VI. THE SIEGE

Madame Foucault came into Sophia's room one afternoon with a peculiar guilty expression on her large face, and she held her peignoir close to her exuberant body in folds consciously majestic, as though endeavouring to prove to Sophia by her carriage that despite her shifting eyes she was the most righteous and sincere woman that ever lived.

It was Saturday, the third of September, a beautiful day. Sophia, suffering from an unimportant relapse, had remained in a state of inactivity, and had scarcely gone out at all. She loathed the flat, but lacked the energy to leave it every day. There was no sufficiently definite object in leaving it. She could not go out and look for health as she might have looked for flowers. So she remained in the flat, and stared at the courtyard and the continual mystery of lives hidden behind curtains that occasionally moved. And the painted yellow walls of the house, and the papered walls of her room pressed upon her and crushed her. For a few days Chirac had called daily, animated by the most adorable solicitude. Then he had ceased to call. She had tired of reading the journals; they lay unopened. The relations between Madame Foucault and herself, and her status in the flat of which she now legally owned the furniture,--these things were left unsettled. But the question of her board was arranged on the terms that she halved the cost of food and service with Madame Foucault; her expenses were thus reduced to the lowest possible--about eighteen francs a week. An idea hung in the air--like a scientific discovery on the point of being made by several independent investigators simultaneously--that she and Madame Foucault should co-operate in order to let furnished rooms at a remunerative profit. Sophia felt the nearness of the idea and she wanted to be shocked at the notion of any avowed association between herself and Madame Foucault; but she could not be.

"Here are a lady and a gentleman who want a bedroom," began Madame Foucault, "a nice large bedroom, furnished."

"Oh!" said Sophia; "who are they?"

"They will pay a hundred and thirty francs a month, in advance, for the middle bedroom."

"You've shown it to them already?" said Sophia. And her tone implied that somehow she was conscious of a right to overlook the affair of Madame Foucault.

"No," said the other. "I said to myself that first I would ask you for a counsel."

"Then will they pay all that for a room they haven't seen?"

"The fact is," said Madame Foucault, sheepishly. "The lady has seen the room before. I know her a little. It is a former tenant. She lived here some weeks."

"In that room?"

"Oh no! She was poor enough then."

"Where are they?"

"In the corridor. She is very well, the lady. Naturally one must live, she like all the world; but she is veritably well. Quite respectable! One would never say ... Then there would be the meals. We could demand one franc for the cafe au lait, two and a half francs for the lunch, and three francs for the dinner. Without counting other things. That would mean over five hundred francs a month, at least. And what would they cost us? Almost nothing! By what appears, he is a plutocrat ... I could thus quickly repay you."

"Is it a married couple?"

"Ah! You know, one cannot demand the marriage certificate." Madame Foucault indicated by a gesture that the Rue Breda was not the paradise of saints.

"When she came before, this lady, was it with the same man?" Sophia asked coldly.

"Ah, my faith, no!" exclaimed Madame Foucault, bridling. "It was a bad sort, the other, a...! Ah, no."

"Why do you ask my advice?" Sophia abruptly questioned, in a hard, inimical voice. "Is it that it concerns me?"

Tears came at once into the eyes of Madame Foucault. "Do not be unkind," she implored.

"I'm not unkind," said Sophia, in the same tone.

"Shall you leave me if I accept this offer?"

There was a pause.

"Yes," said Sophia, bluntly. She tried to be large-hearted, large-minded, and sympathetic; but there was no sign of these qualities in her speech.

"And if you take with you the furniture which is yours...!"

Sophia kept silence.

"How am I to live, I demand of you?" Madame Foucault asked weakly.

"By being respectable and dealing with respectable people!" said Sophia, uncompromisingly, in tones of steel.

"I am unhappy!" murmured the elder woman. "However, you are more strong than I!"

She brusquely dabbed her eyes, gave a little sob, and ran out of the room. Sophia listened at the door, and heard her dismiss the would-be tenants of the best bedroom. She wondered that she should possess such moral ascendancy over the woman, she so young and ingenuous! For, of course, she had not meant to remove the furniture. She could hear Madame Foucault sobbing quietly in one of the other rooms; and her lips curled.

Before evening a truly astonishing event happened. Perceiving that Madame Foucault showed no signs of bestirring herself, Sophia, with good nature in her heart but not on her tongue, went to her, and said:

"Shall I occupy myself with the dinner?"

Madame Foucault sobbed more loudly.

"That would be very amiable on your part," Madame Foucault managed at last to reply, not very articulately.

Sophia put a hat on and went to the grocer's. The grocer, who kept a busy establishment at the corner of the Rue Clausel, was a middle-aged and wealthy man. He had sent his young wife and two children to Normandy until victory over the Prussians should be more assured, and he asked Sophia whether it was true that there was a good bedroom to let in the flat where she lived. His servant was ill of smallpox; he was attacked by anxieties and fears on all sides; he would not enter his own flat on account of possible infection; he liked Sophia, and Madame Foucault had been a customer of his, with intervals, for twenty years. Within an hour he had arranged to rent the middle bedroom at eighty francs a month, and to take his meals there. The terms were modest, but the respectability was prodigious. All the glory of this tenancy fell upon Sophia.

Madame Foucault was deeply impressed. Characteristically she began at once to construct a theory that Sophia had only to walk out of the house in order to discover ideal tenants for the rooms. Also she regarded the advent of the grocer as a reward from Providence for her self-denial in refusing the profits of sinfulness. Sophia felt personally responsible to the grocer for his comfort, and so she herself undertook the preparation of the room. Madame Foucault was amazed at the thoroughness of her housewifery, and at the ingenuity of her ideas for the arrangement of furniture. She sat and watched with admiration sycophantic but real.

That night, when Sophia was in bed, Madame Foucault came into the room, and dropped down by the side of the bed, and begged Sophia to be her moral support for ever. She confessed herself generally. She explained how she had always hated the negation of respectability; how respectability was the one thing that she had all her life passionately desired. She said that if Sophia would be her partner in the letting of furnished rooms to respectable persons, she would obey her in everything. She gave Sophia a list of all the traits in Sophia's character which she admired. She asked Sophia to influence her, to stand by her. She insisted that she would sleep on the sixth floor in the servant's tiny room; and she had a vision of three bedrooms let to successful tradesmen. She was in an ecstasy of repentance and good intentions.

Sophia consented to the business proposition; for she had nothing else whatever in prospect, and she shared Madame Foucault's rosy view about the remunerativeness of the bedrooms. With three tenants who took meals the two women would be able to feed themselves for nothing and still make a profit on the food; and the rents would be clear gain.

And she felt very sorry for the ageing, feckless Madame Foucault, whose sincerity was obvious. The association between them would be strange; it would have been impossible to explain it to St. Luke's Square.... And yet, if there was anything at all in the virtue of Christian charity, what could properly be urged against the association?

"Ah!" murmured Madame Foucault, kissing Sophia's hands, "it is to-day, then, that I recommence my life. You will see--you will see! You have saved me!"

It was a strange sight, the time-worn, disfigured courtesan, half prostrate before the beautiful young creature proud and unassailable in the instinctive force of her own character. It was almost a didactic tableau, fraught with lessons for the vicious. Sophia was happier than she had been for years. She had a purpose in existence; she had a fluid soul to mould to her will according to her wisdom; and there was a large compassion to her credit. Public opinion could not intimidate her, for in her case there was no public opinion; she knew nobody; nobody had the right to question her doings.

The next day, Sunday, they both worked hard at the bedrooms from early morning. The grocer was installed in his chamber, and the two other rooms were cleansed as they had never been cleansed. At four o'clock, the weather being more magnificent than ever, Madame Foucault said:

"If we took a promenade on the boulevard?"

Sophia reflected. They were partners. "Very well," she agreed.

The boulevard was crammed with gay, laughing crowds. All the cafes were full. None, who did not know, could have guessed that the news of Sedan was scarcely a day old in the capital. Delirious joy reigned in the glittering sunshine. As the two women strolled along, content with their industry and their resolves, they came to a National Guard, who, perched on a ladder, was chipping away the "N" from the official sign of a court-tradesman. He was exchanging jokes with a circle of open mouths. It was in this way that Madame Foucault and Sophia learnt of the establishment of a republic.

"Vive la republique!" cried Madame Foucault, incontinently, and then apologized to Sophia for the lapse.

They listened a long while to a man who was telling strange histories of the Empress.

Suddenly Sophia noticed that Madame Foucault was no longer at her elbow. She glanced about, and saw her in earnest conversation with a young man whose face seemed familiar. She remembered it was the young man with whom Madame Foucault had quarrelled on the night when Sophia found her prone in the corridor; the last remaining worshipper of the courtesan.

The woman's face was quite changed by her agitation. Sophia drew away, offended. She watched the pair from a distance for a few moments, and then, furious in disillusion, she escaped from the fever of the boulevards and walked quietly home. Madame Foucault did not return. Apparently Madame Foucault was doomed to be the toy of chance. Two days later Sophia received a scrawled letter from her, with the information that her lover had required that she should accompany him to Brussels, as Paris would soon be getting dangerous. "He adores me always. He is the most delicious boy. As I have always said, this is the grand passion of my life. I am happy. He would not permit me to come to you. He has spent two thousand francs on clothes for me, since naturally I had nothing." And so on. No word of apology. Sophia, in reading the letter, allowed for a certain exaggeration and twisting of the truth.

"Young fool! Fool!" she burst out angrily. She did not mean herself; she meant the fatuous adorer of that dilapidated, horrible woman. She never saw her again. Doubtless Madame Foucault fulfilled her own prediction as to her ultimate destiny, but in Brussels.

Sophia still possessed about a hundred pounds, and had she chosen to leave Paris and France, there was nothing to prevent her from doing so. Perhaps if she had chanced to visit the Gare St. Lazare or the Gare du Nord, the sight of tens of thousands of people flying seawards might have stirred in her the desire to flee also from the vague coming danger. But she did not visit those termini; she was too busy looking after M. Niepce, her grocer. Moreover, she would not quit her furniture, which seemed to her to be a sort of rock. With a flat full of furniture she considered that she ought to be able to devise a livelihood; the enterprise of becoming independent was already indeed begun. She ardently wished to be independent, to utilize in her own behalf the gifts of organization, foresight, commonsense and tenacity which she knew she possessed and which had lain idle. And she hated the idea of flight.

Chirac returned as unexpectedly as he had gone; an expedition for his paper had occupied him. With his lips he urged her to go, but his eyes spoke differently. He had, one afternoon, a mood of candid despair, such as he would have dared to show only to one in whom he felt great confidence. "They will come to Paris," he said; "nothing can stop them. And ... then...!" He gave a cynical laugh. But when he urged her to go she said:

"And what about my furniture? And I've promised M. Niepce to look after him."

Then Chirac informed her that he was without a lodging, and that he would like to rent one of her rooms. She agreed.

Shortly afterwards he introduced a middle-aged acquaintance named Carlier, the secretary-general of his newspaper, who wished to rent a bedroom. Thus by good fortune Sophia let all her rooms immediately, and was sure of over two hundred francs a month, apart from the profit on meals supplied. On this latter occasion Chirac (and his companion too) was quite optimistic, reiterating an absolute certitude that Paris could never be invested. Briefly, Sophia did not believe him. She believed the candidly despairing Chirac. She had no information, no wide theory, to justify her pessimism; nothing but the inward conviction that the race capable of behaving as she had seen it behave in the Place de la Concorde, was bound to be defeated. She loved the French race; but all the practical Teutonic sagacity in her wanted to take care of it in its difficulties, and was rather angry with it for being so unfitted to take care of itself.

She let the men talk, and with careless disdain of their discussions and their certainties she went about her business of preparation. At this period, overworked and harassed by novel responsibilities and risks, she was happier, for days together, than she had ever been, simply because she had a purpose in life and was depending upon herself. Her ignorance of the military and political situation was complete; the situation did not interest her. What interested her was that she had three men to feed wholly or partially, and that the price of eatables was rising. She bought eatables. She bought fifty pecks of potatoes at a franc a peck, and another fifty pecks at a franc and a quarter--double the normal price; ten hams at two and a half francs a pound; a large quantity of tinned vegetables and fruits, a sack of flour, rice, biscuits, coffee, Lyons sausage, dried prunes, dried figs, and much wood and charcoal. But the chief of her purchases was cheese, of which her mother used to say that bread and cheese and water made a complete diet. Many of these articles she obtained from her grocer. All of them, except the flour and the biscuits, she stored in the cellar belonging to the flat; after several days' delay, for the Parisian workmen were too elated by the advent of a republic to stoop to labour, she caused a new lock to be fixed on the cellar-door. Her activities were the sensation of the house. Everybody admired, but no one imitated.

One morning, on going to do her marketing, she found a notice across the shuttered windows of her creamery in the Rue Notre Dame de Lorette: "Closed for want of milk." The siege had begun. It was in the closing of the creamery that the siege was figured for her; in this, and in eggs at five sous a piece. She went elsewhere for her milk and paid a franc a litre for it. That evening she told her lodgers that the price of meals would be doubled, and that if any gentleman thought that he could get equally good meals elsewhere, he was at liberty to get them elsewhere. Her position was strengthened by the appearance of another candidate for a room, a friend of Niepce. She at once offered him her own room, at a hundred and fifty francs a month.

"You see," she said, "there is a piano in it."

"But I don't play the piano," the man protested, shocked at the price.

"That is not my fault," she said.

He agreed to pay the price demanded for the room because of the opportunity of getting good meals much cheaper than in the restaurants. Like M. Niepce, he was a 'siege-widower,' his wife having been put under shelter in Brittany. Sophia took to the servant's bedroom on the sixth floor. It measured nine feet by seven, and had no window save a skylight; but Sophia was in a fair way to realize a profit of at least four pounds a week, after paying for everything.

On the night when she installed herself in that chamber, amid a world of domestics and poor people, she worked very late, and the rays of her candles shot up intermittently through the skylight into a black heaven; at intervals she flitted up and down the stairs with a candle. Unknown to her a crowd gradually formed opposite the house in the street, and at about one o'clock in the morning a file of soldiers woke the concierge and invaded the courtyard, and every window was suddenly populated with heads. Sophia was called upon to prove that she was not a spy signalling to the Prussians. Three quarters of an hour passed before her innocence was established and the staircases cleared of uniforms and dishevelled curiosity. The childish, impossible unreason of the suspicion against her completed in Sophia's mind the ruin of the reputation of the French people as a sensible race. She was extremely caustic the next day to her boarders. Except for this episode, the frequency of military uniforms in the streets, the price of food, and the fact that at least one house in four was flying either the ambulance flag or the flag of a foreign embassy (in an absurd hope of immunity from the impending bombardment) the siege did not exist for Sophia. The men often talked about their guard-duty, and disappeared for a day or two to the ramparts, but she was too busy to listen to them. She thought of nothing but her enterprise, which absorbed all her powers. She arose at six a.m., in the dark, and by seven-thirty M. Niepce and his friend had been served with breakfast, and much general work was already done. At eight o'clock she went out to market. When asked why she continued to buy at a high price, articles of which she had a store, she would reply: "I am keeping all that till things are much dearer." This was regarded as astounding astuteness.

On the fifteenth of October she paid the quarter's rent of the flat, four hundred francs, and was accepted as tenant. Her ears were soon quite accustomed to the sound of cannon, and she felt that she had always been a citizeness of Paris, and that Paris had always been besieged. She did not speculate about the end of the siege; she lived from day to day. Occasionally she had a qualm of fear, when the firing grew momentarily louder, or when she heard that battles had been fought in such and such a suburb. But then she said it was absurd to be afraid when you were with a couple of million people, all in the same plight as yourself. She grew reconciled to everything. She even began to like her tiny bedroom, partly because it was so easy to keep warm (the question of artificial heat was growing acute in Paris), and partly because it ensured her privacy. Down in the flat, whatever was done or said in one room could be more or less heard in all the others, owing to the prevalence of doors.

Her existence, in the first half of November, had become regular with a monotony almost absolute. Only the number of meals served to her boarders varied slightly from day to day. All these repasts, save now and then one in the evening, were carried into the bedrooms by the charwoman. Sophia did not allow herself to be seen much, except in the afternoons. Though Sophia continued to increase her prices, and was now selling her stores at an immense profit, she never approached the prices current outside. She was very indignant against the exploitation of Paris by its shopkeepers, who had vast supplies of provender, and were hoarding for the rise. But the force of their example was too great for her to ignore it entirely; she contented herself with about half their gains. Only to M. Niepce did she charge more than to the others, because he was a shopkeeper. The four men appreciated their paradise. In them developed that agreeable feeling of security which solitary males find only under the roof of a landlady who is at once prompt, honest, and a votary of cleanliness. Sophia hung a slate near the frontdoor, and on this slate they wrote their requests for meals, for being called, for laundry-work, etc. Sophia never made a mistake, and never forgot. The perfection of the domestic machine amazed these men, who had been accustomed to something quite different, and who every day heard harrowing stories of discomfort and swindling from their acquaintances. They even admired Sophia for making them pay, if not too high, still high. They thought it wonderful that she should tell them the price of all things in advance, and even show them how to avoid expense, particularly in the matter of warmth. She arranged rugs for each of them, so that they could sit comfortably in their rooms with nothing but a small charcoal heater for the hands. Quite naturally they came to regard her as the paragon and miracle of women. They endowed her with every fine quality. According to them there had never been such a woman in the history of mankind; there could not have been! She became legendary among their friends: a young and elegant creature, surpassingly beautiful, proud, queenly, unapproachable, scarcely visible, a marvellous manager, a fine cook and artificer of strange English dishes, utterly reliable, utterly exact and with habits of order...! They adored the slight English accent which gave a touch of the exotic to her very correct and freely idiomatic French. In short, Sophia was perfect for them, an impossible woman. Whatever she did was right.

And she went up to her room every night with limbs exhausted, but with head clear enough to balance her accounts and go through her money. She did this in bed with thick gloves on. If often she did not sleep well, it was not because of the distant guns, but because of her preoccupation with the subject of finance. She was making money, and she wanted to make more. She was always inventing ways of economy. She was so anxious to achieve independence that money was always in her mind. She began to love gold, to love hoarding it, and to hate paying it away.

One morning her charwoman, who by good fortune was nearly as precise as Sophia herself, failed to appear. When the moment came for serving M. Niepce's breakfast, Sophia hesitated, and then decided to look after the old man personally. She knocked at his door, and went boldly in with the tray and candle. He started at seeing her; she was wearing a blue apron, as the charwoman did, but there could be no mistaking her for the charwoman. Niepce looked older in bed than when dressed. He had a rather ridiculous, undignified appearance, common among old men before their morning toilette is achieved; and a nightcap did not improve it. His rotund paunch lifted the bedclothes, upon which, for the sake of extra warmth, he had spread unmajestic garments. Sophia smiled to herself; but the contempt implied by that secret smile was softened by the thought: "Poor old man!" She told him briefly that she supposed the charwoman to be ill. He coughed and moved nervously. His benevolent and simple face beamed on her paternally as she fixed the tray by the bed.

"I really must open the window for one little second," she said, and did so. The chill air of the street came through the closed shutters, and the old man made a noise as of shivering. She pushed back the shutters, and closed the window, and then did the same with the other two windows. It was almost day in the room.

"You will no longer need the candle," she said, and came back to the bedside to extinguish it.

The benign and fatherly old man put his arm round her waist. Fresh from the tonic of pure air, and with the notion of his ridiculousness still in her mind, she was staggered for an instant by this gesture. She had never given a thought to the temperament of the old grocer, the husband of a young wife. She could not always imaginatively keep in mind the effect of her own radiance, especially under such circumstances. But after an instant her precocious cynicism, which had slept, sprang up. "Naturally! I might have expected it!" she thought with blasting scorn.

"Take away your hand!" she said bitterly to the amiable old fool. She did not stir.

He obeyed, sheepishly.

"Do you wish to remain with me?" she asked, and as he did not immediately answer, she said in a most commanding tone: "Answer, then!"

"Yes," he said feebly.

"Well, behave properly."

She went towards the door.

"I wished only--" he stammered.

"I do not wish to know what you wished," she said.

Afterwards she wondered how much of the incident had been overheard. The other breakfasts she left outside the respective doors; and in future Niepce's also.

The charwoman never came again. She had caught smallpox and she died of it, thus losing a good situation. Strange to say, Sophia did not replace her; the temptation to save her wages and food was too strong. She could not, however, stand waiting for hours at the door of the official baker and the official butcher, one of a long line of frozen women, for the daily rations of bread and tri-weekly rations of meat. She employed the concierge's boy, at two sous an hour, to do this. Sometimes he would come in with his hands so blue and cold that he could scarcely hold the precious cards which gave the right to the rations and which cost Chirac an hour or two of waiting at the mayoral offices each week. Sophia might have fed her flock without resorting to the official rations, but she would not sacrifice the economy which they represented. She demanded thick clothes for the concierge's boy, and received boots from Chirac, gloves from Carlier, and a great overcoat from Niepce. The weather increased in severity, and provisions in price. One day she sold to the wife of a chemist who lived on the first floor, for a hundred and ten francs, a ham for which she had paid less than thirty francs. She was conscious of a thrill of joy in receiving a beautiful banknote and a gold coin in exchange for a mere ham. By this time her total cash resources had grown to nearly five thousand francs. It was astounding. And the reserves in the cellar were still considerable, and the sack of flour that encumbered the kitchen was still more than half full. The death of the faithful charwoman, when she heard of it, produced but little effect on Sophia, who was so overworked and so completely absorbed in her own affairs that she had no nervous energy to spare for sentimental regrets. The charwoman, by whose side she had regularly passed many hours in the kitchen, so that she knew every crease in her face and fold of her dress, vanished out of Sophia's memory.

Sophia cleaned and arranged two of the bedrooms in the morning, and two in the afternoon. She had stayed in hotels where fifteen bedrooms were in charge of a single chambermaid, and she thought it would be hard if she could not manage four in the intervals of cooking and other work! This she said to herself by way of excuse for not engaging another charwoman. One afternoon she was rubbing the brass knobs of the numerous doors in M. Niepce's room, when the grocer unexpectedly came in.

She glanced at him sharply. There was a self-conscious look in his eye. He had entered the flat noiselessly. She remembered having told him, in response to a question, that she now did his room in the afternoon. Why should he have left his shop? He hung up his hat behind the door, with the meticulous care of an old man. Then he took off his overcoat and rubbed his hands.

"You do well to wear gloves, madame," he said. "It is dog's weather."

"I do not wear them for the cold," she replied. "I wear them so as not to spoil my hands."

"Ah! truly! Very well! Very well! May I demand some wood? Where shall I find it? I do not wish to derange you."

She refused his help, and brought wood from the kitchen, counting the logs audibly before him.

"Shall I light the fire now?" she asked.

"I will light it," he said.

"Give me a match, please."

As she was arranging the wood and paper, he said: "Madame, will you listen to me?"

"What is it?"

"Do not be angry," he said. "Have I not proved that I am capable of respecting you? I continue in that respect. It is with all that respect that I say to you that I love you, madame.... No, remain calm, I implore you!" The fact was that Sophia showed no sign of not remaining calm. "It is true that I have a wife. But what do you wish...? She is far away. I love you madly," he proceeded with dignified respect. "I know I am old; but I am rich. I understand your character. You are a lady, you are decided, direct, sincere, and a woman of business. I have the greatest respect for you. One can talk to you as one could not to another woman. You prefer directness and sincerity. Madame, I will give you two thousand francs a month, and all you require from my shop, if you will be amiable to me. I am very solitary, I need the society of a charming creature who would be sympathetic. Two thousand francs a month. It is money."

He wiped his shiny head with his hand.

Sophia was bending over the fire. She turned her head towards him.

"Is that all?" she said quietly.

"You could count on my discretion," he said in a low voice. "I appreciate your scruples. I would come, very late, to your room on the sixth. One could arrange ... You see, I am direct, like you."

She had an impulse to order him tempestuously out of the flat; but it was not a genuine impulse. He was an old fool. Why not treat him as such? To take him seriously would be absurd. Moreover, he was a very remunerative boarder.

"Do not be stupid," she said with cruel tranquillity. "Do not be an old fool."

And the benign but fatuous middle-aged lecher saw the enchanting vision of Sophia, with her natty apron and her amusing gloves, sweep and fade from the room. He left the house, and the expensive fire warmed an empty room.

Sophia was angry with him. He had evidently planned the proposal. If capable of respect, he was evidently also capable of chicane. But she supposed these Frenchmen were all alike: disgusting; and decided that it was useless to worry over a universal fact. They had simply no shame, and she had been very prudent to establish herself far away on the sixth floor. She hoped that none of the other boarders had overheard Niepce's outrageous insolence. She was not sure if Chirac was not writing in his room.

That night there was no sound of cannon in the distance, and Sophia for some time was unable to sleep. She woke up with a start, after a doze, and struck a match to look at her watch. It had stopped. She had forgotten to wind it up, which omission indicated that the grocer had perturbed her more than she thought. She could not be sure how long she had slept. The hour might be two o'clock or it might be six o'clock. Impossible for her to rest! She got up and dressed (in case it should be as late as she feared) and crept down the interminable creaking stairs with the candle. As she descended, the conviction that it was the middle of the night grew upon her, and she stepped more softly. There was no sound save that caused by her footfalls. With her latchkey she cautiously opened the front door of the flat and entered. She could then hear the noisy ticking of the small, cheap clock in the kitchen. At the same moment another door creaked, and Chirac, with hair all tousled, but fully dressed, appeared in the corridor.

"So you have decided to sell yourself to him!" Chirac whispered.

She drew away instinctively, and she could feel herself blushing. She was at a loss. She saw that Chirac was in a furious rage, tremendously moved. He crept towards her, half crouching. She had never seen anything so theatrical as his movement, and the twitching of his face. She felt that she too ought to be theatrical, that she ought nobly to scorn his infamous suggestion, his unwarrantable attack. Even supposing that she had decided to sell herself to the old pasha, did that concern him? A dignified silence, an annihilating glance, were all that he deserved. But she was not capable of this heroic behaviour.

"What time is it?" she added weakly.

"Three o'clock," Chirac sneered.

"I forgot to wind up my watch," she said. "And so I came down to see."

"In effect!" He spoke sarcastically, as if saying: "I've waited for you, and here you are."

She said to herself that she owed him nothing, but all the time she felt that he and she were the only young people in that flat, and that she did owe to him the proof that she was guiltless of the supreme dishonour of youth. She collected her forces and looked at him.

"You should be ashamed," she said. "You will wake the others."

"And M. Niepce--will he need to be wakened?"

"M. Niepce is not here," she said.

Niepce's door was unlatched. She pushed it open, and went into the room, which was empty and bore no sign of having been used.

"Come and satisfy yourself!" she insisted.

Chirac did so. His face fell.

She took her watch from her pocket.

"And now wind my watch, and set it, please."

She saw that he was in anguish. He could not take the watch. Tears came into his eyes. Then he hid his face, and dashed away. She heard a sob-impeded murmur that sounded like, "Forgive me!" and the banging of a door. And in the stillness she heard the regular snoring of M. Carlier. She too cried. Her vision was blurred by a mist, and she stumbled into the kitchen and seized the clock, and carried it with her upstairs, and shivered in the intense cold of the night. She wept gently for a very long time. "What a shame! What a shame!" she said to herself. Yet she did not quite blame Chirac. The frost drove her into bed, but not to sleep. She continued to cry. At dawn her eyes were inflamed with weeping. She was back in the kitchen then. Chirac's door was wide open. He had left the flat. On the slate was written, "I shall not take meals to-day."

III

Their relations were permanently changed. For several days they did not meet at all; and when at the end of the week Chirac was obliged at last to face Sophia in order to pay his bill, he had a most grievous expression. It was obvious that he considered himself a criminal without any defence to offer for his crime. He seemed to make no attempt to hide his state of mind. But he said nothing. As for Sophia, she preserved a mien of amiable cheerfulness. She exerted herself to convince him by her attitude that she bore no resentment, that she had determined to forget the incident, that in short she was the forgiving angel of his dreams. She did not, however, succeed entirely in being quite natural. Confronted by his misery, it would have been impossible for her to be quite natural, and at the same time quite cheerful!

A little later the social atmosphere of the flat began to grow querulous, disputatious and perverse. The nerves of everybody were seriously strained. This applied to the whole city. Days of heavy rains followed the sharp frosts, and the town was, as it were, sodden with woe. The gates were closed. And though nine-tenths of the inhabitants never went outside the gates, the definite and absolute closing of them demoralized all hearts. Gas was no longer supplied. Rats, cats, and thorough-bred horses were being eaten and pronounced 'not bad.' The siege had ceased to be a novelty. Friends did not invite one another to a 'siege-dinner' as to a picnic. Sophia, fatigued by regular overwork, became weary of the situation. She was angry with the Prussians for dilatoriness, and with the French for inaction, and she poured out her English spleen on her boarders. The boarders told each other in secret that the patronne was growing formidable. Chiefly she bore a grudge against the shopkeepers; and when, upon a rumour of peace, the shop-windows one day suddenly blossomed with prodigious quantities of all edibles, at highest prices, thus proving that the famine was artificially created, Sophia was furious. M. Niepce in particular, though he sold goods to her at a special discount, suffered indignities. A few days later that benign and fatherly man put himself lamentably in the wrong by attempting to introduce into his room a charming young creature who knew how to be sympathetic. Sophia, by an accident unfortunate for the grocer, caught them in the corridor. She was beside herself, but the only outward symptoms were a white face and a cold steely voice that grated like a rasp on the susceptibilities of the adherents of Aphrodite. At this period Sophia had certainly developed into a termagant--without knowing it!

She would often insist now on talking about the siege, and hearing everything that the men could tell her. Her comments, made without the least regard for the justifiable delicacy of their feelings as Frenchmen, sometimes led to heated exchanges. When all Montmartre and the Quartier Breda was impassioned by the appearance from outside of the Thirty-second battalion, she took the side of the populace, and would not credit the solemn statement of the journalists, proved by documents, that these maltreated soldiers were not cowards in flight. She supported the women who had spit in the faces of the Thirty-second. She actually said that if she had met them, she would have spit too. Really, she was convinced of the innocence of the Thirty-second, but something prevented her from admitting it. The dispute ended with high words between herself and Chirac.

The next day Chirac came home at an unusual hour, knocked at the kitchen door, and said:

"I must give notice to leave you."

"Why?" she demanded curtly.

She was kneading flour and water for a potato-cake. Her potato-cakes were the joy of the household.

"My paper has stopped!" said Chirac.

"Oh!" she added thoughtfully, but not looking at him. "That is no reason why you should leave."

"Yes," he said. "This place is beyond my means. I do not need to tell you that in ceasing to appear the paper has omitted to pay its debts. The house owes me a month's salary. So I must leave."

"No!" said Sophia. "You can pay me when you have money."

He shook his head. "I have no intention of accepting your kindness."

"Haven't you got any money?" she abruptly asked.

"None," said he. "It is the disaster--quite simply!"

"Then you will be forced to get into debt somewhere."

"Yes, but not here! Not to you!"

"Truly, Chirac," she exclaimed, with a cajoling voice, "you are not reasonable."

"Nevertheless it is like that!" he said with decision.

"Eh, well!" she turned on him menacingly. "It will not be like that! You understand me? You will stay. And you will pay me when you can. Otherwise we shall quarrel. Do you imagine I shall tolerate your childishness? Just because you were angry last night----"

"It is not that," he protested. "You ought to know it is not that." (She did.) "It is solely that I cannot permit myself to----"

"Enough!" she cried peremptorily, stopping him. And then in a quieter tone, "And what about Carlier? Is he also in the ditch?"

"Ah! he has money," said Chirac, with sad envy.

"You also, one day," said she. "You stop--in any case until after Christmas, or we quarrel. Is it agreed?" Her accent had softened.

"You are too good!" he yielded. "I cannot quarrel with you. But it pains me to accept--"

"Oh!" she snapped, dropping into the vulgar idiom, "you make me sweat with your stupid pride. Is it that that you call friendship? Go away now. How do you wish that I should succeed with this cake while you station yourself there to distract me?"

But in three days' Chirac, with amazing luck, fell into another situation, and on the Journal des Debats. It was the Prussians who had found him a place. The celebrated Payenneville, second greatest chroniqueur of his time, had caught a cold while doing his duty as a national guard, and had died of pneumonia. The weather was severe again; soldiers were being frozen to death at Aubervilliers. Payenneville's position was taken by another man, whose post was offered to Chirac. He told Sophia of his good fortune with unconcealed vanity.

"You with your smile!" she said impatiently. "One can refuse you nothing!"

She behaved just as though Chirac had disgusted her. She humbled him. But with his fellow-lodgers his airs of importance as a member of the editorial staff of the Debats were comical in their ingenuousness. On the very same day Carlier gave notice to leave Sophia. He was comparatively rich; but the habits which had enabled him to arrive at independence in the uncertain vocation of a journalist would not allow him, while he was earning nothing, to spend a sou more than was absolutely necessary. He had decided to join forces with a widowed sister, who was accustomed to parsimony as parsimony is understood in France, and who was living on hoarded potatoes and wine.

"There!" said Sophia, "you have lost me a tenant!"

And she insisted, half jocularly and half seriously, that Carlier was leaving because he could not stand Chirac's infantile conceit. The flat was full of acrimonious words.

On Christmas morning Chirac lay in bed rather late; the newspapers did not appear that day. Paris seemed to be in a sort of stupor. About eleven o'clock he came to the kitchen door.

"I must speak with you," he said. His tone impressed Sophia.

"Enter," said she.

He went in, and closed the door like a conspirator. "We must have a little fete," he said. "You and I."

"Fete!" she repeated. "What an idea! How can I leave?"

If the idea had not appealed to the secrecies of her heart, stirring desires and souvenirs upon which the dust of time lay thick, she would not have begun by suggesting difficulties; she would have begun by a flat refusal.

"That is nothing," he said vigorously. "It is Christmas, and I must have a chat with you. We cannot chat here. I have not had a true little chat with you since you were ill. You will come with me to a restaurant for lunch."

She laughed. "And the lunch of my lodgers?"

"You will serve it a little earlier. We will go out immediately afterwards, and we will return in time for you to prepare dinner. It is quite simple."

She shook her head. "You are mad," she said crossly.

"It is necessary that I should offer you something," he went on scowling. "You comprehend me? I wish you to lunch with me to-day. I demand it, and you are not going to refuse me."

He was very close to her in the little kitchen, and he spoke fiercely, bullyingly, exactly as she had spoken to him when insisting that he should live on credit with her for a while.

"You are very rude," she parried.

"If I am rude, it is all the same to me," he held out uncompromisingly. "You will lunch with me; I hold to it."

"How can I be dressed?" she protested.

"That does not concern me. Arrange that as you can."

It was the most curious invitation to a Christmas dinner imaginable.

At a quarter past twelve they issued forth side by side, heavily clad, into the mournful streets. The sky, slate-coloured, presaged snow. The air was bitterly cold, and yet damp. There were no fiacres in the little three-cornered place which forms the mouth of the Rue Clausel. In the Rue Notre Dame de Lorette, a single empty omnibus was toiling up the steep glassy slope, the horses slipping and recovering themselves in response to the whip-cracking, which sounded in the streets as in an empty vault. Higher up, in the Rue Fontaine, one of the few shops that were open displayed this announcement: "A large selection of cheeses for New Year's gifts." They laughed.

"Last year at this moment," said Chirac, "I was thinking of only one thing--the masked ball at the opera. I could not sleep after it. This year even the churches, are not open. And you?"

She put her lips together. "Do not ask me," she said.

They proceeded in silence.

"We are triste, we others," he said. "But the Prussians, in their trenches, they cannot be so gay, either! Their families and their Christmas trees must be lacking to them. Let us laugh!"

The Place Blanche and the Boulevard de Clichy were no more lively than the lesser streets and squares. There was no life anywhere, scarcely a sound; not even the sound of cannon. Nobody knew anything; Christmas had put the city into a lugubrious trance of hopelessness. Chirac took Sophia's arm across the Place Blanche, and a few yards up the Rue Lepic he stopped at a small restaurant, famous among the initiated, and known as "The Little Louis." They entered, descending by two steps into a confined and sombrely picturesque interior.

Sophia saw that they were expected. Chirac must have paid a previous visit to the restaurant that morning. Several disordered tables showed that people had already lunched, and left; but in the corner was a table for two, freshly laid in the best manner of such restaurants; that is to say, with a red-and-white checked cloth, and two other red-and-white cloths, almost as large as the table-cloth, folded as serviettes and arranged flat on two thick plates between solid steel cutlery; a salt-cellar, out of which one ground rock-salt by turning a handle, a pepper-castor, two knife-rests, and two common tumblers. The phenomena which differentiated this table from the ordinary table were a champagne bottle and a couple of champagne glasses. Champagne was one of the few items which had not increased in price during the siege.

The landlord and his wife were eating in another corner, a fat, slatternly pair, whom no privations of a siege could have emaciated. The landlord rose. He was dressed as a chef, all in white, with the sacred cap; but a soiled white. Everything in the place was untidy, unkempt and more or less unclean, except just the table upon which champagne was waiting. And yet the restaurant was agreeable, reassuring. The landlord greeted his customers as honest friends. His greasy face was honest, and so was the pale, weary, humorous face of his wife. Chirac saluted her.

"You see," said she, across from the other corner, indicating a bone on her plate. "This is Diane!"

"Ah! the poor animal!" exclaimed Chirac, sympathetically.

"What would you?" said the landlady. "It cost too dear to feed her. And she was so mignonne! One could not watch her grow thin!"

"I was saying to my wife," the landlord put in, "how she would have enjoyed that bone--Diane!" He roared with laughter.

Sophia and the landlady exchanged a curious sad smile at this pleasantry, which had been re-discovered by the landlord for perhaps the thousandth time during the siege, but which he evidently regarded as quite new and original.

"Eh, well!" he continued confidentially to Chirac. "I have found for you something very good--half a duck." And in a still lower tone: "And it will not cost you too dear."

No attempt to realize more than a modest profit was ever made in that restaurant. It possessed a regular clientele who knew the value of the little money they had, and who knew also how to appreciate sincere and accomplished cookery. The landlord was the chef, and he was always referred to as the chef, even by his wife.

"How did you get that?" Chirac asked.

"Ah!" said the landlord, mysteriously. "I have one of my friends, who comes from Villeneuve St. Georges--refugee, you know. In fine ..." A wave of the fat hands, suggesting that Chirac should not inquire too closely.

"In effect!" Chirac commented. "But it is very chic, that!"

"I believe you that it is chic!" said the landlady, sturdily.

"It is charming," Sophia murmured politely.

"And then a quite little salad!" said the landlord.

"But that--that is still more striking!" said Chirac.

The landlord winked. The fact was that the commerce which resulted in fresh green vegetables in the heart of a beleagured town was notorious.

"And then also a quite little cheese!" said Sophia, slightly imitating the tone of the landlord, as she drew from the inwardness of her cloak a small round parcel. It contained a Brie cheese, in fairly good condition. It was worth at least fifty francs, and it had cost Sophia less than two francs. The landlady joined the landlord in inspecting this wondrous jewel. Sophia seized a knife and cut a slice for the landlady's table.

"Madame is too good!" said the landlady, confused by this noble generosity, and bearing the gift off to her table as a fox-terrier will hurriedly seek solitude with a sumptuous morsel. The landlord beamed. Chirac was enchanted. In the intimate and unaffected cosiness of that interior the vast, stupefied melancholy of the city seemed to be forgotten, to have lost its sway.

Then the landlord brought a hot brick for the feet of madame. It was more an acknowledgment of the slice of cheese than a necessity, for the restaurant was very warm; the tiny kitchen opened directly into it, and the door between the two was open; there was no ventilation whatever.

"It is a friend of mine," said the landlord, proudly, in the way of gossip as he served an undescribed soup, "a butcher in the Faubourg St. Honore, who has bought the three elephants of the Jardin des Plantes for twenty-seven thousand francs."

Eyebrows were lifted. He uncorked the champagne.

As she drank the first mouthful (she had long lost her youthful aversion for wine), Sophia had a glimpse of herself in a tilted mirror hung rather high on the opposite wall. It was several months since she had attired herself with ceremoniousness. The sudden unexpected vision of elegance and pallid beauty pleased her. And the instant effect of the champagne was to renew in her mind a forgotten conception of the goodness of life and of the joys which she had so long missed.

At half-past two they were alone in the little salon of the restaurant, and vaguely in their dreamy and feverish minds that were too preoccupied to control with precision their warm, relaxed bodies, there floated the illusion that the restaurant belonged to them and that in it they were at home. It was no longer a restaurant, but a retreat and shelter from hard life. The chef and his wife were dozing in an inner room. The champagne was drunk; the adorable cheese was eaten; and they were sipping Marc de Bourgogne. They sat at right angles to one another, close to one another, with brains aswing; full of good nature and quick sympathy; their flesh content and yet expectant. In a pause of the conversation (which, entirely banal and fragmentary, had seemed to reach the acme of agreeableness), Chirac put his hand on the hand of Sophia as it rested limp on the littered table. Accidentally she caught his eye; she had not meant to do so. They both became self-conscious. His thin, bearded face had more than ever that wistfulness which always softened towards him the uncompromisingness of her character. He had the look of a child. For her, Gerald had sometimes shown the same look. But indeed she was now one of those women for whom all men, and especially all men in a tender mood, are invested with a certain incurable quality of childishness. She had not withdrawn her hand at once, and so she could not withdraw it at all.

He gazed at her with timid audacity. Her eyes were liquid.

"What are you thinking about?" she asked.

"I was asking myself what I should have done if you had refused to come."

"And what SHOULD you have done?"

"Assuredly something terribly inconvenient," he replied, with the large importance of a man who is in the domain of pure supposition. He leaned towards her. "My very dear friend," he said in a different voice, getting bolder.

It was infinitely sweet to her, voluptuously sweet, this basking in the heat of temptation. It certainly did seem to her, then, the one real pleasure in the world. Her body might have been saying to his: "See how ready I am!" Her body might have been saying to his: "Look into my mind. For you I have no modesty. Look and see all that is there." The veil of convention seemed to have been rent. Their attitude to each other was almost that of lover and mistress, between whom a single glance may be charged with the secrets of the past and promises for the future. Morally she was his mistress in that moment.

He released her hand and put his arm round her waist.

"I love thee," he whispered with great emotion.

Her face changed and hardened. "You must not do that," she said, coldly, unkindly, harshly. She scowled. She would not abate one crease in her forehead to the appeal of his surprised glance. Yet she did not want to repulse him. The instinct which repulsed him was not within her control. Just as a shy man will obstinately refuse an invitation which he is hungering to accept, so, though not from shyness, she was compelled to repulse Chirac. Perhaps if her desires had not been laid to sleep by excessive physical industry and nervous strain, the sequel might have been different.

Chirac, like most men who have once found a woman weak, imagined that he understood women profoundly. He thought of women as the Occidental thinks of the Chinese, as a race apart, mysterious but capable of being infallibly comprehended by the application of a few leading principles of psychology. Moreover he was in earnest; he was hard driven, and he was honest. He continued, respectfully obedient in withdrawing his arm:

"Very dear friend," he urged with undaunted confidence, "you must know that I love you."

She shook her head impatiently, all the time wondering what it was that prevented her from slipping into his arms. She knew that she was treating him badly by this brusque change of front; but she could not help it. Then she began to feel sorry for him.

"We have been very good friends," he said. "I have always admired you enormously. I did not think that I should dare to love you until that day when I overheard that old villain Niepce make his advances. Then, when I perceived my acute jealousy, I knew that I was loving you. Ever since, I have thought only of you. I swear to you that if you will not belong to me, it is already finished for me! Altogether! Never have I seen a woman like you! So strong, so proud, so kind, and so beautiful! You are astonishing, yes, astonishing! No other woman could have drawn herself out of an impossible situation as you have done, since the disappearance of your husband. For me, you are a woman unique. I am very sincere. Besides, you know it ... Dear friend!"

She shook her head passionately.

She did not love him. But she was moved. And she wanted to love him. She wanted to yield to him, only liking him, and to love afterwards. But this obstinate instinct held her back. "I do not say, now," Chirac went on. "Let me hope."

The Latin theatricality of his gestures and his tone made her sorrowful for him.

"My poor Chirac!" she plaintively murmured, and began to put on her gloves.

"I shall hope!" he persisted.

She pursed her lips. He seized her violently by the waist. She drew her face away from his, firmly. She was not hard, not angry now. Disconcerted by her compassion, he loosed her.

"My poor Chirac," she said, "I ought not to have come. I must go. It is perfectly useless. Believe me."

"No, no!" he whispered fiercely.

She stood up and the abrupt movement pushed the table gratingly across the floor. The throbbing spell of the flesh was snapped like a stretched string, and the scene over. The landlord, roused from his doze, stumbled in. Chirac had nothing but the bill as a reward for his pains. He was baffled.

They left the restaurant, silently, with a foolish air.

Dusk was falling on the mournful streets, and the lamp-lighters were lighting the miserable oil lamps that had replaced gas. They two, and the lamplighters, and an omnibus were alone in the streets. The gloom was awful; it was desolating. The universal silence seemed to be the silence of despair. Steeped in woe, Sophia thought wearily upon the hopeless problem of existence. For it seemed to her that she and Chirac had created this woe out of nothing, and yet it was an incurable woe!

VII. SUCCESS

Sophia lay awake one night in the room lately quitted by Carlier. That silent negation of individuality had come and gone, and left scarcely any record of himself either in his room or in the memories of those who had surrounded his existence in the house. Sophia had decided to descend from the sixth floor, partly because the temptation of a large room, after months in a cubicle, was rather strong; but more because of late she had been obliged to barricade the door of the cubicle with a chest of drawers, owing to the propensities of a new tenant of the sixth floor. It was useless to complain to the concierge; the sole effective argument was the chest of drawers, and even that was frailer than Sophia could have wished. Hence, finally, her retreat.

She heard the front-door of the flat open; then it was shut with nervous violence. The resonance of its closing would have certainly wakened less accomplished sleepers than M. Niepce and his friend, whose snores continued with undisturbed regularity. After a pause of shuffling, a match was struck, and feet crept across the corridor with the most exaggerated precautions against noise. There followed the unintentional bang of another door. It was decidedly the entry of a man without the slightest natural aptitude for furtive irruptions. The clock in M. Niepce's room, which the grocer had persuaded to exact time-keeping, chimed three with its delicate ting.

For several days past Chirac had been mysteriously engaged very late at the bureaux of the Debats. No one knew the nature of his employment; he said nothing, except to inform Sophia that he would continue to come home about three o'clock until further notice. She had insisted on leaving in his room the materials and apparatus for a light meal. Naturally he had protested, with the irrational obstinacy of a physically weak man who sticks to it that he can defy the laws of nature. But he had protested in vain.

His general conduct since Christmas Day had frightened Sophia, in spite of her tendency to stifle facile alarms at their birth. He had eaten scarcely anything at all, and he went about with the face of a man dying of a broken heart. The change in him was indeed tragic. And instead of improving, he grew worse. "Have I done this?" Sophia asked herself. "It is impossible that I should have done this! It is absurd and ridiculous that he should behave so!" Her thoughts were employed alternately in sympathizing with him and in despising him, in blaming herself and in blaming him. When they spoke, they spoke awkwardly, as though one or both of them had committed a shameful crime, which could not even be mentioned. The atmosphere of the flat was tainted by the horror. And Sophia could not offer him a bowl of soup without wondering how he would look at her or avoid looking, and without carefully arranging in advance her own gestures and speech. Existence was a nightmare of self-consciousness.

"At last they have unmasked their batteries!" he had exclaimed with painful gaiety two days after Christmas, when the besiegers had recommenced their cannonade. He tried to imitate the strange, general joy of the city, which had been roused from apathy by the recurrence of a familiar noise; but the effort was a deplorable failure. And Sophia condemned not merely the failure of Chirac's imitation, but the thing imitated. "Childish!" she thought. Yet, despise the feebleness of Chirac's behaviour as she might, she was deeply impressed, genuinely astonished, by the gravity and persistence of the symptoms. "He must have been getting himself into a state about me for a long time," she thought. "Surely he could not have gone mad like this all in a day or two! But I never noticed anything. No; honestly I never noticed anything!" And just as her behaviour in the restaurant had shaken Chirac's confidence in his knowledge of the other sex, so now the singular behaviour of Chirac shook hers. She was taken aback. She was frightened, though she pretended not to be frightened.

She had lived over and over again the scene in the restaurant. She asked herself over and over again if really she had not beforehand expected him to make love to her in the restaurant. She could not decide exactly when she had begun to expect a declaration; but probably a long time before the meal was finished. She had foreseen it, and might have stopped it. But she had not chosen to stop it. Curiosity concerning not merely him, but also herself, had tempted her tacitly to encourage him. She asked herself over and over again why she had repulsed him. It struck her as curious that she had repulsed him. Was it because she was a married woman? Was it because she had moral scruples? Was it at bottom because she did not care for him? Was it because she could not care for anybody? Was it because his fervid manner of love-making offended her English phlegm? And did she feel pleased or displeased by his forbearance in not renewing the assault? She could not answer. She did not know.

But all the time she knew that she wanted love. Only, she conceived a different kind of love: placid, regular, somewhat stern, somewhat above the plane of whims, moods, caresses, and all mere fleshly contacts. Not that she considered that she despised these things (though she did)! What she wanted was a love that was too proud, too independent, to exhibit frankly either its joy or its pain. She hated a display of sentiment. And even in the most intimate abandonments she would have made reserves, and would have expected reserves, trusting to a lover's powers of divination, and to her own! The foundation of her character was a haughty moral independence, and this quality was what she most admired in others.

Chirac's inability to draw from his own pride strength to sustain himself against the blow of her refusal gradually killed in her the sexual desire which he had aroused, and which during a few days flickered up under the stimulus of fancy and of regret. Sophia saw with increasing clearness that her unreasoning instinct had been right in saying him nay. And when, in spite of this, regrets still visited her, she would comfort herself in thinking: "I cannot be bothered with all that sort of thing. It is not worth while. What does it lead to? Is not life complicated enough without that? No, no! I will stay as I am. At any rate I know what I am in for, as things are!" And she would reflect upon her hopeful financial situation, and the approaching prospect of a constantly sufficient income. And a little thrill of impatience against the interminable and gigantic foolishness of the siege would take her.

But her self-consciousness in presence of Chirac did not abate.

As she lay in bed she awaited accustomed sounds which should have connoted Chirac's definite retirement for the night. Her ear, however, caught no sound whatever from his room. Then she imagined that there was a smell of burning in the flat. She sat up, and sniffed anxiously, of a sudden wideawake and apprehensive. And then she was sure that the smell of burning was not in her imagination. The bedroom was in perfect darkness. Feverishly she searched with her right hand for the matches on the night-table, and knocked candlestick and matches to the floor. She seized her dressing-gown, which was spread over the bed, and put it on, aiming for the door. Her feet were bare. She discovered the door. In the passage she could discern nothing at first, and then she made out a thin line of light, which indicated the bottom of Chirac's door. The smell of burning was strong and unmistakable. She went towards the faint light, fumbled for the door-handle with her palm, and opened. It did not occur to her to call out and ask what was the matter.

The house was not on fire; but it might have been. She had left on the table at the foot of Chirac's bed a small cooking-lamp, and a saucepan of bouillon. All that Chirac had to do was to ignite the lamp and put the saucepan on it. He had ignited the lamp, having previously raised the double wicks, and had then dropped into the chair by the table just as he was, and sunk forward and gone to sleep with his head lying sideways on the table. He had not put the saucepan on the lamp; he had not lowered the wicks, and the flames, capped with thick black smoke, were waving slowly to and fro within a few inches of his loose hair. His hat had rolled along the floor; he was wearing his great overcoat and one woollen glove; the other glove had lodged on his slanting knee. A candle was also burning.

Sophia hastened forward, as it were surreptitiously, and with a forward-reaching movement turned down the wicks of the lamp; black specks were falling on the table; happily the saucepan was covered, or the bouillon would have been ruined.

Chirac made a heart-rending spectacle, and Sophia was aware of deep and painful emotion in seeing him thus. He must have been utterly exhausted and broken by loss of sleep. He was a man incapable of regular hours, incapable of treating his body with decency. Though going to bed at three o'clock, he had continued to rise at his usual hour. He looked like one dead; but more sad, more wistful. Outside in the street a fog reigned, and his thin draggled beard was jewelled with the moisture of it. His attitude had the unconsidered and violent prostration of an overspent dog. The beaten animal in him was expressed in every detail of that posture. It showed even in his white, drawn eyelids, and in the falling of a finger. All his face was very sad. It appealed for mercy as the undefended face of sleep always appeals; it was so helpless, so exposed, so simple. It recalled Sophia to a sense of the inner mysteries of life, reminding her somehow that humanity walks ever on a thin crust over terrific abysses. She did not physically shudder; but her soul shuddered.

She mechanically placed the saucepan on the lamp, and the noise awakened Chirac. He groaned. At first he did not perceive her. When he saw that some one was looking down at him, he did not immediately realize who this some one was. He rubbed his eyes with his fists, exactly like a baby, and sat up, and the chair cracked.

"What then?" he demanded. "Oh, madame, I ask pardon. What?"

"You have nearly destroyed the house," she said. "I smelt fire, and I came in. I was just in time. There is no danger now. But please be careful." She made as if to move towards the door.

"But what did I do?" he asked, his eyelids wavering.

She explained.

He rose from his chair unsteadily. She told him to sit down again, and he obeyed as though in a dream.

"I can go now," she said.

"Wait one moment," he murmured. "I ask pardon. I should not know how to thank you. You are truly too good. Will you wait one moment?"

His tone was one of supplication. He gazed at her, a little dazzled by the light and by her. The lamp and the candle illuminated the lower part of her face, theatrically, and showed the texture of her blue flannel peignoir; the pattern of a part of the lace collar was silhouetted in shadow on her cheek. Her face was flushed, and her hair hung down unconfined. Evidently he could not recover from his excusable astonishment at the apparition of such a figure in his room.

"What is it--now?" she said. The faint, quizzical emphasis which she put on the 'now' indicated the essential of her thought. The sight of him touched her and filled her with a womanly sympathy. But that sympathy was only the envelope of her disdain of him. She could not admire weakness. She could but pity it with a pity in which scorn was mingled. Her instinct was to treat him as a child. He had failed in human dignity. And it seemed to her as if she had not previously been quite certain whether she could not love him, but that now she was quite certain. She was close to him. She saw the wounds of a soul that could not hide its wounds, and she resented the sight. She was hard. She would not make allowances. And she revelled in her hardness. Contempt--a good-natured, kindly, forgiving contempt--that was the kernel of the sympathy which exteriorly warmed her! Contempt for the lack of self-control which had resulted in this swift degeneration of a man into a tortured victim! Contempt for the lack of perspective which magnified a mere mushroom passion till it filled the whole field of life! Contempt for this feminine slavery to sentiment! She felt that she might have been able to give herself to Chirac as one gives a toy to an infant. But of loving him...! No! She was conscious of an immeasurable superiority to him, for she was conscious of the freedom of a strong mind.

"I wanted to tell you," said he, "I am going away."

"Where?" she asked.

"Out of Paris."

"Out of Paris? How?"

"By balloon! My journal...! It is an affair of great importance. You understand. I offered myself. What would you?"

"It is dangerous," she observed, waiting to see if he would put on the silly air of one who does not understand fear.

"Oh!" the poor fellow muttered with a fatuous intonation and snapping of the fingers. "That is all the same to me. Yes, it is dangerous. Yes, it is dangerous!" he repeated. "But what would you...? For me...!"

She wished that she had not mentioned danger. It hurt her to watch him incurring her ironic disdain.

"It will be the night after to-morrow," he said. "In the courtyard of the Gare du Nord. I want you to come and see me go. I particularly want you to come and see me go. I have asked Carlier to escort you."

He might have been saying, "I am offering myself to martyrdom, and you must assist at the spectacle."

She despised him yet more.

"Oh! Be tranquil," he said. "I shall not worry you. Never shall I speak to you again of my love. I know you. I know it would be useless. But I hope you will come and wish me bon voyage."

"Of course, if you really wish it," she replied with cheerful coolness.

He seized her hand and kissed it.

Once it had pleased her when he kissed her hand. But now she did not like it. It seemed hysterical and foolish to her. She felt her feet to be stone-cold on the floor.

"I'll leave you now," she said. "Please eat your soup."

She escaped, hoping he would not espy her feet.

The courtyard of the Nord Railway Station was lighted by oil-lamps taken from locomotives; their silvered reflectors threw dazzling rays from all sides on the under portion of the immense yellow mass of the balloon; the upper portion was swaying to and fro with gigantic ungainliness in the strong breeze. It was only a small balloon, as balloons are measured, but it seemed monstrous as it wavered over the human forms that were agitating themselves beneath it. The cordage was silhouetted against the yellow taffetas as high up as the widest diameter of the balloon, but above that all was vague, and even spectators standing at a distance could not clearly separate the summit of the great sphere from the darkly moving sky. The car, held by ropes fastened to stakes, rose now and then a few inches uneasily from the ground. The sombre and severe architecture of the station-buildings enclosed the balloon on every hand; it had only one way of escape. Over the roofs of that architecture, which shut out the sounds of the city, came the irregular booming of the bombardment. Shells were falling in the southern quarters of Paris, doing perhaps not a great deal of damage, but still plunging occasionally into the midst of some domestic interior and making a sad mess of it. The Parisians were convinced that the shells were aimed maliciously at hospitals and museums; and when a child happened to be blown to pieces their unspoken comments upon the Prussian savagery were bitter. Their faces said: "Those barbarians cannot even spare our children!" They amused themselves by creating a market in shells, paying more for a live shell than a dead one, and modifying the tariff according to the supply. And as the cattle-market was empty, and the vegetable-market was empty, and beasts no longer pastured on the grass of the parks, and the twenty-five million rats of the metropolis were too numerous to furnish interest to spectators, and the Bourse was practically deserted, the traffic in shells sustained the starving mercantile instinct during a very dull period. But the effect on the nerves was deleterious. The nerves of everybody were like nothing but a raw wound. Violent anger would spring up magically out of laughter, and blows out of caresses. This indirect consequence of the bombardment was particularly noticeable in the group of men under the balloon. Each behaved as if he were controlling his temper in the most difficult circumstances. Constantly they all gazed upwards into the sky, though nothing could possibly be distinguished there save the blurred edge of a flying cloud. But the booming came from that sky; the shells that were dropping on Montrouge came out of that sky; and the balloon was going up into it; the balloon was ascending into its mysteries, to brave its dangers, to sweep over the encircling ring of fire and savages.

Sophia stood apart with Carlier. Carlier had indicated a particular spot, under the shelter of the colonnade, where he said it was imperative that they should post themselves. Having guided Sophia to this spot, and impressed upon her that they were not to move, he seemed to consider that the activity of his role was finished, and spoke no word. With the very high silk hat which he always wore, and a thin old-fashioned overcoat whose collar was turned up, he made a rather grotesque figure. Fortunately the night was not very cold, or he might have passively frozen to death on the edge of that feverish group. Sophia soon ignored him. She watched the balloon. An aristocratic old man leaned against the car, watch in hand; at intervals he scowled, or stamped his foot. An old sailor, tranquilly smoking a pipe, walked round and round the balloon, staring at it; once he climbed up into the rigging, and once he jumped into the car and angrily threw out of it a bag, which some one had placed in it. But for the most part he was calm. Other persons of authority hurried about, talking and gesticulating; and a number of workmen waited idly for orders.

"Where is Chirac?" suddenly cried the old man with the watch.

Several voices deferentially answered, and a man ran away into the gloom on an errand.

Then Chirac appeared, nervous, self-conscious, restless. He was enveloped in a fur coat that Sophia had never seen before, and he carried dangling in his hand a cage containing six pigeons whose whiteness stirred uneasily within it. The sailor took the cage from him and all the persons of authority gathered round to inspect the wonderful birds upon which, apparently, momentous affairs depended. When the group separated, the sailor was to be seen bending over the edge of the car to deposit the cage safely. He then got into the car, still smoking his pipe, and perched himself negligently on the wicker-work. The man with the watch was conversing with Chirac; Chirac nodded his head frequently in acquiescence, and seemed to be saying all the time: "Yes, sir! Perfectly sir! I understand, sir! Yes, sir!"

Suddenly Chirac turned to the car and put a question to the sailor, who shook his head. Whereupon Chirac gave a gesture of submissive despair to the man with the watch. And in an instant the whole throng was in a ferment.

"The victuals!" cried the man with the watch. "The victuals, name of God! Must one be indeed an idiot to forget the victuals! Name of God--of God!"

Sophia smiled at the agitation, and at the inefficient management which had never thought of food. For it appeared that the food had not merely been forgotten; it was a question which had not even been considered. She could not help despising all that crowd of self-important and fussy males to whom the idea had not occurred that even balloonists must eat. And she wondered whether everything was done like that. After a delay that seemed very long, the problem of victuals was solved, chiefly, as far as Sophia could judge, by means of cakes of chocolate and bottles of wine.

"It is enough! It is enough!" Chirac shouted passionately several times to a knot of men who began to argue with him.

Then he gazed round furtively, and with an inflation of the chest and a patting of his fur coat he came directly towards Sophia. Evidently Sophia's position had been prearranged between him and Carlier. They could forget food, but they could think of Sophia's position!

All eyes followed him. Those eyes could not, in the gloom, distinguish Sophia's beauty, but they could see that she was young and slim and elegant, and of foreign carriage. That was enough. The very air seemed to vibrate with the intense curiosity of those eyes. And immediately Chirac grew into the hero of some brilliant and romantic adventure. Immediately he was envied and admired by every man of authority present. What was she? Who was she? Was it a serious passion or simply a caprice? Had she flung herself at him? It was undeniable that lovely creatures did sometimes fling themselves at lucky mediocrities. Was she a married woman? An artiste? A girl? Such queries thumped beneath overcoats, while the correctness of a ceremonious demeanour was strictly observed.

Chirac uncovered, and kissed her hand. The wind disarranged his hair. She saw that his face was very pale and anxious beneath the swagger of a sincere desire to be brave.

"Well, it is the moment!" he said.

"Did you all forget the food?" she asked.

He shrugged his shoulders. "What will you? One cannot think of everything."

"I hope you will have a safe voyage," she said.

She had already taken leave of him once, in the house, and heard all about the balloon and the sailor-aeronaut and the preparations; and now she had nothing to say, nothing whatever.

He shrugged his shoulders again. "I hope so!" he murmured, but in a tone to convey that he had no such hope.

"The wind isn't too strong?" she suggested.

He shrugged his shoulders again. "What would you?"

"Is it in the direction you want?"

"Yes, nearly," he admitted unwillingly. Then rousing himself: "Eh, well, madame. You have been extremely amiable to come. I held to it very much--that you should come. It is because of you I quit Paris."

She resented the speech by a frown.

"Ah!" he implored in a whisper. "Do not do that. Smile on me. After all, it is not my fault. Remember that this may be the last time I see you, the last time I regard your eyes."

She smiled. She was convinced of the genuineness of the emotion which expressed itself in all this flamboyant behaviour. And she had to make excuses to herself on behalf of Chirac. She smiled to give him pleasure. The hard commonsense in her might sneer, but indubitably she was the centre of a romantic episode. The balloon darkly swinging there! The men waiting! The secrecy of the mission! And Chirac, bare-headed in the wind that was to whisk him away, telling her in fatalistic accents that her image had devastated his life, while envious aspirants watched their colloquy! Yes, it was romantic. And she was beautiful! Her beauty was an active reality that went about the world playing tricks in spite of herself. The thoughts that passed through her mind were the large, splendid thoughts of romance. And it was Chirac who had aroused them! A real drama existed, then, triumphing over the accidental absurdities and pettinesses of the situation. Her final words to Chirac were tender and encouraging.

He hurried back to the balloon, resuming his cap. He was received with the respect due to one who comes fresh from conquest. He was sacred.

Sophia rejoined Carlier, who had withdrawn, and began to talk to him with a self-conscious garrulity. She spoke without reason and scarcely noticed what she was saying. Already Chirac was snatched out of her life, as other beings, so many of them, had been snatched. She thought of their first meetings, and of the sympathy which had always united them. He had lost his simplicity, now, in the self-created crisis of his fate, and had sunk in her esteem. And she was determined to like him all the more because he had sunk in her esteem. She wondered whether he really had undertaken this adventure from sentimental disappointment. She wondered whether, if she had not forgotten to wind her watch one night, they would still have been living quietly under the same roof in the Rue Breda.

The sailor climbed definitely into the car; he had covered himself with a large cloak. Chirac had got one leg over the side of the car, and eight men were standing by the ropes, when a horse's hoofs clattered through the guarded entrance to the courtyard, amid an uproar of sudden excitement. The shiny chest of the horse was flecked with the classic foam.

"A telegram from the Governor of Paris!"

As the orderly, checking his mount, approached the group, even the old man with the watch raised his hat. The orderly responded, bent down to make an inquiry, which Chirac answered, and then, with another exchange of salutes, the official telegram was handed over to Chirac, and the horse backed away from the crowd. It was quite thrilling. Carlier was thrilled.

"He is never too prompt, the Governor. It is a quality!" said Carlier, with irony.

Chirac entered the car. And then the old man with the watch drew a black bag from the shadow behind him and entrusted it to Chirac, who accepted it with a profound deference and hid it. The sailor began to issue commands. The men at the ropes were bending down now. Suddenly the balloon rose about a foot and trembled. The sailor continued to shout. All the persons of authority gazed motionless at the balloon. The moment of suspense was eternal.

"Let go all!" cried the sailor, standing up, and clinging to the cordage. Chirac was seated in the car, a mass of dark fur with a small patch of white in it. The men at the ropes were a knot of struggling confused figures.

One side of the car tilted up, and the sailor was nearly pitched out. Three men at the other side had failed to free the ropes.

"Let go, corpses!" the sailor yelled at them.

The balloon jumped, as if it were drawn by some terrific impulse from the skies.

"Adieu!" called Chirac, pulling his cap off and waving it. "Adieu!"

"Bon voyage! Bon voyage!" the little crowd cheered. And then, "Vive la France!" Throats tightened, including Sophia's.

But the top of the balloon had leaned over, destroying its pear-shape, and the whole mass swerved violently towards the wall of the station, the car swinging under it like a toy, and an anchor under the car. There was a cry of alarm. Then the great ball leaped again, and swept over the high glass roof, escaping by inches the spouting. The cheers expired instantly.... The balloon was gone. It was spirited away as if by some furious and mighty power that had grown impatient in waiting for it. There remained for a few seconds on the collective retina of the spectators a vision of the inclined car swinging near the roof like the tail of a kite. And then nothing! Blankness! Blackness! Already the balloon was lost to sight in the vast stormy ocean of the night, a plaything of the winds. The spectators became once more aware of the dull booming of the cannonade. The balloon was already perhaps flying unseen amid the wrack over those guns.

Sophia involuntarily caught her breath. A chill sense of loneliness, of purposelessness, numbed her being.

Nobody ever saw Chirac or the old sailor again. The sea must have swallowed them. Of the sixty-five balloons that left Paris during the siege, two were not heard of. This was the first of the two. Chirac had, at any rate, not magnified the peril, though his intention was undoubtedly to magnify it.

III

This was the end of Sophia's romantic adventures in France. Soon afterwards the Germans entered Paris, by mutual agreement, and made a point of seeing the Louvre, and departed, amid the silence of a city. For Sophia the conclusion of the siege meant chiefly that prices went down. Long before supplies from outside could reach Paris, the shop-windows were suddenly full of goods which had arrived from the shopkeepers alone knew where. Sophia, with the stock in her cellar, could have held out for several weeks more, and it annoyed her that she had not sold more of her good things while good things were worth gold. The signing of a treaty at Versailles reduced the value of Sophia's two remaining hams from about five pounds apiece to the usual price of hams. However, at the end of January she found herself in possession of a capital of about eight thousand francs, all the furniture of the flat, and a reputation. She had earned it all. Nothing could destroy the structure of her beauty, but she looked worn and appreciably older. She wondered often when Chirac would return. She might have written to Carlier or to the paper; but she did not. It was Niepce who discovered in a newspaper that Chirac's balloon had miscarried. At the moment the news did not affect her at all; but after several days she began to feel her loss in a dull sort of way; and she felt it more and more, though never acutely. She was perfectly convinced that Chirac could never have attracted her powerfully. She continued to dream, at rare intervals, of the kind of passion that would have satisfied her, glowing but banked down like a fire in some fine chamber of a rich but careful household.

She was speculating upon what her future would be, and whether by inertia she was doomed to stay for ever in the Rue Breda, when the Commune caught her. She was more vexed than frightened by the Commune; vexed that a city so in need of repose and industry should indulge in such antics. For many people the Commune was a worse experience than the siege; but not for Sophia. She was a woman and a foreigner. Niepce was infinitely more disturbed than Sophia; he went in fear of his life. Sophia would go out to market and take her chances. It is true that during one period the whole population of the house went to live in the cellars, and orders to the butcher and other tradesmen were given over the party-wall into the adjoining courtyard, which communicated with an alley. A strange existence, and possibly perilous! But the women who passed through it and had also passed through the siege, were not very much intimidated by it, unless they happened to have husbands or lovers who were active politicians.

Sophia did not cease, during the greater part of the year 1871, to make a living and to save money. She watched every sou, and she developed a tendency to demand from her tenants all that they could pay. She excused this to herself by ostentatiously declaring every detail of her prices in advance. It came to the same thing in the end, with this advantage, that the bills did not lead to unpleasantness. Her difficulties commenced when Paris at last definitely resumed its normal aspect and life, when all the women and children came back to those city termini which they had left in such huddled, hysterical throngs, when flats were re-opened that had long been shut, and men who for a whole year had had the disadvantages and the advantages of being without wife and family, anchored themselves once more to the hearth. Then it was that Sophia failed to keep all her rooms let. She could have let them easily and constantly and at high rents; but not to men without encumbrances. Nearly every day she refused attractive tenants in pretty hats, or agreeable gentlemen who only wanted a room on condition that they might offer hospitality to a dashing petticoat. It was useless to proclaim aloud that her house was 'serious.' The ambition of the majority of these joyous persons was to live in a 'serious' house, because each was sure that at bottom he or she was a 'serious' person, and quite different from the rest of the joyous world. The character of Sophia's flat, instead of repelling the wrong kind of aspirant, infallibly drew just that kind. Hope was inextinguishable in these bosoms. They heard that there would be no chance for them at Sophia's; but they tried nevertheless. And occasionally Sophia would make a mistake, and grave unpleasantness would occur before the mistake could be rectified. The fact was that the street was too much for her. Few people would credit that there was a serious boarding-house in the Rue Breda. The police themselves would not credit it. And Sophia's beauty was against her. At that time the Rue Breda was perhaps the most notorious street in the centre of Paris; at the height of its reputation as a warren of individual improprieties; most busily creating that prejudice against itself which, over thirty years later, forced the authorities to change its name in obedience to the wish of its tradesmen. When Sophia went out at about eleven o'clock in the morning with her reticule to buy, the street was littered with women who had gone out with reticules to buy. But whereas Sophia was fully dressed, and wore headgear, the others were in dressing-gown and slippers, or opera-cloak and slippers, having slid directly out of unspeakable beds and omitted to brush their hair out of their puffy eyes. In the little shops of the Rue Breda, the Rue Notre Dame de Lorette, and the Rue des Martyrs, you were very close indeed to the primitive instincts of human nature. It was wonderful; it was amusing; it was excitingly picturesque; and the universality of the manners rendered moral indignation absurd. But the neighbourhood was certainly not one in which a woman of Sophia's race, training, and character, could comfortably earn a living, or even exist. She could not fight against the entire street. She, and not the street, was out of place and in the wrong. Little wonder that the neighbours lifted their shoulders when they spoke of her! What beautiful woman but a mad Englishwoman would have had the idea of establishing herself in the Rue Breda with the intention of living like a nun and compelling others to do the same?

By dint of continual ingenuity, Sophia contrived to win somewhat more than her expenses, but she was slowly driven to admit to herself that the situation could not last.

Then one day she saw in Galignani's Messenger an advertisement of an English pension for sale in the Rue Lord Byron, in the Champs Elysees quarter. It belonged to some people named Frensham, and had enjoyed a certain popularity before the war. The proprietor and his wife, however, had not sufficiently allowed for the vicissitudes of politics in Paris. Instead of saving money during their popularity they had put it on the back and on the fingers of Mrs. Frensham. The siege and the Commune had almost ruined them. With capital they might have restored themselves to their former pride; but their capital was exhausted. Sophia answered the advertisement. She impressed the Frenshams, who were delighted with the prospect of dealing in business with an honest English face. Like many English people abroad they were most strangely obsessed by the notion that they had quitted an island of honest men to live among thieves and robbers. They always implied that dishonesty was unknown in Britain. They offered, if she would take over the lease, to sell all their furniture and their renown for ten thousand francs. She declined, the price seeming absurd to her. When they asked her to name a price, she said that she preferred not to do so. Upon entreaty, she said four thousand francs. They then allowed her to see that they considered her to have been quite right in hesitating to name a price so ridiculous. And their confidence in the honest English face seemed to have been shocked. Sophia left. When she got back to the Rue Breda she was relieved that the matter had come to nothing. She did not precisely foresee what her future was to be, but at any rate she knew she shrank from the responsibility of the Pension Frensham. The next morning she received a letter offering to accept six thousand. She wrote and declined. She was indifferent and she would not budge from four thousand. The Frenshams gave way. They were pained, but they gave way. The glitter of four thousand francs in cash, and freedom, was too tempting.

Thus Sophia became the proprietress of the Pension Frensham in the cold and correct Rue Lord Byron. She made room in it for nearly all her other furniture, so that instead of being under-furnished, as pensions usually are, it was over-furnished. She was extremely timid at first, for the rent alone was four thousand francs a year; and the prices of the quarter were alarmingly different from those of the Rue Breda. She lost a lot of sleep. For some nights, after she had been installed in the Rue Lord Byron about a fortnight, she scarcely slept at all, and she ate no more than she slept. She cut down expenditure to the very lowest, and frequently walked over to the Rue Breda to do her marketing. With the aid of a charwoman at six sous an hour she accomplished everything. And though clients were few, the feat was in the nature of a miracle; for Sophia had to cook.

The articles which George Augustus Sala wrote under the title "Paris herself again" ought to have been paid for in gold by the hotel and pension-keepers of Paris. They awakened English curiosity and the desire to witness the scene of terrible events. Their effect was immediately noticeable. In less than a year after her adventurous purchase, Sophia had acquired confidence, and she was employing two servants, working them very hard at low wages. She had also acquired the landlady's manner. She was known as Mrs. Frensham. Across the balconies of two windows the Frenshams had left a gilded sign, "Pension Frensham," and Sophia had not removed it. She often explained that her name was not Frensham; but in vain. Every visitor inevitably and persistently addressed her according to the sign. It was past the general comprehension that the proprietress of the Pension Frensham might bear another name than Frensham. But later there came into being a class of persons, habitues of the Pension Frensham, who knew the real name of the proprietress and were proud of knowing it, and by this knowledge were distinguished from the herd. What struck Sophia was the astounding similarity of her guests. They all asked the same questions, made the same exclamations, went out on the same excursions, returned with the same judgments, and exhibited the same unimpaired assurance that foreigners were really very peculiar people. They never seemed to advance in knowledge. There was a constant stream of explorers from England who had to be set on their way to the Louvre or the Bon Marche.

Sophia's sole interest was in her profits. The excellence of her house was firmly established. She kept it up, and she kept the modest prices up. Often she had to refuse guests. She naturally did so with a certain distant condescension. Her manner to guests increased in stiff formality; and she was excessively firm with undesirables. She grew to be seriously convinced that no pension as good as hers existed in the world, or ever had existed, or ever could exist. Hers was the acme of niceness and respectability. Her preference for the respectable rose to a passion. And there were no faults in her establishment. Even the once despised showy furniture of Madame Foucault had mysteriously changed into the best conceivable furniture; and its cracks were hallowed.

She never heard a word of Gerald nor of her family. In the thousands of people who stayed under her perfect roof, not one mentioned Bursley nor disclosed a knowledge of anybody that Sophia had known. Several men had the wit to propose marriage to her with more or less skilfulness, but none of them was skilful enough to perturb her heart. She had forgotten the face of love. She was a landlady. She was THE landlady: efficient, stylish, diplomatic, and tremendously experienced. There was no trickery, no baseness of Parisian life that she was not acquainted with and armed against. She could not be startled and she could not be swindled.

Years passed, until there was a vista of years behind her. Sometimes she would think, in an unoccupied moment, "How strange it is that I should be here, doing what I am doing!" But the regular ordinariness of her existence would instantly seize her again. At the end of 1878, the Exhibition Year, her Pension consisted of two floors instead of one, and she had turned the two hundred pounds stolen from Gerald into over two thousand.

I. FRENSHAM'S

Matthew Peel-Swynnerton sat in the long dining-room of the Pension Frensham, Rue Lord Byron, Paris; and he looked out of place there. It was an apartment about thirty feet in length, and of the width of two windows, which sufficiently lighted one half of a very long table with round ends. The gloom of the other extremity was illumined by a large mirror in a tarnished gilt frame, which filled a good portion of the wall opposite the windows. Near the mirror was a high folding-screen of four leaves, and behind this screen could be heard the sound of a door continually shutting and opening. In the long wall to the left of the windows were two doors, one dark and important, a door of state, through which a procession of hungry and a procession of sated solemn self-conscious persons passed twice daily, and the other, a smaller door, glazed, its glass painted with wreaths of roses, not an original door of the house, but a late breach in the wall, that seemed to lead to the dangerous and to the naughty. The wall-paper and the window drapery were rich and forbidding, dark in hue, mysterious of pattern. Over the state-door was a pair of antlers. And at intervals, so high up as to defy inspection, engravings and oil-paintings made oblong patches on the walls. They were hung from immense nails with porcelain heads, and they appeared to depict the more majestic aspect of man and nature. One engraving, over the mantelpiece and nearer earth than the rest, unmistakably showed Louis Philippe and his family in attitudes of virtue. Beneath this royal group, a vast gilt clock, flanked by pendants of the same period, gave the right time--a quarter past seven.

And down the room, filling it, ran the great white table, bordered with bowed heads and the backs of chairs. There were over thirty people at the table, and the peculiarly restrained noisiness of their knives and forks on the plates proved that they were a discreet and a correct people. Their clothes--blouses, bodices, and jackets--did not flatter the lust of the eye. Only two or three were in evening dress. They spoke little, and generally in a timorous tone, as though silence had been enjoined. Somebody would half-whisper a remark, and then his neighbour, absently fingering her bread and lifting gaze from her plate into vacancy, would conscientiously weigh the remark and half-whisper in reply: "I dare say." But a few spoke loudly and volubly, and were regarded by the rest, who envied them, as underbred.

Food was quite properly the chief preoccupation. The diners ate as those eat who are paying a fixed price per day for as much as they can consume while observing the rules of the game. Without moving their heads they glanced out of the corners of their eyes, watching the manoeuvres of the three starched maids who served. They had no conception of food save as portions laid out in rows on large silver dishes, and when a maid bent over them deferentially, balancing the dish, they summed up the offering in an instant, and in an instant decided how much they could decently take, and to what extent they could practise the theoretic liberty of choice. And if the food for any reason did not tempt them, or if it egregiously failed to coincide with their aspirations, they considered themselves aggrieved. For, according to the game, they might not command; they had the right to seize all that was presented under their noses, like genteel tigers; and they had the right to refuse: that was all. The dinner was thus a series of emotional crises for the diners, who knew only that full dishes and clean plates came endlessly from the banging door behind the screen, and that ravaged dishes and dirty plates vanished endlessly through the same door. They were all eating similar food simultaneously; they began together and they finished together. The flies that haunted the paper-bunches which hung from the chandeliers to the level of the flower-vases, were more free. The sole event that chequered the exact regularity of the repast was the occasional arrival of a wine-bottle for one of the guests. The receiver of the wine-bottle signed a small paper in exchange for it and wrote largely a number on the label of the bottle; then, staring at the number and fearing that after all it might be misread by a stupid maid or an unscrupulous compeer, he would re-write the number on another part of the label, even more largely.

Matthew Peel-Swynnerton obviously did not belong to this world. He was a young man of twenty-five or so, not handsome, but elegant. Though he was not in evening dress, though he was, as a fact, in a very light grey suit, entirely improper to a dinner, he was elegant. The suit was admirably cut, and nearly new; but he wore it as though he had never worn anything else. Also his demeanour, reserved yet free from self-consciousness, his method of handling a knife and fork, the niceties of his manner in transferring food from the silver dishes to his plate, the tone in which he ordered half a bottle of wine--all these details infallibly indicated to the company that Matthew Peel-Swynnerton was their superior. Some folks hoped that he was the son of a lord, or even a lord. He happened to be fixed at the end of the table, with his back to the window, and there was a vacant chair on either side of him; this situation favoured the hope of his high rank. In truth, he was the son, the grandson, and several times the nephew, of earthenware manufacturers. He noticed that the large 'compote' (as it was called in his trade) which marked the centre of the table, was the production of his firm. This surprised him, for Peel, Swynnerton and Co., known and revered throughout the Five Towns as 'Peels,' did not cater for cheap markets. A late guest startled the room, a fat, flabby, middle-aged man whose nose would have roused the provisional hostility of those who have convinced themselves that Jews are not as other men. His nose did not definitely brand him as a usurer and a murderer of Christ, but it was suspicious. His clothes hung loose, and might have been anybody's clothes. He advanced with brisk assurance to the table, bowed, somewhat too effusively, to several people, and sat down next to Peel-Swynnerton. One of the maids at once brought him a plate of soup, and he said: "Thank you, Marie," smiling at her. He was evidently a habitue of the house. His spectacled eyes beamed the superiority which comes of knowing girls by their names. He was seriously handicapped in the race for sustenance, being two and a half courses behind, but he drew level with speed and then, having accomplished this, he sighed, and pointedly engaged Peel-Swynnerton with his sociable glance.

"Ah!" he breathed out. "Nuisance when you come in late, sir!"

Peel-Swynnerton gave a reluctant affirmative.

"Doesn't only upset you! It upsets the house! Servants don't like it!"

"No," murmured Peel-Swynnerton, "I suppose not."

"However, it's not often I'm late," said the man. "Can't help it sometimes. Business! Worst of these French business people is that they've no notion of time. Appointments...! God bless my soul!"

"Do you come here often?" asked Peel-Swynnerton. He detested the fellow, quite inexcusably, perhaps because his serviette was tucked under his chin; but he saw that the fellow was one of your determined talkers, who always win in the end. Moreover, as being clearly not an ordinary tourist in Paris, the fellow mildly excited his curiosity.

"I live here," said the other. "Very convenient for a bachelor, you know. Have done for years. My office is just close by. You may know my name--Lewis Mardon."

Peel-Swynnerton hesitated. The hesitation convicted him of not 'knowing his Paris' well.

"House-agent," said Lewis Mardon, quickly.

"Oh yes," said Peel-Swynnerton, vaguely recalling a vision of the name among the advertisements on newspaper kiosks.

"I expect," Mr. Mardon went on, "my name is as well-known as anybody's in Paris."

"I suppose so," assented Peel-Swynnerton.

The conversation fell for a few moments.

"Staying here long?" Mr. Mardon demanded, having added up Peel-Swynnerton as a man of style and of means, and being puzzled by his presence at that table.

"I don't know," said Peel-Swynnerton.

This was a lie, justified in the utterer's opinion as a repulse to Mr. Mardon's vulgar inquisitiveness, such inquisitiveness as might have been expected from a fellow who tucked his serviette under his chin. Peel-Swynnerton knew exactly how long he would stay. He would stay until the day after the morrow; he had only about fifty francs in his pocket. He had been making a fool of himself in another quarter of Paris, and he had descended to the Pension Frensham as a place where he could be absolutely sure of spending not more than twelve francs a day. Its reputation was high, and it was convenient for the Galliera Museum, where he was making some drawings which he had come to Paris expressly to make, and without which he could not reputably return to England. He was capable of foolishness, but he was also capable of wisdom, and scarcely any pressure of need would have induced him to write home for money to replace the money spent on making himself into a fool.

Mr. Mardon was conscious of a check. But, being of an accommodating disposition, he at once tried another direction.

"Good food here, eh?" he suggested.

"Very," said Peel-Swynnerton, with sincerity. "I was quite--"

At that moment, a tall straight woman of uncertain age pushed open the principal door and stood for an instant in the doorway. Peel-Swynnerton had just time to notice that she was handsome and pale, and that her hair was black, and then she was gone again, followed by a clipped poodle that accompanied her. She had signed with a brief gesture to one of the servants, who at once set about lighting the gas-jets over the table.

"Who is that?" asked Peel-Swynnerton, without reflecting that it was now he who was making advances to the fellow whose napkin covered all his shirt-front.

"That's the missis, that is," said Mr. Mardon, in a lower and semi-confidential voice.

"Oh! Mrs. Frensham?"

"Yes. But her real name is Scales," said Mr. Mardon, proudly.

"Widow, I suppose?"

"Yes."

"And she runs the whole show?"

"She runs the entire contraption," said Mr. Mardon, solemnly; "and don't you make any mistake!" He was getting familiar.

Peel-Swynnerton beat him off once more, glancing with careful, uninterested nonchalance at the gas-burners which exploded one after another with a little plop under the application of the maid's taper. The white table gleamed more whitely than ever under the flaring gas. People at the end of the room away from the window instinctively smiled, as though the sun had begun to shine. The aspect of the dinner was changed, ameliorated; and with the reiterated statement that the evenings were drawing in though it was only July, conversation became almost general. In two minutes Mr. Mardon was genially talking across the whole length of the table. The meal finished in a state that resembled conviviality.

Matthew Peel-Swynnerton might not go out into the crepuscular delights of Paris. Unless he remained within the shelter of the Pension, he could not hope to complete successfully his re-conversion from folly to wisdom. So he bravely passed through the small rose-embroidered door into a small glass-covered courtyard, furnished with palms, wicker armchairs, and two small tables; and he lighted a pipe and pulled out of his pocket a copy of The Referee. That retreat was called the Lounge; it was the only part of the Pension where smoking was not either a positive crime or a transgression against good form. He felt lonely. He said to himself grimly in one breath that pleasure was all rot, and in the next he sullenly demanded of the universe how it was that pleasure could not go on for ever, and why he was not Mr. Barney Barnato. Two old men entered the retreat and burnt cigarettes with many precautions. Then Mr. Lewis Mardon appeared and sat down boldly next to Matthew, like a privileged friend. After all, Mr. Mardon was better than nobody whatever, and Matthew decided to suffer him, especially as he began without preliminary skirmishing to talk about life in Paris. An irresistible subject! Mr. Mardon said in a worldly tone that the existence of a bachelor in Paris might easily be made agreeable. But that, of course, for himself--well, he preferred, as a general rule, the Pension Frensham sort of thing; and it was excellent for his business. Still he could not ... he knew ... He compared the advantages of what he called 'knocking about' in Paris, with the equivalent in London. His information about London was out of date, and Peel-Swynnerton was able to set him right on important details. But his information about Paris was infinitely precious and interesting to the younger man, who saw that he had hitherto lived under strange misconceptions.

"Have a whiskey?" asked Mr. Mardon, suddenly. "Very good here!" he added.

"Thanks!" drawled Peel-Swynnerton.

The temptation to listen to Mr. Mardon as long as Mr. Mardon would talk was not to be overcome. And presently, when the old men had departed, they were frankly telling each other stories in the dimness of the retreat. Then, when the supply of stories came to an end, Mr. Mardon smacked his lips over the last drop of whiskey and ejaculated: "Yes!" as if giving a general confirmation to all that had been said.

"Do have one with me," said Matthew, politely. It was the least he could do.

The second supply of whiskies was brought into the Lounge by Mr. Mardon's Marie. He smiled on her familiarly, and remarked that he supposed she would soon be going to bed after a hard day's work. She gave a moue and a flounce in reply, and swished out.

"Carries herself well, doesn't she?" observed Mr. Mardon, as though Marie had been an exhibit at an agricultural show. "Ten years ago she was very fresh and pretty, but of course it takes it out of 'em, a place like this!"

"But still," said Peel-Swynnerton, "they must like it or they wouldn't stay--that is, unless things are very different here from what they are in England."

The conversation seemed to have stimulated him to examine the woman question in all its bearings, with philosophic curiosity.

"Oh! They LIKE it," Mr. Mardon assured him, as one who knew. "Besides, Mrs. Scales treats 'em very well. I know THAT. She's told me. She's very particular"--he looked around to see if walls had ears--"and, by Jove, you've got to be; but she treats 'em well. You'd scarcely believe the wages they get, and pickings. Now at the Hotel Moscow--know the Hotel Moscow?"

Happily Peel-Swynnerton did. He had been advised to avoid it because it catered exclusively for English visitors, but in the Pension Frensham he had accepted something even more exclusively British than the Hotel Moscow. Mr. Mardon was quite relieved at his affirmative.

"The Hotel Moscow is a limited company now," said he; "English."

"Really?"

"Yes. I floated it. It was my idea. A great success! That's how I know all about the Hotel Moscow." He looked at the walls again. "I wanted to do the same here," he murmured, and Peel-Swynnerton had to show that he appreciated this confidence. "But she never would agree. I've tried her all ways. No go! It's a thousand pities."

"Paying thing, eh?"

"This place? I should say it was! And I ought to be able to judge, I reckon. Mrs. Scales is one of the shrewdest women you'd meet in a day's march. She's made a lot of money here, a lot of money. And there's no reason why a place like this shouldn't be five times as big as it is. Ten times. The scope's unlimited, my dear sir. All that's wanted is capital. Naturally she has capital of her own, and she could get more. But then, as she says, she doesn't want the place any bigger. She says it's now just as big as she can handle. That isn't so. She's a woman who could handle anything--a born manager--but even if it was so, all she would have to do would be to retire--only leave us the place and the name. It's the name that counts. And she's made the name of Frensham worth something, I can tell you!"

"Did she get the place from her husband?" asked Peel-Swynnerton. Her own name of Scales intrigued him.

Mr. Mardon shook his head. "Bought it on her own, after the husband's time, for a song--a song! I know, because I knew the original Frenshams."

"You must have been in Paris a long time," said Peel-Swynnerton.

Mr. Mardon could never resist an opportunity to talk about himself. His was a wonderful history. And Peel-Swynnerton, while scorning the man for his fatuity, was impressed. And when that was finished--

"Yes!" said Mr. Mardon after a pause, reaffirming everything in general by a single monosyllable.

Shortly afterwards he rose, saying that his habits were regular.

"Good-night," he said with a mechanical smile.

"G-good-night," said Peel-Swynnerton, trying to force the tone of fellowship and not succeeding. Their intimacy, which had sprung up like a mushroom, suddenly fell into dust. Peel-Swynnerton's unspoken comment to Mr. Mardon's back was: "Ass!" Still, the sum of Peel-Swynnerton's knowledge had indubitably been increased during the evening. And the hour was yet early. Half-past ten! The Folies-Marigny, with its beautiful architecture and its crowds of white toilettes, and its frothing of champagne and of beer, and its musicians in tight red coats, was just beginning to be alive--and at a distance of scarcely a stone's-throw! Peel-Swynnerton pictured the terraced, glittering hall, which had been the prime origin of his exceeding foolishness. And he pictured all the other resorts, great and small, garlanded with white lanterns, in the Champs Elysees; and the sombre aisles of the Champs Elysees where mysterious pale figures walked troublingly under the shade of trees, while snatches of wild song or absurd brassy music floated up from the resorts and restaurants. He wanted to go out and spend those fifty francs that remained in his pocket. After all, why not telegraph to England for more money? "Oh, damn it!" he said savagely, and stretched his arms and got up. The Lounge was very small, gloomy and dreary.

One brilliant incandescent light burned in the hall, crudely illuminating the wicker fauteuils, a corded trunk with a blue-and-red label on it, a Fitzroy barometer, a map of Paris, a coloured poster of the Compagnie Transatlantique, and the mahogany retreat of the hall-portress. In that retreat was not only the hall-portress--an aged woman with a white cap above her wrinkled pink face--but the mistress of the establishment. They were murmuring together softly; they seemed to be well disposed to one another. The portress was respectful, but the mistress was respectful also. The hall, with its one light tranquilly burning, was bathed in an honest calm, the calm of a day's work accomplished, of gradual relaxation from tension, of growing expectation of repose. In its simplicity it affected Peel-Swynnerton as a medicine tonic for nerves might have affected him. In that hall, though exterior nocturnal life was but just stirring into activity, it seemed that the middle of the night had come, and that these two women alone watched in a mansion full of sleepers. And all the recitals which Peel-Swynnerton and Mr. Mardon had exchanged sank to the level of pitiably foolish gossip. Peel-Swynnerton felt that his duty to the house was to retire to bed. He felt, too, that he could not leave the house without saying that he was going out, and that he lacked the courage deliberately to tell these two women that he was going out--at that time of night! He dropped into one of the chairs and made a second attempt to peruse The Referee. Useless! Either his mind was outside in the Champs Elysees, or his gaze would wander surreptitiously to the figure of Mrs. Scales. He could not well distinguish her face because it was in the shadow of the mahogany.

Then the portress came forth from her box, and, slightly bent, sped actively across the hall, smiling pleasantly at the guest as she passed him, and disappeared up the stairs. The mistress was alone in the retreat. Peel-Swynnerton jumped up brusquely, dropping the paper with a rustle, and approached her.

"Excuse me," he said deferentially. "Have any letters come for me to-night?"

He knew that the arrival of letters for him was impossible, since nobody knew his address.

"What name?" The question was coldly polite, and the questioner looked him full in the face. Undoubtedly she was a handsome woman. Her hair was greying at the temples, and the skin was withered and crossed with lines. But she was handsome. She was one of those women of whom to their last on earth the stranger will say: "When she was young she must have been worth looking at!"--with a little transient regret that beautiful young women cannot remain for ever young. Her voice was firm and even, sweet in tone, and yet morally harsh from incessant traffic--with all varieties of human nature. Her eyes were the impartial eyes of one who is always judging. And evidently she was a proud, even a haughty creature, with her careful, controlled politeness. Evidently she considered herself superior to no matter what guest. Her eyes announced that she had lived and learnt, that she knew more about life than any one whom she was likely to meet, and that having pre-eminently succeeded in life, she had tremendous confidence in herself. The proof of her success was the unique Frensham's. A consciousness of the uniqueness of Frensham's was also in those eyes. Theoretically Matthew Peel-Swynnerton's mental attitude towards lodging-house keepers was condescending, but here it was not condescending. It had the real respectfulness of a man who for the moment at any rate is impressed beyond his calculations. His glance fell as he said--

"Peel-Swynnerton." Then he looked up again.

He said the words awkwardly, and rather fearfully, as if aware that he was playing with fire. If this Mrs. Scales was the long-vanished aunt of his friend, Cyril Povey, she must know those two names, locally so famous. Did she start? Did she show a sign of being perturbed? At first he thought he detected a symptom of emotion, but in an instant he was sure that he had detected nothing of the sort, and that it was silly to suppose that he was treading on the edge of a romance. Then she turned towards the letter-rack at her side, and he saw her face in profile. It bore a sudden and astonishing likeness to the profile of Cyril Povey; a resemblance unmistakable and finally decisive. The nose, and the curve of the upper lip were absolutely Cyril's. Matthew Peel-Swynnerton felt very queer. He felt like a criminal in peril of being caught in the act, and he could not understand why he should feel so. The landlady looked in the 'P' pigeon-hole, and in the 'S' pigeon-hole.

"No," she said quietly, "I see nothing for you."

Taken with a swift rash audacity, he said: "Have you had any one named Povey here recently?"

"Povey?"

"Yes. Cyril Povey, of Bursley--in the Five Towns."

He was very impressionable, very sensitive, was Matthew Peel-Swynnerton. His voice trembled as he spoke. But hers also trembled in reply.

"Not that I remember! No! Were you expecting him to be here?"

"Well, it wasn't at all sure," he muttered. "Thank you. Good-night."

"Good-night," she said, apparently with the simple perfunctoriness of the landlady who says good-night to dozens of strangers every evening.

He hurried away upstairs, and met the portress coming down. "Well, well!" he thought. "Of all the queer things--!" And he kept nodding his head. At last he had encountered something REALLY strange in the spectacle of existence. It had fallen to him to discover the legendary woman who had fled from Bursley before he was born, and of whom nobody knew anything. What news for Cyril! What a staggering episode! He had scarcely any sleep that night. He wondered whether he would be able to meet Mrs. Scales without self-consciousness on the morrow. However, he was spared the curious ordeal of meeting her. She did not appear at all on the following day; nor did he see her before he left. He could not find a pretext for asking why she was invisible.

The hansom of Matthew Peel-Swynnerton drew up in front of No. 26, Victoria Grove, Chelsea; his kit-bag was on the roof of the cab. The cabman had a red flower in his buttonhole. Matthew leaped out of the vehicle, holding his straw hat on his head with one hand. On reaching the pavement he checked himself suddenly and became carelessly calm. Another straw-hatted and grey-clad figure was standing at the side-gate of No. 26 in the act of lighting a cigarette.

"Hello, Matt!" exclaimed the second figure, languidly, and in a veiled voice due to the fact that he was still holding the match to the cigarette and puffing. "What's the meaning of all this fluster? You're just the man I want to see."

He threw away the match with a wave of the arm, and took Matthew's hand for a moment, blowing a double shaft of smoke through his nose.

"I want to see you, too," said Matthew. "And I've only got a minute. I'm on my way to Euston. I must catch the twelve-five."

He looked at his friend, and could positively see no feature of it that was not a feature of Mrs. Scales's face. Also, the elderly woman held her body in exactly the same way as the young man. It was entirely disconcerting.

"Have a cigarette," answered Cyril Povey, imperturbably. He was two years younger than Matthew, from whom he had acquired most of his vast and intricate knowledge of life and art, with certain leading notions of deportment; whose pupil indeed he was in all the things that matter to young men. But he had already surpassed his professor. He could pretend to be old much more successfully than Matthew could.

The cabman approvingly watched the ignition of the second cigarette, and then the cabman pulled out a cigar, and showed his large, white teeth, as he bit the end off it. The appearance and manner of his fare, the quality of the kit-bag, and the opening gestures of the interview between the two young dukes, had put the cabman in an optimistic mood. He had no apprehensions of miserly and ungentlemanly conduct by his fare upon the arrival at Euston. He knew the language of the tilt of a straw hat. And it was a magnificent day in London. The group of the two elegances dominated by the perfection of the cabman made a striking tableau of triumphant masculinity, content with itself, and needing nothing.

Matthew lightly took Cyril's arm and drew him further down the street, past the gate leading to the studio (hidden behind a house) which Cyril rented.

"Look here, my boy," he began, "I've found your aunt."

"Well, that's very nice of you," said Cyril, solemnly. "That's a friendly act. May I ask what aunt?"

"Mrs. Scales," said Matthew. "You know--"

"Not the--" Cyril's face changed.

"Yes, precisely!" said Matthew, feeling that he was not being cheated of the legitimate joy caused by making a sensation. Assuredly he had made a sensation in Victoria Grove.

When he had related the whole story, Cyril said: "Then she doesn't know you know?"

"I don't think so. No, I'm sure she doesn't. She may guess."

"But how can you be certain you haven't made a mistake? It may be that--"

"Look here, my boy," Matthew interrupted him. "I've not made any mistake."

"But you've no proof."

"Proof be damned!" said Matthew, nettled. "I tell you it's HER!"

"Oh! All right! All right! What puzzles me most is what the devil you were doing in a place like that. According to your description of it, it must be a--"

"I went there because I was broke," said Matthew.

"Razzle?"

Matthew nodded.

"Pretty stiff, that!" commented Cyril, when Matthew had narrated the prologue to Frensham's.

"Well, she absolutely swore she never took less than two hundred francs. And she looked it, too! And she was worth it! I had the time of my life with that woman. I can tell you one thing--no more English for me! They simply aren't in it."

"How old was she?"

Matthew reflected judicially. "I should say she was thirty." The gaze of admiration and envy was upon him. He had the legitimate joy of making a second sensation. "I'll let you know more about that when I come back," he added. "I can open your eyes, my child."

Cyril smiled sheepishly. "Why can't you stay now?" he asked. "I'm going to take the cast of that Verrall girl's arm this afternoon, and I know I can't do it alone. And Robson's no good. You're just the man I want."

"Can't!" said Matthew.

"Well, come into the studio a minute, anyhow."

"Haven't time; I shall miss my train."

"I don't care if you miss forty trains. You must come in. You've got to see that fountain," Cyril insisted crossly.

Matthew yielded. When they emerged into the street again, after six minutes of Cyril's savage interest in his own work, Matthew remembered Mrs. Scales.

"Of course you'll write to your mother?" he said.

"Yes," said Cyril, "I'll write; but if you happen to see her, you might tell her."

"I will," said Matthew. "Shall you go over to Paris?"

"What! To see Auntie?" He smiled. "I don't know. Depends. If the mater will fork out all my exes ... it's an idea," he said lightly, and then without any change of tone, "Naturally, if you're going to idle about here all morning you aren't likely to catch the twelve-five."

Matthew got into the cab, while the driver, the stump of a cigar between his exposed teeth, leaned forward and lifted the reins away from the tilted straw hat.

"By-the-by, lend me some silver," Matthew demanded. "It's a good thing I've got my return ticket. I've run it as fine as ever I did in my life."

Cyril produced eight shillings in silver. Secure in the possession of these riches, Matthew called to the driver--

"Euston--like hell!"

"Yes, sir," said the driver, calmly.

"Not coming my way I suppose?" Matthew shouted as an afterthought, just when the cab began to move.

"No. Barber's," Cyril shouted in answer, and waved his hand.

The horse rattled into Fulham Road.

III

Three days later Matthew Peel-Swynnerton was walking along Bursley Market Place when, just opposite the Town Hall, he met a short, fat, middle-aged lady dressed in black, with a black embroidered mantle, and a small bonnet tied with black ribbon and ornamented with jet fruit and crape leaves. As she stepped slowly and carefully forward she had the dignified, important look of a provincial woman who has always been accustomed to deference in her native town, and whose income is ample enough to extort obsequiousness from the vulgar of all ranks. But immediately she caught sight of Matthew, her face changed. She became simple and naive. She blushed slightly, smiling with a timid pleasure. For her, Matthew belonged to a superior race. He bore the almost sacred name of Peel. His family had been distinguished in the district for generations. 'Peel!' You could without impropriety utter it in the same breath with 'Wedgwood.' And 'Swynnerton' stood not much lower. Neither her self-respect, which was great, nor her commonsense, which far exceeded the average, could enable her to extend as far as the Peels the theory that one man is as good as another. The Peels never shopped in St. Luke's Square. Even in its golden days the Square could not have expected such a condescension. The Peels shopped in London or in Stafford; at a pinch, in Oldcastle. That was the distinction for the ageing stout lady in black. Why, she had not in six years recovered from her surprise that her son and Matthew Peel-Swynnerton treated each other rudely as equals! She and Matthew did not often meet, but they liked each other. Her involuntary meekness flattered him. And his rather elaborate homage flattered her. He admired her fundamental goodness, and her occasional raps at Cyril seemed to put him into ecstasies of joy.

"Well, Mrs. Povey," he greeted her, standing over her with his hat raised. (It was a fashion he had picked up in Paris.) "Here I am, you see."

"You're quite a stranger, Mr. Matthew. I needn't ask you how you are. Have you been seeing anything of my boy lately?"

"Not since Wednesday," said Matthew. "Of course he's written to you?"

"There's no 'of course' about it," she laughed faintly. "I had a short letter from him on Wednesday morning. He said you were in Paris."

"But since that--hasn't he written?"

"If I hear from him on Sunday I shall be lucky, bless ye!" said Constance, grimly. "It's not letter-writing that will kill Cyril."

"But do you mean to say he hasn't--" Matthew stopped.

"Whatever's amiss?" asked Constance. Matthew was at a loss to know what to do or say. "Oh, nothing."

"Now, Mr. Matthew, do please--" Constance's tone had suddenly quite changed. It had become firm, commanding, and gravely suspicious. The conversation had ceased to be small-talk for her.

Matthew saw how nervous and how fragile she was. He had never noticed before that she was so sensitive to trifles, though it was notorious that nobody could safely discuss Cyril with her in terms of chaff. He was really astounded at that youth's carelessness, shameful carelessness. That Cyril's attitude to his mother was marked by a certain benevolent negligence--this Matthew knew; but not to have written to her with the important news concerning Mrs. Scales was utterly inexcusable; and Matthew determined that he would tell Cyril so. He felt very sorry for Mrs. Povey. She seemed pathetic to him, standing there in ignorance of a tremendous fact which she ought to have been aware of. He was very content that he had said nothing about Mrs. Scales to anybody except his own mother, who had prudently enjoined silence upon him, saying that his one duty, having told Cyril, was to keep his mouth shut until the Poveys talked. Had it not been for his mother's advice he would assuredly have spread the amazing tale, and Mrs. Povey might have first heard of it from a stranger's gossip, which would have been too cruel upon her.

"Oh!" Matthew tried to smile gaily, archly. "You're bound to hear from Cyril to-morrow."

He wanted to persuade her that he was concealing merely some delightful surprise from her. But he did not succeed. With all his experience of the world and of women he was not clever enough to deceive that simple woman.

"I'm waiting, Mr. Matthew," she said, in a tone that flattened the smile out of Matthew's sympathetic face. She was ruthless. The fact was, she had in an instant convinced herself that Cyril had met some girl and was engaged to be married. She could think of nothing else. "What has Cyril been doing?" she added, after a pause.

"It's nothing to do with Cyril," said he.

"Then what is it?"

"It was about--Mrs. Scales," he murmured, nearly trembling. As she offered no response, merely looking around her in a peculiar fashion, he said: "Shall we walk along a bit?" And he turned in the direction in which she had been going. She obeyed the suggestion.

"What did ye say?" she asked. The name of Scales for a moment had no significance for her. But when she comprehended it she was afraid, and so she said vacantly, as though wishing to postpone a shock: "What did ye say?"

"I said it was about Mrs. Scales. You know I m-met her in Paris." And he was saying to himself: "I ought not to be telling this poor old thing here in the street. But what can I do?"

"Nay, nay!" she muttered.

She stopped and looked at him with a worried expression. Then he observed that the hand that carried her reticule was making strange purposeless curves in the air, and her rosy face went the colour of cream, as though it had been painted with one stroke of an unseen brush. Matthew was very much put about.

"Hadn't you better--" he began.

"Eh," she said; "I must sit me--" Her bag dropped.

He supported her to the door of Allman's shop, the ironmonger's. Unfortunately, there were two steps up into the shop, and she could not climb them. She collapsed like a sack of flour on the first step. Young Edward Allman ran to the door. He was wearing a black apron and fidgeting with it in his excitement.

"Don't lift her up--don't try to lift her up, Mr. Peel-Swynnerton!" he cried, as Matthew instinctively began to do the wrong thing.

Matthew stopped, looking a fool and feeling one, and he and young Allman contemplated each other helpless for a second across the body of Constance Povey. A part of the Market Place now perceived that the unusual was occurring. It was Mr. Shawcross, the chemist next door to Allman's who dealt adequately with the situation. He had seen all, while selling a Kodak to a young lady, and he ran out with salts. Constance recovered very rapidly. She had not quite swooned. She gave a long sigh, and whispered weakly that she was all right. The three men helped her into the lofty dark shop, which smelt of nails and of stove-polish, and she was balanced on a ricketty chair.

"My word!" exclaimed young Allman, in his loud voice, when she could smile and the pink was returning reluctantly to her cheeks. "You mustn't frighten us like that, Mrs. Povey!"

Matthew said nothing. He had at last created a genuine sensation. Once again he felt like a criminal, and could not understand why.

Constance announced that she would walk slowly home, down the Cock-yard and along Wedgwood Street. But when, glancing round in her returned strength, she saw the hedge of faces at the doorway, she agreed with Mr. Shawcross that she would do better to have a cab. Young Allman went to the door and whistled to the unique cab that stands for ever at the grand entrance to the Town Hall.

"Mr. Matthew will come with me," said Constance.

"Certainly, with pleasure," said Matthew.

And she passed through the little crowd of gapers on Mr. Shawcross's arm.

"Just take care of yourself, missis," said Mr. Shawcross to her, through the window of the cab. "It's fainting weather, and we're none of us any younger, seemingly."

She nodded.

"I'm awfully sorry I upset you, Mrs. Povey," said Matthew, when the cab moved.

She shook her head, refusing his apology as unnecessary. Tears filled her eyes. In less than a minute the cab had stopped in front of Constance's light-grained door. She demanded her reticule from Matthew, who had carried it since it fell. She would pay the cabman. Never before had Matthew permitted a woman to pay for a cab in which he had ridden; but there was no arguing with Constance. Constance was dangerous.

Amy Bates, still inhabiting the cave, had seen the cab-wheels through the grating of her window and had panted up the kitchen stairs to open the door ere Constance had climbed the steps. Amy, decidedly over forty, was a woman of authority. She wanted to know what was the matter, and Constance had to tell her that she had 'felt unwell.' Amy took the hat and mantle and departed to prepare a cup of tea. When they were alone Constance said to Matthew:

"Now. Mr. Matthew, will you please tell me?"

"It's only this," he began.

And as he told it, in quite a few words, it indeed had the air of being 'only that.' And yet his voice shook, in sympathy with the ageing woman's controlled but visible emotion. It seemed to him that gladness should have filled the absurd little parlour, but the spirit that presided had no name; it was certainly not joy. He himself felt very sad, desolated. He would have given much money to have been spared the experience. He knew simply that in the memory of the stout, comical, nice woman in the rocking-chair he had stirred old, old things, wakened slumbers that might have been eternal. He did not know that he was sitting on the very spot where the sofa had been on which Samuel Povey lay when a beautiful and shameless young creature of fifteen extracted his tooth. He did not know that Constance was sitting in the very chair in which the memorable Mrs. Baines had sat in vain conflict with that same unconquerable girl. He did not know ten thousand matters that were rushing violently about in the vast heart of Constance.

She cross-questioned him in detail. But she did not put the questions which he in his innocence expected; such as, if her sister looked old, if her hair was grey, if she was stout or thin. And until Amy, mystified and resentful, had served the tea, on a little silver tray, she remained comparatively calm. It was in the middle of a gulp of tea that she broke down, and Matthew had to take the cup from her.

"I can't thank you, Mr. Matthew," she wept. "I couldn't thank you enough."

"But I've done nothing," he protested.

She shook her head. "I never hoped for this. Never hoped for it!" she went on. "It makes me so happy--in a way.... You mustn't take any notice of me. I'm silly. You must kindly write down that address for me. And I must write to Cyril at once. And I must see Mr. Critchlow."

"It's really very funny that Cyril hasn't written to you," said Matthew.

"Cyril has not been a good son," she said with sudden, solemn coldness. "To think that he should have kept that...!" She wept again.

At length Matthew saw the possibility of leaving. He felt her warm, soft, crinkled hand round his fingers.

"You've behaved very nicely over this," she said. "And very cleverly. In EVERY thing--both over there and here. Nobody could have shown a nicer feeling than you've shown. It's a great comfort to me that my son has got you for a friend."

When he thought of his escapades, and of all the knowledge, unutterable in Bursley, fantastically impossible in Bursley, which he had imparted to her son, he marvelled that the maternal instinct should be so deceived. Still, he felt that her praise of him was deserved.

Outside, he gave vent to a 'Phew' of relief. He smiled, in his worldliest manner. But the smile was a sham. A pretence to himself! A childish attempt to disguise from himself how profoundly he had been moved by a natural scene!

On the night when Matthew Peel-Swynnerton spoke to Mrs. Scales, Matthew was not the only person in the Pension Frensham who failed to sleep. When the old portress came downstairs from her errand, she observed that her mistress was leaving the mahogany retreat.

"She is sleeping tranquilly, the poor one!" said the portress, discharging her commission, which had been to learn the latest news of the mistress's indisposed dog, Fossette. In saying this her ancient, vibrant voice was rich with sympathy for the suffering animal. And she smiled. She was rather like a figure out of an almshouse, with her pink, apparently brittle skin, her tight black dress, and frilled white cap. She stooped habitually, and always walked quickly, with her head a few inches in advance of her feet. Her grey hair was scanty. She was old; nobody perhaps knew exactly how old. Sophia had taken her with the Pension, over a quarter of a century before, because she was old and could not easily have found another place. Although the clientele was almost exclusively English, she spoke only French, explaining herself to Britons by means of benevolent smiles.

"I think I shall go to bed, Jacqueline," said the mistress, in reply.

A strange reply, thought Jacqueline. The unalterable custom of Jacqueline was to retire at midnight and to rise at five-thirty. Her mistress also usually retired about midnight, and during the final hour mistress and portress saw a good deal of each other. And considering that Jacqueline had just been sent up into the mistress's own bedroom to glance at Fossette, and that the bulletin was satisfactory, and that madame and Jacqueline had several customary daily matters to discuss, it seemed odd that madame should thus be going instantly to bed. However, Jacqueline said nothing but:

"Very well, madame. And the number 32?"

"Arrange yourself as you can," said the mistress, curtly.

"It is well, madame. Good evening, madame, and a good night."

Jacqueline, alone in the hall, re-entered her box and set upon one of those endless, mysterious tasks which occupied her when she was not rushing to and fro or whistling up the tubes.

Sophia, scarcely troubling even to glance into Fossette's round basket, undressed, put out the light, and got into bed. She felt extremely and inexplicably gloomy. She did not wish to reflect; she strongly wished not to reflect; but her mind insisted on reflection--a monotonous, futile, and distressing reflection. Povey! Povey! Could this be Constance's Povey, the unique Samuel Povey? That is to say, not he, but his son, Constance's son. Had Constance a grown-up son? Constance must be over fifty now, perhaps a grandmother! Had she really married Samuel Povey? Possibly she was dead. Certainly her mother must be dead, and Aunt Harriet and Mr. Critchlow. If alive, her mother must be at least eighty years of age.

The cumulative effect of merely remaining inactive when one ought to be active, was terrible. Undoubtedly she should have communicated with her family. It was silly not to have done so. After all, even if she had, as a child, stolen a trifle of money from her wealthy aunt, what would that have mattered? She had been proud. She was criminally proud. That was her vice. She admitted it frankly. But she could not alter her pride. Everybody had some weak spot. Her reputation for sagacity, for commonsense, was, she knew, enormous; she always felt, when people were talking to her, that they regarded her as a very unusually wise woman. And yet she had been guilty of the capital folly of cutting herself off from her family. She was ageing, and she was alone in the world. She was enriching herself; she had the most perfectly managed and the most respectable Pension in the world (she sincerely believed), and she was alone in the world. Acquaintances she had--French people who never offered nor accepted hospitality other than tea or wine, and one or two members of the English commercial colony--but her one friend was Fossette, aged three years! She was the most solitary person on earth. She had heard no word of Gerald, no word of anybody. Nobody whatever could truly be interested in her fate. This was what she had achieved after a quarter of a century of ceaseless labour and anxiety, during which she had not once been away from the Rue Lord Byron for more than thirty hours at a stretch. It was appalling--the passage of years; and the passage of years would grow more appalling. Ten years hence, where would she be? She pictured herself dying. Horrible!

Of course there was nothing to prevent her from going back to Bursley and repairing the grand error of her girlhood. No, nothing except the fact that her whole soul recoiled from the mere idea of any such enterprise! She was a fixture in the Rue Lord Byron. She was a part of the street. She knew all that happened or could happen there. She was attached to it by the heavy chains of habit. In the chill way of long use she loved it. There! The incandescent gas-burner of the street-lamp outside had been turned down, as it was turned down every night! If it is possible to love such a phenomenon, she loved that phenomenon. That phenomenon was a portion of her life, dear to her.

An agreeable young man, that Peel-Swynnerton! Then evidently, since her days in Bursley, the Peels and the Swynnertons, partners in business, must have intermarried, or there must have been some affair of a will. Did he suspect who she was? He had had a very self-conscious, guilty look. No! He could not have suspected who she was. The idea was ridiculous. Probably he did not even know that her name was Scales. And even if he knew her name, he had probably never heard of Gerald Scales, or the story of her flight. Why, he could not have been born until after she had left Bursley! Besides, the Peels were always quite aloof from the ordinary social life of the town. No! He could not have suspected her identity. It was infantile to conceive such a thing.

And yet, she inconsequently proceeded in the tangle of her afflicted mind, supposing he had suspected it! Supposing by some queer chance, he had heard her forgotten story, and casually put two and two together! Supposing even that he were merely to mention in the Five Towns that the Pension Frensham was kept by a Mrs. Scales. 'Scales? Scales?' people might repeat. 'Now, what does that remind me of?' And the ball might roll and roll till Constance or somebody picked it up! And then...

Moreover--a detail of which she had at first unaccountably failed to mark the significance--this Peel-Swynnerton was a friend of the Mr. Povey as to whom he had inquired. In that case it could not be the same Povey. Impossible that the Peels should be on terms of friendship with Samuel Povey or his connections! But supposing after all they were! Supposing something utterly unanticipated and revolutionary had happened in the Five Towns!

She was disturbed. She was insecure. She foresaw inquiries being made concerning her. She foresaw an immense family fuss, endless tomfoolery, the upsetting of her existence, the destruction of her calm. And she sank away from that prospect. She could not face it. She did not want to face it. "No," she cried passionately in her soul, "I've lived alone, and I'll stay as I am. I can't change at my time of life." And her attitude towards a possible invasion of her solitude became one of resentment. "I won't have it! I won't have it! I will be left alone. Constance! What can Constance be to me, or I to her, now?" The vision of any change in her existence was in the highest degree painful to her. And not only painful! It frightened her. It made her shrink. But she could not dismiss it.... She could not argue herself out of it. The apparition of Matthew Peel-Swynnerton had somehow altered the very stuff of her fibres.

And surging on the outskirts of the central storm of her brain were ten thousand apprehensions about the management of the Pension. All was black, hopeless. The Pension might have been the most complete business failure that gross carelessness and incapacity had ever provoked. Was it not the fact that she had to supervise everything herself, that she could depend on no one? Were she to be absent even for a single day the entire structure would inevitably fall. Instead of working less she worked harder. And who could guarantee that her investments were safe?

When dawn announced itself, slowly discovering each object in the chamber, she was ill. Fever seemed to rage in her head. And in and round her mouth she had strange sensations. Fossette stirred in the basket near the large desk on which multifarious files and papers were ranged with minute particularity.

"Fossette!" she tried to call out; but no sound issued from her lips. She could not move her tongue. She tried to protrude it, and could not. For hours she had been conscious of a headache. Her heart sank. She was sick with fear. Her memory flashed to her father and his seizure. She was his daughter! Paralysis! "Ca serait le comble!" she thought in French, horrified. Her fear became abject! "Can I move at all?" she thought, and madly jerked her head. Yes, she could move her head slightly on the pillow, and she could stretch her right arm, both arms. Absurd cowardice! Of course it was not a seizure! She reassured herself. Still, she could not put her tongue out. Suddenly she began to hiccough, and she had no control over the hiccough. She put her hand to the bell, whose ringing would summon the man who slept in a pantry off the hall, and suddenly the hiccough ceased. Her hand dropped. She was better. Besides, what use in ringing for a man if she could not speak to him through the door? She must wait for Jacqueline. At six o'clock every morning, summer and winter, Jacqueline entered her mistress's bedroom to release the dog for a moment's airing under her own supervision. The clock on the mantelpiece showed five minutes past three. She had three hours to wait. Fossette pattered across the room, and sprang on to the bed and nestled down. Sophia ignored her, but Fossette, being herself unwell and torpid, did not seem to care.

Jacqueline was late. In the quarter of an hour between six o'clock and a quarter past, Sophia suffered the supreme pangs of despair and verged upon insanity. It appeared to her that her cranium would blow off under pressure from within. Then the door opened silently, a few inches. Usually Jacqueline came into the room, but sometimes she stood behind the door and called in her soft, trembling voice, "Fossette! Fossette!" And on this morning she did not come into the room. The dog did not immediately respond. Sophia was in an agony. She marshalled all her volition, all her self-control and strength, to shout:

"Jacqueline!"

It came out of her, a horribly difficult and misshapen birth, but it came. She was exhausted.

"Yes, madame." Jacqueline entered.

As soon as she had a glimpse of Sophia she threw up her hands. Sophia stared at her, wordless.

"I will fetch the doctor--myself," whispered Jacqueline, and fled.

"Jacqueline!" The woman stopped. Then Sophia determined to force herself to make a speech, and she braced her muscles to an unprecedented effort. "Say not a word to the others." She could not bear that the whole household should know of her illness. Jacqueline nodded and vanished, the dog following. Jacqueline understood. She lived in the place with her mistress as with a fellow-conspirator.

Sophia began to feel better. She could get into a sitting posture, though the movement made her dizzy. By working to the foot of the bed she could see herself in the glass of the wardrobe. And she saw that the lower part of her face was twisted out of shape.

The doctor, who knew her, and who earned a lot of money in her house, told her frankly what had happened. Paralysie glosso-labio-laryngee was the phrase he used. She understood. A very slight attack; due to overwork and worry. He ordered absolute rest and quiet.

"Impossible!" she said, genuinely convinced that she alone was indispensable.

"Repose the most absolute!" he repeated.

She marvelled that a few words with a man who chanced to be named Peel-Swynnerton could have resulted in such a disaster, and drew a curious satisfaction from this fearful proof that she was so highly-strung. But even then she did not realize how profoundly she had been disturbed.

"My darling Sophia--"

The inevitable miracle had occurred. Her suspicions concerning that Mr. Peel-Swynnerton were well-founded, after all! Here was a letter from Constance! The writing on the envelope was not Constance's; but even before examining it she had had a peculiar qualm. She received letters from England nearly every day asking about rooms and prices (and on many of them she had to pay threepence excess postage, because the writers carelessly or carefully forgot that a penny stamp was not sufficient); there was nothing to distinguish this envelope, and yet her first glance at it had startled her; and when, deciphering the smudged post-mark, she made out the word 'Bursley,' her heart did literally seem to stop, and she opened the letter in quite violent tremulation, thinking to herself: "The doctor would say this is very bad for me." Six days had elapsed since her attack, and she was wonderfully better; the distortion of her face had almost disappeared. But the doctor was grave; he ordered no medicine, merely a tonic; and monotonously insisted on 'repose the most absolute,' on perfect mental calm. He said little else, allowing Sophia to judge from his silences the seriousness of her condition. Yes, the receipt of such a letter must be bad for her!

She controlled herself while she read it, lying in her dressing-gown against several pillows on the bed; a mist did not form in her eyes, nor did she sob, nor betray physically that she was not reading an order for two rooms for a week. But the expenditure of nervous force necessary to self-control was terrific.

Constance's handwriting had changed; it was, however, easily recognizable as a development of the neat calligraphy of the girl who could print window-tickets. The 'S' of Sophia was formed in the same way as she had formed it in the last letter which she had received from her at Axe!

"MY DARLING SOPHIA,

"I cannot tell you how overjoyed I was to learn that after all these years you are alive and well, and doing so well too. I long to see you, my dear sister. It was Mr. Peel-Swynnerton who told me. He is a friend of Cyril's. Cyril is the name of my son. I married Samuel in 1867. Cyril was born in 1874 at Christmas. He is now twenty-two, and doing very well in London as a student of sculpture, though so young. He won a National Scholarship. There were only eight, of which he won one, in all England. Samuel died in 1888. If you read the papers you must have seen about the Povey affair. I mean of course Mr. Daniel Povey, Confectioner. It was that that killed poor Samuel. Poor mother died in 1875. It doesn't seem so long. Aunt Harriet and Aunt Maria are both dead. Old Dr. Harrop is dead, and his son has practically retired. He has a partner, a Scotchman. Mr. Critchlow has married Miss Insull. Did you ever hear of such a thing? They have taken over the shop, and I live in the house part, the other being bricked up. Business in the Square is not what it used to be. The steam trams take all the custom to Hanbridge, and they are talking of electric trams, but I dare say it is only talk. I have a fairly good servant. She has been with me a long time, but servants are not what they were. I keep pretty well, except for my sciatica and palpitation. Since Cyril went to London I have been very lonely. But I try to cheer up and count my blessings. I am sure I have a great deal to be thankful for. And now this news of you! Please write to me a long letter, and tell me all about yourself. It is a long way to Paris. But surely now you know I am still here, you will come and pay me a visit--at least. Everybody would be most glad to see you. And I should be so proud and glad. As I say, I am all alone. Mr. Critchlow says I am to say there is a deal of money waiting for you. You know he is the trustee. There is the half-share of mother's and also of Aunt Harriet's, and it has been accumulating. By the way, they are getting up a subscription for Miss Chetwynd, poor old thing. Her sister is dead, and she is in poverty. I have put myself down for L20. Now, my dear sister, please do write to me at once. You see it is still the old address. I remain, my darling Sophia, with much love, your affectionate sister,

"CONSTANCE POVEY.

"P.S.--I should have written yesterday, but I was not fit. Every time I sat down to write, I cried."

"Of course," said Sophia to Fossette, "she expects me to go to her, instead of her coming to me! And yet who's the busiest?"

But this observation was not serious. It was merely a trifle of affectionate malicious embroidery that Sophia put on the edge of her deep satisfaction. The very spirit of simple love seemed to emanate from the paper on which Constance had written. And this spirit woke suddenly and completely Sophia's love for Constance. Constance! At that moment there was assuredly for Sophia no creature in the world like Constance. Constance personified for her the qualities of the Baines family. Constance's letter was a great letter, a perfect letter, perfect in its artlessness; the natural expression of the Baines character at its best. Not an awkward reference in the whole of it! No clumsy expression of surprise at anything that she, Sophia, had done, or failed to do! No mention of Gerald! Just a sublime acceptance of the situation as it was, and the assurance of undiminished love! Tact? No; it was something finer than tact! Tact was conscious, skilful. Sophia was certain that the notion of tactfulness had not entered Constance's head. Constance had simply written out of her heart. And that was what made the letter so splendid. Sophia was convinced that no one but a Baines could have written such a letter. She felt that she must rise to the height of that letter, that she too must show her Baines blood. And she went primly to her desk, and began to write (on private notepaper) in that imperious large hand of hers that was so different from Constance's. She began a little stiffly, but after a few lines her generous and passionate soul was responding freely to the appeal of Constance. She asked that Mr. Critchlow should pay L20 for her to the Miss Chetwynd fund. She spoke of her Pension and of Paris, and of her pleasure in Constance's letter. But she said nothing as to Gerald, nor as to the possibility of a visit to the Five Towns. She finished the letter in a blaze of love, and passed from it as from a dream to the sterile banality of the daily life of the Pension Frensham, feeling that, compared to Constance's affection, nothing else had any worth.

But she would not consider the project of going to Bursley. Never, never would she go to Bursley. If Constance chose to come to Paris and see her, she would be delighted, but she herself would not budge. The mere notion of any change in her existence intimidated her. And as for returning to Bursley itself ... no, no!

Nevertheless, at the Pension Frensham, the future could not be as the past. Sophia's health forbade that. She knew that the doctor was right. Every time that she made an effort, she knew intimately and speedily that the doctor was right. Only her will-power was unimpaired; the machinery by which will-power is converted into action was mysteriously damaged. She was aware of the fact. But she could not face it yet. Time would have to elapse before she could bring herself to face that fact. She was getting an old woman. She could no longer draw on reserves. Yet she persisted to every one that she was quite recovered, and was abstaining from her customary work simply from an excess of prudence. Certainly her face had recovered. And the Pension, being a machine all of whose parts were in order, continued to run, apparently, with its usual smoothness. It is true that the excellent chef began to peculate, but as his cuisine did not suffer, the result was not noticeable for a long period. The whole staff and many of the guests knew that Sophia had been indisposed; and they knew no more.

When by hazard Sophia observed a fault in the daily conduct of the house, her first impulse was to go to the root of it and cure it, her second was to leave it alone, or to palliate it by some superficial remedy. Unperceived, and yet vaguely suspected by various people, the decline of the Pension Frensham had set in. The tide, having risen to its highest, was receding, but so little that no one could be sure that it had turned. Every now and then it rushed up again and washed the furthest stone.

Sophia and Constance exchanged several letters. Sophia said repeatedly that she could not leave Paris. At length she roundly asked Constance to come and pay her a visit. She made the suggestion with fear--for the prospect of actually seeing her beloved Constance alarmed her--but she could do no less than make it. And in a few days she had a reply to say that Constance would have come, under Cyril's charge, but that her sciatica was suddenly much worse, and she was obliged to lie down every day after dinner to rest her legs. Travelling was impossible for her. The fates were combining against Sophia's decision.

And now Sophia began to ask herself about her duty to Constance. The truth was that she was groping round to find an excuse for reversing her decision. She was afraid to reverse it, yet tempted. She had the desire to do something which she objected to doing. It was like the desire to throw one's self over a high balcony. It drew her, drew her, and she drew back against it. The Pension was now tedious to her. It bored her even to pretend to be the supervising head of the Pension. Throughout the house discipline had loosened.

She wondered when Mr. Mardon would renew his overtures for the transformation of her enterprise into a limited company. In spite of herself she would deliberately cross his path and give him opportunities to begin on the old theme. He had never before left her in peace for so long a period. No doubt she had, upon his last assault, absolutely convinced him that his efforts had no smallest chance of success, and he had made up his mind to cease them. With a single word she could wind him up again. The merest hint, one day when he was paying his bill, and he would be beseeching her. But she could not utter the word.

Then she began to say openly that she did not feel well, that the house was too much for her, and that the doctor had imperatively commanded rest. She said this to every one except Mardon. And every one somehow persisted in not saying it to Mardon. The doctor having advised that she should spend more time in the open air, she would take afternoon drives in the Bois with Fossette. It was October. But Mr. Mardon never seemed to hear of those drives.

One morning he met her in the street outside the house.

"I'm sorry to hear you're so unwell," he said confidentially, after they had discussed the health of Fossette.

"So unwell!" she exclaimed as if resenting the statement. "Who told you I was so unwell?"

"Jacqueline. She told me you often said that what you needed was a complete change. And it seems the doctor says so, too."

"Oh! doctors!" she murmured, without however denying the truth of Jacqueline's assertion. She saw hope in Mr. Mardon's eyes.

"Of course, you know," he said, still more confidentially, "if you SHOULD happen to change your mind, I'm always ready to form a little syndicate to take this"--he waved discreetly at the Pension--"off your hands."

She shook her head violently, which was strange, considering that for weeks she had been wishing to hear such words from Mr. Mardon.

"You needn't give it up altogether," he said. "You could retain your hold on it. We'd make you manageress, with a salary and a share in the profits. You'd be mistress just as much as you are now."

"Oh!" said she carelessly. "IF I GAVE IT UP, I SHOULD GIVE IT UP ENTIRELY. No half measures for me."

With the utterance of that sentence, the history of Frensham's as a private understanding was brought to a close. Sophia knew it. Mr. Mardon knew it. Mr. Mardon's heart leapt. He saw in his imagination the formation of the preliminary syndicate, with himself at its head, and then the re-sale by the syndicate to a limited company at a profit. He saw a nice little profit for his own private personal self of a thousand or so--gained in a moment. The plant, his hope, which he had deemed dead, blossomed with miraculous suddenness.

"Well," he said. "Give it up entirely, then! Take a holiday for life. You've deserved it, Mrs. Scales."

She shook her head once again.

"Think it over," he said.

"I gave you my answer years ago," she said obstinately, while fearing lest he should take her at her word.

"Oblige me by thinking it over," he said. "I'll mention it to you again in a few days."

"It will be no use," she said.

He took his leave, waddling down the street in his vague clothes, conscious of his fame as Lewis Mardon, the great house-agent of the Champs Elysees, known throughout Europe and America.

In a few days he did mention it again.

"There's only one thing that makes me dream of it even for a moment," said Sophia. "And that is my sister's health."

"Your sister!" he exclaimed. He did not know she had a sister. Never had she spoken of her family.

"Yes. Her letters are beginning to worry me."

"Does she live in Paris?"

"No. In Staffordshire. She has never left home."

And to preserve her pride intact she led Mr. Mardon to think that Constance was in a most serious way, whereas in truth Constance had nothing worse than her sciatica, and even that was somewhat better.

Thus she yielded.

II. THE MEETING

Soon after dinner one day in the following spring, Mr. Critchlow knocked at Constance's door. She was seated in the rocking-chair in front of the fire in the parlour. She wore a large 'rough' apron, and with the outlying parts of the apron she was rubbing the moisture out of the coat of a young wire-haired fox-terrier, for whom no more original name had been found than 'Spot.' It is true that he had a spot. Constance had more than once called the world to witness that she would never have a young dog again, because, as she said, she could not be always running about after them, and they ate the stuffing out of the furniture. But her last dog had lived too long; a dog can do worse things than eat furniture; and, in her natural reaction against age in dogs, and also in the hope of postponing as long as possible the inevitable sorrow and upset which death causes when it takes off a domestic pet, she had not known how to refuse the very desirable fox-terrier aged ten months that an acquaintance had offered to her. Spot's beautiful pink skin could be seen under his disturbed hair; he was exquisitely soft to the touch, and to himself he was loathsome. His eyes continually peeped forth between corners of the agitated towel, and they were full of inquietude and shame.

Amy was assisting at this performance, gravely on the watch to see that Spot did not escape into the coal-cellar. She opened the door to Mr. Critchlow's knock. Mr. Critchlow entered without any formalities, as usual. He did not seem to have changed. He had the same quantity of white hair, he wore the same long white apron, and his voice (which showed however an occasional tendency to shrillness) had the same grating quality. He stood fairly straight. He was carrying a newspaper in his vellum hand.

"Well, missis!" he said.

"That will do, thank you, Amy," said Constance, quietly. Amy went slowly.

"So ye're washing him for her!" said Mr. Critchlow.

"Yes," Constance admitted. Spot glanced sharply at the aged man.

"An' ye seen this bit in the paper about Sophia?" he asked, holding the Signal for her inspection.

"About Sophia?" cried Constance. "What's amiss?"

"Nothing's amiss. But they've got it. It's in the 'Staffordshire day by day' column. Here! I'll read it ye." He drew a long wooden spectacle-case from his waistcoat pocket, and placed a second pair of spectacles on his nose. Then he sat down on the sofa, his knees sticking out pointedly, and read: "'We understand that Mrs. Sophia Scales, proprietress of the famous Pension Frensham in the Rue Lord Byron, Paris'--it's that famous that nobody in th' Five Towns has ever heard of it--'is about to pay a visit to her native town, Bursley, after an absence of over thirty years. Mrs. Scales belonged to the well-known and highly respected family of Baines. She has recently disposed of the Pension Frensham to a limited company, and we are betraying no secret in stating that the price paid ran well into five figures.' So ye see!" Mr. Critchlow commented.

"How do those Signal people find out things?" Constance murmured.

"Eh, bless ye, I don't know," said Mr. Critchlow.

This was an untruth. Mr. Critchlow had himself given the information to the new editor of the Signal, who had soon been made aware of Critchlow's passion for the press, and who knew how to make use of it.

"I wish it hadn't appeared just to-day," said Constance.

"Why?"

"Oh! I don't know, I wish it hadn't."

"Well, I'll be touring on, missis," said Mr. Critchlow, meaning that he would go.

He left the paper, and descended the steps with senile deliberation. It was characteristic that he had shown no curiosity whatever as to the details of Sophia's arrival.

Constance removed her apron, wrapped Spot up in it, and put him in a corner of the sofa. She then abruptly sent Amy out to buy a penny time-table.

"I thought you were going by tram to Knype," Amy observed.

"I have decided to go by train," said Constance, with cold dignity, as if she had decided the fate of nations. She hated such observations from Amy, who unfortunately lacked, in an increasing degree, the supreme gift of unquestioning obedience.

When Amy came breathlessly back, she found Constance in her bedroom, withdrawing crumpled balls of paper from the sleeves of her second-best mantle. Constance scarcely ever wore this mantle. In theory it was destined for chapel on wet Sundays; in practice it had remained long in the wardrobe, Sundays having been obstinately fine for weeks and weeks together. It was a mantle that Constance had never really liked. But she was not going to Knype to meet Sophia in her everyday mantle; and she had no intention of donning her best mantle for such an excursion. To make her first appearance before Sophia in the best mantle she had--this would have been a sad mistake of tactics! Not only would it have led to an anti-climax on Sunday, but it would have given to Constance the air of being in awe of Sophia. Now Constance was in truth a little afraid of Sophia; in thirty years Sophia might have grown into anything, whereas Constance had remained just Constance. Paris was a great place; and it was immensely far off. And the mere sound of that limited company business was intimidating. Imagine Sophia having by her own efforts created something which a real limited company wanted to buy and had bought! Yes, Constance was afraid, but she did not mean to show her fear in her mantle. After all, she was the elder. And she had her dignity too--and a lot of it--tucked away in her secret heart, hidden within the mildness of that soft exterior. So she had decided on the second-best mantle, which, being seldom used, had its sleeves stuffed with paper to the end that they might keep their shape and their 'fall.' The little balls of paper were strewed over the bed.

"There's a train at a quarter to three, gets to Knype at ten minutes past." said Amy. officiously. "But supposing it was only three minutes late and the London train was prompt, then you might miss her. Happen you'd better take the two fifteen to be on the safe side."

"Let me look," said Constance, firmly. "Please put all this paper in the wardrobe."

She would have preferred not to follow Amy's suggestion, but it was so incontestably wise that she was obliged to accept it.

"Unless ye go by tram," said Amy. "That won't mean starting quite so soon."

But Constance would not go by tram. If she took the tram she would be bound to meet people who had read the Signal, and who would say, with their stupid vacuity: "Going to meet your sister at Knype?" And then tiresome conversations would follow. Whereas, in the train, she would choose a compartment, and would be far less likely to encounter chatterers.

There was now not a minute to lose. And the excitement which had been growing in that house for days past, under a pretence of calm, leapt out swiftly into the light of the sun, and was unashamed. Amy had to help her mistress make herself as comely as she could be made without her best dress, mantle, and bonnet. Amy was frankly consulted as to effects. The barrier of class was lowered for a space. Many years had elapsed since Constance had been conscious of a keen desire to look smart. She was reminded of the days when, in full fig for chapel, she would dash downstairs on a Sunday morning, and, assuming a pose for inspection at the threshold of the parlour, would demand of Samuel: "Shall I do?" Yes, she used to dash downstairs, like a child, and yet in those days she had thought herself so sedate and mature! She sighed, half with lancinating regret, and half in gentle disdain of that mercurial creature aged less than thirty. At fifty-one she regarded herself as old. And she was old. And Amy had the tricks and manners of an old spinster. Thus the excitement in the house was an 'old' excitement, and, like Constance's desire to look smart, it had its ridiculous side, which was also its tragic side, the side that would have made a boor guffaw, and a hysterical fool cry, and a wise man meditate sadly upon the earth's fashion of renewing itself.

At half-past one Constance was dressed, with the exception of her gloves. She looked at the clock a second time to make sure that she might safely glance round the house without fear of missing the train. She went up into the bedroom on the second-floor, her and Sophia's old bedroom, which she had prepared with enormous care for Sophia. The airing of that room had been an enterprise of days, for, save by a minister during the sittings of the Wesleyan Methodist Conference at Bursley, it had never been occupied since the era when Maria Insull used occasionally to sleep in the house. Cyril clung to his old room on his visits. Constance had an ample supply of solid and stately furniture, and the chamber destined for Sophia was lightened in every corner by the reflections of polished mahogany. It was also fairly impregnated with the odour of furniture paste--an odour of which no housewife need be ashamed. Further, it had been re-papered in a delicate blue, with one of the new 'art' patterns. It was a 'Baines' room. And Constance did not care where Sophia came from, nor what Sophia had been accustomed to, nor into what limited company Sophia had been transformed--that room was adequate! It could not have been improved upon. You had only to look at the crocheted mats--even those on the washstand under the white-and-gold ewer and other utensils. It was folly to expose such mats to the splashings of a washstand, but it was sublime folly. Sophia might remove them if she cared. Constance was house-proud; house-pride had slumbered within her; now it blazed forth.

A fire brightened the drawing-room, which was a truly magnificent apartment, a museum of valuables collected by the Baines and the Maddack families since the year 1840, tempered by the latest novelties in antimacassars and cloths. In all Bursley there could have been few drawing-rooms to compare with Constance's. Constance knew it. She was not afraid of her drawing-room being seen by anybody.

She passed for an instant into her own bedroom, where Amy was patiently picking balls of paper from the bed.

"Now you quite understand about tea?" Constance asked.

"Oh yes, 'm," said Amy, as if to say: "How much oftener are you going to ask me that question?" "Are you off now, 'm?"

"Yes," said Constance. "Come and fasten the front-door after me."

They descended together to the parlour. A white cloth for tea lay folded on the table. It was of the finest damask that skill could choose and money buy. It was fifteen years old, and had never been spread. Constance would not have produced it for the first meal, had she not possessed two other of equal eminence. On the harmonium were ranged several jams and cakes, a Bursley pork-pie, and some pickled salmon; with the necessary silver. All was there. Amy could not go wrong. And crocuses were in the vases on the mantelpiece. Her 'garden,' in the phrase which used to cause Samuel to think how extraordinarily feminine she was! It was a long time since she had had a 'garden' on the mantelpiece. Her interest in her chronic sciatica and in her palpitations had grown at the expense of her interest in gardens. Often, when she had finished the complicated processes by which her furniture and other goods were kept in order, she had strength only to 'rest.' She was rather a fragile, small, fat woman, soon out of breath, easily marred. This business of preparing for the advent of Sophia had appeared to her genuinely colossal. However, she had come through it very well. She was in pretty good health; only a little tired, and more than a little anxious and nervous, as she gave the last glance.

"Take away that apron, do!" she said to Amy, pointing to the rough apron in the corner of the sofa. "By the way, where is Spot?"

"Spot, m'm?" Amy ejaculated.

Both their hearts jumped. Amy instinctively looked out of the window. He was there, sure enough, in the gutter, studying the indescribabilities of King Street. He had obviously escaped when Amy came in from buying the time-table. The woman's face was guilty.

"Amy, I wonder AT you!" exclaimed Constance, tragically. She opened the door.

"Well, I never did see the like of that dog!" murmured Amy.

"Spot!" his mistress commanded. "Come here at once. Do you hear me?"

Spot turned sharply and gazed motionless at Constance. Then with a toss of the head he dashed off to the corner of the Square, and gazed motionless again. Amy went forth to catch him. After an age she brought him in, squealing. He was in a state exceedingly offensive to the eye and to the nose. He had effectively got rid of the smell of soap, which he loathed. Constance could have wept. It did really appear to her that nothing had gone right that day. And Spot had the most innocent, trustful air. Impossible to make him realize that his aunt Sophia was coming. He would have sold his entire family into servitude in order to buy ten yards of King Street gutter.

"You must wash him in the scullery, that's all there is for it," said Constance, controlling herself. "Put that apron on, and don't forget one of your new aprons when you open the door. Better shut him up in Mr. Cyril's bedroom when you've dried him."

And she went, charged with worries, clasping her bag and her umbrella and smoothing her gloves, and spying downwards at the folds of her mantle.

"That's a funny way to go to Bursley Station, that is," said Amy, observing that Constance was descending King Street instead of crossing it into Wedgwood Street. And she caught Spot 'a fair clout on the head,' to indicate to him that she had him alone in the house now.

Constance was taking a round-about route to the station, so that, if stopped by acquaintances, she should not be too obviously going to the station. Her feelings concerning the arrival of Sophia, and concerning the town's attitude towards it, were very complex.

She was forced to hurry. And she had risen that morning with plans perfectly contrived for the avoidance of hurry. She disliked hurry because it always 'put her about.'

The express from London was late, so that Constance had three-quarters of an hour of the stony calmness of Knype platform when it is waiting for a great train. At last the porters began to cry, "Macclesfield, Stockport, and Manchester train;" the immense engine glided round the curve, dwarfing the carriages behind it, and Constance had a supreme tremor. The calmness of the platform was transformed into a melee. Little Constance found herself left on the fringe of a physically agitated crowd which was apparently trying to scale a precipice surmounted by windows and doors from whose apertures looked forth defenders of the train. Knype platform seemed as if it would never be reduced to order again. And Constance did not estimate highly the chances of picking out an unknown Sophia from that welter. She was very seriously perturbed. All the muscles of her face were drawn as her gaze wandered anxiously from end to end of the train.

Presently she saw a singular dog. Other people also saw it. It was of the colour of chocolate; it had a head and shoulders richly covered with hair that hung down in thousands of tufts like the tufts of a modern mop such as is bought in shops. This hair stopped suddenly rather less than halfway along the length of the dog's body, the remainder of which was naked and as smooth as marble. The effect was to give to the inhabitants of the Five Towns the impression that the dog had forgotten an essential part of its attire and was outraging decency. The ball of hair which had been allowed to grow on the dog's tail, and the circles of hair which ornamented its ankles, only served to intensify the impression of indecency. A pink ribbon round its neck completed the outrage. The animal had absolutely the air of a decked trollop. A chain ran taut from the creature's neck into the middle of a small crowd of persons gesticulating over trunks, and Constance traced it to a tall and distinguished woman in a coat and skirt with a rather striking hat. A beautiful and aristocratic woman, Constance thought, at a distance! Then the strange idea came to her: "That's Sophia!" She was sure.... She was not sure.... She was sure. The woman emerged from the crowd. Her eye fell on Constance. They both hesitated, and, as it were, wavered uncertainly towards each other.

"I should have known you anywhere," said Sophia, with apparently careless tranquillity, as she stooped to kiss Constance, raising her veil.

Constance saw that this marvellous tranquillity must be imitated, and she imitated it very well. It was a 'Baines' tranquillity. But she noticed a twitching of her sister's lips. The twitching comforted Constance, proving to her that she was not alone in foolishness. There was also something queer about the permanent lines of Sophia's mouth. That must be due to the 'attack' about which Sophia had written.

"Did Cyril meet you?" asked Constance. It was all that she could think of to say.

"Oh yes!" said Sophia, eagerly. "And I went to his studio, and he saw me off at Euston. He is a VERY nice boy. I love him."

She said 'I love him' with the intonation of Sophia aged fifteen. Her tone and imperious gesture sent Constance flying back to the 'sixties. "She hasn't altered one bit," Constance thought with joy. "Nothing could change Sophia." And at the back of that notion was a more general notion: "Nothing could change a Baines." It was true that Constance's Sophia had not changed. Powerful individualities remain undisfigured by no matter what vicissitudes. After this revelation of the original Sophia, arising as it did out of praise of Cyril, Constance felt easier, felt reassured.

"This is Fossette," said Sophia, pulling at the chain.

Constance knew not what to reply. Surely Sophia could not be aware what she did in bringing such a dog to a place where people were so particular as they are in the Five Towns.

"Fossette!" She repeated the name in an endearing accent, half stooping towards the dog. After all, it was not the dog's fault. Sophia had certainly mentioned a dog in her letters, but she had not prepared Constance for the spectacle of Fossette.

All that happened in a moment. A porter appeared with two trunks belonging to Sophia. Constance observed that they were superlatively 'good' trunks; also that Sophia's clothes, though 'on the showy side,' were superlatively 'good.' The getting of Sophia's ticket to Bursley occupied them next, and soon the first shock of meeting had worn off.

In a second-class compartment of the Loop Line train, with Sophia and Fossette opposite to her, Constance had leisure to 'take in' Sophia. She came to the conclusion that, despite her slenderness and straightness and the general effect of the long oval of her face under the hat, Sophia looked her age. She saw that Sophia must have been through a great deal; her experiences were damagingly printed in the details of feature. Seen at a distance, she might have passed for a woman of thirty, even for a girl, but seen across a narrow railway carriage she was a woman whom suffering had aged. Yet obviously her spirit was unbroken. Hear her tell a doubtful porter that of course she should take Fossette with her into the carriage! See her shut the carriage door with the expressed intention of keeping other people out! She was accustomed to command. At the same time her face had an almost set smile, as though she had said to herself: "I will die smiling." Constance felt sorry for her. While recognizing in Sophia a superior in charm, in experience, in knowledge of the world and in force of personality, she yet with a kind of undisturbed, fundamental superiority felt sorry for Sophia.

"What do you think?" said Sophia, absently fingering Fossette. "A man came up to me at Euston, while Cyril was getting my ticket, and said, 'Eh, Miss Baines, I haven't seen ye for over thirty years, but I know you're Miss Baines, or WERE--and you're looking bonny.' Then he went off. I think it must have been Holl, the grocer."

"Had he got a long white beard?"

"Yes."

"Then it was Mr. Holl. He's been Mayor twice. He's an alderman, you know."

"Really!" said Sophia. "But wasn't it queer?"

"Eh! Bless us!" exclaimed Constance. "Don't talk about queer! It's terrible how time flies."

The conversation stopped, and it refused to start again. Two women who are full of affectionate curiosity about each other, and who have not seen each other for thirty years, and who are anxious to confide in each other, ought to discover no difficulty in talking; but somehow these two could not talk. Constance perceived that Sophia was impeded by the same awkwardness as herself.

"Well I never!" cried Sophia, suddenly. She had glanced out of the window and had seen two camels and an elephant in a field close to the line, amid manufactories and warehouses and advertisements of soap.

"Oh!" said Constance. "That's Barnum's, you know. They have what they call a central depot here, because it's the middle of England." Constance spoke proudly. (After all, there can be only one middle.) It was on her tongue to say, in her 'tart' manner, that Fossette ought to be with the camels, but she refrained. Sophia hit on the excellent idea of noting all the buildings that were new to her and all the landmarks that she remembered. It was surprising how little the district had altered.

"Same smoke!" said Sophia.

"Same smoke!" Constance agreed.

"It's even worse," said Sophia.

"Do you think so?" Constance was slightly piqued. "But they're doing something now for smoke abatement."

"I must have forgotten how dirty it was!" said Sophia. "I suppose that's it. I'd no idea...!"

"Really!" said Constance. Then, in candid admission, "The fact is, it is dirty. You can't imagine what work it makes, especially with window-curtains."

As the train puffed under Trafalgar Road, Constance pointed to a new station that was being built there, to be called 'Trafalgar Road' station.

"Won't it be strange?" said she, accustomed to the eternal sequence of Loop Lane stations--Turnhill, Bursley, Bleakridge, Hanbridge, Cauldon, Knype, Trent Vale, and Longshaw. A 'Trafalgar Road' inserting itself between Bleakridge and Hanbridge seemed to her excessively curious.

"Yes, I suppose it will," Sophia agreed.

"But of course it's not the same to you," said Constance, dashed. She indicated the glories of Bursley Park, as the train slackened for Bursley, with modesty. Sophia gazed, and vaguely recognized the slopes where she had taken her first walk with Gerald Scales.

Nobody accosted them at Bursley Station, and they drove to the Square in a cab. Amy was at the window; she held up Spot, who was in a plenary state of cleanliness, rivalling the purity of Amy's apron.

"Good afternoon, m'm," said Amy, officiously, to Sophia, as Sophia came up the steps.

"Good afternoon, Amy," Sophia replied. She flattered Amy in thus showing that she was acquainted with her name; but if ever a servant was put into her place by mere tone, Amy was put into her place on that occasion. Constance trembled at Sophia's frigid and arrogant politeness. Certainly Sophia was not used to being addressed first by servants. But Amy was not quite the ordinary servant. She was much older than the ordinary servant, and she had acquired a partial moral dominion over Constance, though Constance would have warmly denied it. Hence Constance's apprehension. However, nothing happened. Amy apparently did not feel the snub.

"Take Spot and put him in Mr. Cyril's bedroom," Constance murmured to her, as if implying: "Have I not already told you to do that?" The fact was, she was afraid for Spot's life.

"Now, Fossette!" She welcomed the incoming poodle kindly; the poodle began at once to sniff.

The fat, red cabman was handling the trunks on the pavement, and Amy was upstairs. For a moment the sisters were alone together in the parlour.

"So here I am!" exclaimed the tall, majestic woman of fifty. And her lips twitched again as she looked round the room--so small to her.

"Yes, here you are!" Constance agreed. She bit her lip, and, as a measure of prudence to avoid breaking down, she bustled out to the cabman. A passing instant of emotion, like a fleck of foam on a wide and calm sea!

The cabman blundered up and downstairs with trunks, and saluted Sophia's haughty generosity, and then there was quietness. Amy was already brewing the tea in the cave. The prepared tea-table in front of the fire made a glittering array.

"Now, what about Fossette?" Constance voiced anxieties that had been growing on her.

"Fossette will be quite right with me," said Sophia, firmly.

They ascended to the guest's room, which drew Sophia's admiration for its prettiness. She hurried to the window and looked out into the Square.

"Would you like a fire?" Constance asked, in a rather perfunctory manner. For a bedroom fire, in seasons of normal health, was still regarded as absurd in the Square.

"Oh, no!" said Sophia; but with a slight failure to rebut the suggestion as utterly ridiculous.

"Sure?" Constance questioned.

"Quite, thank you," said Sophia.

"Well, I'll leave you. I expect Amy will have tea ready directly." She went down into the kitchen. "Amy," she said, "as soon as we've finished tea, light a fire in Mrs. Scales's bedroom."

"In the top bedroom, m'm?"

"Yes."

Constance climbed again to her own bedroom, and shut the door. She needed a moment to herself, in the midst of this terrific affair. She sighed with relief as she removed her mantle. She thought: "At any rate we've met, and I've got her here. She's very nice. No, she isn't a bit altered." She hesitated to admit that to her Sophia was the least in the world formidable. And so she said once more: "She's very nice. She isn't a bit altered." And then: "Fancy her being here! She really is here." With her perfect simplicity it did not occur to Constance to speculate as to what Sophia thought of her.

Sophia was downstairs first, and Constance found her looking at the blank wall beyond the door leading to the kitchen steps.

"So this is where you had it bricked up?" said Sophia.

"Yes," said Constance. "That's the place."

"It makes me feel like people feel when they have tickling in a limb that's been cut off!" said Sophia.

"Oh, Sophia!"

The tea received a great deal of praise from Sophia, but neither of them ate much. Constance found that Sophia was like herself: she had to be particular about her food. She tasted dainties for the sake of tasting, but it was a bird's pecking. Not the twelfth part of the tea was consumed. They dared not indulge caprices. Only their eyes could feed.

After tea they went up to the drawing-room, and in the corridor had the startling pleasure of seeing two dogs who scurried about after each other in amity. Spot had found Fossette, with the aid of Amy's incurable carelessness, and had at once examined her with great particularity. She seemed to be of an amiable disposition, and not averse from the lighter distractions. For a long time the sisters sat chatting together in the lit drawing-room to the agreeable sound of happy dogs playing in the dark corridor. Those dogs saved the situation, because they needed constant attention. When the dogs dozed, the sisters began to look through photograph albums, of which Constance had several, bound in plush or morocco. Nothing will sharpen the memory, evoke the past, raise the dead, rejuvenate the ageing, and cause both sighs and smiles, like a collection of photographs gathered together during long years of life. Constance had an astonishing menagerie of unknown cousins and their connections, and of townspeople; she had Cyril at all ages; she had weird daguerreotypes of her parents and their parents. The strangest of all was a portrait of Samuel Povey as an infant in arms. Sophia checked an impulse to laugh at it. But when Constance said: "Isn't it funny?" she did allow herself to laugh. A photograph of Samuel in the year before his death was really imposing. Sophia stared at it, impressed. It was the portrait of an honest man.

"How long have you been a widow?" Constance asked in a low voice, glancing at upright Sophia over her spectacles, a leaf of the album raised against her finger.

Sophia unmistakably flushed. "I don't know that I am a widow," said she, with an air. "My husband left me in 1870, and I've never seen nor heard of him since."

"Oh, my dear!" cried Constance, alarmed and deafened as by a clap of awful thunder. "I thought ye were a widow. Mr. Peel-Swynnerton said he was told positively ye were a widow. That's why I never...." She stopped. Her face was troubled.

"Of course I always passed for a widow, over there," said Sophia.

"Of course," said Constance quickly. "I see...."

"And I may be a widow," said Sophia.

Constance made no remark. This was a blow. Bursley was such a particular place. Doubtless, Gerald Scales had behaved like a scoundrel. That was sure!

When, immediately afterwards, Amy opened the drawing-room door (having first knocked--the practice of encouraging a servant to plunge without warning of any kind into a drawing-room had never been favoured in that house) she saw the sisters sitting rather near to each other at the walnut oval table, Mrs. Scales very upright, and staring into the fire, and Mrs. Povey 'bunched up' and staring at the photograph album; both seeming to Amy aged and apprehensive; Mrs. Povey's hair was quite grey, though Mrs. Scales' hair was nearly as black as Amy's own. Mrs. Scales started at the sound of the knock, and turned her head.

"Here's Mr. and Mrs. Critchlow, m'm," announced Amy.

The sisters glanced at one another, with lifted foreheads. Then Mrs. Povey spoke to Amy as though visits at half-past eight at night were a customary phenomenon of the household. Nevertheless, she trembled to think what outrageous thing Mr. Critchlow might say to Sophia after thirty years' absence. The occasion was great, and it might also be terrible.

"Ask them to come up," she said calmly.

But Amy had the best of that encounter. "I have done," she replied, and instantly produced them out of the darkness of the corridor. It was providential: the sisters had made no remark that the Critchlows might not hear.

Then Maria Critchlow, simpering, had to greet Sophia. Mrs. Critchlow was very agitated, from sheer nervousness. She curvetted; she almost pranced; and she made noises with her mouth as though she saw some one eating a sour apple. She wanted to show Sophia how greatly she had changed from the young, timid apprentice. Certainly since her marriage she had changed. As manager of other people's business she had not felt the necessity of being effusive to customers, but as proprietress, anxiety to succeed had dragged her out of her capable and mechanical indifference. It was a pity. Her consistent dullness had had a sort of dignity; but genial, she was merely ridiculous. Animation cruelly displayed her appalling commonness and physical shabbiness. Sophia's demeanour was not chilly; but it indicated that Sophia had no wish to be eyed over as a freak of nature.

Mr. Critchlow advanced very slowly into the room. "Ye still carry your head on a stiff neck," said he, deliberately examining Sophia. Then with great care he put out his long thin arm and took her hand. "Well, I'm rare and glad to see ye!"

Every one was thunderstruck at this expression of joy. Mr. Critchlow had never been known to be glad to see anybody.

"Yes," twittered Maria, "Mr. Critchlow would come in to-night. Nothing would do but he must come in to-night."

"You didn't tell me this afternoon," said Constance, "that you were going to give us the pleasure of your company like this."

He looked momentarily at Constance. "No," he grated, "I don't know as I did."

His gaze flattered Sophia. Evidently he treated this experienced and sad woman of fifty as a young girl. And in presence of his extreme age she felt like a young girl, remembering the while how as a young girl she had hated him. Repulsing the assistance of his wife, he arranged an armchair in front of the fire and meticulously put himself into it. Assuredly he was much older in a drawing-room than behind the counter of his shop. Constance had noticed that in the afternoon. A live coal fell out of the fire. He bent forward, wet his fingers, picked up the coal and threw it back into the fire.

"Well," said Sophia. "I wouldn't have done that."

"I never saw Mr. Critchlow's equal for picking up hot cinders," Maria giggled.

Mr. Critchlow deigned no remark. "When did ye leave this Paris?" he demanded of Sophia, leaning back, and putting his hands on the arms of the chair.

"Yesterday morning," said Sophia,

"And what'n ye been doing with yeself since yesterday morning?"

"I spent last night in London," Sophia replied.

"Oh, in London, did ye?"

"Yes. Cyril and I had an evening together."

"Eh? Cyril! What's yer opinion o' Cyril, Sophia?"

"I'm very proud to have Cyril for a nephew," said Sophia.

"Oh! Are ye?" The old man was obviously ironic.

"Yes I am," Sophia insisted sharply. "I'm not going to hear a word said against Cyril."

She proceeded to an enthusiastic laudation of Cyril which rather overwhelmed his mother. Constance was pleased; she was delighted. And yet somewhere in her mind was an uncomfortable feeling that Cyril, having taken a fancy to his brilliant aunt, had tried to charm her as he seldom or never tried to charm his mother. Cyril and Sophia had dazzled and conquered each other; they were of the same type; whereas she, Constance, being but a plain person, could not glitter.

She rang the bell and gave instructions to Amy about food--fruit cakes, coffee and hot milk, on a tray; and Sophia also spoke to Amy murmuring a request as to Fossette.

"Yes, Mrs. Scales," said Amy, with eager deference.

Mrs. Critchlow smiled vaguely from a low chair near the curtained window. Then Constance lit another burner of the chandelier. In doing so, she gave a little sigh; it was a sigh of relief. Mr. Critchlow had behaved himself. Now that he and Sophia had met, the worst was over. Had Constance known beforehand that he would pay a call, she would have been agonized by apprehensions, but now that he had actually come she was glad he had come.

When he had silently sipped some hot milk, he drew a thick bunch of papers, white and blue, from his bulging breast-pocket.

"Now, Maria Critchlow," he called, edging round his chair slightly. "Ye'd best go back home."

Maria Critchlow was biting at a bit of walnut cake, while in her right hand, all seamed with black lines, she held a cup of coffee.

"But, Mr. Critchlow----!" Constance protested.

"I've got business with Sophia, and I must get it done. I've got for to render an account of my stewardship to Sophia, under her father's will, and her mother's will, and her aunt's will, and it's nobody's business but mine and Sophia's, I reckon. Now then," he glanced at his wife, "off with ye!"

Maria rose, half-kittenish and half-ashamed.

"Surely you don't want to go into all that to-night," said Sophia. She spoke softly, for she had already fully perceived that Mr. Critchlow must be managed with the tact which the capricious obstinacies of advanced age demanded. "Surely you can wait a day or two. I'm in no hurry."

"HAVEN'T I WAITED LONG ENOUGH?" he retorted fiercely.

There was a pause. Maria Critchlow moved.

"As for you being in no hurry, Sophia," the old man went on, "nobody can say as you've been in a hurry."

Sophia had suffered a check. She glanced hesitatingly at Constance.

"Mrs. Critchlow and I will go down into the parlour," said Constance, quickly. "There is a bit of fire there."

"Oh no. I won't hear of such a thing!"

"Yes, we will, won't we, Mrs. Critchlow?" Constance insisted, cheerfully but firmly. She was determined that in her house Sophia should have all the freedom and conveniences that she could have had in her own. If a private room was needed for discussions between Sophia and her trustee, Constance's pride was piqued to supply that room. Further, Constance was glad to get Maria out of Sophia's sight. She was accustomed to Maria; with her it did not matter; but she did not care that the teeth of Sophia should be set on edge by the ridiculous demeanour of Maria. So those two left the drawing-room, and the old man began to open the papers which he had been preparing for weeks.

There was very little fire in the parlour, and Constance, in addition to being bored by Mrs. Critchlow's inane and inquisitive remarks, felt chilly, which was bad for her sciatica. She wondered whether Sophia would have to confess to Mr. Critchlow that she was not certainly a widow. She thought that steps ought to be taken to ascertain, through Birkinshaws, if anything was known of Gerald Scales. But even that course was set with perils. Supposing that he still lived, an unspeakable villain (Constance could only think of him as an unspeakable villain), and supposing that he molested Sophia,--what scenes! What shame in the town! Such frightful thoughts ran endlessly through Constance's mind as she bent over the fire endeavouring to keep alive a silly conversation with Maria Critchlow.

Amy passed through the parlour to go to bed. There was no other way of reaching the upper part of the house.

"Are you going to bed, Amy?"

"Yes'm."

"Where is Fossette?"

"In the kitchen, m'm," said Amy, defending herself. "Mrs. Scales told me the dog might sleep in the kitchen with Spot, as they was such good friends. I've opened the bottom drawer, and Fossit is lying in that."

"Mrs. Scales has brought a dog with her!" exclaimed Maria.

"Yes'm!" said Amy, drily, before Constance could answer. She implied everything in that affirmative.

"You are a family for dogs," said Maria. "What sort of dog is it?"

"Well," said Constance. "I don't know exactly what they call it. It's a French dog, one of those French dogs." Amy was lingering at the stairfoot. "Good night, Amy, thank you."

Amy ascended, shutting the door.

"Oh! I see!" Maria muttered. "Well, I never!"

It was ten o'clock before sounds above indicated that the first interview between trustee and beneficiary was finished.

"I'll be going on to open our side-door," said Maria. "Say good night to Mrs. Scales for me." She was not sure whether Charles Critchlow had really meant her to go home, or whether her mere absence from the drawing-room had contented him. So she departed. He came down the stairs with the most tiresome slowness, went through the parlour in silence, ignoring Constance, and also Sophia, who was at his heels, and vanished.

As Constance shut and bolted the front-door, the sisters looked at each other, Sophia faintly smiling. It seemed to them that they understood each other better when they did not speak. With a glance, they exchanged their ideas on the subject of Charles Critchlow and Maria, and learnt that their ideas were similar. Constance said nothing as to the private interview. Nor did Sophia. At present, on this the first day, they could only achieve intimacy by intermittent flashes.

"What about bed?" asked Sophia.

"You must be tired," said Constance.

Sophia got to the stairs, which received a little light from the corridor gas, before Constance, having tested the window-fastening, turned out the gas in the parlour. They climbed the lower flight of stairs together.

"I must just see that your room is all right," Constance said.

"Must you?" Sophia smiled.

They climbed the second flight, slowly. Constance was out of breath.

"Oh, a fire! How nice!" cried Sophia. "But why did you go to all that trouble? I told you not to."

"It's no trouble at all," said Constance, raising the gas in the bedroom. Her tone implied that bedroom fires were a quite ordinary incident of daily life in a place like Bursley.

"Well, my dear, I hope you'll find everything comfortable," said Constance.

"I'm sure I shall. Good night, dear."

"Good night, then."

They looked at each other again, with timid affectionateness. They did not kiss. The thought in both their minds was: "We couldn't keep on kissing every day." But there was a vast amount of quiet, restrained affection, of mutual confidence and respect, even of tenderness, in their tones.

About half an hour later a dreadful hullaballoo smote the ear of Constance. She was just getting into bed. She listened intently, in great alarm. It was undoubtedly those dogs fighting, and fighting to the death. She pictured the kitchen as a battlefield, and Spot slain. Opening the door, she stepped out into the corridor.

"Constance," said a low voice above her. She jumped. "Is that you?"

"Yes."

"Well, don't bother to go down to the dogs; they'll stop in a moment. Fossette won't bite. I'm so sorry she's upsetting the house."

Constance stared upwards, and discerned a pale shadow. The dogs did soon cease their altercation. This short colloquy in the dark affected Constance strangely.

III

The next morning, after a night varied by periods of wakefulness not unpleasant, Sophia arose and, taking due precautions against cold, went to the window. It was Saturday; she had left Paris on the Thursday. She looked forth upon the Square, holding aside the blind. She had expected, of course, to find that the Square had shrunk in size; but nevertheless she was startled to see how small it was. It seemed to her scarcely bigger than a courtyard. She could remember a winter morning when from the window she had watched the Square under virgin snow in the lamplight, and the Square had been vast, and the first wayfarer, crossing it diagonally and leaving behind him the irregular impress of his feet, had appeared to travel for hours over an interminable white waste before vanishing past Holl's shop in the direction of the Town Hall. She chiefly recalled the Square under snow; cold mornings, and the coldness of the oil-cloth at the window, and the draught of cold air through the ill-fitting sash (it was put right now)! These visions of herself seemed beautiful to her; her childish existence seemed beautiful; the storms and tempests of her girlhood seemed beautiful; even the great sterile expanse of tedium when, after giving up a scholastic career, she had served for two years in the shop--even this had a strange charm in her memory.

And she thought that not for millions of pounds would she live her life over again.

In its contents the Square had not surprisingly changed during the immense, the terrifying interval that separated her from her virginity. On the east side, several shops had been thrown into one, and forced into a semblance of eternal unity by means of a coat of stucco. And there was a fountain at the north end which was new to her. No other constructional change! But the moral change, the sad declension from the ancient proud spirit of the Square--this was painfully depressing. Several establishments lacked tenants, had obviously lacked tenants for a long time; 'To let' notices hung in their stained and dirty upper windows, and clung insecurely to their closed shutters. And on the sign-boards of these establishments were names that Sophia did not know. The character of most of the shops seemed to have worsened; they had become pettifogging little holes, unkempt, shabby, poor; they had no brightness, no feeling of vitality. And the floor of the Square was littered with nondescript refuse. The whole scene, paltry, confined, and dull, reached for her the extreme of provinciality. It was what the French called, with a pregnant intonation, la province. This--being said, there was nothing else to say. Bursley, of course, was in the provinces; Bursley must, in the nature of things, be typically provincial. But in her mind it had always been differentiated from the common province; it had always had an air, a distinction, and especially St. Luke's Square! That illusion was now gone. Still, the alteration was not wholly in herself; it was not wholly subjective. The Square really had changed for the worse; it might not be smaller, but it had deteriorated. As a centre of commerce it had assuredly approached very near to death. On a Saturday morning thirty years ago it would have been covered with linen-roofed stalls, and chattering country-folk, and the stir of bargains. Now, Saturday morning was like any other morning in the Square, and the glass-roof of St. Luke's market in Wedgwood Street, which she could see from her window, echoed to the sounds of noisy commerce. In that instance business had simply moved a few yards to the east; but Sophia knew, from hints in Constance's letters and in her talk, that business in general had moved more than a few yards, it had moved a couple of miles--to arrogant and pushing Hanbridge, with its electric light and its theatres and its big, advertising shops. The heaven of thick smoke over the Square, the black deposit on painted woodwork, the intermittent hooting of steam syrens, showed that the wholesale trade of Bursley still flourished. But Sophia had no memories of the wholesale trade of Bursley; it meant nothing to the youth of her heart; she was attached by intimate links to the retail traffic of Bursley, and as a mart old Bursley was done for.

She thought: "It would kill me if I had to live here. It's deadening. It weighs on you. And the dirt, and the horrible ugliness! And the--way they talk, and the way they think! I felt it first at Knype station. The Square is rather picturesque, but it's such a poor, poor little thing! Fancy having to look at it every morning of one's life! No!" She almost shuddered.

For the time being she had no home. To Constance she was 'paying a visit.'

Constance did not appear to realize the awful conditions of dirt, decay, and provinciality in which she was living. Even Constance's house was extremely inconvenient, dark, and no doubt unhealthy. Cellar-kitchen, no hall, abominable stairs, and as to hygiene, simply mediaeval. She could not understand why Constance had remained in the house. Constance had plenty of money and might live where she liked, and in a good modern house. Yet she stayed in the Square. "I daresay she's got used to it," Sophia thought leniently. "I daresay I should be just the same in her place." But she did not really think so, and she could not understand Constance's state of mind.

Certainly she could not claim to have 'added up' Constance yet. She considered that her sister was in some respects utterly provincial--what they used to call in the Five Towns a 'body.' Somewhat too diffident, not assertive enough, not erect enough; with curious provincial pronunciations, accents, gestures, mannerisms, and inarticulate ejaculations; with a curious narrowness of outlook! But at the same time Constance was very shrewd, and she was often proving by some bit of a remark that she knew what was what, despite her provinciality. In judgments upon human nature they undoubtedly thought alike, and there was a strong natural general sympathy between them. And at the bottom of Constance was something fine. At intervals Sophia discovered herself secretly patronizing Constance, but reflection would always cause her to cease from patronage and to examine her own defences. Constance, besides being the essence of kindness, was no fool. Constance could see through a pretence, an absurdity, as quickly as any one. Constance did honestly appear to Sophia to be superior to any Frenchwoman that she had ever encountered. She saw supreme in Constance that quality which she had recognized in the porters at Newhaven on landing--the quality of an honest and naive goodwill, of powerful simplicity. That quality presented itself to her as the greatest in the world, and it seemed to be in the very air of England. She could even detect it in Mr. Critchlow, whom, for the rest, she liked, admiring the brutal force of his character. She pardoned his brutality to his wife. She found it proper. "After all," she said, "supposing he hadn't married her, what would she have been? Nothing but a slave! She's infinitely better off as his wife. In fact she's lucky. And it would be absurd for him to treat her otherwise than he does treat her." (Sophia did not divine that her masterful Critchlow had once wanted Maria as one might want a star.)

But to be always with such people! To be always with Constance! To be always in the Bursley atmosphere, physical and mental!

She pictured Paris as it would be on that very morning--bright, clean, glittering; the neatness of the Rue Lord Byron, and the magnificent slanting splendour of the Champs Elysees. Paris had always seemed beautiful to her; but the life of Paris had not seemed beautiful to her. Yet now it did seem beautiful. She could delve down into the earlier years of her ownership of the Pension, and see a regular, placid beauty in her daily life there. Her life there, even so late as a fortnight ago, seemed beautiful; sad, but beautiful. It had passed into history. She sighed when she thought of the innumerable interviews with Mardon, the endless formalities required by the English and the French law and by the particularity of the Syndicate. She had been through all that. She had actually been through it and it was over. She had bought the Pension for a song and sold it for great riches. She had developed from a nobody into the desired of Syndicates. And after long, long, monotonous, strenuous years of possession the day had come, the emotional moment had come, when she had yielded up the keys of ownership to Mr. Mardon and a man from the Hotel Moscow, and had paid her servants for the last time and signed the last receipted bill. The men had been very gallant, and had requested her to stay in the Pension as their guest until she was ready to leave Paris. But she had declined that. She could not have borne to remain in the Pension under the reign of another. She had left at once and gone to a hotel with her few goods while finally disposing of certain financial questions. And one evening Jacqueline had come to see her, and had wept.

Her exit from the Pension Frensham struck her now as poignantly pathetic, in its quickness and its absence of ceremonial. Ten steps, and her career was finished, closed. Astonishing with what liquid tenderness she turned and looked back on that hard, fighting, exhausting life in Paris! For, even if she had unconsciously liked it, she had never enjoyed it. She had always compared France disadvantageously with England, always resented the French temperament in business, always been convinced that 'you never knew where you were' with French tradespeople. And now they flitted before her endowed with a wondrous charm; so polite in their lying, so eager to spare your feelings and to reassure you, so neat and prim. And the French shops, so exquisitely arranged! Even a butcher's shop in Paris was a pleasure to the eye, whereas the butcher's shop in Wedgwood Street, which she remembered of old, and which she had glimpsed from the cab--what a bloody shambles! She longed for Paris again. She longed to stretch her lungs in Paris. These people in Bursley did not suspect what Paris was. They did not appreciate and they never would appreciate the marvels that she had accomplished in a theatre of marvels. They probably never realized that the whole of the rest of the world was not more or less like Bursley. They had no curiosity. Even Constance was a thousand times more interested in relating trifles of Bursley gossip than in listening to details of life in Paris. Occasionally she had expressed a mild, vapid surprise at things told to her by Sophia; but she was not really impressed, because her curiosity did not extend beyond Bursley. She, like the rest, had the formidable, thrice-callous egotism of the provinces. And if Sophia had informed her that the heads of Parisians grew out of their navels she would have murmured: "Well, well! Bless us! I never heard of such things! Mrs. Brindley's second boy has got his head quite crooked, poor little fellow!"

Why should Sophia feel sorrowful? She did not know. She was free; free to go where she liked and do what she liked, She had no responsibilities, no cares. The thought of her husband had long ago ceased to rouse in her any feeling of any kind. She was rich. Mr. Critchlow had accumulated for her about as much money as she had herself acquired. Never could she spend her income! She did not know how to spend it. She lacked nothing that was procurable. She had no desires except the direct desire for happiness. If thirty thousand pounds or so could have bought a son like Cyril, she would have bought one for herself. She bitterly regretted that she had no child. In this, she envied Constance. A child seemed to be the one commodity worth having. She was too free, too exempt from responsibilities. In spite of Constance she was alone in the world. The strangeness of the hazards of life overwhelmed her. Here she was at fifty, alone.

But the idea of leaving Constance, having once rejoined her, did not please Sophia. It disquieted her. She could not see herself living away from Constance. She was alone--but Constance was there.

She was downstairs first, and she had a little conversation with Amy. And she stood on the step of the front-door while Fossette made a preliminary inspection of Spot's gutter. She found the air nipping.

Constance, when she descended, saw stretching across one side of the breakfast-table an umbrella, Sophia's present to her from Paris. It was an umbrella such that a better could not be bought. It would have impressed even Aunt Harriet. The handle was of gold, set with a circlet of opalines. The tips of the ribs were also of gold. It was this detail which staggered Constance. Frankly, this development of luxury had been unknown and unsuspected in the Square. That the tips of the ribs should match the handle ... that did truly beat everything! Sophia said calmly that the device was quite common. But she did not conceal that the umbrella was strictly of the highest class and that it might be shown to queens without shame. She intimated that the frame (a 'Fox's Paragon'), handle, and tips, would outlast many silks. Constance was childish with pleasure.

They decided to go out marketing together. The unspoken thought in their minds was that as Sophia would have to be introduced to the town sooner or later, it might as well be sooner. Constance looked at the sky. "It can't possibly rain," she said. "I shall take my umbrella."

VI. THE SIEGE…

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VI. THE SIEGE

VII. SUCCESS

I. FRENSHAM'S

II. THE MEETING