Read here

Bulfinch's Mythology The Age of Fable; The Age of Chivalry; Legends of Charlemagne

Thomas Bulfinch · Public domain text

334,366 words · about 23 h 25 min to read

Period artwork: Interior of the Bodleian Library, 1845

Text only · 17 illustrations omitted. Illustrated source.

About this edition

The text of Bulfinch's Mythology The Age of Fable; The Age of Chivalry; Legends of Charlemagne comes from Project Gutenberg e-text #56644. It is in English and public domain in the United States. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

This book also contains the text of The Age of Chivalry, which is also on RedLectern as a separate book.

This text-only edition leaves out 17 illustrations. See the illustrated edition at Project Gutenberg.

This book is long enough to be split into 9 parts, so each one loads quickly on its own.

Contents (82)
  1. Opening about 3 min
  2. Author’S Preface about 13 min
  3. I. INTRODUCTION about 14 min
  4. II. PROMETHEUS AND PANDORA about 11 min
  5. III. APOLLO AND DAPHNE—PYRAMUS AND THISBE—CEPHALUS AND PROCRIS about 14 min
  6. Chapter IV about 15 min
  7. V. PHAËTON about 12 min
  8. VI. MIDAS—BAUCIS AND PHILEMON about 9 min
  9. VII. PROSERPINE—GLAUCUS AND SCYLLA about 15 min
  10. VIII. PYGMALION—DRYOPE—VENUS AND ADONIS—APOLLO AND HYACINTHUS about 10 min
  11. IX. CEYX AND HALCYONE: OR, THE HALCYON BIRDS about 11 min
  12. X. VERTUMNUS AND POMONA about 7 min
  13. XI. CUPID AND PSYCHE about 17 min
  14. XII. CADMUS—THE MYRMIDONS about 11 min
  15. XIII. NISUS AND SCYLLA—ECHO AND NARCISSUS—CLYTIE—HERO AND LEANDER about 12 min
  16. XIV. MINERVA—NIOBE about 12 min
  17. XV. THE GRÆÆ OR GRAY-MAIDS—PERSEUS—MEDUSA—ATLAS—ANDROMEDA about 9 min
  18. XVI. MONSTERS about 10 min
  19. XVII. THE GOLDEN FLEECE—MEDEA about 13 min
  20. XVIII. MELEAGER AND ATALANTA about 9 min
  21. XIX. HERCULES—HEBE AND GANYMEDE about 10 min
  22. XX. THESEUS—DÆDALUS—CASTOR AND POLLUX about 13 min
  23. XXI. BACCHUS—ARIADNE about 9 min
  24. Chapter XXII about 14 min
  25. XXIII. ACHELOUS AND HERCULES—ADMETUS AND ALCESTIS—ANTIGONE—PENELOPE about 12 min
  26. Chapter XXIV about 13 min
  27. XXV. ARION—IBYCUS—SIMONIDES—SAPPHO about 14 min
  28. XXVI. ENDYMION—ORION—AURORA AND TITHONUS—ACIS AND GALATEA about 10 min
  29. XXVII. THE TROJAN WAR about 25 min
  30. XXVIII. THE FALL OF TROY—RETURN OF THE GREEKS—ORESTES AND ELECTRA about 12 min
  31. Chapter XXIX about 15 min
  32. XXX. The PHÆACIANS—FATE OF THE SUITORS about 16 min
  33. XXXI. ADVENTURES OF ÆNEAS—THE HARPIES—DIDO—PALINURUS about 11 min
  34. XXXII. THE INFERNAL REGIONS—THE SIBYL about 15 min
  35. XXXIII. CAMILLA—EVANDER—NISUS AND EURYALUS—MEZENTIUS—TURNUS about 18 min
  36. XXXIV. PYTHAGORAS—EGYPTIAN DEITIES—ORACLES about 17 min
  37. Chapter XXXV about 13 min
  38. XXXVI. MODERN MONSTERS—THE PHŒNIX—BASILISK—UNICORN—SALAMANDER about 11 min
  39. Chapter XXXVII about 14 min
  40. XXXVIII. NORTHERN MYTHOLOGY—VALHALLA—THE VALKYRIOR about 12 min
  41. XXXIX. THOR’S VISIT TO JOTUNHEIM about 11 min
  42. Chapter XL about 20 min
  43. XLI. THE DRUIDS—IONA about 12 min
  44. I. INTRODUCTION about 16 min
  45. II. THE MYTHICAL HISTORY OF ENGLAND about 15 min
  46. III. MERLIN about 8 min
  47. IV. ARTHUR about 15 min
  48. V. ARTHUR (Continued) about 13 min
  49. VI. SIR GAWAIN about 5 min
  50. VII. CARADOC BRIEFBRAS; OR, CARADOC WITH THE SHRUNKEN ARM about 7 min
  51. VIII. LAUNCELOT OF THE LAKE about 19 min
  52. IX. THE ADVENTURE OF THE CART about 9 min
  53. X. THE LADY OF SHALOTT about 6 min
  54. XI. QUEEN GUENEVER’S PERIL about 6 min
  55. XII. TRISTRAM AND ISOUDE about 12 min
  56. XIII. TRISTRAM AND ISOUDE (Continued) about 10 min
  57. XIV. SIR TRISTRAM’S BATTLE WITH SIR LAUNCELOT about 5 min
  58. XV. THE ROUND TABLE about 7 min
  59. XVI. SIR PALAMEDES about 5 min
  60. XVII. SIR TRISTRAM about 5 min
  61. XVIII. PERCEVAL about 11 min
  62. XIX. THE SANGREAL, OR HOLY GRAAL about 9 min
  63. XX. THE SANGREAL (Continued) about 9 min
  64. XXI. THE SANGREAL (Continued) about 17 min
  65. XXII. SIR AGRIVAIN’S TREASON about 13 min
  66. XXIII. MORTE D’ARTHUR about 17 min
  67. Introductory Note about 4 min
  68. I. THE BRITONS about 6 min
  69. II. THE LADY OF THE FOUNTAIN about 8 min
  70. III. THE LADY OF THE FOUNTAIN (Continued) about 11 min
  71. IV. THE LADY OF THE FOUNTAIN (Continued) about 11 min
  72. V. GERAINT, THE SON OF ERBIN about 17 min
  73. VI. GERAINT, THE SON OF ERBIN (Continued) about 12 min
  74. VII. GERAINT, THE SON OF ERBIN (Continued) about 18 min
  75. VIII. PWYLL, PRINCE OF DYVED about 10 min
  76. IX. BRANWEN, THE DAUGHTER OF LLYR about 14 min
  77. X. MANAWYDDAN about 18 min
  78. XI. KILWICH AND OLWEN about 18 min
  79. XII. KILWICH AND OLWEN (Continued) about 11 min
  80. XIII. TALIESIN about 28 min
  81. Introduction about 6 h 58 min
  82. Bulfinch's Mythology The Age of Fable; The Age of Chivalry; Legends of Charlemagne (part 9 of 9) about 13 min

The opening of Author’S Preface

If no other knowledge deserves to be called useful but that which helps to enlarge our possessions or to raise our station in society, then Mythology has no claim to the appellation. But if that which tends to make us happier and better can be called useful, then we claim that epithet for our subject. For Mythology is the handmaid of literature; and literature is one of the best allies of virtue and promoters of happiness.

Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. When Byron calls Rome “the Niobe of nations,” or says of Venice, “She looks a Sea-Cybele fresh from ocean,” he calls up to the mind of one familiar with our subject, illustrations more vivid and striking than the pencil could furnish, but which are lost to the reader ignorant of mythology. Milton abounds in similar allusions. The short poem “Comus” contains more than thirty such, and the ode “On the Morning of the Nativity” half as many. Through “Paradise Lost” they are scattered profusely. This is one reason why we often hear persons by no means illiterate say that they cannot enjoy Milton.

Read on in Part 1 →