Sir, is known As a vendor of sables wide over the town; But in hell with proviso this praise we must mix, For though brilliant your blacking, the water of Styx Is blacker by far, and can throw, as it suits, A handsomer gloss o’er our shoes and our boots.”――
Answered the Warren, with choleric eye, “Oh, king of the cock-tailed incubi! The sneer of a fiend to your puffs you may fix, But if, what is worse, you assert that your Styx Surpasses my blacking, (’twas clear he was vexed), By Jove! you will ne’er stick at any thing next. I have dandies who laud me at Paine’s and Almack’s, Despite Day and Martin, those emulous quacks, And they all in one spirit of concord agree, That my blacking is better than any black sea Which flows thro’ your paltry Avernus, I wis,”―― “Pshaw,” Satan replied, “I’ll be damned if it is.”
The tradesman he laughed at this pitiful sneer, And drew from his pocket, unmoved by the jeer Of the gathering dæmons, blue, yellow, and pink, A bottle of blacking more sable than ink;―― With the waves of the Styx in a jiffey they tried it, But the waves of the Styx looked foolish beside it; “You mote as well liken the summer sky,” Quoth Warren the bold, “with an Irish stye; The nightingale’s note with the cockatoo’s whine, As your lily-white river with me or mine.”
Round the brow of Abaddon fierce anger played At the Strand manufacturer’s gasconade; And lifting a fist that mote slaughter an ox, He wrathfully challenged his foeman to box; Then summoned each dæmon to form a ring, And witness his truculent triumphing.―― The ring was formed and the twain set to, Like little Puss with Belasco the Jew.
Satan was seconded in a crack, By Molineux, the American black, (Who sported an oath as a civil Salam), While Warren was backed by the ghost of Dutch Sam.―― Gentles, who fondly peruse these lays, Wild as a colt o’er the moorland that strays, Who thrill at each wondrous rede I tell, As fancy roams o’er the floor of hell, Now list ye with kindness, the whiles I rehearse In shapely pugilistic verse, (Albeit my fancy preferreth still The quiet of nature,) this desperate Mill.
THE FIGHT.
Both men on peeling showed nerve and bone. And weighed on an average fourteen stone; Doffed their silk fogle, for battle agog, Yellowman, castor and white upper tog; Then sparred for a second their ardor to cool, And rushed at each other like bull to bull.
ROUNDS.
1. Was a smasher, for Brummagem Bob[89] Let fly a topper on Beelzebub’s nob; Then followed him over the ring with ease, And doubled him up by a blow in the squeeze.
2. Satan was cautious in making play, But stuck to his sparring and pummelled away; Till the ogles of Warren looked queer in their hue, (Here, bets upon Beelzebub; three to two.)
3. Fibbings, and facers, and toppers abound, But Satan, it seems, hath the worst of the round.
4. Satan was floored by a lunge in the hip, And the blood from his peepers, went drip, drip, drip, Like fat from a goose in the dripping pan, Or ale from the brim of a flowing can; His box of dominos chattered aloud, (Here, “Go it, Nick!” from an imp in the crowd,) And he dropped with a Lancashire purr on his back, While Bob with a clincher fell over him, whack.
5. Both men piping came up to the scratch, But Bob for Abaddon was more than a match; He tapped his claret, his mug he rent, And made him so groggy with punishment, That he gladly gave in at the close of the round, And Warren in triumph was led from the ground.
Then trumpet, and timbrel, and deafening shout, Like wind through a ruin rang lustily out, High o’er the rocks that jut over the deep, Where the souls of the damned to eternity weep; Echo threw forward her answer of fear, Dull as the dust that clanks over a bier, Or death-watch that beats in a sick man’s ear. From the gulph where they howl to the lead colored night, The shadowless spectres leaped up with delight, And “Buy Warren’s Blacking” they shouted aloud, As the night-wind sighs through a coffinless shroud. The evil one frowned while they bellowed amain, But “Buy Warren’s Blacking” he chorussed again; For tho’ worsted in fight, yet, by order of fate, The vanquished must temper the pulse of his hate, And yield to the victor (his will’s despite) Unbridled sway o’er the fiends of night. ’Tis done, and sore with his recent thwacking, Abaddon hath purchased O’Warren’s Blacking; Fate stood by while the bargain was made, Signed a receipt when the money was paid, Then summoned her sprites, an exemplary band, To kneel in respect to the Lord of the Strand.
But hark, ’tis the voice of the crowing cock! And hark, ’tis the toll of Saint Dunstan’s clock! The morn rides high in the Eastern sky, And the little birds carol it merrily: Already have waned at the gladsome sight, Each scene of darkness, each goblin sprite; Abaddon to whit, and the whole of his crew, Pink, yellow, or rosy, green, purple, or blue, For cheered by the rays thro’ his lattice that peep, The bard hath awoke from the “Pains of Sleep.”
This is probably the most amusing parody of Christabel that has ever been written. It appeared originally in “Warreniana,” a small anonymous volume of imitations published by Longmans & Co., in 1824. It is now known that the author was Mr. W. F. Deacon, who died about 1845.
Between 60 and 70 years ago Robert Warren’s Blacking was the best advertised article of the day, and even Lord Byron was accused of writing puffs for it. Hence this collection of squibs, in which all the leading poets of the day were represented as singing its praises.
Some few redundant passages have been cut out, but nothing which is necessary to the plot of the poem has been omitted. Warreniana may still be met with occasionally as a second-hand book, and is well worth the few shillings it will cost.
――――
A PARODY OF CHRISTABELLE. The Baron Rich.
’Tis a quarter to ten by the castle clock, And the ‘mastiff bitch’ has awakened the cock, And the cock has awakened the ‘Baron Rich,’ And he in return will thump the bitch; Say what can ail her, in her sleep, That thus she begins to ‘moan and leap,’ I know not, I know not the reason I swear, And e’en if I did, I’ll be hang’d if I care.
* * * * *
The Baron awoke at the usual hour, And the bell toll’d loud in his moss-covered tow’r, Slowly it swung to the gales of the west, Like a voice from the dead when the winds are at rest, And a grinning nightmare withheld his rest, And sat like a pound of cheese on his breast, And devils and imps danced over his head, And Satan grinn’d at the foot of his bed; And the crowing cock his shrill clarion blew, To whit! to whoo! And hark again the crowing cock, How drowsily it crew; As if it was loth from its pillow to creep, But determined at least to snore in its sleep. Again the cock crew, while the glance of his eye, Frightened the clouds as they sail’d thro’ the sky, And the consequence was, that they shook with wonder, And jostling each other created the thunder; The Baron awoke, and he holloed aloud, As one who had seen ‘my ladie’s shroud’: “Bard Bracey, Bard Bracey, Come here, or I’ll lace ye, And tell me directly, or deeply you’ll rue, The cause of this terrible hulloboloo!” The bard came forth in his night-cap he, And he was as skinny as bard mote be, And his locks hung down o’er his shoulders flat, As my grandmother says like the tail of a rat; And away he went with a hem and a haw! To make the old mastiff lie still in her straw―― Without the kennel the mastiff old, Lay snoring fast in ‘moonshine cold.’ He kick’d her once, he kick’d her twice, But the old bitch snapp’d at his fingers thrice. Then Bracy kick’d her again, times four, But the old bitch snapped at his fingers the more.
Is he hurt? or doth he squall? I think he’s hurt tho’ he doth not squall, But he curses much, like a naughty man, And swears as often as swear he can; And like a ‘little limber elf,’ Singeth and danceth to himself. He must be hurt, I’m sure he must,―― Or he scarce would dare to kick up such a dust; And certain I am, by his look, ’ifegs, That the mastiff has bitten the calf of his legs, And ’tis a right wonder to raise a laugh!―― For who ever heard of a bard with a calf? But lo! he kicks her again, and her cry, Split the kennel and rent the sky, And there she was, squatted upright on her tail, And oh! she look’d――she look’d like a whale. And spouted forthwith this dolorous strain, Which deserves an encore, again and again.
Song of the old Bitch.
“There’s a cloud in the sky, And it’s wandering by, And in it I’ll lump, With a hop, skip, and jump, For I’m a warlock of evil, I trow.”
(Here the bitch ended with bow-wow-wow.)
The bardling was frightened, as well he mote be, And he looked around, but nought could he see; The lanky-legg’d bardling was frightened, odd rat it, And to tell you the truth, I don’t much wonder at it: For the mastiff had vanish’d, and he was alone, With nothing at hand, but the grey square stone; Thro’ which the wind oozed with a terrible crack, Like a shoulder of mutton spun round on the jack.
* * * * *
The Baron has put on his night-gown and cap, To know the reason of this mishap; The Baron has put on his cap and night-gown, And with club-stick in hand, has gone in a fright down; And there he discovered, oh! think how shocking, Bard Bracey alone without shoe or stocking; “Bard Bracey, Bard Bracey,” the Baron exclaimed, “To remain in this manner, pray arn’t you ashamed?” “Bard Bracey, Bard Bracey,” the Baron he cried, “Go back, go back, to your own bedside, Or with this good cudgel of forest renown, As I hope to be saved, I will knock you down.” Bard Bracey hath girt up his loins and fled, And the Baron eftsoons has gone to bed; And a noise is heard, an inscrutable din, Of the mastiff without, and the kittens within. And the Baron has woke in a hell of a fright, And is close to the tinder-box striking a light; But in striking the flint with too numerous blows, He has missed the tinder, and struck his nose.
* * * * *
The proud-hearted Baron, o’ercome by the pain, Jump’d out of his bed, but finding it vain, Altered his mind and jump’d in again: And there he dreamt of the father of evil, ’Ycleft by sinners on earth, the devil; But before he could tell what his spirits were at, In popp’d father Satan in shape of a cat. And he skipp’d thro’ the key-hole with terrible pother, A match in one hand, and his tail in the other; And said to the Baron, with funeral glee, “Come, leap thro’ the window, and fly with me; For I’m the mastiff that kick’d up a rout, And my broomstick is waiting to carry you out.” The Baron requested a little delay; But the ill-tempered devil said “Nay, sir, nay;” So he put on his breeches and scampered away. And here might I tell how they rode on the wind, The Baron before, and the devil behind; How they rattled along, without food or pelf, On the high road to Hell, for I saw them myself. How they flew through the clouds like an air baloon. And quickly arrived at the hills of the moon. How the goddess herself was too late to meet them, But sent a committee of moon-calves to greet them; How, at five o’clock, just in time for dinner, The good-looking couple arrived at the inner Abode of hell, where their journey was o’er, And they dined off a chop in the Devil’s boudoir; All this I could tell, if I wasn’t afraid, That Satan would blush for the pranks I betrayed.
* * * * *
Years have fled since the fatal day, When the Baron’s spirit wing’d its way, Obsequious at Apollyon’s call, To the mansions of death, and the spectral hall; But still on that ill-omened hour, The death hymn peals and the tempests low’r, And knives and forks are laid across, And the salt is spill’d to the beldame’s loss; And thirteen old women get into the room, And the last who goes in――goes out to the tomb. And an ugly thief flies into the candle, And pops in your face if you dare it to handle; And horrid coffins bounce out of the flame, Enough the most desperate courage to tame; And demon’s torment the Baron’s soul, And sing out exultingly, “Old King Coal;” Which proves that the imps and their souls and so forth, Are as black as the coals that you buy in the north. And legends assert, since this terrible stroke, That Bracey still lives like a pig in a poke; And my grandmother like to the village chimes, Has rung out the subject a hundred times; I wist not what the truth may be, But I’ll take my oath she has told it to me.
* * * * *
And the worsted night-cap the Baron wore, And his flannel hose were seen no more, And instead of the pillow as soft as his head, A coffin was placed at the foot of the bed; And dead men’s bones go dancing about, And skeleton’s guzzle a bottle of stout, Drained from a toper that died of the gout. And lights are seen in the midst of the room, And none know why or whence they come; But most people think that from motives of spite, There Beelzebub places his hellish rush-light. But ere the clock tolls a quarter to four, The Devils post back to the Stygian shore; And ere the clock points at a quarter to six, The Devils are safe on the banks of the Styx; And like the people that travel to Dover, Only wait for the packet to carry them over.
This parody, which has more relation to the second part of Christabel than to the first, is taken from “The Dejeuné, or Companion for the Breakfast Table.” Monday, November 6, 1820. The Dejeuné was a small paper issued daily at the price of twopence, by Gold & Northhouse, London, and afterwards gathered into a volume, which is now very scarce. After long and patient searching in the British Museum Library no copy of it could be found, nor was its name, even, known to the authorities there. But the parody it contained had been mentioned by authorities on Coleridge, and this collection would have been incomplete without it, hence further searching. At last, after all hopes of obtaining it had departed, the volume was found, in the original boards, clean, and uncut, amongst waste books and pamphlets outside a second-hand bookshop.
That the parody is no better is to be regretted, its insertion here is excusable simply because of its scarcity, for although the editor of The Dejeuné admits that it had already been printed, he does not mention where, nor has any other copy of it ever come under our notice.
――――
The European Magazine and London Review for April, 1815, contained a poem entitled “Christobell, a Gothic tale,” which was simply a conclusion to Coleridge’s Christabel, although that fact was somewhat artfully veiled in a foot note, which stated “Written as a sequel to a beautiful legend of a fair lady and her father, deceived by a witch in the guise of a noble knight’s daughter.”
It was somewhat ungenerous to steal Coleridge’s metre and plot upon which to found a poem, without mentioning the name of the originator. This sequel is anonymous, in it Geraldine is finally discovered to be a witch of the Lake, and Merlin thus addresses her:――
“Witch of the lake, I know thee now! Thrice three hundred years are gone Since beneath my cave, In the western wave, I doom’d thee to rue and weep alone, And writ thy shame on thy breast and brow.” “Thy hour is past, thy spells I sever,―― Witch of the lake descend for ever!”
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The most important continuation of Coleridge’s poem was written by the author of Proverbial Philosophy. It was entitled “Geraldine, a sequel to Coleridge’s Christabel,” by Martin Farquhar Tupper. London. Joseph Rickerby. 1838.
In his Preface, Mr. Tupper gives a short prose sketch of Coleridge’s beautiful but incomplete poem, and remarks that his excuse for continuing the fragment is to be found in Coleridge’s own words, “I trust that I shall be able to embody in verse the three parts yet to come, in the course of the present year” (1816), a half promise which he never redeemed.
Mr. Tupper’s poem is in three parts, and is written in serious imitation of Christabel, although he fully admits the temerity of his attempt to complete Coleridge’s masterpiece.
――――
Another, but very inferior continuation appeared in Smallwood’s Magazine, June 1841 (London. E. Smallwood, Old Bond Street,) entitled “Christabel, continued from Coleridge,” by Eliza Stewart. There is a total absence of plot or interest in this poem, and some of the lines descend to the lowest depths of bathos.
Singularly enough, this poem is immediately followed, in the magazine, by an Italian ode “To a foggy day in England,” written by Gabriele Rossetti, father of Dante Gabriel Rossetti, and William Michael Rossetti.
This brings to mind Mr. T. Hall Caine’s interesting “Recollections of Dante Gabriel Rossetti (London, Elliott Stock, 1882), in which a chapter is devoted to Rossetti’s opinions on the Lake poets, and particular prominence is given to his criticisms on Coleridge, and Christabel. First, the origin of the name is discussed, next the design of the poem, and whether Coleridge had intended (as some critics asserted) to show in the sequel that Geraldine was not a disconsolate maiden, but a man bent on the seduction of Christabel.
After these speculations there is an enumeration of various continuations and parodies of the poem, some mentioned by Rossetti, others by Mr. Hall Caine.
Unfortunately these references are so vague that it is impossible to trace some of the articles mentioned.
Thus, it is said the Morning Post about 1820 contained a continuation of Christabel, also that there were parodies in The Quarterly, The Examiner, and The Monthly Magazine, but no indication is given of the dates, or volumes, in which they appeared.
――――
In 1816 a clever parody was printed in London entitled “Christabess, by S. T. Colebritche, Esq., a right woeful Poem, translated from the doggerel by Sir Vinegar Sponge.” 8vo. Unfortunately no copy of this scarce pamphlet is to be found in the British Museum Library; it is said to be very funny, even Coleridge himself quoted it as an admirable parody. The name of the author of Christabess was never divulged.
It is difficult to parody Christabel successfully. Even the attempt contained in The Poetic Mirror, although written by one who was himself a poet, James Hogg, the Ettrick Shepherd, was an interesting imitation, without invention, or suitable application of style. It was entitled Isabelle, the same volume contained another imitation of Coleridge’s style The Cherub, which was somewhat more successful, but neither poem is of sufficient interest to reprint. The Poetic Mirror was published in London in 1816.
Christabel has also been parodied in German.
“Chrystabelle; or, the Rose without a Thorn” is the title of an extravaganza written by the late Edmund Falconer, and produced at the Lyceum Theatre, London, December 26, 1860, it does not, however, bear any resemblance to Coleridge’s poem.
――――:o:――――
A VISION. (By the author of “Christabel.”)
“Up!” said the spirit, and ere I could pray One hasty orison, whirl’d me away To a limbo, lying――I wist not where―― Above or below, in earth or air; For it glimmered o’er with a doubtful light, One couldn’t say whether ’twas day or night; And was crost by many a mazy track, One didn’t know how to get on or back; And I felt like a needle that’s going astray, (With its one eye out) through a bundle of hay: When the spirit he grinn’d, and whisper’d me “Thou’rt now in the Court of Chancery!”
Around me flitted unnumbered swarms Of shapeless, bodiless, tailless forms; (Like bottled up babes, that grace the room Of that worthy knight, Sir Everard Home)―― All of them things half-kill’d in rearing; Some were lame――some wanted hearing; Some had through half a century run, Though they hadn’t a leg to stand upon. Others, more merry, as just beginning, Around on a point of law were spinning; Or balanced aloft, ’twixt Bill and Answer, Lead at each hand, like a tight-rope dancer―― Some were so cross, that nothing could please ’em; Some gulp’d down affidavits to ease ’em; All were in motion, yet never a one, Let it move as it might, could ever move on. “These,” said the spirit, “You plainly see, Are what they call suits in Chancery!”
I heard a loud screaming of old and young, Like a chorus by fifty Vellutis’ sung; Or an Irish dump (“the words by Moore”) At an amateur concert scream’d in score;―― So harsh on my ear that wailing fell Of the wretches who in this limbo dwell! It seemed like the dismal symphony Of the shapes Æneas in hell did see; Or those frogs, whose legs a barbarous cook Cut off and left the frogs in the brook, To cry all night, till life’s last dregs, “Give us our legs!――give us our legs!” Touched with the sad and sorrowful scene, I ask’d what all this yell might mean, When the spirit replied with a grin of glee, “’Tis the cry of the suitors in Chancery!”
I look’d, and I saw a wizard rise,[90] With a wig like a cloud before men’s eyes. In his aged hand he held a wand, Wherewith he beckoned his embryo band, And they mov’d and mov’d, as he waved it o’er, But they never got on one inch the more, And still they kept limping to and fro, Like Ariels, ’round old Prospero―― Saying “dear master, let us go,” But still old Prospero answered “No,” And I heard, the while, that wizard elf, Muttering, muttering spells to himself, While o’er as many old papers he turn’d, As Hume e’er moved for, or Omar burned. He talked of his virtue――’though some, less nice, (He owned with a sigh) preferr’d his Vice―― And he said “I think”――“I doubt”――“I hope”―― Call’d God to witness, and damn’d the Pope; With many more sleights of tongue and hand I couldn’t for the soul of me understand.
Amaz’d and poz’d, I was just about To ask his name, when the screams without The merciless clack of the imps within, And that conjuror’s mutterings, made such a din, That startled, I woke――leap’d up in my bed―― Found the spirit, the imps, and the conjurer fled, And blessed my stars, right pleased to see, That I wasn’t, as yet, in Chancery.
THOMAS MOORE.
(This poem originally appeared in The Times, 1826.)
FRAGMENT OF A VISION.
A Dandy on a velocipede I saw in a vision sweet, Along the highway making speed, With his alternate feet. Of a bright and celestial hue Gleamed beauteously his blue surtout; While ivory buttons, in a row, Showed like the winter’s caverned snow, Which the breezy north Drives sweeping forth To lodge in the cave below: Ontario’s beaver, without demur, To form his hat did lend its fur: His frill was of the cambric fine, And his neckcloth starched and aquiline; And oh, the eye with pleasure dwells On his white jean indescribables; And he throws the locks from his forehead fair, And he pants, and pants, and pants for air; What is the reason I cannot tell, There is a cause――I know it well; Too firmly bound, too tightly braced, The corsets grasp his spider waist, Till his coat tails are made to fly Even from the back they glorify. Look again, he is not there―― Vanished into the misty air! Look again! do you see him yet? Ah no! the bailiff has seized him for debt, And to and fro, like a restless ghost, When peace within the grave is lost, He paces as far, as far he should, Within the bounds of Holyrood!
WILLIAM MAGINN. 1821.
――――:o:――――
THE ANCIENT STORY.
[The Lord Chief Justice seems to have “Tichborne on the brain,” and cannot permit even his convivial moments to pass without talking of him, and going in for his own justification. He has become the veritable Ancient Mariner of the judicial bench, who, whenever he gets an audience, is compelled to begin anew the ancient story.――“‘There was a case,’ quoth he.”――South London Press.]
It is an ancient Judge-in-Chief, And he stoppeth one in three; “By thy horsehair wig and glittering eye, Now wherefore stopp’st thou me?”
He holds him with his skinny hand, “There was a Case” quoth he. “Hold off!――unhand me, greybeard loon!” But still the tale must be.
“The case was called, the usher bawled, ’Regina v. Cas_tro_; The work began, upstood the man Whom all as Claimant know.
“Day after day, day after day, Into the box came he, And answers gave, the smiling knave, That posed the keen Q.C.
“And lies were here, and lies were there, And lies were all about, Whispered and growled, and roared and howled, And still the case spun out.
“Day after day, day after day, We stuck――no sense of motion, Until the speeches came, and words Flowed boundless as the ocean:
“Till every tongue, through utter drought, Was withered at the root; The barristers were dry as if They had been choked with soot.
“There passed a weary time; each throat Was parched, and glazed each eye; A weary time, a weary time―― And then my speech had I.
“I charged the jury with a will, The Claimant I defied, No Tichborne he, and if not――who? ‘Orton,’ the jury cried.
“Ah, well-a-day! what evil looks, Had I from old and young! To the convict’s doom, to the living tomb, The pestilent man I flung!
“And ever since a Shibboleth The world’s opinion rules; Fools and fanatics they who doubt―― Fanatics all and fools!
“And still this tongue of mine is moved, With a woful tendency, To cry this cry and tell this tale Where’er I chance to be.
“In public and in private life, In Needlemakers’ Hall, Whosever guest, with my unrest I still his ears appal;
And tell the tale, and cry the cry, Which public ardour cools, Fools and fanatics they who doubt―― Fanatics all and fools!”
Funny Folks.
The City Press lately reported (April 1888), that the Tichborne Claimant has returned to this country from America, travelling under the name of Sir Roger Tichborne, with Lady Tichborne. His ticket-of-leave is now out, and he boasts of a determination to re-open the Tichborne case.
MATTHEW GREGORY LEWIS.
BORN 1775.――DIED MAY 14, 1818.
The first work of this author that attracted general attention was a somewhat licentious romance, published in 1795, entitled Ambrosio, or the Monk, from which circumstance he was afterwards generally styled “Monk Lewis.” He had a morbid taste for the horrible and supernatural in literature, and having achieved some fame by his Monk and Castle Spectre he continued to write ghost stories till, following as he did in the wake of Mrs. Radcliffe, he quite overstocked the market. Upon one occasion Lewis, speaking to Lady Holland about The Rejected Addresses, remarked
“Many of them are very fair, but mine is not at all like; they have made me write burlesque, which I never do.” “You don’t know your own talent,” answered the lady. Lewis was very small in stature, he had large grey eyes, thick features, and an inexpressive countenance, he was, however, exceedingly vain, and very foppish in his dress. But he was a generous, kind hearted man, Sir Walter Scott spoke highly of him, and Byron wrote
“I’d give a world of sugar cane, That Mat. Lewis were alive again.”
He was for some time M.P. for Hindon, but he obtained no parliamentary distinction.
The following, which is his best known poem, first appeared in his novel The Monk:――
ALONZO THE BRAVE,
AND THE FAIR IMOGINE.
A warrior so bold, and a virgin so bright, Convers’d as they sat on the green; They gaz’d on each other with tender delight; Alonzo the Brave was the name of the knight; The maid’s was the Fair Imogine.
“And Oh!” said the youth, “since to morrow I go “To fight in a far distant land, “Your tears for my absence soon ceasing to flow, “Some other will court you, and you will bestow “On a wealthier suitor your hand.”
“Oh! hush these suspicions,” Fair Imogine said, “Offensive to love and to me! “For, if you be living, or if you be dead, “I swear by the Virgin, that none in your stead “Shall husband of Imogine be.”
“And if e’er for another my heart should decide, “Forgetting Alonzo the Brave, “God grant that, to punish my falsehood and pride, “Your ghost at the marriage may sit by my side, “May tax me with perjury, claim me as bride, “And bear me away to the grave.”
To Palestine hasten’d the hero so bold! His love she lamented him sore; But scarce had a twelvemonth elaps’d, when, behold, A Baron all cover’d with jewels and gold, Arriv’d at Fair Imogine’s door,
His treasure, his presents, his spacious domain, Soon made her untrue to her vows; He dazzled her eyes, he bewilder’d her brain, He caught her affections, so light and so vain, And carried her home as his spouse.
And now had the marriage been blest by the priest, The revelry now was begun; The tables they groan’d with the weight of the feast: Nor yet had the laughter and merriment ceas’d When the bell of the castle toll’d “One!”
Then first, with amazement Fair Imogine found That a stranger was plac’d by her side; His air was terrific, he utter’d no sound, He spoke not, he mov’d not, he look’d not around, But earnestly gaz’d on the bride.
His vizor was clos’d, and gigantic his height, His armour was sable to view! All pleasure and laughter were hush’d at his sight, The dogs as they eye’d him drew back in affright, The lights in the chamber burn’d blue!
His presence all bosoms appear’d to dismay, The guests sat in silence and fear; At length spoke the bride, while she trembled, “I pray, “Sir Knight, that your helmet aside you would lay, “And deign to partake of our cheer.”
The lady is silent; the stranger complies, His vizor he slowly unclos’d; Oh! then what a sight met Fair Imogine’s eyes! What words can express her dismay and surprise, When a skeleton’s head was expos’d!
All present then utter’d a terrified shout; All turn’d with disgust from the scene: The worms they crept in, and the worms they crept out, And sported his eyes and his temples about, While the spectre address’d Imogine:――
“Behold me! thou false one! behold me!” he cried, “Remember Alonzo the Brave! “God grants, that to punish thy falsehood and pride, “My ghost at thy marriage should sit by thy side, “Should tax thee with perjury, claim thee as bride, “And bear thee away to the grave!”
Thus saying, his arms round the lady he wound, While loudly she shriek’d in dismay; Then sank with his prey, through the wide yawning ground, Nor ever again was Fair Imogine found, Or the spectre who bore her away.
Not long liv’d the Baron; and none since that time, To inhabit the castle presume; For chronicles tell, that by order sublime, There Imogine suffers the pain of her crime, And mourns her deplorable doom.
At midnight, four times in each year, does her sprite, When mortals in slumber are bound, Array’d in her bridal apparel of white, Appear in the hall with the skeleton knight, And shriek as he whirls her around.
While they drink out of skulls newly torn from the grave, Dancing round them pale spectres are seen; Their liquor is blood, and this horrible stave They howl,――“To the health of Alonzo the Brave, “And his consort, the false Imogine!”
M. G. LEWIS.
It is somewhat unusual for an author to parody himself, but in a volume entitled “Tales of Wonder” written and collected by M. G. Lewis, Esq., London 1801, he inserted “Alonzo the Brave,” with a parody written by himself. Of this, he remarked, that the idea of making an apothecary of the Knight, and a brewer of the baron, and some few of the lines, were taken from a parody which appeared in one of the newspapers under the title of “Pil-Garlic the Brave, and Brown Celestine.”
It is to be regretted that he did not mention the author of the latter parody, nor the paper in which it originally appeared.
GILES JOLLUP THE GRAVE AND BROWN SALLY GREEN.
A Doctor so prim, and a sempstress so tight, Hob-a-nobb’d in some right maresquin, They suck’d up the cordial with truest delight: Giles Jollup the Grave was just five feet in height, And four feet the Brown Sally Green.
“And as,” said Giles Jollup, “to-morrow I go “To physic a feverish land, “At some sixpenny-hop, or perhaps the mayor’s show, “You’ll tumble in love with some smart city beau, “And with him share your shop in the Strand.”
“Lord, how can you think so?” Brown Sally Green said, “You must know mighty little of me, “For if you be living, or if you be dead, “I swear, ’pon my honor, that none in your stead “Shall husband of Sally Green be.
“And if e’er for another my heart should decide, “False to you and the faith which I gave, “God grant that at dinner too amply supply’d, “Over-eating may give me a pain in my side; “May your ghost then bring rhubarb to physic the bride, “And send her well dos’d to the grave.”
Away went poor Giles, to what place is not told; Sally wept till she blew her nose sore! But scarce had a twelve-month elaps’d, when, behold, A Brewer, quite stylish, his gig that way roll’d, And stopp’d it at Sally Green’s door.
His wealth, his pot-belly, and whisky of cane, Soon made her untrue to her vows; The steam of strong beer now bewilder’d her brain, He caught her while tipsy! denials were vain, So he carried her home as his spouse.
And now the roast beef had been blest by the priest, To cram now the guests had begun; Tooth and nail, like a wolf, fell the bride on the feast, Nor yet had the clash of her knife and fork ceas’d, When a bell (’twas a dustman’s) toll’d “One!”
Then first, with amazement Brown Sally Green found That a stranger was stuck by her side; His cravat and his ruffles with snuff were embrown’d; He ate not, he drank not, but turning him round, Sent some pudding away to be fried!!!
His wig was turn’d forwards, and short was his height, His apron was dirty to view; The women (oh! wond’rous) were hush’d at his sight; The cats, as they ey’d him, drew back, (well they might) For his body was pea-green and blue!
Now as all wish’d to speak, but none knew what to say, They look’d mighty foolish and queer; At length spoke the bride, while she trembled, “I pray, “Dear sir, your peruke that aside you wou’d lay, “And partake of some strong or small beer!”
The sempstress is silent; the stranger complies, And his wig from his phiz deigns to pull; Adzooks! what a squall Sally gave thro’ surprize! Like a pig that is stuck, how she open’d her eyes, When she recogniz’d Jollup’s bare skull!
Each miss! then exclaim’d, while she turn’d up her snout, “Sir, your head isn’t fit to be seen!” The pot-boys ran in, and the pot-boys ran out, And could not conceive what the noise was about, While the doctor address’d Sally Green.
“Behold me! thou jilt-flirt! behold me!” he cried, “You have broken the faith which you gave! “God grants, that to punish your falsehood and pride, “Over-eating should give you a pain in your side; “Come, swallow this rhubarb! I’ll physic the bride, “And send her well dosed to the grave!”
Thus saying, the physic her throat he forc’d down, In spite of whate’er she could say, Then bore to his chariot the damsel so brown; Nor ever again was she seen in that town, Or the doctor who whisk’d her away.
Not long liv’d the Brewer; and none since that time, To make use of the brewhouse presume; For ’tis firmly believ’d that, by order sublime, There Sally Green suffers the pain of her crime, And bawls to get out of the room.
At midnight, four times in each year, does her sprite With shrieks make the chamber resound, “I won’t take the rhubarb!” she squalls in affright, While, a cup in his left hand, a draught in his right, Giles Jollup pursues her around!
With wigs so well powder’d, their fees while they crave, Dancing round them, twelve doctors are seen; They drink chicken broth, while this horrible stave Is twang’d thro’ each nose,――“To Giles Jollup the Grave, “And his patient, the sick Sally Green!”
M. G. LEWIS.
――――
ST. GEORGE AND CAROLINE.
A loose parody of “Alonzo the Brave, and the Fair Imogine,” relating to George IV. and Queen Caroline.
(Written in October 1820.)
A warrior so bold, and a virgin so bright, Conversed as they sat o’er their wine; They gaz’d on each other with tender delight; St. George was the name of that pot-belly’d knight,[91] The maid’s was the Fair Caroline.
And “Oh!” said in rapture, the amorous beau, As of Champagne he tipp’d off a quart, The passion’s so ardent with which I now glow, That ne’er on another a thought I’ll bestow, You shall share both my throne and my heart.
“Then hush all suspicion,” the Cavalier said, “Believe me, this heart’s all your own; For whilst I am living, if you be not dead, I swear by these whiskers, that none in your stead, Shall sit by my side on the throne.”[92]
But alas! by caprice or intrigue led aside, His recreant affections soon roam; He spurn’d the fair damsel who late was his pride, E’en access to her own belov’d infant deny’d, And the poor childless mother, the sad widow’d bride, An exile became from her home.
* * * * *
For the grand coronation, now see the Archbishop, Prepare; for at hand was the day. At a cabinet dinner, they’d just served the fish up, And a waiter had brought a spare rib, the top dish up, When a belle struck them all with dismay.
Then, oh! with amazement, the courtiers found, ’Twas fair Caroline stood by their side; St. George was confounded, he utter’d no sound; He spoke not, he mov’d not, nor dar’d look around, Lest his eyes should encounter his bride.
Her mien was majestic, her aspect so bright, That her enemies shrunk from the view; All their pleasure and laughter were hushed at the sight, Callous Canning and Castlereagh shrunk in affright, Pious Eldon and Sidmouth look’d blue!
* * * * *
“Begone!” to the base borough-faction she cry’d; “Your malice and hatred I brave; To deceive England’s monarch all arts you have try’d, He has sworn that none else but his own lawful bride At the grand coronation should sit by his side, Unless I should be in my grave.”
(Here follow four more verses.)
From The Melange, Liverpool, 1834.
――――
COLENSO THE BRAVE. By our own Monk Lewis.
A Bishop so wise, and a native so tame, Conversed in an African mead, Colenso the Brave was the Suffragan’s name, But the pensive Zulu’s is not given to fame, And they talked upon questions of creed.
“O hush those suspicions,” the Suffragan said, “Offensive to Church and to me.” But something the native put into his head, He mused on at board, and he mused on in bed, And he talked of the same in his see.
Then over to England the Suffragan flew, And published some tomes full of lore, Which brought on his Lordship each savage Review; Some called him a sceptic, some called him untrue, Some said he’d been answer’d before.
A dreadful sensation, too dreadful to tell To the Bench of the Bishops he gave, As when Mr. Whitworth explodes a big shell; But they rallied, and all in a body they fell To demolish Colenso the Brave.
From the Cape, demon-haunted, a Spirit[93] arose, It was clad in a mantle of gray, And it stalked to Colenso, and said, “I depose A priest who can propagate volumes like those!” But a stern apparition cried “Nay!”
In a voice full of sweetness, but cold as a stone, “I forbid you to touch him!” it said. “You are phantoms alike――if you want flesh and bone, Go pray Three Estates; for a Monarch alone Is nought to the Church but a Head.
“He is free to return to his pensive Zulu, By whom it appears he was posed, He knows no allegiance to Longley or you: Behold me, and know what I tell you is true!” Then a Chancellor’s[94] face was disclosed.
The sentence was final and left not a doubt, His smile of derision they saw; The lawyers ran in, and the lawyers ran out, They hooted and mooted the Temple about, But no one could challenge the law.
And while all the Bishops look awfully grave, Dancing round them Dissenters are seen, Their liquor’s Cape-port, and as horrid the stave, They chant “To the health of Colenso the Brave[95] And his convert, the native so clean;”
SHIRLEY BROOKS. 1865.
――――
A Bishop there was at Natal A Zulu he had for his “Pal,” Said the Zulu, “Look here, This here Pentateuch’s queer,” Which converted his Grace of Natal.
――――
“BETWEEN THE ACTS;” Or, Spain and the Spanish.
A School-boy so stout, and a Maiden so mad―― She a hag, he a youth in his teens―― T’other day made a match, be ’t for good or for bad, Alfonso the Twelfth was the name of the lad, And L’Espana the maniac quean’s.
* * * * *
And this school-boy, with hands and with heart still so clean, Conscience clear of offence as a lamb―― If ever the world, flesh, and devil were seen, In a foul female Cerberus, crown’d as a Queen, ’Twas in her he’d to blush for as dam!
“But how,” said the Boy, “for as mad as you seemed, So much wits did you e’er come to show, As to hurl down the idols that gods you late deemed, Leave the fools that you followed, the dreams that you dreamed, And kick out Sagasta & Co.?”
“She!” in scorn cried the keeper,――Armed Force,――who stood there, With his whip and strait-waistcoat, fair shown, “Don’t think her craze cured, or her turned head set square, Poor L’Espana’s still mad as was ever March hare. It is me you’ve to thank for your throne.
“How bonds both a curse and a blessing may be Poor L’Espana is destined to know: In the bonds I put on her salvation you see, Through the bonds she got off bankrupt beggar is she, A world’s warning, a scoff, and a show!”
The maniac looked fierce, but her wrath died away To dead calm, that strait-waistcoat displayed, And she crouched and she whined, “’Pon my honour I’ll pay―― And get credit――who knows?――to run more ticks some day, When my ‘passives’ once ‘actives’ are made.
“Then come to my arms――be Alfonso the Brave―― And I’ll be thy fair Imogine.” Here the maniac looked wild, and the keeper looked grave, While Alfonso, poor boy, scarce knew how to behave,―― When a third party stepped on the scene.
’Twas Le Lor Maire of London――that mythical Lord, Who had deigned upon Paris to shine, With herald and trumpeters, sword-bearer, sword, Mace, flags, running footmen――in friendly accord Come England and France to combine!
* * * * *
Did Alfonso to Stone――Yo El Rey to Lord Mayor―― Give a pledge Spain’s bad debts in to call? And if a pledge――what pledge――and whence when and where Is the money to come, that, betwixt bull and bear, Like a bone of contention will fall?
Punch. January 16, 1875.
――――
A TERRIBLE TALE.
The night it was dark, not a star in the sky, As the Lord Mayor of London passed nervously by A charnel-house crammed with the bodies of those Who had died ’neath grim Radicals’ murderous blows.
The wind howled a dirge and the moon hid its face, There were skulls and dry blade-bones all over the place; But the Lord Mayor of London, no tremor had he―― Said his lordship, “It’s here that the thieves will put me.”
So he crept past the tombs and the graves of the dead, In spite of grim spectres, with eye-sockets red; And he hid him away in a newly-made grave, Just to see how at midnight the ghosts would behave.
Thought he, “I will watch these poor victims arise―― They shall tell me their sorrows, I’ll gather their sighs; And I’ll hie me away at the crow of the cock To give the good people of England a shock.
“I shall hear how these noble old corpses were killed―― They’ll describe how their innocent claret was spilled; And I’ll never take breath through my burning harangue Till the world knows the crimes of the Radical gang.”
Just then a wild tempest broke over the scene―― The bells clanged out midnight, his lordship turned green; For, with clamour and cry, in their shrouds from their graves, There arose the dead victims of Radical knaves.
O, the language they used, and the pranks that they played; O, the terrible tricks that those spectres essayed; O, the sentiments shocking that came from their lips; O, the crimes that they had at their finger-bones’ tips!
It was “Bedlam” and Newgate and Hanwell “broke loose,” And their language!――their mildest expression was “deuce!”―― The Lord Mayor he shuddered and fell on his knees; He had never before seen such infamous sprees.
But just as his lordship was checking a sob, Right into the place burst a horrible mob; The vilest of vile and the lowest of low, And these cuddled the corpses and snivelled their woe.
They were folks who regretted the jolly old days When humbugs and robbers had all their own ways; They wept for the crew by the Radicals slain, And they wished back the old days of darkness again.
He crept from the churchyard, and, wiser, more sad, He confessed that the City was hopelessly bad; He confessed that in feasting and pageant and show They squandered the wealth filched from want and from woe.
That scene in the charnel-house burnt in his brain; He went to Sir William[96] at once by the train, And explained that his soul would be harassed until He had helped with his vote the Municipal Bill.
The Referee. April 20, 1884.
――――:o:――――
The Poems of M. G. Lewis were deemed worthy of imitation by the authors of The Rejected Addresses, and Horace Smith accordingly wrote one entitled “Fire and Ale,” of which Lord Jeffrey said in the Edinburgh Review, “Fire and Ale,” by M. G. Lewis, exhibits not only a faithful copy of the spirited, loose, and flowing versification of that singular author, but a very just representation of that mixture of extravagance and jocularity which has impressed most of his writings with the character of a sort of farcical horror.”
FIRE AND ALE.
My palate is parched with Pierian thirst, Away to Parnassus I’m beckoned; List, warriors and dames, while my lay is rehearsed, I sing of the singe of Miss Drury the first, And the birth of Miss Drury the second.
The Fire King, one day, rather amorous felt; He mounted his hot copper filly; His breeches and boots were of tin, and the belt Was made of cast iron, for fear it should melt With the heat of the copper colt’s belly.
Sure never was skin half so scalding as his! When an infant ’twas equally horrid; For the water, when he was baptised, gave a fizz, And bubbled and simmer’d and started off, whizz! As soon as it sprinkled his forehead.
O! then there was glitter and fire in each eye, For two living coals were the symbols; His teeth were calcined, and his tongue was so dry, It rattled against them, as though you should try To play the piano in thimbles.
From his nostrils a lava sulphureous flows, Which scorches wherever it lingers; A snivelling fellow he’s call’d by his foes, For he can’t raise his paw up to blow his red nose, For fear it should blister his fingers.
His wig is of flames curling over his head, Well powder’d with white smoking ashes; He drinks gunpowder tea, melted sugar of lead, Cream of tartar, and dines on hot spice gingerbread, Which black from the oven he gnashes.
Each fire-nymph his kiss from her countenance shields, ’Twould soon set her cheekbone a frying; He spit in the Tenter-ground near Spital-fields, And the hole that it burnt, and the chalk that it yields, Make a capital lime-kiln for drying.
When he open’d his mouth, out there issued a blast (Nota bene, I do not mean swearing), But the noise that it made, and the heat that it cast, I’ve heard it from those who have seen it, surpassed A shot manufactory flaring.
He blazed, and he blazed, as he gallop’d to snatch His bride, little dreaming of danger; His whip was a torch, and his spur was a match, And over the horse’s left eye was a patch, To keep it from burning the manger.
And who is the housemaid he means to enthral In his cinder-producing alliance? ’Tis Drury Lane Playhouse, so wide, and so tall, Who, like other combustible ladies, must fall, If she cannot set sparks at defiance.
On his warming-pan knee-pan he clattering roll’d. And the housemaid his hand would have taken, But his hand, like his passion, was too hot to hold, And she soon let it go, but her new ring of gold All melted, like butter or bacon!
Oh! then she look’d sour, and indeed well she might, For Vinegar Yard was before her; But, spite of her shrieks, the ignipotent knight, Enrobing the maid in a flame of gas light, To the skies in a sky-rocket bore her.
Look! look! ’tis the Ale King,[97] so stately and starch, Whose votaries scorn to be sober; He pops from his vat, like a cedar or larch; Brown-stout is his doublet, he hops in his march, And froths at the mouth in October.
His spear is a spigot, his shield is a bung; He taps where the housemaid no more is, When lo! at his magical bidding, upsprung A second Miss Drury, tall, tidy, and young, And sported in loco sororis.
Back, lurid in air, for a second regale, The Cinder King, hot with desire, To Brydges Street hied; but the Monarch of Ale, With uplifted spigot and faucet, and pail, Thus chided the Monarch of Fire:
“Vile tyrant, beware of the ferment I brew; “I rule the roast here, dash the wig o’ me! “If, spite of your marriage with Old Drury, you “Come here with your tinderbox, courting the new, “I’ll have you indicted for bigamy!”
HORACE SMITH.
The Rejected Addresses. 1812.
――――
As an instance of a burlesque――of a burlesque, a few verses may be quoted from one which was given in Punch:――
FIRE AND WATER.[98]
(_With Apologies to the Shades of the Authors of “Rejected Addresses.”_)
The Fire Fiend was curst with unquenchable thirst, And his gnomes to his aid having beckoned, From Cornhill to Clapham he flew at a burst, And furious flames soon arose from the first, And volumes of smoke from the second.
The Fire Fiend was hungry as Moloch of old, And knew not the meaning of pity: The new Edax Rerum; voraciously bold, His maw a red gulf that was ready to hold The calcined remains of a City.
That Phlegethon-gorge might have served as the grave Of man and his works altogether; But Shaw, the new Life-guardsman, swordless but brave, Was ever at hand to extinguish and save, And hold the Red Ogre in tether.
The Fire Fiend as usual went at full pelt, But Shaw at his heels followed faster, Of leather well tanned were Shaw’s boots and his belt, And his helmet was brazen for fear it should melt, And the Fire Demon knew him as master.
The Fire Fiend possessed a most hideous phiz, Polyphemus’s was not more horrid, Unkempt and unwashed was that visage of his, For water that touched it went off with a whiz! It was so tremendously torrid.
But Shaw on his enemy kept a cool eye, Of vigilant valour the symbol, Affrighted no more by the Fire Demon’s cry Than the squeak of a rat; if the Fire Fiend was spry, His opponent was equally nimble.
For Water, Fire’s foe, at his best freely flows, And the Fire Demon dares not to linger Whenever his enemy turns on the hose; He stands in much fear of this foeman, and those Who flock at the lift of his finger.
The Fire Fiend has schemes, it is credibly said, For laying half London in ashes; But Water――and Shaw――are the things he must dread, And at sight of an engine he shakes his red head, And his teeth like a lunatic gnashes.
But his fire-gnomes he multiplies lately so fast That the task of repressing them’s trying; The flare that they make and the heat that they cast, Are so great that the Fiend seems resolved in one blast To set the Metropolis frying.
He blazes and blazes; Shaw gallops to snatch His prey from its desperate danger; But the Demon’s a deuce of a rider to catch, And it taxes brave Shaw to continue a match For the fiery noctivagant ranger.
And if London is wise she assistance will call, For the Water King needs the alliance Of hands that are sturdy and limbs that are tall, To give the Fire Demon a rattling good fall, And set all his imps at defiance.
(Eight verses omitted.)
Punch. August 20, 1887.
――――
“Tales of Wonder,” written and collected by M. G. Lewis, contained two ballads entitled “The Erl King” and “The Cloud King,” both written by Lewis in his accustomed style of grim horror, with thunder, shrieks, and fury, and in the same volume he inserted an anonymous burlesque of these entitled “The Cinder King,” the humour of which would not be very apparent unless the two first-named poems were reprinted in full. They are neither of sufficient interest to merit the space this would require. A somewhat similar parody may be found in “The Blue Bag: or Toryana.” London; Effingham Wilson, 1832. It is called “The Fire King, The Water King, and The Cotton King,” and relates the quarrels of some politicians, well-known sixty years since, but now well nigh forgotten.
One more parody of Lewis remains to be noted, it occurs in an exceedingly scarce volume of poems, “The School for Satire.” London, 1802, and is exceedingly interesting on account of its allusions to Monk Lewis’s personal appearance, and his literary productions:――
THE OLD HAG IN A RED CLOAK. (Inscribed to Matthew G. Lewis, Esq., M.P.)
Mat Lewis was little, Mat Lewis was young, The words they lisp’d prettily over his tongue; A spy-glass he us’d, for he could not well see, A spy-glass he us’d, for near sighted was he.
With his spy-glass once spying in Parliament Street, He chanc’d an old Hag in a red cloak to meet; When the Hag in a red cloak thus awfully said, “Pray give me a sixpence to buy me some bread.”
“No sixpence I’ll give thee to buy thee some bread,” To the Hag in a red cloak Mat feelingly said; Then down to the House in a huff strutted he, Sure all the world knows little Mat’s an M.P.
But as onward he strutted, and push’d thro’ the crowd, The Hag in a red cloak still curst him aloud; Strange words of mysterious intent struck his ear, And could he be frighten’d he’d then have known fear.
“Though cold be thy heart, and thy feelings as cold, Though bold be thy mien, and thy language as bold, Ere the clock at St. Giles’s is heard to strike one, A deed to confound thee, a deed shall be done.”
She spoke: and then vanish’d at once from his sight, In a cellar as dark as the darkness of night; But ev’ry five minutes this horrible strain Rush’d in fearful recurrence o’er Mat’s tortur’d brain.
From the House about twelve to his house he repairs; To creak seem’d the doors, and to crack seem’d the stairs; He put out the candle, his clothes off he threw, When St. Giles’s struck one, and the door open flew.
Then the Hag in a red cloak of Parliament Street, The Hag in a red cloak whom Mat chanc’d to meet, The Hag in a red cloak, who to him once said, Pray give me a sixpence to buy me some bread.
By a sort of a blue and a glimmering light Rode quite round his bedstead and full in his sight; She rode in a carriage, that hight a birch broom, And her breath breath’d the whiffings of gin through the room.
“I ask’d thee,” she cried, in a hoarse, hollow voice, “For sixpence, thou gav’st not while yet in thy choice; For punishment dread then, pretender, prepare, Which e’en to repentance I now cannot spare.
“Know that she who so lately sustain’d your abuse, Is thy mother, oh shame! and my name Mother Goose; To a German Romancer thee dreaming I bore, And we both dipp’d thee deep in the tale telling lore.
“Too soon thou outdidst all my wonders of old, And instead of my stories thy nonsense was told; With nurses and children I lost my high place, And from Newberry’s shop I was turn’d in disgrace.
“Depriv’d of a corner to hide my old head, I wander’d about, begging e’en for my bread; When thou too, my child, to complete my despair, Refused my own spoils with thy mother to share.
“But vain are thy hopes to supplant me on earth, For know that immortal I am in my birth, Can defeat all thy arts by a magical spell, And all thy productions in paper dispel.
“Ye ghosts and hobgoblins, and horrible shapes, Ye lions, and wolves, and ye griffins and apes, Ye strange jumbled figures from river or den, Ye fire-born monsters, and fishified men.
“Ye raw-heads and bloody-bones, spectres and shades, And water-sprite swains, and transmogrified maids, As your grandmother’s curses on each of you fall, To hell and the devil fly one and fly all!”
Then the ghosts and hobgoblins, and horrible shapes, And lions and wolves, and the griffins and apes, And strange jumbled figures from river or den, And fire-born monsters, and fishified men,
And raw-heads and bloody bones, spectres and shades, And water-sprite swains, and transmogrified maids, When they heard the goose curses on each of them fall, To hell and the devil fled one, and fled all.
Fled in fire and in water, in smoke and in hail, Some green, and some red, some black and some pale, Fled in accents of horror, of spirit, of wit, Tralira, tralara, or fal-de-ral tit.
While as fast as away Matty’s progeny flew, Mother Goose summon’d up her original crew, Who with loud peals of laughter and sallies of fun, Quizz’d, pinch’d, and tormented her reprobate son.
A Knight led them on, who was first to assail, Who was arm’d cap-a-pie in a dear coat of mail. Sir Horn-Book hight he; at the very first glance Mat saw he was Lord o’er the Field of Romance.
Then little Red Riding-Hood’s wolf howled amain, Fear shook all his limbs, and unsettled his brain; But the horrors he suffer’d can ne’er be surpass’d, When little Cock-Robin’s sad funeral pass’d.
As Blue-Beard for blood loudly howl’d o’er his wife, And sister Anne pleaded so well for her life, Mat’s fav’rite spectre he saw dance in air, And he gave up his spirit a prey to despair.
To his parent he bow’d, and now penitent groan, Cried “Thy strength and my empty pretences I own, “In vain were my hopes to supplant thee on earth, “And immortal, O mother, thou art in thy birth!
“As now you behold me in penitence sunk, “Take all my Romances, nay, take too my Monk; “But leave me, since thus I acknowledge my crime, “My epilogues, sonnets, and lady-like rhyme.”
Mother Goose, as her son was in penitence sunk, Took all his Romances, but took, too, his Monk; And left him in pity to trifle his time In epilogues, sonnets, and lady-like rhyme.
If you wish me the moral, dear Mat, to rehearse, ’Tis that nonsense is nonsense in prose or in verse; That the man who to talent makes any pretence, Should write not at all, or should write common sense!
ANONYMOUS.
(First printed in 1801.)
――――:o:――――
Champagne Goschen is my name! Champagne Goschen is my name! Good for any sort of tax, dear boys, Put it on to wheels and pleasure hacks, my boys, Champagne Goschen is my name! Beautiful to look on is my game! Good for any sort of tax, my boys! Oh, that’s the little game of JOKIN’ G!
Punch. 1888.
The Right Hon. G. Joachim Goschen, Chancellor of the Exchequer, proposed an increased duty on bottled wines.)
LEIGH HUNT.
BORN, 1784. DIED, August 28, 1859.
ABOU BEN ADHEM.
Abou Ben Adhem (may his tribe increase!) Awoke one night from a deep dream of peace, And saw within the moonlight in his room, Making it rich and like a lily in bloom, An angel writing in a book of gold: Exceeding peace had made Ben Adhem bold, And to the Presence in the room he said, “What writest thou?”――The vision raised its head, And, with a look made of all sweet accord, Answer’d――“The names of those who love the Lord.” “And is mine one?” said Abou; “Nay, not so,” Replied the angel.――Abou spoke more low, But cheerly still; and said, “I pray thee, then, Write me as one that loves his fellow-men.”
The angel wrote, and vanish’d. The next night It came again, with a great wakening light, And show’d the names whom love of God had bless’d―― And, lo! Ben Adhem’s name led all the rest!
LEIGH HUNT.
――――
MAKING UP THE SLATE.
Stratman Ben Jackey――may his tribe decrease―― Awoke one night, quite sick and ill at ease, And saw within the lamplight in his room―― Making it yellow with a sickly gloom―― The devil, scratching on a brazen slate. Thinking to chaff him, Jacky reared his pate, And said, without the customary hail, “What writest thou?” The devil whisked his tail, And quite astonished at the fellow’s cheek, Answered, “The names of those who office seek.” “And is mine one?” said Jacky. “Yes you bet!” The devil said. Not hesitating yet, Quite unabashed, said Jack, “I beg――ahem! Write me Collector, or at least P.M.” The devil smiled and vanished. The next night He staggered into Jacky’s room, half tight, And showed the names upon his slate of brass, And lo! this Jack was written down an Ass.
American Paper.
――――
BEN DISRAELI.
Ben Disraeli (may his tribe increase!) Awoke one night from a deep dream of peace, And saw, close by the night light in his room, Filling it with sulphureous perfume, An angel(?) writing in a book of gold: Exceeding cheek had made Ben Dizzy bold; And to the Presence in the room he said, “What writest thou?” The vision raised its head, And, with a smile of diabolic beauty, Answered, “The names of those who do their duty.” “And is mine one?” said Dizzy. “Nay, not so,” Replied the Spirit. Dizzy spoke more low, But cheerly still, and said, “I pray thee then, Write me as one that does his fellow-men.”
The angel wrote and vanished. The next night, It came again with a great wakening light, And showed the names whom Patriotism had blest, And lo! Ben Dizzy’s name led all the rest.
Echoes from the Clubs. December, 1867.
――――
THE BLUE.
Muggins of Sixes (may his ward increase) Awoke one night from a deep dream of peace, And saw within the gaslight in the ward His Grecian, who was whacking one that snored. The while with pencil――aluminium gold―― He something seemed to write. Muggins grew bold, And to the Grecian standing by his bed He cried, “What writest thou?” He raised his head, And answered, while a shoe at him he threw, “The names of those who’ve paid up for the Blue!” “And is mine one?” said Muggins. “Nay, not so,” Replied the Grecian. Muggins whistled low, And in his――night shirt――sleeve he chuckled, saying, “Write me as one that wants one without paying!”
The Grecian smote and vanished. The next night He came with hockey-stick, not over light, Holding the names of the heroic few Who paid a year’s subscription to the Blue. Then, adding one, he showed the youth the list, And lo! young Muggins’ name led all the rest!
The Blue. A journal written by, and for, the scholars at Christ’s Hospital (the Bluecoat School), London.
――――
ABOU BEN FOLSOM.
Cousin Ben Folsom (may his tribe increase!) Awoke one night from a deep dream of peace, And saw, within the moonlight of his room, Making it rich and like a lily bloom, A fat man writing with a pen of gold: Exceeding luck had made Ben Folsom bold, And to the presence in the room he said, “What writest thou?” The fat man raised his head, And in a voice made sweet by its accent, Answered: “The names of those who love the President.” “And is mine one?” asked Benny. “Nay, not so,” Replied the fat man. Benny spoke more low, But cheerily still; and said, “I pray, if not too late, Write me as one who’d love a consulate.”
The fat man wrote and vanished. The next night He came again, with a great flickering light, And showed the names. Ben Folsom looked, And lo! for Sheffield, England, he was booked.
Albany Express. U.S.A.
[Mr. Benjamin Folsom is a cousin of Mrs. President Cleveland (United States), and has had the management of her affairs. Soon after her marriage to the President, the newspapers began to mention him as likely to have an appointment under the Government, and in a short time he was named United States Consul for Sheffield, England.]
――――
ADAM MAC ADAM.
Adam Mac Adam (may his clan increase) Awoke at midnight with a hearty sneeze, And, as he raised himself in bed, he saw Something that struck Mac Adam’s soul with awe. For, bending in the moon’s uncertain light, An aged man, with locks all silvery white, Sat making entries in a ledger old. The sight uncanny made his blood run cold, And scarce for terror could Mac Adam ask The nature of the scribe’s untimely task. “Behold, I write,” the vision answered then, “The names of those who love their fellow men.” “And pray,” said Adam, with a hopeful grin, “Your Honor’s honor, am I counted in?” “Nay,” spake the presence, with a look of grief, “My task is easy, for the roll is brief; Look through the M’s, but all in vain, I fear, You seek your ancient patronymic here.” Then meekly Adam said, “I am not one Who boasts to others of the good I’ve done; I seldom answer to the public call With wants so pressing and with means so small; I ply a woodsaw for my bread and pork, And half the time, you see, I’m out of work; So, from my purse no stream of largess flows; No loud subscription my sign-manual knows; But this I do,――now lend attentive ear―― Each wintry morning when the dawn grows clear, I take my bucket to the ash-hole dim, And there I fill it to the very brim; Then in the sidewalk take my slippery stand, And scatter ashes with a liberal hand, So at my gate no broken heads I see; No cripple shakes his gory leg at me; In kind regard I’m held by rich and poor, Save by the surgeon who resides next door.” Thus Adam told his tale, the while The great scribe listened with a brightening smile, Then vanished. The next night he came again: “See here,” he cried, “the list of great souled men Who answer promptest to sweet mercy’s call;” Lo! A. Mac Adam’s name o’ertopped them all. P. American Paper.
――――
ABOU BEN BUTLER.
Abou Ben Butler (who has just been fired) Awoke one night almighty cross and tired, He saw within the moonlight in his room The spirit of a Presidential boom, Who wrote on parchment tanned from human skin. Exceeding “cheek” caused Butler to begin, And to the presence in the room he said―― “What writest thou?”――the Spectre raised his head, And answered with a gesture most uncouth, “The names of demagogues who love the truth.” “Is mine left out?” said Butler. “I should smile,” Replied the spirit. Butler thought awhile; And then he said, “Please put it in your note “I only lie to gain the coloured vote.”
The spirit wrote and vanished. The next night It came again, with evident delight, And showed the names of politicians dead, And lo! Ben Butler’s name was at the head.
American Paper. 1886.
――――:o:――――
Leigh Hunt’s other poems never attained to sufficiently general popularity to become the butt of the parodist, there is, however, a jocular imitation of his style in The Book of Ballads, by Bon Gaultier, from which a few lines may be quoted:
FRANCESCA DA RIMINI.
(Argument.――An impassioned pupil of Leigh Hunt, having met Bon Gaultier at a Fancy Ball, declares the destructive consequences thus:――
Didst thou not praise me, Gaultier, at the ball, Ripe lips, trim boddice, and a waist so small, With clipsome lightness, dwindling ever less, Beneath the robe of pea-y greeniness? Dost thou remember, when, with stately prance, Our heads went crosswise in the country-dance; How soft, warm fingers, tipped like buds of balm, Trembled within the squeezing of thy palm; And how a cheek grew flushed and peachy-wise At the frank lifting of thy cordial eyes?
There’s wont to be, at conscious times like these, An affectation of a bright-eyed ease,―― A crispy cheekiness, if so I dare Describe the swaling of a jaunty air; And thus, when swirling from the waltz’s wheel, You craved my hand to grace the next quadrille, That smiling voice, although it made me start, Boiled in the meek o’erlifting of my heart; And, picking at my flowers, I said, with free And usual tone, “O yes, sir, certainly!”
* * * * *
But when the dance was o’er, and arm in arm (The full heart beating ’gainst the elbow warm) We passed into the great refreshment hall, Where the heaped cheese-cakes and the comfits small Lay, like a hive of sunbeams, brought to burn Around the margin of the negus urn; When my poor quivering hand you fingered twice, And, with inquiring accents, whispered, “Ice, Water, or cream?” I could no more dissemble, But dropped upon the couch all in a tremble. A swimming faintness misted o’er my brain, The corks seemed starting from the brisk champagne, The custards fell untouched upon the floor, Thine eyes met mine. That night we danced no more.
There was an imitation of Leigh Hunt, entitled “A Nursery Ode,” in Warreniana (London, 1824), but it had little merit as a parody, and is of no present interest.
Another short imitation was published, about forty years ago, in The Puppet Showman’s Album, describing the author’s sentiments on viewing that celebrated danseuse.
CARLOTTA GRISI.
By the Author of “Niminy-Piminy,” “A Pot of Treacle,” &c.
She floated towards us from the wreathing crowd Of peachey nymphs, and swam a breathing cloud, Less with a regulated kind of motion, Than like a bird scarring the breast of ocean. I thought and said――“In roseate light she swims, Guided, not lifted, by those slopy limbs, And wants in air a sister sylph to meet, While Earth heaves upward, sick to kiss her feet.” But when she ceased that sort of moveless gliding, Her gauzy garments round her form subsiding, And dashed through all that wonderful display Which poet ne’er described, and never may―― The whirl――the twist――the turn――the start――the bound, The step――the spring――the leap――the fling――the round; The backward bending, and the bold gyration―― The leg for ages in one situation.
The sparkling, glittering, dazzling, flickering feats Which made us jump, delighted, in our seats, And then came down, and in child-dalliance pouted, While you, and I and everybody shouted, And hurled our flowers with vigour almost rude (One felt that flowers were such a creature’s food). I gave up simile――it wasn’t easy―― All I could say was “That’s CARLOTTA GRISI!”
――――:o:――――
SONG OF OCTOBER. (After Leigh Hunt.)
October, month of bird and song, And ivy on old walls, Trailing some dreary pile along, From which hard mortar falls.
Come hither, spider, you and I Have long been friends together; Approach, old brute, and tell me why You love October weather;
Perchance, old spinster of the grove, You come in autumn days, To spin your yarn, as if to prove Life is a webby maze.
Punch’s Almanac. 1846.
――――:o:――――
MANNERS AND CIVILITY.
Let Laws and Commerce, Arts and Science die, But leave us still our old Nobility!
LORD JOHN MANNERS (now Duke of Rutland).
The New Age thus describes the august writer of that couplet:――
“The wreck of a beau, of a bard, of a spouter, The seed of a Duke, he was bound by all rule To furnish Disraeli, that scorner and flouter, Of noble-born failures, with friend, foil, and tool.
“Had chances galore and some gifts; took to throw ’em Away to the winds 63 years or more; Two laughable lines in an imbecile poem Will probably furnish his posthumous store.”
MR. RITCHIE’S SPEECH.
(In which he proposed to disestablish everybody, except the Drinksellers.)
“Let Boards and Benches, Lords and Squires die, But leave us still our old Debauchery.”
The Star. March 21, 1888.
Thomas Babington, Lord Macaulay,
Born October 25, 1800, Died December 28, 1859.
――――
[Illustration: A]LTHOUGH Lord Macaulay’s literary fame rests principally upon his prose writings, yet his “Lays of Ancient Rome,” “Ivry,” and “The Armada,” are widely popular, and have been frequently parodied.
“The Armada,” (which is but a short fragment) was first published in 1832, it possesses exceptional interest at present, as the tercentenary Commemoration of the defeat of the Spanish Armada is to be held in Plymouth this year. Although the natives of Devonshire have most cause to be proud of the brave deeds of their ancestors, it must not be forgotten that every Englishman is now enjoying that religious and political liberty for which they then fought, the celebration ought therefore to be a thoroughly National one.
Those who love English Ballad Poetry will often have regretted that Lord Macaulay should have left unfinished his story of the Armada.
His fragment consists of seventy-four lines, bringing the narrative no further than the night alarm of the approach of the Spanish fleet. Dr. W. C. Bennett has written a conclusion of a little over two hundred lines, which can be found in his “Contributions to a Ballad History of England,” (London, Chatto and Windus), whilst another continuation (in the same metre as the original,) by the Reverend H. C. Leonard, which originally appeared in The Boy’s Own Paper, has since been published, in pamphlet form, by J. W. Arrowsmith of Bristol.
By the kind permission of the author, Mr. Leonard’s imitation is inserted here immediately following Lord Macaulay’s fragment.
THE SPANISH ARMADA.
Attend, all ye who list, to hear our noble England’s praise; I tell of the thrice-famous deeds she wrought in ancient days, When that great fleet invincible against her bore, in vain, The richest spoils of Mexico, the stoutest hearts of Spain. It was about the lovely close of a warm summer day, There came a gallant merchant-ship full sail to Plymouth Bay; Her crew hath seen Castile’s black fleet, beyond Aurigny’s isle, At earliest twilight, on the waves lie heaving many a mile. At sunrise she escaped their van, by God’s especial grace, And the tall Pinta, till the noon, had held her close in chase. Forthwith a guard at every gun was placed along the wall; The beacon blazed upon the roof of Edgcumbe’s lofty hall; Many a light fishing-boat put out, to pry along the coast, And, with loose rein and bloody spur, rode inland many a post. With his white hair unbonneted, the stout old sheriff comes; Behind him march the halberdiers; before him sound the drums; His yeomen round the market-cross make clear an ample space, For there behoves him to set up the standard of Her Grace; And haughtily the trumpets peal, and gaily dance the bells, As, slow upon the labouring wind, the royal blazon swells. Look how the Lion of the sea lifts up his ancient crown, And, underneath his deadly paw, treads the gay lillies down! So stalked he when he turned to flight, on that famed Picard field, Bohemia’s plume, and Genoa’s bow, and Cæsar’s eagle shield. So glared he when, at Agincourt, in wrath he turned to bay, And, crushed and torn beneath his claws, the princely hunters lay. Ho! strike the flagstaff deep, Sir Knight: ho! scatter flowers, fair maids: Ho! gunners, fire a loud salute: ho! gallants draw your blades: Thou sun, shine on her joyously; ye breezes, waft her wide; Our glorious royal battle-flag, the banner of our pride. The freshening breeze of eve unfurled that banner’s massy fold; The parting gleam of sunshine kissed that haughty scroll of gold; Night sank upon the dusky beach, and on the purple sea, Such night in England ne’er had been, nor e’er again shall be! From Eddystone to Berwick bounds, from Lynn to Milford Bay, That time of slumber was as bright and busy as the day; For swift to east and swift to west the ghastly war-flame spread, High on St. Michael’s Mount it shone: it shone on Beachy Head. Far on the deep the Spaniard saw, along each southern shire, Cape beyond cape, in endless range, those twinkling points of fire. The fisher left his skiff to rock on Tamar’s glittering waves: The rugged miners poured to war from Mendip’s sunless caves; O’er Longleat’s towers, o’er Cranbourne’s oaks, the fiery herald flew: He roused the shepherd of Stonehenge, the rangers of Beaulieu. Right sharp and quick the bells all night rang out from Bristol town, And, ere the day, three hundred horse had met on Clifton Down; The sentinel on Whitehall gate looked forth into the night, And saw, o’erhanging Richmond Hill, the streak of blood red light. Then bugle’s note and cannon’s roar, the death-like silence broke, And with one start, and with one cry, the royal city woke. At once, on all her stately gates, arose the answering fires; At once the wild alarum clashed from all her reeling spires; From all the batteries of the Tower pealed loud the voice of fear, And all the thousand masts of Thames sent back a louder cheer: And, from the furthest wards, was heard the rush of hurrying feet, And the broad streams of pikes and flags rushed down each roaring street; And broader still became the blaze, and louder still the din, As, fast from every village round, the horse came spurring in: And eastward straight from wild Blackheath the warlike errand went, And roused, in many an ancient hall, the gallant squires of Kent; Southward from Surrey’s pleasant hills flew those bright couriers forth; High on bleak Hampstead’s swarthy moor they started for the north; And on, and on, without a pause, untired they bounded still: All night, from town to town, they sprang; they sprang from hill to hill: Till the proud peak unfurled the flag o’er Darwins rocky dales; Till, like volcanoes, flared to heaven the stormy hills of Wales; Till twelve fair counties saw the blaze on Malvern’s lonely Height; Till streamed in crimson on the wind the Wrekin’s crest of light; Till, broad and fierce, the star came forth on Ely’s stately fane, And tower and hamlet rose in arms, o’er all the boundless plain; Till Belvoir’s lordly terraces the sign to Lincoln sent, And Lincoln sped the message on, o’er the wild vale of Trent; Till Skiddaw saw the fire that burned on Gaunt’s embattled pile, And the red glare on Skiddaw roused the burghers of Carlisle;
(End of Lord Macaulay.)
Till, from the peaks of Cheviot, the wonder-telling flames Passed on the news from Berwick bounds to subjects of King James.
O well it was for Englishmen that, as the tidings spread, No panic seized their stalwart hearts, no fear or craven dread. O well it was for England then that, on her trial day, Her sailors and her soldiers brave were ready, ready aye! And Catholics and Protestants with equal zeal were seen Vying who best could England serve, who best could serve the Queen. Lord Effingham had chief command in Plymouth Sound that day, Hawkins and Drake and Frobisher like hounds in leashes lay; Drake and his men were playing bowls that eve, on Plymouth Hoe, Said he, “My mates, we’ll end our game and then we’ll end the foe!” When scarce the morning light had broke on land and sea around The English fleet, of forty sail, put out from Plymouth Sound; The flagship was the Raleigh Ark; beside her sailed the Bear, The Dreadnought and the Victory had foremost places there; And soon they saw the Spanish ships, with every sail outspread, Come up from the Atlantic main, by the tall Pinta led; Full six-score gallant ships sailed up, the south-west wind before, And, like a crescent moon, they stretched for seven good miles or more, And on their decks and in their hulls were thirty thousand men. Such fleet was never seen before, nor shall be seen again! Up channel now they set their helms, King Philip ordered so, To join the Duke of Parma’s men, ere up the Thames they go! For he, the greatest general that Spain or Europe knew, In Flanders long had waited them, and now impatient grew. But well the little English ships hung on their rear that day, And many a shot and shell flew east, to speed the Spaniard’s way! See hindermost, with towering poop, a galleon of Biscay Laden with gold of Mexico, full thirty weeks of pay; And next a frigate huge sails up, with port-holes open wide, From Andalusia is she come with piles of arms inside. But well for England fought that day the flame and southwest wind! The devil takes, the proverb says, the one that comes behind! The Andalusian lost her mast, the treasure barque took fire, While, in their wake, the English ships pressed ever nigh and nigher, And ere had paled, that summer night, the sunset’s ruddy glow These two, with all the spoil, were towed right up to Plymouth Hoe. Brave Drake it was that took the gold, but not a coin kept he; Full fifty thousand to his men he dealt, with jovial glee! Beyond the Tamar Raleigh lay, the Lizard Head to guard, But, when he saw the Spaniards pass, said he, “I count it hard That I who came to lead the van thus in the rear should lag!” He left his men, took horse and rode, and joined the Admiral’s flag! And now from every western port the ships came more and more, From Bristol and from Barnstaple, from all along the shore; From Dartmouth and from Bridport town, from Weymouth, Poole, and Lyme, And every ship spread all her sail, in haste to be in time. ’Twas off the point of Portland Bill the first great fight took place; The year was fifteen-eighty-eight, of our Redeemer’s grace, Throughout a glorious summer day, July the twenty-third, A cannonade both fierce and loud on either coast was heard. The hulking Spanish galleons then were sorely put about, The English ships sailed out and in, sailed briskly in and out. As when a mighty baited bull the valiant dogs surround, And all his bulk and all his strength of little use are found, So many a great three-decker then threw wide her shot and shell; The balls flew o’er the English masts, and in the billows fell! But now the light and gunpowder alike were spent and gone, And, in the night, the Spanish fleet their eastward way went on. In Calais roads the foemen next their anchors huge let fall, And to the Duke of Parma then they sent an urgent call: “Send out your pinnaces in haste, your boats with all dispatch; To fight these English devils thus is not an equal match!” But to this plan the Hollanders, old England’s staunch Ally, Refused consent, and would not let the pinnaces pass by. At length the Spaniards spread their sails and took their onward way Till off the Flemish coast, becalmed, the great Armada lay; And still the gallant English ships kept up with their advance Till six-score sail around them lay, and waited for their chance. Meanwhile on land, Her Grace’s troops, as active as the fleet, Prepared themselves with urgent haste the foreign foe to meet. Ten thousand Londoners in arms rallied around the Queen, A hundred thousand, hastening up from every shire, were seen; And as they came they leapt and danced and sang, with cheerfull face, As nimble runners gird their loins, with joy to run a race. At Tilbury Fort Elizabeth reviewed the bright array: O long did loyal English hearts recall that famous day! And long shall grateful Englishmen, that know her faults no less, Revere the gallant memory of England’s Good Queen Bess; For, riding on her war-horse white, the serried ranks between, A noble sight it was to see Old England’s Virgin Queen! A helmet crowned her golden hair, and they that saw it tell No coronet of diamonds became Her Grace so well; A coat of mail of burnished steel the Royal Maiden wore, And, in her fair white hand, aloft a truncheon-sceptre bore; Then up she spoke, and reined her steed before the troops to stand, And all could hear her accents clear beside the Essex strand: “My loving friends, my courtiers say I run a risk this morn, That treason lurks in martial throngs! Their cautious speech I scorn! For rather than distrust you all, from life I’d sooner part: Let tyrants fear! Next to my God I trust my people’s heart: So come I in your midst to-day, the Spaniards to defy, And for my God, and for my lands, with you to live or die. But well I know my frame is weak; what can a woman do? Yet mine’s the spirit of a king, a king of England too! Full scorn I think that any King, or any prince on earth, Should dare to set his foot within the land that gave us birth! So I will be your general, and mark each gallant deed, And to the victors in the fight give each their fitting meed So o’er the enemies of my God, and of this nation free, The valour of your arms shall win a famous victory!” But now my Lord of Effingham had made his cautious plan, And in the night, off Dunkirk coast, a fearful fight began; At close of day uprose the tide, uprose a gale of wind, And, on its wings, eight fire-ships flew the Spanish fleet behind; With sulphur and with rosin filled, their hulls were all aflame. And right upon the foemen’s ships, the fiery terror came; The Spaniards then their anchors weighed, and some their cables threw, In aimless course before the wind the ponderous galleons flew. The morrow morn the English took full many a splendid prize, While some, hard hit, by shot and shell, went down before eyes. Some foul of one another fell, in Flemish shallows lost; The rest flew north before the gale, to round the Scottish coast. Ah! better had they yielded then, or waited for their time, Till change of wind might speed their course back to their southern clime; For, up beyond the Orkney Isles, a furious tempest roared, And many a gallant ship was lost with every soul on board. And, on the iron northern coast, vast hosts of valiant men Were wrecked, or drowned, or butchered there, and never saw again The southern sun, the orange groves, the smiling Spanish shore, Which, full of pride and hope, they left but three short months before; And only sixty ships came back, into Santander bay, Of all the host that once had sailed to take their northern way. And, ah! how changed the gallant fleet, how changed the ragged forms Alike of ships and men, sore marred by cruel seas and storms! All splintered were the masts and yards, the bowsprits shot away, The sails to ribbons torn, the men all fevered, gaunt and gray! But in old England swells the sound of mirth and joy and praise, By day triumphal banners wave, by night the bonfires blaze, The church-bells’ merry carillon, the cannon’s harmless roar, Are echoed loud from shire to shire, resound from shore to shore. At Whitehall now the Virgin Queen, on the appointed day, In grand procession takes her place amidst the crowded way. See, on her right, great Cecil rides: a wiser man than he Ne’er led our glorious country on to meet his destiny: And, on her left, in manhood’s prime, is Raleigh proud and brave, Back from Virginia lately come, across the Atlantic Wave. Lords Effingham and Seymour next move onward side by side, Hawkins and Drake and Frobisher but just behind them ride; Lord Oxford and Lord Cumberland, and Vavasor and Blount, And more of England’s chiefest men, too numerous to recount. From every window beauty smiles, in faces young and old, And all the streets and all the roofs are wondrous to behold: Like bees they swarm! From every nook and corner of the land They haste to render thanks to God for His delivering hand. In all the way the densest throng at Ludgate Hill is seen, For there the player-men have wrought a wondrous arch of green; With them a youth of forehead high and eyes that pierce like flame; Mark well his face, ye passers-by, for Shakespeare is his name! So to Saint Paul’s they come, and when they reach the western door Her grace the stately chariot leaves, and kneels upon the floor. And, as a solemn silence falls upon the surging crowd, Her queenly voice gives thanks for all, in accents clear and loud. Three hundred years have passed since then, and many a change is seen; But, God save England! still we cry, and God save England’s Queen!
H. C. LEONARD.
――――
THE FEAST OF LANTERNS. (Being the original of Macaulay’s “Armada.”)
Attend, all ye who wish to hear our noble London’s praise, I sing of that great Tuesday night that saw her in a blaze, When the Archbishop’s benison had linked, in bridal chain, Young Albert Edward, Prince of Wales, and our sweet bright-eyed Dane.
It was about the chilly close of a half-foggy day, When London’s myriads all came out to see the grand display; From sleepy Hammersmith, and from the Dog’s amphibious Isle, The east and west they poured along for many a muddy mile.
The aristocracy for once the pageant deigned to grace, (Except a few who fled from town, and joined the sylvan chace). Each wide-awake and travelling cap was taken from the wall, Each wrap and bearskin was brought down and ready in the hall, Many a gay visitor came up from province and from coast, And on that night Sir Rowland Hill, he stopped the local post.
See, mounted on his charger tall, the proud Inspector comes, For sterner work than aiding swells to get to balls and drums, His constables essay to clear in every street a space, And shout his orders with much more of Henergy than grace; And haughtily the dandies sneer, and slightly scream the belles, As round the crested carriage the plebeian torrent swells, See how the Lion of the Park attempts with half-a-crown, To bribe his way from streets his coach should never have gone down.
* * * * *
The rain is done, each carriage ope, and each umbrella fold, And now to see how London shines as bright as molten gold. Night sinks upon that multitude, that roaring surging sea, Night that in London never was and ne’er again shall be. From Westminster to Islington, from Lord’s to Ratcliffe Way, That time of slumber is as bright and busy as the day:
For swift to East and swift to West the glaring joy-flame spread. High on Victoria tower it shone, on the New River Head, In pleasant Kent, in Essex dull, and each surrounding shire The semi-bumpkins gaped and grinned to mark each point of fire.
* * * * *
The huge sea-lanterns dimly showed on Wren’s cathedral height, But Science rather made a mull with her electric light, The Templars, for their brother Prince, lit up their dingy fane, And you could see their Lamb and Flag made out uncommon plain. Rich was the glare that Mappin’s house (the cab pervader) sent, Fierce glowed the Store that sells the beer from Burton-upon-Trent. And many a hundred grease-pots did their best for Barry’s pile, But that is an Immensity――what say you, Tom Carlyle?
SHIRLEY BROOKS. 1863.
――――
THE LORD MAYOR’S SHOW.
First Prize.
Hearken, all ye who care to hear my panoramic lay; I sing of that resplendent Show I saw last Lord Mayor’s Day, When forth from “famous London town” to grace their chosen lord Came shields and banners of each Guild, and men of every Ward.
It was about the gloomy noon of a dull November day, When from the stately Guildhall’s court set out this pageant gay; The crowds, who long had waited, cheered to see it slowly file Down King-street and across Cheapside come winding near a mile. Forthwith the bells of every church chimed all the “bobs” they knew, While mounted “bobbies” led the way that they might clear it too. Next these appear the Fire Brigade, with engines fully manned, For here behoved that they should march ’twixt men of sea and land―― ’Twixt sailor and ’twixt soldier placed, as though between two fires, Whose ardent spirits they might quench if aught should rouse their ires; So Guards and Rifles in their front played stirring tunes of war, While merrily behind them marched full many a youthful tar. And next on prancing palfreys borne, with plume and nodding crest, Four gallant knights with lances come, in silver armour drest; Look how their war-steeds gracefully lift up their well-trained feet, While underneath their iron hoofs resounds the stony street; So stamp they when at Sanger’s Cirque, in Bosworth’s mimic fight, They Richmond or brave Surrey bear, or some great mail-clad knight. How can one human pen suffice to paint this varying Show, Where Watermen with standards gay in long procession flow? Where Lancers, true to Bacchus, the monarch of the vine, Escort the mighty Vintners with band and strains divine; Where proudly the “Swan-hoppers” bear the banners of the Guild, With master and with wardens comes many a carriage filled; While onwards without ceasing stream more banners, knights, and bands, And louder still the people cheer, still louder clap their hands. Ho, guildsmen, all your banners wave! ho, gaily ring, ye bells! Ho, trumpets, sound a flourish! ho, urchins, shriek your yells! Thou coachman, drive on furiously; ye horses swiftly stride; Speed on that glorious coach which bears our Lord Mayor in his pride.
No sun shone on those panels decked with classic subjects old; The mists of damp November dimmed its hammercloth of gold; Still boys at its great Jehu stared, and their tears began to flow, To think such coach they ne’er would see until next Lord Mayor’s Show. From the Guildhall to Westminster, whene’er that pageant passed, The tide of business there was slow, as on a day of fast; Girls rushed to doors and windows, men climbed on gates and walls, Right loud and clear the bells all day rang out from great St. Paul’s; The sentinel on Whitehall Gate looked neither left nor right, But as he looked straight to his front he must have seen the sight. At Westminster it paused, and then down Thames Embankment wound, While thicker still became the throng, and louder still the sound, Till, Guildhall reached, it halted, while the Mayor in state descends To greet and feast great Beaconsfield, to banquet with his friends. As grand as was the Show this year, so may it next year be; Heaven send us such another sight, and take me there to see.
SPHINX (Captain J. A. Barlow, 96th Reg.)
Second Prize.
Come hither, children, for you love your grandsires tales, I know―― I’ll tell you of the Lord Mayor’s Show I saw long years ago; What time the gallant ’prentice band came forth with gibe and jeer To flout the civic monarch whom they had been used to cheer.
It was a fine November day, the year of the Zulu war, Hot-foot a little ragged boy came flying to Temple Bar; He said he’d seen the brave array advancing to the Strand, Preceded by the minstrelsy of all the Life Guards band; He’d dodged beneath a horse, and ’scaped by dint of nimble feet, Though a peeler tall, B 99, had chased him down the street. Straightway each clerk and office boy his walnuts ceased to crack, Forth from its hiding place was brought a hideous doll dyed black; The dirty little boys ran out the soldiers to espy, While in the crowd the pickpockets were faking many a cly.
* * * * *
From Westminster and Whitechapel, from Shoreditch and Vauxhall, The idle vagrants had turned out with laughter and catcall; From east to west the show moved on, and still the hooting spread, It thundered through Trafalgar-square where Nelson rears his head; From Whitehall’s topmost story the Treasury clerk might hear Street after street re-echoing the oft-repeated jeer; The coster left his barrow-load, careless of urchin raids; The dapper waiters hurried forth from restaurants and shades. All down the street of Parliament th’ assembled loafers bawl, And rouse the warders of Millbank, the Judges in their Hall; Right merrily with eager pen the specials took it down, And forty counties learned next day the humours of the town.
QUANTOX (S. H. Woodhouse.)
The World Parody Competition. November 26, 1879.
――――
ON MR. GLADSTONE’S MIDLOTHIAN SPEECHES.
Attend, all ye who list to hear our noble Gladstone’s praise. I tell of the thrice famous speech he made in his old days, When that great lord of flouts and jeers against him led in vain The peers and those few working men that honied lies could gain. With his white hair unbonneted the stout old chieftain comes; No picnic in a park gives he――he bribes no local drums; For shrewd men in the Corn Exchange have filled each vacant space. “Now, hark!” he says, “I grant the peers till autumn’s session grace.” And haughtily, in trumpet tones, he then the story tells, And though he tries to calm the storm, behold you, how it swells! Look how the hero of the fight lifts up his honoured head, And with his magic, winged words strikes Tory falsehoods dead! So spoke he when he put to shame, on that same Scottish field, The Government that tried by fraud the Turkish crimes to shield. So glared he when the Tory host he sternly brought to bay, And crushed and shamed beneath his glance the wretched Jingoes lay.
GEORGE MALLINSON.
The Weekly Despatch. September 14, 1884.
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Foremost amongst Lord Macaulay’s “Lays of Ancient Rome,” is Horatius, the popularity of which is duly attested by the number of parodies and imitations it has given rise to.
Some of the most striking verses of the original are given below, for the convenience of comparison with the parodies.
HORATIUS.
I.
Lars Porsena of Clusium By the Nine Gods he swore That the great house of Tarquin Should suffer wrong no more. By the Nine Gods he swore it, And named a trysting day, And bade his messengers ride forth, East and west and south and north, To summon his array.
II.
East and west and south and north The messengers ride fast, And tower and town and cottage Have heard the trumpet’s blast. Shame on the false Etruscan Who lingers in his home, When Porsena of Clusium Is on the march for Rome.
(The Tuscan Army arrives before the River-Gate of the Tiber, the Roman Fathers deliberate how to save the city.)
XIX.
They held a council standing Before the River-Gate; Short time was there, ye well may guess, For musing or debate. Outspake the Consul roundly: “The bridge must straight go down; For, since Janiculum is lost, Nought else can save the town.”
XXVI.
But the Consul’s brow was sad, And the Consul’s speech was low, And darkly looked he at the wall, And darkly at the foe. “Their van will be upon us Before the bridge goes down; And if they once may win the bridge, What hope to save the town?”
XXVII.
Then outspake brave Horatius, The Captain of the Gate: “To every man upon this earth Death cometh soon or late. And how can man die better Then facing fearful odds, For the ashes of his fathers, And the temples of his Gods.
XXIX.
“Hew down the bridge, Sir Consul, With all the speed ye may; I, with two more to help me, Will hold the foe in play. In yon strait path a thousand May well be stopped by three. Now who will stand on either hand, And keep the bridge with me?”
XXX.
Then out spake Spurius Lartius; A Ramnian proud was he: “Lo, I will stand at thy right hand, And keep the bridge with thee.” And out spake strong Herminius; Of Titian blood was he: “I will abide on thy left side, And keep the bridge with thee.”
XXXI.
“Horatius,” quoth the Consul, “As thou sayest, so let it be.” And straight against that great array Forth went the dauntless Three. For Romans in Rome’s quarrel Spared neither land nor gold, Nor son nor wife, nor limb nor life, In the brave days of old.
XXXII.
Then none was for a party; Then all were for the state; Then the great man helped the poor, And the poor man loved the great: Then the lands were fairly portioned; Then spoils were fairly sold: The Romans were like brothers In the brave days of old.
XXXV.
Meanwhile the Tuscan army, Right glorious to behold, Came flashing back the noonday light, Rank behind rank, like surges bright Of a broad sea of gold. Four hundred trumpets sounded A peal of warlike glee, As that great host, with measured tread, And spears advanced, and ensigns spread, Rolled slowly towards the bridge’s head, Where stood the dauntless Three.
(Horatius and his companions slay several of the bravest Tuscan chiefs who advance towards the bridge.)
LIII.
But meanwhile axe and lever Have manfully been plied; And now the bridge hangs tottering Above the boiling tide. “Come back, come back, Horatius!” Loud cried the fathers all. “Back, Lartius! back, Herminius! Back, ere the ruin fall.”
LIV.
Back darted Spurius Lartius; Herminius darted back: And, as they passed, beneath their feet They felt the timbers crack. But when they turned their faces, And on the farther shore Saw brave Horatius stand alone; They would have crossed once more.
LVII.
Alone stood brave Horatius, But constant still in mind; Thrice thirty thousand foes before, And the broad flood behind. * * * * * But he saw on Palatinus The white porch of his home; And he spake to the noble river That rolls by the towers of Rome.
LIX.
“Oh, Tiber! father Tiber! To whom the Romans pray, A Roman’s life, a Roman’s arms, Take thou in charge this day!” So he spake, and speaking sheathed The good sword by his side, And with his harness on his back, Plunged headlong in the tide.
LX.
No sound of joy or sorrow Was heard from either bank; But friends and foes in dumb surprise, With parted lips and straining eyes, Stood gazing where he sank; And when above the surges They saw his crest appear, All Rome sent forth a rapturous cry, And even the ranks of Tuscany Could scarce forbear to cheer.
LXI.
But fiercely ran the current, Swollen high by months of rain: And fast his blood was flowing; And he was sore in pain, And heavy with his armour, And spent with changing blows: And oft they thought him sinking, But still again he rose.
LXIV.
And now he feels the bottom; Now on dry earth he stands; Now round him throng the Fathers To press his gory hands; And now, with shouts and clapping, And noise of weeping loud, He enters through the River-Gate, Borne by the joyous crowd.
LXV.
They gave him of the corn-land, That was of public right, As much as two strong oxen Could plough from morn till night; And they made a molten image, And set it upon high, And there it stands unto this day To witness if I lie.
LXVIII.
And in the nights of winter, When the cold north winds blow, And the long howling of the wolves Is heard amidst the snow; When round the lonely cottage Roars loud the tempest’s din, And the good logs of Algidus Roar louder yet within;
LXIX.
When the oldest cask is opened, And the largest lamp is lit; When the chestnuts glow in the embers, And the kid turns on the spit; When young and old in circle Around the firebrands close; When the girls are weaving baskets, And the lads are shaping bows;
LXX.
When the goodman mends his armour, And trims his helmet’s plume; When the goodwife’s shuttle merrily Goes flashing through the loom; With weeping and with laughter Still is the story told, How well Horatius kept the bridge In the brave days of old.
T. B. MACAULAY.
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THE FIGHT OF THE CRESCENT. A Lay of Modern Cambridge.
The sturdy undergraduates Are pouring in amain, Up thro’ the fair Rose Crescent, The Market-place to gain―― From many a wild wine-party, From many a sober tea, From the distant halls of Downing, And the Courts of Trinity.
From lowly Queen’s Quadrangle, Where muffins are the go; From Magd’lene, famed for fast men, From Cath’rine, famed for slow; From Caius, where anxious proctors To keep the gates shut try; From Clare, where Dons chivalrous Unlock them on the sly.
There be twenty chosen gownsmen, The foremost of the band, Pupils of SAMBO SUTTON, To keep the Crescent stand: They can’t run if they wish’d it; Perforce they bear the brunt, For the gownsmen in the rear-rank Push the gownsmen in the front.
And all within the Market-place, And Market-Hill along, The townsmen, far as words can go, Come it uncommon strong, But as yet no nose is bleeding, As yet no man is down; For the gownsmen funk the townsmen, And the townsmen funk the gown.
When, lo! a cad comes brimful Of bravery and beer―― “To arms! to arms! The Borough Police will soon be here!” Thro’ Market Street to eastward, Each townsman turn’d his eye, And saw the hats and truncheons Rise fast along the sky.
And plainly and more plainly, Now may each gownsman know, By form and face, by port and pace, Each big blue-coated foe. There, in the front, fierce FREESTONE, Be-whisker’d may be seen, And stalwart SERGEANT SEABROOK, With buttons bright and sheen;
And BUGGINS, of the mutton fist; And MUGGINS, with the fearful twist; And HOBBS, famed for his waving curls; And DOBBS, adored by servant girls, And gruff INSPECTOR GREENE!
Then out spake a fellow-commoner, In voice both sad and low, And darkly look’d he on his friends, And darkly on his foe: “They’ll be too many for us; Ten to one against the gown: Unless we get to Trinity We’ll be wollop’d by the town.”
Then out spake brave FITZ-WIGGINS, Though a small college man: “To keep the Crescent ’gainst the cads, I’ll do the best I can! And if none will stand beside me, Alone I’ll face the snobs, Despite fierce FREESTONE’S truncheon And the staves of HOBBS or DOBBS!”
Then out spake SIR TOM NODDY, A son of Trinity, “Lo, I will stand at thy right hand, And the Crescent keep with thee.” And out spake MERRYPEBBLES―― A Johnian was he―― “I will abide at thy left side, And the Crescent keep with thee.”
A great shout of defiance From all the snobs arose, But the three stand calm and silent―― A thumb to every nose! And forth three Peelers rushing, Attempt to storm the Pass; Truncheons are thick, but fists are quick, And down they go to grass!
FITZ-WIGGINS floor’d fierce FREESTONE, TOM NODDY levell’d HOBBS, And cheerful MERRYPEBBLES Black’d both the eyes of DOBBS; And the aggravated townsmen Stand all appall’d to see On the flags the unconscious Peelers―― In the Pass the dauntless Three! And on the leaguer’d Crescent Was none would brave attack; But those behind cried “Forward!” And those in front cried “Back!”
Meanwhile their legs the gownsmen Right manfully have plied; And now they’ve got to Trinity, And the gates are open’d wide. “Come back, come back, FITZ-WIGGINS,” Loud cried they from the gate “Back NODDY, MERRYPEBBLES, Back, or you’ll be too late!”
But the police are on them, And their truncheons fierce they ply; Now the fates save brave FITZ-WIGGINS―― What a terrible black eye!―― Though MERRYPEBBLES’ head be The thickest in the ring, It scarce can ’scape unbroken; Such staves must make it sing.
Alone stood SIR TOM NODDY, But constant still in mind, Policemen pitching in before And Trinity behind. “Down with him!” cried false SEABROOK, As he mopped his bloody face; “Now yield thee,” cried the Inspector, “Now yield thee, to our grace!”
But brave TOM NODDY never deigned An answer; no not he; But he floor’d the Inspector neatly As a man could wish to see: And through the storming townsmen And the irate police, He fights his passage manfully, And he wins the gate in peace.
And now, his gown in ribbands, In the crowded court he stands, And “to call upon him the next day,” Receives the Dean’s commands. And then with shouts and clapping, And hip, hip, hurrah, loud, He passes on unto his rooms, Borne by the admiring crowd.
But he was rusticated By the Dons that very night; And when he show’d them his black eye, They said, “It served him right.” But long at our wine-parties, We’ll remember how, like bricks, Stout NODDY kept the Crescent, In Eighteen-forty-six!
Punch. April 11, 1846.
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MARCUS CURTIUS, THE HONEST LAWYER. (A Lay of Ancient Rome.)
Wilt hear how Marcus Curtius, that lawyer true and hold, Did bravely for his country in the brave days of old? How by Justinian’s Institutes and his green baize bag he swore, That the only honest lawyer could live in Rome no more? Oh, none could be more honest in life and death, than he Who cheated but the sexton, and saved the burial fee.
The lawyers in the Forum are squabbling loud and long, To the wonder of their clients, confounding right and wrong; Begowned, bewigged, bewildered, each judge the clamour hears, And Justice, blind already, would fain have stopped her ears.
As now the wordy contest grew hotter still and hotter, The desks, the books, the benches, began to quake and totter; And they heard a sound like thunder, a horrid, dreary sound, As though all the powers of evil danced the polka underground.
The lawyers through their spectacles looked with a stony glare, And the crier stammered out, “O Yes,” and whispered through a prayer: Some of the judges fainted, and there for dead they lay; And the jury snatched their solidi, and fleetly ran away.
And now――O, sight of wonder!――with a stifling smell of sulph- Er, in the Middle Forum, there gaped a hideous gulf: A gulf as black as midnight, or “best Japan,” I trow; And a voice came howling, hissing up, like a thousand whirlwinds now:
“This gulf will close――no, never! till in Rome the rarest thing, The rarest and most wondrous, a sacrifice you bring.” O! great was the lamenting, when these fearful facts were known, The mothers weep and wring their hands, the grandames groan “Ochone;” And the little boys no longer their flying hoops pursue, Nor chaunt of “Ole Virginny,” as they were wont to do. And the men in moody silence pace slowly to and fro, With pallid lip, and frowning brow, and countenance of woe; And the Fathers of the City――the Aldermen and Mayor―― Are met in solemn council, with a grave and puzzled air.
Then uprises Lucius Cimber, a grocer proud was he, Who traded first with China, in Twankay and Bohea; And in accents slow and solemn, thus the meeting he advised:―― “Let’s try and fill the hole up with stones macadamised.”
And they listened to his counsel, and with shovel and with spade, They adjourned unto the Forum, and aside their togas laid. And then all in their shirt sleeves they worked with might and main, Patrician and Plebeian, alike they worked in vain. For though a thousand cart-loads into the gulf they threw, Instead of getting shallower it deep and deeper grew.
And now a frenzied client who had lost his all that day, Seized “Selwyn’s Nisi Prius” from the bookshelf where it lay, And in the hole he dashed it, with a howl of maniac glee, And wished all law and lawyers at the bottom of the sea. And, fired by his example, the crowd seized, one by one, On “Chitty,” and on “Starkey,” and on “Coke and Lyttleton” On Bacon’s Whole Abridgement, with tooth and nail they fell, But where they wished those authors, ’twere not polite to tell.
In vain the poor librarian, while tears ran down his cheek, Strove to bend them from their purpose――not a word they’d hear him speak. And the venerable Chief Justice, like Lord Mansfield at the fire, Not caring to remonstrate, thought it prudent to retire. So they rifled all the library of every book they saw, Yet the gulf but yawned the wider for all that dose of law.
Then from that mixed assembly a seedy-looking gent (He pays not much for mending who cannot pay his rent), With an old coat all in tatters, and a hat without a brim, Stalked proudly from the multitude, who, curious, gazed on him.
“My name is Marcus Curtius! a Roman knight am I,―― And eke a learned counsellor, but, alas! I cannot lie! I’ve gone upon the Circuit,――there came no briefs to me; I ne’er addressed a jury, ne’er pocketed a fee. Alas! mistaken parents, to bind me to the law! I have no natural cunning to make or find a flaw. He who’d sit upon a woolsack must be ne’er with conscience cursed, And, for wool to fill the cushion, he must take to fleecing first. Then behold in me, O Romans! what the oracle demands, The thing in Rome that’s rarest, a lawyer with clean hands. A truly honest lawyer, with a feeling, tender soul, Which, witness this nay garment――a tongue’s in ev’ry hole. For the good of thee, my country, I die a true-blue Tory, For Dulce et decorum, est pro patria mori!”
He said, and on the lawyers he turned a kindling eye, As away on all sides slinking, no one dared make reply. Then smiling sad but calmly, he cried “Good Charon, hark! I’m too poor to pay the obolus for crossing in your bark, But I know that you will trust me; so now, my friends, good bye, I’ll trouble not the coroner, a natural death I die: A natural death for Curtius, who might have been so rich, But he was an honest lawyer, so he perished in a ditch.”
He said, and threw a summersault into that dreary vat―― Head foremost, like a thunder-bolt down went the brimless hat; Down went the brimless beaver, fall many a fathom deep, And the women took hysterics, and the men began to weep. When they dashed away the tear drops, and looked ahead again, Where that gulf had late been yawning, there lay a level plain.
And they reared a marble tombstone on the spot where he had died, And in letters carved and gilded, was inscribed on either side
Here Marcus Curtius lyes, Ye onlye honeste lawyere, hee Who neverre pocketedde a fee. Anno aetatis XXXIII. Hee felle withe muche philosophie, Forre Rome a sacrifice.
And with weeping and lamenting still is the story told, How Curtius kicked the bucket in the brave old days of old.
EDGAR ALLEN.
This parody originally appeared in a United States newspaper, the Salem Herald, about forty years ago.
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GUSTAVUS.[99] A Lay of Drury Lane.
Great Smithius of Drury Lane, By cape and truncheon swore, That Bold Gustavus Brookius Should perdu lie no more. By staff and cape he swore it, And named his opening night, And sent his messengers abroad, Each with a pile of orders stored, To summon all they might.
East and west, and south and north, The messengers repair; Some hie them to the Regal Oak, Some to the Arms of Eyre. Shame on the false theatrical Who would refuse to come, When bold Gustavus Brookius Enters the “Drama’s Home!”
The gallery-boys and pittites Are pouring in amain, And struggling in a turbid mass, The theatre doors they gain. From many a noisome alley, From many a crowded court, Great G. V. B’s supporters Have hastened to the sport.
From Kingsland’s leafy quarters, From Camden’s noble town, From where Belgravia’s daughters On humble men look down; From Islington the merry, From Kensington the slow, To meet the great Gustavus The many-headed go.
The patrons of the Surrey, Who e’er in shirt sleeves sit. While the refreshing foaming stout Is handed round the pit, Yield up their old allegiance, And join the swelling train, Crossing the Bridge of Waterloo, To meet at Drury Lane.
Ho! fiddlers, scrape your catgut! Ho! drummers, use your strength! HE comes, whose name on every wall Measures six feet in length! Who, though perchance he cannot With Shakespeare move your souls, Will gain your heartiest plaudits By gifts of soup and coals!
Come, Phelps, come crouch unto him; Come, Kean, and do the same; You, famous by your own good deeds, You, by your father’s name! Crouch to the great Gustavus, Who has become the rage, And proved himself, by feats of alms, King of the British Stage.
EDMUND H. YATES.
From Mirth and Metre. G. Routledge and Co. 1855.
This little volume was written by Mr. E. H. Yates in conjunction with Frank E. Smedley, and in 1856 a similar, but far more amusing work was published by Messrs. Routledge and Co., entitled “Our Miscellany” (which ought to have come out, but didn’t,) edited by E. H. Yates and R. B. Brough. This contains parodies and imitations of Harrison Ainsworth, G. P. R. James, T. B. Macaulay, Alfred Tennyson, Albert Smith, Martin Tupper, Charles Dickens, Edgar Poe, Samuel Warren, H. W. Longfellow, J. G. Lockhart, Mrs. Browning, Douglas Jerrold, and other popular authors of the day. Many of these imitations are in prose.
In conveying his permission for the insertion of the following in Parodies, Mr. Edmund Yates courteously added the information that the parodies in “Our Miscellany” which were written by Mr. Brough were signed B, the others being by Mr. Yates. The latter are not only the most numerous, but by far the most humorous and clever.
JOHNSON. (A Lay of Modern London.) By Thomas Blabbington Macawley.
Stout Johnson, of Saint Thomas, By George and Jingo swore That the street door of Watkins Should hold its own no more, By George and Jingo swore he, And named a trysting day, For all his trusty friends on town To meet to tear the knocker down, And bear the bell away.
From East-end and from West-end, His missives prompt entreat, Assistance (at his rooms resolv’d On making both ends meet), Shame on the craven spirit Who sends a poor excuse, And smokes his pipe at home or strolls Ignobly on the loose!
The staunch allies in clusters Are dropping in apace, From many a lofty “chambers,” From many a lowly “place,” From “cribs,” and “dens,” and “quarters.” And vague mysterious “rooms,” Whose whereabouts to specify, No daring mind presumes.
From Guy’s across the water, From Strand adjacent Kings’, From Charing (which a shadow o’er The mourn’d Casino flings!) From Bartlemy’s in Smithfield, Of accidents bereft! And Middlesex, whose course we trace From Oxford Street up Rathbone Place, By turning to the left.
From wall-encircled Temple, Shut out from London’s noise. Where apron’d porters guard the way, And keep in awe the boys; From Gray’s and dingy Clement’s (Where rents so mod’rate run!) And Lincoln’s Inn, where stands, alas! Th’ Insolvent Court,――besides a mass Of others of a noisome class (Requiring far more nerve to pass), Where no whitewashing’s done.
Rich are the chops whose gravy Exudes o’er Rhodes’s[100] bars; And sweet, at Evans’s, the notes That issue from the singers’ throats In spite of the cigars. Beyond all bands the waltzer Loves Laurent’s (when in tune); Best of all grounds the bowler loves The American Saloon.
But now no chop or kidney Emits its soft perfume; No voice is heard suggesting that “The waiter’s in the room.” In vain the sylphs at Laurent’s Their palms in kid have dressed; The bowls may wait, and Rhodes’s grate Enjoy a few bars rest.
The comic songs of Cowell, To-night old men shall hear,―― To-night young boys and greenhorns Shall have the Argyle clear; And parsons from the country, To-night sole audience be, To hear Sam Hall or Baldwin’s call, “Attention for a glee!”
A score of chosen spirits In Johnson’s rooms are met, And Johnson sees his birdseye Diminish with regret; And from the round stone bottles Too fast the liquids flow;―― He sees (and feels) his spirits sink, And inwardly begins to think―― ’Tis time for them to go.
“Ho! friends and fellow students, ’Tis fit we should prepare For action (Fibbetson, you brute, Don’t interrupt the Chair!) The enterprise before us Must fraught with danger be; Will you go in through thick and thin To win the spoil with me?
“For Watkins the plebeian, Whose door we go to spoil (By past unskilled attempts enraged) A private watchman has engaged, Our cherished schemes to foil. Therefore let no man join us Who fears to break the peace And go the undivided hog, E’en to (should they our footsteps dog) Assaulting the police.”
Then up spake Robert Simpson, Of Middlesex was he: “Lo! I’ll go in through thick and thin, To win the spoil with thee!” And up spake Brown of Charing, (Plucked but last week was he): “No man am I for saying die―― Lul-liet-iet-y!
“That accidents will happen, It stands a fact confest, In families which, by their heads, Are regulated best; And if to-night’s adventures Result in fines and quods, So long as you are happy, Inform me where’s the odds?”
And now the dauntless phalanx Stand ’neath the gas-light’s glare, And many a pipe and ancient hat Hurl’d at a scared and flying cat, Goes whizzing through the air. With Ethiopia’s music They rend the welkin now, Telling of Blane and Tucker’s fate, Till stern policeman “Twenty-eight” Steps forward to expostulate ’Gainst such a jolly row.
The restless Strand behind them They leave, and quickly gain The corner where Saint Martin’s Church Frowns grandly up his lane. Through danger-fraught Cranbournia Unscath’d they make their way (Protected by the evening’s shade, For syrens in the bonnet trade That spell-bound district long have made Unsafe to pass by day).
Up through the Court of Ryder! Nor idly pause to sigh O’er the crush’d Valentino’s fate, Nor Wharton’s bills investigate Above the lamps hard by. On! through the Cretan mazes Of Newport Market go. They’re past, and now the warlike train A yell of joy can scarce restrain As bursts in sight the proud domain Of Watkins of Soho!
“Back, Simpson! back, Carruthers! Back, Blatherwick!――be cool; Be quiet Brown; keep Davis down; And Jones!――don’t be a fool. Wait till the private watchman Shall round the corner wind; He will directly, to inspect The premises behind.
“There, now, you see,――I told you; He’s hidden by the wall, Haste, Jones!――engage him in a chat,―― Insult his capes, or chaff his hat, Or treat him to some coffee at The early breakfast stall: Anything to engage him For minutes two or three, By which time he, I dare be bound, Shall see what he shall see.”
Like telegraphic message Jones on his errand flies; And Blatherwick and Simpson Go with him as allies. (And, of those last-named heroes ’Tis whisper’d since on town, They thought the watchman-chaffing game A less precarious road to fame Than pulling knockers down).
But Johnson of St. Thomas, No craven droopings knew; Up to the frowning knocker, With tiger spring he flew; And mirthful e’en in danger, Said, with a joyous grin, “Walk up!――the exhibition’s just A-going to begin!”
Then thrust he through the knocker His stick of British oak; But Brown of Charing, from the throng, Quoting a Social Progress song, Thus, with a purpose, spoke: “Just wait a little longer, There’s work for me as well; You from its clamps the knocker tear―― I from the door, your fame to share, Will please to wring the bell.”
But of that gang the stoutest Felt their hearts sink to see In progress what, in planning, Had merely seem’d a “spree;” And from the dread adventure, So rashly underta’en, All shrank, like boys who, ere they strip, Intend to plunge o’er head and hip In Father Thames, but when they dip In his cold flood a toe-nail’s tip, Scared――dress themselves again.
But meanwhile Jones and Simpson, And Blatherwick have tried, In vain, to keep the watchman Round on the other side. “Run, Davis! run, Carruthers!” Loud cried the students all; “Slope! and to him who hindmost lags, The usual fate befal!”
Back darted Brown of Charing, Letting the bell-pull go, With startling clang, and all the gang Retreated from the foe; But when they saw brave Johnson Still tugging at the door, Under the very watchman’s nose, They would have turn’d once more.
But, with a crash like thunder (Such thunder as one hears At minor theatres, when the ghost Or maniac appears), Round on its well-used pivot The watchman’s rattle sprung; The band set up a frighten’d cry, And (Jones in front) began to fly, E’en Brown, averse to saying die, Scorn’d not to cut and run.
Yet, like himself in practice (“Teeth drawn for half-a-crown,” Stands graven on his bus’ness card), The furious Johnson struggled hard To wrench the knocker down. And with Herculean prowess, At length perform’d the feat; And oaken splint, and nut and screw, With bits of paint and dried-up glue, Flew scatter’d o’er the street.
With one huge stride he bounded Adown the steps in glee, Waving his hard-earned prize on high, But stopp’d――he was compell’d to――by Policeman “Twenty-three.” “Off with him!” cried the watchman, With a smile on his pale face; “Now blow me!” “Twenty-three” exclaimed; “This here’s a Brixton case.”
Round turn’d he somewhat stagger’d, These myrmidons to see, But he took the watchman’s measure, And the weight of “Twenty-three.” And ere “Robinson” you’d summon He had laid the former low, By tripping up his heels, and dealt To “Twenty-three” (above the belt) A firm left handed blow.
Bereft of speech and breathing, Awhile was “Twenty-three,” (For, thanks to kitchen maidens fair, Who bought his love with viands rare, Of habit full was he); And Johnson, by his valour Freed from judicial grab, In safety gain’d the neighb’ring stand, And with the knocker in his hand, Plung’d headlong in a cab!
Never, I ween, did driver With such a style of horse, Urge o’er the stones at such a rate, To save a patron from the hate And fury of the Force. But his sympathies went greatly With the large heart within, Who half-a-crown beyond his fare Had promis’d――and some gin.
And now they near his chambers, Where, waiting his return, Stand his false-hearted comrades Joy’d his escape to learn; Whom, for their craven conduct, As from the cab he leaps, The high-soul’d Johnson scruples not To stigmatize as “sweeps.”
And now they press around him, And now they soap him down; And with emollient sawder His just reproaches drown; Now on the back they slap him, Thumbs in his ribs they stick, And now they dub him “Trojan,” And now proclaim him “Brick.”
They gave him songs and speeches, They drank his health with glee, And (heedless of the lodgers) It was done with three times three. And they took the rifled knocker, And hung it up on high, And there it stands in Johnson’s rooms, To witness if I lie.
And in the nights of winter, When things are rather slow, And men (the gardens being shut) Uncertain where to go; To Johnson’s humble chambers, In little knots drop in, To smoke his soothing birdseye, And quaff his cheering gin!
When the bottled stout is opened, And the meerschaum pipe is lit, And the guests on trunks and tables (Chairs at a premium) sit, When flags the conversation, Revert they to the “go,” How Johnson tore the knocker down Of Watkins of Soho.
――――
SIBTHORPIUS. A Lay of Modern London, made in the year 1848.
BY T. BLABBINGTON MACSQUALLY
I.
O’Connor of York Castle By the Six Points he swore, That the great English rabble Should suffer wrong no more. By the Six Points he swore it, And named a trysting day, And made his underlings go forth, In third-class trains, from south to north, To summon his array.
II.
The pickpockets and Chartists Come pouring in amain, From many a dirty market-place, From many a half-choked drain; From many a lonely alley, Where, hid from Peeler’s eyen, In a magmen’s nest――the neighbourhood’s pest―― Grovel the human swine.
III.
There be some scores of delegates, The noisiest of the land, Who alway by O’Connor, In John Street’s building stand; With dirty hands the delegates Have turned the papers o’er―― The leaders bright, in black and white, Of journalistic lore.
IV.
And with one howl the delegates This answer forth are slipping, “Go forth, go forth, dear Feargus, Go forth, go forth, our pippin! Go, and return in glory, To our fine John Street dome, And hang the tickers of the rich Round the bare walls of home!”
V.
And now hath every alley Sent up its batch of men, The foot are some ten thousand, The horsemen scarcely ten, Upon the plain of Kennington Is met the great array―― A proud man was O’Connor Upon the trysting day!
VI.
But in the Parks, and Pall Mall, Was tumult and affright; And in the Carlton, men looked blue, And those in Brookes’s white; And Berkeley Square was shaky, While some from Mayfair cut; And girls in pastrycooks were sad And Quadrant shops were shut.
VII.
Now, from a lofty lamp-post Could the wan Peelers spy The dust made by the marching mob, Like a pall in the sky. The Ministers in Downing Street Were nervous all the day, For every hour a horseman came With tidings of dismay.
VIII.
They held a council standing In Westminster Bridge Road; Surrounded by sad Specials, Who evil days forbode; Out spake Lord Russell roundly, “The bridge must straight go down, For now that they’re past the New Cut, Nought else can save the town.”
IX.
Then out spake brave Sibthorpius, Up to the council riding, “I’ll keep the bridge――Chartists be hanged, I’ll give them a d――――d hiding! Hew down the bridge, Lord Russell! I’ll let the humbugs see―― What Honourable Member Will keep the bridge with me?”
X.
“Sibthorpius,” said Lord Russell, “As thou sayest, so let it be.” He spoke! two more came forward, And forth then rushed the Three. Meanwhile, the Specials round them, Came each man with an axe, And Russell gave a mighty blow, And Morpeth pummelled with a crow The bridge ’neath which the Thames doth flow, Resounded with their whacks!
XI.
One Member smote proud Cuffey, The second rushed at Jones, Unmoved by Chartist yelling, Undaunted by the stones. Sibthorpius at Feargus Darted one horrid thrust And the plebian’s puddle blood Mix’d with Lambeth dust.
XII.
And now the Bridge of Westminster Trembled ’neath Russell’s blows,―― “Back, back,” he cried, “brave comrades, Back ere the old bridge goes.” Then quickly the two members Ran to the other side―― Then turned and saw Sibthorpius Alone in all his pride.
XIII.
Then with a crash like thunder, The old bridge went to pot―― Its ruins down the foaming stream Rushed hurriedly and hot. Alone stood brave Sibthorpius, A moment sternly stood, Then, with his armour on his back, He jumped into the flood.
* * * * *
XIV.
And in the nights of winter, When the cold north winds blow, And sweepers from the pavement Are shovelling the snow; When the crusted port is opened, And the camphine lamp is lit, When dessert is on the table, And around it bright guests sit.
XV.
When the gay and lively party Roar at the PUPPET-SHOW, And claret, sparkling like its jokes, Right joyously doth flow. When the good-man plays écarté, And the young lads make a noise; When the girls are working crochet, And the children smashing toys.
XVI.
When the good-wife takes her workbox, And the grandame takes a nap, When Radicals and Chartists Grow lively at the tap. With weeping and with laughter, Still is the story told, How well Sibthorpius kept the Bridge, And how the mob were sold.
From The Puppet-Showman’s Album.
The six points demanded by the Chartists in 1848, were: Universal Suffrage, Vote by Ballot, Annual Parliaments, Payment of the Members, the Abolition of the Property Qualification, and Equal Electoral Districts.
Forty years ago these proposals were considered terribly revolutionary, and when the leaders of the movement――Ernest Jones, Fergus O’Connor, Vincent and Stephens――proposed to hold a mass meeting at Kennington, and march to Westminster, it was feared there would be a riot. Special constables were enrolled in large numbers, and strong measures were taken by the police, but little actual disturbance occurred. Colonel Sibthorp, a very eccentric M. P., was especially violent in his denunciations of the Chartists, but it need scarcely be said that the poem is entirely imaginary as to the fight at Westminster Bridge, and the part he took in it.
――――
THE FIGHT FOR THE CHAMPIONSHIP. (_As told by an ancient Gladiator to his Great-Grandmother._)
Big Heenan of Benicia, By ninety-nine gods he swore, That the bright belt of England Should grace her sons no more. By ninety-nine he swore it, And named the ‘fisting’ day―― ‘East and west and south and north,’ Said Richard Mayne, ‘ride forth, ride forth, ‘And summon mine array.’
‘Ride forth by heathy Hampshire, Of “chalk-stream-studded” dells, And wake the beaks of Eversley Where gallant Kingsley dwells; Spur fast thro’ Berkshire spinneys, The broad Hog’s Back bestride, And if the White Horse is scour’d Mount up amain and ride: Spur, spur, I say, thro’ England! The word went flashing by. Look out for Sayers and Heenan, Policemen――mind your eye!
Sir Richard’s bold moss-troopers Looked out uncommon keen, From park and plain and prairie, From heath and upland green; From Essex fens and fallows, From Hampshire, dale and down, From Sussex’ hundred leagues of sand, To Shropshire’s fat and flowery land, And Cheshire’s wild and wasted strand, And Yorkshire’s heather brown;―― And so, of course, the fight came oft A dozen miles from Town.
Then first stept out big Heenan, Unmatched for breadth and length; And in his chest it might be guessed; He had unpleasant strength. And to him went the Sayers That looked both small and thin, But well each practised eye could read The ‘lion and the bull-dog’ breed, And from each fearless stander-by Rang out that genuine British cry, ‘Go in, my boy,――and win!’
And he went in――and smote him Through mouthpiece and through cheek; And Heenan smote him back again Into the ensuing week: Full seven days thence he smote him, With one prodigious crack, And th’ undaunted Champion straight Discerned that he was five feet eight, When flat upon his back:―― Whilst a great shout of laughter Rose from the Yankee pack.
As from the flash the bullet, Out sprang the Sayers then, And dealt the huge Benician A vast thump on the chin; And thrice and four times sternly Drove in the shatt’ring blow; And thrice and four times wavered The herculean foe; And his great arms swung wildly, Like ship-masts two and fro.
And now no sound of laughter Was heard from either side, Whilst feint, and draw, and rally, The cautious Bruisers tried; And long they sparred and counter’d Till Heenan sped a thrust So fierce and quick, it swept away Th’ opposing guard like sapling spray――, And for the second time that day The Champion bit the dust.
Short time lay English Sayers Upon the earth at length, Short time his Yankee foeman Might triumph in his strength! Sheer from the ground he smote him And his soul went with the blow―― Such blow no other hand could dash―― Such blow no other arm could smash―― The giant tottered low; And for a space they sponged his face, And thought the eye would go.
Time’s up!――Again they battle; Again the strokes fly free; But Sayers’ right arm――that arm of pride―― Now dangles pow’rless by his side, Plain for all eyes to see; And thro’ that long and desperate shock―― Two mortal hours on the clock―― By sheer indomitable pluck With his left hand fought he!
With his left hand he fought him, Though he was sore in pain,―― Full twenty times hurled backward, Still pressing on again! With his left hand he fought him, Till each could fight no more; Till Sayers could scarcely strike a blow, Till Heenan could not see his foe―― Such fighting England never knew Upon her soil before!
They gave him of the standard Gold coinage of the realm, As much as one stout guardsman Could carry in his helm; They made him an ovation On the Exchange hard by,―― And they may slap their pockets In witness if I lie.
And every soul in England Was glad, both high and low, And books were voted snobbish, And ‘gloves’ were all the go; And each man told the story, Whilst ladies’ hearts would melt, How Sayers, the British Champion, Did battle for the belt.
Yet honour to the vanquished! (If vanquished then he were) Let the harp strike a bolder string And the Bird of Freedom clap his wing For the fight so free and fair. And forge another girdle That shall belt as brave a breast As ever sailed to English shore From the broad lands of the West.
And when some sterner battle Shall shake along the line, The Lion flag of Liberty In Freedom’s cause to shine,―― To fence its ancient honour, And guard it safe from harms, May two such Champions hand in hand―― Twin brethren of the Saxon land―― Be found together to withstand A universe in arms.
H. CHOLMONDELEY-PENNELL.
This excellent parody has appeared in numerous editions of Puck on Pegasus (published by Chatto and Windus, London), it is here given by special permission, and with corrections and additions recently made by the author.
The desperate fight it describes took place at Farnborough on April 17, 1860. Tom Sayers, the Champion of England, stood only about 5 feet 8 inches high, whilst John Heenan, the “Benicia Boy” was upwards of 6 feet in height. Both men showed great courage and endurance, but Sayers displayed the most science, and had not the fight been interrupted, he would, in all probability, have been victorious, as Heenan’s eyes were fast closing up from the punishment he had received. As the fight was a draw, a silver belt was afterwards presented to each of the men. Punch also had a very long parody on the subject, from which a few verses may be quoted.
THE FIGHT OF SAYERIUS AND HEENANUS. A Lay of Ancient London.
(Supposed to be recounted to his Great Grand-Children, April 17_th_, A.D. 1920, by an Ancient Gladiator.)
Close round my chair, my children, And gather at my knee, The while your mother poureth The Old Tom in my tea; The while your father quaffeth His rot-gut Bordeaux wine,―― ’Twas not on such potations Were reared these thews o’ mine. Such drinks came in the very year ――Methinks I mind it well―― That the great fight of HEENANUS With SAYERIUS befell. These knuckles then were iron; This biceps like a cord; This fist shot from the shoulder A bullock would have floored. Crawleius his Novice, They used to call me then, In the Domus Savilliana, Among the sporting men. There, on benefit occasions, The gloves I oft put on, Walking round to show my muscles When the set-to was done; While ringing in the arena The showered denarii fell, That told Crawleius, Novice Had used his mauleys well. ’Tis but some sixty years since The times whereof I speak, And yet the words I’m using Will sound to you like Greek.
What know ye, race of milksops, Untaught of the P. R., What stopping, lunging, countering, Fibbing, or rallying are? What boots to use the lingo, When you have not the thing? How paint to you the glories Of BELCHER, CRIBB, or SPRING,―― To you, whose sire turns up his eyes At mention of the Ring?
Yet, in despite of all the jaw And gammon of the time, That brands the art of self-defence ――Old England’s art――as crime, From off mine ancient memories The rust of time I’ll shake, Your youthful bloods to quicken And your British pluck to wake. Then gather to your grandsire’s knee, The while his tale is told, How SAYERIUS and HEENANUS Milled in the days of old.
* * * * *
The stakes are pitched, the ropes are tied, The men have ta’en their stand; HEENANUS wins the toss for place, And takes the eastward hand. CUSICCIUS and MACDONALDUS Upon the Boy attend; SAYERIUS owns BRUNTONUS, And JIM WELSHIUS for friend. And each upon the other now, A curious eye may throw, As from the seconds’ final rub In buff at length they show, And from their corners to the scratch Move stalwartly and slow.
Then each his hand stretched forth to grasp, His foemen’s fives in friendly clasp; Each felt his balance trim and true,―― Each up to square his mauleys threw; Each tried his best to draw his man―― The feint, the dodge, the opening plan, Till left and right SAYERIUS tried; HEENANUS’ grin proclaimed him wide; He shook his nut, a lead essayed, Nor reached SAYERIUS’ watchful head. At length each left is sudden flung, We heard the ponderous thud, And from each tongue the news was rung, SAYERIUS hath “First blood!” Adown HEENANUS’ Roman nose Freely the tell-tale claret flows, While stern SAYERIUS’ forehead shows That in the interchange of blows HEENANUS’ aim was good! Again each iron mauley swung, And loud the counter-hitting rung, Till breathless all and wild with blows, Fiercely they grappled, for a close; A moment in close hug they swing Hither and thither, round the ring, Then from HEENANUS’ clinch of brass SAYERIUS, smiling, slips to grass!
I trow mine ancient breath would fail To follow through the fight, Each gallant round’s still changing tale, Each feat of left and right. How nine times in that desperate Mill HEENANUS, in his strength, Knocked stout SAYERIUS off his pins, And laid him all at length;
But how in each succeeding round SAYERIUS smiling came, With head as cool, and wind as sound, As his first moment on the ground, Still confident, and game. How from HEENANUS’ sledge-like fist, Striving a smasher to resist, SAYERIUS’ stout right arm gave way, Yet the maim’d hero still made play, And when in-fighting threatened ill, Was nimble in out-fighting still, Did still his own maintain―― In mourning put HEENANUS’ glims, Till blinded eyes and helpless limbs, The chances squared again. How blind HEENANUS in despite Of bleeding mug and waning sight So gallantly kept up the fight, That not a man could say Which of the two ’twere wise to back, Or on which side some random crack Might not decide the day: And leave us――whoso won the prize,―― Victor and vanquished, in all eyes, An equal meed to pay.
Two hours and more the fight had sped, Near unto ten it drew, But still opposed-one-armed to blind,―― They stood, the dauntless two. Ah, me, that I have lived to hear Such men as ruffians scorned, Such deeds of valour brutal called, Canted, preached down and mourned! Ah, that these old eyes ne’er again A gallant Mill shall see! No more behold the ropes and stakes, With colours flying free! But I forget the combat―― How shall I tell the close, That left the Champion’s Belt in doubt Between those well-matched foes? Fain would I shroud the tale in night,―― The meddling blues that thrust in sight,―― The ring-keepers o’erthrown;―― The broken ring,――the cumbered fight,―― HEENANUS’ sudden, blinded flight,―― SAYERIUS pausing, as he might, Just when ten minutes used aright Had made the fight his own!
Alas! e’en in those brighter days We still had Beaks and Blues,―― Still, canting rogues, their mud to fling On self-defence and on the Ring, And fistic arts abuse! And ’twas such varmint had the power The Champion’s fight to stay, And leave unsettled to this hour The honours of the day! But had those honours rested Divided as was due, SAYERIUS and HEENANUS Had cut the Belt in two.
Punch. April 28, 1860.
――――
THE BATTLE OF THE BRIDGE.
Great LAWRENCE, erst a builder, By Gog and Magog swore That he would rule the Livery And be Lord Mayor once more. By Gog and Magog swore it, And named the polling day, And bade the Liverymen go forth To all the wards, East, West, and North, To summon his array.
I see the long type galleys, I see the molten lead, I see the wondrous matrix―― The bright type leaves its bed. He casts the grim black-letter, For battle he is ripe, Thus ever rides our Besley, Lord of the Founts of Type.
Now hath each polling district Sent up her tale of men, And Besley counts by hundreds, And Lawrence scarcely ten. But a mighty boast he uttered “Right soon the Queen shall ride To Blackfriars Bridge, and where looks down The viaduct o’er London town, And Lawrence by her side.”
The harvest of the title, This year shall Lawrence reap; This year the London urchins At Queen Victoria peep. This year the crowds shall gather To London, like the foam That gathers on the Tiber That rolls beside old Rome.
And now the warfare’s over, And who shall say who’s won, Our Besley rules the Aldermen, The civic fight is done. But Lawrence, cool and cunning, No shock of war would stand, He yields the power, but wins the prize; Henceforth, before the nation’s eyes, He wears the Bloody Hand!
And in the nights of winter When many a bottle’s floor’d, And gormandizing aldermen Gloat o’er the groaning board, Between the punch and turtle, The tale they still shall tell: How Lawrence jockey’d Besley―― How Gladstone managed well.
The Period. 1869.
The new Blackfriars Bridge was opened by the Queen on November 6, 1869, during the mayoralty of Alderman James C. Lawrence, who wished to be twice Lord Mayor of London, but he was beaten by Mr. Robert Besley.
――――
A LAY OF ANCIENT STOKE.
Qucealy, the avenger, By the nine points he swore That the great Tichborne Claimant Should suffer wrong no more: By the nine points he swore it, And ere the polling day He straightway rose and gat him forth, And taking tickets for the North, He sped him on his way.
Full rapidly yet surely, The Midland train runs fast, Until the town of potteries Is safely gained at last! Woe to the vile traducer Who treats it as a joke, For Qucealy the avenger Is on the march for Stoke.
There be many whom the franchise Makes voters in the land, Who always by the public house, Both morn and evening stand. Evening and morn they linger About the open door; While each man’s little finger Is lifted o’er and o’er.
And with one voice the voters Have their glad answers given “Go forth, go forth, Qucealy! Go forth, beloved of Heaven.” Or, in the plain vernacular Of these simple men of Stoke, “We’ll stick to you, Qucealy! Go in and win, old bloke!”
I wis in all the Commons, When came the Doctor’s night, There was not e’en a vacant seat For none would miss the sight. Forthwith uprose the Premier, Uprose the Members all: Full speedily they seized their hats, And hied them to the hall.
The Doctor’s brow is knit, And the Doctor’s speech is low, And frequently is heard “Ha, ha!” And now and then “Oh, oh!” But he flings aside their taunts, As when bounding o’er the plain, The lion shakes the dewdrops From off his tawny mane.
“Ye honorable members Jeer on as best ye may; But I with two to help me Will keep you all at bay. A Jesuitical device May well be checked by three: Now who will stand on either hand To crush conspiracy?”
Then out spake valiant Whalley, From Peterborough he, “_Lo, I will stand at thy right hand, And give my voice with thee._” And outspake bould O’Gorman, Of Celtic blood was he, “_Whack philliloo! I’m wid you too. Acushla gra machree!_”
The speeches now are ended, And lo! the ranks divide, And outsteps brave O’Gorman, With elephantine stride. And many fear what he may say, And at the thought grow pale! “_Is there any of yiz here would like To trid upon my tale?_”
Never I ween did member In any former case, In solitary grandeur walk Back to his ’customed place. With a mighty cheer they greet him, As he marches on alone, And the tellers say the members be Four hundred odd to one.
When the “ancient Tom” is opened, And the farthing dip is lit: When the elders whack the youngers, And the kid howls when he’s hit: When old and young together Around the quartern close: When the girls are cracking cobnuts And the lads are mixing “goes:”
When the goodwife rubs her elbow, After contact with the broom: When the goodman’s “highlows” merrily Are flying round the room! Amid these gay distractions, Still doth the story run, How Qucealy lost his motion by Four hundred odd to one.
The Figaro (London). July 7. 1875.
Dr. E. V. Kenealy, counsel for the Tichborne Claimant in the great trial, was afterwards elected M.P. for Stoke.
――――
THE RETURN-MATCH BETWEEN DRYBURGH AND SLUDGEBOROUGH,
Sir V. O. Verandah of Sludgebro’ On his Tate racket swore That the marshy town he dwelt in, Should know defeat no more: On his Tate racket swore it, And named a trysting day, And bade his messengers go forth, To Dryburgh in the far off North, And challenge it to play.
On bicycles to the far off North The messengers ride fast, And tower and town and cottage And hill and vale are passed. And continuous rotation Of the never-wearied wheel Brings them to where, near Dryburgh’s hill, Flows Pepperhanger’s rapid rill; To where the whilom victors dwell, And play the game they love so well, Foes worthy of their steel.
* * * * *
From the towers of stately Ballchester Drives in young Tennyslorne, From Pleycyngbury comes the heir, And the young de Vorley’s horn Is heard behind his spanking four As he drives to the Pavilion door, And nods to each a friendly greeting Assembled for the special meeting, Just called on Dryburgh’s lawn. They held a council standing By the Pavilion gate; There wasn’t much necessity For musing or debate. And they read the Sludgebro’ challenge “That another match they’d play;” And they all agreed on the Sludgeborough mead To meet on the trysting day.
* * * * *
Quick are the strokes as lightning From Charley Pleycynge’s racket, And hot must be the game that makes De Vorley doff his jacket; And the two said, “We will play them A return-match, if they will. That they may regain on Sludgeboro’ plain What they lost on Dryburgh’s hill.” But the maidens fair of Dryburgh Must do without their beaux, While young Pleycynge and de Vorley Go forth to fight the foes; To fight them where in Sludgeboro’s lakes The pike at their quarry dash, And the silver moon on the deep lagoon Sees the wild fowl dive and splash. And now on the Sludgebro’ tennis-lawn Is met a surging crowd, And “play” is called by the umpire skill’d. In accents clear and loud: And forth steps the great Verandah With the warrior Biscoe bold, Whose doughty feats upon these sheets Could never enough be told. And the Dryburgh pair so dauntless Step forth on that humid lawn, From which the lake-weed and the sedge Have recently been shorn: With their Tate-made rackets in their hands And their dark blue flannel coats; And the referee and the umpire skill’d Lay to, hard by, in their boats.
Then the great Sir V. O. Verandah Served his over-handed stroke, And the crowd was hushed in silence, And never a word was spoke: But it came back down the side-lines, And made the whitening fly, And the warrior barely saw it, As it swiftly whistled by. Then all gazed on young de Vorley, As he smashed with wondrous knack; And some in front cried “Volley,” And some said “play it back;” But the Marshers looked despondent, As the umpire called the score, While all this time the rain poured down As usual in Sludgeboro’ town.
* * * * *
At length a sound of triumph From the Dryburgh players rose, “Three sets to love, and Dryburgh wins Once more against her foes.” And many a muttered curse was heard From the Marshers in goloshes, And folks in boats were heard to swear, And the Sludgeboro’ people tore their hair, And their looks were those of grim despair, As they clutched their mackintoshes.
But then a sullen murmur Through the angry Marshers ran, And the word was passed from mouth to mouth, Till it reached from rear to van: “Seize on those haughty Dryburghers, And duck them in our lake, And their jackets blue, and their rackets too, From those proud ones let us take.”
* * * * *
Then forthwith Charley Pleycynge raised Aloft his Tate-made racket; Sternly his partner buttoned up His dark blue Christ Church jacket; And the surging crowd pressed forward, And the shout of “Drown them!” rose, But the two stood calm and silent, And gazed upon their foes.
* * * * *
Was none who would be foremost To lead this fell attack? No: those behind cried “forward!” And those in front cried “back!” And backward now and forward Wavered the deep array, Till, all at once, the warrior bold And Kander, shepherd of the fold, And the country correspondent too, With fright all shivering cold and blue, Turned tail and ran away.
And the great Sir V. O. Verandah, With all his Sludgeboro’ men, Fled for their lives and safety Through marsh and lake and fen; Nor paused to look behind them, All pale and white with fear, Till they had reached the furthest shores Of the gloomy Sludgeboro’ mere.
* * * * *
And in future generations, In Dryburgh’s lofty town, When we, and our great grandchildren By time have been cut down, In the freezing nights of winter, When the blinding snow-storm falls, And the boys are making tennis-nets, And the girls are washing balls,
When the good man mends his racket, And tightens up the strings, When the good wife plies her needle, And mends her winter things, Will children gather round the fire, And the story will be told, How well their champions fought the fight On Sludgeboro’ marsh, on Dryburgh height In the famous days of old.
From Pastime. September 28, 1883.
This parody was afterwards reprinted in Tennis Cuts and Quips. Field and Tuer. London.
THE BATTLE OF THE ASSES’ BRIDGE.
Triangle Equilateral By Algebra he swore, That his good friend, Isosceles, Should suffer wrong no more. By Algebra he swore it, And named a fighting day, And bade his angles hurry forth―― East and west and south and north―― To summon to the fray.
East and west, and north and south, The angles hurry fast. And problem old and Theorem Have heard the trumpet blast. Shame on the Point that has no parts The Circle that would quake, When Equilateral has sworn The Asses’ Bridge to take.
* * * * *
And now they are assembled, The tale of fighting men, The Decimals in hundreds are, The Units one to ten. Equations all quadratical, Drawn out in long array; Oh, proud was Equilateral Upon the fighting day!
But on the Bridge of Asses Was tumult and affright, For all the lines below the base Were stricken at the sight. They held a council standing, Upon the narrow ridge, Hard lines I wis in times like this ’Twould take to save the Bridge.
Then outspake gallant Alpha, On the Apex full in view, “A Dog they say shall have his day, A Bridge must have it too; And how can man die better, When things come to this pass, Than fighting as first letter In the sacred name of ASS?”
“Know then, false Equilateral, “No Bridge thou’lt take to-day; I, with two more to help me, Will keep ye all at bay. In these five lines a thousand May well be stopped by three; Now who will stand on either hand And keep the Bridge with me?
Then outspake gallant Beta, Of Grecian blood was he, “Lo! I will stand on thy right hand, And keep the Bridge with thee.” And spake a stout Centurion, A Roman, surnamed C, “I will abide on thy left side, And keep the Bridge with thee.”
The three stood calm and silent, And watched the foeman’s line, As from its right stepped out to fight Theta’s well-known Co-sine. And Vector the Quaternion―― Vector, whose fourfold power Had puzzled many a weary head, And kept it aching out of bed Long past the midnight hour.
C went at once for Vector And with a deadly blow, Of his good blade he quickly laid The great Quaternion low: For in that hour had Vector’s power Been risen to the tenth. Little cared C I ween for he Had smote him to the Nth.
Next Beta marked how Theta Advanced against his line, So with his trusty tangent he Bisected the Co-sine. “Lie there,” he cried, “fell tyrant! No longer shalt thou mark How Girton’s gold-haired graduates sigh With vain endeavours to descry The variable length of Pi In thine accursed Arc.”
Then X on his Equation Advanced, and all were mute, For in his hand he waved his brand, A knotty old cube root; Thrice round his head he waved it, And then the weapon sprung Like bolt from bow, a mighty blow, On Alpha’s crest it rung.
He reeled, and first on Beta Leaned, for a breathing space, Then dashed his Co-efficient In the Equation’s face: And loud he cried, “No more thy pride My inmost soul shall vex;” Then with a stroke, ’twould cleave an oak, Eliminated X.
* * * * *
They gave him out of Euclid Ten cuts so erudite, Not thrice ten senior wranglers Could solve ’twixt morn and night; They gave a square, it still is there, And every dunce derides, With twice the double ratio Of its homologous sides.
And on the square they raised him A vast triangle high, His name is on the Apex To witness if I lie, And underneath is written, In letters all of brass, How well brave Alpha held the Bridge, That’s sacred to the ASS.
J. M. LOWRY.
This parody first appeared in “The Keys at Home,” published about four years since by Field and Tuer, at the Leadenhall Press, London. It has since been included in an interesting collection of Poems, entitled “A Book of Jousts,” edited by Mr. James M. Lowry, also published by Field and Tuer, of London.
HARCOURTIUS OF DERBIÆ.
Harcourtius of Derbiæ, In Right’s great name he swore That the crass hordes of Bumble Should hold Guildhall no more. In Right’s great name he swore it, And with good heart and will Made ready for the desperate fight―― That is to say, he named a night For bringing in his Bill, And when the night (’twas Tuesday) In order due came round, In serried ranks the Liberals Were in their places found; And with a mighty shouting Their gallant chief they cheered: In sooth, those present on that day Declare ’twas good to hear the way They ardently “Hear-hear’d!”
But ’mongst the City Fathers Was turmoil and affright, For they had right good reason To dread the coming fight; And as they filled the lobby, And locomotion stopped, An awesome thing it was to hear The h’s that they dropp’d! For many a City Father, With far-protruding vest, And City Knight, who should have worn A soup-tureen as crest; Vulgares Consiliarii―― In short, they all were there, Who, having passed the bottle, Soon hoped to “pass the Chair!”
They held a council standing About the Lobby floor, In groups to which fierce Auceps In turns his presence bore; But, after hot discussion Of this and that design, They, to a man, agreed their plan Should be to go and dine!
* * * * *
Then out spoke brave Harcourtius, Commencing the debate, “To every Government on earth Defeat comes soon or late, And how can one fall better Than fighting Bumbles’ swarm, For the sake of London’s future And Municipal Reform? For the sake of every citizen, Be he or high or low, And dwelleth he at Kensington, Or Bermondsey, or Bow, For the sake of every citizen Who payeth heavy rates, And to save them from the jobbery That Bumble’s rule creates.
“I’m ready, Mr. Speaker, With all the haste I may, To pass the sweeping measure That I bring in to-day. Too long has Gog been fancied Invincible to be; Now, who will stand on either hand And back this Bill with me?” Then out spake Gee-O-Emius, A Grand Old Man was he, “Lo, I will stand at thy right hand And back this Bill with thee!” And out spake Chelsæ Firthius, A legal “friend” was he, “I will, with pride, by thee abide, And fight the Bill with thee!”
Meanwhile the Civic forces, Despite their recent meal, Are, in their hearts, so much afraid, That all the blatant noise they made Could not their fear conceal. In vain did Magnus Blockus His snuff-box pass around, In vain did Auceps try to cheer His followers, or far or near, By his loud “Yah, Yah’s” sound. And far above the arena, More City Fathers sat; Smug, dense, and dull and vulgar, Crass, fatuous, and fat. And full of dread foreboding Lest, if the Bill were past, Of civic jobs and shuffles They’d seen the very last.
For none was for the City, Though all “managed” its estates; And the Liveries robbed the poor man, And the Council jobbed the rates. Most trusts were misdirected, And endowments misapplied, When Harcourtius and Firthius Stood out boldly side by side. Stout Firthius sprang on Auceps, And in a moment’s space He hurled, with crushing ardour, A Blue-book in his face, He saw, too, McArturus, With soup-nerved vengeance burn, And with one shot upset him, Fired from a new “Return.”
Then Cardenus of Barum, On Gee-o-Emius rushed; Cardenus, who, neath cab or ’bus So frequently is crushed; And Gee-O-Emius met his dash With a compelling frown, Then, with a force like Pickford’s van, Bore his assailant down. ’Twas Firthius smote down Luskus, Statistics laid him low; And to Cottoniensis’ heart Harcourtius sent a blow; Owdenus muttered curses, And ’midst the rising din Was heard the voice of him who sits For Farringdon Within.
But hark, they cry, “Randolphus!” And ’midst a deep’ning roar The spry “Quaternian” leader Sprang out upon the floor. He smiled at those before him, A smile serenely sly; He eyed the Bumbles near him, And scorn was in his eye. Quoth he, “In my existence I never yet did know So very just a measure, So very mean a foe, The City Corporation! Bah! tell me what is that? A mass of vulgar ignorance, Of fussiness and fat!”
Then, snatching up a Blue-book, He turned him left and right, And hurled most damning extracts With all his well-known might! ’Twas vain for poor Northcotus To shrewishly protest; In vain for Sclater-Boothius To beat his massive chest. And when the perky Crossius To Bumble brought his aid, ’Twas fun to see how quickly he Upon his back was laid.
Meantime, the “whips” their office Persistently had plied, And all the air was vocal With cries of “‘vide,’ ‘vide,’ ‘vide!” With one more bound Harcourtius At Auceps sternly leapt, Then like a stream that bursts its banks, In currents twain the rival ranks. On to the lobbies swept.
* * * * *
No sound of joy or sorrow Rose from the crowded floor, But friends and foes in mute surmise, With parted lips and straining eyes, Stood gazing at the door, And when, from ’mongst the members That surged about the Bar, They saw the Liberal Whips appear, There rose a most stupendous cheer, Repeated near and far.
The stricken City Fathers, Disgusted, slink away, But round great Gee-O-Emius The jocund victors stay, Until, midst shouts and laughter, And cheering long and loud, He passes from the Forum, Hailed by the joyous crowd. They gave him and Harcourtius A banquet straightaway, And passed of votes of thanks, at least, A score or so a day. And they made a graven image Of both these statesmen good, And set them up where hitherto The Civic Griffin stood.
And still their names are music Wherever they are heard; Still by the daring deeds they did, The City’s pulse is stirred. And its wives still pray for offspring With hearts and will as bold As those who passed the Bill so well, And stormed bold Bumble’s hold. And in the nights of winter, When from Turnham-Green to Bow, And from Camberwell to Hackney The Cits all homeward go; When round their cosy firesides The happy households draw, No longer dreading Bumble, Nor Vestry-muddled law;
When the evening print is opened, And electric-lamps are lit, And, their rates no longer dreading, The serene breadwinners sit; When the young and old in circle Around their parents close; When the girls make high-art doyleys, And the boys make classic mots; When Papa writes to the paper To Civic ways commend, And London’s central government To London’s weal doth tend; Then, with many a burst of laughter, Shall the story still be told How brave Harcourtius passed his Bil. In the bad days of old!
__Truth._ April 10, 1884.
The Right Hon. Sir William V. Harcourt, M.P. for Derby, introduced his Bill for the Reform of the London Municipality, and it was read a first time on April 8, 1884. The other Members of Parliament here referred to are Lord Mayor Fowler, Joseph F. B. Firth (Chelsea), C. N. Warton, the Blocker (“Magnus Blockus”), Alderman A. McArthur, Alderman Sir Robert Carden, Sir Andrew Lusk, Alderman Cotton, Alderman Owden, Lord Randolph Churchill, Sir Stafford Northcote, G. Sclater-Booth, and the Right Hon. Sir Richard Cross.
――――
THE BATTLE OF THE INSTITUTE.[101]
_A Lay sung on the Feast of St. Guy, about the ides of November_, 1875.
CHARLES COCHRANE of the Institute, By the heathen gods he swore That that great swell, Lothian Bell, Should Cocci Walkus be no more. By all the gods he swore it, And Marshall[102] named a day, And circulars were posted forth East and west, and south and north, Calling members to the fray.
Charles Cochrane there, whose yellow hair Waves o’er his manly brow He built a mighty furnace, the cause of all the Row. This furnace was more wide and big Than any other known, And, Cochrane said, t’would make more pig As could be clearly shown. And then he quoted figures, which were an awful bore, And of the members some did yawn, some shuffled on the floor. Bell shook his head, and then he said The figures were all wrong. The blast put in was much too weak The facts were all too strong! And in his pleasant, genial way He “hoped the Chair would let him say That Cochrane was a fool!” Then Cowper great, from Storey’s Gate, He raised his voice on high And swore an oath, a mighty oath, He swore that Bell should die! Each chieftain hastened to the brawl In vain did Bramwell “Order” call. Cried Marshall “What will Europe think? When Cochrane hurled a pot of Ink Full in the face of Bell!
Now Williams to the rescue! oh! What man alive could tell The laughter that arose all round When they saw the face of Bell? But Bell he rushed at Cochrane And smote him fearful blows; He gave him one between the eyes, And two upon the nose! They rose, they fell, with gasp, and yell And angry oath and roar; Whilst Ink and Blood, one horrid flood Did cover all the floor! Then, Carbutt, Mighty Hammer, and Bramwell in the Chair And Siemens of the Telegraph, did wish they were not there. Whilst all the other members thought It was a funny way. To settle scientific points In that far distant day. But high above the mighty din, was Hawksley heard to say “Ho! Gentlemen, Ho! Gentlemen, let’s stop this horrid fray!” So they sent out for the Serjeants, the Serjeants of Police, The Constables of Manchester, in the interests of Peace. They bade them pick those members up, And wipe the blood away, Whilst others washed each inky stain From off the floor that day.
But when they picked the foemen up No man alive could tell Which of the two was Cochrane, Nor which of them was Bell! But Bell survived the combat, all in the North Contree And for his gifts and money, they made him an M.P. Whilst Cochrane for his valour Got glory and renown, As much as could be measured Ere the sun went down. And in each drawing office, when the argand lamp is lit, And the draughtsman cuts his pencil, and points his ready wit. When the pupil spoils the tracing, and breaks his Archbutt scale With laughter and with merriment then shall they tell the tale. Whilst the pupil rubs his Indian ink And the draughtsman wipes his pen They still recount with wonder The valour of those men. And still we hear the story――told with mirth and glee, In any West end office, where merry draughtsmen be.
――――
FRAGMENT FROM A LAY OF MODERN ENGLAND. (Picked up somewhere between Downing Street and Khartoum.)
* * * * *
But the statesman’s brow was dark, And fear was in his eye, For he saw the wild storm rising Across his summer sky. “The Mahdi, he will water His steeds at Cairo’s gate;―― No Caucus, and no Chamberlain, Can save us from our fate!” Then out spoke gallant Gordon,―― All fearless was his speech,―― “What could a man ask better, Than to stand in the fiery breach; To go at England’s bidding And rend the sordid chain, That binds the desert peoples, For the sake of a Pasha’s gain; To build up out of ruin Order and peace once more; To burn the thongs for scourging, To break the prison door?”
* * * * *
Alone stood our brave hero, But constant still in mind, In front, foes thick as desert sand, And sneaking friends behind. “Now curse it,” quoth Lord Hartington,[103] “Blood-guiltiness I fear; The sun beats strong, the way is long, And English gold is dear!” “Aye! curse it,” quoth smooth Granville, “Yet will I speak him fair; “And show in my despatches “A Minister’s wise care, “To save him from the bad Zebehr, “And from the Mahdi too; “And praise him, while we leave him “To sink with all his crew!” “Aye! curse it,” quoth Spectator, “Why raise a hand to save “The friends he’s gathered round him; “Let each man dig his grave, “Or join the coming Mahdi, “Or take himself to flight; “We’ll rally round the Government, “And have a faction fight.” Round turned he as not deigning, Those craven ranks to see, Nought spake he to Lord Hartington, To Granville nought spake he; But he turned to the English people And spoke to the English heart, That ever has throbbed the higher When called to choose its part.
“I came here at your bidding, “I came to try and save; “I spoke of that far England, “Away beyond the wave, “Whose hand could reach the helpless, “Whose shield could bar the way, “And would not leave to perish “One life, that owned her sway. “And now, forsooth, I’m bidden “To save myself in flight.”
* * * * *
AUBERON HERBERT.
Pall Mall Gazette. May, 1884.
――――:o:――――
There are many other parodies of Horatius possessing less general interest than those already quoted.
As most of them are very long, only a few verses of each will be given, sufficient to indicate the subject, and style of treatment. As the source from whence each is derived will be named, the complete parodies can easily be obtained.
It will be noticed that the last four or five verses of Horatius have been especially favoured by the parodists.
LARS PORSENNA.
This amusing parody originally appeared in College Rhymes, 1855, but has since been issued in pamphlet form (price sixpence), by Messrs. T. Shrimpton and Son, Oxford, and has had a large sale.
Adolphus Smalls, of Boniface, By all the powers he swore, That though he had been plucked three times He would be plucked no more. By all the powers he swore it, And put on “Coaches” three, And many a livelong night he read, With sported oak, and towell’d head, To get him his “degree.”
* * * * *
They gave him his “Testamur,” That was a Passman’s right―― He was more than three Examiners Could “plough” from morn to night.
And in each Oxford College, In the dark November days, When Undergraduates fresh from hall Are gathering round the blaze: When the crusted port is opened And the Palmer’s lamp is lit, When the weed glows in the freshman’s mouth, And makes him turn to spit: When “goes” unlimited are forced On some unhappy gull, When victims, doomed to mull their pass, Unconscious pass the mull: With chaffing and with laughing. They still the tale renew, How Smalls, of Boniface, went in, And, actually got through.
ANONYMOUS.
Several imitations of Horatius occur in early volumes of Punch, one as far back as December 4, 1847, entitled the “Mustering of the Hobbies, a Lay of Modern Babylon,” refers to politicians many of whom are dead, and to events most of which are now forgotten. Another, dated January 26, 1856, “The Sibylline Books, a Lay of Ancient Rome for the consideration of modern Russia,” is also quite out of date. It contained certain advice which Mr. Punch considered advisable to address to the Emperor of Russia.
When Macaulay was created a baron, it was practically a life peerage, as he was unmarried and unlikely to marry, Punch had some verses congratulating him on the event, and referring to Mr. Baron Parke, who, in 1856, had been raised to the peerage as Lord Wensleydale, with the usual succession to his heirs male, who did not exist, and never came into being.
HOW TITUS MANLIUS MACAULEIUS WAS MADE A PATRICIAN.
The Consul Palmerstonius Hath ta’en down his DEBRETT, And o’er its storied pages His anxious brow is set. Those are not age’s wrinkles The Consul’s cheek that plough, It is not time that sprinkles That snow upon his brow.
The Consul closed the volume―― He closed it with a bang! And he seized his slate and pencil From the wall where they did hang; And straight he set to ciphering, And out a sum he brought; And his sum was of six figures, And it ended with a nought.
So the united ages Of the Patricians stood, When Consul Palmerstonius Vowed they must have new blood. What though your novi homines Do not always wax in wit; Oft Patricius, like Poeta, Proves “nascitur non fit.”
“Besides, as after physic The matron gives her child A crust of blandest honey, To make the bitter mild; So I, for the Patricians, A pleasant peer must find, To take away the savour Wens’dalius left behind.
“Patres majorum gentium, Patres minorum, too, Your seats upon those benches To sources strange are due: The fruit of royal bye-blows, The growths of courtier-slime The brawny sons of rapine, The heirs of reckless crime.
“The sword hath dibbled often Holes for patrician seed; And many a lawyer’s tongue hath licked All shoes, and oft unfee’d, No stooping found too lowly, No crawling thought too mean, If but a Conscript Father He might at last be seen.
“I’ll raise to the Patricians, One who ne’er wore steel, nor lied, Whose weapon was his goose-quill, Whose pleadings were world-wide; Whose foes were Falsehood, Prejudice, Fraud, Sophistry, and Wrong―― With which he held wit-combat, Wit-combat, brave and long!
“So, when that Palmerstonius Hath gone where all must go―― E’en those whose brains glow fiery ’Neath coronals of snow: Write by the Appian way-side, On the tomb where he is laid, ‘Of Manlius Macauleius He a Patrician made.’”
(Four verses omitted.)
Punch. September 19, 1857.
――――
THE BATTLE OF LAKE GLENLIVIT. By the Author of “The Lays of Ancient Rum.”
It was a song of sorrow, Blent with a solemn vow, Floated across the lovely lake, And up the mountain’s brow. Glenlivit! O, Glenlivit! No wonder that we grieve; Glenlivit! O, Glenlivit! Why should we ever leave?
No, we will never leave it, By oaths let us avouch, As long as mountain dew exists, And plack is in the pouch. Ye Parliament oppressors, Who Scotia ne’er could quell, Our fathers fought ye stoutly,―― Their sons can fight as well!
The poet then recounts the fight between the lovers of Whiskey, and the Temperance party, led on by Forbes Mackenzie, in which, after a tremendous struggle, Whiskey is triumphant:――
Glenlivit’s joyous victors With cheers the welkin rent, And home was Forbes Mackenzie Upon a shutter sent.
Now you who hear this story, Don’t doubt it, if you please; Have I not told you things before As wonderful as these? Why should you doubt a legend Because ’tis nearer home? Or can no fables please you But those that come from Rome?
This parody, which consists of 25 verses, is to be found in Rival Rhymes in Honour of Burns, by Ben Trovato. London. Routledge and Co. 1857.
This book is generally ascribed to Samuel Lover, the novelist.
――――
LAY OF MODERN ENGLAND.
Augustus Smith, of Scilly, By Piper’s Hole he swore That the proud Lord of Brownlow Should keep the waste no more. By Piper’s Hole he swore it, And named a trysting night, And bade his myrmidons ride forth, By special train from London’s north, To venge the Common Right.
Where on the street of Drummond Four Doric columns frown, Where the gigantic Stephenson On his own line looks down, The stalwart navvies gathered, From lodgings far and near; Strong were the crowbars in their hands, Stronger their hope for beer.
Loured the foul London gaslights, And made the gloom more deep, The million-peopled city’s sons Were in their early sleep, When from the Euston Station Glided the special train That bore the force that went to win Berkhampstead’s waste again.
On, the steam-demon bore them, Nor flagged upon the wing, Until he lighted with his load At Baptist-chapelled Tring.
They marched three miles in silence, The road was dark and drear, One thought upheld the navvy’s heart The pleasant thought of beer. They reached Berkhampstead Common Or that which had been one, Until by Ashridge’s proud Lord The feudal deed was done.
There, miles of iron railing Scowled grimly in the dark, Making what once was Common, The Lord of Brownlow’s Park: His rights that Lord asserted, Rights which they hold a myth, The bold Berkhampstead Commoner, Led by Augustus Smith.
Spoke out the nameless Leader, “That Railing must go down” Then firmer grasped the crowbar Those hands so strong and brown, They march against the railing, They lay the crowbars low, And down and down for many a yard The costly railings go.
So down went Brownlow’s railings, And down went Hazell’s beer, And from the gathering crowd upgoes One loud and lusty cheer. For carriage, gig, and dog-cart Come rushing on the scene, And all Berkhampstead hastes to see, Where Brownlow’s rails had been.
And husbands, wives, and children, Went strolling through the gorse, And cried, “We’ve got our own again, Thanks to your friendly force.” They cut green little morsels As memories of the Band, Whose lusty arms and iron bars Had freed the Common land.
Bold was the deed and English The Commoners have done, Let’s hope the law of England, too, Will smile upon their fun. For our few remaining Commons Must not be seized or sold, Nor Lords forget they do not live In the bad days of old.
(Seven verses omitted.)
Punch. March 24, 1866.
――――
The Book of Ballads, edited by Bon Gaultier (William Blackwood and Sons, Edinburgh), contains a poem by the late Professor W. E. Aytoun, entitled The Lay of Mr. Colt. The story it recounts is repulsive, Colt, being condemned to death for murder, was lying in prison in New York, but on the morning of the execution he committed suicide under peculiar circumstances. The poem itself is not a parody, but it concludes with the following imitation of the closing lines of Horatius:――
And when the lamp is lighted In the long November days, And lads and lasses mingle At the shucking of the maize; When pies of smoking pumpkin Upon the table stand, And bowls of black molasses Go round from hand to hand; When slap jacks, maple sugared, Are hissing in the pan, And cider with a dash of gin, Foams in the social can; When the goodman wets his whistle, And the goodwife scolds the child, And the girls exclaim convulsively, “Have done, or I’ll be riled!” When the loafer sitting next them Attempts a sly caress, And whispers, “Oh! you ’possum, You’ve fixed my heart I guess!” With laughter and with weeping, Then shall they tell the tale, How Colt his foeman quartered, And died within the jail.
――――
THE GREAT DURBAR.
Jan Larrens[104] of Calcutta, Chief Knight of India’s Star, Has sworn by all the Hindoo gods He’ll hold a Grand Durbar. By Gunga’s stream he swore it And named at once the day, Then bade his Aides-de-camp go forth, East, and west, and south, and north, To summon the array.
(The description of the Durbar which here follows, occupies about five hundred lines, many of which are scarcely intelligible to those who have not resided in India.)
And through the heat of summer, Warm night and sultry day, While Brahmins teach the girls to love And Hindu youths to pray; When, through the Rajah’s palace, Or in the poor man’s hut, Against the winds of winter The doors are closely shut; When in his close Zenana The Indian swell reclines, And smokes the bubbling hookah And quaffs forbidden wines; And when in dufter-khanah Lall-puggree counts the gains He made from swarthy chieftains On Agra’s sun-burnt plains; When the ryot drives the bullock, And twists his broken tail; When Hindo maidens seek their loves, And old crones fiercely rail; When the woman cooks the curry, And piles it on the rice, And the baboo and the labourer Alike count up their pice, In every home in Agra, In many a place afar, They’ll tell the tale of that day when Jan Larrens held Durbar.
From Lyrics and Lays. By Pips. Calcutta, Wyman 1867.
――――
BEFORE THE COMITIA. (The Two Aruspices.)
In Rome, ere the Comitia To business could be set, The Augurs and Arùspices In solemn conclave met; The peckings, pipings, hoppings Of the sacred fowls to try, And in the victim’s entrails For signs of fate to pry.
* * * * *
There’s Dizzius Aruspex Wears a sardonic grin, Though sterner Merrypebblius Such laughter holds a sin; But, for all he looks so solemn, No less he twigs the fun, E’en while his brow on Dizzius Appears to frown “Ha’ done!”
“Leaders should not be laughers,” (He holds) “whate’er their case; If in ’tis too triumphant; If out, ’tis not in place. Or, if a laugh be needful”―― Which he does not believe―― “The Arùspice’s laugh should never Extend beyond his sleeve.”
(Thirteen verses omitted.)
Punch. February 8, 1873.
―――― THE DAUNTLESS THREE.
This is the title of a parody, issued in pamphlet form by Messrs. J. Hall and Son, Cambridge. Second edition 1874, price sixpence, and said to be by A. de L. H. It would certainly be of literary interest to know the author’s name of this humorous, and scholarly parody of Macaulay’s Horatius, as the same initials are prefixed to another parody, of a similar character, entitled “The Battle of Lake Mort,” which will be more fully described when dealing with parodies of Macaulay’s “Battle of the Lake Regillus.”
“The Dauntless Three,” consists of forty two verses, with a number of burlesque latin notes. The subject of the parody is the well worn theme of the “Town and Gown” rows.
The Citizens of Cambridge By Jonas Webb they swore, That the gownsmen for the future Should hold their own no more. By Jonas Webb they swore it, And named Guy Fawkes his day, And to their quarters all sent forth, East and West and South and North, To summon their array.
* * * * *
I wis ’midst all the Leaders There was no heart so bold, But sore it ached, and fast it beat, When that ill news was told. Forthwith up rose the Captain, Up rose the Leaders all, In haste they tore away their gowns, And shied them at the wall.
They held a Council standing Beside the Royal Gate, No time was there, ye well may guess, For musing or debate, Outspake the Leader roundly, Picked men must straight go down. For if Rose Crescent once is lost, What hope to save the Gown?
* * * * *
Then out spoke Brown the brave one―― The Captain of the eight―― “To every man this fight will bring A struggle soon or late. And how can a man fight better, Then facing fearful odds, For the honour of his College, And his oft invoked gods.[105]
“To the Crescent, then, Sir Leader, With all the speed ye may; I and two more to help me Will hold the foe in play. In that strait path a hundred May well be stopped by three. Now who will stand on either hand, And keep the lane with me?”
Then out spake brave Mackenzie, A Scotchman proud was he, “Lo, I will stand at thy right hand, And keep the lane with thee.” And out spake strong O’Grady, Hibernian blood had he―― “I will abide at thy left side, And keep the lane with thee.”
* * * * *
And so they won Rose Crescent, And beat the Townsmen back―― But they owed it to the Valiant THREE Who bore the first attack―― That DAUNTLESS THREE who stood there, And kept in check the foes, And who so bravely held their post, In the Crescent of the Rose.
And in the nights of winter When the cold north winds blow―― And the “hallooing” of the cads Is heard amidst the snow; When round the well-built college Roars loud the tempest’s din, And the black gems from collieries Roar louder yet within;
When the choicest cup is ready, And the largest lamp is lit, When the chestnuts glow in the embers, And the edibles are fit, When all the men in circle Around the fireplace close, When some are smoking placidly And some on sofas doze;
When the host prepares the potables, And makes all snug his room, And the cheers of all his comrades Far in the court-yard boom―― With shouting and with laughter―― Still is the story told How well those three men kept the path, In the brave days of old.
In 1875, Messrs. Metcalfe of Cambridge, published another, “Town and Gown” parody, entitled “Thanatos: A Poem by the ghost of Macaulay.” This was written by Mr. Kerr, a nephew of Lord Tennyson.
FIFTH OF NOVEMBER.
Up rose the silver moonlight Over the rustling trees, And fast the hum of angry men Was wafted on the breeze.
From many a dirty pot-house, And hole without a name, From many a low and filthy haunt The mob of blackguards came; From populous St. Aldates, Swarming with noisy brats; St. Aldates on whose house tops we Have often heard with ecstasy The sweet nocturnal melody Of melancholy cats.
Here follows a long and detailed description of a “Town and Gown” row; the sudden appearance of the “Proctor,” with the policemen, the hasty flight of the undergraduates, and their safe arrival home.
And now no living thing is seen In the deserted streets, Save Oxford’s useless bobbies, Who perambulate the High, From Carfax to where Magdalen tower Stands tall and grim at midnight hour Against the moonlit sky.
And oft on winter evenings, In the cold Christmas vac., When home from school and college The youngsters have come back, Around the blazing fireside, Still is the story told, How well the gownsmen thrashed the town In the good days of old.
From Lays of Modern Oxford, by Adon. Originally published by Chapman and Hall, London, 1874, in a small quarto form, but since re-issued in a cheaper form by Thomas Shrimpton and Son, Oxford.
――――
CH. CH. BESIEGED!
An anonymous parody of Horatius, published in 1877 in pamphlet form (price sixpence), by T. Shrimpton and Son, Oxford. It is a short poem describing a practical joke very similar to that known as the “Berners Street Hoax,” perpetrated by Theodore Hook, in 1809.
This consisted in writing to a large number of tradespeople and others, asking them to call, on various pretexts, at a certain house, at a fixed hour. In Theodore Hook’s case the hoax was pure mischief without any malicious intent; but in Christ Church Besieged, the joke is described as having been planned to annoy a certain Mr. M――――s.
A certain set of Christ Church, One common oath they swore, That the great M――――s of Christ Church Should suffer yet once more, And to the Oxford tradesmen They named a trysting day And made the messenger go forth East and West and South and North, To summon the array.
* * * * *
But Mr. M――――s’s brow was sad, He said their speech was low And if they did not shut it up, He’d to the censor go. “These vans that come upon us, These tradesmen here that wait, I have not ordered,――Porter! I wish you’d keep the gate.”
* * * * *
Still in the nights of winter When the moon shines clear and bright And o’er the quad rise loud and wild The voices of the night. When the “36” is opened And the gleaming lamp is lit, And all around the embers A jovial party sit; When fresh and senior circle Around the firebrands bright, And the redolent virginian weed Gives mingled cloud and light; When the connoisseur, with practised eye, Rejoicing at the sight, Holds up his glass of ruddy port Athwart the streaming light, With screams and tears of laughter Still is the story told Of how the porter kept the gate In the brave days of old.
――――
THE LAY OF THE LAST COMMEMORATION DINNER. (By a Disappointed Guest.)
The Seniors of Trinity By Newton’s bones they swore, That the proud Undergraduate Should share the feast no more; By Newton’s bones they swore it, And named their Feasting day, And sent no invitations round To hungry Scholars humblier gowned, Or prizemen in the May.
* * * * *
(In revenge for this slight the Undergraduates introduce gunpowder below the room in which the Dons hold their banquet; at a given signal, one Tomkins applies a match, and the whole party is blown up.)
A hand they found of Tomkins, Some sixteen miles away, And in its cold clenched fingers A box――“Bryant and May”; And to this hour his praises Are oft rehearsed in song, As one who perished at his post, And cheerfully gave up the ghost To wipe away a wrong.
He standeth in the cloisters, Beneath a roof of thatch, Tomkins, the fiery freshman, In act to strike a match; And underneath is carven, In letters plain to read, A circumstantial narrative Of his devoted deed.
ANONYMOUS.
Published by W. P. Spalding, Sidney Street, Cambridge. 1880.
――――
OBSTRUCTION UTILISED.
King Mensa of Coomassie By Mumbo Jumbo swore His family umbrella Should be detained no more; By Jumbo did he swear it, And named a trysting day, And bade his messengers run forth, South and west, and east and north, To gather his array.
East and west, and south and north, The messengers run fast; And the fetish in each village Has heard the conch-shell’s blast: Shame on the false Ashantee Who will not join the host, When Mensa of Coomassie Is marching on Cape Coast!
* * * * *
But Gladstone’s brow was sad, And Gladstone’s speech was trite: “The Land League take King Mensa! We do not want to fight.” He looked upon the telegram They gave him, with a frown: “I fear ’t will send my Budget up, And I want to keep it down.”
Then spake Coercion Forster, “O Gladstone, you’re a goose! For everything upon this earth One, some day, finds a use. Let’s send Parnell against him, With his Home Rule array! I think he’ll be the very man To obstruct King Mensa’s way!”
“Good Forster!” answered Gladstone, “What thou sayest is very well.” So forth against King Mensa They sent the great Parnell; For England in her battles Grudged not a Home Rule life, To give the English Parliament, And Ireland, rest from strife.
* * * * *
I wis in all Ashanteeland There was no heart so bold, But sore it ached, and fast it beat, When that ill news was told. Down from his throne fell Mensa, Down fell his council all, Headlong they rolled upon the floor, And loudly ’gan to squall.
They held a council, rolling Upon the mud-hut floor; No hope there was, you well may guess, Of victory in such war. Alas! they had no Speaker To face such dire attack. King Mensa cried, “We’re diddled!” And his council cried, “Alack!” So they sued for peace right humbly, And said they’d been in fun, And sent five more umbrellas To be kept at Kensington!
Judy. March 16, 1881.
――――
HOW HORATIUS KEPT THE BRIDGE.
Such is the title of a burlesque account of the events described in Macaulay’s poem, which appeared in “The Blue” a small magazine conducted by the scholars of Christ’s Hospital, (the Blue-coat school) London. It was afterwards reprinted in Gleanings from “The Blue,” S. Austin and Sons, Hertford. 1881.
The burlesque is in prose, but a few parody verses are given in it to illustrate the narrative:
“When the face of Sextus Was seen among the foes, No blackguard in the city But raised his Roman nose: No lady on the housetops But snarl’d at him and spat, No child but shriek’d out curses―― (Immoral little brat!)”
* * * * *
“Then out spake Spurius Lartius, A noble swell was he: ‘Lo, I will stand at thy right hand, And take a chop with thee!’ And out spake strong Herminius, Heaver of coals was he: ‘I too will stay; and make them pay The wonted half pennie!’”
* * * * *
Horatius thus addresses the river:――
“Oh, Tiber, mister Tiber―― If thus I may address you―― If to yon shore you’ll bear me o’er, All I can say is――Bless you!”
* * * * *
When boys and girls are romping, And the elders drain the flagon, While the children burn their fingers
At glorious snap-dragon; Around the Christmas fire Still is the story told―― How well Horatius kept the bridge, In the brave days of old.
――――
A LAY OF MODERN HAMMERSMITH.
The great Sir James[106] of Charing Cross By the whole Board he swore That carriage folk for Richmond Should risk their lives no more, By the whole Board he swore it, And named a closing day, And bade his engineers ride forth To stop all traffic with the North, And block the right of way.
“To stop all traffic with the North,” The news it flies full fast, And terrace, lodge and villa, Are staggered at the blast. Shame on the slave of Mortlake Content for hours to roam, Because Sir James of Charing Cross, By Putney sends him home.
(Five verses omitted.)
Time was, when after dining Beyond proud Notting’s ridge, A halfpenny would bring him Across the classic bridge: For Hammersmith and Mortlake, Ere both of them were sold, Were like suburban brothers In the brave days of old.
But meanwhile axe and lever Have ruthlessly been plied, And soon the ancient structure Will have a new inside. But louder grows the thunder About the route to town,―― And p’raps they’ll get a wooden bridge A little lower down.
So in some night next Winter, When the cold Easters blow, And the omnibus comes slipping Amid the frozen snow; When round the lonely villa The fog wets to the skin, And the cheap coals of Wallsend Chokes everyone within.
When the latest bill is opened, And the dimmest gas is lit, And the curtains are drawn closer, O’er the windows that won’t fit; When the leaden pipe is bursting With the water it provides; When the girls are reading novels, And the boys are making slides;
When the goodman scans his cheque book, With a fitting Christmas gloom; And the goodwife’s chatter sharply Goes snapping round the room; With threats and imprecations, The tale may still be told How great Sir James blocked up the bridge That served quite well of old.
Punch. September 30, 1882.
――――
HOW GLADSTONE WON THE ELECTION.
I.
Our Queen’s Most Gracious Majesty, By the rich gems she wore, Declared “Her faithful Commons” Should waste their time no more. With her own tongue she said it, And would not brook delay, But bade her officers ride forth, East, and west, and south, and north, To scatter the array.
II.
East and west, and south and north, The officers went fast, And cottage, town, and county Have heard the trumpet blast; Shame on th’ enfranchised Briton Who does not find his voice, When country, Queen, and duty, Demand to know his choice.
III.
For though her “faithful Commons,” The Queen must needs dissolve, The gov’ning of the Empire Requires her quick resolve, To call another Parliament Of loyal men and true, Who shall devise laws good and wise, And change old things to new.
* * * * *
VII.
And now, most of the boroughs Have sent their tale of men, The Tories clear the hundred, And claim the victory then. In London’s mighty city, A Liberal scarce dare speak; A proud man was Lord Salisbury As ended the first week.
VIII.
But ’mong the Liberal party Was anger and dismay, As some of their oldest strongholds Yielded to Tory sway. From all parts of the country The messages came in, Suggesting ideas, expressing fears, Hoping ’gainst hope, to win.
XIV.
Then out spake William Gladstone, A Grand Old Man was he, “To every one upon this earth, Must come obscurity; And how can man yield better, Than falling in a fight, Where the true, straightforward Liberal, Meets Tory and Parnellite?
XV.
“Keep up your pluck, good comrades, And hark to what I say; I, with two more to help me, Will hold the foe at bay. In Scotland’s beauteous capital I’ll rally all the clans; Now who will stand on either hand, And aid me in my plans?”
XVI.
Then out spake good Lord Hartington, A comrade tried was he, “Lo, I will stand at thy right hand, And fight this fight with thee.” And out spake William Forster, Of Irish fame was he, “I will abide by thy left side, Though weak and ill I be.”
XVII.
“Brave leaders,” quoth the Liberals, “As speak ye, so let it be.” And straight against the great array Forth went the valiant three. For Liberals, in this conflict Left not a chance untried, To crush the combined forces Which strangely were allied.
XVIII.
For none were for a Party, But all were for the State; And the great men helped the poor, And the poor men loved the great. The lands they’d fairly portion, In a way which they knew how, And every man they’d have possess, “Three acres and a cow.”
XXX.
To Derbyshire, Lord Hartington, Travelled to help a friend; While Forster’s serious illness Threatened his life to end. But when they saw friend Gladstone Commence renewed attack On a Tory Welchman’s stronghold They wished to hurry back.
XXXIII.
“O voters, county voters,” The old man’s heard to say, “A Liberal’s life and policy Do ye endorse to day.” So he spake, and, speaking, opened His umbrella with his right, And, with his left hand, seized his axe And plunged into the fight.
XXXIV.
But fiercely raged the conflict, Fed by each Party’s gain, And fast his strength was failing, And heavy grew the strain; His voice grew weak and weaker, As speeches multiplied, And oft they thought him done for, But he again revived.
XXXVI.
And now the strife is over, In Flintshire as elsewhere, The Liberal cause has conquered, With lots of strength to spare. Round Gladstone throng the leaders From all parts of the land, And each would be the foremost To grasp his manly hand.
XXXIX.
And in the nights of winter When the stars withhold their smiles, And the sweet voices of the cats Are heard upon the tiles; When round suburban villas Roars the loud tempests’ din, And draughts and smoky chimneys Cause loud complaints within――
XL.
When the oldest bottle’s opened, And the chandelier is lit, When the chestnuts glow in the embers, And the good wife sits to knit; When young and old in circle Around the fireside close, When the boys go in for courting, And the girls caress their beaus;
XLI.
When the Stanley club completeth Its year of jubilee, And grey-haired members take with pride A grandchild on each knee; With ever growing interest The story will survive, How William Gladstone gained the day In eighteen eighty-five.
F. W. S.
(Twenty-four verses omitted.)
From The Hampstead and Highgate Express. December 26, 1885.
――――
GLADSTONIUS. (Extract from a Classic Poem.)
But with a crash like thunder, Fell many a loosened “plank,” And, with a dam,[107] the Grand Old Man, Made for the County Bank.
* * * * *
“O Voter, Rural Voter, To whom we Liberals pray, A Liberal’s life and policy Take thou in charge this day!” So he spake, and speaking, fastened The well-worn mackintosh, And, with Welsh flannel on his back, Plunged Hodgewards in the slosh.
* * * * *
And when above the turmuts They see his drooping gills; From the Reform came loud applause, And the Times’ Leader-writers pause To trim their well-worn quills.
* * * * *
But his limbs were borne up bravely By the brave heart within, And the Good Rural Voter Bore bravely up his chin. And now he feels the bottom, Now on dry earth he stands, Now round him throng the Lib’rals; To press his muddy hands.
* * * * *
They gave him an umbrella-stand In record of the fight, And twelve stout stand-up collars To wear from morn till night. They gave him gay gardenias For buttonholes, I vow, And CHAMBERLAINUS promised him “Three Acres and a Cow!”
Punch. December 12, 1885.
――――
Now Joseph C. of Birmingham By his Three Points he swore, The worthy folk of England Should suffer wrong no more.
By his Three Points he swore it, And eager for the fray, He bade his messengers ride forth East and West, and South and North, To summon his array.
This is the first verse of a political parody which is contained in “Joseph and his Brethren,” by W. A. S. P., a sixpenny pamphlet published in 1885, by Foulger and Co., London. The advanced Radical opinions then held by Mr. Joseph Chamberlain were strongly advocated in the poems and parodies in this pamphlet.
――――
A LAY OF MODERN LONDON. By the Shade of Lord Macaulay.
An anonymous parody of twenty verses, printed apparently about 1880, but having no printer’s name, place, or date, commenced thus:
Jon Runcius of Hacne By the nine gods he swore That the ninth seat at Stepne Should vacant be no more. By the nine gods he swore it, And he marked the Meeting Day, And made his circulars go forth, East and West, and South and North, To summon his array.
East and West, and South and North, The circulars go round, And every Proprietor, A proxy-form hath found. Shame on the weak Shareholder, Who chafes at being bored, When Runcius of Hacne Is going for the Board!
The Last Verse.
When the goodman buys “Commercial,” When we near the half-year’s end, When the goodwife counts her holding, And scents her dividend, With zest, tut no ill-will or spite, Still be the story told, How well Bradshauvus kept the Board, And somebody was sold!
――――
VOLUMNIA.
Just at the ides of April They were in marriage tied, The noblest Roman of them all Unto the fairest bride; Volumnia her nomen was, And Lartius was her “spoon;” The twain went to Tarentum, To pass the honeymoon.
Yet, when the ides of August Had swiftly glided by, For a new Autumnal bonnet The bride began to cry He said: “My dear Volumnia I cannot give you that.” Yet still her cry was: “Lartius, I want a new style hat!”
He was a speculator In stocks of every sort; But down, far down had fallen, The stocks which Lartius bought, Had fallen down until his purse Was as a pancake flat. Yet still her cry was: “Lartius, I want a novel hat!”
“Volumnia,” said Lartius, “Now, really you must cease―― I cannot give you what you ask, So let me have some peace; I’m busted, used up, done for, And all that sort of thing, If bonnets cost a sesterce I could not buy a string.”
Yet still she kept on crying Aloud for a new hat. He had it with his muffins, When he at breakfast sat; He had it with his roasted joint, When dinner was served hot; And still it came at supper With toast and the tea-pot.
Then Lartius donned his toga, And by the Gods he swore That such an endless nagging He would endure no more. “I’ll to the Lictor,” quoth he, “And tell my tale straightway. I’ll tell to Consul and Tribune How she does nag and importune And see what they will say.”
“Wants a new hat!” quoth Consul And Lictor and Tribune. “That must be stopped, or females, Will rule our country soon, It’s written in the Tables, And all the laws of Rome, That when a woman’s hat is old She ought to stay at home.
“And if she nags her husband Just when he’s dreadful short, And howls for a new bonnet, Why that’s in law a tort: And for all torts the laws provide A punishment complete: For such a heinous crime as hers That she should die is meet.”
The Romans stood no nonsense In those good days of old. They quickly crushed a woman Whene’er she grew too bold. They fired such without ado Off the Tarpeian height; And that happed to Volumnia, And served that female right.
ANONYMOUS.
THE BATTLE OF THE LAKE REGILLUS. A Lay sung at the Feast of Castor and Pollux.
Ho, trumpets, sound a war note! Ho, lictors, clear the way! The Knights will ride, in all their pride, Along the streets to day. To-day the doors and windows Are hung with garlands all, From Castor in the Forum, To Mars without the wall. Each Knight is robed in purple, With olive each is crowned; A gallant war-horse under each Paws haughtily the ground. While flows the Yellow River, While stands the Sacred Hill, The proud Ides of Quintilis Shall have such honour still. Gay are the Martian Kalends; December’s Nones are gay: But the proud Ides, when the squadron rides, Shall be Rome’s whitest day.
Unto the Great Twin Brethren We keep this solemn feast. Swift, swift, the Great Twin Brethren Came spurring from the East. To where, by Lake Regillus, Under the Porcian height, All in the lands of Tusculum, Was fought the glorious fight.
* * * * *
And Sergius the High Pontiff Alone found voice to speak: “The gods who live for ever Have fought for Rome to day! These be the Great Twin Brethren To whom the Dorians pray. Here, hard by Vesta’s temple, Build we a stately dome Unto the Great Twin Brethren Who fought so well for Rome. And when the months returning Bring back this day of fight, The proud Ides of Quintilis Marked evermore with white. Unto the Great Twin Brethren Let all the people throng, With chaplets and with offerings, With music and with song; And let the doors and windows Be hung with garlands all, And let the Knights be summoned To Mars without the wall: Thence let them ride in purple With joyous trumpet sound, Each mounted on his war-horse, And each with olive crowned; And pass in solemn order Before the sacred dome, Where dwell the Great Twin Brethren Who fought so well for Rome!”
T. B. MACAULAY.
THE CHISWICK FLOWER FETE. For 1846.
Ho! members take your tickets,―― Ho! maidens, choose your shawls! The son looks out his waistcoats, The sire selects his smalls. To-day is Flora’s triumph, To-day great sights you view, So, cabmen, drive your cattle, And drive your bargains too.
Green are the squares of London, And some few lanes are green, And trees of city foliage Shade walks of stone between, And green are certain gala days, With places known to fame―― The inner circle of the park That bears the Regent’s name.
And green are those great glasses That hold Germania’s wine, That they tell you suit the vintage Of the clear Moselle and Rhine: And green are those young freshmen, Who, to earn a gentle name, Take credit of a tailor, Or give it to a dame.
But greener far than any Is Chiswick’s shaven sward, And gayer than all gala-days Are the groups that swarm abroad. See how they muster onwards,―― The car, the cab, the team; My dearest friends in carriages, My dearer self by steam.
Bright is the first fresh show of Spring, When cucumbers are rare; And bright the show of hot July, When Autumn’s fruits are there: Autumn that’s forced beforehand, As children oversage, When all forestalls its season, Like minds before their age.
But the brightest day among them, The grandest show of three, Is that which brings the roses, And draws down you and me. So ’mid the great Triumvirs Did greater Caesar sway; So ’mid the days of Epsom Stands out the Derby day.
(Ten verses omitted.)
THE TRAVELLING BACHELOR.
This imitation of Lord Macaulay first appeared in Bentley’s Miscellany, and was afterwards included in The Bentley Ballads (R. Bentley, London. 1869.)
――――
THE BATTLE OF THE VESTRIES.
Ho, guardians! sound the cornet, Ho, beadle! clear the way, The parish pride to-day hath hied To see the mud-pumps play. The legates of the Vestries Have gained the river boat. The legates of the Vestries Are all in state afloat. The legates of the Vestries Defying aqueous ills, Have reached the land by Stratford’s strand, Where stand the Abbey Mills.
Fair are the bowers of Stratford, Its coppices and clumps, And fair the Pumping Station Which Tamesian sewage pumps, And fairer yet by long chalks That cold collation is, Which Vestrymen have brought in train, Of ham and beef and fowl amain, And ale and stout and cheap champagne: The Vestries term it “fiz.”
They saw the Abbey Mill Pumps Work grandly up and down, Which save the mud and garbage Infecting London town; And when they had inspected, With noses satisfied, Down sat they to a banquet sprent O’er a white table in the tent Pitched over Stratford side. But ere they sat to dine there On fowl and beef and tongue, They, on the steamboat fore and aft, The wine and bitter beer had quaffed, Till, in the language of their craft, Each Vestryman was “sprung.”
Now dinner barely over, With more drink doled to each, Higgins the noble shopkeeper, Arose to make a speech―― Higgins who all the noblemen Of Clerkenwell supplies; And near him sat brave Podger, who The letter H defies, But Higgins when in liquor Of speech is somewhat thick, Yet dealeth he in chaff which is Extremely apt to stick. At Higgins’ muddled periods Stout Podger hurled a sneer, And Higgins answered with an oath Meet for a Vestry’s ear.
Now by the crest of Mary, Mary surnamed Le Bone, The ire of Podger swiftly rose To hear the scoffer’s tone. An empty bottle wielding He aimed it at his crown, And with unerring fleetness Tumbled his foeman down. Then flamed the wrath of Vestries, And blows and curses sped, And fowl-bones flew, and H’s dropped, But still undaunted Podger whopped, With champagne bottles that had popped, Prone Higgins’s bare head.
The battle now grew general; Boggle at Hunks let fly! Hunks aimed a blow at Boggle That caught him in the eye; While Grigg and Globb and Blenkinsop Around dealt broken pates; Still Podger’s stick dealt many a blow, Till mastered by the numerous foe That hurled him far and laid him low Among the knives and plates.
The Ilford beaks look sternly Upon a Guardian’s fault; The Ilford beaks fined Podger Five pounds for each assault, Still let us sing in triumph With all a minstrel’s powers, How Vestrymen behave themselves In the brave days of ours.
The Tomahawk. September 19, 1868.
――――
A LAY OF ANCIENT ROME. New-laid in Modern London.
Ho, Bugler, give a tootle! Ho, Peeler, keep the way; For the Mayor will ride in all his pride To Temple Bar to-day: To-day the doors and windows Are hung with banners all, From Buckingham’s famed Palace, To the Churchyard of St. Paul.
And forth ride Mayor and Sheriffs, All duly chained and gowned; A well-trained charger under each, Treads gingerly the ground. While stands the old Cathedral, And, till the Law Courts rise, So great a sight shall not delight Again our wondering eyes. Sweet is the First of April―― November’s Ninth is gay; But they may not compare a jot With this Thanksgiving Day.
Fast from the Hill of Ludgate, Where Benson’s watches are, The Lord Mayor and the Sheriffs Rode on to Temple Bar. On the right hand trotted Truscott, Of Dowgate Ward the pride; And on the left spurred Bennett, The Bennett of Cheapside.
I wis in all the City There was no man so cold, But loud he roared, and long he cheered, The pageant to behold. The Fathers of the City They sat their horses well, Though by their side did footmen stride To catch them if they fell.
And now ’mid cheers and laughter, They halt at Temple Bar, And glad are they, so I should say, To find that there they are. And lo, the Queen arriving, The City’s keys has ta’en:―― But look you how, with gracious bow, She gives them back again.
And now the Mayor and Sheriffs Remount at Temple Bar, And down the street of ancient Fleet Precede the Royal Car.
And now the ascent of Ludgate ’Mid shouting is begun: They pass the Cheese of Hudson, They pass the Books of Dunn, And where McCarthy’s groves of Hats A pleasant shadow cast, They draw the rein, for it is plain They’re at St. Paul’s at last.
(Five verses omitted.)
Fun. March 2, 1872.
――――
THE FOOTBALL MATCH
Between the Whartonites and Beaconites, which ended in the defeat of the latter. Played November 21_st, on the school ground._
(A Parody on passages from the Battle of Lake Regillus.)
Ho! Captains sound the war note; Præposters, clear the way; The Whartonites and Beaconites Will soon begin to play. See, many a tree and paling Is hung with caps and coats, From Mug’s shed to the Hundred The fence in finery gloats. Each youth is striped with colours, With light blue each is crowned, Right gallantly and proudly each Advances up the ground. The Captain,[108] brave Valerius, Is bringing up the ball, A shout of schoolboy merriment And mirth proceeds from all.
The half-backs were stout Aulus Of herculean size And Brutus strapped and tied and wrapped In wondrous football guise The full back was Horatius Who near the goal posts stood In shorts and stockings gay, arrayed Capped with a Brewer’s hood.
See, now the ball is started; See now they run apace; How pluckily the little chaps Those Beacon giants face! And in the gutters thickest Were given hacks and blows And from the gutters loudest The cry of “Play up” rose, And louder still and louder Rose from the muddy field The shouts and yells of Captains both “Shove up and do not yield.” The panting forwards dashing Like madmen, o’er the plain, Mid joyous shouts of triumph And screeching yells of pain, For underneath a gutter Flaccus of Sevenoaks lay: Better had he been learning Greek grammar all that day. Mamilias saw him struggling And tossed his blue black crest And toward the brave Valerius Through the thick battle pressed.
Valerius smote Mamilias So fiercely on the head That the great Lord of Sevenoaks Rolled over well nigh dead. Mamilias smote Lars Porsena With a good aim and true Just where the neck and shoulder join And made him black and blue, Here brave Amutius Elva Fell swooning to the ground, And a thick wall of players Encompassed him around.
Sempronius Atratinus Would fain have cleared a space But deaf’ning yells and shrieks and shouts Were levelled at his face. While some stood round and shouted “Brave Sextus don’t give in,” As many others roared as loud “By Jove, my man will win.” Then out spake good Valerius, The Captain of the team, “To all that stand upon this field “This must rare plucky seem, “But how can a man die better “(If he’s to die at all) “Than battered in and bashed and squashed “And flattened in a maul?” Sempronius Atratinus And Decius Mus were hoarse With yelling “Boys get off the ball “It’s Sextus’s of course.” And oh! the thundering clamour When Sextus faintly rose, Black in the face and panting fast Must bring this to a close.
Gay are the Cricket Kalends, The Racing Nones are gay, But the Football Ides, of all the pride, Shall be the whitest day, While flows our Medway river, While stands our One Tree Hill, The Ides of proud November Shall have such honour still.
The Tonbridgian. December, 1878.
――――
A PROPHECY OF CAPERS. (A Lay of an Ancient Roamer.)
Ho! grooms, fling forth the sawdust Ho! shed it on the tan, For round the show The troupe must to In glittering caravan; In long and grand procession Parading, one and all Belonging to the Circus At the Agricultural Hall.
Gay are Reform Processions, The Lord Mayor’s Show is gay, But the Circus-ride All else beside Surpasses in that way, Where piglings, born in litters, Did late attention crave, And implements of husbandry The reaping hook to save; Where (shows of mules and hosses Are likewise in its line), We’ve had of late A gathering great Of fatted sheep and kine. But nobler now the show is, And brighter the array―― A pageant, gay and glorious, A quite unique display Of horsemanship That none may whip Is opened there this day.
Tall are the iron siphons That rise in Pentonville, And lofty is the viaduct You see at Holborn Hill, Thwaites, at the Thames Embankment, Has worked for many a year, Beneath our highways Fowler drove An Underground career.
But now no water-workmen Are found at Pentonville, No navvies poise the girders huge For spanning Holborn Hill, Unheeded on th’ Embankment Rings out the cry of “Beer!” Unwatched the populace may urge Their Underground career!
The harvests at Refreshment bars Just now young men may reap; Just now the banks of Lombard The unfledged clerks may keep; And in the vats of Romford Just now the brewing’s done By ’prentice hands, for all the world Has gone to Islington.
Ho! bandsmen, toot your bugle! Ho! grooms, there, clear the course, For Mademoiselle Will cut a swell Upon her high-trained horse, And here is Jones of Putney, Who rides the bare-backed steed; And here is Brown of Camberwell, Who clears six hoops at speed; And here is Peckham’s Perkins, The foremost in the land, With tinsel fillet, smiling lip, And cracking whip, and loud Ya-hip, Who drives eighteen-in-hand. Make way for the procession―― Make way there, great and small―― It comes,――the troupe of Sanger, Of the Agricultural Hall!
Fun.
――――
THE BATTLE OF LAKE MORT.
_A Lay sung at a Feast of Bacchus, about the Kalends of Aprilis, in the year of grace_ MDCCCLXX.
With Latin notes by Canis.
I.
Ho, undergrads, be merry! Ho, all men, shout away! The Crew will ride, in all their pride Along the streets to day. To-day the doors and windows Are hung with “colours” all, From hand-bills in the street way, To posters on the wall. Each man is clothed in “blazer,” With light blue each is crowned; And each preserves a well made oar No more to rowlock bound. While flows our turbid river, While stands our Market hill, The Kalends of Aprilis Shall have such honour still. Gay are the Ides of Maia: December’s Nones are gay: But the Kalends which April sends, Shall be our proudest day.
II.
Unto the Great Sea Ruler, With Bacchus, is this feast. Swift, swift, the Great Sea Ruler Ran till the race had ceased, He came from depths Atlantic, Where tossing waves abound, With countless laughter rippling, And music in their sound, He came to see his well-loved, Our Thames, where glory rings, He came to lordly London, The city of our kings[109]; To where by far-famed Lake Mort, Now Mortlake long time hight―― All in the Thames’ fair waters, Was fought the glorious fight.
III.
Now on the place of battle Are boats and barges seen, And rows of tugs, and lines of ships, And boatmen far from clean; The screws of the big steamers Crush the small waves beneath, And others with their paddles Make all the waters seethe; The fisher baits his angle, The mudlark goes his round, Little they think on those strong limbs That battled near that ground; Little they think how sternly That day the coxwains cried, How boat and boatmen felt the rush, Of that dark eddying tide; How some men came with rumours Which others called a hoax; How some laid bets on captains, And others named the strokes; How thick the crowd was gathered Upon the bridges height; How all along the towing path Swayed the wild stream of flight; And how the far-famed Lake Mort Bubbled with unclean foam, What time the ancient Isis Against the Cam did come.
X.
Up rose the golden morning Over the Pauline[110] height. The Kalends of Aprilis, Marked evermore with white. Not without secret trouble Our bravest saw the foes, For held by sixteen manly hands The eight good oars arose. From each picked beating college That boasts the Oxford name Fore doomed to be defeated That gallant army came.
* * * * *
And in the Cantab army Were men of wondrous might, Who came from Johnian portals, And girt them for the fight, From Trinity came others, As part of that array; From Sidney and from Jesus―― Athletic men were they.
XV.
Now to each boat the starter Gave signal for the charge; And in each boat the oarsmen Rowed on past tub and barge; And in each boat the oarsman Struck the water with his oar; And near each boat the steamers Steamed on with mighty roar, And under that great turmoil The waves with mud were dark, And like the London fog at morn The steam hung o’er each bark. And louder still and louder Rose from the crowded bank The cheering and the war cries,[111] With hopes that rose and sank. And onward rowed the rivals And neither seemed to wane, They scudded o’er the waters Like whirlwinds o’er the plain.
XVII.
The Cantabs took the lead at once; At the Creek they were away. “Now hie ye on!” the coxswains cried, “And see ye win the day.” But when they reached the Crab Tree ’Twixt the two light was seen; And halfway to the Soapworks, There was a length between. But now the Oxford strokesman Laboured with labour strong, And spurted up amidst the cheers Of the delighted throng. And closer still and closer Did Darbishire draw near, Till by the Soapworks Cambridge men Began to feel some fear. But Goldie now worked harder, And passed the Ship a-head When Darbishire put on a spurt, But his men were nearly dead. “Cam to the charge!” cried Gordon, The foe begins to yield; For now the Great Sea Ruler Hath gained for us the field. And passing under Barnes Bridge Cam was a length away, And rowing on to Lake Mort Most bravely won the day.
XX.
The god who lives for ever Hath fought for Cam to-day He is the Great Sea Ruler, To whom the oarsmen pray, Back comes the Chief in triumph Who in the hour of fight Was helped by the Great Ruler, Who gave him what was right. Safe comes the ship to haven Through billows and through gales If once the great Sea Ruler Sits perched upon the sails. Here in the Union building, Hoist we the telegram, Which says the Great Sea Ruler Hath fought so well for Cam. And when the months returning Bring back this day of fight―― The proud day of the boat-race Marked evermore with white―― Unto the Union building Let Undergrads all throng, And pass into the Union To read the telegram, Which says “The Great Sea Ruler, Hath fought so well for Cam!”
These extracts are from “The Battle of Lake Mort,” a long parody by the author of The Dauntless Three (already referred to on page 172). Cambridge, J. Hall and Son. 1875. Price 6_d._
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Punch, September 6, 1884, contained an imitation entitled “The Dioscuri in Egypt.” It referred to the mission to Egypt undertaken by Lords Wolseley and Northbrook, which failed so dismally. The following extracts are from, a parody, which also appeared in Punch, February 11, 1888, describing the opening of Parliament.
IN THE ARENA. The “Parade” before the Conflict.
Ho! trumpets blare forth bravely, ho, banners proudly flout! Cool critics loll expectant, spectators swarm and shout! For lo! short truce is over, and lately sundered foes, Once more in the arena will counter, clash, and close. The echoes of the battle when last they trod the sand, The tramp of eager horsemen, the clang of biting brand, Seem scarcely to have left us, and now, before the Spring Has come with burst of blossom, has filled with flush of wing, Ere Valentine the Vernal hath trod the ancient tracks, His burthens laid on lovers, and eke on postmen’s backs, Ere snow hath left the branches, ere green hath lit the boughs, We may look out for ructions, and we must list to rows. Yet in this huge arena heroic figures shine; Such sure is thine, Gladstonius; Cæcilius, such is thine! Achilles and great Hector might well have flushed with joy To counter foes so worthy afar by windy Troy. Cæcilius on his war-horse full proudly pranceth round―― He doth not show like shrinking, nor look like giving ground; And at his back all brawny, and stolid, and serene (An armour-bearer stouter hath been right seldom seen), Comes low-lipped Hartingtonius, ready with shield, or crest, Or sword, or spear, or javelin, as may be in request. These eyeing stern and steady, as fighters foemen eye, Comes wintry-lock’d Gladstonius, game still the lists to try Against whatever comer, erect, and gaunt of limb, With glance exceeding fiery, and jaw exceeding grim; His armour-bearer, also, is ready at his heel, With breadth of bossy buckler, and length of shining steel; Parnellius the Placid, with pallid cheek and cold, With calm eye ever watchful, and chill front ever bold. When these anon encounter in full and fiery tilt, Be sure that steel shall splinter, and ruddy blood be spilt. “Who――who in the aforetime had ever thought to see These heroes so attended, museth the herald, P, And other chiefs of valour though lower in their grade, Array in the arena, and prance in the parade. Comes Smithius the smug-faced, him of the settled smirk, Balfourius “the brave,” too, one never known to shirk Sword-thrust, or spare his foeman though prostrate and disarmed, Goschenius, erst henchman of Gladstonius, till charmed From him the white-lock’d Wonder, but now his fiercest foe, Save Chamberlanius, better beknown as Brummijo, Who beards his ancient Chieftain with even more of ire, And backs his ancient foeman with yet more zealous fire. Not so the stout Harcourtius, him of the triple chin, He backs the “Grand Old Manlius,” as one who’s bound to win, Old Manlius Gladstonius, when others shy or sulk, And loads the ancient war-horse with big complacent bulk. And others follow after him of the snowy crest, Morleius the mordant, bravest amongst the best, Gallant Spencerius Rufus, the loyallest of hearts, And――but the clarion brayeth, the martial pageant starts.
HENRY OF NAVARRE.
Now glory to the Lord of Hosts, from whom all glories are! And glory to our Sovereign Liege, King Henry of Navarre! Now let there be the merry sound of music and of dance, Through thy corn fields green, and sunny vines, oh, pleasant land of France! And thou, Rochelle, our own Rochelle, proud city of the waters, Again let rapture light the eyes of all thy mourning daughters. As thou wert constant in our ills, be joyous in our joy, For cold, and stiff, and still are they who wrought thy walls annoy, Hurrah! hurrah! a single field hath turned the chance of war, Hurrah! hurrah! for Ivry, and King Henry of Navarre.
T. B. MACAULAY.
THE WAR OF THE NORMAS.
Now glory to LA DIVA who still reigns the Queen of Song, And glory, too, to Costa, may he wield the bâton long. Now let the distant sound of song, and echo of the band, Be heard through Covent Garden, and Long Acre, and the Strand. And thou, too, Morning Chronicle, bold partisan of Beale, As thou wert constant in our ills, be joyous in our weal. For ill-advised was Jenny, when she thought to reach the throne Of that unrivalled songstress who had made the part her own.
Hurrah! hurrah! the first night proved she had essayed too much; Hurrah! hurrah for Grisi, and the Norma none can touch!
Oh! how our hearts were beating, when a week before the day, We saw proud Lumley posting up his bills in long array; There stood the name of grand Lablache, of mighty voice and limb; And there too, was Fraschini, but we did not care for him. And we cried unto our Norma, that she might be underlined, To combat for her own great name, and leave the Lind behind.
* * * * *
Ho! partisans of Lumley, don habiliments of woe! Weep, rend your hair, to hear the truth: your Norma was “no go.” Ho! Verdi, bring for charity thy opera to their aid, That Jenny Lind may sing and no comparison be made. Ho! bold Bond-street librarians find the public still is true Unto their long-tried favourite, to whom all praise be due. For Grisi still hath proved herself the best of all the bunch, Hath mocked the critic of the Post, and box-bought praise of Punch.
Then glory to LA DIVA who yet reigns the Queen of Song, And glory, too, to Costa――may he wield the baton long!
From The Man in the Moon. Edited by Albert Smith and Angus B. Reach. Vol. II.
Jenny Lind made her first appearance at Her Majesty’s Theatre, London, in May, 1847 (when it was under the management of Mr. Lumley), with great success. She was much admired in every part she undertook, but in Norma she had to stand comparison with Madame Grisi, who had long been identified with it, and opinions widely differed, as to the superiority of these famous singers in this, now almost forgotten, opera.
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THE LORD MAYOR’S SHOW.
Now, ye blue-blooded dustmen, leave your cart’s unsav’ry tail, And you, ye “supes” of noble birth, come don your coats of mail; For Harcourt and his legions and Firth, that recreant knight, Have dared the valiant Griffin and the Turtle to the fight! Now Fowler wipes his reeking brow, while smiles relax his face, For have they not already flinched before his mighty mace? And noble Nottage waves his lens, and seeks the thickest strife, And woe to those who stand to him――he’ll “take ’em from the life”!
――――
But why this shadow o’er the board, this phantom at the feast? The day is won, the foe has fled, his fierce assaults have ceased. Yet still the hollow laugh is forced, as though each heard the cry: “Let’s eat and drink and merry be――to-morrow we must die!” In vain the jewelled cup is passed, the speech and song go round; Each song seems but a requiem, each speech a ghostly sound, While o’er the Master’s anxious face a cloud hangs like a pall; Alas! Belshazzar-Nottage sees――“the writing on the wall!”
J. T. WRIGHT.
The Weekly Dispatch. November 9, 1884.
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IRELAND, 1890.
Now, glory to the Lord Parnell, from whom all glories are! And feathers for his enemies, and ignominious tar! Now let Tay Pay blow off his steam, and Joseph Gillies prance, And suffer bold O’Brien (Ireland’s lion) to advance! And thou, Old Man, our Grand Old Man, who Erin’s acres bought us, With coin filched from the Sassenach, and confiscation taught us; As thou wert constant in our ills, be joyous in our joy, For impotent or dumb are they who wrought our bills annoy. Whiroo! whiroo! Rip up the bond before it be too late, The watchword of New Erin――rip! rip! REPUDIATE!
* * * * *
Ho! Morley of the mealy mouth; ho! Green and Grand Old Man; Weep, weep, and rend what hair you have for downfall of your plan. Ho! Rothschild lend (or Roseberrie) vast shekels (or pistoles) To lure the Liberal and Rad from ratting at the polls. Oh, loyal members of the League, kneel at his feet and pray For him who with a royal hand hath squared the deal to-day. For the King hath crushed the tyrant bond, the King hath raised the slave, And mocked the counsel of the just, and the valour of the brave. Then glory to the dodgy one who crowned New Erin’s Fate, And raised the cry, “Don’t pay your debts, but rip――REPUDIATE!”
Charles S. is come to marshal us, in all his livery drest, And he has stuck a landlord’s scalp upon his gallant crest. He looked upon his creatures with a wary winking eye, And then upon the Sassenach, and cried, “How’s this for high?” Right knowingly he leered on us, as rolled from street to street The shout, “The honest Pat’s played out; make ready for the cheat! And if the Yankee dollars fail, as fail full well they may, For never saw I promise yet of such a costly day. Press where ye see the landlord’s scalp upon my hybrid pate, And be your oriflamme, my boys, rip! rip! REPUDIATE!”
The Topical Times. March 20, 1886.
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THE GREAT RENT CASE. (A Lay of the High Court in the year 1865.)
Ho! Nazirs, sound your tom-toms! Ho! Sheriff, clear the way! The Judges ride, in all their pride,―― To the High Court to-day. Shout! gallant little Crier! Your eye-glass tightly fit, Arrange your splendid Forum So every Judge may sit. Each Judge is robed in sable, His gills flow long and wide, Like Bull-frog in the fable, He swells with conscious pride.
These are the opening lines of a long parody describing a trial in India, contained in “Lyrics and Lays,” by Pips, published in Calcutta, by Wyman Bros., 1867. The parody consists of more than 450 lines, and is both unintelligible and uninteresting to all but persons’ accustomed to Indian life and character.
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BEFORE THE BATTLE. (And considerably after “Ivry.”) A Song for the Sanguine.
Now luck unto the Liberal Host, to whom good luck should be! And luck unto our Leader Old, undaunted William G.! Now let the merry music sound a resolute advance, Come, Hartington, why bite thy beard? Come, Joe, why look askance? And Spencer, loyal Spencer gaze across the Irish water! It is not rapture lights the eyes of those who schemed thy slaughter. As thou wert constant in our ills, joy in our coming joy, For glum, and mum, and dumb are they who wrought thy rule annoy. Hurrah! How oft a single charge hath made the Tory flee, Hurrah! Hurrah! for victory, and valiant William G. Oh! how all hearts are beating, on this our opening day, We see the army of the League drawn out in long array; With all its priest-praised patriots, and all its rebels red, And Biggar’s beauteous body, and Tim Healy’s handsome head. There sit the brood of anarchy, the troublers of the land; And dark Parnell is in their midst, and holds them well in hand. And as we look on them, we think of treason in full flood, And good Lord Frederick’s manly breast bedabbled with his blood; And we cry unto fair Fortune from their toils to set us free, To fight for loyal liberty and valiant William G.
He comes once more to marshal us, in simple broadcloth drest; As glorious are his scant white locks as any knightly crest. He looked upon his Homer, and he heaved a scholar’s sigh; He looks upon the Tory, and his glance is stern and high. Right genially he smiles on us, as rolls from wing to wing Down all our line the ready cheer. We’ve heard his voice outring: “And if our flag should seem to droop, as seem sometime it may, “For never saw I promise yet of such a fierce affray, “Press where you see my banner wave, in battle’s front ’twill be, “For whosoe’er fall to the rear, it won’t be W. G.”
Hurrah! The foe are stirring. Expect the mingled shindy, Of Biggar tart and turbulent, and Bartlett wild and windy. The Uncrowned King will cut us out some most unpleasant work, With all his hireling patriots from Kerry and from Cork. Now by the golden lips we love, unitedly advance! Charge Radical with Liberal!――don’t give the foe a chance! A hundred times we’ve beaten them, now comes a crowning test, A hundred times we’ve phalanxed close behind that snow white crest. If now we mean to break their ranks, and beat them, it must be All of one mind, charging behind our valiant William G.
Methinks the day may yet be ours. Carnarvon hath turned rein; Hicks-Beach in vain hath paltered, Lord Randolph glozed in vain. Their ranks are gaping; there be clouds upon each visage pale; Their Irish pact won’t somehow act; it was foredoomed to fail. It makes us dream of vengeance; and all along our van, “Remember their Kilmainham charge!” is passed from man to man. But what says generous William? “No Irishman’s my foe; “Down, down with every thought of hate! For justice let us go!” Was ever so magnanimous, so fair a foe as he―― Our much maligned old champion, our gallant William G.?
Right well each man will have to fight who fights with us to-day, And many a party pennon will fall earthward in the fray. And we whose watchword’s “Unity!” must bear us well in fight; For never yet was it more hard to follow simple right. But when our standard-bearer the old, old flag hath ta’en, Blazoned “Be just, and fear not!” flag that never flew in vain; Up with it high, unfurl it wide, that all the host may know Though with the League we won’t intrigue, to Ireland we’re no foe. Then rally round whilst trumpets sound their challenge far and free; Broad let it wave, a banner brave, for gallant William G.
Ho! Ladies of the Primrose, whose hearts for victory yearn, Weep, weep for the majority you struggled to return. Ho! Cecil, twist to Tory sense the verdict of the polls, And do your best to lure the Whigs and scare all timid souls. Ho! swollen cohort of the League, think not our hearts to fright. Ho! followers of the Liberal Flag, keep clear your sense of right. To foil Hibernia’s tyrant, yet to raise Hibernia’s slave, Will tax the counsel of the wise, the valour of the brave. Yet here’s for having at the task, how stiff soe’er it be! And here’s to him who’ll lead us on, our dauntless William G.!
House of Commons, Wednesday, January 20.
The Daily News. January 21, 1886.
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A number of parodies of Lord Macaulay are scattered about in the back numbers of comic papers. It will suffice to give a verse or two from the most important.
LAY OF THE AMPHITHEATRE (ROYAL). The Combat.
As they entered the arena, Their step was firm and brave; Though of one or of the other, They knew it was the grave.
Each took a little porter, To nerve him for the scene; They entered the arena, So calm and so serene!
A thousand eyes were on them, All eager for the fight; The footlights flared before them―― The combat was by night.
And now they bare their falchions, And foot to foot they stand, Each sternly eyes the other With look composed and grand.
Yet one is honest-hearted, And true, as well as brave―― The other is a ruffian, A sanguinary knave.
By turns their weapons clashing, Right equal seems the game; While “One, Two, Three,” says Simpson, Smith doth repeat the same.
Sword upon sword descending, While fiddle and trombone, In time to that dread music, Play slowly “Bobbing Joan.”
Yet not in time exactly―― This night it may not be; Yon churl who plays the fiddle, Exceeding drunk is he!
Now Smith doth wicked Simpson Into a corner urge; Now Simpson drives him back upon The stage’s utmost verge.
At length a blow so swashing From gallant Smith’s claymore, On that of Simpson thunders―― He totters――falls――’tis o’er!
* * * * *
And then――to show no malice Fester’d his soul within―― The wicked corpse of Simpson, He treated to some gin.
Now be each scheming villain Like yonder Simpson floored; And every gallant spirit meet With gallant Smith’s reward!
(Eight verses omitted.)
Punch. 1845.
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A LAY OF MODERN ENGLAND. Or, Ibrahim Pacha at Vauxhall.
Great Ibrahim of Egypt has promised the Lessee The Masquerade at Vauxhall he’ll go in state to see; To Allah he has vowed it――to Allah and the Clown, That in his royal glass-coach he will in state go down.
This is the first of twenty-three verses of a not particularly good parody, which appeared in George Cruikshank’s Comic Almanack for 1847.
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The Month. By Albert Smith and John Leech. In the number for December 1851, of this scarce little magazine, there was a long imitation of Macaulay, entitled
THE INAUGURATION OF THE MAYOR.
Up! Citizens of Cripplegate――come Billingsgate, begin! Rise ye of ancient Candlewick――up Farringdon Within, Now Castle Baynard, show your strength――now Aldgate, lead the van, Ye City wards which ne’er were picked, since history began.
’Tis London’s ancient Festival, another Mayor to-day, Begins the civic sceptre of the Mansion House to sway; Blythe the self congratulation――sad the wail of discontent, As the one gets into office, and the other out is sent.
From the plains of fair Belgravia, from Tyburnia and the north, Troops of ruddy servant maidens on their holiday come forth, Each with snowy kerchiefs laden, which they never will unfold, Going wildly in directions just wherever they are told.
* * * * *
Twenty-two verses follow here, describing the Lord Mayor’s procession and banquet, topics which do not suggest any novelty to the poet, who concludes thus:――
Let us hope that in the waking from the darkness to the light, The coming day may realise the visions of the night, That the civic corporation may its funds so well bestow, That a nation’s commendation may attend the Lord Mayor’s “Show.”
Ainsi soit il.
――――
THE CITY TOURNAMENT.
Ho! Policemen! get before them! Ho! Serjeants! clear the way! The Sheriffs ride in state and pride, To the Guildhall to-day! To the Guildhall they’re coming, Spite of the wind or rain; To preside at Civic Tourney, That makes a Chamberlain.
This is the first verse of a long, and uninteresting, parody which appeared in Diogenes, June 18, 1853, describing the contest between Sir John Key and Mr. Benjamin Scott, for the office of City Chamberlain (London). Sir John Key was then successful, but in 1858 Mr. Scott obtained the office.
A Bowl of Punch, by Albert Smith, 1848, contains “A Lay of Ancient Rome,” describing the brave deeds of Marcus Curtius, in burlesque verses, but it is not exactly a parody of Macaulay’s style.
――――
BURLINGTON. (A Lay of Regent’s Park College.)
The Senate of the London U- niversity they swore, That the great house of Regent’s Park Should pass its men no more. By their M.A.’s they swore it, And fixed the fatal day, And bade all their Professors pen Such questions as should keep the men From taking their B.A.
There be an awful Senate; The wisest in the land, Who by the dread Examiners Both morn and evening stand, And with one voice the Senate, Like mean and stingy brutes, Have said, “Go forth, Examiners, And pluck them like old boots.”
Messrs. Bailey, Sale, and Edwards are sent up for Examination, the terrors of which are described at length, but they manage to pass.
Out came they, as not deigning Those other men to see; Naught spake they to the Porter, Although he asked a fee; But mentally in Regent’s Park They saw the “House” appear; And they hailed a Hansom cabman Who happened to be near.
“Oh, Cabby! gentle Cabby! To whom the students pay, Three students’ lives, three students’ limbs, Take thou in charge this day.” So they spake, and, speaking, told The cabman where to ride, And with their books beneath their arms, Plunged recklessly inside.
And now they gain the entrance; Now on the steps they stand, And round them flock the students, To shake each by the hand; And now, with shouts and laughter, To the tune of the College Song, They enter into the Common Hall, Borne by the joyous throng,
They gave them of the buttered bread, That was of public right, As much as three big students Could eat from morn to night; They got the printed Class List, And set it up on high―― And it exists until this day To witness if I lie.
(Twenty-five verses omitted.)
JOHN D. PARLEY. 1872.
From Rambles in Rhymeland.
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ROUTH’S REVENGE. A Lay of the Tripos.
It was a future Wrangler, Smith, And gallantly he swore, “By blood and bones, by goose and groans, I’ll coach with Routh no more! I hate his problem papers, His quills I do detest; Revision too, and manuscripts With horror fill my breast. My mind is fixed, I’ll up at once And give him the straight tip.” And so he did; but Routh was out, So he gave it to his gyp; Then Routh he smole a horrid smile, And grinned a ghastly grin; “He wants to take it out of me, He’ll be himself took in, He’ll lose his place, alas, alas―― And I shall lose his ‘tin.’”
* * * * *
The Day is come, the list is read, And Routh is there to see―― The list is read which gives to all A high or low degree, Name after name, till Smith Came out a Junior Optime.
From Light Green. Cambridge, W. Metcalfe and Son, 1882.
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THE NEW NASEBY. By Obadiah Bind-the-Priests-in-Chains-and-the-Paddies-with-Links-of-Iron, Officer in the Unionist Regiment.
Oh! wherefore went you forth as in triumph to the North, With your speech at every station, which the Tories raging read? And wherefore did your rout send forth a joyous shout? And where be the gapers that your northward journey sped?
Oh, triumphant was your route, but bitter is its fruit, And mistaken was the line of your Manifesto odd, Where you railed against the throng of the wealthy and the strong, And swore the People’s voice was the very voice of God.
It was about the noon of a sunny day of June, That we saw their banners dance in Midlothian fair and fine; And the Grand Old man was there, with his scant and snowy hair, And Cowan, and Lord Rosebery, and Liberal hosts in line.
And the Chief by Scots adored raised his head and bared his sword, And harangued his motley legions to form them to the fight; And many a cheer and shout from their listening ranks brake out, As the aged Sophist glosed upon justice, love, and right.
And hark! like the roar of the surf upon the shore, The cry of battle rises along our loyal line! For Union! for the Cause! for the Church! for the Laws! For Salisbury the Splendid, and for Joseph the Divine!
(Nine verses omitted.)
Punch. July 24, 1886.
There was also a political parody in Punch, February 12, 1887, comparing Lord Randolph Churchill to Quintus Curtius, and another on May 26, 1888, entitled “A Ballad of a late occurrence” addressed to Lord Wolseley, and written in imitation of Macaulay’s The Armada.
――――
LANDBILLIA.
(Fragments of a Lay sung in the Via Celera the week after the great Battle between the proud Patrician Furius Cecilius Salburius, and the Tribune Billius Gladstonius, great Champion of the Commons, and framer of Agrarian Laws.)
Ye good men of the Commons, with sturdy souls and true, Who stood by brave Gladstonius, as he had stood by you, Come make a circle round me, and mark my tale with care, A tale of what the Plebs have dared, and yet again may dare.
* * * * *
Of all the Upper Ten whose brows the Strawberry Leaves have prest, Cecilius af the acrid tongue was proudest, haughtiest, He stalked about the Senate like King Tarquin in his pride, And most of the Patrician host were marshalled on his side. And the Plebs eyed askance with doubt, which well he hoped was fear, That swarthy brow, that curling mouth, that ever seemed to sneer. That brow of black, that mouth of scorn, looked signs of iron will, And none believed Cecilius wished the Commons aught but ill.
* * * * *
Up from the Commons briskly the fair Landbillia came, Offspring of great Gladstonius, that Plebs-loved son of fame. And up the Senate stairs she passed, and, as she danced along, Gladstonius warbled cheerily words of the good old song, “She will return, I know her well!” thus the fond Sire out-sang, And through the Senate’s portals his mellow accents rang.
* * * * *
So passed the fair Landbillia to those high halls above, Where proud Patricians bowed to her they something less than loved. So triumphed great Gladstonius, who rather grimly smiled, As sour Cecilius once more led forth his cherished child, Uninjured from the ordeal stern; but, smiling, dropt his blade, And those two doughty champions, so late for fight arrayed, Like Boxus and like Coxus, each on other’s shoulder fell, What time the Commons chuckled, and the Plebs cried, “All is well!”
* * * * *
Punch. August 27, 1881.
――――
HIBERNIA.
(Fragments of a Lay sung on the day when the Patriot Singer (and Lord Mayor) Sullivan was released from durance vile, to “The Harp that once in Tullamore the soul of music shed,” in strains af mingled patriotism and parody.)
Ye good men of the Commons, with loyal hearts and true, Who stand by us bold Irish, who now will stand by you, Come, light your weeds around me, and mark my tale with care, Of what poor Ireland oft hath borne, and yet may have to bear.
* * * * *
Of all the wicked Tories still the names are held accursed, And of all the wicked Tories black Balfour was the worst, He stalked about the Chamber like a Bunthorne in his pride, Or sprawled with lank and languid legs entangled or spread wide. The Irish eyed with anger, not all unmixed with fear, His lifted chin, his curling mouth that always seemed to sneer: That brow of brass, that mouth of scorn, mark all the species still, For never was there Tory yet but wished the Irish ill. Nor lacks he fit attendance; for ever at his heels That most notorious renegade, his Sub., King-Harman, steals, His written answer ready, be the question what it may, And the smile flickering on his cheek for aught his Chief may say.
* * * * *
“Now, by your children’s cradles, now, by your father’s graves, Be men to-day, ye Liberals, or be for ever slaves! For this did Cromwell give us laws? For this did Hampden bleed? For this was the great vengeance wrought, upon the Stuart’s seed? Shall a cat’s snarl alarm the race who braved the lion’s roar? Shall we, who beat great Beaconsfield, crouch to the bland Balfour? Oh, for that ancient spirit that curbed the nobles’ will! Oh, for the men of Thirty-two, who passed the famous Bill! In those brave days our Liberals stood firmly side by side, They faced the Tory fury, they tamed the Tory pride; Shall what their care bequeathed to us, our madness fling away? Is the ripe fruit of three-score years all blighted in a day? O crier, to the polling summon the eager throng! O tribunes, breathe the word of might that guards the weak from wrong! No, by the earth beneath us, and by the sky above, We will not yield to Balfour’s hate, Hibernia, whom we love. No, let the Maiden’s Home be free, its Rule be hers, with pride She who now loathes ye――as a slave――will love ye――as a bride. Spare her the inexpiable wrongs, the unutterable shame Of being shackled and coerced to suit your Party game: Lest, when her latest hope is fled, her friends are in despair. Ye learn by proof in some wild hour, how much the wretched dare!”
Punch. March 10, 1888.
――――
SONG OF DECEMBER.
The Saturnalia now prevail; The white and classic foam Soars high above the porter pots Of proud and ancient Rome: Upon the Capitol at night, There is the cry of “beer,” As the pot-boy, in his toga, Salutes the vulgar ear,
And from the seven hills of Rome There is a festive shout Of youths who ask each other, “If Their mothers know they’re out.” Then hail the Saturnalia, The toast, the ale, the flip, For many a nose, a Roman nose, In many a jug will dip.
――――
In The Book of Ballads edited by “Bon Gaultier,” there are six burlesque poems supposed to have been written by competitors for the post of Poet Laureate, when, owing to the death of Robert Southey, that office was vacant. These are in imitation of Macaulay, Tom Moore, Tennyson, Lytton, and Montgomery. The imitation of Macaulay is entitled The Laureate’s Tourney, it is by no means striking in its resemblance, whilst it is utterly destitute of humour, except for the introduction of one line of vulgar slang, in the midst of what would otherwise pass for a fairly mellifluous second-rate ballad. The comic element in nearly every ballad in that collection is obtained by the same trick in composition, which is laughable enough when it is novel and unexpected, but becomes tedious on frequent repetition.
――――
The numerous parodies of Lord Macaulay’s prose writings will be given in a volume of this collection to be especially devoted to prose parodies, and imitations.
THE DEVIL’S PROGRESS ON EARTH.
Friar Bacon walks again, And Doctor Faustus too; Proserpine and Pluto, And many a goblin crew. With that, a merry devil To make the airing vowed; Huggle Duggle, Ha! ha! ha! The Devil laughed aloud.
Why think you that he laughed? Forsooth he came from Court; And there amongst the gallants Had spied such pretty sport; There was such cunning juggling, And ladies gone so proud; Huggle Duggle, Ha! ha! ha! The Devil laughed aloud.
With that into the city Away the Devil went; To view the merchants’ dealings It was his full intent! And there along the brave Exchange He crept into the crowd, Huggle Duggle, Ha! ha! ha! The Devil laughed aloud.
He went into the city, To see all there was well, Their scales were false, their weights were light, Their conscience fit for Hell; And Pandars chose magistrates, And Puritans allowed. Huggle Duggle, Ha! ha! ha! The Devil laughed aloud.
With that unto the country Away the Devil goeth; For there is all plain dealing, For that the Devil knoweth. But the rich man reaps the gains For which the poor man ploughed. Huggle Duggle, Ha! ha! ha! The Devil laughed aloud.
With that the Devil in haste Took post away to Hell, And called his fellow furies, And told them all on earth was well: That falsehood there did flourish, Plain dealing was in a cloud. Huggle Duggle, Ha! ha! ha! The Devils laughed aloud.
ANONYMOUS.
This very odd, old poem doubtless gave the hint for the modern “Devil’s Walk,” of which several different versions exist, and the authorship of which has been variously ascribed to Professor Porson, to Robert Southey, and to Samuel Taylor Coleridge.
――――:o:――――
The generally accepted account of the origin of “The Devil’s Walk” is that one evening, at the house of the late Dr. Vincent, Professor Porson, being cut out at a whist table was about to take his leave. Mrs. Vincent pressed him to stay, saying: “I know you will not stay if you are doing nothing; but the rubber will soon be over, when you may go in, and, in the meantime, take a pen and ink at another table and write us some verses.” Dr. Vincent, in the midst of the game, seconded this request, and added, “I will give you a subject.”
“You shall suppose that the Devil is come up among us to see what we are doing, and you shall tell us what observations he makes.” Porson obeyed these injunctions, sat down to write, and carried on his composition till his cruel proscription from the cards was at an end. Sitting down to the new rubber he put the manuscript into his pocket.
At supper he was asked to read it, and, as he commonly resisted every application for copies of his productions of this kind, a lady, with her pencil, beneath the table, wrote down what he read. Afterwards, with suitable apologies, she told him what she had done, and intreated him to revise her writing. Porson complied with her request, and the following is printed from the copy corrected by himself.
As usual, under such circumstances, there are other M.S. copies with material variations. The lines are coloured by the party feelings of the author, and several of the topics introduced serve to mark the date of the composition.
THE DEVIL’S WALK.
From his brimstone-bed at break of day, The Devil’s a walking gone; To visit his snug little farm on the earth, And see how his stock there goes on; And over the hill, and over the dale, He rambled, and over the plain―― And backwards and forwards he switched his long tail, As a gentleman switches his cane.
And pray, now, how was the Devil drest? Oh, he was in his Sunday best; His coat it was red, and his breeches blue, With a hole behind, which his tail went through. He saw a lawyer killing a viper, On a dunghill by his own stable; And the Devil he smiled, for it put him in mind Of Cain and his brother Abel.
He saw an apothecary on a white horse, Ride by on his avocations. The Devil he smiled, for it put him in mind Of Death in the Revelations. He stept into a rich bookseller’s shop, Said he, “We are both of one college, For I myself sat, like a cormorant,[112] once, Hard by the tree of knowledge.”
He saw school-boys acting prayers at morn, And naughty plays at night. And “Oho, Mr. Dean!” he shouted, “I ween, My own good trade goes right.” He saw a cottage with a double coach-house, A cottage of gentility; And the devil did grin, for his darling sin, Is pride that apes humility,
Down the river did glide, with wind and tide, A pig with vast celerity; And the Devil grinned, for he saw all the while How it cut its own throat, and he thought with a smile Of England’s commercial prosperity. As he passed through Coldbath Fields, he saw A solitary cell; And the Devil he paused, for it gave him a hint For improving his prisons in hell.
He saw a turnkey in a trice Fetter a troublesome jade; “Nimbly,” quoth he, “do the fingers move, If a man be but used to his trade.” He saw the same turnkey unfetter a man, With but little expedition; Which put him in mind of the long debates On the slave trade abolition.
He saw a certain minister (A minister to his mind), Go up into a certain house, With a majority behind; The Devil quoted Genesis, Like a very learned clerk, How “Noah and all his creeping things Went up into the Ark.”
Sir Nicholas grinned and switched his tail With joy and admiration; For he thought of his daughter Victory, And his darling babe Taxation, He saw General Gascoigne’s burning face, Which put him in consternation: So he hied to his lake, for, by a slight mistake He thought ’twas a general conflagration.
A very similar version is included in the poetical works of S. T. Coleridge, with a note stating that several of the stanzas were written by Robert Southey. This version is dated September 1799, and it is stated that it was first printed in the Morning Post. Several slight verbal alterations occur in it, as well as the three following very inferior stanzas which do not occur in the version ascribed to Professor Porson:――
He saw an old acquaintance As he passed by a methodist meeting;―― She holds a consecrated key, And the Devil nods her a greeting. She turned up her nose, and said, “Avaunt! my name’s Religion,” And she looked to Mr. ―――― And leered like a love sick pigeon.
He took from the poor, And he gave to the rich, And he shook hands with a Scotchman, For he was not afraid of the itch.
In the edition of Southey’s works, collected by himself, Vol. III., the “Devil’s Walk,” is included, with a rather lengthy “Advertisement,” in which Southey states that, although the poem was the joint composition of Coleridge and himself, it had been claimed for Professor Porson. “Professor Porson,” he says, “never had any part in these verses as a writer, and it is for the first time that he now appears in them as the subject of two or three stanzas written some few years ago, when the fabricated story of his having composed them … was revived.” The stanzas in question are more explicit than complimentary to Porson, or to any other claimant of the authorship. This edition of the poem contains a somewhat detailed account of the manner in which Southey and Coleridge composed it between them――
“While the one was shaving Would he the song begin; And the other when he heard it at breakfast, In ready accord join in,” &c.
In 1830 an Edition of The Devil’s Walk, was published in London, with numerous illustrations by Robert Cruikshank with a memoir of Porson by H. W. Montagu, and long and somewhat superfluous foot notes.
Following close upon this were two inferior imitations, both illustrated by Robert Cruikshank, “The Devil’s Visit; a poem, with notes by a Barrister,” London, W. Kidd 1830, and “The Real Devil’s Walk, NOT by Professor Porson,” London W. Kidd, 1831.
“Of the ‘Devil’s Walk’ there’s been much talk, And folks seem mighty curious; Now this is the ‘Real Devil’s Walk,’ And all the rest are spurious.”
This poem consists of sixty stanzas, many of which are directed against leading politicians of the day, and generally it is out of date and uninteresting. Another long political imitation, entitled “Satan Reformer, by Montgomery the Third,” appeared in Blackwood for April 1832, this was in seven parts, and was a strong protest against the Reform Agitation, the great political question of the day. It is too long to quote in full, but the first part will give an idea of its tone, although not nearly so strong in its language as the others:
SATAN REFORMER. Part I.
Satan laugh’d loud, when he heard that peace Was sign’d by the Ruling Powers: He was sipping his coffee with Talleyrand, And he put down his cup, and he slapp’d his hand, And cried, Now then the field is ours!
He pack’d his portmanteau――for England, ho!―― Reach’d Calais――and sailing over Look’d back upon France; for he sympathized With a nation so thoroughly Satanized―― Till he landed him safe at Dover.
He had sported his tail and his horns in a land Of blasphemy, vice, and treason, The vast admiration of Monsieur Frog; But in England, quoth he, I must travel incog. At least till the “Age of Reason.”
So his tail he tuck’d into his pantaloons, With a Brutus, all stivering and hairy, He hid his pared horns, or rather the roots; And he look’d, with his hoofs in Wellington boots, Like a Minister’s Secretary.
As he travell’d to London, he star’d about, And it caused him some vexation To see matters looking so very well, But he went the first night to a noted Hell, And it gave him consolation.
The Whigs left their cards as a matter of course, For he’d letters of introduction; And a very learned Gentleman Devil was he, In Political Whig-Economy, And gave them the best instruction.
They feasted him often at Holland House; But he found so little to teach ’em, They were such adepts in the art of misrule, That he left them to lecture the Radical School, Lest the Whigs should overreach ’em.
For that, quoth Satan, yet must not be, And I hold it my chiefest glory, If I make Whig and Radical coalesce―― And thus bring affairs to a damnable mess―― Then adieu to the reign of Tory.
* * * * *
――――
THE DEVIL’S DRIVE; An Unfinished Rhapsody.
The Devil returned to hell by two, And he stay’d at home till five; When he dined on some homicides done in ragout, And a rebel or so in an Irish stew, And sausages made of a self-slain Jew―― And bethought himself what next to do, “And,” quoth he, “I’ll take a drive. I walk’d in the morning, I’ll ride to night; In darkness my children take most delight, And I’ll see how my favourites thrive.
“And what shall I ride in?” quoth Lucifer, then―― “If I followed my taste, indeed, I should mount in a waggon of wounded men, And smile to see them bleed. But these will be furnish’d again and again, And at present my purpose is speed; To see my manor as much as I may, And watch that no souls shall be poach’d away.
“I have a state-coach at Carlton House,[113] A chariot in Seymour Place; But they’re lent to two friends, who make me amends, By driving my favourite pace: And they handle their reins with such a grace. I have something for both at the end of their race,
“So now for the earth to take my chance:” Then up to the earth sprung he; And making a jump from Moscow to France, He stepped across the sea, And rested his hoof on a turnpike road, No very great way from a bishop’s abode.
But first as he flew, I forgot to say That he hover’d a moment upon his way, To look upon Leipsic plain; And so sweet to his eye was its sulphury glare, And so soft to his ear was the cry of despair, That he perched on a mountain of slain; And he gazed with delight from its growing height, Nor often on earth had he seen such a sight, Nor his work done half as well: For the field ran so red with the blood of the dead, That it blushed liked the waves of hell! Then loudly, and wildly, and long laugh’d he: “Methinks they have here little need of me!”
* * * * *
But the softest note that soothed his ear Was the sound of a widow sighing; And the sweetest sight was the icy tear, Which horror froze in the blue eye clear Of a maid by her lover lying―― As round her fell her long fair hair; And she looked to heaven with that frenzied air, Which seem’d to ask if a God were there! And, stretch’d by the wall of a ruined hut, With its hollow cheek, and eyes half shut, A child of famine dying: And the carnage begun, when resistance is done And the fall of the vainly flying.
But the Devil has reached our cliffs so white, And what did he there, I pray? If his eyes were good, he but saw by night What we see every day: But he made a tour, and kept a journal Of all the wondrous sights nocturnal, And he sold it in shares to the Men of the Row,[114] Who bid pretty well――but they cheated him though! The Devil first saw, as he thought, the Mail, Its coachman and his coat; So instead of a pistol he cock’d his tail, And seized him by the throat: “Aha!” quoth he, “what have we here? ’Tis a new barouche, and an ancient peer.”
So he sat him on his box again, And bade him have no fear, But be true to his club, and staunch to his rein, His brothel, and his beer; “Next to seeing a lord at the council board, I would rather see him here.”
* * * * *
The Devil gat next to Westminster, And he turn’d to “the room” of the Commons; But he heard as he purposed to enter in there, That “the Lords” had received a summons; And he thought as a “quondam aristocrat” He might peep at the peers, though to hear them were flat; And he walk’d up the house so like one of our own, That they say that he stood pretty near the throne.
He saw the Lord Liverpool[115] seemingly wise, The Lord Westmoreland certainly silly, And Johnny of Norfolk――a man of some size―― And Chatham, so like his friend Billy; And he saw the tears in Lord Eldon’s eyes, Because the Catholics would not rise, In spite of his prayers and his prophecies; And he heard, which set Satan himself a staring―― A certain Chief Justice say something like swearing. And the Devil was shock’d――and quoth he, “I must go, For I find we have much better manners below: If thus he harangues, when he passes my border, I shall hint to friend Moloch to call him to order.”
LORD BYRON.
――――
DEATH’S WALK.
Death rose from off his tombstone bed, With joy and agitation, For he had had Malthusian dreams Of an overcharged population.
And first he ’gan to don his clothes, His bony ribs to hide; Of a couple of palls he made his smalls, For his shanks they were somewhat wide.
For a kerchief around his neck he tied A winding sheet in a noose, And he slipt his feet in the coffins of twins, Which made him a pair of shoes.
From fifty coffins the cloth he tore, (The owners were dead as mutton) And a gay coat made――for on it he wore, A death plate for every button.
As to what he had to cover his skull I really cannot speak poz, But he made of his dart a walking stick, And went forth like a Plague as he was.
First he called on a brewer of high renown, And begged of him to taste his own swig, But scarce had he time to twig the hop Ere Death made him hop the twig.
He saw a parson, like many there are, Much fonder of taking than giving, So Death for once played the Bishop’s part, And deprived him of his living.
He made a lawyer (who was first in the law) And disclaimed all interference With the courts on earth――on those below, Soon enter his appearance.
He caught a thief with purse in hand―― The halter stopped his breath―― For, as if by the sudden tidings killed, The noose it was his death.
A bellows maker at his work Death saw, and seeing, grinned, And he who made the bellows blow, Right soon did slip the wind.
Unto a cobbler in his stall No better fate befell, Death quickly made him leave his awl, And bid his last farewell.
A gardener――one of old Adam’s trade―― Who rose before Aurora, Death saw and straight his power displayed By proving the florist’s Floorer.
But Death at last met with his match, An annuitant eighty and eight, Death knew that his life would be death to a score, (For nought kills like envy and hate), So, because he should thereby get victims galore, He bade the old gentleman wait.
ANONYMOUS.
From The Original, No. III. March 17, 1832. A weekly magazine, published by G. Cowie, Strand, London.
――――
THE PRINTER’S DEVIL’S WORK.
To Printing-house Square at close of day The young Printer’s Devil is bound To set up the Paper that circulates most, Or the paper that most turns round.
And over the leader, and over the news He skimm’d, and over the speeches; And the lines in the leader stood wide apart, Like W――――l’s waistcoat and breeches.
And pray what did the Devil do? Oh! he was expert at the art; At first just to keep his hand in play, In a “Horrible Murder” took part.
But the Devil he very soon finish’d the job, And came to a regular stand; When, for the want of some better employment In a “Robbery” he had a hand.
He set up a joke by W――――l; But, thinking it couldn’t be meant, The Devil smil’d, for he headed it “A Serious Accident.”
A speech of the Marquis of L――――’s came next But it was beyond endurance; So the Devil took pity and headed it “A Melancholy Occurence.”
But then the young Devil bethought himself, He might in an error fall; For a speech such as that, he clearly saw, Requir’d no head at all.
He then had a speech of H――――t’s to do, Where, mirabile dictu! a word or Two of his Latin Mr. H. recollected; And he called that a “Horrible Murder.”
A Joke, too, by C――――r, came into his hands, But it was too witty a brevity To be C――――r’s own; so he headed it “Extraordinary Longevity.”
However, he thought at a heading like that, Some persons might kick up a bobbery; And, as the joke was a decided Joe Miller, He called it a “Daring Robbery.”
He set up a leading article on The advantage ’twould be to the nation―― If Lord Grey would but make a new batch of peers, Which he called “Beauties of the Creation.”
A speech on Reform, too, by W――――l, he did So full of disjointed inelegance, And so far from the purpose, he headed it With the title of “Foreign Intelligence.”
The debate on Pluralities next he compos’d; But, finding the incomes so large And the duty so little, he headed it “Extraordinary Charge.”
An extract from Satan Montgomery’s poems Is the next thing the Devil commences; But he sees that it’s humbug, and, when it’s composed He puts it among the “Offences.”
A speech of St. P――――l was his next job; But it was too much for the elf. And he was unable to set up the speech, For he could’nt set up himself.
So into a corner the Devil sneaks, O’ercome by so prosy a sample, Composes himself, and leaves the Times To follow his example.
This originally appeared in The Comic Magazine, 1832. It was afterwards included in “Songs of the Press, and other Poems relating to Printing,” collected by C. H. Timperley. London. Fisher, Son & Co. 1845.
――――
THE DEVIL’S DREAM.
The Devil, one day, lay down to sleep, Though the fact improbable seem: (Mankind is so used to his whip and rein, He knew he could trust his team!) And straightway, having a quiet mind, The Devil began to dream.
And as dreams recall what best is known To men in their waking hours, The Devil, of course, could do no less Than dream of this world of ours, Where, though the Tomahawk is deceased, His potent effigy towers.
He first imagined himself in France; But his stay had been so long Therein, with the godly Emperor-King And the Communistic throng, That he flew hap-hazard over the seas, With an execration strong.
He lit him down on a chalky shore, That a mist perpetual cools; And he knew at once he was in the land That an absent Sovereign rules; For had he mistaken England’s fogs, He had recognized her fools!
And hereabout, he wandered at will, ’Mid sights that gladdened his heart; For his friends seemed many in every place,―― The church, the camp, and the mart; And the foes of himself and Ignorance, Were few and weary at heart,
He heard in his dream a curate preach The horrible sin of doubt, The duty of mental cecity, And of SOME-ONE always about; And the Devil smiled; for he knew such men Were certain to find that out.
He saw a person, who wrote burlesques, In the act of forcing puns, And thought he must be a man of weight; For he knew, though such things he shuns, That the heads of persons who write burlesques Weigh ever so many tons.
He dreamed of a Minister who told His electors all his mind, And he smiled in his dream, remembering That the blind conducting the blind Shall both be housed in the well-known ditch For all such unions designed.
He dreamed that he smelt a corpse-like smell, And flying, by instinct, o’er to it, Discovered a Small-Pox Hospital, And, in high good humour, swore to it,―― “If not the abode itself of Death, You certainly are next door to it!”
A knot of persons exceeding wise Were trying a sailor brave Who, sent to sea, in a rotten ship, His crew had contrived to save; And the devil bowed,――respecting the man Who had beaten both him, and the wave.
(Six verses omitted.)
The Hornet. November, 22, 1871.
――――
THE DEVIL’S POLITICS.
From his brimstone bed at break of day The devil a walking is gone, To visit his snug little farm, the earth, And see how his stock goes on.
At St. James’s Hall, like a prophet of good He commences humanity’s work―― “Unsheathe holy Russia, thy sanctified sword, Nor spare the ‘unspeakable Turk.’”
With a twist and a twirl, and a sulphurous smell, He departs with applause at his hoof; And glancing at Bennet’s, he winds up his tail, And to Constantinople spins off.
At Berlin he stops for a minute to breathe And to tell the good news to his cousin: “The doting ‘old woman’ to me you may leave, But, dear BIZ, you must rub up the Russian.”
He passed by Vienna, Count Andrassy saw him, And asked him to stop for a chat; But the Devil replied, “You may keep on see-sawing, I’ll call on you when I come back.”
Arriving in Turkey, but changing his dress, He repaired to the Russian Headquarters, And gave in his card――“_A gentleman of the press―― Instructed to write up Bulgarian slaughters_.”
ANONYMOUS.
January 1, 1878.
――――
Of the three following imitations only short extracts are given, with the dates on which they appeared, the complete poems can easily be obtained at Punch office, Fleet Street, London.
THE FORESTALLER’S WALK. (After Southey――and after a bad night.)
From his restless bed at break of day The Forestaller walking has gone, To visit the half-ruined farms for his mirth, And see how the crops get on.
And over the hills, and through the wet fields He walked, and over the plain, And outward or homeward he heard the long tale Of the ruin caused by the rain.
He saw a Widow with Orphans three Go up to a Baker’s door, But she had to leave the loaf untouched, For he wanted a penny more.
Just then the Sun’s bright turning face, He saw with consternation, And home pell-mell his way did take; For the Forestaller thought ’twas a great mistake, And it filled him with indignation!
Punch. September 10, 1881.
――――
THE DEVIL’S WALK.
From his sulphurous realm as the sun goes down The Devil is walking once more, To visit his favourite vineyard, the Town That stretches by Thames’s shore.
Over the bridges and through the Parks He strolls, and along the streets, A presence that fails to elicit remarks From the hurrying hundreds he meets.
There is nought to suggest that he comes as a guest From regions torrid and drouthy, He has altered his ways since the simpler days Of Coleridge and Southey.
A jacket of red and breeches of blue He knows would be far too striking, And as for a tail!――even Darwin’s crew Would hold that in sore misliking.
He sees a spectral scare-crow thing Slink into a slum-fouled alley, And he mutters, “With cowl and with scythe and wing, He might lord it in Death’s own Valley.”
He sees a roof-rotten, muck-sodden den, To the gutter ready to tumble. Says he, “Well, if this be the dwelling of men, We haven’t much reason to grumble.”
Then steps he into a “tenement-house,” Through a dark but doorless entry. “Little need,” chuckles he, “for a lock or a key Whilst my brace of friends stand sentry.”
He climbs a rotten and rickety stair, Foul filth its cracked walls smearing. “Why, chaos,” says he, “had a pleasanter air, And needed less careful steering.”
He sees commingling of Labour and Vice In joint contamination. Quoth he, “This, indeed, were a spectacle nice For Belial’s contemplation.”
Sees Childhood, broken with ill-paid toil, ’Midst sin’s contagious venom. Says he, “For friend Moloch’s favourite spoil, This beats the Valley of Hinnom.”
Then he sees a House-jobber grubbing for gold Amidst festering Vice and Poverty cold, And says he, “I’ve one henchman more trusty and bold Than the ogre worshipped in Ammon: Beelzebub’s doughty, and Astaroth’s good, As snarers of souls with a crown or a snood, But the first, most ubiquitous, best of my brood, Is my ruthless, respectable Mammon!”
So Satan, seeing that all went right In his big branch-Hades by day and night To his personal pleasure and profit, Back to headquarters swift wended his way. “I shall sicken,” said he, “if much longer I stay: For though sulphur’s not pleasant, I really must say ‘Mammon’s Rents’ are more choky than Tophet.”
Punch. November 17, 1883.
――――
THE DEVIL’S LATEST WALK.
From his villa in town at the dawn of day, A-walking the Devil is gone, To visit his snug little urban estates, And see how his game goes on.
Over the city, the suburb, the slum, He rambled from pillar to post, And backward and forward, observant, though dumb, As a fleetly noctivagant ghost.
He peeped in the Houses of Parliament, And found but a factious Babel. To a smile he was moved, for he thought, “They’ve improved On the story of Cain and Abel.”
He saw Law trying a Viper for slander, And searching a muck-heap for truth; And he held his nose, and he said, “I suppose That poison and filth in a duplicate dose Have medicinal virtues for Youth.”
He went into a Bookseller’s shop Hard by to a learned College; And there, peeping over the shoulder of Youth, He saw how new Pilates played ninepins with Truth; How neo-Greek noodles, in poem and fiction, Draped dirtiest thoughts in the daintiest diction; How Art uninspired sought some stimulant fresh In charnel conceits, and the lusts of the flesh. Cried he, “This is culture! The gauntest vulture On garbage will fatten, allowed to batten On the fruit of this tree of knowledge.”
He saw huge Stores that small shopkeepers smashed, To whose portals cash-paying patricians up dashed; Big Companies, that piled lucre――and crashed; And the eyes of the Devil they sparkled and flashed, And he capered with great agility. Said he, “Big Monopoly’s now all the go; Mankind is enamoured of size and of show, Modest industry’s stupid, small enterprise slow, No room now for trade’s little fishes, oh! no. To succeed you must be a big whale who can ‘blow.’ I shall re-arrange all my affairs down below, And convert them into a Joint-Stock Co., With ‘Limited Liability.’”
Punch. June 18, 1887.
――――
THE DEVIL’S EXCURSION TO LONDON.
Old Nick had just finished his London reports, Which gave him so much satisfaction, That he tucked up his tail, took the Underground rail, Bought a “Saturday Sneer” and a “Dublin Mail,” And went off to the scene of action.
As he passed the palatial mansions and clubs, He nodded to many a friend; And he feasted his eyes on the fetid styes, And his ears on the brutal oaths and cries, Where the poor were packed and penned.
And it made his sable majesty grin, For it needed no prophet to tell That the seeds thus sown of sorrow and sin, Harrowed by filthiness, watered by gin, Would provide a rich harvest for hell.
He saw civic Dives, and some of his brood, At a sybarite feast in the City; And he thought of the thousands pining for food, And the Devil himself was almost in the mood To feel a sensation of pity.
He called at the Mansion House, saw the Lord Mayor, “Permit me to wish you good day, sir. The City and I have been excellent friends, But if all comes about that our Ritchie intends, The last of Lord Mayors is Decay-sir.”
To the Houses of Parliament next he went, But to stay he was quite unable, For the jabber and jaw made him feel so queer, That he swore to his friend Hughes-Hallett, “Oh dear, It is worse than the Tower of Babel!”
But as Balfour was near, he said, “Arthur, my dear, Never care for J. M. or Trevelyan. Your uncle’s bold policy just pleases me, So stick to coercion, and soon we may see Pat goaded right into rebellion.”
At midnight he wandered around the West-end, And remarked, with a dash of profanity, “It’s a terrible, dissolute, profligate sink; It makes me laugh, and I wink as I think Of British Christianity.”
But the London Sunday tickled him most, And he stroked his tail with glee; “Shut up all innocent recreation, And open your gin-shops, Pecksniffian nation―― And so pay homage to ME.
Looking in at a meeting of Brewers and Bungs, He said, amidst deafening cheers, Such allies deserve my best consideration, And if you’re disturbed without full compensation, Come for it to ME, my dears.
Some Jingoes were busy creating a scare. And he murmured, with jubilation, “All Europe is stuffed with combustible matter, And a single live spark from this truculent chatter Would cause a vast conflagration.”
The very idea of another great war Amongst Europe’s countless legions Made him chuckle, and dance, and yell; And he sent a sixpenny wire to hell, “Enlarge the infernal regions.”
He heard some sailors, in Ratcliff Highway, “Rule Britannia” bawling; And his tail with pleasure began to wag, For he loved this bit of blasphemous brag, And joined in the caterwauling.
He called at the School Board, and gave the big D. A nice little bit of soft solder. It gave him, he said, a most pleasant sensation To see how they tinkered at education, (D. sternly called him to order.)
Just as he was thinking where next he should go, For Diggle had caused him a flurry, Who should he see but his Grace the Primate So “to oblige Benson,” and cursing the climate, He went back to Hell in a hurry.
WILLIAM PHILLIPS.
――――:o:――――
“THERE IS A LYING SPIRIT ABROAD.”
The spirit of lying and lawless might Flew out of the Czar’s dominions, He neither swerved to the left nor right But tore the air in his headlong flight With the stroke of his blood-sprent pinions, For far away in that woeful land They toasted Warren and Balfour’s band, And he hurried to offer a helping hand To autocratic opinions.
He flew right over Trafalgar Square And looked at the crowded street, And said to himself with joyful stare, I hardly seem to be needed here! Ah, that was a gallant feat; Up with the bobbies and down with the Reds, Break their banners and smash their heads, Men and women and boys and maids, And trample ’em under your feet!”
His beak was dashed with a blood-red stain, And his heart was all aglow, As he hurried to Hatfield House amain And tapped, tapped, tapped at the window-pane, Like the Raven of Edgar Poe; Till a churl with a full black-bearded chin, Opened the window and spake “Come in, And welcome, welcome, thou spirit of sin And herald of human woe!”
Not long he tarried, but flew from there Over the Irish seas, To where young Arthur so debonair Was playing a Tory election air On Tullamore prison keys; With philosophical doubtful pose, Eyeing a bundle of stolen clothes, And chanting merrily through his nose, “My uncle deals in these.”
The spirit of lying and lawless might Is a master of trimming and tacking, He sits on the Treasury bench all night, And teaches the Tories to scorn all right And send the Truth a-packing; He favors “my uncle” with Irish news, He is hand and glove with “my nephew’s” views. And polishes Mr. Matthews’ shoes With Warren’s infallible blacking.
He will flourish a pen for the London Times, And prove to his own content―― With the faultless logic of pantomimes―― That lawful actions are legal crimes And landlords are heaven-sent, Till a wrathful people takes its stand Shoulder to shoulder and hand to hand, And drives him back to his native land, With his ugly pinions rent.
ERNEST A. BEARD.
The Star. February 14, 1888.
WINTHROP MACKWORTH PRAED.
BORN JULY 26, 1802. DIED JULY 15, 1839.
THE CHAUNT OF THE BRAZEN HEAD.
I think, whatever mortals crave, With impotent endeavour,―― A wreath, a rank, a throne, a grave,―― The world goes round for ever: I think that life is not too long; And therefore I determine, That many people read a song Who will not read a sermon.
I think the studies of the wise, The hero’s noisy quarrel, The majesty of woman’s eyes, The poet’s cherished laurel, And all that makes us lean or fat, And all that charms or troubles,―― This bubble is more bright than that, But still they all are bubbles.
I think that friars and their hoods, Their doctrines and their maggots, Have lighted up too many feuds, And far too many faggots: I think, while zealots fast and frown, And fight for two or seven, That there are fifty roads to town, And rather more to Heaven.
I think that very few have sighed When fate at last has found them, Though bitter foes were by their side, And barren moss around them: I think that some have died of drought, And some have died of drinking, I think that nought is worth a thought, And I’m a fool for thinking!
(The complete poem consists of thirteen verses.)
W. M. PRAED.
――――
THE CHAUNT OF THE POLITICAL BRAZEN HEAD. (Mr. Gladstones version.)
I think, that power the Tories crave, With impotent endeavour, Though Stafford is serene and suave, And Randolph rude and clever. I think my thoughts upon the throng Fall sweet as dews on Hermon: And that I’ll, set them to a song, Though apter at a sermon.
I think that some are men of parts, Whilst some are vulgar fractions, That some are good at Liberals arts. And some at liberal actions; I think that Harcourt――with a bit―― Is not so bad a neighbour, Though one who at, and with his wit, Will labour, and belabour.
I think that Hartington is wise, And Bright austerely moral; Fawcett sees more than some with eyes, And Forster’s sage, though sorrel; That Granville has a feline pat, Which much his foemen troubles, So soft they scarce know what he’s at Until it pricks their bubbles.
* * * * *
I think that Leadership’s a play, Now Entrance and now Exit, When fortune smiles upon it, gay, And sad when failures vex it, Like vessels in a seaway rough, To pitches prone and tosses; With little peace, pain quantum suff.―― A game of noughts and crosses.
I think the world, though hard it be, Affords one constant pleasure,―― The felling of the forest tree When one has health and leisure, One volume――Homer――all delight, One comrade――a ripe scholar, One choice――when one can’t talk, to write, One ease――a loose shirt――collar.
I think all aged Chiefs have sighed, When years at last have found them: New friends――though loyal――at their side, New foes――though little――round them, I think that those who long have fought Grow weary, though unshrinking; I think――that now you know my thought, And that I’m tired of thinking.
(Four verses omitted.)
* * * * *
Punch. December 2, 1882.
――――:o:――――
PLUS DE POLITIQUE.
No politics!――I cannot bear To tell our ancient fame; No politics!――I do not dare To paint our present shame! What we have been, what we must be, Let other minstrels say; It is too dark a theme for me: No politics to-day!
* * * * *
W. M. PRAED, 1832.
A LYRIC FROM HIGHBURY. By Joseph Chamberlain.
No politics!――I cannot bear To tell our ancient fame; No politics!――I do not dare To paint our present shame. What we have been, what we must be, Let other minstrels say; It is too dark a theme for me―― No politics to-day!
I loved to bind the Caucus chain, I loved to drive the screw, But now they’re binding might and main And screwing me and you. I cried, “Three acres and a cow,” The cursed yokels say; They’ve got a sort of conscience now―― No politics to-day!
I used to think my happy home Was free from ransom’s law, Though manor-house and church’s dome Were caught in Demos’ maw; I paid no borough rates――but you And I must run away; We cannot tell what Morley’ll do―― No politics to-day!
It seems I’ve missed the proper tack, That justice holds the field; That an orating platform quack Is bound in time to yield. That men are not of pocket made, As Schnadhorst used to say; That politics is not a trade―― No politics to-day!
Let’s talk of Spurgeon and of Dale, Of Connie Gilchrist’s eyes, Say, why did “Jim the Penman” fail, Despite his brass and lies? Let’s take to racing, try to win A competence, at play; Let’s take to fiddles, rattles, gin―― No politics to-day!
Pall Mall Gazette. May 28, 1886.
――――:o:――――
A LETTER OF ADVICE.
(From Miss Medora Trevillian, at Padua, to Miss Araminta Vavasour, in London.)
You tell me you’re promised a lover, My own Araminta, next week; Why cannot my fancy discover The hue of his coat and his cheek? Alas! if he look like another, A vicar, a banker, a beau, Be deaf to your father and mother, My own Araminta, say “No”
* * * * *
W. M. PRAED.
A LETTER OF ADVICE. (On a pending Election at the Athenæum Club.)
You tell me that What-you-maccollum Is up for election this week, And reasons, convincing and solemn, For voting against him you seek. Though Pollock propose, Arnold second, And a duke and a marquis or so Support him, they need not be reckoned; My own Athenæum say “No.”
Though Browning and Bright try to kindle Your zeal, and their notions instil―― Though Trevelyan, and Millais, and Tyndall Should tempt you to keep back your “pill;” If you think he would frown our cigars on, Or to sixpenny whist prove a foe, If he’s only a Gladstonite parson, My own Athenæum, say “No.”
If you don’t, he will cut some new caper―― P’raps accuse the committee of crimes; He will ruin the club in note-paper. And use it to write to the Times. So give him the cleanest of clean “sacks,” Let him wander to far Jericho; To an anthropomorphist of bean sacks My own Athenæum, say “No.”
The Globe. February 25, 1858.
――――:o:――――
I REMEMBER, I REMEMBER. (Music by Mrs. Edward Fitzgerald.)
(This poem must not be confounded with the one by Thomas Hood, having the same title, parodies of which are contained in Volume I. of this Collection.)
I remember, I remember How my childhood fleeted by,―― The mirth of its December, And the warmth of its July; On my brow, love, on my brow, love, There are no signs of care; But my pleasures are not now, love, What childhood’s pleasures were.
Then the bowers――then the bowers Were blythe as blythe could be; And all their radiant flowers Were coronals for me: Gems to-night, love――gems to-night, love, Are gleaming in my hair; But they are not half so bright, love, As childhood’s roses were.
I was singing――I was singing―― And my songs were idle words; But from my heart was springing Wild music like a bird’s: Now I sing, love,――now I sing, love, A fine Italian air; But it’s not so glad a thing, love, As childhood’s ballads were.
I was merry――I was merry When my little lovers came, With a lily, or a cherry, Or a new invented game; Now I’ve you, love, now I’ve you, love, To kneel before me there; But you know you’re not so true, love, As childhood’s lovers were!
W. M. PRAED.
June, 1833.
――――
THE NELSON COLUMN DRAMA.
The earliest announcements of the late Covent Garden management was a piece entitled “Trafalgar Square, or the Nelson Monument.” We have obtained the following slight information respecting it. The drama is described as “a grand architectural and historical burletta,” in two acts; and the prologue was to have been spoken by Mr. Widdicomb, as Time. The two acts comprise the commencement and completion, and a lapse of twenty years is supposed to take place between them, in which time “the boy,” who is the principal character, becomes a middle-aged man.
The following duet is introduced by the boy and the man in the second act:――
Boy.
I remember, I remember, When I was a little boy, On the column in November I was given some employ.
I help’d the man to build it, And we laboured hard and long But the granite came up slowly For we were not very strong.
I remember, I remember, How we raised its form on high, With one block in December And another in July.
Both.
We remember, we remember, When St Martin’s bells were rung In the laying of the first stone, for We both were very young.
But weary years have past, now, Since we our work begun; We fear we shall not last, now, To see our labour done.
We remember, we remember, But we heard it on the sly, ’Twon’t be finish’d next November Nor the subsequent July.
Punch. November 25, 1843.
The Nelson Column in Trafalgar Square was long unfinished, and it was not till January, 1867, that the four lions, designed by Sir Edwin Landseer, were placed in position, thus completing the monument.
――――
THE FARMER’S CORN LAW SONG.
I remember――I remember――when the price was very high, I’d my hunters for December, and my racers for July; On my brow, PEEL, on my brow, PEEL. There are sad signs of care; For the prices are not now, PEEL, What once the prices were.
I was merry――I was merry――when the ’lectioneerers came; And the Squire, he said the prices would always be the same! Now I’ve no one, now I’ve no one, To say a word of cheer. For the Squire and ’lectioneerers They never come anear.
Punch. 1846.
――――
ABOUT THE WEATHER. (A Fragment.)
I remember, I remember, Ere my childhood flitted by, It was cold then in December, And was warmer in July. In the winter there were freezings―― In the summer there were thaws; But the weather isn’t now at all Like what it used to was!
The Man in the Moon. Vol. V.
――――
THE BANKRUPT TO THE COMMISSIONER.
I remember, I remember How my tin once used to fly―― How at th’end of each December Bills in bushels met my eye.
On my back, Sir, on my back, Sir, Though my coat is not threadbare―― Yet those spicy things I lack, Sir, Which of yore I used to wear.
(Two verses omitted.)
The Puppet Show. July 1, 1848.
――――
MISTLETOE ANTICIPATIONS. (By a young gentleman “who knows what’s good.”)
I remember, I remember, We the mistletoe hung high On a cold night in December, When the Christmas Eve drew nigh; I remember, from the ceiling How its gleaming berries shone On the pretty girls there squealing, As I kiss’d them ev’ry one! I remember, I remember, How the mistletoe hung high On that cold night in December; And the tale that hangs thereby.
Then the dancing, then the dancing, And the waving hair all tress’d; And the bright eyes brighter glancing When the little waist was press’d; And the flirting, and the flirting, Oh! how well I can recall! And the lips their charms asserting, For I think I kissed them all!! I remember, I remember, Each pretty girl and kiss; And I judge from that December, Of the fun I shall have this.
I was merry, I was merry, When my pretty cousins came; For their lips were tempting, (very!) So I kiss’d them all the same! Girls that night, sir, girls that night, sir, As frolicsome as fair, Ran about in wild delight, sir, When the mistletoe was there. I remember, I remember, How they feign’d to hate a kiss; But they kiss’d in that December, And――I think they’ll do so this!
CUTHBERT BEDE.
This imitation first appeared in The Month, December 1851, a small humorous magazine edited by Albert Smith, and illustrated by John Leech, which is now exceedingly scarce. The poem was afterwards included in “Motley, Prose and Verse,” by Cuthbert Bede B.A., London, James Blackwood, 1855. Many parodies which appeared over the same well known nom-de-plume between thirty and forty years ago have been, and still remain to be, quoted in this collection. The creator of Mr. Verdant Green, still wields a prolific pen, but on more serious topics than of old, as witness his numerous contributions to “Notes and Queries” on Folk Lore, and his recent history of “Fotheringhay and Mary, Queen of Scots” published by Simpkin, Marshall & Co., London.
――――:o:――――
GOOD NIGHT TO THE SEASON.
“So runs the world away.”――Hamlet.
Good-night to the Season! ’Tis over! Gay dwellings no longer are gay; The courtier, the gambler, the lover, Are scattered like swallows away; There’s nobody left to invite one Except my good uncle and spouse; My mistress is bathing at Brighton, My patron is sailing at Cowes: For want of a better employment, Till Ponto and Don can get out, I’ll cultivate rural enjoyment, An angle immensely for trout.
Good-night to the Season!――the obbies, Their changes, and rumours of change, Which startled the rustic Sir Bobbies, And made all the Bishops look strange; The breaches, and battles, and blunders, Performed by the Commons and Peers; The Marquis’s eloquent thunders; The Baronet’s eloquent cheers; Denouncings of Papists and treasons, Of foreign dominion and oats; Misrepresentations of reasons, And misunderstandings of notes.
Good-night to the Season!――the buildings Enough to make Inigo sick; The paintings, and plasterings, and gildings Of stucco, and marble, and brick; The orders deliciously blended, From love of effect, into one; The club-houses only intended, The palaces only begun; The hell, where the fiend in his glory Sits staring at putty and stones, And scrambles from story to story, To rattle at midnight his bones.
Good-night to the Season!――the dances, The fillings of hot little rooms, The glancings of rapturous glances, The fancyings of fancy costumes; The pleasures which fashion makes duties, The praisings of fiddles and flutes, The luxury of looking at Beauties, The tedium of talking to mutes; The female diplomatists, planners Of matches for Laura and Jane; The ice of her Ladyship’s manners, The ice of his Lordship’s champagne.
Good-night to the Season!――the rages Led off by the chiefs of the throng, The Lady Matilda’s new pages, The Lady Eliza’s new song; Miss Fennel’s macaw, which at Boodle’s Was held to have something to say; Mrs Splenetic’s musical poodles, Which bark “Batti Batti” all day; The pony Sir Araby sported, As hot and as black as a coal, And the Lion his mother imported, In bearskins and grease, from the Pole.
Good-night to the Season!――the Toso, So very majestic and tall; Miss Ayton, whose singing was so-so, And Pasta, divinest of all; The labour in vain of the ballet, So sadly deficient in stars; The foreigners thronging the Alley, Exhaling the breath of cigars; The loge where some heiress (how killing!) Environed with exquisites sits, The lovely one out of her drilling, The silly ones out of their wits.
Good-night to the Season!――the splendour That beamed in the Spanish Bazaar; Where I purchased――my heart was so tender―― A card-case, a pasteboard guitar, A bottle of perfume, a girdle, A lithographed Riego, full grown, Whom bigotry drew on a hurdle That artists might draw him on stone; A small panorama of Seville, A trap for demolishing flies, A caricature of the Devil, And a look from Miss Sheridan’s eyes.
Good-night to the Season!――the flowers Of the grand horticultural fête, When boudoirs were quitted for bowers, And the fashion was――not to be late; When all who had money and leisure Grew rural o’er ices and wines, All pleasantly toiling for pleasure, All hungrily pining for pines, And making of beautiful speeches, And marring of beautiful shows, And feeding on delicate peaches, And treading on delicate toes.
Good-night to the Season!――Another Will come, with its trifles and toys, And hurry away, like its brother, In sunshine, and odour, and noise. Will it come with a rose or a briar? Will it come with a blessing or curse? Will its bonnets be lower or higher? Will its morals be better or worse? Will it find me grown thinner or fatter, Or fonder of wrong or of right, Or married――or buried?――no matter: Good night to the Season――good night!
WINTHROP MACKWORTH PRAED.
――――
GOOD-BYE TO THE COMMONS.
Good-bye to the Commons! Their places, Rude strangers will seek to obtain, And many familiar faces We never may look on again! Good-bye to their hasty expressions, Their wrangles, contentions, and fights, Their absolute waste of the sessions, Their “personal” wrongs, and their rights. The battle they’re off to prepare for, And some who away from us fly Will never return to us――therefore, Good-bye to the Commons, good-bye!
Good-bye to the Commons! To speeches Without either reason or rhyme; To Irish Home Rulers; to breaches Of privilege, wasting our time; Good-bye to each wordy oration; To Blue Books consigned to the shelves; To small men who speak for “the nation,” To great men who speak for themselves; To voices once strong, now grown weaker, To orators little and big―― To that excellent person, the Speaker, His chair, and his gown, and his wig.
Good-bye to the Commons! To lobbies Now empty, and silent, and still; Good-bye to their various hobbies, To motion, and question, and bill; Their “Ayes” and their “Noes” and their prattle, Their sittings so early and late―― For the trumpet has called them to battle, And none can be sure of their fate. We breathe just one sigh as they scatter, Yet, somehow, we cannot deny They’ve bored us immensely――no matter; Good-bye to the Commons, Good-bye!
Funny Folks. March 27, 1880.
――――
VALE.
Good-bye to the Season, its crosses, Its care, and caress, its cabal,―― Let us drown both its gain and its losses In Styx, or the Suez Canal! Though pleasure be near, or too far be, We’ve kept it up early and late, From the dust and the din of the Derby To the Fair at the Kensington Fête. Let the desperate dog, or the dreamer Dividing his lips with a weed, Recross the sick streak in a steamer, A travelling tourist――in tweed!
(Two verses omitted.)
Good-bye to the Season! but listen, Old Time keeps reversing his sand, Fresh tears in loved eyelids will glisten, And hand will keep searching for hand. We shall come from the sea and the heather, Refreshed and with faces burned brown, To face life with courage together, Or find care in charge of the town. Though the past to the loved one and lover Be sorrow, success, or a spell, It has passed like a dream and is over, Good-bye to the Season! Farewell!
Punch. July 28, 1883.
――――
GOOD-BYE TO THE SEASON.
Good-bye to the season! ’Tis ended! My friends are all flitting away, And I murmured, as homeward I wended From Goodwood, that last weary day, Will no one invite me, I wonder, To join them in shooting their moor, Or shall I be left here to ponder, While my chances get fewer and fewer? Lord H. has gone sailing at Cowes, And Carrie is bathing at Brighton, And Charlie’s gone North with his spouse, Ah! Who is there left to invite one?
Good-bye to the season! The Houses Are leaving their Bills in the lurch, And Gladstone with Northcote carouses, While Bradlaugh looks after the Church, And Warton has blocked his last measure, And Worms has forgotten the Russian, And Granville chuckles with pleasure, And dreams of his ally the Prussian; And Cairns in the Strand’s sweet seclusion Is blessing Garmoyle and dear “Forty”; And coals and commandments in fusion Are joined for a sign to the haughty.
(Two verses omitted.)
Good-bye to the season! We care not What the next may relinquish or bring, If low dresses we wear or we wear not, When green are the trees in the spring. If tight laces and vile crinolettes, Disfigure the forms of our girls, Turn they Yankee or smoke cigarettes, Or iron their hair into curls. If the season is heavy or fast is, If the beauties are many or few; We don’t care if this season our last is, (For our sweetheart is married) do you?
Life. August 23, 1883.
――――
GOOD-BYE TO THE SEASON.
Good-bye to the season! ’Tis over, And London no longer is gay. To Perth, to Penzance, and to Dover (For Paris) all hurry away. There’s scarce a soul left in this hot land, For all the world now, and his spouse, If not making tracks up to Scotland, Pretend to be yachting at Cowes. Whilst mothers whose ill-fated daughters Strove vainly for husbands in town, Are seeking, in Cheltenham waters, Their grim disappointment to drown.
Good-bye to the Season――but truly, To all its chief items go through Would lengthen our rhymes so unduly, We dare not the subject pursue; Nor dwell on those purse-proud pretenders, Who, ever so ill at their ease, Give dinners, whose shoddyish splendours Are far too oppressive to please, And who, wheresoever we find them―― And they’re omnipresent, alack!―― Are given to leaving behind them Of “h’s” a well-defined track.
Nor speak of the year’s recreations, Its billiards, its cricket galore; With breaks and with scores――such sensations As London ne’er looked on before! Nor talk of the lamp-lit “Inventions,” Whose management, showing small nous, A sum of enormous dimensions Paid over to little Herr Strauss; Nor even allude to those scandals, The which, it would certainly seem, That people with nominal handles Their personal property deem.
Yes, these are the signs of the season, And these are the lessons we’d teach, As, mingling with rhyming our reason, We try to a homily preach. And out of the season’s excesses―― Its fads, and its follies, and toys―― Pick out what our mind most impresses Amidst all its notions and noise; And once more our moral commending To those who its truths should apply, Cry again, as our rhymes we are ending, “Good bye to the Season! Good bye!”
(Six verses omitted.)
__Truth._ August 6, 1885.
――――
FAREWELL TO THE SEASON.
Farewell to the Season! Not often We take it so early as June; But CHAMBERLAIN nothing could soften, The Parties were all out of tune. And so dissolution confronts us, Ere roses are fairly in bloom, And GLADSTONE from Westminster hunts us To challenge our fate, and his doom.
Farewell to the Season! ’Twas scurvy Of WILLIAM to play us this trick, Sets everything all topsy-turvy, And banishes trade to Old Nick, The Shopkeeper sighs with vexation, The Milliner moans in despair; In the West there is wild tribulation; Teeth grinding and tearing of hair.
Farewell to the Season! The hunter Of husbands is baulked of her game. There is grief in the bosom of GUNTER, All Regent-Street’s soul is a-flame. The Row is a wilderness utter, The Livery Stables look sad, The Cab-drivers mournfully mutter, And Materfamilias goes mad.
Farewell to the Season! How dingy A pall seems this close premature. The shirkers, the stumped, and the stingy May welcome the change to be sure; But votaries of Commerce and Cupid, Young seekers of fortune or fame, All hold it confoundedly stupid, And vote it a thundering shame!
Punch. July 3, 1886.
In the summer of 1887 the Puzzle Editor of Truth offered a prize of two guineas for the best parody of Praed’s poem, and on August 25, and September 8, 1887, he published a dozen of the parodies sent in for the competition. The prize was awarded to the following, written by Mr. G. M. H. Playfair, which is the only one worthy of reproduction:――
So the Jubilee’s over. Thank goodness! I scarce fancy, from all that I hear, We could stand (be it said without rudeness) Such a function as that every year. It was gorgeous, the drive to the Abbey, And was fairly well managed, we know, Since not even the critical Labby Could deny ’twas a mighty fine show. Such a crowd! Never saw I a larger, And what cheering. Of that was no lack, When they saw gallant Fritz on his charger, And the Marquis of Lorne on his back.
Never was such a Royal ovation Since the history of England began: We had Princes of every nation, We had Daimios straight from Japan. There was soreness, of course, and dissension Haughty Holkar was sparing of smiles, Feeling hurt he should get less attention Than the Queen of the Cannibal Isles. Apsley House flew historical banners, Mr. Smith spent a fortune in gas, V.R.I. praised her people’s good manners, And a bobby arrested Miss Cass.
Now the Jubilee season is over: There are met at Victoria no end Of Serenities hasting to Dover, Of Transparencies bound for Ostend While the Queen, with a thankful expression, Packs her bag and portmanteau for Cowes; Albert E. leaves the cook in possession As he migrates from Marlborough House. The beau monde copies Royalty’s caper, And (excepting mere tradesmen and boors) Every soul shrouds his window in paper, And is off to the seaside or moors.
So the Park is deserted. The keeper Stalks alone where pricked rider and groom, All unswept is the crossing, the sweeper Standing idly at ease with his broom. Where but now rolled the Marquis’s carriage The rare hansom crawls, hopeless of fare, And there is not one notice of marriage On the books of St. George of the Square. All the noise and the glitter are banished That came in with the Jubilee year; Passed away into Ewigkeit――vanished With Hans Breitmann’s proverbial beer.
AWFUL WARRIOR.
――――:o:――――
TO A JILT. (An imitation of Praed.)
When rural boroughs are not bought, Or lovely maidens sold; When self is reckoned less than nought, Or honour more than gold; When money does not make the man, Or gooseberries champagne; When Poet Close’s verses scan,―― I may be yours again!
When Tussaud’s wax-works learn to think Or Tories to be wise; When local rates begin to sink; Or Spanish scrip to rise; When German princes live at home, Or swells in Drury-lane; When Dr. Cumming goes to Rome,―― I may be yours again!
When knaves and ranters cease to preach, Or evening prints to lie; When tyros do not try to teach, Or silly girls to dye; When Osborne quite forgets to jest, Or Ireland to complain; When taxes are no more assess’d―― I may be yours again!
When law and justice both unite, Or Swan and Edgar part; When London gas gives better light, Or Ayrton takes to art; When Leicester-square begins to smile, Or “Bradshaw” to be plain; When smart reviewers don’t revile,―― I may be yours again!
When Lord Penzance shall sit no more, Or gaols no longer stand; When want is banished from our shore, Or love is in the land; When earth is rid of every woe, Or fools are blest with brain―― Why then, my faithless charmer, know I may be yours again!
ANONYMOUS.
――――:o:――――
A PARODY.
On seeing the Speaker asleep in his chair, during one of the Debates of the first Reformed Parliament.
Sleep, Mr. Speaker, ’tis surely fair, If you mayn’t in your bed that you should in your chair; Louder and longer now they grow, Tory and Radical, aye and no, Talking by night, and talking by day, Sleep, Mr. Speaker, sleep while you may.
Sleep, Mr. Speaker; slumber lies Light and brief on a speaker’s eyes. Fielden or Finn in a minute or two Some disorderly thing will do; Riot will chase repose away, Sleep, Mr. Speaker, sleep while you may.
Sleep, Mr. Speaker; sweet to men Is the sleep that cometh but now and then, Sweet to the weary, sweet to the ill, Sweet to the children that work in the mill; You have more need of repose than they―― Sleep, Mr. Speaker, sleep while you may.
Sleep, Mr. Speaker, Harvey will soon Move to abolish the sun and the moon; Hume will no doubt be taking the sense Of the House on a question of sixteen-pence; Statesmen will howl and patriots bray: Sleep, Mr. Speaker, sleep while you may.
Sleep, Mr. Speaker, and dream of the time When loyalty was not quite a crime, When Grant was a pupil in Canning’s school, And Palmerston fancied Wood a fool. Lord! how principles pass away! Sleep, Mr. Speaker, sleep while you may.
WINTHROP MACKWORTH PRAED.
This parody is often referred to as being very clever, partly, no doubt, on account of its having been written by Praed. It is certainly a very fair parody, and the original Lullaby, in the drama of Guy Mannering, is neither so very pathetic, nor so very beautiful, that a humorous imitation of it can give offence. The parody has, however, one defect, it is scarcely close enough in its imitation of the original:――
O, hush thee, my babie!――the time will soon come, When thy sleep shall be broken by trumpet and drum! Then hush thee, my darling, take rest while you may, For strife comes with manhood, and waking with day.
THE BEGGAR’S PETITION.
Thomas Moss, a minister of Brierly Hill, Staffordshire, who died in 1808, published anonymously in 1769, a volume of miscellaneous poems, one of which, “The Beggar’s Petition,” became immediately popular.
Pity the sorrows of a poor old man, Whose trembling limbs have borne him to your door; Whose days are dwindling to the shortest span; Oh! give relief and heaven will bless your store.
These tattered clothes my poverty bespeak, These hoary locks proclaim my lengthened years; And many a furrow in my grief-worn cheek, Has been the channel to a flood of tears.
Yon house, erected on the rising ground, With tempting aspect drew me from my road; For plenty there a residence has found, And grandeur a magnificent abode.
Hard is the fate of the infirm and poor! Here, as I craved a morsel of their bread, A pampered menial drove me from the door, To seek a shelter in an humble shed.
Oh! take me to your hospitable dome: Keen blows the wind and piercing is the cold: Short is my passage to the friendly tomb, For I am poor, and miserably old.
Should I reveal the sources of my grief, If soft humanity e’er touch’d your breast, Your hands would not withhold the kind relief, And tears of pity would not be repressed.
Heaven sends misfortunes; why should we repine? ’Tis Heaven has brought me to the state you see; And your condition may be soon like mine, The child of sorrow and of misery.
A little farm was my paternal lot; Then like the lark I sprightly hail’d the morn, But ah! oppression forced me from my cot, My cattle died, and blighted was my corn.
My daughter, once the comfort of my age, Lur’d by a villain from her native home, Is cast abandoned on the world’s wide stage, And doomed in scanty poverty to roam.
My tender wife, sweet soother of my care, Struck with sad anguish at the stern decree, Fell, lingering fell, a victim to despair, And left the world to wretchedness and me.
Pity the sorrows of a poor old man, Whose trembling limbs have borne him to your door; Whose days are dwindling to the shortest span; Oh! give relief, and heaven will bless your store.
A Hebrew translation of this poem, by Mr. William Salater, appeared in Kottabos, Vol. 3, No. 12. Hilary Term, 1881.
Kottabos was a small magazine published for Trinity College, Dublin, by Mr. W. McGee, and supported by many talented young writers.
――――
THE GOOSE’S PETITION.
Pity the sorrows of a poor old Goose, Whose feeble steps have borne her to your door, Broke down with sorrow, lame, and past all use, Oh! give me corn, and Heaven will bless your store.
My feather’d coat, once lily white, and sleek, By cruel pluckings grown so bare and thin; These rags, alas; doth misery bespeak, And show my bones, just starting thro’ the skin.
Come, Biddy, come, that well-known pleasing sound, Stole in soft murmurs from Dame Partlet’s farm; For plenty there, in youthful days, I found, So waddled on, unconscious then of harm.
Soon as I reach’d this once blest, happy cot, Feeding the pigs, came Partlet from the stye; More kicks than halfpence I too surely got, She seiz’d a broomstick, and knock’d out my eye.
A bandy cur, sworn foe to all our race, Some few years past, when I was strong and plump, Who, if I hiss’d, would run and hide his face, Now boldly tears my breeches from my * * *
The wall-eye’d brute next bit me thro’ the leg: A naughty boy too, out of wanton joke, For whom I’ve laid, aye, many and many an egg, Seiz’d up a stone, and this left pinion broke.
To go from hence you see I am not able; Oh! take me in, the wind blows piercing cold; Short is the passage to the barn or stable; Alas! I’m weak, and miserably old.
St. Michael’s fatal day approaches near; A day we all have reason sure to curse; E’en at the name my blood runs cold with fear, So inimical is that Saint to us.
You have misfortunes; why should I repine? We’re born for food to man, full well I know; But may your fate, ah! never be like mine, A poor old Goose, of misery and woe.
A numerous flock elected me their Queen; I then was held of all our race the pride; When a bold Gander, waddling from Brook Green, Declar’d his love, and I became his bride.
Goslings we had, dear comforts of my life; But a vile cook, by some mad fancy bit, My pretty cacklers kill’d, then stuff’d with sage, And their sweet forms expos’d upon the spit.
The murd’ress next seiz’d on my tender mate; Alas! he was too fat to run or fly; Like his poor infants, yielded unto fate, And with his giblets, Cook she made a pie.
Pity the sorrows of a poor old Goose, Whose feeble steps have borne her to your door, Broke down with sorrow, lame, and past all use, Oh! give me corn, and Heaven will bless your store.
The European Magazine. 1804.
――――
THE THIRD CLASS TRAVELLER’S PETITION.
Pity the sorrows of a third class man, Whose trembling limbs with snow are whiten’d o’er, Who for his fare has paid you all he can: Cover him in, and let him freeze no more!
This dripping hat my roofless pen bespeaks, So does the puddle’ reaching to my knees; Behold my pinch’d red nose――my shrivell’d cheeks: You should not have such carriages as these.
In vain I stamp to warm my aching feet, I only paddle in a pool of slush; My stiffen’d hands in vain I blow and beat; Tears from my eyes congealing as they gush.
Keen blows the wind; the sleet comes pelting down, And here I’m standing in the open air! Long is my dreary journey up to town, That is, alive, if ever I get there.
Oh! from the weather, when it snows and rains, You might as well, at least, defend the Poor; It would not cost you much, with all your gains: Cover us in, and luck attend your store.
Punch. March 1, 1845.
At that date the third class railway carriages were like cattle trucks, open to the weather, and only provided with rough wooden seats.
――――
THE STAG’S PETITION.
Pity the sorrows of a poor old Stag, Brought by the panic to the workhouse door; Whose Scrip has dwindled into worthless rag: Oh! give relief; part of his loss restore!
These tattered Shares my poverty bespeak; These horrid deeds proclaim my length of ears; I signed for many thousands every week: I cannot liquidate the calls with tears.
Yon line, projected on no solid ground, With tempting prospects drew me of my cash; For plenty there the lawyer said he found, And the Directors grandly cut a dash.
Hard is the fate of him who holds the Shares; For when a slice of their rich gains I sought, The pamper’d secretary only stares, And tells me to go back to Capel Court.
Oh! take me to your comfortable Board; Down is the Scrip――the Times are very cold! Some of your premium you might afford, For I’m let in, while you――for profits――sold.
Should I reveal the sources of your wealth, I think that I could gibbet every name; For to yourselves you have done “good by stealth,” And even you might blush to find it fame.
You sent allotments――and ’tis very fine That, spite of panics, you unharmed should be; Some of your premium should have been mine; Why should the discount all devolve on me?
A little batch of ten you did allot, Then, like a trump, I my deposit paid; But ah! the panic to the City got, And not a sixpence now’s to be made!
My broker once his friendship used to brag; Check’d by the panic in his zeal to pay, He casts me off, a poor abandoned stag, And sternly bids me think of settling day.
My creditors, who know I’ve dealt in Shares, Struck with suspicion at the wreck they see, Tell me for worthless Scrip there’s no one cares, But ready money they must have from me.
Pity the sorrows of a poor old Stag, Brought by the panic to the workhouse door; Whose Scrip has dwindled into worthless rag; Oh! give relief; part of his loss restore.
From George Cruikshank’s Table Book. 1845.
Stag was a term applied during the railway mania to a speculator without capital who took “scrip” in the Diddlesex Junction Railway, and other lines ejus et sui generis, got the shares up to a premium, and then sold out. When the panic came the Stags got severely pinched, they could neither sell their scrip, nor pay the calls as they became due. Capel Court is one of the entrances to the London Stock Exchange.
――――
THE LAMENT OF WESTMINSTER BRIDGE.
Pity the sorrows of a poor old bridge Whose tottering state has made him quite a bore; Whose arches dwindle to the river’s ridge, As they approach on either side the shore.
Those falling stones my craziness bespeak, My smoke-dried aspect tells my lengthen’d years, And many a furrow, worn into a creek, The rain has made a channel for its tears.
Yon houses built on the adjacent ground Have upon me my final doom bestow’d: The Commons there a residence have found; The Peerage a magnificent abode.
Hard is the fate of an infirm old pile, While daily sinking on a cold damp bed; If they don’t move me in a little while I certainly shall tumble down instead.
My wretched lot your interference claims, Much longer I cannot together hold; Some morning I shall drop into the Thames, For I am weak and miserably old.
Pity the sorrows of a poor old bridge, Whose tottering state has made him quite a bore, His piers have sunk down to the river’s ridge, Oh! cast him off, lest he should tumble o’er.
Punch. 1846.
――――
THE BEGGING IMPOSTOR’S PETITION.
Pity the sorrows of a poor old man Whose bandaged limbs have brought him to your door, Who rolls his eyeballs on a famous plan Which he has practised for a month or more.
This studied shake paralysis bespeaks―― This shred of onion makes the best of tears; And ’neath the whitening plaster on my cheeks, The flush of last night’s lushing disappears.
Yon house erected on a rising ground, (A serious maiden lady’s snug abode) I visited, and there with depth profound, A touch of first-rate pantomime I showed.
But, ah! how merit in this world gets stopp’d! Just as to groan and shiver I’d begun―― A pamper’d peeler round the corner popp’d, And made me shoulder up my crutch and run.
Oh, stand a trifle (just one’s throat to wet)―― See how my eye with tears of anguish swims; But make it something decent, or you’ll get, Ahem!――not blessings on your eyes and limbs.
Pity the sorrows of a poor old man, Whose bandaged limbs have borne him to your door! Who in these dreadful times――try all he can, Can only make two pounds a day――no more!
The Man in the Moon, Vol. V. 1849.
――――
THE PRINCE’S PETITION.
Pity the troubles of a poor young Prince, Whose costly scheme has borne him to your door; Who’s in a fix――the matter not to mince―― Oh, help him out, and Commerce swell your store.
This empty hat my awkward case bespeaks, These blank subscription-lists explain my fear; Days follow days, and weeks succeed to weeks, But very few contributors appear.
Yon house, whose walls with casements tall abound, With look of affluence drew me from the road; But grumbling there a residence had found, Light was so plaguy dear at that abode.
Hard was the answer, and the cut was sore; Here, where I hoped for good a pound a head, A maid-of-all-work drove me from the door, “We pays too much for Winder Tax,” she said.
* * * * *
A great success I thought would be my lot, When, for a lark, I broach’d my plan, one morn; But ah! Taxation to such height has got, That I’m afraid the thing will fall still-born.
The Income Tax, that burden of the age, Narrows the comforts of so many a home, That people can’t afford me patronage, And I am doomed for charity to roam,
The tiresome duties that on Knowledge bear, Retained by Government’s unwise decree, A farthing will not let the poor man spare To aid all nations’ industry and me.
Pity the sorrows of a poor young Prince, Whose costly scheme has borne him to your door; Who’s in a fix――the matter not to mince―― Oh, help him out, and Commerce swell your store!
Punch. 1850.
Prince Albert was then begging for subscriptions for the guarantee fund of the 1851 Exhibition, in doing which he incurred almost as much ridicule, and opposition, as the Prince of Wales has recently had to suffer in connection with his favorite scheme, the Imperial Institute.
――――
THE YOUNG LADY’S COMPLAINT. (Addressed to Messrs. Rowland & Son, from the Seaside.)
Pity the sorrows of a poor young girl, (O, Rowland, great for oil and Kalydor;) Whose tiresome ringlets will not keep in curl, Tho’ they’re with hair-pins skewer’d o’er and o’er.
In vain at eve I paper them with care, At morn releasing them in due array; Ere breakfast’s done all loose and limp they are, And I’ve to curl them twenty times a day.
’Mid the parade’s attractions could I show? Dank and dishevell’d will my ringlets be; I know the Captain doesn’t like bandeaux, Yet what resource beside is left for me?
O, Mr. Rowland, do contrive some charm That by the sea may keep our hair in curl; Call it the Bostryk-Oceanic Balm, And take the blessings of each English girl.
Diogenes. September, 1853.
――――
THE CLERK’S PETITION.
Pity the sorrows of a poor old Clerk, Whose trembling limbs have borne him to your door, Whose eyes are gone, his hands too weak to work, Give him a fair allowance, and no more.
The Treasury hard masters seemed to be, And to the House with hopeful hearts we came, Deeming with kindlier eye our case ’twould see, And lend more liberal hearing to our claim.
Vain hope, alas!――the measure you propose But serves to make our hard lot harder still; Leave us untouched: we’ll bear our present woes, But save us from the Civil Service Bill.
(Four verses omitted.)
Punch. August 2, 1856.
――――
THE BEGGAR’S PETITION. (The Tichborne Claimant.)
Pity the sorrows of an ill-used man, On whom has closed the heavy prison door; He only begs you’ll give him all you can―― Oh, give him that, and he’ll not ask for more.
These twisted thumbs my parentage bespeak, And next the limp, the famous wink appears; The eyelid drooping down upon my cheek, Adds certain proof to my convincing ears.
A butcher’s cart was my paternal lot, In Wapping stood my proud ancestral halls; Ambition made me spurn a humble cot, And lodged me where I am, in Newgate’s walls.
“Yon house erected on the rising ground, With tempting aspect drew me from my road; For Plenty there a residence had found, And Grandeur a magnificent abode.”
Hard was the fate, for one so very stout; Here, when I told my wild advent’rous tale, A pamper’d lawyer came and drove me out, To find a shelter in a wretched gaol.
Some people has much money and no brains; Some others plenty brains and little gold; Those who’ve the wit, the coin take for their pains, From those who’ve not the sense their own to hold.
Pity the sorrows of an ill-used man, On whom has closed the heavy prison door; Be generous, and give him all you can, To rescue him from Justice――I implore.
Judy. April 24, 1872.
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THE BAR’S PETITION.
Pity the sorrows of a poor old Bar,[116] Whose trembling base is rotten to the core; For whose last day one scarce need look afar, Whose tottering frame unsightly timbers shore.
My dismal lines my ugliness bespeak, These blacken’d stones proclaiming lengthen’d years; And many a patch of mud upon my cheek Look like the grimy stains of scarce-dried tears,
Oh! take me down, and save me from the doom Of being shortly in the roadway roll’d, Sending some poor wayfarers to the tomb; For I am pitiably weak and old.
Time brings misfortunes; and the surging tide Of City traffic roaring under me Hath sapp’d me to the base, and to one side Hath made me lean, as now you sadly see.
Two centuries ago I graced this spot, When these old stones by fewer feet were worn; But now stern Progress vows that I cannot Block up the street, or longer here be borne.
Pity the sorrows of a poor old Bar, Whose trembling walls unsightly timbers shore Whom Time has mark’d with many an ugly scar, Oh! take him down, and stick him up no more.
Judy. September 9, 1874.
MY NAME IS NORVAL.
My name is Norval: on the Grampian hills My father feeds his flocks; a frugal swain, Whose constant cares were to increase his store, And keep his only son, myself, at home. For I had heard of battles, and I long’d To follow to the field some warlike lord; And Heav’n soon granted what my sire denied. This moon which rose last night, round as my shield, Had not yet filled her horns, when, by her light, A band of fierce barbarians from the hills, Rush’d like a torrent down upon the vale, Sweeping our flocks and herds. The shepherds fled For safety and for succour. I alone, With bended bow, and quiver full of arrows, Hover’d about the enemy, and mark’d The road he took, then hasted to my friends; Whom with a troop of fifty chosen men, I met advancing. The pursuit I led, ’Till we o’ertook the spoil-encumber’d foe. We fought and conquer’d. ’Ere a sword was drawn, An arrow from my bow had pierc’d their chief, Who wore that day the arms which now I wear. Returning home in triumph, I disdain’d The shepherd’s slothful life; and having heard That our good king had summon’d his bold peers To lead their warriors to the Carron side, I left my father’s house, and took with me A chosen servant to conduct my steps:―― Yon trembling coward who forsook his master. Journeying with this intent, I pass’d these towers, And Heaven-directed, came this day to do The happy deed that gilds my humble name.
This speech occurs in Act II of John Home’s tragedy “Douglas,” which was originally produced in Edinburgh, and was afterwards brought out at Covent Garden Theatre, London, on March 14, 1757.
This tragedy gave rise to a work entitled “Douglas, a tragedy, by John Home, reduced to rhyme in the broad Buchan dialect,” which few people of the present day would care to read, even if they could do so.
THE JEW STOCK-BROKER.
My name is Moses:――In theft-famed Rag Fair My father sells old cloathes.――A bearded Smouch; Whose constant aim was to humbug his buyers, And teach his only son, myself,――to cheat. But I had heard of Gambling,――and I long’d To lighten, with false dice, some sporting Lord. Change Alley granted, what my fate denied: This moon, which rose last night, crooked like my fingers, ’Pear’d not i’ th’ almanac, when in dark street, A band of lucky Bulls, from Garraway’s――hot, Rush’d like a torrent down chaste Goodman’s Fields, Row-wing and breaking lamps. The Rabbis fled To fetch their canes brass headed:――I alone With breeches pack, and box of ladies’ caxens,[117] Shuffled about the jolly dogs, and filch’d Their pocket-books;――I sought Ben Israel; Whom with a troop of fifty perjur’d Brokers I Bank-ward follow’d: the notes we parted; Next morn we fac’d the Stock-encumber’d foe. We bought up Consols. Ere a transfer made, A bargain from my tongue did up their chief, Who held that day the scrip since in my name. Returning home half-groggy, I disdain’d Th’ old cloathes man’s stitching life, and having heard The financier had summon’d all loan jobbers To bring their Rino to the Treasury side; I left old Shylock’s house; and stole with me His fraud-earn’d bags to pay my quantum down; (The electric Spankers which have skirk’d their masters!) Intent on lies and rapine, I have prowl’d, Till, hell-directed, I a Bear became, The accursed deed that dickies all my hopes!
From “Poems, by John Peter Roberdeau,” Chichester. 1803.
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The following parody appeared in The New Tory Guide, a small collection of political and satirical jeux d’esprit published by J. Ridgway, London, in 1819. “The Doctor” was a nickname bestowed, by his political opponents, upon Henry Addington, first Viscount Sidmouth, who was the son of a medical man, Anthony Addington, M.D.
Henry Addington was Prime Minister in 1801, he was created a Viscount in 1805, and held several lucrative appointments. He was the subject of many bitter lampoons, and in 1817 he attempted by strong measures to limit the freedom of the Press, in which he signally failed. Hone’s publications contain several caricatures of him by George Cruikshank, as well as the following parody, which is there ascribed to the pen of the Right Hon. George Canning, but without any mention of the paper in which it first appeared. It is also quoted in Vol. VIII. of The Spirit of the Public Journals for 1804, where it is stated to have been taken from the Oracle.
“My name’s the Doctor: on the Berkshire hills My father purg’d his patients; a wise man, Whose constant care was to increase his store, And keep his only son――myself――at home.
“But I had heard of politics, and long’d To sit within the Commons’ House, and get A place; and luck gave what my sire denied.―― Some thirteen years ago, or ere my fingers Had learn’d to mix a potion, or to bleed, I flatter’d Pitt; I cring’d, and sneak’d, and fawn’d, And thus became the Speaker. I alone, With pompous gait, and peruke full of wisdom, Th’ unruly Members could control, or call The House to order.
“Tir’d of the Chair, I sought a bolder flight, And grasping at his power, I struck my friend, Who held that place, which now I’ve made my own. “Proud of my triumph, I disdain’d to court The patron hand which fed me, or to seem Grateful to him who rais’d me into notice. And when the King had called his Parliament To meet him here conven’d in Westminster, With all my Family crowding at my heels, My brothers, cousins, followers, and my son, I show’d myself prime Doctor to the country; My ends attain’d, my only aim has been To keep my place, and gild my humble name.”
――――
MY NAME IS SCRAGGEM.
My name is Scragg’em. On famed Mutton Hill My father sells his pies, a frugal man Whose constant care it was to win the toss, Increase his store, and keep my humble self at home. But I had heard of winning, and I long’d To follow to the hill, to call out head or tail, And Heaven soon granted what my sire denied. Yon gas, which blazed last night long as my stick, Had scarce burst into flame, when by its light A half-starved, hungry mortal, rushed furiously On my stall, devouring mince and mutton. The watchman fled for succour, I alone In Crib-like attitude, hover’d about the enemy, Then pounced suddenly upon his meagre carcass, And drew a half-munch’d pie from his devouring jaws. I fought and conquer’d, ere a Charley came, I’d drawn the claret from his olfact’ry organ. Returning home in triumph, I disdain’d The vulgar cry of apple, mince, or mutton; And having heard of one Sir Walter Scott, And Bernard-Barton, bard of broad-brim’d beaver, Filling their pockets with produce of a pen, I left my stall, took up the grey goose quill, And wrote these lines, with the intent That MIRROR’S page should gild my humble name.
From Limbird’s Mirror of Literature, Amusement, and Instruction. Vol. vi.
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MY NAME’S TOM DIBDIN.
My name’s Tom Dibdin,[118] far o’er Ludgate Hill My master kept his shop, a frugal Cit, Whose constant cares were to increase his store, And keep his only ’prentice, me, at home; For I had heard of acting, and I long’d To mimic on the stage some warlike lord, But fortune granted me what trade denied. Yon moon, which rose one night across Moorfields, Had scarcely fill’d her horns, when by her light A band of merry mad-caps from the town Rushed like a torrent to the water’s edge Seeking the Margate hoy――with them I fled For liberty and acting. Thus alone, With walking strides, and bundle thin of linen, Hover’d about the Kentish coast, and mark What trade I took――I hasten’d to East-Bourne, Where Richland,[119] and a troop of actor folks I met advancing. Merry lives we led, Till we had eased the cash-encumber’d clowns, I wrote and acted, ere long time had flown, A scribble from my quill, produc’d a farce, Which bore that day the name that now it bears, Elated thence, with triumph I disdained A country actor’s life, and having heard That Mister Harris wanted some bold bard, To lead his actors to old Nilus’ side,[120] I left my manager, and took with me A chosen fair one to console my steps, Yon merry female who delights her master. Journeying to town from Kent, I pass’d the Tower, And, chance directed, came this day to write An opera that’s wormwood to the Jews.[121]
From The Times, also quoted in The Spirit of the Public Journals for 1803.
――――
ADDRESS,
_To be spoken by the Author, dressed in the garb of a Brewer’s Porter, armed with a Spigot, &c._
My name is Whitbread. Upon Hertford’s hills My father kept his house; a brewer rich, Whose constant cares were to increase his wealth, And keep his only son, myself, at school; For I had heard of speeches, and I long’d To follow in the House some noisy chief, And Bedford granted what my sire denied.
This House which opes to-night, large as my brewhouse, Had not yet rais’d its head, when on its site A band of Irish bricklayers, from the street, Rush’d like mad dogs upon the ruin’d walls, Wheeling the bricks and stones; the Renters fled For Sheridan and Peake; whilst I alone, With bended quill and book full of subscribers, Hover’d about the ruins, and well mark’d The road they went;――then hasted to some friend, Whom with a list of fifty wealthy men I met advancing. Then the chair I took And soon o’erturned the debt-encumbered foe; We talked and argued: ere a pound was paid, A promise from my tongue upset the chief, Who had that day the box which now I have! Returning home in triumph, I disdain’d A brewer’s vulgar life; and having read That our old King had summoned his good towns To send new members up to Abbot’s side, I went to Bedford, and behind me left A chosen Lord to follow in my steps―― Yon bald-head bigot who forsook his master.
(Pointing to Lord H’s box.)
Journeying with that intent, I’ve ’scaped the Tower, And, pride directed, come this night to hear The rabble shouts that greet my brazen name.
The Morning Post. October 29, 1812.
Samuel Whitbread, M.P., took a very active part in the rebuilding of Drury Lane Theatre, which had recently been destroyed by fire. Mr. Whitbread is frequently mentioned in The Rejected Addresses. He committed suicide in 1815.
The Mélange (Liverpool, 1834), also contains another parody on the same original. It is an address supposed to be delivered by a lad named William Leigh, who was wounded in the Peterloo massacre in 1819, when the Yeomanry Cavalry and Hussars brutally charged into a public meeting held to deliberate on the Reform Bill, and killed and wounded many people. The parody is now devoid of interest.
――――
CANNING’S HISTORY OF HIMSELF. (Written in April 1822.)
My name is Canning; on the Thespian boards My mother played her part――a thrifty dame, Whose only care was to increase her store, And teach her hopeful son the “Rule of Three.”[122] But I had heard of sinecures, and long’d To follow in the track that leads to Court, And Heaven soon granted what I so desir’d: The Gallic sun rose from chaotic night, And by its blaze, a horde of Sans Culottes Rush’d, like a torrent, o’er the affrighted world―― Threaten’g all crowned heads. The Courier wrote The Jacobins to succour. I, on place Intent, wrote, in the Anti-Jacobin, Phillippics against France, and Pitt soon mark’d The squibbs I penned, and rank’d me with his friends, A chosen band of needy, hungry placemen, In fortune all advancing. This life I led Until at Waterloo we met the foe: We fought and conquer’d, thank our lucky stars, The loitering Grouchy seal’d the fate of Nap.,[123] Who wore that day the crown fat Louis wears. Exulting in our triumph, I disdain’d A rhyming punster’s life, and having heard That Lusitania’s king, called by his peers, His course was bending to the Tagus side, I left my native land and took with me The sum of fourteen thousand pounds a year. The King came not; but what cared I for that? I ate and drank, and then came back again; And, Heaven be prais’d, have liv’d to see the day When India hails me as her Governor!
From The Mélange, Liverpool, 1834.
――――
DR. LARDNER’S CYCLOPÆDIA.
My name is Lardner, in St. Paul’s Churchyard My Cyclopædia sells, a weighty book Whose constant pages do increase my store And keep their editor, myself, at home! For I was born a janius, and I longed For some two thousand pounds per annum, and My book soon gave what Gower Street denied.
From The National Omnibus, May 27, 1831.
――――
NORVAL.
My name is Norval, on the Grampian hills, My faither keeps his whisky stills, His occupation is to shield His whisky stills frae the gauger chiels; And to keep his son at hame as weel, Fal, lal, &c.
The moon which shone so bright last night, Had scarcely set itself――not quite; When a band o’ gaugers o’er the hills Cam’ tumblin’ down like Jacks and Gills, And pounced upon our whisky stills. Fal, lal, &c.
My faither he was off like a shot, And said the stills might go to pot; While I alone withstood the shock, And tumbled the gaugers o’er a rock, And made their heads play nick-ety-knock. Fal, lal, &c.
Full fifty fathoms they fell, I think, And spattered the rocks all over with ink; The first he fell down with a thump, thump, thump, The next he fell down with a dump, dump, dump. While they all fell together in a clump, clump, clump. Fal, lal, &c.
――――
THE MODERN NORVAL.
Scene.――The Treasury Bench in the House of Commons. As the scene opens, the new Chancellor of the Exchequer is discovered on his legs, and forthwith proceeds to thus address the House.
LORD R. CHURCHILL:
My name is Randolph; in the Blenheim fields My father fed his flocks; a frugal duke Whose constant care was to increase his store Of ready money, hoarded for my sake, That I, although not heir, might have wherewith To help me in my fight for power and place. For I had suddenly (what time I sat For Woodstock borough) gained myself much fame, And finding that sharp wits, and daring pluck, And matchless impudence were strangely rare Amongst the Tories, straightway resolved To raise myself, as in the past men said That wily Hebrew and great Tory chief Lord Beaconsfield, long time as Dizzy known, Had raised himself to foremost place and fame.
Aye, I had read his doings, and I longed To follow in the path of such a chief And trade, as he did, on the ignorance Of those who called themselves Conservative. What happ’d I need not tell you; ’tis enough That Fate soon granted what my soul desired, And that the chance I yearn’d for came full soon, I pass in silence o’er those merry months When aided by three henchmen (each of whom Has since had cause to bless the day he helped me), I made notorious our Fourth Party’s name. Are not its deeds in Hansard duly writ? How ’twas I teased and “drew” the Grand old Man? How, too, I all but broke poor Northcote’s heart? These things are recent, and men still recall How, like a freelance, rising from my seat, I made my verbal spear thrusts right and left, And dealt deep wounds to friend and foe alike. Men still recall, I say, the things I did, When office came to crown my lawlessness, And the proud Marquis had to own my might; How, cool and confident, I laid my plans, And, armed with weapons such as Dizzy used, Made haste to wield them. Aye! whilst others slept I hovered round the Tory camp and shot My venowed arrows till the air was full Of groaning, as the wounded Tory dolts Were borne complaining to the House of Lords.
Thus did I clear the path that led me here, Thus paved the way to that great victory Which has been gained but lately o’er our foes. ’Tis true that other leaders led the van. Whigs fought and won, but Tories claimed the spoil, And I, insisting on a lion’s share, Am here to-day as Leader of that House In which I’ve played my pranks in sessions past, And outraged precedent and party faith.
Yes, Randolph is my name, I would repeat, And whilst my brother Blenheim doth denude Of all its treasures, to increase the sum Accruing after mortgages are paid, I bring the House of Churchill fresh renown (My foes will call it notoriety), And seated on this bench prepare to reap Those oaths so wild I sowed below the gangway But thirty-seven, yet trusted to control The realm’s finances, and to have my way Despite the Marquis and his played-out friends; But thirty-seven, yet filled with the belief That greater honour still will soon be mine. And that the baser Tories, tickled by My daring tricks, my voluble command Of words abusive, and the ready way I pelt my friends and foes with verbal mud, Will with one voice proceed to summon me To lead their party to fresh victories, E’en though it may be o’er Lord Salisbury’s corse.
The London Figaro. August 21, 1886.
――――
THE INFANT PRODIGY.
My name is Balfour! On the Irish ills My uncle feeds his flock, a frugal swain Whose only care is to enforce the law, And keep myself, his nevvy, in the swim, And so, relinquishing a placid post―― That is, the Scottish Secretaryship―― I have been promptly thrust into the gap Which the involuntary exodus Of poor Sir Michael E. Hicks-Beach has made. Now must I urge a valiant attempt To show my mettle, and, in constant fray With Ireland’s Home Rule representatives, Or Ireland’s agitating multitudes, To justify my elevated state. Wherefore an’ these, the enemies of law, Oppose the mandates of our Government, It shall be mine to head the countercharge, And bring them to their knees. My trusty sword, Albeit ’tis of wood, can deal hard knocks; And slashing, prodding, whacking right and left―― As thus――and thus――unless I greatly err, I’ll pretty soon assert supremacy, And make the varlets mind their P’s. and Q’s.
Fun. March 16, 1887.
GO, LOVELY ROSE.
(EDMUND WALLER, born 1603, died 1687.)
Go, lovely Rose! Tell her, that wastes her time and me, That now she knows, When I resemble her to thee, How sweet and fair she seems to be.
Tell her that’s young, And shuns to have her graces spied, That had’st thou sprung In deserts where no men abide, Thou must have uncommended died.
Small is the worth Of beauty from the light retired; Bid her come forth, Suffer herself to be desired. And not blush so to be admired.
Then die! that she The common fate of all things rare May read in thee,―― How small a part of time they share That are so wondrous sweet and fair.
[Yet, though thou fade, From thy dead leaves let fragrance rise; And teach the maid That goodness Time’s rude hand defies,―― That virtue lives when beauty dies.]
The last stanza was added by Henry Kirke White, and is the crowning grace of a beautiful poem, which would scarcely have been complete without it.
――――
THE WEDDING CAKE.
Verses to accompany the wedding cake prepared by Messrs. Purcell of Cornhill, for the Emperor Napoleon’s marriage.
Go, wedding-cake! And tell the Emperor, from me That no mistake, When I resemble him to thee, About his work and state can be.
Tell him that’s rich, And deck’d in jewels, stars, and rings, That dainties which Are faced by plaster tinsellings Are not the wholesomest of things.
Too large a slice Of plums and almonds thickly press’d, Though passing nice, And swallow’d, at the time, with zest, Is apt to lie upon the chest.
A fair outside, Of lily whiteness, ne’er so much, May chance to hide A mass of black material, such As dainty palates fear to touch.
Then go, that he May learn the fate of humbugs past, Like him, and thee,―― To be, their transient splendours past―― Pitch’d into, and cut up at last.
Diogenes. February 1853.
――――
THE ÆSTHETE TO THE ROSE. (By Wildgoose, after Waller.)
Go, flaunting Rose! Tell her that wastes her love on thee, That she nought knows Of the new Cult, Intensity, If sweet and fair to her you be.
Tell her that’s young, Or who in health and bloom takes pride, That bards have sung Of a new youth――at whose sad side Sickness and pallor aye abide.
Small is the worth Of Beauty in crude charms attired. She must shun mirth, Have suffered, fruitlessly desired, And wear no flush by hope inspired.
Then die, that she May learn that Death is passing fair: May read in thee How little of Art’s praise they share, Who are not sallow, sick, and spare!
Punch. October 1, 1881.
――――
THE MESSAGE OF THE ROSEBERY.
Go, my Primrose, Tell them the new Secretaree Is one who knows His mind, and hath not a weak knee, How bland so’er he seem to be.
Tell them you’re young, And in so high a post untried; But having sprung Into the saddle at one stride, You’re going to sit down and ride.
Small is the worth Of a “light hand” that soon gets tired; Better stand forth As the strong man so long desired, Abroad respected, here admired.
In Granville we The fate of weakness debonair May clearly see; Put down your foot, sit firm and square, And keep us free from shirk and scare!
Punch. February 13, 1886.
WANTED――A GOVERNESS.
A governess wanted――well fitted to fill The post of tuition with competent skill―― In a gentleman’s family highly genteel. Superior attainments are quite indispensable, With everything, too, that’s correct and ostensible; Morals of pure unexceptionability; Manners well formed, and of strictest gentility. The pupils are five――ages, six to sixteen―― All as promising girls as ever were seen―― And besides (though ’tis scarcely worth while to put that in) There is one little boy――but he only learns Latin. The lady must teach all the several branches Whereunto polite education now launches: She’s expected to teach the French tongue like a native, And be to her pupils of all its points dative; Italian she must know au fond, nor needs banish Whatever acquaintance she may have with Spanish; Nor would there be harm in a trifle of German, In the absence, that is, of the master, Von Hermann. The harp and piano――cela va sans dire, With thorough bass, too, on the plan of Logier. In drawing in pencil, in chalks, and the tinting That’s called Oriental, she must not be stint in; She must paint upon paper, and satin, and velvet; And if she knows gilding, she’ll not need to shelve it, Dancing, of course, with the newest gambades, The Polish mazurka, and best gallopades; Arithmetic, history, joined with chronology, Heraldry, botany, writing, conchology, Grammar, and satin-stitch, netting, geography, Astronomy, use of the globes, cosmography, ’Twas also as well could she be calisthenical, That her charges’ young limbs may be pliant to any call. Their health, play, and studies, and moral condition, Must be superintended without intermission: At home, she must all habits check that disparage, And when they go out must attend to their carriage. Her faith must be orthodox――temper most pliable―― Health good――and reference quite undeniable. These are the principal matters. Au reste, Address, Bury Street, Mrs. General Peste. As the salary’s moderate, none need apply Who more on that point than on comfort rely.
ANONYMOUS.
――――
WANTED――AN ALDERMAN.
Wanted, an Alderman, fitted to fill His post in the City with competent skill. If no judge of justice, a good judge of wine, Who knows how to ride and who knows how to dine. When needed to Time he must be in “the nick,” And if he makes watches must not go on tick; Who three times on Sundays to church does repair, Who knows how to feather the nest of a mayor. Who well the importance of beakdom can feel, For the Court is itself――oh! so very genteel. Wanted――an Alderman!
He must not at Greenwich, with Radicals shout, Nor yet to a beanfeast with workmen go out; And if at a tavern to dine he doth please, Must not make a bet on the height of the cheese. He must vow Temple Bar still shall weather the storm, And not say a word about City reform, He must swear vested rights are of all rights the best, And not a chain cable wear outside his vest. He his mind must not speak, whatsoe’er he may feel, For the Court is itself――oh! so very genteel. Wanted――an Alderman!
Wanted――an Alderman――portly and fat, To wear on occasions a gown and cocked hat; To look sharply after the City police, And fine costermongers his five pounds apiece. To let out on bail each embezzling clerk, And lock up young swells who are “out for a lark;” To vote for the Tories or not vote at all, To ride in his carriage, and cabs never call; In short, “fit and proper” to be and to feel, For the Court is itself――oh! so very genteel! Wanted――an Alderman!
Funny Folks.
――――
WANTED AN EDITOR.
Wanted an Editor, burly and big, Clever, and willing, and hearty. Neither a Radical, Tory, nor Whig, But able to please every party. He must not be squeamish, nor over nice In tracing out jobs, root and fibre He must loathe every sinner, lash every vice But never offend a subscriber. (This last is a process requiring great care, Since vices are plenty, subscribers more rare.)
Learned, yet practical, he must unite Natural talent with science, These, with that which can alone keep him right, Judgment, well worthy reliance. He must always be able to crack a good joke, And ready to tell a new story Know all the authorities, Camden and Coke, The Stud Book and Sir Peter Laurie. (He may have what he likes in his head; but beware! The latter authority don’t like long hair!)
He must know all the turns of the Turf and the tricks Which folks would involve in such mystery; If a horse should be poisoned, be able to fix On the rogue――and relate the whole histr’y. He must watch every dodge and deceit in the odds, By discerning ’twixt better and hedger; He must mark all the winks, and the nudges and nods, And PROPHESY Derby and Leger. (This last is a matter of lucky fortuity, Which when you are “out” merely wants ingenuity.) And now as to terms, we already have shown How pleasant this Editor’s place is―― He must hunt, and of course keep a horse of his own Shoot――fish――and attend all the races;―― Thus his work is so light, yet so pleasant withal, From the honest fame he must inherit, The Proprietors don’t wish to pay him at all, But let his reward be――his merit. (Another announcement will appear by and by Directing all candidates where to apply.)
From Songs of the Press, and other Poems relating to Printing, collected by C. H. Timperley. London. Fisher, Son & Co. 1845.
William Makepeace Thackeray,
Born, July 18, 1811. | Died, Dec. 24, 1863.
[Illustration: D]EPARTING from the plan hitherto adopted in this collection, Thackeray will have to be considered not only as the author of many poems which have formed the bases of parodies, but also as himself the writer of almost innumerable parodies and burlesques, both in verse and in prose. Having, indeed, such a natural penchant for travestie that he would rather parody himself, than remain long serious, or philosophical. One of his early friends and schoolfellows wrote of him, that, when quite a boy at the Charterhouse School, “he was known for his faculty of making verses, chiefly parodies.”
I only remember one, a parody on a poem by L. E. L. about ‘Violets, dark blue violets,’ which Thackeray translated into ‘Cabbages, bright green cabbages,’ and we thought it very witty.”
This parody will be given later on, but considerations of space render it necessary to be sparing of comment on Thackeray’s work as a parodist; some of his best poetical parodies will be given, as well as a list of his prose burlesques. But for historical details of these famous jeux d’esprit, with explanations of the allusions contained in them, the reader can be confidently recommended to turn to Anthony Trollope’s charming volume on Thackeray, in the “English Men of Letters” series, published by Macmillan & Co., London.
Certainly, as Anthony Trollope therein remarks, no writer ever had a stronger proclivity towards parody than Thackeray, and there is no form of literary drollery more dangerous. The parody will often mar the gem of which it coarsely reproduces the outward semblance.
But it must be acknowledged of Thackeray, that he has done little or no injury by his parodies. They run over with fun, but are so contrived that they do not lessen the flavour of the original. In the little set of verses of his own, called The Willow Tree, and his own parody on the same, we see how effective a parody may be in destroying the sentiment of the piece parodied.
But in dealing with other authors, he has been grotesque without being severely critical, and has been very like, without making ugly or distasteful that which he has imitated.
VIOLETS.
Violet!――deep-blue violets! April’s loveliest coronets! There are no flowers grown in the vale, Kissed by the sun, woo’d by the gale, None with the dew of the twilight wet So sweet as the deep-blue violet! I do remember how sweet a breath, Came with the azure light of a wreath, That hung round the wild harp’s golden chords, That rung to my dark-eyed lover’s words; I have seen that dear harp rolled With gems of the east and bands of gold. But it never was sweeter than when set With leaves of the dark blue violet. And when the grave shall open for me―― I care not how soon that time may be―― Never a rose shall blow on my tomb, It breathes too much of hope and bloom! But let me have there the meek regret Of the bending and deep-blue violet!
LETITIA ELIZABETH LANDON.
In L. E. L.’s poetical works, “Excelsior” Edition, the above is called “The Violet,” and lines 3 and 4 are――
There are no flowers grow in the vale Kiss’d by the dew, woo’d by the gale,
and the final lines are――
Never a rose shall grow on that tomb, It breathes too much of hope and of bloom, But there be that flower’s meek regret, The bending and deep-blue violet!
――――
CABBAGES.
Cabbages! bright green cabbages! April’s loveliest gifts I guess, There is not a plant in the garden laid, Raised by the soil, dug by the spade, None by the gardener water’d I ween, So sweet as the cabbage, the cabbage green. I do remember how sweet a smell Came with the cabbage I loved so well, Served up with the beef that so beautiful looked, The beef that the dark-eyed Ellen cooked. I have seen beef served with radish of horse, I have seen beef served with lettuce of Cos, But it is far nicer, far nicer I guess As bubble and squeak. Beef and cabbages. And when the dinner-bell sounds for me―― I care not how soon that time may be―― Carrots shall never be served on my cloth, They are far too sweet for a boy of my broth, But let me have there a mighty mess Of smoking hot beef and cabbages!
W. M. THACKERAY.
This early parody has not hitherto been included amongst Thackeray’s collected ballads and poems. It was printed in an article which appeared in Cornhill, Vol. XI., 1865, entitled “A Memorial of Thackeray’s Schooldays,” signed J. F. B.
THE WILLOW-TREE.
No. I.
Know ye the willow-tree, Whose gray leaves quiver, Whispering gloomily To yon pale river? Lady, at eventide Wander not near it! They say its branches hide A sad lost spirit!
Once to the willow-tree A maid came fearful, Pale seemed her cheek to be, Her blue eye tearful. Soon as she saw the tree, Her steps moved fleeter, No one was there――ah me!―― No one to meet her!
Quick beat her heart to hear The far bells’ chime, Toll from the chapel-tower The trysting time. But the red sun went down In golden flame, And though she looked round, Yet no one came!
Presently came the night, Sadly to greet her,―― Moon in her silver light, Stars in their glitter. Then sank the moon away Under the billow. Still wept the maid alone―― There by the willow!
Through the long darkness, By the stream rolling, Hour after hour went on Tolling and tolling. Long was the darkness, Lonely and stilly. Shrill came the night wind, Piercing and chilly.
Shrill blew the morning breeze, Biting and cold. Bleak peers the gray dawn Over the wold! Bleak over moor and stream Looks the gray dawn, Gray, with dishevelled hair, Still stands the willow there―― The maid is gone!
Domine, Domine! Sing we a litany―― Sing for poor maiden-hearts Broken and weary; Domine, Domine! Sing we a litany, Wail we and weep we a Wild miserere!
Thackeray wrote this pretty little ballad simply that he might render it absurd by his own parody, which is here printed side by side, as it was when it first appeared in Frazer’s Magazine for 1842, in The Fitz-Boodle Papers.
THE WILLOW-TREE.
No. II.
Long by the willow-tree Vainly they sought her, Wild rang the mother’s screams O’er the gray water. “Where is my lovely one? Where is my daughter?
“Rouse thee, sir constable―― Rouse thee and look. Fisherman, bring your net, Boatman, your hook. Beat in the lily beds, Dive in the brook.”
Vainly the constable Shouted and called her. Vainly the fisherman Beat the green alder. Vainly he threw the net, Never it hauled her!
Mother beside the fire Sat, her night-cap in; Father, in easy chair, Gloomily napping; When at the window-sill Came a light tapping.
And a pale countenance Looked through the casement. Loud beat the mother’s heart, Sick with amazement, And at the vision which Came to surprise her! Shrieking in an agony―― “Lor’! it’s Elizar!”
Yes, ’twas Elizabeth;―― Yes, ’twas their girl; Pale was her cheek, and her Hair out of curl. “Mother!” the loved one, Blushing, exclaimed, “Let not your innocent, Lizzy be blamed.
“Yesterday, going to aunt Jones’s to tea, Mother, dear mother, I Forgot the door-key! And as the night was cold, And the way steep, Mrs. Jones kept me to Breakfast and sleep.”
Whether her pa and ma Fully believed her, That we shall never know. Stern they received her; And for the work of that Cruel, though short night,―― Sent her to bed without Tea for a fortnight.
Moral.
Hey diddle diddlety, Cat and the fiddlety, Maidens of England take Caution by she! Let love and suicide Never tempt you aside, And always remember to take the door-key.
W. M. THACKERAY.
LITTLE BILLEE. (AIR.――Il y avait un petit navire.)
There were three sailors of Bristol city Who took a boat and went to sea. But first with beef and captain’s biscuits And pickled pork they loaded she.
There was gorging Jack and guzzling Jimmy, And the youngest he was little Billee. Now when they got as far as the Equator They’d nothing left but one split pea.
Says gorging Jack to guzzling Jimmy, “I am extremely hungaree.” To gorging Jack says guzzling Jimmy, “We’ve nothing left, us must eat we.”
Says gorging Jack to guzzling Jimmy, “With one another we shouldn’t agree! There’s little Bill, he’s young and tender, We’re old and tough, so let’s eat he.”
“Oh! Billy, we’re going to kill and eat you, So undo the button of your chemie.” When Bill received this information He used his pocket handkerchie.
“First let me say my catechism, Which my poor mammy taught to me.” “Make haste, make haste,” says guzzling Jimmy, While Jack pulled out his snickersnee.
So Billy went up the main-top gallant mast, And down he fell on his bended knee. He scarce had come to the twelfth commandment When up he jumps. “There’s land I see:
“Jerusalem and Madagascar, And North and South Amerikee: There’s the British fleet a riding at anchor, With Admiral Nelson, K.C.B.”
So when they got aboard of the Admiral’s ship He hanged fat Jack and flogged Jimmee; But as for little Bill, he made him The Captain of a Seventy-three.
It is stated that Thackeray first sang this amusing piece of nonsense extempore. When it first found its way into print is not known, but it occurs as early as 1863 in an article on Thackeray which appeared in the now defunct, “North British Review.” Prior to that date an incorrect version was printed in some American newspapers, and rumour at once fixed upon O. W. Holmes as the author. Perhaps Holmes may have written a parody on it, but if so, it does not appear in his collected poems.
――――
THE MODERN MEN OF GOTHAM! (Who went to sea in a Bowl.)
There were three dwellers in Gotham city Who took a bowl and put to sea; But first with fallacies, and figments, And cooked statistics they loaded she.
There was bumptuous ’Arry, and bouncing Jemmy, And the youngest he was little Randee; And there wasn’t an able-bodied seaman, Nor a skilful steersman among the three.
And the bowl was crank as the crankest cockboat, It hadn’t a keel, and its bottom was queer; And it rolled and pitched like a tipsy porpoise, And it couldn’t sail, and it wouldn’t steer.
They might have sailed in a genuine clipper, ’Arry and Jemmy, and little Randee, But they’d had a row with the Free Trade skipper, And were filled with the spirit of mutinee.
Their craft――“Fair Trade” was the name they christened it―― They jointly launched on the tumbling ocean, And they huddled into her with a lot of shouting, But they soon felt queer, all along of her motion.
For she tumbled this way, and wobbled that way, And she circumvoluted, like a tee-to-tum; And the angry billows dashed damply over them, Whilst they whistled for a fair wind, which wouldn’t come.
Thus bumptious ’Arry and bouncing Jemmy, And the cocky urchin called little Randee! And they had’nt got far from the Prime Meridian, When they wished they were safe on a Seventy-three.
Says bumptious ’Arry to bouncing Jemmy, “I fear we are very much at sea.” To bumptious ’Arry says bouncing Jemmy, “How about Reciprocitee?”
Says bumptious ’Arry to bouncing Jemmy, “I begin to fear that it won’t help we If this blessed bowl takes us bang to the bottom, What do you think of it, little Randee?”
Says he, “Our Free Trade Catechism We’d better repeat upon bended knee, And be more particular about the Ninth Commandment, Nor again go floating in a bowl to sea.”
* * * * *
So when they got back to the Free Trade skipper, He chivied ’Arry and he chaffed Jemmee. But as for little Randee, they made him―― Well, they who live longest will probably see!
Punch. November 15, 1884.
Henry Chaplin, M.P., James Lowther, M.P., and Lord Randolph Churchill, M.P., had recently been advocating several remedies for the agricultural depression. Fair Trade, Reciprocity, and a Protective Duty on imported corn, were proposed, but met with no general support either in Parliament, or out of it.
――――
THE JOLLY COMMISSIONERS.
There were some Commissioners of Northern Lighthouses, Who took a boat and went to sea, Who took a boat to see what they could see.
There was Gorging Jack and Guzzling Jimmy, With others, who ran up a little bill-ee At the Waterloo, Grieve’s Hostelr_ee_.
They went to inspect Lighthouses and Lightships, All round the Scottish coast, N.B. A very pleasant trip it was, N.B.
Says Gorging Jack to Guzzling Jimmy, “What shall we do if we’re hunge-ree? Which will happen very probab_lee_.
“Oh, ain’t we going to drink and eat too When Lighthouses we come to see? Oh, this air gives such an appe-ti-tee.”
Says Guzzling Jim to Gorging Jacky, “O Gorging Jack, what a fool you be. Let’s store the boats provisional_lee_.”
With dinners and dessert and Amontillado, And Chambertin they loaded she, With Sixty-four Lafitte they loaded she.
* * * * *
They’d Steinberg Cabinet of Sixty-Eight too, And other wines which were all first-rate to Says Guzzling Jim unto Jackee, “Oh, what a lot of lighthous_es_ I see!
“But they all appear mos’ dre’fully shaky, The Lighthouses appear mos’ horr’bly shaky! Its very fortch-nate that we came to see. Thesh Lighthousesh are not stead_ee_.
“I think the Lighthouses have been drinking, They have been taking too much whis_kee_!
“Look at the lightsh how they’re revolving, I don’t think they’re working proper_lee_, The Board of Trade must hear of this from We.”
Before they finished their Waterloo Banquet, They drank the health of her Majestee, And they drank the Royal Jubilee.
And as for their little Bill (who paid it?) It’s being examined by a Com-mit-tee
When next they want Lighthouse Commissioners To examine the Scottish Coast, N.B. Of candidates what crowds there’ll be!!
Punch. March 5, 1887.
A most exorbitant charge was made for the dinners and refreshments provided for these Commissioners.
――――:o:――――
THACKERAY’S BURLESQUE ANALYSIS OF THE SORROWS OF WERTHER.
Werther had a love for Charlotte Such as words could never utter; Would you know how first he met her? She was cutting bread and butter.
Charlotte was a married lady, And a moral man was Werther, And, for all the wealth of Indies, Would do nothing for to hurt her.
So he sighed and pined and ogled, And his passion boiled and bubbled, Till he blew his silly brains out, And no more was by it troubled.
Charlotte, having seen his body Borne before her on a shutter, Like a well-conducted person, Went on cutting bread and butter.
――――
PEG OF LIMAVADDY.
Limavaddy inn’s But a humble baithouse, Where you may procure Whiskey and potatoes; Landlord at the door Gives a smiling welcome To the shivering wights Who to his hotel come. Landlady within Sits and knits a stocking, With a wary foot Baby’s cradle rocking.
To the chimney nook, Having found admittance, There I watch a pup, Playing with two kittens; (Playing round the fire, Which of blazing turf is, Roaring to the pot Which bubbles with the murphies;) And the cradled babe Fond the mother nursed it! Singing it a song As she twists the worsted!
Up and down the stair Two more young ones patter (Twins were never seen Dirtier nor fatter); Both have mottled legs, Both have snubby noses, Both have――here the host Kindly interposes; “Sure you must be froze With the sleet and hail, sir, So will you have some punch, Or will you have some ale, sir?”
Presently a maid Enters with the liquor, (Half a pint of ale Frothing in a beaker,) Gods! I did’nt know What my beating heart meant Hebe’s self I thought Enter’d the apartment. As she came she smiled, And the smile bewitching, On my word and honour, Lighted all the kitchen.
With a curtsey neat Greeting the new comer, Lovely, smiling Peg Offers me the rummer; But my trembling hand Up the beaker tilted And the glass of ale Every drop I spilt it; Spilt it every drop (Dames, who read my volumes, Pardon such a word,) On my what d’y call ’ems! Witnessing the sight Of that dire disaster, Out began to laugh Misses, maid, and master; Such a merry peal, Specially Miss Peg’s was, (As the glass of ale Trickling down my legs was), That the joyful sound Of that ringing laughter Echoed in my ears Many a long day after.
Such a silver peal! In the meadows listening, You who’ve heard the bells Ringing to a christening; You who ever heard Caradori pretty, Smiling like an angel Singing “Giovinetti,” Fancy Peggy’s laugh, Sweet, and clear, and cheerful, At my pantaloons With half a pint of beer full!
* * * * *
See her as she moves Scarce the ground she touches, Airy as a fay, Graceful as a duchess; Bare her rounded arm, Bare her little leg is, Vestris never show’d Ankles like to Peggy’s; Braided is her hair, Soft her look and modest, Slim her little waist Comfortably boddiced.
* * * * *
W. M. THACKERAY.
The ballad from which these extracts are taken first appeared in The Irish Sketch Book published in 1843.
――――
A BEAUTIFIED BEING. (Old Lady Sings.)
Only look at me, Fair in every feature; Don’t you think you see A fascinating creature? Venus, Beauty’s Queen, Looked so lovely never. Lo now, I have been Made Beautiful for Ever!
Here are bust and brow, White as alabaster; Don’t you tell me, now, That I am cased in plaster. Here’s a cheek, whose rose Time shall never pluck――Oh Do not say it glows With nought but painted stucco!
Oh, forbear to chaff, Saying, Art doth trammel Features, which a laugh Would cause to crack enamel. Freckles o’er this face Where did Time’s hand sprinkle? Point me out the place Or show me any wrinkle.
I have undergone Renovation thorough, Loveliness, laid on, Has filled up every furrow, So, to win my hand, Now, boys, who’ll endeavour? Take me as I stand, Made Beautiful for Ever.
Published at the time when the trial of Madame Rachel was in progress, and her devices for making women “Beautiful for ever” were being exposed.
――――
WHISKEY! DRINK DIVINE!
Whiskey, drink divine! Why should driv’lers bore us With the praise of wine, Whilst we’ve thee before us? Were it not a shame, Whilst we gaily fling thee To our lips of flame, If we could not sing thee? Whiskey, drink divine! Why should driv’lers bore us With the praise of wine, Whilst we’ve thee before us?
Greek and Roman sung Chian and Falernian―― Shall no harp be strung To thy praise, Hibernian? Yes――let Erin’s sons―― Gen’rous, brave, and frisky―― Tell the world, at once, They owe it to their whiskey.
If Anacreon――who Was the grape’s best poet―― Drank our Mountain dew, How his verse would show it: As the best then known, He to wine was civil; Had he Inishowen He’d pitch wine to the d――l.
Bright as beauty’s eye, When no sorrow veils it; Sweet as beauty’s sigh, When young love inhales it; Come, then, to my lip―― Come, thou rich in blisses―― Every drop I sip Seems a shower of kisses.
Could my feeble lays Half thy virtues number, A whole grove of bays Should my brows encumber. Be his name adored, Who summed up thy merits In one little word, When he called thee spirits.
Send it gaily round―― Life would be no pleasure, If we had not found This enchanting treasure: And, when tyrant death’s Arrow shall transfix ye, Let your latest breaths Be whiskey! whiskey! whiskey! Whiskey! drink divine! Why should driv’lers bore us With the praise of wine, Whilst we’ve thee before us?
By JOSEPH O’LEARY (a parliamentary reporter for the Morning Chronicle). 1840.
――――
HENRY AND ELLEN.
O’er Atlantic wave Comes a fearsome babel; Every sort of stave, Fact confused with fable. Henry some assail, T’other side the ferry; But the western gale Blows love of Ellen Terry!
Black is Henry’s guilt, Passing all contrition; For he runs atilt At a pet tradition. When he seems to fail Philistines make merry; But the western gale Blows love of Ellen Terry!
Shylock is too tame For a taste robustious; Oracles acclaim Henry is “industrious!” Still the crafty Jew Agitates the scholars―― Hebrew never drew Such a pile of dollars.
Melancholy Dane, Why this grief abysmal? Democrats would fain See a Prince less dismal. How can Boston praise, With this thought unnerving―― Edwin’s crown of bays On the brow of Irving?
For the Martyr King Countless cheeks are dewy; Critics sweetly sing Anthems to the Louis. Many love him best When his vein for sport is―― Prize the polished jest That his Doricourt is.
Mathias appals With his conscience deathless Gallery and stalls, Sitting mute and breathless. What though taunting scribe Write himself a noodle? Henry turns the gibe, Whistling “Yankee Doodle!”
But when Ellen smiles, Glows the most sedate eye; Lightly she beguiles Boston literati. Never did the sword Win such wide submission―― Slavery restored, Spite of Abolition!
We who saw thy tomb, Pride of all Verona, Mourned thy piteous doom, Sweetest Desdemona; Gladly would we sail Ocean in a wherry, While the western gale Blew love of Ellen Terry!
Portia, we know What it is that tutors Blest Bassanio To vanquish other suitors! Beatrice might rail From Sandy Hook to Kerry, Still would western gale Blow love of Ellen Terry!
May red rose grow pale, Juice desert the berry, Ere the western gale Blow slight of Ellen Terry! Which of us would quail Before the worst of sherry, To drink “Columbia, hail!” For love of Ellen Terry!
The St. James’s Gazette. January 10, 1884.
――――:o:――――
THE BATTLE OF LIMERICK.
Ye Genii of the nation, Who look with veneration, And Ireland’s desolation onsaysingly deplore, Ye sons of General Jackson, Who’d thrample on the Saxon, Attend to the thransaction upon Shannon shore.
When William, Duke of Schumbug, A tyrant and a humbug, With cannon and with thunder on our city bore, Our fortitude and valiance Insthructed his battalions, To respict the gallant Irish upon Shannon shore.
Since that capitulation, No city in this nation So grand a reputation could boast before, As Limerick prodigious, That stands with quays and bridges, And the ships up to the windies of the Shannon shore.
A chief of ancient line, ’Tis William Smith O’Brine Reprisints this darling Limerick, this ten years or more; O the Saxons can’t endure To see him on the flure, And thrimble at the Cicero from Shannon shore!
This valiant son of Mars Had been to visit Par’s, That land of Revolution, that grows the tricolor; And to welcome his return From pilgrimages forr’n, We invited him to tay on the Shannon shore.
* * * * *
When full of tay and cake, O’Brine began to spake; But juice a one could hear him for a sudden roar Of a ragamuffin rout Began to yell and shout, And frighten the propriety of Shannon shore.
As Smith O’Brine harangued, They bathered and they banged; Tim Doolan’s doors and windies down they tore: They smashed the lovely windies (Hung with muslin from the Indies), Purshuing of their shindies upon Shannon shore.
With throwing of brickbats, Drowned puppies and dead rats, These ruffin democrats themselves did lower: Tin kettles, rotten eggs, Cabbage-stalks, and wooden legs, They flung among the patriots of Shannon shore.
“Cut down the bloody horde!” Says Meagher of the sword, “This conduct would disgrace any blackamore;” But the best use Tommy made Of his famous battle blade Was to cut his stick from the Shannon shore.
Immortal Smith O’Brine Was raging like a line; ’Twould have done your sowl good to have heard him roar: In his glory he arose, And he rushed upon his foes, But they hit him on the nose by the Shannon shore.
Then the Futt and Dthragoons, In squadthorns and platoons, With their music playing chunes, down upon us bore; And they bate the rattatoo, But the Peelers came in view, And ended the shaloo on the Shannon shore.
W. M. THACKERAY.
――――
MR. PATRICK O’RORY’S ACCOUNT OF THE HAMPTON COURT MEET.
Och, the glorification of bicycleation, What is’t in the nation can ever compare, With all of them fleeting to Hampton, and meeting Like temperance preachers all in the open air. Och, for the numbers with Singers and Humbers, Piling their instruments up by the gates; And patent Eclipses, and policemen, and gipsies, And boys with the programmes all eating of swates.
Their bicycles shining all standing a line in, ’Twas done by designing, and splendid to see; With people all flocking, and each other knocking, And all of them happy as they could be. Then over the courses two policemen on horses, A-dancing and prancing, decipher the line; Quickissimo! steady! the riders get ready To jump in their saddles when they get the sign.
Then the bugle sounded, and all of them bounded, Right on to the top of their lovely machines; Only some of them hopping too hard took to flopping, And mixed themselves up by all manner of manes. Then the first couple dodges right in by the Lodges, At the Lion Gates, into Bushy Park. Their club was the Pickwick (which wanst had a picnic In Epping Forest and got back before dark.)
And next comes the Surrey up all in a hurry, With nice Mister Budd, ’kase he thought they were late; And Mister Oxx laughing so wide at the chaffing, He had to stop smiling to get through the gate. And then came the Temple, a pleasant exemple Of teetotal members who never drink beer; In front of them “Maccy,” who rode on his “jacky,” And young Charley Liles bringing up the rear.
Then comes Lacy Hillier――’twould purty well kill ye, To watch him a-spiling his beautiful face In such a sad manner, just by the Diana, As only a knocker could make such a grimace. And H. Liddel Cortis, who’d only just bought his New Surrey Machinist a couple of weeks; And being a novice, ’twas hard luck of his, To have a great wapse get inside of his breeks.
The next was the London, and may I be undone, By faith, if they wasn’t the best of them all. With Handicap Rucker in front, on a duck o’ A beautiful Humber from ’Cultural Hall; And then came the Saturn, a worthy pattern, With lace on their jackets, and gould on the front; And R. Vazie Simons, all shining like di’mon’s―― The sun he complately put out of the hunt.
(Three verses omitted.)
Then the eggs and the cresses and the ladies’ dresses, And all other things which are good for to eat, With tea to delight ’em all ad infinitum, And waiters to cut up the plates full of meat; There was punch and toddy for everybody, And anyone else who could only get in; But poor Mister Sopper eat more than was proper, Which made him so fat that he’ll never get thin.
Then the crowd disperses――the sojers and nurses, And dames with their purses for to catch the train, Wid all of them boring, each other assuring It’s the grandest sight they’ll never see again. And now that I’ve finished my tale and diminished The beautiful nagus ye mixed before, I’m dhry as a dragon, so hand me the flagon―― Sure it can’t hurt to drink one glass more.
H. A. V.
From Icycles. The Christmas number of The Wheel World, 1880.
――――
THE BATTLE OF O’BRINE.
Great jaynius of the nation, Ould Ireland’s veneration, Come over, Mr. Gladstone, most honourable sorr; And sling your grand old axe on, To slay the tricherous Saxon That raised that dridful shindy on fair Ontario’s shore.
As bould as any line Came W. O’Brine (A pathriot as eminent as ever Ireland bore), To prache Home Rule Salvation To this benighted nation That grope in degradation by fair Ontario’s shore.
Tin gintlemen united The orator invited To meet Toronto citizens――some twenty bhoys or more―― To purge the foul pollution Of the toirant Constitution By a pathriot risolution from fair Ontario’s shore.
And the blaggart Lansdowne trimbled At our gallant bhoys assimbled, Though his craven crew dissimbled all the fears their bosoms tore, When, Will Mulligan beside, Did the bould O’Brine ride With Dan Cahill and Kilbride to fair Ontario’s shore.
For the toirant thraithors knew What the bould O’Brine could do: So with rage and imulation in their black heart’s core, They hired a howlin’, shrakin’, Mob to interrupt the spakin’ That would else have bought true freedom to fair Ontario’s shore.
With an illoquence most takin’ O’Brine began the spakin’; But juice a one could hear him, for a sudden roar Of the ragamuffin rout Began to yell and shout, And frighten the propriety of fair Ontario’s shore.
W. O’Brine harangued; But they battered and they banged, And they stormed the pathriot’s platform and the pathriot’s breeches tore. Till through all the shout and shindy He retreated by the windy With an angry curse at parting upon fair Ontario’s shore.
That infuriated curse Only made the thraithors worse And the howling mob in hundreds after bould O’Brine did pour, As with cat-calls, shrieks, and whistles, And the most unginerous missiles―― Rotten eggs, sticks, stones and carrots――they disgraced Ontario’s shore.
With throwing of brickbats, Drowned puppies and dead cats, These ruffian democrats themselves did lower. “Och! a national disgrace,” Cried O’Brine, and with quick pace Boulted down into a friendly and convanient ’cycle “store.”
And there pale the bould O’Brine Halted, raging like a line: ’Twould have done your sowl good to have heard how he swore! Then he pinned up his trunk hose, And, retreating from his foes, By the back door, turned for ever from that tricherous thraithor shore.
The Globe. May 21, 1887.
When Lord Lansdowne was appointed Governor General of Canada, Mr. W. O’Brien went over to the Dominion to expose the harsh manner in which the tenants were treated on the rack-rented estates of Lord Lansdowne in Ireland. Mobs of rioters attacked Mr. O’Brien, who was nearly killed, and the Canadian police proved utterly inefficient to cope with the disorder.
――――:o:――――
LOVE AT TWO SCORE.
Ho! pretty page, with dimpled chin, That never has known the barber’s shear, All your aim is woman to win. This is the way that boys begin. Wait till you’ve come to forty year! Curly gold locks cover foolish brains, Billing and cooing is all your cheer, Sighing and singing of midnight strains Under Bonnybell’s window panes. Wait till you’ve come to forty year!
Forty times over let Michaelmas pass, Grizzling hair the brain doth clear; Then you know a boy is an ass, Then you know the worth of a lass, Once you have come to forty year. Pledge me round, I bid ye declare, All good fellows whose beards are grey: Did not the fairest of the fair Common grow and wearisome, ere Ever a month was past away?
The reddest lips that ever have kissed, The brightest eyes that ever have shone, May pray and whisper and we not list, Or look away and never be missed, Ere yet ever a month was gone. Gillian’s dead, Heaven rest her bier, How I loved her twenty years syne! Marian’s married, but I sit here, Alive and merry at forty year, Dipping my nose in the Gascon wine.
This poem first appeared in Thackeray’s burlesque of Sir Walter Scott’s Ivanhoe, entitled “Rebecca and Rowena.”
――――
LOVE AT SIXTEEN. In answer to W. M. Thackeray, Esq. By a Pretty Page.
The affections, when young, are more prone to unite, As the flowers of the forest together entwine, Than when age with her vigour has frozen our might, And manhood has gone past the bounds of its prime.
Forty years――ah! why wait for enjoyment so long, For a home with the heart and the hand of the fair? Why cheat expectation while time circles on, And marry a girl, in your fortieth year?
With no one to share life’s troubles and crosses, Or cheer you with smiles when sickness is near, Or console you amidst your privations and losses, Would you wait for a bride till your fortieth year?
Why not taste of the fountain of pleasure while beauty, Lends grace to the features now withered and sere? Oh! lose not the chance, for numbers will suit ye, Unless they’re put oft to the fortieth year.
To sweeten the cup of the bitter we’re drinking, And mourn o’er the corpse when the spirit has gone, To soften our fears when hope is fast sinking, Are to woman allotted, sad tasks! to be done.
Oh! give me a home with a fair English maiden, Who’ll beguile the dull days of my sojourning here; While blest with a wife and two rosy young children, I’ll leave others to wed in their fortieth year.
Cheltenham. January, 1850.
――――:o:――――
THE SNOB’S VERSION OF THE CANE-BOTTOM’D CHAIR.
(It is said that the Prince of Wales, being late for Church on the day of his arrival at Cannes, slipped in among the footmen and ladies’ maids. One of the latter marked the chair he occupied, and after evening service, her mistress, the wife of a Liverpool cotton-broker, was much disappointed at not being able to buy it from the sexton.)
Was ever a woman so wretched as I, To long for a treasure that wealth cannot buy! That sexton has surely the heart of a bear, Or else he would sell me that cane-bottom’d chair.
’Tis nothing to look at, you crusty old man! And no one would give you the price of a fan; But since the fair evening when Albert sat there, I yearn and I burn for that cane-bottom’d chair.
To think I have seen him as yet but in dreams, And that he should sit between Mary and Jeames! What rapture with Albert a prayer-book to share, Had I been as close to that cane-bottom’d chair!
O sexton, how can you compel me to pine For a seat that can never be chaste in design? And yet could I win you, no Chippendale rare Should wean my heart from you, my cane-bottom’d chair!
I’d work you a cushion; I’d dust you myself―― The shrine of my saint, and the throne of a Guelph! No Liverpool rivals would dare to compare Their stale bric-à-brac with my cane-bottom’d chair.
And oft in the twilight my fancy would see My Prince in that seat sitting smiling at me!―― O sexton, kind sexton, give heed to my prayer, And take all I have for that cane-bottom’d chair!
――――:o:――――
THE KING OF YVETOT.
There was a King of Yvetot, Of whom renown hath little said Who let all thoughts of glory go, And dawdled half his days in bed, And every night as night came round, By Jenny, with a nightcap crowned Slept very sound: Sing ho, ho, ho! and he, he, he! That’s the kind of King for me.
* * * * *
W. M. THACKERAY.
――――
THE GREAT NEWS-MAKER.
It was the “crack” news-maker, The champion of the gang, A knowing wide-a-waker, Who would without a pang Supply strange stories without stint, Shoot emperors, blow up the Mint―― In print. Ha, ha, ha, ha! Ho, ho, ho, ho! Where find the match of this hero?―― Ho, ho!
He every week discovers Fresh dynamiters’ schemes, And scores of sighing lovers He’s drown’d in Lethean streams; He knows the Ministerial mind, Whispers that Gladstone has, we’ll find, Resigned. Ha, ha, ha, ha! Ho, ho, ho, ho! The whole world’s secrets he does know―― Ho, ho!
For lovers of sensations Who like news dashed with “spice,” He’ll hint at revelations, Hatch scandals in a trice. And when he sees the gaping crowd, He’ll laugh――he’s of his wit so proud―― Aloud. Ha, ha, ha, ha! Ho, ho, ho, ho! This is the age of shams, you know. Ho, ho!
Funny Folks. June 5, 1886.
Thackeray’s translations, or imitations, of some of Beranger’s songs are well known, it is interesting to compare them with the versions written by Father Prout (the Rev. Francis Mahony), who has not only followed the originals more closely, but seems also to have preserved more of their light-hearted gaiety, than did Thackeray. When Thackeray projected “The Cornhill Magazine” Father Prout sent an “Inaugurative Ode to the author of Vanity Fair.” Thackeray was too fastidious to allow it to appear exactly in the form in which it was written, but having considerably altered it, and added two stanzas, it was printed in the first number of the Cornhill, January, 1860. The two versions will be found in the appendix to The Maclise Portrait Gallery by William Bates, B.A. (London Chatto and Windus, 1883.) The version given in The Works of Father Prout, published by Messrs. Routledge, London, is simply a reprint of the Ode as it appeared after it had been altered, and cut about, by Thackeray.
――――:o:――――
In his “Memoirs of C. Jeames de la Pluche, Esq.,” and “The Ballads of Policeman X” Thackeray allowed his fondness for eccentric orthography to become somewhat tedious, but they contain many gems of humour, such as the song of the love sick Jeames:――
When moonlike ore the hazure seas In soft effulgence swells, When silver jews and balmy breaze Bend down the Lily’s bells; When calm and deap, the rosy sleap Has lapt your soal in dreems, R Hangeline! R lady mine! Dost thou remember Jeames?
I mark thee in the Marble All, Where England’s lovliest shine―― I say the fairest of them hall Is Lady Hangeline. My soul, in desolate eclipse, With recollection teems―― And then I hask, with weeping lips, Dost thou remember Jeames?
* * * * *
Burlesque verses, such as these, may be imitated, but they cannot be parodied, and, indeed it must be admitted that few of the imitations are really humorous.
THE ARCANA OF CABINET-MAKING. (An Epistle from James de la Pluche, Jun., Esq.)
“Lady Frederick Cavendish’s house, Carlton House-terrace, and Devonshire House, the town residence of the Marquis of Hartington, were the centres of interest on the Opposition side. Mr. Gladstone, who is at present the guest of Lady Frederick, at half-past ten received a visit from Mr. Godley, a former private secretary. Lord Granville walked across from his residence about eleven o’clock, and had a long interview with Mr. Gladstone, Sir Henry James, ex-Attorney-General, also called on Mr. Gladstone, and remained with him for about half an hour. He was followed by Lord Hartington, who walked to Carlton House-terrace from the Reform Club. He and Mr. Gladstone remained in conversation for over an hour. At the close of the interview his lordship crossed the street to Lord Granville’s residence, and in a few minutes they came out together in earnest conversation. Lord Hartington left the leader of the House of Lords at the corner by the Athenæum, and strolled back in the direction of the Duke of York’s Steps, where he was shortly joined by Lord Rosebery, who had called on Mr. Gladstone in the meantime. Later in the afternoon Mr. and Mrs. Gladstone went for a drive in the Park, after which the former was again visited by Lord Granville and Lord Derby.”――Times. January 28, 1886.
You scribblin’ fellers makes a show Of bein’ reg’lar “in the know,” On pollytix an’ pollytishns Haffectin’ habsoloot homnishns―― But wen there comes a cryziss, who’s The whery fust as knows the knoos? Who’s hex hoffisho on the spot To let you press-chaps know wot’s wot? Who’s plaist by Fête in sich a stashn As quite commands the sitiwashn? Who tells you penyalinin’ lyres The hins an’ houts of wot perspires? In short, who knows the time of day, Is hup to snough, hall there, ho fay? Who ’olds the pulse of Isterry? I hansers ortily, Y, ME!―― Me, an’ a few kongfrares as well Wot waits upon the Front Door Bell.
The wuld is pantin’ for to know The goins on of WEG. an’ Co.―― His bedtime an’ the time he riz, His hegsits an’ his hentrances, His hax each minnit of the day, Who cawld on ’im, who stade awhey, Wen Herbert wisited the Guv, An’ wen he wawkt, an’ wen he druv, An’, most of hall, wot lucky feller He last took hunder his humbreller, Did Granwill pop across the streat? Did ’im an’ Wernon Arkrt meat? Were it at arf past twelve or wun The Gee Ho Hem sor ’Artington? He stayed――’ow long? An’ who come nex? Wot other bigwhigs paid respex? Who were it wrang the hairey bell An’ slipt in privit?――Not P――rn――ll? Wen came the darlin’ of the Corcus. His butnole gorjus with a horchus? Wile he enjyd a tateytate, Were Rowsberry ablidjed to wate? Who was eggscited? Who was carm? An’ who with who went harm-in-harm? For tips on sich pints Kings an’ Doox An’ Hurls is on the tenteroox―― From Galway to Hafganistan Hall Ize is on the Grand Old Man; The Zar’s gone oph his sleap at night, Prints Bizmark’s lost his happytight, The Greax for hinfamashn long―― An’ who, pray, keaps ’em ho koorong? Who plays, in langwitch mettyforacle, The mitey roll of Yewrup’s Horacle? Who lets you scribblers suck his branes An’ gits a quid, praps, for his panes? R! Sich the lot (’ow ’ard it seams!) The loly, lophty lot of JEAMES.
The Pall Mall Gazette. January 30, 1886.
――――:o:――――
THE BALLAD OF A RURAL PLECEMAN, BY “WHACKERY.”
Tory gents of Lincoln county, Lincoln famed for minster grand, Whence a “party,” as is nameless, Looks they say across the land.
I’m a bold and rural Pleceman Keepin’, as in duty boun’, Hi’s on all them poachin’ raskles As infestes Spaldin’ town.
And my hobject is remonstransh (Which I feel I’m to it drove) With that ere ’Ome Secertary, A most harbetary cove.
In this hex’lent town of Spaldin’ Lives a gent of whom I speak, Most respectful,――as a Rev’rent,―― And a most intel’gent Beak.
And this Rev’rent Beak afore him Had a gal――of crackter rum, Caught most flagrant in the hact like Priggin’ a Geraneum.
And her prevus hantecedants (Which the law they couldn’t reach) Bad they was,――I’d o’mmost warrent She’d not heerd that Rev’rent preach.
Niver been to Skool and sich like, Niver curtsy’d, I’ll be boun’, When she met that Rev’rent party Walkin’ meek in Spaldin’ town.
So his Rev’rent Washup hearin’ All the fax to which I speaks, Sent that most owdacious huzzy Into quod for several weeks.
When that wicked gal was quodded (I wish more was, on my sowl) All them penny Radikle papers Made a most infunnil ’oul.
And they said as this ere Rev’rent,―― (Bless his gentle ’art――for years I have heeard ’im for them ’ethens Preach till every hi was tears).
Yes,――they said this pious gen’lm (Which I knows the coals he give) Was a cruel ’artless tyrant, O’mmost ’ardly fit to live;
When they know as ’e’s as kind like As his little boys wot sings, Allus gettin’ good old ladies To be givin’ of ’im things.
Now no word was too revileful ’Cos o’ this gals “tender years” (As they called ’em), and ’cos mostly Of her Corkodilish tears.
Then this ere ’Ome Secertary (Which of this I now complain) Spoke quite stern-like to this Rev’rent, And released that gal again.
And what’s wus,――another Conviction Of this hex’lent J. P., Though not ’arf what I’d ’a given, Was just squashed like, d’ye see.
And this Radikle ’Ome Secertary, Speakin’ in a public place, Hinted as this Rev’rent party Worn’t quite fitted for his place.
This I call a most etroceous, And a hins’lent thing to speak; Who is ’e I’d like to know now, To hinsult a Rev’rent Beak?
I on’y wish that Rev’rent had ’im Afore him with a fairish tale, I don’t think that cheeky party Would too easily get bale.
And I call on all them ladies Which his church and sich-like give, All them gents upon his Boards like, And them lawyers, as must live,
Now to jine in this remonstransh At the truth which now I told, And in gen’ral hindignation, With a rural Pleceman bold.
From Grins and Groans, 1882.
――――:o:――――
OLD FASHIONED FUN.
When that old joke was new, It was not hard to joke, And puns we now pooh-pooh, Great laughter would provoke True wit was seldom heard, And humour shown by few, When reign’d King George the Third, And that old joke was new.
It passed indeed for wit, Did this achievement rare, When down your friend would sit, To steal away his chair; You brought him to the floor, You bruised him black and blue, And this would cause a roar, When your old joke was new.
W. M. THACKERAY.
The original of this parody will be found on p. 167 vol. iv., with two imitations.
In the fourth volume of this collection several parodies, written by Thackeray, were given, amongst them being two upon Wapping Old Stairs “Untrue to my Ulric I never could be” and “The Almack’s Adieu,” also one, on page 173, commencing:――
“Dear Jack, this white mug that with Guinness I fill,” and “Larry O’Toole” on page 250.
In a future volume, devoted to prose parodies and burlesques, those written by Thackeray will be fully described.
Edward Bulwer Lytton.
BORN, May 25, 1805. DIED, January 18, 1873.
Lord Lytton’s poetry does not appear to have offered much temptation to the parodists, probably because none of it became truly popular. Many years ago the late Professor Aytoun wrote some satirical verses on Lytton, entitled A Midnight Meditation, but this, and Tennyson’s attack upon him in Punch, are the only important burlesques on his poetry.
Several of his plays have, however, been the subject of burlesques, and many prose parodies of his novels have been written.
A MIDNIGHT MEDITATION.
Fill me once more the foaming pewter up! Another board of oysters, ladye mine! To-night Lucullus with himself shall sup. These mute inglorious Miltons are divine! And as I here in slippered ease recline, Quaffing of Perkins’ Entire my fill, I sigh not for the nymph of Aganippe’s rill.
But these remarks are neither here nor there. Where was I? Oh, I see――old Southey’s dead! They’ll want some bard to fill the vacant chair, And drain the annual butt――and oh, what head More fit with laurel to be garlanded Than this, which, curled in many a fragrant coil, Breathes of Castalia’s streams, and best Macassar oil?
They throng around me now, those things of air That from my fancy took their being’s stamp: There Pelham sits and twirls his glossy hair, There Clifford leads his pals upon the tramp; There pale Zanoni, bending o’er his lamp, Roams through the starry wilderness of thought, Where all is everything, and everything is nought.
Yes, I am he who sang how Aram won The gentle ear of pensive Madeline! How love and murder hand in hand may run, Cemented by philosophy serene, And kisses bless the spot where gore has been! Who breathed the melting sentiment of crime, And for the assassin waked a sympathy sublime!
Yes, I am he, who on the novel shed Obscure philosophy’s enchanting light! Until the public, ’wildered as they read, Believed they saw that which was not in sight―― Of course, ’twas not for me to set them right; For in my nether heart convinced I am, Philosophy’s as good as any other bam.
Moore, Campbell, Wordsworth, their best days are grassed, Battered and broken are their early lyres, Rogers, a pleasant memory of the past, Warmed his young hands at Smithfield’s martyr fires, And, worth a plum, nor bays nor butt desires. But these are things would suit me to the letter, For though the stout is good, old sherry’s greatly better.
A fico for your small poetic ravers, Your Hunts, your Tennysons, your Milnes, and these! Shall they compete with him who wrote “Maltravers”? Prologue to “Alice, or the Mysteries”? No! even now my glance prophetic sees My own high brow girt with the bays about, What ho! within there, ho! another pint of STOUT!
(Several verses omitted.)
WILLIAM E. AYTOUN.
But this prophecy was not to be fulfilled, for on the death of Wordsworth, in 1850, Tennyson obtained the office and pension of Poet Laureate. Some years before that event Tennyson had also received a grant from the Government, which aroused the jealousy of his brother poets.
――――:o:――――
In 1846 Mr. Henry Colburn, of London, published an anonymous satirical poem, entitled The New Timon, which soon became known as the work of Lytton. It contained the following passage:――
“I seek no purfled prettiness of phrase, A soul in earnest scorns the tricks for praise. If to my verse denied the Poet’s fame, This merit, rare to verse that wins, I claim; No tawdry grace shall womanize my pen! Ev’n in a love-song, man should write for men! Not mine, not mine, (O Muse forbid!) the boon Of borrowed notes, the mock-bird’s modish tune, The Jingling medley of purloin’d conceits Out babying Wordsworth, and outglittering Keates (sic) Where all the airs of patchwork-pastoral chime To drowsy ears in Tennysonian rhyme! Am I enthrall’d but by the sterile rule, The formal pupil of a frigid school, If to old laws my Spartan tastes adhere, If the old vigorous music charms my ear, Where sense with sound, and ease with weight combine, In the pure silver of Pope’s ringing line; Or where the pulse of man beats loud and strong In the frank flow of Dryden’s lusty song? Let School-Miss Alfred vent her chaste delight On “darling little rooms so warm and bright!”[124] Chaunt, “I’m a-weary,” in infectious strain, And catch her “Blue fly singing i’ the pane,” Tho’ praised by Critics, tho’ adored by Blues, Tho’ Peel with pudding plump the Puling Muse, Tho’ Theban taste the Saxon’s purse controuls, And pensions Tennyson, while starves a Knowles.
――――
THE NEW TIMON, AND THE POETS.
We know him, out of Shakespeare’s art, And those fine curses which he spoke; The old Timon, with his noble heart, That, strongly loathing, greatly broke.
So died the Old: here comes the New, Regard him: a familiar face: I thought we knew him. What! it’s you, The padded man――that wears the stays――
Who kill’d the girls and thrill’d the boys With dandy pathos when you wrote, A Lion, you, that made a noise, And shook a mane en papillotes.
And once you tried the Muses, too; You fail’d Sir: therefore now you turn, You fall on those who are to you, As Captain is to Subaltern.
But men of long-enduring hopes, And careless what this hour may bring, Can pardon little would-be Popes And Brummels, when they try to sting.
An Artist, Sir, should rest in Art, And waive a little of his claim, To have the deep Poetic heart Is more than all poetic fame.
But you, Sir, you are hard to please; You never look but half content: Nor like a gentleman at ease, With moral breadth of temperament.
And what with spites and what with fears, You cannot let a body be: It’s always ringing in your ears, “They call this man as good as me.”
What profits now to understand The merits of a spotless shirt―― A dapper boot――a little hand―― If half the little soul is dirt?
You talk of tinsel! why we see The old mark of rouge upon your cheeks, You prate of Nature! you are he That spilt his life about the cliques.
A Timon you! Nay, nay, for shame: It looks too arrogant a jest―― The fierce old man――to take his name You bandbox. Off, and let him rest.
ALCIBIADES.
Punch. February 28, 1846.
There is little reason to doubt that Tennyson wrote these lines, although they are not included in his works. Lady Lytton’s description of her future husband, as he first appeared to her, justifies this charge of foppery brought against him.
“He had” she wrote, “just returned from Paris, and was resplendent with French polish, so far as boots went. His cobweb cambric shirt-front was a triumph of lace and embroidery, a combination never seen in this country till six or seven years later, except on babies’ frocks. Studs, too, except in racing stables, were then non est, but a perfect galaxy glittered along the milky way down the centre of this fairy-like lingerie. Poor D’Orsay’s linen gauntlets had not yet burst upon the London world, but like the little source of a mighty river, Mr. Lytton Bulwer had three inches of cambric encircling his coat cuffs, and fastened with jewelled sleeve-links. And though it then wanted full five years till every man in society was caned, he also dangled from his ungloved and glittering right hand, a somewhat gorgeously jewelled-headed ebony cane, and the dangling was of the scientific kind that had evidently been ‘learnt, marked, and inwardly digested.’ Miss Landon and I both laughed as I exclaimed:
‘Sir Plume, of amber snuff-box justly vain, And the nice conduct of a clouded cane.’”
――――:o:――――
Lord Lytton’s most successful drama “The Lady of Lyons, or Love and Pride,” was produced at Covent Garden Theatre, London, on February 15, 1838, when Mr. Macready played Claude Melnotte, and Pauline was impersonated by Miss Helen Faucit, now Lady Theodore Martin. The plot of the play is absurd and preposterous in the highest degree, yet Lytton acknowledged that, such as it was, it had been suggested to him by a pretty little tale called “The Bellows Mender.” Possibly the success of Lytton’s play put others on the scent of his original, for on February 7, 1842, a domestic drama in three acts, entitled “Perourou, the Bellows Mender, and the Beauty of Lyons,” by W. T. Moncrieff, was produced at Sadler’s Wells Theatre. Stilted in language, full of clap-trap sentiment, and utterly destitute of poetry, it is still easy to see that it had a common origin with The Lady of Lyons, from which it differed in many respects, and was inferior in all.
A favourite piece of clap-trap in Lytton’s drama is
MELNOTTES VISIONARY HOME.
Nay, dearest, nay, if thou would’st have me paint, The home to which, could love fulfil its prayers This hand would lead thee, listen――a deep vale, Shut out by Alpine hills from the rude world, Near a clear lake margined by fruits of gold And whispering myrtles; glassing softest skies As cloudless, save with rare and roseate shadows, As I would have thy fate! A palace lifting to eternal summer Its marble walls from out a glossy bower Of coolest foliage musical with birds, Whose song should syllable thy name! At noon We’d sit beneath the arching vines, and wonder Why earth could be unhappy, while the heavens Still left us youth and love! We’d have no friends That were not lovers, no ambition, save To excell them all in love; we’d read no books That were not tales of love――that we might smile To think how poorly eloquence of words Translates the poetry of hearts like ours! And when night came, amidst the breathless heavens We’d guess what star should be our home when love Becomes immortal; while the perfumed light Stole through the mists of alabaster lamps, And every air was heavy with the sighs Of orange groves and music from sweet lutes, And murmurs of low fountains that gush forth I’ the midst of roses!――dost thou like the picture?
This has been frequently parodied. In “Cinderella,” by Albert Smith, the book of which is now exceedingly scarce, the following was spoken by Alfred Wigan, in the part of Prince Rodolph:
Say dearest, say, if thou wouldst have me paint The lodging whither, but not till we are wed, The bus shall take thee, listen, A cottage making to external splendour But small pretence, passed every half an hour By omnibuses musical with cads Who’d set us down at our own door. At noon We’d dig our early brocoli, and wonder How the slave trade could flourish, while the heavens Send down such loads of blacks. We’d have no friends That were not jolly, no ambition save How to make both ends meet. We’d keep no book, ’Cause we’d pay ready cash that we might smile To think how thoroughly long Christmas bills Would take the poetry out of love like ours. And when night came, beneath our pea-green arbour, We’d guess whence came the earwigs that like friends Drop into tea, while blazed the camphine light, Or Vesta, or some other patent lamp, And all the streets were echoing with the cries Of orange girls, and music from cracked flutes And murmurs of low organs that grind forth One endless polka. Dost thou like the picture?
To which Cinderella (Mrs. Keeley), replied:
Oh don’t I just, Lord, I could walk and walk, For ever so long, to hear you talk and talk.
――――
“The very latest edition of the Lady of Lyons,” a Burlesque Extravaganza, in one act, by H. J. Byron, was produced at the Strand Theatre, London, on July 11th, 1859, in which Miss M. Oliver, Miss Charlotte Saunders, and Messrs. H. J. Turner, James Rogers and J. Clarke took the leading parts. Miss C. Saunders, as Claude Melnotte, spoke the following parody:――
Pauline.――Describe to me again, your highness, do That Crystal Palace you would take me to.
Claude.――If thou would’st have me paint――
Pauline.――I would――be quick!
Claude.――(aside) Then I must lay it on extremely thick, (aloud) The home to which could love fulfil its prayers, This hand would lead thee――(aside) up no end of stairs A flight of beauty such as ne’er did man see―― (aside) But in this instance quite a flight of fancy; A palace in the winter and the summer, Open to every decently dressed comer, Who with the humble shilling can come down; (On Saturdays the charge is half a crown) With marble halls――each end a glassy tower; (The trains start every quarter of an hour); At noon when cooler much the air becomes, We’d sit amongst the megatheriums And others with hard names――I scarce can tell ’em One from the other――nobody can spell ’em; We’d have no friend with us the live long day Third parties, dear, are always in the way, And when night came, down at the railway station Mid’st hundreds in a state of agitation We’d guess which carriage should convey us home As to the platform’s side the train would come―― Say dost thou like the picture?
Pauline.――As the bee Upon the flower hangs――I hang on thee Such honey have thy charmed accents got.
Claude.――(aside bitterly) Alas! no honey for it is mel-not.
――――
THE MODEL PALACE.
“When Lord Lytton wrote The Lady of Lyons he was in profound ignorance of one of the blessings in store for the human race. Nothing had then been heard of health-towns or model houses, and when Claude Melnotte sought to dazzle the mind of Pauline with a picture of the retreat love would conjure up for her, he could think of nothing better than a ramshackle old palace by the Lake of Como.
Now, had Lord Lytton enjoyed the advantage of Dr. Richardson’s acquaintance, how much more sensibly he would have set to work. The most popular passage in the play would then, without a doubt, have run somewhat in this style:――
Melnotte.――Nay, dearest, nay. If thou wouldst have me paint The home to which――if paint were not unwholesome―― This hand would lead thee――listen. A clear space, Guarded by sheltering hills from the east winds, Laid out in geometrical designs, Around a garden for the general use. Planned to secure――on soundest principles―― Accord among the various families; As cloudless――save for “tiffs” and passing shadows―― As I would have thy fate.
Pauline.――My own Hygeia!
Melnotte.――A mansion lifting from the triple arches Its perforated walls, its staircase tower Distinct, a ventilating shaft, a lift For dust and other objects, and a roof Of coolest foliage, musical with birds, Whose songs should syllable MY name. At noon We’d sit beneath the arching glass and wonder What a photographer would pay per annum For such a studio. We’d read no books That did not treat of drainage――sing no songs But sanitary lays, that we might smile To think how poorly others felt the need Of hygienic altitudes like ours; And when night came, in tesselated rooms We’d guess what style would be our home when means Became unbounded, while the newest light Stole through the patent economic lamps, And every air-hole in the hollow bricks Whistled and moaned in ghostly dissonance, With coughing and the sneezes that gush forth I’ the best o’ noses.――Dost thou like the picture?
Funny Folks. February 3, 1877.
Another burlesque was produced at the Gaiety Theatre, London, in October 1878, entitled The Lady of Lyons Married and Settled, by Herman C. Merivale, with Miss Nelly Farren, and Messrs. Edward Terry, Royce, Maclean and Squire, in the principal characters. In this, Claude Melnotte, instead of describing an imaginary palace, sings a patter song to his wife, Pauline, in praise of the Darwinian theory of the evolution of species. As might be expected, the humour of this is somewhat ponderous.
――――:o:――――
THE SEA CAPTAIN; OR, The Birthright.
A Drama in five Acts, by Sir E. L. Bulwer, was first performed at the Haymarket Theatre, London, October 31, 1839, with the following cast:――
Lord Ashdale Mr. J. Webster Sir Maurice Beevor Mr. Strickland. Norman Mr. Macready. Falkner Mr. Howe. Onslow Mr. Phelps. Gaussen Mr. O. Smith. Luke Mr. Gallott. Lady Arundel Mrs. Warner. Violet Miss Helen Faucit. Mistress Prudence Mrs. Clifford.
Notwithstanding all the efforts of these famous actors and actresses the play had little success. When Sir E. L. Bulwer published it, he attempted to excuse its comparative failure by asserting that the critics had condemned the play from a dislike of his political opinions, with other equally weak statements, which Thackeray exposed and ridiculed in a humorous critique in Fraser’s Magazine. A few extracts only can be given of this epistle from
CH-S Y-LL WPL-SH, ESQ., TO SIR EDWARD LYTTON BULWER, BART.
Mayfair, Nov. 30, 1839. Midnite.
HONRABBLE BARNET!――Retired from the littery world a year or moar, I didn’t think anything would injuice me to come forrards again; for I was content with my share of reputation, and propoas’d to add nothink to those immortial wux which have rendered this Magaseen so sallybrated.
Shall I tell you the reazn of my re-appearants?――a desire for the benefick of my fellow-creatures? Fiddlestick! A mighty truth with which my busm laboured, and which I must bring forth or die? Nonsince――stuff: money’s the secret, my dear Barnet――-money――L’argong, gelt, spicunia. Here’s quarter day coming, and I’m blest if I can pay my landlud, unless I can ad hartificially to my inkum.
This is, however, betwigst you and me. There’s no need to blacard the streets with it, or to tell the British public that Fitzroy Y-ll-wpl-sh is short of money, or that the sallybrated hauthor of the Y―――― Papers is in peskewniary difficklties, or is fiteagued by his shuperhuman littery labors or by his famly suckmstansies, or by any other pusnal matter: my maxim, dear B., is on these pints to be as quiet as posbile. What the juice does the public care for you or me? Why must we always, in prefizzes and what not, be a-talking about ourselves and our igstrodnary merrats, woas, and injaries? It is on this subjick that I porpies, my dear Barnet, to speak to you in a frendly way; and praps you’ll find my advise tolrabbly holesum.
We brew, and we love our own tap――amen; but the pint betwigst us is this stewpid, absudd way of crying out, because the public don’t like it too. Why shood they, my dear Barnet? You may vow that they are fools; or that the critix are your enemies; or that the wuld should judge your poams by your critticle rules, and not their own: yon may beat your breast, and vow you are a marter, and you won’t mend the matter. Take heart, man! you’re not so misrabble after all; your spirits need not be so very cast down; you are not so very badly paid. I’d lay a wager that you make, with one thing or another――plays, novvles, pamphlicks, and little odd jobs here and there――your three thowsnd a year. There’s many a man, dear Bullwig, that works for less, and lives content. Why should’nt you? Three thowsnd a year is no such bad thing――let alone the barnetcy: it must be a great comfort to have that bloody hand in your skitching.
Us littery men I take to be like a pack of schoolboys――childish, greedy, envius, holding by our friends and always ready to fight. What must be a man’s conduck among such? He must either take no notis, and pass on myjastick, or else turn round and pummle soundly――one, two, right and left, ding dong over the face and eyes; above all, never acknowledge that he is hurt. Years ago, for instans (we’ve no ill-blood, but only mention this by way of igsample), you began a sparring with this Magaseen. Law bless you, such a ridicklus gaym I never see: a man so belaybord, beflustered, bewolloped, was never known; it was the laff of the whole town. Your intelackshal natur, respected Barnet, is not fizzickly adapted, so to speak, for encounters of this sort. You must not indulge in combats with us course bullies of the press: you have not the staminy for a reglar set-to. What, then, is your plan? In the midst of the mob to pass as quiet as you can: you won’t be undistubbed. Who is? Some stray kix and buffits will fall to you――mortial man is subjick to such; but if you begin to wins and cry out, and set up for a marter, wo betide you!
These remarks, pusnal as I confess them to be, are yet, I assure you, written in perfick good-natur, and have been inspired by your play of the Sea Capting, and prefiz to it; which latter is on matters intirely pusnal, and will, therefore, I trust, igscuse this kind of ad hominam (as they say) diskcushion. I propose, honrabble Barnit, to cumsider calmly this play and prephiz, and to speak of both with that honisty which, in the pantry or studdy, I’ve been always phamous for. Let us, in the first place, listen to the opening of the “Preface to the Fourth Edition.”
Now, my dear sir, look what a pretty number of please you put forrards here, why your play should’nt be good.
First. Good plays are almost always written by actors.
Secknd. You are a novice to the style of composition.
Third. You may be mistaken in your effects, being a novelist by trade, and not a play-writer.
Fourthly. Your in such bad helth and sperrits.
Fifthly. Your so afraid of the critix that they damp your arder.
For shame, for shame, man! What confeshns is these――what painful pewling and piping! Your not a babby. I take you to be some seven or eight and thutty years old――“in the morning of youth,” as the flosofer says. Don’t let any such nonsince take your reazn prisoner. What you, an old hand amongst us――an old soldier of our sovring quean the press――you, who have had the best pay, have held the topmost rank (ay, and deserved them too!――I gif you leaf to quot me in sasiaty, and say, “I am a man of genius: Y-ll-wpl-sh says so”)――you to lose heart and to cry pickavy, and begin to howl, because little boys fling stones at you! Fie, man! take courage; and, bearing the terrows of your blood-red hand, as the poet says, punish us, if we’ve ofended you; punish us like a man, or bear your own punishment like a man. Don’t try to come off with such misrabble lodgic as that above.
What do you? You give four satisfackary reazns that the play is bad (the secknd is naught――for your no such chicking at play-writing, this being the forth). You show that the play must be bad, and then begin to deal with the critix for finding folt!
Was there ever wuss generalship? The play is bad――your right――a wuss I never see or read. But why kneed you say so? If it was so very bad, why publish it? Because you wish to serve the drama! O fie! don’t lay that flattering function to your sole, as Milton observes. Do you believe that this Sea Capting can serve the drama? Did you never intend that it should serve anything, or anybody else? Of cors you did! You wrote it for money――money from the maniger, money from bookseller――for the same reason that I write this. Sir, Shakespeare wrote for the very same reasons, and I never heard that he bragged about serving the drama. Away with this canting about great motifs! let us not be too prowd, my dear Barnet, and fansy ourselves marters of the truth, marters or apostels. We are but tradesmen, working for bread, and not for righteousness’ sake. Let’s try and work honestly; but don’t let us be prayting pompisly about our “sacred calling.” The taylor who makes your coats (and very well they are made too, with the best of velvit collars)――I say Stulze, or Nugee, might cry out that their motifs were but to assert the eturnle truth of tayloring, with just as much reasn; and who would belive them?
Your apinion about the actors I shan’t here meddle with. They all acted exlently as far as my humbile judgment goes, and your write in giving them all possible prays. But let’s consider the last sentence of the prefiz, my dear Barnet, and see what a pretty set of apiniuns you lay down.
1. The critix are your inymies in this age.
2. In the nex, however, you hope to find newmrous frends.
3. And it’s a satisfackshn to think that, in spite of politticle diffrances, you have found frendly aujences here.
My dear Barnet, do you suppose that politticle diffrances prejudice pepple against you? What are your politix! Wig, I presume――so are mine, ontry noo. And what if they are Wig, or Raddiccle, or Cumsuvvative? Does any mortial man in England care a phig for your politix? Do you think yourself such a mity man in parlymint that critix are to be angry with you, and aujences to be cumsidered magnanamous because they treat you fairly? There, now, was Sherridn, he who roat the Rifles and School for Scandle ([ saw the Rifles after your play, and O, Barnet, if you knew what a relief it was!)――there, I say, was Sherridn――he was a politticle character, if you please――he could make a spitch or two――do you spose that Pitt, Purseyvall, Castlerag, old George the Third himself, wooden go and see the Rivles――ay, and clap hands too, and laff and ror, for all Sherry’s Wiggery? Do you spose the critix wouldn’t applaud to? For shame, Barnet! what ninnis, what hartless raskles, you must beleave them to be――in the fust plase, to fancy that you are a politticle genus; in the secknd, to let your politix interfear with their notiums about littery merrits.
And then for the nex age. Respected sir, this is another diddlusion; a grose misteak on your part, or my name is not Y――sh. These plays immortial? Ah, parry-sample, as the French say, this is too strong――the small beer of the Sea Capting, or of any suxessor of the Sea Capting, to keep sweet for sentries and sentries! Barnet, Barnet! do you know the natur of bear? Six weeks is not past, and here your last casque is sour――the public won’t even now drink it; and I lay a wager that, betwigst this day (the thuttieth November) and the end of the year, the barl will be off the stox altogether, never, never to return.
I’ve notted down a few frazes here and there, which you which you will do well to igsamin:
Norman.
“The eternal Flora Woos to her odorous haunts the western wind: While circling round and upwards from the boughs, Golden with fruits that lure the joyous birds, Melody, like a happy soul released, Hangs in the air, and from invisible plumes Shakes sweetness down!”
Norman.
“Hark! she has blessed her son! I bid ye witness, Ye listening heavens――thou circumambient air: The ocean sighs it back――and with the murmur Rustle the happy leaves. All nature breathes Aloud――aloft――to the Great Parent’s ear, The blessing of the mother on her child.”
The fust spissymen has been going the round of all the papers, as real, reglar poatry. Those wicked critix! they must have been laffing in their sleafs when they quoted it. Malody, suckling round and uppards from the bows, like a happy soul released, hangs in the air, and from invizable plumes shakes sweetness down. Mighty fine, truly! but let mortial man tell the meanink of the passidge. Is it musickle sweetniss that Malody shakes down from its plumes――its wings, that is, or tail――or some pekewliar scent that proceeds from happy souls released, and which they shake down from the trees when they are suckling round and uppards? Is this poatry, Barnet? Is it poatry, or sheer windy humbugg, that sounds a little melojous, and won’t bear the commanest test of common sence?
In passidge number 2, the same bisniss is going on, though in a comprehensable way: the air, the leaves, the otion, are fild with emocean at Capting Norman’s happiness. Pore Nature is dragged in to partisapate in his joys, just as she has been before. Once in a poem, this universle simfithy is very well; but once is enuff, my dear Barnet, and that once should be in some great suckumstans, surely――such as the meeting of Adam and Eve, in “Paradice Lost,” or Jewpeter and Jewno, in Hoamer, where there seems, as it were, a reasn for it. But sea-captings should not be eternly spowting and invoking gods, hevns, starrs, angels, and other silestial influences. We can all do it, Barnet; nothing in life is easier. I can compare my livry buttons to the stars, or the clouds of my backopipe to the dark vollums that ishew from Mount Hetna; or I can say that angels are looking down from them, and the tobacco silf, like a happy sole released, is circling round and upwards, and shaking sweetness down. All this is as esy as drink; but it’s not poatry, Barnet, nor natural. People, when their mothers reckonize them, don’t howl about the suckumambint air, and paws to think of the happy leaves a-rustling――at least, one mistrusts them if they do. Take another instans out of your own play. (Capting Norman, with his eternll slack-jaw!) meets the gal of his art:
“Look up, look up, my Violet-weeping? fie! And trembling too――yet leaning on my breast. In truth, thou art too soft for such rude shelter. Look up! I come to woo thee to the seas, My sailor’s bride! Hast thou no voice but blushes? Nay――from those roses, let me, like the bee, Drag forth the secret sweetness!”
Violet.
“Oh what thoughts. Were kept for speech when we once more should meet, Now blotted from the page; and all I feel Is thou art with me!”
Very right, Miss Violet――the scentiment is natral, affeckshnit, pleasing (it might have been in more grammaticle languidge, and no harm done); but never mind, the feeling is pritty, and I can fancy, my dear Barnet, a pritty, smiling, weeping lass, looking up in a man’s face and saying it. But the capting!――oh, this capting!-this windy, spouting captain, with his prittinesses, and conseated apollogies for the hardness of his busm, and his old, stale, vapid simalies, and his wishes to be a bee! Pish! Men don’t make love in this finniking way. It’s the part of a sentymentle, poeticle taylor, not a galliant gentleman, in command of one of her Madjisty’s vessels of war.
Take my advise, honrabble sir――listen to a humble footmin; it’s generally best in poatry to understand puffickly what you mean yourself, and to igspress your meaning clearly afterwoods――in the simpler words the better, praps. You may, for instans, call a coronet a coronal, if you like, as you might call a hat a “swart sombrero,” “a glossy four-and-nine,” “a silken helm, to storm impermeable, and lightsome as the breezy gossamer;” but, in the long run, it’s as well to call it a hat. It is a hat, and that name is quite as poetticle as another. I think it’s Playto, or els Harrystottle, who observes that what we call a rose by any other name would smell as sweet. Confess, now, dear Barnet, don’t you long to call it a Polyanthus?
I never see a play more carelessly written. In such a hurry you seem to have bean, that you have actually in some sentences forgot to put in the sence. What is this, for instance?
“Girl beware, “THE LOVE THAT TRIFLES ROUND THE CHARMS IT GILDS OFT RUINS WHILE IT SHINES.”
Igsplain this, men and angels! I’ve tried every way; backards, forards, and in all sorts of trancepositions, as thus:
‘The love that ruins round the charms it shines, Gilds while it trifles oft;’
Or,
‘The charm that gilds around the love it ruins, Oft trifles while it shines;’
Or,
‘The ruins that love gilds and shines around, Oft trifles where it charms,’
Or,
‘Love, while it charms, shines round, and ruins oft, The trifles that it gilds;’
Or,
‘The love that trifles, gilds, and ruins oft, While round the charms it shines.’
All which are as sensable as the fust passidge.”
――――
Probably no serious literary production had ever before received such a severe castigation as was contained in this burlesque of criticism, mais c’est la ridicule qui tue. Bulwer was a vain, sensitive man, keenly alive to hostile criticism, and morbidly afraid of being laughed at.
He tried, by every means in his power, to suppress the printed copies of The Sea Captain, it is now very scarce, and a single copy has been sold for as much as ten pounds.
Many years later Lord Lytton remodelled the play, and under the new title of The Rightful Heir it was produced at the Lyceum Theatre, London, on October 3, 1868, but it was only moderately successful, and has never been since revived. The part of the hero, renamed Vyvian, was performed by Mr. Bandmann, an actor chiefly remarkable for his strong German accent, and for his great profusion of woolly-looking hair. The play was generally pronounced dreary and tedious, and the acting commonplace, with the one exception of the very fine impersonation of Sir Grey de Malpas by Mr. Hermann Vezin. A burlesque was inevitable, and seizing upon Mr. Bandmann’s personal peculiarity, it was christened The Frightful Hair; or, Who Shot the Dog? This was written by Mr. F. C. Burnand, and produced at the Haymarket Theatre, under the management of Mr. J. B. Buckstone, on December 26th, 1868, with the following strong cast:――
Vyvian (with a tremendous wig), Mr. Kendal. Lord Beaufort Miss. F. Gwynn. Sir Grey de Malpas Mr. Compton. Wreckclyffe (a melodramatic scoundrel), Mr. Coe. Falkner Mr. Weathersby. Lady Montreville Miss Ione Burke. Eveline Miss F. Wright.
Those who saw this humorous production will not have forgotten the dry, quiet drollery of the late Mr. Compton, or the admirable manner in which Mr. Kendal mimicked Bandmann.
Another burlesque was written by Mr. H. T. Arden, entitled “The Right-Fall Heir; or, the Sea-rover and the Fall over,” but the printed copy does not mention when, or at what theatre, this burlesque was produced.
――――
“The Very Last Days of Pompeii!” Being a complete Bulwer-sement of the classic drama, by R. Reece, was produced at the Vaudeville Theatre, London, on February 13th, 1872, with Miss Nelly Power, David James, and Thomas Thorne in the leading parts. This, of course, was founded on Lytton’s novel “The Last Days of Pompeii,” but contains no passages which can be quoted as parodies of the original.
LYTTON. The “Last Days of Pompeii.”
If ought so damping and so dull were As these “last days” of Dandy Bulwer, And had been cast upon the pluvious Rockets that issued from Vesuvious They would no more have reached Pompeii Than Rome or Tusculum or Veii.
W. S. LANDOR.
Mrs. Elizabeth Barrett Browning.
BORN March 4, 1809. DIED June 29, 1861.
[Illustration: T]HERE has lately been considerable controversy as to the date, and place of birth of Mrs. Browning.
Mrs. Richmond-Ritchie, in the “Dictionary of National Biography,” states that Mrs. Browning “was born at Burn Hall, Durham, on March 6, 1809,” whilst Mr. J. H. Ingram in a brief memoir prefixed to the “Poetical Works of E. B. Browning” (Ward, Lock and Co., London) asserts that Elizabeth Barrett Barrett was the eldest daughter of Edward Moulton Barrett, and was born in London on Saturday, March 4, 1809, as shown by an announcement in a contemporary newspaper.
Mr. Robert Browning contradicts both these statements, in a prefatory note to a small volume of his late wife’s poems, published by Smith Elder and Co. in 1887. He contends that she was born on March 6, 1806, at Carlton Hall, Durham, the residence of her father’s brother, and that she had an elder sister, who died in childhood. This statement is the more peculiar as Mr. Browning had previously written to Mr. Ingram (in 1886) “I engaged to verify any dates Mrs. Ritchie furnished, and I did so. Only those are to be depended upon.” Yet it is clearly impossible that both Mrs. Ritchie and Mr. Browning can be correct, and it seems very probable that both are mistaken. The Athenæum, February 4, 1888, published a letter from Mr. Ingram in answer to Mr. Browning’s Note, showing, firstly, that there is no such place as Carlton Hall, Durham, nor any record of Mrs. E. B. Browning’s birth in that city; secondly, that the newspaper announcement of the birth stated “London, March 4, 1809, the wife of Edward M. Barrett, Esq., of a daughter,” so that it was obviously impossible for that lady also to have given birth to a daughter at Burn Hall, Durham, on March 6, 1809, as stated by Mrs. Ritchie; and thirdly, that as in 1806 Mr. Barrett was a student in Cambridge, and only about twenty years of age, it was unlikely that he would then be the father of two children, (as Mr. Browning asserts), although it is admitted he married early. To this letter Mr. Browning briefly replied, disclaiming any “certitude in the matter from knowledge of his own,” which reads like a tacit admission of the accuracy of Mr. J. H. Ingram’s statements.
That there should be some doubt about an event which occurred eighty years ago can be readily understood, but it is difficult to explain the discrepancies which exist in several descriptions of Mrs. Browning’s personal appearance, thus Nathaniel Hawthorne wrote:――
“It is wonderful to see how small she is, how pale her cheek, how bright and dark her eyes. There is not such another figure in the world; and her black ringlets cluster down on her neck, and make her face look the whiter by their sable profusion.”
Two other observers give very different details:――
“But it was Mrs. Browning’s face upon which one loved to gaze――that face and head which almost lost themselves in the thick curls of her dark brown hair.... Her large, brown eyes were beautiful, and were, in truth, the windows of her soul. They combined the confidingness of a child with the poet-passion of heart and intellect; and in gazing into them it was easy to read why Mrs. Browning wrote.” KATE FIELD, 1861, “Letter from Florence.”――Atlantic Monthly, September.
“She was slight and fragile in appearance, with a pale, wasted face, shaded by masses of soft chestnut curls which fell on her cheeks, and serious eyes of bluish-gray. Her frame seemed to be altogether disproportionate to her soul.”――BAYARD TAYLOR, “At Home and Abroad.”
Mrs. Browning’s poetry, though highly praised by critics and literary men, has not yet attained that popularity which engenders many parodies, being, as Charlotte Brontë wrote, somewhat wordy, intricate and obscure.
THE CRY OF THE CHILDREN.
Do ye hear the children weeping, O my brothers, Ere the sorrow comes with years? They are leaning their young heads against their mothers―― And that cannot stop their tears. The young lambs are bleating in the meadows, The young birds are chirping in the nest, The young fawns are playing with the shadows, The young flowers are blowing t’wards the west: But the young, young children, O my brothers, They are weeping bitterly!―― They are weeping in the playtime of the others, In the country of the free.
Do you question the young children in their sorrow Why their tears are falling so? The old man may weep for his to-morrow Which is lost in Long Ago. The old tree is leafless in the forest, The old year is ending in the frost, The old wound, if stricken, is the sorest, The old hope is hardest to be lost: But the young, young children, O my brothers! Do you ask them why they stand Weeping sore before the bosoms of their mothers, In our happy Fatherland?
They look up with their pale and sunken faces, And their looks are sad to see, For the man’s hoary anguish draws and presses Down the cheeks of infancy. “Your old earth,” they say, “is very dreary;” “Our young feet,” they say, “are very weak! Few paces have we taken, yet are weary―― Our grave rest is very far to seek. Ask the agéd why they weep, and not the children, For the outside earth is cold, And we young ones stand without, in our bewildering, And the graves are for the old.
“True,” say the children, “it may happen That we die before our time. Little Alice died last year――the grave is shapen Like a snowball in the rime. We looked into the pit prepared to take her; Was no room for any work in the close clay; From the sleep wherein she lieth none will wake her, Crying, ‘Get up, little Alice! it is day.’”
If you listen by that grave, in sun and shower, With your ear down, little Alice never cries! Could we see her face, be sure we should not know her, For the smile has time for growing in her eyes! And merry go her moments, lulled and stilled in The shroud, by the kirk-chime! “It is good when it happens,” say the children, “That we die before our time.”
Alas, alas, the children! they are seeking Death in life, as best to have; They are binding up their hearts away from breaking, With a cerement from the grave. Go out, children, from the mine and from the city―― Sing out, children, as the little thrushes do―― Pluck your handfuls of the meadow cow-slips pretty―― Laugh aloud, to feel your fingers let them through! But they answer are your cow-slips of the meadows Like our weeds anear the mine? Leave us quiet in the dark of the coal-shadows, From your pleasures fair and fine!
“For oh,” say the children, “we are weary, And we cannot run or leap; If we cared for any meadows, it were merely To drop down in them and sleep. Our knees tremble sorely in the stooping―― We fall upon our faces, trying to go; And, underneath our heavy eyelids drooping, The reddest flower would look as pale as snow. For all day we drag our burden tiring Through the coal-dark underground, Or all day we drive the wheels of iron In the factories round and round.
“For all day the wheels are droning, turning,―― Their wind comes in our faces,―― Till our hearts turn, our heads with pulses burning, And the walls turn in their places,―― Turns the sky in the high window blank and reeling,―― Turns the long light that drops adown the wall,―― Turn the black flies that crawl along the ceiling,―― All are turning, all the day, and we with all. And all day, the iron wheels are droning, And sometimes we could pray, “O ye wheels” (breaking out in a mad moaning), “Stop! be silent for to-day!”
* * * * *
E. B. BROWNING.
――――
THE WAIL OF THE CHILDREN.
“To look at these half-starved children in London Schools is to be ‘full of pity.’ Very touching is it to think of the quiet heroism with which, when hunger is gnawing within and the dull misery of want overflows them, they sit uncomplaining at their little desks, toiling at their allotted tasks, wondering, no doubt, sometimes what it all means, but bearing their burdens patiently.”――Dr. Crichton-Browne’s Report on Over Pressure.
Do you hear the Children wailing in the daytime, And the watches of the night: Far too sad are they for pleasure in their playtime, Or for laughter and delight. They are old before their age and worn and weary And their little heads are bowed upon their books; “For this life at school,” they say “is very dreary,” And there’s listlessness and languor in their looks. And all day, the Wheel of Education, By the orders of the State, Whirleth round in every school-room in the nation, Like the direful Wheel of Fate.
It is hard to see the Children growing older, With such heavy eyes and dim, As you mark the pallid cheek and rounded shoulder, From this stern pedantic whim. They are suffering from a sempiternal dead ache In the tortured brows that know so little rest, And they fly to ease the constant “School-Board head-ache,” On a mother’s or a sister’s kindly breast. For all day they toil on in their classes, With an earnestness too sad; It is well that we should educate the masses, But not drive the Children mad.
They come breakfastless from alleys in the city, Undersized and underfed, They are starving, and we give them――more’s the pity! Education, and not bread. And we work their brains through every changing season, Till the ceaseless labour stupifies and numbs; They are sleepless, and they give the childish reason―― “I can’t get to sleep for thinking of my sums!” For all day the labour seems quite endless, In this philanthropic land; Oh, ye Women; are the wastrels then so friendless That ye will not lend a hand?
* * * * *
It is well to praise the spread of education, And the people need more light, But the horror of each long examination Haunts the little ones at night. Here are Children born ’mid London’s toil and traffic, They are bloodless and half-starving we can see; And we feed them with statistics geographic, And, in the place of bread, we give them “Rule of Three.” How long then, we ask it in all sadness, Can such laws be deemed the best; While the Children, through brain-fever and through madness, Seek the graveyard――and their rest!
Punch. October 25, 1884.
――――
THE BITTER CRY OF AGRICULTURE.
Do you hear the cry from Farmers, O my brothers, As the toilsome years go by? ’Tis a cry that should be heard above all others A continuous and bitter cry. The shipping may be crying with its grievance, The factory as each spindle slowly turns Home competition with its dogged keen adherence And labour for employment daily yearns; But the cry from Agriculture, O my brothers, Comes up from English Homesteads wearily And affects the Nation far above all others In this Country of the free.
If you question Farmers why this land depression, Why this weary, bitter cry You will hear their quick and ever sad expression, We are being ruined, they reply. We’ve toil’d against successive cloudy seasons And competed with the trade of every clime, Whilst Manufacture for her obvious reasons And her labour market filled from time to time, Cares naught for Agriculture, O my brothers, Or if its Capital shall fall or stand, But piles up wealth, and has no care for others, In this our Fatherland.
They look on wasting stock from land and pocket And the sight is sad to see For the strain upon each Agricultural socket Presses hard and heavily. Landlords, they say, have met the question bravely As the value of their land has slipp’d away, And our diminished income presses gravely This sad question “How long will depression stay?” Can no Economist, Philanthropist or Statesman, Solve this great problem, to our hopes forlorn, Before our land becomes a hunting-field for great men Dependent on foreign corn?
* * * * *
Our old Homesteads are as dear to us my brothers, As your Factories are to you, And we cannot starve our children with their mothers For quack maxims preached as true; Our pilgrim fathers left the land that bore them, And their Agricultural sons must do the same, And with a foreign banner waving o’er them Forget the native land from whence they came. But when war or trouble meets the English nation, And the foreigner commands his price for corn, You may wish you had given consolation, And your help instead of scorn.
J. D. BEESTON.
――――
“Gus Harris has got Shuttleworth, or Pennington, or some other reverend gentleman, to write him a letter about the sad condition of the children of the poorer clergy, who are in worse plight than the thousands who recently attended Drury Lane from the national and orphan schools and asylums, seeing that they are never invited to witness a pantomime. Quite ready with his response was Gussy, who has now issued an invitation for Thursday morning next to ‘the families of curates and ministers of all denominations who are not in a position to pay for seats.’”
CHURCH OR STAGE; Or, the Cry of the Clergymen’s Children.
Do you hear those children weeping, O my brothers? They’re poor parsons’ little dears! They want to go to theatres, like the others, And hence their trickling tears. All the ragged-schools have seen the clown’s hot poker―― They have watched him steal the sausages with zest, They have seen his face all bismuth and red ochre, They have seen the fairies beautifully dressed. But the children of our clergymen, my brothers, Are “boo-hooing” bitterlee, They want to see a panto, like the others, And they want to go in free.
Did you read that parson’s letter――full of sorrow―― Which described these children’s woe? Did you see who tried publicity to borrow From that note――not long ago? ’Twas written by a well-known London preacher (For parsons Harris seems to have a craze), And that letter told of many a little creature Whose pa is much too poor to go to plays. That parson said his youngster――O my brothers!―― Had complained in accents grim That, though he was as poor as lots of others, No lessee invited him.
“We are worse off than the children from the alleys” (Thus the parson’s weeping boy); “They can go in free and see the ‘spills’ and ‘rallies,’ And the fairies――ah, what joy! They give these children buns, and even verses,” Said the parson’s child (or words to this effect), “But our pa’s have little money in their purses”―― “Which, alas!” exclaims that parson, “is correct. ――――Then have pity, Mr. Harris, on the children Of all parsons short of cash.” (Mrs. Browning for a rhyme here has “bewildering” But for me that’s much too rash.)
Then lo! in striking “ads,” said Gus, “With pleasure! Those servants of the Church―― Who have children thus lamenting beyond measure―― I will not leave in the lurch! All ministers who’re not in a position To pay for seats my pantomime to see, Shall anon to Drury Lane have free admission, If they send in full particulars to me.” Such as (probably) their date of ordination, And what their “plates” collect; And if they have their bishop’s approbation; And if “chapel,” of what sect?
Thus Harris, in a patronising fashion, And all by way of trade, On the offspring of the clergy takes compassion, And essays the Church to aid. Such a splendid chance was not to be rejected―― It would make a grand advertisement, forsooth!―― And probably young Harris recollected That to parsons he owed puffs for “Pluck” and “Youth.” But what about that clergyman’s suggestion To the Lessee of the Lane? Was it written (Gussy, please excuse the question) By friend Pennington again?
CARADOS.
The Referee. February 24, 1884.
――――:o:――――
“DOWN EAST.”
Would you know the sin and crime, that your educated time Endures within your clime unchecked, unceased? Take an omnibus with me (’tis a shilling carries three), And the scenes you shall see “Down East,” “Down East.”
Whitechapel has a road, where many a night has flowed The blood from knife or goad of a goodly beast, But down the alley’s gloom, in a miserable room, A woman’s met her doom――“Down East,” “Down East.”
In a miserable shed, with an old rug for a bed, As the dreary days on sped, her want increased, And he who should have thought of the famine that he wrought, Had just another “quartern” bought “Down East,” “Down East.”
He was of that wild drunken crew that prowl when the day is new, With whom we know not what to do from gaol released; One of a dogged sullen air, who beat his wife and tore her hair, And taught his children how to swear, “Down East,” “Down East.”
One night――life’s longest needs but one――he struck his wife and all was done, From sorrow, ere the rise of sun she was released; Oh! you talk of distant lands, of savages on Afric’s sands, Stretch forth in Town your soothing hands “Down East,” “Down East.”
EDMUND H. YATES.
From “Our Miscellany” (which ought to have come out, but didn’t). London, G. Routledge and Co., 1856.
――――:o:――――
GWENDOLINE. An Imitation.
’Twas not the brown of chestnut boughs That shadowed her so finely; It was the hair that swept her brows, And framed her face divinely; Her tawny hair, her purple eyes, The spirit was ensphered in, That took you with such swift surprise, Provided you had peered in.
Her velvet foot amid the moss And on the daisies patted, As, querulous with sense of loss, It tore the herbage matted; “And come he early, come he late,” She saith “it will undo me; The sharp fore-speeded shaft of fate Already quivers through me.
“When I beheld his red-roan steed, I knew what aim impelled it; And that dim scarf of silver brede, I guessed for whom he held it; I recked not, while he flaunted by, Of Love’s relentless vi’lence, Yet o’er me crashed the summer sky, In thunders of blue silence.
“His hoof-prints crumbled down the vale, But left behind their lava; What should have been my woman’s mail, Grew jellied as guava: I looked him proud, but ’neath my pride I felt a boneless tremor; He was the Beër, I descried, And I was but the Seemer!
“Ah, how to be what then I seemed, And bid him seem that is so! We always tangle threads we dreamed, And contravene our bliss so. I see the red-roan steed again! He looks, as something sought he: Why, hoity toity!――he is fain, So I’ll be cold and haughty!”
From Diversions of the Echo Club, by Bayard Taylor.
――――:o:――――
A TOOL OF TRADE.
(Imitated from Mrs. Browning’s “A Musical Instrument.”) An Allegory on the Banks of the――Pactolus, dedicated to the London Water Companies.
What is he doing, the Middleman, Down by Trade’s Golden River? Spreading ruin and scattering ban, Grubbing up grain with the greed of a goat, And swamping the tiny shallops afloat On the golden flood of the River.
He tore up a reed, did the Middleman, A flourishing reed, from that River. The troubled water turbidly ran, And the broken reed all helpless lay In the cunning hand which tore it away From its root in the Golden River.
High on the shore sate the Middleman, While turbidly flowed the River, And hacked and hewed, as your huckster can, With his cruel steel, at the severed reed, Till there was small sign of life indeed To prove it fresh from the River.
He cut it short, did the Middleman, (How big he swelled by the River!) Then drew out the pith, on a patent plan Devised by his like of the cruel Trade Ring, And sucked through the poor dry empty thing Deep draughts from the Golden River.
“This is the way,” laughed the Middleman (Laughed as he sate by the River!), “The only way, since Rings began To suck Trade’s blood, they could fully succeed.” Then popping his lips to the conduit-reed, He drew, drew, drew, from the River.
Neat cheat, O Middleman! Vampire-ghoul of the River! Blind most neat, O Middleman! You idly sit as the stream flows by, And suck at ease whilst your victims die For want of a draught from the River.
Yet a bloated brute is the Middleman To laugh as he sits by the River, Playing the leech on his patent plan, Trade’s heart depleting, sucking its brain, And bruising and breaking to plump his gain The myriad reeds of the River!
Punch. April 23, 1887.
――――
THE ORIGIN OF PAN. A Musical Instrument.
What is he doing, this crookshank’d Pan Down in the reeds by the river? You’re welcome the puzzle to solve――if you can. Just fancy him stroke in an Oxford boat, This mixture of athlete, and Pan-pipe, and goat, What a charm he’d lend to the river!
He’s classic-contorted, this nondescript Pan, In the startled reeds by the river; And therefore he’s built on the neo-Greek plan. An artist who’s bent on the mystical lay Could hardly do better, at this time of day, To give one the neo-Greek shiver.
“This is the way,” laughs the great god Pan (Laughs as he sits by the river), The only way, since renaissance began, To prevent a poor god being left on the shelf: How can one do better than “puffing one’s self?” And he puffs, as he squats by the river.
From Harry Furniss’s Royal Academy; an Artistic Joke. London. 1887.
Unfortunately the humour of this parody greatly depended on Mr. Furniss’s funny illustration of the great god Pan, en deshabille, as an artist’s model.
――――:o:――――
A long and rather serious poem written in imitation of Mrs. Browning’s style, appears in The Book of Ballads, edited by Bon Gaultier, published by Blackwood & Sons, Edinburgh. It commences thus:――
THE RHYME OF SIR LAUNCELOT BOGLE. A Legend of Glasgow.
There’s a pleasant place of rest, near a City of the West, Where its bravest and its best find their grave. Below the willows weep, and their hoary branches steep In the waters still and deep, Not a wave!
And the old cathedral wall, so scathed and grey, and tall, Like a priest surveying all, stands beyond; And the ringing of its bell, when the ringers ring it well, Makes a kind of tidal swell On the pond!
And there it was I lay, on a beauteous summer’s day, With the odour of the hay floating by; And I heard the blackbirds sing, and the bells demurely ring, Chime by chime, ting by ting, Droppingly.
* * * * *
Percy Bysshe Shelley.
ORN, August 4, 1792. DROWNED, July 8, 1822.
Shelley’s poetry has not been extensively parodied, nor have his prose writings been burlesqued, unless, indeed, the forged letters published in 1852 by Mr. Edward Moxon, London, may be considered in the light of a burlesque. This little volume was entitled “Letters of Percy Bysshe Shelley, with an Introductory Essay by Robert Browning.” The essay, dated “Paris, December 4th, 1851,” occupies 44 pages, and the letters, which were 25 in number, occupy pp. 47 to 165 inclusive.
This was one of the most ingenious literary forgeries of modern times, so clever, not only in its imitation of handwriting, but in style and circumstances, as to have deceived the very elect.
The genuineness of the letters was first called in question by Mr. F. T. Palgrave, who saw the book at Lord (then Mr.) Tennyson’s house, and accidentally opened it at a passage which he recognised as taken from an article contributed by his father to the “Quarterly Review.” Other tests were then applied, the post marks were carefully examined, and little by little the network of fraud was unravelled.
In February, March, and April, 1852, a great controversy, concerning these letters, was carried on in literary circles, but it was practically decided by a series of articles published in the Athenæum, that they were forgeries.
The book was rigidly suppressed, and as only a few copies had got abroad, it now very rarely occurs for sale.
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In 1886, the Shelley Society produced Shelley’s gloomy tragedy “The Cenci,” at the Grand Theatre, Islington, when they also issued printed copies of the tragedy containing the revolting “Relation of the Death of the Family of the Cenci,” which Shelley had suppressed. For this offence against decency, and good taste, the Shelley Society was severely reproved by the press, and Truth, May 13, 1886, contained a satirical poem, entitled
The Salacious Shelley Society
O, shame upon you Shelleyites! Aye, shame on everyone Who helped to do the sorry deed which was last Friday done! And fired by heedless self-conceit, and covetous of fame, Has made known acts of fiendish lust too terrible to name.
Yes, think of it! You bid them come, those English maids, that day, To hear the nameless horrors of a grossly brutal play! And, not content with doing this, a wicked act made worse, By giving them to read in prose the filth concealed in verse!
As this poem is not a parody, it is unnecessary to give further extracts from it.
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TO A SKYLARK.
Hail to thee, blithe spirit! Bird thou never wert, That from Heaven, or near it, Pourest thy full heart In profuse strains of unpremeditated art.
Higher still, and higher, From the earth thou springest Like a cloud of fire; The blue deep thou wingest, And singing still dost soar, and soaring ever, singest.
In the golden lightening Of the sunken sun, O’er which clouds are brightening, Thou dost float and run, Like an embodied joy whose race is just begun.
All the earth and air With thy voice is loud, As, when night is bare, From one lonely cloud The moon rains out her beams, and Heaven is overflowed.
* * * * *
Teach me half the gladness That thy brain must know, Such harmonious madness From my lips would flow, The world should listen then, as I am listening now.
P. B. SHELLEY.
――――
TO A BICYCLE.
(“Mr. Bushby said he could not convict a person of ‘furiously driving’ a bicycle under any clause of the Police Act, except in cases when the machine had been driven on the footway.”)
Hail to thee, blithe roadster!―― Spurr’d thou never wert, But sans stripe, or goad-stir, Puttest on thy spurt, In profuse rains, or unpremeditated dirt.
Nigher still and nigher Down the hill thou springest; Like a flash of fire, O’er the ground thou wingest, And “ting”-ing still dost speed, and speeding ever “ting”-est.
In the golden lightening Of the sunken sun, And when day is brightening Thou dost rush and run, Like a silk-bodied “jock” whose race is just begun.
The hale “peeler” even Pelts from out thy flight, Like a star of heaven On a murky night, Thou art unseen, but yet I hear thy bell’s delight.
Swift as bow-sped arrow Spins thy silver sphere, Whose intense lamp, narrow, ’Twixt thy spokes hangs clear―― So that we, doubly, see and hear that thou art there.
All the earth and air With a voice is loud As, bebruised and bare, Circled by a crowd, A girl rains out her screams, and thou liest in the road.
We ache before and after And pine for what is not; Our sincerest laughter With some pain is fraught; Our deepest sighs are those that tell of some bruis’d spot.
Yet if we could scorn Pain and pride and fear, If we were things born Not to shed a tear, I know not how thy Bushby to us could be too dear.
Better than all measures In the “Commons” found, Better than all treasures Here, or underground, Thy wheel to pilot ’twere, thou scorner of the ground!
Teach me half their sadness Who thy sore pains know―― Such outrageous badness From my lips should flow Moonshine’d not print me then, as it is printing now.
Moonshine. August 8, 1885.
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THE CLOUD.
I bring fresh showers for the thirsting flowers, From the seas and the streams; I bear light shade for the leaves when laid In their noonday dreams. From my wings are shaken the dews that waken The sweet birds every one, When rocked to rest on their mother’s breast, As she dances about the sun. I wield the flail of the lashing hail, And whiten the green plains under; And then again I dissolve it in rain, And laugh as I pass in thunder. I sift the snow on the mountains below, And their great pines groan aghast; And all the night ’tis my pillow white, While I sleep in the arms of the blast, Sublime on the towers of my skiey bowers Lightning, my pilot, sits; In a cavern under is fettered the thunder, It struggles and howls at fits; Over earth and ocean, with gentle motion, This pilot is guiding me, Lured by the love of the genii that move In the depths of the purple sea; Over the rills, and the crags, and the hills, Over the lakes, and the plains, Wherever he dream, under mountain or stream, The spirit he loves, remains; And I all the while bask in heaven’s blue smile, Whilst he is dissolving in rains.
* * * * *
P. B. SHELLEY.
A long parody, entitled The Cloudy, appeared in the Christmas number of The World, 1885, but it would be utterly unintelligible without long extracts from the prose, and very prosy context.
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THE CLOUD. (Another Version of Shelley’s partial view of the Subject.)
I bring cats and dogs, and November fogs, For the folks of Cockney land; And I brew the flood of slush and mud In Fleet Street and the Strand. From my watery bed spring colds in the head, And highly inflamed sore-throats; And I’m the Mama[125] of the bad Catarrh, And the mother of waterproof coats; I gave birth to goloshes and macintoshes, The clog, the corksole, and the patten, And I act as wet Nus’ to each omnibus, For ’tis on my moisture they fatten.
I come down pretty thick at every picnic, And throw my cold water upon it, And delight at each fête that is called a Champêtre, To spoil every new silk bonnet; I’m more kind to each jarvey than was Wittle Harvey When he was Commiss’ner of Stamps, I’m the foe of Vauxhall’s Grand Fancy Dress Balls, Where I love to extinguish the lamps; And whenever a fellow leaves at home his umbrella, Oh Lord! how I chuckle and grin! For then you may warrant I’ll come down in a torrent, And soak the poor wretch to the skin.
From George Cruikshank’s Comic Almanack for 1847.
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A correspondent, writing from Norwich, sent a copy of this parody, in which the second verse was altered, and improved, as follows:――
I’m as kind to each beau in his brand new chapeau, Who sports not his silk or his gamp, My delight is to fall at a fancy dress ball, And I love to extinguish a lamp. And whenever a fellow leaves at home his umbrella Oh, my! how I chuckle and grin, For then you may warrant I’ll come down a torrent And soak the poor wretch to the skin.
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THE OTHER CLOUD.
I bring the rain again and again, From the seas and rivers, And I pour it down on the deluged town Till it reeks and shivers. From my skirts are shaken the floods that waken Poor Cits with the morning light; I shower my best till they go to rest, And I keep up the game all night. By the bucket and pail, like a watery flail, I lash the wet world under With occasional spurts of hail (which hurts) And frequent claps of thunder.
My pall of grey from day to day Hangs over the dripping lands, And from hour to hour of the night I pour Unceasing as Time’s own sands. The dreamer waking hears windows shaking. Whipped by my lashing flood, It splashes and sputters from spouts and gutters, And churns the poor earth into mud. When the morning breaks the world awakes To another day of drench.
* * * * *
The dainty maiden, with tennis-bat laden, In vain prepares for sport; For with heavy wet I have soaked the net, And utterly swamped the Court. Sunbeam-proof, I hang like a roof O’er the sodden cricket-ground, Keeping all things damp as a dripping lamp All the summer season round, Until most mankind goes half out of its mind, And the damp earth seems half drowned.
I am the daughter of smoke and water, The child of a cheerless sky; All, save ducks and pumps, must be down in the dumps, In a world that is never dry! For after the rain, when my victims fain, Would believe in sign “set fair:” And ginghams are furled, and waterproofs hurled Into corners, anywhere. I silently laugh at my own cruel chaff; And deriding man’s hopes so vain, From a sky all gloom, to an earth like a tomb, I come down a drencher again!
Punch. November 27, 1880, but equally appropriate in 1888.
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SEAWARD.
The bathers are splashing, The spaniels are dashing, The darlings are dancing, Their bright eyes are glancing―― Away! The railways are rolling, The steamers are coaling, The inn bells are ringing, The Niggers are singing―― Get away! The sea and the ocean Are both in commotion: BLACK, WHITE, GREEN, and BROWN Have all vanished from Town―― Get away!
Take a dip, take a sail, Never mind turning pale―― A bold fellow, I trow, Who dare blot paper now We are free―― Let him feather his oar, Let him flirt on the shore, Observe mollusks and shells, But not the blue belles In the sea; And from cliff, cove, and rock, At the sound of the clock, Hurry home fleet and fast, To that wholesome repast―― Shrimps and tea.
And crabs too, and prawns too, And croquet on lawns too, And drives on the sands, And those terrible Bands, Lovest thou? Thy fortnight at Dover Too soon will be over, At Bognor thy pleasure Shall be beyond measure, I vow, By that great saline lotion, The blue briny ocean, Which at rest, or uplifted, Is sketched by the gifted E’en now,
At the “Crown” or the “Royal,” Where sojourn the loyal, Crowds of tourists are meeting, Hosts of tourists are eating At seven; While all down the tables, In white ties and sables, Pass the grave solemn waiters To hand the potat_ers_ In Devon; And with napkin in hand, In the coffee-room stand, To extinguish the gas, When to bed you shall pass At eleven!
Punch. August 28, 1869.
――――
THROWN OUT. By a badly mounted 15 stoner.
Horse’s bits clashing, Huntsmen’s whips lashing; Soft sunbeam glancing, The sight’s most entrancing To-day!
In numbers increasing, With murmur unceasing, There’s no need of saying The hounds are all baying Away.
Smart scarlet and tops, Young and old fops Twisting and turning, Through the blue mist still yearning To stay.
Off we start down the vale, Jumping over a rail, For a broken-down paling, Is fair easy sailing You know.
But though not a coward, I always feel soured, When I hear the scent’s strong, And old Reynard not gone Long ago,
It means quickish pace, A rush and a race; And, when heavily pressed You see, at my best I don’t show.
They are now on his track, And hang it, the pack Stream up the hill side, And we’ve got to ride From below.
Each taking his line, Up bank and incline, In the distance a lout Begins loudly to shout Tally-ho!
As o’er ploughed fields we gallop, And our jaded steed wallop, The field is fast thinning, And my steed’s beginning To blow.
With the hounds out of sight, The prospect ain’t bright, And, just like my fate, Locked or barred is each gate, What a shame.
Nothing more to be done, But to give up the run; Then struck with a thought, Vote hunting a sport Rather tame.
(A Friend’s Advice Afterwards.)
“On the whole, better say You’d have had a good day, That is――if your nag Didn’t linger or lag, Or go lame!”
From Cribblings from the Poets, by Hugh Cayley. Cambridge. Jones & Piggott. 1883.
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THE TALE OF THE SENSITIVE “FREAK.” (A Parody of Shelley’s “The Sensitive Plant.”)
A sensitive “freak” in a museum stood, Where the hours were short and the salary good; He was tattooed red, white, and blue, He was the “Bearded Lady,” too, Likewise the skeleton tall and thin, And he boasted a most elastic skin: He’d grown his feet to abnormal size, And whitened his hair Albino wise, So he said in language plain and bold That when he was abandoned the day’d be cold!
Yet he was unhappy exhibiting there, For down in his breast lurked a poignant care. He suffered deeply and oft because He wanted to be far more than he was; His sensitive nature could not brook That the public at anyone else should look. He wanted to be the “Leopard Boy,” And the “Phantom Lady” cold and coy, The wonderful “Glass-devouring Star” And the fair “Circassian,” from Mullingar!
He hated the sinuous “Human Snakes,” Whose pictures sold like the hottest cakes, Though it was said that he practised lots Tying himself into awful knots. He punched the “What Is it?” in the head, And cut the “Capillary Sisters” dead; Placed the “Midget” under the ban And wouldn’t shake feet with the “Armless Man”; Kicked the “Cannibal” out of his road, And said to the “Glass-Blower,” “You be blowed!”
Greater each day his importance grew, ’Till his head at length began swelling too. When others were noticed he screamed and cried, ’Till his head exploded, and so he died; And they said, as they washed off the gay tattoo, And hung up his beard where the wind blew through, That it was amazing he should be dead. Simply because he had lost his head; But that ’twas a warning, his awful fate, To people who think themselves so great.
From The Umpire.
ADDRESS TO AN EGYPTIAN MUMMY IN BELZONI’S EXHIBITION.
The success of the ancient Egyptians in preserving their dead by the operation of embalming was surprisingly great. For a proof of this we have only to turn to the fact of our viewing at this day the bodies of persons who lived three thousand years since. This ingenious people applied the powers of art to the purposes of their religion, and did all they could to keep the human frame entire after death, fondly thinking that if it proved a fit dwelling, its former inhabitant, the soul, would return at some distant period, and animate it afresh, even upon earth.
And thou hast walked about, (how strange a story!) In Thebes’s street three thousand years ago; When the Memnonium was in all its glory, And time had not begun to overthrow Those temples, palaces, and piles stupendous, Of which the very ruins are tremendous.
Speak! for thou long enough hast acted dummy,―― Thou hast a tongue, come, let us hear its tune; Thou’rt standing on thy legs, above ground, Mummy! Revisiting the glimpses of the moon, Not like thin ghosts or disembodied creatures, But with thy bones, and flesh, and limbs, and features.
Tell us, for doubtless thou canst recollect, To whom should we assign the Sphinx’s fame; Was Cheops or Cephrenes architect, Of either pyramid that bears his name? Is Pompey’s Pillar really a misnomer? Had Thebes a hundred gates, as sung by Homer?
Perhaps thou wert a mason, and forbidden, By oath to tell the mysteries of thy trade: Then say what secret melody was hidden In Memnon’s statue which at sunrise played? Perhaps thou wert a priest, and hast been dealing In human blood, and horrors past revealing.
Perchance that very hand, now pinioned flat, Has hob-a-nobbed with Pharaoh, glass to glass; Or dropped a halfpenny in Homer’s hat, Or dofted thine own to let Queen Dido pass, Or held, by Solomon’s own invitation, A torch at the great Temple’s dedication.
I need not ask thee if that hand, when armed, Has any Roman soldier mauled or knuckled, For thou wert dead and buried, and embalmed, Ere Romulus and Remus had been suckled! Antiquity appears to have begun, Long after thy primeval race was run.
Thou could’st develop, if that withered tongue Might tell us, what those sightless orbs have seen, How the world looked when it was fresh and young, And the great Deluge still had left it green; Or was it then so old, that History’s pages Contained no record of its early ages?
Still silent, incommunicative elf! Art sworn to secrecy? then keep thy vows; But prithee tell us something of thyself,―― Reveal the secrets of thy prison-house! Since in the world of spirits thou hast slumbered, What thou hast seen, what strange adventures numbered?
Since first thy form was in this box extended, We have, above ground, seen some strange mutations; The Roman empire has begun and ended, New worlds have risen, we have lost old nations, And countless kings have into dust been humbled, While not a fragment of thy flesh has crumbled.
Didst thou not hear the pother o’er thy head, When the great Persian conqueror, Cambyses, Marched armies o’er thy tomb with thundering tread, O’erthrew Osiris, Orus, Apis, Isis, And shook the Pyramids with fear and wonder, When the gigantic Memnon fell asunder?
If the tomb’s secrets may not be confessed, The nature of thy private life unfold: A heart has throbbed beneath that leathern breast, And tears adown that dusty cheek have rolled. Have children climbed those knees, and kissed that face? What was thy name and station, age and race?
Statue of flesh――Immortal of the dead! Imperishable type of evanescence! Posthumous man, who quitt’st thy narrow bed, And standest undecayed within our presence, Thou wilt hear nothing till the Judgment-morning, When the great Trump shall thrill thee with its warning!
Why should this worthless tegument endure, If its undying guests be lost for ever? Oh, let us keep the soul embalmed and pure In living virtue; that, when both must sever, Although corruption may our frame consume, Th’ immortal spirit in the skies may bloom!
HORACE SMITH. (One of the Authors of “Rejected Addresses.”)
――――
THE ANSWER OF THE EGYPTIAN MUMMY.
Child of the latter days! thy words have broken A spell that long has bound these lungs of clay, For since this smoke-dried tongue of mine hath spoken, Three thousand tedious years have rolled away Unswathed at length, I ’stand at ease’ before ye,―― List, then, oh! list, while I unfold my story.
Thebes was my birthplace――an unrivalled city, With many gates; but here I might declare Some strange plain truths, except that it were pity To blow a poet’s fabric into air; Oh, I could read you quite a Theban lecture, And give a deadly finish to conjecture!
But then you would not have me throw discredit On grave historians――or on him who sung THE ILIAD――true it is I never read it, But heard it read when I was very young; An old blind minstrel, for a trifling profit, Recited parts――I think the author of it.
All that I know about the town of HOMER, Is, that they scarce would own him in his day; Were glad, too, when he proudly turned a roamer, Because by this they saved their parish pay; His townsmen would have been ashamed to flout him, Had they foreseen the fuss since made about him.
One blunder I can fairly set at rest, He says that men were once more big and bony Than now, which is a bouncer at the best,―― I’ll just refer you to our friend Belzoni, Near seven feet high! in sooth a lofty figure! Now look at me, and tell me, am I bigger?
Not half the size: but then I’m sadly dwindled; Three thousand years, with that embalming glue, Have made a serious difference, and have swindled My face of all its beauty――there were few Egyptian youths more gay,――behold the sequel; Nay, smile not――you and I may soon be equal!
For this lean hand did one day hurl the lance With mortal aim――this light fantastic toe Threaded the mystic mazes of the dance: This heart hath throbbed at tales of love and woe, These shreds of raven hair once set the fashion, This withered form inspired the tender passion.
In vain! the skilful hand, and feelings warm, The foot that figured in the bright quadrille, The palm of genius and the manly form, All bowed at once to Death’s mysterious will, Who sealed me up where Mummies sound are sleeping, In cere-cloth, and in tolerable keeping.
Where cows and monkeys squat in rich brocade, And well-dressed crocodiles in painted cases, Rats, bats, and owls, and cats in masquerade, With scarlet flounces and with varnished faces; Men, birds, brutes, reptiles, fish, all crammed together, With ladies that might pass for well-tanned leather.
Where Rameses and Sabacon lie down, And splendid Psammis in his hide of crust; Princes and heroes, men of high renown, Who in their day kicked up a mighty dust,―― Their swarthy Mummies kicked up dust in numbers, When huge Belzoni came to scare their slumbers!
Who’d think these rusty hams of mine were seated At Dido’s table, when the wond’rous tale Of “Juno’s hatred” was so well repeated? And ever and anon the queen turned pale; Meanwhile the brilliant gas-lights, hung above her, Threw a wild glare upon her shipwrecked lover,
Ay, gas-lights! mock me not; we men of yore Were versed in all the knowledge you can mention; Who hath not heard of Egypt’s peerless lore? Her patient toil? Acuteness of invention? Survey the proofs――our Pyramids are thriving,―― Old Memnon still looks young, and I’m surviving.
A land in arts and sciences prolific, On blocks gigantic building up her fame! Crowded with signs, and letters hieroglyphic, Temples and obelisks her skill proclaim! Yet though her art and toil unearthly seem, Those blocks were brought on RAIL-ROADS and by STEAM!
How, when, and why, our people came to rear The Pyramid of Cheops, mighty pile! This, and the other secrets thou shalt hear; I will unfold if thou wilt stay awhile, The hist’ry of the Sphinx, and who began it, Onr mystic marks, and monsters made of granite.
Well, then, in grievous times, when King Cephrenes―― But, ha! what’s that?――the shades of bards and kings Press on my lips their fingers! What they mean is, I am not to reveal these hidden things. Mortal, farewell! Till Science ’self unbind them, Men must e’en take these secrets as they find them.
MUMMIUS.
From The Saturday Magazine. Vol. IV.
――――
LINES TO THE WESTERN MUMMY.
O stranger, whose repose profound These latter ages dare to break, And call thee from beneath the ground Ere Nature did thy slumber shake,――
What wonders of the secret earth Thy lips too silent, might reveal! Of tribes round whose mysterious birth A thousand envious ages wheel.
Thy race, by savage war o’errun, Sunk down, their very name forgot; But ere those fearful times begun, Perhaps, in this sequestered spot
By Friendship’s hand thine eyelid closed, By Friendship’s hand the turf was laid; And Friendships here, perhaps, reposed. With moonlight vigils in the shade.
The stars have run their nightly round, The sun looked out and passed his way, And many a season o’er the ground Has trod where thou so softly lay.
And wilt thou not one moment raise Thy weary head, awhile to see The later sports of earthly days, How like what once enchanted thee?
Thy name, thy date, thy life declare―― Perhaps a queen, whose feathery band A thousand maids have sighed to wear, The brightest in thy beauteous land――
Perhaps a Helen, from whose eye Love kindled up the flame of war―― Ah, me! do thus thy graces lie A faded phantom, and no more?
Oh, not like thee would I remain, But o’er the earth my ashes strew, And in some rising bud regain The freshness that my childhood knew.
But has thy soul, O maid, so long Around this mournful relic dwelt? Or burst away with pinion strong, And at the foot of Mercy knelt?
Or has it in some distant clime, With curious eye, unsated, strayed, And down the winding stream of time, On every changeful current played?
Or, lock’d in everlasting sleep. Must we thy heart extinct deplore, Thy fancy lost in darkness weep, And sigh for her who feels no more?
Or, exiled to some humbler sphere, In yonder wood-dove dost thou dwell, And murmuring in the stranger’s ear, Thy tender melancholy tell?
Whoe’er thou be, thy sad remains Shall from the Muse a tear demand, Who, wandering on these distant plains. Looks fondly to a distant land.
GALLAUDET.
――――
SIR MOSES MONTEFIORE.
And thou hast walked about, how strange a story, In Europe’s streets, a century nigh ago: Long time ere Nap the First had gained his glory, And longer still before his overthrow On that dread field, where hard he tried to burk us, Some who were there still linger (in the workus).
I need not ask thee if that hand of thine Has scattered to the poor thy gold in plenty, For charity was ever in thy line. Before thy modest years had numbered twenty, The same kind spirit which has marked thee ever. Had shown itself in many a bright endeavour.
Did’st thou not hear the pother in the town On Monday last, when Ramsgate to the fore, Placed on thy brow its tributary crown, And hailed thy patriarchal years, five score? Here’s to thy long, long life, thou Hebrew hoary, God’s blessing on thy head, Montefiore!
BOTCHER.
November, 1884.
On page 103 of “The Wit and Humour of Shirley Brooks” (Bradbury, Agnew & Co., 1883), there is a parody founded on Horace Smith’s “George Barnewell.” It was written in 1858 to ridicule “Soapy Sam,” Bishop Wilberforce, it is quite out of date now, and of no interest, except to some possible historian of theological controversies.
Parodies of American Poetry.
MAUD MÜLLER.
Maud Müller, on a summer’s day Raked the meadows sweet with hay.
Beneath her torn hat glowed the wealth Of simple beauty and rustic health.
Singing, she wrought, and her merry glee The mock-bird echoed from his tree,
But, when she glanced to the far-off town, White from its hill-slope looking down,
The sweet song died, and a vague unrest And a nameless longing filled her breast――
A wish, that she had hardly dared to own, For something better than she had known.
The judge rode slowly down the lane, Smoothing his horse’s chestnut mane.
He drew his bridle in the shade Of the apple trees to greet the maid,
And asked a draught from the spring that flowed Through the meadows across the road.
She stooped where the cool spring bubbled up, And filled for him her small tin cup;
And blushed as she gave it, looking down On her feet so bare, and her tattered gown.
“Thanks! said the judge, a sweeter draught From a fairer hand was never quaffed.”
He spoke of the grass, and flowers, and trees, Of the singing birds, and the humming bees;
Then talked of the haying, and wondered whether The cloud in the west would bring foul weather.
And Maud forgot her briar torn gown, And her graceful ankles bare and brown;
And listened, while a pleased surprise Looked from her long-lashed hazel eyes.
At last, like one who for delay Seeks a vain excuse, he rode away.
Maud Müller looked and sighed――“Ah me! That I the judge’s bride might be!
“He would dress me up in silks so fine, And praise and toast me at his wine.
“My father should wear a broadcloth coat; My brother should sail a painted boat.
“I’d dress my mother so grand and gay, And the baby should have a new toy each day.
“And I’d feed the hungry and clothe the poor, And all should bless me who left our door.
The judge looked back as he climbed the hill, And saw Maud Müller standing still.
“A form more fair, a face more sweet, Ne’er hath it been my lot to meet.
“And her modest answer and graceful air, Show her wise and good as she is fair.
“Would she were mine, and I to-day, Like her, a harvester of hay.
“No doubtful balance of rights and wrongs, And weary lawyers with endless tongues,
“But low of cattle and song of birds, And health of quiet and loving words.”
But he thought of his sisters, proud and cold, And his mother, vain of her rank and gold.
So, closing his heart, the judge rode on, And Maude was left in the field alone.
But the lawyers smiled that afternoon, When he hummed in court an old love tune;
And the young girl mused beside the well, Till the rain on the unraked clover fell.
He wedded a wife of richest dower, Who lived for fashion as he for power.
Yet oft, in his marble hearth’s bright glow, He watched a picture come and go;
And sweet Maud Müller’s hazel eyes Looked out in their innocent surprise.
Oft when the wine in his glass was red, He longed for the wayside well instead;
And closed his eyes on the garnished rooms, To dream of meadows and clover blooms.
And the proud man sighed with a secret pain; “Ah, that I were free again!
“Free as when I rode that day, Where the barefoot maiden raked her hay.”
She wedded a man unlearned and poor, And many children played round her door.
But care and sorrow, and child-birth pain, Left their traces on heart and brain.
And oft when the summer sun shone hot On the new-mown hay in the meadow lot,
And she heard the little spring-brook fall Over the roadside through the wall,
In the shade of the apple-tree again She saw a rider draw his rein;
And, gazing down with timid grace, She felt his pleased eyes read her face.
Sometimes her narrow kitchen walls Stretched away into stately halls;
The weary wheel to a spinnit turned, The tallow candle an astral burned;
And for him who sat by the chimney lug. Dozing and grumbling o’er pipe and mug,
A manly form at her side she saw, And joy was duty, and love was law.
Then she took up her burden of life again Saying only “It might have been!”
Alas! for maiden, alas! for judge, For rich repiner and household drudge!
God pity them both! and pity us all, Who vainly the dreams of youth recall,
For of all sad words of tongue or pen The saddest are these “It might have been!”
Ah, well! for us all some sweet hope lies Deeply buried from human eyes;
And in the hereafter angels may Roll the stone from its grave away!
JOHN GREENLEAF WHITTIER.
Mr. Whittier’s statement of the origin of his poem of “Maud Müller” is thus given. He was driving with his sister through York, U.S.A., and stopped at a harvest field to inquire the way. A young girl raking hay near the stone-wall stopped to answer their inquiries. Whittier noticed as she talked that she bashfully raked the hay around and over her bare feet, and she was fresh and fair. The little incident left its impression, and he wrote out the poem that very evening. “But if I had had any idea,” he said, “that the plaguey little thing would have been so liked, I should have taken more pains with it.” To the inquiry as to the title, Maud Müller, he said it was suggested to him, and was not a selection. It came as the poem came. But he gives it the short German pronunciation, as Meuler, not the broad Yankee, Muller.
――――
MRS. JUDGE JENKINS. [Being the only genuine sequel to “Maud Müller.”]
Maud Müller, all that summer day, Raked the meadow sweet with hay;
Yet, looking down the distant lane, She hoped the judge would come again.
But when he came, with smile and bow, Maud only blushed, and stammered, “Ha-ow?”
And spoke of her “pa,” and wondered whether He’d give consent they should wed together.
Old Müller burst in tears, and then Begged that the judge would lend him “ten;”
For trade was dull and wages low, And the “craps,” this year, were somewhat slow.
And ere the languid summer died, Sweet Maud became the Judge’s bride.
But, on the day that they were mated, Maud’s brother Bob was intoxicated;
And Maud’s relations, twelve in all, Were very drunk at the judge’s hall.
And when the summer came again, The young bride bore him babies twain.
And the judge was blest, but thought it strange That bearing children made such a change:
For Maud grew broad and red and stout: And the waist that his arm once clasped about
Was more than he now could span. And he Sighed as he pondered, ruefully,
How that which in Maud was native grace In Mrs. Jenkins was out of place;
And thought of the twins, and wished that they Looked less like the man who raked the hay
On Müller’s farm, and dreamed with pain Of the day he wandered down the lane.
And, looking down that dreary track, He half regretted that he came back.
For, had he waited, he might have wed Some maiden fair and thoroughbred;
For there be women fair as she, Whose verbs and nouns do more agree.
Alas for maiden! alas for judge! And the sentimental,――that’s one-half “fudge;”
For Maud soon thought the judge a bore, With all his learning and all his lore.
And the judge would have bartered Maud’s fair face For more refinement and social grace.
If, of all words of tongue and pen, The saddest are, “It might have been,”
More sad are these we daily see: “It is, but hadn’t ought to be.”
BRET HARTE.
――――
KATE KETCHEM.
Kate Ketchem on a winter’s night Went to a party dressed in white.
Her chignon in a net of gold Was about as large as they ever sold.
Gayly she went because her “pap” Was supposed to be a rich old chap.
But when by chance her glances fell On a friend who had lately married well,
Her spirits sunk and a vague unrest And a nameless longing filled her breast.
A wish she would’nt have made known To have an establishment of her own.
Tom Fudge came slowly through the throng With chestnut hair worn pretty long.
He saw Kate Ketchem in the crowd And knowing her slightly stopped, and bowed.
Then asked her to give him a single flower Saying he’d think it a priceless dower.
Out from those with which she was decked She took the poorest she could select.
And, blushed as she gave it, looking down To call attention to her gown.
“Thanks,” said Fudge, and he thought how dear Flowers must be at that time of year.
Then several charming remarks he made Asked if she sang, or danced, or played.
And being exhausted, inquired whether She thought it was going to be pleasant weather.
And Kate displayed her “jewelry” And dropped her lashes becomingly.
And listened with no attempt to disguise The admiration in her eyes.
At last like one who has nothing to say He turned around, and walked away.
Kate Ketchem smiled, and said “you bet I’ll catch that Fudge, and his money yet.
“He’s rich enough to keep me in clothes And I think I could manage him as I chose.
“He could aid my father as well as not, And buy my brother a splendid yacht.
“My mother for money should never fret And all it cried for the baby should get.
“And after that with what he could spare I’d make a show at a charity fair.”
Tom Fudge looked back as he crossed the sill And saw Kate Ketchem standing still.
“A girl more suited to my mind It isn’t an easy thing to find;
“And everything she has to wear Proves her as rich as she is fair.
“Would she were mine, and I to day Had the old man’s cash my debts to pay.
“No creditors with a long account No tradesmen wanting ‘that little amount.’
“But all my scores paid up when due By a father-in-law as rich as a Jew.”
But he thought of her brother not worth a straw And her mother, that would be his, in law.
So undecided he walked along And Kate was left alone in the throng.
But a lawyer smiled when he sought by stealth To ascertain old Ketchem’s wealth.
And as for Kate she schemed and planned Till one of the dancers claimed her hand.
He married her for her father’s cash, She married him to cut a dash.
But as to paying his debts do you know The father couldn’t see it so;
And at hints for help Kate’s hazel eyes Looked out in their innocent surprise.
And when Tom thought of the way he had wed He longed for a single life instead.
And closed his eyes in a sulky mood Regretting the days of his bachelorhood.
And said in a sort of reckless vein, “I’d like to see her catch me again.
“If I were free as on that night When I saw Kate Ketchem dressed in white.”
She wedded him to be rich and gay But husband and children did’nt pay.
He wasn’t the prize she hoped to draw And would’nt live with his mother-in-law.
And oft when she had to coax and pout In order to get him to take her out,
She thought how very attentive and bright He seemed at the party that winter’s night.
Of his laugh as soft as a breeze of the south (’Twas now on the other side of his mouth);
How he praised her dress, and gems, in his talk As he took a careful account of stock.
Sometimes she hated the very walls―― Hated her friends, her dinners, and calls.
Till her weak affection to hatred turned Like a dying tallow candle burned.
And for him who sat there her peace to mar, Smoking his everlasting cigar.
He wasn’nt the man she thought she saw And grief was duty, and hate was law.
So she took up her burden with a groan Saying only “I might have known.”
Alas for Kate, and alas for Fudge, Though I do not owe them any grudge.
And, alas, for any who find to their shame That two can play at their little game.
For of all hard things to bear and grin The hardest is knowing you’re taken in.
Ah! well as a general thing we fret About the one we didn’t get.
But I think we need’nt make a fuss If the one we don’t want did’nt get us.
PHŒBE CAREY.
――――
MAUD MÜLLER IN DUTCH.
Maud Müller, von summer afternoon Vas dending bar in her fadder’s saloon, She solt dot bier, and singed “Shoo Fly,” Und vinked at der men mit her lefd eye. Bud ven she looked oud on der shdreed. Und saw dem gals all dressed so shweed, Her song gifed out on a ubber note, Cause she had such a hoss in her troat; Und she vished she had shdamps to shbend, So she might git such a Grecian Bend. Hans Brinker valked shlowly down her shdreed, Shmilin at all der gals he’d meed; Old Hans vas rich――as I’ve been dold,―― Had houses und lots, and a barrel of gold. He shdopped by der door, und pooty soon He valked righd indo dot bier saloon. Und he vinked at Maud, und said, “My dear, Gif me, of you pblease, a glass of bier.” She vend to der pblace vere der bier keg shtood, Und pringed him a glass dot vas fresh und goot, “Dot’s goot,” said Hans, “dot’s a better drink As effer I had in mine life, I dink.” He dalked for a vhile, den said, “Goot day,” Und up der shdreet he dook his vay. Maud hofed a sigh, and said, “Oh, how I’d likd to been dot olt man’s frow, Such shplendid close I den vood vear, Dot all the gals around vood shdare. In dot Union Park I’d drive all tay, Und efery evenin go to der blay. Hans Brinker, doo, felt almighty gweer, (But dat mit peen von trinkin beer.) Und he says to himself, as he valked along, Hummin der tune of a olt lofe song, “Dot’s der finest gal I efer did see, Und I vish dot she my wife cood be.” But here his solillogwy came to an end, As he dinked of der gold dot she might shbend; Und he maked up his mind dot as for him, He’d marry a girl mit lots of “din.” So he vent righd off dot fery day, Und married a vooman olt und gray. He vishes now, but all in vain, Dot he vas free to marry again; Free as he vas dot afternoon, Ven he med Maud Müller in der bier saloon. Maud married a man without some “soap”―― He vas lazy doo――but she did hope Dot he’d get bedder when shildren came; But vhen dey had, he vas yoost der same. Und ofden now dem dears vill come As she sits alone ven her day’s vork’s done, Und dinks of der day Hans called her “my dear,” Und asked her for a glass of bier; But she don’d comblain, nor efer has, Und only says, “Dot coodn’t vas.”
ANONYMOUS.
――――
THE MAUD MULLER. (Improved.)
Maud Muller, on a summer’s day, Raked the meadow, sweet with hay――
But when she glanced to Huntsville town, White from its hill-slope looking down,
The sweet song died――and Fleming’s Improved With a nameless longing her breast moved.
A wish that she hardly dared to own, For something better than she had known.
“Uncle Pete” rode slowly for her sake, Showing his “Improved Riding Rake.”
He drew his bridle in the shade Of the apple trees, to greet the maid.
And Maud forgot her briar-torn gown, And her graceful ankles, bare and brown.
And merrily sparkled her hazel eyes As “Uncle Pete” described his prize.
Maud Muller looked, and sighed “Law sake! That’s MY idea of a perfect Rake.”
American Advertisement.
――――
MISS MÜLLER IN URBE.
Miss Müller so the gossips say, Flirted in quite a shameless way,
But Maud with a laugh pronounced it fudge―― Yet we caught her wink at the ratty judge,
And the judge――but we mention this sub rose―― Blushed up to the roots of his bulbous nose;
Still he crained his neck, and in passing by, Gave a sinister wink with his dexter eye.
Quoth Maud to herself as on she passed, “I’ve his royal nibs in tow at last;
My mother shall wear a seal skin sack―― My pa swing on his broadcloth black;
My brother shall sip his whiskey-skins, And my sister revel in gay breast pins!”
Quoth the judge as he sauntered listless on, “She’s a rattling girl! you bet I’m gone!
No doubt my last wife’s ma will kick And my heirs cut up the very nick;
And though I’ve known her a short short spell, You bet I’ll have her in spite of”――well
No matter his word it was short and stout And the name of a place that’s now played out
According to Bucher. Alack for all The maid and judge ne’er wedded at all;
For he passed in his checks from too much gin And the maid grew long, and lank, and thin.
And she as her charms glimmered away She ceased for to flirt, and began for to pray.
God pity the maid, and pity the judge, And these days of twaddle, and bosh, and fudge,
For of all sad words from a heart bereft The saddest are these, “You bet I’m left.”
ANONYMOUS.
――――
THE MODERN MAUD MÜLLER.
Maud Müller worked at making hay And cleared her forty cents a day.
Her clothes were coarse, but her health was fine, And so she worked in the sweet sunshine――
Singing as glad as a bird in May “Barbary Allen” the livelong day.
She often glanced at the far off town And wondered if eggs were up, or down.
And the sweet song died of a strange disease Leaving a phantom-taste of cheese,
And an appetite and a nameless ache For soda-water, and ginger cake.
The Judge rode slowly into view―― Stopped his horse in the shade, and threw
His fine cut out, while the blushing Maud Marvelled much at the kind he “chawed.”
He was “dry as a fish” he said with a wink And kind o’ thought that a good square drink
Would brace him up. So the cup was filled With the crystal wine that the old spring spilled;
And she gave it him with a sun browned hand, “Thanks” said the Judge, in accents bland;
“A thousand thanks for a sweeter draught From a fairer hand――” but there he laughed,
And the sweet girl stood in the sun that day And raked the Judge instead of the hay.
Cincinnati Commercial.
――――
MAUD MÜLLER, AND THE JUDGE.
Maud Müller on an August day Took the Fever of the Hay,
Sneezing she went and her shrill Ah-chee The mock-bird echoed from the tree.
The Judge rode slowly down the lane Smoothing his chestnut horse’s mane,
And drew his bridle in the shade With a stimulation to greet the maid.
He spoke of the grass, and flowers, and trees, The pollen from which makes sufferers sneeze,
And Maudie forgot her swollen nose And even her graceful bare brown toes,
And listened while a pleased surprise Looked from her watering hazel eyes.
At last with a wild “Ah-chee! Ah-cha! Ah-choo! Ah-choo!” he rode away.
Maud Müller looked and sneezed “Ah-chee! That I the Judge’s bride might be!
He would dress me with silks and diamond rings And take me up to the ‘White Mountings,’
And I’d use the finest cambric mouchoir And never have the Hay Fever more.”
The Judge looked back as he climbed the hill And heard her sternutations shrill.
“Would she were mide, and I to-day Rid of this dab Fever of the Hay.”
But he thought of her sisters and clearly saw Her mother would be his mother-in-law.
The baby would smear his broadcloth coat And her brother borrow a five dollar note;
So closing his heart the Judge rode on And Maudie was left in the field alone.