Read here

The Oxford Book of English Verse, 1250-1900

Unknown author · Public domain text

205,541 words · about 14 h 24 min to read

About this edition

The text of The Oxford Book of English Verse, 1250-1900 comes from Project Gutenberg e-text #66619. It is public domain in the United States. Edited by Arthur Quiller-Couch. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

This text-only edition leaves out 2 illustrations. See the illustrated edition at Project Gutenberg.

This book is long enough to be split into 7 parts, so each one loads quickly on its own.

About this book

Language
English
Subjects
English poetry
Length
205,541 words · about 14 h 24 min
Sections
14 reader sections · Table of contents
Contents (14)
  1. Opening under 1 min
  2. Preface about 6 h 22 min
  3. The Oxford Book of English Verse, 1250-1900 (part 3 of 7) about 1 h 52 min
  4. Part I about 3 min
  5. Part II about 2 min
  6. Part III about 3 min
  7. Part IV about 2 min
  8. Part V about 4 min
  9. Part VI about 3 min
  10. Part VII about 2 h 10 min
  11. Part I about 1 min
  12. Part II about 1 min
  13. Part III about 1 min
  14. Part IV about 3 h 40 min

The opening of Preface

For this Anthology I have tried to range over the whole field of English Verse from the beginning, or from the Thirteenth Century to this closing year of the Nineteenth, and to choose the best. Nor have I sought in these Islands only, but wheresoever the Muse has followed the tongue which among living tongues she most delights to honour. To bring home and render so great a spoil compendiously has been my capital difficulty. It is for the reader to judge if I have so managed it as to serve those who already love poetry and to implant that love in some young minds not yet initiated.

My scheme is simple. I have arranged the poets as nearly as possible in order of birth, with such groupings of anonymous pieces as seemed convenient. For convenience, too, as well as to avoid a dispute-royal, I have gathered the most of the Ballads into the middle of the Seventeenth Century; where they fill a languid interval between two winds of inspiration--the Italian dying down with Milton and the French following at the heels of the restored Royalists. For convenience, again, I have set myself certain rules of spelling.

Read on in Part 2 →