Chapter XXIV…

Chapter XXIV

HOW IT CAME ABOUT THAT THE LADY AND GENTLEMAN COULD JUMP FARTHER OFF. WHAT MISS DICKENSON WANTED TO SAY AND DIDN'T, AND THE REPLY MR. PELLEW DIDN'T MAKE, IN FULL. OF A SPLIT PATHWAY, AND THE SHREWDNESS OF RABBITS. BUT THERE WAS NO RABBIT, AND WHEN BLENCORN STOPPED AGAIN, THEY OVERTOOK THE CARRIAGE. THEIR FAREWELL, AND HOW MR. PELLEW RAN AGAINST THE EARL

The Hon. Percival was called away to town that evening, and was to catch the late train at Grantley Thorpe, where it stopped by signal. There was no need to hurry, as he belonged to the class of persons that catch trains. This class, when it spends a holiday at a country-house, dares to leave its packing-up, when it comes away, to its valet or lady's-maid pro tem., and knows to a nicety how low it is both liberal and righteous to assess their services.

If this gentleman had not belonged to this class, it is, of course, possible that he would still have joined the party that had walked over, that afternoon, to see the Roman Villa at Ticksey, the ancient Coenobantium, in company with sundry Antiquaries who had lunched at the Towers, and had all talked at once in the most interesting possible way on the most interesting possible subjects. It was the presence of these gentlemen that, by implication, supplied a reason why Gwen and Sister Nora should prefer the others, on in front, to the less pretentious stragglers whom they had overtaken.

Archaic Research has an interest short of the welfare of Romeo and Juliet; or, perhaps, murders. But neither of these topics lend themselves, at least until they too become ancient history, to discussion by a Society, or entry on its minutes. Perhaps it was the accidental occurrence of the former one, just as the party started to walk back to the Towers, that had caused Mr. Percival and Aunt Constance to lag so far behind it, and substitute their own interest in a contemporary drama for the one they had been professing, not very sincerely, in hypocausts and mosaics and terra-cottas.

For this lady had then remarked that, for her part, she thought the Ancient Romans were too far removed from our own daily life for any but Antiquarians to enter sympathetically into theirs. She herself doted on History, but was inclined to draw the line at Queen Ann. It would be mere affectation in her to pretend to sympathize with Oliver Cromwell or the Stuarts, and as for Henry the Eighth he was simply impossible. But the Recent Past touched a chord. Give her the four Georges. This was just as she and the Hon. Percival began to let the others go on in front, and the others began to use their opportunity to do so.

Three months ago the gentleman might have decided that the lady was talking rot. Her position now struck him as original, forcible, and new. But he was so keenly alive to the fact that he was not in the least in love with her, that it is very difficult to account for his leniency towards this rot. It showed itself as even more than leniency, if he meant what he said in reply:--"By Jove, Miss Dickenson, I shouldn't wonder if you were right. I never thought of it that way before!"

"I'm not quite sure I ever did," she answered; telling the truth; and not seeming any the worse, in personality, for doing so. "At least, until I got rather bored by having to listen. I really hate speeches and lectures and papers and things. But what I said is rather true, for all that. I'm sure I shall be more interested in the house the Prince Regent was drunk in, where I'm going to stay in town, than in any number of atriums. It does go home to one more--now, doesn't it?"

Mr. Pellew did not answer the question. He got his eyeglass right, and looked round--he had contracted a habit of doing this--to see if Aunt Constance was justifying the tradition of her youth, reported by her adopted niece. He admitted that she was. Stimulated by this conviction, he decided on:--"Are you going to stay in town? Where?"

"At Clotilda's--Sister Nora, you know. In Cavendish Square. I hope it's like what she says. Scarcely anything has been moved since her mother died, when she was a baby, and for years before that the drawing-rooms were shut up. Why did you ask?" This was a perfectly natural question, arising out of the subject before the house.

Nevertheless it frightened the gentleman into modifying what he meant to say next, which was:--"May I call on you there?" He gave it up, as too warm on the whole, considering the context, and said instead:--"I could leave your book." Something depended on the lady's answer to this. So she paused, and worded it:--"By all means bring it, if you prefer doing so," instead of:--"You needn't take any trouble about returning the book."

Only the closest analysis can be even with the contingencies of some stages in the relativities of grown-ups, however easily one sees through the common human girl and boy. Miss Dickenson's selected answer just saved the situation by the skin of its teeth. For there certainly was a situation of a sort. Nobody was falling in love with anybody, that saw itself; but for all that a fatality dictated that Mr. Pellew and Aunt Constance were in each other's pockets more often than not. Neither had any wish to come out, and popular observation supplied the language the story has borrowed to describe the fact.

The occupant of Mr. Pellew's pocket was, however, dissatisfied with her answer about the book. Her tenancy might easily become precarious. She felt that the maintenance of Cavendish Square, as a subject of conversation, would soften asperities and dispel misunderstandings, if any. So, instead of truncating the subject of the book-return, she interwove it with the interesting mansion of Sister Nora's family, referring especially to the causes of her own visit to it. "Gwen and Cousin Clo, as she calls her, very kindly asked me to go there if I came to London; and I suppose I shall, if my sister Georgie and her husband are not at Roehampton. Anyway, even if I am not there, I am sure they will be delighted to see you.... Oh no!--Roehampton's much too far to come with it, and I can easily call for it." This was most ingenious, for it requested Mr. Pellew to make his call a definite visit, while depersonalising that visit by a hint at her own possible absence. This uncertainty also gave latitude of speech, her hypothetical presence warranting an attitude which would almost have implied too warm a welcome from a certainty. She even could go so far as to add:--"However, I should like to show you the Prince's drawing-room--they call it so because he got drunk there; it's such an honour, you see!--so I hope I shall be there."

"Doosid int'ristin'--shall certainly come! Gwen's to go to London to get poor Torrens out of her head--that's the game, isn't it?"

"That sort of thing, I believe. Change of scene and so on." Miss Dickenson spoke as one saturated with experience of refractory lovers, not without a suggestion of having in her youth played a leading part in some such drama.

"Well--I'm on his side. P'r'aps that's not the right way to put it; I suppose I ought to say their side. Meaning, the young people's, of course! Yes, exactly."

"One always takes part against the stern parent." The humour of this received a tributary laugh. "But do you really think Philippa wrong, Mr. Pellew? I must say she seems to me only reasonable. The whole thing was so absurdly sudden."

Mr. Pellew was selecting a cigar--why does one prefer smoking the best one first?--and was too absorbed to think of anything but "Dessay!" as an answer. His choice completed, he could and did postpone actually striking a match to ask briefly:--"Think anything'll come of it?"

Miss Dickenson, being a lady and non-smoker, could converse consecutively, as usual. "Come of what, Mr. Pellew? Do you mean come of sending Gwen to London to be out of the young man's way, or come of ... come of the ... the love-affair?"

"Well--whichever you like! Either--both!" The cigar, being lighted, drew well, and the smoker was able to give serious attention. "What do you suppose will be the upshot?"

"Impossible to say! Just look at all the circumstances. She sees him first of all for five minutes in the Park, and then he gets shot. Then she sees him when he's supposed to be dead, just long enough to find out that he's alive. Then she doesn't see him for a fortnight--or was it three weeks? Then she sees him and finds out that his eyesight is destroyed...."

"That's not certain."

"Perhaps not. We'll hope not. She finds out--what she finds out, suppose we say! Then they get left alone at the piano the whole of the afternoon, and ..."

"And all the fat was in the fire?"

"What a coarse and unfeeling way of putting it, Mr. Pellew!"

"Well--I saw it was, the moment I came into the room. So did you, Miss Dickenson! Don't deny it."

"I certainly had an impression they had been precipitate."

"Exactly. Cut along!"

"And then, you know, he was to have gone home next day, and didn't. He was really here four days after that; and, of course, all that time it got worse."

"They got worse?"

"I was referring to their infatuation. It comes to the same thing. Anyhow, there was plenty of time for it, or for them--which ever one calls it--to get up to fever-heat. Four days is plenty, at their time of life. But the question is, will it last?"

"I should say no!... Well, no--I should say yes!"

"Which?"

"H'm--well, perhaps no! Yes--no! At the same time, the parties are peculiar. He'll last--there's no doubt of that!... And I don't see any changed conditions ahead.... Unless...."

"Unless what?"

"Unless he gets his eyesight again."

"Do you mean that Gwen will put him off, if he sees her?"

"No--come now--I say, Miss Dickenson--hang it all!"

"Well, I didn't know! How was I to?"

Some mysterious change in the conditions of the conversation came about unaccountably, causing a laugh both joined in with undisguised cordiality; they might almost be said to have hob-nobbed over a unanimous appreciation of Gwen. Its effect was towards a mellower familiarity--an expurgation of starch, which might even hold good until one of them wrote an order for some more. For this lady and gentleman, however much an interview might soften them, had always hitherto restiffened for the next one. At this exact moment, Mr. Pellew entered on an explanation of his meaning in a lower key, for seriousness; and walked perceptibly nearer the lady. Because a dropped voice called for proximity.

"What I meant to say was, that pity for the poor chap's misfortune may have more to do with Gwen's feelings towards him--you understand?--than she herself thinks."

"I quite understand. Go on."

"If he were to recover his sight outright there would be nothing left to pity him for. Is it not conceivable that she might change altogether?"

"She would not admit it, even to herself."

"That is very likely--pride and amour propre, and that sort of thing! But suppose that he suspected a change?"

"I see what you mean."

"These affairs are so confoundedly ... ticklish. Heaven only knows sometimes which way the cat is going to jump! It certainly seems to me, though, that the peculiar conditions of this case supply an element of insecurity, of possible disintegration, that does not exist in ordinary everyday life. You must admit that the circumstances are ... are abnormal."

"Very. But don't you think, Mr. Pellew, that circumstances very often are abnormal?--more often than not, I should have said. Perhaps that's the wrong way of putting it, but you know what I mean." Mr. Pellew didn't. But he said he did. He recognised this way of looking at the unusual as profound and perspicuous. She continued, reinforced by his approval:--"What I was driving at was that when two young folks are very--as the phrase goes--spooney, they won't admit that peculiar conditions have anything to do with it. They have always been destined for one another by Fate."

"How does that apply to Gwen and Torrens?"

"Merely that when Mr. Torrens's sight comes back.... What?"

"Nothing. I only said I was glad to hear you say when, not if. Go on."

"When his sight comes back--unless it comes back very quickly--they will be so convinced they were intended for one another from the beginning of Time, that they won't credit the accident with any share in the business."

"Except as an Agent of Destiny. I think that quite likely. It supplies a reason, though, for not getting his sight back in too great a hurry. How long should you say would be safe?"

"I should imagine that in six months, if it is not broken off, it will have become chronic. At present they are rather ... rather ..."

"Rather underdone. I see. Well--I don't understand that anyone wants to take them off the hob...."

"I think her mother does."

"Not exactly. She only wishes them to stand on separate hobs for three months. They will hear each other simmer. My own belief is that they will be worked up to a sort of frenzy, compared to which those two parties in Dante ... you know which I mean?..."

"Paolo and Francesca?"

Mr. Pellew thought to himself how well enformed Miss Dickenson was. He said aloud:--"Yes, them. Paolo and Francesca would be quite lukewarm--sort of negus!--compared to our young friends. Correspondence is the doose. Not so bad in this case, p'r'aps, because he can't read her letters himself.... I don't know, though--that might make it worse.... Couldn't say!" And he seemed to find that cigar very good, and, indeed, to be enjoying himself thoroughly.

Had Aunt Constance any sub-intent in her next remark? Had it any hinterland of discussion of the ethics of Love, provocative of practical application to the lives of old maids and old bachelors--if the one, then the other, in this case--strolling in a leisurely way through bracken and beechmast, fancy-free, no doubt? If she had, and her companion suspected it, he was not seriously alarmed, this time. But then he was off to London in a couple of hours.

Her remark was:--"You seem to be quite an authority on the subject, Mr. Pellew."

"No--you don't mean that? Does me a lot of credit, though! Guessin', I am, all through. No experience--honour bright!"

"You don't expect me to believe that, Mr. Pellew?"

"Needn't believe it, unless you like, Miss Dickenson. But it's true, for all that. Never was in love in my life!"

"You must have found life very dull, Mr. Pellew. How a man can contrive to exist without.... Isn't that wheels?" It didn't matter whether it was or not, but the lady's speech had stumbled into a pitfall--she was exploring a district full of them--and she thought the wheels might rescue her.

But the gentleman was not going to let her off, though he was ready to suppose the wheels were the carriage coming back. "It won't catch us up for ever so long, you'll see! Such a quiet evening as this, one hears miles off...." He interrupted his own speech by a variation of tone, repeating the pitfall words:--"'Contrive to exist without'"--and then supplied as sequel:--"'womankind somehow or other.' That's what you mean to say, isn't it?"

"Yes." No qualification!--more pitfalls, perhaps.

"Only I never said anything of the sort! Never meant it, anyhow. What I meant was that I had never caught the disorder like my blind friend. He went off at score like Orlando in 'Winter's Tale.'"

"In 'As You Like It.'"

"I meant 'As You Like It.' I suppose it was because he happened to come across thingummybob--Rosalind."

"It always is."

"P'r'aps I never came across Rosalind. Anyhow, I give you my honour I never had any experience to make me an authority on the subject. I expect you are a much better one than I."

"Why?" Miss Dickenson's share of the conversation had become very dry and monosyllabic.

What was passing in her mind, and reducing her to monosyllables, was the thought that she was a woman, and, as such, handicapped in speech with a man; while he could say all he pleased about himself, and expect her to listen to it with interest. They had been gradually becoming intimate friends, and this intimacy had ripened sensibly even during this short chat, the sequel of the separation from the Archaeological Congress, which it suited them to believe only just out of sight and hearing: quite within shot considered as chaperons. Their familiarity had got to such a pitch that the Hon. Percival had contrived to take her into his confidence about his own life, and she had to remain tongue-tied about hers, being a woman.

How could she say to him:--"I have never had the ghost of a love-affair in the whole of my colourless, but irreproachable, life. A mystic usage of my family of four sisters, a nervous invalid mother, and an absent-minded father, determined my status in early girlhood. I was to show a respectful interest in the love-affairs of my sisters, who were handsome and pretty and charming and attractive and piquantes, while I was relatively plain and backward, besides having an outcrop on one cheek which has since been successfully removed. I was not to presume upon my position as a sister to express opinions about these said love-affairs, because I was not supposed to know anything about such matters. They were not in my department. My role was a domestic one, and I had a high moral standpoint; which I would gladly have dispensed with, but the force of family tradition overpowered me. It has been a poor consolation to me to carry about this standpoint like a campstool to the houses of the friends I visit at intervals, now that my sisters are all married, and my mother has departed this life, and my father has married a Mrs. Dubosc, with whom I don't agree. I lead a life of constant resentment against unattached mankind, who decide, after critical inspection, that they won't, when I have really never asked them to. You and I have been more companionable--more like keeping company, as Lutwyche would say--than any man I ever came across, and I should like to be able to say to you that, even as you never met with Rosalind, even so I never met with Orlando, but without any phase of my career to correspond with the one you so delicately hinted at just now, in your own. For I fancied I read between your lines that your scheme of life had not been precisely that of an anchorite. Pray understand that I have never supposed it was so, and that I rather honour your attempt to indicate the fact to me without outraging my maidenly--old maidish, if you will--susceptibilities"?

It was because Miss Constance Dickenson, however improbable it may seem, had wanted to say all this and a great deal more, and could not see her way to any of it, that she had become dry and monosyllabic. It was because of this compulsory silence that she felt that even her brief:--"Why?" in answer to Mr. Pellew's suggestion that an Orlando must have come on her stage though no Rosalind had come on his, struck her after it had passed her lips as a false step.

He in his turn was at a loss to get something worded so as not to overstep his familiarity-licence. Rough-hewn, it might have run thus:--"Because no girl, as pretty as you must have been, fifteen or twenty years ago, ever goes without a lover in posse, though he may never work out as a husband in esse, nor even a fiance." He did not see his way to polishing and finishing it so that it would be safe. He could manage nothing better than "Obviously!" He said it twice certainly, and threw away the end of his cigar to repeat it. But he might not have done this if he had not been so near departure.

Somehow, it left them both silent. Sauntering along on the new-fallen beechmast, struck by the gleams of a sunset that seemed to be giving satisfaction to the ringdoves overhead, it could not be necessary to prosecute the conversation. All the same, if it had paused on a different note, an incredibly slight incident that counted for something quite measurable in the judgment of each, might have had no importance whatever.

But really it was so slight an incident that the story is almost ashamed to mention it. It was this. An island of bracken, with briars in its confidence, not negotiable by skirts--especially in those days--must needs split a path of turf-velvet wide enough for acquaintances, into two paths narrow enough for lovers. Practically, the choice between walking in one of these at the risk of some little rabbit misinterpreting their relations, and going round the island, lay with the gentleman. The Hon. Percival did not mince the matter, as he might have done last week, but diminished his distance from his companion in order that one narrow pathway should accommodate both. It was just after they had passed the island that Miss Dickenson exclaimed:--"There's the carriage," and Gwen perceived their consciousness of its proximity. The last episode of the story comes abreast of the present one.

The story is ashamed of its own prolixity. But how is justice to be done to the gradual evolution of a situation if hard-and-fast laws are to be laid down, restricting the number of words that its chronicler shall employ? Condemn him by all means, but admit at least that every smallest incident of the foregoing narrative had its share of influence on the future of its actors.

It is true that nothing very crucial followed. For when, after the carriage had pulled up and interrupted the current of conversation, and gone on again leaving it doubtful how it should be resumed, it again stopped for the pedestrians to overtake it, it became morally incumbent on them to do so, and also prudent to accept its statement that it was nearly half-past six, and to take advantage of a lift that it offered. For Mr. Pellew must not miss that train. The carriage may have noticed that it never overtook the Archaeological Congress, which must have walked very quick, unless indeed the two stragglers walked very slow.

* * * * *

Miss Dickenson must have dressed for dinner much quicker than they walked along the avenue. For when Mr. Pellew, after a short snack, on his way to put himself in the gig beside his traps, looked in at the drawing-room to see if there was anyone he had failed to say good-bye to, he found that lady very successfully groomed in spite of her alacrity, and suggesting surprise at its success. Fancy her being down before everyone else after all! Here is the conversation:

"Well, good-bye! I'll remember the book. I've enjoyed my visit enormously."

"It has been quite delightful. We've had such wonderful weather. Don't put yourself out of the way to bring the book, though. I don't want it back yet a while."

"All right. Thursday morning you leave here, didn't I hear you say? I shall have read it by then. I could drop round Thursday evening. Just suit me!"

"That will do perfectly. Only not if it's the least troublesome to bring it."

"Oh no; not the very slightest! Nine?--half-past?"

"Nine--any time. I would say come to dinner, only I haven't mentioned it to Miss Grahame, and I don't know her arrangements...."

"Bless me, no--the idea! I'll drop round after dinner at the Club. Nine or half-past."

"We shall expect you. Good-bye!"

"Good-bye!" But Mr. Pellew, turning to go and leaving his eyes behind him, collided with the Earl, who was adhering to a conscientious rule of always being punctual for dinner.

"Oh--Percy! You'll lose your train. Stop a minute!--there was something I wanted to say. What was it?... Oh, I know. Gwen's address in London--have you got it? She's going to stay with her cousin, you know--hundred-and-two, Cavendish Square. She'll be glad to see you if you call, I know." This was founded on a misapprehension, which the family resented, that it was not able to take care of itself in his absence. The Countess would have said:--"Fancy Gwen wanting to be provided with visitors!"

This estimable nobleman was destined to suspect he had put his foot in it, this time, from the way in which his suggestion was received. An inexplicable nuance of manner pervaded his two guests, somewhat such as the Confessional might produce in a penitent with a sense of humour, who had committed a funny crime. It was, you see, difficult to assign a plausible reason why Mr. Pellew and Miss Dickenson should have already signed a treaty on the subject.

Perhaps it was not altogether disinterested in the gentleman to look at his watch, and accept its warning that nothing short of hysterical haste would catch his train for him. However, the grey mare said, through her official representative in the gig behind her, that we should do it if the train was a minute or so behind. So possibly he was quite sincere.

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Chapter XXV

CONCERNING CAVENDISH SQUARE, AND ITS WHEREABOUTS IN THE EARLY FIFTIES. MRS. FITZHERBERT AND PRINCESS CAROLINE. TWO LONG-FORGOTTEN CARD-PACKS. DUMMY, AND HOW MR. PELLEW TOOK HIS HAND. GWEN'S PERVERTED WHIST-SENSE. THE DUST OF AGES, AT ITS FINEST. HOW IT TURNED THE TALK, AND MOULDED EVENT. HOW GWEN'S PEN SCRATCHED ON INTO THE NIGHT

Aesthetic Topography is an interesting study. Seen by its light, at the date of this story, Oxford Street was certainly at one and the same time the South of the North of London, and the North of the South. For whereas Hanover Square, which is only a stone's throw to the south of it, is, so to speak, saturated with Piccadilly--and when you are there you may just as well be in Westminster at once--it is undeniable that Cavendish Square is in the zone of influence of Regent's Park, and that Harley and Wimpole Streets, which run side by side north from it, never pause to breathe until they all but touch its palings. Once in Regent's Park, how can Topography--the geometric fallacy apart--ignore St. John's Wood? And once St. John's Wood is admitted, how is it possible to turn a cold shoulder to Primrose Hill? Cross Primrose Hill, and you may just as well be out in the country at once.

But there!--our impressions may be but memories of fifty years ago, and our reader may wonder why Cavendish Square suggests them.

He himself, probably very much our junior--a bad habit other people acquire as Time goes on--may consider Harley Street and Wimpole Street just as much town as Hanover Square, and St. John's Wood--even Primrose Hill!--as on all fours with both. We forgive him. One, or possibly we ought to say several, should learn to be tolerant of the new-fangled opinions of hot-headed youth. We were like that ourself, when a boy. But let him have his own way. These streets shall be unmitigated Town now, to please him, in spite of the walks Dr. Johnson had in Marylebone Fields. To be sure, Marylebone Fields soon became Gardens then-abouts, like Ranelagh, and you drove along Harley Street to a musical entertainment there, with music by Pergolesi and Galuppi.

The time of this story is post-Johnsonian, but it is older than its readers; unless, indeed, a chance oldster now and then opens it to see if it is a proper book to have in the house. The world in the early fifties was very unlike what it is in the present century, and that isn't yet in its teens. It was also very unlike what it had been in the days when the family mansion in Cavendish Square, that had not had a family in it then for forty years, was as good as new. It was so, no doubt, for a good while after George the Third ceased to be King, because the thorough griming it has had since had hardly begun, and fields were sweet at Paddington, and the Regent could be bacchanalian in that big drawing-room on the first floor without any consciousness that he had a Park in the neighbourhood. Oh dear--how near the country Cavendish Square was in those days!

By the time Queen Victoria was on the throne the grime had set in in earnest, and was hard at work long before the fifty-one Exhibition reported progress--progress in bedevilment, says the Pessimist? Never mind him! Let him sulk in a corner while the Optimist dwells on the marvellous developments of which fifty-one was only symptomatic--the quick-firing guns and smokeless powder; the mighty ships, a dozen of them big enough to take all the Athenians of the days of Pericles to the bottom at once; the machines that turn out books so cheap that their contents may be forgotten in six months, and no one be a penny the worse; the millionaires who have so much money they can't spend it--heaps and heaps of wonders up-to-date that no one ever feels surprised at nowadays. The Optimist will tell you all about them. For the moment, let's pretend that none of them have come to pass, and get back to Cavendish Square at the date of the story, and the suite of rooms on the second floor that had been Sister Nora's town anchorage when she first made Dave Wardle's acquaintance as an unconscious Hospital patient, and that had been renovated since her father's death to serve as a pied-a-terre until she could be sure of her arrangements in the days to come.

Her friends were not the least too tired, thank you, after the journey, to be shown the great drawing-room, on which the touching incident in the life of a Royal Personage had conferred an historical dignity. "I think--" said she "--only I haven't quite made up my mind yet--that I shall call this ward Mrs. Fitzherbert, and the next room Princess Caroline. Or the other way round. Which do you think?" For one of her schemes was to turn the old family mansion into a Hospital.

"Let me see!" said Gwen. "I've forgotten my history. Mrs. Fitzherbert was his wife, wasn't she?"

Miss Dickenson was always to be relied on for general information. "Unquestionably," said she. "But he repudiated her for political reasons, a course open to him as heir to the throne. Legally, Princess Caroline of Brunswick was his lawful wife...."

"And, lawfully," said Gwen, "Mrs. Fitzherbert was his legal wife. Nothing can be clearer. Yes--I should say certainly call the big room Mrs. Fitzherbert. Whom shall you call the other rooms after, Clo?"

"All the others. There's any number! Mrs. Robinson, Lady Jersey, Lady Conyngham ... one for every room in the house, and several over. Just fancy!--the room has never been altered, since those days. It was polished up for my poor mother--whom no doubt I saw in my youth, but took no notice of. You see, I wasn't of an age to take notice, when she departed to Kingdom-come, and my father exiled himself to Scotland...."

"And he kept it packed up like this--how long?"

"Well--you know how old I am. Twenty-seven."

Aunt Constance corrected dates. "George the Fourth," said she chronologically, "ascended the throne in 1820. Consequently he cannot have become intoxicated in this room...."

Sister Nora interrupted. Of course he couldn't--not in her father's time. The cards and dice were going in her great-uncle's time, who drank himself to death forty years ago. "There used to be some packs of cards," said she, "in one of these drawers. I know I saw some there, only it's a long time back--almost the only time I ever came into the room. I'll look.... Take care of the dust!"

It was lucky that the cabinet-maker who framed that inlaid table knew his business--they did, in his day--or the rounded front might have called for a jerk, instead of giving easily to the pull it had awaited so patiently, through decades. "There they are!" said Gwen, "with nobody to deal them. Poor cards--locked up in the dark all these years! Do let's have them out and play dummy to-night."

A spirit of Conservatism suggested that it would be impious to disturb a status quo connected with Royalty. But Gwen said, touching a visible ace:--"Just think, Clo, if you were an ace, and had a chance of being trumps, how would you like to be shut up in a drawer again?" This appeal to our common humanity had its effect, and a couple of packs were brought out for use. No language could describe the penetrating powers of the dust that accompanied their return to active duties. It ended the visit en passant of these three ladies, who were not sorry to find themselves in an upstairs suite of rooms with a kitchen and a miniature household, just established regardless of expense. Because three hundred a year was what Miss Grahame was "going to" live upon, as soon as she had "had time to turn round," and for the moment it was absurd to draw hard and fast lines. Just wait and give her time, to get a little settled!

The fatigue of the journey was enough to negative any idea of going out anywhere, and indeed there was nothing in the way of theatre or concert that was at all tempting. But it was not enough to cause collapse, and whist became plausible within half an hour after dinner. There was something delightful in the place, too, with its windows opening on the tree-tops of the Square, and the air of a warm autumn evening bringing in the sound of a woebegone brass band from afar, mixed with the endless hum of wheels with hoof-beats in the heart of it, like currants in a cake. The air was all the sweeter that a whiff of chimney-smoke broke into it now and again, and emphasized its quality. When the band left off the "Bohemian Girl" and rested, and imagination was picturing the trombone in half, at odds with condensation, a barrel-organ was able to make itself heard, with Il Pescatore, till the band began again with The Sicilian Bride, and drowned it.

Miss Dickenson had been discreet about her expectation of a visitor. She maintained her discretion even when the sound of a hansom's lids, followed by "Yes--this house!" and a double knock below, turned out not to be a mistake, but the Hon. Percival Pellew, Carlton Club. She nevertheless roused the interested suspicion of Gwen and her hostess, who looked at each other, and said respectively:--"Oh, it's my cousin Percy," and "Oh, Mr. Pellew"; the former adding:--"He can take Dummy's hand"; the latter,--"Oh, of course, ask him to come up, Maggie! Don't let him go away on any account." But neither of these ladies expressed any surprise at the rather prompt recrudescence of Mr. Pellew, last seen at the Towers two days since.

The only flaw in a pretext that Mr. Pellew had come to leave Tennyson's "Princess," with his card in it, and run away as if the book-owner would bite him, was perhaps the ostentation with which that lady left his detention to her hostess. It would have been at once more candid and more skilful to say, "Oh yes, it's my book. But I didn't want Mr. Pellew to bother about bringing it back," with a judicious infusion of enthusiasm that the visitor's efforts to get away should fail. However, the flaw was slight, and no one cared about the transparency of the pretext. Moreover, Maggie, a new importation from the Highlands, thought that her young ladyship, whose beauty had overwhelmed her, was at the bottom of it--not Aunt Constance.

"Now you are here, Percy, you had better make yourself useful. Sit as we are. I'm not sorry you're come, because I hate playing dummy." This was Gwen, naturally.

The impersonality of Dummy furnished a topic to tide over the assimilation of things, and help the social fengshui to plausibility. There was a fillah--said Mr. Pellew--at the Club, who wouldn't take Dummy unless that fiction was accommodated with a real chair. And there was another fillah who couldn't play unless the vacant chair was taken away. Something had happened to this fillah when he was a boy, and anything like a ghost was uncongenial to him. You shouldn't lock up children in the dark or make grimaces at them if you wanted them not to be nervous in after-life ... and so forth.

Gwen was a bad whist-player, sometimes taking a very perverted view of the game. As, for instance, when, after Mr. Pellew had dealt, she asked her partner how many trumps she held. "Because, Clo," said she, "I've only got two, and unless you've got at least four, I don't see the use of going on." Public opinion condemned this attitude as unsportsmanlike, and demanded another deal. Gwen welcomed the suggestion, having only a Knave and a Queen in all the rest of her hand.

Her partner expressed disgust. "I think," she said, "you might have held your tongue, Gwen, and played it out. But I shan't tell you why."

"Oh, I know, of course, without your telling me. You're made of trumps. I'm so sorry, dear! There--see!--I've led." She played Knave.

"This," said Mr. Pellew, with shocked gravity, "is not whist."

"Well," said Gwen, "I can not see why one shouldn't say how many cards one has of any suit. Everyone knows, so it must be fair. Everyone sees Dummy's hand."

"I see your point. But it's not whist."

"Am I to play, or not?" said Aunt Constance. She looked across at her partner, as a serious player rather amused at the childish behaviour of their opponents. A sympathetic bond was thereby established--solid seriousness against frivolity.

"Fire away!" said Gwen. "Second player plays lowest." Miss Dickenson played the Queen. "That's not whist, aunty," said Gwen triumphantly. Her partner played the King. "There now, you see!" said Gwen. She belonged to the class of players who rejoice aloud, or show depression, after success or failure.

This time her exultation was premature. Mr. Pellew, without emotion, pushed the turn-up card, a two, into the trick, saying to his partner:--"Your Queen was all right. Quite correct!" The story does not vouch for this. It may have been wrong.

"Do you mean to say, Cousin Percy"--thus Gwen, with indignant emphasis--"that you've not got a club in your hand, at the very first round. You cannot expect us to believe that!" Mr. Pellew pointed out that if he revoked he would lose three tricks. "Very well," said Gwen. "I shall keep a very sharp look out." But no revoke came, and she had to console herself as a loser with the reflection that it was only the odd trick, after all--one by cards and honours divided.

This is a fair sample of the way this game went on establishing a position of moral superiority for Mr. Pellew and his partner, who looked down on the irregularities of their opponents from a pinnacle of True Whist. Their position as superior beings tended towards mutual understandings. A transition state from their relations in that easy-going life at the Towers to the more sober obligations of the metropolis was at least acceptable; and this isolation by a better understanding of tricks and trumps, a higher and holier view of ruffing and finessing, appeared to provide such a state. There was partnership of souls in it, over and above mere vulgar scoring.

Nothing of interest occurred until, in the course of the second rubber, Gwen made a misdeal. Probably she did so because she was trying at the same time to prove that having four by honours was absurd in itself--an affront to natural laws. It was the merest accident, she maintained, when all the court-cards were dealt to one side--no merit at all of the players. Her objection to whist was that it was a mixture of skill and chance. She was inclined to favour games that were either quite the one or quite the other. Roulette was a good game. So was chess. But whist was neither fish nor flesh nor good red herring.... Misdeal! The analysis of games stopped with a jerk, the dealer being left without a turn-up card.

"But what a shame!" said Gwen. "Is it fair I should lose my deal when the last card's an ace? How would any of you like it?" The appeal was too touching to resist, though Mr. Pellew again said this wasn't whist. A count of the hands showed that Aunt Constance held one card too few and Gwen one too many. A question arose. If a card were drawn from the dealer's hand, was the trump to remain on the table? Controversy ensued. Why should not the drawer have her choice of thirteen cards, as in every analogous case? On the other hand, said Gwen, that ace of hearts was indisputably the last card in the pack; and therefore the trump-card, by predestination.

Mr. Pellew pointed out that it mattered less than Miss Dickenson thought, as if she pitched on this very ace to make up her own thirteen, its teeth would be drawn. It would be no longer a turn-up card, and some new choice of trumps would have to be made, somehow; by sortes Virgilianae, or what not. Better have another deal. Gwen gave up the point, under protest, and Miss Dickenson dealt. Spades were trumps, this time.

It chanced that Gwen, in this deal, held the Knave and Queen of hearts. She led the Knave, and only waiting for the next card, to be sure that it was a low one, said deliberately to her partner:--"Don't play your King, Cousin Clo; Percy's got the ace," in defiance of all rule and order.

"Can't help it," said Cousin Clo. "Got nothing else!" Out came the King, and down came the ace upon it, naturally.

"There now, see what I've done," said Gwen. "Got your King squashed!" But she was consoled when Mr. Pellew pointed out that if Miss Grahame had played a small card her King would almost certainly have fallen to a trump later. "It was quite the right play," said he, "because now your Queen makes. You couldn't have made with both."

"I believe you've been cheating, and looking at my hand," said Gwen. "How do you know I've got the Queen?"

"How did you know I had got the ace?" said Mr. Pellew. And really this was a reasonable question.

"By the mark on the back. I noticed it when I turned it up, when hearts were trumps, last deal. I don't consider that cheating. All the same, I enjoy cheating, and always cheat whenever I can. Card games are so very dull, when there's no cheating."

"But, Gwen dear, I don't see any mark." This was Miss Grahame, examining the last trick. She put the ace, face down, before this capricious whist-player, who, however, adhered to her statement, saying incorrigibly:--"Well, look at it!"

"I only see a shadow," said Mr. Pellew. But it wasn't a shadow. A shadow moves.

Explanation came, on revision of the ace's antecedents. It had lain in that drawer five-and-twenty years at least, with another card half-covering it. In the noiseless air-tight darkness where it lay, saying perhaps to itself:--"Shall I ever take a trick again?" there was still dust, dust of thought-baffling fineness! And it had fallen, fallen steadily, with immeasurable slowness and absolute impartiality, on all the card above had left unsheltered. There was the top-card's silhouette, quite recognisable as soon as the shadow was disestablished.

"It will come out with India-rubber," said Miss Grahame.

"I shouldn't mess it about, if I were you," said Gwen. "I know India-rubber. It grimes everything in, and makes black streaks." Which was true enough in those days. The material called bottle-rubber was notable for its power of defiling clean paper, and the sophisticated sort for becoming indurated if not cherished in one's trouser-pockets. The present epoch in the World's history can rub out quite clean for a penny, but then its dramatis personae have to spend their lives dodging motor-cars and biplanes, and holding their ears for fear of gramophones. Still, it's something!

Mr. Pellew suggested that the best way to deal with the soiled card would be for whoever got it to exhibit it, as one does sometimes when a card's face is seen for a moment, to make sure everyone knows. We were certainly not playing very strictly. This was accepted nem. con.

But the chance that had left that card half-covered was to have its influence on things, still. Who can say events would have run in the same grooves had it not directed the conversation to dust, and caused Mr. Pellew to recollect a story told by one of those Archaeological fillahs, at the Towers three days ago? It was that of the tomb which, being opened, showed a forgotten monarch of some prehistoric race, robed, crowned, and sceptred as of old; a little shrunk, perhaps, a bit discoloured, but still to be seen by his own ghost, if earth-bound and at all interested. Still to be seen, even by Cook's tourists, had he but had a little more staying-power. But he was never seen, as a matter of fact, by any man but the desecrator of his tomb. For one whiff of fresh air brought him down, a crumbling heap of dust with a few imperishable ornaments buried in it. His own ghost would not have known him again; and, in less time than it takes to tell, the wind blew him about, and he had to take his chance with the dust of the desert.

"I suppose it isn't true," said Gwen incredulously. "Things of that sort are generally fibs."

"Don't know about this one," said Mr. Pellew, sorting his cards. "Funny coincidence! It was in the Quarterly Review--very first thing I opened at--Egyptian Researches.... That's our trick, isn't it?"

"Yes--my ten. I'll lead.... Yes!--I think I'll lead a diamond. I always envy you men your Clubs. It must be so nice to have all the newspapers and reviews...." Aunt Constance said this, of course.

"It wasn't at the Club. Man left it at my chambers three months ago--readin' it by accident yesterday evening--funny coincidence--talkin' about it same morning! Knave takes. No--you can't trump. You haven't got a trump."

"Now, however did you know that?" said Gwen.

"Very simple. All the trumps are out but two, and I've got them here in my hand. See?"

"Yes, I see. But I prefer real cheating, to taking advantages of things, like that.... What are you putting your cards down for, Cousin Percy?"

"Because that's game. Game and the rubber. We only want two by cards, and there they are!"

When rubbers end at past ten o'clock at night, well-bred people wait for their host to suggest beginning another. Ill-bred ones, that don't want one, say suddenly that it must be getting late--as if Time had slapped them--and get at their watches. Those that do, say that that clock is fast. In the present case no disposition existed, after a good deal of travelling, to play cards till midnight. But there was no occasion to hustle the visitor downstairs.

Said Miss Dickenson, to concede a short breathing pause:--"Pray, Mr. Pellew, when a gentleman accidentally leaves a book at your rooms, do you make no effort to return it to him?"

"Well!" said Mr. Pellew, tacitly admitting the implied impeachment. "It is rather a jolly shame, when you come to think of it. I'll take it round to him to-morrow. Gloucester Place, is it--or York Place--end of Baker Street?... Can't remember the fillah's name to save my life. Married a Miss Bergstein--rich bankers. Got his card at home, I expect. However, that's where he lives--York Place. He's a Sir Somebody Something.... What were you going to say?"

"Oh--nothing.... Only that it would have been very interesting to read that account. However, Sir Somebody Something must be wanting his Quarterly Review.... Never mind!"

Gwen said:--"What nonsense! He's bought another copy by this time. He can afford it, if he's married a Miss Bergstein. Bring it round to-morrow, Percy, to keep Aunt Constance quiet. We shan't take her with us to see Clo's little boy. We should make too many." Then, in order to minimise his visit next day, Mr. Pellew sketched a brief halt in Cavendish Square at half-past three precisely to-morrow afternoon, when Miss Dickenson could "run her eye" through the disintegration of that Egyptian King, without interfering materially with its subsequent delivery at Sir Somebody Something's. It was an elaborate piece of humbug, welcomed with perfect gravity as the solution of a perplexing and difficult problem. Which being so happily solved, Mr. Pellew could take his leave, and did so.

"Didn't I do that capitally, Clo?"

"Do which, dear?"

"Why--making her stop here to see him. Or giving her leave to stop; it's the same thing, only she would rather do it against her will. I mean saying we should make too many at Scraps Court, or whatever it is."

"Oh yes--quite a stroke of genius! Gwen dear, what an inveterate matchmaker you are!"

"Nonsense, Clo! I never...." Here Gwen hung fire for a moment, confronted by an intractability of language. She took the position by storm, more suo:--"I never mutchmoke in my life.... What?--Well, you may laugh, Clo, but I never did! Only when two fools irritate one by not flying into each other's arms, and wanting to all the time.... Oh, it's exasperating, and I've no patience!"

"You are quite sure they do ... want to?"

"Oh yes--I think so. At least, I'm quite sure Percy does."

"Why not Aunt Constance?"

"Because I can't imagine anyone wanting to rush into any of my cousins' arms--my he-cousins. It's a peculiarity of cousins, I suppose. If any of mine had been palatable, he would have caught on, and it would have come off. Because they all want me, always."

"That's an old story, Gwen dear." The two ladies looked ruefully at one another, with a slight shoulder-shrug apiece over a hopeless case. Then Miss Grahame said:--"Then you consider Constance Dickenson is still palatable?" She laughed on the word a little--a sort of protest. "At nearly forty?"

"Oh dear, yes! Not that she's forty, nor anything like it. She's thirty-six. Besides, it has nothing to do with age. Or very little. Why--how old is that dear old lady at Chorlton that was jealous of your little boy's old woman in London?"

"Old Goody Marrable? Over eighty. But the other old lady is older still, and Dave speaks well of her, anyhow! We shall see her to-morrow. We must insist on that."

"Well--I could kiss old Goody Marrable. I should be sorry for her bones, of course. But they're not her fault, after all! She's quite an old darling. I hope Aunt Connie and Percy will manage a little common sense to-morrow. They'll have the house to themselves, anyhow. Ta bye-bye, Chloe dear!"

* * * * *

Miss Grahame looked in on her way to her own room to see that Miss Dickenson had been provided with all the accessories of a good night--a margin of pillows and blankets a choix, and so on. Hot-water-bottle time had scarcely come yet, but hospitality might refer to it. There was, however, a word to say touching the evening just ended. What did Miss Grahame think of Gwen? Aunt Constance's parti pris in life was a benevolent interest in the affairs of everybody else.

Miss Grahame thought Gwen was all right. The amount of nonsense she had talked to-night showed she was a little excited. A sort of ostentatious absurdity, like a spoiled child! Well--she has been a spoiled child. But she--the speaker--always had believed, did still believe, that Gwen was a fine character underneath, and that all her nonsense was on the surface.

"Will she hold to it, do you think?"

"How can I tell? I should say yes. But one never knows. She's writing him a long letter now. She's in the next room to me, and I heard her scratching five minutes after she said good-night. I hope she won't scribble all night and keep me awake. My belief is she would be better for some counter-excitement. A small earthquake! Anything of that sort. Good-night! It's very late." But it came out next day that Gwen's pen was still scratching when this lady got to sleep an hour after.

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Chapter XXVI

A PROFESSIONAL CONSULTATION ACROSS A COUNTER, AND HOW THE STORY OF THE MAN IN HYDE PARK WAS TOLD BY DOLLY. HOW AUNT M'RIAR KNEW THE NAME WAS NOT "DARRABLE." HOW SHE TOLD UNCLE MO WHOSE WIFE SHE WAS AND WHOSE MOTHER MRS. PRITCHARD WAS. HOW POLLY DAVERILL JUNIOR HAD DIED UNBAPTIZED, AND ATTEMPTS TO BULLY THE DEVIL ARE FUTILE. HOW HER MOTHER WAS FORMERLY BARMAID AT THE ONE TUN, BUT BECAME AUNT M'RIAR LATER, AND HOW THE TALLOW CANDLE JUST LASTED OUT. HOW DOLLY, VERY SOUND ASLEEP, WAS GOOD FOR HER AUNT

"I shouldn't take any violent exercise, if I was you, Mr. Wardle," said Mr. Ekings, the Apothecary, whose name you may remember Michael Ragstroar had borrowed and been obliged to relinquish. "I should be very careful what I ate, avoiding especially pork and richly cooked food. A diet of fowls and fish--preferably boiled...."

"Can't abide 'em!" said Uncle Moses, who was talking over his symptoms with Mr. Ekings at his shop, with Dolly on his knee. "And whose a-going to stand Sam for me, livin' on this and livin' on that? Roasted chicking's very pretty eating, for the sake of the soarsages, when you're a Lord Mayor; but for them as don't easy run to half-crowns for mouthfuls, a line has to be drawed. Down our Court a shilling has to go a long way, Dr. Ekings."

The medical adviser shook his head weakly. "You're an intractable patient, Mr. Moses," he said. He knew that Uncle Moses's circumstances were what is called moderate. So are a church mouse's; and, in both cases, the dietary is compulsory. Mr. Ekings tried for a common ground of agreement. "Fish doesn't mount up to much, by the pound," he said, vaguely.

"Fishes don't go home like butcher's meat," said Uncle Moses.

"You can't expect 'em to do that," said Mr. Ekings, glad of an indisputable truth. "But there's a vast amount of nourishment in 'em, anyway you put it."

"So there is, Dr. Ekings. In a vast amount of 'em. But you have to eat it all up. Similar, grass and cows. Only there's no bones in the grass. Now, you know, what I'm wanting is a pick-me-up--something with a nice clean edge in the smell of it, like a bottle o' salts with holes in the stopper. And tasting of lemons. I ain't speaking of the sort that has to be shook when took. Nor yet with peppermint. It's a clear sort to see through, up against the light, what I want."

Mr. Ekings, a humble practitioner in a poor neighbourhood, supplied more mixtures in response to suggestions like Uncle Mo's, than to legitimate prescriptions. So he at once undertook to fill out the order, saying in reply to an inquiry, that it would come to threepence, but that Uncle Mo must bring or send back the bottle. He then added a few drops of chloric ether and ammonia, and some lemon to a real square bottleful of aq. pur. haust., and put a label on it with superhuman evenness, on which was written "The Mixture--one tablespoonful three times a day." Uncle Moses watched the preparation of this elixir vitae with the extremest satisfaction. He foresaw its beneficial effect on his system, which he had understood was to blame for his occasional attacks of faintness, which had latterly been rather more frequent. Anything in such a clean phial, with such a new cork, would be sure to do his system good.

Mrs. Riley came in for a bottle which was consciously awaiting her in front of the leeches, and identified it as "the liniment," before Mr. Ekings could call to mind where he'd stood it. She remarked, while calculating coppers to cover the outlay, that she understood it was to be well r-r-r-rhubbed in with the parrum of her hand, and that she was to be thr-rusted not to lit the patiint get any of it near his mouth, she having been borrun in Limerick morr' than a wake ago. She remarked to Uncle Mo that his boy was looking his bist, and none the wurruss for his accidint. Uncle Mo felt braced by the Celtic atmosphere, and thanked Mrs. Riley cordially, for himself and Dave.

"Shouldn't do that, if I was you, Mr. Wardle," said Mr. Ekings the Apothecary, as Uncle Mo hoisted Dolly on his shoulder to carry her home.

"No more shouldn't I, if you was me, Dr. Ekings," was the intractable patient's reply. "Why, Lard bless you, man alive, Dolly's so light it's as good as a lift-up, only to have her on your shoulders! Didn't you never hear tell of gravitation? Well--that's it!" But Uncle Mo was out of his depth.

"It'll do ye a powerful dale of good, Mr. Wardle," said Mrs. Riley. "Niver you mind the docther!" And Uncle Mo departed, braced again, with his elixir vitae in his left hand, and Dolly on his right shoulder, conversing on a topic suggested by Dr. Ekings's remarks about diet.

"When Dave tooktid Micky to see the fisses corched in the Turpentine, there was a jenklum corched a fiss up out of the water, and another jenklum corched another fiss up out of the water...." Dolly was pursuing the subject in the style of the Patriarchs, who took their readers' leisure for granted, and never grudged a repetition, when Uncle Mo interrupted her to point out that it was not Dave who took Michael Ragstroar to Hy' Park, but vice versa. Also that the whole proceeding had been a disgraceful breach of discipline, causing serious alarm to himself and Aunt M'riar, who had nearly lost their reason in consequence--the exact expression being "fritted out of their wits." If that young Micky ever did such a thing again, Uncle Mo said, the result would be a pretty how-do-you-do, involving possibly fatal consequences to Michael, and certainly local flagellation of unheard-of severity.

Dolly did not consider this was to the point, and pursued her narrative without taking notice of it. "There was a jenklum corched a long fiss, and there was another jenklum corched a short fiss, and there was another jenklum corched a short fiss...." This seemed to bear frequent repetition, but came to an end as soon as history ceased to supply the facts. Then another phase came, that of the fishers who didn't corch no fiss, whose name appeared to be Legion. They lasted as far as the arch into Sapps Court, and Uncle Mo seemed rather to relish the monotony than otherwise. He would have made a good Scribe in the days of the Pharaohs.

But Dolly came to the end of even the unsuccessful fishermen. Just as they reached home, however, she produced her convincing incident, all that preceded it having evidently been introduction pure and simple. "And there was a man saided fings to Micky, and saided fings to Dave, and saided fings to...." Here Dolly stuttered, became confused, and ended up weakly: "No, he didn't saided no fings, to no one else."

A little finesse was necessary to land the elixir vitae on the parlour chimney-piece, and Dolly on the hearthrug. Then Uncle Mo sat down in his own chair to recover breath, saying in the course of a moment:--"And what did the man say to Dave, and what did he say to young Sparrowgrass?" He did not suppose that "the man" was a person capable of identification; he was an unknown unit, but good to talk about.

"He saided Mrs. Picture." Dolly placed the subject she proposed to treat broadly before her audience, with a view to its careful analysis at leisure.

"What on 'arth did he say Mrs. Picture for? He don't know Mrs. Picture." The present tense used here acknowledged the man's authenticity, and encouraged the little maid--three and three-quarters, you know!--to further testimony. It came fairly fluently, considering the witness's recent acquisition of the English language.

"He doos know Mrs. Picture, ass he doos, and he saided Mrs. Picture to Micky, ass he did." This was plenty for a time, and during that time the witness could go on nodding with her eyes wide open, to present the subject lapsing, for she had found out already how slippery grown-up people are in argument. Great force was added by her curls, which lent themselves to flapping backwards and forwards as she nodded.

It was impossible to resist such evidence, outwardly at least, and Uncle Mo appeared to accept it. "Then the man said Mrs. Picture to Dave," said he. "And Dave told it on to you, was that it?" He added, for the general good of morality:--"You're a nice lot of young Pickles!"

But this stopped the nodding, which changed suddenly to a negative shake, of great decision. "The man never saided nuffint to Dave, no he didn't."

"Thought you said he did. You're a good 'un for a witness-box! Come up and sit on your old uncle. The man said Mrs. Picture to young Sparrowgrass--was that it?" Dolly nodded violently. "And young Sparrowgrass he passed it on to Dave?" But it appeared not, and Dolly had to wrestle with an explanation. It was too much involved for letterpress, but Uncle Mo thought he could gather that Dave had been treated as a mere bystander, supposed to be absorbed in angling, during a conversation between Michael Ragstroar and the Man. "Dave he came home and told you what the Man said to Micky--was that it?" So Uncle Mo surmised aloud, not at all clear that Dolly would understand him. But, as it turned out, he was right, and Dolly was glad to be able to attest his version of the facts. She resumed the nodding, but slower, as though so much emphasis had ceased to be necessary. "Micky toldited Dave," she said. She then became immensely amused at a way of looking at the event suggested by her uncle. The Man had told Micky; Micky had told Dave; Dave had told Dolly; and Dolly had told Uncle Mo, who now intensified the interest of the event by saying he should tell Aunt M'riar. Dolly became vividly anxious for this climax, and felt that this was life indeed, when Uncle Mo called out to Aunt M'riar:--"Come along here, M'riar, and see what sort of head and tail you can make of this here little Dolly!" Whereupon Aunt M'riar came in front out at the back, and listened to a repetition of Dolly's tale while she dried her arms, which had been in a wash-tub.

"Well, Mo," she said, when Dolly had repeated it, more or less chaotically, "if you ask me, what I say is--you make our Dave speak out and tell you, when he's back from school, and say you won't have no nonsense. For the child is that secretive it's all one's time is worth to be even with him.... What's the Doctor's stuff for you've been spending your money on at Ekingses?"

"Only a stimulatin' mixture for to give tone to the system. Dr. Ekings says it'll do it a world o' good. Never known it fail, he hasn't."

"Have you been having any more alarming symptoms, Mo, and never told me?"

"Never been better in my life, M'riar. But I thought it was getting on for time I should have a bottle o' stuff, one sort or other. Don't do to go too long without a dose, nowadays." Whereupon Aunt M'riar looked incredulous, and read the label, and smelt the bottle, and put it back on the mantelshelf. And Uncle Mo asked for the wineglass broke off short, out of the cupboard; because it was always best to be beforehand, whether you had anything the matter or not.

Whatever Aunt M'riar said, Dave was not secretive. Probably she meant communicative, and was referring to the fact that Dave, whenever he was called on for information, though always prompt to oblige, invariably made reply to his questioner in an undertone, in recognition of a mutual confidence, and exclusion from it of the Universe. He had a soul above the vulgarities of publication. Aunt M'riar merely used a word that sounded well, irrespective of its meaning--a common literary practice.

Therefore Dave, when applied to by Uncle Mo for particulars of what "the Man" said, made a statement of which only portions reached the general public. This was the usual public after supper; for Mr. Alibone's companionship in an evening pipe was an almost invariable incident at that hour.

"What's the child a-sayin' of, Mo?" said Aunt M'riar.

"Easy a bit, old Urry Scurry!" said Uncle Mo, drawing on his imagination for an epithet. "Let me do a bit of listening.... What was it the party said again, Davy--just _pre_cisely?..." Dave was even less audible than before in his response to this, and Uncle Mo evidently softened it for repetition:--"Said if Micky told him any--etceterer--lies he'd rip his heart out? Was that it, Dave?"

"Yorce," said Dave, aloud and emphatically. "This time!" Which seemed to imply that the speaker had refrained from doing so, to his credit, on some previous occasion. Dave laid great stress on this point.

Aunt M'riar seemed rather panic struck at the nature of this revelation. "Well now, Mo," said she, "I do wonder at you, letting the child tell such words! And before Mr. Alibone, too!"

Mr. Jerry's expression twinkled, as though he protested against being credited with a Pharisaical purity, susceptible to shocks. Uncle Mo said, with less than usual of his easy-going manner:--"I'm a going, M'riar, to get to the bottom of this here start. So you keep outside o' the ropes!" and then after a little by-play with Dave and Dolly, which made the hair of both rougher than ever, he said suddenly to Dave:--"Well, and wasn't you frightened?"

"Micky wasn't frightened," said Dave, discreetly evasive. He objected to pursuing the subject, and raised a new issue. The sketch that followed of the interview between Micky and the Man was a good deal blurred by constant India-rubber, but its original could be inferred from it--probably as follows, any omissions to conciliate public censorship being indicated by stars. Micky speaks first:

"Who'll you rip up? You lay 'ands upon me, that's all! You do, and I'll blind your eyesight, s'elp me! Why, I'd summing a Police Orficer, and have you took to the Station, just as soon as look at you...." It may be imagined here that Michael's voice rose to a half-shriek, following some movement of the Man towards him. "I would, by Goard! You try it on, that's all!"

"Shut up with your * * row, you * * young * * ... No, master, I ain't molestin' of the boy; only just frightening him for a bit of a spree! I don't look like the sort to hurt boys, do I, guv'nor?" This was addressed to a bystander, named in Dave's report as "the gentleman." Who was accompanied by another, described as "the lady." The latter may have said to the former:--"I think he looks a very kind-hearted man, my dear, and you are making a fuss about nothing." The latter certainly said "Hggrromph!" or something like it, which the reporter found difficult to render. Then the man assumed a hypocritical and plausible manner, saying to Michael:--"I'm your friend, my boy, and there's a new shilling for you, good for two * * tanners any day of the week." Micky seemed to have been softened by this, and entered into a colloquy with the donor, either not heard or not understood by Dave, whose narrative seemed to point to his having been sent to a distance, with a doubt about inapplicable epithets bestowed on him by the Man, calling for asterisks in a close report. Some of these were probably only half-understood, even by Micky; being, so to speak, the chirps of a gaol-bird. But Dave's report seemed to point to "Now, is that * * young * * to be trusted not to split?" although he made little attempt to render the asterisky parts of speech.

Uncle Mo and Mr. Jerry glanced at one another, seeming to understand a phrase that had puzzled Aunt M'riar.

"That was it, Mo," said Mr. Jerry, exactly as if Uncle Mo had spoken, "spit upon meant split upon." Dave in his innocence had supposed that a profligacy he was himself sometimes guilty of had been referred to. He felt that his uncle's knee was for the moment the stool of repentance, but was relieved when a new reading was suggested. There could be no disgrace in splitting, though it might be painful.

"And, of course," said Uncle Mo, ruffling Dave's locks, "of course, you kept your mouth tight shut--hay?" Dave, bewildered, assented. He connected this bouche cousue with his own decorous abstention, not without credit to himself. Who shall trace the inner workings of a small boy's brain? "Instead of telling of it all, straight off, to your poor old uncle!" There was no serious indignation in Uncle Mo's tone, but the boy was too new for nice distinctions. The suggestion of disloyalty wounded him deeply, and he rushed into explanation. "Becorze--becorze--becorze--becorze," said he--"becorze Micky said not to!" He arrived at his climax like a squib that attains its ideal.

"Micky's an owdacious young varmint," said Uncle Mo. "Small boys that listened to owdacious young varmints never used to come to much good, not in my time!" Dave looked shocked at Uncle Mo's experience. But he had reservations to offer as to Micky, which distinguished him from vulgar listeners to incantations. "Micky said not to, and Micky said Uncle Mo didn't want to hear tell of no Man out in Hoy' Park, and me to keep my mouth shut till I was tolded to speak."

"And you told him to speak, and he spoke!" said Mr. Jerry, charitably helping Dave. "You couldn't expect any fairer than that, old Mo." Public opinion sanctioned a concession in this sense, and Dave came off the stool of repentance.

"Very good, then!" said Uncle Mo. "That's all squared, and we can cross it off. But what I'm trying after is, how did this here ... bad-languagee"--he halted a minute to make this word--"come to know anything about Goody Prichard upstairs?"

"Did he?" said Mr. Jerry, who of course had only heard Dave on the subject.

"This young party said so," said Uncle Mo, crumpling Dolly to identify her, "at the very first go off. Didn't you, little ginger-pop, hay?" This new epithet was a passing recognition of the suddenness with which Dolly had broken out as an informant. It gratified her vanity, and made her chuckle.

Dave meanwhile had been gathering for an oratorical effort, and now culminated. "I never told Dolly nuffint about Mrs. Picture upstairs. What I said was 'old widder lady.'"

"Dolly translated it, Mo, don't you see?" said Mr. Jerry. Then, to illuminate possible obscurity, he added:--"Off o' one slate onto the other! Twig?"

"I twig you, Jerry." Uncle Mo winked at his friend to show that he was alive to surroundings and tickled Dave suddenly from a motive of policy. "How come this cove to know anything about any widder lady--hay? That's a sort of p'int we've got to consider of." Dave was impressed by his uncle's appearance of profound thought, and was anxious not to lag behind in the solution of stiff problems. He threw his whole soul into his answer. "Because he was The Man." Nathan the prophet can scarcely have been more impressive. Perhaps, on the occasion Dave's answer recalls, someone said:--"Hullo!" in Hebrew, and gave a short whistle. That was what Mr. Jerry did, this time.

Uncle Mo enjoined self-restraint, telegraphically; and said, verbally:--"What man, young Legs? Steady a minute, and tell us who he was." Which will be quite intelligible to anyone whose experience has included a small boy in thick boots sitting on his knee, and becoming excited by a current topic.

Dave restrained his boots, and concentrated his mind on a statement. It came with pauses and repetitions, which may be omitted. "He worze the same Man as when you and me and Micky, only not Dolly, see him come along down the Court Sunday morning. Munce ago!" This was emphatic, to express the date's remoteness. "He wanted for to be told about old Widow Darrable who lived down this Court, and Micky he said no such name, nor yet anywhere's about this neighbourhood, he said. And the Man he said Micky was a young liar. And Micky he said who are you a-callin' liar?..."

"What name did he say?" Uncle Mo interrupted, with growing interest. Dave repeated his misapprehension of it, which incorporated an idea that similar widows would have similar surnames. If one was Marrable, it was only natural that another should be Darrable.

Aunt M'riar, whose interest also had been some time growing, struck in incisively. "The name was Daverill. He's mixed it up with the old lady in the country he calls his granny." She was the more certain this was so owing to a recent controversy with Dave about this name, ending in his surrender of the pronunciation "Marrowbone" as untenable, but introducing a new element of confusion owing to Marylebone Church, a familiar landmark.

There was something in Aunt M'riar's manner that made Uncle Mo say:--"Anything disagreed, M'riar?" Because, observe, his interest in this mysterious man in the Park turned entirely on Mrs. Prichard's relations with him, and he had never imputed any knowledge of him to Aunt M'riar. Why should he? Indeed, why should we, except from the putting of two and two together? Of which two twos, Uncle Mo might have known either the one or the other--according to which was which--but not both. This story has to confess occasional uncertainty about some of its facts. There may have been more behind Uncle Mo's bit of rudeness about Aunt M'riar's disquiet than showed on the surface. However, he never asked any questions.

* * * * *

Those who have ever had the experience of keeping their own counsel for a long term of years know that every year makes it harder to take others into confidence. A concealed troth-plight, marriage, widowhood--to name the big concealments involving no disgrace--gets less and less easy to publish as time slips by, even as the hinges rust of doors that no man opens. There may be nothing to blush about in that cellar, but the key may be lost and the door-frame may have gripped the door above, or the footstone jammed it from below, and such fungus-growth as the darkness has bred has a claim to freedom from the light. Let it all rest--that is its owner's word to his own soul--let it rest and be forgotten! All the more when the cellar is full of garbage, and he knows it.

There was no garbage in Aunt M'riar's cellar that she was guilty of, but for all that she would have jumped at any excuse to leave that door tight shut. The difficulty was not so much in what she had to tell--for her conscience was clear--as in rousing an unprepared mind to the hearing of it. Uncle Mo, quite the reverse of apathetic to anything that concerned the well-being of any of his surroundings, probably accounted Aunt M'riar's as second to none but the children's. Nevertheless, the difficulty of rousing him to an active interest in this hidden embarrassment of hers, of which he had no suspicion, was so palpable to Aunt M'riar, that she was sorely put to it to decide on a course of action. And the necessity for action was not imaginary. Keep in mind that all Uncle Mo's knowledge of Aunt M'riar's antecedents was summed up in the fact of her widowhood, which he took for granted--although he had never received it totidem verbis when she first came to supplant Mrs. Twiggins--and which had been confirmed as Time went on, and no husband appeared to claim her. Even if he could have suspected that her husband was still living, there was nothing in the world to connect him with this escaped convict. No wonder Uncle Mo's complete unconsciousness seemed to present an impassable barrier to a revelation. Aunt M'riar had not the advantages of the Roman confessional, with its suggestive guichet. Had some penitent, deprived of that resource, been driven back on the analogous arrangement of a railway booking-office, the difficulty of introducing the subject could scarcely have been greater.

However, Aunt M'riar was not going to be left absolutely without assistance. That evening--the evening, that is, of the day when Dave told the tale of the Man in the Park--Uncle Moses showed an unusual restlessness, following on a period of thoughtfulness and silence. After supper he said suddenly:--"I'm a-going to take a turn out, M'riar. Any objection?"

"None o' my making, Mo. Only Mr. Jerry, he'll be round. What's to be told him?"

"Ah--I'll tell you. Just you say to Jerry--just you tell him...."

"What'll I tell him?" For Uncle Mo appeared to waver.

"Just you tell him to drop in at The Sun, and bide till I come. They've a sing-song going on to-night, with the pianner. He'll make hisself happy for an hour. I'll be round in an hour's time, tell him."

"And where are you off for all of an hour, Mo?"

"That's part of the p'int, M'riar. Don't you be too inquis-eye-tive.... No--I don't mind tellin' of ye, if it's partic'lar. I'm going to drop round to the Station to shake hands with young Simmun Rowe--they've made him Inspector there--he's my old pal Jerky Rowe's son I knew from a boy. Man under forty, as I judge. But he won't let me swaller up his time, trust him! Tell Jerry I'll jine him at half-after nine, the very latest."

"I'll acquaint him what you say, Mo. And you bear in mind what Mr. Jeffcoat at The Sun had to say about yourself, Mo."

"What was it, M'riar? Don't you bottle it up."

"Why, Mr. Jeffcoat he said, after passing the time of day, round in Clove Street, 'I look to Mr. Wardle to keep up the character of The Sun,' he said. So you bear in mind, Mo."

Whereupon Uncle Mo departed, and Aunt M'riar was left to her own reflections, the children being abed and asleep by now; Dolly certainly, probably Dave.

Presently the door to the street was pushed open, and Mr. Jerry appeared. "I don't see no Moses?" said he.

Aunt M'riar gave her message, over her shoulder. To justify this she should have been engaged on some particular task of the needle, easiest performed when seated. Mr. Alibone, to whom her voice sounded unusual, looked round to see. He only saw that her hands were in her lap, and no sign was visible of their employment. This was unlike his experience of Aunt M'riar. "Find the weather trying, Mrs. Wardle?"

"It don't do me any harm."

"Ah--some feels the heat more than others."

Aunt M'riar roused herself to reply:--"If you're meaning me, Mr. Alibone, it don't touch me so much as many. Only my bones are not so young as they were--that's how it came I was sitting down. Now, supposin' you'd happened in five minutes later, you might have found me tidin' up. I've plenty to do yet awhile." But this was not convincing, although the speaker wished to make it so; probably it would have been better had less effort gone to the utterance of it. For Aunt M'riar's was too obvious.

Mr. Jerry laughed cheerfully, for consolation. "Come now, Aunt M'riar," said he, "you ain't the one to talk as if you was forty, and be making mention of your bones. Just you let them alone for another fifteen year. That'll be time." Mr. Jerry had been like one of the family, so pleasantry of this sort was warranted.

It was not unwelcome to Aunt M'riar. "I'm forty-six, Mr. Jerry," she said. "And forty-six is six-and-forty."

"And fifty-six is six-and-fifty, which is what I am, this very next Michaelmas. Now I call that a coincidence, Mrs. Wardle."

Aunt M'riar reflected. "I should have said it was an accident, Mr. Jerry. Like anythin' else, as the sayin' is. You mention to Mo, not to be late, no more than need be. Not to throw away good bedtime!" Mr. Jerry promised to impress the advantages of early hours, and went his way. But his reflections on his short interview with Aunt M'riar took the form of asking himself what had got her, and finding no answer to the question. Something evidently had, from her manner, for there was nothing in what she said.

He asked the same question of Uncle Mo, coming away from The Sun, where they did not wait for the very last tune on the piano, to the disgust of Mr. Jeffcoat, the proprietor. "What's got Aunt M'riar?" said Uncle Mo, repeating his words. "Nothin's got Aunt M'riar. She'd up and tell me fast enough if there was anything wrong. What's put you on that lay, Jerry?"

"I couldn't name any one thing, Mo. But going by the looks of it, I should judge there was a screw loose in somebody's wheelbarrow. P'r'aps I'm mistook. P'r'aps I ain't. S'posing you was to ask her, Mo!--asking don't cost much."

Uncle Moses seemed to weigh the outlay. "No," he said. "Asking wouldn't send me to the work'us." And when he had taken leave of his friend at their sundering-point, he spent the rest of his short walk home in speculation as to what had set Jerry off about Aunt M'riar. It was with no misgiving of hearing of anything seriously amiss that he said to her, as he sat in the little parlour recovering his breath, after walking rather fast, while she cultured the flame of a candle whose wick had been cut off short:--"Everything all right, M'riar?" He was under the impression that he asked in a nonchalant, easy-going manner, and he was quite mistaken. It was only perfectly palpable that he meant it to be so, and he who parades his indifference is apt to overreach himself.

Aunt M'riar had been making up her mind that she must tell Mo what she knew about this man Daverill, at whatever cost to herself. It would have been much easier had she known much less. Face to face with an opportunity of telling it, her resolution wavered and her mind, imperfectly made up, favoured postponement. To-morrow would do. "Ho yes," said she. "Everything's all right, Mo. Now you just get to bed. Time enough, I say, just on to midnight!" But her manner was defective and her line of argument ill-chosen. Its result was to produce in her hearer a determination to discover what had got her. Because it was evident that Jerry was right, and that something had.

"One of the kids a-sickenin' for measles! Out with it, M'riar! Which is it--Dave?"

"No, it ain't any such a thing. Nor yet Dolly.... Anyone ever see such a candle?"

"Then it's scarlatinar, or mumps. One or other on 'em!"

"Neither one nor t'other, Mo. 'Tain't neither Dave nor Dolly, this time." But something or other was somebody or something, that was clear! Aunt M'riar may have meant this, and yet not seen how very clear she made it. She recurred to that candle, and a suggestion of Uncle Mo's. "It's easy sayin', 'Run the toller off,' Mo; but who's to do it with such a little flame?"

Presently the candle, carefully fostered, picked up heart, and the tension of doubt about its future was relieved. "She'll do now," said Uncle Mo, assigning it a gender it had no claim to. "But what's gone wrong, M'riar?"

The appeal for information was too simple and direct to allow of keeping it back; without, at least, increasing its implied importance. Aunt M'riar only intensified this when she answered:--"Nothing at all! At least, nothing to nobody but me. Tell you to-morrow, Mo! It's time we was all abed. Mind you don't wake up Dave!" For Dave was becoming his uncle's bedfellow, and Dolly her aunt's; exchanges to vary monotony growing less frequent as the children grew older.

But Uncle Mo did not rise to depart. He received the candle, adolescent at last, and sat holding it and thinking. He had become quite alive now to what had impressed Mr. Jerry in Aunt M'riar's appearance and manner, and was harking back over recent events to find something that would account for it. The candle's secondary education gave him an excuse. Its maturity would have left him no choice but to go to bed.

A light that flashed through his mind anticipated it. "It's never that beggar," said he, and then, seeing that his description was insufficient:--"Which one? Why, the one we was a-talking of only this morning. Him I've been rounding off with Inspector Rowe--our boy's man he saw in the Park. You've not been alarmin' yourself about him?" For Uncle Mo thought he could see his way to alarm for a woman, even a plucky one, in the mere proximity of such a ruffian. He would have gone on to say that the convict was, by now, probably again in the hands of the police, but he saw as the candle flared that Aunt M'riar's usually fresh complexion had gone grey-white, and that she was nodding in confirmation of something half-spoken that she could not articulate.

He was on his feet at his quickest, but stopped at the sound of her voice, reviving. "What--what's that, M'riar?" he cried. "Say it again, old girl!" So strange and incredible had the words seemed that he thought he heard, that he could not believe in his own voice as he repeated them:--"Your husband!" He was not clear about it even then; for, after a pause long enough for the candle to burn up, and show him, as he fell back in his seat, Aunt M'riar, tremulous but relieved at having spoken, he repeated them again:--"Your husband! Are ye sure you're saying what you mean, M'riar?"

That it was a relief to have said it was clear in her reply:--"Ay, Mo, that's all right--right as I said it. My husband. You've known I had a husband, Mo." His astonishment left him speechless, but he just managed to say:--"I thought him dead;" and a few moments passed. Then she added, as though deprecatingly:--"You'll not be angry with me, Mo, when I tell you the whole story?"

Then he found his voice. "Angry!--why, God bless the wench!--what call have I to be angry?--let alone it's no concern of mine to be meddlin' in. Angry! No, no, M'riar, if it's so as you say, and you haven't gone dotty on the brain!"

"I'm not dotty, Mo. You'll find it all right, just like I tell you...."

"Well, then, I'm mortal sorry for you, and there you have it, in a word. Poor old M'riar!" His voice went up to say:--"But you shan't come to no harm through that character, if that's what's in it. I'll promise ye that." It fell again. "No--I won't wake the children.... I ain't quite on the shelf yet, nor yet in the dustbin. There's my hand on it, M'riar."

"I know you're good, Mo." She caught at the hand he held out to give her, and kept it. "I know you're good, and you'll do like you say. Only I hope he won't come this way no more. I hope he don't know I'm here." She seemed to shudder at the thought of him.

"Don't he know you're here? That's rum, too. But it's rum, all round. Things are rum, sometimes. Now, just you take it easy, M'riar, and if there's anything you'll be for telling me--because I'm an old friend like, d'ye see?--why, just you tell me as much as comes easy, and no more. Or just tell me nothing at all, if it sootes you better, and I'll set here and give an ear to it." Uncle Mo resumed his former seat, and Aunt M'riar put back the hand he released in her apron, its usual place when not on active service.

"There's nothing in it I wouldn't tell, Mo--not to you--and it won't use much of the candle to tell it. I'd be the easier for you to know, only I'm not so quick as some at the telling of things." She seemed puzzled how to begin.

Uncle Moses helped. "How long is it since you set eyes on him?"

"Twenty-five years--all of twenty-five years."

Uncle Mo was greatly relieved at hearing this. "Well, but, M'riar--twenty-five years! You're shet of the beggar--clean shet of him! You are that, old girl, legally and factually. But then," said he, "when was you married to him?"

"I've got my lines to show for that, Mo. July six, eighteen twenty-nine."

Uncle Mo repeated the date slowly after her, and then seemed to plunge into a perplexing calculation, very distorting to the natural repose of his face. Touching his finger-tips appeared to make his task easier. After some effort, which ended without clear results, he said:--"What I'm trying to make out is, how long was you and him keeping house? Because it don't figure up. How long should you say?"

"We were together six weeks--no more."

"And you--you never seen him since?"

"Never since. Twenty-five years agone, this last July!" At which Uncle Mo was so confounded that words failed him. His only resource was a long whistle. Aunt M'riar, on the contrary, seemed to acquire narrative powers from hearing her own voice, and continued:--"I hadn't known him a twelvemonth, and I should have been wiser than to listen to him--at my age, over one-and-twenty!"

"But you made him marry you, M'riar?"

"I did that, Mo. And I have the lines and my ring, to show it. But I never told a soul, not even mother. I wouldn't have told her, to be stopped--so bad I was!... What!--Dolly--Dolly's mother? Why, she was just a young child, Dave's age!... How did I come to know him? It was one day in the bar--he came in with Tom Spring, and ordered him a quart of old Kennett. He was dressed like a gentleman, and free with his money...."

"I knew old Tom Spring--he's only dead this two years past. I s'pose that was The Tun, near by Piccadilly, I've heard you speak on."

"... That was where I see him, Mo, worse luck for the day! The One Tun Inn. They called him the gentleman from Australia. He was for me and him to go to Brighton by the coach, and find the Parson there. But I stopped him at that, and we was married in London, quite regular, and we went to Brighton, and then he took me to Doncaster, to be at the races. There's where he left me, at the Crown Inn we went to, saying he'd be back afore the week was out. But he never came--only letters came with money--I'll say that for him. Only no address of where he was, nor scarcely a word to say how much he was sending. But I kep' my faith towards him; and the promise I made, I kep' all along. And I've never borne his name nor said one word to a living soul beyond one or two of my own folk, who were bound to be quiet, for their sake and mine. Dolly's mother, she came to know in time. But the Court's called me Aunt M'riar all along."

A perplexity flitted through Uncle Mo's reasoning powers, and vanished unsolved. Why had he accepted "Aunt M'riar" as a sufficient style and title, almost to the extent of forgetting the married name he had heard assigned to its owner five years since? He would probably have forgotten it outright, if the post had not, now and then--but very rarely--brought letters directed to "Mrs. Catchpole," which he had passed on, if he saw them first, with the comment:--"I expect that's meant for you, Aunt M'riar"; treating the disposition of some person unknown to use that name as a pardonable idiosyncrasy. When catechized about her, he had been known to answer:--"She ain't a widder, not to my thinking, but her husband he's as dead as a door-nail. Name of Scratchley; or Simmons--some such a name!" As for the designation of "Mrs. Wardle" used as a ceremonial title, it was probably a vague attempt to bring the household into tone. Whoever knows the class she moved in will have no trouble in recalling some case of a similar uncertainty.

This is by way of apology for Uncle Mo's so easily letting that perplexity go, and catching at another point. "What did he make you promise him, M'riar? Not to let on, I'll pound it! He wanted you to keep it snug--wasn't that the way of it?"

"Ah, that was it, Mo. To keep it all private, and never say a word." Then Aunt M'riar's answer became bewildering, inexplicable. "Else his family would have known, and then I should have seen his mother. Seein' I never did, it's no wonder I didn't know her again. I might have, for all it's so many years." It was more the manner of saying this than the actual words, that showed that she was referring to a recent meeting with her husband's mother.

Uncle Mo sat a moment literally open-mouthed with astonishment. At length he said:--"Why, when and where, woman alive, did you see his mother?"

"There now, Mo, see what I said--what a bad one I am at telling of things! Of course, Mrs. Prichard upstairs, she's Ralph Daverill's mother, and he's the man who got out of prison in the Mornin' Star and killed the gaoler. And he's the same man came down the Court that Sunday and Dave see in the Park. That's Ralph Thornton Daverill, and he's my husband!"

Uncle Mo gave up the idea of answering. The oppression of his bewilderment was too great. It seemed to come in gusts, checked off at intervals by suppressed exclamations and knee-slaps. It was a knockdown blow, with no one to call time. But then, there were no rules, so when a new inquiry presented itself, abrupt utterance followed:--"Wasn't there any?... wasn't there any?..." followed by a pause and a difficulty of word-choice. Then in a lowered voice, an adjustment of its terms, due to delicacy:--"Wasn't there any consequences--such as one might expect, ye know?"

Aunt M'riar did not seem conscious of any need for delicacies. "My baby was born dead," she said. "That's what you meant, Mo, I take it?" Then only getting in reply:--"That was it, M'riar," she went on:--"None knew about it but mother, when it was all over and done with, later by a year and more. I would have called the child Polly, being a girl, if it had lived to be christened.... Why would I?--because that was the name he knew me by at The Tun."

Uncle Mo began to say:--"If the Devil lets him off easy, I'll ..." and stopped short. It may have been because he reflected on the limitations of poor Humanity, and the futility of bluster in this connection, or because he had a question to ask. It related to Aunt M'riar's unaccountable ignorance throughout of Daverill's transportation to Norfolk Island, and the particular felony that led to it. "If you was not by way of seeing the police-reports, where was all your friends, to say never a word?"

"No one said nothing to me," said Aunt M'riar. She seemed hazy as to the reason at first; then a light broke:--"They never knew his name, ye see, Mo." He replied on reflection:--"Course they didn't--right you are!" and then she added:--"I only told mother that; and she's no reader."

A mystery hung over one part of the story--how did she account for herself to her family? Was she known to have been married, or had popular interpretation of her absence inclined towards charitable silence about its causes--asked no questions, in fact, giving up barmaids as past praying for? She seemed to think it sufficient light on the subject to say:--"It was some length of time before I went back home, Mo," and he had to press for particulars.

His conclusion, put briefly, was that this deserted wife, reappearing at home with a wedding-ring after two years' absence, had decided that she would fulfil her promise of silence best by giving a false married name. She had engineered her mother's inspection of her marriage-lines, so as to leave that good woman--a poor scholar--under the impression that Daverill's name was Thornton; not a very difficult task. The name she had chosen was Catchpole; and it still survived as an identifying force, if called on. But it was seldom in evidence, "Aunt M'riar" quashing its unwelcome individuality. The general feeling had been that "Mrs. Catchpole" might be anybody, and did not recommend herself to the understanding. There was some sort o' sense in "Aunt M'riar."

The eliciting of these points, hazily, was all Uncle Mo was equal to after so long a colloquy, and Aunt M'riar was not in a condition to tell more. She relit another half-candle that she had blown out for economy when the talk set in, and called Uncle Mo's attention to the moribund condition of his own:--"There's not another end in the house, Mo," said she. So Uncle Mo had to use that one, or get to bed in the dark.

He had been already moved to heartfelt anger that day against this very Daverill, having heard from his friend the Police-Inspector the story of his arrest at The Pigeons, at Hammersmith; and, of course, of the atrocious crime which had been his latest success with the opposite sex. This Police-Inspector must have been Simeon Rowe, whom you may remember as stroke-oar of the boat that was capsized there in the winter, when Sergeant Ibbetson of the river-police met his death in the attempt to capture Daverill. Uncle Mo's motive in visiting the police-station had not been only to shake hands with the son of an old acquaintance. He had carried what information he had of the escaped convict to those who were responsible for his recapture.

* * * * *

If you turn back to the brief account the story gave of Maisie Daverill's--or Prichard's--return to England, and her son's marriage, and succeed in detecting in Polly the barmaid at the One Tun any trace of the Aunt M'riar with whom you were already slightly acquainted, it will be to the discredit of the narrator. For never did a greater change pass over human identity than the one which converted the beaute de diable of the young wench just of age, who was serving out stimulants to the Ring, and the Turf, and the men-about-town of the late twenties, to that of the careworn, washtub-worn, and needle-worn manipulator of fine linen and broidery, who had been in charge of Dolly and Dave Wardle since their mother's death three years before. Never was there a more striking testimony to the power of Man to make a desolation of the life of Woman, nor a shrewder protest against his right to do so. For Polly the Barmaid, look you, had done nothing that is condemned by the orthodox moralities; she had not even flown in the face of her legal duty to her parents. Was she not twenty-one, and does not that magic numeral pay all scores?

The Australian gentleman had one card in his pack that was Ace of Trumps in the game of Betrayal. He only played it when nothing lower would take the trick. And Polly got little enough advantage from the sanction of the Altar, her marriage-lines and her wedding-ring, in so far as she held to the condition precedent of those warrants of respectability, that she should observe silence about their existence. The only duplicity of which she had been guilty was the assumption of a false married name, and that had really seemed to her the only possible compromise between a definite breach of faith and passive acceptance of undeserved ill-fame. And when the hideous explanation of Daverill's long disappearance came about, and eclaircissement seemed inevitable, she saw the strange discovery she had made of his relation to Mrs. Prichard, as an aggravation to the embarrassment of acknowledging his past relation to herself.

There was one feeling only that one might imagine she might have felt, yet was entirely a stranger to. Might she not have experienced a longing--a curiosity, at any rate--to set eyes again on the husband who had deserted her all those long years ago? And this especially in view of her uncertainty as to how long his absence had been compulsory? As a matter of fact, her only feeling about this terrible resurrection was one of shrinking as from a veritable carrion, disinterred from a grave she had earned her right to forget. Why need this gruesome memory be raked up to plague her?

The only consolation she could take with her to a probably sleepless pillow was the last charge of the old prizefighter to her not to fret. "You be easy, M'riar. He shan't come a-nigh you. I'll square him fast enough, if he shows up down this Court--you see if I don't!" But when she reached it, there was still balm in Gilead. For was not Dolly there, so many fathoms deep in sleep that she might be kissed with impunity, long enough to bring a relieving force of tears to help the nightmare-haunted woman in her battle with the past?

As for Mo, his threat towards this convicted miscreant had no connection with his recent interview with his police-officer friend--no hint of appeal to Law and Order. The anger that burnt in his heart and sent the blood to his head was as unsullied, as pure, as any that ever Primeval Man sharpened flints to satisfy before Law and Order were invented.

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Chapter XXVII

HOW UNCLE MO MADE THE DOOR-CHAIN SECURE, AND A SUNFLOWER LOOKED ON THE WHILE. HOW AUNT M'RIAR STOPPED HER EARS. A BIT OF UNCLE MO'S MIND. HOW DOLLY KISSED HIM THROUGH THE DOOR-CRACK, BUT NOT MRS. BURR. CONCERNING RATS, TO WHICH UNCLE MO TOOK THE OPPOSITE VIEW. OF ONE, OR SOME, WHICH TRAVELLED OUT TO AUSTRALIA WITH OLD MRS. PRICHARD. HOW DAVE MET THREE LADIES IN A CARRIAGE, NONE OF WHOM KISSED HIM. HOW UNCLE MO WENT UPSTAIRS WITH THE CHILDREN, IN CONNECTION WITH THE RATS HE HAD DISCREDITED, AND STAYED UP QUITE A TIME. HOW HE INTERVIEWED MR. BARTLETT ABOUT THEM

"You're never fidgeting about him?" said Aunt M'riar to Uncle Mo, one morning shortly after she had told him the story of her marriage. "He's safe out of the way by now. You may rely on your police-inspectin' friend to inspect him. Didn't he as good as say he was took, Mo?"

"That warn't precisely the exact expression used, M'riar," said Uncle Mo, who was doing something with a tool-box at the door that opened on the front-garden that opened on the Court. Dolly was holding his tools, by permission--only not chisels or gouges, or gimlets, or bradawls, or anything with an edge to it--and the sunflower outside was watching them. Uncle Mo was extracting a screw with difficulty, in spite of the fact that it was all but out already. He now elucidated the cause of this difficulty, and left the Police Inspector alone. "'Tain't stuck, if you ask me. I should say there never had been no holt to this screw from the beginning. But by reason there's no life in the thread, it goes round and round rayther than come out.... Got it!--wanted a little coaxin', it did." That is to say, a few back-turns with very light pressure brought the screw-head free enough for a finger-grip, and the rest was easy. "It warn't of any real service," said Uncle Mo. "One size bigger would ketch and hold in. This here one's only so much horse-tentation. Now I can't get a bigger one through the plate, and I can't rimer out the hole for want of a tool--not so much as a small round file.... Here's a long 'un, of a thread with the first. He'll ketch in if there's wood-backin' enough.... That's got him! Now it'll take a Hemperor, to get that out." Uncle Mo paused to enjoy a moment's triumph, then harked back:--"No--the precise expression made use of was, they might put their finger on him any minute."

"Which don't mean the same thing," said Aunt M'riar.

"No more it don't, M'riar, now you mention it. But he won't trust his nose down this Court. If he does, and I ain't here, just you do like I tell you...."

Aunt M'riar interrupted. "I couldn't find it in me to give him up, Mo. Not for all I'm worth!" She spoke in a quick undertone, with a stress in her voice that terrified Dolly, who nearly let go a hammer she had been allowed to hold, as harmless.

"Not if you knew what he's wanted for, this time?"

"Don't you tell me, Mo. I'd soonest know nothing.... No--no--don't you tell me a word about it!" And Aunt M'riar clapped her hands on her ears, leaving an iron, that she had been trying to abate to a professional heat, to make a brown island on its flannel zone of influence. All her colour--she had a fair share of it--had gone from her cheeks, and Dolly was in two minds whether she should drop the hammer and weep.

Uncle Mo's reassuring voice decided her to do neither, this time. "Don't you be frightened, M'riar," said he. "I wasn't for telling you his last game. Nor it wouldn't be any satisfaction to tell. I was only going to say that if he was to turn up in these parts, just you put the chain down--it's all square and sound now--and tell him he'll find me at The Sun." He closed the door and put the chain he had been revising on its mettle; adding as he did so, in defiance of Astronomy:--"'Tain't any so far off, The Sun." Dolly's amusement at the function of the chain, and its efficacy, was so great as to cause her aunt to rule, as a point of Law, that six times was plenty for any little girl, and that she must leave her uncle a minute's peace.

Dolly granting this, Aunt M'riar took advantage of it, to ask what course Uncle Mo would pursue, if she complied with his instructions. "If you gave him up to the Police, Mo," she said, "and I'd sent him to you, it would be all one as if I'd done it."

"I'll promise not to give him to the Police, if he comes to me off of your sending, M'riar. In course, if he's only himself to thank for coming my way, that's another pair of shoes."

"But if it was me, what'll you do, Mo?" Aunt M'riar wasn't getting on with those cuffs.

"What'll I do? Maybe I'll give him ... a bit of my mind."

"No--what'll you do, Mo?" There was a new apprehension in her voice as she dropped it to say:--"He's a younger man than you, by nigh twenty years."

The anticipation of that bit of Uncle Mo's mind had gripped his jaw and knitted his brow for an instant. It vanished, and left both free as he answered:--"You be easy, old girl! I won't give him a chance to do me no harm." Aunt M'riar bent a suspicious gaze on him for a moment, but it ended as an even more than usually genial smile spread over the old prizefighter's face, and he gave way to Dolly's request to be sut out only dest this once more; which ended in a Pyramus and Thisbe accommodation of kisses through as much thoroughfare as the chain permitted. They were painful and dangerous exploits; but it was not on either of those accounts that Mrs. Burr, coming home rather early, declined to avail herself of Dolly's suggestion that she also should take advantage of this rare opportunity for uncomfortable endearments; but rather in deference to public custom, whose rules about kissing Dolly thought ridiculous.

The door having to be really shut to release the chain, its reopening seemed to inaugurate a new chapter, at liberty to ignore Dolly's flagrant suggestions at the end of the previous one. Besides, it was possible for Uncle Mo to affect ignorance; as, after all, Dolly was outside. Mrs. Burr did not tax him with insincerity, and the subject dropped, superseded by less interesting matter.

"I looked in to see," said Aunt M'riar, replying to a question of Mrs. Burr's. "The old lady was awake and knitting, last time. First time she'd the paper on her knee, open. Next time she was gone off sound."

"That's her way, ma'am. Off and on--on and off. But she takes mostly to the knitting. And it ain't anything to wonder at, I say, that she drops off reading. I'm sure I can't hold my eyes open five minutes over the newspaper. And books would be worse, when you come to read what's wrote in them, if it wasn't for having to turn over the leaves. Because you're bound to see where, and not turn two at once, or it don't follow on." Aunt M'riar and Uncle Mo confirmed this view from their own experience. It was agreed further that small type--Parliamentary debates and the like--was more soporific than large, besides spinning out the length and deferring the relaxation of turning over, when in book-form. Short accidents, and not too prolix criminal proceedings were on the whole the most palatable forms of literature. It was not to be wondered at that old Mrs. Prichard should go to sleep over the newspaper at her age, seeing that none but the profoundest scholars could keep awake for five minutes while perusing it. The minute Dave came in from school he should take Dolly upstairs to pay the old lady a visit, and brighten her up a bit.

"Very like she's been extra to-day"--thus Mrs. Burr continued--"by reason of rats last night, and getting no sleep."

"There ain't any rats in your room, missis," said Uncle Mo. "We should hear 'em down below if there was."

"What it is if it ain't rats passes me then, Mr. Wardle. I do assure you there was a loud crash like a gun going off, and we neither of us hardly got any sleep after."

"Queer, anyhow!" said Uncle Mo. But he evidently doubted the statement, or at least thought it exaggerated.

"I'll be glad to tell her you take the opposite view to rats, Mr. Moses," said Mrs. Burr. "For it sets her on fretting when she gets thinking back. And now she'll never be tired of telling about the rats on the ship when she was took out to Australia. Running over her face, and starting her awake in the night! It gives the creeps only to hear."

"There, Dolly, now you listen to how the rats run about on Mrs. Picture when she was on board of the ship." Thus Aunt M'riar, always with that haunting vice of perverting Art, Literature, Morals, and Philosophy to the oppressive improvement of the young. She seldom scored a success, and this time she was hoisted with her own petard. For Dolly jumped with delight at the prospect of a romance of fascinating character, combining Zoology and Travel. She applied for a place to hear it, on the knee of Mrs. Burr, who, however, would have had to sit down to supply it. So she was forced to be content with a bald version of the tale, as Mrs. Burr had to see to getting their suppers upstairs. She was rather disappointed at the size and number of the rats. She enquired:--"Was they large rats, or small?" and would have preferred to hear that they were about the size of small cats--not larger, for fear of inconveniencing old Mrs. Picture. And a circumstance throwing doubt on their number was unwelcome to her. For it appeared that old Mrs. Picture slept with her fellow-passengers in a dark cabin, and no one might light a match all night for fear of the Captain. And rats ran over those passengers' faces! But it may have been all the same rat, and to Dolly that seemed much less satisfactory than troops. She was rather cast down about it, but there was no need to discourage Dave. She could invent some extra rats, when he came back from school.

* * * * *

Lay down the book, you who read, and give but a moment's thought to the strangeness of these two episodes, over half a century apart. One, in the black darkness of an emigrant's sleeping-quarters on a ship outward-bound, all its tenants huddled close in the stifling air; child and woman, weak and strong, sick and healthy even, penned in alike to sleep their best on ranks of shelves, a mere packed storage of human goods, to be delivered after long months of battle with the seas, ten thousand miles from home. Or, if you shrink from the thought that Maisie's luck on her first voyage was so cruel as that, conceive her interview with those rodent fellow-passengers as having taken place in the best quarters money could buy on such a ship--and what would they be, against a good steerage-berth nowadays?--and give her, at least, a couch to herself. Picture her, if you will, at liberty to start from it in terror and scramble up a companion ladder to an open deck, and pick her way through shrouds and a bare headway of restless sprits above, and Heaven knows what of coiled cordage and inexplicable bulkhead underfoot, to some haven where a merciful old mariner, alone upon his watch, shuts his eyes to his duty and tolerates the beautiful girl on deck, when he is told by her that she cannot sleep for the rats. Make the weather fair, to keep the picture at its best, and let her pass the hours till the coming of the dawn, watching the mainmast-truck sway to and fro against the Southern Cross, as the breeze falls and rises, and the bulwark-plash is soft or loud upon the waters.

And then--all has vanished! That was half a century ago, and more. And a very little girl with very blue eyes and a disgracefully rough shock of golden curls has just been told of those rats, and has resolved to add to their number--having power to do so, like a Committee--when she comes to retell the tale to her elder brother; and then they will both--and this is the strangest of all!--they will both go and make a noisy and excited application to an authority to have it confirmed or contradicted. And this authority will be that girl who sat on that deck beneath the stars, and listened to the bells sounding the hours through the night, to keep the ship's time for a forgotten crew, on a ship that may have gone to the bottom many a year ago, on its return voyage home perhaps--who knows?

Before Dave heard Dolly's version of the rats, he had a tale of his own to tell, coming in just after Mrs. Burr had departed. As he was excited by the event he was yearning to narrate, he did not put it so lucidly as he might have done. He said:--"Oy saw the lady, and another lady, and another lady, all in one carriage. And they see me. And the lady"--he still pronounced this word loydy--"she see me on the poyvement, and 'Stop' she says. And then she says, 'You're Doyvy, oyn't you, that had the ax-nent?' I says these was my books I took to scrool...."

"Didn't you say you was Davy?" said Uncle Mo. And Aunt M'riar she actually said:--"Well, I never!--not to tell the lady who you was!"

Dave was perplexed, looking with blue-eyed gravity from one to the other. "The loydy said I was Doyvy," said he, in a slightly injured tone. He did not at all like the suggestion that he had been guilty of discourtesy.

"In course the lady knew, and knew correct," said Uncle Mo, drawing a distinction which is too often overlooked. "Cut along and tell us some more. What more did the lady say?"

Dave concentrated his intelligence powerfully on accuracy:--"The loydy said to the yuther loydy--the be-yhooterful loydy...."

"Oh, there was a beautiful lady, was there?"

Dave nodded excessively, and continued:--"Said here's a friend of mine, Doyvy Wardle, and they was coming to poy a visit to, to-morrow afternoon."

"And what did the other lady say?"

Dave gathered himself together for an effort of intense fidelity:--"She said--she said--'He's much too dirty to kiss in the open street'--she said, 'and better not to touch.' Yorce!" He seemed magnanimous towards Gwen, in spite of her finical delicacy.

Aunt M'riar turned his face to the light, by the chin. "What's the child been at?" said she.

"The boys had some corks," was Dave's explanation. Nothing further seemed to be required; Uncle Mo merely remarking: "It'll come off with soap." However, there was some doubt about the identity of these carriage ladies. Was one of them the original lady of the rings; who had taken Dave for a drive or vice versa. "Not her!" said Dave; and went on shaking his head so long to give his statement weight, that Aunt M'riar abruptly requested him to stop, as her nervous system could not bear the strain. It was enough, she said, to make her eyes come out by the roots.

"She must have been somebody else. She couldn't have been nobody," said Uncle Mo cogently. "Spit it out, old chap, Who was she?"

It was easy to say who she was; the strain of attestation had turned on who she wasn't. Dave became fluent:--"Whoy, the loydy what was a cistern, and took me in the roylwoy troyne and in the horse-coach to Granny Marrowbone." For he had never quite dissociated Sister Nora from ball-taps and plumbings. He added after reflection:--"Only not dressed up like then!"

At this point Dolly, whose preoccupation about those rats had stood, between her and a reasonable interest in Dave's adventure, struck in noisily and rudely with disjointed particulars about them, showing a poor capacity for narrative, and provoking Uncle Mo to tickling her with a view to their suppression. Aunt M'riar seized the opportunity to capture Dave and subject him to soap and water at the sink.

As soon as the boys' corks, or the effect of using them after ignition as face-pigments, had become a thing of the past, Dave and Dolly were ready to pay their promised visit to Mrs. Prichard. Uncle Mo suggested that he might act as their convoy as far as the top-landing. This was a departure from precedent, as stair-climbing was never very welcome to Uncle Mo. But Aunt M'riar consented, the more readily that she was all behind with her work. Uncle Mo not only went up with the children, but stayed up quite a time with the old lady and Mrs. Burr. When he came down he did not refer to his conversation with them, but went back to Dave's encounter with his aristocratic friends in the street.

"The lady that sighted our boy out," said he, "she'll be Miss What's-her-name that come on at the Hospital--her with the clean white tucker...." This referred to a vaguely recollected item of the costume in which Sister Nora was dressed up at the time of Dave's accident. It had lapsed, as inappropriate, during her nursing of her father in Scotland, and had not been resumed.

"That's her," said Aunt M'riar. "Sister of Charity--that's what she is. The others are ladyships, one or both. They all belong." The tone of remoteness might have been adopted in speaking of inhabitants of Mars and Venus.

"I thought her the right sort, herself," said Uncle Mo, implying that others of her monde might be safely assumed to be the wrong sort, pending proof of the contrary. "Anyways, she's coming to pay Dave a visit, and I'll be glad of a sight of her, for one!"

"Oh, I've no fault to find, Mo, if that's what you mean." Aunt M'riar was absorbed in her mystery, doing justice to what was probably a lady's nightgear, of imperial splendour. So she probably had spoken rather at random; and, indeed, seemed to think apology necessary. She took advantage of the end of an episode to say, while contemplating the perfection of two unimpeachable cuffs:--"So long as the others don't give theirselves no airs." Isolated certainly, as to structure; but, after all, has speech any use except to communicate ideas?

Uncle Mo presumably understood, as he accepted the form of speech, saying:--"And so long as we do ourselves credit, M'riar."

"Well, Mo, you never see me do anything but behave."

"That I never did, M'riar. Right you are!" Which ended a little colloquy that contained or implied a protest against the compulsory association of classes, expressed to a certain extent by special leniency towards an exceptional approach from without. Having entered his own share of the protest, Uncle Mo announced his intention of seeking Mr. Bartlett the builder, to speak to him about them rats. This saying Aunt M'riar did not even condemn as enigmatical, so completely did all that relates to buildings lie outside her jurisdiction.

"I've got my 'ands so full just now," said Mr. Bartlett, when Uncle Mo had explained the object of his visit, "or I'd step round to cast an eye on that bressumer. Only you may make your mind easy, and say I told you to it. If we was all of us to get into a perspiration whenever a board creaked or a bit of loose parging come down a chimley, we shouldn't have a minute's peace of our lives. Some parties is convinced of Ghosts the very first crack! Hysterical females in partic'lar." Mr. Bartlett did not seem busy, externally; but he contrived to give an impression that he was attending to a job at Buckingham Palace.

Uncle Mo felt abashed at his implied rebuke. It was not deserved, for he was guiltless of superstition. However, he had accepted the position of delegate of the top-floor, which, of course, was an hysterical floor, owing to the sex of its tenants. For Mr. Bartlett's meaning was the conventional one, that all women were hysterical, not some more than others. Uncle Mo felt that his position was insecure; and that he had better retire from it. Noises, he conceded, was usually nothing at all; but he had thought he would mention them, in this case.

Mr. Bartlett professed himself sincerely obliged to all persons who would mention noises, in spite of their equivocal claims to existence. It might save a lot of trouble in the end, and you never knew. As soon as he had a half an hour to spare he would give attention. Till Tuesday he was pretty well took up. No one need fidget himself about the noises he mentioned; least of all need the landlord be communicated with, as he was not a Practical Man, but in Independent Circumstances. Moreover, he lived at Brixton.

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Chapter XXVIII

OF A RAID ON DOLLY'S GARDEN. THAT YOUNG DRUITT'S BEHAVIOUR TO HIS SISTER. MR. RAGSTROAR'S ACCIDENT, AND HIS MOKE. HOW THE TWO LADIES CAME AT LAST. LADY GWENDOLEN RIVERS, AND HOW DOLLY GOT ON HER LAP. HOW DAVE WENT UPSTAIRS TO GET HIS LETTER. HOW MRS. PRICHARD HAD TAKEN MRS. MARROWBONE TO HEART, AND VICE VERSA. HOW DOLLY GOT A LOCK OF GWEN'S HAIR, AND VICE VERSA. HOW DAVE DELAYED AND DOLLY AND GWEN WENT TO FETCH HIM. A REMARKABLE SOUND. THEN GOD-KNOWS-WHAT, OUTSIDE!

An effort of horticulture was afoot in the front-garden of No. 7, Sapps Court. Dave Wardle and Dolly were engaged in an attempt to remedy a disaster that had befallen the Sunflower. There was but one--the one that had been present when Uncle Mo was adjusting that door-chain.

Its career had been cut short prematurely. For a boy had climbed up over the end wall of those gardens acrost the Court, right opposite to where it growed; and had all but cut through the stem, when he was cotched in the very act by Michael Ragstroar. That young coster's vigorous assertion of the rights of property did a man's heart good to see, nowadays. The man was Uncle Mo, who got out of the house in plenty of time to stop Michael half-murdering the marauder, as soon as he considered the latter had had enough, he being powerfully outclassed by the costermonger boy. Why, he was only one of them young Druitts, when all was said and done! Michael felt no stern joy in him--a foeman not worth licking, on his merits. But the knife that he left behind, with a buckhorn handle, was a fizzing knife, and was prized in after-years by Michael.

The Wardle household had gone into mourning for the Sunflower. Was it not the same Sunflower as last year, reincarnated? Dolly sat under it, shedding tears. Uncle Mo showed ignorance of gardening, saying it might grow itself on again if you giv' it a chance; not if you kep' on at it like that. Dave disagreed with this view, but respectfully. His Hospital experience had taught him the use of ligatures; and he kept on at it, obtaining from Mrs. Burr a length of her wide toyp to tie it in position. If limbs healed up under treatment, why not vegetation? The operator was quite satisfied with his handiwork.

In fact, Dave and Dolly both foresaw a long and prosperous life for the flower. They rejected Aunt M'riar's suggestion, that it should be cut clear off and stood in water, as a timid compromise--a stake not worth playing for. And Michael Ragstroar endorsed the flattering tales Hope told, citing instances in support of them derived from his own experience, which appeared to have been exceptional. As, for instance, that over-supplies of fruit at Covent Garden were took back and stuck on the stems again, as often as not. "I seen 'em go myself," said he. "'Ole cartloads!"

"Hark at that unblushing young story!" said Aunt M'riar, busy in the kitchen, Michael being audible without, lying freely. "He'll go on like that till one day it'll surprise me if the ground don't open and swallow him up."

But Uncle Mo had committed himself to an expression of opinion on the vitality of vegetables. He might condemn exaggeration, but he could scarcely repudiate a principle he had himself almost affirmed. He took refuge in obscurity. "'Tain't for the likes of us, M'riar," said he, shaking his head profoundly, "to be sayin' how queer starts there mayn't be. My jiminy!--the things they says in lecters, when they gets the steam up!" He shook his head a little quicker, to recover credit for a healthy incredulity, and arranged a newspaper he was reading against difficulties, to gain advantages of position and a better discrimination of its columns.

"If it was the freckly one with the red head," said Aunt M'riar, referring back to the fracas of the morning, "all I can say is, I'm sorry you took Micky off him." From which it appeared that this culprit was not unknown. Indeed, Aunt M'riar was able to add that Widow Druitt his mother couldn't call her soul her own for that boy's goings on.

"He'd got a tidy good punishing afore I got hold of the scruff of my man's trousers," said Uncle Mo, who seemed well contented with the culprit's retribution; and, of course, he knew. "Besides," he added, "he had to get away over them bottles." That is to say, the wall-top, bristling with broken glass. Humanity had paved the way for the enemy's retreat. Uncle Mo added inquiry as to how the freckly one's behaviour to his family had come to the knowledge of Sapps Court.

"You can see acrost from Mrs. Prichard's. He do lead 'em all a life, that boy! Mrs. Burr she saw him pour something down his sister's back when she was playing scales. Ink, she says, by the look. But, of course, it's a way off from here, over to Mrs. Druitt's."

"Oh--she's the one that plays the pyanner. Same tune all through--first up, then down! Good sort of tune to go to sleep to!"

"'Tain't a tune, Mo. It's scales. She's being learned how. One day soon she'll have a tune to play. An easy tune. Mrs. Prichard says she could play several tunes before she was that girl's age. Then she hadn't no brother to werrit her. I lay that made a difference." Aunt M'riar went on to mention other atrocities ascribed by Mrs. Burr to the freckly brother. His behaviour to his musical sister had, indeed, been a matter of serious concern to the upstairs tenants, whose window looked directly upon the back of Mrs. Druitt's, who took in lodgers in the main street where Dave had met with his accident.

The boy Michael was suffering from enforced leisure on the day of this occurrence, as his father's cart had met with an accident, and was under repair. Its owner had gone to claim compensation personally from the butcher whose representative had ridden him down; not, he alleged, by misadventure, but from a deep-rooted malignity against all poor but honest men struggling for a livelihood. No butcher, observe, answers this description. Butchers are a class apart, whose motives are extortion, grease, and blood. They wallow in the last with joy, and practise the first with impunity. If they can get a chance to run over you, they'll do it! Trust them for that! Nevertheless, so hopeless would this butcher's case be if his victim went to a lawyer, that it was worth having a try at it afore he done that--so Mr. Rackstraw put it, later. Therefore, he had this afternoon gone to High Street, Clapham, to apply for seven pun' thirteen, and not take a penny less. Hence his son's ability to give attention to local matters, and a temporary respite to his donkey's labours in a paddock at Notting Hill. As for Dave, and for that matter the freckly boy, it was not term-time with them, for some reason. Dave was certainly at home, and was bidden to pay a visit to Mrs. Prichard in the course of the afternoon, if those lady-friends of his whom he met in the street yesterday did not come to pay him a visit. It was not very likely they would, but you never could tell. Not to place reliance!

Uncle Mo kept looking at his watch, and saying that if this here lady meant to turn up, she had better look alive. Being reproved for impatience by Aunt M'riar, he said very good, then--he'd stop on to the hour. Only it was no use runnin' through the day like this, and nothing coming of it, as you might say. This was only the way he preferred of expressing impatience for the visit. It is a very common one, and has the advantages of concealing that impatience, putting whomsoever one expects in the position of an importunate seeker of one's society, and suggesting that one is foregoing an appointment in the City to gratify him. Uncle Mo did unwisely to tie himself to the hour, as he became thereby pledged to depart, he having no particular wish to do so, and no object at all in view.

But he was not to be subjected to the indignity of a recantation. As the long hand of his watch approached twelve, and he was beginning to feel on the edge of an embarrassment, Dave left off watering the Sunflower, and ran indoors with the news that there were two ladies coming down the Court, one of whom was Sister Nora, and the other "the other lady." Dave's conscience led him into a long and confused discrimination between this other lady and the other other lady, who had shared with her the back-seat in that carriage yesterday. It was quite unimportant which of the two had come, both being unknown to Dave's family. Moreover, there was no time for the inventory of their respective attributes Dave wished to supply. He was still struggling with a detail, in an undertone lest it should transpire in general society, when he found himself embraced from behind, and kissed with appreciation. He had not yet arrived at the age when one is surprised at finding oneself suddenly kissed over one's shoulder by a lady. Besides, this was his old acquaintance, whom he was delighted to welcome, but who made the tactical mistake of introducing "the other lady" as Lady Gwendolen Rivers. Stiffness might have resulted, if it had not been for the conduct of that young lady, which would have thawed an iceberg. It was not always thus with her; but, when the whim was upon her, she was irresistible.

"I know what Dave was saying to you when we came in, Mr. Wardle," said she, after capturing Dolly to sit on her knee, and coming to an anchor. "He was telling you exactly what his friend had said to him about me. He was Micky. I've heard all about Micky. This chick's going to tell me what Micky said about me. Aren't you, Dolly?" She put Dolly at different distances, ending with a hug and a kiss, of which Dolly reciprocated the latter.

Dolly would have embarked at once on a full report, if left to herself. But that unfortunate disposition of Aunt M'riar's to godmother or countersign the utterances of the young, very nearly nipped her statement in the bud. "There now, Dolly dear," said the excellent woman, "see what the lady says!--you're to tell her just exactly what Micky said, only this very minute in the garden." Which naturally excited Dolly's suspicion, and made her impute motives. She retired within herself--a self which, however, twinkled with a consciousness of hidden knowledge and a resolution not to disclose it.

Gwen's tact saved the position. "Don't you tell them, you know--only me! You whisper it in my ear.... Yes--quite close up, like that." Dolly entered into this with zest, the possession of a secret in common with this new and refulgent lady obviously conferring distinction.

Sister Nora--not otherwise known to Sapps Court--was resuming history during the past year for the benefit of Uncle Mo. She had seen nothing of Dave, or, indeed, of London, since October; till, yesterday, when she got back from Scotland, whom should she see before she had been five minutes out of the station but Dave himself! Only she hardly knew him, his face was so black. Here Uncle Mo and Aunt M'riar shook penitential heads over his depravity. Sister Nora paid a passing tribute to the Usages of Society, which rightly discourage the use of burnt cork on the countenance, and proceeded. She had heard of him, though, having paid a visit to Widow Thrale in the country, where he got well after the Hospital.

This was a signal for Dave to find his voice, and he embarked with animation on a variegated treatment of subjects connected with his visit to the country. A comparison of his affection for Widow Thrale and Granny Marrable, with an undisguised leaning to the latter; a reference to the lady with the rings, her equipage, and its driver's nose; Farmer Jones's bull, and its untrustworthy temper; the rich qualities of duckweed; the mill-model on the mantelshelf, and individualities of his fellow-convalescents. This took time, although some points were only touched lightly.

Possibly Uncle Moses thought it might prove prolix, as he said:--"If I was a young shaver now, and ladies was to come to see me, I should get a letter I was writing, to show 'em." The delicacy and tact with which this suggestion was offered was a little impaired by Aunt M'riar's:--"Yes, now you be a good boy, Dave, and ..." and so forth.

Many little boys would not have been so magnanimous as Dave, and would have demurred or offered passive resistance. Dave merely removed Sister Nora's arm rather abruptly from his neck, saying:--"Storp a minute!" and ran up the stairs that opened on the kitchen where they were sitting. There was more room there than in the little parlour.

Uncle Moses explained:--"You see, ladies, this here young Dave, for all he's getting quite a scholar now, and can write any word he can spell, yet he don't take to doing it quite on his own hook just yet a while. So he gets round the old lady upstairs, for to let him set and write at her table. Then she can tip him a wink now and again, when he gets a bit fogged."

"That's Mrs. Picture," said Gwen, interested. But she did not speak loud enough to invite correction of her pronunciation of the name, and Sister Nora merely said:--"That's her!" and nodded. Dolly at once launched into a vague narrative of a misadventure that had befallen her putative offspring, the doll that Sister Nora had given her last year. Struvvel Peter had met with an accident, his shock head having got in a candle-flame in Mrs. Picture's room upstairs, so that he was quite smooth before he could be rescued. The interest of this superseded other matter.

"Davy he's a great favourite with the ladies," said Uncle Mo, as Struvvel Peter subsided. "He ain't partic'lar to any age. Likes 'em a bit elderly, if anythin', I should say." He added, merely to generalise the conversation, and make talk:--"Now this here old lady in the country she's maybe ten years younger than our Mrs. Prichard, but she's what you might call getting on in years."

"Prichard," said Gwen, for Sister Nora's ear. "I thought it couldn't be Picture."

"Prichard, of course! How funny we didn't think of it--so obvious!"

"Very--when one knows! I think I like Picture best."

Aunt M'riar, not to be out of the conversation, took a formal exception to Uncle Mo's remark:--"The ladies they know how old Old Mrs. Marrable in the country is, without your telling of 'em, Mo."

"Right you are, M'riar! But they don't know nothing about old Mrs. Prichard." Uncle Mo had spoken at a guess of Mrs. Marrowbone's age, of which he knew nothing. It was a sort of emulation that had made him assess his old lady as the senior. He felt vulnerable, and changed the conversation. "That young Squire's taking his time, M'riar. Supposin' now I was just to sing out to him?"

But both ladies exclaimed against Dave being hurried away from his old lady. Besides, they wanted to know some more about her--what sort of classification hers would be, and so on. There were stumbling-blocks in this path. Better keep clear of classes--stick to generalities, and hope for lucky chances!

"What made Dave think the old souls so much alike, Mrs. Wardle?" said Sister Nora. "Children are generally so sharp to see differences."

"It was a kind of contradictiousness, ma'am, no better I do think, merely for to set one of 'em alongside the other, and look at." Aunt M'riar did not really mean contradictiousness, and can hardly have meant contradistinction, as that word was not in her vocabulary. We incline to look for its origin in the first six letters, which it enjoys in common with contrariwise and contrast. This, however, is Philology, and doesn't matter. Let Aunt M'riar go on.

"Now just you think how alike old persons do get, by reason of change. 'Tain't any fault of their own. Mrs. Prichard she's often by way of inquiring about Mrs. Marrowbone, and I should say she rather takes her to heart."

"How's that, Mrs. Wardle? Why 'takes her to heart'?" A joint question of the ladies.

"Well--now you ask me--I should say Mrs. Prichard she wants the child all to herself." Aunt M'riar's assumption that this inquiry had been made without suggestion on her own part was unwarranted.

"I'll tell you, ladies," said Uncle Mo, rolling with laughter. "The old granny's just as jealous as any schoolgirl! She's that, and you may take my word for it." He seemed afraid this might be interpreted to Mrs. Prichard's disadvantage; for he added, recovering gravity:--"Not that I blame her for it, mind you!"

"Do you hear that, Gwen?" said Sister Nora. "Mrs. Picture's jealous of Granny Marrowbone.... I must tell you about that, Mrs. Wardle. It's really as much as one's place is worth to mention Mrs. Prichard to Mrs. Marrable. I assure you the old lady believes I-don't-know-what about her--thinks she's a wicked old witch who will make the child as bad as herself! She does, indeed! But then, to be sure, Goody Marrable thinks everyone is wicked in London.... What's that, Gwen?"

"We want a pair of scissors, Dolly and I do. Do give us a pair of scissors, Aunt Maria.... Yes, go on, Clo. I hear every word you say. How very amusing!... Thank you, Aunt Maria!" For Gwen and Dolly had just negotiated an exchange of locks of hair, which had distracted the full attention of the former from the conversation. She had, however, heard enough to confirm a half-made resolution not to leave the house without seeing Mrs. Prichard.

"Ass! Vis piece off vat piece," says Dolly, making a selection from the mass of available gold, which Gwen snips off ruthlessly.

"Well!" says Aunt M'riar, with her usual record of inexperience of childhood. "I never, never did, in all my christened days!"

"Quip off a bid, bid piece with the fidders," says Dolly, delighted at the proceeding. "A bid piece off me at the vethy top." The ideal in her mind is analogous to the snuffing of a candle. A lock of a browner gold than the one she gives it for is secured--big enough, but not what she had dreamed of.

Uncle Mo was seriously concerned at Dave's prolonged absence. Not that he anticipated any mishap!--it was only a question of courtesy to visitors. Supposing Aunt M'riar was to go up and collar Dave and fetch him down, drastically! Uncle Mo always shirked stair-climbing, partly perhaps because he so nearly filled the stairway. He overweighted the part, aesthetically.

Gwen perceived her opportunity. "Please do nothing of the sort, Aunt Maria," said she. "Look here! Dolly and I are going up to fetch him. Aren't we, Dolly?"

It would have needed presence of mind to invent obstacles to prevent this, and neither Uncle Mo nor Aunt M'riar showed it, each perhaps expecting Action on the other's part. Moreover, Dolly's approval took such a tempestuous form that opposition seemed useless. Besides, there was that fatal assurance about Gwen that belongs to young ladies who have always had their own way in everything. It cannot be developed in its fulness late in life.

Aunt M'riar's protest was feeble in the extreme. "Well, I should be ashamed to let a lady carry me! That I should!" If Aunt M'riar had known the resources of the Latin tongue, she might have introduced the expression ceteris paribus. No English can compass that amount of slickness; so her speech was left crude.

Uncle Mo really saw no substantial reason why this beautiful vision should not sweep Dolly upstairs, if it pleased her. He may have felt that a formal protest would be graceful, but he could not think of the right words. And Aunt M'riar had fallen through. Moreover, his memory was confident that he had left his bedroom-door shut. As to miscarriage of the expedition into Mrs. Prichard's territory, he had no misgiving.

Miss Grahame was convinced that the incursion would have better results if she left it to its originator, than if she encumbered it with her own presence. After all, the room could be no larger than the one she sat in, and might be smaller. Anyhow, they could get on very well without her for half an hour. And she wanted a chat with Dave's guardians; she did not really know them intimately.

"The two little ones must be almost like your own children to you, Mr. Wardle," said she, to broach the conversation.

"Never had any, ma'am," said Uncle Mo, literal-minded from constitutional good-faith.

"If you had had any was what I meant." Perhaps the reason Miss Grahame's eye wandered after Aunt M'riar, who had followed Gwen and Dolly--to "see that things were straight," she said--was that she felt insecure on a social point. Uncle Mo's eye followed hers.

"Nor yet M'riar," said he, seeing a precaution necessary. "Or perhaps I should say one. Not good for much, though! Born dead, I believe--years before ever my brother married her sister. Never set eyes on M'riar's husband! Name of Catchpole, I believe.... That's her coming down." He raised his voice, dropped to say this, as she came within hearing:--"Yes--me and M'riar we share 'em up, the two young characters, but we ain't neither of us their legal parents. Not strickly as the Law goes, but we've fed upon 'em like, in a manner of speaking, from the beginning, or nigh upon it. Little Dave, he's sort of kept me a-going from the early days, afore we buried his poor father--my brother David, you see. He died down this same Court, four year back, afore little Dolly was good for much, to look at.... They all right, M'riar?"

"They're making a nice racket," said Aunt M'riar. "So I lay there ain't much wrong with them." She picked up a piece of work to go on with, and explored a box for a button to meet its views. Evidently a garment of Dolly's. Probably this was a slack season for the higher needlework, and the getting up of fine linen was below par.

Uncle Mo resumed:--"So perhaps you're right to put it they are like my own children, and M'riar's." He was so chivalrously anxious not to exclude his co-guardian from her rights that he might have laid himself open to be misunderstood by a stranger. Miss Grahame understood him, however. So she did, thoroughly, when he went on:--"I don't take at all kindly, though, to their growing older. Can't be helped, I suppose. There's a many peculiar starts in this here world, and him as don't like 'em just has to lump 'em. As I look at it, changes are things one has to put up with. If we had been handy when we was first made, we might have got our idears attended to, to oblige. Things are fixtures, now."

Miss Grahame laughed, and abstained consciously from referring to the inscrutable decrees of Providence which called aloud for recognition. "Of course, children shouldn't grow," she said. "I should like them to remain three, especially the backs of their necks." Uncle Mo's benevolent countenance shone with an unholy cannibalism, as he nodded a mute approval. There was something very funny to his hearer in this old man's love of children, and his professional engagements of former years, looked at together.

Aunt M'riar took the subject au serieux. "Now you're talking silly, Mo," she said. "If the children never grew, where would the girls be? And a nice complainin' you men would make then!"

Miss Grahame made an effort to get away from abstract Philosophy. "I'm afraid it can't be helped now, anyhow," said she. "Dave is growing, and means to be a man. Oh dear--he'll be a man before we know it. He'll be able to read and write in a few months."

Uncle Mo's face showed a cloud. "Do ye really think that, ma'am?" he said. "Well--I'm afeared you may be right." He looked so dreadfully downcast at this, that Miss Grahame was driven to the conclusion that the subject was dangerous.

She could not, however, resist saying:--"He must know some time, you know, Mr. Wardle. Surely you would never have Dave grow up uneducated?"

"Not so sure about that, ma'am!" said Uncle Mo, shaking a dubious head. "There's more good men spiled by schoolmasters than we hear tell of in the noospapers." What conspiracy of silence in the Press this pointed at did not appear. But it was clear from the tone of the speaker that he thought interested motives were at the bottom of it.

Now Miss Grahame was said by critical friends--not enemies; at least, they said not--to be over-anxious to confer benefits of her own selection on the Human Race. Her finger-tips, they hinted, were itching to set everyone else's house in order. Naturally, she had a strong bias towards Education, that most formidable inroad on ignorance of what we want to know nothing about. Uncle Mo regarded the human mind, if not as a stronghold against knowledge, at least as a household with an inalienable right to choose its guests. Miss Grahame was in favour of invitations issued by the State, and vise'd by the Church. Everything was to be correct, and sanctioned. But it was quite clear to her that these views would not be welcome to the old prizefighter, and she was fain to be content with the slight protest against Obscurantism just recorded. In short, Miss Grahame found nothing to say, and the subject had to drop.

She could, however, lighten the air, and did so. "What on earth are they about upstairs?" said she. "I really think I might go up and see." And she was just about to do so, with the assent of Aunt M'riar, when the latter said suddenly:--"My sakes and gracious! What's that?" rather as though taken aback by something unaccountable than alarmed by it.

Uncle Mo listened a moment, undisturbed; then said, placidly:--"Water-pipes, I should say." For in a London house no sound, even one like the jerk of a stopped skid on a half-buried boulder, is quite beyond the possible caprice of a choked supply-pipe.

Miss Grahame would have accepted the sound as normal, with some reservation as to the strangeness of everyday noises in this house, but for Aunt M'riar's exclamation, which made her say:--"Isn't that right?"

It was not, and the only human reply to the question was a further exclamation from Aunt M'riar--one of real alarm this time--at a disintegrating cracking sound, fraught with an inexplicable sense of insecurity. "That ain't water-pipes," said Uncle Mo.

Then something--something terrifying--happened in the Court outside. Something that came with a rush and roar, and ended in a crash of snapping timber and breaking glass. Something that sent a cloud of dust through the shivered window-panes into the room it darkened. Something that left behind it no sound but a sharp cry for help and moaning cries of pain, and was followed by shouts of panic and alarm, and the tramp of running feet--a swift flight to the spot of helpers who could see it without, the thing that had to be guessed by us within. Something that had half-beaten in the door that Uncle Mo, as soon as sight was possible, could be seen wrenching open, shouting loudly, inexplicably:--"They are underneath--they are underneath!"

Who were underneath? The children? And underneath what?

A few seconds of dumb terror seemed an age to both women. Then, Gwen on the stairs, and her voice, with relief in its ring of resolution. "Don't talk, but come up at once! The old lady must be got down, somehow! Come up!" A consciousness of Dolly crying somewhere, and of Dave on the landing above, shouting:--"Oy say, oy say!" more, Miss Grahame thought, as a small boy excited than one afraid; and then, light through the dust-cloud. For Uncle Mo, with a giant's force, had released the jammed door, and a cataract of brick rubbish, falling inwards, left a gleam of clear sky to show Gwen, beckoning them up, none the less beautiful for the tension of the moment, and the traces of a rough baptism of dust.

What was it that had happened?

Spotted a typo or a problem in this chapter? Tell us

Chapter XXIX

OF A LADY AND GENTLEMAN ON THE EDGE OF A LONG VOYAGE TOGETHER. SHALL THEY TAKE THE TICKETS? HOW MR. PELLEW HEARD SEVERAL CLOCKS STRIKE ONE. HOW HE CALLED NEXT DAY, AND HEARD ABOUT THE CHOBEY FAMILY. THE PROFANITY OF POETS, WHEN PROFANE. HOW MR. PELLEW SOMETIMES WENT TO CHURCH. THE POPULAR SUBJECT OF LOVE, IN THE END. MRS. AMPHLETT STARFAX'S VIEWS. KISSING FROM A NEW STANDPOINT. HOW MR. PELLEW FORGOT, OR RECOLLECTED, HIMSELF. BONES, BELOW, AND HIS BAD GUESSING. HOW THE CARRIAGE CAME BACK WITH A FRIEND IT HAD PICKED UP, WHOM MR. PELLEW CARRIED UPSTAIRS. UNEQUIVOCAL SIGNS OF AN ATTACHMENT WHICH

Had Gwen really been able to see to the bottom of her cousin's, the Hon. Percival's mind, she might not have felt quite so certain about his predispositions towards her adopted aunt. The description of these two as wanting to rush into each other's arms was exaggerated. It would have been fairer to say that Aunt Constance was fully prepared to consider an offer, and that Mr. Pellew was beginning to see his way to making one.

The most promising feature in the lady's state of mind was that she was formulating consolations, dormant now, but actively available if by chance the gentleman did not see his way. She was saying to herself that if another flower attracted this bee, she herself would thereby only lose an admirer with a disposition--only a slight one perhaps, but still undeniable--to become corpulent in the course of the next few years. She could subordinate her dislike of smoking so long as she could suppose him ever so little in earnest; but, if he did waver by any chance, what a satisfaction it would be to dwell on her escape from--here a mixed metaphor came in--the arms of a tobacco shop! She could shut her eyes, if she was satisfied of the sincerity of a redeeming attachment to herself, to all the contingencies of the previous life of a middle-aged bachelor about town; but they would no doubt supply a set-off to his disaffection, if that was written on the next page of her book of Fate. In short, she would be prepared in that case to accept the conviction that she was well rid of him. But all this was subcutaneous. Given only the one great essential, that he was not merely philandering, and then neither his escapades in the past, nor his cigars, nor even his suggestions towards a corporation, would stand in the way of a whole-hearted acceptance of a companion for life who had somehow managed to be such a pleasant companion during that visit at the Towers. At least, she would be better off than her four sisters. For this lady had a wholesome aversion for her brothers-in-law, tending to support the creed which teaches that the sacrament of marriage makes of its votaries, or victims, not only parties to a contract, but one flesh, and opens up undreamed-of possibilities of real fraternal dissension.

The gentleman, on the other hand, was in what we may suppose to be a corresponding stage of uncertainty. He too was able to perceive, or affect a perception, that, after all, if he came to the scratch and the scratch eventuated--as scratches do sometimes--in a paralysis of astonishment on the lady's part that such an idea should ever have entered into the applicant's calculations, it wouldn't be a thing to break his heart about exactly. He would have made rather an ass of himself, certainly. But he was quite prepared not to be any the worse.

This was, however, not subcutaneous, with him. He said it to himself, quite openly. His concealment of himself from himself turned on a sort of passive resistance he was offering to a growing reluctance to hear a negative to his application. He was, despite himself, entertaining the question:--Was this woman whom he had been assessing and wavering over, more masculino, conceivably likely to reject him on his merits? Might she not say to him:--"I have seen your drift, and found you too pleasant an acquaintance to condemn offhand. But now that you force me to ask myself the question, 'Can I love you?' you leave me no choice but to answer, 'I can't.'" And he was beginning to have a misgiving that he would very much rather that that scratch, if ever he came to it, should end on very different lines from this. All this, mind you, was under the skin of his reflections.

As he walked away slowly in the moonlight, with the appointment fresh in his mind to return next day on a shallow archaeological pretext, he may have been himself at a loss for his reason for completing a tour of the square, and pausing to look up at the house before making a definite start for his Club, or his rooms in Brook Street. Was any reason necessary, beyond the fineness of the night? He had an indisputable right to walk round Cavendish Square without a reason, and he exercised it. He rather resented the policeman on his beat saying goodnight to him, as though he were abnormal, and walked away in the opposite direction from that officer, who was searchlighting areas for want of something to do, with an implication of profound purpose. He decided on loneliness and a walk exactly the length of a cigar, throwing its last effort to burn his fingers away on his doorstep. He carried the animation of his thoughts on his face upstairs to bed with him, for it lasted through a meditation at an open window, through a chorus of cats about their private affairs, and the usual controversy about the hour among all the town-clocks, which becomes embittered when there is only one hour to talk about, and compromise is impossible. Mr. Pellew heard the last opinion and retired for the night at nine minutes past. But he first made sure that that Quarterly Review was in evidence, and glanced at the Egyptian article to confirm his impression of the contents. They were still there. He believed all his actions were sane and well balanced, but this was credulity. One stretches a point sometimes, to believe oneself reasonable.

It was a model September afternoon--and what can one say more of weather?--when at half-past three precisely Mr. Pellew's hansom overshot the door of 102, Cavendish Square, and firmly but amiably insisted on turning round to deposit its fare according to the exact terms of its contract. Its proprietor said what he could in extenuation of its maladroitness. They shouldn't build these here houses at the corners of streets; it was misguiding to the most penetrating intellect. He addressed his fare as Captain, asking him to make it another sixpence. He had been put to a lot of expense last month, along of the strike, and looked to the public to make it up to him. For the cabbies had struck, some weeks since, against sixpence a mile instead of eightpence. Mr. Pellew's heart was touched, and he conceded the other sixpence.

There at the door was Miss Grahame's open landaulet, and there were she and Gwen in it, just starting to see the former's little boy. That was how Dave was spoken of, at the risk of creating a scandal. They immediately lent themselves to a gratuitous farce, having for its object the liberation of Mr. Pellew and Miss Dickenson from external influence.

"Constance was back, wasn't she?" Thus Miss Grahame; and Gwen had the effrontery to say she was almost certain, but couldn't be quite sure. If she wasn't there, she would have to go without that pulverised Pharaoh, as Sir Somebody Something's just yearnings for his Quarterly were not to be made light of. "Don't you let Maggie take the book up to her, Percy. You go up in the sitting-room--you know, where we were playing last night?--and if she doesn't turn up in five minutes don't you wait for her!" Then the two ladies talked telegraphically, to the exclusion of Mr. Pellew, to the effect that Aunt Constance had only gone to buy a pair of gloves in Oxford Street, and was pledged to an early return. The curtain fell on the farce, and a very brief interview with Mary at the door ended in Mr. Pellew being shown upstairs, without reservation. So he and Aunt Constance had the house to themselves.

To do them justice, the attention shown to the covering fiction of the book-loan was of the very smallest. It could not be ignored altogether; so Miss Dickenson looked at the article. She did not read a word of it, but she looked at it. She went further, and said it was interesting. Then it was allowed to lie on the table. When the last possible book has been printed--for even Literature must come to an end some time, if Time itself does not collapse--that will be the last privilege accorded to it. It will lie on the table, while all but a few of its predecessors will stand on a bookshelf.

"It's quite warm out of doors," said Mr. Pellew.

"Warmer than yesterday, I think," said Miss Dickenson. And then talk went on, stiffly, each of its contribuents execrating its stiffness, but seeing no way to relaxation.

"Sort of weather that generally ends in a thunderstorm."

"Does it? Well--perhaps it does."

"Don't you think it does?"

"I thought it felt very like thunder an hour ago."

"Rather more than an hour ago, wasn't it?"

"Just after lunch--about two o'clock."

"Dessay you're right. I should have said a quarter to." Now, if this sort of thing had continued, it must have ended in a joint laugh, and recognition of its absurdity. Aunt Constance may have foreseen this, inwardly, and not been prepared to go so fast. For she accommodated the conversation with a foothold, partly ethical, partly scientific.

"Some people feel the effect of thunder much more than others. No doubt it is due to the electrical condition of the atmosphere. Before this was understood, it was ascribed to all sorts of causes."

"I expect it's nerves. Haven't any myself! Rather like tropical storms than otherwise."

Here was an opportunity to thaw the surface ice. The lady could have done it in an instant, by talking to the gentleman about himself. That is the "Open Sesame!" of human intercourse. She preferred to say that in their village--her clan's, that is--in Dorsetshire, there was a sept named Chobey that always went into an underground cellar and stopped its ears, whenever there was a thunderstorm.

Mr. Pellew said weakly:--"It runs in families." He had to accept this one as authentic, but he would have questioned its existence if anonymous. He could not say:--"How do you know?" to an informant who could vouch for Chobey. Smith or Brown would have left him much freer. The foothold of the conversation was giving way, and a resolute effort was called for to give it stability. Mr. Pellew thought he saw his way. He said:--"How jolly it must be down at the Towers--day like this!"

"Perfectly delicious!" was the answer. Then, in consideration of the remoteness of mere landscape from personalities, it was safe to particularise. "I really think that walk in the shrubbery, where the gentian grew in such quantity, is one of the sweetest places of the kind I ever was in."

"I know I enjoyed my ..." Mr. Pellew had started to say that he enjoyed himself there. He got alarmed at his own temerity and backed out ... "my cigars there," said he. A transparent fraud, for the possessive pronoun does not always sound alike. "My," is one thing before "self," another before "cigars." Try it on both, and see. Mr. Pellew felt he was detected. He could slur over his blunder by going straight on; any topic would do. He decided on:--"By-the-by, did you see any more of the dog?"

"Achilles? He went away, you know, with Mr. Torrens and his sister, a few days after."

"I meant that. Didn't you say something about seeing him with the assassin--the old gamekeeper--what was his name?"

"Old Stephen Solmes? Yes. I saw them walking together, apparently on the most friendly terms. Gwen told me afterwards. They were walking towards his cottage, and I believe Achilles saw him safe home, and came back."

"Just so. Torrens told me about the dog when old Solmes came to say good-bye to him, and do a little more penance in sackcloth and ashes. I am using Torrens's words. The old chap made a scene--went down on his knees and burst out crying--and the dog tried to console him. Torrens seemed quite clear about what was passing in the dog's mind."

"What did he say the dog meant? Can you remember?" Miss Dickenson was settling down to chat, perceptibly.

"Pretty well. Achilles had wished to say that he personally, so far from finding fault with Mr. Solmes for trying to shoot him, fully recognised that he drew trigger under a contract to do so, given circumstances which had actually come about. He would not endeavour to extenuate his own conduct, but submitted that he was entitled to a lenient judgment, on the ground that a hare, the pursuit of which was the indirect cause of the whole mishap, had jumped up from behind a stone.... Well--I suppose I oughtn't to repeat all a profane poet thinks fit to say...."

"Please do! Never mind the profanity!" It really was a stimulus to the lady's curiosity.

Mr. Pellew repeated the apology which the collie's master had ascribed to him. Achilles had only acted in obedience to Instincts which had been Implanted in him in circumstances for which he was not responsible, and which might, for anything he knew, have been conceived in a spirit of mischief by the Author of all Good. This levity was stopped by a shocked expression on the lady's face. "Well," said the gentleman, "you mustn't blow me up, Miss Dickenson. I am only repeating, as desired, the words of a profane poet. He had apologized, he told me, for what he said, when his sister boxed his ears."

"Serve him right. But what was his apology?"

"That he owed it to Achilles, who was unable to speak for himself, to lay stress on what he conceived to be the dog's Manichaean views, which he had been most unwillingly forced to infer from his practice of suddenly barking indignantly at the Universe, in what certainly seemed an unprayerful spirit."

"It was only Mr. Torrens's nonsense. He wanted to blaspheme a little, and jumped at the opportunity. They are all alike, Poets. Look at Byron and Shelley!"

Mr. Pellew, for his own purposes no doubt, managed here to insinuate that he himself was not without a reverent side to his character. These fillahs were no doubt the victims of their own genius, and presumably Mr. Torrens was a bird of the same feather. He himself was a stupid old-fashioned sort of fillah, and couldn't always follow this sort of thing. It was as delicate a claim as he could make to sometimes going to Church on Sunday, as was absolutely consistent with Truth.

To his great relief, Miss Dickenson did not catechize him closely about his religious views. She only remarked, reflectively and vaguely:--"One hardly knows what to think. Anyone would have said my father was a religious man, and what does he do but marry a widow, less than three years after my mother's death!"

Certainly the coherency of this speech was not on its surface. But Mr. Pellew accepted it contentedly enough. At least, it clothed him with some portion of the garb of a family friend; say shoes or gloves, not the whole suit. Whichever it was, he pulled them on, and felt they fitted. He began to speak, and stopped; was asked what he was going to say, and went on, encouraged:--"I was going to say, only I pulled up because it felt impertinent...."

"Not to me! Please tell me exactly!"

"I was going to ask, how old is your father? Is he older than me?"

"Why, of course he is! I'm thirty-six. How old are you? Tell the truth!" At this exact moment a funny thing happened. The passee elderly young lady vanished--she who had been so often weighed, found wanting, and been put back in the balance for reconsideration. She vanished, and a desirable alter ego--Mr. Pellew's, as he hoped--was looking across at him from the sofa by the window, swinging the tassel of the red blind that kept the sun in check, and hushed it down to a fiery glow on the sofa's occupant waiting to know how old he was.

"I thought I had told you. Nearly forty-six."

"Very well, then! My father is five-and-twenty years your senior."

"If you had to say exactly why you dislike your father's having married again, do you think you could?"

"Oh dear, no! I'm quite sure I couldn't. But I think it detestable for all that."

"I'm not sure that you're right. You may be, though! Are you sure it hasn't something to do with the ... with the party he's married?"

"Not at all sure." Dryly.

"Can't understand objecting to a match on its own account. It's always something to do with the outsider that comes in--the one one knows least of."

"You wouldn't like this one." It may seem inexplicable, that these words should be the cause of the person addressed taking the nearest chair to the speaker, having previously been a nomad with his thumbs in the armholes of his waistcoat. Close analysis may connect the action with an extension of the family-friendship wardrobe, which it may have recognised--a neckcloth, perhaps--and may be able to explain why it seemed doubtful form to the Hon. Percival to keep his thumbs in those waistcoat-loops. To us, it is perfectly easy to understand--without any analysis at all--why, at this juncture, Miss Dickenson said:--"I suppose you know you may smoke a cigarette, if you like?"

In those days you might have looked in tobacconist's shopwindows all day and never seen a cigarette. It was a foreign fashion at which sound smokers looked askance. Mossoos might smoke it, but good, solid John Bull suspected it of being a kick-shaw not unconnected with Atheism. He stuck to his pipe chiefly. Nevertheless, it was always open to skill to fabricate its own cigarettes, and Mr. Pellew's aptitude in the art was known to Miss Dickenson. The one he screwed up on receipt of this licence was epoch-making. The interview had been one that was going to last a quarter of an hour. This cigarette made its duration indeterminate. Because a cigarette is not a cigar. The latter is like a chapter in a book, the former like a paragraph. At the chapter's end vacant space insists on a pause for thought, for approval or condemnation of its contents. But every paragraph is as it were kindled from the last sentence of its predecessor; as soon as each ends the next is ready. The reader aloud is on all fours with the cigarette-smoker. He doesn't always enjoy himself so much, but that is neither here nor there.

It was not during the first cigarette that Mr. Pellew said to Aunt Constance:--"Where is it they have gone to-day, do you know?" That first one heard, if it listened, all about the lady's home in Dorsetshire and her obnoxious stepmother. It may have wondered, if it was an observant cigarette, at the unreserve with which the narrator took its smoker into the bosom of her confidence, and the lively interest her story provoked. If it had--which is not likely, considering the extent of its experience--a shrewd perception of the philosophy of reciprocity, probably it wondered less. It heard to the end of the topic, and Mr. Pellew asked the question above stated, as he screwed up its successor, and exacted the death-duty of an ignition from it.

"They ought to be coming back soon," was the answer. "I told them I wouldn't have tea till they came. They're gone to see a protegee of Clotilda's, who lives down a Court. It's not very far off; under a mile, I should think. We saw him in the street, coming from the railway-station. He looked a nice boy. That is to say, he would have looked nice, only he and his friends had all been blacking their faces with burnt cork."

"What a lark! Why didn't you go to the Court?... I'm jolly glad you didn't, you know, but you might have...." This was just warm enough for the position. With its slight extenuation of slang, it might rank as mere emphasized civility.

It was Miss Dickenson's turn to word something ambiguous to cover all contingencies. "Yes, I should have been very sorry if you had come to bring the book, and not found me here." This was clever, backed by a smile. She went on:--"They thought two would be quite enough, considering the size of the Court."

A spirit of accommodation prevailed. Oh yes--Mr. Pellew quite saw that. Very sensible! "It don't do," said he, "to make too much of a descent on this sort of people. They never know what to make of it, and the thing don't wash!" But he was only saying what came to hand; because he was extremely glad Miss Dickenson had not gone with the expedition. How far he perceived that his own visit underlay its arrangements, who can say? His perception fell short of being ignorant that he was aware of it. Suppose we leave it at that!

Still, regrets--scarcely Jeremiads--that she had not been included would be becoming, all things considered. They could not be misinterpreted. "I was sorry not to go," she said. "His father was a prizefighter and seems interesting, according to Clotilda. Her idea is to get Gwen enthusiastic about people of this sort, or any of her charitable schemes, rather than dragging her off to Switzerland or Italy. Besides, she won't go!"

"That's a smasher! The idea, I suppose, is to get her away and let the Torrens business die a natural death. Well--it won't!"

"You think not?"

"No thinking about it! Sure of it! I've known my cousin Gwen from a child--so have you, for that matter!--and I know it's useless. If she will, she will, you may depend on't; and if she won't she won't, and there's an end on't. You'll see, she'll consent to go fiddling about for three months or six months to Wiesbaden or Ems or anywhere, but she'll end by fixing the day and ordering her trousseau, quite as a matter of course! As for his changing--pooh!" Mr. Pellew laughed aloud. Miss Dickenson looked a very hesitating concurrence, which he felt would bear refreshing. He continued:--"Why, just look at the case! A man loses his eyesight and is half killed five minutes after seeing--for the first time, mind you, for the first time!--my cousin Gwen Rivers, under specially favourable circumstances. When he comes to himself he finds out in double quick time that she loves him? He change? Not he!"

"Do tell me, Mr. Pellew.... I'm only asking, you know; not expressing any opinion myself.... Do tell me, don't you think it possible that it might be better for both of them--for Gwen certainly, if it ... if it never...."

"If it never came off? If you ask me, all I can say is, that I haven't an opinion. It is so absolutely their affair and nobody else's. That's my excuse for not having an opinion, and you see I jump at it."

"Of course it is entirely their affair, and one knows. But one can't help thinking. Just fancy Gwen the wife of a blind country Squire. It is heartbreaking to think of--now isn't it?"

But Mr. Pellew was not to be moved from his position. "It's their own look out," said he. "Nobody else's!" He suddenly perceived that this might be taken as censorious. "Not finding fault, you know! You're all right. Naturally, you think of Gwen."

"Whom ought I to think of? Oh, I see what you mean. It's true I don't know Mr. Torrens--have hardly seen him!"

"I saw him a fairish number of times--one time with another. He's a sort of fillah ... a sort of fillah you can't exactly describe. Very unusual sort of fillah!" Mr. Pellew held his cigarette a little way off to look at it thoughtfully, as though it were the usual sort of fellow, and he was considering how he could distinguish Mr. Torrens from it.

"You mean he's unusually clever?"

"Yes, he's that. But that's not exactly what I meant, either. He's clever, of course. Only he doesn't give you a chance of knowing it, because he turns everything to nonsense. What I wanted to say was, that whatever he says, one fancies one would have said it oneself, if one had had the time to think it out."

Miss Dickenson didn't really identify this as a practicable shade of character, but she pretended she did. In fact she said:--"Oh, I know exactly what you mean. I've known people like that," merely to lubricate the conversation. Then she asked: "Did you ever talk to the Earl about him?"

"Tim? Yes, a little. He doesn't disguise his liking for him, personally. He's rather ... rather besotted about him, I should say."

"She isn't." How Mr. Pellew knew who was meant is not clear, but he did.

"Her mother, you mean," said he. "Do you know, I doubt if Philippa dislikes him? I shouldn't put it that way. But I think she would be glad for the thing to die a natural death for all that. Eyes apart, you know." When people begin to make so very few words serve their purpose it shows that their circumferences have intersected--no mere tangents now. A portion of the area of each is common to both. Forgive geometry this intrusion on the story, and accept the metaphor.

"Yes, that's what it is," said Aunt Constance. And then in answer to a glance that, so to speak, asked for a confirmation of a telegram:--"Oh yes, I know we both mean the same thing. You were thinking of that old story--the old love-affair. I quite understand." She might have added "this time," because the last time she knew what Mr. Pellew meant she was stretching a point, and he was subconscious of it.

"That's the idea," said he. "I fancy Philippa's feelings must be rather difficult to define. So must his papa's, I should think."

"I can't fancy anything more embarrassing."

"Of course Tim has a mighty easy time of it, by comparison."

"Does he necessarily know anything about it?"

"He must have heard of it. It wasn't a secret, though it wasn't announced in the papers. These things get talked about. Besides, she would tell him."

"Tell him? Of course she would! She would tell him that that young Torrens was a 'great admirer' of hers."

"Yes--I suppose she would make use of some expression of that sort. Capital things, expressions!"

Aunt Constance seemed to think this phrase called for some sort of elucidation. "I always feel grateful," said she, "to that Frenchman--Voltaire or Talleyrand or Rochefoucauld or somebody--who said language was invented to conceal our thoughts. That was what you meant, wasn't it?"

"Precisely. I suppose Sir Torrens--this chap's papa--told the lady he married ..."

"She was a Miss Abercrombie, I believe."

"Yes--I believe she was.... Told her he was a great admirer of her ladyship once on a time--a boyish freak--that sort of thing! Pretends all the gilt is off the gingerbread now. Wish I had been there when Sir Hamilton turned up at the Towers, after the accident."

"I was there."

"Well! And then?"

"Nothing and then. They were--just like anybody else. When I saw them was after his son had begun to pull round. Till then I fancy neither he nor the sister ..."

"Irene. ''Rene,' he calls her. Jolly sort of girl, and very handsome."

"Neither Irene nor her father came downstairs much. It was after you went away."

"And what did they say?--him and Philippa, I mean."

"Oh--say? What did they say? Really I can't remember. Said what a long time it was since they met. Because I don't believe they had met--not to shake hands--for five-and-twenty years!"

"What a rum sort of experience! Do you know?... only of course one can't say for certain about anything of this sort ..."

"Do I know? Go on."

"I was going to say that if I had been them, I should have burst out laughing and said what a couple of young asses we were!" The Hon. Percival was very colloquial, but syntax was not of the essence of the contract, if any existed.

Aunt Constance was not in the mood to pooh-pooh the tendresses of a youthful passion. She was, if you will have it so, sentimental. "Let me think if I should," said she, with a momentary action of closing her eyes, to keep inward thought free of the outer world. In a moment they were open again, and she was saying:--"No, I should not have done anything of the sort. One laughs at young people, I know, when they are so very inflammatory. But what do we think of them when they are not?" She became quite warm and excited about it, or perhaps--so thought Mr. Pellew as he threw his last cigarette-end away through that open window--the blaze of a sun that was forecasting its afterglow made her seem so. Mr. Pellew having thrown away that cigarette-end conscientiously, and made a pretence of seeing it safe into the front area, was hardly bound to go back to his chair. He dropped on the sofa, beside Miss Dickenson, with one hand over the back. He loomed over her, but she did not shy or flinch.

"What indeed!" said he seriously, answering her last words. "A young man that does not fall in love seldom comes to any good." He was really thinking to himself:--"Oh, the mistakes I should have been saved in life, if only this had happened to me in my twenties!" He was not making close calculation of what the lady's age would have been in those days.

She was dwelling on the abstract question:--"You know, say what one may, the whole of their lives is at stake. And we never think them young geese when the thing comes off, and they become couples."

"No. True enough. It's only when it goes off and they don't."

"And what is so creepy about it is that we never know whether the couple is the right couple."

"Never know anything at all about anything beforehand!" Mr. Pellew was really talking at random. Even the value of this trite remark was spoiled. For he added:--"Nor afterwards, for that matter!"

Miss Dickenson admitted that we could not lay too much stress on our own limitations. But she was not in the humour for platitudes. Her mind was running on a problem that might have worried Juliet Capulet had she never wedded her Romeo and taken a dose of hellebore, but lived on to find that County Paris had in him the makings of a lovable mate. Quite possible, you know! It was striking her that if a trothplight were nothing but a sort of civil contract--civil in the sense of courteous, polite, urbane, accommodating--an exchange of letters through a callous Post Office--a woman might be engaged a dozen times and meet the males implicated in after-life, without turning a hair. But even a hand-clasp, left to enjoy itself by its parents--not nipped in the bud--might poison their palms and recrudesce a little in Society, long years after! While, as for lips....

Something crossed her reflections, just on the crux of them--their most critical point of all. "There!" said she. "Did you hear that? I knew we should have thunder."

But Mr. Pellew had heard nothing and was incredulous. He verified his incredulity, going to the window to look out. "Blue sky all round!" said he. "Must have been a cart!" He went back to his seat, and the explanation passed muster.

Miss Dickenson picked up her problem, with that last perplexity hanging to it. No, it was no use!--- that equable deportment of Sir Hamilton and Philippa remained a mystery to her. She, however--mere single Miss Dickenson--could not of course guess how these two would see themselves, looking back, with all the years between of a growing Gwen and Adrian; to her, it was just the lapse of so much time, nothing more--a year or so over the time she had known Philippa. For Romeo and Juliet were metaphors out of date when she came on the scene, and Philippa was a Countess.

She was irritated by the inability she felt to comment freely on these views of the position. It would have been easier--she saw this--to do so had Mr. Pellew gone back to his chair, instead of sitting down again beside her on the sofa. It was her own fault perhaps, because she could not have sworn this time that she had not seemed to make room. That unhappy sex--the female one--lives under orders to bristle with incessant safeguards against misinterpretation. Heaven only knows--or should we not rather say, Hell only knows?--what latitudes have claimed "encouragement" as their excuse! That lady in Browning's poem never should have looked at the gentleman so, had she meant he should not love her. So he said! But suppose she saw a fly on his nose--how then?

Therefore it would never have done for Miss Dickenson to go into close analysis of the problems suggested by the meeting of two undoubted fiances of years long past, and the inexplicable self-command with which they looked the present in the face. She had to be content with saying:--"Of course we know nothing of the intentions of Providence. But it's no use pretending that it would not feel very--queer." She had to clothe this word with a special emphasis, and backed it with an implied contortion due to teeth set on edge. She added:--"All I know is, I'm very glad it wasn't me." After which she was clearly not responsible if the topic continued.

Mr. Pellew took the responsibility on himself of saying with deep-seated intuition:--"I know precisely what you mean. You're perfectly right. Perfectly!"

"A hundred little things," said the lady. The dragging in of ninety-nine of these, with the transparent object of slurring over the hundredth, which each knew the other was thinking of, merely added to its vividness. Aunt Constance might just as well have let it alone, and suddenly talked of something else. For instance, of the Sun God's abnormal radiance, now eloquent of what he meant to do for the metropolis when he got a few degrees lower, and went in for setting, in earnest. Or if she shrank from that, as not prosaic enough to dilute the conversation down to mere chat-point, the Ethiopian Serenaders who had just begun to be inexplicable in the Square below. But she left the first to assert its claim to authorship of the flush of rose colour that certainly made her tell to advantage, and the last to account for the animation which helped it. For the enigmatic character of South Carolina never interferes with a certain brisk exhilaration in its bones. She repeated in a vague way:--"A hundred things!" and shut her lips on particularisation.

"I don't know exactly how many," said Mr. Pellew gravely. He sat drawing one whisker through the hand whose elbow was on the sofa-back, with his eyes very much on the flush and the animation. "I was thinking of one in particular."

"Perhaps I was. I don't know."

"I was thinking of the kissin'."

"Well--so was I, perhaps. I don't see any use in mincing matters." She had been the mincer-in-chief, however.

"Don't do the slightest good! When it gets to kissin'-point, it's all up. If I had been a lady, and broken a fillah off, I think I should have been rather grateful to him for getting out of the gangway. Should have made a point of getting out, myself."

The subject had got comfortably landed, and could be philosophically discussed. "I dare say everyone does not feel the point as strongly as I do," said Miss Dickenson. "I know my sister Georgie--Mrs. Amphlett Starfax--looks at it quite differently, and thinks me rather a ... prig. Or perhaps prig isn't exactly the word. I don't know how to put it...."

"Never mind. I know exactly what you mean."

"You see, the circumstances are so different. Georgie had been engaged six times before Octavius came on the scene. But, oh dear, how I am telling tales out of school!..."

"Never mind Georgie and Octavius. They're not your sort. You were saying how you felt about it, and that's more interesting. Interests me more!" Conceive that at this point the lady glanced at the speaker ever so slightly. Upon which he followed a slight pause with:--"Yes, why are you a prig, as she thought fit to put it?"

"Because I told her that if ever I found a young man who suited me--and vice versa--and it got to ... to what you called just now 'kissing-point,' I should not be so ready as she had been to pull him off like an old glove and throw him away. That was when I was very young, you know. It was just after she jilted Ludwig, who afterwards married my sister Lilian--Baroness Porchammer; my eldest sister...."

"Oh, she jilted Ludwig, and he married your sister Lilian, was that it?" Mr. Pellew, still stroking that right whisker thoughtfully, was preoccupied by something that diverted interest from this family history.

Aunt Constance did not seem to notice his abstraction, but talked on. "Yes--and what is so funny about Georgie with Julius is that they don't seem to mind kissing now from a new standpoint. Georgie particularly. In fact, I've seen her kiss him on both sides and call him an old stupid. However, as you say, the cases are not alike. Perhaps if Philippa's old love had married her sister--Lady Clancarrock of Garter, you know--instead of Uncle Cosmo, as they call him, they could have got used to it, by now. Only one must look at these things from one's own point of view, and by the light of one's experience." A ring on her right hand might have been one of the things, and the sun-ray through the blind-slip the light of her experience, as she sat accommodating the flash-light of the first to the gleam of the second.

If everyone knew to a nicety his or her seeming at the precise point of utterance of any speech, slight or weighty, nine-tenths of our wit or profundity would remain unspoken. Man always credits woman with knowing exactly what she looks like, and engineering speech and seeming towards the one desired end of impressing him--important Him! He acquits himself of studying the subject! Probably he and she are, as a matter of fact, six of the one and half a dozen of the other. Of this one thing the story feels certain, that had Miss Dickenson been conscious of her neighbour's incorporation into a unit of magnetism--he being its victim--of her mere outward show in the evening light with the subject-matter of her discourse, this little lecture on the ethics of kissing would never have seen the light. But let her finish it. Consider that she gives a pause to the ring-gleam, then goes on, quite in earnest.

"It's very funny that it should be so, I know--but there it is! If I had ever been engaged, or on the edge of it--I never have, really and truly!--and the infatuated youth had ... had complicated matters to that extent, I never should have been able to wipe it off. That's an expression of a small niece of mine--three-and-a-quarter.... Oh dear--but I never said you might!..."

For the gentleman's conduct had been extraordinary! unwarranted, perhaps, according to some. According to others, he may only have behaved as a many in his position would have behaved half an hour sooner. "I am," said he, "the infatuated youth. Forgive me, Aunt Constance!" For he had deliberately taken that lady in his arms and kissed her.

The foregoing is an attempt to follow through an interview the development of events which led to its climax--a persistent and tenacious attempt, more concerned with its purpose than with inquiring into the interest this or that reader may feel who may chance to light upon this narrative. No very close analysis of the sublatent impulses and motives of its actors is professed or attempted; only a fringe of guesswork at the best. But let a protest be recorded against the inevitable vernacular judgment in disfavour of the lady. "Of course--the minx! As if she didn't know what she was about the whole time. As if she wasn't leading him on!" Because that is the attitude of mind of the correct human person in such a case made and provided. That is, if an inevitable automatic action can be called an attitude of mind. Is rotation on its axis an attitude of a wheel's mind? To be sure, though, a wheel may turn either of two ways. A ratchet-wheel is needed for this metaphor.

However, the correct human person may be expressing a universal opinion. This is only the protest of the story, which thinks otherwise. But even if it were so, was not Miss Dickenson well within her rights? The story claims that, anyhow. At the same time, it records its belief that four-fifths of the denouement was due to Helios. The magic golden radiance intoxicated Mr. Pellew, and made him forget--or remember--himself. The latter, the story thinks. That ring perhaps had its finger in the pie--but this may be to inquire too curiously.

One thing looks as though Miss Dickenson had not been working out a well-laid scheme. Sudden success does not stop the heart with a jerk, or cause speechlessness, even for a moment. Both had happened to her by the time she had uttered her pro forma remonstrance. Her breath lasted it out. Then she found it easiest to remain passive. She was not certain it would not be correct form to make a show of disengaging herself from the arms that still held her. But--she didn't want to!

This may have justified Mr. Pellew's next words:--"You do forgive me, don't you?" more as assertion than inquiry.

She got back breath enough to gasp out:--"Oh yes--only don't talk! Let me think!" And then presently:--"Yes, I forgive you in any case. Only--I'll tell you directly. Let's look out of the window. I want to feel the air blow.... You startled me rather, that's all!"

Said Mr. Pellew, at the window, as he reinstated an arm dispossessed during the transit:--"I did it to ... to clinch the matter, don't you see? I thought I should make a mess of it if I went in for eloquence."

"It was as good as any way. I wasn't the least angry. Only...."

"Only what?"

"Only by letting you go on like this"--half a laugh came in here--"I don't consider that I stand committed to anything."

"I consider that I stand committed to everything." The arm may have slightly emphasized this.

"No--that's impossible. It must be the same for both."

"Dearest woman! Just as you like. But I know what I mean." Indeed, Mr. Pellew did seem remarkably clear about it. Where, by-the-by, was that passee young lady, and that middle-aged haunter of Clubs? Had they ever existed?

Bones was audible from below, as they stood looking out at the west, where some cirro-stratus clouds were waiting to see the sun down beyond the horizon, and keep his memory golden for half an hour. Bones was affecting ability to answer conundrums, asked by an unexplained person with a banjo, who treated him with distinction, calling him "Mr. Bones." Both were affecting an air of high courtesy, as of persons familiar with the Thrones and Chancelleries of Europe. The particulars of these conundrums were inaudible, from distance, but the scheme was clear. Bones offered several solutions, of a fine quality of wit, but wrong. He then produced a sharp click or snap, after his kind, and gave it up. His friend or patron then gave the true solution, whose transcendent humour was duly recognised by Europe, and moved Bones to an unearthly dance, dryly but decisively accompanied on his instrument. A sudden outburst of rhythmic banjo-thuds and song followed, about Old Joe, who kicked up behind and before, and a yellow girl, who kicked up behind Old Joe. Then the Company stopped abruptly and went home to possible soap and water. Silence was left for the lady and gentleman at No. 102 to speak to one another in undertones, and to wonder what o'clock it was.

"They ought to be back by now," says she. "I wonder they are so late. They are making quite a visitation of it."

Says he:--"Gwen is fascinated with the old prizefighter. Just like her! I don't care how long they stop; do you?"

"I don't think it matters," says she, "to a quarter of an hour. The sunset is going to be lovely." This is to depersonalise the position. A feeble attempt, under the circumstances.

It must have been past the end of that quarter of an hour, when--normal relations having been resumed, of course--Miss Dickenson interrupted a sub-vocal review of the growth of their acquaintance to say, "Come in!" The tap that was told to come in was Maggie. Was she to be making the tea? Was she to lay it? On the whole she might do both, as the delay of the absentees longer was in the nature of things impossible.

But, subject to the disposition of Mr. Pellew's elbows on the window-sill, they might go on looking out at the sunset and feel regles. Short of endearments, Maggie didn't matter.

The self-assertion of Helios was amazing. He made nothing of what one had thought would prove a cloud-veil--tore it up, brushed it aside. He made nothing, too, of the powers of eyesight of those whose gaze dwelt on him over boldly.

"It is them," said Miss Dickenson, referring to a half-recognised barouche that had turned the corner below. "But who on earth have they got with them? I can't see for my eyes."

"Only some friend they've picked up," said Mr. Pellew. But he rubbed his own eyes, to get rid of the sun. Recovered sight made him exclaim:--"But what are the people stopping for?... I say, something's up! Come along!" For, over and above a mysterious impression of the unusual that could hardly be set down to the bird's-eye view as its sole cause, it was clear that every passer-by was stopping, to look at the carriage. Moreover, there was confusion of voices--Gwen's dominant. Mr. Pellew did not wait to distinguish speech. He only repeated:--"Come along!" and was off downstairs as fast as he could go. Aunt Constance kept close behind him.

She was too bewildered to be quite sure, offhand, why Gwen looked so more than dishevelled, as she met them at the stairfoot, earnest with excitement. Not panic-struck at all--that was not her way--but at highest tension of word and look, as she made the decision of her voice heard:--"Oh, there you are, Mr. Pellew. Make yourself useful. Go out and bring her in. Never mind who! Make haste. And Maggie's to fetch the doctor." Mr. Pellew went promptly out, and Miss Dickenson was beginning:--"Why--what?..." But she had to stand inquiry over. For nothing was possible against Gwen's:--"Now, Aunt Connie dear, don't ask questions. You shall be told the whole story, all in good time! Let's get her upstairs and get the doctor." They both followed Mr. Pellew into the street, where a perceptible crowd, sprung from nowhere, was already offering services it was not qualified to give, in ignorance of the nature of the emergency that had to be met, and in defiance of a policeman.

Mr. Pellew had taken his instructions so quickly from Miss Grahame, still in the carriage, that he was already carrying the doctor's patient, whoever and whatever she was, but carefully as directed, into the house. At any rate it was not Miss Grahame herself, for that lady's voice was saying, collectedly:--"I don't think it's any use Maggie going, Gwen, because she doesn't know London. James must fetch him, in the carriage. Dr. Dalrymple, 65, Weymouth Street, James! Tell him he must come, at once! Say I said so." It was then that Aunt Constance perceived in the clear light of the street, that not only was the person Mr. Pellew was carrying into the house--whom she could only identify otherwise as having snow-white hair--covered with dust and soiled, but that Gwen and Miss Grahame were in a like plight, the latter in addition being embarrassed by a rent skirt, which she was fain to hold together as she crossed the doorstep. Once in the house she made short work of it, finishing the rip, and acquiescing in the publicity of a petticoat. It added to Aunt Constance's perplexity that the carriage and James appeared in as trim order as when they left the door three hours since. These hours had been eventful to her, and she was really feeling as if the whole thing must be a strange dream.

She got no explanation worth the name at the time of the incident. For Gwen's scattered information after the old snow-white head was safe on her own pillow--she insisted on this--and its owner had been guaranteed by Dr. Dalrymple, was really good for very little. The old lady was Cousin Clo's little boy's old Mrs. Picture, and she was the dearest old thing. There had been an accident at the house while they were there, and a man and a woman had been hurt, but no fatality. The man had not been taken to the Hospital, as his family had opposed his going on the ground of his invulnerability. The old prizefighter was uninjured, as well as those two nice children. They might have been killed. But as to the nature of the accident, it remained obscure, or perhaps the ever-present consciousness of her own experience prevented Aunt Constance getting a full grasp of its details. The communication, moreover, was crossed by that lady's exclamation:--"Oh dear, the events of this afternoon!" just at the point where the particulars of the mishap were due, to make things intelligible.

At which exclamation Gwen, suddenly alive to a restless conscious manner of Aunt Constance's, pointed at her as one she could convict without appeal, saying remorselessly:--"Mr. Pellew has proposed and you have accepted him while we were away, Aunt Connie! Don't deny it. You're engaged!"

"My dear Gwen," said Miss Dickenson, "if what you suggest were true, I should not dream for one moment of concealing it from you. But as for any engagement between us, I assure you there is no such thing. Beyond showing unequivocal signs of an attachment which...."

Gwen clapped the beautiful hands, still soiled with the dirt of Sapps Court, and shook its visible dust from her sleeve. Her laugh rang all through the House. "That's all right!" she cried. "He's shown unequivocal signs of an attachment which. Well--what more do you want? Oh, Aunt Connie, I'm so glad!"

All that followed had for Miss Dickenson the same dream-world character, but of a dream in which she retained presence of mind. It was needed to maintain the pretext of unruffled custom in her communications with her male visitor; the claim to be, before all things, normal, on the part of both, in the presence of at least one friend who certainly knew all about it, and another who may have known. Because there was no trusting Gwen. However, she got through it very well.

Regrets were expressed that Sir Somebody Something had not got his Quarterly after all; but it would do another time. Hence consolation. After Mr. Pellew had taken a farewell, which may easily have been a tender one, as nobody saw it, she heard particulars of the accident, which shall be told here also, in due course.

Some embarrassment resulted from Gwen's headstrong action in bringing the old lady away from the scene of this accident. She might have been provided for otherwise, but Gwen's beauty and positiveness, and her visible taking for granted that her every behest would be obeyed, had swept all obstacles away. As for her Cousin Clotilda, she was secretly chuckling all the while at the wayward young lady's reckless incurring of responsibilities towards Sapps Court.

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