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The Complete Poetical Works of Henry Wadsworth Longfellow (part 5 of 13)

Part 5 of 13 · Henry Wadsworth Longfellow · Public domain text

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Source: Project Gutenberg e-text #1365, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (73)
  1. Opening about 7 min
  2. III. THE NEW ENGLAND TRAGEDIES. John Endicott Giles Corey of the Salem Farms Finale. St. John about 44 min
  3. Dramatis Personae under 1 min
  4. Act I about 6 min
  5. Act I, Scene III — PRECIOSA'S chamber. She stands at the open window about 6 min
  6. Act I, Scene IV — An inn on the road to Alcala. BALTASAR asleep on a bench. Enter CHISPA about 2 min
  7. Act I, Scene V — VICTORIAN'S chambers at Alcala. HYPOLITO asleep in an arm-chair. He awakes slowly about 7 min
  8. Act II, Scene I — PRECIOSA'S chamber. Morning. PRECIOSA and ANGELICA about 4 min
  9. Act II, Scene II — A room in the ARCHBISHOP'S Palace. The ARCHBISHOP and a CARDINAL seated about 13 min
  10. Act II, Scene V — The COUNT OF LARA'S rooms. Enter the COUNT about 1 min
  11. Act II, Scene VI — A retired spot beyond the city gates. Enter VICTORIAN and HYPOLITO about 3 min
  12. Act II, Scene VII — A lane in the suburbs. Night. Enter CRUZADO and BARTOLOME about 1 min
  13. Act II, Scene IX — The COUNT OF LARA'S chambers. LARA and his friends at supper about 1 min
  14. Act II, Scene X — Street and garden wall. Night. Enter CRUZADO and BARTOLOME about 2 min
  15. Act III about 7 min
  16. Act III, Scene III — A room in the PADRE CURA'S house. Enter the PADRE and HYPOLITO about 1 h 56 min
  17. Dedication about 30 min
  18. Introduction about 6 h 53 min
  19. The Complete Poetical Works of Henry Wadsworth Longfellow (part 6 of 13) about 1 h 58 min
  20. Dedication about 2 h 2 min
  21. Epilogue about 5 min
  22. Prologue about 1 h 58 min
  23. Epilogue about 7 min
  24. Dramatis Personae under 1 min
  25. Prologue about 2 min
  26. Act I, Scene I — Sunday afternoon. The interior of the Meeting-house about 10 min
  27. Act II, Scene I — JOHN ENDICOTT's room. Early morning about 8 min
  28. Act II, Scene III — A room in the Governor's house, Enter GOVERNOR ENDICOTT and MERRY about 4 min
  29. Act III about 8 min
  30. Act III, Scene II — A street. Enter JOHN ENDICOTT and UPSALL about 1 min
  31. Act III, Scene III — The prison. Night. EDITH reading the Bible by a lamp about 3 min
  32. Act IV about 6 min
  33. Act IV, Scene III — The Governor's private room. Papers upon the table about 4 min
  34. Act IV, Scene V — The Wilderness. Enter EDITH about 1 min
  35. Act V, Scene I — Daybreak. Street in front of UPSALL's house. A light in the window. Enter JOHN ENDICOTT about 2 min
  36. Act V, Scene II — The parlor of the Three Mariners. Enter KEMPTHORN about 3 min
  37. Act V, Scene III — GOVERNOR ENDICOTT'S private room. An open window about 3 min
  38. Dramatis Personae under 1 min
  39. Prologue about 2 min
  40. Act I, Scene I — The woods near Salem Village. Enter TITUBA, with a basket of herbs about 3 min
  41. Act I, Scene II — A room at JUSTICE HATHORNE'S. A clock in the corner. Enter HATHORNE and MATHER about 4 min
  42. Act I, Scene III — A room in WALCOT'S House. MARY WALCOT seated in an arm-chair. TITUBA with a mirror about 3 min
  43. Act II, Scene I — GILES COREY's farm. Morning. Enter COREY, with a horseshoe and a hammer about 7 min
  44. Act II, Scene III — COREY's kitchen. A table with supper. MARTHA knitting about 4 min
  45. Act III, Scene I — GILES COREY'S kitchen. Morning. COREY and MARTHA sitting at the breakfast-table about 2 min
  46. Act III, Scene II — A street in Salem Village. Enter MATHER and HATHORNE about 2 min
  47. Act III, Scene III — A room in COREY's house. MARTHA and two Deacons of the church about 4 min
  48. Act III, Scene IV — Meadows on Ipswich River, COREY and his men mowing; COREY in advance about 4 min
  49. Act IV about 9 min
  50. Act V, Scene I — COREy's farm as in Act II., Scene I. Enter RICHARD GARDNER, looking round him about 2 min
  51. Act V, Scene II — The prison. GILES COREY at a table on which are some papers about 3 min
  52. Act V, Scene III — A street in the Village. Enter GLOYD and others about 3 min
  53. Act I under 1 min
  54. Act I, Scene I — ANTIOCHUS; JASON about 3 min
  55. Act I, Scene II — ANTIOCHUS; JASON; THE SAMARITAN AMBASSADORS about 1 min
  56. Act I, Scene III — ANTIOCHUS; JASON about 1 min
  57. Act II under 1 min
  58. Act II, Scene I — THE MOTHER of the SEVEN SONS alone, listening about 4 min
  59. Act II, Scene II — THE MOTHER; ANTIOCHUS; SIRION, about 3 min
  60. Act III under 1 min
  61. Act III, Scene I — JUDAS MACCABAEUS in armor before his tent about 1 min
  62. Act III, Scene II — JUDAS MACCABAEUS; JEWISH FUGITIVES about 1 min
  63. Act III, Scene III — JUDAS MACCABAEUS; NICANOR about 2 min
  64. Act III, Scene IV — JUDAS MACCABAEUS; CAPTAINS AND SOLDIERS about 2 min
  65. Act IV under 1 min
  66. Act IV, Scene I — JUDAS MACCABAEUS; CAPTAINS; JEWS about 1 min
  67. Act IV, Scene II — JUDAS MACCABAEUS; JASON; JEWS, about 2 min
  68. Act IV, Scene III — JASON, alone about 1 min
  69. Act V under 1 min
  70. Act V, Scene I — ANTIOCHUS; PHILIP; ATTENDANTS about 1 min
  71. Act V, Scene II — ANTIOCHUS; PHILIP; A MESSENGER about 3 min
  72. Dedication about 1 h 7 min
  73. Scene II about 2 h 26 min

Continue:

Introduction

Should you ask me, whence these stories? Whence these legends and traditions, With the odors of the forest With the dew and damp of meadows, With the curling smoke of wigwams, With the rushing of great rivers, With their frequent repetitions, And their wild reverberations As of thunder in the mountains? I should answer, I should tell you, "From the forests and the prairies, From the great lakes of the Northland, From the land of the Ojibways, From the land of the Dacotahs, From the mountains, moors, and fen-lands Where the heron, the Shuh-shuh-gah, Feeds among the reeds and rushes. I repeat them as I heard them From the lips of Nawadaha, The musician, the sweet singer." Should you ask where Nawadaha Found these songs so wild and wayward, Found these legends and traditions, I should answer, I should tell you, "In the bird's-nests of the forest, In the lodges of the beaver, In the hoof-prints of the bison, In the eyry of the eagle! "All the wild-fowl sang them to him, In the moorlands and the fen-lands, In the melancholy marshes; Chetowaik, the plover, sang them, Mahng, the loon, the wild-goose, Wawa, The blue heron, the Shuh-shuh-gah, And the grouse, the Mushkodasa!" If still further you should ask me, Saying, "Who was Nawadaha? Tell us of this Nawadaha," I should answer your inquiries Straightway in such words as follow. "In the vale of Tawasentha, In the green and silent valley, By the pleasant water-courses, Dwelt the singer Nawadaha. Round about the Indian village Spread the meadows and the corn-fields, And beyond them stood the forest, Stood the groves of singing pine-trees, Green in Summer, white in Winter, Ever sighing, ever singing. "And the pleasant water-courses, You could trace them through the valley, By the rushing in the Spring-time, By the alders in the Summer, By the white fog in the Autumn, By the black line in the Winter; And beside them dwelt the singer, In the vale of Tawasentha, In the green and silent valley. "There he sang of Hiawatha, Sang the Song of Hiawatha, Sang his wondrous birth and being, How he prayed and how he fasted, How he lived, and toiled, and suffered, That the tribes of men might prosper, That he might advance his people!" Ye who love the haunts of Nature, Love the sunshine of the meadow, Love the shadow of the forest, Love the wind among the branches, And the rain-shower and the snow-storm, And the rushing of great rivers Through their palisades of pine-trees, And the thunder in the mountains, Whose innumerable echoes Flap like eagles in their eyries;-- Listen to these wild traditions, To this Song of Hiawatha! Ye who love a nation's legends, Love the ballads of a people, That like voices from afar off Call to us to pause and listen, Speak in tones so plain and childlike, Scarcely can the ear distinguish Whether they are sung or spoken;-- Listen to this Indian Legend, To this Song of Hiawatha! Ye whose hearts are fresh and simple, Who have faith in God and Nature, Who believe that in all ages Every human heart is human, That in even savage bosoms There are longings, yearnings, strivings For the good they comprehend not, That the feeble hands and helpless, Groping blindly in the darkness, Touch God's right hand in that darkness And are lifted up and strengthened;-- Listen to this simple story, To this Song of Hiawatha! Ye, who sometimes, in your rambles Through the green lanes of the country, Where the tangled barberry-bushes Hang their tufts of crimson berries Over stone walls gray with mosses, Pause by some neglected graveyard, For a while to muse, and ponder On a half-effaced inscription, Written with little skill of song-craft, Homely phrases, but each letter Full of hope and yet of heart-break, Full of all the tender pathos Of the Here and the Hereafter;-- Stay and read this rude inscription, Read this Song of Hiawatha!

I

THE PEACE-PIPE

On the Mountains of the Prairie, On the great Red Pipe-stone Quarry, Gitche Manito, the mighty, He the Master of Life, descending, On the red crags of the quarry Stood erect, and called the nations, Called the tribes of men together. From his footprints flowed a river, Leaped into the light of morning, O'er the precipice plunging downward Gleamed like Ishkoodah, the comet. And the Spirit, stooping earthward, With his finger on the meadow Traced a winding pathway for it, Saying to it, "Run in this way!" From the red stone of the quarry With his hand he broke a fragment, Moulded it into a pipe-head, Shaped and fashioned it with figures; From the margin of the river Took a long reed for a pipe-stem, With its dark green leaves upon it; Filled the pipe with bark of willow, With the bark of the red willow; Breathed upon the neighboring forest, Made its great boughs chafe together, Till in flame they burst and kindled; And erect upon the mountains, Gitche Manito, the mighty, Smoked the calumet, the Peace-Pipe, As a signal to the nations. And the smoke rose slowly, slowly, Through the tranquil air of morning, First a single line of darkness, Then a denser, bluer vapor, Then a snow-white cloud unfolding, Like the tree-tops of the forest, Ever rising, rising, rising, Till it touched the top of heaven, Till it broke against the heaven, And rolled outward all around it. From the Vale of Tawasentha, From the Valley of Wyoming, From the groves of Tuscaloosa, From the far-off Rocky Mountains, From the Northern lakes and rivers All the tribes beheld the signal, Saw the distant smoke ascending, The Pukwana of the Peace-Pipe. And the Prophets of the nations Said: "Behold it, the Pukwana! By the signal of the Peace-Pipe, Bending like a wand of willow, Waving like a hand that beckons, Gitche Manito, the mighty, Calls the tribes of men together, Calls the warriors to his council!" Down the rivers, o'er the prairies, Came the warriors of the nations, Came the Delawares and Mohawks, Came the Choctaws and Camanches, Came the Shoshonies and Blackfeet, Came the Pawnees and Omahas, Came the Mandans and Dacotahs, Came the Hurons and Ojibways, All the warriors drawn together By the signal of the Peace-Pipe, To the Mountains of the Prairie, To the great Red Pipe-stone Quarry. And they stood there on the meadow, With their weapons and their war-gear, Painted like the leaves of Autumn, Painted like the sky of morning, Wildly glaring at each other; In their faces stern defiance, In their hearts the feuds of ages, The hereditary hatred, The ancestral thirst of vengeance. Gitche Manito, the mighty, The creator of the nations, Looked upon them with compassion, With paternal love and pity; Looked upon their wrath and wrangling But as quarrels among children, But as feuds and fights of children! Over them he stretched his right hand, To subdue their stubborn natures, To allay their thirst and fever, By the shadow of his right hand; Spake to them with voice majestic As the sound of far-off waters, Falling into deep abysses, Warning, chiding, spake in this wise:-- "O my children! my poor children! Listen to the words of wisdom, Listen to the words of warning, From the lips of the Great Spirit, From the Master of Life, who made you! "I have given you lands to hunt in, I have given you streams to fish in, I have given you bear and bison, I have given you roe and reindeer, I have given you brant and beaver, Filled the marshes full of wild-fowl, Filled the rivers full of fishes: Why then are you not contented? Why then will you hunt each other? "I am weary of your quarrels, Weary of your wars and bloodshed, Weary of your prayers for vengeance, Of your wranglings and dissensions; All your strength is in your union, All your danger is in discord; Therefore be at peace henceforward, And as brothers live together. "I will send a Prophet to you, A Deliverer of the nations, Who shall guide you and shall teach you, Who shall toil and suffer with you. If you listen to his counsels, You will multiply and prosper; If his warnings pass unheeded, You will fade away and perish! "Bathe now in the stream before you, Wash the war-paint from your faces, Wash the blood-stains from your fingers, Bury your war-clubs and your weapons, Break the red stone from this quarry, Mould and make it into Peace-Pipes, Take the reeds that grow beside you, Deck them with your brightest feathers, Smoke the calumet together, And as brothers live henceforward!" Then upon the ground the warriors Threw their cloaks and shirts of deer-skin, Threw their weapons and their war-gear, Leaped into the rushing river, Washed the war-paint from their faces. Clear above them flowed the water, Clear and limpid from the footprints Of the Master of Life descending; Dark below them flowed the water, Soiled and stained with streaks of crimson, As if blood were mingled with it! From the river came the warriors, Clean and washed from all their war-paint; On the banks their clubs they buried, Buried all their warlike weapons. Gitche Manito, the mighty, The Great Spirit, the creator, Smiled upon his helpless children! And in silence all the warriors Broke the red stone of the quarry, Smoothed and formed it into Peace-Pipes, Broke the long reeds by the river, Decked them with their brightest feathers, And departed each one homeward, While the Master of Life, ascending, Through the opening of cloud-curtains, Through the doorways of the heaven, Vanished from before their faces, In the smoke that rolled around him, The Pukwana of the Peace-Pipe!

II

The Four Winds

"Honor be to Mudjekeewis!" Cried the warriors, cried the old men, When he came in triumph homeward With the sacred Belt of Wampum, From the regions of the North-Wind, From the kingdom of Wabasso, From the land of the White Rabbit. He had stolen the Belt of Wampum From the neck of Mishe-Mokwa, From the Great Bear of the mountains, From the terror of the nations, As he lay asleep and cumbrous On the summit of the mountains, Like a rock with mosses on it, Spotted brown and gray with mosses. Silently he stole upon him, Till the red nails of the monster Almost touched him, almost scared him, Till the hot breath of his nostrils Warmed the hands of Mudjekeewis, As he drew the Belt of Wampum Over the round ears, that heard not, Over the small eyes, that saw not, Over the long nose and nostrils, The black muffle of the nostrils, Out of which the heavy breathing Warmed the hands of Mudjekeewis. Then he swung aloft his war-club, Shouted loud and long his war-cry, Smote the mighty Mishe-Mokwa In the middle of the forehead, Right between the eyes he smote him. With the heavy blow bewildered, Rose the Great Bear of the mountains; But his knees beneath him trembled, And he whimpered like a woman, As he reeled and staggered forward, As he sat upon his haunches; And the mighty Mudjekeewis, Standing fearlessly before him, Taunted him in loud derision, Spake disdainfully in this wise:-- "Hark you, Bear! you are a coward; And no Brave, as you pretended; Else you would not cry and whimper Like a miserable woman! Bear! you know our tribes are hostile, Long have been at war together; Now you find that we are strongest, You go sneaking in the forest, You go hiding in the mountains! Had you conquered me in battle Not a groan would I have uttered; But you, Bear! sit here and whimper, And disgrace your tribe by crying, Like a wretched Shaugodaya, Like a cowardly old woman!" Then again he raised his war-club, Smote again the Mishe-Mokwa In the middle of his forehead, Broke his skull, as ice is broken When one goes to fish in Winter. Thus was slain the Mishe-Mokwa, He the Great Bear of the mountains, He the terror of the nations. "Honor be to Mudjekeewis!" With a shout exclaimed the people, "Honor be to Mudjekeewis! Henceforth he shall be the West-Wind, And hereafter and forever Shall he hold supreme dominion Over all the winds of heaven. Call him no more Mudjekeewis, Call him Kabeyun, the West-Wind!" Thus was Mudjekeewis chosen Father of the Winds of Heaven. For himself he kept the West-Wind, Gave the others to his children; Unto Wabun gave the East-Wind, Gave the South to Shawondasee, And the North-Wind, wild and cruel, To the fierce Kabibonokka. Young and beautiful was Wabun; He it was who brought the morning, He it was whose silver arrows Chased the dark o'er hill and valley; He it was whose cheeks were painted With the brightest streaks of crimson, And whose voice awoke the village, Called the deer, and called the hunter. Lonely in the sky was Wabun; Though the birds sang gayly to him, Though the wild-flowers of the meadow Filled the air with odors for him, Though the forests and the rivers Sang and shouted at his coming, Still his heart was sad within him, For he was alone in heaven. But one morning, gazing earthward, While the village still was sleeping, And the fog lay on the river, Like a ghost, that goes at sunrise, He beheld a maiden walking All alone upon a meadow, Gathering water-flags and rushes By a river in the meadow. Every morning, gazing earthward, Still the first thing he beheld there Was her blue eyes looking at him, Two blue lakes among the rushes. And he loved the lonely maiden, Who thus waited for his coming; For they both were solitary, She on earth and he in heaven. And he wooed her with caresses, Wooed her with his smile of sunshine, With his flattering words he wooed her, With his sighing and his singing, Gentlest whispers in the branches, Softest music, sweetest odors, Till he drew her to his bosom, Folded in his robes of crimson, Till into a star he changed her, Trembling still upon his bosom; And forever in the heavens They are seen together walking, Wabun and the Wabun-Annung, Wabun and the Star of Morning. But the fierce Kabibonokka Had his dwelling among icebergs, In the everlasting snow-drifts, In the kingdom of Wabasso, In the land of the White Rabbit. He it was whose hand in Autumn Painted all the trees with scarlet, Stained the leaves with red and yellow; He it was who sent the snow-flake, Sifting, hissing through the forest, Froze the ponds, the lakes, the rivers, Drove the loon and sea-gull southward, Drove the cormorant and curlew To their nests of sedge and sea-tang In the realms of Shawondasee. Once the fierce Kabibonokka Issued from his lodge of snow-drifts From his home among the icebergs, And his hair, with snow besprinkled, Streamed behind him like a river, Like a black and wintry river, As he howled and hurried southward, Over frozen lakes and moorlands. There among the reeds and rushes Found he Shingebis, the diver, Trailing strings of fish behind him, O'er the frozen fens and moorlands, Lingering still among the moorlands, Though his tribe had long departed To the land of Shawondasee. Cried the fierce Kabibonokka, "Who is this that dares to brave me? Dares to stay in my dominions, When the Wawa has departed, When the wild-goose has gone southward, And the heron, the Shuh-shuh-gah, Long ago departed southward? I will go into his wigwam, I will put his smouldering fire out!" And at night Kabibonokka, To the lodge came wild and wailing, Heaped the snow in drifts about it, Shouted down into the smoke-flue, Shook the lodge-poles in his fury, Flapped the curtain of the door-way. Shingebis, the diver, feared not, Shingebis, the diver, cared not; Four great logs had he for firewood, One for each moon of the winter, And for food the fishes served him. By his blazing fire he sat there, Warm and merry, eating, laughing, Singing, "O Kabibonokka, You are but my fellow-mortal!" Then Kabibonokka entered, And though Shingebis, the diver, Felt his presence by the coldness, Felt his icy breath upon him, Still he did not cease his singing, Still he did not leave his laughing, Only turned the log a little, Only made the fire burn brighter, Made the sparks fly up the smoke-flue. From Kabibonokka's forehead, From his snow-besprinkled tresses, Drops of sweat fell fast and heavy, Making dints upon the ashes, As along the eaves of lodges, As from drooping boughs of hemlock, Drips the melting snow in spring-time, Making hollows in the snow-drifts. Till at last he rose defeated, Could not bear the heat and laughter, Could not bear the merry singing, But rushed headlong through the door-way, Stamped upon the crusted snow-drifts, Stamped upon the lakes and rivers, Made the snow upon them harder, Made the ice upon them thicker, Challenged Shingebis, the diver, To come forth and wrestle with him, To come forth and wrestle naked On the frozen fens and moorlands. Forth went Shingebis, the diver, Wrestled all night with the North-Wind, Wrestled naked on the moorlands With the fierce Kabibonokka, Till his panting breath grew fainter, Till his frozen grasp grew feebler, Till he reeled and staggered backward, And retreated, baffled, beaten, To the kingdom of Wabasso, To the land of the White Rabbit, Hearing still the gusty laughter, Hearing Shingebis, the diver, Singing, "O Kabibonokka, You are but my fellow-mortal!" Shawondasee, fat and lazy, Had his dwelling far to southward, In the drowsy, dreamy sunshine, In the never-ending Summer. He it was who sent the wood-birds, Sent the robin, the Opechee, Sent the bluebird, the Owaissa, Sent the Shawshaw, sent the swallow, Sent the wild-goose, Wawa, northward, Sent the melons and tobacco, And the grapes in purple clusters. From his pipe the smoke ascending Filled the sky with haze and vapor, Filled the air with dreamy softness, Gave a twinkle to the water, Touched the rugged hills with smoothness, Brought the tender Indian Summer To the melancholy north-land, In the dreary Moon of Snow-shoes. Listless, careless Shawondasee! In his life he had one shadow, In his heart one sorrow had he. Once, as he was gazing northward, Far away upon a prairie He beheld a maiden standing, Saw a tall and slender maiden All alone upon a prairie; Brightest green were all her garments, And her hair was like the sunshine. Day by day he gazed upon her, Day by day he sighed with passion, Day by day his heart within him Grew more hot with love and longing For the maid with yellow tresses. But he was too fat and lazy To bestir himself and woo her; Yes, too indolent and easy To pursue her and persuade her; So he only gazed upon her, Only sat and sighed with passion For the maiden of the prairie. Till one morning, looking northward, He beheld her yellow tresses Changed and covered o'er with whiteness, Covered as with whitest snow-flakes. "Ah! my brother from the North-land, From the kingdom of Wabasso, From the land of the White Rabbit! You have stolen the maiden from me, You have laid your hand upon her, You have wooed and won my maiden, With your stories of the North-land!" Thus the wretched Shawondasee Breathed into the air his sorrow; And the South-Wind o'er the prairie Wandered warm with sighs of passion, With the sighs of Shawondasee, Till the air seemed full of snow-flakes, Full of thistle-down the prairie, And the maid with hair like sunshine Vanished from his sight forever; Never more did Shawondasee See the maid with yellow tresses! Poor, deluded Shawondasee! 'T was no woman that you gazed at, 'T was no maiden that you sighed for, 'T was the prairie dandelion That through all the dreamy Summer You had gazed at with such longing, You had sighed for with such passion, And had puffed away forever, Blown into the air with sighing. Ah! deluded Shawondasee! Thus the Four Winds were divided; Thus the sons of Mudjekeewis Had their stations in the heavens, At the corners of the heavens; For himself the West-Wind only Kept the mighty Mudjekeewis.

III

HIAWATHA'S CHILDHOOD

Downward through the evening twilight, In the days that are forgotten, In the unremembered ages, From the full moon fell Nokomis, Fell the beautiful Nokomis, She a wife, but not a mother. She was sporting with her women, Swinging in a swing of grape-vines, When her rival, the rejected, Full of jealousy and hatred, Cut the leafy swing asunder, Cut in twain the twisted grape-vines, And Nokomis fell affrighted Downward through the evening twilight, On the Muskoday, the meadow, On the prairie full of blossoms. "See! a star falls!" said the people; "From the sky a star is falling!" There among the ferns and mosses, There among the prairie lilies, On the Muskoday, the meadow, In the moonlight and the starlight, Fair Nokomis bore a daughter. And she called her name Wenonah, As the first-born of her daughters. And the daughter of Nokomis Grew up like the prairie lilies, Grew a tall and slender maiden, With the beauty of the moonlight, With the beauty of the starlight. And Nokomis warned her often, Saying oft, and oft repeating, "Oh, beware of Mudjekeewis, Of the West-Wind, Mudjekeewis; Listen not to what he tells you; Lie not down upon the meadow, Stoop not down among the lilies, Lest the West-Wind come and harm you!" But she heeded not the warning, Heeded not those words of wisdom, And the West-Wind came at evening, Walking lightly o'er the prairie, Whispering to the leaves and blossoms, Bending low the flowers and grasses, Found the beautiful Wenonah, Lying there among the lilies, Wooed her with his words of sweetness, Wooed her with his soft caresses, Till she bore a son in sorrow, Bore a son of love and sorrow. Thus was born my Hiawatha, Thus was born the child of wonder; But the daughter of Nokomis, Hiawatha's gentle mother, In her anguish died deserted By the West-Wind, false and faithless, By the heartless Mudjekeewis. For her daughter long and loudly Wailed and wept the sad Nokomis; "Oh that I were dead!" she murmured, "Oh that I were dead, as thou art! No more work, and no more weeping, Wahonowin! Wahonowin!" By the shores of Gitche Gumee, By the shining Big-Sea-Water, Stood the wigwam of Nokomis, Daughter of the Moon, Nokomis. Dark behind it rose the forest, Rose the black and gloomy pine-trees, Rose the firs with cones upon them; Bright before it beat the water, Beat the clear and sunny water, Beat the shining Big-Sea-Water. There the wrinkled old Nokomis Nursed the little Hiawatha, Rocked him in his linden cradle, Bedded soft in moss and rushes, Safely bound with reindeer sinews; Stilled his fretful wail by saying, "Hush! the Naked Bear will hear thee!" Lulled him into slumber, singing, "Ewa-yea! my little owlet! Who is this, that lights the wigwam? With his great eyes lights the wigwam? Ewa-yea! my little owlet!" Many things Nokomis taught him Of the stars that shine in heaven; Showed him Ishkoodah, the comet, Ishkoodah, with fiery tresses; Showed the Death-Dance of the spirits, Warriors with their plumes and war-clubs, Flaring far away to northward In the frosty nights of Winter; Showed the broad white road in heaven, Pathway of the ghosts, the shadows, Running straight across the heavens, Crowded with the ghosts, the shadows. At the door on summer evenings Sat the little Hiawatha; Heard the whispering of the pine-trees, Heard the lapping of the water, Sounds of music, words of wonder; 'Minne-wawa!" said the Pine-trees, Mudway-aushka!" said the water. Saw the fire-fly, Wah-wah-taysee, Flitting through the dusk of evening, With the twinkle of its candle Lighting up the brakes and bushes, And he sang the song of children, Sang the song Nokomis taught him: "Wah-wah-taysee, little fire-fly, Little, flitting, white-fire insect, Little, dancing, white-fire creature, Light me with your little candle, Ere upon my bed I lay me, Ere in sleep I close my eyelids!" Saw the moon rise from the water Rippling, rounding from the water, Saw the flecks and shadows on it, Whispered, "What is that, Nokomis?" And the good Nokomis answered: "Once a warrior, very angry, Seized his grandmother, and threw her Up into the sky at midnight; Right against the moon he threw her; 'T is her body that you see there." Saw the rainbow in the heaven, In the eastern sky, the rainbow, Whispered, "What is that, Nokomis?" And the good Nokomis answered: "'T is the heaven of flowers you see there; All the wild-flowers of the forest, All the lilies of the prairie, When on earth they fade and perish, Blossom in that heaven above us." When he heard the owls at midnight, Hooting, laughing in the forest, "What is that?" he cried in terror, "What is that," he said, "Nokomis?" And the good Nokomis answered: "That is but the owl and owlet, Talking in their native language, Talking, scolding at each other." Then the little Hiawatha Learned of every bird its language, Learned their names and all their secrets, How they built their nests in Summer, Where they hid themselves in Winter, Talked with them whene'er he met them, Called them "Hiawatha's Chickens." Of all beasts he learned the language, Learned their names and all their secrets, How the beavers built their lodges, Where the squirrels hid their acorns, How the reindeer ran so swiftly, Why the rabbit was so timid, Talked with them whene'er he met them, Called them "Hiawatha's Brothers." Then Iagoo, the great boaster, He the marvellous story-teller, He the traveller and the talker, He the friend of old Nokomis, Made a bow for Hiawatha; From a branch of ash he made it, From an oak-bough made the arrows, Tipped with flint, and winged with feathers, And the cord he made of deer-skin. Then he said to Hiawatha: "Go, my son, into the forest, Where the red deer herd together, Kill for us a famous roebuck, Kill for us a deer with antlers!" Forth into the forest straightway All alone walked Hiawatha Proudly, with his bow and arrows; And the birds sang round him, o'er him, "Do not shoot us, Hiawatha!" Sang the robin, the Opechee, Sang the bluebird, the Owaissa, "Do not shoot us, Hiawatha!" Up the oak-tree, close beside him, Sprang the squirrel, Adjidaumo, In and out among the branches, Coughed and chattered from the oak-tree, Laughed, and said between his laughing, "Do not shoot me, Hiawatha!" And the rabbit from his pathway Leaped aside, and at a distance Sat erect upon his haunches, Half in fear and half in frolic, Saying to the little hunter, "Do not shoot me, Hiawatha!" But he heeded not, nor heard them, For his thoughts were with the red deer; On their tracks his eyes were fastened, Leading downward to the river, To the ford across the river, And as one in slumber walked he. Hidden in the alder-bushes, There he waited till the deer came, Till he saw two antlers lifted, Saw two eyes look from the thicket, Saw two nostrils point to windward, And a deer came down the pathway, Flecked with leafy light and shadow. And his heart within him fluttered, Trembled like the leaves above him, Like the birch-leaf palpitated, As the deer came down the pathway. Then, upon one knee uprising, Hiawatha aimed an arrow; Scarce a twig moved with his motion, Scarce a leaf was stirred or rustled, But the wary roebuck started, Stamped with all his hoofs together, Listened with one foot uplifted, Leaped as if to meet the arrow; Ah! the singing, fatal arrow, Like a wasp it buzzed and stung him! Dead he lay there in the forest, By the ford across the river; Beat his timid heart no longer, But the heart of Hiawatha Throbbed and shouted and exulted, As he bore the red deer homeward, And Iagoo and Nokomis Hailed his coming with applauses. From the red deer's hide Nokomis Made a cloak for Hiawatha, From the red deer's flesh Nokomis Made a banquet to his honor. All the village came and feasted, All the guests praised Hiawatha, Called him Strong-Heart, Soan-ge-taha! Called him Loon-Heart, Mahn-go-taysee!

IV

HIAWATHA AND MUDJEKEEWIS

Out of childhood into manhood Now had grown my Hiawatha, Skilled in all the craft of hunters, Learned in all the lore of old men, In all youthful sports and pastimes, In all manly arts and labors. Swift of foot was Hiawatha; He could shoot an arrow from him, And run forward with such fleetness, That the arrow fell behind him! Strong of arm was Hiawatha; He could shoot ten arrows upward, Shoot them with such strength and swiftness, That the tenth had left the bow-string Ere the first to earth had fallen! He had mittens, Minjekahwun, Magic mittens made of deer-skin; When upon his hands he wore them, He could smite the rocks asunder, He could grind them into powder. He had moccasins enchanted, Magic moccasins of deer-skin; When he bound them round his ankles, When upon his feet he tied them, At each stride a mile he measured! Much he questioned old Nokomis Of his father Mudjekeewis; Learned from her the fatal secret Of the beauty of his mother, Of the falsehood of his father; And his heart was hot within him, Like a living coal his heart was. Then he said to old Nokomis, "I will go to Mudjekeewis, See how fares it with my father, At the doorways of the West-Wind, At the portals of the Sunset!" From his lodge went Hiawatha, Dressed for travel, armed for hunting; Dressed in deer-skin shirt and leggings, Richly wrought with quills and wampum; On his head his eagle-feathers, Round his waist his belt of wampum, In his hand his bow of ash-wood, Strung with sinews of the reindeer; In his quiver oaken arrows, Tipped with jasper, winged with feathers; With his mittens, Minjekahwun, With his moccasins enchanted. Warning said the old Nokomis, "Go not forth, O Hiawatha! To the kingdom of the West-Wind, To the realms of Mudjekeewis, Lest he harm you with his magic, Lest he kill you with his cunning!" But the fearless Hiawatha Heeded not her woman's warning; Forth he strode into the forest, At each stride a mile he measured; Lurid seemed the sky above him, Lurid seemed the earth beneath him, Hot and close the air around him, Filled with smoke and fiery vapors, As of burning woods and prairies, For his heart was hot within him, Like a living coal his heart was. So he journeyed westward, westward, Left the fleetest deer behind him, Left the antelope and bison; Crossed the rushing Esconaba, Crossed the mighty Mississippi, Passed the Mountains of the Prairie, Passed the land of Crows and Foxes, Passed the dwellings of the Blackfeet, Came unto the Rocky Mountains, To the kingdom of the West-Wind, Where upon the gusty summits Sat the ancient Mudjekeewis, Ruler of the winds of heaven. Filled with awe was Hiawatha At the aspect of his father. On the air about him wildly Tossed and streamed his cloudy tresses, Gleamed like drifting snow his tresses, Glared like Ishkoodah, the comet, Like the star with fiery tresses. Filled with joy was Mudjekeewis When he looked on Hiawatha, Saw his youth rise up before him In the face of Hiawatha, Saw the beauty of Wenonah From the grave rise up before him. "Welcome!" said he, "Hiawatha, To the kingdom of the West-Wind! Long have I been waiting for you! Youth is lovely, age is lonely, Youth is fiery, age is frosty; You bring back the days departed, You bring back my youth of passion, And the beautiful Wenonah!" Many days they talked together, Questioned, listened, waited, answered; Much the mighty Mudjekeewis Boasted of his ancient prowess, Of his perilous adventures, His indomitable courage, His invulnerable body. Patiently sat Hiawatha, Listening to his father's boasting; With a smile he sat and listened, Uttered neither threat nor menace, Neither word nor look betrayed him, But his heart was hot within him, Like a living coal his heart was. Then he said, "O Mudjekeewis, Is there nothing that can harm you? Nothing that you are afraid of?" And the mighty Mudjekeewis, Grand and gracious in his boasting, Answered, saying, "There is nothing, Nothing but the black rock yonder, Nothing but the fatal Wawbeek!" And he looked at Hiawatha With a wise look and benignant, With a countenance paternal, Looked with pride upon the beauty Of his tall and graceful figure, Saying, "O my Hiawatha! Is there anything can harm you? Anything you are afraid of?" But the wary Hiawatha Paused awhile, as if uncertain, Held his peace, as if resolving, And then answered, "There is nothing, Nothing but the bulrush yonder, Nothing but the great Apukwa!" And as Mudjekeewis, rising, Stretched his hand to pluck the bulrush, Hiawatha cried in terror, Cried in well-dissembled terror, "Kago! kago! do not touch it!" "Ah, kaween!" said Mudjekeewis, "No indeed, I will not touch it!" Then they talked of other matters; First of Hiawatha's brothers, First of Wabun, of the East-Wind, Of the South-Wind, Shawondasee, Of the North, Kabibonokka; Then of Hiawatha's mother, Of the beautiful Wenonah, Of her birth upon the meadow, Of her death, as old Nokomis Had remembered and related. And he cried, "O Mudjekeewis, It was you who killed Wenonah, Took her young life and her beauty, Broke the Lily of the Prairie, Trampled it beneath your footsteps; You confess it! you confess it!" And the mighty Mudjekeewis Tossed upon the wind his tresses, Bowed his hoary head in anguish, With a silent nod assented. Then up started Hiawatha, And with threatening look and gesture Laid his hand upon the black rock, On the fatal Wawbeek laid it, With his mittens, Minjekahwun, Rent the jutting crag asunder, Smote and crushed it into fragments, Hurled them madly at his father, The remorseful Mudjekeewis, For his heart was hot within him, Like a living coal his heart was. But the ruler of the West-Wind Blew the fragments backward from him, With the breathing of his nostrils, With the tempest of his anger, Blew them back at his assailant; Seized the bulrush, the Apukwa, Dragged it with its roots and fibres From the margin of the meadow, From its ooze the giant bulrush; Long and loud laughed Hiawatha! Then began the deadly conflict, Hand to hand among the mountains; From his eyry screamed the eagle, The Keneu, the great war-eagle, Sat upon the crags around them, Wheeling flapped his wings above them. Like a tall tree in the tempest Bent and lashed the giant bulrush; And in masses huge and heavy Crashing fell the fatal Wawbeek; Till the earth shook with the tumult And confusion of the battle, And the air was full of shoutings, And the thunder of the mountains, Starting, answered, "Baim-wawa!" Back retreated Mudjekeewis, Rushing westward o'er the mountains, Stumbling westward down the mountains, Three whole days retreated fighting, Still pursued by Hiawatha To the doorways of the West-Wind, To the portals of the Sunset, To the earth's remotest border, Where into the empty spaces Sinks the sun, as a flamingo Drops into her nest at nightfall, In the melancholy marshes. "Hold!" at length cried Mudjekeewis, "Hold, my son, my Hiawatha! 'T is impossible to kill me, For you cannot kill the immortal. I have put you to this trial, But to know and prove your courage; Now receive the prize of valor! "Go back to your home and people, Live among them, toil among them, Cleanse the earth from all that harms it, Clear the fishing-grounds and rivers, Slay all monsters and magicians, All the Wendigoes, the giants, All the serpents, the Kenabeeks, As I slew the Mishe-Mokwa, Slew the Great Bear of the mountains. "And at last when Death draws near you, When the awful eyes of Pauguk Glare upon you in the darkness, I will share my kingdom with you, Ruler shall you be thenceforward Of the Northwest-Wind, Keewaydin, Of the home-wind, the Keewaydin." Thus was fought that famous battle In the dreadful days of Shah-shah, In the days long since departed, In the kingdom of the West-Wind. Still the hunter sees its traces Scattered far o'er hill and valley; Sees the giant bulrush growing By the ponds and water-courses, Sees the masses of the Wawbeek Lying still in every valley. Homeward now went Hiawatha; Pleasant was the landscape round him, Pleasant was the air above him, For the bitterness of anger Had departed wholly from him, From his brain the thought of vengeance, From his heart the burning fever. Only once his pace he slackened, Only once he paused or halted, Paused to purchase heads of arrows Of the ancient Arrow-maker, In the land of the Dacotahs, Where the Falls of Minnehaha Flash and gleam among the oak-trees, Laugh and leap into the valley. There the ancient Arrow-maker Made his arrow-heads of sandstone, Arrow-heads of chalcedony, Arrow-heads of flint and jasper, Smoothed and sharpened at the edges, Hard and polished, keen and costly. With him dwelt his dark-eyed daughter, Wayward as the Minnehaha, With her moods of shade and sunshine, Eyes that smiled and frowned alternate, Feet as rapid as the river, Tresses flowing like the water, And as musical a laughter; And he named her from the river, From the water-fall he named her, Minnehaha, Laughing Water. Was it then for heads of arrows, Arrow-heads of chalcedony, Arrow-heads of flint and jasper, That my Hiawatha halted In the land of the Dacotahs? Was it not to see the maiden, See the face of Laughing Water Peeping from behind the curtain, Hear the rustling of her garments From behind the waving curtain, As one sees the Minnehaha Gleaming, glancing through the branches, As one hears the Laughing Water From behind its screen of branches? Who shall say what thoughts and visions Fill the fiery brains of young men? Who shall say what dreams of beauty Filled the heart of Hiawatha? All he told to old Nokomis, When he reached the lodge at sunset, Was the meeting with his father, Was his fight with Mudjekeewis; Not a word he said of arrows, Not a word of Laughing Water.

V

HIAWATHA'S FASTING

You shall hear how Hiawatha Prayed and fasted in the forest, Not for greater skill in hunting, Not for greater craft in fishing, Not for triumphs in the battle, And renown among the warriors, But for profit of the people, For advantage of the nations. First he built a lodge for fasting, Built a wigwam in the forest, By the shining Big-Sea-Water, In the blithe and pleasant Spring-time, In the Moon of Leaves he built it, And, with dreams and visions many, Seven whole days and nights he fasted. On the first day of his fasting Through the leafy woods he wandered; Saw the deer start from the thicket, Saw the rabbit in his burrow, Heard the pheasant, Bena, drumming, Heard the squirrel, Adjidaumo, Rattling in his hoard of acorns, Saw the pigeon, the Omeme, Building nests among the pine-trees, And in flocks the wild-goose, Wawa, Flying to the fen-lands northward, Whirring, wailing far above him. "Master of Life!" he cried, desponding, "Must our lives depend on these things?" On the next day of his fasting By the river's brink he wandered, Through the Muskoday, the meadow, Saw the wild rice, Mahnomonee, Saw the blueberry, Meenahga, And the strawberry, Odahmin, And the gooseberry, Shahbomin, And the grape-vine, the Bemahgut, Trailing o'er the alder-branches, Filling all the air with fragrance! "Master of Life!" he cried, desponding, "Must our lives depend on these things?" On the third day of his fasting By the lake he sat and pondered, By the still, transparent water; Saw the sturgeon, Nahma, leaping, Scattering drops like beads of wampum, Saw the yellow perch, the Sahwa, Like a sunbeam in the water, Saw the pike, the Maskenozha, And the herring, Okahahwis, And the Shawgashee, the crawfish! "Master of Life!" he cried, desponding, "Must our lives depend on these things?" On the fourth day of his fasting In his lodge he lay exhausted; From his couch of leaves and branches Gazing with half-open eyelids, Full of shadowy dreams and visions, On the dizzy, swimming landscape, On the gleaming of the water, On the splendor of the sunset. And he saw a youth approaching, Dressed in garments green and yellow, Coming through the purple twilight, Through the splendor of the sunset; Plumes of green bent o'er his forehead, And his hair was soft and golden. Standing at the open doorway, Long he looked at Hiawatha, Looked with pity and compassion On his wasted form and features, And, in accents like the sighing Of the South-Wind in the tree-tops, Said he, "O my Hiawatha! All your prayers are heard in heaven, For you pray not like the others; Not for greater skill in hunting, Not for greater craft in fishing, Not for triumph in the battle, Nor renown among the warriors, But for profit of the people, For advantage of the nations. "From the Master of Life descending, I, the friend of man, Mondamin, Come to warn you and instruct you, How by struggle and by labor You shall gain what you have prayed for. Rise up from your bed of branches, Rise, O youth, and wrestle with me!" Faint with famine, Hiawatha Started from his bed of branches, From the twilight of his wigwam Forth into the flush of sunset Came, and wrestled with Mondamin; At his touch he felt new courage Throbbing in his brain and bosom, Felt new life and hope and vigor Run through every nerve and fibre. So they wrestled there together In the glory of the sunset, And the more they strove and struggled, Stronger still grew Hiawatha; Till the darkness fell around them, And the heron, the Shuh-shuh-gah, From her nest among the pine-trees, Gave a cry of lamentation, Gave a scream of pain and famine. "'T is enough!" then said Mondamin, Smiling upon Hiawatha, "But tomorrow, when the sun sets, I will come again to try you." And he vanished, and was seen not; Whether sinking as the rain sinks, Whether rising as the mists rise, Hiawatha saw not, knew not, Only saw that he had vanished, Leaving him alone and fainting, With the misty lake below him, And the reeling stars above him. On the morrow and the next day, When the sun through heaven descending, Like a red and burning cinder From the hearth of the Great Spirit, Fell into the western waters, Came Mondamin for the trial, For the strife with Hiawatha; Came as silent as the dew comes, From the empty air appearing, Into empty air returning, Taking shape when earth it touches, But invisible to all men In its coming and its going. Thrice they wrestled there together In the glory of the sunset, Till the darkness fell around them, Till the heron, the Shuh-shuh-gah, From her nest among the pine-trees, Uttered her loud cry of famine, And Mondamin paused to listen. Tall and beautiful he stood there, In his garments green and yellow; To and fro his plumes above him, Waved and nodded with his breathing, And the sweat of the encounter Stood like drops of dew upon him. And he cried, "O Hiawatha! Bravely have you wrestled with me, Thrice have wrestled stoutly with me, And the Master of Life, who sees us, He will give to you the triumph!" Then he smiled, and said: "To-morrow Is the last day of your conflict, Is the last day of your fasting. You will conquer and o'ercome me; Make a bed for me to lie in, Where the rain may fall upon me, Where the sun may come and warm me; Strip these garments, green and yellow, Strip this nodding plumage from me, Lay me in the earth, and make it Soft and loose and light above me. "Let no hand disturb my slumber, Let no weed nor worm molest me, Let not Kahgahgee, the raven, Come to haunt me and molest me, Only come yourself to watch me, Till I wake, and start, and quicken, Till I leap into the sunshine." And thus saying, he departed; Peacefully slept Hiawatha, But he heard the Wawonaissa, Heard the whippoorwill complaining, Perched upon his lonely wigwam; Heard the rushing Sebowisha, Heard the rivulet rippling near him, Talking to the darksome forest; Heard the sighing of the branches, As they lifted and subsided At the passing of the night-wind, Heard them, as one hears in slumber Far-off murmurs, dreamy whispers: Peacefully slept Hiawatha. On the morrow came Nokomis, On the seventh day of his fasting, Came with food for Hiawatha, Came imploring and bewailing, Lest his hunger should o'ercome him, Lest his fasting should be fatal. But he tasted not, and touched not, Only said to her, "Nokomis, Wait until the sun is setting, Till the darkness falls around us, Till the heron, the Shuh-shuh-gah, Crying from the desolate marshes, Tells us that the day is ended." Homeward weeping went Nokomis, Sorrowing for her Hiawatha, Fearing lest his strength should fail him, Lest his fasting should be fatal. He meanwhile sat weary waiting For the coming of Mondamin, Till the shadows, pointing eastward, Lengthened over field and forest, Till the sun dropped from the heaven, Floating on the waters westward, As a red leaf in the Autumn Falls and floats upon the water, Falls and sinks into its bosom. And behold! the young Mondamin, With his soft and shining tresses, With his garments green and yellow, With his long and glossy plumage, Stood and beckoned at the doorway. And as one in slumber walking, Pale and haggard, but undaunted, From the wigwam Hiawatha Came and wrestled with Mondamin. Round about him spun the landscape, Sky and forest reeled together, And his strong heart leaped within him, As the sturgeon leaps and struggles In a net to break its meshes. Like a ring of fire around him Blazed and flared the red horizon, And a hundred suns seemed looking At the combat of the wrestlers. Suddenly upon the greensward All alone stood Hiawatha, Panting with his wild exertion, Palpitating with the struggle; And before him breathless, lifeless, Lay the youth, with hair dishevelled, Plumage torn, and garments tattered, Dead he lay there in the sunset. And victorious Hiawatha Made the grave as he commanded, Stripped the garments from Mondamin, Stripped his tattered plumage from him, Laid him in the earth, and made it Soft and loose and light above him; And the heron, the Shuh-shuh-gah, From the melancholy moorlands, Gave a cry of lamentation, Gave a cry of pain and anguish! Homeward then went Hiawatha To the lodge of old Nokomis, And the seven days of his fasting Were accomplished and completed. But the place was not forgotten Where he wrestled with Mondamin; Nor forgotten nor neglected Was the grave where lay Mondamin, Sleeping in the rain and sunshine, Where his scattered plumes and garments Faded in the rain and sunshine. Day by day did Hiawatha Go to wait and watch beside it; Kept the dark mould soft above it, Kept it clean from weeds and insects, Drove away, with scoffs and shoutings, Kahgahgee, the king of ravens. Till at length a small green feather From the earth shot slowly upward, Then another and another, And before the Summer ended Stood the maize in all its beauty, With its shining robes about it, And its long, soft, yellow tresses; And in rapture Hiawatha Cried aloud, "It is Mondamin! Yes, the friend of man, Mondamin!" Then he called to old Nokomis And Iagoo, the great boaster, Showed them where the maize was growing, Told them of his wondrous vision, Of his wrestling and his triumph, Of this new gift to the nations, Which should be their food forever. And still later, when the Autumn Changed the long, green leaves to yellow, And the soft and juicy kernels Grew like wampum hard and yellow, Then the ripened ears he gathered, Stripped the withered husks from off them, As he once had stripped the wrestler, Gave the first Feast of Mondamin, And made known unto the people This new gift of the Great Spirit.

VI

HIAWATHA'S FRIENDS

Two good friends had Hiawatha, Singled out from all the others, Bound to him in closest union, And to whom he gave the right hand Of his heart, in joy and sorrow; Chibiabos, the musician, And the very strong man, Kwasind. Straight between them ran the pathway, Never grew the grass upon it; Singing birds, that utter falsehoods, Story-tellers, mischief-makers, Found no eager ear to listen, Could not breed ill-will between them, For they kept each other's counsel, Spake with naked hearts together, Pondering much and much contriving How the tribes of men might prosper. Most beloved by Hiawatha Was the gentle Chibiabos, He the best of all musicians, He the sweetest of all singers. Beautiful and childlike was he, Brave as man is, soft as woman, Pliant as a wand of willow, Stately as a deer with antlers. When he sang, the village listened; All the warriors gathered round him, All the women came to hear him; Now he stirred their souls to passion, Now he melted them to pity. From the hollow reeds he fashioned Flutes so musical and mellow, That the brook, the Sebowisha, Ceased to murmur in the woodland, That the wood-birds ceased from singing, And the squirrel, Adjidaumo, Ceased his chatter in the oak-tree, And the rabbit, the Wabasso, Sat upright to look and listen. Yes, the brook, the Sebowisha, Pausing, said, "O Chibiabos, Teach my waves to flow in music, Softly as your words in singing!" Yes, the bluebird, the Owaissa, Envious, said, "O Chibiabos, Teach me tones as wild and wayward, Teach me songs as full of frenzy!" Yes, the robin, the Opechee, Joyous, said, "O Chibiabos, Teach me tones as sweet and tender, Teach me songs as full of gladness!" And the whippoorwill, Wawonaissa, Sobbing, said, "O Chibiabos, Teach me tones as melancholy, Teach me songs as full of sadness!" All the many sounds of nature Borrowed sweetness from his singing; All the hearts of men were softened By the pathos of his music; For he sang of peace and freedom, Sang of beauty, love, and longing; Sang of death, and life undying In the Islands of the Blessed, In the kingdom of Ponemah, In the land of the Hereafter. Very dear to Hiawatha Was the gentle Chibiabos, He the best of all musicians, He the sweetest of all singers; For his gentleness he loved him, And the magic of his singing. Dear, too, unto Hiawatha Was the very strong man, Kwasind, He the strongest of all mortals, He the mightiest among many; For his very strength he loved him, For his strength allied to goodness. Idle in his youth was Kwasind, Very listless, dull, and dreamy, Never played with other children, Never fished and never hunted, Not like other children was he; But they saw that much he fasted, Much his Manito entreated, Much besought his Guardian Spirit. "Lazy Kwasind!" said his mother, "In my work you never help me! In the Summer you are roaming Idly in the fields and forests; In the Winter you are cowering O'er the firebrands in the wigwam! In the coldest days of Winter I must break the ice for fishing; With my nets you never help me! At the door my nets are hanging, Dripping, freezing with the water; Go and wring them, Yenadizze! Go and dry them in the sunshine!" Slowly, from the ashes, Kwasind Rose, but made no angry answer; From the lodge went forth in silence, Took the nets, that hung together, Dripping, freezing at the doorway; Like a wisp of straw he wrung them, Like a wisp of straw he broke them, Could not wring them without breaking, Such the strength was in his fingers. "Lazy Kwasind!" said his father, "In the hunt you never help me; Every bow you touch is broken, Snapped asunder every arrow; Yet come with me to the forest, You shall bring the hunting homeward." Down a narrow pass they wandered, Where a brooklet led them onward, Where the trail of deer and bison Marked the soft mud on the margin, Till they found all further passage Shut against them, barred securely By the trunks of trees uprooted, Lying lengthwise, lying crosswise, And forbidding further passage. "We must go back," said the old man, "O'er these logs we cannot clamber; Not a woodchuck could get through them, Not a squirrel clamber o'er them!" And straightway his pipe he lighted, And sat down to smoke and ponder. But before his pipe was finished, Lo! the path was cleared before him; All the trunks had Kwasind lifted, To the right hand, to the left hand, Shot the pine-trees swift as arrows, Hurled the cedars light as lances. "Lazy Kwasind!" said the young men, As they sported in the meadow: "Why stand idly looking at us, Leaning on the rock behind you? Come and wrestle with the others, Let us pitch the quoit together!" Lazy Kwasind made no answer, To their challenge made no answer, Only rose, and slowly turning, Seized the huge rock in his fingers, Tore it from its deep foundation, Poised it in the air a moment, Pitched it sheer into the river, Sheer into the swift Pauwating, Where it still is seen in Summer. Once as down that foaming river, Down the rapids of Pauwating, Kwasind sailed with his companions, In the stream he saw a beaver, Saw Ahmeek, the King of Beavers, Struggling with the rushing currents, Rising, sinking in the water. Without speaking, without pausing, Kwasind leaped into the river, Plunged beneath the bubbling surface, Through the whirlpools chased the beaver, Followed him among the islands, Stayed so long beneath the water, That his terrified companions Cried, "Alas! good-by to Kwasind! We shall never more see Kwasind!" But he reappeared triumphant, And upon his shining shoulders Brought the beaver, dead and dripping, Brought the King of all the Beavers. And these two, as I have told you, Were the friends of Hiawatha, Chibiabos, the musician, And the very strong man, Kwasind. Long they lived in peace together, Spake with naked hearts together, Pondering much and much contriving How the tribes of men might prosper.

VII

HIAWATHA'S SAILING

"Give me of your bark, O Birch-tree! Of your yellow bark, O Birch-tree! Growing by the rushing river, Tall and stately in the valley! I a light canoe will build me, Build a swift Cheemaun for sailing, That shall float on the river, Like a yellow leaf in Autumn, Like a yellow water-lily! "Lay aside your cloak, O Birch-tree! Lay aside your white-skin wrapper, For the Summer-time is coming, And the sun is warm in heaven, And you need no white-skin wrapper!" Thus aloud cried Hiawatha In the solitary forest, By the rushing Taquamenaw, When the birds were singing gayly, In the Moon of Leaves were singing, And the sun, from sleep awaking, Started up and said, "Behold me! Gheezis, the great Sun, behold me!" And the tree with all its branches Rustled in the breeze of morning, Saying, with a sigh of patience, "Take my cloak, O Hiawatha!" With his knife the tree he girdled; Just beneath its lowest branches, Just above the roots, he cut it, Till the sap came oozing outward; Down the trunk, from top to bottom, Sheer he cleft the bark asunder, With a wooden wedge he raised it, Stripped it from the trunk unbroken. "Give me of your boughs, O Cedar! Of your strong and pliant branches, My canoe to make more steady, Make more strong and firm beneath me!" Through the summit of the Cedar Went a sound, a cry of horror, Went a murmur of resistance; But it whispered, bending downward, 'Take my boughs, O Hiawatha!" Down he hewed the boughs of cedar, Shaped them straightway to a framework, Like two bows he formed and shaped them, Like two bended bows together. "Give me of your roots, O Tamarack! Of your fibrous roots, O Larch-tree! My canoe to bind together, So to bind the ends together That the water may not enter, That the river may not wet me!" And the Larch, with all its fibres, Shivered in the air of morning, Touched his forehead with its tassels, Slid, with one long sigh of sorrow. "Take them all, O Hiawatha!" From the earth he tore the fibres, Tore the tough roots of the Larch-tree, Closely sewed the bark together, Bound it closely to the frame-work. "Give me of your balm, O Fir-tree! Of your balsam and your resin, So to close the seams together That the water may not enter, That the river may not wet me!" And the Fir-tree, tall and sombre, Sobbed through all its robes of darkness, Rattled like a shore with pebbles, Answered wailing, answered weeping, "Take my balm, O Hiawatha!" And he took the tears of balsam, Took the resin of the Fir-tree, Smeared therewith each seam and fissure, Made each crevice safe from water. "Give me of your quills, O Hedgehog! All your quills, O Kagh, the Hedgehog! I will make a necklace of them, Make a girdle for my beauty, And two stars to deck her bosom!" From a hollow tree the Hedgehog With his sleepy eyes looked at him, Shot his shining quills, like arrows, Saying with a drowsy murmur, Through the tangle of his whiskers, "Take my quills, O Hiawatha!" From the ground the quills he gathered, All the little shining arrows, Stained them red and blue and yellow, With the juice of roots and berries; Into his canoe he wrought them, Round its waist a shining girdle, Round its bows a gleaming necklace, On its breast two stars resplendent. Thus the Birch Canoe was builded In the valley, by the river, In the bosom of the forest; And the forest's life was in it, All its mystery and its magic, All the lightness of the birch-tree, All the toughness of the cedar, All the larch's supple sinews; And it floated on the river Like a yellow leaf in Autumn, Like a yellow water-lily. Paddles none had Hiawatha, Paddles none he had or needed, For his thoughts as paddles served him, And his wishes served to guide him; Swift or slow at will he glided, Veered to right or left at pleasure. Then he called aloud to Kwasind, To his friend, the strong man, Kwasind, Saying, "Help me clear this river Of its sunken logs and sand-bars." Straight into the river Kwasind Plunged as if he were an otter, Dived as if he were a beaver, Stood up to his waist in water, To his arm-pits in the river, Swam and scouted in the river, Tugged at sunken logs and branches, With his hands he scooped the sand-bars, With his feet the ooze and tangle. And thus sailed my Hiawatha Down the rushing Taquamenaw, Sailed through all its bends and windings, Sailed through all its deeps and shallows, While his friend, the strong man, Kwasind, Swam the deeps, the shallows waded. Up and down the river went they, In and out among its islands, Cleared its bed of root and sand-bar, Dragged the dead trees from its channel, Made its passage safe and certain, Made a pathway for the people, From its springs among the mountains, To the waters of Pauwating, To the bay of Taquamenaw.

VIII

HIAWATHA'S FISHING

Forth upon the Gitche Gumee, On the shining Big-Sea-Water, With his fishing-line of cedar, Of the twisted bark of cedar, Forth to catch the sturgeon Nahma, Mishe-Nahma, King of Fishes, In his birch canoe exulting All alone went Hiawatha. Through the clear, transparent water He could see the fishes swimming Far down in the depths below him; See the yellow perch, the Sahwa, Like a sunbeam in the water, See the Shawgashee, the craw-fish, Like a spider on the bottom, On the white and sandy bottom. At the stern sat Hiawatha, With his fishing-line of cedar; In his plumes the breeze of morning Played as in the hemlock branches; On the bows, with tail erected, Sat the squirrel, Adjidaumo; In his fur the breeze of morning Played as in the prairie grasses. On the white sand of the bottom Lay the monster Mishe-Nahma, Lay the sturgeon, King of Fishes; Through his gills he breathed the water, With his fins he fanned and winnowed, With his tail he swept the sand-floor. There he lay in all his armor; On each side a shield to guard him, Plates of bone upon his forehead, Down his sides and back and shoulders Plates of bone with spines projecting Painted was he with his war-paints, Stripes of yellow, red, and azure, Spots of brown and spots of sable; And he lay there on the bottom, Fanning with his fins of purple, As above him Hiawatha In his birch canoe came sailing, With his fishing-line of cedar. "Take my bait," cried Hiawatha, Down into the depths beneath him, "Take my bait, O Sturgeon, Nahma! Come up from below the water, Let us see which is the stronger!" And he dropped his line of cedar Through the clear, transparent water, Waited vainly for an answer, Long sat waiting for an answer, And repeating loud and louder, "Take my bait, O King of Fishes!" Quiet lay the sturgeon, Nahma, Fanning slowly in the water, Looking up at Hiawatha, Listening to his call and clamor, His unnecessary tumult, Till he wearied of the shouting; And he said to the Kenozha, To the pike, the Maskenozha, "Take the bait of this rude fellow, Break the line of Hiawatha!" In his fingers Hiawatha Felt the loose line jerk and tighten; As he drew it in, it tugged so That the birch canoe stood endwise, Like a birch log in the water, With the squirrel, Adjidaumo, Perched and frisking on the summit. Full of scorn was Hiawatha When he saw the fish rise upward, Saw the pike, the Maskenozha, Coming nearer, nearer to him, And he shouted through the water, "Esa! esa! shame upon you! You are but the pike, Kenozha, You are not the fish I wanted, You are not the King of Fishes!" Reeling downward to the bottom Sank the pike in great confusion, And the mighty sturgeon, Nahma, Said to Ugudwash, the sun-fish, To the bream, with scales of crimson, "Take the bait of this great boaster, Break the line of Hiawatha!" Slowly upward, wavering, gleaming, Rose the Ugudwash, the sun-fish, Seized the line of Hiawatha, Swung with all his weight upon it, Made a whirlpool in the water, Whirled the birch canoe in circles, Round and round in gurgling eddies, Till the circles in the water Reached the far-off sandy beaches, Till the water-flags and rushes Nodded on the distant margins. But when Hiawatha saw him Slowly rising through the water, Lifting up his disk refulgent, Loud he shouted in derision, "Esa! esa! shame upon you! You are Ugudwash, the sun-fish, You are not the fish I wanted, You are not the King of Fishes!" Slowly downward, wavering, gleaming, Sank the Ugudwash, the sun-fish, And again the sturgeon, Nahma, Heard the shout of Hiawatha, Heard his challenge of defiance, The unnecessary tumult, Ringing far across the water. From the white sand of the bottom Up he rose with angry gesture, Quivering in each nerve and fibre, Clashing all his plates of armor, Gleaming bright with all his war-paint; In his wrath he darted upward, Flashing leaped into the sunshine, Opened his great jaws, and swallowed Both canoe and Hiawatha. Down into that darksome cavern Plunged the headlong Hiawatha, As a log on some black river Shoots and plunges down the rapids, Found himself in utter darkness, Groped about in helpless wonder, Till he felt a great heart beating, Throbbing in that utter darkness. And he smote it in his anger, With his fist, the heart of Nahma, Felt the mighty King of Fishes Shudder through each nerve and fibre, Heard the water gurgle round him As he leaped and staggered through it, Sick at heart, and faint and weary. Crosswise then did Hiawatha Drag his birch-canoe for safety, Lest from out the jaws of Nahma, In the turmoil and confusion, Forth he might be hurled and perish. And the squirrel, Adjidaumo, Frisked and chatted very gayly, Toiled and tugged with Hiawatha Till the labor was completed. Then said Hiawatha to him, "O my little friend, the squirrel, Bravely have you toiled to help me; Take the thanks of Hiawatha, And the name which now he gives you; For hereafter and forever Boys shall call you Adjidaumo, Tail-in-air the boys shall call you!" And again the sturgeon, Nahma, Gasped and quivered in the water, Then was still, and drifted landward Till he grated on the pebbles, Till the listening Hiawatha Heard him grate upon the margin, Felt him strand upon the pebbles, Knew that Nahma, King of Fishes, Lay there dead upon the margin. Then he heard a clang and flapping, As of many wings assembling, Heard a screaming and confusion, As of birds of prey contending, Saw a gleam of light above him, Shining through the ribs of Nahma, Saw the glittering eyes of sea-gulls, Of Kayoshk, the sea-gulls, peering, Gazing at him through the opening, Heard them saying to each other, "'T is our brother, Hiawatha!" And he shouted from below them, Cried exulting from the caverns: "O ye sea-gulls! O my brothers! I have slain the sturgeon, Nahma; Make the rifts a little larger, With your claws the openings widen, Set me free from this dark prison, And henceforward and forever Men shall speak of your achievements, Calling you Kayoshk, the sea-gulls, Yes, Kayoshk, the Noble Scratchers!" And the wild and clamorous sea-gulls Toiled with beak and claws together, Made the rifts and openings wider In the mighty ribs of Nahma, And from peril and from prison, From the body of the sturgeon, From the peril of the water, They released my Hiawatha. He was standing near his wigwam, On the margin of the water, And he called to old Nokomis, Called and beckoned to Nokomis, Pointed to the sturgeon, Nahma, Lying lifeless on the pebbles, With the sea-gulls feeding on him. "I have slain the Mishe-Nahma, Slain the King of Fishes!" said he; "Look! the sea-gulls feed upon him, Yes, my friends Kayoshk, the sea-gulls; Drive them not away, Nokomis, They have saved me from great peril In the body of the sturgeon, Wait until their meal is ended, Till their craws are full with feasting, Till they homeward fly, at sunset, To their nests among the marshes; Then bring all your pots and kettles, And make oil for us in Winter." And she waited till the sun set, Till the pallid moon, the Night-sun, Rose above the tranquil water, Till Kayoshk, the sated sea-gulls, From their banquet rose with clamor, And across the fiery sunset Winged their way to far-off islands, To their nests among the rushes. To his sleep went Hiawatha, And Nokomis to her labor, Toiling patient in the moonlight, Till the sun and moon changed places, Till the sky was red with sunrise, And Kayoshk, the hungry sea-gulls, Came back from the reedy islands, Clamorous for their morning banquet. Three whole days and nights alternate Old Nokomis and the sea-gulls Stripped the oily flesh of Nahma, Till the waves washed through the rib-bones, Till the sea-gulls came no longer, And upon the sands lay nothing But the skeleton of Nahma.

IX

HIAWATHA AND THE PEARL-FEATHER

On the shores of Gitche Gumee, Of the shining Big-Sea-Water, Stood Nokomis, the old woman, Pointing with her finger westward, O'er the water pointing westward, To the purple clouds of sunset. Fiercely the red sun descending Burned his way along the heavens, Set the sky on fire behind him, As war-parties, when retreating, Burn the prairies on their war-trail; And the moon, the Night-sun, eastward, Suddenly starting from his ambush, Followed fast those bloody footprints, Followed in that fiery war-trail, With its glare upon his features. And Nokomis, the old woman, Pointing with her finger westward, Spake these words to Hiawatha: "Yonder dwells the great Pearl-Feather, Megissogwon, the Magician, Manito of Wealth and Wampum, Guarded by his fiery serpents, Guarded by the black pitch-water. You can see his fiery serpents, The Kenabeek, the great serpents, Coiling, playing in the water; You can see the black pitch-water Stretching far away beyond them, To the purple clouds of sunset! "He it was who slew my father, By his wicked wiles and cunning, When he from the moon descended, When he came on earth to seek me. He, the mightiest of Magicians, Sends the fever from the marshes, Sends the pestilential vapors, Sends the poisonous exhalations, Sends the white fog from the fen-lands, Sends disease and death among us! "Take your bow, O Hiawatha, Take your arrows, jasper-headed, Take your war-club, Puggawaugun, And your mittens, Minjekahwun, And your birch-canoe for sailing, And the oil of Mishe-Nahma, So to smear its sides, that swiftly You may pass the black pitch-water; Slay this merciless magician, Save the people from the fever That he breathes across the fen-lands, And avenge my father's murder!" Straightway then my Hiawatha Armed himself with all his war-gear, Launched his birch-canoe for sailing; With his palm its sides he patted, Said with glee, "Cheemaun, my darling, O my Birch-canoe! leap forward, Where you see the fiery serpents, Where you see the black pitch-water!" Forward leaped Cheemaun exulting, And the noble Hiawatha Sang his war-song wild and woful, And above him the war-eagle, The Keneu, the great war-eagle, Master of all fowls with feathers, Screamed and hurtled through the heavens. Soon he reached the fiery serpents, The Kenabeek, the great serpents, Lying huge upon the water, Sparkling, rippling in the water, Lying coiled across the passage, With their blazing crests uplifted, Breathing fiery fogs and vapors, So that none could pass beyond them. But the fearless Hiawatha Cried aloud, and spake in this wise: "Let me pass my way, Kenabeek, Let me go upon my journey!" And they answered, hissing fiercely, With their fiery breath made answer: "Back, go back! O Shaugodaya! Back to old Nokomis, Faint-heart!" Then the angry Hiawatha Raised his mighty bow of ash-tree, Seized his arrows, jasper-headed, Shot them fast among the serpents; Every twanging of the bow-string Was a war-cry and a death-cry, Every whizzing of an arrow Was a death-song of Kenabeek. Weltering in the bloody water, Dead lay all the fiery serpents, And among them Hiawatha Harmless sailed, and cried exulting: "Onward, O Cheemaun, my darling! Onward to the black pitch-water!" Then he took the oil of Nahma, And the bows and sides anointed, Smeared them well with oil, that swiftly He might pass the black pitch-water. All night long he sailed upon it, Sailed upon that sluggish water, Covered with its mould of ages, Black with rotting water-rushes, Rank with flags and leaves of lilies, Stagnant, lifeless, dreary, dismal, Lighted by the shimmering moonlight, And by will-o'-the-wisps illumined, Fires by ghosts of dead men kindled, In their weary night-encampments. All the air was white with moonlight, All the water black with shadow, And around him the Suggema, The mosquito, sang his war-song, And the fire-flies, Wah-wah-taysee, Waved their torches to mislead him; And the bull-frog, the Dahinda, Thrust his head into the moonlight, Fixed his yellow eyes upon him, Sobbed and sank beneath the surface; And anon a thousand whistles, Answered over all the fen-lands, And the heron, the Shuh-shuh-gah, Far off on the reedy margin, Heralded the hero's coming. Westward thus fared Hiawatha, Toward the realm of Megissogwon, Toward the land of the Pearl-Feather, Till the level moon stared at him, In his face stared pale and haggard, Till the sun was hot behind him, Till it burned upon his shoulders, And before him on the upland He could see the Shining Wigwam Of the Manito of Wampum, Of the mightiest of Magicians. Then once more Cheemaun he patted, To his birch-canoe said, "Onward!" And it stirred in all its fibres, And with one great bound of triumph Leaped across the water-lilies, Leaped through tangled flags and rushes, And upon the beach beyond them Dry-shod landed Hiawatha. Straight he took his bow of ash-tree, On the sand one end he rested, With his knee he pressed the middle, Stretched the faithful bow-string tighter, Took an arrow, jasper-headed, Shot it at the Shining Wigwam, Sent it singing as a herald, As a bearer of his message, Of his challenge loud and lofty: "Come forth from your lodge, Pearl-Feather! Hiawatha waits your coming!" Straightway from the Shining Wigwam Came the mighty Megissogwon, Tall of stature, broad of shoulder, Dark and terrible in aspect, Clad from head to foot in wampum, Armed with all his warlike weapons, Painted like the sky of morning, Streaked with crimson, blue, and yellow, Crested with great eagle-feathers, Streaming upward, streaming outward. "Well I know you, Hiawatha!" Cried he in a voice of thunder, In a tone of loud derision. "Hasten back, O Shaugodaya! Hasten back among the women, Back to old Nokomis, Faint-heart! I will slay you as you stand there, As of old I slew her father!" But my Hiawatha answered, Nothing daunted, fearing nothing: "Big words do not smite like war-clubs, Boastful breath is not a bow-string, Taunts are not so sharp as arrows, Deeds are better things than words are, Actions mightier than boastings!" Then began the greatest battle That the sun had ever looked on, That the war-birds ever witnessed. All a Summer's day it lasted, From the sunrise to the sunset; For the shafts of Hiawatha Harmless hit the shirt of wampum, Harmless fell the blows he dealt it With his mittens, Minjekahwun, Harmless fell the heavy war-club; It could dash the rocks asunder, But it could not break the meshes Of that magic shirt of wampum. Till at sunset Hiawatha, Leaning on his bow of ash-tree, Wounded, weary, and desponding, With his mighty war-club broken, With his mittens torn and tattered, And three useless arrows only, Paused to rest beneath a pine-tree, From whose branches trailed the mosses, And whose trunk was coated over With the Dead-man's Moccasin-leather, With the fungus white and yellow. Suddenly from the boughs above him Sang the Mama, the woodpecker: "Aim your arrows, Hiawatha, At the head of Megissogwon, Strike the tuft of hair upon it, At their roots the long black tresses; There alone can he be wounded!" Winged with feathers, tipped with jasper, Swift flew Hiawatha's arrow, Just as Megissogwon, stooping, Raised a heavy stone to throw it. Full upon the crown it struck him, At the roots of his long tresses, And he reeled and staggered forward, Plunging like a wounded bison, Yes, like Pezhekee, the bison, When the snow is on the prairie. Swifter flew the second arrow, In the pathway of the other, Piercing deeper than the other, Wounding sorer than the other; And the knees of Megissogwon Shook like windy reeds beneath him, Bent and trembled like the rushes. But the third and latest arrow Swiftest flew, and wounded sorest, And the mighty Megissogwon Saw the fiery eyes of Pauguk, Saw the eyes of Death glare at him, Heard his voice call in the darkness; At the feet of Hiawatha Lifeless lay the great Pearl-Feather, Lay the mightiest of Magicians. Then the grateful Hiawatha Called the Mama, the woodpecker, From his perch among the branches Of the melancholy pine-tree, And, in honor of his service, Stained with blood the tuft of feathers On the little head of Mama; Even to this day he wears it, Wears the tuft of crimson feathers, As a symbol of his service. Then he stripped the shirt of wampum From the back of Megissogwon, As a trophy of the battle, As a signal of his conquest. On the shore he left the body, Half on land and half in water, In the sand his feet were buried, And his face was in the water. And above him, wheeled and clamored The Keneu, the great war-eagle, Sailing round in narrower circles, Hovering nearer, nearer, nearer. From the wigwam Hiawatha Bore the wealth of Megissogwon, All his wealth of skins and wampum, Furs of bison and of beaver, Furs of sable and of ermine, Wampum belts and strings and pouches, Quivers wrought with beads of wampum, Filled with arrows, silver-headed. Homeward then he sailed exulting, Homeward through the black pitch-water, Homeward through the weltering serpents, With the trophies of the battle, With a shout and song of triumph. On the shore stood old Nokomis, On the shore stood Chibiabos, And the very strong man, Kwasind, Waiting for the hero's coming, Listening to his songs of triumph. And the people of the village Welcomed him with songs and dances, Made a joyous feast, and shouted: "Honor be to Hiawatha! He has slain the great Pearl-Feather, Slain the mightiest of Magicians, Him, who sent the fiery fever, Sent the white fog from the fen-lands, Sent disease and death among us!" Ever dear to Hiawatha Was the memory of Mama! And in token of his friendship, As a mark of his remembrance, He adorned and decked his pipe-stem With the crimson tuft of feathers, With the blood-red crest of Mama. But the wealth of Megissogwon, All the trophies of the battle, He divided with his people, Shared it equally among them.

X

HIAWATHA'S WOOING

"As unto the bow the cord is, So unto the man is woman; Though she bends him, she obeys him, Though she draws him, yet she follows, Useless each without the other!" Thus the youthful Hiawatha Said within himself and pondered, Much perplexed by various feelings, Listless, longing, hoping, fearing, Dreaming still of Minnehaha, Of the lovely Laughing Water, In the land of the Dacotahs. "Wed a maiden of your people," Warning said the old Nokomis; "Go not eastward, go not westward, For a stranger, whom we know not! Like a fire upon the hearth-stone Is a neighbor's homely daughter, Like the starlight or the moonlight Is the handsomest of strangers!" Thus dissuading spake Nokomis, And my Hiawatha answered Only this: "Dear old Nokomis, Very pleasant is the firelight, But I like the starlight better, Better do I like the moonlight!" Gravely then said old Nokomis: "Bring not here an idle maiden, Bring not here a useless woman, Hands unskilful, feet unwilling; Bring a wife with nimble fingers, Heart and hand that move together, Feet that run on willing errands!" Smiling answered Hiawatha: "In the land of the Dacotahs Lives the Arrow-maker's daughter, Minnehaha, Laughing Water, Handsomest of all the women. I will bring her to your wigwam, She shall run upon your errands, Be your starlight, moonlight, firelight, Be the sunlight of my people!" Still dissuading said Nokomis: "Bring not to my lodge a stranger From the land of the Dacotahs! Very fierce are the Dacotahs, Often is there war between us, There are feuds yet unforgotten, Wounds that ache and still may open!" Laughing answered Hiawatha: "For that reason, if no other, Would I wed the fair Dacotah, That our tribes might be united, That old feuds might be forgotten, And old wounds be healed forever!" Thus departed Hiawatha To the land of the Dacotahs, To the land of handsome women; Striding over moor and meadow, Through interminable forests, Through uninterrupted silence. With his moccasins of magic, At each stride a mile he measured; Yet the way seemed long before him, And his heart outran his footsteps; And he journeyed without resting, Till he heard the cataract's laughter, Heard the Falls of Minnehaha Calling to him through the silence. "Pleasant is the sound!" he murmured, "Pleasant is the voice that calls me!" On the outskirts of the forests, 'Twixt the shadow and the sunshine, Herds of fallow deer were feeding, But they saw not Hiawatha; To his bow he whispered, "Fail not!" To his arrow whispered, "Swerve not!" Sent it singing on its errand, To the red heart of the roebuck; Threw the deer across his shoulder, And sped forward without pausing. At the doorway of his wigwam Sat the ancient Arrow-maker, In the land of the Dacotahs, Making arrow-heads of jasper, Arrow-heads of chalcedony. At his side, in all her beauty, Sat the lovely Minnehaha, Sat his daughter, Laughing Water, Plaiting mats of flags and rushes Of the past the old man's thoughts were, And the maiden's of the future. He was thinking, as he sat there, Of the days when with such arrows He had struck the deer and bison, On the Muskoday, the meadow; Shot the wild goose, flying southward On the wing, the clamorous Wawa; Thinking of the great war-parties, How they came to buy his arrows, Could not fight without his arrows. Ah, no more such noble warriors Could be found on earth as they were! Now the men were all like women, Only used their tongues for weapons! She was thinking of a hunter, From another tribe and country, Young and tall and very handsome, Who one morning, in the Spring-time, Came to buy her father's arrows, Sat and rested in the wigwam, Lingered long about the doorway, Looking back as he departed. She had heard her father praise him, Praise his courage and his wisdom; Would he come again for arrows To the Falls of Minnehaha? On the mat her hands lay idle, And her eyes were very dreamy. Through their thoughts they heard a footstep, Heard a rustling in the branches, And with glowing cheek and forehead, With the deer upon his shoulders, Suddenly from out the woodlands Hiawatha stood before them. Straight the ancient Arrow-maker Looked up gravely from his labor, Laid aside the unfinished arrow, Bade him enter at the doorway, Saying, as he rose to meet him, 'Hiawatha, you are welcome!" At the feet of Laughing Water Hiawatha laid his burden, Threw the red deer from his shoulders; And the maiden looked up at him, Looked up from her mat of rushes, Said with gentle look and accent, "You are welcome, Hiawatha!" Very spacious was the wigwam, Made of deer-skins dressed and whitened, With the Gods of the Dacotahs Drawn and painted on its curtains, And so tall the doorway, hardly Hiawatha stooped to enter, Hardly touched his eagle-feathers As he entered at the doorway. Then uprose the Laughing Water, From the ground fair Minnehaha, Laid aside her mat unfinished, Brought forth food and set before them, Water brought them from the brooklet, Gave them food in earthen vessels, Gave them drink in bowls of bass-wood, Listened while the guest was speaking, Listened while her father answered, But not once her lips she opened, Not a single word she uttered. Yes, as in a dream she listened To the words of Hiawatha, As he talked of old Nokomis, Who had nursed him in his childhood, As he told of his companions, Chibiabos, the musician, And the very strong man, Kwasind, And of happiness and plenty In the land of the Ojibways, In the pleasant land and peaceful. "After many years of warfare, Many years of strife and bloodshed, There is peace between the Ojibways And the tribe of the Dacotahs." Thus continued Hiawatha, And then added, speaking slowly, "That this peace may last forever, And our hands be clasped more closely, And our hearts be more united, Give me as my wife this maiden, Minnehaha, Laughing Water, Loveliest of Dacotah women!" And the ancient Arrow-maker Paused a moment ere he answered, Smoked a little while in silence, Looked at Hiawatha proudly, Fondly looked at Laughing Water, And made answer very gravely: "Yes, if Minnehaha wishes; Let your heart speak, Minnehaha!" And the lovely Laughing Water Seemed more lovely as she stood there, Neither willing nor reluctant, As she went to Hiawatha, Softly took the seat beside him, While she said, and blushed to say it, "I will follow you, my husband!" This was Hiawatha's wooing! Thus it was he won the daughter Of the ancient Arrow-maker, In the land of the Dacotahs! From the wigwam he departed, Leading with him Laughing Water; Hand in hand they went together, Through the woodland and the meadow, Left the old man standing lonely At the doorway of his wigwam, Heard the Falls of Minnehaha Calling to them from the distance, Crying to them from afar off, "Fare thee well, O Minnehaha!" And the ancient Arrow-maker Turned again unto his labor, Sat down by his sunny doorway, Murmuring to himself, and saying: "Thus it is our daughters leave us, Those we love, and those who love us! Just when they have learned to help us, When we are old and lean upon them, Comes a youth with flaunting feathers, With his flute of reeds, a stranger Wanders piping through the village, Beckons to the fairest maiden, And she follows where he leads her, Leaving all things for the stranger!" Pleasant was the journey homeward, Through interminable forests, Over meadow, over mountain, Over river, hill, and hollow. Short it seemed to Hiawatha, Though they journeyed very slowly, Though his pace he checked and slackened To the steps of Laughing Water. Over wide and rushing rivers In his arms he bore the maiden; Light he thought her as a feather, As the plume upon his head-gear; Cleared the tangled pathway for her, Bent aside the swaying branches, Made at night a lodge of branches, And a bed with boughs of hemlock, And a fire before the doorway With the dry cones of the pine-tree. All the travelling winds went with them, O'er the meadows, through the forest; All the stars of night looked at them, Watched with sleepless eyes their slumber; From his ambush in the oak-tree Peeped the squirrel, Adjidaumo, Watched with eager eyes the lovers; And the rabbit, the Wabasso, Scampered from the path before them, Peering, peeping from his burrow, Sat erect upon his haunches, Watched with curious eyes the lovers. Pleasant was the journey homeward! All the birds sang loud and sweetly Songs of happiness and heart's-ease; Sang the bluebird, the Owaissa, "Happy are you, Hiawatha, Having such a wife to love you!" Sang the robin, the Opechee, "Happy are you, Laughing Water, Having such a noble husband!" From the sky the sun benignant Looked upon them through the branches, Saying to them, "O my children, Love is sunshine, hate is shadow, Life is checkered shade and sunshine, Rule by love, O Hiawatha!" From the sky the moon looked at them, Filled the lodge with mystic splendors, Whispered to them, "O my children, Day is restless, night is quiet, Man imperious, woman feeble; Half is mine, although I follow; Rule by patience, Laughing Water!" Thus it was they journeyed homeward; Thus it was that Hiawatha To the lodge of old Nokomis Brought the moonlight, starlight, firelight, Brought the sunshine of his people, Minnehaha, Laughing Water, Handsomest of all the women In the land of the Dacotahs, In the land of handsome women.

XI

HIAWATHA'S WEDDING-FEAST

You shall hear how Pau-Puk-Keewis, How the handsome Yenadizze Danced at Hiawatha's wedding; How the gentle Chibiabos, He the sweetest of musicians, Sang his songs of love and longing; How Iagoo, the great boaster, He the marvellous story-teller, Told his tales of strange adventure, That the feast might be more joyous, That the time might pass more gayly, And the guests be more contented. Sumptuous was the feast Nokomis Made at Hiawatha's wedding; All the bowls were made of bass-wood, White and polished very smoothly, All the spoons of horn of bison, Black and polished very smoothly. She had sent through all the village Messengers with wands of willow, As a sign of invitation, As a token of the feasting; And the wedding guests assembled, Clad in all their richest raiment, Robes of fur and belts of wampum, Splendid with their paint and plumage, Beautiful with beads and tassels. First they ate the sturgeon, Nahma, And the pike, the Maskenozha, Caught and cooked by old Nokomis; Then on pemican they feasted, Pemican and buffalo marrow, Haunch of deer and hump of bison, Yellow cakes of the Mondamin, And the wild rice of the river. But the gracious Hiawatha, And the lovely Laughing Water, And the careful old Nokomis, Tasted not the food before them, Only waited on the others Only served their guests in silence. And when all the guests had finished, Old Nokomis, brisk and busy, From an ample pouch of otter, Filled the red-stone pipes for smoking With tobacco from the South-land, Mixed with bark of the red willow, And with herbs and leaves of fragrance. Then she said, "O Pau-Puk-Keewis, Dance for us your merry dances, Dance the Beggar's Dance to please us, That the feast may be more joyous, That the time may pass more gayly, And our guests be more contented!" Then the handsome Pau-Puk-Keewis, He the idle Yenadizze, He the merry mischief-maker, Whom the people called the Storm-Fool, Rose among the guests assembled. Skilled was he in sports and pastimes, In the merry dance of snow-shoes, In the play of quoits and ball-play; Skilled was he in games of hazard, In all games of skill and hazard, Pugasaing, the Bowl and Counters, Kuntassoo, the Game of Plum-stones. Though the warriors called him Faint-Heart, Called him coward, Shaugodaya, Idler, gambler, Yenadizze, Little heeded he their jesting, Little cared he for their insults, For the women and the maidens Loved the handsome Pau-Puk-Keewis. He was dressed in shirt of doeskin, White and soft, and fringed with ermine, All inwrought with beads of wampum; He was dressed in deer-skin leggings, Fringed with hedgehog quills and ermine, And in moccasins of buck-skin, Thick with quills and beads embroidered. On his head were plumes of swan's down, On his heels were tails of foxes, In one hand a fan of feathers, And a pipe was in the other. Barred with streaks of red and yellow, Streaks of blue and bright vermilion, Shone the face of Pau-Puk-Keewis. From his forehead fell his tresses, Smooth, and parted like a woman's, Shining bright with oil, and plaited, Hung with braids of scented grasses, As among the guests assembled, To the sound of flutes and singing, To the sound of drums and voices, Rose the handsome Pau-Puk-Keewis, And began his mystic dances. First he danced a solemn measure, Very slow in step and gesture, In and out among the pine-trees, Through the shadows and the sunshine, Treading softly like a panther. Then more swiftly and still swifter, Whirling, spinning round in circles, Leaping o'er the guests assembled, Eddying round and round the wigwam, Till the leaves went whirling with him, Till the dust and wind together Swept in eddies round about him. Then along the sandy margin Of the lake, the Big-Sea-Water, On he sped with frenzied gestures, Stamped upon the sand, and tossed it Wildly in the air around him; Till the wind became a whirlwind, Till the sand was blown and sifted Like great snowdrifts o'er the landscape, Heaping all the shores with Sand Dunes, Sand Hills of the Nagow Wudjoo! Thus the merry Pau-Puk-Keewis Danced his Beggar's Dance to please them, And, returning, sat down laughing There among the guests assembled, Sat and fanned himself serenely With his fan of turkey-feathers. Then they said to Chibiabos, To the friend of Hiawatha, To the sweetest of all singers, To the best of all musicians, "Sing to us, O Chibiabos! Songs of love and songs of longing, That the feast may be more joyous, That the time may pass more gayly, And our guests be more contented!" And the gentle Chibiabos Sang in accents sweet and tender, Sang in tones of deep emotion, Songs of love and songs of longing; Looking still at Hiawatha, Looking at fair Laughing Water, Sang he softly, sang in this wise: "Onaway! Awake, beloved! Thou the wild-flower of the forest! Thou the wild-bird of the prairie! Thou with eyes so soft and fawn-like! "If thou only lookest at me, I am happy, I am happy, As the lilies of the prairie, When they feel the dew upon them! "Sweet thy breath is as the fragrance Of the wild-flowers in the morning, As their fragrance is at evening, In the Moon when leaves are falling. "Does not all the blood within me Leap to meet thee, leap to meet thee, As the springs to meet the sunshine, In the Moon when nights are brightest? "Onaway! my heart sings to thee, Sings with joy when thou art near me, As the sighing, singing branches In the pleasant Moon of Strawberries! "When thou art not pleased, beloved, Then my heart is sad and darkened, As the shining river darkens When the clouds drop shadows on it! "When thou smilest, my beloved, Then my troubled heart is brightened, As in sunshine gleam the ripples That the cold wind makes in rivers. "Smiles the earth, and smile the waters, Smile the cloudless skies above us, But I lose the way of smiling When thou art no longer near me! "I myself, myself! behold me! Blood of my beating heart, behold me! Oh awake, awake, beloved! Onaway! awake, beloved!" Thus the gentle Chibiabos Sang his song of love and longing; And Iagoo, the great boaster, He the marvellous story-teller, He the friend of old Nokomis, Jealous of the sweet musician, Jealous of the applause they gave him, Saw in all the eyes around him, Saw in all their looks and gestures, That the wedding guests assembled Longed to hear his pleasant stories, His immeasurable falsehoods. Very boastful was Iagoo; Never heard he an adventure But himself had met a greater; Never any deed of daring But himself had done a bolder; Never any marvellous story But himself could tell a stranger. Would you listen to his boasting, Would you only give him credence, No one ever shot an arrow Half so far and high as he had; Ever caught so many fishes, Ever killed so many reindeer, Ever trapped so many beaver! None could run so fast as he could, None could dive so deep as he could, None could swim so far as he could; None had made so many journeys, None had seen so many wonders, As this wonderful Iagoo, As this marvellous story-teller! Thus his name became a by-word And a jest among the people; And whene'er a boastful hunter Praised his own address too highly, Or a warrior, home returning, Talked too much of his achievements, All his hearers cried, "Iagoo! Here's Iagoo come among us!" He it was who carved the cradle Of the little Hiawatha, Carved its framework out of linden, Bound it strong with reindeer sinews; He it was who taught him later How to make his bows and arrows, How to make the bows of ash-tree, And the arrows of the oak-tree. So among the guests assembled At my Hiawatha's wedding Sat Iagoo, old and ugly, Sat the marvellous story-teller. And they said, "O good Iagoo, Tell us now a tale of wonder, Tell us of some strange adventure, That the feast may be more joyous, That the time may pass more gayly, And our guests be more contented!" And Iagoo answered straightway, "You shall hear a tale of wonder, You shall hear the strange adventures Of Osseo, the Magician, From the Evening Star descending."

XII

THE SON OF THE EVENING STAR

Can it be the sun descending O'er the level plain of water? Or the Red Swan floating, flying, Wounded by the magic arrow, Staining all the waves with crimson, With the crimson of its life-blood, Filling all the air with splendor, With the splendor of its plumage? Yes; it is the sun descending, Sinking down into the water; All the sky is stained with purple, All the water flushed with crimson! No; it is the Red Swan floating, Diving down beneath the water; To the sky its wings are lifted, With its blood the waves are reddened! Over it the Star of Evening Melts and trembles through the purple, Hangs suspended in the twilight. No; it is a bead of wampum On the robes of the Great Spirit As he passes through the twilight, Walks in silence through the heavens. This with joy beheld Iagoo And he said in haste: "Behold it! See the sacred Star of Evening! You shall hear a tale of wonder, Hear the story of Osseo, Son of the Evening Star, Osseo! "Once, in days no more remembered, Ages nearer the beginning, When the heavens were closer to us, And the Gods were more familiar, In the North-land lived a hunter, With ten young and comely daughters, Tall and lithe as wands of willow; Only Oweenee, the youngest, She the wilful and the wayward, She the silent, dreamy maiden, Was the fairest of the sisters. "All these women married warriors, Married brave and haughty husbands; Only Oweenee, the youngest, Laughed and flouted all her lovers, All her young and handsome suitors, And then married old Osseo, Old Osseo, poor and ugly, Broken with age and weak with coughing, Always coughing like a squirrel. "Ah, but beautiful within him Was the spirit of Osseo, From the Evening Star descended, Star of Evening, Star of Woman, Star of tenderness and passion! All its fire was in his bosom, All its beauty in his spirit, All its mystery in his being, All its splendor in his language! "And her lovers, the rejected, Handsome men with belts of wampum, Handsome men with paint and feathers. Pointed at her in derision, Followed her with jest and laughter. But she said: 'I care not for you, Care not for your belts of wampum, Care not for your paint and feathers, Care not for your jests and laughter; I am happy with Osseo!' "Once to some great feast invited, Through the damp and dusk of evening, Walked together the ten sisters, Walked together with their husbands; Slowly followed old Osseo, With fair Oweenee beside him; All the others chatted gayly, These two only walked in silence. "At the western sky Osseo Gazed intent, as if imploring, Often stopped and gazed imploring At the trembling Star of Evening, At the tender Star of Woman; And they heard him murmur softly, 'Ah, showain nemeshin, Nosa! Pity, pity me, my father!' "'Listen!' said the eldest sister, 'He is praying to his father! What a pity that the old man Does not stumble in the pathway, Does not break his neck by falling!' And they laughed till all the forest Rang with their unseemly laughter. "On their pathway through the woodlands Lay an oak, by storms uprooted, Lay the great trunk of an oak-tree, Buried half in leaves and mosses, Mouldering, crumbling, huge and hollow. And Osseo, when he saw it, Gave a shout, a cry of anguish, Leaped into its yawning cavern, At one end went in an old man, Wasted, wrinkled, old, and ugly; From the other came a young man, Tall and straight and strong and handsome. "Thus Osseo was transfigured, Thus restored to youth and beauty; But, alas for good Osseo, And for Oweenee, the faithful! Strangely, too, was she transfigured. Changed into a weak old woman, With a staff she tottered onward, Wasted, wrinkled, old, and ugly! And the sisters and their husbands Laughed until the echoing forest Rang with their unseemly laughter. "But Osseo turned not from her, Walked with slower step beside her, Took her hand, as brown and withered As an oak-leaf is in Winter, Called her sweetheart, Nenemoosha, Soothed her with soft words of kindness, Till they reached the lodge of feasting, Till they sat down in the wigwam, Sacred to the Star of Evening, To the tender Star of Woman. "Wrapt in visions, lost in dreaming, At the banquet sat Osseo; All were merry, all were happy, All were joyous but Osseo. Neither food nor drink he tasted, Neither did he speak nor listen; But as one bewildered sat he, Looking dreamily and sadly, First at Oweenee, then upward At the gleaming sky above them. "Then a voice was heard, a whisper, Coming from the starry distance, Coming from the empty vastness, Low, and musical, and tender; And the voice said: 'O Osseo! O my son, my best beloved! Broken are the spells that bound you, All the charms of the magicians, All the magic powers of evil; Come to me; ascend, Osseo! "'Taste the food that stands before you: It is blessed and enchanted, It has magic virtues in it, It will change you to a spirit. All your bowls and all your kettles Shall be wood and clay no longer; But the bowls be changed to wampum, And the kettles shall be silver; They shall shine like shells of scarlet, Like the fire shall gleam and glimmer. "'And the women shall no longer Bear the dreary doom of labor, But be changed to birds, and glisten With the beauty of the starlight, Painted with the dusky splendors Of the skies and clouds of evening!' "What Osseo heard as whispers, What as words he comprehended, Was but music to the others, Music as of birds afar off, Of the whippoorwill afar off, Of the lonely Wawonaissa Singing in the darksome forest. "Then the lodge began to tremble, Straight began to shake and tremble, And they felt it rising, rising, Slowly through the air ascending, From the darkness of the tree-tops Forth into the dewy starlight, Till it passed the topmost branches; And behold! the wooden dishes All were changed to shells of scarlet! And behold! the earthen kettles All were changed to bowls of silver! And the roof-poles of the wigwam Were as glittering rods of silver, And the roof of bark upon them As the shining shards of beetles. "Then Osseo gazed around him, And he saw the nine fair sisters, All the sisters and their husbands, Changed to birds of various plumage. Some were jays and some were magpies, Others thrushes, others blackbirds; And they hopped, and sang, and twittered, Perked and fluttered all their feathers, Strutted in their shining plumage, And their tails like fans unfolded. "Only Oweenee, the youngest, Was not changed, but sat in silence, Wasted, wrinkled, old, and ugly, Looking sadly at the others; Till Osseo, gazing upward, Gave another cry of anguish, Such a cry as he had uttered By the oak-tree in the forest. "Then returned her youth and beauty, And her soiled and tattered garments Were transformed to robes of ermine, And her staff became a feather, Yes, a shining silver feather! "And again the wigwam trembled, Swayed and rushed through airy currents, Through transparent cloud and vapor, And amid celestial splendors On the Evening Star alighted, As a snow-flake falls on snow-flake, As a leaf drops on a river, As the thistledown on water. "Forth with cheerful words of welcome Came the father of Osseo, He with radiant locks of silver, He with eyes serene and tender. And he said: 'My son, Osseo, Hang the cage of birds you bring there, Hang the cage with rods of silver, And the birds with glistening feathers, At the doorway of my wigwam.' "At the door he hung the bird-cage, And they entered in and gladly Listened to Osseo's father, Ruler of the Star of Evening, As he said: 'O my Osseo! I have had compassion on you, Given you back your youth and beauty, Into birds of various plumage Changed your sisters and their husbands; Changed them thus because they mocked you In the figure of the old man, In that aspect sad and wrinkled, Could not see your heart of passion, Could not see your youth immortal; Only Oweenee, the faithful, Saw your naked heart and loved you. "'In the lodge that glimmers yonder, In the little star that twinkles Through the vapors, on the left hand, Lives the envious Evil Spirit, The Wabeno, the magician, Who transformed you to an old man. Take heed lest his beams fall on you, For the rays he darts around him Are the power of his enchantment, Are the arrows that he uses.' "Many years, in peace and quiet, On the peaceful Star of Evening Dwelt Osseo with his father; Many years, in song and flutter, At the doorway of the wigwam, Hung the cage with rods of silver, And fair Oweenee, the faithful, Bore a son unto Osseo, With the beauty of his mother, With the courage of his father. "And the boy grew up and prospered, And Osseo, to delight him, Made him little bows and arrows, Opened the great cage of silver, And let loose his aunts and uncles, All those birds with glossy feathers, For his little son to shoot at. "Round and round they wheeled and darted, Filled the Evening Star with music, With their songs of joy and freedom Filled the Evening Star with splendor, With the fluttering of their plumage; Till the boy, the little hunter, Bent his bow and shot an arrow, Shot a swift and fatal arrow, And a bird, with shining feathers, At his feet fell wounded sorely. "But, O wondrous transformation! 'T was no bird he saw before him, 'T was a beautiful young woman, With the arrow in her bosom! "When her blood fell on the planet, On the sacred Star of Evening, Broken was the spell of magic, Powerless was the strange enchantment, And the youth, the fearless bowman, Suddenly felt himself descending, Held by unseen hands, but sinking Downward through the empty spaces, Downward through the clouds and vapors, Till he rested on an island, On an island, green and grassy, Yonder in the Big-Sea-Water. "After him he saw descending All the birds with shining feathers, Fluttering, falling, wafted downward, Like the painted leaves of Autumn; And the lodge with poles of silver, With its roof like wings of beetles, Like the shining shards of beetles, By the winds of heaven uplifted, Slowly sank upon the island, Bringing back the good Osseo, Bringing Oweenee, the faithful. "Then the birds, again transfigured, Reassumed the shape of mortals, Took their shape, but not their stature; They remained as Little People, Like the pygmies, the Puk-Wudjies, And on pleasant nights of Summer, When the Evening Star was shining, Hand in hand they danced together On the island's craggy headlands, On the sand-beach low and level. "Still their glittering lodge is seen there, On the tranquil Summer evenings, And upon the shore the fisher Sometimes hears their happy voices, Sees them dancing in the starlight!" When the story was completed, When the wondrous tale was ended, Looking round upon his listeners, Solemnly Iagoo added: "There are great men, I have known such, Whom their people understand not, Whom they even make a jest of, Scoff and jeer at in derision. From the story of Osseo Let us learn the fate of jesters!" All the wedding guests delighted Listened to the marvellous story, Listened laughing and applauding, And they whispered to each other: "Does he mean himself, I wonder? And are we the aunts and uncles?" Then again sang Chibiabos, Sang a song of love and longing, In those accents sweet and tender, In those tones of pensive sadness, Sang a maiden's lamentation For her lover, her Algonquin. "When I think of my beloved, Ah me! think of my beloved, When my heart is thinking of him, O my sweetheart, my Algonquin! "Ah me! when I parted from him, Round my neck he hung the wampum, As a pledge, the snow-white wampum, O my sweetheart, my Algonquin! "I will go with you, he whispered, Ah me! to your native country; Let me go with you, he whispered, O my sweetheart, my Algonquin! "Far away, away, I answered, Very far away, I answered, Ah me! is my native country, O my sweetheart, my Algonquin! "When I looked back to behold him, Where we parted, to behold him, After me he still was gazing, O my sweetheart, my Algonquin! "By the tree he still was standing, By the fallen tree was standing, That had dropped into the water, O my sweetheart, my Algonquin! "When I think of my beloved, Ah me! think of my beloved, When my heart is thinking of him, O my sweetheart, my Algonquin!" Such was Hiawatha's Wedding, Such the dance of Pau-Puk-Keewis, Such the story of Iagoo, Such the songs of Chibiabos; Thus the wedding banquet ended, And the wedding guests departed, Leaving Hiawatha happy With the night and Minnehaha.

XIII

BLESSING THE CORNFIELDS

Sing, O Song of Hiawatha, Of the happy days that followed, In the land of the Ojibways, In the pleasant land and peaceful! Sing the mysteries of Mondamin, Sing the Blessing of the Cornfields! Buried was the bloody hatchet, Buried was the dreadful war-club, Buried were all warlike weapons, And the war-cry was forgotten. There was peace among the nations; Unmolested roved the hunters, Built the birch canoe for sailing, Caught the fish in lake and river, Shot the deer and trapped the beaver; Unmolested worked the women, Made their sugar from the maple, Gathered wild rice in the meadows, Dressed the skins of deer and beaver. All around the happy village Stood the maize-fields, green and shining, Waved the green plumes of Mondamin, Waved his soft and sunny tresses, Filling all the land with plenty. 'T was the women who in Spring-time Planted the broad fields and fruitful, Buried in the earth Mondamin; 'T was the women who in Autumn Stripped the yellow husks of harvest, Stripped the garments from Mondamin, Even as Hiawatha taught them. Once, when all the maize was planted, Hiawatha, wise and thoughtful, Spake and said to Minnehaha, To his wife, the Laughing Water: "You shall bless to-night the cornfields, Draw a magic circle round them, To protect them from destruction, Blast of mildew, blight of insect, Wagemin, the thief of cornfields, Paimosaid, who steals the maize-ear! "In the night, when all is silence, In the night, when all is darkness, When the Spirit of Sleep, Nepahwin, Shuts the doors of all the wigwams, So that not an ear can hear you, So that not an eye can see you, Rise up from your bed in silence, Lay aside your garments wholly, Walk around the fields you planted, Round the borders of the cornfields, Covered by your tresses only, Robed with darkness as a garment. "Thus the fields shall be more fruitful, And the passing of your footsteps Draw a magic circle round them, So that neither blight nor mildew, Neither burrowing worm nor insect, Shall pass o'er the magic circle; Not the dragon-fly, Kwo-ne-she, Nor the spider, Subbekashe, Nor the grasshopper, Pah-puk-keena; Nor the mighty caterpillar, Way-muk-kwana, with the bear-skin, King of all the caterpillars!" On the tree-tops near the cornfields Sat the hungry crows and ravens, Kahgahgee, the King of Ravens, With his band of black marauders. And they laughed at Hiawatha, Till the tree-tops shook with laughter, With their melancholy laughter, At the words of Hiawatha. "Hear him!" said they; "hear the Wise Man, Hear the plots of Hiawatha!" When the noiseless night descended Broad and dark o'er field and forest, When the mournful Wawonaissa Sorrowing sang among the hemlocks, And the Spirit of Sleep, Nepahwin, Shut the doors of all the wigwams, From her bed rose Laughing Water, Laid aside her garments wholly, And with darkness clothed and guarded, Unashamed and unaffrighted, Walked securely round the cornfields, Drew the sacred, magic circle Of her footprints round the cornfields. No one but the Midnight only Saw her beauty in the darkness, No one but the Wawonaissa Heard the panting of her bosom; Guskewau, the darkness, wrapped her Closely in his sacred mantle, So that none might see her beauty, So that none might boast, "I saw her!" On the morrow, as the day dawned, Kahgahgee, the King of Ravens, Gathered all his black marauders, Crows and blackbirds, jays and ravens, Clamorous on the dusky tree-tops, And descended, fast and fearless, On the fields of Hiawatha, On the grave of the Mondamin. "We will drag Mondamin," said they, "From the grave where he is buried, Spite of all the magic circles Laughing Water draws around it, Spite of all the sacred footprints Minnehaha stamps upon it!" But the wary Hiawatha, Ever thoughtful, careful, watchful, Had o'erheard the scornful laughter When they mocked him from the tree-tops. "Kaw!" he said, "my friends the ravens! Kahgahgee, my King of Ravens! I will teach you all a lesson That shall not be soon forgotten!" He had risen before the daybreak, He had spread o'er all the cornfields Snares to catch the black marauders, And was lying now in ambush In the neighboring grove of pine-trees, Waiting for the crows and blackbirds, Waiting for the jays and ravens. Soon they came with caw and clamor, Rush of wings and cry of voices, To their work of devastation, Settling down upon the cornfields, Delving deep with beak and talon, For the body of Mondamin. And with all their craft and cunning, All their skill in wiles of warfare, They perceived no danger near them, Till their claws became entangled, Till they found themselves imprisoned In the snares of Hiawatha. From his place of ambush came he, Striding terrible among them, And so awful was his aspect That the bravest quailed with terror. Without mercy he destroyed them Right and left, by tens and twenties, And their wretched, lifeless bodies Hung aloft on poles for scarecrows Round the consecrated cornfields, As a signal of his vengeance, As a warning to marauders. Only Kahgahgee, the leader, Kahgahgee, the King of Ravens, He alone was spared among them As a hostage for his people. With his prisoner-string he bound him, Led him captive to his wigwam, Tied him fast with cords of elm-bark To the ridge-pole of his wigwam. "Kahgahgee, my raven!" said he, "You the leader of the robbers, You the plotter of this mischief, The contriver of this outrage, I will keep you, I will hold you, As a hostage for your people, As a pledge of good behavior!" And he left him, grim and sulky, Sitting in the morning sunshine On the summit of the wigwam, Croaking fiercely his displeasure, Flapping his great sable pinions, Vainly struggling for his freedom, Vainly calling on his people! Summer passed, and Shawondasee Breathed his sighs o'er all the landscape, From the South-land sent his ardor, Wafted kisses warm and tender; And the maize-field grew and ripened, Till it stood in all the splendor Of its garments green and yellow, Of its tassels and its plumage, And the maize-ears full and shining Gleamed from bursting sheaths of verdure. Then Nokomis, the old woman, Spake, and said to Minnehaha: "'T is the Moon when leaves are falling; All the wild-rice has been gathered, And the maize is ripe and ready; Let us gather in the harvest, Let us wrestle with Mondamin, Strip him of his plumes and tassels, Of his garments green and yellow!" And the merry Laughing Water Went rejoicing from the wigwam, With Nokomis, old and wrinkled, And they called the women round them, Called the young men and the maidens, To the harvest of the cornfields, To the husking of the maize-ear. On the border of the forest, Underneath the fragrant pine-trees, Sat the old men and the warriors Smoking in the pleasant shadow. In uninterrupted silence Looked they at the gamesome labor Of the young men and the women; Listened to their noisy talking, To their laughter and their singing, Heard them chattering like the magpies, Heard them laughing like the blue-jays, Heard them singing like the robins. And whene'er some lucky maiden Found a red ear in the husking, Found a maize-ear red as blood is, "Nushka!" cried they all together, "Nushka! you shall have a sweetheart, You shall have a handsome husband!" "Ugh!" the old men all responded From their seats beneath the pine-trees. And whene'er a youth or maiden Found a crooked ear in husking, Found a maize-ear in the husking Blighted, mildewed, or misshapen, Then they laughed and sang together, Crept and limped about the cornfields, Mimicked in their gait and gestures Some old man, bent almost double, Singing singly or together: "Wagemin, the thief of cornfields! Paimosaid, who steals the maize-ear!" Till the cornfields rang with laughter, Till from Hiawatha's wigwam Kahgahgee, the King of Ravens, Screamed and quivered in his anger, And from all the neighboring tree-tops Cawed and croaked the black marauders. "Ugh!" the old men all responded, From their seats beneath the pine-trees!

XIV

PICTURE-WRITING

In those days said Hiawatha, "Lo! how all things fade and perish! From the memory of the old men Pass away the great traditions, The achievements of the warriors, The adventures of the hunters, All the wisdom of the Medas, All the craft of the Wabenos, All the marvellous dreams and visions Of the Jossakeeds, the Prophets! "Great men die and are forgotten, Wise men speak; their words of wisdom Perish in the ears that hear them, Do not reach the generations That, as yet unborn, are waiting In the great, mysterious darkness Of the speechless days that shall be! "On the grave-posts of our fathers Are no signs, no figures painted; Who are in those graves we know not, Only know they are our fathers. Of what kith they are and kindred, From what old, ancestral Totem, Be it Eagle, Bear, or Beaver, They descended, this we know not, Only know they are our fathers. "Face to face we speak together, But we cannot speak when absent, Cannot send our voices from us To the friends that dwell afar off; Cannot send a secret message, But the bearer learns our secret, May pervert it, may betray it, May reveal it unto others." Thus said Hiawatha, walking In the solitary forest, Pondering, musing in the forest, On the welfare of his people. From his pouch he took his colors, Took his paints of different colors, On the smooth bark of a birch-tree Painted many shapes and figures, Wonderful and mystic figures, And each figure had a meaning, Each some word or thought suggested. Gitche Manito the Mighty, He, the Master of Life, was painted As an egg, with points projecting To the four winds of the heavens. Everywhere is the Great Spirit, Was the meaning of this symbol. Mitche Manito the Mighty, He the dreadful Spirit of Evil, As a serpent was depicted, As Kenabeek, the great serpent. Very crafty, very cunning, Is the creeping Spirit of Evil, Was the meaning of this symbol. Life and Death he drew as circles, Life was white, but Death was darkened; Sun and moon and stars he painted, Man and beast, and fish and reptile, Forests, mountains, lakes, and rivers. For the earth he drew a straight line, For the sky a bow above it; White the space between for daytime, Filled with little stars for night-time; On the left a point for sunrise, On the right a point for sunset, On the top a point for noontide, And for rain and cloudy weather Waving lines descending from it. Footprints pointing towards a wigwam Were a sign of invitation, Were a sign of guests assembling; Bloody hands with palms uplifted Were a symbol of destruction, Were a hostile sign and symbol. All these things did Hiawatha Show unto his wondering people, And interpreted their meaning, And he said: "Behold, your grave-posts Have no mark, no sign, nor symbol, Go and paint them all with figures; Each one with its household symbol, With its own ancestral Totem; So that those who follow after May distinguish them and know them." And they painted on the grave-posts On the graves yet unforgotten, Each his own ancestral Totem, Each the symbol of his household; Figures of the Bear and Reindeer, Of the Turtle, Crane, and Beaver, Each inverted as a token That the owner was departed, That the chief who bore the symbol Lay beneath in dust and ashes. And the Jossakeeds, the Prophets, The Wabenos, the Magicians, And the Medicine-men, the Medas, Painted upon bark and deer-skin Figures for the songs they chanted, For each song a separate symbol, Figures mystical and awful, Figures strange and brightly colored; And each figure had its meaning, Each some magic song suggested. The Great Spirit, the Creator, Flashing light through all the heaven; The Great Serpent, the Kenabeek, With his bloody crest erected, Creeping, looking into heaven; In the sky the sun, that listens, And the moon eclipsed and dying; Owl and eagle, crane and hen-hawk, And the cormorant, bird of magic; Headless men, that walk the heavens, Bodies lying pierced with arrows, Bloody hands of death uplifted, Flags on graves, and great war-captains Grasping both the earth and heaven! Such as these the shapes they painted On the birch-bark and the deer-skin; Songs of war and songs of hunting, Songs of medicine and of magic, All were written in these figures, For each figure had its meaning, Each its separate song recorded. Nor forgotten was the Love-Song, The most subtle of all medicines, The most potent spell of magic, Dangerous more than war or hunting! Thus the Love-Song was recorded, Symbol and interpretation. First a human figure standing, Painted in the brightest scarlet; 'T is the lover, the musician, And the meaning is, "My painting Makes me powerful over others." Then the figure seated, singing, Playing on a drum of magic, And the interpretation, "Listen! 'T is my voice you hear, my singing!" Then the same red figure seated In the shelter of a wigwam, And the meaning of the symbol, "I will come and sit beside you In the mystery of my passion!" Then two figures, man and woman, Standing hand in hand together With their hands so clasped together That they seemed in one united, And the words thus represented Are, "I see your heart within you, And your cheeks are red with blushes!" Next the maiden on an island, In the centre of an island; And the song this shape suggested Was, "Though you were at a distance, Were upon some far-off island, Such the spell I cast upon you, Such the magic power of passion, I could straightway draw you to me!" Then the figure of the maiden Sleeping, and the lover near her, Whispering to her in her slumbers, Saying, "Though you were far from me In the land of Sleep and Silence, Still the voice of love would reach you!" And the last of all the figures Was a heart within a circle, Drawn within a magic circle; And the image had this meaning: "Naked lies your heart before me, To your naked heart I whisper!" Thus it was that Hiawatha, In his wisdom, taught the people All the mysteries of painting, All the art of Picture-Writing, On the smooth bark of the birch-tree, On the white skin of the reindeer, On the grave-posts of the village.

XV

HIAWATHA'S LAMENTATION

In those days the Evil Spirits, All the Manitos of mischief, Fearing Hiawatha's wisdom, And his love for Chibiabos, Jealous of their faithful friendship, And their noble words and actions, Made at length a league against them, To molest them and destroy them. Hiawatha, wise and wary, Often said to Chibiabos, "O my brother! do not leave me, Lest the Evil Spirits harm you!" Chibiabos, young and heedless, Laughing shook his coal-black tresses, Answered ever sweet and childlike, "Do not fear for me, O brother! Harm and evil come not near me!" Once when Peboan, the Winter, Roofed with ice the Big-Sea-Water, When the snow-flakes, whirling downward, Hissed among the withered oak-leaves, Changed the pine-trees into wigwams, Covered all the earth with silence,-- Armed with arrows, shod with snow-shoes, Heeding not his brother's warning, Fearing not the Evil Spirits, Forth to hunt the deer with antlers All alone went Chibiabos. Right across the Big-Sea-Water Sprang with speed the deer before him. With the wind and snow he followed, O'er the treacherous ice he followed, Wild with all the fierce commotion And the rapture of the hunting. But beneath, the Evil Spirits Lay in ambush, waiting for him, Broke the treacherous ice beneath him, Dragged him downward to the bottom, Buried in the sand his body. Unktahee, the god of water, He the god of the Dacotahs, Drowned him in the deep abysses Of the lake of Gitche Gumee. From the headlands Hiawatha Sent forth such a wail of anguish, Such a fearful lamentation, That the bison paused to listen, And the wolves howled from the prairies, And the thunder in the distance Starting answered "Baim-wawa!" Then his face with black he painted, With his robe his head he covered, In his wigwam sat lamenting, Seven long weeks he sat lamenting, Uttering still this moan of sorrow:-- "He is dead, the sweet musician! He the sweetest of all singers! He has gone from us forever, He has moved a little nearer To the Master of all music, To the Master of all singing! O my brother, Chibiabos!" And the melancholy fir-trees Waved their dark green fans above him, Waved their purple cones above him, Sighing with him to console him, Mingling with his lamentation Their complaining, their lamenting. Came the Spring, and all the forest Looked in vain for Chibiabos; Sighed the rivulet, Sebowisha, Sighed the rushes in the meadow. From the tree-tops sang the bluebird, Sang the bluebird, the Owaissa, "Chibiabos! Chibiabos! He is dead, the sweet musician!" From the wigwam sang the robin, Sang the robin, the Opechee, "Chibiabos! Chibiabos! He is dead, the sweetest singer!" And at night through all the forest Went the whippoorwill complaining, Wailing went the Wawonaissa, "Chibiabos! Chibiabos! He is dead, the sweet musician! He the sweetest of all singers!" Then the Medicine-men, the Medas, The magicians, the Wabenos, And the Jossakeeds, the Prophets, Came to visit Hiawatha; Built a Sacred Lodge beside him, To appease him, to console him, Walked in silent, grave procession, Bearing each a pouch of healing, Skin of beaver, lynx, or otter, Filled with magic roots and simples, Filled with very potent medicines. When he heard their steps approaching, Hiawatha ceased lamenting, Called no more on Chibiabos; Naught he questioned, naught he answered, But his mournful head uncovered, From his face the mourning colors Washed he slowly and in silence, Slowly and in silence followed Onward to the Sacred Wigwam. There a magic drink they gave him, Made of Nahma-wusk, the spearmint, And Wabeno-wusk, the yarrow, Roots of power, and herbs of healing; Beat their drums, and shook their rattles; Chanted singly and in chorus, Mystic songs like these, they chanted. "I myself, myself! behold me! 'T is the great Gray Eagle talking; Come, ye white crows, come and hear him! The loud-speaking thunder helps me; All the unseen spirits help me; I can hear their voices calling, All around the sky I hear them! I can blow you strong, my brother, I can heal you, Hiawatha!" "Hi-au-ha!" replied the chorus, "Way-ha-way!" the mystic chorus. "Friends of mine are all the serpents! Hear me shake my skin of hen-hawk! Mahng, the white loon, I can kill him; I can shoot your heart and kill it! I can blow you strong, my brother, I can heal you, Hiawatha!" "Hi-au-ha!" replied the chorus, "Way-ha-way!" the mystic chorus. "I myself, myself! the prophet! When I speak the wigwam trembles, Shakes the Sacred Lodge with terror, Hands unseen begin to shake it! When I walk, the sky I tread on Bends and makes a noise beneath me! I can blow you strong, my brother! Rise and speak, O Hiawatha!" "Hi-au-ha!" replied the chorus, "Way-ha-way!" the mystic chorus. Then they shook their medicine-pouches O'er the head of Hiawatha, Danced their medicine-dance around him; And upstarting wild and haggard, Like a man from dreams awakened, He was healed of all his madness. As the clouds are swept from heaven, Straightway from his brain departed All his moody melancholy; As the ice is swept from rivers, Straightway from his heart departed All his sorrow and affliction. Then they summoned Chibiabos From his grave beneath the waters, From the sands of Gitche Gumee Summoned Hiawatha's brother. And so mighty was the magic Of that cry and invocation, That he heard it as he lay there Underneath the Big-Sea-Water; From the sand he rose and listened, Heard the music and the singing, Came, obedient to the summons, To the doorway of the wigwam, But to enter they forbade him. Through a chink a coal they gave him, Through the door a burning fire-brand; Ruler in the Land of Spirits, Ruler o'er the dead, they made him, Telling him a fire to kindle For all those that died thereafter, Camp-fires for their night encampments On their solitary journey To the kingdom of Ponemah, To the land of the Hereafter. From the village of his childhood, From the homes of those who knew him, Passing silent through the forest, Like a smoke-wreath wafted sideways, Slowly vanished Chibiabos! Where he passed, the branches moved not, Where he trod, the grasses bent not, And the fallen leaves of last year Made no sound beneath his footstep. Four whole days he journeyed onward Down the pathway of the dead men; On the dead-man's strawberry feasted, Crossed the melancholy river, On the swinging log he crossed it, Came unto the Lake of Silver, In the Stone Canoe was carried To the Islands of the Blessed, To the land of ghosts and shadows. On that journey, moving slowly, Many weary spirits saw he, Panting under heavy burdens, Laden with war-clubs, bows and arrows, Robes of fur, and pots and kettles, And with food that friends had given For that solitary journey. "Ay! why do the living," said they, "Lay such heavy burdens on us! Better were it to go naked, Better were it to go fasting, Than to bear such heavy burdens On our long and weary journey!" Forth then issued Hiawatha, Wandered eastward, wandered westward, Teaching men the use of simples And the antidotes for poisons, And the cure of all diseases. Thus was first made known to mortals All the mystery of Medamin, All the sacred art of healing.

XVI

PAU-PUK-KEEWIS

You shall hear how Pau-Puk-Keewis, He, the handsome Yenadizze, Whom the people called the Storm-Fool, Vexed the village with disturbance; You shall hear of all his mischief, And his flight from Hiawatha, And his wondrous transmigrations, And the end of his adventures. On the shores of Gitche Gumee, On the dunes of Nagow Wudjoo, By the shining Big-Sea-Water Stood the lodge of Pau-Puk-Keewis. It was he who in his frenzy Whirled these drifting sands together, On the dunes of Nagow Wudjoo, When, among the guests assembled, He so merrily and madly Danced at Hiawatha's wedding, Danced the Beggar's Dance to please them. Now, in search of new adventures, From his lodge went Pau-Puk-Keewis, Came with speed into the village, Found the young men all assembled In the lodge of old Iagoo, Listening to his monstrous stories, To his wonderful adventures. He was telling them the story Of Ojeeg, the Summer-Maker, How he made a hole in heaven, How he climbed up into heaven, And let out the summer-weather, The perpetual, pleasant Summer; How the Otter first essayed it; How the Beaver, Lynx, and Badger Tried in turn the great achievement, From the summit of the mountain Smote their fists against the heavens, Smote against the sky their foreheads, Cracked the sky, but could not break it; How the Wolverine, uprising, Made him ready for the encounter, Bent his knees down, like a squirrel, Drew his arms back, like a cricket. "Once he leaped," said old Iagoo, "Once he leaped, and lo! above him Bent the sky, as ice in rivers When the waters rise beneath it; Twice he leaped, and lo! above him Cracked the sky, as ice in rivers When the freshet is at highest! Thrice he leaped, and lo! above him Broke the shattered sky asunder, And he disappeared within it, And Ojeeg, the Fisher Weasel, With a bound went in behind him!" "Hark you!" shouted Pau-Puk-Keewis As he entered at the doorway; "I am tired of all this talking, Tired of old Iagoo's stories, Tired of Hiawatha's wisdom. Here is something to amuse you, Better than this endless talking." Then from out his pouch of wolf-skin Forth he drew, with solemn manner, All the game of Bowl and Counters, Pugasaing, with thirteen pieces. White on one side were they painted, And vermilion on the other; Two Kenabeeks or great serpents, Two Ininewug or wedge-men, One great war-club, Pugamaugun, And one slender fish, the Keego, Four round pieces, Ozawabeeks, And three Sheshebwug or ducklings. All were made of bone and painted, All except the Ozawabeeks; These were brass, on one side burnished, And were black upon the other. In a wooden bowl he placed them, Shook and jostled them together, Threw them on the ground before him, Thus exclaiming and explaining: "Red side up are all the pieces, And one great Kenabeek standing On the bright side of a brass piece, On a burnished Ozawabeek; Thirteen tens and eight are counted." Then again he shook the pieces, Shook and jostled them together, Threw them on the ground before him, Still exclaiming and explaining: "White are both the great Kenabeeks, White the Ininewug, the wedge-men, Red are all the other pieces; Five tens and an eight are counted." Thus he taught the game of hazard, Thus displayed it and explained it, Running through its various chances, Various changes, various meanings: Twenty curious eyes stared at him, Full of eagerness stared at him. "Many games," said old Iagoo, "Many games of skill and hazard Have I seen in different nations, Have I played in different countries. He who plays with old Iagoo Must have very nimble fingers; Though you think yourself so skilful, I can beat you, Pau-Puk-Keewis, I can even give you lessons In your game of Bowl and Counters!" So they sat and played together, All the old men and the young men, Played for dresses, weapons, wampum, Played till midnight, played till morning, Played until the Yenadizze, Till the cunning Pau-Puk-Keewis, Of their treasures had despoiled them, Of the best of all their dresses, Shirts of deer-skin, robes of ermine, Belts of wampum, crests of feathers, Warlike weapons, pipes and pouches. Twenty eyes glared wildly at him, Like the eyes of wolves glared at him. Said the lucky Pau-Puk-Keewis: "In my wigwam I am lonely, In my wanderings and adventures I have need of a companion, Fain would have a Meshinauwa, An attendant and pipe-bearer. I will venture all these winnings, All these garments heaped about me, All this wampum, all these feathers, On a single throw will venture All against the young man yonder!" 'T was a youth of sixteen summers, 'T was a nephew of Iagoo; Face-in-a-Mist, the people called him. As the fire burns in a pipe-head Dusky red beneath the ashes, So beneath his shaggy eyebrows Glowed the eyes of old Iagoo. "Ugh!" he answered very fiercely; "Ugh!" they answered all and each one. Seized the wooden bowl the old man, Closely in his bony fingers Clutched the fatal bowl, Onagon, Shook it fiercely and with fury, Made the pieces ring together As he threw them down before him. Red were both the great Kenabeeks, Red the Ininewug, the wedge-men, Red the Sheshebwug, the ducklings, Black the four brass Ozawabeeks, White alone the fish, the Keego; Only five the pieces counted! Then the smiling Pau-Puk-Keewis Shook the bowl and threw the pieces; Lightly in the air he tossed them, And they fell about him scattered; Dark and bright the Ozawabeeks, Red and white the other pieces, And upright among the others One Ininewug was standing, Even as crafty Pau-Puk-Keewis Stood alone among the players, Saying, "Five tens! mine the game is!" Twenty eyes glared at him fiercely, Like the eyes of wolves glared at him, As he turned and left the wigwam, Followed by his Meshinauwa, By the nephew of Iagoo, By the tall and graceful stripling, Bearing in his arms the winnings, Shirts of deer-skin, robes of ermine, Belts of wampum, pipes and weapons. "Carry them," said Pau-Puk-Keewis, Pointing with his fan of feathers, "To my wigwam far to eastward, On the dunes of Nagow Wudjoo!" Hot and red with smoke and gambling Were the eyes of Pau-Puk-Keewis As he came forth to the freshness Of the pleasant Summer morning. All the birds were singing gayly, All the streamlets flowing swiftly, And the heart of Pau-Puk-Keewis Sang with pleasure as the birds sing, Beat with triumph like the streamlets, As he wandered through the village, In the early gray of morning, With his fan of turkey-feathers, With his plumes and tufts of swan's down, Till he reached the farthest wigwam, Reached the lodge of Hiawatha. Silent was it and deserted; No one met him at the doorway, No one came to bid him welcome; But the birds were singing round it, In and out and round the doorway, Hopping, singing, fluttering, feeding, And aloft upon the ridge-pole Kahgahgee, the King of Ravens, Sat with fiery eyes, and, screaming, Flapped his wings at Pau-Puk-Keewis. "All are gone! the lodge is empty!" Thus it was spake Pau-Puk-Keewis, In his heart resolving mischief;-- "Gone is wary Hiawatha, Gone the silly Laughing Water, Gone Nokomis, the old woman, And the lodge is left unguarded!" By the neck he seized the raven, Whirled it round him like a rattle, Like a medicine-pouch he shook it, Strangled Kahgahgee, the raven, From the ridge-pole of the wigwam Left its lifeless body hanging, As an insult to its master, As a taunt to Hiawatha. With a stealthy step he entered, Round the lodge in wild disorder Threw the household things about him, Piled together in confusion Bowls of wood and earthen kettles, Robes of buffalo and beaver, Skins of otter, lynx, and ermine, As an insult to Nokomis, As a taunt to Minnehaha. Then departed Pau-Puk-Keewis, Whistling, singing through the forest, Whistling gayly to the squirrels, Who from hollow boughs above him Dropped their acorn-shells upon him, Singing gayly to the wood birds, Who from out the leafy darkness Answered with a song as merry. Then he climbed the rocky headlands, Looking o'er the Gitche Gumee, Perched himself upon their summit, Waiting full of mirth and mischief The return of Hiawatha. Stretched upon his back he lay there; Far below him plashed the waters, Plashed and washed the dreamy waters; Far above him swam the heavens, Swam the dizzy, dreamy heavens; Round him hovered, fluttered, rustled Hiawatha's mountain chickens, Flock-wise swept and wheeled about him, Almost brushed him with their pinions. And he killed them as he lay there, Slaughtered them by tens and twenties, Threw their bodies down the headland, Threw them on the beach below him, Till at length Kayoshk, the sea-gull, Perched upon a crag above them, Shouted: "It is Pau-Puk-Keewis! He is slaying us by hundreds! Send a message to our brother, Tidings send to Hiawatha!"

XVII

THE HUNTING OF PAU-PUK-KEEWIS

Full of wrath was Hiawatha When he came into the village, Found the people in confusion, Heard of all the misdemeanors, All the malice and the mischief, Of the cunning Pau-Puk-Keewis. Hard his breath came through his nostrils, Through his teeth he buzzed and muttered Words of anger and resentment, Hot and humming, like a hornet. "I will slay this Pau-Puk-Keewis, Slay this mischief-maker!" said he. "Not so long and wide the world is, Not so rude and rough the way is, That my wrath shall not attain him, That my vengeance shall not reach him!" Then in swift pursuit departed Hiawatha and the hunters On the trail of Pau-Puk-Keewis, Through the forest, where he passed it, To the headlands where he rested; But they found not Pau-Puk-Keewis, Only in the trampled grasses, In the whortleberry-bushes, Found the couch where he had rested, Found the impress of his body. From the lowlands far beneath them, From the Muskoday, the meadow, Pau-Puk-Keewis, turning backward, Made a gesture of defiance, Made a gesture of derision; And aloud cried Hiawatha, From the summit of the mountains: "Not so long and wide the world is, Not so rude and rough the way is, But my wrath shall overtake you, And my vengeance shall attain you!" Over rock and over river, Through bush, and brake, and forest, Ran the cunning Pau-Puk-Keewis; Like an antelope he bounded, Till he came unto a streamlet In the middle of the forest, To a streamlet still and tranquil, That had overflowed its margin, To a dam made by the beavers, To a pond of quiet water, Where knee-deep the trees were standing, Where the water lilies floated, Where the rushes waved and whispered. On the dam stood Pau-Puk-Keewis, On the dam of trunks and branches, Through whose chinks the water spouted, O'er whose summit flowed the streamlet. From the bottom rose the beaver, Looked with two great eyes of wonder, Eyes that seemed to ask a question, At the stranger, Pau-Puk-Keewis. On the dam stood Pau-Puk-Keewis, O'er his ankles flowed the streamlet, Flowed the bright and silvery water, And he spake unto the beaver, With a smile he spake in this wise: "O my friend Ahmeek, the beaver, Cool and pleasant is the water; Let me dive into the water, Let me rest there in your lodges; Change me, too, into a beaver!" Cautiously replied the beaver, With reserve he thus made answer: "Let me first consult the others, Let me ask the other beavers." Down he sank into the water, Heavily sank he, as a stone sinks, Down among the leaves and branches, Brown and matted at the bottom. On the dam stood Pau-Puk-Keewis, O'er his ankles flowed the streamlet, Spouted through the chinks below him, Dashed upon the stones beneath him, Spread serene and calm before him, And the sunshine and the shadows Fell in flecks and gleams upon him, Fell in little shining patches, Through the waving, rustling branches. From the bottom rose the beavers, Silently above the surface Rose one head and then another, Till the pond seemed full of beavers, Full of black and shining faces. To the beavers Pau-Puk-Keewis Spake entreating, said in this wise: "Very pleasant is your dwelling, O my friends! and safe from danger; Can you not, with all your cunning, All your wisdom and contrivance, Change me, too, into a beaver?" "Yes!" replied Ahmeek, the beaver, He the King of all the beavers, "Let yourself slide down among us, Down into the tranquil water." Down into the pond among them Silently sank Pau-Puk-Keewis; Black became his shirt of deer-skin, Black his moccasins and leggings, In a broad black tail behind him Spread his fox-tails and his fringes; He was changed into a beaver. "Make me large," said Pau-Puk-Keewis, "Make me large and make me larger, Larger than the other beavers." "Yes," the beaver chief responded, "When our lodge below you enter, In our wigwam we will make you Ten times larger than the others." Thus into the clear, brown water Silently sank Pau-Puk-Keewis: Found the bottom covered over With the trunks of trees and branches, Hoards of food against the winter, Piles and heaps against the famine; Found the lodge with arching doorway, Leading into spacious chambers. Here they made him large and larger, Made him largest of the beavers, Ten times larger than the others. "You shall be our ruler," said they; "Chief and King of all the beavers." But not long had Pau-Puk-Keewis Sat in state among the beavers, When there came a voice of warning From the watchman at his station In the water-flags and lilies, Saying, "Here Is Hiawatha! Hiawatha with his hunters!" Then they heard a cry above them, Heard a shouting and a tramping, Heard a crashing and a rushing, And the water round and o'er them Sank and sucked away in eddies, And they knew their dam was broken. On the lodge's roof the hunters Leaped, and broke it all asunder; Streamed the sunshine through the crevice, Sprang the beavers through the doorway, Hid themselves in deeper water, In the channel of the streamlet; But the mighty Pau-Puk-Keewis Could not pass beneath the doorway; He was puffed with pride and feeding, He was swollen like a bladder. Through the roof looked Hiawatha, Cried aloud, "O Pau-Puk-Keewis Vain are all your craft and cunning, Vain your manifold disguises! Well I know you, Pau-Puk-Keewis!" With their clubs they beat and bruised him, Beat to death poor Pau-Puk-Keewis, Pounded him as maize is pounded, Till his skull was crushed to pieces. Six tall hunters, lithe and limber, Bore him home on poles and branches, Bore the body of the beaver; But the ghost, the Jeebi in him, Thought and felt as Pau-Puk-Keewis, Still lived on as Pau-Puk-Keewis. And it fluttered, strove, and struggled, Waving hither, waving thither, As the curtains of a wigwam Struggle with their thongs of deer-skin, When the wintry wind is blowing; Till it drew itself together, Till it rose up from the body, Till it took the form and features Of the cunning Pau-Puk-Keewis Vanishing into the forest. But the wary Hiawatha Saw the figure ere it vanished, Saw the form of Pau-Puk-Keewis Glide into the soft blue shadow Of the pine-trees of the forest; Toward the squares of white beyond it, Toward an opening in the forest. Like a wind it rushed and panted, Bending all the boughs before it, And behind it, as the rain comes, Came the steps of Hiawatha. To a lake with many islands Came the breathless Pau-Puk-Keewis, Where among the water-lilies Pishnekuh, the brant, were sailing; Through the tufts of rushes floating, Steering through the reedy islands. Now their broad black beaks they lifted, Now they plunged beneath the water, Now they darkened in the shadow, Now they brightened in the sunshine. "Pishnekuh!" cried Pau-Puk-Keewis, "Pishnekuh! my brothers!" said he, "Change me to a brant with plumage, With a shining neck and feathers, Make me large, and make me larger, Ten times larger than the others." Straightway to a brant they changed him, With two huge and dusky pinions, With a bosom smooth and rounded, With a bill like two great paddles, Made him larger than the others, Ten times larger than the largest, Just as, shouting from the forest, On the shore stood Hiawatha. Up they rose with cry and clamor, With a whir and beat of pinions, Rose up from the reedy Islands, From the water-flags and lilies. And they said to Pau-Puk-Keewis: "In your flying, look not downward, Take good heed and look not downward, Lest some strange mischance should happen, Lest some great mishap befall you!" Fast and far they fled to northward, Fast and far through mist and sunshine, Fed among the moors and fen-lands, Slept among the reeds and rushes. On the morrow as they journeyed, Buoyed and lifted by the South-wind, Wafted onward by the South-wind, Blowing fresh and strong behind them, Rose a sound of human voices, Rose a clamor from beneath them, From the lodges of a village, From the people miles beneath them. For the people of the village Saw the flock of brant with wonder, Saw the wings of Pau-Puk-Keewis Flapping far up in the ether, Broader than two doorway curtains. Pau-Puk-Keewis heard the shouting, Knew the voice of Hiawatha, Knew the outcry of Iagoo, And, forgetful of the warning, Drew his neck in, and looked downward, And the wind that blew behind him Caught his mighty fan of feathers, Sent him wheeling, whirling downward! All in vain did Pau-Puk-Keewis Struggle to regain his balance! Whirling round and round and downward, He beheld in turn the village And in turn the flock above him, Saw the village coming nearer, And the flock receding farther, Heard the voices growing louder, Heard the shouting and the laughter; Saw no more the flocks above him, Only saw the earth beneath him; Dead out of the empty heaven, Dead among the shouting people, With a heavy sound and sullen, Fell the brant with broken pinions. But his soul, his ghost, his shadow, Still survived as Pau-Puk-Keewis, Took again the form and features Of the handsome Yenadizze, And again went rushing onward, Followed fast by Hiawatha, Crying: "Not so wide the world is, Not so long and rough the way is, But my wrath shall overtake you, But my vengeance shall attain you!" And so near he came, so near him, That his hand was stretched to seize him, His right hand to seize and hold him, When the cunning Pau-Puk-Keewis Whirled and spun about in circles, Fanned the air into a whirlwind, Danced the dust and leaves about him, And amid the whirling eddies Sprang into a hollow oak-tree, Changed himself into a serpent, Gliding out through root and rubbish. With his right hand Hiawatha Smote amain the hollow oak-tree, Rent it into shreds and splinters, Left it lying there in fragments. But in vain; for Pau-Puk-Keewis, Once again in human figure, Full in sight ran on before him, Sped away in gust and whirlwind, On the shores of Gitche Gumee, Westward by the Big-Sea-Water, Came unto the rocky headlands, To the Pictured Rocks of sandstone, Looking over lake and landscape. And the Old Man of the Mountain, He the Manito of Mountains, Opened wide his rocky doorways, Opened wide his deep abysses, Giving Pau-Puk-Keewis shelter In his caverns dark and dreary, Bidding Pau-Puk-Keewis welcome To his gloomy lodge of sandstone. There without stood Hiawatha, Found the doorways closed against him, With his mittens, Minjekahwun, Smote great caverns in the sandstone, Cried aloud in tones of thunder, "Open! I am Hiawatha!" But the Old Man of the Mountain Opened not, and made no answer From the silent crags of sandstone, From the gloomy rock abysses. Then he raised his hands to heaven, Called imploring on the tempest, Called Waywassimo, the lightning, And the thunder, Annemeekee; And they came with night and darkness, Sweeping down the Big-Sea-Water From the distant Thunder Mountains; And the trembling Pau-Puk-Keewis Heard the footsteps of the thunder, Saw the red eyes of the lightning, Was afraid, and crouched and trembled. Then Waywassimo, the lightning, Smote the doorways of the caverns, With his war-club smote the doorways, Smote the jutting crags of sandstone, And the thunder, Annemeekee, Shouted down into the caverns, Saying, "Where is Pau-Puk-Keewis!" And the crags fell, and beneath them Dead among the rocky ruins Lay the cunning Pau-Puk-Keewis, Lay the handsome Yenadizze, Slain in his own human figure. Ended were his wild adventures, Ended were his tricks and gambols, Ended all his craft and cunning, Ended all his mischief-making, All his gambling and his dancing, All his wooing of the maidens. Then the noble Hiawatha Took his soul, his ghost, his shadow, Spake and said: "O Pau-Puk-Keewis, Never more in human figure Shall you search for new adventures; Never more with jest and laughter Dance the dust and leaves in whirlwinds; But above there in the heavens You shall soar and sail in circles; I will change you to an eagle, To Keneu, the great war-eagle, Chief of all the fowls with feathers, Chief of Hiawatha's chickens." And the name of Pau-Puk-Keewis Lingers still among the people, Lingers still among the singers, And among the story-tellers; And in Winter, when the snow-flakes Whirl in eddies round the lodges, When the wind in gusty tumult O'er the smoke-flue pipes and whistles, "There," they cry, "comes Pau-Puk-Keewis; He is dancing through the village, He is gathering in his harvest!"

XVIII

THE DEATH OF KWASIND

Far and wide among the nations Spread the name and fame of Kwasind; No man dared to strive with Kwasind, No man could compete with Kwasind. But the mischievous Puk-Wudjies, They the envious Little People, They the fairies and the pygmies, Plotted and conspired against him. "If this hateful Kwasind," said they, "If this great, outrageous fellow Goes on thus a little longer, Tearing everything he touches, Rending everything to pieces, Filling all the world with wonder, What becomes of the Puk-Wudjies? Who will care for the Puk-Wudjies? He will tread us down like mushrooms, Drive us all into the water, Give our bodies to be eaten By the wicked Nee-ba-naw-baigs, By the Spirits of the water! So the angry Little People All conspired against the Strong Man, All conspired to murder Kwasind, Yes, to rid the world of Kwasind, The audacious, overbearing, Heartless, haughty, dangerous Kwasind! Now this wondrous strength of Kwasind In his crown alone was seated; In his crown too was his weakness; There alone could he be wounded, Nowhere else could weapon pierce him, Nowhere else could weapon harm him. Even there the only weapon That could wound him, that could slay him, Was the seed-cone of the pine-tree, Was the blue cone of the fir-tree. This was Kwasind's fatal secret, Known to no man among mortals; But the cunning Little People, The Puk-Wudjies, knew the secret, Knew the only way to kill him. So they gathered cones together, Gathered seed-cones of the pine-tree, Gathered blue cones of the fir-tree, In the woods by Taquamenaw, Brought them to the river's margin, Heaped them in great piles together, Where the red rocks from the margin Jutting overhang the river. There they lay in wait for Kwasind, The malicious Little People. 'T was an afternoon in Summer; Very hot and still the air was, Very smooth the gliding river, Motionless the sleeping shadows: Insects glistened in the sunshine, Insects skated on the water, Filled the drowsy air with buzzing, With a far resounding war-cry. Down the river came the Strong Man, In his birch canoe came Kwasind, Floating slowly down the current Of the sluggish Taquamenaw, Very languid with the weather, Very sleepy with the silence. From the overhanging branches, From the tassels of the birch-trees, Soft the Spirit of Sleep descended; By his airy hosts surrounded, His invisible attendants, Came the Spirit of Sleep, Nepahwin; Like a burnished Dush-kwo-ne-she, Like a dragon-fly, he hovered O'er the drowsy head of Kwasind. To his ear there came a murmur As of waves upon a sea-shore, As of far-off tumbling waters, As of winds among the pine-trees; And he felt upon his forehead Blows of little airy war-clubs, Wielded by the slumbrous legions Of the Spirit of Sleep, Nepahwin, As of some one breathing on him. At the first blow of their war-clubs, Fell a drowsiness on Kwasind; At the second blow they smote him, Motionless his paddle rested; At the third, before his vision Reeled the landscape into darkness, Very sound asleep was Kwasind. So he floated down the river, Like a blind man seated upright, Floated down the Taquamenaw, Underneath the trembling birch-trees, Underneath the wooded headlands, Underneath the war encampment Of the pygmies, the Puk-Wudjies. There they stood, all armed and waiting, Hurled the pine-cones down upon him, Struck him on his brawny shoulders, On his crown defenceless struck him. "Death to Kwasind!" was the sudden War-cry of the Little People. And he sideways swayed and tumbled, Sideways fell into the river, Plunged beneath the sluggish water Headlong, as an otter plunges; And the birch canoe, abandoned, Drifted empty down the river, Bottom upward swerved and drifted: Nothing more was seen of Kwasind. But the memory of the Strong Man Lingered long among the people, And whenever through the forest Raged and roared the wintry tempest, And the branches, tossed and troubled, Creaked and groaned and split asunder, "Kwasind!" cried they; "that is Kwasind! He is gathering in his fire-wood!"

IX

THE GHOSTS

Never stoops the soaring vulture On his quarry in the desert, On the sick or wounded bison, But another vulture, watching From his high aerial look-out, Sees the downward plunge, and follows; And a third pursues the second, Coming from the invisible ether, First a speck, and then a vulture, Till the air is dark with pinions. So disasters come not singly; But as if they watched and waited, Scanning one another's motions, When the first descends, the others Follow, follow, gathering flock-wise Round their victim, sick and wounded, First a shadow, then a sorrow, Till the air is dark with anguish. Now, o'er all the dreary North-land, Mighty Peboan, the Winter, Breathing on the lakes and rivers, Into stone had changed their waters. From his hair he shook the snow-flakes, Till the plains were strewn with whiteness, One uninterrupted level, As if, stooping, the Creator With his hand had smoothed them over. Through the forest, wide and wailing, Roamed the hunter on his snow-shoes; In the village worked the women, Pounded maize, or dressed the deer-skin; And the young men played together On the ice the noisy ball-play, On the plain the dance of snow-shoes. One dark evening, after sundown, In her wigwam Laughing Water Sat with old Nokomis, waiting For the steps of Hiawatha Homeward from the hunt returning. On their faces gleamed the firelight, Painting them with streaks of crimson, In the eyes of old Nokomis Glimmered like the watery moonlight, In the eyes of Laughing Water Glistened like the sun in water; And behind them crouched their shadows In the corners of the wigwam, And the smoke in wreaths above them Climbed and crowded through the smoke-flue. Then the curtain of the doorway From without was slowly lifted; Brighter glowed the fire a moment, And a moment swerved the smoke-wreath, As two women entered softly, Passed the doorway uninvited, Without word of salutation, Without sign of recognition, Sat down in the farthest corner, Crouching low among the shadows. From their aspect and their garments, Strangers seemed they in the village; Very pale and haggard were they, As they sat there sad and silent, Trembling, cowering with the shadows. Was it the wind above the smoke-flue, Muttering down into the wigwam? Was it the owl, the Koko-koho, Hooting from the dismal forest? Sure a voice said in the silence: "These are corpses clad in garments, These are ghosts that come to haunt you, From the kingdom of Ponemah, From the land of the Hereafter!" Homeward now came Hiawatha From his hunting in the forest, With the snow upon his tresses, And the red deer on his shoulders. At the feet of Laughing Water Down he threw his lifeless burden; Nobler, handsomer she thought him, Than when first he came to woo her, First threw down the deer before her, As a token of his wishes, As a promise of the future. Then he turned and saw the strangers, Cowering, crouching with the shadows; Said within himself, "Who are they? What strange guests has Minnehaha?" But he questioned not the strangers, Only spake to bid them welcome To his lodge, his food, his fireside. When the evening meal was ready, And the deer had been divided, Both the pallid guests, the strangers, Springing from among the shadows, Seized upon the choicest portions, Seized the white fat of the roebuck, Set apart for Laughing Water, For the wife of Hiawatha; Without asking, without thanking, Eagerly devoured the morsels, Flitted back among the shadows In the corner of the wigwam. Not a word spake Hiawatha, Not a motion made Nokomis, Not a gesture Laughing Water; Not a change came o'er their features; Only Minnehaha softly Whispered, saying, "They are famished; Let them do what best delights them; Let them eat, for they are famished." Many a daylight dawned and darkened, Many a night shook off the daylight As the pine shakes off the snow-flakes From the midnight of its branches; Day by day the guests unmoving Sat there silent in the wigwam; But by night, in storm or starlight, Forth they went into the forest, Bringing fire-wood to the wigwam, Bringing pine-cones for the burning, Always sad and always silent. And whenever Hiawatha Came from fishing or from hunting, When the evening meal was ready, And the food had been divided, Gliding from their darksome corner, Came the pallid guests, the strangers, Seized upon the choicest portions Set aside for Laughing Water, And without rebuke or question Flitted back among the shadows. Never once had Hiawatha By a word or look reproved them; Never once had old Nokomis Made a gesture of impatience; Never once had Laughing Water Shown resentment at the outrage. All had they endured in silence, That the rights of guest and stranger, That the virtue of free-giving, By a look might not be lessened, By a word might not be broken. Once at midnight Hiawatha, Ever wakeful, ever watchful, In the wigwam, dimly lighted By the brands that still were burning, By the glimmering, flickering firelight Heard a sighing, oft repeated, Heard a sobbing, as of sorrow. From his couch rose Hiawatha, From his shaggy hides of bison, Pushed aside the deer-skin curtain, Saw the pallid guests, the shadows, Sitting upright on their couches, Weeping in the silent midnight. And he said: "O guests! why is it That your hearts are so afflicted, That you sob so in the midnight? Has perchance the old Nokomis, Has my wife, my Minnehaha, Wronged or grieved you by unkindness, Failed in hospitable duties?" Then the shadows ceased from weeping, Ceased from sobbing and lamenting, And they said, with gentle voices: "We are ghosts of the departed, Souls of those who once were with you. From the realms of Chibiabos Hither have we come to try you, Hither have we come to warn you. "Cries of grief and lamentation Reach us in the Blessed Islands; Cries of anguish from the living, Calling back their friends departed, Sadden us with useless sorrow. Therefore have we come to try you; No one knows us, no one heeds us. We are but a burden to you, And we see that the departed Have no place among the living. "Think of this, O Hiawatha! Speak of it to all the people, That henceforward and forever They no more with lamentations Sadden the souls of the departed In the Islands of the Blessed. "Do not lay such heavy burdens In the graves of those you bury, Not such weight of furs and wampum, Not such weight of pots and kettles, For the spirits faint beneath them. Only give them food to carry, Only give them fire to light them. "Four days is the spirit's journey To the land of ghosts and shadows, Four its lonely night encampments; Four times must their fires be lighted. Therefore, when the dead are buried, Let a fire, as night approaches, Four times on the grave be kindled, That the soul upon its journey May not lack the cheerful firelight, May not grope about in darkness. "Farewell, noble Hiawatha! We have put you to the trial, To the proof have put your patience, By the insult of our presence, By the outrage of our actions. We have found you great and noble. Fail not in the greater trial, Faint not in the harder struggle." When they ceased, a sudden darkness Fell and filled the silent wigwam. Hiawatha heard a rustle As of garments trailing by him, Heard the curtain of the doorway Lifted by a hand he saw not, Felt the cold breath of the night air, For a moment saw the starlight; But he saw the ghosts no longer, Saw no more the wandering spirits From the kingdom of Ponemah, From the land of the Hereafter.

XX

THE FAMINE

Oh the long and dreary Winter! Oh the cold and cruel Winter! Ever thicker, thicker, thicker Froze the ice on lake and river, Ever deeper, deeper, deeper Fell the snow o'er all the landscape, Fell the covering snow, and drifted Through the forest, round the village. Hardly from his buried wigwam Could the hunter force a passage; With his mittens and his snow-shoes Vainly walked he through the forest, Sought for bird or beast and found none, Saw no track of deer or rabbit, In the snow beheld no footprints, In the ghastly, gleaming forest Fell, and could not rise from weakness, Perished there from cold and hunger. Oh the famine and the fever! Oh the wasting of the famine! Oh the blasting of the fever! Oh the wailing of the children! Oh the anguish of the women! All the earth was sick and famished; Hungry was the air around them, Hungry was the sky above them, And the hungry stars in heaven Like the eyes of wolves glared at them! Into Hiawatha's wigwam Came two other guests, as silent As the ghosts were, and as gloomy, Waited not to be invited Did not parley at the doorway Sat there without word of welcome In the seat of Laughing Water; Looked with haggard eyes and hollow At the face of Laughing Water. And the foremost said: "Behold me! I am Famine, Bukadawin!" And the other said: "Behold me! I am Fever, Ahkosewin!" And the lovely Minnehaha Shuddered as they looked upon her, Shuddered at the words they uttered, Lay down on her bed in silence, Hid her face, but made no answer; Lay there trembling, freezing, burning At the looks they cast upon her, At the fearful words they uttered. Forth into the empty forest Rushed the maddened Hiawatha; In his heart was deadly sorrow, In his face a stony firmness; On his brow the sweat of anguish Started, but it froze and fell not. Wrapped in furs and armed for hunting, With his mighty bow of ash-tree, With his quiver full of arrows, With his mittens, Minjekahwun, Into the vast and vacant forest On his snow-shoes strode he forward. "Gitche Manito, the Mighty!" Cried he with his face uplifted In that bitter hour of anguish, "Give your children food, O father! Give us food, or we must perish! Give me food for Minnehaha, For my dying Minnehaha!" Through the far-resounding forest, Through the forest vast and vacant Rang that cry of desolation, But there came no other answer Than the echo of his crying, Than the echo of the woodlands, "Minnehaha! Minnehaha!" All day long roved Hiawatha In that melancholy forest, Through the shadow of whose thickets, In the pleasant days of Summer, Of that ne'er forgotten Summer, He had brought his young wife homeward From the land of the Dacotahs; When the birds sang in the thickets, And the streamlets laughed and glistened, And the air was full of fragrance, And the lovely Laughing Water Said with voice that did not tremble, "I will follow you, my husband!" In the wigwam with Nokomis, With those gloomy guests that watched her, With the Famine and the Fever, She was lying, the Beloved, She, the dying Minnehaha. "Hark!" she said; "I hear a rushing, Hear a roaring and a rushing, Hear the Falls of Minnehaha Calling to me from a distance!" "No, my child!" said old Nokomis, "'T is the night-wind in the pine-trees!" "Look!" she said; "I see my father Standing lonely at his doorway, Beckoning to me from his wigwam In the land of the Dacotahs!" "No, my child!" said old Nokomis. "'T is the smoke, that waves and beckons!" "Ah!" said she, "the eyes of Pauguk Glare upon me in the darkness, I can feel his icy fingers Clasping mine amid the darkness! Hiawatha! Hiawatha!" And the desolate Hiawatha, Far away amid the forest, Miles away among the mountains, Heard that sudden cry of anguish, Heard the voice of Minnehaha Calling to him in the darkness, "Hiawatha! Hiawatha!" Over snow-fields waste and pathless, Under snow-encumbered branches, Homeward hurried Hiawatha, Empty-handed, heavy-hearted, Heard Nokomis moaning, wailing: "Wahonowin! Wahonowin! Would that I had perished for you, Would that I were dead as you are! Wahonowin! Wahonowin!" And he rushed into the wigwam, Saw the old Nokomis slowly Rocking to and fro and moaning, Saw his lovely Minnehaha Lying dead and cold before him, And his bursting heart within him Uttered such a cry of anguish, That the forest moaned and shuddered, That the very stars in heaven Shook and trembled with his anguish. Then he sat down, still and speechless, On the bed of Minnehaha, At the feet of Laughing Water, At those willing feet, that never More would lightly run to meet him, Never more would lightly follow. With both hands his face he covered, Seven long days and nights he sat there, As if in a swoon he sat there, Speechless, motionless, unconscious Of the daylight or the darkness. Then they buried Minnehaha; In the snow a grave they made her In the forest deep and darksome Underneath the moaning hemlocks; Clothed her in her richest garments Wrapped her in her robes of ermine, Covered her with snow, like ermine; Thus they buried Minnehaha. And at night a fire was lighted, On her grave four times was kindled, For her soul upon its journey To the Islands of the Blessed. From his doorway Hiawatha Saw it burning in the forest, Lighting up the gloomy hemlocks; From his sleepless bed uprising, From the bed of Minnehaha, Stood and watched it at the doorway, That it might not be extinguished, Might not leave her in the darkness. "Farewell!" said he, "Minnehaha! Farewell, O my Laughing Water! All my heart is buried with you, All my thoughts go onward with you! Come not back again to labor, Come not back again to suffer, Where the Famine and the Fever Wear the heart and waste the body. Soon my task will be completed, Soon your footsteps I shall follow To the Islands of the Blessed, To the Kingdom of Ponemah, To the Land of the Hereafter!"

XXI

THE WHITE MAN'S FOOT

In his lodge beside a river, Close beside a frozen river, Sat an old man, sad and lonely. White his hair was as a snow-drift; Dull and low his fire was burning, And the old man shook and trembled, Folded in his Waubewyon, In his tattered white-skin-wrapper, Hearing nothing but the tempest As it roared along the forest, Seeing nothing but the snow-storm, As it whirled and hissed and drifted. All the coals were white with ashes, And the fire was slowly dying, As a young man, walking lightly, At the open doorway entered. Red with blood of youth his cheeks were, Soft his eyes, as stars in Spring-time, Bound his forehead was with grasses; Bound and plumed with scented grasses, On his lips a smile of beauty, Filling all the lodge with sunshine, In his hand a bunch of blossoms Filling all the lodge with sweetness. "Ah, my son!" exclaimed the old man, "Happy are my eyes to see you. Sit here on the mat beside me, Sit here by the dying embers, Let us pass the night together, Tell me of your strange adventures, Of the lands where you have travelled; I will tell you of my prowess, Of my many deeds of wonder." From his pouch he drew his peace-pipe, Very old and strangely fashioned; Made of red stone was the pipe-head, And the stem a reed with feathers; Filled the pipe with bark of willow, Placed a burning coal upon it, Gave it to his guest, the stranger, And began to speak in this wise: "When I blow my breath about me, When I breathe upon the landscape, Motionless are all the rivers, Hard as stone becomes the water!" And the young man answered, smiling: "When I blow my breath about me, When I breathe upon the landscape, Flowers spring up o'er all the meadows, Singing, onward rush the rivers!" "When I shake my hoary tresses," Said the old man darkly frowning, "All the land with snow is covered; All the leaves from all the branches Fall and fade and die and wither, For I breathe, and lo! they are not. From the waters and the marshes, Rise the wild goose and the heron, Fly away to distant regions, For I speak, and lo! they are not. And where'er my footsteps wander, All the wild beasts of the forest Hide themselves in holes and caverns, And the earth becomes as flintstone!" "When I shake my flowing ringlets," Said the young man, softly laughing, "Showers of rain fall warm and welcome, Plants lift up their heads rejoicing, Back into their lakes and marshes Come the wild goose and the heron, Homeward shoots the arrowy swallow, Sing the bluebird and the robin, And where'er my footsteps wander, All the meadows wave with blossoms, All the woodlands ring with music, All the trees are dark with foliage!" While they spake, the night departed: From the distant realms of Wabun, From his shining lodge of silver, Like a warrior robed and painted, Came the sun, and said, "Behold me Gheezis, the great sun, behold me!" Then the old man's tongue was speechless And the air grew warm and pleasant, And upon the wigwam sweetly Sang the bluebird and the robin, And the stream began to murmur, And a scent of growing grasses Through the lodge was gently wafted. And Segwun, the youthful stranger, More distinctly in the daylight Saw the icy face before him; It was Peboan, the Winter! From his eyes the tears were flowing, As from melting lakes the streamlets, And his body shrunk and dwindled As the shouting sun ascended, Till into the air it faded, Till into the ground it vanished, And the young man saw before him, On the hearth-stone of the wigwam, Where the fire had smoked and smouldered, Saw the earliest flower of Spring-time, Saw the Beauty of the Spring-time, Saw the Miskodeed in blossom. Thus it was that in the North-land After that unheard-of coldness, That intolerable Winter, Came the Spring with all its splendor, All its birds and all its blossoms, All its flowers and leaves and grasses. Sailing on the wind to northward, Flying in great flocks, like arrows, Like huge arrows shot through heaven, Passed the swan, the Mahnahbezee, Speaking almost as a man speaks; And in long lines waving, bending Like a bow-string snapped asunder, Came the white goose, Waw-be-wawa; And in pairs, or singly flying, Mahng the loon, with clangorous pinions, The blue heron, the Shuh-shuh-gah, And the grouse, the Mushkodasa. In the thickets and the meadows Piped the bluebird, the Owaissa, On the summit of the lodges Sang the robin, the Opechee, In the covert of the pine-trees Cooed the pigeon, the Omemee; And the sorrowing Hiawatha, Speechless in his infinite sorrow, Heard their voices calling to him, Went forth from his gloomy doorway, Stood and gazed into the heaven, Gazed upon the earth and waters. From his wanderings far to eastward, From the regions of the morning, From the shining land of Wabun, Homeward now returned Iagoo, The great traveller, the great boaster, Full of new and strange adventures, Marvels many and many wonders. And the people of the village Listened to him as he told them Of his marvellous adventures, Laughing answered him in this wise: "Ugh! it is indeed Iagoo! No one else beholds such wonders!" He had seen, he said, a water Bigger than the Big-Sea-Water, Broader than the Gitche Gumee, Bitter so that none could drink it! At each other looked the warriors, Looked the women at each other, Smiled, and said, "It cannot be so!" Kaw!" they said, it cannot be so!" O'er it, said he, o'er this water Came a great canoe with pinions, A canoe with wings came flying, Bigger than a grove of pine-trees, Taller than the tallest tree-tops! And the old men and the women Looked and tittered at each other; "Kaw!" they said, "we don't believe it!" From its mouth, he said, to greet him, Came Waywassimo, the lightning, Came the thunder, Annemeekee! And the warriors and the women Laughed aloud at poor Iagoo; "Kaw!" they said, "what tales you tell us!" In it, said he, came a people, In the great canoe with pinions Came, he said, a hundred warriors; Painted white were all their faces And with hair their chins were covered! And the warriors and the women Laughed and shouted in derision, Like the ravens on the tree-tops, Like the crows upon the hemlocks. "Kaw!" they said, "what lies you tell us! Do not think that we believe them!" Only Hiawatha laughed not, But he gravely spake and answered To their jeering and their jesting: "True is all Iagoo tells us; I have seen it in a vision, Seen the great canoe with pinions, Seen the people with white faces, Seen the coming of this bearded People of the wooden vessel From the regions of the morning, From the shining land of Wabun. "Gitche Manito, the Mighty, The Great Spirit, the Creator, Sends them hither on his errand. Sends them to us with his message. Wheresoe'er they move, before them Swarms the stinging fly, the Ahmo, Swarms the bee, the honey-maker; Wheresoe'er they tread, beneath them Springs a flower unknown among us, Springs the White-man's Foot in blossom. "Let us welcome, then, the strangers, Hail them as our friends and brothers, And the heart's right hand of friendship Give them when they come to see us. Gitche Manito, the Mighty, Said this to me in my vision. "I beheld, too, in that vision All the secrets of the future, Of the distant days that shall be. I beheld the westward marches Of the unknown, crowded nations. All the land was full of people, Restless, struggling, toiling, striving, Speaking many tongues, yet feeling But one heart-beat in their bosoms. In the woodlands rang their axes, Smoked their towns in all the valleys, Over all the lakes and rivers Rushed their great canoes of thunder. "Then a darker, drearier vision Passed before me, vague and cloud-like; I beheld our nation scattered, All forgetful of my counsels, Weakened, warring with each other; Saw the remnants of our people Sweeping westward, wild and woful, Like the cloud-rack of a tempest, Like the withered leaves of Autumn!"

XXII

HIAWATHA'S DEPARTURE

By the shore of Gitche Gumee, By the shining Big-Sea-Water, At the doorway of his wigwam, In the pleasant Summer morning, Hiawatha stood and waited. All the air was full of freshness, All the earth was bright and joyous, And before him, through the sunshine, Westward toward the neighboring forest Passed in golden swarms the Ahmo, Passed the bees, the honey-makers, Burning, singing in the sunshine. Bright above him shone the heavens, Level spread the lake before him; From its bosom leaped the sturgeon, Sparkling, flashing in the sunshine; On its margin the great forest Stood reflected in the water, Every tree-top had its shadow, Motionless beneath the water. From the brow of Hiawatha Gone was every trace of sorrow, As the fog from off the water, As the mist from off the meadow. With a smile of joy and triumph, With a look of exultation, As of one who in a vision Sees what is to be, but is not, Stood and waited Hiawatha. Toward the sun his hands were lifted, Both the palms spread out against it, And between the parted fingers Fell the sunshine on his features, Flecked with light his naked shoulders, As it falls and flecks an oak-tree Through the rifted leaves and branches. O'er the water floating, flying, Something in the hazy distance, Something in the mists of morning, Loomed and lifted from the water, Now seemed floating, now seemed flying, Coming nearer, nearer, nearer. Was it Shingebis the diver? Or the pelican, the Shada? Or the heron, the Shuh-shuh-gah? Or the white goose, Waw-be-wawa, With the water dripping, flashing, From its glossy neck and feathers? It was neither goose nor diver, Neither pelican nor heron, O'er the water floating, flying, Through the shining mist of morning, But a birch canoe with paddles, Rising, sinking on the water, Dripping, flashing in the sunshine; And within it came a people From the distant land of Wabun, From the farthest realms of morning Came the Black-Robe chief, the Prophet, He the Priest of Prayer, the Pale-face, With his guides and his companions. And the noble Hiawatha, With his hands aloft extended, Held aloft in sign of welcome, Waited, full of exultation, Till the birch canoe with paddles Grated on the shining pebbles, Stranded on the sandy margin, Till the Black-Robe chief, the Pale-face, With the cross upon his bosom, Landed on the sandy margin. Then the joyous Hiawatha Cried aloud and spake in this wise: "Beautiful is the sun, O strangers, When you come so far to see us! All our town in peace awaits you, All our doors stand open for you; You shall enter all our wigwams, For the heart's right hand we give you. "Never bloomed the earth so gayly, Never shone the sun so brightly, As to-day they shine and blossom When you come so far to see us! Never was our lake so tranquil, Nor so free from rocks, and sand-bars; For your birch canoe in passing Has removed both rock and sand-bar. "Never before had our tobacco Such a sweet and pleasant flavor, Never the broad leaves of our cornfields Were so beautiful to look on, As they seem to us this morning, When you come so far to see us!' And the Black-Robe chief made answer, Stammered in his speech a little, Speaking words yet unfamiliar: "Peace be with you, Hiawatha, Peace be with you and your people, Peace of prayer, and peace of pardon, Peace of Christ, and joy of Mary!" Then the generous Hiawatha Led the strangers to his wigwam, Seated them on skins of bison, Seated them on skins of ermine, And the careful old Nokomis Brought them food in bowls of basswood, Water brought in birchen dippers, And the calumet, the peace-pipe, Filled and lighted for their smoking. All the old men of the village, All the warriors of the nation, All the Jossakeeds, the Prophets, The magicians, the Wabenos, And the Medicine-men, the Medas, Came to bid the strangers welcome; "It is well", they said, "O brothers, That you come so far to see us!" In a circle round the doorway, With their pipes they sat in silence, Waiting to behold the strangers, Waiting to receive their message; Till the Black-Robe chief, the Pale-face, From the wigwam came to greet them, Stammering in his speech a little, Speaking words yet unfamiliar; "It is well," they said, "O brother, That you come so far to see us!" Then the Black-Robe chief, the Prophet, Told his message to the people, Told the purport of his mission, Told them of the Virgin Mary, And her blessed Son, the Saviour, How in distant lands and ages He had lived on earth as we do; How he fasted, prayed, and labored; How the Jews, the tribe accursed, Mocked him, scourged him, crucified him; How he rose from where they laid him, Walked again with his disciples, And ascended into heaven. And the chiefs made answer, saying: "We have listened to your message, We have heard your words of wisdom, We will think on what you tell us. It is well for us, O brothers, That you come so far to see us!" Then they rose up and departed Each one homeward to his wigwam, To the young men and the women Told the story of the strangers Whom the Master of Life had sent them From the shining land of Wabun. Heavy with the heat and silence Grew the afternoon of Summer; With a drowsy sound the forest Whispered round the sultry wigwam, With a sound of sleep the water Rippled on the beach below it; From the cornfields shrill and ceaseless Sang the grasshopper, Pah-puk-keena; And the guests of Hiawatha, Weary with the heat of Summer, Slumbered in the sultry wigwam. Slowly o'er the simmering landscape Fell the evening's dusk and coolness, And the long and level sunbeams Shot their spears into the forest, Breaking through its shields of shadow, Rushed into each secret ambush, Searched each thicket, dingle, hollow; Still the guests of Hiawatha Slumbered in the silent wigwam. From his place rose Hiawatha, Bade farewell to old Nokomis, Spake in whispers, spake in this wise, Did not wake the guests, that slumbered. "I am going, O Nokomis, On a long and distant journey, To the portals of the Sunset. To the regions of the home-wind, Of the Northwest-Wind, Keewaydin. But these guests I leave behind me, In your watch and ward I leave them; See that never harm comes near them, See that never fear molests them, Never danger nor suspicion, Never want of food or shelter, In the lodge of Hiawatha!" Forth into the village went he, Bade farewell to all the warriors, Bade farewell to all the young men, Spake persuading, spake in this wise: "I am going, O my people, On a long and distant journey; Many moons and many winters Will have come, and will have vanished, Ere I come again to see you. But my guests I leave behind me; Listen to their words of wisdom, Listen to the truth they tell you, For the Master of Life has sent them From the land of light and morning!" On the shore stood Hiawatha, Turned and waved his hand at parting; On the clear and luminous water Launched his birch canoe for sailing, From the pebbles of the margin Shoved it forth into the water; Whispered to it, "Westward! westward!" And with speed it darted forward. And the evening sun descending Set the clouds on fire with redness, Burned the broad sky, like a prairie, Left upon the level water One long track and trail of splendor, Down whose stream, as down a river, Westward, westward Hiawatha Sailed into the fiery sunset, Sailed into the purple vapors, Sailed into the dusk of evening: And the people from the margin Watched him floating, rising, sinking, Till the birch canoe seemed lifted High into that sea of splendor, Till it sank into the vapors Like the new moon slowly, slowly Sinking in the purple distance. And they said, "Farewell forever!" Said, "Farewell, O Hiawatha!" And the forests, dark and lonely, Moved through all their depths of darkness, Sighed, "Farewell, O Hiawatha!" And the waves upon the margin Rising, rippling on the pebbles, Sobbed, "Farewell, O Hiawatha!" And the heron, the Shuh-shuh-gah, From her haunts among the fen-lands, Screamed, "Farewell, O Hiawatha!" Thus departed Hiawatha, Hiawatha the Beloved, In the glory of the sunset,. In the purple mists of evening, To the regions of the home-wind, Of the Northwest-Wind, Keewaydin, To the Islands of the Blessed, To the Kingdom of Ponemah, To the Land of the Hereafter!

NOTES THE SONG OF HIAWATHA.

This Indian Edda--if I may so call it--is founded on a tradition prevalent among the North American Indians, of a personage of miraculous birth, who was sent among them to clear their rivers, forests, and fishing-grounds, and to teach them the arts of peace.

He was known among different tribes by the several names of Michabou, Chiabo, Manabozo, Tarenyawagon, and Hiawatha. Mr. Schoolcraft gives an account of him in his Algic Researches, Vol. I. p. 134; and in his History, Condition, and Prospects of the Indian Tribes of the United States, Part III. p. 314, may be found the Iroquois form of the tradition, derived from the verbal narrations of an Onondaga chief.

Into this old tradition I have woven other curious Indian legends, drawn chiefly from the various and valuable writings of Mr. Schoolcraft, to whom the literary world is greatly indebted for his indefatigable zeal in rescuing from oblivion so much of the legendary lore of the Indians.

The scene of the poem is among the Ojibways on the southern shore of Lake Superior, in the region between the Pictured Rocks and the Grand Sable.

VOCABULARY

Adjidau'mo, the red squirrel. Ahdeek', the reindeer. Ahkose'win, fever. Ahmeek', the beaver. Algon'quin, Ojibway. Annemee'kee, the thunder. Apuk'wa. a bulrush. Baim-wa'wa, the sound of the thunder. Bemah'gut, the grapevine. Be'na, the pheasant. Big-Sea-Water, Lake Superior. Bukada'win, famine. Chemaun', a birch canoe. Chetowaik', the plover. Chibia'bos, a musician; friend of Hiawatha; ruler in the Land of Spirits. Dahin'da, the bull frog. Dush-kwo-ne'she or Kwo-ne'she, the dragon fly. Esa, shame upon you. Ewa-yea', lullaby. Ghee'zis, the sun. Gitche Gu'mee, The Big-Sea-Water, Lake Superior. Gitche Man'ito, the Great Spirit, the Master of Life. Gushkewau', the darkness. Hiawa'tha, the Wise Man, the Teacher, son of Mudjekeewis, the WestWind and Wenonah, daughter of Nokomis. Ia'goo, a great boaster and story-teller. Inin'ewug, men, or pawns in the Game of the Bowl. Ishkoodah', fire, a comet. Jee'bi, a ghost, a spirit. Joss'akeed, a prophet. Kabibonok'ka, the North-Wind. Kagh, the hedge-hog. Ka'go, do not. Kahgahgee', the raven. Kaw, no. Kaween', no indeed. Kayoshk', the sea-gull. Kee'go, a fish. Keeway'din, the Northwest wind, the Home-wind. Kena'beek, a serpent. Keneu', the great war-eagle. Keno'zha, the pickerel. Ko'ko-ko'ho, the owl. Kuntasoo', the Game of Plum-stones. Kwa'sind, the Strong Man. Kwo-ne'she, or Dush-kwo-ne'she, the dragon-fly. Mahnahbe'zee, the swan. Mahng, the loon. Mahn-go-tay'see, loon-hearted, brave. Mahnomo'nee, wild rice. Ma'ma, the woodpecker. Maskeno'zha, the pike. Me'da, a medicine-man. Meenah'ga, the blueberry. Megissog'won, the great Pearl-Feather, a magician, and the Manito of Wealth. Meshinau'wa, a pipe-bearer. Minjekah'wun, Hiawatha's mittens. Minneha'ha, Laughing Water; wife of Hiawatha; a water-fall in a stream running into the Mississippi between Fort Snelling and the Falls of St. Anthony. Minne-wa'wa, a pleasant sound, as of the wind in the trees. Mishe-Mo'kwa, the Great Bear. Mishe-Nah'ma, the Great Sturgeon. Miskodeed', the Spring-Beauty, the Claytonia Virginica. Monda'min, Indian corn. Moon of Bright Nights, April. Moon of Leaves, May. Moon of Strawberries, June. Moon of the Falling Leaves, September. Moon of Snow-shoes, November. Mudjekee'wis, the West-Wind; father of Hiawatha. Mudway-aush'ka, sound of waves on a shore. Mushkoda'sa, the grouse. Nah'ma, the sturgeon. Nah'ma-wusk, spearmint. Na'gow Wudj'oo, the Sand Dunes of Lake Superior. Nee-ba-naw'-baigs, water-spirits. Nenemoo'sha, sweetheart. Nepah'win, sleep. Noko'mis, a grandmother, mother of Wenonah. No'sa, my father. Nush'ka, look! look! Odah'min, the strawberry. Okahah'wis, the fresh-water herring. Ome'me, the pigeon. Ona'gon, a bowl. Onaway', awake. Ope'chee, the robin. Osse'o, Son of the Evening Star. Owais'sa, the bluebird. Oweenee', wife of Osseo. Ozawa'beek, a round piece of brass or copper in the Game of the Bowl. Pah-puk-kee'na, the grasshopper. Pau'guk, death. Pau-Puk-Kee'wis, the handsome Yenadizze, the son of Storm Fool. Pauwa'ting, Saut Sainte Marie. Pe'boan, Winter. Pem'ican, meat of the deer or buffalo dried and pounded. Pezhekee', the bison. Pishnekuh', the brant. Pone'mah, hereafter. Pugasaing', Game of the Bowl. Puggawau'gun, a war-club. Puk-Wudj'ies, little wild men of the woods; pygmies. Sah-sah-je'wun, rapids. Sah'wa, the perch. Segwun', Spring. Sha'da, the pelican. Shahbo'min, the gooseberry. Shah-shah, long ago. Shaugoda'ya, a coward. Shawgashee', the craw-fish. Shawonda'see, the South-Wind. Shaw-shaw, the swallow. Shesh'ebwug, ducks; pieces in the Game of the Bowl. Shin'gebis, the diver, or grebe. Showain' neme'shin, pity me. Shuh-shuh'gah, the blue heron. Soan-ge-ta'ha, strong-hearted. Subbeka'she, the spider. Sugge'me, the mosquito. To'tem, family coat-of-arms. Ugh, yes. Ugudwash', the sun-fish. Unktahee', the God of Water. Wabas'so, the rabbit, the North. Wabe'no, a magician, a juggler. Wabe'no-wusk, yarrow. Wa'bun, the East-Wind. Wa'bun An'nung, the Star of the East, the Morning Star. Wahono'win, a cry of lamentation. Wah-wah-tay'see, the fire-fly. Wam'pum, beads of shell. Waubewy'on, a white skin wrapper. Wa'wa, the wild goose. Waw'beek, a rock. Waw-be-wa'wa, the white goose. Wawonais'sa, the whippoorwill. Way-muk-kwa'na, the caterpillar. Wen'digoes, giants. Weno'nah, Hiawatha's mother, daughter of Nokomis. Yenadiz'ze, an idler and gambler; an Indian dandy.

In the Vale of Tawasentha.

This valley, now called Norman's Kill; is in Albany County, New York.

On the Mountains of the Prairie.

Mr. Catlin, in his Letters and Notes on the Manners, Customs, and

Condition of the North American Indians, Vol. II p. 160, gives an interesting account of the Coteau des Prairies, and the Red Pipestone Quarry. He says:--

"Here (according to their traditions) happened the mysterious birth of the red pipe, which has blown its fumes of peace and war to the remotest corners of the continent; which has visited every warrior, and passed through its reddened stem the irrevocable oath of war and desolation. And here, also, the peace-breathing calumet was born, and fringed with the eagle's quills, which has shed its thrilling fumes over the land, and soothed the fury of the relentless savage.

"The Great Spirit at an ancient period here called the Indian nations together, and, standing on the precipice of the red pipe- stone rock, broke from its wall a piece, and made a huge pipe by turning it in his hand, which he smoked over them, and to the North, the South, the East, and the West, and told them that this stone was red,--that it was their flesh,--that they must use it for their pipes of peace,--that it belonged to them all, and that the war-club and scalping-knife must not be raised on its ground. At the last whiff of his pipe his head went into a great cloud, and the whole surface of the rock for several miles was melted and glazed; two great ovens were opened beneath, and two women (guardian spirits of the place) entered them in a blaze of fire; and they are heard there yet (Tso-mec-cos-tee aud Tso-me-cos-te-won-dee), answering to the invocations of the high-priests or medicine-men, who consult them when they are visitors to this sacred place."

Hark you, Bear! you are a coward.

This anecdote is from Heckewelder. In his account of the Indian Nations, he describes an Indian hunter as addressing a bear in nearly these words. "I was present," he says, "at the delivery of this curious invective; when the hunter had despatched the bear, I asked him how he thought that poor animal could understand what he said to it. 'O,' said he in answer, 'the bear understood me very well; did you not observe how ashamed he looked while I was upbraiding him?"'--Transactions of the American Philosophical Society, Vol. I. p. 240.

Hush! the Naked Bear will hear thee!

Heckewelder, in a letter published in the Transactions of the American Philosophical Society, Vol. IV. p. 260, speaks of this tradition as prevalent among the Mohicans and Delawares.

"Their reports," he says, "run thus: that among all animals that had been formerly in this country, this was the most ferocious; that it was much larger than the largest of the common bears, and remarkably long-bodied; all over (except a spot of hair on its back of a white color) naked. . . . .

"The history of this animal used to be a subject of conversation among the Indians, especially when in the woods a hunting. I have also heard them say to their children when crying: 'Hush! the naked bear will hear you, be upon you, and devour you,'"

Where the Falls of Minnehaha, etc.

"The scenery about Fort Snelling is rich in beauty. The Falls of St. Anthony are familiar to travellers, and to readers of Indian sketches. Between the fort and these falls are the 'Little Falls,' forty feet in height, on a stream that empties into the Mississippi. The Indians called them Mine-hah-hah, or 'laughing waters.'" -- MRS. EASTMAN'S Dacotah, or Legends of the Sioux, Introd., p. ii.

Sand Hills of the Nagow Wudjoo.

A description of the Grand Sable, or great sand-dunes of Lake Superior, is given in Foster and Whitney's Report on the Geology of the Lake Superior Land District, Part II. p. 131.

"The Grand Sable possesses a scenic interest little inferior to that of the Pictured Rocks. The explorer passes abruptly from a coast of consolidated sand to one of loose materials; and although in the one case the cliffs are less precipitous, yet in the other they attain a higher altitude. He sees before him a long reach of coast, resembling a vast sand-bank, more than three hundred and fifty feet in height, without a trace of vegetation. Ascending to the top, rounded hillocks of blown sand are observed, with occasional clumps of trees standing out like oases in the desert."

Onaway! Awake, beloved!

The original of this song may be found in Littell's Living Age, Vol. XXV. p. 45.

On the Red Swan floating, flying.

The fanciful tradition of the Red Swan may be found in Schoolcraft's Algic Researches, Vol. II. p. 9. Three brothers were hunting on a wager to see who would bring home the first game.

"They were to shoot no other animal," so the legend says, "but such as each was in the habit of killing. They set out different ways: Odjibwa, the youngest, had not gone far before he saw a bear, an animal he was not to kill, by the agreement. He followed him close, and drove an arrow through him, which brought him to the ground. Although contrary to the bet, he immediately commenced skinning him, when suddenly something red tinged all the air around him. He rubbed his eyes, thinking he was perhaps deceived; but without effect, for the red hue continued. At length he heard a strange noise at a distance. It first appeared like a human voice, but after following the sound for some distance, he reached the shores of a lake, and soon saw the object he was looking for. At a distance out in the lake sat a most beautiful Red Swan, whose plumage glittered in the sun, and who would now and then make the same noise he had heard. He was within long bow-shot, and, pulling the arrow from the bowstring up to his ear, took deliberate aim and shot. The arrow took no effect; and he shot and shot again till his quiver was empty. Still the swan remained, moving round and round, stretching its long neck and dipping its bill into the water, as if heedless of the arrows shot at it. Odjibwa ran home, and got all his own and his brother's arrows and shot them all away. He then stood and gazed at the beautiful bird. While standing, he remembered his brother's saying that in their deceased father's medicine-sack were three magic arrows. Off he started, his anxiety to kill the swan overcoming all scruples. At any other time, he would have deemed it sacrilege to open his father's medicine-sack; but now he hastily seized the three arrows and ran back, leaving the other contents of the sack scattered over the lodge. The swan was still there. He shot the first arrow with great precision, and came very near to it. The second came still closer; as he took the last arrow, he felt his arm firmer, and, drawing it up with vigor, saw it pass through the neck of the swan a little above the breast. Still it did not prevent the bird from flying off, which it did, however, at first slowly, flapping its wings and rising gradually into the airs and teen flying off toward the sinking of the sun." -- pp.10-12.

When I think of my beloved.

The original of this song may be found in Oneota, p. 15.

Sing the mysteries of Mondamin. The Indians hold the maize, or Indian corn, in great veneration.

"They esteem it so important and divine a grain," says Schoolcraft, "that their story-tellers invented various tales, in which this idea is symbolized under the form of a special gift from the Great Spirit. The Odjibwa-Algonquins, who call it Mon-da-min, that is, the Spirit's grain or berry, have a pretty story of this kind, in which the stalk in full tassel is represented as descending from the sky, under the guise of a handsome youth, in answer to the prayers of a young man at his fast of virility, or coming to manhood.

"It is well known that corn-planting and corn-gathering, at least among all the still uncolonized tribes, are left entirely to the females and children, and a few superannuated old men. It is not generally known, perhaps, that this labor is not compulsory, and that it is assumed by the females as a just equivalent, in their view, for the onerous and continuous labor of the other sex, in providing meats, and skins for clothing, by the chase, and in defending their villages against their enemies, and keeping intruders off their territories. A good Indian housewife deems this a part of her prerogative, and prides herself to have a store of corn to exercise her hospitality, or duly honor her husband's hospitality, in the entertainment of the lodge guests." -- Oneota, p. 82.

Thus the fields shall be more fruitful.

"A singular proof of this belief, in both sexes, of the mysterious influence of the steps of a woman on the vegetable and in sect creation, is found in an ancient custom, which was related to me, respecting corn-planting. It was the practice of the hunter's wife, when the field of corn had been planted, to choose the first dark or overclouded evening to perform a secret circuit, sans habillement, around the field. For this purpose she slipped out of the lodge in the evening, unobserved, to some obscure nook, where she completely disrobed. Then, taking her matchecota, or principal garment, in one hand, she dragged it around the field. This was thought to insure a prolific crop, and to prevent the assaults of insects and worms upon the grain. It was supposed they could not creep over the charmed line." -- Oneota, p. 83.

With his prisoner-string he bound him.

"These cords," says Mr. Tanner "are made of the bark of the elm- tree, by boiling and then immersing it in cold water. . . . The leader of a war party commonly carries several fastened about his waist, and if, in the course of the fight, any one of his young men take a prisoner, it is his duty to bring him immediately to the chief, to be tied, and the latter is responsible for his safe keeping." -- Narrative of Captivity and Adventures, p. 412.

Wagemin, the thief of cornfields, Paimosaid, who steals the maize-ear.

"If one of the young female huskers finds a red ear of corn, it is typical of a brave admirer, and is regarded as a fitting present to some young warrior. But if the ear be crooked, and tapering to a point, no matter what color, the whole circle is set in a roar, and wa-ge-min is the word shouted aloud. It is the symbol of a thief in the cornfield. It is considered as the image of an old man stooping as he enters the lot. Had the chisel of Praxiteles been employed to produce this image, it could not more vividly bring to the minds of the merry group the idea of a pilferer of their favorite mondamin. . . .

"The literal meaning of the term is, a mass, or crooked ear of grain; but the ear of corn so called is a conventional type of a little old man pilfering ears of corn in a cornfield. It is in this manner that a single word or term, in these curious languages, becomes the fruitful parent of many ideas. And we can thus perceive why it is that the word wagemin is alone competent to excite merriment in the husking circle.

"This term is taken as the basis of the cereal chorus, or corn song, as sung by the Northern Algonquin tribes. It is coupled with the phrase Paimosaid,--a permutative form of the Indian substantive, made from the verb pim-o-sa, to walk. Its literal meaning is, he who walks, or the walker; but the ideas conveyed by it are, he who walks by night to pilfer corn. It offers, therefore, a kind of parallelism in expression to the preceding term." -- Oneota, p. 254.

Pugasaing, with thirteen pieces.

This Game of the Bowl is the principal game of hazard among the Northern tribes of Indians. Mr. Schoolcraft gives a particular account of it in Oneota, p. 85. "This game," he says, "is very fascinating to some portions of the Indians. They stake at it their ornaments, weapons, clothing, canoes, horses, everything in fact they possess; and have been known, it is said, to set up their wives and children and even to forfeit their own liberty. Of such desperate stakes I have seen no examples, nor do I think the game itself in common use. It is rather confined to certain persons, who hold the relative rank of gamblers in Indian society,--men who are not noted as hunters or warriors, or steady providers for their families. Among these are persons who bear the term of Iena-dizze- wug, that is, wanderers about the country, braggadocios, or fops. It can hardly be classed with the popular games of amusement, by which skill and dexterity are acquired. I have generally found the chiefs and graver men of the tribes, who encouraged the young men to play ball, and are sure to be present at the customary sports, to witness, and sanction, and applaud them, speak lightly and disparagingly of this game of hazard. Yet it cannot be denied that some of the chiefs, distinguished in war and the chase, at the West, can be referred to as lending their example to its fascinating power."

See also his history, Condition, and Prospects of the Indian Tribes, Part II, p. 72.

To the Pictured Rocks of sandstone.

The reader will find a long description of the Pictured Rocks in Foster and Whitney's Report on the Geology of the Lake Superior Land District, Part II. p. 124. From this I make the following extract:--

"The Pictured Rocks may be described, in general terms, as a series of sandstone bluffs extending along the shore of Lake Superior for about five miles, and rising, in most places, vertically from the water, without any beach at the base, to a height varying from fifty to nearly two hundred feet. Were they simply a line of cliffs, they might not, so far as relates to height or extent, be worthy of a rank among great natural curiosities, although such an assemblage of rocky strata, washed by the waves of the great lake, would not, under any circumstances, be destitute of grandeur. To the voyager, coasting along their base in his frail canoe, they would, at all times, be an object of dread; the recoil of the surf, the rock-bound coast, affording, for miles, no place of refuge,--the lowering sky, the rising wind,--all these would excite his apprehension, and induce him to ply a vigorous oar until the dreaded wall was passed. But in the Pictured Rocks there are two features which communicate to the scenery a wonderful and almost unique character. These are, first, the curious manner in which the cliffs have been excavated and worn away by the action of the lake, which, for centuries, has dashed an ocean-like surf against their base; and, second, the equally curious manner in which large portions of the surface have been colored by bands of brilliant hues.

"It is from the latter circumstance that the name, by which these cliffs are known to the American traveller, is derived; while that applied to them by the French voyageurs ('Les Portails') is derived from the former, and by far the most striking peculiarity.

"The term Pictured Rocks has been in use for a great length of time; but when it was first applied, we have been unable to discover. It would seem that the first travellers were more impressed with the novel and striking distribution of colors on the surface than with the astonishing variety of form into which the cliffs themselves have been worn. . . .

"Our voyageurs had many legends to relate of the pranks of the Menni-bojou in these caverns, and, in answer to our inquiries, seemed disposed to fabricate stories, without end, of the achievements of this Indian deity."

Toward the Sun his hands were lifted.

In this manner, and with such salutations, was Father Marquette received by the Illinois. See his Voyages et Decouvertes, Section V.

<END HIAWATHA NOTES>

*************

THE COURTSHIP OF MILES STANDISH

I

MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims, To and fro in a room of his simple and primitive dwelling, Clad in doublet and hose, and boots of Cordovan leather, Strode, with a martial air, Miles Standish the Puritan Captain. Buried in thought he seemed, with his hands behind him, and pausing Ever and anon to behold his glittering weapons of warfare, Hanging in shining array along the walls of the chamber,-- Cutlass and corselet of steel, and his trusty sword of Damascus, Curved at the point and inscribed with its mystical Arabic sentence, While underneath, in a corner, were fowling-piece, musket, and matchlock. Short of stature he was, but strongly built and athletic, Broad in the shoulders, deep-chested, with muscles and sinews of iron; Brown as a nut was his face, but his russet beard was already Flaked with patches of snow, as hedges sometimes in November. Near him was seated John Alden, his friend, and household companion, Writing with diligent speed at a table of pine by the window; Fair-haired, azure-eyed, with delicate Saxon complexion, Having the dew of his youth, and the beauty thereof, as the captives Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels." Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting, Spake, in the pride of his heart, Miles Standish the Captain of Plymouth. "Look at these arms," he said, "the warlike weapons that hang here Burnished and bright and clean, as if for parade or inspection! This is the sword of Damascus I fought with in Flanders; this breastplate, Well I remember the day! once saved my life in a skirmish; Here in front you can see the very dint of the bullet Fired point-blank at my heart by a Spanish arcabucero. Had it not been of sheer steel, the forgotten bones of Miles Standish Would at this moment be mould, in their grave in the Flemish morasses." Thereupon answered John Alden, but looked not up from his writing: "Truly the breath of the Lord hath slackened the speed of the bullet; He in his mercy preserved you, to be our shield and our weapon!" Still the Captain continued, unheeding the words of the stripling: "See, how bright they are burnished, as if in an arsenal hanging; That is because I have done it myself, and not left it to others. Serve yourself, would you be well served, is an excellent adage; So I take care of my arms, as you of your pens and your inkhorn. Then, too, there are my soldiers, my great, invincible army, Twelve men, all equipped, having each his rest and his matchlock, Eighteen shillings a month, together with diet and pillage, And, like Caesar, I know the name of each of my soldiers!" This he said with a smile, that danced in his eyes, as the sunbeams Dance on the waves of the sea, and vanish again in a moment. Alden laughed as he wrote, and still the Captain continued: "Look! you can see from this window my brazen howitzer planted High on the roof of the church, a preacher who speaks to the purpose, Steady, straight-forward, and strong, with irresistible logic, Orthodox, flashing conviction right into the hearts of the heathen. Now we are ready, I think, for any assault of the Indians; Let them come, if they like, and the sooner they try it the better,-- Let them come if they like, be it sagamore, sachem, or pow-wow, Aspinet, Samoset, Corbitant, Squanto, or Tokamahamon!"

Long at the window he stood, and wistfully gazed on the landscape, Washed with a cold gray mist, the vapory breath of the east-wind, Forest and meadow and hill, and the steel-blue rim of the ocean, Lying silent and sad, in the afternoon shadows and sunshine. Over his countenance flitted a shadow like those on the landscape, Gloom intermingled with light; and his voice was subdued with emotion, Tenderness, pity, regret, as after a pause he proceeded: "Yonder there, on the hill by the sea, lies buried Rose Standish; Beautiful rose of love, that bloomed for me by the wayside! She was the first to die of all who came in the Mayflower! Green above her is growing the field of wheat we have sown there, Better to hide from the Indian scouts the graves of our people, Lest they should count them and see how many already have perished!" Sadly his face he averted, and strode up and down, and was thoughtful.

Fixed to the opposite wall was a shelf of books, and among them Prominent three, distinguished alike for bulk and for binding; Bariffe's Artillery Guide, and the Commentaries of Caesar, Out of the Latin translated by Arthur Goldinge of London, And, as if guarded by these, between them was standing the Bible. Musing a moment before them, Miles Standish paused, as if doubtful Which of the three he should choose for his consolation and comfort, Whether the wars of the Hebrews, the famous campaigns of the Romans, Or the Artillery practice, designed for belligerent Christians. Finally down from its shelf he dragged the ponderous Roman, Seated himself at the window, and opened the book, and in silence Turned o'er the well-worn leaves, where thumb-marks thick on the margin, Like the trample of feet, proclaimed the battle was hottest. Nothing was heard in the room but the hurrying pen of the stripling, Busily writing epistles important, to go by the Mayflower, Ready to sail on the morrow, or next day at latest, God willing! Homeward bound with the tidings of all that terrible winter, Letters written by Alden, and full of the name of Priscilla, Full of the name and the fame of the Puritan maiden Priscilla!

II

LOVE AND FRIENDSHIP

Nothing was heard in the room but the hurrying pen of the stripling, Or an occasional sigh from the laboring heart of the Captain, Reading the marvellous words and achievements of Julius Caesar. After a while he exclaimed, as he smote with his hand, palm downwards, Heavily on the page: "A wonderful man was this Caesar! You are a writer, and I am a fighter, but here is a fellow Who could both write and fight, and in both was equally skilful!" Straightway answered and spake John Alden, the comely, the youthful: "Yes, he was equally skilled, as you say, with his pen and his weapons. Somewhere have I read, but where I forget, he could dictate Seven letters at once, at the same time writing his memoirs." "Truly," continued the Captain, not heeding or hearing the other, "Truly a wonderful man was Caius Julius Caesar! Better be first, he said, in a little Iberian village, Than be second in Rome, and I think he was right when he said it. Twice was he married before he was twenty, and many times after; Battles five hundred he fought, and a thousand cities he conquered; He, too, fought in Flanders, as he himself has recorded; Finally he was stabbed by his friend, the orator Brutus! Now, do you know what he did on a certain occasion in Flanders, When the rear-guard of his army retreated, the front giving way too, And the immortal Twelfth Legion was crowded so closely together There was no room for their swords? Why, he seized a shield from a soldier, Put himself straight at the head of his troops, and commanded the captains, Calling on each by his name, to order forward the ensigns; Then to widen the ranks, and give more room for their weapons; So he won the day, the battle of something-or-other. That's what I always say; if you wish a thing to be well done, You must do it yourself, you must not leave it to others!"

All was silent again; the Captain continued his reading. Nothing was heard in the room but the hurrying pen of the stripling Writing epistles important to go next day by the Mayflower, Filled with the name and the fame of the Puritan maiden Priscilla; Every sentence began or closed with the name of Priscilla, Till the treacherous pen, to which he confided the secret, Strove to betray it by singing and shouting the name of Priscilla! Finally closing his book, with a bang of the ponderous cover, Sudden and loud as the sound of a soldier grounding his musket, Thus to the young man spake Miles Standish the Captain of Plymouth: "When you have finished your work, I have something important to tell you. Be not however in haste; I can wait; I shall not be impatient!" Straightway Alden replied, as he folded the last of his letters, Pushing his papers aside, and giving respectful attention: "Speak; for whenever you speak, I am always ready to listen, Always ready to hear whatever pertains to Miles Standish." Thereupon answered the Captain, embarrassed, and culling his phrases: "'T is not good for a man to be alone, say the Scriptures. This I have said before, and again and again I repeat it; Every hour in the day, I think it, and feel it, and say it. Since Rose Standish died, my life has been weary and dreary; Sick at heart have I been, beyond the healing of friendship. Oft in my lonely hours have I thought of the maiden Priscilla. She is alone in the world; her father and mother and brother Died in the winter together; I saw her going and coming, Now to the grave of the dead, and now to the bed of the dying, Patient, courageous, and strong, and said to myself, that if ever There were angels on earth, as there are angels in heaven, Two have I seen and known; and the angel whose name is Priscilla Holds in my desolate life the place which the other abandoned. Long have I cherished the thought, but never have dared to reveal it, Being a coward in this, though valiant enough for the most part. Go to the damsel Priscilla, the loveliest maiden of Plymouth, Say that a blunt old Captain, a man not of words but of actions, Offers his hand and his heart, the hand and heart of a soldier. Not in these words, you know, but this in short is my meaning; I am a maker of war, and not a maker of phrases. You, who are bred as a scholar, can say it in elegant language, Such as you read in your books of the pleadings and wooings of lovers, Such as you think best adapted to win the heart of a maiden."

When he had spoken, John Alden, the fair-haired, taciturn stripling, All aghast at his words, surprised, embarrassed, bewildered, Trying to mask his dismay by treating the subject with lightness, Trying to smile, and yet feeling his heart stand still in his bosom, Just as a timepiece stops in a house that is stricken by lightning, Thus made answer and spake, or rather stammered than answered: "Such a message as that, I am sure I should mangle and mar it; If you would have it well done,--I am only repeating your maxim,-- You must do it yourself, you must not leave it to others!" But with the air of a man whom nothing can turn from his purpose, Gravely shaking his head, made answer the Captain of Plymouth: "Truly the maxim is good, and I do not mean to gainsay it; But we must use it discreetly, and not waste powder for nothing. Now, as I said before, I was never a maker of phrases. I can march up to a fortress and summon the place to surrender, But march up to a woman with such a proposal, I dare not. I'm not afraid of bullets, nor shot from the mouth of a cannon, But of a thundering "No!" point-blank from the mouth of a woman, That I confess I'm afraid of, nor am I ashamed to confess it! So you must grant my request, for you are an elegant scholar, Having the graces of speech, and skill in the turning of phrases." Taking the hand of his friend, who still was reluctant and doubtful, Holding it long in his own, and pressing it kindly, he added: "Though I have spoken thus lightly, yet deep is the feeling that prompts me; Surely you cannot refuse what I ask in the name of our friendship!" Then made answer John Alden: "The name of friendship is sacred; What you demand in that name, I have not the power to deny you!" So the strong will prevailed, subduing and moulding the gentler, Friendship prevailed over love, and Alden went on his errand.

III

THE LOVER'S ERRAND

So the strong will prevailed, and Alden went on his errand, Out of the street of the village, and into the paths of the forest, Into the tranquil woods, where blue-birds and robins were building Towns in the populous trees, with hanging gardens of verdure, Peaceful, aerial cities of joy and affection and freedom. All around him was calm, but within him commotion and conflict, Love contending with friendship, and self with each generous impulse. To and fro in his breast his thoughts were heaving and dashing, As in a foundering ship, with every roll of the vessel, Washes the bitter sea, the merciless surge of the ocean! "Must I relinquish it all," he cried with a wild lamentation, "Must I relinquish it all, the joy, the hope, the illusion? Was it for this I have loved, and waited, and worshipped in silence? Was it for this I have followed the flying feet and the shadow Over the wintry sea, to the desolate shores of New England? Truly the heart is deceitful, and out of its depths of corruption Rise, like an exhalation, the misty phantoms of passion; Angels of light they seem, but are only delusions of Satan. All is clear to me now; I feel it, I see it distinctly! This is the hand of the Lord; it is laid upon me in anger, For I have followed too much the heart's desires and devices, Worshipping Astaroth blindly, and impious idols of Baal. This is the cross I must bear; the sin and the swift retribution."

So through the Plymouth woods John Alden went on his errand; Crossing the brook at the ford, where it brawled over pebble and shallow, Gathering still, as he went, the May-flowers blooming around him, Fragrant, filling the air with a strange and wonderful sweetness, Children lost in the woods, and covered with leaves in their slumber. "Puritan flowers," he said, "and the type of Puritan maidens, Modest and simple and sweet, the very type of Priscilla! So I will take them to her; to Priscilla the May-flower of Plymouth, Modest and simple and sweet, as a parting gift will I take them; Breathing their silent farewells, as they fade and wither and perish, Soon to be thrown away as is the heart of the giver." So through the Plymouth woods John Alden went on his errand; Came to an open space, and saw the disk of the ocean, Sailless, sombre and cold with the comfortless breath of the east-wind; Saw the new-built house and people at work in a meadow; Heard, as he drew near the door, the musical voice of Priscilla Singing the hundredth Psalm, the grand old Puritan anthem, Music that Luther sang to the sacred words of the Psalmist, Full of the breath of the Lord, consoling and comforting many. Then, as he opened the door, he beheld the form of the maiden Seated beside her wheel, and the carded wool like a snow-drift Piled at her knee, her white hands feeding the ravenous spindle, While with her foot on the treadle she guided the wheel in its motion. Open wide on her lap lay the well-worn psalm-book of Ainsworth, Printed in Amsterdam, the words and the music together, Rough-hewn, angular notes, like stones in the wall of a churchyard, Darkened and overhung by the running vine of the verses. Such was the book from whose pages she sang the old Puritan anthem, She, the Puritan girl, in the solitude of the forest, Making the humble house and the modest apparel of home-spun Beautiful with her beauty, and rich with the wealth of her being! Over him rushed, like a wind that is keen and cold and relentless, Thoughts of what might have been, and the weight and woe of his errand; All the dreams that had faded, and all the hopes that had vanished, All his life henceforth a dreary and tenantless mansion, Haunted by vain regrets, and pallid, sorrowful faces. Still he said to himself, and almost fiercely he said it, "Let not him that putteth his hand to the plough look backwards; Though the ploughshare cut through the flowers of life to its fountains, Though it pass o'er the graves of the dead and the hearths of the living, It is the will of the Lord; and his mercy endureth for ever!"

So he entered the house: and the hum of the wheel and the singing Suddenly ceased; for Priscilla, aroused by his step on the threshold, Rose as he entered, and gave him her hand, in signal of welcome, Saying, "I knew it was you, when I heard your step in the passage; For I was thinking of you, as I sat there singing and spinning." Awkward and dumb with delight, that a thought of him had been mingled Thus in the sacred psalm, that came from the heart of the maiden, Silent before her he stood, and gave her the flowers for an answer, Finding no words for his thought. He remembered that day in the winter, After the first great snow, when he broke a path from the village, Reeling and plunging along through the drifts that encumbered the doorway, Stamping the snow from his feet as he entered the house, and Priscilla Laughed at his snowy locks, and gave him a seat by the fireside, Grateful and pleased to know he had thought of her in the snow-storm. Had he but spoken then! perhaps not in vain had he spoken; Now it was all too late; the golden moment had vanished! So he stood there abashed, and gave her the flowers for an answer.

Then they sat down and talked of the birds and the beautiful Spring-time, Talked of their friends at home, and the Mayflower that sailed on the morrow. "I have been thinking all day," said gently the Puritan maiden, "Dreaming all night, and thinking all day, of the hedge-rows of England,-- They are in blossom now, and the country is all like a garden; Thinking of lanes and fields, and the song of the lark and the linnet, Seeing the village street, and familiar faces of neighbors Going about as of old, and stopping to gossip together, And, at the end of the street, the village church, with the ivy Climbing the old gray tower, and the quiet graves in the churchyard. Kind are the people I live with, and dear to me my religion; Still my heart is so sad, that I wish myself back in Old England. You will say it is wrong, but I cannot help it: I almost Wish myself back in Old England, I feel so lonely and wretched."

Thereupon answered the youth:--"Indeed I do not condemn you; Stouter hearts than a woman's have quailed in this terrible winter. Yours is tender and trusting, and needs a stronger to lean on; So I have come to you now, with an offer and proffer of marriage Made by a good man and true, Miles Standish the Captain of Plymouth!"

Thus he delivered his message, the dexterous writer of letters,-- Did not embellish the theme, nor array it in beautiful phrases, But came straight to the point, and blurted it out like a schoolboy; Even the Captain himself could hardly have said it more bluntly. Mute with amazement and sorrow, Priscilla the Puritan maiden Looked into Alden's face, her eyes dilated with wonder, Feeling his words like a blow, that stunned her and rendered her speechless; Till at length she exclaimed, interrupting the ominous silence: "If the great Captain of Plymouth is so very eager to wed me, Why does he not come himself, and take the trouble to woo me? If I am not worth the wooing, I surely am not worth the winning!" Then John Alden began explaining and smoothing the matter, Making it worse as he went, by saying the Captain was busy,-- Had no time for such things;--such things! the words grating harshly Fell on the ear of Priscilla; and swift as a flash she made answer: "Has he no time for such things, as you call it, before he is married, Would he be likely to find it, or make it, after the wedding? That is the way with you men; you don't understand us, you cannot. When you have made up your minds, after thinking of this one and that one, Choosing, selecting, rejecting, comparing one with another, Then you make known your desire, with abrupt and sudden avowal, And are offended and hurt, and indignant perhaps, that a woman Does not respond at once to a love that she never suspected, Does not attain at a bound the height to which you have been climbing. This is not right nor just: for surely a woman's affection Is not a thing to be asked for, and had for only the asking. When one is truly in love, one not only says it, but shows it. Had he but waited awhile, had he only showed that he loved me, Even this Captain of yours--who knows?--at last might have won me, Old and rough as he is; but now it never can happen."

Still John Alden went on, unheeding the words of Priscilla, Urging the suit of his friend, explaining, persuading, expanding; Spoke of his courage and skill, and of all his battles in Flanders, How with the people of God he had chosen to suffer affliction, How, in return for his zeal, they had made him Captain of Plymouth; He was a gentleman born, could trace his pedigree plainly Back to Hugh Standish of Duxbury Hall, in Lancashire, England, Who was the son of Ralph, and the grandson of Thurston de Standish; Heir unto vast estates, of which he was basely defrauded, Still bore the family arms, and had for his crest a cock argent Combed and wattled gules, and all the rest of the blazon. He was a man of honor, of noble and generous nature; Though he was rough, he was kindly; she knew how during the winter He had attended the sick, with a hand as gentle as woman's; Somewhat hasty and hot, he could not deny it, and headstrong, Stern as a soldier might be, but hearty, and placable always, Not to be laughed at and scorned, because he was little of stature; For he was great of heart, magnanimous, courtly, courageous; Any woman in Plymouth, nay, any woman in England, Might be happy and proud to be called the wife of Miles Standish!

But as he warmed and glowed, in his simple and eloquent language, Quite forgetful of self, and full of the praise of his rival, Archly the maiden smiled, and, with eyes over-running with laughter, Said, in a tremulous voice, "Why don't you speak for yourself, John?"

IV

JOHN ALDEN

Into the open air John Alden, perplexed and bewildered, Rushed like a man insane, and wandered alone by the sea-side; Paced up and down the sands, and bared his head to the east-wind, Cooling his heated brow, and the fire and fever within him. Slowly as out of the heavens, with apocalyptical splendors, Sank the City of God, in the vision of John the Apostle, So, with its cloudy walls of chrysolite, jasper, and sapphire, Sank the broad red sun, and over its turrets uplifted Glimmered the golden reed of the angel who measured the city.

"Welcome, O wind of the East!" he exclaimed in his wild exultation, "Welcome, O wind of the East, from the caves of the misty Atlantic! Blowing o'er fields of dulse, and measureless meadows of sea-grass, Blowing o'er rocky wastes, and the grottos and gardens of ocean! Lay thy cold, moist hand on my burning forehead, and wrap me Close in thy garments of mist, to allay the fever within me!"

Like an awakened conscience, the sea was moaning and tossing, Beating remorseful and loud the mutable sands of the sea-shore. Fierce in his soul was the struggle and tumult of passions contending; Love triumphant and crowned, and friendship wounded and bleeding, Passionate cries of desire, and importunate pleadings of duty! "Is it my fault," he said, "that the maiden has chosen between us? Is it my fault that he failed,--my fault that I am the victor?" Then within him there thundered a voice, like the voice of the Prophet: "It hath displeased the Lord!"--and he thought of David's transgression, Bathsheba's beautiful face, and his friend in the front of the battle! Shame and confusion of guilt, and abasement and self-condemnation, Overwhelmed him at once; and he cried in the deepest contrition: "It hath displeased the Lord! It is the temptation of Satan!"

Then, uplifting his head, he looked at the sea, and beheld there Dimly the shadowy form of the Mayflower riding at anchor, Rocked on the rising tide, and ready to sail on the morrow; Heard the voices of men through the mist, the rattle of cordage Thrown on the deck, the shouts of the mate, and the sailors' "Ay, ay, Sir!" Clear and distinct, but not loud, in the dripping air of the twilight. Still for a moment he stood, and listened, and stared at the vessel, Then went hurriedly on, as one who, seeing a phantom, Stops, then quickens his pace, and follows the beckoning shadow. "Yes, it is plain to me now," he murmured; "the hand of the Lord is Leading me out of the land of darkness, the bondage of error, Through the sea, that shall lift the walls of its waters around me, Hiding me, cutting me off, from the cruel thoughts that pursue me. Back will I go o'er the ocean, this dreary land will abandon, Her whom I may not love, and him whom my heart has offended. Better to be in my grave in the green old churchyard in England, Close by my mother's side, and among the dust of my kindred; Better be dead and forgotten, than living in shame and dishonor! Sacred and safe and unseen, in the dark of the narrow chamber With me my secret shall lie, like a buried jewel that glimmers Bright on the hand that is dust, in the chambers of silence and darkness,-- Yes, as the marriage ring of the great espousal hereafter!"

Thus as he spake, he turned, in the strength of his strong resolution, Leaving behind him the shore, and hurried along in the twilight, Through the congenial gloom of the forest silent and sombre, Till he beheld the lights in the seven houses of Plymouth, Shining like seven stars in the dusk and mist of the evening. Soon he entered his door, and found the redoubtable Captain Sitting alone, and absorbed in the martial pages of Caesar, Fighting some great campaign in Hainault or Brabant or Flanders. "Long have you been on your errand," he said with a cheery demeanor, Even as one who is waiting an answer, and fears not the issue. "Not far off is the house, although the woods are between us; But you have lingered so long, that while you were going and coming I have fought ten battles and sacked and demolished a city. Come, sit down, and in order relate to me all that has happened."

Then John Alden spake, and related the wondrous adventure, From beginning to end, minutely, just as it happened; How he had seen Priscilla, and how he had sped in his courtship, Only smoothing a little, and softening down her refusal. But when he came at length to the words Priscilla had spoken, Words so tender and cruel: "Why don't you speak for yourself, John?" Up leaped the Captain of Plymouth, and stamped on the floor, till his armor Clanged on the wall, where it hung, with a sound of sinister omen. All his pent-up wrath burst forth in a sudden explosion, Even as a hand-grenade, that scatters destruction around it. Wildly he shouted, and loud: "John Alden! you have betrayed me! Me, Miles Standish, your friend! have supplanted, defrauded, betrayed me! One of my ancestors ran his sword through the heart of Wat Tyler; Who shall prevent me from running my own through the heart of a traitor? Yours is the greater treason, for yours is a treason to friendship! You, who lived under my roof, whom I cherished and loved as a brother; You, who have fed at my board, and drunk at my cup, to whose keeping I have intrusted my honor, my thoughts the most sacred and secret,-- You too, Brutus! ah woe to the name of friendship hereafter! Brutus was Caesar's friend, and you were mine, but henceforward Let there be nothing between us save war, and implacable hatred!"

So spake the Captain of Plymouth, and strode about in the chamber, Chafing and choking with rage; like cords were the veins on his temples. But in the midst of his anger a man appeared at the doorway, Bringing in uttermost haste a message of urgent importance, Rumors of danger and war and hostile incursions of Indians! Straightway the Captain paused, and, without further question or parley, Took from the nail on the wall his sword with its scabbard of iron, Buckled the belt round his waist, and, frowning fiercely, departed. Alden was left alone. He heard the clank of the scabbard Growing fainter and fainter, and dying away in the distance. Then he arose from his seat, and looked forth into the darkness, Felt the cool air blow on his cheek, that was hot with the insult, Lifted his eyes to the heavens, and, folding his hands as in childhood, Prayed in the silence of night to the Father who seeth in secret.

Meanwhile the choleric Captain strode wrathful away to the council, Found it already assembled, impatiently waiting his coming; Men in the middle of life, austere and grave in deportment, Only one of them old, the hill that was nearest to heaven, Covered with snow, but erect, the excellent Elder of Plymouth. God had sifted three kingdoms to find the wheat for this planting, Then had sifted the wheat, as the living seed of a nation; So say the chronicles old, and such is the faith of the people! Near them was standing an Indian, in attitude stern and defiant, Naked down to the waist, and grim and ferocious in aspect; While on the table before them was lying unopened a Bible, Ponderous, bound in leather, brass-studded, printed in Holland, And beside it outstretched the skin of a rattle-snake glittered, Filled, like a quiver, with arrows; a signal and challenge of warfare, Brought by the Indian, and speaking with arrowy tongues of defiance. This Miles Standish beheld, as he entered, and heard them debating What were an answer befitting the hostile message and menace, Talking of this and of that, contriving, suggesting, objecting; One voice only for peace, and that the voice of the Elder, Judging it wise and well that some at least were converted, Rather than any were slain, for this was but Christian behavior! Then out spake Miles Standish, the stalwart Captain of Plymouth, Muttering deep in his throat, for his voice was husky with anger, "What! do you mean to make war with milk and the water of roses? Is it to shoot red squirrels you have your howitzer planted There on the roof of the church, or is it to shoot red devils? Truly the only tongue that is understood by a savage Must be the tongue of fire that speaks from the mouth of the cannon!" Thereupon answered and said the excellent Elder of Plymouth, Somewhat amazed and alarmed at this irreverent language: "Not so thought Saint Paul, nor yet the other Apostles; Not from the cannon's mouth were the tongues of fire they spake with!" But unheeded fell this mild rebuke on the Captain, Who had advanced to the table, and thus continued discoursing: "Leave this matter to me, for to me by right it pertaineth. War is a terrible trade; but in the cause that is righteous, Sweet is the smell of powder; and thus I answer the challenge!"

Then from the rattlesnake's skin, with a sudden, contemptuous gesture, Jerking the Indian arrows, he filled it with powder and bullets Full to the very jaws, and handed it back to the savage, Saying, in thundering tones: "Here, take it! this is your answer!" Silently out of the room then glided the glistening savage, Bearing the serpent's skin, and seeming himself like a serpent, Winding his sinuous way in the dark to the depths of the forest.

V

THE SAILING OF THE MAYFLOWER

Just in the gray of the dawn, as the mists uprose from the meadows, There was a stir and a sound in the slumbering village of Plymouth; Clanging and clicking of arms, and the order imperative, "Forward!" Given in tone suppressed, a tramp of feet, and then silence. Figures ten, in the mist, marched slowly out of the village. Standish the stalwart it was, with eight of his valorous army, Led by their Indian guide, by Hobomok, friend of the white men, Northward marching to quell the sudden revolt of the savage. Giants they seemed in the mist, or the mighty men of King David; Giants in heart they were, who believed in God and the Bible,-- Ay, who believed in the smiting of Midianites and Philistines. Over them gleamed far off the crimson banners of morning; Under them loud on the sands, the serried billows, advancing, Fired along the line, and in regular order retreated.

Many a mile had they marched, when at length the village of Plymouth Woke from its sleep, and arose, intent on its manifold labors. Sweet was the air and soft; and slowly the smoke from the chimneys Rose over roofs of thatch, and pointed steadily eastward; Men came forth from the doors, and paused and talked of the weather, Said that the wind had changed, and was blowing fair for the Mayflower; Talked of their Captain's departure, and all the dangers that menaced, He being gone, the town, and what should be done in his absence. Merrily sang the birds, and the tender voices of women Consecrated with hymns the common cares of the household. Out of the sea rose the sun, and the billows rejoiced at his coming; Beautiful were his feet on the purple tops of the mountains; Beautiful on the sails of the Mayflower riding at anchor, Battered and blackened and worn by all the storms of the winter. Loosely against her masts was hanging and flapping her canvas, Rent by so many gales, and patched by the hands of the sailors. Suddenly from her side, as the sun rose over the ocean, Darted a puff of smoke, and floated seaward; anon rang Loud over field and forest the cannon's roar, and the echoes Heard and repeated the sound, the signal-gun of departure! Ah! but with louder echoes replied the hearts of the people! Meekly, in voices subdued, the chapter was read from the Bible, Meekly the prayer was begun, but ended in fervent entreaty! Then from their houses in haste came forth the Pilgrims of Plymouth, Men and women and children, all hurrying down to the sea-shore, Eager, with tearful eyes, to say farewell to the Mayflower, Homeward bound o'er the sea, and leaving them here in the desert.

Foremost among them was Alden. All night he had lain without slumber, Turning and tossing about in the heat and unrest of his fever. He had beheld Miles Standish, who came back late from the council, Stalking into the room, and heard him mutter and murmur, Sometimes it seemed a prayer, and sometimes it sounded like swearing. Once he had come to the bed, and stood there a moment in silence; Then he had turned away, and said: "I will not awake him; Let him sleep on, it is best; for what is the use of more talking!" Then he extinguished the light, and threw himself down on his pallet, Dressed as he was, and ready to start at the break of the morning,-- Covered himself with the cloak he had worn in his campaigns in Flanders,-- Slept as a soldier sleeps in his bivouac, ready for action. But with the dawn he arose; in the twilight Alden beheld him Put on his corselet of steel, and all the rest of his armor, Buckle about his waist his trusty blade of Damascus, Take from the corner his musket, and so stride out of the chamber. Often the heart of the youth had burned and yearned to embrace him, Often his lips had essayed to speak, imploring for pardon; All the old friendship came back, with its tender and grateful emotions; But his pride overmastered the nobler nature within him,-- Pride, and the sense of his wrong, and the burning fire of the insult. So he beheld his friend departing in anger, but spake not, Saw him go forth to danger, perhaps to death, and he spake not! Then he arose from his bed, and heard what the people were saying, Joined in the talk at the door, with Stephen and Richard and Gilbert, Joined in the morning prayer, and in the reading of Scripture, And, with the others, in haste went hurrying down to the sea-shore, Down to the Plymouth Rock, that had been to their feet as a door-step Into a world unknown,--the corner-stone of a nation!

There with his boat was the Master, already a little impatient Lest he should lose the tide, or the wind might shift to the eastward, Square-built, hearty, and strong, with an odor of ocean about him, Speaking with this one and that, and cramming letters and parcels Into his pockets capacious, and messages mingled together Into his narrow brain, till at last he was wholly bewildered. Nearer the boat stood Alden, with one foot placed on the gunwale, One still firm on the rock, and talking at times with the sailors, Seated erect on the thwarts, all ready and eager for starting. He too was eager to go, and thus put an end to his anguish, Thinking to fly from despair, that swifter than keel is or canvas, Thinking to drown in the sea the ghost that would rise and pursue him. But as he gazed on the crowd, he beheld the form of Priscilla Standing dejected among them, unconscious of all that was passing. Fixed were her eyes upon his, as if she divined his intention, Fixed with a look so sad, so reproachful, imploring, and patient, That with a sudden revulsion his heart recoiled from its purpose, As from the verge of a crag, where one step more is destruction. Strange is the heart of man, with its quick, mysterious instincts! Strange is the life of man, and fatal or fated are moments, Whereupon turn, as on hinges, the gates of the wall adamantine! "Here I remain!" he exclaimed, as he looked at the heavens above him, Thanking the Lord whose breath had scattered the mist and the madness, Wherein, blind and lost, to death he was staggering headlong. "Yonder snow-white cloud, that floats in the ether above me, Seems like a hand that is pointing and beckoning over the ocean. There is another hand, that is not so spectral and ghost-like, Holding me, drawing me back, and clasping mine for protection. Float, O hand of cloud, and vanish away in the ether! Roll thyself up like a fist, to threaten and daunt me; I heed not Either your warning or menace, or any omen of evil! There is no land so sacred, no air so pure and so wholesome, As is the air she breathes, and the soil that is pressed by her footsteps. Here for her sake will I stay, and like an invisible presence Hover around her for ever, protecting, supporting her weakness; Yes! as my foot was the first that stepped on this rock at the landing, So, with the blessing of God, shall it be the last at the leaving!"

Meanwhile the Master alert, but with dignified air and important, Scanning with watchful eye the tide and the wind and the weather, Walked about on the sands; and the people crowded around him Saying a few last words, and enforcing his careful remembrance. Then, taking each by the hand, as if he were grasping a tiller, Into the boat he sprang, and in haste shoved off to his vessel, Glad in his heart to get rid of all this worry and flurry, Glad to be gone from a land of sand and sickness and sorrow, Short allowance of victual, and plenty of nothing but Gospel! Lost in the sound of the oars was the last farewell of the Pilgrims. O strong hearts and true! not one went back in the Mayflower! No, not one looked back, who had set his hand to this ploughing!

Soon were heard on board the shouts and songs of the sailors Heaving the windlass round, and hoisting the ponderous anchor. Then the yards were braced, and all sails set to the west-wind, Blowing steady and strong; and the Mayflower sailed from the harbor, Rounded the point of the Gurnet, and leaving far to the southward Island and cape of sand, and the Field of the First Encounter, Took the wind on her quarter, and stood for the open Atlantic, Borne on the send of the sea, and the swelling hearts of the Pilgrims.

Long in silence they watched the receding sail of the vessel, Much endeared to them all, as something living and human; Then, as if filled with the spirit, and wrapt in a vision prophetic, Baring his hoary head, the excellent Elder of Plymouth Said, "Let us pray!" and they prayed, and thanked the Lord and took courage. Mournfully sobbed the waves at the base of the rock, and above them Bowed and whispered the wheat on the hill of death, and their kindred Seemed to awake in their graves, and to join in the prayer that they uttered. Sun-illumined and white, on the eastern verge of the ocean Gleamed the departing sail, like a marble slab in a graveyard; Buried beneath it lay for ever all hope of escaping. Lo! as they turned to depart, they saw the form of an Indian, Watching them from the hill; but while they spake with each other, Pointing with outstretched hands, and saying, "Look!" he had vanished. So they returned to their homes; but Alden lingered a little, Musing alone on the shore, and watching the wash of the billows Round the base of the rock, and the sparkle and flash of the sunshine, Like the spirit of God, moving visibly over the waters.

VI

PRISCILLA

Thus for a while he stood, and mused by the shore of the ocean, Thinking of many things, and most of all of Priscilla; And as if thought had the power to draw to itself, like the loadstone, Whatsoever it touches, by subtile laws of its nature, Lo! as he turned to depart, Priscilla was standing beside him.

"Are you so much offended, you will not speak to me?" said she. "Am I so much to blame, that yesterday, when you were pleading Warmly the cause of another, my heart, impulsive and wayward, Pleaded your own, and spake out, forgetful perhaps of decorum? Certainly you can forgive me for speaking so frankly, for saying What I ought not to have said, yet now I can never unsay it; For there are moments in life, when the heart is so full of emotion, That if by chance it be shaken, or into its depths like a pebble Drops some careless word, it overflows, and its secret, Spilt on the ground like water, can never be gathered together. Yesterday I was shocked, when I heard you speak of Miles Standish, Praising his virtues, transforming his very defects into virtues, Praising his courage and strength, and even his fighting in Flanders, As if by fighting alone you could win the heart of a woman, Quite overlooking yourself and the rest, in exalting your hero. Therefore I spake as I did, by an irresistible impulse. You will forgive me, I hope, for the sake of the friendship between us, Which is too true and too sacred to be so easily broken!" Thereupon answered John Alden, the scholar, the friend of Miles Standish: "I was not angry with you, with myself alone I was angry, Seeing how badly I managed the matter I had in my keeping." "No!" interrupted the maiden, with answer prompt and decisive; "No; you were angry with me, for speaking so frankly and freely. It was wrong, I acknowledge; for it is the fate of a woman Long to be patient and silent, to wait like a ghost that is speechless, Till some questioning voice dissolves the spell of its silence. Hence is the inner life of so many suffering women Sunless and silent and deep, like subterranean rivers Running through caverns of darkness, unheard, unseen, and unfruitful, Chafing their channels of stone, with endless and profitless murmurs." Thereupon answered John Alden, the young man, the lover of women: "Heaven forbid it, Priscilla; and truly they seem to me always More like the beautiful rivers that watered the garden of Eden, More like the river Euphrates, through deserts of Havilah flowing, Filling the land with delight, and memories sweet of the garden!" "Ah, by these words, I can see," again interrupted the maiden, "How very little you prize me, or care for what I am saying. When from the depths of my heart, in pain and with secret misgiving, Frankly I speak to you, asking for sympathy only and kindness, Straightway you take up my words, that are plain and direct and in earnest, Turn them away from their meaning, and answer with flattering phrases. This is not right, is not just, is not true to the best that is in you; For I know and esteem you, and feel that your nature is noble, Lifting mine up to a higher, a more ethereal level. Therefore I value your friendship, and feel it perhaps the more keenly If you say aught that implies I am only as one among many, If you make use of those common and complimentary phrases Most men think so fine, in dealing and speaking with women, But which women reject as insipid, if not as insulting."

Mute and amazed was Alden; and listened and looked at Priscilla, Thinking he never had seen her more fair, more divine in her beauty. He who but yesterday pleaded so glibly the cause of another, Stood there embarrassed and silent, and seeking in vain for an answer. So the maiden went on, and little divined or imagined What was at work in his heart, that made him so awkward and speechless. "Let us, then, be what we are, and speak what we think, and in all things Keep ourselves loyal to truth, and the sacred professions of friendship. It is no secret I tell you, nor am I ashamed to declare it: I have liked to be with you, to see you, to speak with you always. So I was hurt at your words, and a little affronted to hear you Urge me to marry your friend, though he were the Captain Miles Standish. For I must tell you the truth: much more to me is your friendship Than all the love he could give, were he twice the hero you think him." Then she extended her hand, and Alden, who eagerly grasped it, Felt all the wounds in his heart, that were aching and bleeding so sorely, Healed by the touch of that hand, and he said, with a voice full of feeling: "Yes, we must ever be friends; and of all who offer you friendship Let me be ever the first, the truest, the nearest and dearest!"

Casting a farewell look at the glimmering sail of the Mayflower, Distant, but still in sight, and sinking below the horizon, Homeward together they walked, with a strange, indefinite feeling, That all the rest had departed and left them alone in the desert. But, as they went through the fields in the blessing and smile of the sunshine, Lighter grew their hearts, and Priscilla said very archly: "Now that our terrible Captain has gone in pursuit of the Indians, Where he is happier far than he would be commanding a household, You may speak boldly, and tell me of all that happened between you, When you returned last night, and said how ungrateful you found me." Thereupon answered John Alden, and told her the whole of the story,-- Told her his own despair, and the direful wrath of Miles Standish. Whereat the maiden smiled, and said between laughing and earnest, "He is a little chimney, and heated hot in a moment!" But as he gently rebuked her, and told her how much he had suffered,-- How he had even determined to sail that day in the Mayflower, And had remained for her sake, on hearing the dangers that threatened,-- All her manner was changed, and she said with a faltering accent, "Truly I thank you for this: how good you have been to me always!"

Thus, as a pilgrim devout, who toward Jerusalem journeys, Taking three steps in advance, and one reluctantly backward, Urged by importunate zeal, and withheld by pangs of contrition; Slowly but steadily onward, receding yet ever advancing, Journeyed this Puritan youth to the Holy Land of his longings, Urged by the fervor of love, and withheld by remorseful misgivings.

VII

THE MARCH OF MILES STANDISH

Meanwhile the stalwart Miles Standish was marching steadily northward, Winding through forest and swamp, and along the trend of the sea-shore, All day long, with hardly a halt, the fire of his anger Burning and crackling within, and the sulphurous odor of powder Seeming more sweet to his nostrils than all the scents of the forest. Silent and moody he went, and much he revolved his discomfort; He who was used to success, and to easy victories always, Thus to be flouted, rejected, and laughed to scorn by a maiden, Thus to be mocked and betrayed by the friend whom most he had trusted! Ah! 't was too much to be borne, and he fretted and chafed in his armor!

"I alone am to blame," he muttered, "for mine was the folly. What has a rough old soldier, grown grim and gray in the harness, Used to the camp and its ways, to do with the wooing of maidens? 'T was but a dream,--let it pass,--let it vanish like so many others! What I thought was a flower, is only a weed, and is worthless; Out of my heart will I pluck it, and throw it away, and henceforward Be but a fighter of battles, a lover and wooer of dangers!" Thus he revolved in his mind his sorry defeat and discomfort, While he was marching by day or lying at night in the forest, Looking up at the trees, and the constellations beyond them.

After a three days' march he came to an Indian encampment Pitched on the edge of a meadow, between the sea and the forest; Women at work by the tents, and the warriors, horrid with war-paint, Seated about a fire, and smoking and talking together; Who, when they saw from afar the sudden approach of the white men, Saw the flash of the sun on breastplate and sabre and musket, Straightway leaped to their feet, and two, from among them advancing, Came to parley with Standish, and offer him furs as a present; Friendship was in their looks, but in their hearts there was hatred. Braves of the tribe were these, and brothers gigantic in stature, Huge as Goliath of Gath, or the terrible Og, king of Bashan; One was Pecksuot named, and the other was called Wattawamat. Round their necks were suspended their knives in scabbards of wampum, Two-edged, trenchant knives, with points as sharp as a needle. Other arms had they none, for they were cunning and crafty. "Welcome, English!" they said,--these words they had learned from the traders Touching at times on the coast, to barter and chaffer for peltries. Then in their native tongue they began to parley with Standish, Through his guide and interpreter Hobomok, friend of the white man, Begging for blankets and knives, but mostly for muskets and powder, Kept by the white man, they said, concealed, with the plague, in his cellars, Ready to be let loose, and destroy his brother the red man! But when Standish refused, and said he would give them the Bible,

Suddenly changing their tone, they began to boast and to bluster. Then Wattawamat advanced with a stride in front of the other, And, with a lofty demeanor, thus vauntingly spake to the Captain: "Now Wattawamat can see, by the fiery eyes of the Captain, Angry is he in his heart; but the heart of the brave Wattawamat Is not afraid at the sight. He was not born of a woman, But on a mountain, at night, from an oak-tree riven by lightning, Forth he sprang at a bound, with all his weapons about him, Shouting, 'Who is there here to fight with the brave Wattawamat?'" Then he unsheathed his knife, and, whetting the blade on his left hand, Held it aloft and displayed a woman's face on the handle, Saying, with bitter expression and look of sinister meaning: "I have another at home, with the face of a man on the handle; By and by they shall marry; and there will be plenty of children!"

Then stood Pecksuot forth, self-vaunting, insulting Miles Standish: While with his fingers he petted the knife that hung at his bosom, Drawing it half from its sheath, and plunging it back, as he muttered, "By and by it shall see; it shall eat; ah, ha! but shall speak not! This is the mighty Captain the white men have sent to destroy us! He is a little man; let him go and work with the women!"

Meanwhile Standish had noted the faces and figures of Indians Peeping and creeping about from bush to tree in the forest, Feigning to look for game, with arrows set on their bow-strings, Drawing about him still closer and closer the net of their ambush. But undaunted he stood, and dissembled and treated them smoothly; So the old chronicles say, that were writ in the days of the fathers. But when he heard their defiance, the boast, the taunt, and the insult, All the hot blood of his race, of Sir Hugh and of Thurston de Standish, Boiled and beat in his heart, and swelled in the veins of his temples. Headlong he leaped on the boaster, and, snatching his knife from its scabbard, Plunged it into his heart, and, reeling backward, the savage Fell with his face to the sky, and a fiendlike fierceness upon it. Straight there arose from the forest the awful sound of the war-whoop, And, like a flurry of snow on the whistling wind of December, Swift and sudden and keen came a flight of feathery arrows, Then came a cloud of smoke, and out of the cloud came the lightning, Out of the lightning thunder, and death unseen ran before it. Frightened the savages fled for shelter in swamp and in thicket, Hotly pursued and beset; but their sachem, the brave Wattawamat, Fled not; he was dead. Unswerving and swift had a bullet Passed through his brain, and he fell with both hands clutching the greensward, Seeming in death to hold back from his foe the land of his fathers.

There on the flowers of the meadow the warriors lay, and above them, Silent, with folded arms, stood Hobomok, friend of the white man. Smiling at length he exclaimed to the stalwart Captain of Plymouth: "Pecksuot bragged very loud, of his courage, his strength, and his stature,-- Mocked the great Captain, and called him a little man; but I see now Big enough have you been to lay him speechless before you!"

Thus the first battle was fought and won by the stalwart Miles Standish. When the tidings thereof were brought to the village of Plymouth, And as a trophy of war the head of the brave Wattawamat Scowled from the roof of the fort, which at once was a church and a fortress, All who beheld it rejoiced, and praised the Lord, and took courage. Only Priscilla averted her face from this spectre of terror, Thanking God in her heart that she had not married Miles Standish; Shrinking, fearing almost, lest, coming home from his battles, He should lay claim to her hand, as the prize and reward of his valor.

VIII

THE SPINNING-WHEEL

Month after month passed away, and in Autumn the ships of the merchants Came with kindred and friends, with cattle and corn for the Pilgrims. All in the village was peace; the men were intent on their labors, Busy with hewing and building, with garden-plot and with merestead, Busy with breaking the glebe, and mowing the grass in the meadows, Searching the sea for its fish, and hunting the deer in the forest. All in the village was peace; but at times the rumor of warfare Filled the air with alarm, and the apprehension of danger. Bravely the stalwart Miles Standish was scouring the land with his forces, Waxing valiant in fight and defeating the alien armies, Till his name had become a sound of fear to the nations. Anger was still in his heart, but at times the remorse and contrition Which in all noble natures succeed the passionate outbreak, Came like a rising tide, that encounters the rush of a river, Staying its current awhile, but making it bitter and brackish.

Meanwhile Alden at home had built him a new habitation, Solid, substantial, of timber rough-hewn from the firs of the forest. Wooden-barred was the door, and the roof was covered with rushes; Latticed the windows were, and the window-panes were of paper, Oiled to admit the light, while wind and rain were excluded. There too he dug a well, and around it planted an orchard: Still may be seen to this day some trace of the well and the orchard. Close to the house was the stall, where, safe and secure from annoyance, Raghorn, the snow-white steer, that had fallen to Alden's allotment In the division of cattle, might ruminate in the night-time Over the pastures he cropped, made fragrant by sweet pennyroyal.

Oft when his labor was finished, with eager feet would the dreamer Follow the pathway that ran through the woods to the house of Priscilla, Led by illusions romantic and subtile deceptions of fancy, Pleasure disguised as duty, and love in the semblance of friendship. Ever of her he thought, when he fashioned the walls of his dwelling; Ever of her he thought, when he delved in the soil of his garden; Ever of her he thought, when he read in his Bible on Sunday Praise of the virtuous woman, as she is described in the Proverbs,-- How the heart of her husband doth safely trust in her always, How all the days of her life she will do him good, and not evil, How she seeketh the wool and the flax and worketh with gladness, How she layeth her hand to the spindle and holdeth the distaff, How she is not afraid of the snow for herself or her household, Knowing her household are clothed with the scarlet cloth of her weaving!

So as she sat at her wheel one afternoon in the Autumn, Alden, who opposite sat, and was watching her dexterous fingers, As if the thread she was spinning were that of his life and his fortune, After a pause in their talk, thus spake to the sound of the spindle. "Truly, Priscilla," he said, "when I see you spinning and spinning, Never idle a moment, but thrifty and thoughtful of others, Suddenly you are transformed, are visibly changed in a moment; You are no longer Priscilla, but Bertha the Beautiful Spinner." Here the light foot on the treadle grew swifter and swifter; the spindle Uttered an angry snarl, and the thread snapped short in her fingers; While the impetuous speaker, not heeding the mischief, continued: "You are the beautiful Bertha, the spinner, the queen of Helvetia; She whose story I read at a stall in the streets of Southampton, Who, as she rode on her palfrey, o'er valley and meadow and mountain, Ever was spinning her thread from a distaff fixed to her saddle. She was so thrifty and good, that her name passed into a proverb. So shall it be with your own, when the spinning-wheel shall no longer Hum in the house of the farmer, and fill its chambers with music. Then shall the mothers, reproving, relate how it was in their childhood, Praising the good old times, and the days of Priscilla the spinner!" Straight uprose from her wheel the beautiful Puritan maiden, Pleased with the praise of her thrift from him whose praise was the sweetest, Drew from the reel on the table a snowy skein of her spinning, Thus making answer, meanwhile, to the flattering phrases of Alden: "Come, you must not be idle; if I am a pattern for housewives, Show yourself equally worthy of being the model of husbands. Hold this skein on your hands, while I wind it, ready for knitting; Then who knows but hereafter, when fashions have changed and the manners, Fathers may talk to their sons of the good old times of John Alden!" Thus, with a jest and a laugh, the skein on his hands she adjusted, He sitting awkwardly there, with his arms extended before him, She standing graceful, erect, and winding the thread from his fingers, Sometimes chiding a little his clumsy manner of holding, Sometimes touching his hands, as she disentangled expertly Twist or knot in the yarn, unawares--for how could she help it?-- Sending electrical thrills through every nerve in his body.

Lo! in the midst of this scene, a breathless messenger entered, Bringing in hurry and heat the terrible news from the village. Yes; Miles Standish was dead!--an Indian had brought them the tidings,-- Slain by a poisoned arrow, shot down in the front of the battle, Into an ambush beguiled, cut off with the whole of his forces; All the town would be burned, and all the people be murdered! Such were the tidings of evil that burst on the hearts of the hearers. Silent and statue-like stood Priscilla, her face looking backward Still at the face of the speaker, her arms uplifted in horror; But John Alden, upstarting, as if the barb of the arrow Piercing the heart of his friend had struck his own, and had sundered Once and for ever the bonds that held him bound as a captive, Wild with excess of sensation, the awful delight of his freedom, Mingled with pain and regret, unconscious of what he was doing, Clasped, almost with a groan, the motionless form of Priscilla, Pressing her close to his heart, as for ever his own, and exclaiming: "Those whom the Lord hath united, let no man put them asunder!"

Even as rivulets twain, from distant and separate sources, Seeing each other afar, as they leap from the rocks, and pursuing Each one its devious path, but drawing nearer and nearer, Rush together at last, at their trysting-place in the forest; So these lives that had run thus far in separate channels, Coming in sight of each other, then swerving and flowing asunder, Parted by barriers strong, but drawing nearer and nearer, Rushed together at last, and one was lost in the other.

IX

THE WEDDING-DAY

Forth from the curtain of clouds, from the tent of purple and scarlet, Issued the sun, the great High-Priest, in his garments resplendent, Holiness unto the Lord, in letters of light, on his forehead, Round the hem of his robe the golden bells and pomegranates. Blessing the world he came, and the bars of vapor beneath him Gleamed like a grate of brass, and the sea at his feet was a laver!

This was the wedding morn of Priscilla the Puritan maiden. Friends were assembled together; the Elder and Magistrate also Graced the scene with their presence, and stood like the Law and the Gospel, One with the sanction of earth and one with the blessing of heaven. Simple and brief was the wedding, as that of Ruth and of Boaz. Softly the youth and the maiden repeated the words of betrothal, Taking each other for husband and wife in the Magistrate's presence, After the Puritan way, and the laudable custom of Holland. Fervently then, and devoutly, the excellent Elder of Plymouth Prayed for the hearth and the home, that were founded that day in affection, Speaking of life and of death, and imploring divine benedictions.

Lo! when the service was ended, a form appeared on the threshold, Clad in armor of steel, a sombre and sorrowful figure! Why does the bridegroom start and stare at the strange apparition? Why does the bride turn pale, and hide her face on his shoulder? Is it a phantom of air,--a bodiless, spectral illusion? Is it a ghost from the grave, that has come to forbid the betrothal? Long had it stood there unseen, a guest uninvited, unwelcomed; Over its clouded eyes there had passed at times an expression Softening the gloom and revealing the warm heart hidden beneath them, As when across the sky the driving rack of the rain-cloud Grows for a moment thin, and betrays the sun by its brightness. Once it had lifted its hand, and moved its lips, but was silent, As if an iron will had mastered the fleeting intention. But when were ended the troth and the prayer and the last benediction, Into the room it strode, and the people beheld with amazement Bodily there in his armor Miles Standish, the Captain of Plymouth! Grasping the bridegroom's hand, he said with emotion, "Forgive me! I have been angry and hurt,--too long have I cherished the feeling; I have been cruel and hard, but now, thank God! it is ended. Mine is the same hot blood that leaped in the veins of Hugh Standish, Sensitive, swift to resent, but as swift in atoning for error. Never so much as now was Miles Standish the friend of John Alden." Thereupon answered the bridegroom: "Let all be forgotten between us,-- All save the dear, old friendship, and that shall grow older and dearer!" Then the Captain advanced, and, bowing, saluted Priscilla, Gravely, and after the manner of old-fashioned gentry in England, Something of camp and of court, of town and of country, commingled, Wishing her joy of her wedding, and loudly lauding her husband. Then he said with a smile: "I should have remembered the adage,-- If you would be well served, you must serve yourself; and moreover, No man can gather cherries in Kent at the season of Christmas!"

Great was the people's amazement, and greater yet their rejoicing, Thus to behold once more the sun-burnt face of their Captain, Whom they had mourned as dead; and they gathered and crowded about him, Eager to see him and hear him, forgetful of bride and of bridegroom, Questioning, answering, laughing, and each interrupting the other, Till the good Captain declared, being quite overpowered and bewildered, He had rather by far break into an Indian encampment, Than come again to a wedding to which he had not been invited.

Meanwhile the bridegroom went forth and stood with the bride at the doorway, Breathing the perfumed air of that warm and beautiful morning. Touched with autumnal tints, but lonely and sad in the sunshine, Lay extended before them the land of toil and privation; There were the graves of the dead, and the barren waste of the sea-shore, There the familiar fields, the groves of pine, and the meadows; But to their eyes transfigured, it seemed as the Garden of Eden, Filled with the presence of God, whose voice was the sound of the ocean.

Soon was their vision disturbed by the noise and stir of departure, Friends coming forth from the house, and impatient of longer delaying, Each with his plan for the day, and the work that was left uncompleted. Then from a stall near at hand, amid exclamations of wonder, Alden the thoughtful, the careful, so happy, so proud of Priscilla, Brought out his snow-white steer, obeying the hand of its master, Led by a cord that was tied to an iron ring in its nostrils, Covered with crimson cloth, and a cushion placed for a saddle. She should not walk, he said, through the dust and heat of the noonday; Nay, she should ride like a queen, not plod along like a peasant. Somewhat alarmed at first, but reassured by the others, Placing her hand on the cushion, her foot in the hand of her husband, Gayly, with joyous laugh, Priscilla mounted her palfrey. "Nothing is wanting now," he said with a smile, "but the distaff; Then you would be in truth my queen, my beautiful Bertha!"

Onward the bridal procession now moved to their new habitation, Happy husband and wife, and friends conversing together. Pleasantly murmured the brook, as they crossed the ford in the forest, Pleased with the image that passed, like a dream of love through its bosom, Tremulous, floating in air, o'er the depths of the azure abysses. Down through the golden leaves the sun was pouring his splendors, Gleaming on purple grapes, that, from branches above them suspended, Mingled their odorous breath with the balm of the pine and the fir-tree, Wild and sweet as the clusters that grew in the valley of Eshcol. Like a picture it seemed of the primitive, pastoral ages, Fresh with the youth of the world, and recalling Rebecca and Isaac, Old and yet ever new, and simple and beautiful always, Love immortal and young in the endless succession of lovers, So through the Plymouth woods passed onward the bridal procession.

**************

BIRDS OF PASSAGE.

. . come i gru van cantando lor lai, Facendo in aer di se lunga riga. -- DANTE

FLIGHT THE FIRST

BIRDS OF PASSAGE

Black shadows fall From the lindens tall, That lift aloft their massive wall Against the southern sky;

And from the realms Of the shadowy elms A tide-like darkness overwhelms The fields that round us lie.

But the night is fair, And everywhere A warm, soft vapor fills the air, And distant sounds seem near,

And above, in the light Of the star-lit night, Swift birds of passage wing their flight Through the dewy atmosphere.

I hear the beat Of their pinions fleet, As from the land of snow and sleet They seek a southern lea.

I hear the cry Of their voices high Falling dreamily through the sky, But their forms I cannot see.

O, say not so! Those sounds that flow In murmurs of delight and woe Come not from wings of birds.

They are the throngs Of the poet's songs, Murmurs of pleasures, and pains, and wrongs, The sound of winged words.

This is the cry Of souls, that high On toiling, beating pinions, fly, Seeking a warmer clime,

From their distant flight Through realms of light It falls into our world of night, With the murmuring sound of rhyme.

PROMETHEUS

OR THE POET'S FORETHOUGHT

Of Prometheus, how undaunted On Olympus' shining bastions His audacious foot he planted, Myths are told and songs are chanted, Full of promptings and suggestions.

Beautiful is the tradition Of that flight through heavenly portals, The old classic superstition Of the theft and the transmission Of the fire of the Immortals!

First the deed of noble daring, Born of heavenward aspiration, Then the fire with mortals sharing, Then the vulture,--the despairing Cry of pain on crags Caucasian.

All is but a symbol painted Of the Poet, Prophet, Seer; Only those are crowned and sainted Who with grief have been acquainted, Making nations nobler, freer.

In their feverish exultations, In their triumph and their yearning, In their passionate pulsations, In their words among the nations, The Promethean fire is burning.

Shall it, then, be unavailing, All this toil for human culture? Through the cloud-rack, dark and trailing, Must they see above them sailing O'er life's barren crags the vulture?

Such a fate as this was Dante's, By defeat and exile maddened; Thus were Milton and Cervantes, Nature's priests and Corybantes, By affliction touched and saddened.

But the glories so transcendent That around their memories cluster, And, on all their steps attendant, Make their darkened lives resplendent With such gleams of inward lustre!

All the melodies mysterious, Through the dreary darkness chanted; Thoughts in attitudes imperious, Voices soft, and deep, and serious, Words that whispered, songs that haunted!

All the soul in rapt suspension, All the quivering, palpitating Chords of life in utmost tension, With the fervor of invention, With the rapture of creating!

Ah, Prometheus! heaven-scaling! In such hours of exultation Even the faintest heart, unquailing, Might behold the vulture sailing Round the cloudy crags Caucasian!

Though to all there is not given Strength for such sublime endeavor, Thus to scale the walls of heaven, And to leaven with fiery leaven All the hearts of men for ever;

Yet all bards, whose hearts unblighted Honor and believe the presage, Hold aloft their torches lighted, Gleaming through the realms benighted, As they onward bear the message!

EPIMETHEUS

OR THE POET'S AFTERTHOUGHT

Have I dreamed? or was it real, What I saw as in a vision, When to marches hymeneal In the land of the Ideal Moved my thought o'er Fields Elysian?

What! are these the guests whose glances Seemed like sunshine gleaming round me? These the wild, bewildering fancies, That with dithyrambic dances As with magic circles bound me?

Ah! how cold are their caresses! Pallid cheeks, and haggard bosoms! Spectral gleam their snow-white dresses, And from loose dishevelled tresses Fall the hyacinthine blossoms!

O my songs! whose winsome measures Filled my heart with secret rapture! Children of my golden leisures! Must even your delights and pleasures Fade and perish with the capture?

Fair they seemed, those songs sonorous, When they came to me unbidden; Voices single, and in chorus, Like the wild birds singing o'er us In the dark of branches hidden.

Disenchantment! Disillusion! Must each noble aspiration Come at last to this conclusion, Jarring discord, wild confusion, Lassitude, renunciation?

Not with steeper fall nor faster, From the sun's serene dominions, Not through brighter realms nor vaster, In swift ruin and disaster, Icarus fell with shattered pinions!

Sweet Pandora! dear Pandora! Why did mighty Jove create thee Coy as Thetis, fair as Flora, Beautiful as young Aurora, If to win thee is to hate thee?

No, not hate thee! for this feeling Of unrest and long resistance Is but passionate appealing, A prophetic whisper stealing O'er the chords of our existence.

Him whom thou dost once enamour, Thou, beloved, never leavest; In life's discord, strife, and clamor, Still he feels thy spell of glamour; Him of Hope thou ne'er bereavest.

Weary hearts by thee are lifted, Struggling souls by thee are strengthened, Clouds of fear asunder rifted, Truth from falsehood cleansed and sifted, Lives, like days in summer, lengthened!

Therefore art thou ever clearer, O my Sibyl, my deceiver! For thou makest each mystery clearer, And the unattained seems nearer, When thou fillest my heart with fever!

Muse of all the Gifts and Graces! Though the fields around us wither, There are ampler realms and spaces, Where no foot has left its traces: Let us turn and wander thither!

THE LADDER OF ST. AUGUSTINE

Saint Augustine! well hast thou said, That of our vices we can frame A ladder, if we will but tread Beneath our feet each deed of shame!

All common things, each day's events, That with the hour begin and end, Our pleasures and our discontents, Are rounds by which we may ascend.

The low desire, the base design, That makes another's virtues less; The revel of the ruddy wine, And all occasions of excess;

The longing for ignoble things; The strife for triumph more than truth; The hardening of the heart, that brings Irreverence for the dreams of youth;

All thoughts of ill; all evil deeds, That have their root in thoughts of ill; Whatever hinders or impedes The action of the nobler will;--

All these must first be trampled down Beneath our feet, if we would gain In the bright fields of fair renown The right of eminent domain.

We have not wings, we cannot soar; But we have feet to scale and climb By slow degrees, by more and more, The cloudy summits of our time.

The mighty pyramids of stone That wedge-like cleave the desert airs, When nearer seen, and better known, Are but gigantic flights of stairs.

The distant mountains, that uprear Their solid bastions to the skies, Are crossed by pathways, that appear As we to higher levels rise.

The heights by great men reached and kept Were not attained by sudden flight, But they, while their companions slept, Were toiling upward in the night.

Standing on what too long we bore With shoulders bent and downcast eyes, We may discern--unseen before-- A path to higher destinies.

Nor deem the irrevocable Past, As wholly wasted, wholly vain, If, rising on its wrecks, at last To something nobler we attain.

THE PHANTOM SHIP

In Mather's Magnalia Christi, Of the old colonial time, May be found in prose the legend That is here set down in rhyme.

A ship sailed from New Haven, And the keen and frosty airs, That filled her sails at parting, Were heavy with good men's prayers.

"O Lord! if it be thy pleasure"-- Thus prayed the old divine-- "To bury our friends in the ocean, Take them, for they are thine!"

But Master Lamberton muttered, And under his breath said he, "This ship is so crank and walty I fear our grave she will be!"

And the ships that came from England, When the winter months were gone, Brought no tidings of this vessel Nor of Master Lamberton.

This put the people to praying That the Lord would let them hear What in his greater wisdom He had done with friends so dear.

And at last their prayers were answered:-- It was in the month of June, An hour before the sunset Of a windy afternoon,

When, steadily steering landward, A ship was seen below, And they knew it was Lamberton, Master, Who sailed so long ago.

On she came, with a cloud of canvas, Right against the wind that blew, Until the eye could distinguish The faces of the crew.

Then fell her straining topmasts, Hanging tangled in the shrouds, And her sails were loosened and lifted, And blown away like clouds.

And the masts, with all their rigging, Fell slowly, one by one, And the hulk dilated and vanished, As a sea-mist in the sun!

And the people who saw this marvel Each said unto his friend, That this was the mould of their vessel, And thus her tragic end.

And the pastor of the village Gave thanks to God in prayer, That, to quiet their troubled spirits, He had sent this Ship of Air.

THE WARDEN OF THE CINQUE PORTS

A mist was driving down the British Channel, The day was just begun, And through the window-panes, on floor and panel, Streamed the red autumn sun.

It glanced on flowing flag and rippling pennon, And the white sails of ships; And, from the frowning rampart, the black cannon Hailed it with feverish lips.

Sandwich and Romney, Hastings, Hithe, and Dover Were all alert that day, To see the French war-steamers speeding over, When the fog cleared away.

Sullen and silent, and like couchant lions, Their cannon, through the night, Holding their breath, had watched, in grim defiance, The sea-coast opposite.

And now they roared at drum-beat from their stations On every citadel; Each answering each, with morning salutations, That all was well.

And down the coast, all taking up the burden, Replied the distant forts, As if to summon from his sleep the Warden And Lord of the Cinque Ports.

Him shall no sunshine from the fields of azure, No drum-beat from the wall, No morning gun from the black fort's embrasure, Awaken with its call!

No more, surveying with an eye impartial The long line of the coast, Shall the gaunt figure of the old Field Marshal Be seen upon his post!

For in the night, unseen, a single warrior, In sombre harness mailed, Dreaded of man, and surnamed the Destroyer, The rampart wall has scaled.

He passed into the chamber of the sleeper, The dark and silent room, And as he entered, darker grew, and deeper, The silence and the gloom.

He did not pause to parley or dissemble, But smote the Warden hoar; Ah! what a blow! that made all England tremble And groan from shore to shore.

Meanwhile, without, the surly cannon waited, The sun rose bright o'erhead; Nothing in Nature's aspect intimated That a great man was dead.

HAUNTED HOUSES

All houses wherein men have lived and died Are haunted houses. Through the open doors The harmless phantoms on their errands glide, With feet that make no sound upon the floors.

We meet them at the door-way, on the stair, Along the passages they come and go, Impalpable impressions on the air, A sense of something moving to and fro.

There are more guests at table, than the hosts Invited; the illuminated hall Is thronged with quiet, inoffensive ghosts, As silent as the pictures on the wall.

The stranger at my fireside cannot see The forms I see, nor hear the sounds I hear; He but perceives what is; while unto me All that has been is visible and clear.

We have no title-deeds to house or lands; Owners and occupants of earlier dates From graves forgotten stretch their dusty hands, And hold in mortmain still their old estates.

The spirit-world around this world of sense Floats like an atmosphere, and everywhere Wafts through these earthly mists and vapors dense A vital breath of more ethereal air.

Our little lives are kept in equipoise By opposite attractions and desires; The struggle of the instinct that enjoys, And the more noble instinct that aspires.

These perturbations, this perpetual jar Of earthly wants and aspirations high, Come from the influence of an unseen star, An undiscovered planet in our sky.

And as the moon from some dark gate of cloud Throws o'er the sea a floating bridge of light, Across whose trembling planks our fancies crowd Into the realm of mystery and night,--

So from the world of spirits there descends A bridge of light, connecting it with this, O'er whose unsteady floor, that sways and bends, Wander our thoughts above the dark abyss.

IN THE CHURCHYARD AT CAMBRIDGE

In the village churchyard she lies, Dust is in her beautiful eyes, No more she breathes, nor feels, nor stirs; At her feet and at her head Lies a slave to attend the dead, But their dust is white as hers.

Was she a lady of high degree, So much in love with the vanity And foolish pomp of this world of ours? Or was it Christian charity, And lowliness and humility, The richest and rarest of all dowers?

Who shall tell us? No one speaks; No color shoots into those cheeks, Either of anger or of pride, At the rude question we have asked; Nor will the mystery be unmasked By those who are sleeping at her side.

Hereafter?--And do you think to look On the terrible pages of that Book To find her failings, faults, and errors? Ah, you will then have other cares, In your own short-comings and despairs, In your own secret sins and terrors!

THE EMPEROR'S BIRD'S-NEST

Once the Emperor Charles of Spain, With his swarthy, grave commanders, I forget in what campaign, Long besieged, in mud and rain, Some old frontier town of Flanders.

Up and down the dreary camp, In great boots of Spanish leather, Striding with a measured tramp, These Hidalgos, dull and damp, Cursed the Frenchmen, cursed the weather.

Thus as to and fro they went, Over upland and through hollow, Giving their impatience vent, Perched upon the Emperor's tent, In her nest, they spied a swallow.

Yes, it was a swallow's nest, Built of clay and hair of horses, Mane, or tail, or dragoon's crest, Found on hedge-rows east and west, After skirmish of the forces.

Then an old Hidalgo said, As he twirled his gray mustachio, "Sure this swallow overhead Thinks the Emperor's tent a shed, And the Emperor but a Macho!"

Hearing his imperial name Coupled with those words of malice, Half in anger, half in shame, Forth the great campaigner came Slowly from his canvas palace.

"Let no hand the bird molest," Said he solemnly, "nor hurt her!" Adding then, by way of jest, "Golondrina is my guest, 'Tis the wife of some deserter!"

Swift as bowstring speeds a shaft, Through the camp was spread the rumor, And the soldiers, as they quaffed Flemish beer at dinner, laughed At the Emperor's pleasant humor.

So unharmed and unafraid Sat the swallow still and brooded, Till the constant cannonade Through the walls a breach had made, And the siege was thus concluded.

Then the army, elsewhere bent, Struck its tents as if disbanding, Only not the Emperor's tent, For he ordered, ere he went, Very curtly, "Leave it standing!"

So it stood there all alone, Loosely flapping, torn and tattered, Till the brood was fledged and flown, Singing o'er those walls of stone Which the cannon-shot had shattered.

THE TWO ANGELS

Two angels, one of Life and one of Death, Passed o'er our village as the morning broke; The dawn was on their faces, and beneath, The sombre houses hearsed with plumes of smoke.

Their attitude and aspect were the same, Alike their features and their robes of white; But one was crowned with amaranth, as with flame, And one with asphodels, like flakes of light.

I saw them pause on their celestial way; Then said I, with deep fear and doubt oppressed, "Beat not so loud, my heart, lest thou betray The place where thy beloved are at rest!"

And he who wore the crown of asphodels, Descending, at my door began to knock, And my soul sank within me, as in wells The waters sink before an earthquake's shock.

I recognized the nameless agony, The terror and the tremor and the pain, That oft before had filled or haunted me, And now returned with threefold strength again.

The door I opened to my heavenly guest, And listened, for I thought I heard God's voice; And, knowing whatsoe'er he sent was best, Dared neither to lament nor to rejoice.

Then with a smile, that filled the house with light, "My errand is not Death, but Life," he said; And ere I answered, passing out of sight, On his celestial embassy he sped.

'T was at thy door, O friend! and not at mine, The angel with the amaranthine wreath, Pausing, descended, and with voice divine, Whispered a word that had a sound like Death.

Then fell upon the house a sudden gloom, A shadow on those features fair and thin; And softly, from that hushed and darkened room, Two angels issued, where but one went in.

All is of God! If he but wave his hand, The mists collect, the rain falls thick and loud, Till, with a smile of light on sea and land, Lo! he looks back from the departing cloud.

Angels of Life and Death alike are his; Without his leave they pass no threshold o'er; Who, then, would wish or dare, believing this, Against his messengers to shut the door?

DAYLIGHT AND MOONLIGHT

In broad daylight, and at noon, Yesterday I saw the moon Sailing high, but faint and white, As a school-boy's paper kite.

In broad daylight, yesterday, I read a Poet's mystic lay; And it seemed to me at most As a phantom, or a ghost.

But at length the feverish day Like a passion died away, And the night, serene and still, Fell on village, vale, and hill.

Then the moon, in all her pride, Like a spirit glorified, Filled and overflowed the night With revelations of her light.

And the Poet's song again Passed like music through my brain; Night interpreted to me All its grace and mystery.

THE JEWISH CEMETERY AT NEWPORT

How strange it seems! These Hebrews in their graves, Close by the street of this fair seaport town, Silent beside the never-silent waves, At rest in all this moving up and down!

The trees are white with dust, that o'er their sleep Wave their broad curtains in the south-wind's breath, While underneath such leafy tents they keep The long, mysterious Exodus of Death.

And these sepulchral stones, so old and brown, That pave with level flags their burial-place, Seem like the tablets of the Law, thrown down And broken by Moses at the mountain's base.

The very names recorded here are strange, Of foreign accent, and of different climes; Alvares and Rivera interchange With Abraham and Jacob of old times.

"Blessed be God! for he created Death!" The mourners said, "and Death is rest and peace"; Then added, in the certainty of faith, "And giveth Life that never more shall cease."

Closed are the portals of their Synagogue, No Psalms of David now the silence break, No Rabbi reads the ancient Decalogue In the grand dialect the Prophets spake.

Gone are the living, but the dead remain, And not neglected; for a hand unseen, Scattering its bounty, like a summer rain, Still keeps their graves and their remembrance green.

How came they here? What burst of Christian hate, What persecution, merciless and blind, Drove o'er the sea--that desert desolate-- These Ishmaels and Hagars of mankind?

They lived in narrow streets and lanes obscure, Ghetto and Judenstrass, in mirk and mire; Taught in the school of patience to endure The life of anguish and the death of fire.

All their lives long, with the unleavened bread And bitter herbs of exile and its fears, The wasting famine of the heart they fed, And slaked its thirst with marah of their tears.

Anathema maranatha! was the cry That rang from town to town, from street to street; At every gate the accursed Mordecai Was mocked and jeered, and spurned by Christian feet.

Pride and humiliation hand in hand Walked with them through the world where'er they went; Trampled and beaten were they as the sand, And yet unshaken as the continent.

For in the background figures vague and vast Of patriarchs and of prophets rose sublime, And all the great traditions of the Past They saw reflected in the coming time.

And thus for ever with reverted look The mystic volume of the world they read, Spelling it backward, like a Hebrew book, Till life became a Legend of the Dead.

But ah! what once has been shall be no more! The groaning earth in travail and in pain Brings forth its races, but does not restore, And the dead nations never rise again.

OLIVER BASSELIN

In the Valley of the Vire Still is seen an ancient mill, With its gables quaint and queer, And beneath the window-sill, On the stone, These words alone: "Oliver Basselin lived here."

Far above it, on the steep, Ruined stands the old Chateau; Nothing but the donjon-keep Left for shelter or for show. Its vacant eyes Stare at the skies, Stare at the valley green and deep.

Once a convent, old and brown, Looked, but ah! it looks no more, From the neighboring hillside down On the rushing and the roar Of the stream Whose sunny gleam Cheers the little Norman town.

In that darksome mill of stone, To the water's dash and din, Careless, humble, and unknown, Sang the poet Basselin Songs that fill That ancient mill With a splendor of its own.

Never feeling of unrest Broke the pleasant dream he dreamed; Only made to be his nest, All the lovely valley seemed; No desire Of soaring higher Stirred or fluttered in his breast.

True, his songs were not divine; Were not songs of that high art, Which, as winds do in the pine, Find an answer in each heart; But the mirth Of this green earth Laughed and revelled in his line.

From the alehouse and the inn, Opening on the narrow street, Came the loud, convivial din, Singing and applause of feet, The laughing lays That in those days Sang the poet Basselin.

In the castle, cased in steel, Knights, who fought at Agincourt, Watched and waited, spur on heel; But the poet sang for sport Songs that rang Another clang, Songs that lowlier hearts could feel.

In the convent, clad in gray, Sat the monks in lonely cells, Paced the cloisters, knelt to pray, And the poet heard their bells; But his rhymes Found other chimes, Nearer to the earth than they.

Gone are all the barons bold, Gone are all the knights and squires, Gone the abbot stern and cold, And the brotherhood of friars; Not a name Remains to fame, From those mouldering days of old!

But the poet's memory here Of the landscape makes a part; Like the river, swift and clear, Flows his song through many a heart; Haunting still That ancient mill, In the Valley of the Vire.

VICTOR GALBRAITH

Under the walls of Monterey At daybreak the bugles began to play, Victor Galbraith! In the mist of the morning damp and gray, These were the words they seemed to say: "Come forth to thy death, Victor Galbraith!"

Forth he came, with a martial tread; Firm was his step, erect his head; Victor Galbraith, He who so well the bugle played, Could not mistake the words it said: "Come forth to thy death, Victor Galbraith!"

He looked at the earth, he looked at the sky, He looked at the files of musketry, Victor Galbraith! And he said, with a steady voice and eye, "Take good aim; I am ready to die!" Thus challenges death Victor Galbraith.

Twelve fiery tongues flashed straight and red, Six leaden balls on their errand sped; Victor Galbraith Falls to the ground, but he is not dead; His name was not stamped on those balls of lead, And they only scath Victor Galbraith.

Three balls are in his breast and brain, But he rises out of the dust again, Victor Galbraith! The water he drinks has a bloody stain; "O kill me, and put me out of my pain!" In his agony prayeth Victor Galbraith.

Forth dart once more those tongues of flame, And the bugler has died a death of shame, Victor Galbraith! His soul has gone back to whence it came, And no one answers to the name, When the Sergeant saith, "Victor Galbraith!"

Under the walls of Monterey By night a bugle is heard to play, Victor Galbraith! Through the mist of the valley damp and gray The sentinels hear the sound, and say, "That is the wraith Of Victor Galbraith!"

MY LOST YOUTH

Often I think of the beautiful town That is seated by the sea; Often in thought go up and down The pleasant streets of that dear old town, And my youth comes back to me. And a verse of a Lapland song Is haunting my memory still: "A boy's will is the wind's will, And the thoughts of youth are long, long thoughts."

I can see the shadowy lines of its trees, And catch, in sudden gleams, The sheen of the far-surrounding seas, And islands that were the Hersperides Of all my boyish dreams. And the burden of that old song, It murmurs and whispers still: "A boy's will is the wind's will, And the thoughts of youth are long, long thoughts."

I remember the black wharves and the slips, And the sea-tides tossing free; And Spanish sailors with bearded lips, And the beauty and mystery of the ships, And the magic of the sea. And the voice of that wayward song Is singing and saying still: "A boy's will is the wind's will, And the thoughts of youth are long, long thoughts."

I remember the bulwarks by the shore, And the fort upon the hill; The sunrise gun, with its hollow roar, The drum-beat repeated o'er and o'er, And the bugle wild and shrill. And the music of that old song Throbs in my memory still: "A boy's will is the wind's will, And the thoughts of youth are long, long thoughts."

I remember the sea-fight far away, How it thundered o'er the tide! And the dead captains, as they lay In their graves, o'erlooking the tranquil bay, Where they in battle died. And the sound of that mournful song Goes through me with a thrill: "A boy's will is the wind's will, And the thoughts of youth are long, long thoughts."

I can see the breezy dome of groves, The shadows of Deering's Woods; And the friendships old and the early loves Come back with a sabbath sound, as of doves In quiet neighborhoods. And the verse of that sweet old song, It flutters and murmurs still: "A boy's will is the wind's will, And the thoughts of youth are long, long thoughts."

I remember the gleams and glooms that dart Across the schoolboy's brain; The song and the silence in the heart, That in part are prophecies, and in part Are longings wild and vain. And the voice of that fitful song Sings on, and is never still: "A boy's will is the wind's will, And the thoughts of youth are long, long thoughts."

There are things of which I may not speak; There are dreams that cannot die; There are thoughts that make the strong heart weak, And bring a pallor into the cheek, And a mist before the eye. And the words of that fatal song Come over me like a chill: "A boy's will is the wind's will, And the thoughts of youth are long, long thoughts."

Strange to me now are the forms I meet When I visit the dear old town; But the native air is pure and sweet, And the trees that o'ershadow each well-known street, As they balance up and down, Are singing the beautiful song, Are sighing and whispering still: "A boy's will is the wind's will, And the thoughts of youth are long, long thoughts."

And Deering's Woods are fresh and fair, And with joy that is almost pain My heart goes back to wander there, And among the dreams of the days that were, I find my lost youth again. And the strange and beautiful song, The groves are repeating it still: "A boy's will is the wind's will, And the thoughts of youth are long, long thoughts."

THE ROPEWALK

In that building, long and low, With its windows all a-row, Like the port-holes of a hulk, Human spiders spin and spin, Backward down their threads so thin Dropping, each a hempen bulk.

At the end, an open door; Squares of sunshine on the floor Light the long and dusky lane; And the whirring of a wheel, Dull and drowsy, makes me feel All its spokes are in my brain.

As the spinners to the end Downward go and reascend, Gleam the long threads in the sun; While within this brain of mine Cobwebs brighter and more fine By the busy wheel are spun.

Two fair maidens in a swing, Like white doves upon the wing, First before my vision pass; Laughing, as their gentle hands Closely clasp the twisted strands, At their shadow on the grass.

Then a booth of mountebanks, With its smell of tan and planks, And a girl poised high in air On a cord, in spangled dress, With a faded loveliness, And a weary look of care.

Then a homestead among farms, And a woman with bare arms Drawing water from a well; As the bucket mounts apace, With it mounts her own fair face, As at some magician's spell.

Then an old man in a tower, Ringing loud the noontide hour, While the rope coils round and round Like a serpent at his feet, And again, in swift retreat, Nearly lifts him from the ground.

Then within a prison-yard, Faces fixed, and stern, and hard, Laughter and indecent mirth; Ah! it is the gallows-tree! Breath of Christian charity, Blow, and sweep it from the earth!

Then a school-boy, with his kite Gleaming in a sky of light, And an eager, upward look; Steeds pursued through lane and field; Fowlers with their snares concealed; And an angler by a brook.

Ships rejoicing in the breeze, Wrecks that float o'er unknown seas, Anchors dragged through faithless sand; Sea-fog drifting overhead, And, with lessening line and lead, Sailors feeling for the land.

All these scenes do I behold, These, and many left untold, In that building long and low; While the wheel goes round and round, With a drowsy, dreamy sound, And the spinners backward go.

THE GOLDEN MILE-STONE

Leafless are the trees; their purple branches Spread themselves abroad, like reefs of coral, Rising silent In the Red Sea of the Winter sunset.

From the hundred chimneys of the village, Like the Afreet in the Arabian story, Smoky columns Tower aloft into the air of amber.

At the window winks the flickering fire-light; Here and there the lamps of evening glimmer, Social watch-fires Answering one another through the darkness.

On the hearth the lighted logs are glowing, And like Ariel in the cloven pine-tree For its freedom Groans and sighs the air imprisoned in them.

By the fireside there are old men seated, Seeing ruined cities in the ashes, Asking sadly Of the Past what it can ne'er restore them.

By the fireside there are youthful dreamers, Building castles fair, with stately stairways, Asking blindly Of the Future what it cannot give them.

By the fireside tragedies are acted In whose scenes appear two actors only, Wife and husband, And above them God the sole spectator.

By the fireside there are peace and comfort, Wives and children, with fair, thoughtful faces, Waiting, watching For a well-known footstep in the passage.

Each man's chimney is his Golden Mile-stone; Is the central point, from which he measures Every distance Through the gateways of the world around him.

In his farthest wanderings still he sees it; Hears the talking flame, the answering night-wind, As he heard them When he sat with those who were, but are not.

Happy he whom neither wealth nor fashion, Nor the march of the encroaching city, Drives an exile From the hearth of his ancestral homestead.

We may build more splendid habitations, Fill our rooms with paintings and with sculptures, But we cannot Buy with gold the old associations!

CATAWBA WINE

This song of mine Is a Song of the Vine, To be sung by the glowing embers Of wayside inns, When the rain begins To darken the drear Novembers.

It is not a song Of the Scuppernong, From warm Carolinian valleys, Nor the Isabel And the Muscadel That bask in our garden alleys.

Nor the red Mustang, Whose clusters hang O'er the waves of the Colorado, And the fiery flood Of whose purple blood Has a dash of Spanish bravado.

For richest and best Is the wine of the West, That grows by the Beautiful River; Whose sweet perfume Fills all the room With a benison on the giver.

And as hollow trees Are the haunts of bees, For ever going and coming; So this crystal hive Is all alive With a swarming and buzzing and humming.

Very good in its way Is the Verzenay, Or the Sillery soft and creamy; But Catawba wine Has a taste more divine, More dulcet, delicious, and dreamy.

There grows no vine By the haunted Rhine, By Danube or Guadalquivir, Nor on island or cape, That bears such a grape As grows by the Beautiful River.

Drugged is their juice For foreign use, When shipped o'er the reeling Atlantic, To rack our brains With the fever pains, That have driven the Old World frantic.

To the sewers and sinks With all such drinks, And after them tumble the mixer; For a poison malign Is such Borgia wine, Or at best but a Devil's Elixir.

While pure as a spring Is the wine I sing, And to praise it, one needs but name it; For Catawba wine Has need of no sign, No tavern-bush to proclaim it.

And this Song of the Vine, This greeting of mine, The winds and the birds shall deliver To the Queen of the West, In her garlands dressed, On the banks of the Beautiful River.

SANTA FILOMENA

Whene'er a noble deed is wrought, Whene'er is spoken a noble thought, Our hearts, in glad surprise, To higher levels rise.

The tidal wave of deeper souls Into our inmost being rolls, And lifts us unawares Out of all meaner cares.

Honor to those whose words or deeds Thus help us in our daily needs, And by their overflow Raise us from what is low!

Thus thought I, as by night I read Of the great army of the dead, The trenches cold and damp, The starved and frozen camp,--

The wounded from the battle-plain, In dreary hospitals of pain, The cheerless corridors, The cold and stony floors.

Lo! in that house of misery A lady with a lamp I see Pass through the glimmering gloom, And flit from room to room.

And slow, as in a dream of bliss, The speechless sufferer turns to kiss Her shadow, as it falls Upon the darkening walls.

As if a door in heaven should be Opened and then closed suddenly, The vision came and went, The light shone and was spent.

On England's annals, through the long Hereafter of her speech and song, That light its rays shall cast From portals of the past.

A Lady with a Lamp shall stand In the great history of the land, A noble type of good, Heroic womanhood.

Nor even shall be wanting here The palm, the lily, and the spear, The symbols that of yore Saint Filomena bore.

THE DISCOVERER OF THE NORTH CAPE

A LEAF FROM KING ALFRED'S OROSIUS

Othere, the old sea-captain, Who dwelt in Helgoland, To King Alfred, the Lover of Truth, Brought a snow-white walrus-tooth, Which he held in his brown right hand.

His figure was tall and stately, Like a boy's his eye appeared; His hair was yellow as hay, But threads of a silvery gray Gleamed in his tawny beard.

Hearty and hale was Othere, His cheek had the color of oak; With a kind of laugh in his speech, Like the sea-tide on a beach, As unto the King he spoke.

And Alfred, King of the Saxons, Had a book upon his knees, And wrote down the wondrous tale Of him who was first to sail Into the Arctic seas.

"So far I live to the northward, No man lives north of me; To the east are wild mountain-chains; And beyond them meres and plains; To the westward all is sea.

"So far I live to the northward, From the harbor of Skeringes-hale, If you only sailed by day, With a fair wind all the way, More than a month would you sail.

"I own six hundred reindeer, With sheep and swine beside; I have tribute from the Finns, Whalebone and reindeer-skins, And ropes of walrus-hide.

"I ploughed the land with horses, But my heart was ill at ease, For the old seafaring men Came to me now and then, With their sagas of the seas;--

"Of Iceland and of Greenland, And the stormy Hebrides, And the undiscovered deep;-- I could not eat nor sleep For thinking of those seas.

"To the northward stretched the desert, How far I fain would know; So at last I sallied forth, And three days sailed due north, As far as the whale-ships go.

"To the west of me was the ocean, To the right the desolate shore, But I did not slacken sail For the walrus or the whale, Till after three days more.

"The days grew longer and longer, Till they became as one, And southward through the haze I saw the sullen blaze Of the red midnight sun.

"And then uprose before me, Upon the water's edge, The huge and haggard shape Of that unknown North Cape, Whose form is like a wedge.

"The sea was rough and stormy, The tempest howled and wailed, And the sea-fog, like a ghost, Haunted that dreary coast, But onward still I sailed.

"Four days I steered to eastward, Four days without a night: Round in a fiery ring Went the great sun, O King, With red and lurid light."

Here Alfred, King of the Saxons, Ceased writing for a while; And raised his eyes from his book, With a strange and puzzled look, And an incredulous smile.

But Othere, the old sea-captain, He neither paused nor stirred, Till the King listened, and then Once more took up his pen, And wrote down every word.

"And now the land," said Othere, "Bent southward suddenly, And I followed the curving shore And ever southward bore Into a nameless sea.

"And there we hunted the walrus, The narwhale, and the seal; Ha! 't was a noble game! And like the lightning's flame Flew our harpoons of steel.

"There were six of us all together, Norsemen of Helgoland; In two days and no more We killed of them threescore, And dragged them to the strand!"

Here Alfred the Truth-Teller Suddenly closed his book, And lifted his blue eyes, With doubt and strange surmise Depicted in their look.

And Othere the old sea-captain Stared at him wild and weird, Then smiled, till his shining teeth Gleamed white from underneath His tawny, quivering beard.

And to the King of the Saxons, In witness of the truth, Raising his noble head, He stretched his brown hand, and said, "Behold this walrus-tooth!"

DAYBREAK

A wind came up out of the sea, And said, "O mists, make room for me."

It hailed the ships, and cried, "Sail on, Ye mariners, the night is gone."

And hurried landward far away, Crying, "Awake! it is the day."

It said unto the forest, "Shout! Hang all your leafy banners out!"

It touched the wood-bird's folded wing, And said, "O bird, awake and sing."

And o'er the farms, "O chanticleer, Your clarion blow; the day is near."

It whispered to the fields of corn, "Bow down, and hail the coming morn."

It shouted through the belfry-tower, "Awake, O bell! proclaim the hour."

It crossed the churchyard with a sigh, And said, "Not yet! in quiet lie."

THE FIFTIETH BIRTHDAY OF AGASSIZ

MAY 28, 1857

It was fifty years ago In the pleasant month of May, In the beautiful Pays de Vaud, A child in its cradle lay.

And Nature, the old nurse, took The child upon her knee, Saying: "Here is a story-book Thy Father has written for thee."

"Come, wander with me," she said, "Into regions yet untrod; And read what is still unread In the manuscripts of God."

And he wandered away and away With Nature, the dear old nurse, Who sang to him night and day The rhymes of the universe.

And whenever the way seemed long, Or his heart began to fail, She would sing a more wonderful song, Or tell a more marvellous tale.

So she keeps him still a child, And will not let him go, Though at times his heart beats wild For the beautiful Pays de Vaud;

Though at times he hears in his dreams The Ranz des Vaches of old, And the rush of mountain streams From glaciers clear and cold;

And the mother at home says, "Hark! For his voice I listen and yearn; It is growing late and dark, And my boy does not return!"

CHILDREN

Come to me, O ye children! For I hear you at your play, And the questions that perplexed me Have vanished quite away.

Ye open the eastern windows, That look towards the sun, Where thoughts are singing swallows And the brooks of morning run.

In your hearts are the birds and the sunshine, In your thoughts the brooklet's flow, But in mine is the wind of Autumn And the first fall of the snow.

Ah! what would the world be to us If the children were no more? We should dread the desert behind us Worse than the dark before.

What the leaves are to the forest, With light and air for food, Ere their sweet and tender juices Have been hardened into wood,--

That to the world are children; Through them it feels the glow Of a brighter and sunnier climate Than reaches the trunks below.

Come to me, O ye children! And whisper in my ear What the birds and the winds are singing In your sunny atmosphere.

For what are all our contrivings, And the wisdom of our books, When compared with your caresses, And the gladness of your looks?

Ye are better than all the ballads That ever were sung or said; For ye are living poems, And all the rest are dead.

SANDALPHON

Have you read in the Talmud of old, In the Legends the Rabbins have told Of the limitless realms of the air,-- Have you read it,--the marvellous story Of Sandalphon, the Angel of Glory, Sandalphon, the Angel of Prayer?

How, erect, at the outermost gates Of the City Celestial he waits, With his feet on the ladder of light, That, crowded with angels unnumbered, By Jacob was seen, as he slumbered Alone in the desert at night?

The Angels of Wind and of Fire Chant only one hymn, and expire With the song's irresistible stress; Expire in their rapture and wonder, As harp-strings are broken asunder By music they throb to express.

But serene in the rapturous throng, Unmoved by the rush of the song, With eyes unimpassioned and slow, Among the dead angels, the deathless Sandalphon stands listening breathless To sounds that ascend from below;--

From the spirits on earth that adore, From the souls that entreat and implore In the fervor and passion of prayer; From the hearts that are broken with losses, And weary with dragging the crosses Too heavy for mortals to bear.

And he gathers the prayers as he stands, And they change into flowers in his hands, Into garlands of purple and red; And beneath the great arch of the portal, Through the streets of the City Immortal Is wafted the fragrance they shed.

It is but a legend, I know,-- A fable, a phantom, a show, Of the ancient Rabbinical lore; Yet the old mediaeval tradition, The beautiful, strange superstition, But haunts me and holds me the more.

When I look from my window at night, And the welkin above is all white, All throbbing and panting with stars, Among them majestic is standing Sandalphon the angel, expanding His pinions in nebulous bars.

And the legend, I feel, is a part Of the hunger and thirst of the heart, The frenzy and fire of the brain, That grasps at the fruitage forbidden, The golden pomegranates of Eden, To quiet its fever and pain.

FLIGHT THE SECOND

THE CHILDREN'S HOUR

Between the dark and the daylight, When the night is beginning to lower, Comes a pause in the day's occupations, That is known as the Children's Hour.

I hear in the chamber above me The patter of little feet, The sound of a door that is opened, And voices soft and sweet.

From my study I see in the lamplight, Descending the broad hall stair, Grave Alice, and laughing Allegra, And Edith with golden hair.

A whisper, and then a silence: Yet I know by their merry eyes They are plotting and planning together To take me by surprise.

A sudden rush from the stairway, A sudden raid from the hall! By three doors left unguarded They enter my castle wall!

They climb up into my turret O'er the arms and back of my chair; If I try to escape, they surround me; They seem to be everywhere.

They almost devour me with kisses, Their arms about me entwine, Till I think of the Bishop of Bingen In his Mouse-Tower on the Rhine!

Do you think, o blue-eyed banditti, Because you have scaled the wall, Such an old mustache as I am Is not a match for you all!

I have you fast in my fortress, And will not let you depart, But put you down into the dungeon In the round-tower of my heart.

And there will I keep you forever, Yes, forever and a day, Till the walls shall crumble to ruin, And moulder in dust away!

ENCELADUS

Under Mount Etna he lies, It is slumber, it is not death; For he struggles at times to arise, And above him the lurid skies Are hot with his fiery breath.

The crags are piled on his breast, The earth is heaped on his head; But the groans of his wild unrest, Though smothered and half suppressed, Are heard, and he is not dead.

And the nations far away Are watching with eager eyes; They talk together and say, "To-morrow, perhaps to-day, Euceladus will arise!"

And the old gods, the austere Oppressors in their strength, Stand aghast and white with fear At the ominous sounds they hear, And tremble, and mutter, "At length!"

Ah me! for the land that is sown With the harvest of despair! Where the burning cinders, blown From the lips of the overthrown Enceladus, fill the air.

Where ashes are heaped in drifts Over vineyard and field and town, Whenever he starts and lifts His head through the blackened rifts Of the crags that keep him down.

See, see! the red light shines! 'T is the glare of his awful eyes! And the storm-wind shouts through the pines Of Alps and of Apennines, "Enceladus, arise!"

THE CUMBERLAND

At anchor in Hampton Roads we lay, On board of the cumberland, sloop-of-war; And at times from the fortress across the bay The alarum of drums swept past, Or a bugle blast From the camp on the shore.

Then far away to the south uprose A little feather of snow-white smoke, And we knew that the iron ship of our foes Was steadily steering its course To try the force Of our ribs of oak.

Down upon us heavily runs, Silent and sullen, the floating fort; Then comes a puff of smoke from her guns, And leaps the terrible death, With fiery breath, From each open port.

We are not idle, but send her straight Defiance back in a full broadside! As hail rebounds from a roof of slate, Rebounds our heavier hail From each iron scale Of the monster's hide.

"Strike your flag!" the rebel cries, In his arrogant old plantation strain. "Never!" our gallant Morris replies; "It is better to sink than to yield!" And the whole air pealed With the cheers of our men.

Then, like a kraken huge and black, She crushed our ribs in her iron grasp! Down went the Cumberland all a wrack, With a sudden shudder of death, And the cannon's breath For her dying gasp.

Next morn, as the sun rose over the bay, Still floated our flag at the mainmast head. Lord, how beautiful was Thy day! Every waft of the air Was a whisper of prayer, Or a dirge for the dead.

Ho! brave hearts that went down in the seas Ye are at peace in the troubled stream; Ho! brave land! with hearts like these, Thy flag, that is rent in twain, Shall be one again, And without a seam!

SNOW-FLAKES

Out of the bosom of the Air, Out of the cloud-folds of her garments shaken, Over the woodlands brown and bare, Over the harvest-fields forsaken, Silent, and soft, and slow Descends the snow.

Even as our cloudy fancies take Suddenly shape in some divine expression, Even as the troubled heart doth make In the white countenance confession, The troubled sky reveals The grief it feels.

This is the poem of the air, Slowly in silent syllables recorded; This is the secret of despair, Long in its cloudy bosom hoarded, Now whispered and revealed To wood and field.

A DAY OF SUNSHINE

O gift of God! O perfect day: Whereon shall no man work, but play; Whereon it is enough for me, Not to be doing, but to be!

Through every fibre of my brain, Through every nerve, through every vein, I feel the electric thrill, the touch Of life, that seems almost too much.

I hear the wind among the trees Playing celestial symphonies; I see the branches downward bent, Like keys of some great instrument.

And over me unrolls on high The splendid scenery of the sky, Where though a sapphire sea the sun Sails like a golden galleon,

Towards yonder cloud-land in the West, Towards yonder Islands of the Blest, Whose steep sierra far uplifts Its craggy summits white with drifts.

Blow, winds! and waft through all the rooms The snow-flakes of the cherry-blooms! Blow, winds! and bend within my reach The fiery blossoms of the peach!

O Life and Love! O happy throng Of thoughts, whose only speech is song! O heart of man! canst thou not be Blithe as the air is, and as free?

SOMETHING LEFT UNDONE

Labor with what zeal we will, Something still remains undone, Something uncompleted still Waits the rising of the sun.

By the bedside, on the stair, At the threshold, near the gates, With its menace or its prayer, Like a mendicant it waits;

Waits, and will not go away; Waits, and will not be gainsaid; By the cares of yesterday Each to-day is heavier made;

Till at length the burden seems Greater than our strength can bear, Heavy as the weight of dreams, Pressing on us everywhere.

And we stand from day to day, Like the dwarfs of times gone by, Who, as Northern legends say, On their shoulders held the sky.

WEARINESS

O little feet! that such long years Must wander on through hopes and fears, Must ache and bleed beneath your load; I, nearer to the wayside inn Where toil shall cease and rest begin, Am weary, thinking of your road!

O little hands! that, weak or strong, Have still to serve or rule so long, Have still so long to give or ask; I, who so much with book and pen Have toiled among my fellow-men, Am weary, thinking of your task.

O little hearts! that throb and beat With such impatient, feverish heat, Such limitless and strong desires; Mine that so long has glowed and burned, With passions into ashes turned Now covers and conceals its fires.

O little souls! as pure and white And crystalline as rays of light Direct from heaven, their source divine; Refracted through the mist of years, How red my setting sun appears, How lurid looks this soul of mine!

****************

TALES OF A WAYSIDE INN

PART FIRST

PRELUDE

THE WAYSIDE INN

One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin.

As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall.

A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o’erhead Mysterious voices moaned and fled.

But from the parlor of the inn A pleasant murmur smote the ear, Like water rushing through a weir: Oft interrupted by the din Of laughter and of loud applause, And, in each intervening pause, The music of a violin. The fire-light, shedding over all The splendor of its ruddy glow, Filled the whole parlor large and low; It gleamed on wainscot and on wall, It touched with more than wonted grace Fair Princess Mary’s pictured face; It bronzed the rafters overhead, On the old spinet’s ivory keys It played inaudible melodies, It crowned the sombre clock with flame, The hands, the hours, the maker’s name, And painted with a livelier red The Landlord’s coat-of-arms again; And, flashing on the window-pane, Emblazoned with its light and shade The jovial rhymes, that still remain, Writ near a century ago, By the great Major Molineaux, Whom Hawthorne has immortal made.

Before the blazing fire of wood Erect the rapt musician stood; And ever and anon he bent His head upon his instrument, And seemed to listen, till he caught Confessions of its secret thought,-- The joy, the triumph, the lament, The exultation and the pain; Then, by the magic of his art, He soothed the throbbings of its heart, And lulled it into peace again.

Around the fireside at their ease There sat a group of friends, entranced With the delicious melodies Who from the far-off noisy town Had to the wayside inn come down, To rest beneath its old oak-trees. The fire-light on their faces glanced, Their shadows on the wainscot danced, And, though of different lands and speech, Each had his tale to tell, and each Was anxious to be pleased and please. And while the sweet musician plays, Let me in outline sketch them all, Perchance uncouthly as the blaze With its uncertain touch portrays Their shadowy semblance on the wall.

But first the Landlord will I trace; Grave in his aspect and attire; A man of ancient pedigree, A Justice of the Peace was he, Known in all Sudbury as “The Squire.” Proud was he of his name and race, Of old Sir William and Sir Hugh, And in the parlor, full in view, His coat-of-arms, well framed and glazed, Upon the wall in colors blazed; He beareth gules upon his shield, A chevron argent in the field, With three wolf’s heads, and for the crest A Wyvern part-per-pale addressed Upon a helmet barred; below The scroll reads, “By the name of Howe.” And over this, no longer bright, Though glimmering with a latent light, Was hung the sword his grandsire bore In the rebellious days of yore, Down there at Concord in the fight.

A youth was there, of quiet ways, A Student of old books and days, To whom all tongues and lands were known And yet a lover of his own; With many a social virtue graced, And yet a friend of solitude; A man of such a genial mood The heart of all things he embraced, And yet of such fastidious taste, He never found the best too good. Books were his passion and delight, And in his upper room at home Stood many a rare and sumptuous tome, In vellum bound, with gold bedight, Great volumes garmented in white, Recalling Florence, Pisa, Rome. He loved the twilight that surrounds The border-land of old romance; Where glitter hauberk, helm, and lance, And banner waves, and trumpet sounds, And ladies ride with hawk on wrist, And mighty warriors sweep along, Magnified by the purple mist, The dusk of centuries and of song. The chronicles of Charlemagne, Of Merlin and the Mort d’Arthure, Mingled together in his brain With tales of Flores and Blanchefleur, Sir Ferumbras, Sir Eglamour, Sir Launcelot, Sir Morgadour, Sir Guy, Sir Bevis, Sir Gawain.

A young Sicilian, too, was there; In sight of Etna born and bred, Some breath of its volcanic air Was glowing in his heart and brain, And, being rebellious to his liege, After Palermo’s fatal siege, Across the western seas he fled, In good King Bomba’s happy reign. His face was like a summer night, All flooded with a dusky light; His hands were small; his teeth shone white As sea-shells, when he smiled or spoke; His sinews supple and strong as oak; Clean shaven was he as a priest, Who at the mass on Sunday sings, Save that upon his upper lip His beard, a good palm’s length least, Level and pointed at the tip, Shot sideways, like a swallow’s wings. The poets read he o’er and o’er, And most of all the Immortal Four Of Italy; and next to those, The story-telling bard of prose, Who wrote the joyous Tuscan tales Of the Decameron, that make Fiesole’s green hills and vales Remembered for Boccaccio’s sake. Much too of music was his thought; The melodies and measures fraught With sunshine and the open air, Of vineyards and the singing sea Of his beloved Sicily; And much it pleased him to peruse The songs of the Sicilian muse,-- Bucolic songs by Meli sung In the familiar peasant tongue, That made men say, “Behold! once more The pitying gods to earth restore Theocritus of Syracuse!”

A Spanish Jew from Alicant With aspect grand and grave was there; Vender of silks and fabrics rare, And attar of rose from the Levant. Like an old Patriarch he appeared, Abraham or Isaac, or at least Some later Prophet or High-Priest; With lustrous eyes, and olive skin, And, wildly tossed from cheeks and chin, The tumbling cataract of his beard. His garments breathed a spicy scent Of cinnamon and sandal blent, Like the soft aromatic gales That meet the mariner, who sails Through the Moluccas, and the seas That wash the shores of Celebes. All stories that recorded are By Pierre Alphonse he knew by heart, And it was rumored he could say The Parables of Sandabar, And all the Fables of Pilpay, Or if not all, the greater part! Well versed was he in Hebrew books, Talmud and Targum, and the lore Of Kabala; and evermore There was a mystery in his looks; His eyes seemed gazing far away, As if in vision or in trance He heard the solemn sackbut play, And saw the Jewish maidens dance.

A Theologian, from the school Of Cambridge on the Charles, was there; Skilful alike with tongue and pen, He preached to all men everywhere The Gospel of the Golden Rule, The New Commandment given to men, Thinking the deed, and not the creed, Would help us in our utmost need. With reverent feet the earth he trod, Nor banished nature from his plan, But studied still with deep research To build the Universal Church, Lofty as in the love of God, And ample as the wants of man.

A Poet, too, was there, whose verse Was tender, musical, and terse; The inspiration, the delight, The gleam, the glory, the swift flight, Of thoughts so sudden, that they seem The revelations of a dream, All these were his; but with them came No envy of another’s fame; He did not find his sleep less sweet For music in some neighboring street, Nor rustling hear in every breeze The laurels of Miltiades. Honor and blessings on his head While living, good report when dead, Who, not too eager for renown, Accepts, but does not clutch, the crown!

Last the Musician, as he stood Illumined by that fire of wood; Fair-haired, blue-eyed, his aspect blithe. His figure tall and straight and lithe, And every feature of his face Revealing his Norwegian race; A radiance, streaming from within, Around his eyes and forehead beamed, The Angel with the violin, Painted by Raphael, he seemed. He lived in that ideal world Whose language is not speech, but song; Around him evermore the throng Of elves and sprites their dances whirled; The Stromkarl sang, the cataract hurled Its headlong waters from the height; And mingled in the wild delight The scream of sea-birds in their flight, The rumor of the forest trees, The plunge of the implacable seas, The tumult of the wind at night, Voices of eld, like trumpets blowing, Old ballads, and wild melodies Through mist and darkness pouring forth, Like Elivagar’s river flowing Out of the glaciers of the North.

The instrument on which he played Was in Cremona’s workshops made, By a great master of the past, Ere yet was lost the art divine; Fashioned of maple and of pine, That in Tyrolian forests vast Had rocked and wrestled with the blast; Exquisite was it in design, Perfect in each minutest part. A marvel of the lutist’s art; And in its hollow chamber, thus, The maker from whose hands it came Had written his unrivalled name,-- “Antonius Stradivarius.”

And when he played, the atmosphere Was filled with magic, and the ear Caught echoes of that Harp of Gold, Whose music had so weird a sound, The hunted stag forgot to bound, The leaping rivulet backward rolled, The birds came down from bush and tree, The dead came from beneath the sea, The maiden to the harper’s knee!

The music ceased; the applause was loud, The pleased musician smiled and bowed; The wood-fire clapped its hands of flame, The shadows on the wainscot stirred, And from the harpsichord there came A ghostly murmur of acclaim, A sound like that sent down at night By birds of passage in their flight, From the remotest distance heard.

Then silence followed; then began A clamor for the Landlord’s tale,-- The story promised them of old, They said, but always left untold; And he, although a bashful man, And all his courage seemed to fail, Finding excuse of no avail, Yielded; and thus the story ran.

THE LANDLORD’S TALE.

PAUL REVERE’S RIDE.

Listen, my children, and you shall hear Of the midnight ride of Paul Revere, On the eighteenth of April, in Seventy-five; Hardly a man is now alive Who remembers that famous day and year.

He said to his friend, “If the British march By land or sea from the town to-night, Hang a lantern aloft in the belfry arch Of the North Church tower as a signal light,— One, if by land, and two, if by sea; And I on the opposite shore will be, Ready to ride and spread the alarm Through every Middlesex village and farm For the country folk to be up and to arm,”

Then he said, “Good night!” and with muffled oar Silently rowed to the Charlestown shore, Just as the moon rose over the bay, Where swinging wide at her moorings lay The Somerset, British man-of-war; A phantom ship, with each mast and spar Across the moon like a prison bar, And a huge black hulk, that was magnified By its own reflection in the tide.

Meanwhile, his friend, through alley and street, Wanders and watches with eager ears, Till in the silence around him he hears The muster of men at the barrack door, The sound of arms, and the tramp of feet, And the measured tread of the grenadiers, Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church, By the wooden stairs, with stealthy tread, To the belfry-chamber overhead, And startled the pigeons from their perch On the sombre rafters, that round him made Masses and moving shapes of shade,— By the trembling ladder, steep and tall To the highest window in the wall, Where he paused to listen and look down A moment on the roofs of the town, And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead, In their night-encampment on the hill, Wrapped in silence so deep and still That he could hear, like a sentinel’s tread, The watchful night-wind, as it went Creeping along from tent to tent And seeming to whisper, “All is well!” A moment only he feels the spell Of the place and the hour, and the secret dread Of the lonely belfry and the dead; For suddenly all his thoughts are bent On a shadowy something far away, Where the river widens to meet the bay,— A line of black that bends and floats On the rising tide, like a bridge of boats.

Meanwhile, impatient to mount and ride, Booted and spurred, with a heavy stride On the opposite shore walked Paul Revere. Now he patted his horse’s side, Now gazed at the landscape far and near, Then, impetuous, stamped the earth, And turned and tightened his saddle-girth; But mostly he watched with eager search The belfry-tower of the Old North Church, As it rose above the graves on the hill, Lonely and spectral and sombre and still. And lo! as he looks, on the belfry’s height A glimmer, and then a gleam of light! He springs to the saddle, the bridle he turns, But lingers and gazes, till full on his sight A second lamp in the belfry burns!

A hurry of hoofs in a village street, A shape in the moonlight, a bulk in the dark, And beneath, from the pebbles, in passing, a spark Struck out by a steed flying fearless and fleet: That was all! And yet, through the gloom and the light, The fate of a nation was riding that night; And the spark struck out by that steed, in his flight, Kindled the land into flame with its heat. He has left the village and mounted the steep, And beneath him, tranquil and broad and deep, Is the Mystic, meeting the ocean tides; And under the alders, that skirt its edge, Now soft on the sand, now loud on the ledge, Is heard the tramp of his steed as he rides.

It was twelve by the village clock When he crossed the bridge into Medford town. He heard the crowing of the cock, And the barking of the farmer’s dog, And felt the damp of the river fog, That rises after the sun goes down.

It was one by the village clock, When he galloped into Lexington. He saw the gilded weathercock Swim in the moonlight as he passed, And the meeting-house windows, blank and bare, Gaze at him with a spectral glare, As if they already stood aghast At the bloody work they would look upon.

It was two by the village clock, When he came to the bridge in Concord town. He heard the bleating of the flock, And the twitter of birds among the trees, And felt the breath of the morning breeze Blowing over the meadows brown. And one was safe and asleep in his bed Who at the bridge would be first to fall, Who that day would be lying dead, Pierced by a British musket-ball.

You know the rest. In the books you have read, How the British Regulars fired and fled,— How the farmers gave them ball for ball, From behind each fence and farm-yard wall, Chasing the red-coats down the lane, Then crossing the fields to emerge again Under the trees at the turn of the road, And only pausing to fire and load.

So through the night rode Paul Revere; And so through the night went his cry of alarm To every Middlesex village and farm,— A cry of defiance and not of fear, A voice in the darkness, a knock at the door, And a word that shall echo forevermore! For, borne on the night-wind of the Past, Through all our history, to the last, In the hour of darkness and peril and need, The people will waken and listen to hear The hurrying hoof-beats of that steed, And the midnight message of Paul Revere.

INTERLUDE.

The Landlord ended thus his tale, Then rising took down from its nail The sword that hung there, dim with dust And cleaving to its sheath with rust, And said, “This sword was in the fight.” The Poet seized it, and exclaimed, “It is the sword of a good knight, Though homespun was his coat-of-mail; What matter if it be not named Joyeuse, Colada, Durindale, Excalibar, or Aroundight, Or other name the books record? Your ancestor, who bore this sword As Colonel of the Volunteers, Mounted upon his old gray mare, Seen here and there and everywhere, To me a grander shape appears Than old Sir William, or what not, Clinking about in foreign lands With iron gauntlets on his hands, And on his head an iron pot!”

All laughed; the Landlord’s face grew red As his escutcheon on the wall; He could not comprehend at all The drift of what the Poet said; For those who had been longest dead Were always greatest in his eyes; And he was speechless with surprise To see Sir William’s plumed head Brought to a level with the rest, And made the subject of a jest. And this perceiving, to appease The Landlord’s wrath, the others’ fears, The Student said, with careless ease, “The ladies and the cavaliers, The arms, the loves, the courtesies, The deeds of high emprise, I sing! Thus Ariosto says, in words That have the stately stride and ring Of armed knights and clashing swords. Now listen to the tale I bring Listen! though not to me belong The flowing draperies of his song, The words that rouse, the voice that charms. The Landlord’s tale was one of arms, Only a tale of love is mine, Blending the human and divine, A tale of the Decameron, told In Palmieri’s garden old, By Fiametta, laurel-crowned, While her companions lay around, And heard the intermingled sound Of airs that on their errands sped, And wild birds gossiping overhead, And lisp of leaves, and fountain’s fall, And her own voice more sweet than all, Telling the tale, which, wanting these, Perchance may lose its power to please.”

THE STUDENT’S TALE

THE FALCON OF SER FEDERIGO

One summer morning, when the sun was hot, Weary with labor in his garden-plot, On a rude bench beneath his cottage eaves, Ser Federigo sat among the leaves Of a huge vine, that, with its arms outspread, Hung its delicious clusters overhead. Below him, through the lovely valley flowed The river Arno, like a winding road, And from its banks were lifted high in air The spires and roofs of Florence called the Fair; To him a marble tomb, that rose above His wasted fortunes and his buried love. For there, in banquet and in tournament, His wealth had lavished been, his substance spent, To woo and lose, since ill his wooing sped, Monna Giovanna, who his rival wed, Yet ever in his fancy reigned supreme, The ideal woman of a young man’s dream.

Then he withdrew, in poverty and pain, To this small farm, the last of his domain, His only comfort and his only care To prune his vines, and plant the fig and pear; His only forester and only guest His falcon, faithful to him, when the rest, Whose willing hands had found so light of yore The brazen knocker of his palace door, Had now no strength to lift the wooden latch, That entrance gave beneath a roof of thatch. Companion of his solitary ways, Purveyor of his feasts on holidays, On him this melancholy man bestowed The love with which his nature overflowed.

And so the empty-handed years went round, Vacant, though voiceful with prophetic sound, And so, that summer morn, he sat and mused With folded, patient hands, as he was used, And dreamily before his half-closed sight Floated the vision of his lost delight. Beside him, motionless, the drowsy bird Dreamed of the chase, and in his slumber heard The sudden, scythe-like sweep of wings, that dare The headlong plunge thro’ eddying gulfs of air, Then, starting broad awake upon his perch, Tinkled his bells, like mass-bells in a church, And, looking at his master, seemed to say, “Ser Federigo, shall we hunt to-day?”

Ser Federigo thought not of the chase; The tender vision of her lovely face, I will not say he seems to see, he sees In the leaf-shadows of the trellises, Herself, yet not herself; a lovely child With flowing tresses, and eyes wide and wild, Coming undaunted up the garden walk, And looking not at him, but at the hawk. “Beautiful falcon!” said he, “would that I Might hold thee on my wrist, or see thee fly!” The voice was hers, and made strange echoes start Through all the haunted chambers of his heart, As an æolian harp through gusty doors Of some old ruin its wild music pours.

“Who is thy mother, my fair boy?” he said, His hand laid softly on that shining head. “Monna Giovanna. Will you let me stay A little while, and with your falcon play? We live there, just beyond your garden wall, In the great house behind the poplars tall.”

So he spake on; and Federigo heard As from afar each softly uttered word, And drifted onward through the golden gleams And shadows of the misty sea of dreams, As mariners becalmed through vapors drift, And feel the sea beneath them sink and lift, And hear far off the mournful breakers roar, And voices calling faintly from the shore! Then, waking from his pleasant reveries He took the little boy upon his knees, And told him stories of his gallant bird, Till in their friendship he became a third.

Monna Giovanna, widowed in her prime, Had come with friends to pass the summer time In her grand villa, half-way up the hill, O’erlooking Florence, but retired and still; With iron gates, that opened through long lines Of sacred ilex and centennial pines, And terraced gardens, and broad steps of stone, And sylvan deities, with moss o’ergrown, And fountains palpitating in the heat, And all Val d’Arno stretched beneath its feet. Here in seclusion, as a widow may, The lovely lady whiled the hours away, Pacing in sable robes the statued hall, Herself the stateliest statue among all, And seeing more and more, with secret joy, Her husband risen and living in her boy, Till the lost sense of life returned again, Not as delight, but as relief from pain. Meanwhile the boy, rejoicing in his strength, Stormed down the terraces from length to length; The screaming peacock chased in hot pursuit, And climbed the garden trellises for fruit. But his chief pastime was to watch the flight Of a gerfalcon, soaring into sight, Beyond the trees that fringed the garden wall, Then downward stooping at some distant call; And as he gazed full often wondered he Who might the master of the falcon be, Until that happy morning, when he found Master and falcon in the cottage ground.

And now a shadow and a terror fell On the great house, as if a passing-bell Tolled from the tower, and filled each spacious room With secret awe, and preternatural gloom; The petted boy grew ill, and day by day Pined with mysterious malady away. The mother’s heart would not be comforted; Her darling seemed to her already dead, And often, sitting by the sufferer’s side, “What can I do to comfort thee?” she cried. At first the silent lips made no reply, But moved at length by her importunate cry, “Give me,” he answered, with imploring tone, “Ser Federigo’s falcon for my own!” No answer could the astonished mother make; How could she ask, e’en for her darling’s sake, Such favor at a luckless lover’s hand, Well knowing that to ask was to command? Well knowing, what all falconers confessed, In all the land that falcon was the best, The master’s pride and passion and delight, And the sole pursuivant of this poor knight. But yet, for her child’s sake, she could no less Than give assent to soothe his restlessness, So promised, and then promising to keep Her promise sacred, saw him fall asleep.

The morrow was a bright September morn; The earth was beautiful as if new-born; There was that nameless splendor everywhere, That wild exhilaration in the air, Which makes the passers in the city street Congratulate each other as they meet. Two lovely ladies, clothed in cloak and hood, Passed through the garden gate into the wood, Under the lustrous leaves, and through the sheen Of dewy sunshine showering down between.

The one, close-hooded, had the attractive grace Which sorrow sometimes lends a woman’s face; Her dark eyes moistened with the mists that roll From the gulf-stream of passion in the soul; The other with her hood thrown back, her hair Making a golden glory in the air, Her cheeks suffused with an auroral blush, Her young heart singing louder than the thrush. So walked, that morn, through mingled light and shade, Each by the other’s presence lovelier made, Monna Giovanna and her bosom friend, Intent upon their errand and its end.

They found Ser Federigo at his toil, Like banished Adam, delving in the soil; And when he looked and these fair women spied, The garden suddenly was glorified; His long-lost Eden was restored again, And the strange river winding through the plain No longer was the Arno to his eyes, But the Euphrates watering Paradise!

Monna Giovanna raised her stately head, And with fair words of salutation said: “Ser Federigo, we come here as friends, Hoping in this to make some poor amends For past unkindness. I who ne’er before Would even cross the threshold of your door, I who in happier days such pride maintained, Refused your banquets, and your gifts disdained, This morning come, a self-invited guest, To put your generous nature to the test, And breakfast with you under your own vine.” To which he answered: “Poor desert of mine, Not your unkindness call it, for if aught Is good in me of feeling or of thought, From you it comes, and this last grace outweighs All sorrows, all regrets of other days.”

And after further compliment and talk, Among the asters in the garden walk He left his guests; and to his cottage turned, And as he entered for a moment yearned For the lost splendors of the days of old, The ruby glass, the silver and the gold, And felt how piercing is the sting of pride, By want embittered and intensified. He looked about him for some means or way To keep this unexpected holiday; Searched every cupboard, and then searched again, Summoned the maid, who came, but came in vain; “The Signor did not hunt to-day,” she said, “There’s nothing in the house but wine and bread.”

Then suddenly the drowsy falcon shook His little bells, with that sagacious look, Which said, as plain as language to the ear, “If anything is wanting, I am here!” Yes, everything is wanting, gallant bird! The master seized thee without further word. Like thine own lure, he whirled thee round; ah me! The pomp and flutter of brave falconry, The bells, the jesses, the bright scarlet hood, The flight and the pursuit o’er field and wood, All these forevermore are ended now; No longer victor, but the victim thou!

Then on the board a snow-white cloth he spread, Laid on its wooden dish the loaf of bread, Brought purple grapes with autumn sunshine hot, The fragrant peach, the juicy bergamot; Then in the midst a flask of wine he placed, And with autumnal flowers the banquet graced. Ser Federigo, would not these suffice Without thy falcon stuffed with cloves and spice?

When all was ready, and the courtly dame With her companion to the cottage came, Upon Ser Federigo’s brain there fell The wild enchantment of a magic spell! The room they entered, mean and low and small, Was changed into a sumptuous banquet-hall, With fanfares by aerial trumpets blown; The rustic chair she sat on was a throne; He ate celestial food, and a divine Flavor was given to his country wine, And the poor falcon, fragrant with his spice, A peacock was, or bird of paradise!

When the repast was ended, they arose And passed again into the garden-close. Then said the lady, “Far too well I know Remembering still the days of long ago, Though you betray it not with what surprise You see me here in this familiar wise. You have no children, and you cannot guess What anguish, what unspeakable distress A mother feels, whose child is lying ill, Nor how her heart anticipates his will. And yet for this, you see me lay aside All womanly reserve and check of pride, And ask the thing most precious in your sight, Your falcon, your sole comfort and delight, Which if you find it in your heart to give, My poor, unhappy boy perchance may live.”

Ser Federigo listens, and replies, With tears of love and pity in his eyes: “Alas, dear lady! there can be no task So sweet to me, as giving when you ask. One little hour ago, if I had known This wish of yours, it would have been my own. But thinking in what manner I could best Do honor to the presence of my guest, I deemed that nothing worthier could be Than what most dear and precious was to me, And so my gallant falcon breathed his last To furnish forth this morning our repast.”

In mute contrition, mingled with dismay, The gentle lady tuned her eyes away, Grieving that he such sacrifice should make, And kill his falcon for a woman’s sake, Yet feeling in her heart a woman’s pride, That nothing she could ask for was denied; Then took her leave, and passed out at the gate With footstep slow and soul disconsolate.

Three days went by, and lo! a passing-bell Tolled from the little chapel in the dell; Ten strokes Ser Federigo heard, and said, Breathing a prayer, “Alas! her child is dead!” Three months went by; and lo! a merrier chime Rang from the chapel bells at Christmas time; The cottage was deserted, and no more Ser Federigo sat beside its door, But now, with servitors to do his will, In the grand villa, half-way up the hill, Sat at the Christmas feast, and at his side Monna Giovanna, his beloved bride, Never so beautiful, so kind, so fair, Enthroned once more in the old rustic chair, High-perched upon the back of which there stood The image of a falcon carved in wood, And underneath the inscription, with date, “All things come round to him who will but wait.”

INTERLUDE

Soon as the story reached its end, One, over eager to commend, Crowned it with injudicious praise; And then the voice of blame found vent, And fanned the embers of dissent Into a somewhat lively blaze.

The Theologian shook his head; "These old Italian tales," he said, "From the much-praised Decameron down Through all the rabble of the rest, Are either trifling, dull, or lewd; The gossip of a neighborhood In some remote provincial town, A scandalous chronicle at best! They seem to me a stagnant fen, Grown rank with rushes and with reeds, Where a white lily, now and then, Blooms in the midst of noxious weeds And deadly nightshade on its banks."

To this the Student straight replied, "For the white lily, many thanks! One should not say, with too much pride, Fountain, I will not drink of thee! Nor were it grateful to forget, That from these reservoirs and tanks Even imperial Shakespeare drew His Moor of Venice, and the Jew, And Romeo and Juliet, And many a famous comedy."

Then a long pause; till some one said, "An Angel is flying overhead!" At these words spake the Spanish Jew, And murmured with an inward breath: "God grant, if what you say be true, It may not be the Angel of Death!" And then another pause; and then, Stroking his beard, he said again: "This brings back to my memory A story in the Talmud told, That book of gems, that book of gold, Of wonders many and manifold, A tale that often comes to me, And fills my heart, and haunts my brain, And never wearies nor grows old."

THE SPANISH JEW’S TALE

THE LEGEND OF RABBI BEN LEVI

Rabbi Ben Levi, on the Sabbath, read A volume of the Law, in which it said, “No man shall look upon my face and live.” And as he read, he prayed that God would give His faithful servant grace with mortal eye To look upon His face and yet not die.

Then fell a sudden shadow on the page, And, lifting up his eyes, grown dim with age He saw the Angel of Death before him stand, Holding a naked sword in his right hand. Rabbi Ben Levi was a righteous man, Yet through his veins a chill of terror ran. With trembling voice he said, “What wilt thou here?” The angel answered, “Lo! the time draws near When thou must die; yet first, by God’s decree, Whate’er thou askest shall be granted thee.” Replied the Rabbi, “Let these living eyes First look upon my place in Paradise.”

Then said the Angel, “Come with me and look.” Rabbi Ben Levi closed the sacred book, And rising, and uplifting his gray head, “Give me thy sword,” he to the Angel said, “Lest thou shouldst fall upon me by the way.” The angel smiled and hastened to obey, Then led him forth to the Celestial Town, And set him on the wall, whence, gazing down, Rabbi Ben Levi, with his living eyes, Might look upon his place in Paradise.

Then straight into the city of the Lord The Rabbi leaped with the Death-Angel’s sword, And through the streets there swept a sudden breath Of something there unknown, which men call death. Meanwhile the Angel stayed without and cried, “Come back!” To which the Rabbi’s voice replied, “No! in the name of God, whom I adore, I swear that hence I will depart no more!”

Then all the Angels cried, “O Holy One, See what the son of Levi here hath done! The kingdom of Heaven he takes by violence, And in Thy name refuses to go hence!” The Lord replied, “My Angels, be not wroth; Did e’er the son of Levi break his oath? Let him remain; for he with mortal eye Shall look upon my face and yet not die.”

Beyond the outer wall the Angel of Death Heard the great voice, and said, with panting breath, “Give back the sword, and let me go my way.” Whereat the Rabbi paused, and answered, “Nay! Anguish enough already hath it caused Among the sons of men.” And while he paused He heard the awful mandate of the Lord Resounding through the air, “Give back the sword!”

The Rabbi bowed his head in silent prayer; Then said he to the dreadful Angel, “Swear, No human eye shall look on it again; But when thou takest away the souls of men, Thyself unseen, and with an unseen sword, Thou wilt perform the bidding of the Lord.” The Angel took the sword again, and swore, And walks on earth unseen forevermore.

INTERLUDE

He ended: and a kind of spell Upon the silent listeners fell. His solemn manner and his words Had touched the deep, mysterious chords, That vibrate in each human breast Alike, but not alike confessed. The spiritual world seemed near; And close above them, full of fear, Its awful adumbration passed, A luminous shadow, vague and vast. They almost feared to look, lest there, Embodied from the impalpable air, They might behold the Angel stand, Holding the sword in his right hand.

At last, but in a voice subdued, Not to disturb their dreamy mood, Said the Sicilian: “While you spoke, Telling your legend marvellous, Suddenly in my memory woke The thought of one, now gone from us,— An old Abate, meek and mild, My friend and teacher, when a child, Who sometimes in those days of old The legend of an Angel told, Which ran, as I remember, thus.”

THE SICILIAN’S TALE

KING ROBERT OF SICILY

Robert of Sicily, brother of Pope Urbane And Valmond, Emperor of Allemaine, Apparelled in magnificent attire, With retinue of many a knight and squire, On St. John’s eve, at vespers, proudly sat And heard the priests chant the Magnificat, And as he listened, o’er and o’er again Repeated, like a burden or refrain, He caught the words, “Deposuit potentes De sede, et exaltavit humiles;” And slowly lifting up his kingly head He to a learned clerk beside him said, “What mean these words?” The clerk made answer meet, “He has put down the mighty from their seat, And has exalted them of low degree.” Thereat King Robert muttered scornfully, “’T is well that such seditious words are sung Only by priests and in the Latin tongue; For unto priests and people be it known, There is no power can push me from my throne!” And leaning back, he yawned and fell asleep, Lulled by the chant monotonous and deep.

When he awoke, it was already night; The church was empty, and there was no light, Save where the lamps, that glimmered few and faint, Lighted a little space before some saint. He started from his seat and gazed around, But saw no living thing and heard no sound. He groped towards the door, but it was locked; He cried aloud, and listened, and then knocked, And uttered awful threatenings and complaints, And imprecations upon men and saints. The sounds re-echoed from the roof and walls As if dead priests were laughing in their stalls.

At length the sexton, hearing from without The tumult of the knocking and the shout, And thinking thieves were in the house of prayer, Came with his lantern, asking, “Who is there?” Half choked with rage, King Robert fiercely said, “Open: ’tis I, the King! Art thou afraid?” The frightened sexton, muttering, with a curse, “This is some drunken vagabond, or worse!” Turned the great key and flung the portal wide; A man rushed by him at a single stride, Haggard, half naked, without hat or cloak, Who neither turned, nor looked at him, nor spoke, But leaped into the blackness of the night, And vanished like a spectre from his sight.

Robert of Sicily, brother of Pope Urbane And Valmond, Emperor of Allemaine, Despoiled of his magnificent attire, Bareheaded, breathless, and besprent with mire, With sense of wrong and outrage desperate, Strode on and thundered at the palace gate; Rushed through the courtyard, thrusting in his rage To right and left each seneschal and page, And hurried up the broad and sounding stair, His white face ghastly in the torches’ glare. From hall to hall he passed with breathless speed; Voices and cries he heard, but did not heed, Until at last he reached the banquet-room, Blazing with light and breathing with perfume.

There on the dais sat another king, Wearing his robes, his crown, his signet-ring, King Robert’s self in features, form, and height, But all transfigured with angelic light! It was an Angel; and his presence there With a divine effulgence filled the air, An exaltation, piercing the disguise, Though none the hidden Angel recognize.

A moment speechless, motionless, amazed, The throneless monarch on the Angel gazed, Who met his look of anger and surprise With the divine compassion of his eyes; Then said, “Who art thou? and why com’st thou here?” To which King Robert answered, with a sneer, “I am the King, and come to claim my own From an impostor, who usurps my throne!” And suddenly, at these audacious words, Up sprang the angry guests, and drew their swords; The Angel answered, with unruffled brow, “Nay, not the King, but the King’s Jester, thou Henceforth shall wear the bells and scalloped cape, And for thy counsellor shalt lead an ape; Thou shalt obey my servants when they call, And wait upon my henchmen in the hall!”

Deaf to King Robert’s threats and cries and prayers, They thrust him from the hall and down the stairs; A group of tittering pages ran before, And as they opened wide the folding door, His heart failed, for he heard, with strange alarms, The boisterous laughter of the men-at-arms, And all the vaulted chamber roar and ring With the mock plaudits of “Long live the King!”

Next morning, waking with the day’s first beam, He said within himself, “It was a dream!” But the straw rustled as he turned his head, There were the cap and bells beside his bed, Around him rose the bare, discolored walls, Close by, the steeds were champing in their stalls, And in the corner, a revolting shape, Shivering and chattering sat the wretched ape. It was no dream; the world he loved so much Had turned to dust and ashes at his touch!

Days came and went; and now returned again To Sicily the old Saturnian reign; Under the Angel’s governance benign The happy island danced with corn and wine, And deep within the mountain’s burning breast Enceladus, the giant, was at rest.

Meanwhile King Robert yielded to his fate, Sullen and silent and disconsolate. Dressed in the motley garb that Jesters wear, With look bewildered and a vacant stare, Close shaven above the ears, as monks are shorn, By courtiers mocked, by pages laughed to scorn, His only friend the ape, his only food What others left,—he still was unsubdued. And when the Angel met him on his way, And half in earnest, half in jest, would say Sternly, though tenderly, that he might feel The velvet scabbard held a sword of steel, “Art thou the King?” the passion of his woe Burst from him in resistless overflow, And, lifting high his forehead, he would fling The haughty answer back, “I am, I am the King!”

Almost three years were ended; when there came Ambassadors of great repute and name From Valmond, Emperor of Allemaine, Unto King Robert, saying that Pope Urbane By letter summoned them forthwith to come On Holy Thursday to his city of Rome. The Angel with great joy received his guests, And gave them presents of embroidered vests, And velvet mantles with rich ermine lined, And rings and jewels of the rarest kind. Then he departed with them o’er the sea Into the lovely land of Italy, Whose loveliness was more resplendent made By the mere passing of that cavalcade, With plumes, and cloaks, and housings, and the stir Of jewelled bridle and of golden spur. And lo! among the menials, in mock state, Upon a piebald steed, with shambling gait, His cloak of fox-tails flapping in the wind, The solemn ape demurely perched behind, King Robert rode, making huge merriment In all the country towns through which they went.

The Pope received them with great pomp and blare Of bannered trumpets, on Saint Peter’s square, Giving his benediction and embrace, Fervent, and full of apostolic grace. While with congratulations and with prayers He entertained the Angel unawares, Robert, the Jester, bursting through the crowd, Into their presence rushed, and cried aloud, “I am the King! Look, and behold in me Robert, your brother, King of Sicily! This man, who wears my semblance to your eyes, Is an impostor in a king’s disguise. Do you not know me? does no voice within Answer my cry, and say we are akin?” The Pope in silence, but with troubled mien, Gazed at the Angel’s countenance serene; The Emperor, laughing, said, “It is strange sport To keep a mad man for thy Fool at court!” And the poor, baffled Jester in disgrace Was hustled back among the populace.

In solemn state the Holy Week went by, And Easter Sunday gleamed upon the sky; The presence of the Angel, with its light, Before the sun rose, made the city bright, And with new fervor filled the hearts of men, Who felt that Christ indeed had risen again. Even the Jester, on his bed of straw, With haggard eyes the unwonted splendor saw, He felt within a power unfelt before, And, kneeling humbly on his chamber floor, He heard the rushing garments of the Lord Sweep through the silent air, ascending heavenward.

And now the visit ending, and once more Valmond returning to the Danube’s shore, Homeward the Angel journeyed, and again The land was made resplendent with his train, Flashing along the towns of Italy Unto Salerno, and from thence by sea. And when once more within Palermo’s wall, And, seated on the throne in his great hall, He heard the Angelus from convent towers, As if the better world conversed with ours, He beckoned to King Robert to draw nigher, And with a gesture bade the rest retire; And when they were alone, the Angel said, “Art thou the King?” Then, bowing down his head, King Robert crossed both hands upon his breast, And meekly answered him: “Thou knowest best! My sins as scarlet are; let me go hence, And in some cloister’s school of penitence, Across those stones, that pave the way to heaven, Walk barefoot, till my guilty soul be shriven!”

The Angel smiled, and from his radiant face A holy light illumined all the place, And through the open window, loud and clear, They heard the monks chant in the chapel near, Above the stir and tumult of the street: “He has put down the mighty from their seat, And has exalted them of low degree!” And through the chant a second melody Rose like the throbbing of a single string: “I am an Angel, and thou art the King!”

King Robert, who was standing near the throne, Lifted his eyes, and lo! he was alone! But all apparelled as in days of old, With ermined mantle and with cloth of gold; And when his courtiers came, they found him there Kneeling upon the floor, absorbed in, silent prayer.

INTERLUDE

And then the blue-eyed Norseman told A Saga of the days of old. “There is,” said he, “a wondrous book Of Legends in the old Norse tongue, Of the dead kings of Norroway,— Legends that once were told or sung In many a smoky fireside nook Of Iceland, in the ancient day, By wandering Saga-man or Scald; Heimskringla is the volume called; And he who looks may find therein The story that I now begin.”

And in each pause the story made Upon his violin he played, As an appropriate interlude, Fragments of old Norwegian tunes That bound in one the separate runes, And held the mind in perfect mood, Entwining and encircling all The strange and antiquated rhymes with melodies of olden times; As over some half-ruined wall, Disjointed and about to fall, Fresh woodbines climb and interlace, And keep the loosened stones in place.

THE MUSICIAN’S TALE

THE SAGA OF KING OLAF

I

THE CHALLENGE OF THOR

I am the God Thor, I am the War God, I am the Thunderer! Here in my Northland, My fastness and fortress, Reign I forever!

Here amid icebergs Rule I the nations; This is my hammer, Miölner the mighty; Giants and sorcerers Cannot withstand it!

These are the gauntlets Wherewith I wield it, And hurl it afar off; This is my girdle; Whenever I brace it, Strength is redoubled!

The light thou beholdest Stream through the heavens, In flashes of crimson, Is but my red beard Blown by the night-wind, Affrighting the nations!

Jove is my brother; Mine eyes are the lightning; The wheels of my chariot Roll in the thunder, The blows of my hammer Ring in the earthquake!

Force rules the world still, Has ruled it, shall rule it; Meekness is weakness, Strength is triumphant, Over the whole earth Still is it Thor’s-Day!

Thou art a God too, O Galilean! And thus single-handed Unto the combat, Gauntlet or Gospel, Here I defy thee!

II

KING OLAF’S RETURN

And King Olaf heard the cry, Saw the red light in the sky, Laid his hand upon his sword, As he leaned upon the railing, And his ships went sailing, sailing Northward into Drontheim fiord.

There he stood as one who dreamed; And the red light glanced and gleamed On the armor that he wore; And he shouted, as the rifled Streamers o’er him shook and shifted, “I accept thy challenge, Thor!”

To avenge his father slain, And reconquer realm and reign, Came the youthful Olaf home, Through the midnight sailing, sailing, Listening to the wild wind’s wailing, And the dashing of the foam.

To his thoughts the sacred name Of his mother Astrid came, And the tale she oft had told Of her flight by secret passes Through the mountains and morasses, To the home of Hakon old.

Then strange memories crowded back Of Queen Gunhild’s wrath and wrack, And a hurried flight by sea; Of grim Vikings, and the rapture Of the sea-fight, and the capture, And the life of slavery.

How a stranger watched his face In the Esthonian market-place, Scanned his features one by one, Saying, “We should know each other; I am Sigurd, Astrid’s brother, Thou art Olaf, Astrid’s son!”

Then as Queen Allogia’s page, Old in honors, young in age, Chief of all her men-at-arms; Till vague whispers, and mysterious, Reached King Valdemar, the imperious, Filling him with strange alarms.

Then his cruisings o’er the seas, Westward to the Hebrides, And to Scilly’s rocky shore; And the hermit’s cavern dismal, Christ’s great name and rites baptismal in the ocean’s rush and roar.

All these thoughts of love and strife Glimmered through his lurid life, As the stars’ intenser light Through the red flames o’er him trailing, As his ships went sailing, sailing, Northward in the summer night.

Trained for either camp or court, Skilful in each manly sport, Young and beautiful and tall; Art of warfare, craft of chases, Swimming, skating, snow-shoe races Excellent alike in all.

When at sea, with all his rowers, He along the bending oars Outside of his ship could run. He the Smalsor Horn ascended, And his shining shield suspended, On its summit, like a sun.

On the ship-rails he could stand, Wield his sword with either hand, And at once two javelins throw; At all feasts where ale was strongest Sat the merry monarch longest, First to come and last to go.

Norway never yet had seen One so beautiful of mien, One so royal in attire, When in arms completely furnished, Harness gold-inlaid and burnished, Mantle like a flame of fire.

Thus came Olaf to his own, When upon the night-wind blown Passed that cry along the shore; And he answered, while the rifted Streamers o’er him shook and shifted, “I accept thy challenge, Thor!”

III

THORA OF RIMOL

"Thora of Rimol! hide me! hide me! Danger and shame and death betide me! For Olaf the King is hunting me down Through field and forest, through thorp and town!" Thus cried Jarl Hakon To Thora, the fairest of women.

Hakon Jarl! for the love I bear thee Neither shall shame nor death come near thee! But the hiding-place wherein thou must lie Is the cave underneath the swine in the sty." Thus to Jarl Hakon Said Thora, the fairest of women.

So Hakon Jarl and his base thrall Karker Crouched in the cave, than a dungeon darker, As Olaf came riding, with men in mail, Through the forest roads into Orkadale, Demanding Jarl Hakon Of Thora, the fairest of women.

"Rich and honored shall be whoever The head of Hakon Jarl shall dissever!" Hakon heard him, and Karker the slave, Through the breathing-holes of the darksome cave. Alone in her chamber Wept Thora, the fairest of women.

Said Karker, the crafty, "I will not slay thee! For all the king's gold I will never betray thee!" "Then why dost thou turn so pale, O churl, And then again black as the earth?" said the Earl. More pale and more faithful Was Thora, the fairest of women.

From a dream in the night the thrall started, saying, "Round my neck a gold ring King Olaf was laying!" And Hakon answered, "Beware of the king! He will lay round thy neck a blood-red ring." At the ring on her finger Gazed Thora, the fairest of women.

At daybreak slept Hakon, with sorrows encumbered, But screamed and drew up his feet as he slumbered; The thrall in the darkness plunged with his knife, And the Earl awakened no more in this life. But wakeful and weeping Sat Thora, the fairest of women.

At Nidarholm the priests are all singing, Two ghastly heads on the gibbet are swinging; One is Jarl Hakon's and one is his thrall's, And the people are shouting from windows and walls; While alone in her chamber Swoons Thora, the fairest of women.

IV

QUEEN SIGRID THE HAUGHTY

Queen Sigrid the Haughty sat proud and aloft In her chamber, that looked over meadow and croft. Heart's dearest, Why dost thou sorrow so?

The floor with tassels of fir was besprent, Filling the room with their fragrant scent.

She heard the birds sing, she saw the sun shine, The air of summer was sweeter than wine.

Like a sword without scabbard the bright river lay Between her own kingdom and Norroway.

But Olaf the King had sued for her hand, The sword would be sheathed, the river be spanned.

Her maidens were seated around her knee, Working bright figures in tapestry.

And one was singing the ancient rune Of Brynhilda's love and the wrath of Gudrun.

And through it, and round it, and over it all Sounded incessant the waterfall.

The Queen in her hand held a ring of gold, From the door of Lade's Temple old.

King Olaf had sent her this wedding gift, But her thoughts as arrows were keen and swift.

She had given the ring to her goldsmiths twain, Who smiled, as they handed it back again.

And Sigrid the Queen, in her haughty way, Said, "Why do you smile, my goldsmiths, say?"

And they answered: "O Queen! if the truth must be told, The ring is of copper, and not of gold!"

The lightning flashed o'er her forehead and cheek, She only murmured, she did not speak:

"If in his gifts he can faithless be, There will be no gold in his love to me."

A footstep was heard on the outer stair, And in strode King Olaf with royal air.

He kissed the Queen's hand, and he whispered of love, And swore to be true as the stars are above.

But she smiled with contempt as she answered: "O King, Will you swear it, as Odin once swore, on the ring?"

And the King: "O speak not of Odin to me, The wife of King Olaf a Christian must be."

Looking straight at the King, with her level brows, She said, "I keep true to my faith and my vows."

Then the face of King Olaf was darkened with gloom, He rose in his anger and strode through the room.

"Why, then, should I care to have thee?" he said,-- "A faded old woman, a heathenish jade!"

His zeal was stronger than fear or love, And he struck the Queen in the face with his glove.

Then forth from the chamber in anger he fled, And the wooden stairway shook with his tread.

Queen Sigrid the Haughty said under her breath, "This insult, King Olaf, shall be thy death!" Heart's dearest, Why dost thou sorrow so?

V

THE SKERRY OF SHRIEKS

Now from all King Olaf's farms His men-at-arms Gathered on the Eve of Easter; To his house at Angvalds-ness Fast they press, Drinking with the royal feaster.

Loudly through the wide-flung door Came the roar Of the sea upon the Skerry; And its thunder loud and near Reached the ear, Mingling with their voices merry.

"Hark!" said Olaf to his Scald, Halfred the Bald, "Listen to that song, and learn it! Half my kingdom would I give, As I live, If by such songs you would earn it!

"For of all the runes and rhymes Of all times, Best I like the ocean's dirges, When the old harper heaves and rocks, His hoary locks Flowing and flashing in the surges!"

Halfred answered: "I am called The Unappalled! Nothing hinders me or daunts me. Hearken to me, then, O King, While I sing The great Ocean Song that haunts me."

"I will hear your song sublime Some other time," Says the drowsy monarch, yawning, And retires; each laughing guest Applauds the jest; Then they sleep till day is dawning.

Facing up and down the yard, King Olaf's guard Saw the sea-mist slowly creeping O'er the sands, and up the hill, Gathering still Round the house where they were sleeping.

It was not the fog he saw, Nor misty flaw, That above the landscape brooded; It was Eyvind Kallda's crew Of warlocks blue With their caps of darkness hooded!

Round and round the house they go, Weaving slow Magic circles to encumber And imprison in their ring Olaf the King, As he helpless lies in slumber.

Then athwart the vapors dun The Easter sun Streamed with one broad track of splendor! in their real forms appeared The warlocks weird, Awful as the Witch of Endor.

Blinded by the light that glared, They groped and stared Round about with steps unsteady; From his window Olaf gazed, And, amazed, "Who are these strange people?" said he.

"Eyvind Kallda and his men!" Answered then From the yard a sturdy farmer; While the men-at-arms apace Filled the place, Busily buckling on their armor.

From the gates they sallied forth, South and north, Scoured the island coast around them, Seizing all the warlock band, Foot and hand On the Skerry's rocks they bound them.

And at eve the king again Called his train, And, with all the candles burning, Silent sat and heard once more The sullen roar Of the ocean tides returning.

Shrieks and cries of wild despair Filled the air, Growing fainter as they listened; Then the bursting surge alone Sounded on;-- Thus the sorcerers were christened!

"Sing, O Scald, your song sublime, Your ocean-rhyme," Cried King Olaf: "it will cheer me!" Said the Scald, with pallid cheeks, "The Skerry of Shrieks Sings too loud for you to hear me!"

VI

THE WRAITH OF ODIN

The guests were loud, the ale was strong, King Olaf feasted late and long; The hoary Scalds together sang; O'erhead the smoky rafters rang. Dead rides Sir Morten of Fogelsang.

The door swung wide, with creak and din; A blast of cold night-air came in, And on the threshold shivering stood A one-eyed guest, with cloak and hood. Dead rides Sir Morten of Fogelsang.

The King exclaimed, "O graybeard pale! Come warm thee with this cup of ale." The foaming draught the old man quaffed, The noisy guests looked on and laughed. Dead rides Sir Morten of Fogelsang.

Then spake the King: "Be not afraid; Sit here by me." The guest obeyed, And, seated at the table, told Tales of the sea, and Sagas old. Dead rides Sir Morten of Fogelsang.

And ever, when the tale was o'er, The King demanded yet one more; Till Sigurd the Bishop smiling said, "'T is late, O King, and time for bed." Dead rides Sir Morten of Fogelsang.

The King retired; the stranger guest Followed and entered with the rest; The lights were out, the pages gone, But still the garrulous guest spake on. Dead rides Sir Morten of Fogelsang.

As one who from a volume reads, He spake of heroes and their deeds, Of lands and cities he had seen, And stormy gulfs that tossed between. Dead rides Sir Morten of Fogelsang.

Then from his lips in music rolled The Havamal of Odin old, With sounds mysterious as the roar Of billows on a distant shore. Dead rides Sir Morten of Fogelsang.

"Do we not learn from runes and rhymes Made by the gods in elder times, And do not still the great Scalds teach That silence better is than speech?" Dead rides Sir Morten of Fogelsang.

Smiling at this, the King replied, "Thy lore is by thy tongue belied; For never was I so enthralled Either by Saga-man or Scald," Dead rides Sir Morten of Fogelsang.

The Bishop said, "Late hours we keep! Night wanes, O King! 't is time for sleep!" Then slept the King, and when he woke The guest was gone, the morning broke. Dead rides Sir Morten of Fogelsang.

They found the doors securely barred, They found the watch-dog in the yard, There was no footprint in the grass, And none had seen the stranger pass. Dead rides Sir Morten of Fogelsang.

King Olaf crossed himself and said: "I know that Odin the Great is dead; Sure is the triumph of our Faith, The one-eyed stranger was his wraith." Dead rides Sir Morten of Fogelsang.

VII

IRON-BEARD

Olaf the King, one summer morn, Blew a blast on his bugle-horn, Sending his signal through the land of Drontheim.

And to the Hus-Ting held at Mere Gathered the farmers far and near, With their war weapons ready to confront him.

Ploughing under the morning star, Old Iron-Beard in Yriar Heard the summons, chuckling with a low laugh.

He wiped the sweat-drops from his brow, Unharnessed his horses from the plough, And clattering came on horseback to King Olaf.

He was the churliest of the churls; Little he cared for king or earls; Bitter as home-brewed ale were his foaming passions.

Hodden-gray was the garb he wore, And by the Hammer of Thor he swore; He hated the narrow town, and all its fashions.

But he loved the freedom of his farm, His ale at night, by the fireside warm, Gudrun his daughter, with her flaxen tresses.

He loved his horses and his herds, The smell of the earth, and the song of birds, His well-filled barns, his brook with its water-cresses.

Huge and cumbersome was his frame; His beard, from which he took his name, Frosty and fierce, like that of Hymer the Giant.

So at the Hus-Ting he appeared, The farmer of Yriar, Iron-Beard, On horseback, in an attitude defiant.

And to King Olaf he cried aloud, Out of the middle of the crowd, That tossed about him like a stormy ocean:

"Such sacrifices shalt thou bring; To Odin and to Thor, O King, As other kings have done in their devotion!"

King Olaf answered: "I command This land to be a Christian land; Here is my Bishop who the folk baptizes!

"But if you ask me to restore Your sacrifices, stained with gore, Then will I offer human sacrifices!

"Not slaves and peasants shall they be, But men of note and high degree, Such men as Orm of Lyra and Kar of Gryting!"

Then to their Temple strode he in, And loud behind him heard the din Of his men-at-arms and the peasants fiercely fighting.

There in the Temple, carved in wood, The image of great Odin stood, And other gods, with Thor supreme among them.

King Olaf smote them with the blade Of his huge war-axe, gold inlaid, And downward shattered to the pavement flung them.

At the same moment rose without, From the contending crowd, a shout, A mingled sound of triumph and of wailing.

And there upon the trampled plain The farmer iron-Beard lay slain, Midway between the assailed and the assailing.

King Olaf from the doorway spoke. "Choose ye between two things, my folk, To be baptized or given up to slaughter!"

And seeing their leader stark and dead, The people with a murmur said, "O King, baptize us with thy holy water";

So all the Drontheim land became A Christian land in name and fame, In the old gods no more believing and trusting.

And as a blood-atonement, soon King Olaf wed the fair Gudrun; And thus in peace ended the Drontheim Hus-Ting!

VIII

GUDRUN

On King Olaf's bridal night Shines the moon with tender light, And across the chamber streams Its tide of dreams.

At the fatal midnight hour, When all evil things have power, In the glimmer of the moon Stands Gudrun.

Close against her heaving breast Something in her hand is pressed Like an icicle, its sheen Is cold and keen.

On the cairn are fixed her eyes Where her murdered father lies, And a voice remote and drear She seems to hear.

What a bridal night is this! Cold will be the dagger's kiss; Laden with the chill of death Is its breath.

Like the drifting snow she sweeps To the couch where Olaf sleeps; Suddenly he wakes and stirs, His eyes meet hers.

"What is that," King Olaf said, "Gleams so bright above thy head? Wherefore standest thou so white In pale moonlight?"

"'T is the bodkin that I wear When at night I bind my hair; It woke me falling on the floor; 'T is nothing more."

"Forests have ears, and fields have eyes; Often treachery lurking lies Underneath the fairest hair! Gudrun beware!"

Ere the earliest peep of morn Blew King Olaf's bugle-horn; And forever sundered ride Bridegroom and bride!

IX

THANGBRAND THE PRIEST

Short of stature, large of limb, Burly face and russet beard, All the women stared at him, When in Iceland he appeared. "Look!" they said, With nodding head, "There goes Thangbrand, Olaf's Priest."

All the prayers he knew by rote, He could preach like Chrysostome, From the Fathers he could quote, He had even been at Rome, A learned clerk, A man of mark, Was this Thangbrand, Olaf's Priest,

He was quarrelsome and loud, And impatient of control, Boisterous in the market crowd, Boisterous at the wassail-bowl, Everywhere Would drink and swear, Swaggering Thangbrand, Olaf's Priest

In his house this malcontent Could the King no longer bear, So to Iceland he was sent To convert the heathen there, And away One summer day Sailed this Thangbrand, Olaf's Priest.

There in Iceland, o'er their books Pored the people day and night, But he did not like their looks, Nor the songs they used to write. "All this rhyme Is waste of time!" Grumbled Thangbrand, Olaf's Priest.

To the alehouse, where he sat Came the Scalds and Saga-men; Is it to be wondered at, That they quarrelled now and then, When o'er his beer Began to leer Drunken Thangbrand, Olaf's Priest?

All the folk in Altafiord Boasted of their island grand; Saying in a single word, "Iceland is the finest land That the sun Doth shine upon!" Loud laughed Thangbrand, Olaf's Priest.

And he answered: "What's the use Of this bragging up and down, When three women and one goose Make a market in your town!" Every Scald Satires scrawled On poor Thangbrand, Olaf's Priest.

Something worse they did than that; And what vexed him most of all Was a figure in shovel hat, Drawn in charcoal on the wall; With words that go Sprawling below, "This is Thangbrand, Olaf's Priest."

Hardly knowing what he did, Then he smote them might and main, Thorvald Veile and Veterlid Lay there in the alehouse slain. "To-day we are gold, To-morrow mould!" Muttered Thangbrand, Olaf's Priest.

Much in fear of axe and rope, Back to Norway sailed he then. "O, King Olaf! little hope Is there of these Iceland men!" Meekly said, With bending head, Pious Thangbrand, Olaf's Priest.

X

RAUD THE STRONG

"All the old gods are dead, All the wild warlocks fled; But the White Christ lives and reigns, And throughout my wide domains His Gospel shall be spread!" On the Evangelists Thus swore King Olaf.

But still in dreams of the night Beheld he the crimson light, And heard the voice that defied Him who was crucified, And challenged him to the fight. To Sigurd the Bishop King Olaf confessed it.

And Sigurd the Bishop said, "The old gods are not dead, For the great Thor still reigns, And among the Jarls and Thanes The old witchcraft still is spread." Thus to King Olaf Said Sigurd the Bishop.

"Far north in the Salten Fiord, By rapine, fire, and sword, Lives the Viking, Raud the Strong; All the Godoe Isles belong To him and his heathen horde." Thus went on speaking Sigurd the Bishop.

"A warlock, a wizard is he, And lord of the wind and the sea; And whichever way he sails, He has ever favoring gales, By his craft in sorcery." Here the sign of the cross Made devoutly King Olaf.

"With rites that we both abhor, He worships Odin and Thor; So it cannot yet be said, That all the old gods are dead, And the warlocks are no more," Flushing with anger Said Sigurd the Bishop.

Then King Olaf cried aloud: "I will talk with this mighty Raud, And along the Salten Fiord Preach the Gospel with my sword, Or be brought back in my shroud!" So northward from Drontheim Sailed King Olaf!

XI

BISHOP SIGURD AT SALTEN FIORD

Loud the angry wind was wailing As King Olaf's ships came sailing Northward out of Drontheim haven To the mouth of Salten Fiord.

Though the flying sea-spray drenches Fore and aft the rowers' benches, Not a single heart is craven Of the champions there on board.

All without the Fiord was quiet But within it storm and riot, Such as on his Viking cruises Raud the Strong was wont to ride.

And the sea through all its tide-ways Swept the reeling vessels sideways, As the leaves are swept through sluices, When the flood-gates open wide.

"'T is the warlock! 't is the demon Raud!" cried Sigurd to the seamen; "But the Lord is not affrighted By the witchcraft of his foes."

To the ship's bow he ascended, By his choristers attended, Round him were the tapers lighted, And the sacred incense rose.

On the bow stood Bishop Sigurd, In his robes, as one transfigured, And the Crucifix he planted High amid the rain and mist.

Then with holy water sprinkled All the ship; the mass-bells tinkled; Loud the monks around him chanted, Loud he read the Evangelist.

As into the Fiord they darted, On each side the water parted; Down a path like silver molten Steadily rowed King Olaf's ships;

Steadily burned all night the tapers, And the White Christ through the vapors Gleamed across the Fiord of Salten, As through John's Apocalypse,--

Till at last they reached Raud's dwelling On the little isle of Gelling; Not a guard was at the doorway, Not a glimmer of light was seen.

But at anchor, carved and gilded, Lay the dragon-ship he builded; 'T was the grandest ship in Norway, With its crest and scales of green.

Up the stairway, softly creeping, To the loft where Raud was sleeping, With their fists they burst asunder Bolt and bar that held the door.

Drunken with sleep and ale they found him, Dragged him from his bed and bound him, While he stared with stupid wonder, At the look and garb they wore.

Then King Olaf said: "O Sea-King! Little time have we for speaking, Choose between the good and evil; Be baptized, or thou shalt die!

But in scorn the heathen scoffer Answered: "I disdain thine offer; Neither fear I God nor Devil; Thee and thy Gospel I defy!"

Then between his jaws distended, When his frantic struggles ended, Through King Olaf's horn an adder, Touched by fire, they forced to glide.

Sharp his tooth was as an arrow, As he gnawed through bone and marrow; But without a groan or shudder, Raud the Strong blaspheming died.

Then baptized they all that region, Swarthy Lap and fair Norwegian, Far as swims the salmon, leaping, Up the streams of Salten Fiord.

In their temples Thor and Odin Lay in dust and ashes trodden, As King Olaf, onward sweeping, Preached the Gospel with his sword.

Then he took the carved and gilded Dragon-ship that Raud had builded, And the tiller single-handed, Grasping, steered into the main.

Southward sailed the sea-gulls o'er him, Southward sailed the ship that bore him, Till at Drontheim haven landed Olaf and his crew again.

XII

KING OLAF'S CHRISTMAS

At Drontheim, Olaf the King Heard the bells of Yule-tide ring, As he sat in his banquet-hall, Drinking the nut-brown ale, With his bearded Berserks hale And tall.

Three days his Yule-tide feasts He held with Bishops and Priests, And his horn filled up to the brim; But the ale was never too strong, Nor the Saga-man's tale too long, For him.

O'er his drinking-horn, the sign He made of the cross divine, As he drank, and muttered his prayers; But the Berserks evermore Made the sign of the Hammer of Thor Over theirs.

The gleams of the fire-light dance Upon helmet and hauberk and lance, And laugh in the eyes of the King; And he cries to Halfred the Scald, Gray-bearded, wrinkled, and bald, "Sing!"

"Sing me a song divine, With a sword in every line, And this shall be thy reward." And he loosened the belt at his waist, And in front of the singer placed His sword.

"Quern-biter of Hakon the Good, Wherewith at a stroke he hewed The millstone through and through, And Foot-breadth of Thoralf the Strong, Were neither so broad nor so long, Nor so true."

Then the Scald took his harp and sang, And loud though the music rang The sound of that shining word; And the harp-strings a clangor made, As if they were struck with the blade Of a sword.

And the Berserks round about Broke forth into a shout That made the rafters ring: They smote with their fists on the board, And shouted, "Long live the Sword, And the King!"

But the King said, "O my son, I miss the bright word in one Of thy measures and thy rhymes." And Halfred the Scald replied, "In another 't was multiplied Three times."

Then King Olaf raised the hilt Of iron, cross-shaped and gilt, And said, "Do not refuse; Count well the gain and the loss, Thor's hammer or Christ's cross: Choose!"

And Halfred the Scald said, "This In the name of the Lord I kiss, Who on it was crucified!" And a shout went round the board, "In the name of Christ the Lord, Who died!"

Then over the waste of snows The noonday sun uprose, Through the driving mists revealed, Like the lifting of the Host, By incense-clouds almost Concealed.

On the shining wall a vast And shadowy cross was cast From the hilt of the lifted sword, And in foaming cups of ale The Berserks drank "Was-hael! To the Lord!"

XIII

THE BUILDING OF THE LONG SERPENT

Thorberg Skafting, master-builder, In his ship-yard by the sea, Whistling, said, "It would bewilder Any man but Thorberg Skafting, Any man but me!"

Near him lay the Dragon stranded, Built of old by Raud the Strong, And King Olaf had commanded He should build another Dragon, Twice as large and long.

Therefore whistled Thorberg Skafting, As he sat with half-closed eyes, And his head turned sideways, drafting That new vessel for King Olaf Twice the Dragon's size.

Round him busily hewed and hammered Mallet huge and heavy axe; Workmen laughed and sang and clamored; Whirred the wheels, that into rigging Spun the shining flax!

All this tumult heard the master,-- It was music to his ear; Fancy whispered all the faster, "Men shall hear of Thorberg Skafting For a hundred year!"

Workmen sweating at the forges Fashioned iron bolt and bar, Like a warlock's midnight orgies Smoked and bubbled the black caldron With the boiling tar.

Did the warlocks mingle in it, Thorberg Skafting, any curse? Could you not be gone a minute But some mischief must be doing, Turning bad to worse?

'T was an ill wind that came wafting, From his homestead words of woe To his farm went Thorberg Skafting, Oft repeating to his workmen, Build ye thus and so.

After long delays returning Came the master back by night To his ship-yard longing, yearning, Hurried he, and did not leave it Till the morning's light.

"Come and see my ship, my darling" On the morrow said the King; "Finished now from keel to carling; Never yet was seen in Norway Such a wondrous thing!"

In the ship-yard, idly talking, At the ship the workmen stared: Some one, all their labor balking, Down her sides had cut deep gashes, Not a plank was spared!

"Death be to the evil-doer!" With an oath King Olaf spoke; "But rewards to his pursuer And with wrath his face grew redder Than his scarlet cloak.

Straight the master-builder, smiling, Answered thus the angry King: "Cease blaspheming and reviling, Olaf, it was Thorberg Skafting Who has done this thing!"

Then he chipped and smoothed the planking, Till the King, delighted, swore, With much lauding and much thanking, "Handsomer is now my Dragon Than she was before!"

Seventy ells and four extended On the grass the vessel's keel; High above it, gilt and splendid, Rose the figure-head ferocious With its crest of steel.

Then they launched her from the tressels, In the ship-yard by the sea; She was the grandest of all vessels, Never ship was built in Norway Half so fine as she!

The Long Serpent was she christened, 'Mid the roar of cheer on cheer! They who to the Saga listened Heard the name of Thorberg Skafting For a hundred year!

XIV

THE CREW OF THE LONG SERPENT

Safe at anchor in Drontheim bay King Olaf's fleet assembled lay, And, striped with white and blue, Downward fluttered sail and banner, As alights the screaming lanner; Lustily cheered, in their wild manner, The Long Serpent's crew

Her forecastle man was Ulf the Red, Like a wolf's was his shaggy head, His teeth as large and white; His beard, of gray and russet blended, Round as a swallow's nest descended; As standard-bearer he defended Olaf's flag in the fight.

Near him Kolbiorn had his place, Like the King in garb and face, So gallant and so hale; Every cabin-boy and varlet Wondered at his cloak of scarlet; Like a river, frozen and star-lit, Gleamed his coat of mail.

By the bulkhead, tall and dark, Stood Thrand Rame of Thelemark, A figure gaunt and grand; On his hairy arm imprinted Was an anchor, azure-tinted; Like Thor's hammer, huge and dinted Was his brawny hand.

Einar Tamberskelver, bare To the winds his golden hair, By the mainmast stood; Graceful was his form, and slender, And his eyes were deep and tender As a woman's, in the splendor Of her maidenhood.

In the fore-hold Biorn and Bork Watched the sailors at their work: Heavens! how they swore! Thirty men they each commanded, Iron-sinewed, horny-handed, Shoulders broad, and chests expanded. Tugging at the oar.

These, and many more like these, With King Olaf sailed the seas, Till the waters vast Filled them with a vague devotion, With the freedom and the motion, With the roll and roar of ocean And the sounding blast.

When they landed from the fleet, How they roared through Drontheim's street, Boisterous as the gale! How they laughed and stamped and pounded, Till the tavern roof resounded, And the host looked on astounded As they drank the ale!

Never saw the wild North Sea Such a gallant company Sail its billows blue! Never, while they cruised and quarrelled, Old King Gorm, or Blue-Tooth Harald, Owned a ship so well apparelled, Boasted such a crew!

XV

A LITTLE BIRD IN THE AIR

A little bird in the air Is singing of Thyri the fair, The sister of Svend the Dane; And the song of the garrulous bird In the streets of the town is heard, And repeated again and again. Hoist up your sails of silk, And flee away from each other.

To King Burislaf, it is said, Was the beautiful Thyri wed, And a sorrowful bride went she; And after a week and a day, She has fled away and away, From his town by the stormy sea. Hoist up your sails of silk, And flee away from each other.

They say, that through heat and through cold, Through weald, they say, and through wold, By day and by night, they say, She has fled; and the gossips report She has come to King Olaf's court, And the town is all in dismay. Hoist up your sails of silk, And flee away from each other.

It is whispered King Olaf has seen, Has talked with the beautiful Queen; And they wonder how it will end; For surely, if here she remain, It is war with King Svend the Dane, And King Burislaf the Vend! Hoist up your sails of silk, And flee away from each other.

O, greatest wonder of all! It is published in hamlet and hall, It roars like a flame that is fanned! The King--yes, Olaf the King-- Has wedded her with his ring, And Thyri is Queen in the land! Hoist up your sails of silk, And flee away from each other.

XVI

QUEEN THYRI AND THE ANGELICA STALKS

Northward over Drontheim, Flew the clamorous sea-gulls, Sang the lark and linnet From the meadows green;

Weeping in her chamber, Lonely and unhappy, Sat the Drottning Thyri, Sat King Olaf's Queen.

In at all the windows Streamed the pleasant sunshine, On the roof above her Softly cooed the dove;

But the sound she heard not, Nor the sunshine heeded, For the thoughts of Thyri Were not thoughts of love,

Then King Olaf entered, Beautiful as morning, Like the sun at Easter Shone his happy face;

In his hand he carried Angelicas uprooted, With delicious fragrance Filling all the place.

Like a rainy midnight Sat the Drottning Thyri, Even the smile of Olaf Could not cheer her gloom;

Nor the stalks he gave her With a gracious gesture, And with words as pleasant As their own perfume.

In her hands he placed them, And her jewelled fingers Through the green leaves glistened Like the dews of morn;

But she cast them from her, Haughty and indignant, On the floor she threw them With a look of scorn.

"Richer presents," said she, "Gave King Harald Gormson To the Queen, my mother, Than such worthless weeds;

"When he ravaged Norway, Laying waste the kingdom, Seizing scatt and treasure For her royal needs.

"But thou darest not venture Through the Sound to Vendland, My domains to rescue From King Burislaf;

"Lest King Svend of Denmark, Forked Beard, my brother, Scatter all thy vessels As the wind the chaff."

Then up sprang King Olaf, Like a reindeer bounding, With an oath he answered Thus the luckless Queen:

"Never yet did Olaf Fear King Svend of Denmark; This right hand shall hale him By his forked chin!"

Then he left the chamber, Thundering through the doorway, Loud his steps resounded Down the outer stair.

Smarting with the insult, Through the streets of Drontheim Strode he red and wrathful, With his stately air.

All his ships he gathered, Summoned all his forces, Making his war levy In the region round;

Down the coast of Norway, Like a flock of sea-gulls, Sailed the fleet of Olaf Through the Danish Sound.

With his own hand fearless, Steered he the Long Serpent, Strained the creaking cordage, Bent each boom and gaff;

Till in Venland landing, The domains of Thyri He redeemed and rescued From King Burislaf.

Then said Olaf, laughing, "Not ten yoke of oxen Have the power to draw us Like a woman's hair!

"Now will I confess it, Better things are jewels Than angelica stalks are For a Queen to wear."

XVII

KING SVEND OF THE FORKED BEAR

Loudly the sailors cheered Svend of the Forked Beard, As with his fleet he steered Southward to Vendland; Where with their courses hauled All were together called, Under the Isle of Svald Near to the mainland.

After Queen Gunhild's death, So the old Saga saith, Plighted King Svend his faith To Sigrid the Haughty; And to avenge his bride, Soothing her wounded pride, Over the waters wide King Olaf sought he.

Still on her scornful face, Blushing with deep disgrace, Bore she the crimson trace Of Olaf's gauntlet; Like a malignant star, Blazing in heaven afar, Red shone the angry scar Under her frontlet.

Oft to King Svend she spake, "For thine own honor's sake Shalt thou swift vengeance take On the vile coward!" Until the King at last, Gusty and overcast, Like a tempestuous blast Threatened and lowered.

Soon as the Spring appeared, Svend of the Forked Beard High his red standard reared, Eager for battle; While every warlike Dane, Seizing his arms again, Left all unsown the grain, Unhoused the cattle.

Likewise the Swedish King Summoned in haste a Thing, Weapons and men to bring In aid of Denmark; Erie the Norseman, too, As the war-tidings flew, Sailed with a chosen crew From Lapland and Finmark.

So upon Easter day Sailed the three kings away, Out of the sheltered bay, In the bright season; With them Earl Sigvald came, Eager for spoil and fame; Pity that such a name Stooped to such treason!

Safe under Svald at last, Now were their anchors cast, Safe from the sea and blast, Plotted the three kings; While, with a base intent, Southward Earl Sigvald went, On a foul errand bent, Unto the Sea-kings.

Thence to hold on his course, Unto King Olaf's force, Lying within the hoarse Mouths of Stet-haven; Him to ensnare and bring, Unto the Danish king, Who his dead corse would fling Forth to the raven!

XVIII

KING OLAF AND EARL SIGVALD

On the gray sea-sands King Olaf stands, Northward and seaward He points with his hands.

With eddy and whirl The sea-tides curl, Washing the sandals Of Sigvald the Earl.

The mariners shout, The ships swing about, The yards are all hoisted, The sails flutter out.

The war-horns are played, The anchors are weighed, Like moths in the distance The sails flit and fade.

The sea is like lead The harbor lies dead, As a corse on the sea-shore, Whose spirit has fled!

On that fatal day, The histories say, Seventy vessels Sailed out of the bay.

But soon scattered wide O'er the billows they ride, While Sigvald and Olaf Sail side by side.

Cried the Earl: "Follow me! I your pilot will be, For I know all the channels Where flows the deep sea!"

So into the strait Where his foes lie in wait, Gallant King Olaf Sails to his fate!

Then the sea-fog veils The ships and their sails; Queen Sigrid the Haughty, Thy vengeance prevails!

XIX

KING OLAF'S WAR-HORNS

"Strike the sails!" King Olaf said; "Never shall men of mine take flight; Never away from battle I fled, Never away from my foes! Let God dispose Of my life in the fight!"

"Sound the horns!" said Olaf the King; And suddenly through the drifting brume The blare of the horns began to ring, Like the terrible trumpet shock Of Regnarock, On the Day of Doom!

Louder and louder the war-horns sang Over the level floor of the flood; All the sails came down with a clang, And there in the mist overhead The sun hung red As a drop of blood.

Drifting down on the Danish fleet Three together the ships were lashed, So that neither should turn and retreat; In the midst, but in front of the rest The burnished crest Of the Serpent flashed.

King Olaf stood on the quarter-deck, With bow of ash and arrows of oak, His gilded shield was without a fleck, His helmet inlaid with gold, And in many a fold Hung his crimson cloak.

On the forecastle Ulf the Red Watched the lashing of the ships; "If the Serpent lie so far ahead, We shall have hard work of it here, Said he with a sneer On his bearded lips.

King Olaf laid an arrow on string, "Have I a coward on board?" said he. "Shoot it another way, O King!" Sullenly answered Ulf, The old sea-wolf; "You have need of me!"

In front came Svend, the King of the Danes, Sweeping down with his fifty rowers; To the right, the Swedish king with his thanes; And on board of the Iron Beard Earl Eric steered To the left with his oars.

"These soft Danes and Swedes," said the King, "At home with their wives had better stay, Than come within reach of my Serpent's sting: But where Eric the Norseman leads Heroic deeds Will be done to-day!"

Then as together the vessels crashed, Eric severed the cables of hide, With which King Olaf's ships were lashed, And left them to drive and drift With the currents swift Of the outward tide.

Louder the war-horns growl and snarl, Sharper the dragons bite and sting! Eric the son of Hakon Jarl A death-drink salt as the sea Pledges to thee, Olaf the King!

XX

EINAR TAMBERSKELVER

It was Einar Tamberskelver Stood beside the mast; From his yew-bow, tipped with silver, Flew the arrows fast; Aimed at Eric unavailing, As he sat concealed, Half behind the quarter-railing, Half behind his shield.

First an arrow struck the tiller, Just above his head; "Sing, O Eyvind Skaldaspiller," Then Earl Eric said. "Sing the song of Hakon dying, Sing his funeral wail!" And another arrow flying Grazed his coat of mail.

Turning to a Lapland yeoman, As the arrow passed, Said Earl Eric, "Shoot that bowman Standing by the mast." Sooner than the word was spoken Flew the yeoman's shaft; Einar's bow in twain was broken, Einar only laughed.

"What was that?" said Olaf, standing On the quarter-deck. "Something heard I like the stranding Of a shattered wreck." Einar then, the arrow taking From the loosened string, Answered, "That was Norway breaking From thy hand, O King!"

"Thou art but a poor diviner," Straightway Olaf said; "Take my bow, and swifter, Einar, Let thy shafts be sped." Of his bows the fairest choosing, Reached he from above; Einar saw the blood-drops oozing Through his iron glove.

But the bow was thin and narrow; At the first assay, O'er its head he drew the arrow, Flung the bow away; Said, with hot and angry temper Flushing in his cheek, "Olaf! for so great a Kamper Are thy bows too weak!"

Then, with smile of joy defiant On his beardless lip, Scaled he, light and self-reliant, Eric's dragon-ship. Loose his golden locks were flowing, Bright his armor gleamed; Like Saint Michael overthrowing Lucifer he seemed.

XXI

KING OLAF'S DEATH-DRINK

All day has the battle raged, All day have the ships engaged, But not yet is assuaged The vengeance of Eric the Earl.

The decks with blood are red, The arrows of death are sped, The ships are filled with the dead, And the spears the champions hurl.

They drift as wrecks on the tide, The grappling-irons are plied, The boarders climb up the side, The shouts are feeble and few.

Ah! never shall Norway again See her sailors come back o'er the main; They all lie wounded or slain, Or asleep in the billows blue!

On the deck stands Olaf the King, Around him whistle and sing The spears that the foemen fling, And the stones they hurl with their hands.

In the midst of the stones and the spears, Kolbiorn, the marshal, appears, His shield in the air he uprears, By the side of King Olaf he stands.

Over the slippery wreck Of the Long Serpent's deck Sweeps Eric with hardly a check, His lips with anger are pale;

He hews with his axe at the mast, Till it falls, with the sails overcast, Like a snow-covered pine in the vast Dim forests of Orkadale.

Seeking King Olaf then, He rushes aft with his men, As a hunter into the den Of the bear, when he stands at bay.

"Remember Jarl Hakon!" he cries; When lo! on his wondering eyes, Two kingly figures arise, Two Olaf's in warlike array!

Then Kolbiorn speaks in the ear Of King Olaf a word of cheer, In a whisper that none may hear, With a smile on his tremulous lip;

Two shields raised high in the air, Two flashes of golden hair, Two scarlet meteors' glare, And both have leaped from the ship.

Earl Eric's men in the boats Seize Kolbiorn's shield as it floats, And cry, from their hairy throats, "See! it is Olaf the King!"

While far on the opposite side Floats another shield on the tide, Like a jewel set in the wide Sea-current's eddying ring.

There is told a wonderful tale, How the King stripped off his mail, Like leaves of the brown sea-kale, As he swam beneath the main;

But the young grew old and gray, And never, by night or by day, In his kingdom of Norroway Was King Olaf seen again!

XXII

THE NUN OF NIDAROS

In the convent of Drontheim, Alone in her chamber Knelt Astrid the Abbess, At midnight, adoring, Beseeching, entreating The Virgin and Mother.

She heard in the silence The voice of one speaking, Without in the darkness, In gusts of the night-wind Now louder, now nearer, Now lost in the distance.

The voice of a stranger It seemed as she listened, Of some one who answered, Beseeching, imploring, A cry from afar off She could not distinguish.

The voice of Saint John, The beloved disciple, Who wandered and waited The Master's appearance. Alone in the darkness, Unsheltered and friendless.

"It is accepted The angry defiance The challenge of battle! It is accepted, But not with the weapons Of war that thou wieldest!

"Cross against corselet, Love against hatred, Peace-cry for war-cry! Patience is powerful; He that o'ercometh Hath power o'er the nations!

"As torrents in summer, Half dried in their channels, Suddenly rise, though the Sky is still cloudless, For rain has been falling Far off at their fountains;

So hearts that are fainting Grow full to o'erflowing, And they that behold it Marvel, and know not That God at their fountains Far off has been raining!

"Stronger than steel Is the sword of the Spirit; Swifter than arrows The light of the truth is, Greater than anger Is love, and subdueth!

"Thou art a phantom, A shape of the sea-mist, A shape of the brumal Rain, and the darkness Fearful and formless; Day dawns and thou art not!

"The dawn is not distant, Nor is the night starless; Love is eternal! God is still God, and His faith shall not fail us Christ is eternal!"

INTERLUDE

A strain of music closed the tale, A low, monotonous, funeral wail, That with its cadence, wild and sweet, Made the long Saga more complete.

"Thank God," the Theologian said, "The reign of violence is dead, Or dying surely from the world; While Love triumphant reigns instead, And in a brighter sky o'erhead His blessed banners are unfurled. And most of all thank God for this: The war and waste of clashing creeds Now end in words, and not in deeds, And no one suffers loss, or bleeds, For thoughts that men call heresies.

"I stand without here in the porch, I hear the bell's melodious din, I hear the organ peal within, I hear the prayer, with words that scorch Like sparks from an inverted torch, I hear the sermon upon sin, With threatenings of the last account. And all, translated in the air, Reach me but as our dear Lord's Prayer, And as the Sermon on the Mount.

"Must it be Calvin, and not Christ? Must it be Athanasian creeds, Or holy water, books, and beads? Must struggling souls remain content With councils and decrees of Trend? And can it be enough for these The Christian Church the year embalms With evergreens and boughs of palms, And fills the air with litanies?

"I know that yonder Pharisee Thanks God that he is not like me; In my humiliation dressed, I only stand and beat my breast, And pray for human charity.

"Not to one church alone, but seven, The voice prophetic spake from heaven; And unto each the promise came, Diversified, but still the same; For him that overcometh are The new name written on the stone, The raiment white, the crown, the throne, And I will give him the Morning Star!

"Ah! to how many Faith has been No evidence of things unseen, But a dim shadow, that recasts The creed of the Phantasiasts, For whom no Man of Sorrows died, For whom the Tragedy Divine Was but a symbol and a sign, And Christ a phantom crucified!

"For others a diviner creed Is living in the life they lead. The passing of their beautiful feet Blesses the pavement of the street And all their looks and words repeat Old Fuller's saying, wise and sweet, Not as a vulture, but a dove, The Holy Ghost came from above.

"And this brings back to me a tale So sad the hearer well may quail, And question if such things can be; Yet in the chronicles of Spain Down the dark pages runs this stain, And naught can wash them white again, So fearful is the tragedy."

THE THEOLOGIAN'S TALE

TORQUEMADA

In the heroic days when Ferdinand And Isabella ruled the Spanish land, And Torquemada, with his subtle brain, Ruled them, as Grand Inquisitor of Spain, In a great castle near Valladolid, Moated and high and by fair woodlands hid, There dwelt as from the chronicles we learn, An old Hidalgo proud and taciturn, Whose name has perished, with his towers of stone, And all his actions save this one alone; This one, so terrible, perhaps 't were best If it, too, were forgotten with the rest; Unless, perchance, our eyes can see therein The martyrdom triumphant o'er the sin; A double picture, with its gloom and glow, The splendor overhead, the death below.

This sombre man counted each day as lost On which his feet no sacred threshold crossed; And when he chanced the passing Host to meet, He knelt and prayed devoutly in the street; Oft he confessed; and with each mutinous thought, As with wild beasts at Ephesus, he fought. In deep contrition scourged himself in Lent, Walked in processions, with his head down bent, At plays of Corpus Christi oft was seen, And on Palm Sunday bore his bough of green. His sole diversion was to hunt the boar Through tangled thickets of the forest hoar, Or with his jingling mules to hurry down To some grand bull-fight in the neighboring town, Or in the crowd with lighted taper stand, When Jews were burned, or banished from the land. Then stirred within him a tumultuous joy; The demon whose delight is to destroy Shook him, and shouted with a trumpet tone, Kill! kill! and let the Lord find out his own!"

And now, in that old castle in the wood, His daughters, in the dawn of womanhood, Returning from their convent school, had made Resplendent with their bloom the forest shade, Reminding him of their dead mother's face, When first she came into that gloomy place,-- A memory in his heart as dim and sweet As moonlight in a solitary street, Where the same rays, that lift the sea, are thrown Lovely but powerless upon walls of stone. These two fair daughters of a mother dead Were all the dream had left him as it fled. A joy at first, and then a growing care, As if a voice within him cried, "Beware A vague presentiment of impending doom, Like ghostly footsteps in a vacant room, Haunted him day and night; a formless fear That death to some one of his house was near, With dark surmises of a hidden crime, Made life itself a death before its time. Jealous, suspicious, with no sense of shame, A spy upon his daughters he became; With velvet slippers, noiseless on the floors, He glided softly through half-open doors; Now in the room, and now upon the stair, He stood beside them ere they were aware; He listened in the passage when they talked, He watched them from the casement when they walked, He saw the gypsy haunt the river's side, He saw the monk among the cork-trees glide; And, tortured by the mystery and the doubt Of some dark secret, past his finding out, Baffled he paused; then reassured again Pursued the flying phantom of his brain. He watched them even when they knelt in church; And then, descending lower in his search, Questioned the servants, and with eager eyes Listened incredulous to their replies; The gypsy? none had seen her in the wood! The monk? a mendicant in search of food!

At length the awful revelation came, Crushing at once his pride of birth and name; The hopes his yearning bosom forward cast, And the ancestral glories of the vast, All fell together, crumbling in disgrace, A turret rent from battlement to base. His daughters talking in the dead of night In their own chamber, and without a light, Listening, as he was wont, he overheard, And learned the dreadful secret, word by word; And hurrying from his castle, with a cry He raised his hands to the unpitying sky, Repeating one dread word, till bush and tree Caught it, and shuddering answered, "Heresy!"

Wrapped in his cloak, his hat drawn o'er his face, Now hurrying forward, now with lingering pace, He walked all night the alleys of his park, With one unseen companion in the dark, The Demon who within him lay in wait, And by his presence turned his love to hate, Forever muttering in an undertone, "Kill! kill! and let the Lord find out his own!"

Upon the morrow, after early Mass, While yet the dew was glistening on the grass, And all the woods were musical with birds, The old Hidalgo, uttering fearful words, Walked homeward with the Priest, and in his room Summoned his trembling daughters to their doom. When questioned, with brief answers they replied, Nor when accused evaded or denied; Expostulations, passionate appeals, All that the human heart most fears or feels, In vain the Priest with earnest voice essayed; In vain the father threatened, wept, and prayed; Until at last he said, with haughty mien, "The Holy Office, then, must intervene!"

And now the Grand Inquisitor of Spain, With all the fifty horsemen of his train, His awful name resounding, like the blast Of funeral trumpets, as he onward passed, Came to Valladolid, and there began To harry the rich Jews with fire and ban. To him the Hidalgo went, and at the gate Demanded audience on affairs of state, And in a secret chamber stood before A venerable graybeard of fourscore, Dressed in the hood and habit of a friar; Out of his eyes flashed a consuming fire, And in his hand the mystic horn he held, Which poison and all noxious charms dispelled. He heard in silence the Hidalgo's tale, Then answered in a voice that made him quail: "Son of the Church! when Abraham of old To sacrifice his only son was told, He did not pause to parley nor protest But hastened to obey the Lord's behest. In him it was accounted righteousness; The Holy Church expects of thee no less!"

A sacred frenzy seized the father's brain, And Mercy from that hour implored in vain. Ah! who will e'er believe the words I say? His daughters he accused, and the same day They both were cast into the dungeon's gloom, That dismal antechamber of the tomb, Arraigned, condemned, and sentenced to the flame, The secret torture and the public shame.

Then to the Grand Inquisitor once more The Hidalgo went, more eager than before, And said: "When Abraham offered up his son, He clave the wood wherewith it might be done. By his example taught, let me too bring Wood from the forest for my offering!" And the deep voice, without a pause, replied: "Son of the Church! by faith now justified, Complete thy sacrifice, even as thou wilt; The Church absolves thy conscience from all guilt!"

Then this most wretched father went his way Into the woods, that round his castle lay, Where once his daughters in their childhood played With their young mother in the sun and shade. Now all the leaves had fallen; the branches bare Made a perpetual moaning in the air, And screaming from their eyries overhead The ravens sailed athwart the sky of lead. With his own hands he lopped the boughs and bound Fagots, that crackled with foreboding sound, And on his mules, caparisoned and gay With bells and tassels, sent them on their way.

Then with his mind on one dark purpose bent, Again to the Inquisitor he went, And said: "Behold, the fagots I have brought, And now, lest my atonement be as naught, Grant me one more request, one last desire,-- With my own hand to light the funeral fire!" And Torquemada answered from his seat, "Son of the Church! Thine offering is complete; Her servants through all ages shall not cease To magnify thy deed. Depart in peace!"

Upon the market-place, builded of stone The scaffold rose, whereon Death claimed his own. At the four corners, in stern attitude, Four statues of the Hebrew Prophets stood, Gazing with calm indifference in their eyes Upon this place of human sacrifice, Round which was gathering fast the eager crowd, With clamor of voices dissonant and loud, And every roof and window was alive With restless gazers, swarming like a hive.

The church-bells tolled, the chant of monks drew near, Loud trumpets stammered forth their notes of fear, A line of torches smoked along the street, There was a stir, a rush, a tramp of feet, And, with its banners floating in the air, Slowly the long procession crossed the square, And, to the statues of the Prophets bound, The victims stood, with fagots piled around. Then all the air a blast of trumpets shook, And louder sang the monks with bell and book, And the Hidalgo, lofty, stern, and proud, Lifted his torch, and, bursting through the crowd, Lighted in haste the fagots, and then fled, Lest those imploring eyes should strike him dead!

O pitiless skies! why did your clouds retain For peasants' fields their floods of hoarded rain? O pitiless earth! why open no abyss To bury in its chasm a crime like this?

That night a mingled column of fire and smoke Prom the dark thickets of the forest broke, And, glaring o'er the landscape leagues away, Made all the fields and hamlets bright as day. Wrapped in a sheet of flame the castle blazed, And as the villagers in terror gazed, They saw the figure of that cruel knight Lean from a window in the turret's height, His ghastly face illumined with the glare, His hands upraised above his head in prayer, Till the floor sank beneath him, and he fell Down the black hollow of that burning well.

Three centuries and more above his bones Have piled the oblivious years like funeral stones; His name has perished with him, and no trace Remains on earth of his afflicted race; But Torquemada's name, with clouds o'ercast, Looms in the distant landscape of the Past, Like a burnt tower upon a blackened heath, Lit by the fires of burning woods beneath!

INTERLUDE

Thus closed the tale of guilt and gloom, That cast upon each listener's face Its shadow, and for some brief space Unbroken silence filled the room. The Jew was thoughtful and distressed; Upon his memory thronged and pressed The persecution of his race, Their wrongs and sufferings and disgrace; His head was sunk upon his breast, And from his eyes alternate came Flashes of wrath and tears of shame.

The student first the silence broke, As one who long has lain in wait With purpose to retaliate, And thus he dealt the avenging stroke. "In such a company as this, A tale so tragic seems amiss, That by its terrible control O'ermasters and drags down the soul Into a fathomless abyss. The Italian Tales that you disdain, Some merry Night of Straparole, Or Machiavelli's Belphagor, Would cheer us and delight us more, Give greater pleasure and less pain Than your grim tragedies of Spain!"

And here the Poet raised his hand, With such entreaty and command, It stopped discussion at its birth, And said: "The story I shall tell Has meaning in it, if not mirth; Listen, and hear what once befell The merry birds of Killingworth!"

THE POET'S TALE

THE BIRDS OF KILLINGWORTH

It was the season, when through all the land The merle and mavis build, and building sing Those lovely lyrics, written by His hand, Whom Saxon Caedmon calls the Blitheheart King; When on the boughs the purple buds expand, The banners of the vanguard of the Spring, And rivulets, rejoicing, rush and leap, And wave their fluttering signals from the steep.

The robin and the bluebird, piping loud, Filled all the blossoming orchards with their glee; The sparrows chirped as if they still were proud Their race in Holy Writ should mentioned be; And hungry crows assembled in a crowd, Clamored their piteous prayer incessantly, Knowing who hears the ravens cry, and said: "Give us, O Lord, this day our daily bread!"

Across the Sound the birds of passage sailed, Speaking some unknown language strange and sweet Of tropic isle remote, and passing hailed The village with the cheers of all their fleet; Or quarrelling together, laughed and railed Like foreign sailors, landed in the street Of seaport town, and with outlandish noise Of oaths and gibberish frightening girls and boys.

Thus came the jocund Spring in Killingworth, In fabulous day; some hundred years ago; And thrifty farmers, as they tilled the earth, Heard with alarm the cawing of the crow, That mingled with the universal mirth, Cassandra-like, prognosticating woe; They shook their heads, and doomed with dreadful words To swift destruction the whole race of birds.

And a town-meeting was convened straightway To set a price upon the guilty heads Of these marauders, who, in lieu of pay, Levied black-mail upon the garden beds And cornfields, and beheld without dismay The awful scarecrow, with his fluttering shreds; The skeleton that waited at their feast, Whereby their sinful pleasure was increased.

Then from his house, a temple painted white, With fluted columns, and a roof of red, The Squire came forth, august and splendid sight! Slowly descending, with majestic tread, Three flights of steps, nor looking left nor right, Down the long street he walked, as one who said, "A town that boasts inhabitants like me Can have no lack of good society!"

The Parson, too, appeared, a man austere, The instinct of whose nature was to kill; The wrath of God he preached from year to year, And read, with fervor, Edwards on the Will; His favorite pastime was to slay the deer In Summer on some Adirondac hill; E'en now, while walking down the rural lane, He lopped the wayside lilies with his cane.

From the Academy, whose belfry crowned The hill of Science with its vane of brass, Came the Preceptor, gazing idly round, Now at the clouds, and now at the green grass, And all absorbed in reveries profound Of fair Almira in the upper class, Who was, as in a sonnet he had said, As pure as water, and as good as bread.

And next the Deacon issued from his door, In his voluminous neck-cloth, white as snow; A suit of sable bombazine he wore; His form was ponderous, and his step was slow; There never was so wise a man before; He seemed the incarnate "Well, I told you so!" And to perpetuate his great renown There was a street named after him in town.

These came together in the new town-hall, With sundry farmers from the region round. The Squirt presided, dignified and tall, His air impressive and his reasoning sound; Ill fared it with the birds, both great and small; Hardly a friend in all that crowd they found, But enemies enough, who every one Charged them with all the crimes beneath the sun.

When they had ended, from his place apart, Rose the Preceptor, to redress the wrong, And, trembling like a steed before the start, Looked round bewildered on the expectant throng; Then thought of fair Almira, and took heart To speak out what was in him, clear and strong, Alike regardless of their smile or frown, And quite determined not to be laughed down.

"Plato, anticipating the Reviewers, From his Republic banished without pity The Poets; in this little town of yours, You put to death, by means of a Committee, The ballad-singers and the Troubadours, The street-musicians of the heavenly city, The birds, who make sweet music for us all In our dark hours, as David did for Saul.

"The thrush that carols at the dawn of day From the green steeples of the piny wood; The oriole in the elm; the noisy jay, Jargoning like a foreigner at his food; The bluebird balanced on some topmost spray, Flooding with melody the neighborhood; Linnet and meadow-lark, and all the throng That dwell in nests, and have the gift of song.

"You slay them all! and wherefore! for the gain Of a scant handful more or less of wheat, Or rye, or barley, or some other grain, Scratched up at random by industrious feet, Searching for worm or weevil after rain! Or a few cherries, that are not so sweet As are the songs these uninvited guests, Sing at their feast with comfortable breasts.

"Do you ne'er think what wondrous beings these? Do you ne'er think who made them and who taught The dialect they speak, where melodies Alone are the interpreters of thought? Whose household words are songs in many keys, Sweeter than instrument of man e'er caught! Whose habitations in the tree-tops even Are half-way houses on the road to heaven!

"Think, every morning when the sun peeps through The dim, leaf-latticed windows of the grove, How jubilant the happy birds renew Their old, melodious madrigals of love! And when you think of this, remember too 'T is always morning somewhere, and above The awakening continent; from shore to shore, Somewhere the birds are singing evermore.

"Think of your woods and orchards without birds! Of empty nests that cling to boughs and beams As in an idiot's brain remembered words Hang empty 'mid the cobwebs of his dreams! Will bleat of flocks or bellowing of herds Make up for the lost music, when your teams Drag home the stingy harvest, and no more The feathered gleaners follow to your door?

"What! would you rather see the incessant stir Of insects in the windrows of the hay, And hear the locust and the grasshopper Their melancholy hurdy-gurdies play? Is this more pleasant to you than the whir Of meadow-lark, and her sweet roundelay, Or twitter of little field-fares, as you take Your nooning in the shade of bush and brake?

"You call them thieves and pillagers; but know, They are the winged wardens of your farms, Who from the cornfields drive the insidious foe, And from your harvests keep a hundred harms; Even the blackest of them all, the crow, Renders good service as your man-at-arms, Crushing the beetle in his coat of mail, And crying havoc on the slug and snail.

"How can I teach your children gentleness, And mercy to the weak, and reverence For Life, which, in its weakness or excess, Is still a gleam of God's omnipotence, Or Death, which, seeming darkness, is no less The selfsame light, although averted hence, When by your laws, your actions, and your speech, You contradict the very things I teach?"

With this he closed; and through the audience went A murmur, like the rustle of dead leaves; The farmers laughed and nodded, and some bent Their yellow heads together like their sheaves; Men have no faith in fine-spun sentiment Who put their trust in bullocks and in beeves. The birds were doomed; and, as the record shows, A bounty offered for the heads of crows.

There was another audience out of reach, Who had no voice nor vote in making laws, But in the papers read his little speech, And crowned his modest temples with applause; They made him conscious, each one more than each, He still was victor, vanquished in their cause. Sweetest of all the applause he won from thee, O fair Almira at the Academy!

And so the dreadful massacre began; O'er fields and orchards, and o'er woodland crests, The ceaseless fusillade of terror ran. Dead fell the birds, with blood-stains on their breasts, Or wounded crept away from sight of man, While the young died of famine in their nests; A slaughter to be told in groans, not words, The very St. Bartholomew of Birds!

The Summer came, and all the birds were dead; The days were like hot coals; the very ground Was burned to ashes; in the orchards fed Myriads of caterpillars, and around The cultivated fields and garden beds Hosts of devouring insects crawled, and found No foe to check their march, till they had made The land a desert without leaf or shade.

Devoured by worms, like Herod, was the town, Because, like Herod, it had ruthlessly Slaughtered the Innocents. From the trees spun down The canker-worms upon the passers-by, Upon each woman's bonnet, shawl, and gown, Who shook them off with just a little cry They were the terror of each favorite walk, The endless theme of all the village talk.

The farmers grew impatient but a few Confessed their error, and would not complain, For after all, the best thing one can do When it is raining, is to let it rain. Then they repealed the law, although they knew It would not call the dead to life again; As school-boys, finding their mistake too late, Draw a wet sponge across the accusing slate.

That year in Killingworth the Autumn came Without the light of his majestic look, The wonder of the falling tongues of flame, The illumined pages of his Doom's-Day book. A few lost leaves blushed crimson with their shame, And drowned themselves despairing in the brook, While the wild wind went moaning everywhere, Lamenting the dead children of the air!

But the next Spring a stranger sight was seen, A sight that never yet by bard was sung, As great a wonder as it would have been If some dumb animal had found a tongue! A wagon, overarched with evergreen, Upon whose boughs were wicker cages hung, All full of singing birds, came down the street, Filling the air with music wild and sweet.

From all the country round these birds were brought, By order of the town, with anxious quest, And, loosened from their wicker prisons, sought In woods and fields the places they loved best, Singing loud canticles, which many thought Were satires to the authorities addressed, While others, listening in green lanes, averred Such lovely music never had been heard!

But blither still and louder carolled they Upon the morrow, for they seemed to know It was the fair Almira's wedding-day, And everywhere, around, above, below, When the Preceptor bore his bride away, Their songs burst forth in joyous overflow, And a new heaven bent over a new earth Amid the sunny farms of Killingworth.

FINALE

The hour was late; the fire burned low, The Landlord's eyes were closed in sleep, And near the story's end a deep Sonorous sound at times was heard, As when the distant bagpipes blow. At this all laughed; the Landlord stirred, As one awaking from a swound, And, gazing anxiously around, Protested that he had not slept, But only shut his eyes, and kept His ears attentive to each word.

Then all arose, and said "Good Night." Alone remained the drowsy Squire To rake the embers of the fire, And quench the waning parlor light. While from the windows, here and there, The scattered lamps a moment gleamed, And the illumined hostel seemed The constellation of the Bear, Downward, athwart the misty air, Sinking and setting toward the sun, Far off the village clock struck one.

PART SECOND

PRELUDE

A cold, uninterrupted rain, That washed each southern window-pane, And made a river of the road; A sea of mist that overflowed The house, the barns, the gilded vane, And drowned the upland and the plain, Through which the oak-trees, broad and high, Like phantom ships went drifting by; And, hidden behind a watery screen, The sun unseen, or only seen As a faint pallor in the sky;-- Thus cold and colorless and gray, The morn of that autumnal day, As if reluctant to begin, Dawned on the silent Sudbury Inn, And all the guests that in it lay.

Full late they slept. They did not hear The challenge of Sir Chanticleer, Who on the empty threshing-floor, Disdainful of the rain outside, Was strutting with a martial stride, As if upon his thigh he wore The famous broadsword of the Squire, And said, "Behold me, and admire!"

Only the Poet seemed to hear, In drowse or dream, more near and near Across the border-land of sleep The blowing of a blithesome horn, That laughed the dismal day to scorn; A splash of hoofs and rush of wheels Through sand and mire like stranding keels, As from the road with sudden sweep The Mail drove up the little steep, And stopped beside the tavern door; A moment stopped, and then again With crack of whip and bark of dog Plunged forward through the sea of fog, And all was silent as before,-- All silent save the dripping rain.

Then one by one the guests came down, And greeted with a smile the Squire, Who sat before the parlor fire, Reading the paper fresh from town. First the Sicilian, like a bird, Before his form appeared, was heard Whistling and singing down the stair; Then came the Student, with a look As placid as a meadow-brook; The Theologian, still perplexed With thoughts of this world and the next; The Poet then, as one who seems Walking in visions and in dreams; Then the Musician, like a fair Hyperion from whose golden hair The radiance of the morning streams; And last the aromatic Jew Of Alicant, who, as he threw The door wide open, on the air Breathed round about him a perfume Of damask roses in full bloom, Making a garden of the room.

The breakfast ended, each pursued The promptings of his various mood; Beside the fire in silence smoked The taciturn, impassive Jew, Lost in a pleasant revery; While, by his gravity provoked, His portrait the Sicilian drew, And wrote beneath it "Edrehi, At the Red Horse in Sudbury."

By far the busiest of them all, The Theologian in the hall Was feeding robins in a cage,-- Two corpulent and lazy birds, Vagrants and pilferers at best, If one might trust the hostler's words, Chief instrument of their arrest; Two poets of the Golden Age, Heirs of a boundless heritage Of fields and orchards, east and west, And sunshine of long summer days, Though outlawed now and dispossessed!-- Such was the Theologian's phrase.

Meanwhile the Student held discourse With the Musician, on the source Of all the legendary lore Among the nations, scattered wide Like silt and seaweed by the force And fluctuation of the tide; The tale repeated o'er and o'er, With change of place and change of name, Disguised, transformed, and yet the same We've heard a hundred times before.

The Poet at the window mused, And saw, as in a dream confused, The countenance of the Sun, discrowned, And haggard with a pale despair, And saw the cloud-rack trail and drift Before it, and the trees uplift Their leafless branches, and the air Filled with the arrows of the rain, And heard amid the mist below, Like voices of distress and pain, That haunt the thoughts of men insane, The fateful cawings of the crow.

Then down the road, with mud besprent, And drenched with rain from head to hoof, The rain-drops dripping from his mane And tail as from a pent-house roof, A jaded horse, his head down bent, Passed slowly, limping as he went.

The young Sicilian--who had grown Impatient longer to abide A prisoner, greatly mortified To see completely overthrown His plans for angling in the brook, And, leaning o'er the bridge of stone, To watch the speckled trout glide by, And float through the inverted sky, Still round and round the baited hook-- Now paced the room with rapid stride, And, pausing at the Poet's side, Looked forth, and saw the wretched steed, And said: "Alas for human greed, That with cold hand and stony eye Thus turns an old friend out to die, Or beg his food from gate to gate! This brings a tale into my mind, Which, if you are not disinclined To listen, I will now relate."

All gave assent; all wished to hear, Not without many a jest and jeer, The story of a spavined steed; And even the Student with the rest Put in his pleasant little jest Out of Malherbe, that Pegasus Is but a horse that with all speed Bears poets to the hospital; While the Sicilian, self-possessed, After a moment's interval Began his simple story thus.

THE SICILIAN'S TALE

THE BELL OF ATRI

At Atri in Abruzzo, a small town Of ancient Roman date, but scant renown, One of those little places that have run Half up the hill, beneath a blazing sun, And then sat down to rest, as if to say, "I climb no farther upward, come what may,"-- The Re Giovanni, now unknown to fame, So many monarchs since have borne the name, Had a great bell hung in the market-place Beneath a roof, projecting some small space, By way of shelter from the sun and rain. Then rode he through the streets with all his train, And, with the blast of trumpets loud and long, Made proclamation, that whenever wrong Was done to any man, he should but ring The great bell in the square, and he, the King, Would cause the Syndic to decide thereon. Such was the proclamation of King John.

How swift the happy days in Atri sped, What wrongs were righted, need not here be said. Suffice it that, as all things must decay, The hempen rope at length was worn away, Unravelled at the end, and, strand by strand, Loosened and wasted in the ringer's hand, Till one, who noted this in passing by, Mended the rope with braids of briony, So that the leaves and tendrils of the vine Hung like a votive garland at a shrine.

By chance it happened that in Atri dwelt A knight, with spur on heel and sword in belt, Who loved to hunt the wild-boar in the woods, Who loved his falcons with their crimson hoods, Who loved his hounds and horses, and all sports And prodigalities of camps and courts;-- Loved, or had loved them; for at last, grown old, His only passion was the love of gold.

He sold his horses, sold his hawks and hounds, Rented his vineyards and his garden-grounds, Kept but one steed, his favorite steed of all, To starve and shiver in a naked stall, And day by day sat brooding in his chair, Devising plans how best to hoard and spare.

At length he said: "What is the use or need To keep at my own cost this lazy steed, Eating his head off in my stables here, When rents are low and provender is dear? Let him go feed upon the public ways; I want him only for the holidays." So the old steed was turned into the heat Of the long, lonely, silent, shadeless street; And wandered in suburban lanes forlorn, Barked at by dogs, and torn by brier and thorn.

One afternoon, as in that sultry clime It is the custom in the summer time, With bolted doors and window-shutters closed, The inhabitants of Atri slept or dozed; When suddenly upon their senses fell The loud alarum of the accusing bell! The Syndic started from his deep repose, Turned on his couch, and listened, and then rose And donned his robes, and with reluctant pace Went panting forth into the market-place, Where the great bell upon its cross-beam swung Reiterating with persistent tongue, In half-articulate jargon, the old song: "Some one hath done a wrong, hath done a wrong!"

But ere he reached the belfry's light arcade He saw, or thought he saw, beneath its shade, No shape of human form of woman born, But a poor steed dejected and forlorn, Who with uplifted head and eager eye Was tugging at the vines of briony. "Domeneddio!" cried the Syndie straight, "This is the Knight of Atri's steed of state! He calls for justice, being sore distressed, And pleads his cause as loudly as the best."

Meanwhile from street and lane a noisy crowd Had rolled together like a summer cloud, And told the story of the wretched beast In five-and-twenty different ways at least, With much gesticulation and appeal To heathen gods, in their excessive zeal. The Knight was called and questioned; in reply Did not confess the fact, did not deny; Treated the matter as a pleasant jest, And set at naught the Syndic and the rest, Maintaining, in an angry undertone, That he should do what pleased him with his own.

And thereupon the Syndic gravely read The proclamation of the King; then said: "Pride goeth forth on horseback grand and gay, But cometh back on foot, and begs its way; Fame is the fragrance of heroic deeds, Of flowers of chivalry and not of weeds! These are familiar proverbs; but I fear They never yet have reached your knightly ear. What fair renown, what honor, what repute Can come to you from starving this poor brute? He who serves well and speaks not, merits more Than they who clamor loudest at the door. Therefore the law decrees that as this steed Served you in youth, henceforth you shall take heed To comfort his old age, and to provide Shelter in stall an food and field beside."

The Knight withdrew abashed; the people all Led home the steed in triumph to his stall. The King heard and approved, and laughed in glee And cried aloud: "Right well it pleaseth me! Church-bells at best but ring us to the door; But go not in to mass; my bell doth more: It cometh into court and pleads the cause Of creatures dumb and unknown to the laws; And this shall make, in every Christian clime, The Bell of Atri famous for all time."

INTERLUDE

"Yes, well your story pleads the cause Of those dumb mouths that have no speech, Only a cry from each to each In its own kind, with its own laws; Something that is beyond the reach Of human power to learn or teach,-- An inarticulate moan of pain, Like the immeasurable main Breaking upon an unknown beach."

Thus spake the Poet with a sigh; Then added, with impassioned cry, As one who feels the words he speaks, The color flushing in his cheeks, The fervor burning in his eye: "Among the noblest in the land, Though he may count himself the least, That man I honor and revere Who without favor, without fear, In the great city dares to stand The friend of every friendless beast, And tames with his unflinching hand The brutes that wear our form and face, The were-wolves of the human race!" Then paused, and waited with a frown, Like some old champion of romance, Who, having thrown his gauntlet down, Expectant leans upon his lance; But neither Knight nor Squire is found To raise the gauntlet from the ground, And try with him the battle's chance.

"Wake from your dreams, O Edrehi! Or dreaming speak to us, and make A feint of being half awake, And tell us what your dreams may be. Out of the hazy atmosphere Of cloud-land deign to reappear Among us in this Wayside Inn; Tell us what visions and what scenes Illuminate the dark ravines In which you grope your way. Begin!"

Thus the Sicilian spake. The Jew Made no reply, but only smiled, As men unto a wayward child, Not knowing what to answer, do. As from a cavern's mouth, o'ergrown With moss and intertangled vines, A streamlet leaps into the light And murmurs over root and stone In a melodious undertone; Or as amid the noonday night Of sombre and wind-haunted pines, There runs a sound as of the sea; So from his bearded lips there came A melody without a name, A song, a tale, a history, Or whatsoever it may be, Writ and recorded in these lines.

THE SPANISH JEW'S TALE

KAMBALU

Into the city of Kambalu, By the road that leadeth to Ispahan, At the head of his dusty caravan, Laden with treasure from realms afar, Baldacca and Kelat and Kandahar, Rode the great captain Alau.

The Khan from his palace-window gazed, And saw in the thronging street beneath, In the light of the setting sun, that blazed Through the clouds of dust by the caravan raised, The flash of harness and jewelled sheath, And the shining scymitars of the guard, And the weary camels that bared their teeth, As they passed and passed through the gates unbarred Into the shade of the palace-yard.

Thus into the city of Kambalu Rode the great captain Alau; And he stood before the Khan, and said: "The enemies of my lord are dead; All the Kalifs of all the West Bow and obey thy least behest; The plains are dark with the mulberry-trees, The weavers are busy in Samarcand, The miners are sifting the golden sand, The divers plunging for pearls in the seas, And peace and plenty are in the land.

"Baldacca's Kalif, and he alone, Rose in revolt against thy throne: His treasures are at thy palace-door, With the swords and the shawls and the jewels he wore; His body is dust o'er the desert blown.

"A mile outside of Baldacca's gate I left my forces to lie in wait, Concealed by forests and hillocks of sand, And forward dashed with a handful of men, To lure the old tiger from his den Into the ambush I had planned. Ere we reached the town the alarm was spread, For we heard the sound of gongs from within; And with clash of cymbals and warlike din The gates swung wide; and we turned and fled; And the garrison sallied forth and pursued, With the gray old Kalif at their head, And above them the banner of Mohammed: So we snared them all, and the town was subdued.

"As in at the gate we rode, behold, A tower that is called the Tower of Gold! For there the Kalif had hidden his wealth, Heaped and hoarded and piled on high, Like sacks of wheat in a granary; And thither the miser crept by stealth To feel of the gold that gave him health, And to gaze and gloat with his hungry eye On jewels that gleamed like a glow-worm's spark, Or the eyes of a panther in the dark.

"I said to the Kalif: 'Thou art old, Thou hast no need of so much gold. Thou shouldst not have heaped and hidden it here, Till the breath of battle was hot and near, But have sown through the land these useless hoards To spring into shining blades of swords, And keep thine honor sweet and clear. These grains of gold are not grains of wheat; These bars of silver thou canst not eat; These jewels and pearls and precious stones Cannot cure the aches in thy bones, Nor keep the feet of Death one hour From climbing the stairways of thy tower!'

"Then into his dungeon I locked the drone, And left him to feed there all alone In the honey-cells of his golden hive: Never a prayer, nor a cry, nor a groan Was heard from those massive walls of stone, Nor again was the Kalif seen alive!

"When at last we unlocked the door, We found him dead upon the floor; The rings had dropped from his withered hands, His teeth were like bones in the desert sands: Still clutching his treasure he had died; And as he lay there, he appeared A statue of gold with a silver beard, His arms outstretched as if crucified."

This is the story, strange and true, That the great captain Alau Told to his brother the Tartar Khan, When he rode that day into Kambalu By the road that leadeth to Ispahan.

INTERLUDE

"I thought before your tale began," The Student murmured, "we should have Some legend written by Judah Rav In his Gemara of Babylon; Or something from the Gulistan,-- The tale of the Cazy of Hamadan, Or of that King of Khorasan Who saw in dreams the eyes of one That had a hundred years been dead Still moving restless in his head, Undimmed, and gleaming with the lust Of power, though all the rest was dust.

"But lo! your glittering caravan On the road that leadeth to Ispahan Hath led us farther to the East Into the regions of Cathay. Spite of your Kalif and his gold, Pleasant has been the tale you told, And full of color; that at least No one will question or gainsay. And yet on such a dismal day We need a merrier tale to clear The dark and heavy atmosphere. So listen, Lordlings, while I tell, Without a preface, what befell A simple cobbler, in the year -- No matter; it was long ago; And that is all we need to know."

THE STUDENT'S TALE

THE COBBLER OF HAGENAU

I trust that somewhere and somehow You all have heard of Hagenau, A quiet, quaint, and ancient town Among the green Alsatian hills, A place of valleys, streams, and mills, Where Barbarossa's castle, brown With rust of centuries, still looks down On the broad, drowsy land below,-- On shadowy forests filled with game, And the blue river winding slow Through meadows, where the hedges grow That give this little town its name.

It happened in the good old times, While yet the Master-singers filled The noisy workshop and the guild With various melodies and rhymes, That here in Hagenau there dwelt A cobbler,--one who loved debate, And, arguing from a postulate, Would say what others only felt; A man of forecast and of thrift, And of a shrewd and careful mind In this world's business, but inclined Somewhat to let the next world drift.

Hans Sachs with vast delight he read, And Regenbogen's rhymes of love, For their poetic fame had spread Even to the town of Hagenau; And some Quick Melody of the Plough, Or Double Harmony of the Dove, Was always running in his head. He kept, moreover, at his side, Among his leathers and his tools, Reynard the Fox, the Ship of Fools, Or Eulenspiegel, open wide; With these he was much edified: He thought them wiser than the Schools.

His good wife, full of godly fear, Liked not these worldly themes to hear; The Psalter was her book of songs; The only music to her ear Was that which to the Church belongs, When the loud choir on Sunday chanted, And the two angels carved in wood, That by the windy organ stood, Blew on their trumpets loud and clear, And all the echoes, far and near, Gibbered as if the church were haunted. Outside his door, one afternoon, This humble votary of the muse Sat in the narrow strip of shade By a projecting cornice made, Mending the Burgomaster's shoes, And singing a familiar tune:--

"Our ingress into the world Was naked and bare; Our progress through the world Is trouble and care; Our egress from the world Will be nobody knows where; But if we do well here We shall do well there; And I could tell you no more, Should I preach a whole year!"

Thus sang the cobbler at his work; And with his gestures marked the time Closing together with a jerk Of his waxed thread the stitch and rhyme. Meanwhile his quiet little dame Was leaning o'er the window-sill, Eager, excited, but mouse-still, Gazing impatiently to see What the great throng of folk might be That onward in procession came, Along the unfrequented street, With horns that blew, and drums that beat, And banners flying, and the flame Of tapers, and, at times, the sweet Voices of nuns; and as they sang Suddenly all the church-bells rang.

In a gay coach, above the crowd, There sat a monk in ample hood, Who with his right hand held aloft A red and ponderous cross of wood, To which at times he meekly bowed. In front three horsemen rode, and oft, With voice and air importunate, A boisterous herald cried aloud: "The grace of God is at your gate!" So onward to the church they passed.

The cobbler slowly tuned his last, And, wagging his sagacious head, Unto his kneeling housewife said: "'Tis the monk Tetzel. I have heard The cawings of that reverend bird. Don't let him cheat you of your gold; Indulgence is not bought and sold."

The church of Hagenau, that night, Was full of people, full of light; An odor of incense filled the air, The priest intoned, the organ groaned Its inarticulate despair; The candles on the altar blazed, And full in front of it upraised The red cross stood against the glare. Below, upon the altar-rail Indulgences were set to sale, Like ballads at a country fair. A heavy strong-box, iron-bound And carved with many a quaint device, Received, with a melodious sound, The coin that purchased Paradise.

Then from the pulpit overhead, Tetzel the monk, with fiery glow, Thundered upon the crowd below. "Good people all, draw near!" he said; "Purchase these letters, signed and sealed, By which all sins, though unrevealed And unrepented, are forgiven! Count but the gain, count not the loss Your gold and silver are but dross, And yet they pave the way to heaven. I hear your mothers and your sires Cry from their purgatorial fires, And will ye not their ransom pay? O senseless people! when the gate Of heaven is open, will ye wait? Will ye not enter in to-day? To-morrow it will be too late; I shall be gone upon my way. Make haste! bring money while ye may!'

The women shuddered, and turned pale; Allured by hope or driven by fear, With many a sob and many a tear, All crowded to the altar-rail. Pieces of silver and of gold Into the tinkling strong-box fell Like pebbles dropped into a well; And soon the ballads were all sold. The cobbler's wife among the rest Slipped into the capacious chest A golden florin; then withdrew, Hiding the paper in her breast; And homeward through the darkness went Comforted, quieted, content; She did not walk, she rather flew, A dove that settles to her nest, When some appalling bird of prey That scared her has been driven away.

The days went by, the monk was gone, The summer passed, the winter came; Though seasons changed, yet still the same The daily round of life went on; The daily round of household care, The narrow life of toil and prayer. But in her heart the cobbler's dame Had now a treasure beyond price, A secret joy without a name, The certainty of Paradise. Alas, alas! Dust unto dust! Before the winter wore away, Her body in the churchyard lay, Her patient soul was with the Just! After her death, among the things That even the poor preserve with care,-- Some little trinkets and cheap rings, A locket with her mother's hair, Her wedding gown, the faded flowers She wore upon her wedding day,-- Among these memories of past hours, That so much of the heart reveal, Carefully kept and put away, The Letter of Indulgence lay Folded, with signature and seal.

Meanwhile the Priest, aggrieved and pained, Waited and wondered that no word Of mass or requiem he heard, As by the Holy Church ordained; Then to the Magistrate complained, That as this woman had been dead A week or more, and no mass said, It was rank heresy, or at least Contempt of Church; thus said the Priest; And straight the cobbler was arraigned.

He came, confiding in his cause, But rather doubtful of the laws. The Justice from his elbow-chair Gave him a look that seemed to say: "Thou standest before a Magistrate, Therefore do not prevaricate!" Then asked him in a business way, Kindly but cold: "Is thy wife dead?" The cobbler meekly bowed his head; "She is," came struggling from his throat Scarce audibly. The Justice wrote The words down in a book, and then Continued, as he raised his pen: "She is; and hath a mass been said For the salvation of her soul? Come, speak the truth! confess the whole!" The cobbler without pause replied: "Of mass or prayer there was no need; For at the moment when she died Her soul was with the glorified!" And from his pocket with all speed He drew the priestly title-deed, And prayed the Justice he would read.

The Justice read, amused, amazed; And as he read his mirth increased; At times his shaggy brows he raised, Now wondering at the cobbler gazed, Now archly at the angry Priest. "From all excesses, sins, and crimes Thou hast committed in past times Thee I absolve! And furthermore, Purified from all earthly taints, To the communion of the Saints And to the sacraments restore! All stains of weakness, and all trace Of shame and censure I efface; Remit the pains thou shouldst endure, And make thee innocent and pure, So that in dying, unto thee The gates of heaven shall open be! Though long thou livest, yet this grace Until the moment of thy death Unchangeable continueth!"

Then said he to the Priest: "I find This document is duly signed Brother John Tetzel, his own hand. At all tribunals in the land In evidence it may be used; Therefore acquitted is the accused." Then to the cobbler turned: "My friend, Pray tell me, didst thou ever read Reynard the Fox?"--"O yes, indeed!"-- "I thought so. Don't forget the end."

INTERLUDE

"What was the end? I am ashamed Not to remember Reynard's fate; I have not read the book of late; Was he not hanged?" the Poet said. The Student gravely shook his head, And answered: "You exaggerate. There was a tournament proclaimed, And Reynard fought with Isegrim The Wolf, and having vanquished him, Rose to high honor in the State, And Keeper of the Seals was named!"

At this the gay Sicilian laughed: "Fight fire with fire, and craft with craft; Successful cunning seems to be The moral of your tale," said he. "Mine had a better, and the Jew's Had none at all, that I could see; His aim was only to amuse."

Meanwhile from out its ebon case His violin the Minstrel drew, And having tuned its strings anew, Now held it close in his embrace, And poising in his outstretched hand The bow, like a magician's wand, He paused, and said, with beaming face: "Last night my story was too long; To-day I give you but a song, An old tradition of the North; But first, to put you in the mood, I will a little while prelude, And from this instrument draw forth Something by way of overture."

He played; at first the tones were pure And tender as a summer night, The full moon climbing to her height, The sob and ripple of the seas, The flapping of an idle sail; And then by sudden and sharp degrees The multiplied, wild harmonies Freshened and burst into a gale; A tempest howling through the dark, A crash as of some shipwrecked bark. A loud and melancholy wail.

Such was the prelude to the tale Told by the Minstrel; and at times He paused amid its varying rhymes, And at each pause again broke in The music of his violin, With tones of sweetness or of fear, Movements of trouble or of calm, Creating their own atmosphere; As sitting in a church we hear Between the verses of the psalm The organ playing soft and clear, Or thundering on the startled ear.

THE MUSICIAN'S TALE

THE BALLAD OF CARMILHAN

I

At Stralsund, by the Baltic Sea, Within the sandy bar, At sunset of a summer's day, Ready for sea, at anchor lay The good ship Valdemar.

The sunbeams danced upon the waves, And played along her side; And through the cabin windows streamed In ripples of golden light, that seemed The ripple of the tide.

There sat the captain with his friends, Old skippers brown and hale, Who smoked and grumbled o'er their grog, And talked of iceberg and of fog, Of calm and storm and gale.

And one was spinning a sailor's yarn About Klaboterman, The Kobold of the sea; a spright Invisible to mortal sight, Who o'er the rigging ran.

Sometimes he hammered in the hold, Sometimes upon the mast, Sometimes abeam, sometimes abaft, Or at the bows he sang and laughed, And made all tight and fast.

He helped the sailors at their work, And toiled with jovial din; He helped them hoist and reef the sails, He helped them stow the casks and bales, And heave the anchor in.

But woe unto the lazy louts, The idlers of the crew; Them to torment was his delight, And worry them by day and night, And pinch them black and blue.

And woe to him whose mortal eyes Klaboterman behold. It is a certain sign of death!-- The cabin-boy here held his breath, He felt his blood run cold.

II

The jolly skipper paused awhile, And then again began; "There is a Spectre Ship," quoth he, "A ship of the Dead that sails the sea, And is called the Carmilhan.

"A ghostly ship, with a ghostly crew, In tempests she appears; And before the gale, or against the gale, She sails without a rag of sail, Without a helmsman steers.

"She haunts the Atlantic north and south, But mostly the mid-sea, Where three great rocks rise bleak and bare Like furnace-chimneys in the air, And are called the Chimneys Three.

"And ill betide the luckless ship That meets the Carmilhan; Over her decks the seas will leap, She must go down into the deep, And perish mouse and man."

The captain of the Valdemar Laughed loud with merry heart. "I should like to see this ship," said he; "I should like to find these Chimneys Three, That are marked down in the chart.

"I have sailed right over the spot," he said "With a good stiff breeze behind, When the sea was blue, and the sky was clear,-- You can follow my course by these pinholes here,-- And never a rock could find."

And then he swore a dreadful oath, He swore by the Kingdoms Three, That, should he meet the Carmilhan, He would run her down, although he ran Right into Eternity!

All this, while passing to and fro, The cabin-boy had heard; He lingered at the door to hear, And drank in all with greedy ear, And pondered every word.

He was a simple country lad, But of a roving mind. "O, it must be like heaven," thought he, "Those far-off foreign lands to see, And fortune seek and find!"

But in the fo'castle, when he heard The mariners blaspheme, He thought of home, he thought of God, And his mother under the churchyard sod, And wished it were a dream.

One friend on board that ship had he; 'T was the Klaboterman, Who saw the Bible in his chest, And made a sign upon his breast, All evil things to ban.

III

The cabin windows have grown blank As eyeballs of the dead; No more the glancing sunbeams burn On the gilt letters of the stern, But on the figure-head;

On Valdemar Victorious, Who looketh with disdain To see his image in the tide Dismembered float from side to side, And reunite again.

"It is the wind," those skippers said, "That swings the vessel so; It is the wind; it freshens fast, 'T is time to say farewell at last 'T is time for us to go."

They shook the captain by the hand, "Goodluck! goodluck!" they cried; Each face was like the setting sun, As, broad and red, they one by one Went o'er the vessel's side.

The sun went down, the full moon rose, Serene o'er field and flood; And all the winding creeks and bays And broad sea-meadows seemed ablaze, The sky was red as blood.

The southwest wind blew fresh and fair, As fair as wind could be; Bound for Odessa, o'er the bar, With all sail set, the Valdemar Went proudly out to sea.

The lovely moon climbs up the sky As one who walks in dreams; A tower of marble in her light, A wall of black, a wall of white, The stately vessel seems.

Low down upon the sandy coast The lights begin to burn; And now, uplifted high in air, They kindle with a fiercer glare, And now drop far astern.

The dawn appears, the land is gone, The sea is all around; Then on each hand low hills of sand Emerge and form another land; She steereth through the Sound.

Through Kattegat and Skager-rack She flitteth like a ghost; By day and night, by night and day, She bounds, she flies upon her way Along the English coast.

Cape Finisterre is drawing near, Cape Finisterre is past; Into the open ocean stream She floats, the vision of a dream Too beautiful to last.

Suns rise and set, and rise, and yet There is no land in sight; The liquid planets overhead Burn brighter now the moon is dead, And longer stays the night.

IV

And now along the horizon's edge Mountains of cloud uprose, Black as with forests underneath, Above their sharp and jagged teeth Were white as drifted snows.

Unseen behind them sank the sun, But flushed each snowy peak A little while with rosy light That faded slowly from the sight As blushes from the cheek.

Black grew the sky,--all black, all black; The clouds were everywhere; There was a feeling of suspense In nature, a mysterious sense Of terror in the air.

And all on board the Valdemar Was still as still could be; Save when the dismal ship-bell tolled, As ever and anon she rolled, And lurched into the sea.

The captain up and down the deck Went striding to and fro; Now watched the compass at the wheel, Now lifted up his hand to feel Which way the wind might blow.

And now he looked up at the sails, And now upon the deep; In every fibre of his frame He felt the storm before it came, He had no thought of sleep.

Eight bells! and suddenly abaft, With a great rush of rain, Making the ocean white with spume, In darkness like the day of doom, On came the hurricane.

The lightning flashed from cloud to cloud, And rent the sky in two; A jagged flame, a single jet Of white fire, like a bayonet That pierced the eyeballs through.

Then all around was dark again, And blacker than before; But in that single flash of light He had beheld a fearful sight, And thought of the oath he swore.

For right ahead lay the Ship of the Dead, The ghostly Carmilhan! Her masts were stripped, her yards were bare, And on her bowsprit, poised in air, Sat the Klaboterman.

Her crew of ghosts was all on deck Or clambering up the shrouds; The boatswain's whistle, the captain's hail, Were like the piping of the gale, And thunder in the clouds.

And close behind the Carmilhan There rose up from the sea, As from a foundered ship of stone, Three bare and splintered masts alone: They were the Chimneys Three.

And onward dashed the Valdemar And leaped into the dark; A denser mist, a colder blast, A little shudder, and she had passed Right through the Phantom Bark.

She cleft in twain the shadowy hulk, But cleft it unaware; As when, careering to her nest, The sea-gull severs with her breast The unresisting air.

Again the lightning flashed; again They saw the Carmilhan, Whole as before in hull and spar; But now on board of the Valdemar Stood the Klaboterman.

And they all knew their doom was sealed; They knew that death was near; Some prayed who never prayed before, And some they wept, and some they swore, And some were mute with fear.

Then suddenly there came a shock, And louder than wind or sea A cry burst from the crew on deck, As she dashed and crashed, a hopeless wreck, Upon the Chimneys Three.

The storm and night were passed, the light To streak the east began; The cabin-boy, picked up at sea, Survived the wreck, and only he, To tell of the Carmilhan.

INTERLUDE

When the long murmur of applause That greeted the Musician's lay Had slowly buzzed itself away, And the long talk of Spectre Ships That followed died upon their lips And came unto a natural pause, "These tales you tell are one and all Of the Old World," the Poet said, "Flowers gathered from a crumbling wall, Dead leaves that rustle as they fall; Let me present you in their stead Something of our New England earth, A tale which, though of no great worth, Has still this merit, that it yields A certain freshness of the fields, A sweetness as of home-made bread."

The Student answered: "Be discreet; For if the flour be fresh and sound, And if the bread be light and sweet, Who careth in what mill 't was ground, Or of what oven felt the heat, Unless, as old Cervantes said, You are looking after better bread Than any that is made of wheat? You know that people nowadays To what is old give little praise; All must be new in prose and verse: They want hot bread, or something worse, Fresh every morning, and half baked; The wholesome bread of yesterday, Too stale for them, is thrown away, Nor is their thirst with water slaked.

As oft we see the sky in May Threaten to rain, and yet not rain, The Poet's face, before so gay, Was clouded with a look of pain, But suddenly brightened up again; And without further let or stay He told his tale of yesterday.

THE POET'S TALE

LADY WENTWORTH.

One hundred years ago, and something more, In Queen Street, Portsmouth, at her tavern door, Neat as a pin, and blooming as a rose, Stood Mistress Stavers in her furbelows, Just as her cuckoo-clock was striking nine. Above her head, resplendent on the sign, The portrait of the Earl of Halifax, In scarlet coat and periwig of flax, Surveyed at leisure all her varied charms, Her cap, her bodice, her white folded arms, And half resolved, though he was past his prime, And rather damaged by the lapse of time, To fall down at her feet and to declare The passion that had driven him to despair. For from his lofty station he had seen Stavers, her husband, dressed in bottle-green, Drive his new Flying Stage-coach, four in hand, Down the long lane, and out into the land, And knew that he was far upon the way To Ipswich and to Boston on the Bay!

Just then the meditations of the Earl Were interrupted by a little girl, Barefooted, ragged, with neglected hair, Eyes full of laughter, neck and shoulders bare, A thin slip of a girl, like a new moon, Sure to be rounded into beauty soon, A creature men would worship and adore, Though now in mean habiliments she bore A pail of water, dripping, through the street And bathing, as she went her naked feet.

It was a pretty picture, full of grace,-- The slender form, the delicate, thin face; The swaying motion, as she hurried by; The shining feet, the laughter in her eye, That o'er her face in ripples gleamed and glanced, As in her pail the shifting sunbeam danced: And with uncommon feelings of delight The Earl of Halifax beheld the sight. Not so Dame Stavers, for he heard her say These words, or thought he did, as plain as day: "O Martha Hilton! Fie! how dare you go About the town half dressed, and looking so!" At which the gypsy laughed, and straight replied: "No matter how I look; I yet shall ride In my own chariot, ma'am." And on the child The Earl of Halifax benignly smiled, As with her heavy burden she passed on, Looked back, then turned the corner, and was gone.

What next, upon that memorable day, Arrested his attention was a gay And brilliant equipage, that flashed and spun, The silver harness glittering in the sun, Outriders with red jackets, lithe and lank, Pounding the saddles as they rose and sank, While all alone within the chariot sat A portly person with three-cornered hat, A crimson velvet coat, head high in air, Gold-headed cane, and nicely powdered hair, And diamond buckles sparkling at his knees, Dignified, stately, florid, much at ease. Onward the pageant swept, and as it passed, Fair Mistress Stavers courtesied low and fast; For this was Governor Wentworth, driving down To Little Harbor, just beyond the town, Where his Great House stood looking out to sea, A goodly place, where it was good to be.

It was a pleasant mansion, an abode Near and yet hidden from the great high-road, Sequestered among trees, a noble pile, Baronial and colonial in its style; Gables and dormer-windows everywhere, And stacks of chimneys rising high in air,-- Pandaean pipes, on which all winds that blew Made mournful music the whole winter through. Within, unwonted splendors met the eye, Panels, and floors of oak, and tapestry; Carved chimney-pieces, where on brazen dogs Revelled and roared the Christmas fires of logs; Doors opening into darkness unawares, Mysterious passages, and flights of stairs; And on the walls, in heavy gilded frames, The ancestral Wentworths with Old-Scripture names.

Such was the mansion where the great man dwelt. A widower and childless; and he felt The loneliness, the uncongenial gloom, That like a presence haunted ever room; For though not given to weakness, he could feel The pain of wounds, that ache because they heal.

The years came and the years went,--seven in all, And passed in cloud and sunshine o'er the Hall; The dawns their splendor through its chambers shed, The sunsets flushed its western windows red; The snow was on its roofs, the wind, the rain; Its woodlands were in leaf and bare again; Moons waxed and waned, the lilacs bloomed and died, In the broad river ebbed and flowed the tide, Ships went to sea, and ships came home from sea, And the slow years sailed by and ceased to be.

And all these years had Martha Hilton served In the Great House, not wholly unobserved: By day, by night, the silver crescent grew, Though hidden by clouds, her light still shining through; A maid of all work, whether coarse or fine, A servant who made service seem divine! Through her each room was fair to look upon; The mirrors glistened, and the brasses shone, The very knocker on the outer door, If she but passed, was brighter than before.

And now the ceaseless turning of the mill Of Time, that never for an hour stands still, Ground out the Governor's sixtieth birthday, And powdered his brown hair with silver-gray. The robin, the forerunner of the spring, The bluebird with his jocund carolling, The restless swallows building in the eaves, The golden buttercups, the grass, the leaves, The lilacs tossing in the winds of May, All welcomed this majestic holiday! He gave a splendid banquet served on plate, Such as became the Governor of the State, Who represented England and the King, And was magnificent in everything. He had invited all his friends and peers,-- The Pepperels, the Langdons, and the Lears, The Sparhawks, the Penhallows, and the rest; For why repeat the name of every guest? But I must mention one, in bands and gown, The rector there, the Reverend Arthur Brown Of the Established Church; with smiling face He sat beside the Governor and said grace; And then the feast went on, as others do, But ended as none other I e'er knew.

When they had drunk the King, with many a cheer, The Governor whispered in a servant's ear, Who disappeared and presently there stood Within the room, in perfect womanhood, A maiden, modest and yet self-possessed, Youthful and beautiful, and simply dressed. Can this be Martha Hilton? It must be! Yes, Martha Hilton, and no other she! Dowered with the beauty of her twenty years, How ladylike, how queenlike she appears; The pale, thin crescent of the days gone by Is Dian now in all her majesty! Yet scarce a guest perceived that she was there, Until the Governor, rising from his chair, Played slightly with his ruffles, then looked down, And said unto the Reverend Arthur Brown: "This is my birthday: it shall likewise be My wedding-day; and you shall marry me!"

The listening guests were greatly mystified, None more so than the rector, who replied: "Marry you? Yes, that were a pleasant task, Your Excellency; but to whom? I ask." The Governor answered: "To this lady here" And beckoned Martha Hilton to draw near. She came and stood, all blushes, at his side. The rector paused. The impatient Governor cried: "This is the lady; do you hesitate? Then I command you as Chief Magistrate." The rector read the service loud and clear: "Dearly beloved, we are gathered here," And so on to the end. At his command On the fourth finger of her fair left hand The Governor placed the ring; and that was all: Martha was Lady Wentworth of the Hall!

INTERLUDE.

Well pleased the audience heard the tale. The Theologian said: "Indeed, To praise you there is little need; One almost hears the farmers flail Thresh out your wheat, nor does there fail A certain freshness, as you said, And sweetness as of home-made bread. But not less sweet and not less fresh Are many legends that I know, Writ by the monks of long-ago, Who loved to mortify the flesh, So that the soul might purer grow, And rise to a diviner state; And one of these--perhaps of all Most beautiful--I now recall, And with permission will narrate; Hoping thereby to make amends For that grim tragedy of mine, As strong and black as Spanish wine, I told last night, and wish almost It had remained untold, my friends; For Torquemada's awful ghost Came to me in the dreams I dreamed, And in the darkness glared and gleamed Like a great lighthouse on the coast."

The Student laughing said: "Far more Like to some dismal fire of bale Flaring portentous on a hill; Or torches lighted on a shore By wreckers in a midnight gale. No matter; be it as you will, Only go forward with your tale."

THE THEOLOGIAN'S TALE

THE LEGEND BEAUTIFUL

"Hads't thou stayed, I must have fled!" That is what the Vision said.

In his chamber all alone, Kneeling on the floor of stone, Prayed the Monk in deep contrition For his sins of indecision, Prayed for greater self-denial In temptation and in trial; It was noonday by the dial, And the Monk was all alone.

Suddenly, as if it lightened, An unwonted splendor brightened All within him and without him In that narrow cell of stone; And he saw the Blessed Vision Of our Lord, with light Elysian Like a vesture wrapped about him, Like a garment round him thrown.

Not as crucified and slain, Not in agonies of pain, Not with bleeding hands and feet, Did the Monk his Master see; But as in the village street, In the house or harvest-field, Halt and lame and blind he healed, When he walked in Galilee.

In an attitude imploring, Hands upon his bosom crossed, Wondering, worshipping, adoring, Knelt the Monk in rapture lost. Lord, he thought, in heaven that reignest, Who am I, that thus thou deignest To reveal thyself to me? Who am I, that from the centre Of thy glory thou shouldst enter This poor cell, my guest to be?

Then amid his exaltation, Loud the convent bell appalling, From its belfry calling, calling, Rang through court and corridor With persistent iteration He had never heard before. It was now the appointed hour When alike in shine or shower, Winter's cold or summer's heat, To the convent portals came All the blind and halt and lame, All the beggars of the street, For their daily dole of food Dealt them by the brotherhood; And their almoner was he Who upon his bended knee, Rapt in silent ecstasy Of divinest self-surrender, Saw the Vision and the Splendor.

Deep distress and hesitation Mingled with his adoration; Should he go, or should he stay? Should he leave the poor to wait Hungry at the convent gate, Till the Vision passed away? Should he slight his radiant guest, Slight this visitant celestial, For a crowd of ragged, bestial Beggars at the convent gate? Would the Vision there remain? Would the Vision come again? Then a voice within his breast Whispered, audible and clear As if to the outward ear: "Do thy duty; that is best; Leave unto thy Lord the rest!"

Straightway to his feet he started, And with longing look intent On the Blessed Vision bent, Slowly from his cell departed, Slowly on his errand went.

At the gate the poor were waiting, Looking through the iron grating, With that terror in the eye That is only seen in those Who amid their wants and woes Hear the sound of doors that close, And of feet that pass them by; Grown familiar with disfavor, Grown familiar with the savor Of the bread by which men die! But to-day, they knew not why, Like the gate of Paradise Seemed the convent sate to rise, Like a sacrament divine Seemed to them the bread and wine. In his heart the Monk was praying, Thinking of the homeless poor, What they suffer and endure; What we see not, what we see; And the inward voice was saying: "Whatsoever thing thou doest To the least of mine and lowest, That thou doest unto me!"

Unto me! but had the Vision Come to him in beggar's clothing, Come a mendicant imploring, Would he then have knelt adoring, Or have listened with derision, And have turned away with loathing.

Thus his conscience put the question, Full of troublesome suggestion, As at length, with hurried pace, Towards his cell he turned his face, And beheld the convent bright With a supernatural light, Like a luminous cloud expanding Over floor and wall and ceiling.

But he paused with awe-struck feeling At the threshold of his door, For the Vision still was standing As he left it there before, When the convent bell appalling, From its belfry calling, calling, Summoned him to feed the poor. Through the long hour intervening It had waited his return, And he felt his bosom burn, Comprehending all the meaning, When the Blessed Vision said, "Hadst thou stayed, I must have fled!"

INTERLUDE.

All praised the Legend more or less; Some liked the moral, some the verse; Some thought it better, and some worse Than other legends of the past; Until, with ill-concealed distress At all their cavilling, at last The Theologian gravely said: "The Spanish proverb, then, is right; Consult your friends on what you do, And one will say that it is white, And others say that it is red." And "Amen!" quoth the Spanish Jew.

"Six stories told! We must have seven, A cluster like the Pleiades, And lo! it happens, as with these, That one is missing from our heaven. Where is the Landlord? Bring him here; Let the Lost Pleiad reappear."

Thus the Sicilian cried, and went Forthwith to seek his missing star, But did not find him in the bar, A place that landlords most frequent, Nor yet beside the kitchen fire, Nor up the stairs, nor in the hall; It was in vain to ask or call, There were no tidings of the Squire.

So he came back with downcast head, Exclaiming: "Well, our bashful host Hath surely given up the ghost. Another proverb says the dead Can tell no tales; and that is true. It follows, then, that one of you Must tell a story in his stead. You must," he to the Student said, "Who know so many of the best, And tell them better than the rest." Straight by these flattering words beguiled, The Student, happy as a child When he is called a little man, Assumed the double task imposed, And without more ado unclosed His smiling lips, and thus began.

THE STUDENT'S SECOND TALE

THE BARON OF ST. CASTINE

Baron Castine of St. Castine Has left his chateau in the Pyrenees, And sailed across the western seas. When he went away from his fair demesne The birds were building, the woods were green; And now the winds of winter blow Round the turrets of the old chateau, The birds are silent and unseen, The leaves lie dead in the ravine, And the Pyrenees are white with snow.

His father, lonely, old, and gray, Sits by the fireside day by day, Thinking ever one thought of care; Through the southern windows, narrow and tall, The sun shines into the ancient hall, And makes a glory round his hair. The house-dog, stretched beneath his chair, Groans in his sleep as if in pain Then wakes, and yawns, and sleeps again, So silent is it everywhere,-- So silent you can hear the mouse Run and rummage along the beams Behind the wainscot of the wall; And the old man rouses from his dreams, And wanders restless through the house, As if he heard strange voices call.

His footsteps echo along the floor Of a distant passage, and pause awhile; He is standing by an open door Looking long, with a sad, sweet smile, Into the room of his absent son. There is the bed on which he lay, There are the pictures bright and gay, Horses and hounds and sun-lit seas; There are his powder-flask and gun, And his hunting-knives in shape of a fan; The chair by the window where he sat, With the clouded tiger-skin for a mat, Looking out on the Pyrenees, Looking out on Mount Marbore And the Seven Valleys of Lavedan. Ah me! he turns away and sighs; There is a mist before his eyes.

At night whatever the weather be, Wind or rain or starry heaven, Just as the clock is striking seven, Those who look from the windows see The village Curate, with lantern and maid, Come through the gateway from the park And cross the courtyard damp and dark,-- A ring of light in a ring of shade.

And now at the old man's side he stands, His voice is cheery, his heart expands, He gossips pleasantly, by the blaze Of the fire of fagots, about old days, And Cardinal Mazarin and the Fronde, And the Cardinal's nieces fair and fond, And what they did, and what they said, When they heard his Eminence was dead.

And after a pause the old man says, His mind still coming back again To the one sad thought that haunts his brain, "Are there any tidings from over sea? Ah, why has that wild boy gone from me?" And the Curate answers, looking down, Harmless and docile as a lamb, "Young blood! young blood! It must so be!" And draws from the pocket of his gown A handkerchief like an oriflamb, And wipes his spectacles, and they play Their little game of lansquenet In silence for an hour or so, Till the clock at nine strikes loud and clear From the village lying asleep below, And across the courtyard, into the dark Of the winding pathway in the park, Curate and lantern disappear, And darkness reigns in the old chateau.

The ship has come back from over sea, She has been signalled from below, And into the harbor of Bordeaux She sails with her gallant company. But among them is nowhere seen The brave young Baron of St. Castine; He hath tarried behind, I ween, In the beautiful land of Acadie!

And the father paces to and fro Through the chambers of the old chateau, Waiting, waiting to hear the hum Of wheels on the road that runs below, Of servants hurrying here and there, The voice in the courtyard, the step on the stair, Waiting for some one who doth not come! But letters there are, which the old man reads To the Curate, when he comes at night Word by word, as an acolyte Repeats his prayers and tells his beads; Letters full of the rolling sea, Full of a young man's joy to be Abroad in the world, alone and free; Full of adventures and wonderful scenes Of hunting the deer through forests vast In the royal grant of Pierre du Gast; Of nights in the tents of the Tarratines; Of Madocawando the Indian chief, And his daughters, glorious as queens, And beautiful beyond belief; And so soft the tones of their native tongue, The words are not spoken, they are sung!

And the Curate listens, and smiling says: "Ah yes, dear friend! in our young days We should have liked to hunt the deer All day amid those forest scenes, And to sleep in the tents of the Tarratines; But now it is better sitting here Within four walls, and without the fear Of losing our hearts to Indian queens; For man is fire and woman is tow, And the Somebody comes and begins to blow." Then a gleam of distrust and vague surmise Shines in the father's gentle eyes, As fire-light on a window-pane Glimmers and vanishes again; But naught he answers; he only sighs, And for a moment bows his head; Then, as their custom is, they play Their little gain of lansquenet, And another day is with the dead.

Another day, and many a day And many a week and month depart, When a fatal letter wings its way Across the sea, like a bird of prey, And strikes and tears the old man's heart. Lo! the young Baron of St. Castine, Swift as the wind is, and as wild, Has married a dusky Tarratine, Has married Madocawando's child!

The letter drops from the father's hand; Though the sinews of his heart are wrung, He utters no cry, he breathes no prayer, No malediction falls from his tongue; But his stately figure, erect and grand, Bends and sinks like a column of sand In the whirlwind of his great despair. Dying, yes, dying! His latest breath Of parley at the door of death Is a blessing on his wayward son. Lower and lower on his breast Sinks his gray head; he is at rest; No longer he waits for any one;

For many a year the old chateau Lies tenantless and desolate; Rank grasses in the courtyard grow, About its gables caws the crow; Only the porter at the gate Is left to guard it, and to wait The coming of the rightful heir; No other life or sound is there; No more the Curate comes at night, No more is seen the unsteady light, Threading the alleys of the park; The windows of the hall are dark, The chambers dreary, cold, and bare!

At length, at last, when the winter is past, And birds are building, and woods are green, With flying skirts is the Curate seen Speeding along the woodland way, Humming gayly, "No day is so long But it comes at last to vesper-song." He stops at the porter's lodge to say That at last the Baron of St. Castine Is coming home with his Indian queen, Is coming without a week's delay; And all the house must be swept and clean, And all things set in good array! And the solemn porter shakes his head; And the answer he makes is: "Lackaday! We will see, as the blind man said!"

Alert since first the day began, The cock upon the village church Looks northward from his airy perch, As if beyond the ken of man To see the ships come sailing on, And pass the isle of Oleron, And pass the Tower of Cordouan.

In the church below is cold in clay The heart that would have leaped for joy-- O tender heart of truth and trust!-- To see the coming of that day; In the church below the lips are dust; Dust are the hands, and dust the feet, That would have been so swift to meet The coming of that wayward boy.

At night the front of the old chateau Is a blaze of light above and below; There's a sound of wheels and hoofs in the street, A cracking of whips, and scamper of feet, Bells are ringing, and horns are blown, And the Baron hath come again to his own. The Curate is waiting in the hall, Most eager and alive of all To welcome the Baron and Baroness; But his mind is full of vague distress, For he hath read in Jesuit books Of those children of the wilderness, And now, good, simple man! he looks To see a painted savage stride Into the room, with shoulders bare, And eagle feathers in her hair, And around her a robe of panther's hide.

Instead, he beholds with secret shame A form of beauty undefined, A loveliness with out a name, Not of degree, but more of kind; Nor bold nor shy, nor short nor tall, But a new mingling of them all. Yes, beautiful beyond belief, Transfigured and transfused, he sees The lady of the Pyrenees, The daughter of the Indian chief.

Beneath the shadow of her hair The gold-bronze color of the skin Seems lighted by a fire within, As when a burst of sunlight shines Beneath a sombre grove of pines,-- A dusky splendor in the air. The two small hands, that now are pressed In his, seem made to be caressed, They lie so warm and soft and still, Like birds half hidden in a nest, Trustful, and innocent of ill. And ah! he cannot believe his ears When her melodious voice he hears Speaking his native Gascon tongue; The words she utters seem to be Part of some poem of Goudouli, They are not spoken, they are sung! And the Baron smiles, and says, "You see, I told you but the simple truth; Ah, you may trust the eyes of youth!"

Down in the village day by day The people gossip in their way, And stare to see the Baroness pass On Sunday morning to early Mass; And when she kneeleth down to pray, They wonder, and whisper together, and say, "Surely this is no heathen lass!" And in course of time they learn to bless The Baron and the Baroness.

And in course of time the Curate learns A secret so dreadful, that by turns He is ice and fire, he freezes and burns. The Baron at confession hath said, That though this woman be his wife, He bath wed her as the Indians wed, He hath bought her for a gun and a knife! And the Curate replies: "O profligate, O Prodigal Son! return once more To the open arms and the open door Of the Church, or ever it be too late. Thank God, thy father did not live To see what he could not forgive; On thee, so reckless and perverse, He left his blessing, not his curse. But the nearer the dawn the darker the night, And by going wrong all things come right; Things have been mended that were worse, And the worse, the nearer they are to mend. For the sake of the living and the dead, Thou shalt be wed as Christians wed, And all things come to a happy end."

O sun, that followest the night, In yon blue sky, serene and pure, And pourest thine impartial light Alike on mountain and on moor, Pause for a moment in thy course, And bless the bridegroom and the bride! O Gave, that from thy hidden source In you mysterious mountain-side Pursuest thy wandering way alone, And leaping down its steps of stone, Along the meadow-lands demure Stealest away to the Adour, Pause for a moment in thy course To bless the bridegroom and the bride!

The choir is singing the matin song, The doors of the church are opened wide, The people crowd, and press, and throng To see the bridegroom and the bride. They enter and pass along the nave; They stand upon the father's grave; The bells are ringing soft and slow; The living above and the dead below Give their blessing on one and twain; The warm wind blows from the hills of Spain, The birds are building, the leaves are green, And Baron Castine of St. Castine Hath come at last to his own again.

FINALE

"Nunc plaudite!" the Student cried, When he had finished; "now applaud, As Roman actors used to say At the conclusion of a play"; And rose, and spread his hands abroad, And smiling bowed from side to side, As one who bears the palm away. And generous was the applause and loud, But less for him than for the sun, That even as the tale was done Burst from its canopy of cloud, And lit the landscape with the blaze Of afternoon on autumn days, And filled the room with light, and made The fire of logs a painted shade.

A sudden wind from out the west Blew all its trumpets loud and shrill; The windows rattled with the blast, The oak-trees shouted as it passed, And straight, as if by fear possessed, The cloud encampment on the hill Broke up, and fluttering flag and tent Vanished into the firmament, And down the valley fled amain The rear of the retreating rain.

Only far up in the blue sky A mass of clouds, like drifted snow Suffused with a faint Alpine glow, Was heaped together, vast and high, On which a shattered rainbow hung, Not rising like the ruined arch Of some aerial aqueduct, But like a roseate garland plucked From an Olympian god, and flung Aside in his triumphal march.

Like prisoners from their dungeon gloom, Like birds escaping from a snare, Like school-boys at the hour of play, All left at once the pent-up room, And rushed into the open air; And no more tales were told that day.

PART THIRD

PRELUDE

The evening came; the golden vane A moment in the sunset glanced, Then darkened, and then gleamed again, As from the east the moon advanced And touched it with a softer light; While underneath, with flowing mane, Upon the sign the Red Horse pranced, And galloped forth into the night.

But brighter than the afternoon That followed the dark day of rain, And brighter than the golden vane That glistened in the rising moon, Within the ruddy fire-light gleamed; And every separate window-pane, Backed by the outer darkness, showed A mirror, where the flamelets gleamed And flickered to and fro, and seemed A bonfire lighted in the road.

Amid the hospitable glow, Like an old actor on the stage, With the uncertain voice of age, The singing chimney chanted low The homely songs of long ago.

The voice that Ossian heard of yore, When midnight winds were in his hall; A ghostly and appealing call, A sound of days that are no more! And dark as Ossian sat the Jew, And listened to the sound, and knew The passing of the airy hosts, The gray and misty cloud of ghosts In their interminable flight; And listening muttered in his beard, With accent indistinct and weird, "Who are ye, children of the Night?"

Beholding his mysterious face, "Tell me," the gay Sicilian said, "Why was it that in breaking bread At supper, you bent down your head And, musing, paused a little space, As one who says a silent grace?"

The Jew replied, with solemn air, "I said the Manichaean's prayer. It was his faith,--perhaps is mine,-- That life in all its forms is one, And that its secret conduits run Unseen, but in unbroken line, From the great fountain-head divine Through man and beast, through grain and grass. Howe'er we struggle, strive, and cry, From death there can be no escape, And no escape from life, alas Because we cannot die, but pass From one into another shape: It is but into life we die.

"Therefore the Manichaean said This simple prayer on breaking bread, Lest he with hasty hand or knife Might wound the incarcerated life, The soul in things that we call dead: 'I did not reap thee, did not bind thee, I did not thrash thee, did not grind thee, Nor did I in the oven bake thee! It was not I, it was another Did these things unto thee, O brother; I only have thee, hold thee, break thee!'"

"That birds have souls I can concede," The poet cried, with glowing cheeks; "The flocks that from their beds of reed Uprising north or southward fly, And flying write upon the sky The biforked letter of the Greeks, As hath been said by Rucellai; All birds that sing or chirp or cry, Even those migratory bands, The minor poets of the air, The plover, peep, and sanderling, That hardly can be said to sing, But pipe along the barren sands,-- All these have souls akin to ours; So hath the lovely race of flowers: Thus much I grant, but nothing more. The rusty hinges of a door Are not alive because they creak; This chimney, with its dreary roar, These rattling windows, do not speak!" "To me they speak," the Jew replied; "And in the sounds that sink and soar, I hear the voices of a tide That breaks upon an unknown shore!"

Here the Sicilian interfered: "That was your dream, then, as you dozed A moment since, with eyes half-closed, And murmured something in your beard."

The Hebrew smiled, and answered, "Nay; Not that, but something very near; Like, and yet not the same, may seem The vision of my waking dream; Before it wholly dies away, Listen to me, and you shall hear."

THE SPANISH JEW'S TALE

AZRAEL

King Solomon, before his palace gate At evening, on the pavement tessellate Was walking with a stranger from the East, Arrayed in rich attire as for a feast, The mighty Runjeet-Sing, a learned man, And Rajah of the realms of Hindostan. And as they walked the guest became aware Of a white figure in the twilight air, Gazing intent, as one who with surprise His form and features seemed to recognize; And in a whisper to the king he said: "What is yon shape, that, pallid as the dead, Is watching me, as if he sought to trace In the dim light the features of my face?"

The king looked, and replied: "I know him well; It is the Angel men call Azrael, 'T is the Death Angel; what hast thou to fear?" And the guest answered: "Lest he should come near, And speak to me, and take away my breath! Save me from Azrael, save me from death! O king, that hast dominion o'er the wind, Bid it arise and bear me hence to Ind."

The king gazed upward at the cloudless sky, Whispered a word, and raised his hand on high, And lo! the signet-ring of chrysoprase On his uplifted finger seemed to blaze With hidden fire, and rushing from the west There came a mighty wind, and seized the guest And lifted him from earth, and on they passed, His shining garments streaming in the blast, A silken banner o'er the walls upreared, A purple cloud, that gleamed and disappeared. Then said the Angel, smiling: "If this man Be Rajah Runjeet-Sing of Hindostan, Thou hast done well in listening to his prayer; I was upon my way to seek him there."

INTERLUDE.

"O Edrehi, forbear to-night Your ghostly legends of affright, And let the Talmud rest in peace; Spare us your dismal tales of death That almost take away one's breath; So doing, may your tribe increase."

Thus the Sicilian said; then went And on the spinet's rattling keys Played Marianina, like a breeze From Naples and the Southern seas, That brings us the delicious scent Of citron and of orange trees, And memories of soft days of ease At Capri and Amalfi spent.

"Not so," the eager Poet said; "At least, not so before I tell The story of my Azrael, An angel mortal as ourselves, Which in an ancient tome I found Upon a convent's dusty shelves, Chained with an iron chain, and bound In parchment, and with clasps of brass, Lest from its prison, some dark day, It might be stolen or steal away, While the good friars were singing mass.

"It is a tale of Charlemagne, When like a thunder-cloud, that lowers And sweeps from mountain-crest to coast, With lightning flaming through its showers, He swept across the Lombard plain, Beleaguering with his warlike train Pavia, the country's pride and boast, The City of the Hundred Towers." Thus heralded the tale began, And thus in sober measure ran.

THE POET'S TALE

CHARLEMAGNE

Olger the Dane and Desiderio, King of the Lombards, on a lofty tower Stood gazing northward o'er the rolling plains, League after league of harvests, to the foot Of the snow-crested Alps, and saw approach A mighty army, thronging all the roads That led into the city. And the King Said unto Olger, who had passed his youth As hostage at the court of France, and knew The Emperor's form and face "Is Charlemagne Among that host?" And Olger answered: "No."

And still the innumerable multitude Flowed onward and increased, until the King Cried in amazement: "Surely Charlemagne Is coming in the midst of all these knights!" And Olger answered slowly: "No; not yet; He will not come so soon." Then much disturbed King Desiderio asked: "What shall we do, if he approach with a still greater army!" And Olger answered: "When he shall appear, You will behold what manner of man he is; But what will then befall us I know not."

Then came the guard that never knew repose, The Paladins of France; and at the sight The Lombard King o'ercome with terror cried: "This must be Charlemagne!" and as before Did Olger answer: "No; not yet, not yet."

And then appeared in panoply complete The Bishops and the Abbots and the Priests Of the imperial chapel, and the Counts And Desiderio could no more endure The light of day, nor yet encounter death, But sobbed aloud and said: "Let us go down And hide us in the bosom of the earth, Far from the sight and anger of a foe So terrible as this!" And Olger said: "When you behold the harvests in the fields Shaking with fear, the Po and the Ticino Lashing the city walls with iron waves, Then may you know that Charlemagne is come. And even as he spake, in the northwest, Lo! there uprose a black and threatening cloud, Out of whose bosom flashed the light of arms Upon the people pent up in the city; A light more terrible than any darkness; And Charlemagne appeared;--a Man of Iron!

His helmet was of iron, and his gloves Of iron, and his breastplate and his greaves And tassets were of iron, and his shield. In his left hand he held an iron spear, In his right hand his sword invincible. The horse he rode on had the strength of iron, And color of iron. All who went before him Beside him and behind him, his whole host, Were armed with iron, and their hearts within them Were stronger than the armor that they wore. The fields and all the roads were filled with iron, And points of iron glistened in the sun And shed a terror through the city streets.

This at a single glance Olger the Dane Saw from the tower, and turning to the King Exclaimed in haste: "Behold! this is the man You looked for with such eagerness!" and then Fell as one dead at Desiderio's feet.

INTERLUDE

Well pleased all listened to the tale, That drew, the Student said, its pith And marrow from the ancient myth Of some one with an iron flail; Or that portentous Man of Brass Hephæstus made in days of yore, Who stalked about the Cretan shore, And saw the ships appear and pass, And threw stones at the Argonauts, Being filled with indiscriminate ire That tangled and perplexed his thoughts; But, like a hospitable host, When strangers landed on the coast, Heated himself red-hot with fire, And hugged them in his arms, and pressed Their bodies to his burning breast.

The Poet answered: "No, not thus The legend rose; it sprang at first Out of the hunger and the thirst In all men for the marvellous. And thus it filled and satisfied The imagination of mankind, And this ideal to the mind Was truer than historic fact. Fancy enlarged and multiplied The tenors of the awful name Of Charlemagne, till he became Armipotent in every act, And, clothed in mystery, appeared Not what men saw, but what they feared. Besides, unless my memory fail, Your some one with an iron flail Is not an ancient myth at all, But comes much later on the scene As Talus in the Faerie Queene, The iron groom of Artegall, Who threshed out falsehood and deceit, And truth upheld, and righted wrong, As was, as is the swallow, fleet, And as the lion is, was strong."

The Theologian said: "Perchance Your chronicler in writing this Had in his mind the Anabasis, Where Xenophon describes the advance Of Artaxerxes to the fight; At first the low gray cloud of dust, And then a blackness o'er the fields As of a passing thunder-gust, Then flash of brazen armor bright, And ranks of men, and spears up-thrust, Bowmen and troops with wicker shields, And cavalry equipped in white, And chariots ranged in front of these With scythes upon their axle-trees."

To this the Student answered: "Well, I also have a tale to tell Of Charlemagne; a tale that throws A softer light, more tinged with rose, Than your grim apparition cast Upon the darkness of the past. Listen, and hear in English rhyme What the good Monk of Lauresheim Gives as the gossip of his time, In mediaeval Latin prose."

THE STUDENT'S TALE

EMMA AND EGINHARD

When Alcuin taught the sons of Charlemagne, In the free schools of Aix, how kings should reign, And with them taught the children of the poor How subjects should be patient and endure, He touched the lips of some, as best befit, With honey from the hives of Holy Writ; Others intoxicated with the wine Of ancient history, sweet but less divine; Some with the wholesome fruits of grammar fed; Others with mysteries of the stars o'er-head, That hang suspended in the vaulted sky Like lamps in some fair palace vast and high.

In sooth, it was a pleasant sight to see That Saxon monk, with hood and rosary, With inkhorn at his belt, and pen and book, And mingled lore and reverence in his look, Or hear the cloister and the court repeat The measured footfalls of his sandaled feet, Or watch him with the pupils of his school, Gentle of speech, but absolute of rule.

Among them, always earliest in his place. Was Eginhard, a youth of Frankish race, Whose face was bright with flashes that forerun The splendors of a yet unrisen sun. To him all things were possible, and seemed Not what he had accomplished, but had dreamed, And what were tasks to others were his play, The pastime of an idle holiday.

Smaragdo, Abbot of St. Michael's, said, With many a shrug and shaking of the head, Surely some demon must possess the lad, Who showed more wit than ever schoolboy had, And learned his Trivium thus without the rod; But Alcuin said it was the grace of God.

Thus he grew up, in Logic point-device, Perfect in Grammar, and in Rhetoric nice; Science of Numbers, Geometric art, And lore of Stars, and Music knew by heart; A Minnesinger, long before the times Of those who sang their love in Suabian rhymes.

The Emperor, when he heard this good report Of Eginhard much buzzed about the court, Said to himself, "This stripling seems to be Purposely sent into the world for me; He shall become my scribe, and shall be schooled In all the arts whereby the world is ruled." Thus did the gentle Eginhard attain To honor in the court of Charlemagne; Became the sovereign's favorite, his right hand, So that his fame was great in all the land, And all men loved him for his modest grace And comeliness of figure and of face. An inmate of the palace, yet recluse, A man of books, yet sacred from abuse Among the armed knights with spur on heel, The tramp of horses and the clang of steel; And as the Emperor promised he was schooled In all the arts by which the world is ruled. But the one art supreme, whose law is fate, The Emperor never dreamed of till too late.

Home from her convent to the palace came The lovely Princess Emma, whose sweet name, Whispered by seneschal or sung by bard, Had often touched the soul of Eginhard. He saw her from his window, as in state She came, by knights attended through the gate; He saw her at the banquet of that day, Fresh as the morn, and beautiful as May; He saw her in the garden, as she strayed Among the flowers of summer with her maid, And said to him, "O Eginhard, disclose The meaning and the mystery of the rose"; And trembling he made answer: "In good sooth, Its mystery is love, its meaning youth!"

How can I tell the signals and the signs By which one heart another heart divines? How can I tell the many thousand ways By which it keeps the secret it betrays?

O mystery of love! O strange romance! Among the Peers and Paladins of France, Shining in steel, and prancing on gay steeds, Noble by birth, yet nobler by great deeds, The Princess Emma had no words nor looks But for this clerk, this man of thought and books.

The summer passed, the autumn came; the stalks Of lilies blackened in the garden walks; The leaves fell, russet-golden and blood-red, Love-letters thought the poet fancy-led, Or Jove descending in a shower of gold Into the lap of Danae of old; For poets cherish many a strange conceit, And love transmutes all nature by its heat.

No more the garden lessons, nor the dark And hurried meetings in the twilight park; But now the studious lamp, and the delights Of firesides in the silent winter nights, And watching from his window hour by hour The light that burned in Princess Emma's tower.

At length one night, while musing by the fire, O'ercome at last by his insane desire,-- For what will reckless love not do and dare?-- He crossed the court, and climbed the winding stair, With some feigned message in the Emperor's name; But when he to the lady's presence came He knelt down at her feet, until she laid Her hand upon him, like a naked blade, And whispered in his ear: "Arise, Sir Knight, To my heart's level, O my heart's delight."

And there he lingered till the crowing cock, The Alectryon of the farmyard and the flock, Sang his aubade with lusty voice and clear, To tell the sleeping world that dawn was near. And then they parted; but at parting, lo! They saw the palace courtyard white with snow, And, placid as a nun, the moon on high Gazing from cloudy cloisters of the sky. "Alas!" he said, "how hide the fatal line Of footprints leading from thy door to mine, And none returning!" Ah, he little knew What woman's wit, when put to proof, can do!

That night the Emperor, sleepless with the cares And troubles that attend on state affairs, Had risen before the dawn, and musing gazed Into the silent night, as one amazed To see the calm that reigned o'er all supreme, When his own reign was but a troubled dream. The moon lit up the gables capped with snow, And the white roofs, and half the court below, And he beheld a form, that seemed to cower Beneath a burden, come from Emma's tower,-- A woman, who upon her shoulders bore Clerk Eginhard to his own private door, And then returned in haste, but still essayed To tread the footprints she herself had made; And as she passed across the lighted space, The Emperor saw his daughter Emma's face!

He started not; he did not speak or moan, But seemed as one who hath been turned to stone; And stood there like a statue, nor awoke Out of his trance of pain, till morning broke, Till the stars faded, and the moon went down, And o'er the towers and steeples of the town Came the gray daylight; then the sun, who took The empire of the world with sovereign look, Suffusing with a soft and golden glow All the dead landscape in its shroud of snow, Touching with flame the tapering chapel spires, Windows and roofs, and smoke of household fires, And kindling park and palace as he came; The stork's nest on the chimney seemed in flame. And thus he stood till Eginhard appeared, Demure and modest with his comely beard And flowing flaxen tresses, come to ask, As was his wont, the day's appointed task.

The Emperor looked upon him with a smile, And gently said: "My son, wait yet awhile; This hour my council meets upon some great And very urgent business of the state. Come back within the hour. On thy return The work appointed for thee shalt thou learn.

Having dismissed this gallant Troubadour, He summoned straight his council, and secure And steadfast in his purpose, from the throne All the adventure of the night made known; Then asked for sentence; and with eager breath Some answered banishment, and others death.

Then spake the king: "Your sentence is not mine; Life is the gift of God, and is divine; Nor from these palace walls shall one depart Who carries such a secret in his heart; My better judgment points another way. Good Alcuin, I remember how one day When my Pepino asked you, 'What are men?' You wrote upon his tablets with your pen, 'Guests of the grave and travellers that pass!' This being true of all men, we, alas! Being all fashioned of the selfsame dust, Let us be merciful as well as just; This passing traveller, who hath stolen away The brightest jewel of my crown to-day, Shall of himself the precious gem restore; By giving it, I make it mine once more. Over those fatal footprints I will throw My ermine mantle like another snow."

Then Eginhard was summoned to the hall, And entered, and in presence of them all, The Emperor said: "My son, for thou to me Hast been a son, and evermore shalt be, Long hast thou served thy sovereign, and thy zeal Pleads to me with importunate appeal, While I have been forgetful to requite Thy service and affection as was right. But now the hour is come, when I, thy Lord, Will crown thy love with such supreme reward, A gift so precious kings have striven in vain To win it from the hands of Charlemagne."

Then sprang the portals of the chamber wide, And Princess Emma entered, in the pride Of birth and beauty, that in part o'er-came The conscious terror and the blush of shame. And the good Emperor rose up from his throne, And taking her white hand within his own Placed it in Eginhard's, and said: "My son This is the gift thy constant zeal hath won; Thus I repay the royal debt I owe, And cover up the footprints in the snow."

INTERLUDE

Thus ran the Student's pleasant rhyme Of Eginhard and love and youth; Some doubted its historic truth, But while they doubted, ne'ertheless Saw in it gleams of truthfulness, And thanked the Monk of Lauresheim.

This they discussed in various mood; Then in the silence that ensued Was heard a sharp and sudden sound As of a bowstring snapped in air; And the Musician with a bound Sprang up in terror from his chair, And for a moment listening stood, Then strode across the room, and found His dear, his darling violin Still lying safe asleep within Its little cradle, like a child That gives a sudden cry of pain, And wakes to fall asleep again; And as he looked at it and smiled, By the uncertain light beguiled, Despair! two strings were broken in twain.

While all lamented and made moan, With many a sympathetic word As if the loss had been their own, Deeming the tones they might have heard Sweeter than they had heard before, They saw the Landlord at the door, The missing man, the portly Squire! He had not entered, but he stood With both arms full of seasoned wood, To feed the much-devouring fire, That like a lion in a cage Lashed its long tail and roared with rage.

The missing man! Ah, yes, they said, Missing, but whither had he fled? Where had he hidden himself away? No farther than the barn or shed; He had not hidden himself, nor fled; How should he pass the rainy day But in his barn with hens and hay, Or mending harness, cart, or sled? Now, having come, he needs must stay And tell his tale as well as they.

The Landlord answered only: "These Are logs from the dead apple-trees Of the old orchard planted here By the first Howe of Sudbury. Nor oak nor maple has so clear A flame, or burns so quietly, Or leaves an ash so clean and white"; Thinking by this to put aside The impending tale that terrified; When suddenly, to his delight, The Theologian interposed, Saying that when the door was closed, And they had stopped that draft of cold, Unpleasant night air, he proposed To tell a tale world-wide apart From that the Student had just told; World-wide apart, and yet akin, As showing that the human heart Beats on forever as of old, As well beneath the snow-white fold Of Quaker kerchief, as within Sendal or silk or cloth of gold, And without preface would begin.

And then the clamorous clock struck eight, Deliberate, with sonorous chime Slow measuring out the march of time, Like some grave Consul of old Rome In Jupiter's temple driving home The nails that marked the year and date. Thus interrupted in his rhyme, The Theologian needs must wait; But quoted Horace, where he sings The dire Necessity of things, That drives into the roofs sublime Of new-built houses of the great The adamantine nails of Fate.

When ceased the little carillon To herald from its wooden tower The important transit of the hour, The Theologian hastened on, Content to be all owed at last To sing his Idyl of the Past.

THE THEOLOGIAN'S TALE

ELIZABETH

I

"Ah, how short are the days! How soon the night overtakes us! In the old country the twilight is longer; but here in the forest Suddenly comes the dark, with hardly a pause in its coming, Hardly a moment between the two lights, the day and the lamplight; Yet how grand is the winter! How spotless the snow is, and perfect!"

Thus spake Elizabeth Haddon at nightfall to Hannah the housemaid, As in the farm-house kitchen, that served for kitchen and parlor, By the window she sat with her work, and looked on a landscape White as the great white sheet that Peter saw in his vision, By the four corners let down and descending out of the heavens. Covered with snow were the forests of pine, and the fields and the meadows. Nothing was dark but the sky, and the distant Delaware flowing Down from its native hills, a peaceful and bountiful river.

Then with a smile on her lips made answer Hannah the housemaid: "Beautiful winter! yea, the winter is beautiful, surely, If one could only walk like a fly with one's feet on the ceiling. But the great Delaware River is not like the Thames, as we saw it Out of our upper windows in Rotherhithe Street in the Borough, Crowded with masts and sails of vessels coming and going; Here there is nothing but pines, with patches of snow on their branches. There is snow in the air, and see! it is falling already; All the roads will be blocked, and I pity Joseph to-morrow, Breaking his way through the drifts, with his sled and oxen; and then, too, How in all the world shall we get to Meeting on First-Day?"

But Elizabeth checked her, and answered, mildly reproving: "Surely the Lord will provide; for unto the snow he sayeth, Be thou on the earth, the good Lord sayeth; he is it Giveth snow like wool, like ashes scatters the hoar-frost." So she folded her work and laid it away in her basket.

Meanwhile Hannah the housemaid had closed and fastened the shutters, Spread the cloth, and lighted the lamp on the table, and placed there Plates and cups from the dresser, the brown rye loaf, and the butter Fresh from the dairy, and then, protecting her hand with a holder, Took from the crane in the chimney the steaming and simmering kettle, Poised it aloft in the air, and filled up the earthen teapot, Made in Delft, and adorned with quaint and wonderful figures.

Then Elizabeth said, "Lo! Joseph is long on his errand. I have sent him away with a hamper of food and of clothing For the poor in the village. A good lad and cheerful is Joseph; In the right place is his heart, and his hand is ready and willing."

Thus in praise of her servant she spake, and Hannah the housemaid Laughed with her eyes, as she listened, but governed her tongue, and was silent, While her mistress went on: "The house is far from the village; We should be lonely here, were it not for Friends that in passing Sometimes tarry o'ernight, and make us glad by their coming."

Thereupon answered Hannah the housemaid, the thrifty, the frugal: "Yea, they come and they tarry, as if thy house were a tavern; Open to all are its doors, and they come and go like the pigeons In and out of the holes of the pigeon-house over the hayloft, Cooing and smoothing their feathers and basking themselves in the sunshine."

But in meekness of spirit, and calmly, Elizabeth answered: "All I have is the Lord's, not mine to give or withhold it; I but distribute his gifts to the poor, and to those of his people Who in journeyings often surrender their lives to his service. His, not mine, are the gifts, and only so far can I make them Mine, as in giving I add my heart to whatever is given. Therefore my excellent father first built this house in the clearing; Though he came not himself, I came; for the Lord was my guidance, Leading me here for this service. We must not grudge, then, to others Ever the cup of cold water, or crumbs that fall from our table."

Thus rebuked, for a season was silent the penitent housemaid; And Elizabeth said in tones even sweeter and softer: "Dost thou remember, Hannah, the great May-Meeting in London, When I was still a child, how we sat in the silent assembly, Waiting upon the Lord in patient and passive submission? No one spake, till at length a young man, a stranger, John Estaugh, Moved by the Spirit, rose, as if he were John the Apostle, Speaking such words of power that they bowed our hearts, as a strong wind Bends the grass of the fields, or grain that is ripe for the sickle. Thoughts of him to-day have been oft borne inward upon me, Wherefore I do not know; but strong is the feeling within me That once more I shall see a face I have never forgotten."

II

E'en as she spake they heard the musical jangle of sleigh-bells, First far off, with a dreamy sound and faint in the distance, Then growing nearer and louder, and turning into the farmyard, Till it stopped at the door, with sudden creaking of runners. Then there were voices heard as of two men talking together, And to herself, as she listened, upbraiding said Hannah the housemaid, "It is Joseph come back, and I wonder what stranger is with him?"

Down from its nail she took and lighted the great tin lantern Pierced with holes, and round, and roofed like the top of a lighthouse, And went forth to receive the coming guest at the doorway, Casting into the dark a network of glimmer and shadow Over the falling snow, the yellow sleigh, and the horses, And the forms of men, snow-covered, looming gigantic. Then giving Joseph the lantern, she entered the house with the stranger. Youthful he was and tall, and his cheeks aglow with the night air; And as he entered, Elizabeth rose, and, going to meet him, As if an unseen power had announced and preceded his presence, And he had come as one whose coming had long been expected, Quietly gave him her hand, and said, "Thou art welcome, John Estaugh." And the stranger replied, with staid and quiet behavior, "Dost thou remember me still, Elizabeth? After so many Years have passed, it seemeth a wonderful thing that I find thee. Surely the hand of the Lord conducted me here to thy threshold. For as I journeyed along, and pondered alone and in silence On his ways, that are past finding out, I saw in the snow-mist, Seemingly weary with travel, a wayfarer, who by the wayside Paused and waited. Forthwith I remembered Queen Candace's eunuch, How on the way that goes down from Jerusalem unto Gaza, Reading Esaias the Prophet, he journeyed, and spake unto Philip, Praying him to come up and sit in his chariot with him. So I greeted the man, and he mounted the sledge beside me, And as we talked on the way he told me of thee and thy homestead, How, being led by the light of the Spirit, that never deceiveth, Full of zeal for the work of the Lord, thou hadst come to this country. And I remembered thy name, and thy father and mother in England, And on my journey have stopped to see thee, Elizabeth Haddon. Wishing to strengthen thy hand in the labors of love thou art doing."

And Elizabeth answered with confident voice, and serenely Looking into his face with her innocent eyes as she answered, "Surely the hand of the Lord is in it; his Spirit hath led thee Out of the darkness and storm to the light and peace of my fireside."

Then, with stamping of feet, the door was opened, and Joseph Entered, bearing the lantern, and, carefully blowing the light out, Rung it up on its nail, and all sat down to their supper; For underneath that roof was no distinction of persons, But one family only, one heart, one hearth and one household.

When the supper was ended they drew their chairs to the fireplace, Spacious, open-hearted, profuse of flame and of firewood, Lord of forests unfelled, and not a gleaner of fagots, Spreading its arms to embrace with inexhaustible bounty All who fled from the cold, exultant, laughing at winter! Only Hannah the housemaid was busy in clearing the table, Coming and going, and hustling about in closet and chamber.

Then Elizabeth told her story again to John Estaugh, Going far back to the past, to the early days of her childhood; How she had waited and watched, in all her doubts and besetments Comforted with the extendings and holy, sweet inflowings Of the spirit of love, till the voice imperative sounded, And she obeyed the voice, and cast in her lot with her people Here in the desert land, and God would provide for the issue.

Meanwhile Joseph sat with folded hands, and demurely Listened, or seemed to listen, and in the silence that followed Nothing was heard for a while but the step of Hannah the housemaid Walking the floor overhead, and setting the chambers in order. And Elizabeth said, with a smile of compassion, "The maiden Hath a light heart in her breast, but her feet are heavy and awkward." Inwardly Joseph laughed, but governed his tongue, and was silent.

Then came the hour of sleep, death's counterfeit, nightly rehearsal Of the great Silent Assembly, the Meeting of shadows, where no man Speaketh, but all are still, and the peace and rest are unbroken! Silently over that house the blessing of slumber descended. But when the morning dawned, and the sun uprose in his splendor, Breaking his way through clouds that encumbered his path in the heavens, Joseph was seen with his sled and oxen breaking a pathway Through the drifts of snow; the horses already were harnessed, And John Estaugh was standing and taking leave at the threshold, Saying that he should return at the Meeting in May; while above them Hannah the housemaid, the homely, was looking out of the attic, Laughing aloud at Joseph, then suddenly closing the casement, As the bird in a cuckoo-clock peeps out of its window, Then disappears again, and closes the shutter behind it.

III

Now was the winter gone, and the snow; and Robin the Redbreast, Boasted on bush and tree it was he, it was he and no other That had covered with leaves the Babes in the Wood, and blithely All the birds sang with him, and little cared for his boasting, Or for his Babes in the Wood, or the Cruel Uncle, and only Sang for the mates they had chosen, and cared for the nests they were building. With them, but more sedately and meekly, Elizabeth Haddon Sang in her inmost heart, but her lips were silent and songless. Thus came the lovely spring with a rush of blossoms and music, Flooding the earth with flowers, and the air with melodies vernal.

Then it came to pass, one pleasant morning, that slowly Up the road there came a cavalcade, as of pilgrims Men and women, wending their way to the Quarterly Meeting In the neighboring town; and with them came riding John Estaugh. At Elizabeth's door they stopped to rest, and alighting Tasted the currant wine, and the bread of rye, and the honey Brought from the hives, that stood by the sunny wall of the garden; Then remounted their horses, refreshed, and continued their journey, And Elizabeth with them, and Joseph, and Hannah the housemaid. But, as they started, Elizabeth lingered a little, and leaning Over her horse's neck, in a whisper said to John Estaugh "Tarry awhile behind, for I have something to tell thee, Not to be spoken lightly, nor in the presence of others; Them it concerneth not, only thee and me it concerneth." And they rode slowly along through the woods, conversing together. It was a pleasure to breathe the fragrant air of the forest; It was a pleasure to live on that bright and happy May morning!

Then Elizabeth said, though still with a certain reluctance, As if impelled to reveal a secret she fain would have guarded: "I will no longer conceal what is laid upon me to tell thee; I have received from the Lord a charge to love thee, John Estaugh."

And John Estaugh made answer, surprised by the words she had spoken, "Pleasant to me are thy converse, thy ways, thy meekness of spirit; Pleasant thy frankness of speech, and thy soul's immaculate whiteness, Love without dissimulation, a holy and inward adorning. But I have yet no light to lead me, no voice to direct me. When the Lord's work is done, and the toil and the labor completed He hath appointed to me, I will gather into the stillness Of my own heart awhile, and listen and wait for his guidance."

Then Elizabeth said, not troubled nor wounded in spirit, "So is it best, John Estaugh. We will not speak of it further. It hath been laid upon me to tell thee this, for to-morrow Thou art going away, across the sea, and I know not When I shall see thee more; but if the Lord hath decreed it, Thou wilt return again to seek me here and to find me." And they rode onward in silence, and entered the town with the others.

IV

Ships that pass in the night, and speak each other in passing, Only a signal shown and a distant voice in the darkness; So on the ocean of life we pass and speak one another, Only a look and a voice, then darkness again and a silence.

Now went on as of old the quiet life of the homestead. Patient and unrepining Elizabeth labored, in all things Mindful not of herself, but bearing the burdens of others, Always thoughtful and kind and untroubled; and Hannah the housemaid Diligent early and late, and rosy with washing and scouring, Still as of old disparaged the eminent merits of Joseph, And was at times reproved for her light and frothy behavior, For her shy looks, and her careless words, and her evil surmisings, Being pressed down somewhat like a cart with sheaves overladen, As she would sometimes say to Joseph, quoting the Scriptures.

Meanwhile John Estaugh departed across the sea, and departing Carried hid in his heart a secret sacred and precious, Filling its chambers with fragrance, and seeming to him in its sweetness Mary's ointment of spikenard, that filled all the house with its odor. O lost days of delight, that are wasted in doubting and waiting! O lost hours and days in which we might have been happy! But the light shone at last, and guided his wavering footsteps, And at last came the voice, imperative, questionless, certain.

Then John Estaugh came back o'er the sea for the gift that was offered, Better than houses and lands, the gift of a woman's affection. And on the First-Day that followed, he rose in the Silent Assembly, Holding in his strong hand a hand that trembled a little, Promising to be kind and true and faithful in all things. Such were the marriage-rites of John and Elizabeth Estaugh.

And not otherwise Joseph, the honest, the diligent servant, Sped in his bashful wooing with homely Hannah the housemaid; For when he asked her the question, she answered, "Nay"; and then added "But thee may make believe, and see what will come of it, Joseph."

INTERLUDE

"A pleasant and a winsome tale," The Student said, "though somewhat pale And quiet in its coloring, As if it caught its tone and air From the gray suits that Quakers wear; Yet worthy of some German bard, Hebel, or Voss, or Eberhard, Who love of humble themes to sing, In humble verse; but no more true Than was the tale I told to you."

The Theologian made reply, And with some warmth, "That I deny; 'T is no invention of my own, But something well and widely known To readers of a riper age, Writ by the skilful hand that wrote The Indian tale of Hobomok, And Philothea's classic page. I found it like a waif afloat Or dulse uprooted from its rock, On the swift tides that ebb and flow In daily papers, and at flood Bear freighted vessels to and fro, But later, when the ebb is low, Leave a long waste of sand and mud."

"It matters little," quoth the Jew; "The cloak of truth is lined with lies, Sayeth some proverb old and wise; And Love is master of all arts, And puts it into human hearts The strangest things to say and do."

And here the controversy closed Abruptly, ere 't was well begun; For the Sicilian interposed With, "Lordlings, listen, every one That listen may, unto a tale That's merrier than the nightingale; A tale that cannot boast, forsooth, A single rag or shred of truth; That does not leave the mind in doubt As to the with it or without; A naked falsehood and absurd As mortal ever told or heard. Therefore I tell it; or, maybe, Simply because it pleases me."

THE SICILIAN'S TALE

THE MONK OF CASAL-MAGGIORE

Once on a time, some centuries ago, In the hot sunshine two Franciscan friars Wended their weary way with footsteps slow Back to their convent, whose white walls and spires Gleamed on the hillside like a patch of snow; Covered with dust they were, and torn by briers, And bore like sumpter-mules upon their backs The badge of poverty, their beggar's sacks.

The first was Brother Anthony, a spare And silent man, with pallid cheeks and thin, Much given to vigils, penance, fasting, prayer, Solemn and gray, and worn with discipline, As if his body but white ashes were, Heaped on the living coals that glowed within; A simple monk, like many of his day, Whose instinct was to listen and obey.

A different man was Brother Timothy, Of larger mould and of a coarser paste; A rubicund and stalwart monk was he, Broad in the shoulders, broader in the waist, Who often filled the dull refectory With noise by which the convent was disgraced, But to the mass-book gave but little heed, By reason he had never learned to read.

Now, as they passed the outskirts of a wood, They saw, with mingled pleasure and surprise, Fast tethered to a tree an ass, that stood Lazily winking his large, limpid eyes. The farmer Gilbert of that neighborhood His owner was, who, looking for supplies Of fagots, deeper in the wood had strayed, Leaving his beast to ponder in the shade.

As soon as Brother Timothy espied The patient animal, he said: "Good-lack! Thus for our needs doth Providence provide; We'll lay our wallets on the creature's back." This being done, he leisurely untied From head and neck the halter of the jack, And put it round his own, and to the tree Stood tethered fast as if the ass were he.

And, bursting forth into a merry laugh, He cried to Brother Anthony: "Away! And drive the ass before you with your staff; And when you reach the convent you may say You left me at a farm, half tired and half Ill with a fever, for a night and day, And that the farmer lent this ass to bear Our wallets, that are heavy with good fare."

Now Brother Anthony, who knew the pranks Of Brother Timothy, would not persuade Or reason with him on his quirks and cranks, But, being obedient, silently obeyed; And, smiting with his staff the ass's flanks, Drove him before him over hill and glade, Safe with his provend to the convent gate, Leaving poor Brother Timothy to his fate.

Then Gilbert, laden with fagots for his fire, Forth issued from the wood, and stood aghast To see the ponderous body of the friar Standing where he had left his donkey last. Trembling he stood, and dared not venture nigher, But stared, and gaped, and crossed himself full fast; For, being credulous and of little wit, He thought it was some demon from the pit.

While speechless and bewildered thus he gazed, And dropped his load of fagots on the ground, Quoth Brother Timothy: "Be not amazed That where you left a donkey should be found A poor Franciscan friar, half-starved and crazed, Standing demure and with a halter bound; But set me free, and hear the piteous story Of Brother Timothy of Casal-Maggiore.

"I am a sinful man, although you see I wear the consecrated cowl and cape; You never owned an ass, but you owned me, Changed and transformed from my own natural shape All for the deadly sin of gluttony, From which I could not otherwise escape, Than by this penance, dieting on grass, And being worked and beaten as an ass.

"Think of the ignominy I endured; Think of the miserable life I led, The toil and blows to which I was inured, My wretched lodging in a windy shed, My scanty fare so grudgingly procured, The damp and musty straw that formed my bed! But, having done this penance for my sins, My life as man and monk again begins."

The simple Gilbert, hearing words like these, Was conscience-stricken, and fell down apace Before the friar upon his bended knees, And with a suppliant voice implored his grace; And the good monk, now very much at ease, Granted him pardon with a smiling face, Nor could refuse to be that night his guest, It being late, and he in need of rest.

Upon a hillside, where the olive thrives, With figures painted on its white-washed walls, The cottage stood; and near the humming hives Made murmurs as of far-off waterfalls; A place where those who love secluded lives Might live content, and, free from noise and brawls, Like Claudian's Old Man of Verona here Measure by fruits the slow-revolving year.

And, coming to this cottage of content They found his children, and the buxom wench His wife, Dame Cicely, and his father, bent With years and labor, seated on a bench, Repeating over some obscure event In the old wars of Milanese and French; All welcomed the Franciscan, with a sense Of sacred awe and humble reverence.

When Gilbert told them what had come to pass, How beyond question, cavil, or surmise, Good Brother Timothy had been their ass, You should have seen the wonder in their eyes; You should have heard them cry, "Alas! alas! Have heard their lamentations and their sighs! For all believed the story, and began To see a saint in this afflicted man.

Forthwith there was prepared a grand repast, To satisfy the craving of the friar After so rigid and prolonged a fast; The bustling housewife stirred the kitchen fire; Then her two barnyard fowls, her best and last, Were put to death, at her express desire, And served up with a salad in a bowl, And flasks of country wine to crown the whole.

It would not be believed should I repeat How hungry Brother Timothy appeared; It was a pleasure but to see him eat, His white teeth flashing through his russet beard, His face aglow and flushed with wine and meat, His roguish eyes that rolled and laughed and leered! Lord! how he drank the blood-red country wine As if the village vintage were divine!

And all the while he talked without surcease, And told his merry tales with jovial glee That never flagged, but rather did increase, And laughed aloud as if insane were he, And wagged his red beard, matted like a fleece, And cast such glances at Dame Cicely That Gilbert now grew angry with his guest, And thus in words his rising wrath expressed.

"Good father," said he, "easily we see How needful in some persons, and how right, Mortification of the flesh may be. The indulgence you have given it to-night, After long penance, clearly proves to me Your strength against temptation is but slight, And shows the dreadful peril you are in Of a relapse into your deadly sin.

"To-morrow morning, with the rising sun, Go back unto your convent, nor refrain From fasting and from scourging, for you run Great danger to become an ass again, Since monkish flesh and asinine are one; Therefore be wise, nor longer here remain, Unless you wish the scourge should be applied By other hands, that will not spare your hide."

When this the monk had heard, his color fled And then returned, like lightning in the air, Till he was all one blush from foot to head, And even the bald spot in his russet hair Turned from its usual pallor to bright red! The old man was asleep upon his chair. Then all retired, and sank into the deep And helpless imbecility of sleep.

They slept until the dawn of day drew near, Till the cock should have crowed, but did not crow, For they had slain the shining chanticleer And eaten him for supper, as you know. The monk was up betimes and of good cheer, And, having breakfasted, made haste to go, As if he heard the distant matin bell, And had but little time to say farewell.

Fresh was the morning as the breath of kine; Odors of herbs commingled with the sweet Balsamic exhalations of the pine; A haze was in the air presaging heat; Uprose the sun above the Apennine, And all the misty valleys at its feet Were full of the delirious song of birds, Voices of men, and bells, and low of herds.

All this to Brother Timothy was naught; He did not care for scenery, nor here His busy fancy found the thing it sought; But when he saw the convent walls appear, And smoke from kitchen chimneys upward caught And whirled aloft into the atmosphere, He quickened his slow footsteps, like a beast That scents the stable a league off at least.

And as he entered though the convent gate He saw there in the court the ass, who stood Twirling his ears about, and seemed to wait, Just as he found him waiting in the wood; And told the Prior that, to alleviate The daily labors of the brotherhood, The owner, being a man of means and thrift, Bestowed him on the convent as a gift.

And thereupon the Prior for many days Revolved this serious matter in his mind, And turned it over many different ways, Hoping that some safe issue he might find; But stood in fear of what the world would say, If he accepted presents of this kind, Employing beasts of burden for the packs, That lazy monks should carry on their backs.

Then, to avoid all scandal of the sort, And stop the mouth of cavil, he decreed That he would cut the tedious matter short, And sell the ass with all convenient speed, Thus saving the expense of his support, And hoarding something for a time of need. So he despatched him to the neighboring Fair, And freed himself from cumber and from care.

It happened now by chance, as some might say, Others perhaps would call it destiny, Gilbert was at the Fair; and heard a bray, And nearer came, and saw that it was he, And whispered in his ear, "Ah, lackaday! Good father, the rebellious flesh, I see, Has changed you back into an ass again, And all my admonitions were in vain."

The ass, who felt this breathing in his ear, Did not turn round to look, but shook his head, As if he were not pleased these words to hear, And contradicted all that had been said. And this made Gilbert cry in voice more clear, "I know you well; your hair is russet-red; Do not deny it; for you are the same Franciscan friar, and Timothy by name."

The ass, though now the secret had come out, Was obstinate, and shook his head again; Until a crowd was gathered round about To hear this dialogue between the twain; And raised their voices in a noisy shout When Gilbert tried to make the matter plain, And flouted him and mocked him all day long With laughter and with jibes and scraps of song.

"If this be Brother Timothy," they cried, "Buy him, and feed him on the tenderest grass; Thou canst not do too much for one so tried As to be twice transformed into an ass." So simple Gilbert bought him, and untied His halter, and o'er mountain and morass He led him homeward, talking as he went Of good behavior and a mind content.

The children saw them coming, and advanced, Shouting with joy, and hung about his neck,-- Not Gilbert's, but the ass's,--round him danced, And wove green garlands where-withal to deck His sacred person; for again it chanced Their childish feelings, without rein or check, Could not discriminate in any way A donkey from a friar of Orders Gray.

"O Brother Timothy," the children said, "You have come back to us just as before; We were afraid, and thought that you were dead, And we should never see you any more." And then they kissed the white star on his head, That like a birth-mark or a badge he wore, And patted him upon the neck and face, And said a thousand things with childish grace.

Thenceforward and forever he was known As Brother Timothy, and led alway A life of luxury, till he had grown Ungrateful being stuffed with corn and hay, And very vicious. Then in angry tone, Rousing himself, poor Gilbert said one day "When simple kindness is misunderstood A little flagellation may do good."

His many vices need not here be told; Among them was a habit that he had Of flinging up his heels at young and old, Breaking his halter, running off like mad O'er pasture-lands and meadow, wood and wold, And other misdemeanors quite as bad; But worst of all was breaking from his shed At night, and ravaging the cabbage-bed.

So Brother Timothy went back once more To his old life of labor and distress; Was beaten worse than he had been before. And now, instead of comfort and caress, Came labors manifold and trials sore; And as his toils increased his food grew less, Until at last the great consoler, Death, Ended his many sufferings with his breath.

Great was the lamentation when he died; And mainly that he died impenitent; Dame Cicely bewailed, the children cried, The old man still remembered the event In the French war, and Gilbert magnified His many virtues, as he came and went, And said: "Heaven pardon Brother Timothy, And keep us from the sin of gluttony."

INTERLUDE

"Signor Luigi," said the Jew, When the Sicilian's tale was told, "The were-wolf is a legend old, But the were-ass is something new, And yet for one I think it true. The days of wonder have not ceased If there are beasts in forms of men, As sure it happens now and then, Why may not man become a beast, In way of punishment at least?

"But this I will not now discuss, I leave the theme, that we may thus Remain within the realm of song. The story that I told before, Though not acceptable to all, At least you did not find too long. I beg you, let me try again, With something in a different vein, Before you bid the curtain fall. Meanwhile keep watch upon the door, Nor let the Landlord leave his chair, Lest he should vanish into air, And thus elude our search once more."

Thus saying, from his lips he blew A little cloud of perfumed breath, And then, as if it were a clew To lead his footsteps safely through, Began his tale as followeth.

THE SPANISH JEW'S SECOND TALE

SCANDERBEG

The battle is fought and won By King Ladislaus the Hun, In fire of hell and death's frost, On the day of Pentecost. And in rout before his path From the field of battle red Flee all that are not dead Of the army of Amurath.

In the darkness of the night Iskander, the pride and boast Of that mighty Othman host, With his routed Turks, takes flight From the battle fought and lost On the day of Pentecost; Leaving behind him dead The army of Amurath, The vanguard as it led, The rearguard as it fled, Mown down in the bloody swath Of the battle's aftermath.

But he cared not for Hospodars, Nor for Baron or Voivode, As on through the night he rode And gazed at the fateful stars, That were shining overhead But smote his steed with his staff, And smiled to himself, and said; "This is the time to laugh."

In the middle of the night, In a halt of the hurrying flight, There came a Scribe of the King Wearing his signet ring, And said in a voice severe: "This is the first dark blot On thy name, George Castriot! Alas why art thou here, And the army of Amurath slain, And left on the battle plain?"

And Iskander answered and said: "They lie on the bloody sod By the hoofs of horses trod; But this was the decree Of the watchers overhead; For the war belongeth to God, And in battle who are we, Who are we, that shall withstand The wind of his lifted hand?"

Then he bade them bind with chains This man of books and brains; And the Scribe said: "What misdeed Have I done, that, without need, Thou doest to me this thing?" And Iskander answering Said unto him: "Not one Misdeed to me hast thou done; But for fear that thou shouldst run And hide thyself from me, Have I done this unto thee.

"Now write me a writing, O Scribe, And a blessing be on thy tribe! A writing sealed with thy ring, To King Amurath's Pasha In the city of Croia, The city moated and walled, That he surrender the same In the name of my master, the King; For what is writ in his name Can never be recalled."

And the Scribe bowed low in dread, And unto Iskander said: "Allah is great and just, But we are as ashes and dust; How shall I do this thing, When I know that my guilty head Will be forfeit to the King?"

Then swift as a shooting star The curved and shining blade Of Iskander's scimetar From its sheath, with jewels bright, Shot, as he thundered: "Write!" And the trembling Scribe obeyed, And wrote in the fitful glare Of the bivouac fire apart, With the chill of the midnight air On his forehead white and bare, And the chill of death in his heart.

Then again Iskander cried: "Now follow whither I ride, For here thou must not stay. Thou shalt be as my dearest friend, And honors without end Shall surround thee on every side, And attend thee night and day." But the sullen Scribe replied "Our pathways here divide; Mine leadeth not thy way."

And even as he spoke Fell a sudden scimetar-stroke, When no one else was near; And the Scribe sank to the ground, As a stone, pushed from the brink Of a black pool, might sink With a sob and disappear; And no one saw the deed; And in the stillness around No sound was heard but the sound Of the hoofs of Iskander's steed, As forward he sprang with a bound.

Then onward he rode and afar, With scarce three hundred men, Through river and forest and fen, O'er the mountains of Argentar; And his heart was merry within, When he crossed the river Drin, And saw in the gleam of the morn The White Castle Ak-Hissar, The city Croia called, The city moated and walled, The city where he was born,-- And above it the morning star.

Then his trumpeters in the van On their silver bugles blew, And in crowds about him ran Albanian and Turkoman, That the sound together drew. And he feasted with his friends, And when they were warm with wine, He said: "O friends of mine, Behold what fortune sends, And what the fates design! King Amurath commands That my father's wide domain, This city and all its lands, Shall be given to me again."

Then to the Castle White He rode in regal state, And entered in at the gate In all his arms bedight, And gave to the Pasha Who ruled in Croia The writing of the King, Sealed with his signet ring. And the Pasha bowed his head, And after a silence said: "Allah is just and great! I yield to the will divine, The city and lands are thine; Who shall contend with fate?"

Anon from the castle walls The crescent banner falls, And the crowd beholds instead, Like a portent in the sky, Iskander's banner fly, The Black Eagle with double head; And a shout ascends on high, For men's souls are tired of the Turks, And their wicked ways and works, That have made of Ak-Hissar A city of the plague; And the loud, exultant cry That echoes wide and far Is: "Long live Scanderbeg!"

It was thus Iskander came Once more unto his own; And the tidings, like the flame Of a conflagration blown By the winds of summer, ran, Till the land was in a blaze, And the cities far and near, Sayeth Ben Joshua Ben Meir, In his Book of the Words of the Days, "Were taken as a man Would take the tip of his ear."

INTERLUDE

"Now that is after my own heart," The Poet cried; "one understands Your swarthy hero Scanderbeg, Gauntlet on hand and boot on leg, And skilled in every warlike art, Riding through his Albanian lands, And following the auspicious star That shone for him o'er Ak-Hissar."

The Theologian added here His word of praise not less sincere, Although he ended with a jibe; "The hero of romance and song Was born," he said, "to right the wrong; And I approve; but all the same That bit of treason with the Scribe Adds nothing to your hero's fame."

The Student praised the good old times And liked the canter of the rhymes, That had a hoofbeat in their sound; But longed some further word to hear Of the old chronicler Ben Meir, And where his volume might he found. The tall Musician walked the room With folded arms and gleaming eyes, As if he saw the Vikings rise, Gigantic shadows in the gloom; And much he talked of their emprise, And meteors seen in Northern skies, And Heimdal's horn, and day of doom But the Sicilian laughed again; "This is the time to laugh," he said, For the whole story he well knew Was an invention of the Jew, Spun from the cobwebs in his brain, And of the same bright scarlet thread As was the Tale of Kambalu.

Only the Landlord spake no word; 'T was doubtful whether he had heard The tale at all, so full of care Was he of his impending fate, That, like the sword of Damocles, Above his head hung blank and bare, Suspended by a single hair, So that he could not sit at ease, But sighed and looked disconsolate, And shifted restless in his chair, Revolving how he might evade The blow of the descending blade.

The Student came to his relief By saying in his easy way To the Musician: "Calm your grief, My fair Apollo of the North, Balder the Beautiful and so forth; Although your magic lyre or lute With broken strings is lying mute, Still you can tell some doleful tale Of shipwreck in a midnight gale, Or something of the kind to suit The mood that we are in to-night For what is marvellous and strange; So give your nimble fancy range, And we will follow in its flight."

But the Musician shook his head; "No tale I tell to-night," he said, "While my poor instrument lies there, Even as a child with vacant stare Lies in its little coffin dead."

Yet, being urged, he said at last: "There comes to me out of the Past A voice, whose tones are sweet and wild, Singing a song almost divine, And with a tear in every line; An ancient ballad, that my nurse Sang to me when I was a child, In accents tender as the verse; And sometimes wept, and sometimes smiled While singing it, to see arise The look of wonder in my eyes, And feel my heart with tenor beat. This simple ballad I retain Clearly imprinted on my brain, And as a tale will now repeat"

THE MUSICIAN'S TALE

THE MOTHER'S GHOST

Svend Dyring he rideth adown the glade; I myself was young! There he hath wooed him so winsome a maid; Fair words gladden so many a heart.

Together were they for seven years, And together children six were theirs.

Then came Death abroad through the land, And blighted the beautiful lily-wand.

Svend Dyring he rideth adown the glade, And again hath he wooed him another maid,

He hath wooed him a maid and brought home a bride, But she was bitter and full of pride.

When she came driving into the yard, There stood the six children weeping so hard.

There stood the small children with sorrowful heart; From before her feet she thrust them apart.

She gave to them neither ale nor bread; "Ye shall suffer hunger and hate," she said.

She took from them their quilts of blue, And said: "Ye shall lie on the straw we strew."

She took from them the great waxlight; "Now ye shall lie in the dark at night."

In the evening late they cried with cold; The mother heard it under the mould.

The woman heard it the earth below: "To my little children I must go."

She standeth before the Lord of all: "And may I go to my children small?"

She prayed him so long, and would not cease, Until he bade her depart in peace.

"At cock-crow thou shalt return again; Longer thou shalt not there remain!"

She girded up her sorrowful bones, And rifted the walls and the marble stones.

As through the village she flitted by, The watch-dogs howled aloud to the sky.

When she came to the castle gate, There stood her eldest daughter in wait.

"Why standest thou here, dear daughter mine? How fares it with brothers and sisters thine?"

"Never art thou mother of mine, For my mother was both fair and fine.

"My mother was white, with cheeks of red, But thou art pale, and like to the dead."

"How should I be fair and fine? I have been dead; pale cheeks are mine.

"How should I be white and red, So long, so long have I been dead?"

When she came in at the chamber door, There stood the small children weeping sore.