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The Oxford Book of Ballads

Unknown author · Public domain text

149,628 words · about 10 h 29 min to read

About this edition

The text of The Oxford Book of Ballads comes from Project Gutenberg e-text #44593. It is public domain in the United States. Edited by Arthur Quiller-Couch. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

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About this book

Language
English
Subjects
Ballads, English › Great Britain › Texts
Length
149,628 words · about 10 h 29 min
Sections
19 reader sections · Table of contents
Contents (19)
  1. Opening under 1 min
  2. Preface about 10 min
  3. Book I about 1 min
  4. Book II about 1 min
  5. Book III about 1 min
  6. Book IV under 1 min
  7. Book V under 1 min
  8. Book VI about 1 min
  9. Book VII about 1 min
  10. Book I about 1 h 23 min
  11. Part I about 2 min
  12. Part II about 15 min
  13. Book II about 1 h 47 min
  14. Book III about 1 h 31 min
  15. Book IV about 22 min
  16. Book V about 2 h 2 min
  17. Book VI about 1 h 56 min
  18. Book VII about 17 min
  19. II. XXXV about 41 min

The opening of Preface

As in The Oxford Book of English Verse I tried to range over the whole field of the English Lyric, and to choose the best, so in this volume I have sought to bring together the best Ballads out of the whole of our national stock. But the method, order, balance of the two books are different perforce, as the fates of the Lyric and the Ballad have been diverse. While the Lyric in general, still making for variety, is to-day more prolific than ever and (all cant apart) promises fruit to equal the best, that particular offshoot which we call the Ballad has been dead, or as good as dead, for two hundred years. It would seem to have discovered, almost at the start, a very precise Platonic pattern of what its best should be; and having exhausted itself in reproducing that, it declined (through a crab-apple stage of Broadsides) into sterility. Therefore this anthology cannot be brought down to the present day, and therefore the first half of it contains far finer poetry than the second.

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