Read here

The French Revolution - Volume 3

Hippolyte Taine · Public domain text

224,200 words · about 15 h 42 min to read

About this edition

The text of The French Revolution - Volume 3 comes from Project Gutenberg e-text #2580. It is in English and public domain in the United States. Translated by John Durand. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

This book is long enough to be split into 8 parts, so each one loads quickly on its own.

About this book

Author
Hippolyte Taine (1828–1893)
Language
English
Subjects
France › History › Revolution, 1789-1799
Length
224,200 words · about 15 h 42 min
Sections
11 reader sections · Table of contents
Contents (11)
  1. Opening about 1 min
  2. Preface about 3 min
  3. I. JACOBIN GOVERNMENT about 1 h 34 min
  4. I. THE JACOBIN PARTY about 1 h 17 min
  5. II. REACTIONARY CONCEPT OF THE STATE about 55 min
  6. I. PSYCHOLOGY OF THE JACOBIN LEADERS about 1 h 33 min
  7. II. THE RULERS OF THE COUNTRY about 1 h 43 min
  8. III. THE RULERS. (continued) about 2 h 17 min
  9. I. THE OPPRESSED about 1 h 59 min
  10. II. FOOD AND PROVISIONS about 2 h 17 min
  11. I. THE CONVENTION about 2 h 3 min

The opening of Preface

"In Egypt," says Clement of Alexandria,[1101] "the sanctuaries of the temples are shaded by curtains of golden tissue. But on going further into the interior in quest of the statue, a priest of grave aspect, advancing to meet you and chanting a hymn in the Egyptian tongue, slightly raises a veil to show you the god. And what do you behold? A crocodile, or some indigenous serpent, or other dangerous animal, the Egyptian god being a beast sprawling on a purple carpet."

We need not visit Egypt or go so far back in history to encounter crocodile worship, as this can be readily found in France at the end of the last century.--Unfortunately, a hundred years is too long an interval, too far away, for an imaginative retrospect of the past. At the present time, standing where we do and regarding the horizon behind us, we see only forms which the intervening atmosphere embellishes, shimmering contours which each spectator may interpret in his own fashion; no distinct, animated figure, but merely a mass of moving points, forming and dissolving in the midst of picturesque architecture.

Read on in Part 1 →