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THE UNIVERSITY FEUD

Part 8 of 8 · Thomas Hood · Public domain text

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Source: Project Gutenberg e-text #15652, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (152)
  1. Opening about 30 min
  2. THE DEPARTURE OF SUMMER about 4 min
  3. THE SEA OF DEATH about 1 min
  4. TO AN ABSENTEE under 1 min
  5. LYCUS THE CENTAUR about 17 min
  6. THE TWO PEACOCKS OF BEDFONT about 7 min
  7. HYMN TO THE SUN about 1 min
  8. MIDNIGHT about 1 min
  9. TO A SLEEPING CHILD under 1 min
  10. TO FANCY under 1 min
  11. FAIR INES about 1 min
  12. TO A FALSE FRIEND about 4 min
  13. TO A COLD BEAUTY about 1 min
  14. SERENADE under 1 min
  15. VERSES IN AN ALBUM under 1 min
  16. THE FORSAKEN about 2 min
  17. BIRTHDAY VERSES under 1 min
  18. I LOVE THEE about 1 min
  19. LINES under 1 min
  20. FALSE POETS AND TRUE under 1 min
  21. THE TWO SWANS about 9 min
  22. ODE ON A DISTANT PROSPECT OF CLAPHAM ACADEMY about 3 min
  23. SONG about 1 min
  24. THE WATER LADY about 1 min
  25. AUTUMN under 1 min
  26. I REMEMBER, I REMEMBER about 1 min
  27. THE POET'S PORTION about 1 min
  28. ODE TO THE MOON about 3 min
  29. A RETROSPECTIVE REVIEW about 3 min
  30. TIME, HOPE, AND MEMORY about 1 min
  31. FLOWERS about 1 min
  32. RUTH about 1 min
  33. THE PLEA OF THE MIDSUMMER FAIRIES about 39 min
  34. HERO AND LEANDER about 27 min
  35. AUTUMN under 1 min
  36. BALLAD about 1 min
  37. THE EXILE about 1 min
  38. ODE TO MELANCHOLY about 5 min
  39. THE DREAM OF EUGENE ARAM about 9 min
  40. THE DEATH-BED about 1 min
  41. ANTICIPATION about 1 min
  42. TO A CHILD EMBRACING HIS MOTHER about 1 min
  43. STANZAS about 1 min
  44. SONNET TO OCEAN about 1 min
  45. TO ---- about 1 min
  46. LINES about 1 min
  47. STANZAS about 1 min
  48. ODE TO RAE WILSON, ESQ about 16 min
  49. TO MY DAUGHTER about 1 h 10 min
  50. THE LEE SHORE about 1 min
  51. THE ELM TREE about 4 min
  52. Part II about 4 min
  53. Part III about 4 min
  54. LEAR under 1 min
  55. SONNET under 1 min
  56. THE SONG OF THE SHIRT about 2 min
  57. THE PAUPER'S CHRISTMAS CAROL about 1 min
  58. THE HAUNTED HOUSE under 1 min
  59. Part I about 3 min
  60. Part II about 3 min
  61. Part III about 3 min
  62. THE MARY about 3 min
  63. THE LADY'S DREAM about 3 min
  64. THE KEY about 4 min
  65. THE WORKHOUSE CLOCK about 2 min
  66. THE BRIDGE OF SIGHS about 2 min
  67. THE LAY OF THE LABORER about 2 min
  68. STANZAS about 1 min
  69. ODE TO MR. GRAHAM, about 6 min
  70. A FRIENDLY ADDRESS TO MRS. FRY IN NEWGATE about 5 min
  71. ODE TO RICHARD MARTIN, ESQ., about 2 min
  72. ODE TO THE GREAT UNKNOWN about 8 min
  73. ODE TO JOSEPH GRIMALDI, SENIOR about 3 min
  74. AN ADDRESS TO THE STEAM WASHING COMPANY about 14 min
  75. ODE TO W. KITCHENER, M.D about 6 min
  76. THE LAST MAN about 7 min
  77. FAITHLESS SALLY BROWN about 3 min
  78. "AS IT FELL UPON A DAY." about 1 min
  79. THE STAG-EYED LADY about 5 min
  80. THE IRISH SCHOOLMASTER about 9 min
  81. FAITHLESS NELLY GRAY about 2 min
  82. BIANCA'S DREAM about 9 min
  83. THE DEMON-SHIP about 3 min
  84. TIM TURPIN about 2 min
  85. DEATH'S RAMBLE about 2 min
  86. A SAILOR'S APOLOGY FOR BOW-LEGS about 3 min
  87. THE VOLUNTEER about 3 min
  88. THE EPPING HUNT about 13 min
  89. THE DROWNING DUCKS about 2 min
  90. A STORM AT HASTINGS, about 8 min
  91. LINES TO A LADY about 1 min
  92. THE ANGLER'S FAREWELL about 4 min
  93. A REPORT FROM BELOW! about 3 min
  94. "I'M NOT A SINGLE MAN." about 1 min
  95. THE SUPPER SUPERSTITION about 2 min
  96. THE DUEL about 2 min
  97. A SINGULAR EXHIBITION AT SOMERSET HOUSE about 4 min
  98. LINES TO MARY about 2 min
  99. THE COMPASS, WITH VARIATIONS about 5 min
  100. THE GHOST about 1 min
  101. THE FALL about 2 min
  102. OUR VILLAGE about 3 min
  103. A PUBLIC DINNER about 3 min
  104. SALLY SIMPKIN'S LAMENT; about 1 min
  105. ODE TO SIR ANDREW AGNEW, BART about 4 min
  106. THE LOST HEIR about 6 min
  107. THE FOX AND THE HEN about 2 min
  108. THE POACHER about 1 min
  109. A WATERLOO BALLAD about 2 min
  110. A LAY OF REAL LIFE about 1 min
  111. THE SWEEPS COMPLAINT about 5 min
  112. THE DESERT-BORN about 10 min
  113. AGRICULTURAL DISTRESS about 5 min
  114. DOMESTIC POEMS about 4 min
  115. THE GREEN MAN about 7 min
  116. HIT OR MISS about 10 min
  117. THE FORLORN SHEPHERD'S COMPLAINT about 2 min
  118. LIEUTENANT LUFF about 2 min
  119. MORNING MEDITATIONS about 1 min
  120. A PLAIN DIRECTION about 3 min
  121. THE ASSISTANT DRAPERS' PETITION about 2 min
  122. THE BACHELOR'S DREAM about 2 min
  123. RURAL FELICITY about 6 min
  124. A FLYING VISIT about 7 min
  125. QUEEN MAB about 1 min
  126. TO HENRIETTA, about 2 min
  127. A PARTHIAN GLANCE about 2 min
  128. A TRUE STORY about 6 min
  129. THE MERMAID OF MARGATE about 4 min
  130. A FAIRY TALE about 4 min
  131. CRANIOLOGY about 3 min
  132. THE WEE MAN about 2 min
  133. THE PROGRESS OF ART about 2 min
  134. THOSE EVENING BELLS under 1 min
  135. THE CARELESSE NURSE MAYD about 1 min
  136. SHOOTING PAINS about 2 min
  137. JOHN DAY about 2 min
  138. HUGGINS AND DUGGINS about 2 min
  139. THE CHINA-MENDER about 3 min
  140. DOMESTIC DIDACTICS about 3 min
  141. LAMENT FOR THE DECLINE OF CHIVALRY about 3 min
  142. PLAYING AT SOLDIERS about 2 min
  143. MARY'S GHOST about 1 min
  144. THE WIDOW about 3 min
  145. AN OPEN QUESTION about 5 min
  146. A BLACK JOB about 6 min
  147. ETCHING MORALISED about 8 min
  148. A TALE OF A TRUMPET about 25 min
  149. THE FORGE under 1 min
  150. Part I about 5 min
  151. Part II about 7 min
  152. THE UNIVERSITY FEUD about 6 min

Continue:

THE UNIVERSITY FEUD

"A plague o' both the houses!"--MERCUTIO.

[Footnote 45: "The Row at the Oxford Arms" (to quote its alternative title) is a squib on the contest at Oxford, in 1841-42, for the Professorship of Poetry. The candidates, it will be remembered, were Isaac Williams and Mr. (afterwards Archdeacon) Garbett. The struggle was the more intense that it was openly acknowledged to be a trial of strength between the adherents of the "Oxford Movement" and the Evangelical Party.]

As latterly I chanced to pass A Public House, from which, alas! The Arms of Oxford dangle! My ear was startled by a din, That made me tremble in my skin, A dreadful hubbub from within, Of voices in a wrangle--

Voices loud, and voices high, With now and then a party-cry, Such as used in times gone by To scare the British border; When foes from North and South of Tweed-- Neighbors--and of Christian creed-- Met in hate to fight and bleed, Upsetting Social Order.

Surprised, I turn'd me to the crowd, Attracted by that tumult loud, And ask'd a gazer, beetle-brow'd, The cause of such disquiet. When lo! the solemn-looking man, First shook his head on Burleigh's plan, And then, with fluent tongue, began His version of the riot:

A row!--why yes,--a pretty row, you might hear from this to Garmany, And what is worse, it's all got up among the Sons of Harmony, The more's the shame for them as used to be in time and tune, And all unite in chorus like the singing-birds in June! Ah! many a pleasant chant I've heard in passing here along, When Swiveller was President a-knocking down a song; But Dick's resign'd the post, you see, and all them shouts and hollers Is 'cause two other candidates, some sort of larned scholars, Are squabbling to be Chairman of the Glorious Apollers!

Lord knows their names, I'm sure I don't, no more than any yokel, But I never heard of either as connected with the vocal; Nay, some do say, although of course the public rumor varies, They've no more warble in 'em than a pair of hen canaries; Though that might pass if they were dabs at t'other sort of thing, For a man may make a song, you know, although he cannot sing; But lork! it's many folk's belief they're only good at prosing, For Catnach swears he never saw a verse of their composing; And when a piece of poetry has stood its public trials, If pop'lar, it gets printed off at once in Seven Dials, And then about all sorts of streets, by every little monkey, It's chanted like the "Dog's Meat Man," or "If I had a Donkey." Whereas, as Mr. Catnach says, and not a bad judge neither, No ballad--worth a ha'penny--has ever come from either, And him as writ "Jim Crow," he says, and got such lots of dollars, Would make a better Chairman for the Glorious Apollers. Howsomever that's the meaning of the squabble that arouses This neighborhood, and quite disturbs all decent Heads of Houses, Who want to have their dinners and their parties, as is reason, In Christian peace and charity according to the season. But from Number Thirty-Nine--since this electioneering job, Ay, as far as Number Ninety, there's an everlasting mob; Till the thing is quite a nuisance, for no creature passes by, But he gets a card, a pamphlet, or a summut in his eye; And a pretty noise there is!--what with canvassers and spouters, For in course each side is furnish'd with its backers and its touters; And surely among the Clergy to such pitches it is carried, You can hardly find a Parson to get buried or get married; Or supposing any accident that suddenly alarms, If you're dying for a surgeon, you must fetch him from the "Arms"; While the Schoolmasters and Tooters are neglecting of their scholars, To write about a Chairman for the Glorious Apollers.

Well, that, sir, is the racket; and the more the sin and shame Of them that help to stir it up, and propagate the same; Instead of vocal ditties, and the social flowing cup,-- But they'll be the House's ruin, or the shutting of it up, With their riots and their hubbubs, like a garden full of bears, While they've damaged many articles and broken lots of squares, And kept their noble Club Room in a perfect dust and smother, By throwing Morning Heralds, Times, and Standards at each other; Not to name the ugly language Gemmen oughtn't to repeat, And the names they call each other--for I've heard 'em in the street-- Such as Traitors, Guys, and Judasses, and Vipers and what not, For Pasley and his divers ain't so blowing-up a lot. And then such awful swearing!--for there's one of them that cusses Enough to shock the cads that hang on opposition 'busses; For he cusses every member that's agin him at the poll, As I wouldn't cuss a donkey, tho' it hasn't got a soul; And he cusses all their families, Jack, Harry, Bob or Jim, To the babby in the cradle, if they don't agree with him. Whereby, altho' as yet they have not took to use their fives, Or, according as the fashion is, to sticking with their knives, I'm bound they'll be some milling yet, and shakings by the collars, Afore they choose a Chairman for the Glorious Apollers!

To be sure it is a pity to be blowing such a squall, Instead of clouds, and every man his song, and then his call-- And as if there wasn't Whigs enough and Tories to fall out, Besides polities in plenty for our splits to be about,-- Why, a cornfield is sufficient, sir, as anybody knows, For to furnish them in plenty who are fond of picking crows-- Not to name the Maynooth Catholics, and other Irish stews, To agitate society and loosen all its screws; And which all may be agreeable and proper to their spheres,-- But it's not the thing for musicals to set us by the ears. And as to College larning, my opinion for to broach, And I've had it from my cousin, and he driv a college coach, And so knows the University, and all as there belongs, And he says that Oxford's famouser for sausages than songs, And seldom turns a poet out like Hudson that can chant, As well as make such ditties as the Free and Easies want, Or other Tavern Melodists I can't just call to mind-- But it's not the classic system for to propagate the kind, Whereby it so may happen as that neither of them Scholars May be the proper Chairman for the Glorious Apollers!

For my part in the matter, if so be I had a voice, It's the best among the vocalists I'd honor with the choice; Or a Poet as could furnish a new Ballad to the bunch; Or at any rate the surest hand at mixing of the punch; 'Cause why, the members meet for that and other tuneful frolics-- And not to say, like Muffincaps, their Catichiz and Collec's. But you see them there Itinerants that preach so long and loud, And always takes advantage like the prigs of any crowd, Have brought their jangling voices, and as far as they can compass, Have turn'd a tavern shindy to a seriouser rumpus, And him as knows most hymns--altho' I can't see how it follers-- They want to be the Chairman of the Glorious Apollers!

Well, that's the row--and who can guess the upshot after all? Whether Harmony will ever make the "Arms" her House of call, Or whether this here mobbing--as some longish heads foretell it, Will grow to such a riot that the Oxford Blues must quell it, Howsomever, for the present, there's no sign of any peace, For the hubbub keeps a-growing, and defies the New Police;-- But if I was in the Vestry, and a leading sort of Man, Or a Member of the Vocals, to get backers for my plan, Why, I'd settle all the squabble in the twinkle of a needle, For I'd have another candidate--and that's the Parish Beadle, Who makes such lots of Poetry, himself, or else by proxy, And no one never has no doubts about his orthodoxy; Whereby--if folks was wise--instead of either of them Scholars, And straining their own lungs along of contradictious hollers, They'll lend their ears to reason, and take my advice as follers, Namely--Bumble for the Chairman of the Glorious Apollers!

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