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Parodies of the works of English & American authors, vol. V

Unknown author · Public domain text

265,349 words · about 18 h 35 min to read

About this edition

The text of Parodies of the works of English & American authors, vol. V comes from Project Gutenberg e-text #70547. It is in English and public domain in the United States. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

This text-only edition leaves out 47 illustrations. See the illustrated edition at Project Gutenberg.

This book is long enough to be split into 6 parts, so each one loads quickly on its own.

About this book

Language
English
Subjects
Parodies
Length
265,349 words · about 18 h 35 min
Sections
16 reader sections · Table of contents
Contents (16)
  1. Opening about 1 min
  2. Introduction about 4 h 54 min
  3. Postscript about 47 min
  4. Prologue under 1 min
  5. Epilogue about 5 min
  6. Part I about 5 min
  7. Part I about 2 min
  8. Part II about 2 min
  9. Part I about 2 min
  10. Part II about 1 min
  11. Part III under 1 min
  12. Part IV about 1 min
  13. Part V about 4 min
  14. Prologue about 42 min
  15. Part I (part 1 of 2) about 6 h 25 min
  16. Part I (part 2 of 2) about 5 h 24 min

The opening of Introduction

* * * * *

VOLUME V.

[Illustration:T]he completion of the Fifth Volume of this collection of Parodies affords me an opportunity of acknowledging many acts of courtesy shown by gentlemen who take an interest in the subject.

They have appreciated the importance of making the collection complete, and reliable as a book of reference on Parody and Burlesque, and by the information they have sent, have assisted me to carry out my design so far as it has gone.

In some few cases the difficulty of finding the authors has prevented me from obtaining their permission to insert their poems, but in every instance due acknowledgment has been made.

No trouble has been spared to obtain every parody worth quoting, to trace every poem to its original source, and to give the Authors’ names, wherever they could be ascertained.

Read on in Part 2 →