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Tom Brown at Oxford

Hughes, Thomas · Public domain text

249,257 words · about 17 h 27 min to read

About this edition

The text of Tom Brown at Oxford comes from Project Gutenberg e-text #26851. It is public domain in the United States. RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

This text-only edition leaves out 7 illustrations. See the illustrated edition at Project Gutenberg.

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About this book

Author
Thomas Hughes (1822–1896)
Language
English
Subjects
College stories, University of Oxford › Fiction
Length
249,257 words · about 17 h 27 min
Sections
52 reader sections · Table of contents
Contents (52)
  1. Opening about 10 min
  2. Preface about 6 min
  3. I. ST. AMBROSE'S COLLEGE about 16 min
  4. II. A ROW ON THE RIVER about 20 min
  5. III. A BREAKFAST AT DRYSDALE'S about 22 min
  6. IV. THE ST. AMBROSE BOAT CLUB: ITS MINISTERY AND THEIR BUDGET about 16 min
  7. V. HARDY, THE SERVITOR about 18 min
  8. VI. HOW DRYSDALE AND BLAKE WENT FISHING about 24 min
  9. VII. AN EXPLOSION about 12 min
  10. VIII. HARDY'S HISTORY about 29 min
  11. IX. "A BROWN BAIT." about 12 min
  12. X. SUMMER TERM about 28 min
  13. XI. MUSCULAR CHRISTIANITY about 32 min
  14. XII. THE CAPTAIN'S NOTIONS about 26 min
  15. XIII. THE FIRST BUMP about 23 min
  16. XIV. A CHANGE IN THE CREW, AND WHAT CAME OF IT about 22 min
  17. XV. A STORM BREWS AND BREAKS about 21 min
  18. XVI. THE STORM RAGES about 17 min
  19. XVII. NEW GROUND about 20 min
  20. XVIII. ENGLEBOURNE VILLAGE about 28 min
  21. XIX. A PROMISE OF FAIRER WEATHER about 23 min
  22. XX. THE RECONCILIATION about 7 min
  23. XXI. CAPTAIN HARDY ENTERTAINED BY ST. AMBROSE about 17 min
  24. XXII. DEPARTURES EXPECTED AND UNEXPECTED about 22 min
  25. XXIII. THE ENGLEBOURN CONSTABLE about 23 min
  26. XXIV. THE SCHOOLS about 23 min
  27. XXV. COMMEMORATION about 19 min
  28. XXVI. THE LONG WALK IN CHRISTCHURCH MEADOWS about 27 min
  29. XXVII. LECTURING A LIONESS about 22 min
  30. XXVIII. THE END OF THE FRESHMAN'S YEAR about 18 min
  31. XXIX. THE LONG VACATION LETTER-BAG about 28 min
  32. XXX. AMUSEMENTS AT BARTON MANOR about 12 min
  33. XXXI. BEHIND THE SCENES about 14 min
  34. XXXII. A CRISIS about 24 min
  35. XXXIII. BROWN PATRONUS about 34 min
  36. XXXIV. [Greek text] MEHDEN AGAN about 25 min
  37. XXXV. SECOND YEAR about 23 min
  38. XXXVI. THE RIVER SIDE about 18 min
  39. XXXVII. THE NIGHT WATCH about 21 min
  40. XXXVIII. MARY IN MAYFAIR about 16 min
  41. XXXIX. WHAT CAME OF THE NIGHT WATCH about 21 min
  42. XL. HUE AND CRY about 18 min
  43. XLI. THE LIEUTENANT'S SENTIMENTS AND PROBLEMS about 20 min
  44. XLII. THIRD YEAR about 24 min
  45. XLIII. AFTERNOON VISITORS about 19 min
  46. XLIV. THE INTERCEPTED LETTER-BAG about 32 min
  47. XLV. MASTER'S TERM about 14 min
  48. XLVI. FROM INDIA TO ENGLEBOURN about 15 min
  49. XLVII. THE WEDDING-DAY about 15 min
  50. XLVIII. THE BEGINNING OF THE END about 18 min
  51. XLIX. THE END about 18 min
  52. L. THE POSTSCRIPT about 16 min

The opening of Preface

Prefaces written to explain the objects and meaning of a book, or to make any appeal, ad miseracordiam or other, in its favor, are, in my opinion, nuisances. Any book worth reading will explain its own objects and meaning, and the more it is criticized and turned inside out, the better for it and its author. Of all books, too, it seems to me that novels require prefaces least--at any rate, on their first appearance. Notwithstanding which belief, I must ask readers for three minutes' patience before they make trial of this book.

The natural pleasure which I felt at the unlooked for popularity of the first part of the present story, was much lessened by the pertinacity with which many persons, acquaintance as well as strangers, would insist (both in public and in private) on identifying the hero and the author. On the appearance of the first few numbers of the present continuation in Macmillan's Magazine, the same thing occurred, and, in fact, reached such a pitch, as to lead me to make some changes to the story.

Read on in Part 1 →