Chapter XLIII…

Chapter XLIII

The trouble with this situation was that it involved more power, comfort, ease and luxury than Eugene had ever experienced before, and made him a sort of oriental potentate not only among his large company of assistants but in his own home. Angela, who had been watching his career all these years with curiosity, began to conceive of him at last as a genius in every respect--destined to some great pre-eminence, in art or finance or the publishing world or all three. She did not relax her attitude in regard to his conduct, being more convinced than ever that to achieve the dizzy eminence to which he was now so rapidly ascending, he must be more circumspect than ever. People were watching him so closely now. They were so obsequious to him, but still so dangerous. A man in his position must be so careful how he dressed, talked, walked.

"Don't make so much fuss," he used to say to her. "For heaven's sake, let me alone!" This merely produced more quarrels, for Angela was determined to regulate him in spite of his wishes and in his best interests.

Grave men and women in various walks of life--art, literature, philanthropy, trade, began to seek him out, because in the first place he had an understanding mind and because in the next place, which was much more important, he had something to give. There are always those in all walks of life who are seeking something through those avenues which a successful person represents, whatever they may be, and these together with those others who are always intensely eager to bask in the reflected glory of a rising luminary, make a retinue for every successful man. Eugene had his retinue, men and women of his own station or beneath it, who would eagerly shake his hand with an "Oh, yes, indeed. Managing Publisher of the United Magazines Corporation! Oh, yes, yes!" Women particularly were prone to smile, showing him even white teeth and regretting that all good looking and successful men were married.

In July following his coming from Philadelphia the United Magazines Corporation moved into its new building, and then he was installed into the most imposing office of his career. A subtle assistant, wishing to ingratiate the staff in Eugene's good graces, suggested that a collection be taken up for flowers. His room, which was done in white, blue and gold with rose wood furniture, to set it apart from the prevailing decorative scheme and so make it more impressive, was scattered with great bouquets of roses, sweet peas and pinks, in beautiful and ornate vases of different colors, countries and schools. His great rosewood flat-topped desk, covered with a thick, plate glass through which the polished wood shone brightly, was decorated with flowers. On the morning of his entry he held an impromptu reception, on which occasion he was visited by Colfax and White, who after going to look at their new rooms, came to his. A general reception which followed some three weeks later, and in which the successful representatives of various walks of life in the metropolis took part, drew to the building a great crowd, artists, writers, editors, publishers, authors and advertising men who saw him in all his glory. On this occasion, Eugene, with White and Colfax did the receiving. He was admired at a distance by striplings who wondered how he had ever accomplished such great results. His rise had been so meteoric. It seemed so impossible that a man who had started as an artist should change and become a dominant factor in literature and art from a publishing point of view.

In his own home his surroundings were equally showy; he was as much a figure as he was in his office. When he was alone with Angela, which was not so often, for naturally they did a great deal of entertaining, he was a figure even to her. Long ago she had come to think of him as someone who would some day dominate in the art world; but to see him an imposing factor in the city's commercial life, its principal publishers' representative, having a valet and an automobile, riding freely in cabs, lunching at the most exclusive restaurants and clubs, and associating constantly with someone who was of importance, was a different matter.

She was no longer so sure of herself with him, not so certain of her power to control him. They quarreled over little things, but she was not so ready to begin these quarrels. He seemed changed now and deeper still. She was afraid, even yet, that he might make a mistake and lose it all, that the forces of ill will, envy and jealousy which were everywhere apparent in life, and which blow about so easily like gusts of wind, would work him harm. Eugene was apparently at ease, though he was troubled at times for his own safety, when he thought of it, for he had no stock in the company, and was as beholden to Colfax as any hall boy, but he did not see how he could easily be dispensed with. He was making good.

Colfax was friendly to him. He was surprised at times to see how badly the manufacturing arrangements could go awry, affecting his dates of issue, but White invariably had a good excuse. Colfax took him to his house in the country, his lodge in the mountains, on short yachting and fishing trips, for he liked to talk to him, but he rarely if ever invited Angela. He did not seem to think it was necessary to do this, and Eugene was afraid to impress the slight upon his attention, much as he dreaded the thoughts which Angela must be thinking. It was Eugene here and Eugene there, with constant calls of "where are you, old man?" from Colfax, who appeared not to want to be away from him.

"Well, old man," he would say, looking him over much as one might a blood horse or a pedigree dog, "you're getting on. This new job agrees with you. You didn't look like that when you came to me," and he would feel the latest suit Eugene might be wearing, or comment on some pin or tie he had on, or tell him that his shoes were not as good as he could really get, if he wanted to be perfect in dress. Colfax was for grooming his new prize much as one might groom a blood horse, and he was always telling Eugene little details of social life, the right things to do, the right places to be seen, the right places to go, as though Eugene knew little or nothing.

"Now when we go down to Mrs. Savage's Friday afternoon, you get a Truxton Portmanteau. Have you seen them? Well, there's the thing. Got a London coat? Well, you ought to have one. Those servants down there go through your things and they size you up accordingly. Nothing less than two dollars each goes, and five dollars to the butler, remember that."

He assumed and insisted after a fashion which Eugene resented quite as much as he did his persistent ignoring of Angela, but he did not dare comment on it. He could see that Colfax was variable, that he could hate as well as love, and that he rarely took any intermediate ground. Eugene was his favorite now.

"I'll send my car around for you at two Friday," he would say, as though Eugene did not keep a car, when he was planning one of his week-end excursions. "You be ready."

At two, on that day, Colfax's big blue touring car would come speeding up to the entrance of the apartment house and Eugene's valet would carry down his bags, golf sticks, tennis racket and the various paraphernalia that go with a week-end's entertainment, and off the car would roll. At times Angela would be left behind, at times taken, when Eugene could arrange it; but he found that he had to be tactful and accede to Colfax's indifference mostly. Eugene would always explain to her how it was. He was sorry for her in a way, and yet he felt there was some justice in the distinction. She was not exactly suited to that topmost world in which he was now beginning to move. These people were colder, sharper, shrewder, than Angela. They had more of that intense sophistication of manner and experience than she could achieve. As a matter of fact, Angela had as much grace and more than many of the four hundred, but she did lack that quickness of wit or that shallow self-sufficiency and assurance which are the almost invariable traits of those who shine as members of the smart set. Eugene was able to assume this manner whether he felt it or not.

"Oh, that's all right," she would say, "as long as you're doing it for business reasons."

She resented it nevertheless, bitterly, for it seemed such an uncalled for slur. Colfax had no compunctions in adjusting his companionship to suit his moods. He thought Eugene was well suited to this high life. He thought Angela was not. He made the distinction roughly and went his way.

It was in this manner that Eugene learned a curious fact about the social world, and that was that frequently in these highest circles a man would be received where his wife would not and vice versa, and that nothing very much was thought of it, if it could be managed.

"Oh, is that Birkwood," he heard a young swell once remark, concerning an individual in Philadelphia. "Why do they let him in? His wife is charming, but he won't do," and once in New York he heard a daughter ask her mother, of a certain wife who was announced--her husband being at the same table--"who invited her?"

"I'm sure I don't know," replied her mother; "I didn't. She must have come of her own accord."

"She certainly has her nerve with her," replied the daughter--and when the wife entered Eugene could see why. She was not good looking and not harmoniously and tastefully dressed. It gave Eugene a shock, but in a way he could understand. There were no such grounds of complaint against Angela. She was attractive and shapely. Her one weakness was that she lacked the blasé social air. It was too bad, he thought.

In his own home and circle, however, he thought to make up for this by a series of entertainments which grew more and more elaborate as time went on. At first when he came back from Philadelphia it consisted of a few people in to dinner, old friends, for he was not quite sure of himself and did not know how many would come to share his new honors with him. Eugene had never got over his love for those he had known in his youth. He was not snobbish. It was true that now he was taking naturally to prosperous people, but the little ones, the old-time ones, he liked for old lang syne's sake as well as for themselves. Many came to borrow money, for he had associated with many ne'er do wells in his time, but many more were attracted by his fame.

Eugene knew intimately and pleasantly most of the artistic and intellectual figures of his day. In his home and at his table there appeared artists, publishers, grand opera stars, actors and playwrights. His large salary, for one thing, his beautiful apartment and its location, his magnificent office and his friendly manner all conspired to assist him. It was his self-conscious boast that he had not changed. He liked nice people, simple people, natural people he said, for these were the really great ones, but he could not see how far he had come in class selection. Now he naturally gravitated to the wealthy, the reputed, the beautiful, the strong and able, for no others interested him. He hardly saw them. If he did it was to pity or give alms.

It is difficult to indicate to those who have never come out of poverty into luxury, or out of comparative uncouthness into refinement, the veil or spell which the latter comes eventually to cast over the inexperienced mind, coloring the world anew. Life is apparently striving, constantly, to perfect its illusions and to create spells. There are, as a matter of fact, nothing but these outside that ultimate substance or principle which underlies it all. To those who have come out of inharmony, harmony is a spell, and to those who have come out of poverty, luxury is a dream of delight. Eugene, being primarily a lover of beauty, keenly responsive to all those subtleties of perfection and arrangement which ingenuity can devise, was taken vastly by the nature of this greater world into which, step by step apparently, he was almost insensibly passing. Each new fact which met his eye or soothed his sensibilities was quickly adjusted to all that had gone before. It seemed to him as though all his life he had naturally belonged to this perfect world of which country houses, city mansions, city and country clubs, expensive hotels and inns, cars, resorts, beautiful women, affected manners, subtlety of appreciation and perfection of appointment generally were the inherent concomitants. This was the true heaven--that material and spiritual perfection on earth, of which the world was dreaming and to which, out of toil, disorder, shabby ideas, mixed opinions, non-understanding and all the ill to which the flesh is heir, it was constantly aspiring.

Here was no sickness, no weariness apparently, no ill health or untoward circumstances. All the troubles, disorders and imperfections of existence were here carefully swept aside and one saw only the niceness, the health and strength of being. He was more and more impressed as he came farther and farther along in the scale of comfort, with the force and eagerness with which life seems to minister to the luxury-love of the human mind. He learned of so many, to him, lovely things, large, wellkept, magnificent country places, scenes of exquisite beauty where country clubs, hotels, seaside resorts of all descriptions had been placed. He found sport, amusement, exercise, to be tremendously well organized and that there were thousands of people who were practically devoting their lives to this. Such a state of social ease was not for him yet, but he could sit at the pleasures, so amply spread, between his hours of work and dream of the time to come when possibly he might do nothing at all. Yachting, motoring, golfing, fishing, hunting, riding, playing tennis and polo, there were experts in all these fields he found. Card playing, dancing, dining, lounging, these seemed to occupy many people's days constantly. He could only look in upon it all as upon a passing show, but that was better than nothing. It was more than he had ever done before. He was beginning to see clearly how the world was organized, how far were its reaches of wealth, its depths of poverty. From the lowest beggar to the topmost scene--what a distance!

Angela scarcely kept pace with him in all these mental peregrinations. It was true that now she went to the best dressmakers only, bought charming hats, the most expensive shoes, rode in cabs and her husband's auto, but she did not feel about it as he did. It seemed very much like a dream to her--like something that had come so suddenly and so exuberantly that it could not be permanent. There was running in her mind all the time that Eugene was neither a publisher, nor an editor, nor a financier at heart, but an artist and that an artist he would remain. He might attain great fame and make much money out of his adopted profession, but some day in all likelihood he would leave it and return to art. He seemed to be making sound investments--at least, they seemed sound to her, and their stocks and bank accounts, principally convertible stocks, seemed a safe enough margin for the future to guarantee peace of mind, but they were not saving so much, after all. It was costing them something over eight thousand dollars a year to live, and their expenses were constantly growing larger rather than smaller. Eugene appeared to become more and more extravagant.

"I think we are doing too much entertaining," Angela had once protested, but he waived the complaint aside. "I can't do what I'm doing and not entertain. It's building me up. People in our position have to." He threw open the doors finally to really remarkable crowds and most of the cleverest people in all walks of life--the really exceptionally clever--came to eat his meals, to drink his wines, to envy his comfort and wish they were in his shoes.

During all this time Eugene and Angela instead of growing closer together, were really growing farther and farther apart. She had never either forgotten or utterly forgiven that one terrific lapse, and she had never believed that Eugene was utterly cured of his hedonistic tendencies. Crowds of beautiful women came to Angela's teas, lunches and their joint evening parties and receptions. Under Eugene's direction they got together interesting programmes, for it was no trouble now for him to command musical, theatrical, literary and artistic talent. He knew men and women who could make rapid charcoal or crayon sketches of people, could do feats in legerdemain, and character representation, could sing, dance, play, recite and tell humorous stories in a droll and off-hand way. He insisted that only exceptionally beautiful women be invited, for he did not care to look at the homely ones, and curiously he found dozens, who were not only extremely beautiful, but singers, dancers, composers, authors, actors and playwrights in the bargain. Nearly all of them were brilliant conversationalists and they helped to entertain themselves--made their own entertainment, in fact. His table very frequently was a glittering spectacle. One of his "Stunts" as he called it was to bundle fifteen or twenty people into three or four automobiles after they had lingered in his rooms until three o'clock in the morning and motor out to some out-of-town inn for breakfast and "to see the sun rise." A small matter like a bill for $75.00 for auto hire or thirty-five dollars for a crowd for breakfast did not trouble him. It was a glorious sensation to draw forth his purse and remove four or five or six yellow backed ten dollar bills, knowing that it made little real difference. More money was coming to him from the same source. He could send down to the cashier at any time and draw from five hundred to a thousand dollars. He always had from one hundred and fifty to three hundred dollars in his purse in denominations of five, ten and twenty dollar bills. He carried a small check book and most frequently paid by check. He liked to assume that he was known and frequently imposed this assumption on others.

"Eugene Witla! Eugene Witla! George! he's a nice fellow,"--or "it's remarkable how he has come up, isn't it?" "I was at the Witlas' the other night. Did you ever see such a beautiful apartment? It's perfect! That view!"

People commented on the interesting people he entertained, the clever people you met there, the beautiful women, the beautiful view. "And Mrs. Witla is so charming."

But down at the bottom of all this talk there was also much envy and disparagement and never much enthusiasm for the personality of Mrs. Witla. She was not as brilliant as Eugene--or rather the comment was divided. Those who liked clever people, show, wit, brilliance, ease, liked Eugene and not Angela quite so much. Those who liked sedateness, solidity, sincerity, the commoner virtues of faithfulness and effort, admired Angela. All saw that she was a faithful handmaiden to her husband, that she adored the ground he walked on.

"Such a nice little woman--so homelike. It's curious that he should have married her, though, isn't it? They are so different. And yet they appear to have lots of things in common, too. It's strange--isn't it?"

Chapter XLIV

It was in the course of his final upward progress that Eugene came once more into contact with Kenyon C. Winfield, Ex-State Senator of New York, President of the Long Island Realty Company, land developer, real estate plunger, financier, artist, what not--a man very much of Eugene's own type and temperament, who at this time was doing rather remarkable things in a land speculative way. Winfield was tall and thin, black haired, black eyed, slightly but not offensively hook nosed, dignified, gracious, intellectual, magnetic, optimistic. He was forty-eight years of age. Winfield was a very fair sample of your man of the world who has ideas, dreams, fancies, executive ability, a certain amount of reserve and judgment, sufficient to hold his own in this very complicated mortal struggle. He was not really a great man, but he was so near it that he gave the impression to many of being so. His deep sunken black eyes burned with a peculiar lustre, one might almost have fancied a tint of red in them. His pale, slightly sunken face had some of the characteristics of your polished Mephisto, though not too many. He was not at all devilish looking in the true sense of the word, but keen, subtle, artistic. His method was to ingratiate himself with men who had money in order to get from them the vast sums which he found it necessary to borrow to carry out the schemes or rather dreams he was constantly generating. His fancies were always too big for his purse, but he had such lovely fancies that it was a joy to work with them and him.

Primarily Winfield was a real estate speculator, secondarily he was a dreamer of dreams and seer of visions. His visions consisted of lovely country areas near some city stocked with charming country houses, cut up with well paved, tree shaded roads, provided with sewers, gas, electricity, suitable railway service, street cars and all the comforts of a well organized living district which should be at once retired, exclusive, pleasing, conservative and yet bound up tightly with the great Metropolitan heart of New York which he so greatly admired. Winfield had been born and raised in Brooklyn. He had been a politician, orator, insurance dealer, contractor, and so on. He had succeeded in organizing various suburban estates--Winfield, Sunnyside, Ruritania, The Beeches--little forty, fifty, one hundred and two hundred acre flats which with the help of "O. P. M." as he always called other people's money he had divided off into blocks, laying out charmingly with trees and sometimes a strip of green grass running down the centre, concrete sidewalks, a set of noble restrictions, and so forth. Anyone who ever came to look at a lot in one of Winfield's perfect suburbs always found the choicest piece of property in the centre of this latest burst of improvement set aside for the magnificent house which Mr. Kenyon C. Winfield, the president of the company, was to build and live in. Needless to say they were never built. He had been round the world and seen a great many things and places, but Winfield or Sunnyside or Ruritania or The Beeches, so the lot buyers in these places were told, had been finally selected by him deliberately as the one spot in all the world in which he hoped to spend the remainder of his days.

At the time Eugene met him, he was planning Minetta Water on the shores of Gravesend Bay, which was the most ambitious of all his projects so far. He was being followed financially, by a certain number of Brooklyn politicians and financiers who had seen him succeed in small things, taking a profit of from three to four hundred per cent, out of ten, twenty and thirty acre flats, but for all his brilliance it had been slow work. He was now worth between three and four hundred thousand dollars and, for the first time in his life, was beginning to feel that freedom in financial matters which made him think that he could do almost anything. He had met all sorts of people, lawyers, bankers, doctors, merchants, the "easy classes" he called them, all with a little money to invest, and he had succeeded in luring hundreds of worth-while people into his projects. His great dreams had never really been realized, however, for he saw visions of a great warehouse and shipping system to be established on Jamaica Bay, out of which he was to make millions, if it ever came to pass, and also a magnificent summer resort of some kind, somewhere, which was not yet clearly evolved in his mind. His ads were scattered freely through the newspapers: his signs, or rather the signs of his towns, scattered broadcast over Long Island.

Eugene had met him first when he was working with the Summerfield Company, but he met him this time quite anew at the home of the W. W. Willebrand on the North Shore of Long Island near Hempstead. He had gone down there one Saturday afternoon at the invitation of Mrs. Willebrand, whom he had met at another house party and with whom he had danced. She had been pleased with his gay, vivacious manner and had asked him if he wouldn't come. Winfield was here as a guest with his automobile.

"Oh, yes," said Winfield pleasantly. "I recall you very well. You are now with the United Magazines Corporation,--I understand--someone was telling me--a most prosperous company, I believe. I know Mr. Colfax very well. I once spoke to Summerfield about you. A most astonishing fellow, that, tremendously able. You were doing that series of sugar plantation ads for them or having them done. I think I copied the spirit of those things in advertising Ruritania, as you may have noticed. Well, you certainly have improved your condition since then. I once tried to tell Summerfield that he had an exceptional man in you, but he would have nothing of it. He's too much of an egoist. He doesn't know how to work with a man on equal terms."

Eugene smiled at the thought of Summerfield.

"An able man," he said simply. "He did a great deal for me."

Winfield liked that. He thought Eugene would criticize him. He liked Eugene's genial manner and intelligent, expressive face. It occurred to him that when next he wanted to advertise one of his big development projects, he would go to Eugene or the man who had done the sugar plantation series of pictures and get him to give him the right idea for advertising.

Affinity is such a peculiar thing. It draws people so easily, apart from volition or consciousness. In a few moments Eugene and Winfield, sitting side by side on the veranda, looking at the greenwood before them, the long stretch of open sound, dotted with white sails and the dim, distant shore of Connecticut, were talking of real estate ventures in general, what land was worth, how speculations of this kind turned out, as a rule. Winfield was anxious to take Eugene seriously, for he felt drawn to him and Eugene studied Winfield's pale face, his thin, immaculate hands, his suit of soft, gray cloth. He looked as able as his public reputation made him out to be--in fact, he looked better than anything he had ever done. Eugene had seen Ruritania and The Beeches. They did not impress him vastly as territorial improvements, but they were pretty, nevertheless. For middle-class people, they were quite the thing he thought.

"I should think it would be a pleasure to you to scheme out a new section," he said to him once. "The idea of a virgin piece of land to be converted into streets and houses or a village appeals to me immensely. The idea of laying it out and sketching houses to fit certain positions, suits my temperament exactly. I wish sometimes I had been born an architect."

"It is pleasant and if that were all it would be ideal," returned Winfield. "The thing is more a matter of financing than anything else. You have to raise money for land and improvements. If you make exceptional improvements they are expensive. You really can't expect to get much, if any, of your money back, until all your work is done. Then you have to wait. If you put up houses you can't rent them, for the moment you rent them, you can't sell them as new. When you make your improvements your taxes go up immediately. If you sell a piece of property to a man or woman who isn't exactly in accord with your scheme, he or she may put up a house which destroys the value of a whole neighborhood for you. You can't fix the details of a design in a contract too closely. You can only specify the minimum price the house is to cost and the nature of the materials to be used. Some people's idea of beauty will vary vastly from others. Taste in sections may change. A whole city like New York may suddenly decide that it wants to build west when you are figuring on its building east. So--well, all these things have to be taken into consideration."

"That sounds logical enough," said Eugene, "but wouldn't the right sort of a scheme just naturally draw to itself the right sort of people, if it were presented in the right way? Don't you fix the conditions by your own attitude?"

"You do, you do," replied Winfield, easily. "If you give the matter sufficient care and attention it can be done. The pity is you can be too fine at times. I have seen attempts at perfection come to nothing. People with taste and tradition and money behind them are not moving into new additions and suburbs, as a rule. You are dealing with the new rich and financial beginners. Most people strain their resources to the breaking point to better their living conditions and they don't always know. If they have the money, it doesn't always follow that they have the taste to grasp what you are striving for, and if they have the taste they haven't the money. They would do better if they could, but they can't. A man in my position is like an artist and a teacher and a father confessor and financier and everything all rolled into one. When you start to be a real estate developer on a big scale you must be these things. I have had some successes and some notable failures. Winfield is one of the worst. It's disgusting to me now."

"I have always wished I could lay out a seaside resort or a suburb," said Eugene dreamily. "I've never been to but one or two of the resorts abroad, but it strikes me that none of the resorts here--certainly none near New York--are right. The opportunities are so wonderful. The things that have been done are horrible. There is no plan, no detail anywhere."

"My views exactly," said Winfield. "I've been thinking of it for years. Some such place could be built, and I suppose if it were done right it would be successful. It would be expensive, though, very, and those who come in would have a long wait for their money."

"It would be a great opportunity to do something really worth while, though," said Eugene. "No one seems to realize how beautiful a thing like that could be made."

Winfield said nothing, but the thought stuck in his mind. He was dreaming a seaside improvement which should be the most perfect place of its kind in the world--a monument to himself if he did it. If Eugene had this idea of beauty he might help. At least he might talk to him about it when the time came. Perhaps Eugene might have a little money to invest. It would take millions to put such a scheme through, but every little would help. Besides Eugene might have ideas which should make money both for himself and for Winfield. It was worth thinking about. So they parted, not to meet again for weeks and months, but they did not forget each other.

Chapter I

It was when Eugene was at the height of his success that a meeting took place between himself and a certain Mrs. Emily Dale.

Mrs. Dale was a strikingly beautiful and intelligent widow of thirty-eight, the daughter of a well-to-do and somewhat famous New York family of Dutch extraction--the widow of an eminent banker of considerable wealth who had been killed in an automobile accident near Paris some years before. She was the mother of four children, Suzanne, eighteen; Kinroy, fifteen; Adele, twelve, and Ninette, nine, but the size of her family had in no way affected the subtlety of her social personality and the delicacy of her charm and manner. She was tall, graceful, willowy, with a wealth of dark hair, which was used in the most subtle manner to enhance the beauty of her face. She was calm, placid apparently, while really running deep with emotion and fancies, with manners which were the perfection of kindly courtesy and good breeding and with those airs of superiority which come so naturally to those who are raised in a fortunate and exclusive atmosphere.

She did not consider herself passionate in a marked degree, but freely admitted to herself that she was vain and coquettish. She was keen and observing, with a single eye to the main chance socially, but with a genuine love for literature and art and a propensity to write. Eugene met her through Colfax, who introduced him to her. He learned from the latter that she was rather unfortunate in her marriage except from a money point of view, and that her husband's death was no irreparable loss. He also learned from the same source that she was a good mother, trying to bring up her children in the manner most suitable to their station and opportunities. Her husband had been of a much poorer social origin than herself, but her own standing was of the very best. She was a gay social figure, being invited much, entertaining freely, preferring the company of younger men to those of her own age or older and being followed ardently by one fortune hunter and another, who saw in her beauty, wealth and station, an easy door to the heaven of social supremacy.

The Dale home, or homes rather, were in several different places--one at Morristown, New Jersey, another on fashionable Grimes Hill on Staten Island, a third--a city residence, which at the time Eugene met them, was leased for a term of years--was in Sixty-seventh Street, near Fifth Avenue in New York City, and a fourth, a small lodge, at Lenox, Massachusetts, which was also rented. Shortly after he met her the house at Morristown was closed and the lodge at Lenox re-occupied.

For the most part Mrs. Dale preferred to dwell in her ancestral home on Staten Island, which, because of its commanding position on what was known as Grimes Hill, controlled a magnificent view of the bay and harbor of New York. Manhattan, its lower wall of buildings, lay like a cloud at the north. The rocking floor of the sea, blue and gray and slate black by turn, spread to the east. In the west were visible the Kill von Kull with its mass of shipping and the Orange Hills. In a boat club at Tompkinsville she had her motor boat, used mostly by her boy; in her garage at Grimes Hill, several automobiles. She owned several riding horses, retained four family servants permanently and in other ways possessed all those niceties of appointment which make up the comfortable life of wealth and ease.

The two youngest of her girls were in a fashionable boarding school at Tarrytown; the boy, Kinroy, was preparing for Harvard; Suzanne, the eldest, was at home, fresh from boarding school experiences, beginning to go out socially. Her début had already been made. Suzanne was a peculiar girl, plump, beautiful, moody, with, at times, a dreamy air of indifference and a smile that ran like a breath of air over water. Her eyes were large, of a vague blue-gray, her lips rosy and arched; her cheeks full and pink. She had a crown of light chestnut hair, a body at once innocent and voluptuous in its outlines. When she laughed it was a rippling gurgle, and her sense of humor was perfect, if not exaggerated. One of those naturally wise but as yet vague and formless artistic types, which suspect without education, nearly all the subtleties of the world, and burst forth full winged and beautiful, but oh, so fragile, like a butterfly from its chrysalis, the radiance of morning upon its body. Eugene did not see her for a long time after he met Mrs. Dale, but when he did, he was greatly impressed with her beauty.

Life sometimes builds an enigma out of common clay, and with a look from a twelve-year-old girl, sets a Dante singing. It can make a god of a bull, a divinity of an ibis, or a beetle, set up a golden calf to be worshipped of the multitude. Paradox! Paradox! In this case an immature and yet nearly perfect body held a seemingly poetic and yet utterly nebulous appreciation of life--a body so youthful, a soul so fumbling that one would ask, How should tragedy lurk in form like this?

A fool?

Not quite, yet so nebulous, so much a dreamer that difficulty might readily follow in the wake of any thoughtless deed.

As a matter of fact, favored as she was by nature and fortune, her very presence was dangerous--provocative, without thought of being so. If a true artist had painted her, synthesizing her spirit with her body, he might have done so showing her standing erect on a mountain top, her limbs outlined amidst fluttering draperies against the wind, her eyes fixed on distant heights, or a falling star. Out of mystery into mystery again, so she came and went. Her mind was not unlike a cloud of mist through which the morning sun is endeavoring to break, irradiating all with its flushes of pink and gold. Again it was like those impearled shells of the South Sea, without design yet suggestive of all perfections and all beauties. Dreams! dreams!--of clouds, sunsets, colors, sounds which a too articulate world would do its best later to corrupt. What Dante saw in Beatrice, what Abélard saw in Héloïse, Romeo in Juliet, so some wondering swain could have seen in her--and suffered a like fate.

Eugene encountered Mrs. Dale at a house party on Long Island one Saturday afternoon, and their friendship began at once. She was introduced to him by Colfax, and because of the latter's brusque, jesting spirit was under no illusions as to his social state.

"You needn't look at him closely," he observed gaily, "he's married."

"That simply makes him all the more interesting," she rippled, and extended her hand.

Eugene took it. "I'm glad a poor married man can find shelter somewhere," he said, smartly.

"You should rejoice," she replied. "It's at once your liberty and your protection. Think how safe you are!"

"I know, I know," he said. "All the slings and arrows of Miss Fortune hurtling by."

"And you in no danger of being hurt."

He offered her his arm, and they strolled through a window onto a veranda.

The day was just the least bit dull for Mrs. Dale. Bridge was in progress in the card room, a company of women and girls gambling feverishly. Eugene was not good at bridge, not quick enough mentally, and Mrs. Dale did not care much for it.

"I have been trying to stir up enough interest to bring to pass a motor ride, but it doesn't work," she said. "They all have the gambling fever today. Are you as greedy as the others?"

"I'm greedy I assure you, but I can't play. The greediest thing I can do is to stay away from the tables. I save most. That sharp Faraday has cleaned me and two others out of four hundred dollars. It's astonishing the way some people can play. They just look at the cards or make mystic signs and the wretched things range themselves in serried ranks to suit them. It's a crime. It ought to be a penitentiary offense, particularly to beat me. I'm such an inoffensive specimen of the non-bridge playing family."

"A burnt child, you know. Stay away. Let's sit here. They can't come out here and rob you."

They sat down in green willow chairs, and after a time a servant offered them coffee. Mrs. Dale accepted. They drifted conversationally from bridge to characters in society--a certain climber by the name of Bristow, a man who had made a fortune in trunks--and from him to travel and from travel to Mrs. Dale's experiences with fortune hunters. The automobile materialized through the intervention of others, but Eugene found great satisfaction in this woman's company and sat beside her. They talked books, art, magazines, the making of fortunes and reputations. Because he was or seemed to be in a position to assist her in a literary way she was particularly nice to him. When he was leaving she asked, "Where are you in New York?"

"Riverside Drive is our present abode," he said.

"Why don't you bring Mrs. Witla and come down to see us some week-end? I usually have a few people there, and the house is roomy. I'll name you a special day if you wish."

"Do. We'll be delighted. Mrs. Witla will enjoy it, I'm sure."

Mrs. Dale wrote to Angela ten days later as to a particular date, and in this way the social intimacy began.

It was never of a very definite character, though. When Mrs. Dale met Angela she liked her quite well as an individual, whatever she may have thought of her as a social figure. Neither Eugene nor Angela saw Suzanne nor any of the other children on this occasion, all of them being away. Eugene admired the view tremendously and hinted at being invited again. Mrs. Dale was delighted. She liked him as a man entirely apart from his position but particularly because of his publishing station. She was ambitious to write. Others had told her that he was the most conspicuous of the rising figures in the publishing world. Being friendly with him would give her exceptional standing with all his editors. She was only too pleased to be gracious to him. He was invited again and a third time, with Angela, and it seemed as though they were reaching, or might at least reach, something much more definite than a mere social acquaintance.

It was about six months after Eugene had first met Mrs. Dale that Angela gave a tea, and Eugene, in assisting her to prepare the list of invitations, had suggested that those who were to serve the tea and cakes should be two exceptionally pretty girls who were accustomed to come to the Witla apartment, Florence Reel, the daughter of a well-known author of that name and Marjorie Mac Tennan, the daughter of a well-known editor, both beautiful and talented, one with singing and the other with art ambitions. Angela had seen a picture of Suzanne Dale in her mother's room at Daleview on Grimes Hill, and had been particularly taken with her girlish charm and beauty.

"I wonder," she said, "if Mrs. Dale would object to having Suzanne come and help serve that day. She would like it, I'm sure, there are going to be so many clever people here. We haven't seen her, but that doesn't matter. It would be a nice way to introduce herself."

"That's a good idea, I should say," observed Eugene judicially. He had seen the photo of Suzanne and liked it, though he was not over-impressed. Photos to him were usually gross deceivers. He accepted them always with reservations. Angela forthwith wrote to Mrs. Dale, who agreed. She would be glad to come herself. She had seen the Witla apartment, and had been very much pleased with it. The reception day came and Angela begged Eugene to come home early.

"I know you don't like to be alone with a whole roomful of people, but Mr. Goodrich is coming, and Frederick Allen (one of their friends who had taken a fancy to Eugene), Arturo Scalchero is going to sing and Bonavita to play." Scalchero was none other than Arthur Skalger, of Port Jervis, New Jersey, but he assumed this corruption of his name in Italy to help him to success. Bonavita was truly a Spanish pianist of some repute who was flattered to be invited to Eugene's home.

"Well, I don't care much about it," replied Eugene. "But I will come."

He frequently felt that afternoon teas and receptions were ridiculous affairs, and that he had far better be in his office attending to his multitudinous duties. Still he did leave early, and at five-thirty was ushered into a great roomful of chattering, gesticulating, laughing people. A song by Florence Reel had just been concluded. Like all girls of ambition, vivacity and imagination, she took an interest in Eugene, for in his smiling face she found a responsive gleam.

"Oh, Mr. Witla!" she exclaimed. "Now here you are and you just missed my song. And I wanted you to hear it, too."

"Don't grieve, Florrie," he said familiarly, holding her hand and looking momentarily in her eyes. "You're going to sing it again for me. I heard part of it as I came up on the elevator." He relinquished her hand. "Why, Mrs. Dale! Delighted, I'm sure. So nice of you. And Arturo Scalchero--hullo, Skalger, you old frost! Where'd you get the Italian name? Bonavita! Fine! Am I going to hear you play? All over? Alas! Marjorie Mac Tennan! Gee, but you look sweet! If Mrs. Witla weren't watching me, I'd kiss you. Oh, the pretty bonnet! And Frederick Allen! My word! What are you trying to grab off, Allen? I'm on to you. No bluffs! Nix! Nix! Why, Mrs. Schenck--delighted! Angela, why didn't you tell me Mrs. Schenck was coming? I'd have been home at three."

By this time he had reached the east end of the great studio room, farthest from the river. Here a tea table was spread with a silver tea service, and behind it a girl, oval-faced, radiantly healthy, her full lips parted in a ripe smile, her blue-gray eyes talking pleasure and satisfaction, her forehead laid about by a silver filigree band, beneath which her brown chestnut curls protruded. Her hands, Eugene noted, were plump and fair. She stood erect, assured, with the least touch of quizzical light in her eye. A white, pink-bordered dress draped her girlish figure.

"I don't know," he said easily, "but I wager a guess that this is--that this is--this is Suzanne Dale--what?"

"Yes, this is," she replied laughingly. "Can I give you a cup of tea, Mr. Witla? I know you are Mr. Witla from ma-ma´'s description and the way in which you talk to everybody."

"And how do I talk to everybody, may I ask, pleasum?"

"Oh, I can't tell you so easily. I mean, I can't find the words, you know. I know how it is, though. Familiarly, I suppose I mean. Will you have one lump or two?"

"Three an thou pleasest. Didn't your mother tell me you sang or played?"

"Oh, you mustn't believe anything ma-ma´ says about me! She's apt to say anything. Tee! Hee! It makes me laugh"--she pronounced it laaf--"to think of my playing. My teacher says he would like to strike my knuckles. Oh, dear!" (She went into a gale of giggles.) "And sing! Oh, dear, dear! That is too good!"

Eugene watched her pretty face intently. Her mouth and nose and eyes fascinated him. She was so sweet! He noted the configuration of her lips and cheeks and chin. The nose was delicate, beautifully formed, fat, not sensitive. The ears were small, the eyes large and wide set, the forehead naturally high, but so concealed by curls that it seemed low. She had a few freckles and a very small dimple in her chin.

"Now you mustn't laugh like that," he said mock solemnly. "It's very serious business, this laughing. In the first place, it's against the rules of this apartment. No one is ever, ever, ever supposed to laugh here, particularly young ladies who pour tea. Tea, Epictetus well says, involves the most serious conceptions of one's privileges and duties. It is the high-born prerogative of tea servers to grin occasionally, but never, never, never under any circumstances whatsoever----" Suzanne's lips were beginning to part ravishingly in anticipation of a burst of laughter.

"What's all the excitement about, Witla?" asked Skalger, who had drifted to his side. "Why this sudden cessation of progress?"

"Tea, my son, tea!" said Eugene. "Have a cup with me?"

"I will."

"He's trying to tell me, Mr. Skalger, that I should never laaf. I must only grin." Her lips parted and she laughed joyously. Eugene laughed with her. He could not help it. "Ma-ma´ says I giggle all the time. I wouldn't do very well here, would I?"

She always pronounced it "ma-ma´."

She turned to Eugene again with big smiling eyes.

"Exceptions, exceptions. I might make exceptions--one exception--but not more."

"Why one?" she asked archly.

"Oh, just to hear a natural laugh," he said a little plaintively. "Just to hear a real joyous laugh. Can you laugh joyously?"

She giggled again at this, and he was about to tell her how joyously she did laugh when Angela called him away to hear Florence Reel, who was going to sing again for his especial benefit. He parted from Miss Dale reluctantly, for she seemed some delicious figure as delicately colorful as Royal Dresden, as perfect in her moods as a spring evening, as soft, soulful, enticing as a strain of music heard through the night at a distance or over the water. He went over to where Florence Reel was standing, listening in a sympathetic melancholy vein to a delightful rendering of "The Summer Winds Are Blowing, Blowing." All the while he could not help thinking of Suzanne--letting his eyes stray in that direction. He talked to Mrs. Dale, to Henrietta Tenmon, to Luke Severas, Mr. and Mrs. Dula, Payalei Stone, now a writer of special articles, and others, but he couldn't help longing to go back to her. How sweet she was! How very delightful! If he could only, once more in his life, have the love of a girl like that!

The guests began to depart. Angela and Eugene bustled about the farewells. Because of the duties of her daughter, which continued to the end, Mrs. Dale stayed, talking to Arthur Skalger. Eugene was in and out between the studio and cloak room off the entry way. Now and then he caught glimpses of Suzanne demurely standing by her tea cups and samovar. For years he had seen nothing so fresh and young as her body. She was like a new grown wet white lily pod in the dawn of the year. She seemed to have the texture of the water chestnut and the lush, fat vegetables of the spring. Her eyes were as clear as water; her skin as radiant new ivory. There was no sign of weariness about her, nor any care, nor any thought of evil, nor anything except health and happiness. "Such a face!" he thought casually in passing. "She is as sweet as any girl could be. As radiant as light itself."

Incidentally the personality of Frieda Roth came back, and--long before her--Stella Appleton.

"Youth! Youth! What in this world could be finer--more acceptable! Where would you find its equal? After all the dust of the streets and the spectacle of age and weariness--the crow's feet about people's eyes, the wrinkles in their necks, the make-believe of rouge and massage, and powder and cosmetics, to see real youth, not of the body but of the soul also--the eyes, the smile, the voice, the movements--all young. Why try to imitate that miracle? Who could? Who ever had?"

He went on shaking hands, bowing, smiling, laughing, jesting, making believe himself, but all the while the miracle of the youth and beauty of Suzanne Dale was running in his mind.

"What are you thinking about, Eugene?" asked Angela, coming to the window where he had drawn a rocking-chair and was sitting gazing out on the silver and lavender and gray of the river surface in the fading light. Some belated gulls were still flying about. Across the river the great manufactory was sending off a spiral of black smoke from one of its tall chimneys. Lamps were beginning to twinkle in its hundred-windowed wall. A great siren cry broke from its whistle as six o'clock tolled from a neighboring clock tower. It was still late February and cold.

"Oh, I was thinking of the beauty of this scene," he said wearily.

Angela did not believe it. She was conscious of something, but they never quarreled about what he was thinking nowadays. They had come too far along in comfort and solidity. What was it, though, she wondered, that he was thinking about?

Suzanne Dale had no particular thought of him. He was nice--pleasant, good-looking. Mrs. Witla was quite nice and young.

"Ma-ma," she said, "did you look out of the window at Mr. Witla's?"

"Yes, my dear!"

"Wasn't that a beautiful view?"

"Charming."

"I should think you might like to live on the Drive sometime, ma-ma."

"We may sometime."

Mrs. Dale fell to musing. Certainly Eugene was an attractive man--young, brilliant, able. What a mistake all the young men made, marrying so early. Here he was successful, introduced to society, attractive, the world really before him, and he was married to someone who, though a charming little woman, was not up to his possibilities.

"Oh, well," she thought, "so goes the world. Why worry? Everyone must do the best they can."

Then she thought of a story she might write along this line and get Eugene to publish it in one of his magazines.

Chapter II

While these various events were occurring the work of the United Magazines Corporation had proceeded apace. By the end of the first year after Eugene's arrival it had cleared up so many of its editorial and advertising troubles that he was no longer greatly worried about them, and by the end of the second year it was well on the way toward real success. Eugene had become so much of a figure about the place that everyone in the great building, in which there were over a thousand employed, knew him at sight. The attendants were most courteous and obsequious, as much so almost as they were to Colfax and White, though the latter with the improvement of the general condition of the company had become more dominating and imposing than ever. White with his large salary of twenty-five thousand a year and his title of vice-president was most anxious that Eugene should not become more powerful than he had already. It irritated him greatly to see the airs Eugene gave himself, for the latter had little real tact, and instead of dissembling his importance before his superiors was inclined to flaunt it. He was forever retailing to Colfax some new achievement in the advertising, circulation, and editorial fields, and that in White's presence, for he did not take the latter very seriously, telling of a new author of importance captured for the book department; a new manuscript feature secured for one or another of the magazines, a new circulation scheme or connection devised, or a new advertising contract of great money value manipulated. His presence in Colfax's office was almost invariably a signal for congratulation or interest, for he was driving things hard and Colfax knew it. White came to hate the sight of him.

"Well, what's the latest great thing you've done?" Colfax said once to Eugene jovially in White's presence, for he knew that Eugene was as fond of praise as a child and so could be bantered with impunity. White concealed a desire to sneer behind a deceptive smile.

"No latest great thing, only Hayes has turned that Hammond Packing Company trick. That means eighteen thousand dollars' worth more of new business for next year. That'll help a little, won't it?"

"Hayes! Hayes! I'll be switched if I don't think he comes pretty near being a better advertising man than you are, Witla. You picked him, I'll have to admit that, but he certainly knows all about the game. If anything ever happened to you, I think I'd like to keep him right there." White pretended not to hear this, but it pleased him. Hayes should be aided as much as possible by him.

Eugene's face fell, for this sudden twisting of the thread of interest from his to his assistant's achievements damped his enthusiasm. It wasn't pleasant to have his inspirational leadership questioned or made secondary to the work of those whom he was managing. He had brought all these men here and keyed the situation up. Was Colfax going to turn on him? "Oh, very well," he said sweetly.

"Don't look so hurt," returned Colfax easily. "I know what you're thinking. I'm not going to turn on you. You hired this man. I'm simply telling you that if anything should happen to you I'd like to keep him right where he is."

Eugene thought this remark over seriously. It was tantamount to serving notice on him that he could not discharge Hayes. Colfax did not actually so mean it at the moment, though it was the seed of such a thought. He simply left the situation open for consideration, and Eugene went away thinking what an extremely unfavorable twist this gave to everything. If he was to go on finding good men and bringing them in here but could not discharge them, and if then, later, they became offensive to him, where would he be? Why, if they found that out, as they might through White, they could turn on him as lions on a tamer and tear him to pieces! This was a bad and unexpected twist to things, and he did not like it.

On the other hand, while it had never occurred to Colfax before in this particular connection, for he liked Eugene, it fitted in well with certain warnings and suggestions which had been issuing from White who was malevolently opposed to Eugene. His success in reorganizing the place on the intellectual and artistic sides was too much. Eugene's work was giving him a dignity and a security which was entirely disproportionate to what he was actually doing and which was threatening to overshadow and put in the limbo of indifference that of every other person connected with the business. This must be broken. Colfax, for the time being, was so wrapped up in what he considered Eugene's shining intellectual and commercial qualities that he was beginning to ignore White. The latter did not propose that any such condition should continue. It was no doubt a rare thing to find a man who could pick good men and make the place successful, but what of himself? Colfax was naturally very jealous, he knew, and suspicious. He did not want to be overshadowed in any way by any of his employees. He did not feel that he was, so far. But now White thought it would be a fine thing to stir him up on this score if he could--to arouse his jealousy. He knew that Colfax did not care so much about the publishing world, though now that he was in it, and was seeing that it could be made profitable, he was rather gratified by the situation. His wife liked it, for people were always talking to her about the United Magazines Corporation, its periodicals, its books, its art products and that was flattering. While it might not be as profitable as soap and woolens and railway stocks with which her husband was identified, it was somewhat more distinguished. She wanted him to keep it directly under his thumb and to shine by its reflected light.

In looking about for a club wherewith to strike Eugene, White discovered this. He sounded Colfax on various occasions by innuendo, and noted his sniffing nostrils. If he could first reach Eugene's advertising, circulation and editorial men and persuade them to look to him instead of to Eugene, he might later reach and control Eugene through Colfax. He might humble Eugene by curbing his power, making him see that he, White, was still the power behind the throne.

"What do you think of this fellow Witla?" Colfax would ask White from time to time, and when these occasions offered he was not slow to drive in a wedge.

"He's an able fellow," he said once, apparently most open-mindedly. "It's plain that he's doing pretty well with those departments, but I think you want to look out for his vanity. He's just the least bit in danger of getting a swelled head. You want to remember that he's still pretty young for the job he holds (White was eight years older). These literary and artistic people are all alike. The one objection that I have to them is that they never seem to have any real practical judgment. They make splendid second men when well governed, and you can do almost anything with them, if you know how to handle them, but you have to govern them. This fellow, as I see him, is just the man you want. He's picking some good people and he's getting some good results, but unless you watch him he's apt to throw them all out of here sometime or go away and take them all with him. I shouldn't let him do that if I were you. I should let him get just the men you think are right, and then I should insist that he keep them. Of course, a man has got to have authority in his own department, but it can be carried too far. You're treating him pretty liberally, you know."

This sounded very sincere and logical to Colfax, who admired White for it, for in spite of the fact that he liked Eugene greatly and went about with him a great deal, he did not exactly trust him. The man was in a way too brilliant, he thought. He was a little too airy and light on his feet.

Under pretext of helping his work and directing his policy without actually interfering so that it might eventually prove a failure, White was constantly making suggestions. He made suggestions which he told Colfax Eugene ought to try in the circulation department. He made suggestions which he thought he might find advisable to try in the advertising department. He had suggestions, gathered from Heaven knows where, for the magazines and books, and these he invariably sent through Colfax, taking good care, however, that the various department heads knew from what source they had originally emanated. It was his plan to speak to Hayes or Gillmore, who was in charge of circulation, or one of the editors about some thought that was in his mind and then have that same thought come as an order via Eugene. The latter was so anxious to make good, so good-natured in his interpretation of suggestions, that it did not occur to him, for a long time, that he was being played. The men under him, however, realized that something was happening, for White was hand and glove with Colfax, and the two were not always in accord with Eugene. He was not quite as powerful as White, was the first impression, and later the idea got about that Eugene and White did not agree temperamentally and that White was the stronger and would win.

It is not possible to go into the long, slow multitudinous incidents and details which go to make up office politics, but anyone who has ever worked in a large or small organization anywhere will understand. Eugene was not a politician. He knew nothing of the delicate art of misrepresentation as it was practised by White and those who were of his peculiarly subtle mental tendencies. White did not like Eugene, and he proposed to have his power curbed. Some of Eugene's editors, after a time, began to find it difficult to get things as they wanted them from the printing department, and, when they complained, it was explained that they were of a disorderly and quarrelsome disposition. Some of his advertising men made mistakes in statement or presentation, and curiously these errors almost invariably came to light. Eugene found that his strong men were most quickly relieved of their difficulties if they approached White, but if they came to him it was not quite so easy. Instead of ignoring these petty annoyances and going his way about the big things, he stopped occasionally to fight these petty battles and complaints, and these simply put him in the light of one who was not able to maintain profound peace and order in his domain. White was always bland, helpful, ready with a suave explanation.

"It's just possible that he may not know how to handle these fellows, after all," he said to Colfax, and then if anyone was discharged it was a sign of an unstable policy.

Colfax cautioned Eugene occasionally in accordance with White's suggestions, but Eugene was now so well aware of what was going on that he could see where they came from. He thought once of accusing White openly in front of Colfax, but he knew that this would not be of any advantage for he had no real evidence to go on. All White's protestations to Colfax were to the effect that he was trying to help him. So the battle lay.

In the meantime, Eugene, because of this or the thought rather that he might not always remain as powerful as he was, having no stock in the concern and not being able to buy any, had been interesting himself in a proposition which had since been brought to him by Mr. Kenyon C. Winfield, who, since that memorable conversation at the home of the Willebrands on Long Island, had not forgotten him. Winfield had thought of him for a long time in connection with a plan he had of establishing on the South Shore of Long Island, some thirty-five miles from New York, a magnificent seaside resort which should outrival Palm Beach and the better places of Atlantic City, and give to New York, close at hand, such a dream of beauty and luxury as would turn the vast tide of luxury-loving idlers and successful money grubbers from the former resorts to this. Considerable thought had been given by him as to just what its principal characteristics should be, but he had not worked it out to suit himself exactly, and he thought Eugene might be interested from the outlining point of view.

Unfortunately, on the face of it, this was just the sort of scheme which made an appeal to Eugene from all points of view, in spite of the fact that he already had his hands as full as they could be. Nothing interested him quite so much as beauty and luxury in some artistic combination. A summer resort of really imposing proportions, with hotels, casinos, pagodas, resident sections, club houses, a wide board or stone walk along the ocean, and possibly a gambling center which should outrival Monte Carlo, had long since occurred to him as something which might well spring up near New York. He and Angela had visited Palm Beach, Old Point Comfort, Virginia Hot Springs, Newport, Shelter Island, Atlantic City, and Tuxedo, and his impressions of what constituted luxury and beauty had long since widened to magnificent proportions. He liked the interiors of the Chamberlain at Old Point Comfort, and the Royal Ponciana at Palm Beach. He had studied with artistic curiosity the development of the hotel features at Atlantic City and elsewhere. It had occurred to him that a restricted territory might be had out on the Atlantic Ocean near Gravesend Bay possibly, which would include among other things islands, canals or inland waterways, a mighty sea beach, two or three great hotels, a casino for dancing, dining, gambling, a great stone or concrete walk to be laid out on a new plan parallel with the ocean, and at the back of all these things and between the islands and the ocean a magnificent seaside city where the lots should sell at so expensive a rate that only the well-to-do could afford to live there. His thought was of something so fine that it would attract all the prominent pleasure-lovers he had recently met. If they could be made to understand that such a place existed; that it was beautiful, showy, exclusive in a money sense, they would come there by the thousands.

"Nothing is so profitable as a luxury, if the luxury-loving public want it," Colfax had once said to him; and he believed it. He judged this truth by the things he had recently seen. People literally spent millions to make themselves comfortable. He had seen gardens, lawns, walks, pavilions, pergolas, laid out at an expense of thousands and hundreds of thousands of dollars, where few would ever see them. In St. Louis he had seen a mausoleum built upon the lines of the Taj Mahal, the lawn about which was undermined by a steam-heating plant in order that the flowers and shrubs displayed there might bloom all winter long. It had never occurred to him that the day would come when he would have anything to do with such a dream as this or its ultimate fruition, but his was the kind of mind that loved to dwell on things of the sort.

The proposition which Winfield now genially laid before him one day was simple enough. Winfield had heard that Eugene was making a good deal of money, that his salary was twenty-five thousand a year, if not more, that he had houses and lots and some nice stock investments, and it occurred to him, as it would have to anyone, that Eugene might be able to shoulder a comfortable investment in some kind of land speculation, particularly if he could see his way to make much more money in the long run. The idea Winfield had was as follows: He was going to organize a corporation to be known as The Sea Island Development Company, to be capitalized at ten million dollars, some two or three hundred thousand dollars of which was to be laid down or paid into the treasury at the start. Against this latter sum stock to the value of one million dollars, or five shares of one hundred dollars par value each, was to be issued. That is, whoever laid down one hundred dollars in cash was to receive in return three shares of common stock and two of preferred, valued at one hundred dollars each, bearing eight per cent. interest. This ratio was to be continued until $200,000 in cash was in the treasury. Then those who came afterward and were willing to buy were only to receive two shares of common and one of preferred, until one million in cash was in the treasury. After that the stock was to be sold at its face value, or more, as the situation might dictate.

The original sum of two hundred thousands dollars was to go to purchase for the corporation an undeveloped tract of land, half swamp, half island, and facing the Atlantic Ocean beyond Gravesend Bay, now owned by Winfield himself, where a beautiful rolling beach of white sand stretched some three miles in length and without flaw or interruption. This would clear Winfield of a piece of property which was worth, say $60,000, but at present unsaleable, and give him magnificent holdings in the new company besides. He proposed to take a mortgage on this and all improvements the company might make in order to protect himself. At the west end of this tract--inland from the sea--was a beautiful bay, which, though shallow, gave access to a series of inlets and a network of waterways, embracing nine small islands. These waterways, when dredged, would be amply deep enough for yachts and small craft of all descriptions, and the first important thought which occurred to Winfield was that the mud and sand so dredged could be used to fill in the low, marshy levels of soil between them and the sea and so make it all into high, dry, and valuable land. The next thing was to devise a beautiful scheme of improvement, and it was for this that he wished to talk to Eugene.

Chapter III

The matter was not difficult to arrange. Before Winfield had gone ten sentences, Eugene began to take the ideas out of his mind.

"I know something of that property," he said, studying a little outline map which Winfield had prepared. "I've been out there duck shooting with Colfax and some others. It's fine property, there's no doubt of it. How much do they want for it?"

"Well, as a matter of fact, I already own it," said Winfield. "It cost me sixty thousand dollars five years ago when it was a vast, inaccessible swamp. Nothing has been done to it since, but I will turn it over to the company for what it is worth now--two hundred thousand dollars--and take a mortgage for my protection. Then the company can do what it pleases with it; but as president, of course, I should direct the line of development. If you want to make a fortune and have fifty thousand dollars to spare, here is your chance. This land has increased in value from sixty to two hundred thousand dollars in five years. What do you fancy it will be worth in ten years from now the way New York is growing? It has pretty near four million people now. In twenty-five years it is safe to say that there will be fourteen or fifteen millions scattered over this territory which lies within twenty-five miles. Of course, this is thirty-two miles away on a direct line, but what of it? The Long Island Railroad will be glad to put a spur in there which would bring this territory within one hour of the city. Think of it--one of the finest beaches on the Atlantic Ocean within one hour of New York! I expect to interest Mr. Wiltsie, the President of the Long Island, very heavily in this property. I come to you now because I think your advertising and artistic advice are worth something. You can take it or leave it, but before you do anything, I want you to come out and look over the property with me."

All told, in stocks, land, free money in the banks, and what he might save in a year or two, Eugene had about fifty thousand dollars of good hard cash which he could lay his hands on at a pinch. He was well satisfied that Winfield was putting before him one of those golden opportunities which, prudently managed, would make him a rich man. Nevertheless, his fifty thousand was fifty thousand, and he had it. Never again, however, once this other thing was under way, if it were true, would he have to worry about a position, or whether he would be able to maintain his present place in society. One could not possibly say what an investment like this might not lead to. Winfield, so he told Eugene, expected eventually to clear six or eight million dollars himself. He was going to take stock in some of the hotels, casinos, and various other enterprises, which would be organized. He could clearly see how, later, once this land was properly drained and laid out, it would be worth from three to fifteen thousand dollars per lot of one hundred by one hundred feet--the smallest portions to be sold. There were islands which for clubs or estates should bring splendid returns. Think of the leases to yacht and boat clubs alone! The company would own all the land.

"I would develop this myself if I had the capital," said Winfield, "but I want to see it done on a gigantic scale, and I haven't the means. I want something here which will be a monument to me and to all connected with it. I am willing to take my chances pro rata with those who now enter, and to prove my good faith I am going to buy as many shares as I possibly can on the five-for-one basis. You or anyone else can do the same thing. What do you think?"

"It's a great idea," said Eugene. "It seems as though a dream which had been floating about in the back of my head for years had suddenly come to life. I can scarcely believe that it is true, and yet I know that it is, and that you will get away with it just as you are outlining it here. You want to be very careful how you lay out this property, though. You have the chance of a lifetime. For goodness' sake, don't make any mistakes! Let's have one resort that will be truly, beautifully right."

"That's precisely the way I feel about it," answered Winfield, "and that's why I am talking to you. I want you to come in on this, for I think your imagination will be worth something. You can help me lay this thing out right and advertise it right."

They talked on about one detail and another until finally Eugene, in spite of all his caution, saw his dreams maturing in this particular proposition. Fifty thousand dollars invested here would give him two thousand five hundred shares--one thousand preferred, and fifteen hundred common--whose face value, guaranteed by this magnificent piece of property, would be $250,000. Think of it, $250,000--a quarter of a million and that subject to a natural increase which might readily carry him into the millionaire class! His own brains would be of some value here, for Winfield was anxious to have him lay this out, and this would bring him in touch with not only one of the best real estate men in the city, but would bring him into contact with a whole host of financiers in business, people who would certainly become interested in this venture. Winfield talked easily of architects, contractors, railroad men, presidents of construction companies, all of whom would take stock for the business opportunities it would bring to them later and also of the many strings to be pulled which later would bring great gains to the company and save it from expenditures which would otherwise mean millions in outlay. Thus this proposed extension by the Long Island which would cost that railroad two hundred thousand dollars would cost the Sea Island Company nothing and would bring thousands of lovers of beauty there the moment conveniences were established to receive them. This was true of hotels to be built. Each would bring business for everything else. The company would lease the ground. The great hotel men would do their own building according to restrictions and plans laid down by the Sea Island Company. The only real expenditure would be for streets, sewers, lights, water, walks, trees, and the great one hundred foot wide boardwalk with concrete ornaments which would be the finest sea stroll in the world. But these could be undertaken by degrees.

Eugene saw it all. It was a vision of empire. "I don't know about this," he said cautiously. "It's a great thing, but I may not have the means to dip into it. I want to think it over. Meanwhile, I'll be glad to go out there and look over the ground with you."

Winfield could see that he had Eugene fascinated. It would be an easy matter to land him once he had his plans perfected. Eugene would be the type of man who would build a house and come and live there in the summer. He would interest many people whom he knew. He went away feeling that he had made a good start, and he was not mistaken.

Eugene talked the matter over with Angela--his one recourse in these matters--and as usual she was doubtful, but not entirely opposed. Angela had considerable caution, but no great business vision. She could not really tell him what he ought to do. Thus far his judgment, or rather his moves, had been obviously successful. He had been going up apparently because he was valuable as an assistant, not because he was a born leader.

"You'll have to judge for yourself, Eugene," Angela finally said. "I don't know. It looks fine. You certainly don't want to work for Mr. Colfax all your life, and if, as you say, they are beginning to plot against you, you had better prepare to get out sometime. We have enough now, really, to live on, if you want to return to your art."

Eugene smiled. "My art. My poor old art! A lot I've done to develop my art."

"I don't think it needs developing. You have it. I'm sorry sometimes I ever let you leave it. We have lived better, but your work hasn't counted for as much. What good has it done you outside the money to be a successful publisher? You were as famous as you are now before you ever started in on this line, and more so. More people know you even now as Eugene Witla, the artist, than as Eugene Witla, the magazine man."

Eugene knew this to be so. His art achievements had never forsaken him. They had grown in fame always. Pictures that he had sold for two hundred and four hundred had gone up to as high as three and four thousand in value, and they were still rising. He was occasionally approached by an art dealer to know if he never intended to paint any more. In social circles it was a constant cry among the elect, "Why don't you paint any longer?" "What a shame you ever left the art world!" "Those pictures of yours, I can never forget them."

"My dear lady," Eugene once said solemnly, "I can't live by painting pictures as I am living by directing magazines. Art is very lovely. I am satisfied to believe that I am a great painter. Nevertheless, I made little out of it, and since then I have learned to live. It's sad, but it's true. If I could see my way to live in half the comfort I am living in now and not run the risk of plodding the streets with a picture under my arm, I would gladly return to art. The trouble is the world is always so delightfully ready to see the other fellow make the sacrifice for art or literature's sake. Selah! I won't do it. So there!"

"It's a pity! It's a pity!" said this observer, but Eugene was not vastly distressed. Similarly Mrs. Dale had reproached him, for she had seen and heard of his work.

"Some time. Some time," he said grandly; "wait."

Now at length this land proposition seemed to clear the way for everything. If Eugene embarked upon it, he might gradually come to the point at which he could take some official position in connection with it. Anyhow, think of a rising income from $250,000! Think of the independence, the freedom! Surely then he could paint or travel, or do as he pleased.

As a matter of fact, after two automobile rides to the nearest available position on the site of the future resort and a careful study of the islands and the beach, Eugene devised a scheme which included four hotels of varying sizes, one dining and dancing casino, one gambling resort after the pattern of Monte Carlo, a summer theatre, a music pavilion, three lovely piers, motor and yacht club houses, a park with radiating streets, and other streets arranged in concentric rings to cross them. There was a grand plaza about which the four hotels were ranged, a noble promenade, three miles in length, to begin with, a handsome railway station, plots for five thousand summer homes, ranging from five to fifteen thousand in price. There were islands for residences, islands for clubs, islands for parks. One of the hotels sat close to an inlet over which a dining veranda was to be built--stairs were to be laid down to the water so that one could step into gondolas or launches and be carried quickly to one of the music pavilions on one of the islands. Everything that money wanted was to be eventually available here, and all was to be gone about slowly but beautifully, so that each step would only make more sure each additional step.

Eugene did not enter on this grand scheme until ten men, himself included, had pledged themselves to take stock up to $50,000 each. Included in these were Mr. Wiltsie, President of the Long Island; Mr. Kenyon C. Winfield, and Milton Willebrand, the very wealthy society man at whose home he had originally met Winfield. The Sea Island Company was then incorporated, and on a series of dates agreed upon between them and which were dependent upon a certain amount of work being accomplished by each date, the stock was issued to them in ten-thousand-dollar lots and then cash taken and deposited in the treasury. By the end of two years after Eugene had first been approached by Winfield he had a choice collection of gold-colored certificates in the Sea Island Realty and Construction Company, which was building the now widely heralded seaside resort--"Blue Sea"--which, according to those interested, was to be the most perfect resort of its kind in the world. His certificates stated that they were worth $250,000, and potentially they were. Eugene and Angela looking at them, thinking of the initiative and foresight of Mr. Kenyon C. Winfield and the men he was associated with, felt sure that some day, and that not so very far distant, they would yield their face value and much more.

Chapter IV

It had been while he was first perfecting his undertaking with Winfield as to what his relationship to the new Sea Island Construction Company was to be that Eugene had been dwelling more and more fondly upon the impression which Suzanne Dale had originally made upon him. It was six weeks before they met again, and then it was on the occasion of a dance that Mrs. Dale was giving in honor of Suzanne that Eugene and Angela were invited. Mrs. Dale admired Angela's sterling qualities as a wife, and while there might be temperamental and social differences, she did not think they were sufficient to warrant any discrimination between them, at least not on her part. Angela was a good woman--not a social figure at all--but interesting in her way. Mrs. Dale was much more interested in Eugene, because in the first place they were very much alike temperamentally, and in the next place because Eugene was a successful and brilliant person. She liked to see the easy manner in which he took life, the air with which he assumed that talent should naturally open all doors to him. He was not conscious apparently of any inferiority in anything but rather of a splendid superiority. She heard it from so many that he was rapidly rising in his publishing world and that he was interested in many things, the latest this project to create a magnificent summer resort. Winfield was a personal friend of hers. He had never attempted to sell her any property, but he had once said that he might some day take her Staten Island holdings and divide them up into town lots. This was one possibility which tended to make her pleasant to him.

The evening in question Eugene and Angela went down to Daleview in their automobile. Eugene always admired this district, for it gave him a sense of height and scope which was not easily attainable elsewhere about New York. It was still late winter and the night was cold but clear. The great house with its verandas encased in glass was brightly lit. There were a number of people--men and women, whom Eugene had met at various places, and quite a number of young people whom he did not know. Angela had to be introduced to a great many, and Eugene felt that peculiar sensation which he so often experienced of a certain incongruity in his matrimonial state. Angela was nice, but to him she was not like these other women who carried themselves with such an air. There was a statuesqueness and a sufficiency about many of them, to say nothing of their superb beauty and sophistication which made him feel, when the contrast was forced upon him closely, that he had made a terrible mistake. Why had he been so silly as to marry? He could have told Angela frankly that he would not at the time, and all would have been well. He forgot how badly, emotionally, he had entangled himself. But scenes like these made him dreadfully unhappy. Why, his life if he were single would now be but beginning!

As he walked round tonight he was glad to be free socially even for a few minutes. He was glad that first this person and that took the trouble to talk to Angela. It relieved him of the necessity of staying near her, for if he neglected her or she felt neglected by others she was apt to reproach him. If he did not show her attention, she would complain that he was conspicuous in his indifference. If others refused to talk to her, it was his place. He should. Eugene objected to this necessity with all his soul, but he did not see what he was to do about it. As she often said, even if he had made a mistake in marrying her, it was his place to stick by her now that he had. A real man would.

One of the things that interested him was the number of beautiful young women. He was interested to see how full and complete mentally and physically so many girls appeared to be at eighteen. Why, in their taste, shrewdness, completeness, they were fit mates for a man of almost any age up to forty! Some of them looked so wonderful to him--so fresh and ruddy with the fires of ambition and desire burning briskly in their veins. Beautiful girls--real flowers, like roses, light and dark. And to think the love period was all over for him--completely over!

Suzanne came down with others after a while from some room upstairs, and once more Eugene was impressed with her simple, natural, frank, good-natured attitude. Her light chestnut-colored hair was tied with a wide band of light blue ribbon which matched her eyes and contrasted well with her complexion. Again, her dress was some light flimsy thing, the color of peach blossoms, girdled with ribbon and edged with flowers like a wreath. Soft white sandals held her feet.

"Oh, Mr. Witla!" she said gaily, holding out her smooth white arm on a level with her eyes and dropping her hand gracefully. Her red lips were parted, showing even white teeth, arching into a radiant smile. Her eyes were quite wide as he remembered, with an innocent, surprised look in them, which was wholly unconscious with her. If wet roses could outrival a maiden in all her freshness, he thought he would like to see it. Nothing could equal the beauty of a young woman in her eighteenth or nineteenth year.

"Yes, quite, Mr. Witla," he said, beaming. "I thought you had forgotten. My, we look charming this evening! We look like roses and cut flowers and stained-glass windows and boxes of jewels, and, and, and----"

He pretended to be lost for more words and looked quizzically up at the ceiling.

Suzanne began to laugh. Like Eugene, she had a marked sense of the comic and the ridiculous. She was not in the least vain, and the idea of being like roses and boxes of jewels and stained-glass windows tickled her fancy.

"Why, that's quite a collection of things to be, isn't it?" she laughed, her lips parted. "I wouldn't mind being all those things if I could, particularly the jewels. Mama won't give me any. I can't even get a brooch for my throat."

"Mama is real mean, apparently," said Eugene vigorously. "We'll have to talk to mama, but she knows, you know, that you don't need any jewels, see? She knows that you have something which is just as good, or better. But we won't talk about that, will we?"

Suzanne had been afraid that he was going to begin complimenting her, but seeing how easily he avoided this course she liked him for it. She was a little overawed by his dignity and mental capacity, but attracted by his gaiety and lightness of manner.

"Do you know, Mr. Witla," she said, "I believe you like to tease people."

"Oh, no!" said Eugene. "Oh, never, never! Nothing like that. How could I? Tease people! Far be it from me! That's the very last thing I ever think of doing. I always approach people in a very solemn manner and tell them the dark sad truth. It's the only way. They need it. The more truth I tell the better I feel. And then they like me so much better for it."

At the first rush of his quizzical tirade Suzanne's eyes opened quaintly, inquiringly. Then she began to smile, and in a moment after he ceased she exclaimed: "Oh, ha! ha! Oh, dear! Oh, dear, how you talk!" A ripple of laughter spread outward, and Eugene frowned darkly.

"How dare you laugh?" he said. "Don't laugh at me. It's against the rules to laugh, anyhow. Don't you remember growing girls should never laugh? Solemnity is the first rule of beauty. Never smile. Keep perfectly solemn. Look wise. Hence. Therefore. If. And----"

He lifted a finger solemnly, and Suzanne stared. He had fixed her eye with his and was admiring her pretty chin and nose and lips, while she gazed not knowing what to make of him. He was very different; very much like a boy, and yet very much like a solemn, dark master of some kind.

"You almost frighten me," she said.

"Now, now, listen! It's all over. Come to. I'm just a silly-billy. Are you going to dance with me this evening?"

"Why, certainly, if you want me to! Oh, that reminds me! We have cards. Did you get one?"

"No."

"Well, they're over here, I think."

She led the way toward the reception hall, and Eugene took from the footman who was stationed there two of the little books.

"Let's see," he said, writing, "how greedy dare I be?"

Suzanne made no reply.

"If I take the third and the sixth and the tenth would that be too many?"

"No-o," said Suzanne doubtfully.

He wrote in hers and his and then they went back to the drawing-room where so many were now moving. "Will you be sure and save me these?"

"Why, certainly," she replied. "To be sure, I will!"

"That's nice of you. And now here comes your mother. Remember, you mustn't ever, ever, ever laugh. It's against the rules."

Suzanne went away, thinking. She was pleased at the gaiety of this man who seemed so light-hearted and self-sufficient. He seemed like someone who took her as a little girl, so different from the boys she knew who were solemn in her presence and rather love sick. He was the kind of man one could have lots of fun with without subjecting one's self to undue attention and having to explain to her mother. Her mother liked him. But she soon forgot him in the chatter of other people.

Eugene was thinking again, though, of the indefinable something in the spirit of this girl which was attracting him so vigorously. What was it? He had seen hundreds of girls in the last few years, all charming, but somehow this one---- She seemed so strong, albeit so new and young. There was a poise there--a substantial quality in her soul which could laugh at life and think no ill of it. That was it or something of it, for of course her beauty was impressive, but a courageous optimism was shining out through her eyes. It was in her laugh, her mood. She would never be afraid.

The dance began after ten, and Eugene danced with first one and then another--Angela, Mrs. Dale, Mrs. Stevens, Miss Willy. When the third set came he went looking for Suzanne and found her talking to another young girl and two society men.

"Mine, you know," he said smilingly.

She came out to him laughing, stretching her arm in a sinuous way, quite unconscious of the charming figure she made. She had a way of throwing back her head which revealed her neck in beautiful lines. She looked into Eugene's eyes simply and unaffectedly, returning his smile with one of her own. And when they began to dance he felt as though he had never really danced before.

What was it the poet said of the poetry of motion? This was it. This was it. This girl could dance wonderfully, sweetly, as a fine voice sings. She seemed to move like the air with the sound of the two-step coming from an ambush of flowers, and Eugene yielded himself instinctively to the charm--the hypnotism of it. He danced and in dancing forgot everything except this vision leaning upon his arm and the sweetness of it all. Nothing could equal this emotion, he said to himself. It was finer than anything he had ever experienced. There was joy in it, pure delight, an exquisite sense of harmony; and even while he was congratulating himself the music seemed to hurry to a finish. Suzanne had looked up curiously into his eyes.

"You like dancing, don't you?" she said.

"I do, but I don't dance well."

"Oh, I think so!" she replied. "You dance so easily."

"It is because of you," he said simply. "You have the soul of the dance in you. Most people dance poorly, like myself."

"I don't think so," she said, hanging on to his arm as they walked toward a seat. "Oh, there's Kinroy! He has the next with me."

Eugene looked at her brother almost angrily. Why should circumstances rob him of her company in this way? Kinroy looked like her--he was very handsome for a boy.

"Well, then, I have to give you up. I wish there were more."

He left her only to wait impatiently for the sixth and the tenth. He knew it was silly to be interested in her in this way, for nothing could come of it. She was a young girl hedged about by all the conventions and safeguards which go to make for the perfect upbringing of girlhood. He was a man past the period of her interest, watched over by conventions and interests also. There could be absolutely nothing between them, and yet he longed for her just the same, for just this little sip of the nectar of make-believe. For a few minutes in her company, married or not, so many years older or not, he could be happy in her company, teasing her. That sense of dancing--that sense of perfect harmony with beauty--when had he ever experienced that before?

The night went by, and at one he and Angela went home. She had been entertained by some young officer in the army stationed at Fort Wadsworth who had known her brother David. That had made the evening pleasant for her. She commented on Mrs. Dale and Suzanne, what a charming hostess the former was and how pretty and gay Suzanne looked, but Eugene manifested little interest. He did not want it to appear that he had been interested in Suzanne above any of the others.

"Yes, she's very nice," he said. "Rather pretty; but she's like all girls at that age. I like to tease them."

Angela wondered whether Eugene had really changed for good. He seemed saner in all his talk concerning women. Perhaps large affairs had cured him completely, though she could not help feeling that he must be charmed and delighted by the beauty of some of the women whom he saw.

Five weeks more went by and then he saw Suzanne one day with her mother on Fifth Avenue, coming out of an antique shop. Mrs. Dale explained that she was looking after the repair of a rare piece of furniture. Eugene and Suzanne were enabled to exchange but a few gay words. Four weeks later he met them at the Brentwood Hadleys, in Westchester. Suzanne and her mother were enjoying a season of spring riding. Eugene was there for only a Saturday afternoon and Sunday. On this occasion he saw her coming in at half-past four wearing a divided riding skirt and looking flushed and buoyant. Her lovely hair was flowing lightly about her temples.

"Oh, how are you?" she asked, with that same inconsequent air, her hand held out to him at a high angle. "I saw you last in Fifth Avenue, didn't I? Mama was having her chair fixed. Ha, ha! She's such a slow rider! I've left her miles behind. Are you going to be here long?"

"Just today and tomorrow."

He looked at her, pretending gaiety and indifference.

"Is Mrs. Witla here?"

"No, she couldn't come. A relative of hers is in the city."

"I need a bath terribly," said the desire of his eyes, and passed on, calling back: "I'll see you again before dinner, very likely."

Eugene sighed.

She came down after an hour, dressed in a flowered organdie, a black silk band about her throat, a low collar showing her pretty neck. She picked up a magazine, passing a wicker table, and came down the veranda where Eugene was sitting alone. Her easy manner interested him, and her friendliness. She liked him well enough to be perfectly natural with him and to seek him out where he was sitting once she saw he was there.

"Oh, here you are!" she said, and sat down, taking a chair which was near him.

"Yes, here I am," he said, and began teasing her as usual, for it was the only way in which he knew how to approach her. Suzanne responded vivaciously, for Eugene's teasing delighted her. It was the one kind of humor she really enjoyed.

"You know, Mr. Witla," she said to him once, "I'm not going to laugh at any of your jokes any more. They're all at my expense."

"That makes it all the nicer," he said. "You wouldn't want me to make jokes at my expense, would you? That would be a terrible joke."

She laughed and he smiled. They looked at a golden sunset filtering through a grove of tender maples. The spring was young and the leaves just budding.

"Isn't it lovely tonight?" he asked.

"Oh, yes!" she exclaimed, in a mellow, meditative voice, the first ring of deep sincerity in it that he ever noticed there.

"Do you like nature?" he asked.

"Do I?" she returned. "I can't get enough of the woods these days. I feel so queer sometimes, Mr. Witla. As though I were not really alive at all, you know. Just a sound, or a color in the woods."

He stopped and looked at her. The simile caught him quite as any notable characteristic in anyone would have caught him. What was the color and complexity of this girl's mind? Was she so wise, so artistic and so emotional that nature appealed to her in a deep way? Was this wonderful charm that he felt the shadow or radiance of something finer still?

"So that's the way it is, is it?" he asked.

"Yes," she said quietly.

He sat and looked at her, and she eyed him as solemnly.

"Why do you look at me so?" she asked.

"Why do you say such curious things?" he answered.

"What did I say?"

"I don't believe you really know. Well, never mind. Let us walk, will you? Do you mind? It's still an hour to dinner. I'd like to go over and see what's beyond those trees."

They went down a little path bordered with grass and under green budding twigs. It came to a stile finally and looked out upon a stony green field where some cows were pasturing.

"Oh, the spring! The spring!" exclaimed Eugene, and Suzanne answered: "You know, Mr. Witla, I think we must be something alike in some ways. That's just the way I feel."

"How do you know how I feel?"

"I can tell by your voice," she said.

"Can you, really?"

"Why, yes. Why shouldn't I?"

"What a strange girl you are!" he said thoughtfully. "I don't think I understand you quite."

"Why, why, am I so different from everyone else?"

"Quite, quite," he said; "at least to me. I have never seen anyone quite like you before."

Chapter V

It was after this meeting that vague consciousness came to Suzanne that Mr. Witla, as she always thought of him to herself, was just a little more than very nice to her. He was so gentle, so meditative, and withal so gay when he was near her! He seemed fairly to bubble whenever he came into her presence, never to have any cause for depression or gloom such as sometimes seized on her when she was alone. He was always immaculately dressed, and had great affairs, so her mother said. They discussed him once at table at Daleview, and Mrs. Dale said she thought he was charming.

"He's one of the nicest fellows that comes here, I think," said Kinroy. "I don't like that stick, Woodward."

He was referring to another man of about Eugene's age who admired his mother.

"Mrs. Witla is such a queer little woman," said Suzanne. "She's so different from Mr. Witla. He's so gay and good-natured, and she's so reserved. Is she as old as he is, mama?"

"I don't think so," said Mrs. Dale, who was deceived by Angela's apparent youth. "What makes you ask?"

"Oh, I just wondered!" said Suzanne, who was vaguely curious concerning things in connection with Eugene.

There were several other meetings, one of which Eugene engineered, once when he persuaded Angela to invite Suzanne and her mother to a spring night revel they were having at the studio, and the other when he and Angela were invited to the Willebrands, where the Dales were also.

Angela was always with him. Mrs. Dale almost always with Suzanne. There were a few conversations, but they were merely gay, inconsequent make-believe talks, in which Suzanne saw Eugene as one who was forever happy. She little discerned the brooding depths of longing that lay beneath his gay exterior.

The climax was brought about, however, when one July day after a short visit to one of the summer resorts, Angela was taken ill. She had always been subject to colds and sore throats, and these peculiar signs, which are associated by medical men with latent rheumatism, finally culminated in this complaint. Angela had also been pronounced to have a weak heart, and this combined with a sudden, severe rheumatic attack completely prostrated her. A trained nurse had to be called, and Angela's sister Marietta was sent for. Eugene's sister Myrtle, who now lived in New York, was asked by him to come over and take charge, and under her supervision, pending Marietta's arrival, his household went forward smoothly enough. The former, being a full-fledged Christian Scientist, having been instantly cured, as she asserted, of a long-standing nervous complaint, was for calling a Christian Science practitioner, but Eugene would have none of it. He could not believe that there was anything in this new religious theory, and thought Angela needed a doctor. He sent for a specialist in her complaint. He pronounced that six weeks at the least, perhaps two months, must elapse before Angela would be able to sit up again.

"Her system is full of rheumatism," said her physician. "She is in a very bad way. Rest and quiet, and constant medication will bring her round."

Eugene was sorry. He did not want to see her suffer, but her sickness did not for one minute alter his mental attitude. In fact, he did not see how it could. It did not change their relative mental outlook in any way. Their peculiar relationship of guardian and restless ward was quite unaffected.

All social functions of every kind were now abandoned and Eugene stayed at home every evening, curious to see what the outcome would be. He wanted to see how the trained nurse did her work and what the doctor thought would be the next step. He had a great deal to do at all times, reading, consulting, and many of those who wished to confer with him came to the apartment of an evening. All those who knew them socially at all intimately called or sent messages of condolence, and among those who came were Mrs. Dale and Suzanne. The former because Eugene had been so nice to her in a publishing way and was shortly going to bring out her first attempt at a novel was most assiduous. She sent flowers and came often, proffering the services of Suzanne for any day that the nurse might wish to be off duty or Myrtle could not be present. She thought Angela might like to have Suzanne read to her. At least the offer sounded courteous and was made in good faith.

Suzanne did not come alone at first, but after a time, when Angela had been ill four weeks and Eugene had stood the heat of the town apartment nightly for the chance of seeing her, she did. Mrs. Dale suggested that he should run down to her place over Saturday and Sunday. It was not far. They were in close telephone communication. It would rest him.

Eugene, though Angela had suggested it a number of times before, had refused to go to any seaside resort or hotel, even for Saturday and Sunday, his statement being that he did not care to go alone at this time. The truth was he was becoming so interested in Suzanne that he did not care to go anywhere save somewhere that he might see her again.

Mrs. Dale's offer was welcome enough, but having dissembled so much he had to dissemble more. Mrs. Dale insisted. Angela added her plea. Myrtle thought he ought to go. He finally ordered the car to take him down one Friday afternoon and leave him. Suzanne was out somewhere, but he sat on the veranda and basked in the magnificent view it gave of the lower bay. Kinroy and some young friend, together with two girls, were playing tennis on one of the courts. Eugene went out to watch them, and presently Suzanne returned, ruddy from a walk she had taken to a neighbor's house. At the sight of her every nerve in Eugene's body tingled--he felt a great exaltation, and it seemed as though she responded in kind, for she was particularly gay and laughing.

"They have a four," she called to him, her white duck skirt blowing. "Let's you and I get rackets and play single."

"I'm not very good, you know," he said.

"You couldn't be worse than I am," she replied. "I'm so bad Kinroy won't let me play in any game with him. Ha, ha!"

"Such being the case----" Eugene said lightly, and followed her to get the rackets.

They went to the second court, where they played practically unheeded. Every hit was a signal for congratulation on the part of one or the other, every miss for a burst of laughter or a jest. Eugene devoured Suzanne with his eyes, and she looked at him continually, in wide-eyed sweetness, scarcely knowing what she was doing. Her own hilarity on this occasion was almost inexplicable to her. It seemed as though she was possessed of some spirit of joy which she couldn't control. She confessed to him afterward that she had been wildly glad, exalted, and played with freedom and abandon, though at the same time she was frightened and nervous. To Eugene she was of course ravishing to behold. She could not play, as she truly said, but it made no difference. Her motions were beautiful.

Mrs. Dale had long admired Eugene's youthful spirit. She watched him now from one of the windows, and thought of him much as one might of a boy. He and Suzanne looked charming playing together. It occurred to her that if he were single he would not make a bad match for her daughter. Fortunately he was sane, prudent, charming, more like a guardian to Suzanne than anything else. Her friendship for him was rather a healthy sign.

After dinner it was proposed by Kinroy that he and his friends and Suzanne go to a dance which was being given at a club house, near the government fortifications at The Narrows, where they spread out into the lower bay. Mrs. Dale, not wishing to exclude Eugene, who was depressed at the thought of Suzanne's going and leaving him behind, suggested that they all go. She did not care so much for dancing herself, but Suzanne had no partner and Kinroy and his friend were very much interested in the girls they were taking. A car was called, and they sped to the club to find it dimly lighted with Chinese lanterns, and an orchestra playing softly in the gloom.

"Now you go ahead and dance," said her mother to Suzanne. "I want to sit out here and look at the water a while. I'll watch you through the door."

Eugene held out his hand to Suzanne, who took it, and in a moment they were whirling round. A kind of madness seized them both, for without a word or look they drew close to each other and danced furiously, in a clinging ecstasy of joy.

"Oh, how lovely!" Suzanne exclaimed at one turn of the room, where, passing an open door, they looked out and saw a full lighted ship passing silently by in the distant dark. A sail boat; its one great sail enveloped in a shadowy quiet, floated wraith-like, nearer still.

"Do scenes like that appeal to you so?" asked Eugene.

"Oh, do they!" she pulsated. "They take my breath away. This does, too, it's so lovely!"

Eugene sighed. He understood now. Never, he said to himself, was the soul of an artist so akin to his own and so enveloped in beauty. This same thirst for beauty that was in him was in her, and it was pulling her to him. Only her soul was so exquisitely set in youth and beauty and maidenhood that it overawed and frightened him. It seemed impossible that she should ever love him. These eyes, this face of hers--how they enchanted him! He was drawn as by a strong cord, and so was she--by an immense, terrible magnetism. He had felt it all the afternoon. Keenly. He was feeling it intensely now. He pressed her to his bosom, and she yielded, yearningly, suiting her motions to his subtlest moods. He wanted to exclaim: "Oh, Suzanne! Oh, Suzanne!" but he was afraid. If he said anything to her it would frighten her. She did not really dream as yet what it all meant.

"You know," he said, when the music stopped, "I'm quite beside myself. It's narcotic. I feel like a boy."

"Oh, if they would only go on!" was all she said. And together they went out on the veranda, where there were no lights but only chairs and the countless stars.

"Well?" said Mrs. Dale.

"I'm afraid you don't love to dance as well as I do?" observed Eugene calmly, sitting down beside her.

"I'm afraid I don't, seeing how joyously you do it. I've been watching you. You two dance well together. Kinroy, won't you have them bring us ices?"

Suzanne had slipped away to the side of her brother's friends. She talked to them cheerily the while Eugene watched her, but she was intensely conscious of his presence and charm. She tried to think what she was doing, but somehow she could not--she could only feel. The music struck up again, and for looks' sake he let her dance with her brother's friend. The next was his, and the next, for Kinroy preferred to sit out one, and his friend also. Suzanne and Eugene danced the major portions of the dances together, growing into a wild exaltation, which, however, was wordless except for a certain eagerness which might have been read into what they said. Their hands spoke when they touched and their eyes when they met. Suzanne was intensely shy and fearsome. She was really half terrified by what she was doing--afraid lest some word or thought would escape Eugene, and she wanted to dwell in the joy of this. He went once between two dances, when she was hanging over the rail looking at the dark, gurgling water below, and leaned over beside her.

"How wonderful this night is!" he said.

"Yes, yes!" she exclaimed, and looked away.

"Do you wonder at all at the mystery of life?"

"Oh, yes; oh, yes! All the time."

"And you are so young!" he said passionately, intensely.

"Sometimes, you know, Mr. Witla," she sighed, "I do not like to think."

"Why?"

"Oh, I don't know; I just can't tell you! I can't find words. I don't know."

There was an intense pathos in her phrasing which meant everything to his understanding. He understood how voiceless a great soul really might be, new born without an earth-manufactured vocabulary. It gave him a clearer insight into a thought he had had for a long while and that was that we came, as Wordsworth expressed it, "trailing clouds of glory." But from where? Her soul must be intensely wise--else why his yearning to her? But, oh, the pathos of her voicelessness!

They went home in the car, and late that night, while he was sitting on the veranda smoking to soothe his fevered brain, there was one other scene. The night was intensely warm everywhere except on this hill, where a cool breeze was blowing. The ships on the sea and bay were many--twinkling little lights--and the stars in the sky were as a great army. "See how the floor of heaven is thick inlaid with patines of bright gold," he quoted to himself. A door opened and Suzanne came out of the library, which opened on to the veranda. He had not expected to see her again, nor she him. The beauty of the night had drawn her.

"Suzanne!" he said, when the door opened.

She looked at him, poised in uncertainty, her lovely white face glowing like a pale phosphorescent light in the dark.

"Isn't it beautiful out here? Come, sit down."

"No," she said. "I mustn't stay. It is so beautiful!" She looked about her vaguely, nervously, and then at him. "Oh, that breeze!" She turned up her nose and sniffed eagerly.

"The music is still whirling in my head," he said, coming to her. "I cannot get over tonight." He spoke softly--almost in a whisper--and threw his cigar away. Suzanne's voice was low.

She looked at him and filled her deep broad chest with air. "Oh!" she sighed, throwing back her head, her neck curving divinely.

"One more dance," he said, taking her right hand and putting his left upon her waist.

She did not retreat from him, but looked half distrait, half entranced in his eyes.

"Without music?" she asked. She was almost trembling.

"You are music," he replied, her intense sense of suffocation seizing him.

They moved a few paces to the left where there were no windows and where no one could see. He drew her close to him and looked into her face, but still he did not dare say what he thought. They moved about softly, and then she gurgled that soft laugh that had entranced him from the first. "What would people think?" she asked.

They walked to the railing, he still holding her hand, and then she withdrew it. He was conscious of great danger--of jeopardizing a wonderfully blissful relationship, and finally said: "Perhaps we had better go."

"Yes," she said. "Ma-ma would be greatly disturbed if she knew this."

She walked ahead of him to the door.

"Good night," she whispered.

"Good night," he sighed.

He went back to his chair and meditated on the course he was pursuing. This was a terrible risk. Should he go on? The flower-like face of Suzanne came back to him--her supple body, her wondrous grace and beauty. "Oh, perhaps not, but what a loss, what a lure to have flaunted in front of his eyes! Were there ever thoughts and feelings like these in so young a body? Never, never, never, had he seen her like. Never in all his experiences had he seen anything so exquisite. She was like the budding woods in spring, like little white and blue flowers growing. If life now for once would only be kind and give him her!

"Oh, Suzanne, Suzanne!" he breathed to himself, lingering over the name.

For a fourth or a fifth time Eugene was imagining himself to be terribly, eagerly, fearsomely in love.

Chapter VI

This burst of emotion with its tentative understanding so subtly reached, changed radically and completely the whole complexion of life for Eugene. Once more now the spirit of youth had returned to him. He had been resenting all this while, in spite of his success, the passage of time, for he was daily and hourly growing older, and what had he really achieved? The more Eugene had looked at life through the medium of his experiences, the more it had dawned on him that somehow all effort was pointless. To where and what did one attain when one attained success? Was it for houses and lands and fine furnishings and friends that one was really striving? Was there any such thing as real friendship in life, and what were its fruits--intense satisfaction? In some few instances, perhaps, but in the main what a sorry jest most so-called friendships veiled! How often they were coupled with self-interest, self-seeking, self-everything! We associated in friendship mostly only with those who were of our own social station. A good friend. Did he possess one? An inefficient friend? Would one such long be his friend? Life moved in schools of those who could run a certain pace, maintain a certain standard of appearances, compel a certain grade of respect and efficiency in others. Colfax was his friend--for the present. So was Winfield. About him were scores and hundreds who were apparently delighted to grasp his hand, but for what? His fame? Certainly. His efficiency? Yes. Only by the measure of his personal power and strength could he measure his friends--no more.

And as for love--what had he ever had of love before? When he went back in his mind, it seemed now that all, each, and every one, had been combined in some way with lust and evil thinking. Could he say that he had ever been in love truly? Certainly not with Margaret Duff or Ruby Kenny or Angela--though that was the nearest he had come to true love--or Christina Channing. He had liked all these women very much, as he had Carlotta Wilson, but had he ever loved one? Never. Angela had won him through his sympathy for her, he told himself now. He had been induced to marry out of remorse. And here he was now having lived all these years and come all this way without having truly loved. Now, behold Suzanne Dale with her perfection of soul and body, and he was wild about her--not for lust, but for love. He wanted to be with her, to hold her hands, to kiss her lips, to watch her smile; but nothing more. It was true her body had its charm. In extremes it would draw him, but the beauty of her mind and appearance--there lay the fascination. He was heartsick at being compelled to be absent from her, and yet he did not know that he would ever be able to attain her at all.

As he thought of his condition, it rather terrified and nauseated him. To think, after having known this one hour of wonder and superlative bliss, of being compelled to come back into the work-a-day world! Nor were things improving at the office of the United Magazines Corporation. Instead of growing better, they were growing worse. With the diversity of his interests, particularly the interest he held in the Sea Island Realty and Construction Company, he was growing rather lackadaisical in his attitude toward all magazine interests with which he was connected. He had put in strong men wherever he could find them, but these had come to be very secure in their places, working without very much regard to him since he could not give them very much attention. White and Colfax had become intimate with many of them personally. Some of them, such as Hayes, the advertising man, the circulation manager, the editor of the International Review, the editor in charge of books, were so very able that, although it was true that Eugene had hired them it was practically settled that they could not be removed. Colfax and White had come to understand by degrees that Eugene was a person who, however brilliant he might be in selecting men, was really not capable of attention to detail. He could not bring his mind down to small practical points. If he had been an owner, like Colfax, or a practical henchman like White, he would have been perfectly safe, but being a natural-born leader, or rather organizer, he was, unless he secured control in the beginning, rather hopeless and helpless when organization was completed. Others could attend to details better than he could. Colfax came to know his men and like them. In absences which had become more frequent, as Eugene became more secure, and as he took up with Winfield, they had first gone to Colfax for advice, and later, in Colfax's absence, to White. The latter received them with open arms. Indeed, among themselves, his lieutenants frequently discussed Eugene and agreed that in organizing, or rather reorganizing the place, he had done his great work. He might have been worth twenty-five thousand a year doing that, but hardly as a man to sit about and cool his heels after the work was done. White had persistently whispered suggestions of Eugene's commercial inefficiency for the task he was essaying to Colfax. "He is really trying to do up there what you ought to be doing," he told him, "and what you can do better. You want to remember that you've learned a lot since you came in here, and so has he, only he has become a little less practical and you have become more so. These men of his look more to you now than they do to him."

Colfax rejoiced in the thought. He liked Eugene, but he liked the idea better that his business interests were perfectly safe. He did not like to think that any one man was becoming so strong that his going would injure him, and this thought for a long time during Eugene's early ascendancy had troubled him. The latter had carried himself with such an air. Eugene had fancied that Colfax needed to be impressed with his importance, and this, in addition to his very thorough work, was one way to do it. His manner had grated on Colfax after a time, for he was the soul of vainglory himself, and he wanted no other gods in the place beside himself. White, on the contrary, was constantly subservient and advisory in his manner. It made a great difference.

By degrees, through one process and another, Eugene had lost ground, but it was only in a nebulous way as yet, and not in anything tangible. If he had never turned his attention to anything else, had never wearied of any detail, and kept close to Colfax and to his own staff, he would have been safe. As it was, he began now to neglect them more than ever, and this could not fail to tell rather disastrously in the long run.

In the first place the prospects in connection with the Sea Island Construction Company were apparently growing brighter and brighter. It was one of those schemes which would take years and years to develop, but it did not look that way at first. Rather it seemed to be showing tangible evidences of accomplishment. The first year, after a good deal of money had been invested, considerable dredging operations were carried out, and dry land appeared in many places--a long stretch of good earth to the rear of the main beach whereon hotels and resorts of all sorts could be constructed. The boardwalk was started after a model prepared by Eugene, and approved--after modification--by the architect engaged, and a portion of the future great dining and dancing casinos was begun and completed, a beautiful building modeled on a combination of the Moorish, Spanish and Old Mission styles. A notable improvement in design had been effected in this scheme, for the color of Blue Sea, according to Eugene's theory, was to be red, white, yellow, blue, and green, done in spirited yet simple outlines. The walls of all buildings were to be white and yellow, latticed with green. The roofs, porticos, lintels, piers, and steps were to be red, yellow, green, and blue. There were to be round, shallow Italian pools of concrete in many of the courts and interiors of the houses. The hotels were to be western modifications of the Giralda in Spain, each one a size smaller, or larger, than the other. Green spear pines and tall cone-shaped poplars were to be the prevailing tree decorations. The railroad, as Mr. Winfield promised, had already completed its spur and Spanish depot, which was beautiful. It looked truly as though Blue Sea would become what Winfield said it would become; the seaside resort of America.

The actuality of this progress fascinated Eugene so much that he gave, until Suzanne appeared, much more time than he really should have to the development of the scheme. As in the days when he first went with Summerfield, he worked of nights on exterior and interior layouts, as he called them--façades, ground arrangements, island improvements, and so on. He went frequently with Winfield and his architect in his auto to see how Blue Sea was getting on and to visit monied men, who might be interested. He drew up plans for ads and booklets, making romantic sketches and originating catch lines.

In the next place, after Suzanne appeared, he began to pay attention almost exclusively in his thoughts to her. He could not get her out of his head night or day. She haunted his thoughts in the office, at home, and in his dreams. He began actually to burn with a strange fever, which gave him no rest. When would he see her again? When would he see her again? When would he see her again? He could see her only as he danced with her at the boat club, as he sat with her in the swing at Daleview. It was a wild, aching desire which gave him no peace any more than any other fever of the brain ever does.

Once, not long after he and she had danced at the boat club together, she came with her mother to see how Angela was, and Eugene had a chance to say a few words to her in the studio, for they came after five in the afternoon when he was at home. Suzanne gazed at him wide-eyed, scarcely knowing what to think, though she was fascinated. He asked her eagerly where she had been, where she was going to be.

"Why," she said gracefully, her pretty lips parted, "we're going to Bentwood Hadley's tomorrow. We'll be there for a week, I fancy. Maybe longer."

"Have you thought of me much, Suzanne?"

"Yes, yes! But you mustn't, Mr. Witla. No, no. I don't know what to think."

"If I came to Bentwood Hadleys, would you be glad?"

"Oh, yes," she said hesitatingly, "but you mustn't come."

Eugene was there that week-end. It wasn't difficult to manage.

"I'm awfully tired," he wrote to Mrs. Hadley. "Why don't you invite me out?"

"Come!" came a telegram, and he went.

On this occasion, he was more fortunate than ever. Suzanne was there, out riding when he came, but, as he learned from Mrs. Hadley, there was a dance on at a neighboring country club. Suzanne with a number of others was going. Mrs. Dale decided to go, and invited Eugene. He seized the offer, for he knew he would get a chance to dance with his ideal. When they were going in to dinner, he met Suzanne in the hall.

"I am going with you," he said eagerly. "Save a few dances for me."

"Yes," she said, inhaling her breath in a gasp.

They went, and he initialled her card in five places.

"We must be careful," she pleaded. "Ma-ma won't like it."

He saw by this that she was beginning to understand, and would plot with him. Why was he luring her on? Why did she let him?

When he slipped his arm about her in the first dance he said, "At last!" And then: "I have waited for this so long."

Suzanne made no reply.

"Look at me, Suzanne," he pleaded.

"I can't," she said.

"Oh, look at me," he urged, "once, please. Look in my eyes."

"No, no," she begged, "I can't."

"Oh, Suzanne," he exclaimed, "I am crazy about you. I am mad. I have lost all reason. Your face is like a flower to me. Your eyes--I can't tell you about your eyes. Look at me!"

"No," she pleaded.

"It seems as though the days will never end in which I do not see you. I wait and wait. Suzanne, do I seem like a silly fool to you?"

"No."

"I am counted sharp and able. They tell me I am brilliant. You are the most perfect thing that I have ever known. I think of you awake and asleep. I could paint a thousand pictures of you. My art seems to come back to me through you. If I live I will paint you in a hundred ways. Have you ever seen the Rossetti woman?"

"No."

"He painted a hundred portraits of her. I shall paint a thousand of you."

She lifted her eyes to look at him shyly, wonderingly, drawn by this terrific passion. His own blazed into hers. "Oh, look at me again," he whispered, when she dropped them under the fire of his glance.

"I can't," she pleaded.

"Oh, yes, once more."

She lifted her eyes and it seemed as though their souls would blend. He felt dizzy, and Suzanne reeled.

"Do you love me, Suzanne?" he asked.

"I don't know," she trembled.

"Do you love me?"

"Don't ask me now."

The music ceased and Suzanne was gone.

He did not see her until much later, for she slipped away to think. Her soul was stirred as with a raging storm. It seemed as though her very soul was being torn up. She was tremulous, tumultuous, unsettled, yearning, eager. She came back after a time and they danced again, but she was calmer apparently. They went out on a balcony, and he contrived to say a few words there.

"You mustn't," she pleaded. "I think we are being watched."

He left her, and on the way home in the auto he whispered: "I shall be on the west veranda tonight. Will you come?"

"I don't know, I'll try."

He walked leisurely to that place later when all was still, and sat down to wait. Gradually the great house quieted. It was one and one-thirty, and then nearly two before the door opened. A figure slipped out, the lovely form of Suzanne, dressed as she had been at the ball, a veil of lace over her hair.

"I'm so afraid," she said, "I scarcely know what I am doing. Are you sure no one will see us?"

"Let us walk down the path to the field." It was the same way they had taken in the early spring when he had met her here before. In the west hung low a waning moon, yellow, sickle shaped, very large because of the hour.

"Do you remember when we were here before?"

"Yes."

"I loved you then. Did you care for me?"

"No."

They walked on under the trees, he holding her hand.

"Oh, this night, this night," he said, the strain of his intense emotion wearying him.

They came out from under the trees at the end of the path. There was a sense of August dryness in the air. It was warm, sensuous. About were the sounds of insects, faint bumblings, cracklings. A tree toad chirped, or a bird cried.

"Come to me, Suzanne," he said at last when they emerged into the full light of the moon at the end of the path and paused. "Come to me." He slipped his arm about her.

"No," she said. "No."

"Look at me, Suzanne," he pleaded; "I want to tell you how much I love you. Oh, I have no words. It seems ridiculous to try to tell you. Tell me that you love me, Suzanne. Tell me now. I am crazy with love of you. Tell me."

"No," she said, "I can't."

"Kiss me!"

"No!"

He drew her to him and turned her face up by her chin in spite of her. "Open your eyes," he pleaded. "Oh, God! That this should come to me! Now I could die. Life can hold no more. Oh, Flower Face! Oh, Silver Feet! Oh, Myrtle Bloom! Divine Fire! How perfect you are. How perfect! And to think you love me!"

He kissed her eagerly.

"Kiss me, Suzanne. Tell me that you love me. Tell me. Oh, how I love that name, Suzanne. Whisper to me you love me."

"No."

"But you do."

"No."

"Look at me, Suzanne. Flower face. Myrtle Bloom. For God's sake, look at me! You love me."

"Oh, yes, yes, yes," she sobbed of a sudden, throwing her arm around his neck. "Oh, yes, yes."

"Don't cry," he pleaded. "Oh, sweet, don't cry. I am mad for love of you, mad. Kiss me now, one kiss. I am staking my soul on your love. Kiss me!"

He pressed his lips to hers, but she burst away, terror-stricken.

"Oh, I am so frightened," she exclaimed all at once. "Oh, what shall I do? I am so afraid. Oh, please, please. Something terrifies me. Something scares me. Oh, what am I going to do? Let me go back."

She was white and trembling. Her hands were nervously clasping and unclasping.

Eugene smoothed her arm soothingly. "Be still, Suzanne," he said. "Be still. I shall say no more. You are all right. I have frightened you. We will go back. Be calm. You are all right."

He recovered his own poise with an effort because of her obvious terror, and led her back under the trees. To reassure her he drew his cigar case from his pocket and pretended to select a cigar. When he saw her calming, he put it back.

"Are you quieter now, sweet?" he asked, tenderly.

"Yes, but let us go back."

"Listen. I will only go as far as the edge. You go alone. I will watch you safely to the door."

"Yes," she said peacefully.

"And you really love me, Suzanne?"

"Oh, yes, but don't speak of it. Not tonight. You will frighten me again. Let us go back."

They strolled on. Then he said: "One kiss, sweet, in parting. One. Life has opened anew for me. You are the solvent of my whole being. You are making me over into something different. I feel as though I had never lived until now. Oh, this experience! It is such a wonderful thing to have done--to have lived through, to have changed as I have changed. You have changed me so completely, made me over into the artist again. From now on I can paint again. I can paint you." He scarcely knew what he was saying. He felt as though he were revealing himself to himself as in an apocalyptic vision.

She let him kiss her, but she was too frightened and wrought to even breathe right. She was intense, emotional, strange. She did not really understand what it was that he was talking about.

"Tomorrow," he said, "at the wood's edge. Tomorrow. Sweet dreams. I shall never know peace any more without your love."

And he watched her eagerly, sadly, bitterly, ecstatically, as she walked lightly from him, disappearing like a shadow through the dark and silent door.

Chapter VII

It would be impossible to describe even in so detailed an account as this the subtleties, vagaries, beauties and terrors of the emotions which seized upon him, and which by degrees began also to possess Suzanne, once he became wholly infatuated with her. Mrs. Dale, was, after a social fashion, one of Eugene's best friends. She had since she had first come to know him spread his fame far and wide as an immensely clever publisher and editor, an artist of the greatest power, and a man of lovely and delightful ideas and personal worth. He knew from various conversations with her that Suzanne was the apple of her eye. He had heard her talk, had, in fact, discussed with her the difficulties of rearing a simple mannered, innocent-minded girl in present day society. She had confided to him that it had been her policy to give Suzanne the widest liberty consistent with good-breeding and current social theories. She did not want to make her bold or unduly self-reliant, and yet she wanted her to be free and natural. Suzanne, she was convinced, from long observation and many frank conversations, was innately honest, truthful and clean-minded. She did not understand her exactly, for what mother can clearly understand any child; but she thought she read her well enough to know that she was in some indeterminate way forceful and able, like her father, and that she would naturally gravitate to what was worth while in life.

Had she any talent? Mrs. Dale really did not know. The girl had vague yearnings toward something which was anything but social in its quality. She did not care anything at all for most of the young men and women she met. She went about a great deal, but it was to ride and drive. Games of chance did not interest her. Drawing-room conversations were amusing to her, but not gripping. She liked interesting characters, able books, striking pictures. She had been particularly impressed with those of Eugene's; she had seen and had told her mother that they were wonderful. She loved poetry of high order, and was possessed of a boundless appetite for the ridiculous and the comic. An unexpected faux pas was apt to throw her into uncontrollable fits of laughter and the funny page selections of the current newspaper artists, when she could obtain them, amused her intensely. She was a student of character, and of her own mother, and was beginning to see clearly what were the motives that were prompting her mother in her attitude toward herself, quite as clearly as that person did herself and better. At bottom she was more talented than her mother, but in a different way. She was not, as yet, as self-controlled, or as understanding of current theories and beliefs as her mother, but she was artistic, emotional, excitable, in an intellectual way, and capable of high flights of fancy and of intense and fine appreciations. Her really sensuous beauty was nothing to her. She did not value it highly. She knew she was beautiful, and that men and boys were apt to go wild about her, but she did not care. They must not be so silly, she thought. She did not attempt to attract them in any way. On the contrary, she avoided every occasion of possible provocation. Her mother had told her plainly how susceptible men were, how little their promises meant, how careful she must be of her looks and actions. In consequence, she went her way as gaily and yet as inoffensively as she could, trying to avoid the sadness of entrancing anyone hopelessly and wondering what her career was to be. Then Eugene appeared.

With his arrival, Suzanne had almost unconsciously entered upon a new phase of her existence. She had seen all sorts of men in society, but those who were exclusively social were exceedingly wearisome to her. She had heard her mother say that it was an important thing to marry money and some man of high social standing, but who this man was to be and what he was to be like she did not know. She did not look upon the typical society men she had encountered as answering suitably to the term high. She had seen some celebrated wealthy men of influential families, but they did not appear to her really human enough to be considered. Most of them were cold, self-opinionated, ultra-artificial to her easy, poetic spirit. In the realms of real distinction were many men whom the papers constantly talked about, financiers, politicians, authors, editors, scientists, some of whom were in society, she understood, but most of whom were not. She had met a few of them as a girl might. Most of those she met, or saw, were old and cold and paid no attention to her whatever. Eugene had appeared trailing an atmosphere of distinction and acknowledged ability and he was young. He was good looking, too--laughing and gay. It seemed almost impossible at first to her that one so young and smiling should be so able, as her mother said. Afterwards, when she came to know him, she began to feel that he was more than able; that he could do anything he pleased. She had visited him once in his office, accompanied by her mother, and she had been vastly impressed by the great building, its artistic finish, Eugene's palatial surroundings. Surely he was the most remarkable young man she had ever known. Then came his incandescent attentions to her, his glowing, radiant presence and then----

Eugene speculated deeply on how he should proceed. All at once, after this night, the whole problem of his life came before him. He was married; he was highly placed socially, better than he had ever been before. He was connected closely with Colfax, so closely that he feared him, for Colfax, in spite of certain emotional vagaries of which Eugene knew, was intensely conventional. Whatever he did was managed in the most offhand way and with no intention of allowing his home life to be affected or disrupted. Winfield, whom also Mrs. Dale knew, was also conventional to outward appearances. He had a mistress, but she was held tightly in check, he understood. Eugene had seen her at the new casino, or a portion of it, the East Wing, recently erected at Blue Sea, and he had been greatly impressed with her beauty. She was smart, daring, dashing. Eugene looked at her then, wondering if the time would ever come when he could dare an intimacy of that character. So many married men did. Would he ever attempt it and succeed?

Now that he had met Suzanne, however, he had a different notion of all this, and it had come over him all at once. Heretofore in his dreams, he had fancied he might strike up an emotional relationship somewhere which would be something like Winfield's towards Miss De Kalb, as she was known, and so satisfy the weary longing that was in him for something new and delightful in the way of a sympathetic relationship with beauty. Since seeing Suzanne, he wanted nothing of this, but only some readjustment or rearrangement of his life whereby he could have Suzanne and Suzanne only. Suzanne! Suzanne! Oh, that dream of beauty. How was he to obtain her, how free his life of all save a beautiful relationship with her? He could live with her forever and ever. He could, he could! Oh, this vision, this dream!

It was the Sunday following the dance that Suzanne and Eugene managed to devise another day together, which, though, it was one of those semi-accidental, semi-voiceless, but nevertheless not wholly thoughtless coincidences which sometimes come about without being wholly agreed upon or understood in the beginning, was nevertheless seized upon by them, accepted silently and semi-consciously, semi-unconsciously worked out together. Had they not been very strongly drawn to each other by now, this would not have happened at all. But they enjoyed it none the less. To begin with, Mrs. Dale was suffering from a sick headache the morning after. In the next place, Kinroy suggested to his friends to go for a lark to South Beach, which was one of the poorest and scrubbiest of all the beaches on Staten Island. In the next place, Mrs. Dale suggested that Suzanne be allowed to go and that perhaps Eugene would be amused. She rather trusted him as a guide and mentor.

Eugene said calmly that he did not object. He was eager to be anywhere alone with Suzanne, and he fancied that some opportunity would present itself whereby once they were there, they could be together, but he did not want to show it. Once more the car was called and they departed, being let off at one end of a silly panorama which stretched its shabby length for a mile along the shore. The chauffeur took the car back to the house, it being agreed that they could reach him by phone. The party started down the plank walk, but almost immediately, because of different interests, divided. Eugene and Suzanne stopped to shoot at a shooting gallery. Next they stopped at a cane rack to ring canes. Anything was delightful to Eugene which gave him an opportunity to observe his inamorata, to see her pretty face, her smile, and to hear her heavenly voice. She rung a cane for him. Every gesture of hers was perfection; every look a thrill of delight. He was walking in some elysian realm which had nothing to do with the tawdry evidence of life about him.

They followed the boardwalk southward, after a ride in the Devil's Whirlpool, for by now Suzanne was caught in the persuasive subtlety of his emotion and could no more do as her honest judgment would have dictated than she could have flown. It needed some shock, some discovery to show her whither she was drifting and this was absent. They came to a new dance hall, where a few servant girls and their sweethearts were dancing, and for a lark Eugene proposed that they should enter. They danced together again, and though the surroundings were so poor and the music wretched, Eugene was in heaven.

"Let's run away and go to the Terra-Marine," he suggested, thinking of a hotel farther south along the shore. "It is so pleasant there. This is all so cheap."

"Where is it?" asked Suzanne.

"Oh, about three miles south of here. We could almost walk there."

He looked down the long hot beach, but changed his mind.

"I don't mind this," said Suzanne. "It's so very bad that it's good, you know. I like to see how these people enjoy themselves."

"But it is so bad," argued Eugene. "I wish I had your live, healthy attitude toward things. Still we won't go if you don't want to."

Suzanne paused, thinking. Should she run away with him? The others would be looking for them. No doubt they were already wondering where they had gone. Still it didn't make so much difference. Her mother trusted her with Eugene. They could go.

"Well," she said finally, "I don't care. Let's."

"What will the others think?" he said doubtfully.

"Oh, they won't mind," she said. "When they're ready, they'll call the car. They know that I am with you. They know that I can get the car when I want it. Mama won't mind."

Eugene led the way back to a train which ran to Hugenot, their destination. He was beside himself with the idea of a day all alone with Suzanne. He did not stay to consider or give ear to a thought concerning Angela at home or how Mrs. Dale would view it. Nothing would come of it. It was not an outrageous adventure. They took the train south, and in a little while were in another world, on the veranda of a hotel that overlooked the sea. There were numerous autos of idlers like themselves in a court before the hotel. There was a great grassy lawn with swings covered by striped awnings of red and blue and green, and beyond that a pier with many little white launches anchored near. The sea was as smooth as glass and great steamers rode in the distance trailing lovely plumes of smoke. The sun was blazing hot, brilliant, but here on the cool porch waiters were serving pleasure lovers with food and drink. A quartette of negroes were singing. Suzanne and Eugene seated themselves in rockers at first to view the perfect day and later went down and sat in a swing. Unthinkingly, without words, these two were gradually gravitating toward each other under some spell which had no relationship to everyday life. Suzanne looked at him in the double seated swing where they sat facing each other and they smiled or jested aimlessly, voicing nothing of all the upward welling deep that was stirring within.

"Was there ever such a day?" said Eugene finally, and in a voice that was filled with extreme yearning. "See that steamer out there. It looks like a little toy."

"Yes," said Suzanne with a little gasp. She inhaled her breath as she pronounced this word which gave it an airy breathlessness which had a touch of demure pathos in it. "Oh, it is perfect."

"Your hair," he said. "You don't know how nice you look. You fit this scene exactly."

"Don't speak of me," she pleaded. "I look so tousled. The wind in the train blew my hair so I ought to go the ladies' dressing room and hunt up a maid."

"Stay here," said Eugene. "Don't go. It is all so lovely."

"I won't now. I wish we might always sit here. You, just as you are there, and I here."

"Did you ever read the 'Ode on a Grecian Urn'?"

"Yes."

"Do you remember the lines 'Fair youth, beneath the trees, thou canst not leave'?"

"Yes, yes," she answered ecstatically.

"'Bold lover, never, never canst thou kiss Though winning near the goal--yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love and she be fair.'"

"Don't, don't," she pleaded.

He understood. The pathos of that great thought was too much for her. It hurt her as it did him. What a mind!

They rocked and swung idly, he pushing with his feet at times in which labor she joined him. They strolled up the beach and sat down on a green clump of grass overlooking the sea. Idlers approached and passed. He laid his arm to her waist and held her hand, but something in her mood stayed him from any expression. Through dinner at the hotel it was the same and on the way to the train, for she wanted to walk through the dark. Under some tall trees, though, in the rich moonlight prevailing, he pressed her hand.

"Oh, Suzanne," he said.

"No, no," she breathed, drawing back.

"Oh, Suzanne," he repeated, "may I tell you?"

"No, no," she answered. "Don't speak to me. Please don't. Let's just walk. You and I."

He hushed, for her voice, though sad and fearsome, was imperious. He could not do less than obey this mood.

They went to a little country farmhouse which ranged along the track in lieu of a depot, and sang a quaint air from some old-time comic opera.

"Do you remember the first time when you came to play tennis with me?" he asked.

"Yes."

"Do you know I felt a strange vibration before your coming and all during your playing. Did you?"

"Yes."

"What is that, Suzanne?"

"I don't know."

"Don't you want to know?"

"No, no, Mr. Witla, not now."

"Mr. Witla?"

"It must be so."

"Oh, Suzanne!"

"Let's just think," she pleaded, "it is so beautiful."

They came to a station near Daleview, and walked over. On the way he slipped his arm about her waist, but, oh, so lightly.

"Suzanne," he asked, with a terrible yearning ache in his heart, "do you blame me? Can you?"

"Don't ask me," she pleaded, "not now. No, no."

He tried to press her a little more closely.

"Not now. I don't blame you."

He stopped as they neared the lawn and entered the house with a jesting air. Explanations about mixing in the crowd and getting lost were easy. Mrs. Dale smiled good naturedly. Suzanne went to her room.

Chapter VIII

Having involved himself thus far, seized upon and made his own this perfect flower of life, Eugene had but one thought, and that was to retain it. Now, of a sudden, had fallen from him all the weariness of years. To be in love again. To be involved in such a love, so wonderful, so perfect, so exquisite, it did not seem that life could really be so gracious as to have yielded him so much. What did it all mean, his upward rise during all these years? There had been seemingly but one triumph after another since the bitter days in Riverwood and after. The World, Summerfield's, The Kalvin Company, The United Magazine Corporation, Winfield, his beautiful apartment on the drive. Surely the gods were good. What did they mean? To give him fame, fortune and Suzanne into the bargain? Could such a thing really be? How could it be worked out? Would fate conspire and assist him so that he could be free of Angela--or----

The thought of Angela to him in these days was a great pain. At bottom Eugene really did not dislike her, he never had. Years of living with her had produced an understanding and a relationship as strong and as keen as it might well be in some respects. Angela had always fancied since the Riverwood days that she really did not love Eugene truly any more--could not, that he was too self-centered and selfish; but this on her part was more of an illusion than a reality. She did care for him in an unselfish way from one point of view, in that she would sacrifice everything to his interests. From another point of view it was wholly selfish, for she wanted him to sacrifice everything for her in return. This he was not willing to do and had never been. He considered that his life was a larger thing than could be encompassed by any single matrimonial relationship. He wanted freedom of action and companionship, but he was afraid of Angela, afraid of society, in a way afraid of himself and what positive liberty might do to him. He felt sorry for Angela--for the intense suffering she would endure if he forced her in some way to release him--and at the same time he felt sorry for himself. The lure of beauty had never for one moment during all these years of upward mounting effort been stilled.

It is curious how things seem to conspire at times to produce a climax. One would think that tragedies like plants and flowers are planted as seeds and grow by various means and aids to a terrible maturity. Roses of hell are some lives, and they shine with all the lustre of infernal fires.

In the first place Eugene now began to neglect his office work thoroughly, for he could not fix his mind upon it any more than he could upon the affairs of the Sea Island Company, or upon his own home and Angela's illness. The morning after his South Beach experience with Suzanne and her curious reticence, he saw her for a little while upon the veranda of Daleview. She was not seemingly depressed, or at least, not noticeably so, and yet there was a gravity about her which indicated that a marked impression of some kind had been made upon her soul. She looked at him with wide frank eyes as she came out to him purposely to tell him that she was going with her mother and some friends to Tarrytown for the day.

"I have to go," she said. "Mamma has arranged it by phone."

"Then I won't see you any more here?"

"No."

"Do you love me, Suzanne?"

"Oh, yes, yes," she declared, and walked wearily to an angle of the wall where they could not be seen.

He followed her quickly, cautiously.

"Kiss me," he said, and she put her lips to his in a distraught frightened way. Then she turned and walked briskly off and he admired the robust swinging of her body. She was not tall, like himself, or small like Angela, but middle sized, full bodied, vigorous. He imagined now that she had a powerful soul in her, capable of great things, full of courage and strength. Once she was a little older, she would be very forceful and full of strong, direct thought.

He did not see her again for nearly ten days, and by that time he was nearly desperate. He was wondering all the time how he was to arrange this. He could not go on in this haphazard way, seeing her occasionally. Why she might leave town for the fall a little later and then what would he do? If her mother heard she would take her off to Europe and then would Suzanne forget? What a tragedy that would be! No, before that should happen, he would run away with her. He would realize all his investments and get away. He could not live without her. He must have her at any cost. What did the United Magazine Corporation amount to, anyway? He was tired of that work. Angela might have the Sea Island Realty Company's stock, if he could not dispose of it advantageously, or if he could, he would make provision for her out of what he should receive. He had some ready money--a few thousand dollars. This and his art--he could still paint--would sustain them. He would go to England with Suzanne, or to France. They would be happy if she really loved him and he thought she did. All this old life could go its way. It was a dreary thing, anyhow, without love. These were his first thoughts.

Later, he came to have different ones, but this was after he had talked to Suzanne again. It was a difficult matter to arrange. In a fit of desperation he called up Daleview one day, and asked if Miss Suzanne Dale was there. A servant answered, and in answer to the "who shall I say" he gave the name of a young man that he knew Suzanne knew. When she answered he said: "Listen, Suzanne! Can you hear very well?"

"Yes."

"Do you recognize my voice?"

"Yes."

"Please don't pronounce my name, will you?"

"No."

"Suzanne, I am crazy to see you. It has been ten days now. Are you going to be in town long?"

"I don't know. I think so."

"If anyone comes near you, Suzanne, simply hang up the receiver, and I will understand."

"Yes."

"If I came anywhere near your house in a car, could you come out and see me?"

"I don't know."

"Oh, Suzanne!"

"I'm not sure. I'll try. What time?"

"Do you know where the old fort road is, at Crystal Lake, just below you?"

"Yes."

"Do you know where the ice house is near the road there?"

"Yes."

"Could you come there?"

"What time?"

"At eleven tomorrow morning or two this afternoon or three."

"I might at two today."

"Oh, thank you for that. I'll wait for you, anyhow."

"All right. Good-bye."

And she hung up the receiver.

Eugene rejoiced at the fortunate outcome of this effort without thinking at first of the capable manner in which she had handled the situation. Truly he said afterwards she must be very courageous to think so directly and act so quickly, for it must have been very trying to her. This love of his was so new. Her position was so very difficult. And yet, on this first call when she had been suddenly put in touch with him, she had shown no signs of trepidation. Her voice had been firm and even, much more so than his, for he was nervously excited. She had taken in the situation at once and fallen into the ruse quite readily. Was she as simple as she seemed? Yes and no. She was simply capable, he thought and her capability had acted through her simplicity instantly.

At two the same day Eugene was there. He gave as an excuse to his secretary that he was going out for a business conference with a well-known author whose book he wished to obtain, and, calling a closed auto, but one not his own, journeyed to the rendezvous. He asked the man to drive down the road, making runs of half a mile to and fro while he sat in the shade of a clump of trees out of view of the road. Presently Suzanne came, bright and fresh as the morning, beautiful in a light purple walking costume of masterly design. She had on a large soft brimmed hat with long feathers of the same shade which became her exquisitely. She walked with an air of grace and freedom, and yet when he looked into her eyes, he saw a touch of trouble there.

"At last?" he said signaling her and smiling. "Come in here. My car is just up the road. Don't you think we had better get in? It's closed. We might be seen. How long can you stay?"

He took her in his arms and kissed her eagerly while she explained that she could not stay long. She had said she was going to the library, which her mother had endowed, for a book. She must be there by half past three or four at the least.

"Oh, we can talk a great deal by then," he said gaily. "Here comes the car. Let's get in."

He looked cautiously about, hailed it, and they stepped in quickly as it drew up.

"Perth Amboy," said Eugene, and they were off at high speed.

Once in the car all was perfect, for they could not be seen. He drew the shades partially and took her in his arms.

"Oh, Suzanne," he said, "how long it has seemed. How very long. Do you love me?"

"Yes, you know I do."

"Suzanne, how shall we arrange this? Are you going away soon? I must see you oftener."

"I don't know," she said. "I don't know what mama is thinking of doing. I know she wants to go up to Lenox in the fall."

"Oh, Pshaw!" commented Eugene wearily.

"Listen, Mr. Witla," said Suzanne thoughtfully. "You know we are running a terrible risk. What if Mrs. Witla should find out, or mama? It would be terrible."

"I know it," said Eugene. "I suppose I ought not to be acting in this way. But, oh, Suzanne, I am wild about you. I am not myself any longer. I don't know what I am. I only know that I love you, love you, love you!"

He gathered her in his arms and kissed her ecstatically. "How sweet you look. How beautiful you are. Oh, flower face! Myrtle Bloom! Angel Eyes! Divine Fire!" He hugged her in a long silent embrace, the while the car sped on.

"But what about us?" she asked, wide-eyed. "You know we are running a terrible risk. I was just thinking this morning when you called me up. It's dangerous, you know."

"Are you becoming sorry, Suzanne?"

"No."

"Do you love me?"

"You know I do."

"Then you will help me figure this out?"

"I want to. But listen, Mr. Witla, now listen to me. I want to tell you something." She was very solemn and quaint and sweet in this mood.

"I will listen to anything, baby mine, but don't call me Mr. Witla. Call me Eugene, will you?"

"Well, now, listen to me, Mr.--Mr.--Eugene."

"Not Mr. Eugene, just Eugene. Now say it. Eugene," he quoted his own name to her.

"Now listen to me, Mr.--now, listen to me, Eugene," she at last forced herself to say, and Eugene stopped her lips with his mouth.

"There," he said.

"Now listen to me," she went on urgently, "you know I am afraid mama will be terribly angry if she finds this out."

"Oh, will she?" interrupted Eugene jocosely.

Suzanne paid no attention to him.

"We have to be very careful. She likes you so much now that if she doesn't come across anything direct, she will never think of anything. She was talking about you only this morning."

"What was she saying?"

"Oh, what a nice man you are, and how able you are."

"Oh, nothing like that," replied Eugene jestingly.

"Yes, she did. And I think Mrs. Witla likes me. I can meet you sometimes when I'm there, but we must be so careful. I mustn't stay out long today. I want to think things out, too. You know I'm having a real hard time thinking about this."

Eugene smiled. Her innocence was so delightful to him, so naïve.

"What do you mean by thinking things out, Suzanne?" asked Eugene curiously. He was interested in the workings of her young mind, which seemed so fresh and wonderful to him. It was so delightful to find this paragon of beauty so responsive, so affectionate and helpful and withal so thoughtful. She was somewhat like a delightful toy to him, and he held her as reverently in awe as though she were a priceless vase.

"You know I want to think what I'm doing. I have to. It seems so terrible to me at times and yet you know, you know----"

"I know what?" he asked, when she paused.

"I don't know why I shouldn't if I want to--if I love you."

Eugene looked at her curiously. This attempt at analysis of life, particularly in relation to so trying and daring a situation as this, astonished him. He had fancied Suzanne more or less thoughtless and harmless as yet, big potentially, but uncertain and vague. Here she was thinking about this most difficult problem almost more directly than he was and apparently with more courage. He was astounded, but more than that, intensely interested. What had become of her terrific fright of ten days before? What was it she was thinking about exactly?

"What a curious girl you are," he said.

"Why am I?" she asked.

"Because you are. I didn't think you could think so keenly yet. I thought you would some day. But, how have you reasoned this out?"

"Did you ever read 'Anna Karénina'?" she asked him meditatively.

"Yes," he said, wondering that she should have read it at her age.

"What did you think of that?"

"Oh, it shows what happens, as a rule, when you fly in the face of convention," he said easily, wondering at the ability of her brain.

"Do you think things must happen that way?"

"No, I don't think they must happen that way. There are lots of cases where people do go against the conventions and succeed. I don't know. It appears to be all a matter of time and chance. Some do and some don't. If you are strong enough or clever enough to 'get away with it,' as they say, you will. If you aren't, you won't. What makes you ask?"

"Well," she said, pausing, her lips parted, her eyes fixed on the floor, "I was thinking that it needn't necessarily be like that, do you think? It could be different?"

"Yes, it could be," he said thoughtfully, wondering if it really could.

"Because if it couldn't," she went on, "the price would be too high. It isn't worth while."

"You mean, you mean," he said, looking at her, "that you would." He was thinking that she was deliberately contemplating making a sacrifice of herself for him. Something in her thoughtful, self-debating, meditative manner made him think so.

Suzanne looked out of the window and slowly nodded her head. "Yes," she said, solemnly, "if it could be arranged. Why not? I don't see why."

Her face was a perfect blossom of beauty, as she spoke. Eugene wondered whether he was waking or sleeping. Suzanne reasoning so! Suzanne reading "Anna Karénina" and philosophizing so! Basing a course of action on theorizing in connection with books and life, and in the face of such terrible evidence as "Anna Karénina" presented to the contrary of this proposition. Would wonders ever cease?

"You know," she said after a time, "I think mama wouldn't mind, Eugene. She likes you. I've heard her say so lots of times. Besides I've heard her talk this way about other people. She thinks people oughtn't to marry unless they love each other very much. I don't think she thinks it's necessary for people to marry at all unless they want to. We might live together if we wished, you know."

Eugene himself had heard Mrs. Dale question the marriage system, but only in a philosophic way. He did not take much stock in her social maunderings. He did not know what she might be privately saying to Suzanne, but he did not believe it could be very radical, or at least seriously so.

"Don't you take any stock in what your mother says, Suzanne," he observed, studying her pretty face. "She doesn't mean it, at least, she doesn't mean it as far as you are concerned. She's merely talking. If she thought anything were going to happen to you, she'd change her mind pretty quick."

"No, I don't think so," replied Suzanne thoughtfully. "You know, I think I know mama better than she knows herself. She always talks of me as a little girl, but I can rule her in lots of things. I've done it."

Eugene stared at Suzanne in amazement. He could scarcely believe his ears. She was beginning so early to think so deeply on the social and executive sides of life. Why should her mind be trying to dominate her mother's?

"Suzanne," he observed, "you must be careful what you do or say. Don't rush into talking of this pellmell. It's dangerous. I love you, but we shall have to go slow. If Mrs. Witla should learn of this, she would be crazy. If your mother should suspect, she would take you away to Europe somewhere, very likely. Then I wouldn't get to see you at all."

"Oh, no, she wouldn't," replied Suzanne determinedly. "You know, I know mama better than you think I do. I can rule her, I tell you. I know I can. I've done it."

She tossed her head in an exquisitely pretty way which upset Eugene's reasoning faculties. He could not think and look at her.

"Suzanne," he said, drawing her to him. "You are exquisite, extreme, the last word in womanhood for me. To think of your reasoning so--you, Suzanne."

"Why, why," she asked, with pretty parted lips and uplifted eyebrows, "why shouldn't I think?"

"Oh, yes, certainly, we all do, but not so deeply, necessarily, Flower Face."

"Well, we must think now," she said simply.

"Yes, we must think now," he replied; "would you really share a studio with me if I were to take one? I don't know of any other way quite at present."

"I would, if I knew how to manage it," she replied. "Mama is queer. She's so watchful. She thinks I'm a child and you know I am not at all. I don't understand mama. She talks one thing and does another. I would rather do and not talk. Don't you think so?" He stared. "Still, I think I can fix it. Leave it to me."

"And if you can you'll come to me?"

"Oh, yes, yes," exclaimed Suzanne ecstatically, turning to him all at once and catching his face between her hands. "Oh!"--she looked into his eyes and dreamed.

"But we must be careful," he cautioned. "We musn't do anything rash."

"I won't," said Suzanne.

"And I won't, of course," he replied.

They paused again while he watched her.

"I might make friends with Mrs. Witla," she observed, after a time. "She likes me, doesn't she?"

"Yes," said Eugene.

"Mama doesn't object to my going up there, and I could let you know."

"That's all right. Do that," said Eugene. "Oh, please do, if you can. Did you notice whose name I used today?"

"Yes," she said. "You know Mr. Witla, Eugene, I thought you might call me up?"

"Did you?" he asked, smiling.

"Yes."

"You give me courage, Suzanne," he said, drawing close to her. "You're so confident, so apparently carefree. The world hasn't touched your spirit."

"When I'm away from you, though, I'm not so courageous," she replied. "I've been thinking terrible things. I get frightened sometimes."

"But you mustn't, sweet, I need you so. Oh, how I need you."

She looked at him, and for the first time smoothed his hair with her hand.

"You know, Eugene, you're just like a boy to me."

"Do I seem so?" he asked, comforted greatly.

"I couldn't love you as I do if you weren't."

He drew her to him again and kissed her anew.

"Can't we repeat these rides every few days?" he asked.

"Yes, if I'm here, maybe."

"It's all right to call you up if I use another name?"

"Yes, I think so."

"Let's choose new names for each, so that we'll know who's calling. You shall be Jenny Lind and I Allan Poe." Then they fell to ardent love-making until the time came when they had to return. For him, so far as work was concerned, the afternoon was gone.

Chapter IX

There followed now a series of meetings contrived with difficulty, fraught with danger, destructive of his peace of mind, of his recently acquired sense of moral and commercial responsibility, of the sense of singleness of purpose and interest in his editorial and publishing world, which had helped him so much recently. The meetings nevertheless were full of such intense bliss for him that it seemed as though he were a thousand times repaid for all the subtlety and folly he was practicing. There were times when he came to the ice house in a hired car, others when she notified him by phone or note to his office of times when she was coming in to town to stay. He took her in his car one afternoon to Blue Sea when he was sure no one would encounter him. He persuaded Suzanne to carry a heavy veil, which could be adjusted at odd moments. Another time--several, in fact she came to the apartment in Riverside Drive, ostensibly to see how Mrs. Witla was getting along, but really, of course, to see Eugene. Suzanne did not really care so much for Angela, although she did not dislike her. She thought she was an interesting woman, though perhaps not a happy mate for Eugene. The latter had told her not so much that he was unhappy as that he was out of love. He loved her now, Suzanne, and only her.

The problem as to where this relationship was to lead to was complicated by another problem, which Eugene knew nothing of, but which was exceedingly important. For Angela, following the career of Eugene with extreme pleasure and satisfaction on the commercial side, and fear and distrust on the social and emotional sides, had finally decided to risk the uncertain outcome of a child in connection with Eugene and herself, and to give him something which would steady his life and make him realize his responsibilities and offer him something gladdening besides social entertainment and the lure of beauty in youth. She had never forgotten the advice which Mrs. Sanifore and her physician had given her in Philadelphia, nor had she ever ceased her cogitations as to what the probable effect of a child would be. Eugene needed something of this sort to balance him. His position in the world was too tenuous, his temperament too variable. A child--a little girl, she hoped, for he always liked little girls and made much of them--would quiet him. If she could only have a little girl now!

Some two months before her illness, while Eugene was becoming, all unsuspected by her, so frenzied about Suzanne, she had relaxed, or rather abandoned, her old-time precautions entirely, and had recently begun to suspect that her fears, or hopes, or both, were about to be realized. Owing to her subsequent illness and its effect on her heart, she was not very happy now. She was naturally very uncertain as to the outcome as well as to how Eugene would take it. He had never expressed a desire for a child, but she had no thought of telling him as yet, for she wanted to be absolutely sure. If she were not correct in her suspicions, and got well, he would attempt to dissuade her for the future. If she were, he could not help himself. Like all women in that condition, she was beginning to long for sympathy and consideration and to note more keenly the drift of Eugene's mind toward a world which did not very much concern her. His interest in Suzanne had puzzled her a little, though she was not greatly troubled about her because Mrs. Dale appeared to be so thoughtful about her daughter. Times were changing. Eugene had been going out much alone. A child would help. It was high time it came.

When Suzanne had started coming with her mother, Angela thought nothing of it; but on the several occasions when Suzanne called during her illness, and Eugene had been present, she felt as though there might easily spring up something between them. Suzanne was so charming. Once as she lay thinking after Suzanne had left the room to go into the studio for a few moments, she heard Eugene jesting with her and laughing keenly. Suzanne's laugh, or gurgling giggle, was most infectious. It was so easy, too, for Eugene to make her laugh, for his type of jesting was to her the essence of fun. It seemed to her that there was something almost overgay in the way they carried on. On each occasion when she was present, Eugene proposed that he take Suzanne home in his car, and this set her thinking.

There came a time when, Angela being well enough from her rheumatic attack, Eugene invited a famous singer, a tenor, who had a charming repertoire of songs, to come to his apartment and sing. He had met him at a social affair in Brooklyn with which Winfield had something to do. A number of people were invited--Mrs. Dale, Suzanne, and Kinroy, among others; but Mrs. Dale could not come, and as Suzanne had an appointment for the next morning, Sunday, in the city, she decided to stay at the Witlas. This pleased Eugene immensely. He had bought a sketching book which he had begun to fill with sketches of Suzanne from memory and these he wanted to show her. Besides, he wanted her to hear this singer's beautiful voice.

The company was interesting. Kinroy brought Suzanne early and left. Eugene and Suzanne, after she had exchanged greetings with Angela, sat out on the little stone balcony overlooking the river and exchanged loving thoughts. He was constantly holding her hand when no one was looking and stealing kisses. After a time the company began to arrive, and finally the singer himself. The trained nurse, with Eugene's assistance, helped Angela forward, who listened enraptured to the songs. Suzanne and Eugene, swept by the charm of some of them, looked at each other with that burning gaze which love alone understands. To Eugene Suzanne's face was a perfect flower of hypnotic influence. He could scarcely keep his eyes off her for a moment at a time. The singer ceased, the company departed. Angela was left crying over the beauty of "The Erlking," the last song rendered. She went back to her room, and Suzanne ostensibly departed for hers. She came out to say a few final words to Mrs. Witla, then came through the studio to go to her own room again. Eugene was there waiting. He caught her in his arms, kissing her silently. They pretended to strike up a conventional conversation, and he invited her to sit out on the stone balcony for a few last moments. The moon was so beautiful over the river.

"Don't!" she said, when he gathered her in his arms, in the shadow of the night outside. "She might come."

"No," he said eagerly.

They listened, but there was no sound. He began an easy pretence to talk, the while stroking her pretty arm, which was bare. Insanity over her beauty, the loveliness of the night, the charm of the music, had put him beside himself. He drew her into his arms in spite of her protest, only to have Angela suddenly appear at the other end of the room where the door was. There was no concealing anything she saw. She came rapidly forward, even as Suzanne jumped up, a sickening rage in her heart, a sense of her personal condition strong in her mind, a sense of something terrible and climacteric in the very air, but she was still too ill to risk a great demonstration or to declare herself fully. It seemed now once more the whole world had fallen about her ears, for because of her plans and in spite of all her suspicions, she had not been ready to believe that Eugene would really trespass again. She had come to surprise him, if possible, but she had not actually expected to, had hoped not to. Here was this beautiful girl, the victim of his wiles, and here was she involved by her own planning, while Eugene, shame-faced, she supposed, stood by ready to have this ridiculous liaison nipped in the bud. She did not propose to expose herself to Suzanne if she could help it, but sorrow for herself, shame for him, pity for Suzanne in a way, the desire to preserve the shell of appearances, which was now, after this, so utterly empty for her though so important for the child, caused her to swell with her old-time rage, and yet to hold it in check. Six years before she would have raged to his face, but time had softened her in this respect. She did not see the value of brutal words.

"Suzanne," she said, standing erect in the filtered gloom of the room which was still irradiated by the light of the moon in the west, "how could you! I thought so much better of you."

Her face, thinned by her long illness and her brooding over her present condition, was still beautiful in a spiritual way. She wore a pale yellow and white flowered dressing gown of filmy, lacy texture, and her long hair, done in braids by the nurse, was hanging down her back like the Gretchen she was to him years before. Her hands were thin and pale, but artistic, and her face drawn in all the wearisome agony of a mater dolorosa.

"Why, why," exclaimed Suzanne, terribly shaken out of her natural fine poise for the moment but not forgetful of the dominating thought in her mind, "I love him; that's why, Mrs. Witla."

"Oh, no, you don't! you only think you love him, as so many women have before you, Suzanne," said Angela frozenly, the thought of the coming child always with her. If she had only told him before! "Oh, shame, in my house, and you a young, supposedly innocent girl! What do you suppose your mother would think if I should call her up and tell her now? Or your brother? You knew he was a married man. I might excuse you if it weren't for that if you hadn't known me and hadn't accepted my hospitality. As for him, there is no need of my talking to him. This is an old story with him, Suzanne. He has done this with other women before you, and he will do it with other women after you. It is one of the things I have to bear for having married a man of so-called talent. Don't think, Suzanne, when you tell me you love him, that you tell me anything new. I have heard that story before from other women. You are not the first, and you will not be the last."

Suzanne looked at Eugene inquiringly, vaguely, helplessly, wondering if all this were so.

Eugene hardened under Angela's cutting accusation, but he was not at all sure at first what he ought to do. He wondered for the moment whether he ought not to abandon Suzanne and fall back into his old state, dreary as it might seem to him; but the sight of her pretty face, the sound of Angela's cutting voice, determined him quickly. "Angela," he began, recovering his composure the while Suzanne contemplated him, "why do you talk that way? You know that what you say isn't true. There was one other woman. I will tell Suzanne about her. There were several before I married you. I will tell her about them. But my life is a shell, and you know it. This apartment is a shell. Absolutely it means nothing at all to me. There has been no love between us, certainly not on my part, for years, and you know that. You have practically confessed to me from time to time that you do not care for me. I haven't deceived this girl. I am glad to tell her now how things stand."

"How things stand! How things stand!" exclaimed Angela, blazing and forgetting herself for the moment. "Will you tell her what an excellent, faithful husband you have made me? Will you tell her how honestly you have kept your word pledged to me at the altar? Will you tell her how I have worked and sacrificed for you through all these years? How I have been repaid by just such things as this? I'm sorry for you, Suzanne, more than anything else," went on Angela, wondering whether she should tell Eugene here and now of her condition but fearing he would not believe it. It seemed so much like melodrama. "You are just a silly little girl duped by an expert man, who thinks he loves you for a little while, but who really doesn't. He will get over it. Tell me frankly what do you expect to get out of it all? You can't marry him. I won't give him a divorce. I can't, as he will know later, and he has no grounds for obtaining one. Do you expect to be his mistress? You have no hope of ever being anything else. Isn't that a nice ambition for a girl of your standing? And you are supposed to be virtuous! Oh, I am ashamed of you, if you are not! I am sorry for your mother. I am astonished to think that you would so belittle yourself."

Suzanne had heard the "I can't," but she really did not know how to interpret it. It had never occurred to her that there could ever be a child here to complicate matters. Eugene told her that he was unhappy, that there was nothing between him and Angela and never could be.

"But I love him, Mrs. Witla," said Suzanne simply and rather dramatically. She was tense, erect, pale and decidedly beautiful. It was a great problem to have so quickly laid upon her shoulders.

"Don't talk nonsense, Suzanne!" said Angela angrily and desperately. "Don't deceive yourself and stick to a silly pose. You are acting now. You're talking as you think you ought to talk, as you have seen people talk in plays. This is my husband. You are in my home. Come, get your things. I will call up your mother and tell her how things stand, and she will send her auto for you."

"Oh, no," said Suzanne, "you can't do that! I can't go back there, if you tell her. I must go out in the world and get something to do until I can straighten out my own affairs. I won't be able to go home any more. Oh, what shall I do?"

"Be calm, Suzanne," said Eugene determinedly, taking her hand and looking at Angela defiantly. "She isn't going to call up your mother, and she isn't going to tell your mother. You are going to stay here, as you intended, and tomorrow you are going where you thought you were going."

"Oh, no, she isn't!" said Angela angrily, starting for the phone. "She is going home. I'm going to call her mother."

Suzanne stirred nervously. Eugene put his hand in hers to reassure her.

"Oh, no, you aren't," he said determinedly. "She isn't going home, and you are not going to touch that phone. If you do, a number of things are going to happen, and they are going to happen quick."

He moved between her and the telephone receiver, which hung in the hall outside the studio and toward which she was edging.

Angela paused at the ominous note in his voice, the determined quality of his attitude. She was surprised and amazed at the almost rough manner in which he put her aside. He had taken Suzanne's hand, he, her husband, and was begging her to be calm.

"Oh, Eugene," said Angela desperately, frightened and horrified, her anger half melted in her fears, "you don't know what you are doing! Suzanne doesn't. She won't want anything to do with you when she does. Young as she is, she will have too much womanhood."

"What are you talking about?" asked Eugene desperately. He had no idea of what Angela was driving at, not the faintest suspicion. "What are you talking about?" he repeated grimly.

"Let me say just one word to you alone, not here before Suzanne, just one, and then perhaps you will be willing to let her go home tonight."

Angela was subtle in this, a little bit wicked. She was not using her advantage in exactly the right spirit.

"What is it?" demanded Eugene sourly, expecting some trick. He had so long gnawed at the chains which bound him that the thought of any additional lengths which might be forged irritated him greatly. "Why can't you tell it here? What difference can it make?"

"It ought to make all the difference in the world. Let me say it to you alone."

Suzanne, who wondered what it could be, walked away. She was wondering what it was that Angela had to tell. The latter's manner was not exactly suggestive of the weighty secret she bore. When Suzanne was gone, Angela whispered to him.

"It's a lie!" said Eugene vigorously, desperately, hopelessly. "It's something you've trumped up for the occasion. It's just like you to say that, to do it! Pah! I don't believe it. It's a lie! It's a lie! You know it's a lie!"

"It's the truth!" said Angela angrily, pathetically, outraged in her every nerve and thought by the reception which this fact had received, and desperate to think that the announcement of a coming child by him should be received in this manner under such circumstances that it should be forced from her as a last resort, only to be received with derision and scorn. "It's the truth, and you ought to be ashamed to say that to me. What can I expect from a man, though, who would introduce another woman into his own home as you have tonight?" To think that she should be reduced to such a situation as this so suddenly! It was impossible to argue it with him here. She was ashamed now that she had introduced it at this time. He would not believe her, anyhow now, she saw that. It only enraged him and her. He was too wild. This seemed to infuriate him--to condemn her in his mind as a trickster and a sharper, someone who was using unfair means to hold him. He almost jumped away from her in disgust, and she realized that she had struck an awful blow which apparently, to him, had some elements of unfairness in it.

"Won't you have the decency after this to send her away?" she pleaded aloud, angrily, eagerly, bitterly.

Eugene was absolutely in a fury of feeling. If ever he thoroughly hated and despised Angela, he did so at that moment. To think that she should have done anything like this! To think that she should have complicated this problem of weariness of her with a thing like this! How cheap it was, how shabby! It showed the measure of the woman, to bring a child into the world, regardless of the interests of the child, in order to hold him against his will. Damn! Hell! God damn such a complicated, rotten world! No, she was lying. She could not hold him that way. It was a horrible, low, vile trick. He would have nothing to do with her. He would show her. He would leave her. He would show her that this sort of thing would not work with him. It was like every other petty thing she had ever done. Never, never, never, would he let this stand in the way. Oh, what a mean, cruel, wretched thing to do!

Suzanne came back while they were arguing. She half suspected what it was all about, but she did not dare to act or think clearly. The events of this night were too numerous, too complicated. Eugene had said so forcibly it was a lie whatever it was, that she half believed him. That was a sign surely of the little affection that existed between him and Angela. Angela was not crying. Her face was hard, white, drawn.

"I can't stay here," said Suzanne dramatically to Eugene. "I will go somewhere. I had better go to a hotel for the night. Will you call a car?"

"Listen to me, Suzanne," said Eugene vigorously and determinedly. "You love me, don't you?"

"You know I do," she replied.

Angela stirred sneeringly.

"Then you will stay here. I want you to pay no attention to anything she may say or declare. She has told me a lie tonight. I know why. Don't let her deceive you. Go to your room and your bed. I want to talk to you tomorrow. There is no need of your leaving tonight. There is plenty of room here. It's silly. You're here now--stay."

"But I don't think I'd better stay," said Suzanne nervously.

Eugene took her hand reassuringly.

"Listen to me," he began.

"But she won't stay," said Angela.

"But she will," said Eugene; "and if she don't stay, she goes with me. I will take her home."

"Oh, no, you won't!" replied Angela.

"Listen," said Eugene angrily. "This isn't six years ago, but now. I'm master of this situation, and she stays here. She stays here, or she goes with me and you look to the future as best you may. I love her. I'm not going to give her up, and if you want to make trouble, begin now. The house comes down on your head, not mine."

"Oh!" said Angela, half terrified, "what do I hear?"

"Just that. Now you go to your room. Suzanne will go to hers. I will go to mine. We will not have any more fighting here tonight. The jig is up. The die is cast. I'm through. Suzanne comes to me, if she will."

Angela walked to her room through the studio, stricken by the turn things had taken, horrified by the thoughts in her mind, unable to convince Eugene, unable to depose Suzanne, her throat dry and hot, her hands shaking, her heart beating fitfully; she felt as if her brain would burst, her heart break actually, not emotionally. She thought Eugene had gone crazy, and yet now, for the first time in her married life, she realized what a terrible mistake she had made in always trying to drive him. It hadn't worked tonight, her rage, her domineering, critical attitude. It had failed her completely, and also this scheme, this beautiful plan, this trump card on which she had placed so much reliance for a happy life, this child which she had hoped to play so effectively. He didn't believe her. He wouldn't even admit its possibility. He didn't admire her for it. He despised her! He looked on it as a trick. Oh, what an unfortunate thing it had been to mention it! And yet Suzanne must understand, she must know, she would never countenance anything like this. But what would he do? He was positively livid with rage. What fine auspices these were under which to usher a child into the world! She stared feverishly before her, and finally began to cry hopelessly.

Eugene stood in the hall beside Suzanne after she had gone. His face was drawn, his eyes hunted, his hair tousled. He looked grim and determined in his way, stronger than he had ever looked before.

"Suzanne," he said, taking the latter by her two arms and staring into her eyes, "she has told me a lie, a lie, a cold, mean, cruel lie. She'll tell it you shortly. She says she is with child by me. It isn't so. She couldn't have one. If she did, it would kill her. She would have had one long ago if she could have. I know her. She thinks this will frighten me. She thinks it will drive you away. Will it? It's a lie, do you hear me, whatever she says. It's a lie, and she knows it. Ough!" He dropped her left arm and pulled at his neck. "I can't stand this. You won't leave me. You won't believe her, will you?"

Suzanne stared into his distraught face, his handsome, desperate, significant eyes. She saw the woe there, the agony, and was sympathetic. He seemed wonderfully worthy of love, unhappy, unfortunately pursued; and yet she was frightened. Still she had promised to love him.

"No," she said fixedly, her eyes speaking a dramatic confidence.

"You won't leave here tonight?"

"No."

She smoothed his cheek with her hand.

"You will come and walk with me in the morning? I have to talk with you."

"Yes."

"Don't be afraid. Just lock your door if you are. She won't bother you. She won't do anything. She is afraid of me. She may want to talk with you, but I am close by. Do you still love me?"

"Yes."

"Will you come to me if I can arrange it?"

"Yes."

"Even in the face of what she says?"

"Yes; I don't believe her. I believe you. What difference could it make, anyhow? You don't love her."

"No," he said; "no, no, no! I never have." He drew her into his arms wearily, relievedly. "Oh, Flower Face," he said, "don't give me up! Don't grieve. Try not to, anyhow. I have been bad, as she says, but I love you. I love you, and I will stake all on that. If all this must fall about our heads, then let it fall. I love you."

Suzanne stroked his cheek with her hands nervously. She was deathly pale, frightened, but somehow courageous through it all. She caught strength from his love.

"I love you," she said.

"Yes," he replied. "You won't give me up?"

"No, I won't," she said, not really understanding the depth of her own mood. "I will be true."

"Things will be better tomorrow," he said, somewhat more quietly. "We will be calmer. We will walk and talk. You won't leave without me?"

"No."

"Please don't; for I love you, and we must talk and plan."

Chapter X

The introduction of this astonishing fact in connection with Angela was so unexpected, so morally diverting and peculiar that though Eugene denied it, half believed she was lying, he was harassed by the thought that she might be telling the truth. It was so unfair, though, was all he could think, so unkind! It never occurred to him that it was accidental, as indeed it was not, but only that it was a trick, sharp, cunning, ill-timed for him, just the thing calculated to blast his career and tie him down to the old régime when he wanted most to be free. A new life was dawning for him now. For the first time in his life he was to have a woman after his own heart, so young, so beautiful, so intellectual, so artistic! With Suzanne by his side, he was about to plumb the depths of all the joys of living. Without her, life was to be dark and dreary, and here was Angela coming forward at the critical moment disrupting this dream as best she could by the introduction of a child that she did not want, and all to hold him against his will. If ever he hated her for trickery and sharp dealing, he did so now. What would the effect on Suzanne be? How would he convince her that it was a trick? She must understand; she would. She would not let this miserable piece of chicanery stand between him and her. He turned in his bed wearily after he had gone to it, but he could not sleep. He had to say something, do something. So he arose, slipped on a dressing gown, and went to Angela's room.

That distraught soul, for all her determination and fighting capacity, was enduring for the second time in her life the fires of hell. To think that in spite of all her work, her dreams, this recent effort to bring about peace and happiness, perhaps at the expense of her own life, she was compelled to witness a scene like this. Eugene was trying to get free. He was obviously determined to do so. This scandalous relationship, when had it begun? Would her effort to hold him fail? It looked that way, and yet surely Suzanne, when she knew, when she understood, would leave him. Any woman would.

Her head ached, her hands were hot, she fancied she might be suffering a terrible nightmare, she was so sick and weak; but, no, this was her room. A little while ago she was sitting in her husband's studio, surrounded by friends, the object of much solicitude, Eugene apparently considerate and thoughtful of her, a beautiful programme being rendered for their special benefit. Now she was lying here in her room, a despised wife, an outcast from affection and happiness, the victim of some horrible sorcery of fate whereby another woman stood in her place in Eugene's affection. To see Suzanne, proud in her young beauty, confronting her with bold eyes, holding her husband's hand, saying in what seemed to her to be brutal, or insane, or silly melodramatic make-believe, "But I love him, Mrs. Witla," was maddening. Oh, God! Oh, God! Would her tortures never cease? Must all her beautiful dreams come to nothing? Would Eugene leave her, as he so violently said a little while ago? She had never seen him like this. It was terrible to see him so determined, so cold and brutal. His voice had actually been harsh and guttural, something she had never known before in him.

She trembled as she thought, and then great flashes of rage swept her only to be replaced by rushes of fear. She was in such a terrific position. The woman was with him, young, defiant, beautiful. She had heard him call to her, had heard them talking. Once she thought that now would be the time to murder him, Suzanne, herself, the coming life and end it all; but at this critical moment, having been sick and having grown so much older, with this problem of the coming life before her, she had no chart to go by. She tried to console herself with the thought that he must abandon his course, that he would when the true force of what she had revealed had had time to sink home; but it had not had time yet. Would it before he did anything rash? Would it before he had completely compromised himself and Suzanne? Judging from her talk and his, he had not as yet, or she thought not. What was he going to do? What was he going to do?

Angela feared as she lay there that in spite of her revelation he might really leave her immediately. There might readily spring a terrible public scandal out of all this. The mockery of their lives laid bare; the fate of the child jeopardized; Eugene, Suzanne, and herself disgraced, though she had little thought for Suzanne. Suzanne might get him, after all. She might accidentally be just hard and cold enough. The world might possibly forgive him. She herself might die! What an end, after all her dreams of something bigger, better, surer! Oh, the pity, the agony of this! The terror and horror of a wrecked life!

And then Eugene came into the room.

He was haggard, stormy-eyed, thoughtful, melancholy, as he entered. He stood in the doorway first, intent, then clicked a little night-lamp button which threw on a very small incandescent light near the head of Angela's bed, and then sat down in a rocking-chair which the nurse had placed near the medicine table. Angela had so much improved that no night nurse was needed--only a twelve-hour one.

"Well," he said solemnly but coldly, when he saw her pale, distraught, much of her old, youthful beauty still with her, "you think you have scored a splendid trick, don't you? You think you have sprung a trap? I simply came in here to tell you that you haven't--that you have only seen the beginning of the end. You say you are going to have a child. I don't believe it. It's a lie, and you know it's a lie. You saw that there was an end coming to all this state of weariness some time, and this is your answer. Well, you've played one trick too many, and you've played it in vain. You lose. I win this time. I'm going to be free now, I want to say to you, and I am going to be free if I have to turn everything upside down. I don't care if there were seventeen prospective children instead of one. It's a lie, in the first place; but if it isn't, it's a trick, and I'm not going to be tricked any longer. I've had all I want of domination and trickery and cheap ideas. I'm through now, do you hear me? I'm through."

He felt his forehead with a nervous hand. His head ached, he was half sick. This was such a dreary pit to find himself in, this pit of matrimony, chained by a domineering wife and a trickily manoeuvred child. His child! What a mockery at this stage of his life! How he hated the thought of that sort of thing, how cheap it all seemed!

Angela, who was wide-eyed, flushed, exhausted, lying staring on her pillow, asked in a weary, indifferent voice: "What do you want me to do, Eugene, leave you?"

"I'll tell you, Angela," he said sepulchrally, "I don't know what I want you to do just at this moment. The old life is all over. It's as dead as dead can be. For eleven or twelve years now I have lived with you, knowing all the while that I was living a lie. I have never really loved you since we were married. You know that. I may have loved you in the beginning, yes, I did, and at Blackwood, but that was a long, long while ago. I never should have married you. It was a mistake, but I did, and I've paid for it, inch by inch. You have, too. You have insisted all along that I ought to love you. You have browbeaten and abused me for something I could no more do than I could fly. Now, at this last minute, you introduce a child to hold me. I know why you have done it. You imagine that in some way you have been appointed by God to be my mentor and guardian. Well, I tell you now that you haven't. It's all over. If there were fifty children, it's all over. Suzanne isn't going to believe any such cheap story as that, and if she did she wouldn't leave me. She knows why you do it. All the days of weariness are over for me, all the days of being afraid. I'm not an ordinary man, and I'm not going to live an ordinary life. You have always insisted on holding me down to the little, cheap conventions as you have understood them. Out in Wisconsin, out in Blackwood. Nothing doing. It's all over from now on. Everything's over. This house, my job, my real estate deal--everything. I don't care what your condition is. I love this girl in there, and I'm going to have her. Do you hear me? I love her, and I'm going to have her. She's mine. She suits me. I love her, and no power under God is going to stay me. Now you think this child proposition you have fixed up is going to stay me, but you are going to find out that it can't, that it won't. It's a trick, and I know it, and you know it. It's too late. It might have last year, or two years ago, or three, but it won't work now. You have played your last card. That girl in there belongs to me, and I'm going to have her."

Again he smoothed his face in a weary way, pausing to sway the least bit in his chair. His teeth were set, his eyes hard. Consciously he realized that it was a terrible situation that confronted him, hard to wrestle with.

Angela gazed at him with the eyes of one who is not quite sure that she even sees aright. She knew that Eugene had developed. He had become stronger, more urgent, more defiant, during all these years in which he had been going upward. He was no more like the Eugene who had clung to her for companionship in the dark days at Biloxi and elsewhere than a child is like a grown man. He was harder, easier in his manner, more indifferent, and yet, until now, there had never been a want of traces of the old Eugene. What had become of them so suddenly? Why was he so raging, so bitter? This girl, this foolish, silly, selfish girl, with her Circe gift of beauty, by tolerance of his suit, by yielding, perhaps by throwing herself at Eugene's head, had done this thing. She had drawn him away from her in spite of the fact that they had appeared to be happily mated. Suzanne did not know that they were not. In this mood he might actually leave her, even as she was, with child. It depended on the girl. Unless she could influence her, unless she could bring pressure to bear in some way, Eugene might readily be lost to her, and then what a tragedy! She could not afford to have him go now. Why, in six months----! She shivered at the thought of all the misery a separation would entail. His position, their child, society, this apartment. Dear God, it would drive her crazy if he were to desert her now!

"Oh, Eugene," she said quite sadly and without any wrath in her voice at this moment, for she was too torn, terrified and disheveled in spirit to feel anything save a haunting sense of fear, "you don't know what a terrible mistake you are making. I did do this thing on purpose, Eugene. It is true. Long ago in Philadelphia with Mrs. Sanifore I went to a physician to see if it were possible that I might have a child. You know that I always thought that I couldn't. Well, he told me that I could. I went because I thought that you needed something like that, Eugene, to balance you. I knew you didn't want one. I thought you would be angry when I told you. I didn't act on it for a long while. I didn't want one myself. I hoped that it might be a little girl if ever there was one, because I know that you like little girls. It seems silly now in the face of what has happened tonight. I see what a mistake I have made. I see what the mistake is, but I didn't mean it evilly, Eugene. I didn't. I wanted to hold you, to bind you to me in some way, to help you. Do you utterly blame me, Eugene? I'm your wife, you know."

He stirred irritably, and she paused, scarcely knowing how to go on. She could see how terribly irritated he was, how sick at heart, and yet she resented this attitude on his part. It was so hard to endure when all along she had fancied that she had so many just claims on him, moral, social, other claims, which he dare not ignore. Here she was now, sick, weary, pleading with him for something that ought justly be hers--and this coming child's!

"Oh, Eugene," she said quite sadly, and still without any wrath in her voice, "please think before you make a mistake. You don't really love this girl, you only think you do. You think she is beautiful and good and sweet and you are going to tear everything up and leave me, but you don't love her, and you are going to find it out. You don't love anyone, Eugene. You can't. You are too selfish. If you had any real love in you, some of it would have come out to me, for I have tried to be all that a good wife should be, but it has been all in vain. I've known you haven't liked me all these years. I've seen it in your eyes, Eugene. You have never come very close to me as a lover should unless you had to or you couldn't avoid me. You have been cold and indifferent, and now that I look back I see that it has made me so. I have been cold and hard. I've tried to steel myself to match what I thought was your steeliness, and now I see what it has done for me. I'm sorry. But as for her, you don't love her and you won't. She's too young. She hasn't any ideas that agree with yours. You think she's soft and gentle, and yet big and wise, but do you think if she had been that she could have stood up there as she did tonight and looked me in the eyes--me, your wife--and told me that she loved you--you, my husband? Do you think if she had any shame she would be in there now knowing what she does, for I suppose you have told her? What kind of a girl is that, anyway? You call her good? Good! Would a good girl do anything like that?"

"What is the use of arguing by appearances?" asked Eugene, who had interrupted her with exclamations of opposition and bitter comments all through the previous address. "The situation is one which makes anything look bad. She didn't intend to be put in a position where she would have to tell you that she loved me. She didn't come here to let me make love to her in this apartment. I made love to her. She's in love with me, and I made her love me. I didn't know of this other thing. If I had, it wouldn't have made any difference. However, let that be as it will. So it is. I'm in love with her, and that's all there is to it."

Angela stared at the wall. She was half propped up on a pillow, and had no courage now to speak of and no fighting strength.

"I know what it is with you, Eugene," she said, after a time; "it's the yoke that galls. It isn't me only; it's anyone. It's marriage. You don't want to be married. It would be the same with any woman who might ever have loved and married you, or with any number of children. You would want to get rid of her and them. It's the yoke that galls you, Eugene. You want your freedom, and you won't be satisfied until you have it. A child wouldn't make any difference. I can see that now."

"I want my freedom," he exclaimed bitterly and inconsiderately, "and, what's more, I'm going to have it! I don't care. I'm sick of lying and pretending, sick of common little piffling notions of what you consider right and wrong. For eleven or twelve years now I have stood it. I have sat with you every morning at breakfast and every evening at dinner, most of the time when I didn't want to. I have listened to your theories of life when I didn't believe a word of what you said, and didn't care anything about what you thought. I've done it because I thought I ought to do it so as not to hurt your feelings, but I'm through with all that. What have I had? Spying on me, opposition, searching my pockets for letters, complaining if I dared to stay out a single evening and did not give an account of myself.

"Why didn't you leave me after that affair at Riverdale? Why do you hang on to me when I don't love you? One'd think I was prisoner and you my keeper. Good Christ! When I think of it, it makes me sick! Well, there's no use worrying over that any more. It's all over. It's all beautifully over, and I'm done with it. I'm going to live a life of my own hereafter. I'm going to carve out some sort of a career that suits me. I'm going to live with someone that I can really love, and that's the end of it. Now you run and do anything you want to."

He was like a young horse that had broken rein and that thinks that by rearing and plunging he shall become forever free. He was thinking of green fields and delightful pastures. He was free now, in spite of what she had told him. This night had made him so, and he was going to remain free. Suzanne would stand by him, he felt it. He was going to make it perfectly plain to Angela that never again, come what may, would things be as they were.

"Yes, Eugene," she replied sadly, after listening to his protestations on this score, "I think that you do want your freedom, now that I see you. I'm beginning to see what it means to you. But I have made such a terrible mistake. Are you thinking about me at all? What shall I do? It is true that there will be a child unless I die. I may die. I'm afraid of that, or I was. I am not now. The only reason I would care to live would be to take care of it. I didn't think I was going to be ill with rheumatism. I didn't think my heart was going to be affected in this way. I didn't think that you were going to do as you have done, but now that you have, nothing matters. Oh," she said sadly, hot tears welling to her eyes, "it is all such a mistake! If I only hadn't done this!"

Eugene stared at the floor. He wasn't softened one bit. He did not think she was going to die--no such luck! He was thinking that this merely complicated things, or that she might be acting, but that it could not stand in his way. Why had she tried to trick him in this way? It was her fault. Now she was crying, but that was the old hypocrisy of emotion that she had used so often. He did not intend to desert her absolutely. She would have plenty to live on. Merely he did not propose to live with her, if he could help it, or only nominally, anyhow. The major portion of his time should be given to Suzanne.

"I don't care what it costs," he said finally. "I don't propose to live with you. I didn't ask you to have a child. It was none of my doing. You're not going to be deserted financially, but I'm not going to live with you."

He stirred again, and Angela stared hot-cheeked. The hardness of the man enraged her for the moment. She did not believe that she would starve, but their improving surroundings, their home, their social position, would be broken up completely.

"Yes, yes. I understand," she pleaded, with an effort at controlling herself, "but I am not the only one to be considered. Are you thinking of Mrs. Dale, and what she may do and say? She isn't going to let you take Suzanne if she knows it, without doing something about it. She is an able woman. She loves Suzanne, however self-willed she may be. She likes you now, but how long do you think she is going to like you when she learns what you want to do with her daughter? What are you going to do with her? You can't marry her under a year even if I were willing to give you a divorce. You could scarcely get a divorce in that time."

"I'm going to live with her, that's what I'm going to do," declared Eugene. "She loves me, she's willing to take me just as I am. She doesn't need marriage ceremonies and rings and vows and chains. She doesn't believe in them. As long as I love her, all right. When I cease to love her, she doesn't want me any more. Some difference in that, isn't there?" he added bitterly. "It doesn't sound exactly like Blackwood, does it?"

Angela bridled. His taunts were cruel.

"She says that, Eugene," she replied quietly, "but she hasn't had time to think. You've hypnotized her for the moment. She's fascinated. When she stops to think later, if she has any sense, any pride---- But, oh, why should I talk, you won't listen. You won't think." Then she added: "But what do you propose to do about Mrs. Dale? Don't you suppose she will fight you, even if I do not? I wish you would stop and think, Eugene. This is a terrible thing you are doing."

"Think! Think!" he exclaimed savagely and bitterly. "As though I had not been thinking all these years. Think! Hell! I haven't done anything but think. I've thought until the soul within me is sick. I've thought until I wish to God I could stop. I've thought about Mrs. Dale. Don't you worry about her. I'll settle this matter with her later. Just now I want to convince you of what I am going to do. I'm going to have Suzanne, and you're not going to stop me."

"Oh, Eugene," sighed Angela, "if something would only make you see! It is partially my fault. I have been hard and suspicious and jealous, but you have given me some cause to be, don't you think? I see now that I have made a mistake. I have been too hard and too jealous, but I could reform if you would let me try." (She was thinking now of living, not dying.) "I know I could. You have so much to lose. Is this change worth it? You know so well how the world looks at these things. Why, even if you should obtain your freedom from me under the circumstances, what do you suppose the world would think? You couldn't desert your child. Why not wait and see what happens? I might die. There have been such cases. Then you would be free to do as you pleased. That is only a little way off."

It was a specious plea, calculated to hold him; but he saw through it.

"Nothing doing!" he exclaimed, in the slang of the day. "I know all about that. I know what you're thinking. In the first place, I don't believe you are in the condition you say you are. In the next place, you're not going to die. I don't propose to wait to be free. I know you, and I've no faith in you. What I do needn't affect your condition. You're not going to starve. No one need know, unless you start a row about it. Suzanne and I can arrange this between ourselves. I know what you're thinking, but you're not going to interfere. If you do, I'll smash everything in sight--you, this apartment, my job----" He clenched his hands desperately, determinedly.

Angela's hands were tingling with nervous pains while Eugene talked. Her eyes ached and her heart fluttered. She could not understand this dark, determined man, so savage and so resolute in his manner. Was this Eugene who was always moving about quietly when he was near her, getting angry at times, but always feeling sorry and apologizing? She had boasted to some of her friends, and particularly to Marietta, in a friendly, jesting way that she could wind Eugene around her little finger. He was so easy-going in the main, so quiet. Here he was a raging demon almost, possessed of an evil spirit of desire and tearing up his and hers and Suzanne's life for that matter, by the roots. She did not care for Suzanne, though, now, or Mrs. Dale. Her own blighted life, and Eugene's, looming so straight ahead of her terrified her.

"What do you suppose Mr. Colfax will do when he hears of this?" she asked desperately, hoping to frighten him.

"I don't care a damn what Mr. Colfax will or can do!" he replied sententiously. "I don't care a damn what anybody does or says or thinks. I love Suzanne Dale. She loves me. She wants me. There's an end of that. I'm going to her now. You stay me if you can."

Suzanne Dale! Suzanne Dale! How that name enraged and frightened Angela! Never before had she witnessed quite so clearly the power of beauty. Suzanne Dale was young and beautiful. She was looking at her only tonight thinking how fascinating she was--how fair her face--and here was Eugene bewitched by it, completely undone. Oh, the terror of beauty! The terror of social life generally! Why had she entertained? Why become friendly with the Dales? But then there were other personalities, almost as lovely and quite as young--Marjorie McLennan, Florence Reel, Henrietta Tenman, Annette Kean. It might have been any one of these. She couldn't have been expected to shut out all young women from Eugene's life. No; it was Eugene. It was his attitude toward life. His craze about the beautiful, particularly in women. She could see it now. He really was not strong enough. Beauty would always upset him at critical moments. She had seen it in relation to herself--the beauty of her form, which he admired so, or had admired. "God," she prayed silently, "give me wisdom now. Give me strength. I don't deserve it, but help me. Help me to save him. Help me to save myself."

"Oh, Eugene," she said aloud, hopelessly, "I wish you would stop and think. I wish you would let Suzanne go her way in the morning, and you stay sane and calm. I won't care about myself. I can forgive and forget. I'll promise you I'll never mention it. If a child comes, I'll do my best not to let it annoy you. I'll try yet not to have one. It may not be too late. I'll change from this day forth. Oh!" She began to cry.

"No! By God!" he said, getting up. "No! No! No! I'm through now. I'm through! I've had enough of fake hysterics and tears. Tears one minute, and wrath and hate the next. Subtlety! Subtlety! Subtlety! Nothing doing. You've been master and jailer long enough. It's my turn now. I'll do a little jailing and task-setting for a change. I'm in the saddle, and I'm going to stay there. You can cry if you want to, you can do what you please about the child. I'm through. I'm tired, and I'm going to bed, but this thing is going to stand just as it does. I'm through, and that's all there is to it."

He strode out of the room angrily and fiercely, but nevertheless, when he reached it, he sat in his own room, which was on the other side of the studio from Angelas, and did not sleep. His mind was on fire with the thought of Suzanne; he thought of the old order which had been so quickly and so terribly broken. Now, if he could remain master, and he could, he proposed to take Suzanne. She would come to him, secretly no doubt, if necessary. They would open a studio, a second establishment. Angela might not give him a divorce. If what she said was true, she couldn't. He wouldn't want her to, but he fancied from this conversation that she was so afraid of him that she would not stir up any trouble. There was nothing she could really do. He was in the saddle truly, and would stay there. He would take Suzanne, would provide amply for Angela, would visit all those lovely public resorts he had so frequently seen, and he and Suzanne would be happy together.

Suzanne! Suzanne! Oh, how beautiful she was! And to think how nobly and courageously she had stood by him tonight. How she had slipped her hand into his so sweetly and had said, "But I love him, Mrs. Witla." Yes, she loved him. No doubt of that. She was young, exquisite, beautifully rounded in her budding emotion and feeling. She was going to develop into a wonderful woman, a real one. And she was so young. What a pity it was he was not free now! Well, wait, this would right all things, and, meanwhile, he would have her. He must talk to Suzanne. He must tell her how things stood. Poor little Suzanne! There she was in her room wondering what was to become of her, and here was he. Well, he couldn't go to her tonight. It did not look right, and, besides, Angela might fight still. But tomorrow! Tomorrow! Oh, tomorrow he would walk and talk with her, and they would plan. Tomorrow he would show her just what he wanted to do and find out what she could do.