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The Autobiography of Goethe Truth and Poetry: From My Own Life

Goethe, Johann Wolfgang von · Public domain text

281,571 words · about 19 h 43 min to read

About this edition

The text of The Autobiography of Goethe Truth and Poetry: From My Own Life comes from Project Gutenberg e-text #52654. It is public domain in the United States. Translated by A. J. W. (Alexander James William) Morrison. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

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About this book

Author
Johann Wolfgang von Goethe (1749–1832)
Language
English
Subjects
Authors, German › 18th century › Biography, Goethe, Johann Wolfgang von, 1749-1832, Authors, German › 19th century › Biography
Length
281,571 words · about 19 h 43 min
Sections
10 reader sections · Table of contents
Contents (10)
  1. Opening about 1 min
  2. Author'S Preface about 4 min
  3. Part The First under 1 min
  4. Part The Second under 1 min
  5. Part The Third under 1 min
  6. Part The Fourth under 1 min
  7. Part The First about 5 h 10 min
  8. Part The Second about 5 h 59 min
  9. Part The Third about 5 h 31 min
  10. Part The Fourth about 2 h 57 min

The opening of Author'S Preface

As a preface to the present work, which, perhaps, more than another requires one, I adduce the letter of a friend, by which so serious an undertaking was occasioned.

"We have now, my dear friend, collected the twelve parts of your poetical works, and on reading them through, find much that is known, much that is unknown; while much that had been forgotten is revived by this collection. These twelve volumes, standing before us, in uniform appearance, we cannot refrain from regarding as a whole; and one would like to sketch therefrom some image of the author and his talents. But it cannot be denied, considering the vigour with which he began his literary career, and the length of time which has since elapsed, that a dozen small volumes must appear incommensurate. Nor can one forget that, with respect to the detached pieces, they have mostly been called forth by special occasions, and reflect particular external objects, as well as distinct grades of inward culture; while it is equally clear, that temporary moral and æsthetic maxims and convictions prevail in them.

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