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The sonnets, triumphs, and other poems of Petrarch

Francesco Petrarca · Public domain text

191,803 words · about 13 h 26 min to read

About this edition

The text of The sonnets, triumphs, and other poems of Petrarch comes from Project Gutenberg e-text #17650. It is in English and public domain in the United States. Edited by Thomas Campbell. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

This text-only edition leaves out 16 illustrations. See the illustrated edition at Project Gutenberg.

This book is long enough to be split into 5 parts, so each one loads quickly on its own.

About this book

Author
Francesco Petrarca (1304–1374)
Language
English
Subjects
Petrarca, Francesco, 1304-1374, Italian poetry › To 1400 › Translations into English, Petrarca, Francesco, 1304-1374 › Translations into English
Length
191,803 words · about 13 h 26 min
Sections
16 reader sections · Table of contents
Contents (16)
  1. Opening under 1 min
  2. Preface about 6 h 55 min
  3. The sonnets, triumphs, and other poems of Petrarch (part 3 of 5) about 4 h 24 min
  4. Part I about 5 min
  5. Part II about 6 min
  6. Part III about 7 min
  7. Part IV about 5 min
  8. Part I about 6 min
  9. Part II about 7 min
  10. Part III about 9 min
  11. Part IV about 21 min
  12. Part I about 8 min
  13. Part II about 7 min
  14. Part I about 6 min
  15. Part II about 7 min
  16. Part III about 33 min

The opening of Preface

The present translation of Petrarch completes the Illustrated Library series of the Italian Poets emphatically distinguished as "I Quattro Poeti Italiani."

It is rather a singular fact that, while the other three Poets of this world-famed series--Dante, Ariosto, and Tasso--have each found several translators, no complete version of the fourth, and in Italy the most popular, has hitherto been presented to the English reader. This lacune becomes the more remarkable when we consider the great influence which Petrarch has undoubtedly exercised on our poetry from the time of Chaucer downwards.

The plan of the present volume has been to select from all the known versions those most distinguished for fidelity and rhythm. Of the more favourite poems, as many as three or four are occasionally given; while of others, and those by no means few, it has been difficult to find even one. Indeed, many must have remained entirely unrepresented but for the spirited efforts of Major Macgregor, who has recently translated nearly the whole, and that with great closeness both as to matter and form. To this gentleman we have to return our especial thanks for his liberal permission to make free use of his labours.

Read on in Part 2 →