Read here

The Tragic Muse

Henry James · Public domain text

211,290 words · about 14 h 48 min to read

Period artwork: Interior of the Bodleian Library, 1845
About this edition

The text of The Tragic Muse comes from Project Gutenberg e-text #20085. It is in English and public domain in the United States. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

This book is long enough to be split into 6 parts, so each one loads quickly on its own.

Contents (53)
  1. Opening under 1 min
  2. Preface about 29 min
  3. I about 14 min
  4. II about 21 min
  5. III about 13 min
  6. IV about 22 min
  7. V about 20 min
  8. VI about 21 min
  9. VII about 28 min
  10. VIII about 29 min
  11. IX about 21 min
  12. X about 16 min
  13. XI about 15 min
  14. XII about 23 min
  15. XIII about 23 min
  16. XIV about 11 min
  17. XV about 21 min
  18. XVI about 14 min
  19. XVII about 15 min
  20. XVIII about 21 min
  21. XIX about 16 min
  22. XX about 9 min
  23. XXI about 16 min
  24. XXII about 14 min
  25. XXIII about 13 min
  26. XXIV about 7 min
  27. XXV about 11 min
  28. XXVI about 17 min
  29. XXVII about 20 min
  30. XXVIII about 14 min
  31. XXIX about 24 min
  32. XXX about 17 min
  33. XXXI about 22 min
  34. XXXII about 12 min
  35. XXXIII about 16 min
  36. XXXIV about 11 min
  37. XXXV about 10 min
  38. XXXVI about 11 min
  39. XXXVII about 16 min
  40. XXXVIII about 7 min
  41. XXXIX about 15 min
  42. XL about 10 min
  43. XLI about 14 min
  44. XLII about 25 min
  45. XLIII about 14 min
  46. XLIV about 24 min
  47. XLV about 10 min
  48. XLVI about 35 min
  49. XLVII about 23 min
  50. XLVIII about 17 min
  51. XLIX about 15 min
  52. L about 17 min
  53. LI about 13 min

The opening of Preface

I profess a certain vagueness of remembrance in respect to the origin and growth of The Tragic Muse, which appeared in the Atlantic Monthly again, beginning January 1889 and running on, inordinately, several months beyond its proper twelve. If it be ever of interest and profit to put one's finger on the productive germ of a work of art, and if in fact a lucid account of any such work involves that prime identification, I can but look on the present fiction as a poor fatherless and motherless, a sort of unregistered and unacknowledged birth. I fail to recover my precious first moment of consciousness of the idea to which it was to give form; to recognise in it--as I like to do in general--the effect of some particular sharp impression or concussion. I call such remembered glimmers always precious, because without them comes no clear vision of what one may have intended, and without that vision no straight measure of what one may have succeeded in doing.

Read on in Part 1 →