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Daniel Deronda

George Eliot · Public domain text

308,705 words · about 21 h 37 min to read

Cover of Daniel Deronda
About this edition

The text of Daniel Deronda comes from Project Gutenberg e-text #7469. It is in English and public domain in the United States. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

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About this book

Cover of Daniel Deronda

From Wikipedia

Daniel Deronda is a novel by English author George Eliot (the pen name of Mary Ann Evans), first published in eight instalments from February to September 1876. It was the last novel she completed and the only one set in the Victorian society of her day. The work's mixture of social satire and moral searching, along with its sympathetic rendering of proto-Zionist ideas, has made it a final statement from one of the most renowned Victorian novelists.

Excerpt from the Wikipedia article “Daniel Deronda” (revision 1375109618), licensed CC BY-SA 4.0. Not written by RedLectern.

Author
George Eliot (1819–1880)
Language
English
Subjects
Didactic fiction, England › Fiction, Jewish fiction, Jews › England › Fiction, Zionists › Fiction
Length
308,705 words · about 21 h 37 min
Sections
71 reader sections · Table of contents
Contents (71)
  1. Opening under 1 min
  2. Chapter I about 13 min
  3. Chapter II about 12 min
  4. Chapter III about 27 min
  5. Chapter IV about 7 min
  6. Chapter V about 14 min
  7. Chapter VI about 22 min
  8. Chapter VII about 30 min
  9. Chapter VIII about 10 min
  10. Chapter IX about 14 min
  11. Chapter X about 15 min
  12. Chapter XI about 22 min
  13. Chapter XII about 8 min
  14. Chapter XIII about 24 min
  15. Chapter XIV about 18 min
  16. Chapter XV about 13 min
  17. Chapter XVI about 36 min
  18. Chapter XVII about 18 min
  19. Chapter XVIII about 10 min
  20. Chapter XIX about 6 min
  21. Chapter XX about 35 min
  22. Chapter XXI about 16 min
  23. Chapter XXII about 21 min
  24. Chapter XXIII about 26 min
  25. Chapter XXIV about 19 min
  26. Chapter XXV about 16 min
  27. Chapter XXVI about 12 min
  28. Chapter XXVII about 16 min
  29. Chapter XXVIII about 28 min
  30. Chapter XXIX about 20 min
  31. Chapter XXX about 24 min
  32. Chapter XXXI about 12 min
  33. Chapter XXXII about 34 min
  34. Chapter XXXIII about 24 min
  35. Chapter XXXIV about 11 min
  36. Chapter XXXV about 48 min
  37. Chapter XXXVI about 39 min
  38. Chapter XXXVII about 25 min
  39. Chapter XXXVIII about 16 min
  40. Chapter XXXIX about 15 min
  41. Chapter XL about 27 min
  42. Chapter XLI about 12 min
  43. Chapter XLII about 40 min
  44. Chapter XLIII about 12 min
  45. Chapter XLIV about 15 min
  46. Chapter XLV about 16 min
  47. Chapter XLVI about 19 min
  48. Chapter XLVII about 8 min
  49. Chapter XLVIII about 48 min
  50. Chapter XLIX about 4 min
  51. Chapter L about 11 min
  52. Chapter LI about 30 min
  53. Chapter LII about 31 min
  54. Chapter LIII about 14 min
  55. Chapter LIV about 25 min
  56. Chapter LV about 7 min
  57. Chapter LVI about 19 min
  58. Chapter LVII about 7 min
  59. Chapter LVIII about 14 min
  60. Chapter LIX about 10 min
  61. Chapter LX about 10 min
  62. Chapter LXI about 17 min
  63. Chapter LXII about 13 min
  64. Chapter LXIII about 18 min
  65. Chapter LXIV about 17 min
  66. Chapter LXV about 13 min
  67. Chapter LXVI about 10 min
  68. Chapter LXVII about 12 min
  69. Chapter LXVIII about 10 min
  70. Chapter LXIX about 24 min
  71. Chapter LXX about 6 min

The opening of Chapter I

Men can do nothing without the make-believe of a beginning. Even science, the strict measurer, is obliged to start with a make-believe unit, and must fix on a point in the stars’ unceasing journey when his sidereal clock shall pretend that time is at Nought. His less accurate grandmother Poetry has always been understood to start in the middle; but on reflection it appears that her proceeding is not very different from his; since Science, too, reckons backward as well as forward, divides his unit into billions, and with his clock-finger at Nought really sets off in medias res. No retrospect will take us to the true beginning; and whether our prologue be in heaven or on earth, it is but a fraction of that all-presupposing fact with which our story sets out.

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