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George Eliot quotes

32 quotes from 4 of George Eliot’s books on this site, book by book. Each quote is copied exactly from the book’s text in this site’s reader (the Project Gutenberg e-text named under each book) and links to its passage; when this page was built, every quote was checked word for word against that text. Quotes we could not find in a book we host are not listed.

George Eliot’s books → · How RedLectern is built

Middlemarch

From Project Gutenberg e-text #145 (public domain in the USA).

But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.

Chapter LXXXVIRead in context →

To think with pleasure of his niece’s husband having a large ecclesiastical income was one thing—to make a Liberal speech was another thing; and it is a narrow mind which cannot look at a subject from various points of view.

Chapter VIIRead in context →

It is always fatal to have music or poetry interrupted.

— Spoken by a character · Chapter XLIII

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If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel’s heart beat, and we should die of that roar which lies on the other side of silence.

Chapter XXRead in context →

“I feel convinced that his conduct has not been guilty: I believe that people are almost always better than their neighbors think they are,” said Dorothea.

— Dorothea · Chapter LXXII

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And, of course, men know best about everything, except what women know better.

— Spoken by a character · Chapter LXXII

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He distrusted her affection; and what loneliness is more lonely than distrust?

Chapter XLIVRead in context →

But he was in gloomy rebellion against the fact that his quick apprehensiveness foreshadowed to him, and when his eyes fell on Rosamond’s blighted face it seemed to him that he was the more pitiable of the two; for pain must enter into its glorified life of memory before it can turn into compassion.

Chapter LXXVIIIRead in context →

After all, the true seeing is within; and painting stares at you with an insistent imperfection.

— Spoken by a character · Chapter XIX

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“character is not cut in marble—it is not something solid and unalterable. It is something living and changing, and may become diseased as our bodies do.”

— Mr. Farebrother · Chapter LXXII

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All 11 quotes from Middlemarch →

The Mill on the Floss

From Project Gutenberg e-text #6688 (public domain in the USA).

Anger and jealousy can no more bear to lose sight of their objects than love, and that Tom and Lucy should do or see anything of which she was ignorant would have been an intolerable idea to Maggie.

X. Maggie Behaves Worse Than She ExpectedRead in context →

But if Maggie had been that young lady, you would probably have known nothing about her: her life would have had so few vicissitudes that it could hardly have been written; for the happiest women, like the happiest nations, have no history.

III. Confidential MomentsRead in context →

Nature repairs her ravages, but not all. The uptorn trees are not rooted again; the parted hills are left scarred; if there is a new growth, the trees are not the same as the old, and the hills underneath their green vesture bear the marks of the past rending. To the eyes that have dwelt on the past, there is no thorough repair.

V. The Last ConflictRead in context →

We could never have loved the earth so well if we had had no childhood in it,—if it were not the earth where the same flowers come up again every spring that we used to gather with our tiny fingers as we sat lisping to ourselves on the grass; the same hips and haws on the autumn’s hedgerows; the same redbreasts that we used to call “God’s birds,” because they did no harm to the precious crops.

V. Tom Comes HomeRead in context →

“In their death they were not divided.”

— Spoken by a character · V. The Last Conflict

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The boat reappeared, but brother and sister had gone down in an embrace never to be parted; living through again in one supreme moment the days when they had clasped their little hands in love, and roamed the daisied fields together.

V. The Last ConflictRead in context →

I desire no future that will break the ties of the past.

— Spoken by a character · X. The Spell Seems Broken

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Poetry and art and knowledge are sacred and pure.

— Spoken by a character · I. In the Red Deeps

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It seems to me we can never give up longing and wishing while we are thoroughly alive. There are certain things we feel to be beautiful and good, and we must hunger after them.

— Philip · I. In the Red Deeps

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I’ve never any pity for conceited people, because I think they carry their comfort about with them.

— Maggie · IV. Another Love-Scene

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All 19 quotes from The Mill on the Floss →

Adam Bede

From Project Gutenberg e-text #507 (public domain in the USA).

Our deeds determine us, as much as we determine our deeds, and until we know what has been or will be the peculiar combination of outward with inward facts, which constitutes a man’s critical actions, it will be better not to think ourselves wise about his character.

XXIX. The Next MorningRead in context →

What greater thing is there for two human souls than to feel that they are joined for life—to strengthen each other in all labour, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?

LIV. The Meeting on the HillRead in context →

Family likeness has often a deep sadness in it. Nature, that great tragic dramatist, knits us together by bone and muscle, and divides us by the subtler web of our brains; blends yearning and repulsion; and ties us by our heart-strings to the beings that jar us at every movement.

IV. Home and Its SorrowsRead in context →

When death, the great Reconciler, has come, it is never our tenderness that we repent of, but our severity.

IV. Home and Its SorrowsRead in context →

Falsehood is so easy, truth so difficult. The pencil is conscious of a delightful facility in drawing a griffin—the longer the claws, and the larger the wings, the better; but that marvellous facility which we mistook for genius is apt to forsake us when we want to draw a real unexaggerated lion.

XVII. In Which the Story Pauses a LittleRead in context →

Desire is chastened into submission, and we are contented with our day when we have been able to bear our grief in silence and act as if we were not suffering.

L. In the CottageRead in context →

Arthur wished it too; it was the last weakness he meant to indulge in; and a man never lies with more delicious languor under the influence of a passion than when he has persuaded himself that he shall subdue it to-morrow.

XXVI. The DanceRead in context →

How is it that the poets have said so many fine things about our first love, so few about our later love? Are their first poems their best? Or are not those the best which come from their fuller thought, their larger experience, their deeper-rooted affections?

LI. Sunday MorningRead in context →

Her little butterfly soul fluttered incessantly between memory and dubious expectation.

XIII. Evening in the WoodRead in context →

These fellow-mortals, every one, must be accepted as they are: you can neither straighten their noses, nor brighten their wit, nor rectify their dispositions; and it is these people—amongst whom your life is passed—that it is needful you should tolerate, pity, and love: it is these more or less ugly, stupid, inconsistent people whose movements of goodness you should be able to admire—for whom you should cherish all possible hopes, all possible patience.

XVII. In Which the Story Pauses a LittleRead in context →

All 12 quotes from Adam Bede →

Daniel Deronda

From Project Gutenberg e-text #7469 (public domain in the USA).

No evil dooms us hopelessly except the evil we love, and desire to continue in, and make no effort to escape from.

— Spoken by a character · Chapter LVII

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It is one thing to see your road, another to cut it.

Chapter XXXIIRead in context →

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