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William Shakespeare: A Critical Study

Brandes, Georg · Public domain text

302,457 words · about 21 h 11 min to read

About this edition

The text of William Shakespeare: A Critical Study comes from Project Gutenberg e-text #50724. It is public domain in the United States. Translated by William Archer. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

This book is long enough to be split into 7 parts, so each one loads quickly on its own.

About this book

Author
Georg Brandes (1842–1927)
Language
English
Subjects
Shakespeare, William, 1564-1616 › Criticism and interpretation
Length
302,457 words · about 21 h 11 min
Sections
7 reader sections · Table of contents
Contents (7)
  1. Opening about 4 min
  2. Book First (part 1 of 2) about 6 h 42 min
  3. Book First (part 2 of 2) about 27 min
  4. Book Second (part 1 of 2) about 6 h 46 min
  5. Book Second (part 2 of 2) about 21 min
  6. Book Third (part 1 of 2) about 6 h 41 min
  7. Book Third (part 2 of 2) about 10 min

The opening of Book First

The same year which saw the death of Michael Angelo in Rome, saw the birth of William Shakespeare at Stratford-on-Avon. The great artist of the Italian Renaissance, the man who painted the ceiling of the Sistine Chapel, was replaced, as it were, by the great artist of the English Renaissance, the man who wrote King Lear.

Death overtook Shakespeare in his native place on the same date on which Cervantes died in Madrid. The two great creative artists of the Spanish and the English Renaissance, the men to whom we owe Don Quixote and Hamlet, Sancho Panza and Falstaff, were simultaneously snatched away.

Michael Angelo has depicted mighty and suffering demigods in solitary grandeur. No Italian has rivalled him in sombre lyrism or tragic sublimity.

Read on in Part 2 →