← The Complete Poetical Works of Percy Bysshe Shelley — Complete

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Part 12 of 15 · Percy Bysshe Shelley · Public domain text

About this edition

Source: Project Gutenberg e-text #4800, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (71)
  1. Opening under 1 min
  2. Preface about 15 min
  3. Postscript about 16 min
  4. Part 1 about 8 min
  5. Part 2 about 11 min
  6. Preface about 29 min
  7. Author’S Preface about 13 min
  8. Dedication about 5 min
  9. Canto 1 about 19 min
  10. Canto 2 about 15 min
  11. Canto 3 about 11 min
  12. Canto 4 about 11 min
  13. Canto 5 about 22 min
  14. Canto 6 about 18 min
  15. Canto 7 about 13 min
  16. Canto 8 about 10 min
  17. Canto 9 about 12 min
  18. Canto 10 about 15 min
  19. Canto 11 about 8 min
  20. Canto 12 about 20 min
  21. Part 1 about 4 min
  22. 2. FRAGMENT 1 about 50 min
  23. Preface about 27 min
  24. Preface about 7 min
  25. Dramatis Personae under 1 min
  26. Act 1 about 28 min
  27. Act 2, Scene 1 — MORNING. A LOVELY VALE IN THE INDIAN CAUCASUS. ASIA, ALONE about 10 min
  28. Act 2, Scene 3 — A PINNACLE OF ROCK AMONG MOUNTAINS. ASIA AND PANTHEA about 3 min
  29. Act 2, Scene 4 — THE CAVE OF DEMOGORGON. ASIA AND PANTHEA about 10 min
  30. Act 3, Scene 1 — HEAVEN. JUPITER ON HIS THRONE; THETIS AND THE OTHER DEITIES ASSEMBLED about 18 min
  31. Act 4 about 34 min
  32. Preface about 9 min
  33. Act 1, Scene 1 — AN APARTMENT IN THE CENCI PALACE. ENTER COUNT CENCI AND CARDINAL CAMILLO about 5 min
  34. Act 1, Scene 2 — A GARDEN OF THE CENCI PALACE. ENTER BEATRICE AND ORSINO, AS IN CONVERSATION about 10 min
  35. Act 2, Scene 1 — AN APARTMENT IN THE CENCI PALACE. ENTER LUCRETIA AND BERNARDO about 7 min
  36. Act 2, Scene 2 — A CHAMBER IN THE VATICAN. ENTER CAMILLO AND GIACOMO, IN CONVERSATION about 5 min
  37. Act 3, Scene 1 — AN APARTMENT IN THE CENCI PALACE. LUCRETIA, TO HER ENTER BEATRICE about 14 min
  38. Act 3, Scene 2 — A MEAN APARTMENT IN GIACOMO’S HOUSE. GIACOMO ALONE about 3 min
  39. Act 4, Scene 1 — AN APARTMENT IN THE CASTLE OF PETRELLA. ENTER CENCI about 7 min
  40. Act 4, Scene 2 — BEFORE THE CASTLE OF PETRELLA. ENTER BEATRICE AND LUCRETIA ABOVE ON THE RAMPARTS about 2 min
  41. Act 4, Scene 3 — AN APARTMENT IN THE CASTLE. ENTER BEATRICE AND LUCRETIA about 10 min
  42. Act 5, Scene 1 — AN APARTMENT IN ORSINO’S PALACE. ENTER ORSINO AND GIACOMO about 4 min
  43. Act 5, Scene 2 — A HALL OF JUSTICE. CAMILLO, JUDGES, ETC., ARE DISCOVERED SEATED; MARZIO IS LED IN about 7 min
  44. Act 5, Scene 3 — THE CELL OF A PRISON. BEATRICE IS DISCOVERED ASLEEP ON A COUCH. ENTER BERNARDO about 5 min
  45. Act 5, Scene 4 — A HALL OF THE PRISON. ENTER CAMILLO AND BERNARDO about 30 min
  46. Dedication about 3 min
  47. Prologue about 1 min
  48. 1. DEATH about 2 min
  49. 2. THE DEVIL about 2 min
  50. 3. HELL about 3 min
  51. 4. SIN about 3 min
  52. 5. GRACE about 2 min
  53. 6. DAMNATION about 5 min
  54. 7. DOUBLE DAMNATION about 48 min
  55. Dramatis Personae under 1 min
  56. Act 1 about 15 min
  57. Act 2, Scene 2 — THE PUBLIC STY. THE BOARS IN FULL ASSEMBLY. ENTER PURGANAX about 48 min
  58. Preface about 25 min
  59. Preface about 1 h 6 min
  60. Dramatis Personae under 1 min
  61. 1. THE MASQUE OF THE INNS OF COURT about 27 min
  62. 4. HAMPDEN, PYM, CROMWELL, HIS DAUGHTER, AND YOUNG SIR HARRY VANE about 2 min
  63. Scene 5 about 2 h 11 min
  64. Part 1 about 4 min
  65. Part 2 about 2 min
  66. Part 3 about 3 h 38 min
  67. Scene 1 about 11 min
  68. Scene 2 about 6 min
  69. Scene 3 about 7 min
  70. 1. PROLOGUE IN HEAVEN about 5 min
  71. 2. MAY-DAY NIGHT about 5 h 33 min

Continue:

Part 1

A Sensitive Plant in a garden grew, And the young winds fed it with silver dew, And it opened its fan-like leaves to the light. And closed them beneath the kisses of Night.

And the Spring arose on the garden fair, _5 Like the Spirit of Love felt everywhere; And each flower and herb on Earth’s dark breast Rose from the dreams of its wintry rest.

But none ever trembled and panted with bliss In the garden, the field, or the wilderness, _10 Like a doe in the noontide with love’s sweet want, As the companionless Sensitive Plant.

The snowdrop, and then the violet, Arose from the ground with warm rain wet, And their breath was mixed with fresh odour, sent _15 From the turf, like the voice and the instrument.

Then the pied wind-flowers and the tulip tall, And narcissi, the fairest among them all, Who gaze on their eyes in the stream’s recess, Till they die of their own dear loveliness; _20

And the Naiad-like lily of the vale, Whom youth makes so fair and passion so pale That the light of its tremulous bells is seen Through their pavilions of tender green;

And the hyacinth purple, and white, and blue, _25 Which flung from its bells a sweet peal anew Of music so delicate, soft, and intense, It was felt like an odour within the sense;

And the rose like a nymph to the bath addressed, Which unveiled the depth of her glowing breast, _30 Till, fold after fold, to the fainting air The soul of her beauty and love lay bare:

And the wand-like lily, which lifted up, As a Maenad, its moonlight-coloured cup, Till the fiery star, which is its eye, Gazed through clear dew on the tender sky; _35

And the jessamine faint, and the sweet tuberose, The sweetest flower for scent that blows; And all rare blossoms from every clime Grew in that garden in perfect prime. _40

And on the stream whose inconstant bosom Was pranked, under boughs of embowering blossom, With golden and green light, slanting through Their heaven of many a tangled hue,

Broad water-lilies lay tremulously, _45 And starry river-buds glimmered by, And around them the soft stream did glide and dance With a motion of sweet sound and radiance.

And the sinuous paths of lawn and of moss, Which led through the garden along and across, _50 Some open at once to the sun and the breeze, Some lost among bowers of blossoming trees,

Were all paved with daisies and delicate bells As fair as the fabulous asphodels, And flow’rets which, drooping as day drooped too, _55 Fell into pavilions, white, purple, and blue, To roof the glow-worm from the evening dew.

And from this undefiled Paradise The flowers (as an infant’s awakening eyes Smile on its mother, whose singing sweet _60 Can first lull, and at last must awaken it),

When Heaven’s blithe winds had unfolded them, As mine-lamps enkindle a hidden gem, Shone smiling to Heaven, and every one _65 Shared joy in the light of the gentle sun;

For each one was interpenetrated With the light and the odour its neighbour shed, Like young lovers whom youth and love make dear Wrapped and filled by their mutual atmosphere.

But the Sensitive Plant which could give small fruit _70 Of the love which it felt from the leaf to the root, Received more than all, it loved more than ever, Where none wanted but it, could belong to the giver,—

For the Sensitive Plant has no bright flower; Radiance and odour are not its dower; _75 It loves, even like Love, its deep heart is full, It desires what it has not, the Beautiful!

The light winds which from unsustaining wings Shed the music of many murmurings; The beams which dart from many a star _80 Of the flowers whose hues they bear afar;

The plumed insects swift and free, Like golden boats on a sunny sea, Laden with light and odour, which pass Over the gleam of the living grass; _85

The unseen clouds of the dew, which lie Like fire in the flowers till the sun rides high, Then wander like spirits among the spheres, Each cloud faint with the fragrance it bears;

The quivering vapours of dim noontide, _90 Which like a sea o’er the warm earth glide, In which every sound, and odour, and beam, Move, as reeds in a single stream;

Each and all like ministering angels were For the Sensitive Plant sweet joy to bear, _95 Whilst the lagging hours of the day went by Like windless clouds o’er a tender sky.

And when evening descended from Heaven above, And the Earth was all rest, and the air was all love, And delight, though less bright, was far more deep, _100 And the day’s veil fell from the world of sleep,

And the beasts, and the birds, and the insects were drowned In an ocean of dreams without a sound; Whose waves never mark, though they ever impress The light sand which paves it, consciousness; _105

(Only overhead the sweet nightingale Ever sang more sweet as the day might fail, And snatches of its Elysian chant Were mixed with the dreams of the Sensitive Plant);—

The Sensitive Plant was the earliest _110 Upgathered into the bosom of rest; A sweet child weary of its delight, The feeblest and yet the favourite, Cradled within the embrace of Night.

NOTES: _6 Like the Spirit of Love felt 1820; And the Spirit of Love felt 1839, 1st edition; And the Spirit of Love fell 1839, 2nd edition. _49 and of moss]and moss Harvard manuscript. _82 The]And the Harvard manuscript.

Part 2

There was a Power in this sweet place, An Eve in this Eden; a ruling Grace Which to the flowers, did they waken or dream, Was as God is to the starry scheme.

A Lady, the wonder of her kind, _5 Whose form was upborne by a lovely mind Which, dilating, had moulded her mien and motion Like a sea-flower unfolded beneath the ocean,

Tended the garden from morn to even: And the meteors of that sublunar Heaven, _10 Like the lamps of the air when Night walks forth, Laughed round her footsteps up from the Earth!

She had no companion of mortal race, But her tremulous breath and her flushing face Told, whilst the morn kissed the sleep from her eyes, _15 That her dreams were less slumber than Paradise:

As if some bright Spirit for her sweet sake Had deserted Heaven while the stars were awake, As if yet around her he lingering were, Though the veil of daylight concealed him from her. _20

Her step seemed to pity the grass it pressed; You might hear by the heaving of her breast, That the coming and going of the wind Brought pleasure there and left passion behind.

And wherever her aery footstep trod, _25 Her trailing hair from the grassy sod Erased its light vestige, with shadowy sweep, Like a sunny storm o’er the dark green deep.

I doubt not the flowers of that garden sweet Rejoiced in the sound of her gentle feet; _30 I doubt not they felt the spirit that came From her glowing fingers through all their frame.

She sprinkled bright water from the stream On those that were faint with the sunny beam; And out of the cups of the heavy flowers _35 She emptied the rain of the thunder-showers.

She lifted their heads with her tender hands, And sustained them with rods and osier-bands; If the flowers had been her own infants, she Could never have nursed them more tenderly. _40

And all killing insects and gnawing worms, And things of obscene and unlovely forms, She bore, in a basket of Indian woof, Into the rough woods far aloof,—

In a basket, of grasses and wild-flowers full, _45 The freshest her gentle hands could pull For the poor banished insects, whose intent, Although they did ill, was innocent.

But the bee and the beamlike ephemeris Whose path is the lightning’s, and soft moths that kiss _50 The sweet lips of the flowers, and harm not, did she Make her attendant angels be.

And many an antenatal tomb, Where butterflies dream of the life to come, She left clinging round the smooth and dark _55 Edge of the odorous cedar bark.

This fairest creature from earliest Spring Thus moved through the garden ministering Mid the sweet season of Summertide, And ere the first leaf looked brown—she died! _60

NOTES: _15 morn Harvard manuscript, 1839; moon 1820. _23 and going 1820; and the going Harvard manuscript, 1839. _59 All 1820, 1839; Through all Harvard manuscript.