XLIV. ADRIENNE AND DJALMA…

XLIV. ADRIENNE AND DJALMA

When Faringhea had quitted the room, Rodin took the letter from Abbe d’Aigrigny with one hand, and with the other appeared to be looking for something, first in the side pocket of his great-coat, then in the pocket behind, then in that of his trousers; and, not finding what he sought, he laid the letter on his knee, and felt himself all over with both hands, with an air of regret and uneasiness. The divers movements of this pantomime, performed in the most natural manner, were crowned by the exclamations.

“Oh! dear me! how vexatious!”

“What is the matter?” asked Djalma, starting from the gloomy silence in which he had been plunged for some minutes.

“Alas! my dear prince!” replied Rodin, “the most vulgar and puerile accident may sometimes cause the greatest inconvenience. I have forgotten or lost my spectacles. Now, in this twilight, with the very poor eyesight that years of labor have left me, it will be absolutely impossible for me to read this most important letter--and an immediate answer is expected--most simple and categorical--a yes or a no. Times presses; it is really most annoying. If,” added Rodin, laying great stress on his words, without looking at Djalma, but so as the prince might remark it; “if only some one would render me the service to read it for me; but there is no one--no--one!”

“Father,” said Djalma, obligingly, “shall I read it for you. When I have finished it, I shall forget what I have read.”

“You?” cried Rodin, as if the proposition of the Indian had appeared to him extravagant and dangerous; “it is impossible, prince, for you to read this letter.”

“Then excuse my having offered,” said Djalma mildly.

“And yet,” resumed Rodin, after a moment’s reflection, and as if speaking to himself, “why not?”

And he added, addressing Djalma: “Would you really be so obliging, my dear prince? I should not have ventured to ask you this service.”

So saying, Rodin delivered the letter to Djalma, who read aloud as follows: “‘Your visit this morning to Saint-Dizier House can only be considered, from what I hear, as a new act of aggression on your part.

“‘Here is the last proposition I have to make. It may be as fruitless as the step I took yesterday, when I called upon you in the Rue Clovis.

“‘After that long and painful explanation, I told you that I would write to you. I keep my promise, and here is my ultimatum.

“‘First of all, a piece of advice. Beware! If you are determined to maintain so unequal a struggle, you will be exposed even to the hatred of those whom you so foolishly seek to protect. There are a thousand ways to ruin you with them, by enlightening them as to your protects. It will be proved to them, that you have shared in the plat, which you now pretend to reveal, not from generosity, but from cupidity.’” Though Djalma had the delicacy to feel that the least question on the subject of this letter would be a serious indiscretion, he could not forbear turning his head suddenly towards the Jesuit, as he read the last passage.

“Oh, yes! it relates to me. Such as you see me, my dear prince,” added he, glancing at his shabby clothes, “I am accused of cupidity.”

“And who are these people that you protect?”

“Those I protect?” said Rodin feigning some hesitation, as if he had been embarrassed to find an answer; “who are those I protect? Hem--hem--I will tell you. They are poor devils without resources; good people without a penny, having only a just cause on their side, in a lawsuit in which they are engaged. They are threatened with destruction by powerful parties--very powerful parties; but, happily, these latter are known to me, and I am able to unmask them. What else could have been? Being myself poor and weak, I range myself naturally on the side of the poor and weak. But continue, I beg of you.”

Djalma resumed: “‘You have therefore every-thing to fear if you persist in your hostility, and nothing to gain by taking the side of those whom you call your friends. They might more justly be termed your dupes, for your disinterestedness would be inexplicable, were it sincere. It must therefore conceal some after-thought of cupidity.

“‘Well! in that view of the case, we can offer you ample compensation--with this difference, that your hopes are now entirely founded on the probable gratitude of your friends, a very doubtful chance at the best, whereas our offers will be realized on the instant. To speak clearly, this is what we ask, what we exact of you. This very night, before twelve, you must have left Paris, and engage not to return for six months.’” Djalma could not repress a movement of surprise, and looked at Rodin.

“Quite natural,” said the latter; “the cause of my poor friends would be judged by that time, and I should be unable to watch over them. You see how it is, my dear prince,” added Rodin, with bitter indignation. “But please continue, and excuse me for having interrupted you; though, indeed, such impudence disgusts me.”

Djalma continued: “‘That we may be certain of your removal from Paris for six months, you will go to the house of one of our friends in Germany. You will there be received with generous hospitality, but forcibly detained until the expiration of the term.’”

“Yes, yes! a voluntary prison,” said Rodin.

“‘On these conditions, you will receive a pension of one thousand francs a month, to begin from your departure from Paris, ten thousand francs down, and twenty thousand at the end of the six months--the whole to be completely secured to you. Finally, at the end of the six months, we will place you in a position both honorable and independent.’”

Djalma having stopped short, with involuntary indignation, Rodin said to him: “Let me beg you to continue, my dear prince. Read to the end, and it will give you some idea of what passes in the midst of our civilization.”

Djalma resumed: “‘You know well enough the course of affairs, and what we are, to feel that in providing for your absence, we only wish to get rid of an enemy, not very dangerous, but rather troublesome. Do not be blinded by your first success. The results of your denunciation will be stifled, because they are calumnious. The judge who received your evidence will soon repent his odious partiality. You may make what use you please of this letter. We know what we write, to whom we write, and how we write. You will receive this letter at three o’clock; if by four o’clock we have not your full and complete acceptance, written with your own hand at the bottom of this letter, war must commence between us--and not from to-morrow, but on the instant.’”

Having finished reading the letter, Djalma looked at Rodin, who said to him: “Permit me to summon Faringhea.”

He rang the bell, and the half-caste appeared. Rodin took the letter from the hands of Djalma, tore it into halves, rubbed it between his palms, so as to make a sort of a ball, and said to the half-caste, as he returned it to him: “Give this palter to the person who waits for it, and tell him that is my only answer to his shameless and insolent letter; you understand me--this shameless and insolent letter.”

“I understand.” said the half-caste; and he went out.

“This will perhaps be a dangerous war for you, father, said the Indian, with interest.

“Yes, dear prince, it may be dangerous, but I am not like you; I have no wish to kill my enemies, because they are cowardly and wicked. I fight them under the shield of the law. Imitate me in this.” Then, seeing that the countenance of Djalma darkened, he added: “I am wrong. I will advise you no more on this subject. Only, let us defer the decision to the judgment of your noble and motherly protectress. I shall see her to morrow; if she consents, I will tell you the names of your enemies. If not--not.”

“And this woman, this second mother,” said Djalma, “is her character such, that I can rely on her judgment?”

“She!” cried Rodin, clasping his hands, and speaking with increased excitement. “Why, she is the most noble, the most generous, the most valiant being upon earth!--why, if you were really her son, and she loved you with all the strength of maternal affection, and a case arose in which you had to choose between an act of baseness and death, she would say to you: ‘Die!’ though she might herself die with you.”

“Oh, noble woman! so was my mother!” cried Djalma, with enthusiasm.

“Yes,” resumed Rodin, with growing energy, as he approached the window concealed by the shade, towards which he threw an oblique and anxious glance, “if you would imagine your protectress, think only of courage, uprightness, and loyalty personified. Oh! she has the chivalrous frankness of the brave man, joined with the high-souled dignity of the woman, who not only never in her life told a falsehood, never concealed a single thought, but who would rather die than give way to the least of those sentiments of craft and dissimulation, which are almost forced upon ordinary women by the situation in which they are placed.”

It is difficult to express the admiration which shone upon the countenance of Djalma, as he listened to this description. His eyes sparkled, his cheeks glowed, his heart palpitated with enthusiasm.

“That is well, noble heart!” said Rodin to him, drawing still nearer to the blind; “I love to see your soul sparkle through your eyes, on hearing me speak thus of your unknown protectress. Oh! but she is worthy of the pious adoration which noble hearts and great characters inspire!”

“Oh! I believe you,” cried Djalma, with enthusiasm; “my heart is full of admiration and also of astonishment, for my mother is no more, and yet such a woman exists!”

“Yes, she exists. For the consolation of the afflicted, for the glory of her sex, she exists. For the honor of truth, and the shame of falsehood, she exists. No lie, no disguise, has ever tainted her loyalty, brilliant and heroic as the sword of a knight. It is but a few days ago that this noble woman spoke to me these admirable words, which, in all my life, I shall not forget: ‘Sir,’ she said, ‘if ever I suspect any one that I love or esteem--’”

Rodin did not finish. The shade, so violently shaken that the spring broke, was drawn up abruptly, and, to the great astonishment of Djalma, Mdlle. de Cardoville appeared before him. Adrienne’s cloak had fallen from her shoulders, and in the violence of the movement with which she had approached the blind, her bonnet, the strings of which were untied, had also fallen. Having left home suddenly, with only just time to throw a mantle over the picturesque and charming costume which she often chose to wear when alone, she appeared so radiant with beauty to Djalma’s dazzled eyes, in the centre of those leaves and flowers, that the Indian believed himself under the influence of a dream.

With clasped hands, eyes wide open, the body slightly bent forward, as if in the act of prayer, he stood petrified with admiration, Mdlle. de Cardoville, much agitated, and her countenance glowing with emotion, remained on the threshold of the greenhouse, without entering the room. All this had passed in less time than it takes to describe it. Hardly had the blind been raised, than Rodin, feigning surprise, exclaimed: “You here, madame?”

“Oh, sir!” said Adrienne, in an agitated voice, “I come to terminate the phrase which you have commenced. I told you, that when a suspicion crossed my mind, I uttered it aloud to the person by whom it was inspired. Well! I confess it: I have failed in this honesty. I came here as a spy upon you, when your answer to the Abbe d’Aigrigny was giving me a new pledge of your devotion and sincerity. I doubted your uprightness at the moment when you were bearing testimony to my frankness. For the first time in my life, I stooped to deceit; this weakness merits punishment, and I submit to it--demands reparation, and I make it--calls for apologies, and I tender them to you.” Then turning towards Djalma, she added: “Now, prince, I am no longer mistress of my secret. I am your relation, Mdlle. de Cardoville; and I hope you will accept from a sister the hospitality that you did not refuse from a mother.”

Djalma made no reply. Plunged in ecstatic contemplation of this sudden apparition, which surpassed his wildest and most dazzling visions, he felt a sort of intoxication, which, paralyzing the power of thought, concentrated all his faculties in the one sense of sight; and just as we sometimes seek in vain to satisfy unquenchable thirst, the burning look of the Indian sought, as it were, with devouring avidity, to take in all the rare perfections of the young lady. Verily, never had two more divine types of beauty met face to face. Adrienne and Djalma were the very ideal of a handsome youth and maiden. There seemed to be something providential in the meeting of these two natures, so young and so vivacious, so generous and so full of passion, so heroic and so proud, who, before coming into contact, had, singularly enough, each learned the moral worth of the other; for if, at the words of Rodin, Djalma had felt arise in his heart an admiration, as lively as it was sudden, for the valiant and generous qualities of that unknown benefactress, whom he now discovered in Mdlle. de Cardoville, the latter had, in her turn, been moved, affected, almost terrified, by the interview she had just overheard, in which Djalma had displayed the nobleness of his soul, the delicate goodness of his heart, and the terrible transports of his temper. Then she had not been able to repress a movement of astonishment, almost admiration, at sight of the surprising beauty of the prince; and soon after, a strange, painful sentiment, a sort of electric shock, seemed to penetrate all her being, as her eyes encountered Djalma’s.

Cruelly agitated, and suffering deeply from this agitation, she tried to dissemble the impression she had received, by addressing Rodin, to apologize for having suspected him. But the obstinate silence of the Indian redoubled the lady’s painful embarrassment. Again raising her eyes towards the prince, to invite him to respond to her fraternal offer, she met his ardent gaze wildly fixed upon her, and she looked once more with a mixture of fear, sadness, and wounded pride; then she congratulated herself on having foreseen the inexorable necessity of keeping Djalma at a distance from her, such apprehension did this ardent and impetuous nature already inspire. Wishing to put an end to her present painful situation, she said to Rodin, in a low and trembling voice, “Pray, sir, speak to the prince; repeat to him my offers. I cannot remain longer.” So saying, Adrienne turned, as if to rejoin Florine. But, at the first step, Djalma sprang towards her with the bound of a tiger, about to be deprived of his prey. Terrified by the expression of wild excitement which inflamed the Indian’s countenance, the young lady drew back with a loud scream.

At this, Djalma remembered himself, and all that had passed. Pale with regret and shame, trembling, dismayed, his eyes streaming with tears, and all his features marked with an expression of the most touching despair, he fell at Adrienne’s feet, and lifting his clasped hands towards her, said in a soft, supplicating, timid voice: “Oh, remain! remain! do not leave me. I have waited for you so long!” To this prayer, uttered with the timid simplicity of a child, and a resignation which contrasted strangely with the savage violence that had so frightened Adrienne, she replied, as she made a sign to Florine to prepare for their departure: “Prince, it is impossible for me to remain longer here.”

“But you will return?” said Djalma, striving to restrain his tears. “I shall see you again?”

“Oh, no! never--never!” said Mdlle. de Cardoville, in a failing voice. Then, profiting by the stupor into which her answer had thrown Djalma, Adrienne disappeared rapidly behind the plants in the greenhouse.

Florine was hastening to rejoin her mistress, when, just at the moment she passed before Rodin, he said to her in a low, quick voice: “To-morrow we must finish with the hunchback.” Florine trembled in every limb, and, without answering Rodin, disappeared, like her mistress, behind the plants. Broken, overpowered, Djalma remained upon his knees, with his head resting on his breast. His countenance expressed neither rage nor excitement, but a painful stupor; he wept silently. Seeing Rodin approach him, he rose, but with so tremulous a step, that he could hardly reach the divan, on which he sank down, hiding his face in his hands.

Then Rodin, advancing, said to him in a mild and insinuating tone: “Alas! I feared what has happened. I did not wish you to see your benefactress; and if I told you she was old, do you know why, dear prince?”

Djalma, without answering, let his hands fall upon his knees, and turned towards Rodin a countenance still bathed in tears.

“I knew that Mdlle. de Cardoville was charming, and at your age it is so easy to fall in love,” continued Rodin; “I wished to spare you that misfortune, my dear prince, for your beautiful protectress passionately loves a handsome young man of this town.”

Upon these words, Djalma suddenly pressed both hands to his heart, as if he felt a piercing stab, uttered a cry of savage grief, threw back his head, and fell fainting upon the divan.

Rodin looked at him coldly for some seconds, and then said as he went away, brushing his old hat with his elbow,

“Come! it works--it works!”

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XLV. THE CONSULTATION

It is night. It has just struck nine. It is the evening of that day on which Mdlle. de Cardoville first found herself in the presence of Djalma. Florine, pale, agitated, trembling, with a candle in her hand, had just entered a bedroom, plainly but comfortably furnished. This room was one of the apartments occupied by Mother Bunch, in Adrienne’s house. They were situated on the ground-floor, and had two entrances. One opened on the garden, and the other on the court-yard. From this side came the persons who applied to the workgirl for succor; an ante-chamber in which they waited, a parlor in which they were received, constituted Mother Bunch’s apartments, along with the bedroom, which Florine had just entered, looking about her with an anxious and alarmed air, scarcely touching the carpet with the tips of her satin shoes, holding her breath, and listening at the least noise.

Placing the candle upon the chimney-piece, she took a rapid survey of the chamber, and approached the mahogany desk, surmounted by a well-filled bookcase. The key had been left in the drawers of this piece of furniture, and they were all three examined by Florine. They contained different petitions from persons in distress, and various, notes in the girl’s handwriting. This was not what Florine wanted. Three cardboard boxes were placed in pigeon-holes beneath the bookcase. These also were vainly explored, and Florine, with a gesture of vexation, looked and listened anxiously; then, seeing a chest of drawers, she made therein a fresh and useless search. Near the foot of the bed was a little door, leading to a dressing-room. Florine entered it, and looked--at first without success--into a large wardrobe, in which were suspended several black dresses, recently made for Mother Bunch, by order of Mdlle. de Cardoville. Perceiving, at the bottom of this wardrobe, half hidden beneath a cloak, a very shabby little trunk, Florine opened it hastily, and found there, carefully folded up, the poor old garments in which the work-girl had been clad when she first entered this opulent mansion.

Florine started--an involuntary emotion contracted her features; but considering that she had not liberty to indulge her feelings, but only to obey Rodin’s implacable orders, she hastily closed both trunk and wardrobe, and leaving the dressing-room, returned into the bed-chamber. After having again examined the writing-stand, a sudden idea occurred to her. Not content with once more searching the cardboard boxes, she drew out one of them from the pigeon-hole, hoping to find what she sought behind the box: her first attempt failed, but the second was more successful. She found behind the middle box a copy-book of considerable thickness. She started in surprise, for she had expected something else; yet she took the manuscript, opened it, and rapidly turned over the leaves. After having perused several pages, she manifested her satisfaction, and seemed as if about to put the book in her pocket; but after a moment’s reflection, she replaced it where she had found it, arranged everything in order, took her candle, and quitted the apartment without being discovered--of which, indeed, she had felt pretty sure, knowing that Mother Bunch would be occupied with Mdlle. de Cardoville for some hours.

The day after Florine’s researches, Mother Bunch, alone in her bed chamber, was seated in an arm-chair, close to a good fire. A thick carpet covered the floor; through the window-curtains could be seen the lawn of a large garden; the deep silence was only interrupted by the regular ticking of a clock, and the crackling of the wood. Her hands resting on the arms of the chair, she gave way to a feeling of happiness, such as she had never so completely enjoyed since she took up her residence at the hotel. For her, accustomed so long to cruel privations, there was a kind of inexpressible charm in the calm silence of this retreat--in the cheerful aspect of the garden, and above all, in the consciousness that she was indebted for this comfortable position, to the resignation and energy she had displayed, in the thick of the many severe trials which now ended so happily. An old woman, with a mild and friendly countenance, who had been, by express desire of Adrienne, attached to the hunchback’s service, entered the room and said to her: “Mademoiselle, a young man wishes to speak to you on pressing business. He gives his name as Agricola Baudoin.”

At this name, Mother Bunch uttered an exclamation of surprise and joy, blushed slightly, rose and ran to the door which led to the parlor in which was Agricola.

“Good-morning, dear sister,” said the smith, cordially embracing the young girl, whose cheeks burned crimson beneath those fraternal kisses.

“Ah, me!” cried the sempstress on a sudden, as she looked anxiously at Agricola; “what is that black band on your forehead? You have been wounded!”

“A mere nothing,” said the smith, “really nothing. Do not think of it. I will tell you all about that presently. But first, I have things of importance to communicate.”

“Come into my room, then; we shall be alone,” Mother Bunch, as she went before Agricola.

Notwithstanding the expression of uneasiness which was visible on the countenance of Agricola, he could not forbear smiling with pleasure as he entered the room and looked around him.

“Excellent, my poor sister! this is how I would always have you lodged. I recognize here the hand of Mdlle. de Cardoville. What a heart! what a noble mind!--Dost know, she wrote to me the day before yesterday, to thank me for what I had done for her, and sent me a gold pin (very plain), which she said I need not hesitate to accept, as it had no other value but that of having been worn by her mother! You can’t tell how much I was affected by the delicacy of this gift!”

“Nothing must astonish you from a heart like hers,” answered the hunchback. “But the wound--the wound?”

“Presently, my good sister; I have so many things to tell you. Let us begin by what is most pressing, for I want you to give me some good advice in a very serious case. You know how much confidence I have in your excellent heart and judgment. And then, I have to ask of you a service--oh! a great service,” added the smith, in an earnest, and almost solemn tone, which astonished his hearer. “Let us begin with what is not personal to myself.”

“Speak quickly.”

“Since my mother went with Gabriel to the little country curacy he has obtained, and since my father lodges with Marshal Simon and the young ladies, I have resided, you know, with my mates, at M. Hardy’s factory, in the common dwelling-house. Now, this morning but first, I must tell you that M. Hardy, who has lately returned from a journey, is again absent for a few days on business. This morning, then, at the hour of breakfast, I remained at work a little after the last stroke of the bell; I was leaving the workshop to go to our eating-room, when I saw entering the courtyard, a lady who had just got out of a hackney-coach. I remarked that she was fair, though her veil was half down; she had a mild and pretty countenance, and her dress was that of a fashionable lady. Struck with her paleness, and her anxious, frightened air, I asked her if she wanted anything. ‘Sir,’ said she to me, in a trembling voice, and as if with a great effort, ‘do you belong to this factory?’--‘Yes, madame.’--‘M. Hardy is then in clanger?’ she exclaimed.--‘M. Hardy, madame? He has not yet returned home.’--‘What!’ she went on, ‘M. Hardy did not come hither yesterday evening? Was he not dangerously wounded by some of the machinery?’ As she said these words, the poor young lady’s lips trembled, and I saw large tears standing in her eyes. ‘Thank God, madame! all this is entirely false,’ said I, ‘for M. Hardy has not returned, and indeed is only expected by to-morrow or the day after.’--‘You are quite sure that he has not returned! quite sure that he is not hurt?’ resumed the pretty young lady, drying her eyes.--‘Quite sure, madame; if M. Hardy were in danger, I should not be so quiet in talking to you about him.’--‘Oh! thank God! thank God!’ cried the young lady. Then she expressed to me her gratitude, with so happy, so feeling an air, that I was quite touched by it. But suddenly, as if then only she felt ashamed of the step she had taken, she let down her veil, left me precipitately, went out of the court-yard, and got once more into the hackney-coach that had brought her. I said to myself: ‘This is a lady who takes great interest in M. Hardy, and has been alarmed by a false report.”’

“She loves him, doubtless,” said Mother Bunch, much moved, “and, in her anxiety, she perhaps committed an act of imprudence, in coming to inquire after him.”

“It is only too true. I saw her get into the coach with interests, for her emotion had infected me. The coach started--and what did I see a few seconds after? A cab, which the young lady could not have perceived, for it had been hidden by an angle of the wall; and, as it turned round the corner, I distinguished perfectly a man seated by the driver’s side, and making signs to him to take the same road as the hackney-coach.”

“The poor young lady was followed,” said Mother Bunch, anxiously.

“No doubt of it; so I instantly hastened after the coach, reached it, and through the blinds that were let down, I said to the young lady, whilst I kept running by the side of the coach door: ‘Take care, madame; you are followed by a cab.

“Well, Agricola! and what did she answer?”

“I heard her exclaim, ‘Great Heaven!’ with an accent of despair. The coach continued its course. The cab soon came up with me; I saw, by the side of the driver, a great, fat, ruddy man, who, having watched me running after the coach, no doubt suspected something, for he looked at me somewhat uneasily.”

“And when does M. Hardy return?” asked the hunchback.

“To-morrow, or the day after. Now, my good sister, advise me. It is evident that this young lady loves M. Hardy. She is probably married, for she looked so embarrassed when she spoke to me, and she uttered a cry of terror on learning that she was followed. What shall I do? I wished to ask advice of Father Simon, but he is so very strict in such matters--and then a love affair, at his age!--while you are so delicate and sensible, my good sister, that you will understand it all.”

The girl started, and smiled bitterly; Agricola did not perceive it, and thus continued: “So I said to myself, ‘There is only Mother Bunch, who can give me good advice.’ Suppose M. Hardy returns to-morrow, shall I tell him what has passed or not?”

“Wait a moment,” cried the other, suddenly interrupting Agricola, and appearing to recollect something; “when I went to St. Mary’s Convent, to ask for work of the superior, she proposed that I should be employed by the day, in a house in which I was to watch or, in other words, to act as a spy--”

“What a wretch!”

“And do you know,” said the girl, “with whom I was to begin this odious trade? Why, with a Madame de-Fremont, or de Bremont, I do not remember which, a very religious woman, whose daughter, a young married lady, received visits a great deal too frequent (according to the superior) from a certain manufacturer.”

“What do you say?” cried Agricola. “This manufacturer must be--”

“M. Hardy. I had too many reasons to remember that name, when it was pronounced by the superior. Since that day, so many other events have taken place, that I had almost forgotten the circumstance. But it is probable that this young lady is the one of whom I heard speak at the convent.”

“And what interest had the superior of the convent to set a spy upon her?” asked the smith.

“I do not know; but it is clear that the same interest still exists, since the young lady was followed, and perhaps, at this hour, is discovered and dishonored. Oh! it is dreadful!” Then, seeing Agricola start suddenly, Mother Bunch added: “What, then, is the matter?”

“Yes--why not?” said the smith, speaking to himself; “why may not all this be the work of the same hand? The superior of a convent may have a private understanding with an abbe--but, then, for what end?”

“Explain yourself, Agricola,” said the girl. “And then,--where did you get your wound? Tell me that, I conjure you.”

“It is of my wound that I am just going to speak; for in truth, the more I think of it, the more this adventure of the young lady seems to connect itself with other facts.”

“How so?”

“You must know that, for the last few days, singular things are passing in the neighborhood of our factory. First, as we are in Lent, an abbe from Paris (a tall, fine-looking man, they say) has come to preach in the little village of Villiers, which is only a quarter of a league from our works. The abbe has found occasion to slander and attack M. Hardy in his sermons.”

“How is that?”

“M. Hardy has printed certain rules with regard to our work, and the rights and benefits he grants us. These rules are followed by various maxims as noble as they are simple; with precepts of brotherly love such as all the world can understand, extracted from different philosophies and different religions. But because M. Hardy has chosen what is best in all religions, the abbe concludes that M. Hardy has no religion at all, and he has therefore not only attacked him for this in the pulpit, but has denounced our factory as a centre of perdition and damnable corruption, because, on Sundays, instead of going to listen to his sermons, or to drink at a tavern, our comrades, with their wives and children, pass their time in cultivating their little gardens, in reading, singing in chorus, or dancing together in the common dwelling house. The abbe has even gone so far as to say, that the neighborhood of such an assemblage of atheists, as he calls us, might draw down the anger of Heaven upon the country--that the hovering of Cholera was much talked of, and that very possibly, thanks to our impious presence, the plague might fall upon all our neighborhood.”

“But to tell such things to ignorant people,” exclaimed Mother Bunch, “is likely to excite them to fatal actions.”

“That is just what the abbe wants.”

“What do you tell me?”

“The people of the environs, still more excited, no doubt by other agitators, show themselves hostile to the workmen of our factory. Their hatred, or at least their envy, has been turned to account. Seeing us live all together, well lodged, well warmed, and comfortably clad, active, gay, and laborious, their jealousy has been embittered by the sermons, and by the secret manoeuvres of some depraved characters, who are known to be bad workmen, in the employment of M. Tripeaud, our opposition. All this excitement is beginning to bear fruit; there have been already two or three fights between us and our neighbors. It was in one of these skirmishes that I received a blow with a stone on my head.”

“Is it not serious, Agricola?--are you quite sure?” said Mother Bunch, anxiously.

“It is nothing at all, I tell you. But the enemies of M. Hardy have not confined themselves to preaching. They have brought into play something far more dangerous.”

“What is that?”

“I, and nearly all my comrades, did our part in the three Revolutionary days of July; but we are not eager at present, for good reasons, to take up arms again. That is not everybody’s opinion; well, we do not blame others, but we have our own ideas; and Father Simon, who is as brave as his son, and as good a patriot as any one, approves and directs us. Now, for some days past, we find all about the factory, in the garden, in the courts, printed papers to this effect: ‘You are selfish cowards; because chance has given you a good master, you remain indifferent to the misfortunes of your brothers, and to the means of freeing them; material comforts have enervated your hearts.’”

“Dear me, Agricola! what frightful perseverance in wickedness!”

“Yes! and unfortunately these devices have their effect on some of our younger mates. As the appeal was, after all, to proud and generous sentiments, it has had some influence. Already, seeds of division have shown themselves in our workshops, where, before, all were united as brothers. A secret agitation now reigns there. Cold suspicion takes the place, with some, of our accustomed cordiality. Now, if I tell you that I am nearly sure these printed papers, thrown over the walls of our factory, to raise these little sparks of discord amongst us, have been scattered about by the emissaries of this same preaching abbe--would it not seem from all this, taken in conjunction with what happened this morning to the young lady, that M. Hardy has of late numerous enemies?”

“Like you, I think it very fearful, Agricola,” said the girl; “and it is so serious, that M. Hardy alone can take a proper decision on the subject. As for what happened this morning to the young lady, it appears to me, that, immediately on M. Hardy’s return, you should ask for an interview with him, and, however delicate such a communication may be, tell him all that passed.”

“There is the difficulty. Shall I not seem as if wishing to pry into his secrets?”

“If the young lady had not been followed, I should have shared your scruples. But she was watched, and is evidently in danger. It is therefore, in my opinion, your duty to warn M. Hardy. Suppose (which is not improbable) that the lady is married; would it not be better, for a thousand reasons, that M. Hardy should know all?”

“You are right, my good sister; I will follow your advice. M. Hardy shall know everything. But now that we have spoken of others, I have to speak of myself--yes, of myself--for it concerns a matter, on which may depend the happiness of my whole life,” added the smith, in a tone of seriousness, which struck his hearer. “You know,” proceeded Agricola, after a moment’s silence, “that, from my childhood, I have never concealed anything from you--that I have told you everything--absolutely everything?”

“I know it, Agricola, I know it,” said the hunchback, stretching out her white and slender hand to the smith, who grasped it cordially, and thus continued: “When I say everything, I am not quite exact--for I have always concealed from you my little love-affairs--because, though we may tell almost anything to a sister, there are subjects of which we ought not to speak to a good and virtuous girl, such as you are.”

“I thank you, Agricola. I had remarked this reserve on your part,” observed the other, casting down her eyes, and heroically repressing the grief she felt; “I thank you.”

“But for the very reason, that I made it a duty never to speak to you of such love affairs, I said to myself, if ever it should happen that I have a serious passion--such a love as makes one think of marriage--oh! then, just as we tell our sister even before our father and mother, my good sister shall be the first to be informed of it.”

“You are very kind, Agricola.”

“Well then! the serious passion has come at last. I am over head and ears in love, and I think of marriage.”

At these words of Agricola, poor Mother Bunch felt herself for an instant paralyzed. It seemed as if all her blood was suddenly frozen in her veins. For some seconds, she thought she was going to die. Her heart ceased to beat; she felt it, not breaking, but melting away to nothing. Then, the first blasting emotion over, like those martyrs who found, in the very excitement of pain, the terrible power to smile in the midst of tortures, the unfortunate girl found, in the fear of betraying the secret of her fatal and ridiculous love, almost incredible energy. She raised her head, looked at the smith calmly, almost serenely, and said to him in a firm voice: “Ah! so, you truly love?”

“That is to say, my good sister, that, for the last four days, I scarcely live at all--or live only upon this passion.”

“It is only since four days that you have been in love?”

“Not more--but time has nothing to do with it.”

“And is she very pretty?”

“Dark hair--the figure of a nymph--fair as a lily--blue eyes, as large as that--and as mild, as good as your own.”

“You flatter me, Agricola.”

“No, no, it is Angela that I flatter--for that’s her name. What a pretty one! Is it not, my good Mother Bunch?”

“A charming name,” said the poor girl, contrasting bitterly that graceful appellation with her own nickname, which the thoughtless Agricola applied to her without thinking of it. Then she resumed, with fearful calmness: “Angela? yes, it is a charming name!”

“Well, then! imagine to yourself, that this name is not only suited to her face, but to her heart. In a word, I believe her heart to be almost equal to yours.”

“She has my eyes--she has my heart,” said Mother Bunch, smiling. “It is singular, how like we are.”

Agricola did not perceive the irony of despair contained in these words. He resumed, with a tenderness as sincere as it was inexorable: “Do you think, my good girl, that I could ever have fallen seriously in love with any one, who had not in character, heart, and mind, much of you?”

“Come, brother,” said the girl, smiling--yes, the unfortunate creature had the strength to smile; “come, brother, you are in a gallant vein to day. Where did you make the acquaintance of this beautiful young person?”

“She is only the sister of one of my mates. Her mother is the head laundress in our common dwelling, and as she was in want of assistance, and we always take in preference the relations of members of the association, Mrs. Bertin (that’s the mother’s name) sent for her daughter from Lille, where she had been stopping with one of her aunts, and, for the last five days, she has been in the laundry. The first evening I saw her, I passed three hours, after work was over, in talking with her, and her mother and brother; and the next day, I felt that my heart was gone; the day after that, the feeling was only stronger--and now I am quite mad about her, and resolved on marriage--according as you shall decide. Do not be surprised at this; everything depends upon you. I shall only ask my father and mother’s leave, after I have yours.”

“I do not understand you, Agricola.”

“You know the utter confidence I have in the incredible instinct of your heart. Many times, you have said to me: ‘Agricola, love this person, love that person, have confidence in that other’--and never yet were you deceived. Well! you must now render me the same service. You will ask permission of Mdlle. de Cardoville to absent yourself; I will take you to the factory: I have spoken of you to Mrs. Benin and her daughter, as of a beloved sister; and, according to your impression at sight of Angela, I will declare myself or not. This may be childishness, or superstition, on my part; but I am so made.”

“Be it so,” answered Mother Bunch, with heroic courage; “I will see Mdlle. Angela; I will tell you what I think of her--and that, mind you, sincerely.”

“I know it. When will you come?”

“I must ask Mdlle. de Cardoville what day she can spare sue. I will let you know.”

“Thanks, my good sister!” said Agricola warmly; then he added, with a smile: “Bring your best judgment with you--your full dress judgment.”

“Do not make a jest of it, brother,” said Mother Bunch, in a mild, sad voice; “it is a serious matter, for it concerns the happiness of your whole life.”

At this moment, a modest knock was heard at the door. “Come in,” said Mother Bunch. Florine appeared.

“My mistress begs that you will come to her, if you are not engaged,” said Florine to Mother Bunch.

The latter rose, and, addressing the smith, said to him: “Please wait a moment, Agricola. I will ask Mdlle. de Cardoville what day I can dispose of, and I will come and tell you.” So saying, the girl went out, leaving Agricola with Florine.

“I should have much wished to pay my respects to Mdlle. de Cardoville,” said Agricola; “but I feared to intrude.”

“My lady is not quite well, sir,” said Florine, “and receives no one to day. I am sure, that as soon as she is better, she will be quite pleased to see you.”

Here Mother Bunch returned, and said to Agricola: “If you can come for me to-morrow, about three o’clock, so as not to lose the whole day, we will go to the factory, and you can bring me back in the evening.”

“Then, at three o’clock to-morrow, my good sister.”

“At three to-morrow, Agricola.”

The evening of that same day, when all was quiet in the hotel, Mother Bunch, who had remained till ten o’clock with Mdlle. de Cardoville, re entered her bedchamber, locked the door after her, and finding herself at length free and unrestrained, threw herself on her knees before a chair, and burst into tears. She wept long--very long. When her tears at length ceased to flow, she dried her eyes, approached the writing-desk, drew out one of the boxes from the pigeonhole, and, taking from this hiding-place the manuscript which Florine had so rapidly glanced over the evening before, she wrote in it during a portion of the night.

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XLVI. MOTHER BUNCH’S DIARY

We have said that the hunchback wrote during a portion of the night, in the book discovered the previous evening by Florine, who had not ventured to take it away, until she had informed the persons who employed her of its contents, and until she had received their final orders on the subject. Let us explain the existence of this manuscript, before opening it to the reader. The day on which Mother Bunch first became aware of her love for Agricola, the first word of this manuscript had been written. Endowed with an essentially trusting character, yet always feeling herself restrained by the dread of ridicule--a dread which, in its painful exaggeration, was the workgirl’s only weakness--to whom could the unfortunate creature have confided the secret of that fatal passion, if not to paper--that mute confidant of timid and suffering souls, that patient friend, silent and cold, who, if it makes no reply to heart rending complaints, at least always listens, and never forgets?

When her heart was overflowing with emotion, sometimes mild and sad, sometimes harsh and bitter, the poor workgirl, finding a melancholy charm in these dumb and solitary outpourings of the soul, now clothed in the form of simple and touching poetry, and now in unaffected prose, had accustomed herself by degrees not to confine her confidences to what immediately related to Agricola, for though he might be mixed up with all her thoughts, for reflections, which the sight of beauty, of happy love, of maternity, of wealth, of misfortune, called up within her, were so impressed with the influence of her unfortunate personal position, that she would not even have dared to communicate them to him. Such, then, was this journal of a poor daughter of the people, weak, deformed, and miserable, but endowed with an angelic soul, and a fine intellect, improved by reading, meditation, and solitude; pages quite unknown, which yet contained many deep and striking views, both as regard men and things, taken from the peculiar standpoint in which fate had placed this unfortunate creature. The following lines, here and there abruptly interrupted or stained with tears, according to the current of her various emotions, on hearing of Agricola’s deep love for Angela, formed the last pages of this journal:

“Friday, March 3d, 1832.

“I spent the night without any painful dreams. This morning, I rose with no sorrowful presentiment. I was calm and tranquil when Agricola came. He did not appear to me agitated. He was simple and affectionate as he always is. He spoke to me of events relating to M. Hardy, and then, without transition, without hesitation, he said to me: ‘The last four days I have been desperately in love. The sentiment is so serious, that I think of marriage. I have come to consult you about it.’ That was how this overwhelming revelation was made to me--naturally and cordially--I on one side of the hearth, and Agricola an the other, as if we had talked of indifferent things. And yet no more is needed to break one’s heart. Some one enters, embraces you like a brother, sits down, talks--and then--Oh! Merciful heaven! my head wanders.

“I feel calmer now. Courage, my poor heart, courage!--Should a day of misfortune again overwhelm me, I will read these lines written under the impression of the most cruel grief I can ever feel, and I will say to myself: ‘What is the present woe compared to that past?’ My grief is indeed cruel! it is illegitimate, ridiculous, shameful: I should not dare to confess it, even to the most indulgent of mothers. Alas! there are some fearful sorrows, which yet rightly make men shrug their shoulders in pity or contempt. Alas! these are forbidden misfortunes. Agricola has asked me to go to-morrow, to see this young girl to whom he is so passionately attached, and whom he will marry, if the instinct of my heart should approve the marriage. This thought is the most painful of all those which have tortured me since he so pitilessly announced this love. Pitilessly? No, Agricola--no, my brother--forgive me this unjust cry of pain! Is it that you know, can even suspect, that I love you better than you love, better than you can ever love, this charming creature?

“‘Dark-haired--the figure of a nymph--fair as a lily--with blue eyes--as large as that--and almost as mild as your own.’

“That is the portrait he drew of her. Poor Agricola! how would he have suffered, had he known that every one of his words was tearing my heart. Never did I so strongly feel the deep commiseration and tender pity, inspired by a good, affectionate being, who, in the sincerity of his ignorance, gives you your death-wound with a smile. We do not blame him--no--we pity him to the full extent of the grief that he would feel on learning the pain he had caused me. It is strange! but never did Agricola appear to me more handsome than this morning. His manly countenance was slightly agitated, as he spoke of the uneasiness of that pretty young lady. As I listened to him describing the agony of a woman who runs the risk of ruin for the man she loves, I felt my heart beat violently, my hands were burning, a soft languor floated over me--Ridiculous folly! As if I had any right to feel thus!

“I remember that, while he spoke, I cast a rapid glance at the glass. I felt proud that I was so well dressed; he had not even remarked it; but no matter--it seemed to me that my cap became me, that my hair shone finely, my gaze beamed mild--I found Agricola so handsome, that I almost began to think myself less ugly--no doubt, to excuse myself in my own eyes for daring to love him. After all, what happened to-day would have happened one day or another! Yes, that is consoling--like the thoughts that death is nothing, because it must come at last--to those who are in love with life! I have been always preserved from suicide--the last resource of the unfortunate, who prefer trusting in God to remaining amongst his creatures--by the sense of duty. One must not only think of self. And I reflected also’God is good--always good--since the most wretched beings find opportunities for love and devotion.’ How is it that I, so weak and poor, have always found means to be helpful and useful to some one?

“This very day I felt tempted to make an end with life--Agricola and his mother had no longer need of me.--Yes, but the unfortunate creatures whom Mdlle. de Cardoville has commissioned me to watch over?--but my benefactress herself, though she has affectionately reproached me with the tenacity of my suspicions in regard to that man? I am more than ever alarmed for her--I feel that she is more than ever in danger--more than ever--I have faith in the value of my presence near her. Hence, I must live. Live--to go to-morrow to see this girl, whom Agricola passionately loves? Good heaven! why have I always known grief, and never hate? There must be a bitter pleasure in hating. So many people hate!--Perhaps I may hate this girl--Angela, as he called her, when he said, with so much simplicity: ‘A charming name, is it not, Mother Bunch?’ Compare this name, which recalls an idea so full of grace, with the ironical symbol of my witch’s deformity! Poor Agricola! poor brother! goodness is sometimes as blind as malice, I see. Should I hate this young girl?--Why? Did she deprive me of the beauty which charms Agricola? Can I find fault with her for being beautiful? When I was not yet accustomed to the consequences of my ugliness, I asked myself, with bitter curiosity, why the Creator had endowed his creatures so unequally. The habit of pain has allowed me to reflect calmly, and I have finished by persuading myself, that to beauty and ugliness are attached the two most noble emotions of the soul--admiration and compassion. Those who are like me admire beautiful persons--such as Angela, such as Agricola--and these in their turn feel a couching pity for such as I am. Sometimes, in spite of one’s self, one has very foolish hopes. Because Agricola, from a feeling of propriety had never spoken to me of his love affairs, I sometimes persuaded myself that he had none--that he loved me, and that the fear of ridicule alone was with him, as with me, an obstacle in the way of confessing it. Yes, I have even made verses on that subject--and those, I think, not the worst I have written.

“Mine is a singular position! If I love, I am ridiculous; if any love me, he is still more ridiculous. How did I come so to forget that, as to have suffered and to suffer what I do?--But blessed be that suffering, since it has not engendered hate--no; for I will not hate this girl--I will Perform a sister’s part to the last; I will follow the guidance of my heart; I have the instinct of preserving others--my heart will lead and enlighten me. My only fear is, that I shall burst into tears when I see her, and not be able to conquer my emotion. Oh, then! what a revelation to Agricola--a discovery of the mad love he has inspired!--Oh, never! the day in which he knew that would be the last of my life. There would then be within me something stronger than duty--the longing to escape from shame--that incurable shame, that burns me like a hot iron. No, no; I will be calm. Besides, did I not just now, when with him bear courageously a terrible trial? I will be calm. My personal feelings must not darken the second sight, so clear for those I love. Oh! painful--painful task! for the fear of yielding involuntarily to evil sentiments must not render me too indulgent toward this girl. I might compromise Agricola’s happiness, since my decision is to guide his choice. Poor creature that I am. How I deceive myself! Agricola asks my advice, because he thinks that I shall have not the melancholy courage to oppose his passion; or else he would say to me: ‘No matter--I love; and I brave the future!’

“But then, if my advice, if the instincts of my heart, are not to guide him--if his resolution is taken beforehand--of what use will be to morrow’s painful mission? Of what use? To obey him. Did he not say--‘Come!’ In thinking of my devotion for him, how many times, in the secret depths of my heart, I have asked myself if the thought had ever occurred to him to love me otherwise than as a sister; if it had ever struck him, what a devoted wife he would have in me! And why should it have occurred to him? As long as he wished, as long as he may still wish, I have been, and I shall be, as devoted to him, as if I were his wife, sister, or mother. Why should he desire what he already possesses?

“Married to him--oh, God!--the dream is mad as ineffable. Are not such thoughts of celestial sweetness--which include all sentiments from sisterly to maternal love--forbidden to me, on pain of ridicule as distressing as if I wore dresses and ornaments, that my ugliness and deformity would render absurd? I wonder, if I were now plunged into the most cruel distress, whether I should suffer as much as I do, on hearing of Agricola’s intended marriage? Would hunger, cold, or misery diminish this dreadful dolor?--or is it the dread pain that would make me forget hunger, cold, and misery?

“No, no; this irony is bitter. It is not well in me to speak thus. Why such deep grief? In what way have the affection, the esteem, the respect of Agricola, changed towards me? I complain--but how would it be, kind heaven! if, as, alas! too often happens, I were beautiful, loving, devoted, and he had chosen another, less beautiful, less loving, less devoted?--Should I not be a thousand times more unhappy? for then I might, I would have to blame him--whilst now I can find no fault with him, for never having thought of a union which was impossible, because ridiculous. And had he wished it, could I ever have had the selfishness to consent to it? I began to write the first pages of this diary as I began these last, with my heart steeped in bitterness--and as I went on, committing to paper what I could have intrusted to no one, my soul grew calm, till resignation came--Resignation, my chosen saint, who, smiling through her tears, suffers and loves, but hopes--never!”

These word’s were the last in the journal. It was clear, from the blots of abundant tears, that the unfortunate creature had often paused to weep.

In truth, worn out by so many emotions, Mother Bunch late in the night, had replaced the book behind the cardboard box, not that she thought it safer there than elsewhere (she had no suspicion of the slightest need for such precaution), but because it was more out of the way there than in any of the drawers, which she frequently opened in presence of other people. Determined to perform her courageous promise, and worthily accomplish her task to the end, she waited the next day for Agricola, and firm in her heroic resolution, went with the smith to M. Hardy’s factory. Florine, informed of her departure, but detained a portion of the day in attendance on Mdlle. de Cardoville preferred waiting for night to perform the new orders she had asked and received, since she had communicated by letter the contents of Mother Bunch’s journal. Certain not to be surprised, she entered the workgirls’ chamber, as soon as the night was come.

Knowing the place where she should find the manuscript, she went straight to the desk, took out the box, and then, drawing from her pocket a sealed letter, prepared to leave it in the place of the manuscript, which she was to carry away with her. So doing, she trembled so much, that she was obliged to support herself an instant by the table. Every good sentiment was not extinct in Florine’s heart; she obeyed passively the orders she received, but she felt painfully how horrible and infamous was her conduct. If only herself had been concerned, she would no doubt have had the courage to risk all, rather than submit to this odious despotism; but unfortunately, it was not so, and her ruin would have caused the mortal despair of another person whom she loved better than life itself. She resigned herself, therefore, not without cruel anguish, to abominable treachery.

Though she hardly ever knew for what end she acted, and this was particularly the case with regard to the abstraction of the journal, she foresaw vaguely, that the substitution of this sealed letter for the manuscript would have fatal consequences for Mother Bunch, for she remembered Rodin’s declaration, that “it was time to finish with the young sempstress.”

What did he mean by those words? How would the letter that she was charged to put in the place of the diary, contribute to bring about this result? she did not know--but she understood that the clear-sighted devotion of the hunchback justly alarmed the enemies of Mdlle. de Cardoville, and that she (Florine) herself daily risked having her perfidy detected by the young needlewoman. This last fear put an end to the hesitations of Florine; she placed the letter behind the box, and, hiding the manuscript under her apron, cautiously withdrew from the chamber.

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XLVII. THE DIARY CONTINUED

Returned into her own room, some hours after she had concealed there the manuscript abstracted from Mother Bunch’s apartment, Florine yielded to her curiosity, and determined to look through it. She soon felt a growing interest, an involuntary emotion, as she read more of these private thoughts of the young sempstress. Among many pieces of verse, which all breathed a passionate love for Agricola--a love so deep, simple, and sincere, that Florine was touched by it, and forgot the author’s deformity--among many pieces of verse, we say, were divers other fragments, thoughts, and narratives, relating to a variety of facts. We shall quote some of them, in order to explain the profound impression that their perusal made upon Florine.

Fragments from the Diary.

“This is my birthday. Until this evening, I had cherished a foolish hope. Yesterday, I went down to Mrs. Baudoin’s, to dress a little wound she had on her leg. When I entered the room, Agricola was there. No doubt he was talking of me to his mother, for they stopped when I came in, and exchanged a meaning smile. In passing by the drawers, I saw a pasteboard box, with a pincushion-lid, and I felt myself blushing with joy, as I thought this little present was destined for me, but I pretended not to see it. While I was on my knees before his mother, Agricola went out. I remarked that he took the little box with him. Never has Mrs. Baudoin been more tender and motherly than she was that morning. It appeared to me that she went to bed earlier than usual. ‘It is to send me away sooner,’ said I to myself, ‘that I may enjoy the surprise Agricola has prepared for me.’ How my heart beat, as I ran fast, very fast, up to my closet! I stopped a moment before opening the door, that my happiness might last the longer. At last I entered the room, my eyes swimming with tears of joy. I looked upon my table, my chair, my bed--there was nothing. The little box was not to be found. My heart sank within me. Then I said to myself: ‘It will be to-morrow--this is only the eve of my birthday.’ The day is gone. Evening is come. Nothing. The pretty box was not for me. It had a pincushion-cover. It was only suited for a woman. To whom has Agricola given it?

“I suffer a good deal just now. It was a childish idea that I connected with Agricola’s wishing me many happy returns of the day. I am ashamed to confess it; but it might have proved to me, that he has not forgotten I have another name besides that of Mother Bunch, which they always apply to me. My susceptibility on this head is unfortunately so stubborn, that I cannot help feeling a momentary pang of mingled shame and sorrow, every time that I am called by that fairy-tale name, and yet I have had no other from infancy. It is for that very reason that I should have been so happy if Agricola had taken this opportunity to call me for once by my own humble name--Magdalen. Happily, he will never know these wishes and regrets!”

Deeper and deeper touched by this page of simple grief, Florine turned over several leaves, and continued:

“I have just been to the funeral of poor little Victorine Herbin, our neighbor. Her father, a journeyman upholsterer, is gone to work by the month, far from Paris. She died at nineteen, without a relation near her. Her agony was not long. The good woman who attended her to the last, told us that she only pronounced these words: ‘At last, oh at last!’ and that with an air of satisfaction, added the nurse. Dear child! she had become so pitiful. At fifteen, she was a rosebud--so pretty, so fresh-looking, with her light hair as soft as silk; but she wasted away by degrees--her trade of renovating mattresses killed her. She was slowly poisoned by the emanations from the wool.(26) They were all the worse, that she worked almost entirely for the poor, who have cheap stuff to lie upon.

“She had the courage of a lion, and an angel’s resignation, She always said to me, in her low, faint voice, broken by a dry and frequent cough: ‘I have not long to live, breathing, as I do, lime and vitriol all day long. I spit blood, and have spasms that make me faint.’

“‘Why not change your trade?’ have I said to her.

“‘Where will I find the time to make another apprenticeship?’ she would answer; ‘and it is now too late. I feel that I am done for. It is not my fault,’ added the good creature, ‘for I did not choose my employment. My father would have it so; luckily he can do without me. And then, you see, when one is dead, one cares for nothing, and has no fear of “slop wages.”’

“Victorine uttered that sad, common phrase very sincerely, and with a sort of satisfaction. Therefore she died repeating: ‘At last!’

“It is painful to think that the labor by which the poor man earns his daily bread, often becomes a long suicide! I said this the other day to Agricola; he answered me that there were many other fatal employments; those who prepare aquafortis, white lead, or minium, for instance, are sure to take incurable maladies of which they die.

“‘Do you know,’ added Agricola, ‘what they say when they start for those fatal works?’--Why, ‘We are going to the slaughter-house.’

“That made me tremble with its terrible truth.

“‘And all this takes place in our day,’ said I to him, with an aching heart; ‘and it is well-known. And, out of so many of the rich and powerful, no one thinks of the mortality which decimates his brothers, thus forced to eat homicidal bread!’

“‘What can you expect, my poor sister,’ answered Agricola. ‘When men are to be incorporated, that they may get killed in war, all pains are taken with them. But when they are to be organized, so as to live in peace, no one cares about it, except M. Hardy, my master. People say, ‘Pooh! hunger, misery, and suffering of the laboring classes--what is that to us? that is not politics.’ ‘They are wrong,’ added Agricola; ‘IT IS MORE THAN POLITICS.’

“As Victorine had not left anything to pay for the church service, there was only the presentation of the body under the porch; for there is not even a plain mass for the poor. Besides, as they could not give eighteen francs to the curate, no priest accompanied the pauper’s coffin to the common grave. If funerals, thus abridged and cut short, are sufficient in a religious point of view, why invent other and longer forms? Is it from cupidity?--If, on the other hand, they are not sufficient, why make the poor man the only victim of this insufficiency? But why trouble ourselves about the pomp, the incense, the chants, of which they are either too sparing or too liberal? Of what use? and for what purpose? They are vain, terrestrial things, for which the soul recks nothing, when, radiant, it ascends towards its Creator. Yesterday, Agricola made me read an article in a newspaper, in which violent blame and bitter irony are by turns employed, to attack what they call the baneful tendencies of some of the lower orders, to improve themselves, to write, to read the poets, and sometimes to make verses. Material enjoyments are forbidden us by poverty. Is it humane to reproach us for seeking the enjoyments of the mind? What harm can it do any one if every evening, after a day’s toil, remote from all pleasure, I amuse myself, unknown to all, in making a few verses, or in writing in this journal the good or bad impressions I have received? Is Agricola the worse workman, because, on returning home to his mother, he employs Sunday in composing some of those popular songs, which glorify the fruitful labors of the artisan, and say to all, Hope and brotherhood! Does he not make a more worthy use of his time than if he spent it in a tavern? Ah! those who blame us for these innocent and noble diversions, which relieve our painful toils and sufferings, deceive themselves when they think, that, in proportion as the intellect is raised and refined, it is more difficult to bear with privations and misery, and that so the irritation increases against the luckier few.

“Admitting even this to be the case--and it is not so--is it not better to have an intelligent, enlightened enemy, to whose heart and reason you may address yourself, than a stupid, ferocious, implacable foe? But no; enmities disappear as the mind becomes enlightened, and the horizon of compassion extends itself. We thus learn to understand moral afflictions. We discover that the rich also have to suffer intense pains, and that brotherhood in misfortune is already a link of sympathy. Alas! they also have to mourn bitterly for idolized children, beloved mistresses, reverend mothers; with them, also, especially amongst the women, there are, in the height of luxury and grandeur, many broken hearts, many suffering souls, many tears shed in secret. Let them not be alarmed. By becoming their equals in intelligence, the people will learn to pity the rich, if good and unhappy--and to pity them still more if rejoicing in wickedness.

“What happiness! what a joyful day! I am giddy with delight. Oh, truly, man is good, humane, charitable. Oh, yes! the Creator has implanted within him every generous instinct--and, unless he be a monstrous exception, he never does evil willingly. Here is what I saw just now. I will not wait for the evening to write it down, for my heart would, as it were, have time to cool. I had gone to carry home some work that was wanted in a hurry. I was passing the Place du Temple. A few steps from me I saw a child, about twelve years old at most, with bare head, and feet, in spite of the severe weather, dressed in a shabby, ragged smock frock and trousers, leading by the bridle a large cart-horse, with his harness still on. From time to time the horse stopped short, and refused to advance. The child, who had no whip, tugged in vain at the bridle. The horse remained motionless. Then the poor little fellow cried out: ‘O dear, O dear!’ and began to weep bitterly, looking round him as if to implore the assistance of the passers-by. His dear little face was impressed with so heart piercing a sorrow, that, without reflecting, I made an attempt at which I can now only smile, I must have presented so grotesque a figure. I am horribly afraid of horses, and I am still more afraid of exposing myself to public gaze. Nevertheless, I took courage, and, having an umbrella in my hand, I approached the horse, and with the impetuosity of an ant that strives to move a large stone with a little piece of straw, I struck with all my strength on the croup of the rebellious animal. ‘Oh, thanks, my good lady!’ exclaimed the child, drying his eyes: ‘hit him again, if you please. Perhaps he will get up.’

“I began again, heroically; but, alas! either from obstinacy or laziness, the horse bent his knees, and stretched himself out upon the ground; then, getting entangled with his harness, he tore it, and broke his great wooden collar. I had drawn back quickly, for fear of receiving a kick. Upon this new disaster, the child could only throw himself on his knees in the middle of the street, clasping his hands and sobbing, and exclaiming in a voice of despair: ‘Help! help!’

“The call was heard; several of the passers-by gathered round, and a more efficacious correction than mine was administered to the restive horse, who rose in a vile state, and without harness.

“‘My master will beat me,’ cried the poor child, as his tears redoubled; ‘I am already two hours after time, for the horse would not go, and now he has broken his harness. My master will beat me, and turn me away. Oh dear! what will become of me! I have no father nor mother.’

“At these words, uttered with a heart-rending accent, a worthy old clothes-dealer of the Temple, who was amongst the spectators, exclaimed, with a kindly air: ‘No father nor mother! Do not grieve so, my poor little fellow; the Temple can supply everything. We will mend the harness, and, if my gossips are like me, you shall not go away bareheaded or barefooted in such weather as this.’

“This proposition was greeted with acclamation; they led away both horse and child; some were occupied in mending the harness, then one supplied a cap, another a pair of stockings, another some shoes, and another a good jacket; in a quarter of an hour the child was warmly clad, the harness repaired, and a tall lad of eighteen, brandishing a whip, which he cracked close to the horse’s ears, by way of warning, said to the little boy, who, gazing first at his new clothes, and then at the good woman, believed himself the hero of a fairy-tale. ‘Where does your governor live, little ‘un?’

“‘On the Quai du Canal-Saint-Martin, sir,’ answered he, in a voice trembling with joy.

“‘Very good,’ said the young man, ‘I will help you take home the horse, who will go well enough with me, and I will tell the master that the delay was no fault of your’n. A balky horse ought not to be trusted to a child of your age.’

“At the moment of setting out, the poor little fellow said timidly to the good dame, as he took off his cap to her: ‘Will you let me kiss you, ma’am?’

“His eyes were full of tears of gratitude. There was heart in that child. This scene of popular charity gave me delightful emotions. As long as I could, I followed with my eyes the tall young man and the child, who now could hardly keep up with the pace of the horse, rendered suddenly docile by fear of the whip.

“Yes! I repeat it with pride; man is naturally good and helpful. Nothing could have been more spontaneous than this movement of pity and tenderness in the crowd, when the poor little fellow exclaimed: ‘What will become of me? I have no father or mother!’

“‘Unfortunate child!’ said I to myself. ‘No father nor mother. In the hands of a brutal master, who hardly covers him with a few rags, and ill treats him into the bargain. Sleeping, no doubt in the corner of a stable. Poor little, fellow! and yet so mild and good, in spite of misery and misfortune. I saw it--he was even more grateful than pleased at the service done him. But perhaps this good natural disposition, abandoned without support or counsel, or help, and exasperated by bad treatment, may become changed and embittered--and then will come the age of the passions--the bad temptations--’

“Oh! in the deserted poor, virtue is doubly saintly and respectable!

“This morning, after having (as usual) gently reproached me for not going to mass, Agricola’s mother said to me these words, so touching in her simple and believing mouth, ‘Luckily, I pray for you and myself too, my poor girl; the good God will hear me, and you will only go, I hope, to Purgatory.’

“Good mother; angelic soul! she spoke those words in so grave and mild a tone, with so strong a faith in the happy result of her pious intercession, that I felt my eyes become moist, and I threw myself on her neck, as sincerely grateful as if I had believed in Purgatory. This day has been a lucky one for me. I hope I have found work, which luck I shall owe to a young person full of heart and goodness, she is to take me to-morrow to St. Mary’s Convent, where she thinks she can find me employment.”

Florine, already much moved by the reading, started at this passage in which Mother Bunch alluded to her, ere she continued as follows:

“Never shall I forget with what touching interest, what delicate benevolence, this handsome young girl received me, so poor, and so unfortunate. It does not astonish me, for she is attached to the person of Mdlle. de Cardoville. She must be worthy to reside with Agricola’s benefactress. It will always be dear and pleasant to me to remember her name. It is graceful and pretty as her face; it is Florine. I am nothing, I have nothing--but if the fervent prayers of a grateful heart might be heard, Mdlle. Florine would be happy, very happy. Alas! I am reduced to say prayers for her--only prayers--for I can do nothing but remember and love her!”

These lines, expressing so simply the sincere gratitude of the hunchback, gave the last blow to Florine’s hesitations. She could no longer resist the generous temptation she felt. As she read these last fragments of the journal, her affection and respect for Mother Bunch made new progress. More than ever she felt how infamous it was in her to expose to sarcasms and contempt the most secret thoughts of this unfortunate creature. Happily, good is often as contagious as evil. Electrified by all that was warm, noble, and magnanimous in the pages she had just read, Florine bathed her failing virtue in that pure and vivifying source, and, yielding, at last to one of those good impulses which sometimes carried her away, she left the room with the manuscript in her hand, determined, if Mother Bunch had not yet returned, to replace it--resolved to tell Rodin that, this second time, her search for the journal had been vain, the sempstress having no doubt discovered the first attempt.

(26) In the Ruche Populaire, a working man’s organ, are the following particulars:

“Carding Mattresses.--The dust which flies out of the wool makes carding destructive to health in any case, but trade adulterations enhance the danger. In sticking sheep, the skin gets blood-spotted; it has to be bleached to make it salable. Lime is the main whitener, and some of it clings to the wool after the process. The dresser (female, most often) breathes in the fine dust, and, by lung and other complaints, is far from seldom deplorably situated; the majority sicken of it and give up the trade, while those who keep to it, at the very least, suffer with a catarrh or asthma that torments them until death.

“As for horsehair, the very best is not pure. You can judge what the inferior quality is, from the workgirls calling it vitriol hair, because it is the refuse or clippings from goats and swine, washed in vitriol, boiled in dyes, etc., to burn and disguise such foreign bodies as straw. thorns, splinters, and even bits of skin, not worth picking out. The dust rising when a mass of this is beaten, makes as many ravages as the lime-wool.”

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XLVIII. THE DISCOVERY

A little while before Florine made up her mind to atone for her shameful breach of confidence, Mother Bunch had returned from the factory, after accomplishing to the end her painful task. After a long interview with Angela, struck, like Agricola, with the ingenuous grace, sense, and goodness, with which the young girl was endowed, Mother Bunch had the courageous frankness to advise the smith to enter into this marriage. The following scene took place whilst Florine, still occupied in reading the journal, had not yet taken the praiseworthy resolution of replacing it. It was ten o’clock at night. The workgirl, returned to Cardoville House, had just entered her chamber. Worn out by so many emotions, she had thrown herself into a chair. The deepest silence reigned in the house. It was now and then interrupted by the soughing of a high wind, which raged without and shook the trees in the garden. A single candle lighted the room, which was papered with dark green. That peculiar tint, and the hunchback’s black dress, increased her apparent paleness. Seated in an arm-chair by the side of the fire, with her head resting upon her bosom, her hands crossed upon her knees, the work-girl’s countenance was melancholy and resigned; on it was visible the austere satisfaction which is felt by the consciousness of a duty well performed.

Like all those who, brought up in the merciless school of misfortune, no longer exaggerate the sentiment of sorrow, too familiar and assiduous a guest to be treated as a stranger, Mother Bunch was incapable of long yielding to idle regrets and vain despair, with regard to what was already past. Beyond doubt, the blow had been sudden, dreadful; doubtless it must leave a long and painful remembrance in the sufferer’s soul; but it was soon to pass, as it were, into that chronic state of pain-durance, which had become almost an integral part of her life. And then this noble creature, so indulgent to fate, found still some consolations in the intensity of her bitter pain. She had been deeply touched by the marks of affection shown her by Angela, Agricola’s intended: and she had felt a species of pride of the heart, in perceiving with what blind confidence, with what ineffable joy, the smith accepted the favorable presentiments which seemed to consecrate his happiness. Mother Bunch also said to herself: “At least, henceforth I shall not be agitated by hopes, or rather by suppositions as ridiculous as they were senseless. Agricola’s marriage puts a term to all the miserable reveries of my poor head.”

Finally, she found a real and deep consolation in the certainty that she had been able to go through this terrible trial, and conceal from Agricola the love she felt for him. We know how formidable to this unfortunate being were those ideas of ridicule and shame, which she believed would attach to the discovery of her mad passion. After having remained for some time absorbed in thought, Mother Bunch rose, and advanced slowly towards the desk.

“My only recompense,” said she, as she prepared the materials for writing, “will be to entrust the mute witness of my pains with this new grief. I shall at least have kept the promise that I made to myself. Believing, from the bottom of my soul, that this girl is able to make Agricola happy, I told him so with the utmost sincerity. One day, a long time hence, when I shall read over these pages, I shall perhaps find in that a compensation for all that I now suffer.”

So saying, she drew the box from the pigeon-hole. Not finding her manuscript, she uttered a cry of surprise; but, what was her alarm, when she perceived a letter to her address in the place of the journal! She became deadly pale; her knees trembled; she almost fainted away. But her increasing terror gave her a fictitious energy, and she had the strength to break the seal. A bank-note for five hundred francs fell from the letter on the table, and Mother Bunch read as follows:

“Mademoiselle,--There is something so original and amusing in reading in your memoirs the story of your love for Agricola, that it is impossible to resist the pleasure of acquainting him with the extent of it, of which he is doubtless ignorant, but to which he cannot fail to show himself sensible. Advantage will be taken to forward it to a multitude of other persons, who might, perhaps, otherwise be unfortunately deprived of the amusing contents of your diary. Should copies and extracts not be sufficient, we will have it printed, as one cannot too much diffuse such things. Some will weep--others will laugh--what appears superb to one set of people, will seem ridiculous to another, such is life--but your journal will surely make a great sensation. As you are capable of wishing to avoid your triumph, and as you were only covered with rags when you were received, out of charity into this house, where you wish to figure as the great lady, which does not suit your shape for more reasons than one, we enclose in the present five hundred francs to pay for your day-book, and prevent your being without resources, in case you should be modest enough to shrink from the congratulations which await you, certain to overwhelm you by to-morrow, for, at this hour, your journal is already in circulation.

“One of your brethren,

“A REAL MOTHER BUNCH.”

The vulgar, mocking, and insolent tone of this letter, which was purposely written in the character of a jealous lackey, dissatisfied with the admission of the unfortunate creature into the house, had been calculated with infernal skill and was sure to produce the effect intended.

“Oh, good heaven!” were the only words the unfortunate girl could pronounce, in her stupor and alarm.

Now, if we remember in what passionate terms she had expressed her love for her adopted brother, if we recall many passages of this manuscript, in which she revealed the painful wounds often inflicted on her by Agricola without knowing it, and if we consider how great was her terror of ridicule, we shall understand her mad despair on reading this infamous letter. Mother Bunch did not think for a moment of all the noble words and touching narratives contained in her journal. The one horrible idea which weighed down the troubled spirit of the unfortunate creature, was, that on the morrow Agricola, Mdlle. de Cardoville, and an insolent and mocking crowd, would be informed of this ridiculous love, which would, she imagined, crush her with shame and confusion. This new blow was so stunning, that the recipient staggered a moment beneath the unexpected shock. For some minutes, she remained completely inert and helpless; then, upon reflection, she suddenly felt conscious of a terrible necessity.

This hospitable mansion, where she had found a sure refuge after so many misfortunes, must be left for ever. The trembling timidity and sensitive delicacy of the poor creature did not permit her to remain a minute more in this dwelling, where the most secret recesses of her soul had been laid open, profaned, and exposed no doubt to sarcasm and contempt. She did not think of demanding justice and revenge from Mdlle. de Cardoville. To cause a ferment of trouble and irritation in this house, at the moment of quitting it, would have appeared to her ingratitude towards her benefactress. She did not seek to discover the author or the motive of this odious robbery and insulting letter. Why should she, resolved, as she was, to fly from the humiliations with which she was threatened? She had a vague notion (as indeed was intended), that this infamy might be the work of some of the servants, jealous of the affectionate deference shown her by Mdlle. de Cardoville--and this thought filled her with despair. Those pages--so painfully confidential, which she would not have ventured to impart to the most tender and indulgent mother, because, written as it were with her heart’s blood, they painted with too cruel a fidelity the thousand secret wounds of her soul--those pages were to serve, perhaps served even now, for the jest and laughing-stock of the lackeys of the mansion.

The money which accompanied this letter, and the insulting way in which it was offered, rather tended to confirm her suspicions. It was intended that the fear of misery should not be the obstacle of her leaving the house. The workgirl’s resolution was soon taken, with that calm and firm resignation which was familiar to her. She rose, with somewhat bright and haggard eyes, but without a tear in them. Since the day before, she had wept too much. With a trembling, icy hand, she wrote these words on a paper, which she left by the side of the bank-note: “May Mdlle. de Cardoville be blessed for all that she has done for me, and forgive me for having left her house, where I can remain no longer.”

Having written this, Mother Bunch threw into the fire the infamous letter, which seemed to burn her hands. Then, taking a last look at her chamber, furnished so comfortably, she shuddered involuntarily as she thought of the misery that awaited her--a misery more frightful than that of which she had already been the victim, for Agricola’s mother had departed with Gabriel, and the unfortunate girl could no longer, as formerly, be consoled in her distress by the almost maternal affection of Dagobert’s wife. To live alone--quite alone--with the thought that her fatal passion for Agricola was laughed at by everybody, perhaps even by himself--such were the future prospects of the hunchback. This future terrified her--a dark desire crossed her mind--she shuddered, and an expression of bitter joy contracted her features. Resolved to go, she made some steps towards the door, when, in passing before the fireplace, she saw her own image in the glass, pale as death, and clothed in black; then it struck her that she wore a dress which did not belong to her, and she remembered a passage in the letter, which alluded to the rags she had on before she entered that house. “True!” said she, with a heart breaking smile, as she looked at her black garments; “they would call me a thief.”

And, taking her candle, she entered the little dressing room, and put on again the poor, old clothes, which she had preserved as a sort of pious remembrance of her misfortunes. Only at this instant did her tears flow abundantly. She wept--not in sorrow at resuming the garb of misery, but in gratitude; for all the comforts around her, to which she was about to bid an eternal adieu, recalled to her mind at every step the delicacy and goodness of Mdlle. de Cardoville: therefore, yielding to an almost involuntary impulse, after she had put on her poor, old clothes, she fell on her knees in the middle of the room, and, addressing herself in thought to Mdlle. de Cardoville, she exclaimed, in a voice broken by convulsive sobs: “Adieu! oh, for ever, adieu!--You, that deigned to call me friend--and sister!”

Suddenly, she rose in alarm; she heard steps in the corridor, which led from the garden to one of the doors of her apartment, the other door opening into the parlor. It was Florine, who (alas! too late) was bringing back the manuscript. Alarmed at this noise of footsteps, and believing herself already the laughing-stock of the house. Mother Bunch rushed from the room, hastened across the parlor, gained the court-yard, and knocked at the window of the porter’s lodge. The house-door opened, and immediately closed upon her. And so the workgirl left Cardoville House.

Adrienne was thus deprived of a devoted, faithful, and vigilant guardian. Rodin was delivered from an active and sagacious antagonist, whom he had always, with good reason, feared. Having, as we have seen, guessed Mother Bunch’s love for Agricola, and knowing her to be a poet, the Jesuit supposed, logically enough that she must have written secretly some verses inspired by this fatal and concealed passion. Hence the order given to Florine, to try and discover some written evidence of this love; hence this letter, so horribly effective in its coarse ribaldry, of which, it must be observed, Florine did not know the contents, having received it after communicating a summary of the contents of the manuscript, which, the first time, she had only glanced through without taking it away. We have said, that Florine, yielding too late to a generous repentance, had reached Mother Bunch’s apartment, just as the latter quitted the house in consternation.

Perceiving a light in the dressing-room, the waiting-maid hastened thither. She saw upon a chair the black dress that Mother Bunch had just taken off, and, a few steps further, the shabby little trunk, open and empty, in which she had hitherto preserved her poor garments. Florine’s heart sank within her; she ran to the secretary; the disorder of the card-board boxes, the note for five hundred francs left by the side of the two lines written to Mdlle. de Cardoville, all proved that her obedience to Rodin’s orders had borne fatal fruit, and that Mother Bunch had quitted the house for ever. Finding the uselessness of her tardy resolution, Florine resigned herself with a sigh to the necessity of delivering the manuscript to Rodin. Then, forced by the fatality of her miserable position to console herself for evil by evil, she considered that the hunchback’s departure would at least make her treachery less dangerous.

Two days after these events, Adrienne received the following note from Rodin, in answer to a letter she had written him, to inform him of the work-girl’s inexplicable departure:

“MY DEAR YOUNG LADY;--Obliged to set out this morning for the factory of the excellent M. Hardy, whither I am called by an affair of importance, it is impossible for me to pay you my humble respects. You ask me what I think of the disappearance of this poor girl? I really do not know. The future will, I doubt not, explain all to her advantage. Only, remember what I told you at Dr. Baleinier’s, with regard to a certain society and its secret emissaries, with whom it has the art of surrounding those it wishes to keep a watch on. I accuse no one; but let us only recall facts. This poor girl accused me; and I am, as you know, the most faithful of your servants. She possessed nothing; and yet five hundred francs were found in her secretary. You loaded her with favors; and she leaves your house without even explaining the cause of this extraordinary flight. I draw no conclusion, my dear young lady; I am always unwilling to condemn without evidence; but reflect upon all this, and be on your guard, for you have perhaps escaped a great danger. Be more circumspect and suspicious than ever; such at least is the respectful advice of your most obedient, humble servant,

“Rodin.”

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XLIX. THE TRYSTING-PLACE OF THE WOLVES

It was a Sunday morning the very day on which Mdlle. de Cardoville had received Rodin’s letter with regard to Mother Bunch’s disappearance. Two men were talking to together, seated at a table in one of the public houses in the little village of Villiers, situated at no great distance from Hardy’s factory. The village was for the most part inhabited by quarrymen and stonecutters, employed in working the neighboring quarries. Nothing can be ruder and more laborious, and at the same time less adequately paid, than the work of this class of people. Therefore, as Agricola had told Mother Bunch, they drew painful comparisons between their condition, almost always miserable, and the comfort and comparative ease enjoyed by M. Hardy’s workmen, thanks to his generous and intelligent management, and to the principles of association and community which he had put in practice amongst them. Misery and ignorance are always the cause of great evils. Misery is easily excited to anger, and ignorance soon yields to perfidious counsels. For a long time, the happiness of M. Hardy’s workmen had been naturally envied, but not with a jealousy amounting to hatred. As soon, however, as the secret enemies of the manufacturer, uniting with his rival Baron Tripeaud, had an interest in changing this peaceful state of things--it changed accordingly.

With diabolical skill and perseverance they succeeded in kindling the most evil passions. By means of chosen emissaries, they applied to those quarrymen and stonecutters of the neighborhood, whose bad conduct had aggravated their misery. Notorious for their turbulence, audacity, and energy, these men might exercise a dangerous influence on the majority of their companions, who were peaceful, laborious, and honest, but easily intimidated by violence. These turbulent leaders, previously embittered by misfortune, were soon impressed with an exaggerated idea of the happiness of M. Hardy’s workmen, and excited to a jealous hatred of them. They went still further; the incendiary sermons of an abbe, a member of the Jesuits, who had come expressly from Paris to preach during Lent against M. Hardy, acted powerfully on the minds of the women, who filled the church, whilst their husbands were haunting the taverns. Profiting by the growing fear, which the approach of the Cholera then inspired, the preacher struck with terror these weak and credulous imaginations by pointing to M. Hardy’s factory as a centre of corruption and damnation, capable of drawing down the vengeance of Heaven, and bringing the fatal scourge upon the country. Thus the men, already inflamed with envy, were still more excited by the incessant urgency of their wives, who, maddened by the abbe’s sermons, poured their curses on that band of atheists, who might bring down so many misfortunes upon them and their children. Some bad characters, belonging to the factory of Baron Tripeaud, and paid by him (for it was a great interest the honorable manufacturer had in the ruin of M. Hardy), came to augment the general irritation, and to complete it by raising one of those alarming union-questions, which in our day have unfortunately caused so much bloodshed. Many of M. Hardy’s workmen, before they entered his employ, had belonged to a society or union, called the Devourers; while many of the stonecutters in the neighboring quarries belonged to a society called the Wolves. Now, for a long time, an implacable rivalry had existed between the Wolves and Devourers, and brought about many sanguinary struggles, which are the more to be deplored, as, in some respects, the idea of these unions is excellent, being founded on the fruitful and mighty principle of association. But unfortunately, instead of embracing all trades in one fraternal communion, these unions break up the working-class into distinct and hostile societies, whose rivalry often leads to bloody collisions.(27) For the last week, the Wolves, excited by so many different importunities, burned to discover an occasion or a pretext to come to blows with the Devourers; but the latter, not frequenting the public-houses, and hardly leaving the factory during the week, had hitherto rendered such a meeting impossible, and the Wolves had been forced to wait for the Sunday with ferocious impatience.

Moreover, a great number of the quarrymen and stonecutters, being peaceable and hard-working people, had refused, though Wolves themselves to join this hostile manifestation against the Devourers of M. Hardy’s factory; the leaders had been obliged to recruit their forces from the vagabonds and idlers of the barriers, whom the attraction of tumult and disorder had easily enlisted under the flag of the warlike Wolves. Such then was the dull fermentation, which agitated the little village of Villiers, whilst the two men of whom we have spoken were at table in the public-house.

These men had asked for a private room, that they might be alone. One of them was still young, and pretty well dressed. But the disorder in his clothes, his loose cravat, his shirt spotted with wine, his dishevelled hair, his look of fatigue, his marble complexion, his bloodshot eyes, announced that a night of debauch had preceded this morning; whilst his abrupt and heavy gesture, his hoarse voice, his look, sometimes brilliant, and sometimes stupid, proved that to the last fumes of the intoxication of the night before, were joined the first attacks of a new state of drunkenness. The companion of this man said to him, as he touched his glass with his own: “Your health, my boy!”

“Yours!” answered the young man; “though you look to me like the devil.”

“I!--the devil?”

“Yes.”

“Why?”

“How did you come to know me?”

“Do you repent that you ever knew me?”

“Who told you that I was a prisoner at Sainte-Pelagie?”

“Didn’t I take you out of prison?”

“Why did you take me out?”

“Because I have a good heart.”

“You are very fond of me, perhaps--just as the butcher likes the ox that he drives to the slaughter-house.”

“Are you mad?”

“A man does not pay a hundred thousand francs for another without a motive.”

“I have a motive.”

“What is it? what do you want to do with me?”

“A jolly companion that will spend his money like a man, and pass every night like the last. Good wine, good cheer, pretty girls, and gay songs. Is that such a bad trade?”

After he had remained a moment without answering, the young man replied with a gloomy air: “Why, on the eve of my leaving prison, did you attach this condition to my freedom, that I should write to my mistress to tell her that I would never see her again! Why did you exact this letter from me?”

“A sigh! what, are you still thinking of her?”

“Always.”

“You are wrong. Your mistress is far from Paris by this time. I saw her get into the stage-coach, before I came to take you out of Sainte Pelagie.”

“Yes, I was stifled in that prison. To get out, I would have given my soul to the devil. You thought so, and therefore you came to me; only, instead of my soul, you took Cephyse from me. Poor Bacchanal-Queen! And why did you do it? Thousand thunders! Will you tell me!”

“A man as much attached to his mistress as you are is no longer a man. He wants energy, when the occasion requires.”

“What occasion?”

“Let us drink!”

“You make me drink too much brandy.”

“Bah! look at me!”

“That’s what frightens me. It seems something devilish. A bottle of brandy does not even make you wink. You must have a stomach of iron and a head of marble.”

“I have long travelled in Russia. There we drink to roast ourselves.”

“And here to only warm. So--let’s drink--but wine.”

“Nonsense! wine is fit for children. Brandy for men like us!”

“Well, then, brandy; but it burns, and sets the head on fire, and then we see all the flames of hell!”

“That’s how I like to see you, hang it!”

“But when you told me that I was too much attached to my mistress, and that I should want energy when the occasion required, of what occasion did you speak?”

“Let us drink!”

“Stop a moment, comrade. I am no more of a fool than others. Your half words have taught me something.

“Well, what?”

“You know that I have been a workman, that I have many companions, and that, being a good fellow, I am much liked amongst them. You want me for a catspaw, to catch other chestnuts?”

“What then?”

“You must be some getter-up of riots--some speculator in revolts.”

“What next?”

“You are travelling for some anonymous society, that trades in musket shots.”

“Are you a coward?”

“I burned powder in July, I can tell you--make no mistakes!”

“You would not mind burning some again?”

“Just as well that sort of fireworks as any other. Only I find revolutions more agreeable than useful; all that I got from the barricades of the three days was burnt breeches and a lost jacket. All the cause won by me, with its ‘Forward! March!’ says.”

“You know many of Hardy’s workmen?”

“Oh! that’s why you have brought me down here?”

“Yes--you will meet with many of the workmen from the factory.”

“Men from Hardy’s take part in a row? No, no; they are too well off for that. You have been sold.”

“You will see presently.”

“I tell you they are well off. What have they to complain of?”

“What of their brethren--those who have not so good a master, and die of hunger and misery, and call on them for assistance? Do you think they will remain deaf to such a summons? Hardy is only an exception. Let the people but give a good pull all together, and the exception will become the rule, and all the world be happy.”

“What you say there is true, but it would be a devil of a pull that would make an honest man out of my old master, Baron Tripeaud, who made me what I am--an out-and-out rip.”

“Hardy’s workmen are coming; you are their comrade, and have no interest in deceiving them. They will believe you. Join with me in persuading them--”

“To what?”

“To leave this factory, in which they grow effeminate and selfish, and forget their brothers.”

“But if they leave the factory, how are they to live?”

“We will provide for that--on the great day.”

“And what’s to be done till then?”

“What you have done last night--drink, laugh, sing, and, by way of work, exercise themselves privately in the use of arms.’

“Who will bring these workmen here?”

“Some one has already spoken to them. They have had printed papers, reproaching them with indifference to their brothers. Come, will you support me?”

“I’ll support you--the more readily as I cannot very well support myself. I only cared for Cephyse in the world; I know that I am on a bad road; you are pushing me on further; let the ball roll!--Whether we go to the devil one way or the other is not of much consequence. Let’s drink.”

“Drink to our next night’s fun; the last was only apprenticeship.”

“Of what then are you made? I looked at you, and never saw you either blush or smile, or change countenance. You are like a man of iron.”

“I am not a lad of fifteen. It would take something more to make me laugh. I shall laugh to-night.”

“I don’t know if it’s the brandy; but, devil take me, if you don’t frighten me when you say you shall laugh tonight!”

So saying, the young man rose, staggering; he began to be once more intoxicated.

There was a knock at the door. “Come in!” The host made his appearance.

“What’s the matter?”

“There’s a young man below, who calls himself Olivier. He asks for M. Morok.”

“That’s right. Let him came up.” The host went out.

“It is one of our men, but he is alone,” said Morok, whose savage countenance expressed disappointment. “It astonishes me, for I expected a good number. Do you know him?”

“Olivier? Yes--a fair chap, I think.”

“We shall see him directly. Here he is.” A young man, with an open, bold, intelligent countenance, at this moment entered the room.

“What! old Sleepinbuff!” he exclaimed, at sight of Morok’s companion.

“Myself. I have not seen you for an age, Olivier.”

“Simple enough, my boy. We do not work at the same place.”

“But you are alone!” cried Morok; and pointing to Sleepinbuff, he added: “You may speak before him--he is one of us. But why are you alone?”

“I come alone, but in the name of my comrades.”

“Oh!” said Morok, with a sigh of satisfaction, “they consent.”

“They refuse--just as I do!”

“What, the devil! they refuse? Have they no more courage than women?” cried Morok, grinding his teeth with rage.

“Hark ye,” answered Olivier, coolly. “We have received your letters, and seen your agent. We have had proof that he is really connected with great societies, many members of which are known to us.”

“Well! why do you hesitate?”

“First of all, nothing proves that these societies are ready to make a movement.”

“I tell you they are.”

“He--tells you--they are,” said Sleepinbuff, stammering “and I (hic!) affirm it. Forward! March!”

“That’s not enough,” replied Olivier. “Besides, we have reflected upon it. For a week the factory was divided. Even yesterday the discussion was too warm to be pleasant. But this morning Father Simon called to him; we explained ourselves fully before him, and he brought us all to one mind. We mean to wait, and if any disturbance breaks out, we shall see.”

“Is that your final word?”

“It is our last word.”

“Silence!” cried Sleepinbuff, suddenly, as he listened, balancing himself on his tottering legs. “It is like the noise of a crowd not far off.” A dull sound was indeed audible, which became every moment more and more distinct, and at length grew formidable.

“What is that?” said Olivier, in surprise.

“Now,” replied Morok, smiling with a sinister air, “I remember the host told me there was a great ferment in the village against the factory. If you and your other comrades had separated from Hardy’s other workmen, as I hoped, these people who are beginning to howl would have been for you, instead of against you.”

“This was a trap, then, to set one half of M. Hardy’s workmen against the other!” cried Olivier; “you hoped that we should make common cause with these people against the factory, and that--”

The young man had not time to finish. A terrible outburst of shouts, howls, and hisses shook the tavern. At the same instant the door was abruptly opened, and the host, pale and trembling, hurried into the chamber, exclaiming: “Gentlemen! do any of you work at M. Hardy’s factory?”

“I do,” said Olivier.

“Then you are lost. Here are the Wolves in a body, saying there are Devourers here from M. Hardy’s, and offering them battle--unless the Devourers will give up the factory, and range themselves on their side.”

“It was a trap, there can be no doubt of it!” cried Olivier, looking at Morok and Sleepinbuff, with a threatening air; “if my mates had come, we were all to be let in.”

“I lay a trap, Olivier?” stammered Jacques Rennepont. “Never!”

“Battle to the Devourers! or let them join the Wolves!” cried the angry crowd with one voice, as they appeared to invade the house.

“Come!” exclaimed the host. Without giving Olivier time to answer, he seized him by the arm, and opening a window which led to a roof at no very great height from the ground, he said to him: “Make your escape by this window, let yourself slide down, and gain the fields; it is time.”

As the young workman hesitated, the host added, with a look of terror:

“Alone, against a couple of hundred, what can you do? A minute more, and you are lost. Do you not hear them? They have entered the yard; they are coming up.”

Indeed, at this moment, the groans, the hisses, and cheers redoubled in violence; the wooden staircase which led to the first story shook beneath the quick steps of many persons, and the shout arose, loud and piercing: “Battle to the Devourers!”

“Fly, Olivier!” cried Sleepinbuff, almost sobered by the danger.

Hardly had he pronounced the words when the door of the large room, which communicated with the small one in which they were, was burst open with a frightful crash.

“Here they are!” cried the host, clasping his hands in alarm. Then, running to Olivier, he pushed him, as it were, out of the window; for, with one foot on the sill, the workman still hesitated.

The window once closed, the publican returned towards Morok the instant the latter entered the large room, into which the leaders of the Wolves had just forced an entry, whilst their companions were vociferating in the yard and on the staircase. Eight or ten of these madmen, urged by others to take part in these scenes of disorder, had rushed first into the room, with countenances inflamed by wine and anger; most of them were armed with long sticks. A blaster, of Herculean strength and stature, with an old red handkerchief about his head, its ragged ends streaming over his shoulders, miserably dressed in a half-worn goat-skin, brandished an iron drilling-rod, and appeared to direct the movements. With bloodshot eyes, threatening and ferocious countenance, he advanced towards the small room, as if to drive back Morok, and exclaimed, in a voice of thunder:

“Where are the Devourers?--the Wolves will eat ‘em up!”

The host hastened to open the door of the small room, saying: “There is no one here, my friends--no one. Look for yourselves.”

“It is true,” said the quarryman, surprised, after peeping into the room; “where are they, then? We were told there were a dozen of them here. They should have marched with us against the factory, or there’d ‘a been a battle, and the Wolves would have tried their teeth!”

“If they have not come,” said another, “they will come. Let’s wait.”

“Yes, yes; we will wait for them.”

“We will look close at each other.”

“If the Wolves want to see the Devourers,” said Morok, “why not go and howl round the factory of the miscreant atheists? At the first howl of the Wolves they will come out, and give you battle.”

“They will give you--battle,” repeated Sleepinbuff, mechanically.

“Unless the Wolves are afraid of the Devourers,” added Morok.

“Since you talk of fear, you shall go with us, and see who’s afraid!” cried the formidable blaster, and in a thundering voice, he advanced towards Morok.

A number of voices joined in with, “Who says the Wolves are afraid of the Devourers?”

“It would be the first time!”

“Battle! battle! and make an end of it!”

“We are tired of all this. Why should we be so miserable, and they so well off?”

“They have said that quarrymen are brutes, only fit to torn wheels in a shaft, like dogs to turn spits,” cried an emissary of Baron Tripeaud’s.

“And that the Devourers would make themselves caps with wolf-skin,” added another.

“Neither they nor their wives ever go to mass. They are pagans and dogs!” cried an emissary of the preaching abbe.

“The men might keep their Sunday as they pleased; but their wives not to go to mass!--it is abominable.

“And, therefore, the curate has said that their factory, because of its abominations, might bring down the cholera to the country.”

“True? he said that in his sermon.”

“Our wives heard it.”

“Yes, yes; down with the Devourers, who want to bring the cholera on the country!”

“Hooray, for a fight!” cried the crowd in chorus.

“To the factory, my brave Wolves!” cried Morok, with the voice of a Stentor; “on to the factory!”

“Yes! to the factory! to the factory!” repeated the crowd, with furious stamping; for, little by little, all who could force their way into the room, or up the stairs, had there collected together.

These furious cries recalling Jacques for a moment to his senses, he whispered to Morok: “It is slaughter you would provoke? I wash my hands of it.”

“We shall have time to let them know at the factory. We can give these fellows the slip on the road,” answered Morok. Then he cried aloud, addressing the host, who was terrified at this disorder: “Brandy!--let us drink to the health of the brave Wolves! I will stand treat.” He threw some money to the host, who disappeared, and soon returned with several bottles of brandy, and some glasses.

“What! glasses?” cried Morok. “Do jolly companions, like we are, drink out of glasses?” So saying, he forced out one of the corks, raised the neck of the bottle to his lips, and, having drunk a deep draught, passed it to the gigantic quarryman.

“That’s the thing!” said the latter. “Here’s in honor of the treat!--None but a sneak will refuse, for this stuff will sharpen the Wolves’ teeth!”

“Here’s to your health, mates!” said Morok, distributing the bottles.

“There will be blood at the end of all this,” muttered Sleepinbuff, who, in spite of his intoxication, perceived all the danger of these fatal incitements. Indeed, a large portion of the crowd was already quitting the yard of the public-house, and advancing rapidly towards M. Hardy’s factory.

Those of the workmen and inhabitants of the village, who had not chosen to take any part in this movement of hostility (they were the majority), did not make their appearance, as this threatening troop passed along the principal street; but a good number of women, excited to fanaticism by the sermons of the abbe, encouraged the warlike assemblage with their cries. At the head of the troop advanced the gigantic blaster, brandishing his formidable bar, followed by a motley mass, armed with sticks and stones. Their heads still warmed by their recent libations of brandy, they had now attained a frightful state of frenzy. Their countenances were ferocious, inflamed, terrible. This unchaining of the worst passions seemed to forbode the most deplorable consequences. Holding each other arm-in-arm, and walking four or five together, the Wolves gave vent to their excitement in war-songs, which closed with the following verse:

“Forward! full of assurance! Let us try our vigorous arms! They have wearied out our prudence; Let us show we’ve no alarms. Sprung from a monarch glorious,(28) To-day we’ll not grow pale, Whether we win the fight, or fail, Whether we die, or are victorious! Children of Solomon, mighty king, All your efforts together bring, Till in triumph we shall sing!”

Morok and Jacques had disappeared whilst the tumultuous troop were leaving the tavern to hasten to the factory.

(27) Let it be noted, to the working-man’s credit, that such outrageous scenes become more and more rare as he is enlightened to the full consciousness of his worth. Such better tendencies are to be attributed to the just influence of an excellent tract on trades’ union written by M. Agricole Perdignier, and published in 1841, Paris. This author, a joiner, founded at his own expense an establishment in the Faubourg St. Antoine, where some forty or fifty of his trade lodged, and were given, after the day’s work, a course of geometry, etc., applied to wood carving. We went to one of the lectures, and found as much clearness in the professor as attention and intelligence in the audience. At ten, after reading selections, all the lodgers retire, forced by their scanty wages to sleep, perhaps, four in a room. M. Perdignier informed us that study and instruction were such powerful ameliorators, that, during six years, he had only one of his lodgers to expel. “In a few days,” he remarked, “the bad eggs find out, this is no place for them to addle sound ones!” We are happy to hear, reader, public homage to a learned and upright man, devoted to his fellow-workmen.

(28) The Wolves (among others) ascribe the institution of their company to King Solomon. See the curious work by M. Agricole Perdignier, from which the war-song is extracted.

Spotted a typo or a problem in this chapter? Tell us

L. THE COMMON DWELLING-HOUSE

Whilst the Wolves, as we have just seen, prepared a savage attack on the Devourers, the factory of M. Hardy had that morning a festal air, perfectly in accordance with the serenity of the sky; for the wind was from the north, and pretty sharp for a fine day in March. The clock had just struck nine in the Common Dwelling-house of the workmen, separated from the workshops by a broad path planted with trees. The rising sun bathed in light this imposing mass of buildings, situated a league from Paris, in a gay and salubrious locality, from which were visible the woody and picturesque hills, that on this side overlook the great city. Nothing could be plainer, and yet more cheerful than the aspect of the Common Dwelling-house of the workmen. Its slanting roof of red tiles projected over white walls, divided here and there by broad rows of bricks, which contrasted agreeably with the green color of the blinds on the first and second stories.

These buildings, open to the south and east, were surrounded by a large garden of about ten acres, partly planted with trees, and partly laid out in fruit and kitchen-garden. Before continuing this description, which perhaps will appear a little like a fairy-tale, let us begin by saying, that the wonders, of which we are about to present the sketch, must not to be considered Utopian dreams; nothing, on the contrary, could be of a more positive character, and we are able to assert, and even to prove (what in our time is of great weight and interest), that these wonders were the result of an excellent speculation, and represented an investment as lucrative as it was secure. To undertake a vast, noble, and most useful enterprise; to bestow on a considerable number of human creatures an ideal prosperity, compared with the frightful, almost homicidal doom, to which they are generally condemned; to instruct them, and elevate them in their own esteem; to make them prefer to the coarse pleasures of the tavern, or rather to the fatal oblivion which they find there, as an escape from the consciousness of their deplorable destiny, the pleasures, of the intellect and the enjoyments of art; in a word, to make men moral by making them happy, and finally, thanks to this generous example, so easy of imitation, to take a place amongst the benefactors of humanity--and yet, at the same time to do, as it were, without knowing it, an excellent stroke of business--may appear fabulous. And yet this was the secret of the wonders of which we speak.

Let us enter the interior of the factory. Ignorant of Mother Bunch’s cruel disappearance, Agricola gave himself up to the most happy, thoughts as he recalled Angela’s image, and, having finished dressing with unusual care, went in search of his betrothed.

Let us say two words on the subject of the lodging, which the smith occupied in the Common Dwelling-house, at the incredibly low rate of seventy-five francs per annum like the other bachelors on the establishment. This lodging, situated on the second story, was comprised of a capital chamber and bedroom, with a southern aspect, and looking on the garden; the pine floor was perfectly white and clean; the iron bedstead was supplied with a good mattress and warm coverings; a gas burner and a warm-air pipe were also introduced into the rooms, to furnish light and heat as required; the walls were hung with pretty fancy papering, and had curtains to match; a chest of drawers, a walnut table, a few chairs, a small library, comprised Agricola’s furniture. Finally, in the large and light closet, was a place for his clothes, a dressing table, and large zinc basin, with an ample supply of water. If we compare this agreeable, salubrious, comfortable lodging, with the dark, icy, dilapidated garret, for which the worthy fellow paid ninety francs at his mother’s, and to get to which he had more than a league and a half to go every evening, we shall understand the sacrifice he made to his affection for that excellent woman.

Agricola, after casting a last glance of tolerable satisfaction at his looking-glass, while he combed his moustache and imperial, quitted his chamber, to go and join Angela in the women’s workroom. The corridor, along which he had to pass, was broad, well-lighted from above, floored with pine, and extremely clean. Notwithstanding some seeds of discord which had been lately sown by M. Hardy’s enemies amongst his workmen, until now so fraternally united, joyous songs were heard in almost all the apartments which skirted the corridor, and, as Agricola passed before several open doors, he exchanged a cordial good-morrow with many of his comrades. The smith hastily descended the stairs, crossed the court yard, in which was a grass-plot planted with trees, with a fountain in the centre, and gained the other wing of the building. There was the workroom, in which a portion of the wives and daughters of the associated artisans, who happened not to be employed in the factory, occupied themselves in making up the linen. This labor, joined to the enormous saving effected by the purchase of the materials wholesale, reduced to an incredible extent the price of each article. After passing through this workroom, a vast apartment looking on the garden, well-aired in summer,(29) and well-warmed in winter, Agricola knocked at the door of the rooms occupied by Angela’s mother.

If we say a few words with regard to this lodging, situated on the first story, with an eastern aspect, and also looking on the garden, it is that we may tape it as a specimen of the habitation of a family in this association, supplied at the incredibly small price of one hundred and twenty-five francs per annum.

A small entrance, opening on the corridor, led to a large room, on each side of which was a smaller chamber, destined for the family, when the boys and girls were too big to continue to sleep in the two dormitories, arranged after the fashion of a large school, and reserved for the children of both sexes. Every night the superintendence of these dormitories was entrusted to a father and mother of a family, belonging to the association. The lodging of which we speak, being, like all the others, disencumbered of the paraphernalia of a kitchen--for the cooking was done in common, and on a large scale, in another part of the building--was kept extremely clean. A pretty large piece of carpet, a comfortable arm-chair, some pretty-looking china on a stand of well polished wood, some prints hung against the walls, a clock of gilt bronze, a bed, a chest of drawers, and a mahogany secretary, announced that the inhabitants of this apartment enjoyed not only the necessaries, but some of the luxuries of life. Angela, who, from this time, might be called Agricola’s betrothed, justified in every point the flattering portrait which the smith had drawn of her in his interview with poor Mother Bunch. The charming girl, seventeen years of age at most, dressed with as much simplicity as neatness, was seated by the side of her mother. When Agricola entered, she blushed slightly at seeing him.

“Mademoiselle,” said Agricola, “I have come to keep my promise, if your mother has no objection.”

“Certainly, M. Agricola,” answered the mother of the young girl cordially. “She would not go over the Common Dwelling-house with her father, her brother, or me, because she wished to have that pleasure with you today. It is quite right that you, who can talk so well, should do the honors of the house to the new-comer. She has been waiting for you an hour, and with such impatience!”

“Pray excuse me, mademoiselle,” said Agricola, gayly; “in thinking of the pleasure of seeing you, I forgot the hour. That is my only excuse.”

“Oh, mother!” said the young girl, in a tone of mild reproach, and becoming red as a cherry, “why did you say that?”

“Is it true, yes or no? I do not blame you for it; on the contrary. Go with M. Agricola, child, and he will tell you, better than I can, what all the workmen of the factory owe to M, Hardy.”

“M. Agricola,” said Angela, tying the ribbons of her pretty cap, “what a pity that your good little adopted sister is not with us.”

“Mother Bunch?--yes, you are right, mademoiselle; but that is only a pleasure put off, and the visit she paid us yesterday will not be the last.”

Having embraced her mother, the girl took Agricola’s arm, and they went out together.

“Dear me, M. Agricola,” said Angela; “if you knew how much I was surprised on entering this fine house, after being accustomed to see so much misery amongst the poor workmen in our country, and in which I too have had my share, whilst here everybody seems happy and contented. It is really like fairy-land; I think I am in a dream, and when I ask my mother the explanation of these wonders, she tells me, ‘M. Agricola will explain it all to you.’”

“Do you know why I am so happy to undertake that delightful task, mademoiselle?” said Agricola, with an accent at once grave and tender. “Nothing could be more in season.”

“Why so, M. Agricola?”

“Because, to show you this house, to make you acquainted with all the resources of our association, is to be able to say to you: ‘Here, the workman, sure of the present, sure of the future, is not, like so many of his poor brothers, obliged to renounce the sweetest want of the heart--the desire of choosing a companion for life--in the fear of uniting misery to misery.”’

Angela cast down her eyes, and blushed.

“Here the workman may safely yield to the hope of knowing the sweet joys of a family, sure of not having his heart torn hereafter by the sight of the horrible privations of those who are dear to him; here, thanks to order and industry, and the wise employment of the strength of all, men, women, and children live happy and contented. In a ward, to explain all this to you, mademoiselle,” added Agricola, smiling with a still more tender air, “is to prove, that here we can do nothing more reasonable than love, nothing wiser than marry.”

“M. Agricola,” answered Angela, in a slightly agitated voice, and blushing still more as she spoke, “suppose we were to begin our walk.”

“Directly, mademoiselle,” replied the smith, pleased at the trouble he had excited in that ingenuous soul. “But, come; we are near the dormitory of the little girls. The chirping birds have long left their nests. Let us go there.”

“Willingly, M. Agricola.”

The young smith and Angela soon entered a spacious dormitory, resembling that of a first-rate boarding school. The little iron bedsteads were arranged in symmetrical order; at each end were the beds of the two mothers of families, who took the superintendence by turns.

“Dear me! how well it is arranged, M. Agricola, and how neat and clean! Who is it that takes such good care of it?”

“The children themselves; we have no servants here. There is an extraordinary emulation between these urchins--as to who shall make her bed most neatly, and it amuses them quite as much as making a bed for their dolls. Little girls, you know, delight in playing at keeping house. Well, here they play at it in good earnest, and the house is admirably kept in consequence.”

“Oh! I understand. They turn to account their natural taste for all such kinds of amusement.”

“That is the whole secret. You will see them everywhere usefully occupied, and delighted at the importance of the employments given them.”

“Oh, M. Agricola!” said Angela, timidly, “only compare these fine dormitories, so warm and healthy, with the horrible icy garrets, where children are heaped pell-mell on a wretched straw-mattress, shivering with cold, as in the case with almost all the workmen’s families in our country!”

“And in Paris, mademoiselle, it is even worse.”

“Oh! how kind, generous, and rich must M. Hardy be, to spend so much money in doing good!”

“I am going to astonish you, mademoiselle!” said Agricola, with a smile; “to astonish you so much, that perhaps you will not believe me.”

“Why so, M. Agricola?”

“There is not certainly in the world a man with a better and more generous heart than M. Hardy; he does good for its own sake and without thinking of his personal interest. And yet, Mdlle. Angela, were he the most selfish and avaricious of men, he would still find it greatly to his advantage to put us in a position to be as comfortable as we are.”

“Is it possible, M. Agricola? You tell me so, and I believe it; but if good can so easily be done, if there is even an advantage in doing it, why is it not more commonly attempted?”

“Ah! mademoiselle, it requires three gifts very rarely met with in the same person--knowledge, power and will.”

“Alas! yes. Those who have the knowledge, have not the power.”

“And those who have the power, have neither the knowledge nor the will.”

“But how does M. Hardy find any advantage in the good he does for you?”

“I will explain that presently, mademoiselle.”

“Oh, what a nice, sweet smell of fruit!” said Angela, suddenly.

“Our common fruit-store is close at hand. I wager we shall find there some of the little birds from the dormitory--not occupied in picking and stealing, but hard at work.”

Opening a door, Agricola led Angela into a large room, furnished with shelves, on which the winter fruits were arranged in order. A number of children, from seven to eight years old, neatly and warmly clad, and glowing with health, exerted themselves cheerfully, under the superintendence of a woman, in separating and sorting the spoiled fruit.

“You see,” said Agricola, “wherever it is possible, we make use of the children. These occupations are amusements for them, answering to the need of movement and activity natural to their age; and, in this way, we can employ the grown girls and the women to much better advantage.”

“True, M. Agricola; how well it is all arranged.”

“And if you saw what services the urchins in the kitchen render! Directed by one or two women, they do the work of eight or ten servants.”

“In fact,” said Angela, smiling, “at their age, we like so much to play at cooking dinner. They must be delighted.”

“And, in the same way, under pretext of playing at gardening, they weed the ground, gather the fruit and vegetables, water the flowers, roll the paths, and so on. In a word, this army of infant-workers, who generally remain till ten or twelve years of age without being of any service, are here very useful. Except three hours of school, which is quite sufficient for them, from the age of six or seven their recreations are turned to good account, and the dear little creatures, by the saving of full-grown arms which they effect, actually gain more than they cost; and then, mademoiselle, do you not think there is something in the presence of childhood thus mixed up with every labor--something mild, pure, almost sacred, which has its influence on our words and actions, and imposes a salutary reserve? The coarsest man will respect the presence of children.”

“The more one reflects, the more one sees that everything here is really designed for the happiness of all!” said Angela, in admiration.

“It has not been done without trouble. It was necessary to conquer prejudices, and break through customs. But see, Mdlle. Angela! here we are at the kitchen,” added the smith, smiling; “is it not as imposing as that of a barrack or a public school?”

Indeed, the culinary department of the Common Dwelling-house was immense. All its utensils were bright and clean; and thanks to the marvellous and economical inventions of modern science (which are always beyond the reach of the poorer classes, to whom they are most necessary, because they can only be practised on a large scale), not only the fire on the hearth, and in the stoves, was fed with half the quantity of fuel that would have been consumed by each family individually, but the excess of the caloric sufficed, with the aid of well-constructed tubes, to spread a mild and equal warmth through all parts of the house. And here also children, under the direction of two women, rendered numerous services. Nothing could be more comic than the serious manner in which they performed their culinary functions; it was the same with the assistance they gave in the bakehouse, where, at an extraordinary saving in the price (for they bought flour wholesale), they made an excellent household bread, composed of pure wheat and rye, so preferable to that whiter bread, which too often owes its apparent qualities to some deleterious substance.

“Good-day, Dame Bertrand,” said Agricola, gayly, to a worthy matron, who was gravely contemplating the slow evolution of several spits, worthy of Gamache’s Wedding so heavily were they laden with pieces of beef, mutton, and veal, which began to assume a fine golden brown color of the most attractive kind; “good-day, Dame Bertrand. According to the rule, I do not pass the threshold of the kitchen. I only wish it to be admired by this young lady, who is a new-comer amongst us.”

“Admire, my lad, pray admire--and above all take notice, how good these brats are, and how well they work!” So saying, the matron pointed with the long ladle, which served her as a sceptre, to some fifteen children of both sexes, seated round a table, and deeply absorbed in the exercise of their functions, which consisted in peeling potatoes and picking herbs.

“We are, I see, to have a downright Belshazzar’s feast, Dame Bertrand?” said Agricola, laughing.

“Faith, a feast like we have always, my lad. Here is our bill of fare for to-day. A good vegetable soup, roast beef with potatoes, salad, fruit, cheese; and for extras, it being Sunday, some currant tarts made by Mother Denis at the bakehouse, where the oven is heating now.”

“What you tell me, Dame Bertrand, gives me a furious appetite,” said Agricola, gayly. “One soon knows when it is your turn in the kitchen,” added he, with a flattering air.

“Get along, do!” said the female Soyer on service, merrily.

“What astonishes me, so much, M. Agricola,” said Angela, as they continued their walk, “is the comparison of the insufficient, unwholesome food of the workmen in our country, with that which is provided here.”

“And yet we do not spend more than twenty-five sous a day, for much better food than we should get for three francs in Paris.”

“But really it is hard to believe, M. Agricola. How is it possible?”

“It is thanks to the magic wand of M. Hardy. I will explain it all presently.”

“Oh! how impatient I am to see M. Hardy!”

“You will soon see him--perhaps to-day; for he is expected every moment. But here is the refectory, which you do not yet know, as your family, like many others, prefer dining at home. See what a fine room, looking out on the garden, just opposite the fountain!”

It was indeed a vast hall, built in the form of a gallery, with ten windows opening on the garden. Tables, covered with shining oil-cloth, were ranged along the walls, so that, in winter, this apartment served in the evening, after work, as a place of meeting for those who preferred to pass an hour together, instead of remaining alone or with their families. Then, in this large hall, well warmed and brilliantly lighted with gas, some read, some played cards, some talked, and some occupied themselves with easy work.

“That is not all,” said Agricola to the young girl; “I am sure you will like this apartment still better when I tell you, that on Thursdays and Sundays we make a ball-room of it, and on Tuesdays and Saturdays a concert-room.”

“Really!”

“Yes,” continued the smith, proudly, “we have amongst us musicians, quite capable of tempting us to dance. Moreover, twice a week, nearly all of us sing in chorus--men, women, and children. Unfortunately, this week, some disputes that have arisen in the factory have prevented our concerts.”

“So many voices! that must be superb.”

“It is very fine, I assure you. M. Hardy has always encouraged this amusement amongst us, which has, he says--and he is right--so powerful an effect on the mind and the manners. One winter, he sent for two pupils of the celebrated Wilhelm, and, since then, our school has made great progress. I assure you, Mdlle. Angela, that, without flattering ourselves, there is something truly exciting in the sound of two hundred voices, singing in chorus some hymn to Labor or Freedom. You shall hear it, and you will, I think, acknowledge that there is something great and elevating in the heart of man, in this fraternal harmony of voices, blending in one grave, sonorous, imposing sound.”

“Oh! I believe it. But what happiness to inhabit here. It is a life of joy; for labor, mixed with recreation, becomes itself a pleasure.”

“Alas! here, as everywhere, there are tears and sorrows,” replied Agricola, sadly. “Do you see that isolated building, in a very exposed situation?”

“Yes; what is it?”

“That is our hospital for the sick. Happily, thanks to our healthy mode of life, it is not often full; an annual subscription enables us to have a good doctor. Moreover, a mutual benefit society is arranged in such a manner amongst us, that any one of us, in case of illness, receives two thirds of what he would have gained in health.”

“How well it is all managed! And there, M. Agricola, on the other side of the grass-plot?”

“That is the wash-house, with water laid on, cold and hot; and under yonder shed is the drying-place: further on, you see the stables, and the lofts and granaries for the provender of the factory horses.”

“But M. Agricola, will you tell me the secret of all these wonders?”

“In ten minutes you shall understand it all, mademoiselle.”

Unfortunately, Angela’s curiosity was for a while disappointed. The girl was now standing with Agricola close to the iron gate, which shut in the garden from the broad avenue that separated the factory from the Common Dwelling-house. Suddenly, the wind brought from the distance the sound of trumpets and military music; then was heard the gallop of two horses, approaching rapidly, and soon after a general officer made his appearance, mounted on a fine black charger, with a long flowing tail and crimson housings; he wore cavalry boots and white breeches, after the fashion of the empire; his uniform glittered with gold embroidery, the red ribbon of the Legion of Honor was passed over his right epaulet, with its four silver stars, and his hat had a broad gold border, and was crowned with a white plume, the distinctive sign reserved for the marshals of France. No warrior could have had a more martial and chivalrous air, or have sat more proudly on his war-horse. At the moment Marshal Simon (for it was he) arrived opposite the place where Angela and Agricola were standing, he drew up his horse suddenly, sprang lightly to the ground, and threw the golden reins to a servant in livery, who followed also on horseback.

“Where shall I wait for your grace?” asked the groom.

“At the end of the avenue,” said the marshal.

And, uncovering his head respectfully, he advanced hastily with his hat in his hand, to meet a person whom Angela and Agricola had not previously perceived. This person soon appeared at a turn of the avenue; he was an old man, with an energetic, intelligent countenance. He wore a very neat blouse, and a cloth cap over his long, white hair. With his hands in his pocket, he was quietly smoking an old meerschaum pipe.

“Good-morning, father,” said the marshal, respectfully, as he affectionately embraced the old workman, who, having tenderly returned the pressure, said to him: “Put on your hat, my boy. But how gay we are!” added he, with a smile.

“I have just been to a review, father, close by; and I took the opportunity to call on you as soon as possible.”

“But shall I then not see my granddaughters to-day, as I do every Sunday?”

“They are coming in a carriage, father, and Dagobert accompanies them.”

“But what is the matter? you appear full of thought.”

“Indeed, father,” said the marshal, with a somewhat agitated air, “I have serious things to talk about.”

“Come in, then,” said the old man, with some anxiety. The marshal and his father disappeared at the turn of the avenue.

Angela had been struck with amazement at seeing this brilliant General, who was entitled “your grace,” salute an old workman in a blouse as his father; and, looking at Agricola with a confused air she said to him: “What, M. Agricola! this old workman--”

“Is the father of Marshal Duke de Ligny--the friend--yes, I may say the friend,” added Agricola, with emotion, “of my father, who for twenty years served under him in war.’

“To be placed so high, and yet to be so respectful and tender to his father!” said Angela. “The marshal must have a very noble heart; but why does he let his father remain a workman?”

“Because Father Simon will not quit his trade and the factory for anything in the world. He was born a workman, and he will die a workman, though he is the father of a duke and marshal of France.”

(29) See Adolphe Bobierre “On Air and Health,” Paris, 1844.

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LI. THE SECRET

When the very natural astonishment which the arrival of Marshal Simon had caused in Angela had passed away, Agricola said to her with a smile: “I do not wish to take advantage of this circumstance, Mdlle. Angela, to spare you the account of the secret, by which all the wonders of our Common Dwelling-house are brought to pass.”

“Oh! I should not have let you forget your promise, M. Agricola,” answered Angela, “what you have already told me interests me too much for that.”

“Listen, then. M. Hardy, like a true magician, has pronounced three cabalistic words: ASSOCIATION--COMMUNITY--FRATERNITY. We have understood the sense of these words, and the wonders you have seen have sprung from them, to our great advantage; and also, I repeat, to the great advantage of M. Hardy.”

“It is that which appears so extraordinary, M. Agricola.”

“Suppose, mademoiselle, that M. Hardy, instead of being what he is, had only been a cold-hearted speculator, looking merely to the profit, and saying to himself: ‘To make the most of my factory, what is needed? Good work--great economy in the raw material--full employment of the workman’s time; in a word, cheapness of manufacture, in order to produce cheaply--excellence of the thing produced, in order to sell dear.’”

“Truly, M. Agricola, no manufacturer could desire more.”

“Well, mademoiselle, these conditions might have been fulfilled, as they have been, but how? Had M. Hardy only been a speculator, he might have said: ‘At a distance from my factory, my workmen might have trouble to get there: rising earlier, they will sleep less; it is a bad economy to take from the sleep so necessary to those who toil. When they get feeble, the work suffers for it; then the inclemency of the seasons makes it worse; the workman arrives wet, trembling with cold, enervated before he begins to work--and then, what work!’”

“It is unfortunately but too true, M. Agricola. At Lille, when I reached the factory, wet through with a cold rain, I used sometimes to shiver all day long at my work.”

“Therefore, Mdlle. Angela, the speculator might say: ‘To lodge my workmen close to the door of my factory would obviate this inconvenience. Let us make the calculation. In Paris the married workman pays about two hundred and fifty francs a-year,(30) for one or two wretched rooms and a closet, dark, small, unhealthy, in a narrow, miserable street; there he lives pell-mell with his family. What ruined constitutions are the consequence! and what sort of work can you expect from a feverish and diseased creature? As for the single men, they pay for a smaller, and quite as unwholesome lodging, about one hundred and fifty francs a-year. Now, let us make the addition. I employ one hundred and forty-six married workmen, who pay together, for their wretched holes, thirty-six thousand five hundred francs; I employ also one hundred and fifteen bachelors, who pay at the rate of seventeen thousand two hundred and eighty francs; the total will amount to about fifty thousand francs per annum, the interest on a million.”’

“Dear me, M. Agricola! what a sum to be produced by uniting all these little rents together!”

“You see, mademoiselle, that fifty thousand francs a-year is a millionaire’s rent. Now, what says our speculator: To induce our workmen to leave Paris, I will offer them, enormous advantages. I will reduce their rent one-half, and, instead of small, unwholesome rooms, they shall have large, airy apartments, well-warmed and lighted, at a trifling charge. Thus, one hundred and forty-six families, paying me only one hundred and twenty-five francs a-year, and one hundred and fifteen bachelors, seventy-five francs, I shall have a total of twenty-six to twenty-seven thousand francs. Now, a building large enough to hold all these people would cost me at most five hundred thousand francs.(31) I shall then have invested my money at five per cent at the least, and with perfect security, since the wages is a guarantee for the payment of the rent.’”

“Ah, M. Agricola! I begin to understand how it may sometimes be advantageous to do good, even in a pecuniary sense.”

“And I am almost certain, mademoiselle, that, in the long run, affairs conducted with uprightness and honesty turn out well. But to return to our speculator. ‘Here,’ will he say, ‘are my workmen, living close to my factory, well lodged, well warmed, and arriving always fresh at their work. That is not all; the English workman who eats good beef, and drinks good beer, does twice as much, in the same time, as the French workman,(32) reduced to a detestable kind of food, rather weakening than the reverse, thanks to the poisonous adulteration of the articles he consumes. My workmen will then labor much better, if they eat much better. How shall I manage it without loss? Now I think of it, what is the food in barracks, schools, even prisons? Is it not the union of individual resources which procures an amount of comfort impossible to realize without such an association? Now, if my two hundred and sixty workmen, instead of cooking two hundred and sixty detestable dinners, were to unite to prepare one good dinner for all of them, which might be done, thanks to the savings of all sorts that would ensue, what an advantage for me and them! Two or three women, aided by children, would suffice to make ready the daily repasts; instead of buying wood and charcoal in fractions,(33) and so paying for it double its value, the association of my workmen would, upon my security (their wages would be an efficient security for me in return), lay in their own stock of wood, flour, butter, oil, wine, etc., all which they would procure directly from the producers. Thus, they would pay three or four sous for a bottle of pure wholesome wine, instead of paying twelve or fifteen sous for poison. Every week the association would buy a whole ox, and some sheep, and the women would make bread, as in the country. Finally, with these resources, and order, and economy, my workmen may have wholesome, agreeable, and sufficient food, for from twenty to twenty-five sous a day.’”

“Ah! this explains it, M. Agricola.”

“It is not all, mademoiselle. Our cool-headed speculator would continue: ‘Here are my workmen well lodged, well warmed, well fed, with a saving of at least half; why should they not also be warmly clad? Their health will then have every chance of being good, and health is labor. The association will buy wholesale, and at the manufacturing price (still upon my security, secured to me by their wages), warm, good, strong materials, which a portion of the workmen’s wives will be able to make into clothes as well as any tailor. Finally, the consumption of caps and shoes being considerable, the association will obtain them at a great reduction in price.’ Well, Mdlle. Angela! what do you say to our speculator?”

“I say, M. Agricola,” answered the young girl; with ingenuous admiration, “that it is almost incredible, and yet so simple!”

“No doubt, nothing is more simple than the good and beautiful, and yet we think of it so seldom. Observe, that our man has only been speaking with a view to his own interest--only considering the material side of the question--reckoning for nothing the habit of fraternity and mutual aid, which inevitably springs from living together in common--not reflecting that a better mode of life improves and softens the character of man--not thinking of the support and instruction which the strong owe to the weak--not acknowledging, in fine, that the honest, active, and industrious man has a positive right to demand employment from society, and wages proportionate to the wants of his condition. No, our speculator only thinks of the gross profits; and yet, you see, he invests his money in buildings at five per cent., and finds the greatest advantages in the material comfort of his workmen.”

“It is true, M. Agricola.”

“And what will you say, mademoiselle, when I prove to you that our speculator finds also a great advantage in giving to his workmen, in addition to their regular wages, a proportionate share of his profits?”

“That appears to me more difficult to prove, M. Agricola.”

“Yet I will convince you of it in a few minutes.”

Thus conversing, Angela and Agricola had reached the garden-gate of the Common Dwelling-house. An elderly woman, dressed plainly, but with care and neatness, approached Agricola, and asked him: “Has M. Hardy returned to the factory, sir?”

“No, madame; but we expect him hourly.”

“To-day, perhaps?”

“To-day or to-morrow, madame.”

“You cannot tell me at what hour he will be here?”

“I do not think it is known, madame, but the porter of the factory, who also belongs to M. Hardy’s private house, may, perhaps, be able to inform you.”

“I thank you, sir.”

“Quite welcome, madame.”

“M. Agricola,” said Angela, when the woman who had just questioned him was gone, “did you remark that this lady was very pale and agitated?”

“I noticed it as you did, mademoiselle; I thought I saw tears standing in her eyes.”

“Yes, she seemed to have been crying. Poor woman! perhaps she came to ask assistance of M. Hardy. But what ails you, M. Agricola? You appear quite pensive.”

Agricola had a vague presentiment that the visit of this elderly woman with so sad a countenance, had some connection with the adventure of the young and pretty lady, who, three days before had come all agitated and in tears to inquire after M. Hardy, and who had learned--perhaps too late--that she was watched and followed.

“Forgive me, mademoiselle,” said Agricola to Angela; “but the presence of this old lady reminded me of a circumstance, which, unfortunately, I cannot tell you, for it is a secret that does not belong to me alone.”

“Oh! do not trouble yourself, M. Agricola,” answered the young girl, with a smile; “I am not inquisitive, and what we were talking of before interests me so much, that I do not wish to hear you speak of anything else.”

“Well, then mademoiselle, I will say a few words more, and you will be as well informed as I am of the secrets of our association.”

“I am listening, M. Agricola.”

“Let us still keep in view the speculator from mere interest. ‘Here are my workmen, says he, ‘in the best possible condition to do a great deal of work. Now what is to be done to obtain large profits? Produce cheaply, and sell dear. But there will be no cheapness, without economy in the use of the raw material, perfection of the manufacturing process, and celerity of labor. Now, in spite of all my vigilance, how am I to prevent my workmen from wasting the materials? How am I to induce them, each in his own province, to seek for the most simple and least irksome processes?”

“True, M. Agricola; how is that to be done?”

“‘And that is not all,’ says our man; ‘to sell my produce at high prices, it should be irreproachable, excellent. My workmen do pretty well; but that is not enough. I want them to produce masterpieces.’”

“But, M. Agricola, when they have once performed the task set them what interest have workmen to give themselves a great deal of trouble to produce masterpieces?”

“There it is, Mdlle. Angela; what interest have they? Therefore, our speculator soon says to himself: ‘That my workmen may have an interest to be economical in the use of the materials, an interest to employ their time well, an interest to invent new and better manufacturing processes, an interest to send out of their hands nothing but masterpieces--I must give them an interest in the profits earned by their economy, activity, zeal and skill. The better they manufacture, the better I shall sell, and the larger will be their gain and mine also.’”

“Oh! now I understand, M. Agricola.”

“And our speculator would make a good speculation. Before he was interested, the workman said: ‘What does it matter to me, that I do more or do better in the course of the day? What shall I gain by it? Nothing. Well, then, little work for little wages. But now, on the contrary (he says), I have an interest in displaying zeal and economy. All is changed. I redouble my activity, and strive to excel the others. If a comrade is lazy, and likely to do harm to the factory, I have the right to say to him: ‘Mate, we all suffer more or less from your laziness, and from the injury you are doing the common weal.’”

“And then, M. Agricola, with what ardor, courage, and hope, you must set to work!”

“That is what our speculator counts on; and he may say to himself, further: ‘Treasures of experience and practical wisdom are often buried in workshops, for want of goodwill, opportunity, or encouragement. Excellent workmen, instead of making all the improvements in their power, follow with indifference the old jog-trot. What a pity! for an intelligent man, occupied all his life with some special employment, must discover, in the long run, a thousand ways of doing his work better and quicker. I will form, therefore, a sort of consulting committee; I will summon to it my foremen and my most skillful workmen. Our interest is now the same. Light will necessarily spring from this centre of practical intelligence.’ Now, the speculator is not deceived in this, and soon struck with the incredible resources, the thousand new, ingenious, perfect inventions suddenly revealed by his workmen, ‘Why’ he exclaims, ‘if you knew this, did you not tell it before? What for the last ten years has cost me a hundred francs to make, would have cost me only fifty, without reckoning an enormous saving of time.’ ‘Sir,’ answers the workman, who is not more stupid than others, ‘what interest had I, that you should effect a saving of fifty per cent? None. But now it is different. You give me, besides my wages, a share in your profits; you raise me in my own esteem, by consulting my experience and knowledge. Instead of treating me as an inferior being, you enter into communion with me. It is my interest, it is my duty, to tell you all I know, and to try to acquire more.’ And thus it is, Mdlle. Angela, that the speculator can organize his establishment, so as to shame his oppositionists, and provoke their envy. Now if, instead of a cold hearted calculator, we tape a man who unites with the knowledge of these facts the tender and generous sympathies of an evangelical heart, and the elevation of a superior mind, he will extend his ardent solicitude; not only to the material comfort, but to the moral emancipation, of his workmen. Seeking everywhere every possible means to develop their intelligence, to improve their hearts, and strong in the authority acquired by his beneficence, feeling that he on whom depends the happiness or the misery of three hundred human creatures has also the care of souls, he will be the guide of those whom he no longer calls his workmen, but his brothers, in a straightforward and noble path, and will try to create in them the taste for knowledge and art, which will render them happy and proud of a condition of life that is often accepted by others with tears and curses of despair. Well, Mdlle. Angela, such a man is--but, see! he could not arrive amongst us except in the middle of a blessing. There he is--there is M. Hardy!”

“Oh, M. Agricola!” said Angela, deeply moved, and drying her tears; “we should receive him with our hands clasped in gratitude.”

“Look if that mild and noble countenance is not the image of his admirable soul!”

A carriage with post horses, in which was M. Hardy, with M. de Blessac, the unworthy friend who was betraying him in so infamous a manner, entered at this moment the courtyard of the factory.

A little while after, a humble hackney-coach was seen advancing also towards the factory, from the direction of Paris. In this coach was Rodin.

(30) The average price of a workman’s lodging, composed of two small rooms and a closet at most, on the third or fourth story.

(31) This calculation is amply sufficient, if not excessive. A similar building, at one league from Paris, on the side of Montrouge, with all the necessary offices, kitchen, wash-houses, etc., with gas and water laid on, apparatus for warming, etc., and a garden of ten acres, cost, at the period of this narrative, hardly five hundred thousand francs. An experienced builder less obliged us with an estimate, which confirms what we advance. It is, therefore, evident, that, even at the same price which workmen are in the habit of paying, it would be possible to provide them with perfectly healthy lodgings, and yet invest one’s money at ten per cent.

(32) The fact was proved in the works connected with the Rouen Railway. Those French workmen who, having no families, were able to live like the English, did at least as much work as the latter, being strengthened by wholesome and sufficient nourishment.

(33) Buying penny-worths, like all other purchases at minute retail, are greatly to the poor man’s disadvantage.

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LII. REVELATIONS

During the visit of Angela and Agricola to the Common Dwelling-house, the band of Wolves, joined upon the road by many of the haunters of taverns, continued to march towards the factory, which the hackney-coach, that brought Rodin from Paris, was also fast approaching. M. Hardy, on getting out of the carriage with his friend, M. de Blessac, had entered the parlor of the house that he occupied next the factory. M. Hardy was of middle size, with an elegant and slight figure, which announced a nature essentially nervous and impressionable. His forehead was broad and open, his complexion pale, his eyes black, full at once of mildness and penetration, his countenance honest, intelligent, and attractive.

One word will paint the character of M. Hardy. His mother had called him her Sensitive Plant. His was indeed one of those fine and exquisitely delicate organizations, which are trusting, loving, noble, generous, but so susceptible, that the least touch makes them shrink into themselves. If we join to this excessive sensibility a passionate love for art, a first-rate intellect, tastes essentially refined, and then think of the thousand deceptions, and numberless infamies of which M. Hardy must have been the victim in his career as a manufacturer, we shall wonder how this heart, so delicate and tender, had not been broken a thousand times, in its incessant struggle with merciless self-interest. M. Hardy had indeed suffered much. Forced to follow the career of productive industry, to honor the engagements of his father, a model of uprightness and probity, who had yet left his affairs somewhat embarrassed, in consequence of the events of 1815, he had succeeded, by perseverance and capacity, in attaining one of the most honorable positions in the commercial world. But, to arrive at this point, what ignoble annoyances had he to bear with, what perfidious opposition to combat, what hateful rivalries to tire out!

Sensitive as he was, M. Hardy would a thousand times have fallen a victim to his emotions of painful indignation against baseness, of bitter disgust at dishonesty, but for the wise and firm support of his mother. When he returned to her, after a day of painful struggles with odious deceptions, he found himself suddenly transported into an atmosphere of such beneficent purity, of such radiant serenity, that he lost almost on the instant the remembrance of the base things by which he had been so cruelly tortured during the day; the pangs of his heart were appeased at the mere contact of her great and lofty soul; and therefore his love for her resembled idolatry. When he lost her, he experienced one of those calm, deep sorrows which have no end--which become, as it were, part of life, and have even sometimes their days of melancholy sweetness. A little while after this great misfortune, M. Hardy became more closely connected with his workmen. He had always been a just and good master; but, although the place that his mother left in his heart would ever remain void, he felt as it were a redoubled overflowing of the affections, and the more he suffered, the more he craved to see happy faces around him. The wonderful ameliorations, which he now produced in the physical and moral condition of all about him, served, not to divert, but to occupy his grief. Little by little, he withdrew from the world, and concentrated his life in three affections: a tender and devoted friendship, which seemed to include all past friendships--a love ardent and sincere, like a last passion--and a paternal attachment to his workmen. His days therefore passed in the heart of that little world, so full of respect and gratitude towards him--a world, which he had, as it were, created after the image of his mind, that he might find there a refuge from the painful realities he dreaded, surrounded with good, intelligent, happy beings, capable of responding to the noble thoughts which had become more and more necessary to his existence. Thus, after many sorrows, M. Hardy, arrived at the maturity of age, possessing a sincere friend, a mistress worthy of his love, and knowing himself certain of the passionate devotion of his workmen, had attained, at the period of this history, all the happiness he could hope for since his mother’s death.

M. de Blessac, his bosom friend, had long been worthy of his touching and fraternal affection; but we have seen by what diabolical means Father d’Aigrigny and Rodin had succeeded in making M. de Blessac, until then upright and sincere, the instrument of their machinations. The two friends, who had felt on their journey a little of the sharp influence of the north wind, were warming themselves at a good fire lighted in M. Hardy’s parlor.

“Oh! my dear Marcel, I begin really to get old,” said M. Hardy, with a smile, addressing M. de Blessac; “I feel more and more the want of being at home. To depart from my usual habits has become painful to me, and I execrate whatever obliges me to leave this happy little spot of ground.”

“And when I think,” answered M. de Blessac, unable to forbear blushing, “when I think, my friend, that you undertook this long journey only for my sake!--”

“Well, my dear Marcel! have you not just accompanied me in your turn, in an excursion which, without you, would have been as tiresome as it has been charming?”

“What a difference, my friend! I have contracted towards you a debt that I can never repay.”

“Nonsense, my dear Marcel! Between us, there are no distinctions of meum and tuum. Besides, in matters of friendship, it is as sweet to give as to receive.”

“Noble heart! noble heart!”

“Say, happy heart!--most happy, in the last affections for which it beats.”

“And who, gracious heaven! could deserve happiness on earth, if it be not you, my friend?”

“And to what do I owe that happiness? To the affections which I found here, ready to sustain me, when deprived of the support of my mother, who was all my strength, I felt myself (I confess my weakness) almost incapable of standing up against adversity.”

“You, my friend--with so firm and resolute a character in doing good--you, that I have seen struggle with so much energy and courage, to secure the triumph of some great and noble idea?”

“Yes; but the farther I advance in my career, the more am I disgusted with all base and shameful actions, and the less strength I feel to encounter them--”

“Were it necessary, you would have the courage, my friend.”

“My dear Marcel,” replied M. Hardy, with mild and restrained emotion, “I have often said to you: My courage was my mother. You see, my friend, when I went to her, with my heart torn by some horrible ingratitude, or disgusted by some base deceit, she, taking my hands between her own venerable palms, would say to me in her grave and tender voice: ‘My dear child, it is for the ungrateful and dishonest to suffer; let us pity the wicked, let us forget evil, and only think of good.’--Then, my friend, this heart, painfully contracted, expanded beneath the sacred influence of the maternal words, and every day I gathered strength from her, to recommence on the morrow a cruel struggle with the sad necessities of my condition. Happily, it has pleased God, that, after losing that beloved mother, I have been able to bind up my life with affections, deprived of which, I confess, I should find myself feeble and disarmed for you cannot tell, Marcel, the support, the strength that I have found in your friendship.”

“Do not speak of me, my dear friend,” replied M. de Blessac, dissembling his embarrassment. “Let us talk of another affection, almost as sweet and tender as that of a mother.”

“I understand you, my good Marcel,” replied M. Hardy: “I have concealed nothing from you since, under such serious circumstances, I had recourse to the counsels of your friendship. Well! yes; I think that every day I live augment my adoration for this woman, the only one that I have ever passionately loved, the only one that I shall now ever love. And then I must tell you, that my mother, not knowing what Margaret was to me, as often loud in her praise, and that circumstance renders this love almost sacred in my eyes.”

“And then there are such strange resemblances between Mme. de Noisy’s character and yours, my friend; above all, in her worship of her mother.”

“It is true, Marcel; that affection has often caused me both admiration and torment. How often she has said to me, with her habitual frankness: ‘I have sacrificed all for you, but I would sacrifice you for my mother.’”

“Thank heaven, my friend, you will never see Mme. de Noisy exposed to that cruel choice. Her mother, you say, has long renounced her intention of returning to America, where M. de Noisy, perfectly careless of his wife, appears to have settled himself permanently. Thanks to the discreet devotion of the excellent woman by whom Margaret was brought up, your love is concealed in the deepest mystery. What could disturb it now?”

“Nothing--oh! nothing,” cried M. Hardy. “I have almost security for its duration.”

“What do you mean, my friend?”

“I do not know if I ought to tell you.”

“Have you ever found me indiscreet, my friend?”

“You, good Marcel! how can you suppose such a thing?” said M. Hardy, in a tone of friendly reproach; “no! but I do not like to tell you of my happiness, till it is complete; and I am not yet quite certain--”

A servant entered at this moment and said to M. Hardy: “Sir, there is an old gentleman who wishes to speak to you on very pressing business.”

“So soon!” said M. Hardy, with a slight movement of impatience. “With your permission, my friend.” Then, as M. de Blessac seemed about to withdraw into the next room, M. Hardy added with a smile: “No, no; do not stir. Your presence will shorten the interview.”

“But if it be a matter of business, my friend?”

“I do everything openly, as you know.” Then, addressing the servant, M. Hardy bade him: “Ask the gentleman to walk in.”

“The postilion wishes to know if he is to wait?”

“Certainly: he will take M. de Blessac back to Paris.”

The servant withdrew, and presently returned, introducing Rodin, with whom M. de Blessac was not acquainted, his treacherous bargain having been negotiated through another agent.

“M. Hardy?” said Rodin, bowing respectfully to the two friends, and looking from one to the other with an air of inquiry.

“That is my name, sir; what can I do to serve you?” answered the manufacturer, kindly; for, at first sight of the humble and ill-dressed old man, he expected an application for assistance.

“M. Francois Hardy,” repeated Rodin, as if he wished to make sure of the identity of the person.

“I have had the honor to tell you that I am he.”

“I have a private communication to make to you, sir,” said Rodin.

“You may speak, sir. This gentleman is my friend,” said M. Hardy, pointing to M. de Blessac.

“But I wish to speak to you alone, sir,” resumed Rodin.

M. de Blessac was again about to withdraw, when M. Hardy retained him with a glance, and said to Rodin kindly, for he thought his feelings might be hurt by asking a favor in presence of a third party: “Permit me to inquire if it is on your account or on mine, that you wish this interview to be secret?”

“On your account entirely, sir,” answered Rodin.

“Then, sir,” said M. Hardy, with some surprise, “you may speak out. I have no secrets from this gentleman.”

After a moment’s silence, Rodin resumed, addressing himself to M. Hardy: “Sir, you deserve, I know, all the good that is said of you; and you therefore command the sympathy of every honest man.”

“I hope so, sir.”

“Now, as an honest man, I come to render you a service.”

“And this service, sir--”

“To reveal to you an infamous piece of treachery, of which you have been the victim.”

“I think, sir, you must be deceived.”

“I have the proofs of what I assert.”

“Proofs?”

“The written proofs of the treachery that I come to reveal: I have them here,” answered Rodin “In a word, a man whom you believed your friend, has shamefully deceived you, sir.”

“And the name of this man?”

“M. Marcel de Blessac,” replied Rodin.

On these words, M. de Blessac started, and became pale as death. He could hardly murmur: “Sir--”

But, without looking at his friend, or perceiving his agitation, M. Hardy seized his hand, and exclaimed hastily: “Silence, my friend!” Then, whilst his eye flashed with indignation, he turned towards Rodin, who had not ceased to look him full in the face, and said to him, with an air of lofty disdain: “What! do you accuse M. de Blessac?”

“Yes, I accuse him,” replied Rodin, briefly.

“Do you know him?”

“I have never seen him.”

“Of what do you accuse him? And how dare you say that he has betrayed me?”

“Two words, if you please,” said Rodin, with an emotion which he appeared hardly able to restrain. “If one man of honor sees another about to be slain by an assassin, ought he not give the alarm of murder?”

“Yes, sir; but what has that to do--”

“In my eyes, sir, certain treasons are as criminal as murders: I have come to place myself between the assassin and his victim.”

“The assassin? the victim?” said M. Hardy more and more astonished.

“You doubtless know M. de Blessac’s writing?” said Rodin.

“Yes, sir.”

“Then read this,” said Rodin, drawing from his pocket a letter, which he handed to M. Hardy.

Casting now for the first time a glance at M. de Blessac, the manufacturer drew back a step, terrified at the death-like paleness of this man, who, struck dumb with shame, could not find a word to justify himself; for he was far from possessing the audacious effrontery necessary to carry him through his treachery.

“Marcel!” cried M. Hardy, in alarm, and deeply agitated by this unexpected blow. “Marcel! how pale you are! you do not answer!”

“Marcel! this, then, is M. de Blessac?” cried Rodin, feigning the most painful surprise. “Oh, sir, if I had known--”

“But don’t you hear this man, Marcel?” cried M. Hardy. “He says that you have betrayed me infamously.” He seized the hand of M. de Blessac. That hand was cold as ice. “Oh, God! Oh God!” said M. Hardy, drawing back in horror: “he makes no answer!”

“Since I am in presence of M. de Blessac,” resumed Rodin, “I am forced to ask him, if he can deny having addressed many letters to the Rue du Milieu des Ursins, at Paris under cover of M. Rodin.”

M. de Blessac remained dumb. M. Hardy, still unwilling to believe what he saw and heard, convulsively tore open the letter, which Rodin had just delivered to him, and read the first few lines--interrupting the perusal with exclamations of grief and amazement. He did not require to finish the letter, to convince himself of the black treachery of M. de Blessac. He staggered; for a moment his senses seemed to abandon him. The horrible discovery made him giddy, and his head swam on his first look down into that abyss of infamy. The loathsome letter dropped from his trembling hands. But soon indignation, rage, and scorn succeeded this moment of despair, and rushing, pale and terrible, upon M. de Blessac: “Wretch!” he exclaimed, with a threatening gesture. But, pausing as in the act to strike: “No!” he added, with fearful calmness. “It would be to soil my hands.”

He turned towards Rodin, who had approached hastily, as if to interpose. “It is not worth while chastising a wretch,” said M. Hardy; “But I will press your honest hand, sir--for you have had the courage to unmask a traitor and a coward.”

“Sir!” cried M. de Blessac, overcome with shame; “I am at your orders--and--”

He could not finish. The sound of voices was heard behind the door, which opened violently, and an aged woman entered, in spite of the efforts of the servant, exclaiming in an agitated voice: “I tell you, I must speak instantly to your master.”

On hearing this voice, and at sight of the pale, weeping woman, M. Hardy, forgetting M. de Blessac, Rodin, the infamous treachery, and all, fell back a step, and exclaimed: “Madame Duparc! you here! What is the matter?”

“Oh, sir! a great misfortune--”

“Margaret!” cried M. Hardy, in a tone of despair.

“She is gone, sir!”

“Gone!” repeated M. Hardy, as horror-struck as if a thunderbolt had fallen at his feet. “Margaret gone!”

“All is discovered. Her mother took her away--three days ago!” said the unhappy woman, in a failing voice.

“Gone! Margaret! It is not true. You deceive me,” cried M. Hardy. Refusing to hear more, wild, despairing, he rushed out of the house, threw himself into his carriage, to which the post-horses were still harnessed, waiting for M. de Blessac, and said to the postilion: “To Paris! as fast as you can go!”

As the carriage, rapid as lightning, started upon the road to Paris, the wind brought nearer the distant sound of the war-song of the Wolves, who were rushing towards the factory. In this impending destruction, see Rodin’s subtle hand, administering his fatal blows to clear his way up to the chair of St. Peter to which he aspired. His tireless, wily course can hardly be darker shadowed by aught save that dread coming horror the Cholera, whose aid he evoked, and whose health the Bacchanal Queen wildly drank.

That once gay girl, and her poor famished sister; the fair patrician and her Oriental lover; Agricola, the workman, and his veteran father; the smiling Rose-Pompon, and the prematurely withered Jacques Rennepont; Father d’Aigrigny, the mock priest; and Gabriel, the true disciple; with the rest that have been named and others yet to be pictured, in the blaze of the bolts of their life’s paths, will be seen in the third and concluding part of this romance entitled,

“THE WANDERING JEW: REDEMPTION.”

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VIII. PART THIRD.--THE REDEMPTION

I. The Wandering Jew’s Chastisement II. The Descendants of the Wandering Jew III. The Attack IV. The Wolves and the Devourers V. The Return VI. The Go-Between VII. Another Secret VIII. The Confession IX. Love X. The Execution XI. The Champs-Elysees XII. Behind the Scenes XIII. Up with the Curtain XIV. Death

PART THIRD.--THE REDEMPTION.

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I. THE WANDERING JEW’S CHASTISEMENT

‘Tis night--the moon is brightly shining, the brilliant stars are sparkling in a sky of melancholy calmness, the shrill whistlings of a northerly wind--cold, bleak, and evil-bearing--are increasing: winding about, and bursting into violent blasts, with their harsh and hissing gusts, they are sweeping the heights of Montmartre. A man is standing on the very summit of the hill; his lengthened shadow, thrown out by the moon’s pale beams, darkens the rocky ground in the distance. The traveller is surveying the huge city lying at his feet--the City of Paris--from whose profundities are cast up its towers, cupolas, domes, and steeples, in the bluish moisture of the horizon; while from the very centre of this sea of stones is rising a luminous vapor, reddening the starry azure of the sky above. It is the distant light of a myriad lamps which at night, the season for pleasure, is illuminating the noisy capital.

“No!” said the traveller, “it will not be. The Lord surely will not suffer it. Twice is quite enough. Five centuries ago, the avenging hand of the Almighty drove me hither from the depths of Asia. A solitary wanderer, I left in my track more mourning, despair, disaster, and death, than the innumerable armies of a hundred devastating conquerors could have produced. I then entered this city, and it was decimated. Two centuries ago that inexorable hand which led me through the world again conducted me here; and on that occasion, as on the previous one, that scourge, which at intervals the Almighty binds to my footsteps, ravaged this city, attacking first my brethren, already wearied by wretchedness and toil. My brethren! through me--the laborer of Jerusalem, cursed by the Lord, who in my person cursed the race of laborers--a race always suffering, always disinherited, always slaves, who like me, go on, on, on, without rest or intermission, without recompense, or hope; until at length, women, men, children, and old men, die under their iron yoke of self-murder, that others in their turn then take up, borne from age to age on their willing but aching shoulders. And here again, for the third time, in the course of five centuries, I have arrived at the summit of one of the hills which overlooks the city; and perhaps I bring again with me terror, desolation, and death. And this unhappy city, intoxicated in a whirl of joys, and nocturnal revelries, knows nothing about it--oh! it knows not that I am at its very gate. But no! no! my presence will not be a source of fresh calamity to it. The Lord, in His unsearchable wisdom, has brought me hither across France, making me avoid on my route all but the humblest villages, so that no increase of the funeral knell has, marked my journey. And then, moreover, the spectre has left me--that spectre, livid and green, with its deep bloodshot eyes. When I touched the soil of France, its moist and icy hand abandoned mine--it disappeared. And yet I feel the atmosphere of death surrounding me still. There is no cessation; the biting gusts of this sinister wind, which envelop me in their breath, seem by their envenomed breath to propagate the scourge. Doubtless the anger of the Lord is appeased. Maybe, my presence here is meant only as a threat, intending to bring those to their senses whom it ought to intimidate. It must be so; for were it otherwise, it would, on the contrary, strike a loud-sounding blow of greater terror, casting at once dread and death into the very heart of the country, into the bosom of this immense city. Oh, no! no! the Lord will have mercy; He will not condemn me to this new affliction. Alas! in this city my brethren are more numerous and more wretched than in any other. And must I bring death to them? No! the Lord will have mercy; for, alas! the seven descendants of my sister are at last all united in this city. And must I bring death to them? Death! instead of that immediate assistance they stand so much in need of? For that woman who, like myself, wanders from one end of the world into the other, has gone now on her everlasting journey, after having confounded their enemies’ plots. In vain did she foretell that great evils still threatened those who are akin to me through my sister’s blood. The unseen hand by which I am led, drives that woman away from me, even as though it were a whirlwind that swept her on. In vain she entreated and implored at the moment she was leaving those who are so dear to me.--At least, 0 Lord, permit me to stay until I shall have finished my task! Onward! A few days, for mercy’s sake, only a few days! Onward! I leave these whom I am protecting on the very brink of an abyss! Onward! Onward!! And the wandering star is launched afresh on its perpetual course. But her voice traversed through space, calling me to the assistance of my own! When her voice reached me I felt that the offspring of my sister were still exposed to fearful dangers: those dangers are still increasing. Oh, say, say, Lord! shall the descendants of my sister escape those woes which for so many centuries have oppressed my race? Wilt Thou pardon me in them? Wilt Thou punish me in them? Oh! lead them, that they may obey the last wishes of their ancestor. Guide them, that they may join their charitable hearts, their powerful strength, their best wisdom, and their immense wealth, and work together for the future happiness of mankind, thereby, perhaps, enabled to ransom me from my eternal penalties. Let those divine words of the Son of Man, ‘Love ye one another!’ be their only aim; and by the assistance of their all-powerful words, let them contend against and vanquish those false priests who have trampled on the precepts of love, of peace, and hope commanded by the Saviour, setting up in their stead the precepts of hatred, violence, and despair. Those false shepherds, supported ay the powerful and wealthy of the world, who in all times have been their accomplices, instead of asking here below a little happiness for my brethren, who have been suffering and groaning for centuries, dare to utter, in Thy name, O Lord! that the poor must always be doomed to the tortures of this world, and that it is criminal in Thine eyes that they should either wish for or hope a mitigation of their sufferings on earth, because the happiness of the few and the wretchedness of nearly all mankind is Thine almighty will. Blasphemies! is it not the contrary of these homicidal words that is more worthy of the name of Divine will? Hear, me, O Lord! for mercy’s sake. Snatch from their enemies the descendants of my sister, from the artisan up to the king’s son. Do not permit them to crush the germ of a mighty and fruitful association, which, perhaps, under Thy protection, may take its place among the records of the happiness of mankind. Suffer me, O Lord! to unite those whom they are endeavoring to divide--to defend those whom they are attacking. Suffer me to bring hope to those from whom hope has fled, to give courage to those who are weak, to uphold those whom evil threatens, and to sustain those who would persevere in well-doing. And then, perhaps, their struggles, their devotedness, their virtues, this miseries might expiate my sin. Yes, mine--misfortune, misfortune alone, made me unjust and wicked. O Lord! since Thine almighty hand hath brought me hither, for some end unknown to me, disarm Thyself, I implore Thee, of Thine anger, and let not me be the instrument of Thy vengeance! There is enough of mourning in the earth these two years past--Thy creatures have fallen by millions in my footsteps. The world is decimated. A veil of mourning extends from one end of the globe to the other. I have traveled from Asia even to the Frozen Pole, and death has followed in my wake. Dost Thou not hear, O Lord! the universal wailings that mount up to Thee? Have mercy upon all, and upon me. One day, grant me but a single day, that I may collect the descendants of my sister together, and save them!” And uttering these words, the wanderer fell upon his knees, and raised his hands to heaven in a suppliant attitude.

Suddenly, the wind howled with redoubled violence; its sharp whistlings changed to a tempest. The Wanderer trembled, and exclaimed in a voice of terror, “O Lord! the blast of death is howling in its rage. It appears as though a whirlwind were lifting me up. Lord, wilt Thou not, then, hear my prayer? The spectre! O! do I behold the spectre? Yes, there it is; its cadaverous countenance is agitated by convulsive throes, its red eyes are rolling in their orbits. Begone! begone! Oh! its hand--its icy hand has seized on mine! Mercy, Lord, have mercy! ‘Onward!’ Oh, Lord! this scourge, this terrible avenging scourge! Must I, then, again carry it into this city, must my poor wretched brethren be the first to fall under it--though already so miserable? Mercy, mercy! ‘Onward!’ And the descendants of my sister--oh, pray, have mercy, mercy! ‘Onward!’ O Lord, have pity on me! I can no longer keep my footing on the ground, the spectre is dragging me over the brow of the hill; my course is as rapid as the death-bearing wind that whistles in my track; I already approach the walls of the city. Oh, mercy, Lord, mercy on the descendants of my sister--spare them! do not compel me to be their executioner, and let them triumph over their enemies. Onward, onward! The ground is fleeing from under me; I am already at the city gate; oh, yet, Lord, yet there is time; oh, have mercy on this slumbering city, that it may not even now awaken with the lamentations of terror, of despair and death! O Lord, I touch the threshold of the gate; verily Thou willest it so then. ‘Tis done--Paris! the scourge is in thy bosom! oh, cursed, cursed evermore am I. Onward! on! on!”(34)

(34) In 1346, the celebrated Black Death ravaged the earth, presenting the same symptoms as the cholera, and the same inexplicable phenomena as to its progress and the results in its route. In 1660 a similar epidemic decimated the world. It is well known that when the cholera first broke out in Paris, it had taken a wide and unaccountable leap; and, also memorable, a north-east wind prevailed during its utmost fierceness.

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II. THE DESCENDANTS OF THE WANDERING JEW

That lonely wayfarer whom we have heard so plaintively urging to be relieved of his gigantic burden of misery, spoke of “his sister’s descendants” being of all ranks, from the working man to the king’s son. They were seven in number, who had, in the year 1832, been led to Paris, directly or indirectly, by a bronze medal which distinguished them from others, bearing these words:-VICTIM of L. C. D. J. Pray for me!

-----PARIS, February the 13th, 1682.

IN PARIS, Rue St. Francois, No. 3, In a century and a half you will be. February the 13th, 1832.

-----PRAY FOR ME!

The son of the King of Mundi had lost his father and his domains in India by the irresistible march of the English, and was but in title Prince Djalma. Spite of attempts to make his departure from the East delayed until after the period when he could have obeyed his medal’s command, he had reached France by the second month of 1832. Nevertheless, the results of shipwreck had detained him from Paris till after that date. A second possessor of this token had remained unaware of its existence, only discovered by accident. But an enemy who sought to thwart the union of these seven members, had shut her up in a mad-house, from which she was released only after that day. Not alone was she in imprisonment. An old Bonapartist, General Simon, Marshal of France, and Duke de Ligny, had left a wife in Russian exile, while he (unable to follow Napoleon to St. Helena) continued to fight the English in India by means of Prince Djalma’s Sepoys, whom he drilled. On the latter’s defeat, he had meant to accompany his young friend to Europe, induced the more by finding that the latter’s mother, a Frenchwoman, had left him such another bronze medal as he knew his wife to have had.

Unhappily, his wife had perished in Siberia, without his knowing it, any more than he did, that she had left twin daughters, Rose and Blanche. Fortunately for them, one who had served their father in the Grenadiers of the Guard. Francis Baudoin, nicknamed Dagobert, undertook to fulfil the dying mother’s wishes, inspired by the medal. Saving a check at Leipsic, where one Morok the lion-tamer’s panther had escaped from its cage and killed Dagobert’s horse, and a subsequent imprisonment (which the Wandering Jew’s succoring hand had terminated) the soldier and his orphan charges had reached Paris in safety and in time. But there, a renewal of the foe’s attempt had gained its end. By skillful devices, Dagobert and his son Agricola were drawn out of the way while Rose and Blanche Simon were decoyed into a nunnery, under the eyes of Dagobert’s wife. But she had been bound against interfering by the influence of the Jesuit confessional. The fourth was M. Hardy, a manufacturer, and the fifth, Jacques Rennepont, a drunken scamp of a workman, who were more easily fended off, the latter in a sponging house, the former by a friend’s lure. Adrienne de Cardoville, daughter of the Count of Rennepont, who had also been Duke of Cardoville, was the lady who had been unwarrantably placed in the lunatic asylum. The fifth, unaware of the medal, was Gabriel, a youth, who had been brought up, though a foundling, in Dagobert’s family, as a brother to Agricola. He had entered holy orders, and more, was a Jesuit, in name though not in heart. Unlike the others, his return from abroad had been smoothed. He had signed away all his future prospects, for the benefit of the order of Loyola, and, moreover, executed a more complete deed of transfer on the day, the 13th of February, 1832, when he, alone of the heirs, stood in the room of the house, No. 3, Rue St. Francois, claiming what was a vast surprise for the Jesuits, who, a hundred and fifty years before, had discovered that Count Marius de Rennepont had secreted a considerable amount of his wealth, all of which had been confiscated to them, in those painful days of dragoonings, and the revocation of the Edict of Nantes. They had bargained for some thirty or forty millions of francs to be theirs, by educating Gabriel into resigning his inheritance to them, but it was two hundred and twelve millions which the Jesuit representatives (Father d’Aigrigny and his secretary, Rodin) were amazed to hear their nursling placed in possession of. They had the treasure in their hands, in fact, when a woman of strangely sad beauty had mysteriously entered the room where the will had been read, and laid a paper before the notary. It was a codicil, duly drawn up and signed, deferring the carrying out of the testament until the first day of June the same year. The Jesuits fled from the house, in rage and intense disappointment. Father d’Aigrigny was so stupor-stricken at the defeat, that he bade his secretary at once write off to Rome that the Rennepont inheritance had escaped them, and hopes to seize it again were utterly at an end. Upon this, Rodin had revolted, and shown that he had authority to command where he had, so far, most humbly obeyed. Many such spies hang about their superior’s heels, with full powers to become the governor in turn, at a moment’s notice. Thenceforward, he, Rodin, had taken the business into his own hands. He had let Rose and Blanche Simon out of the convent into their father’s arms. He had gone in person to release Adrienne de Cardoville from the asylum. More, having led her to sigh for Prince Djalma, he prompted the latter to burn for her.

He let not M. Hardy escape. A friend whom the latter treated as a brother, had been shown up to him as a mere spy of the Jesuits; the woman whom he adored, a wedded woman, alas! who had loved him in spite of her vows, had been betrayed. Her mother had compelled her to hide her shame in America, and, as she had often said--“Much as you are endeared to me, I cannot waver between you and my mother!” so she had obeyed, without one farewell word to him. Confess, Rodin was a more dextrous man than his late master! In the pages that ensue farther proofs of his superiority in baseness and satanic heartlessness will not be wanting.

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III. THE ATTACK

On M. Hardy’s learning from the confidential go-between of the lovers, that his mistress had been taken away by her mother, he turned from Rodin and dashed away in a post carriage. At the same moment, as loud as the rattle of the wheels, there arose the shouts of a band of workmen and rioters, hired by the Jesuit’s emissaries, coming to attack Hardy’s operatives. An old grudge long existing between them and a rival manufacturer’s--Baron Tripeaud--laborers, fanned the flames. When M. Hardy had left the factory, Rodin, who was not prepared for this sudden departure, returned slowly to his hackney-coach; but he stopped suddenly, and started with pleasure and surprise, when he saw, at some distance, Marshall Simon and his father advancing towards one of the wings of the Common Dwelling-house; for an accidental circumstance had so far delayed the interview of the father and son.

“Very well!” said Rodin. “Better and better! Now, only let my man have found out and persuaded little Rose-Pompon!”

And Rodin hastened towards his hackney-coach. At this moment, the wind, which continued to rise, brought to the ear of the Jesuit the war song of the approaching Wolves.

The workman was in the garden. The marshal said to him, in a voice of such deep emotion that the old man started; “Father, I am very unhappy.”

A painful expression, until then concealed, suddenly darkened the countenance of the marshal.

“You unhappy?” cried father Simon, anxiously, as he pressed nearer to the marshal.

“For some days, my daughters have appeared constrained in manner, and lost in thought. During the first moments of our re-union, they were mad with joy and happiness. Suddenly, all has changed; they are becoming more and more sad. Yesterday, I detected tears in their eyes; then deeply moved, I clasped them in my arms, and implored them to tell me the cause of their sorrow. Without answering, they threw themselves on my neck, and covered my face with their tears.”

“It is strange. To what do you attribute this alteration?”

“Sometimes, I think I have not sufficiently concealed from them the grief occasioned me by the loss of their mother, and they are perhaps miserable that they do not suffice for my happiness. And yet (inexplicable as it is) they seem not only to understand, but to share my sorrow. Yesterday, Blanche said to me: ‘How much happier still should we be, if our mother were with us!--’”

“Sharing your sorrow, they cannot reproach you with it. There must be some other cause for their grief.”

“Yes,” said the marshal, looking fixedly at his father; “yes--but to penetrate this secret--it would be necessary not to leave them.”

“What do you mean?”

“First learn, father, what are the duties which would keep me here; then you shall know those which may take me away from you, from my daughters, and from my other child.”

“What other child?”

“The son of my old friend, the Indian Prince.”

“Djalma? Is there anything the matter with him?”

“Father, he frightens me. I told you, father, of his mad and unhappy passion for Mdlle. de Cardoville.”

“Does that frighten you, my son?” said the old man, looking at the marshal with surprise. “Djalma is only eighteen, and, at that age, one love drives away another.”

“You have no idea of the ravages which the passion has already made in the ardent, indomitable boy; sometimes, fits of savage ferocity follow the most painful dejection. Yesterday, I came suddenly upon him; his eyes were bloodshot, his features contracted with rage; yielding to an impulse of mad furry, he was piercing with his poinard a cushion of red cloth, whilst he exclaimed, panting for breath, ‘Ha blood!--I will have blood!’ ‘Unhappy boy!’ I said to him, ‘what means this insane passion?’ ‘I’m killing the man!’ replied he, in a hollow and savage voice: it is thus he designates his supposed rival.”

“There is indeed something terrible,” said the old man, “in such a passion, in such a heart.”

“At other times,” resumed the marshal, “it is against Mdlle. de Cardoville that his rage bursts forth; and at others, against himself. I have been obliged to remove his weapons, for a man who came with him from Java, and who appears much attached to him, has informed me that he suspected him of entertaining some thoughts of suicide.”

“Unfortunate boy!”

“Well, father,” said Marshal Simon, with profound bitterness; “it is at the moment when my daughters and my adopted son require all my solicitude, that I am perhaps on the eve of quitting them.”

“Of quitting them?”

“Yes, to fulfil a still more sacred duty than that imposed by friendship or family,” said the marshal, in so grave and solemn a tone, that his father exclaimed, with deep emotion: “What can this duty be?”

“Father,” said the marshal, after remaining a moment in thoughtful silence, “who made me what I am? Who gave me the ducal title, and the marshal’s baton?”

“Napoleon.”

“For you, the stern republican, I know that he lost all his value, when from the first citizen of a Republic he became an emperor.

“I cursed his weakness,” said Father Simon, sadly; “the demi-god sank into a man.”

“But for me, father--for me, the soldier, who have always fought beside him, or under his eye--for me, whom he raised from the lowest rank in the army to the highest--for me, whom he loaded with benefits and marks of affection--for me, he was more than a hero, he was a friend--and there was as much gratitude as admiration in my idolatry for him. When he was exiled, I would fain have shared his exile; they refused me that favor; then I conspired, then I drew my sword against those who had robbed his son of the crown which France had given him.”

“And, in your position, you did well, Pierre; without sharing your admiration, I understood your gratitude. The projects of exile, the conspiracies--I approved them all--you know it.”

“Well, then, that disinherited child, in whose name I conspired seventeen years ago, is now of an age to wield his father’s sword.”

“Napoleon II!” exclaimed the old man, looking at his son with surprise and extreme anxiety; “the king of Rome!”

“King? no; he is no longer king. Napoleon? no; he is no longer Napoleon. They have given him some Austrian name, because the other frightened them. Everything frightens them. Do you know what they are doing with the son of the Emperor?” resumed the marshal, with painful excitement. “They are torturing him--killing him by inches!”

“Who told you this?”

“Somebody who knows, whose words are but too true. Yes; the son of the Emperor struggles with all his strength against a premature death. With his eyes turned towards France, he waits--he waits--and no one comes--no one--out of all the men that his father made as great as they once were little, not one thinks of that crowned child, whom they are stifling, till he dies.”

“But you think of him?”

“Yes; but I had first to learn--oh! there is no doubt of it, for I have not derived all my information from the same source--I had first to learn the cruel fate of this youth, to whom I also swore allegiance; for one day, as I have told you, the Emperor, proud and loving father as he was, showed him to me in his cradle, and said: ‘My old friend, you will be to the son what you have been to the father; who loves us, loves our France.’”

“Yes, I know it. Many times you have repeated those words to me, and, like yourself, I have been moved by them.”

“Well, father! suppose, informed of the sufferings of the son of the Emperor, I had seen--with the positive certainty that I was not deceived--a letter from a person of high rank in the court of Vienna, offering to a man that was still faithful to the Emperor’s memory, the means of communicating with the king of Rome, and perhaps of saving him from his tormentors--”

“What next?” said the workman, looking fixedly at his son. “Suppose Napoleon II. once at liberty--”

“What next?” exclaimed the marshal. Then he added, in a suppressed voice: “Do you think, father, that France is insensible to the humiliations she endures? Do you think that the memory of the Emperor is extinct? No, no; it is, above all, in the days of our country’s degredation, that she whispers that sacred name. How would it be, then, were that name to rise glorious on the frontier, reviving in his son? Do you not think that the heart of all France would beat for him?”

“This implies a conspiracy--against the present government--with Napoleon II. for a watchword,” said the workman. “This is very serious.”

“I told you, father, that I was very unhappy; judge if it be not so,” cried the marshal. “Not only I ask myself, if I ought to abandon my children and you, to run the risk of so daring an enterprise, but I ask myself if I am not bound to the present government, which, in acknowledging my rank and title, if it bestowed no favor, at least did me an act of justice. How shall I decide?--abandon all that I love, or remain insensible to the tortures of Emperor--of that Emperor to the son of the whom I owe everything--to whom I have sworn fidelity, both to himself and child? Shall I lose this only opportunity, perhaps, of saving him, or shall I conspire in his favor? Tell me, if I exaggerate what I owe to the memory of the Emperor? Decide for me, father! During a whole sleepless night, I strove to discover, in the midst of this chaos, the line prescribed by honor; but I only wandered from indecision to indecision. You alone, father--you alone, I repeat, can direct me.”

After remaining for some moments in deep thought, the old man was about to answer, when some person, running across the little garden, opened the door hastily, and entered the room in which were the marshal and his father. It was Olivier, the young workman, who had been able to effect his escape from the village in which the Wolves had assembled.

“M. Simon! M. Simon!” cried he, pale, and panting for breath. “They are here--close at hand. They have come to attack the factory.”

“Who?” cried the old man, rising hastily.

“The Wolves, quarrymen, and stone-cutters, joined on the road by a crowd of people from the neighborhood, and vagabonds from town. Do you not hear them? They are shouting, ‘Death to the Devourers!’”

The clamor was indeed approaching, and grew more and more distinct.

“It is the same noise that I heard just now,” said the marshal, rising in his turn.

“There are more than two hundred of them, M. Simon,” said Olivier; “they are armed with clubs and stones, and unfortunately the greater part of our workmen are in Paris. We are not above forty here in all; the women and children are already flying to their chambers, screaming for terror. Do you not hear them?”

The ceiling shook beneath the tread of many hasty feet.

“Will this attack be a serious one?” said the marshal to his father, who appeared more and more dejected.

“Very serious,” said the old man; “there is nothing more fierce than these combats between different unions; and everything has been done lately to excite the people of the neighborhood against the factory.”

“If you are so inferior in number,” said the marshal, “you must begin by barricading all the doors--and then--”

He was unable to conclude. A burst of ferocious cries shook the windows of the room, and seemed so near and loud, that the marshal, his father, and the young workman, rushed out into the little garden, which was bounded on one side by a wall that separated it from the fields. Suddenly whilst the shouts redoubled in violence, a shower of large stones, intended to break the windows of the house, smashed some of the panes on the first story, struck against the wall, and fell into the garden, all around the marshal and his father. By a fatal chance, one of these large stones struck the old man on the head. He staggered, bent forward, and fell bleeding into the arms of Marshal Simon, just as arose from without, with increased fury, the savage cries of, “Death to the Devourers!”

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IV. THE WOLVES AND THE DEVOURERS

It was a frightful thing to view the approach of the lawless crowd, whose first act of hostility had been so fatal to Marshal Simon’s father. One wing of the Common Dwelling-house, which joined the garden-wall on that side, was next to the fields. It was there that the Wolves began their attack. The precipitation of their march, the halt they had made at two public-houses on the road, their ardent impatience for the approaching struggle, had inflamed these men to a high pitch of savage excitement. Having discharged their first shower of stones, most of the assailants stooped down to look for more ammunition. Some of them, to do so with greater ease, held their bludgeons between their teeth; others had placed them against the wall; here and there, groups had formed tumultuously round the principal leaders of the band; the most neatly dressed of these men wore frocks, with caps, whilst others were almost in rags, for, as we have already said, many of the hangers-on at the barriers, and people without any profession, had joined the troop of the Wolves, whether welcome or not. Some hideous women, with tattered garments, who always seem to follow in the track of such people, accompanied them on this occasion, and, by their cries and fury, inflamed still more the general excitement. One of them, tall, robust, with purple complexion, blood shot eyes, and toothless jaws, had a handkerchief over her head, from beneath which escaped her yellow, frowsy hair. Over her ragged gown, she wore an old plaid shawl, crossed over her bosom, and tied behind her back. This hag seemed possessed with a demon. She had tucked up her half-torn sleeves; in one hand she brandished a stick, in the other she grasped a huge stone; her companions called her Ciboule (scullion).

This horrible hag exclaimed, in a hoarse voice: “I’ll bite the women of the factory; I’ll make them bleed.”

The ferocious words were received with applause by her companions, and with savage cries of “Ciboule forever!” which excited her to frenzy.

Amongst the other leaders, was a small, dry pale man, with the face of a ferret, and a black beard all round the chin; he wore a scarlet Greek cap, and beneath his long blouse, perfectly new, appeared a pair of neat cloth trousers, strapped over thin boots. This man was evidently of a different condition of life from that of the other persons in the troop; it was he, in particular, who ascribed the most irritating and insulting language to the workmen of the factory, with regard to the inhabitants of the neighborhood. He howled a great deal, but he carried neither stick nor stone. A full-faced, fresh-colored man, with a formidable bass voice, like a chorister’s, asked him: “Will you not have a shot at those impious dogs, who might bring down the Cholera on the country, as the curate told us?”

“I will have a better shot than you,” said the little man, with a singular, sinister smile.

“And with what, I’d like to see?”

“Probably, with this,” said the little man, stooping to pick up a large stone; but, as he bent, a well-filled though light bag, which he appeared to carry under his blouse, fell to the ground.

“Look, you are losing both bag and baggage,” said the other; “it does not seem very heavy.”

“They are samples of wool,” answered the man with the ferret’s face, as he hastily picked up the bag, and replaced it under his blouse; then he added: “Attention! the big blaster is going to speak.”

And, in fact, he who exercised the most complete ascendency over this irritated crowd was the terrible quarryman. His gigantic form towered so much above the multitude, that his great head, bound in its ragged handkerchief, and his Herculean shoulders, covered with a fallow goat skin, were always visible above the level of that dark and swarming crowd, only relieved here and there by a few women’s caps, like so many white points. Seeing to what a degree of exasperation the minds of the crowd had reached, the small number of honest, but misguided workmen, who had allowed themselves to be drawn into this dangerous enterprise, under the pretext of a quarrel between rival unions, now fearing for the consequences of the struggle, tried, but too late, to abandon the main body. Pressed close, and as it were, girt in with the more hostile groups, dreading to pass for cowards, or to expose themselves to the bad treatment of the majority, they were forced to wait for a more favorable moment to effect their escape. To the savage cheers, which had accompanied the first discharge of stones, succeeded a deep silence commanded by the stentorian voice of the quarryman.

“The Wolves have howled,” he exclaimed; “let us wait and see how the Devourers will answer, and when they will begin the fight.”

“We must draw them out of their factory, and fight them on neutral ground,” said the little man with the ferret’s face, who appeared to be the thieves’ advocate; “otherwise there would be trespass.”

“What do we care about trespass?” cried the horrible hag, Ciboule; “in or out, I will tear the chits of the factory.”

“Yes, yes,” cried other hideous creatures, as ragged as Ciboule herself; “we must not leave all to the men.”

“We must have our fun, too!”

“The women of the factory say that all the women of the neighborhood are drunken drabs,” cried the little man with the ferret’s face.

“Good! we’ll pay them for it.”

“The women shall have their share.”

“That’s our business.”

“They like to sing in their Common House,” cried Ciboule; “we will make them sing the wrong side of their mouths, in the key of ‘Oh, dear me!’”

This pleasantry was received with shouts, hootings, and furious stamping of feet, to which the stentorian voice of the quarryman put a term by roaring: “Silence!”

“Silence! silence!” repeated the crowd. “Hear the blaster!”

“If the Devourers are cowards enough not to dare to show themselves, after a second volley of stones, there is a door down there which we can break open, and we will soon hunt them from their holes.”

“It would be better to draw them out, so that none might remain in the factory,” said the little old man with the ferret’s face, who appeared to have some secret motive.

“A man fights where he can,” cried the quarryman, in a voice of thunder; “all, right, if we can but once catch hold. We could fight on a sloping roof, or on the top of a wall--couldn’t we, my Wolves?”

“Yes, yes!” cried the crowd, still more excited by those savage words; “if they don’t come out, we will break in.”

“We will see their fine palace!”

“The pagans haven’t even a chapel,” said the bass voice. “The curate has damned them all!”

“Why should they have a palace, and we nothing but dog-kennels?”

“Hardy’s workmen say that kennels are good enough for such as you.” said the little man with the ferret’s face.

“Yes, yes! they said so.”

“We’ll break all their traps.”

“We’ll pull down their bazaar.”

“We’ll throw the house out of the windows.”

“When we have made the mealy-mouthed chits sing,” cried Ciboule, “we will make them dance to the clatter of stones on their heads.”

“Come, my Wolves! attention!” cried the quarryman, still in the same stentorian voice; “one more volley, and if the Devourers do not come out, down with the door!”

This proposition was received with cheers of savage ardor, and the quarryman, whose voice rose above the tumult, cried with all the strength of his herculean lungs: “Attention, my Wolves. Make ready! all together. Now, are you ready?”

“Yes, yes--all ready!”

“Then, present!--fire!” And, for the second time, a shower of enormous stones poured upon that side of the Common Dwelling-house which was turned towards the fields. A part of these projectiles broke such of the windows as had been spared by the first volley. To the sharp smashing and cracking of glass were joined the ferocious cries uttered in chorus by this formidable mob, drunk with its own excesses: “Death to the Devourers!”

Soon these outcries became perfectly frantic, when, through the broken windows, the assailants perceived women running in terror, some with children in their arms, and others raising their hands to heaven, calling aloud for help; whilst a few, bolder than the rest, leaned out of the windows, and tried to fasten the outside blinds.

“There come the ants out of their holes!” cried Ciboule, stooping to pick up a stone. “We must have a fling at them for luck!” The stone, hurled by the steady, masculine hand of the virago, went straight to its mark, and struck an unfortunate woman who was trying to close one of the shutters.

“Hit in the white!” cried the hideous creature.

“Well done, Ciboule!--you’ve rapped her coker-nut!” cried a voice.

“Ciboule forever!”

“Come out, you Devourers, if you dare!”

“They have said a hundred times, that the neighbors were too cowardly even to come and look at their house,” squealed the little man with the ferret’s face.

“And now they show the white feather!”

“If they will not come out,” cried the quarryman, in voice of thunder, “let us smoke them out!”

“Yes, yes!”

“Let’s break open the door!”

“We are sure to find them!”

“Come on! come on!”

The crowd, with the quarryman at their head, and Ciboule not far from him, brandishing a stick, advanced tumultously towards one of the great doors. The ground shook beneath the rapid tread of the mob, which had now ceased shouting; but the confused, and, as it were, subterraneous noise, sounded even more ominous than those savage outcries. The Wolves soon arrived opposite the massive oaken door. At the moment the blaster raised a sledgehammer, the door opened suddenly. Some of the most determined of the assailants were about to rush in at this entrance; but the quarryman stepped back, extending his arm as if to moderate their ardor and impose silence. Then his followers gathered round him.

The half-open door discovered a party of workmen, unfortunately by no means numerous, but with countenances full of resolution. They had armed themselves hastily with forks, iron bars, and clubs. Agricola, who was their leader, held in his hand a heavy sledge-hammer. The young workman was very pale; but the fire of his eye, his menacing look, and the intrepid assurance of his bearing, showed that his father’s blood boiled in his veins, and that in such a struggle he might become fear-inspiring. Yet he succeeded in restraining himself, and challenged the quarryman, in a firm voice: “What do you want?”

“A fight!” thundered the blaster.

“Yes, yes! a fight!” repeated the crowd.

“Silence, my Wolves!” cried the quarryman, as he turned round, and stretched forth his large hand towards the multitude. Then addressing Agricola, he said: “The Wolves have come to ask for a fight.”

“With whom?”

“With the Devourers.”

“There are no Devourers here,” replied Agricola; “we are only peaceable workmen. So begone.”

“Well! here are the Wolves, that will eat your quiet workmen.”

“The Wolves will eat no one here,” said Agricola, looking full at the quarryman, who approached him with a threatening air; “they can only frighten little children.”

“Oh! you think so,” said the quarryman, with a savage sneer. Then raising his weapon, he shook it in Agricola’s face, exclaiming: “Is that any laughing matter?

“Is that?” answered Agricola, with a rapid movement, parrying the stone sledge with his own hammer.

“Iron against iron--hammer against hammer--that suits me,” said the quarryman.

“It does not matter what suits you,” answered Agricola, hardly able to restrain himself. “You have broken our windows, frightened our women, and wounded--perhaps killed--the oldest workman in the factory, who at this moment lies bleeding in the arms of his son.” Here Agricola’s voice trembled in spite of himself. “It is, I think, enough.”

“No; the Wolves are hungry for more,” answered the blaster; “you must come out (cowards that you are!), and fight us on the plain.”

“Yes! yes! battle!--let them come out!” cried the crowd, howling, hissing, waving their sticks and pushing further into the small space which separated them from the door.

“We will have no battle,” answered Agricola: “we will not leave our home; but if you have the misfortune to pass this,” said Agricola, throwing his cap upon the threshold, and setting his foot on it with an intrepid air, “if you pass this, you attack us in our own house, and you will be answerable for all that may happen.”

“There or elsewhere we will have the fight! the Wolves must eat the Devourers. Now for the attack!” cried the fierce quarryman, raising his hammer to strike Agricola.

But the latter, throwing himself on one side by a sudden leap, avoided the blow, and struck with his hammer full at the chest of the quarryman, who staggered for a moment, but instantly recovering his legs, rushed furiously on Agricola, crying: “Follow me, Wolves!”

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