Tales from the German, comprising specimens from the most celebrated authors (part 4 of 4)

Tales from the German, comprising specimens from the most celebrated authors (part 4 of 4)

How much do my thoughts love to dwell on the recollection of those days! Friendship and love belong only to mortal man; he shares them neither with angels nor the animal creation; they are the offspring of the union of the earthly and divine nature within us: they constitute the privilege of man. In their possession we are more pious, more believing, more indulgent, and more at home in the universe; we have more confidence, and endure the thorns by the way. Nay, even the wilderness appears more splendid in the glow of a calm, bright fancy.

In the evening I again took the harp, struck the chords, and played the sufferings of Count Peter of Provençe and his beloved Magellone, then one of the newest and most affecting ballads, and full of expressive melody. When I had finished the first stanza, and rested a minute, I heard the sound of a harp, softly repeating the same air in the stillness of the night. Who could it be but Clementine, who wished to become the echo of my sentiments? When she had finished I began again; thus we responded to each other. Music is the language of the soul. What an ineffable delight to my heart, Clementine thought me worthy of this converse!

Alas! I must pass over in silence a thousand nameless trifles which receive their inestimable value only from the sense by which they are given and received; but they cannot be forgotten. The corse of the dream of my happy youth, I mean recollection, is also still delightful, though its life has passed away.

My dream lasted thus for two years. During that time we saw each other in silence, but still loving, and we conversed only by means of the chords of the harp, without ever approaching nearer. I knew the church where she prayed; I also went and prayed too. I knew the days when she, in the company of her mother and friends, promenaded amid the shady trees of the Peyrou;[1] there I went also. Her look showed that she recognised me, and timidly rewarded me.

Without having spoken to each other during this long space of time, we had by degrees become the most intimate confidants; we reciprocated our joys and sorrows; we entreated and granted, hoped and feared, and made vows that were never broken.

No one suspected the intercourse of our souls, our sweet and innocent familiarity. Only M. Bertollon’s kindness threatened more than once to rob me of my joys, as he insisted on my occupying a better room, and it was with difficulty I retained possession of my garret.

When Madame Bertollon had returned from her country house her husband introduced me to her. “Here,” said he, “is Alamontade, a young man whom I love as a friend, and to whom I wish nothing better than that he may become yours also.”

What I had heard of her was not exaggerated. She seemed scarcely twenty years old, was very beautiful, and might have served an artist as an idea for a Madonna. A pleasing timidity rendered her the more attractive, especially as most of her sex and rank in Montpellier knew less of that reserve, without which grace itself loses all its charms.

She spoke little, but well; she appeared cold, but the vivacity and brightness of her eye betrayed a sensitive heart and active mind. She was the benefactress of the poor, and honoured by the whole city. Neglected by her husband, and adored by young and attractive men of the first families, she allowed not calumny itself to throw a shade over the purity of her character. She lived as retired as in a convent. I saw her but seldom, and only during my last year at the university, when the illness of her husband afforded me an opportunity of meeting in his apartment.

The tenderest anxiety for the health of M. Bertollon was visible in all her features. She was incessantly with him, administering his medicine, or reading to him; and, when the illness reached its crisis, she never quitted his bedside, but even destroyed her own health by her continual nightly watching.

When M. Bertollon recovered, he continued his cold and polite behaviour towards her, and never returned her affection. This indifference she seemed to feel deeply, and by degrees became estranged from him as his health returned. I could only pity her, and reproach my friend.

“But what do you demand of me, Colas?” he said one day. “Are you master of your own heart, that you can ask obedience from mine? I grant you my wife is beautiful; but mere beauty is only a pleasing gloss, under which the heart remains cold. Why do we not fall in love with the chefs-d’oeuvre of the sculptor? I grant you she has understanding; this, however, we do not love, but at most admire. She is charitable; but she has money enough, and takes no pleasure in expensive amusements. She showed me much attention during my illness; for that I am grateful to her. She shall not want any thing that she wishes, and I can give; but the heart cannot be given, that must be taken. As to the rest, my friend, you do not know her. She also has her failings; nay, if you will allow so much, her faults. If it should unfortunately happen, now, that some of these faults are of such a nature as necessarily to extinguish every rising feeling of affection in me, am I to blame, that I cannot change stone into gold, and transform a marriage of convenience into one of the heart?”

“But, dear Bertollon, I never even discovered the slightest trace of such a repulsive fault.”

“That is because you do not know my wife. To you, as my friend, I may reveal what has estranged me from her for ever, even during the very first days of our marriage. It is her untameable and unreasonable temper, which is as an all-consuming fire. Trust not the ice and snow of the external veil; a volcano is burning within it which, from time to time, must emit its flames, or it would burst its outward covering. She is quiet, but the more dangerous; every feeling is fermenting long within her before it manifests itself; but when it has done so, it is the more lasting and destructive. She seems to be virtue and gentleness personified; without her unhappy temper she might be a saint, but that destroys all better feelings. I have often surprised her in designs so atrocious and terrible, that it is difficult to conceive how one of them could find its way into the soul of a woman, or how she could harbour it. Such a character, my friend, is not likely to conquer one’s heart.”

These confidential communications startled me the more, as I had proofs of Bertollon’s knowledge of men, and his correct judgments. In the meanwhile, I did not discontinue my visits to Madame Bertollon, and thought I perceived that she found pleasure in my society. She was always tranquil, gentle, and seemed suffering. So much beauty and gentleness changed my respect into sincere friendship. I formed the resolution of reconciling her to her husband, let it cost what it would; or, rather, of bringing him back to her arms.

The habit of daily intercourse removed, by degrees, the constraint of etiquette, and made her society absolutely necessary to me. Once when I was walking with her in the garden, and she leaned on my arm, she said: “You are Bertollon’s most intimate friend and confidant. I consider you mine also, and your character gives me a claim on your kindness. Speak openly, Alamontade, for you know the reason--why does Bertollon hate me?”

“He does not hate you, madame, he entertains the highest esteem for you. Hate? he must be a monster if he can do that. No! he is a noble man, he cannot hate any body.”

“You are right: he can hate no one, because he loves no one. He does not consider himself born for the world, nor for any one; but that the whole world, and every one in it, is made for him. Education, perhaps, never poisoned a more feeling heart and a sounder head than his.”

“You judge, perhaps, too harshly, madame.”

“Would to Heaven I did! Pray convince me of the contrary.”

“I convince you? Not so, madame; observe your husband, and you will change your mind.”

“Observe him? I always did so, and always found him the same.”

“He is a kind, amiable man, at least.”

“Amiable! he is so, he knows it, and takes pains to be so; but, unfortunately, not to make others happy--only himself. For this I cannot call him good, although I cannot call him bad.”

“Surely, madame, I do not understand you; permit me, however, to return confidence for confidence. I never knew two human beings who so much deserved to be happy, and were so calculated to render each other so, as you and your husband, and yet you are estranged from each other. I shall certainly believe I have lived long enough, and have accomplished enough, if I can unite you more affectionately to each other, and attach your now divided hearts.”

“You are very kind; but though half your wish is already accomplished--for my heart has long been pursuing his, which flies from me--I fear that you attempt an impossibility. However, if any one could succeed in this, you are that one. You, Alamontade, are the first to whom Bertollon has quite attached himself,--to whom he firmly clings. Try it; change the disposition of the man.”

“You are joking; I change him? What other virtue do you wish Bertollon to practise? He is generous, modest, the protector of innocence, of an unvarying temper, without predominant passions, disinterested, kind.”

“You are right, he is all that.”

“And how shall I change him?”

“Make him a better man.”

“A better man?” replied I, astonished, stopping and looking with embarrassment into the eyes of this beautiful woman, which were filled with tears. “Is he, then, bad? Is he vicious?”

“That he is not,” she said; “but he is not good.”

“And yet, madame, you allow that he possesses all the noble qualities for which I just now praised him? Do you not, perhaps, demand too much from a mortal?”

“I do not deny that he possesses what you have praised in him, Alamontade; but he does not use those qualities as virtues, only as instruments. He does much good, not because it is good, but because it is advantageous to him. He is not virtuous, but prudent. In every action he only looks at the useful and injurious, never at the good and evil. He would as soon employ hell for accomplishing his designs as heaven. His happiness consists in the attainment of his desires, and for this he is and does what suits his purpose under any given circumstances. The world is to him the field of desire, wherein all belongs to the most fortunate and cunning. The throng of men living together created, in his opinion, states and laws, religions and usages. The wisest man in his eyes is he who knows the entangled tissue of circumstances to its finest threads; and he who knows that can do any thing. Nothing is in itself right or wrong; opinion alone sanctions and condemns. This, Alamontade, is a picture of my husband. He cannot love me, for he only loves himself. His mind and taste change, and with them his nature. With iron perseverance he pursues and attains his ends. The son of a much respected family, which had been reduced in circumstances, he wished to be rich, so he became a merchant, went to distant lands and returned the possessor of a million. He then wished to secure his wealth by uniting himself with one of the most respectable families of this city, and I became his wife. Desirous to possess influence in public affairs, without exciting envy, he made himself popular, and refused the most honourable posts of office. In his opinion nothing is unattainable; he considers nothing sacred; he conquers every obstacle; no one is too strong for him, because all are weak by some propensity, passion, and opinion.”

This picture of Bertollon’s character staggered me. I found it corresponding to the original in every particular. I had never formed a clear idea of all this, although I had felt it. I discovered the enormous chasm that separated their hearts, and despaired of ever being able to fill it up.

“But, madame,” said I, pressing her hand with emotion, “do not despair; your persevering affection and virtue will finally triumph over him.”

“Virtue! Oh, my dear Alamontade, what can be expected from a man who calls it a weakness, or one-sidedness of character, or prudery of mind? From one who considers religion only as the toy of church and education,--the toy with which the fancy of the shortsighted plays with childish zeal?”

“But still he possesses a heart.”

“He has a heart, but only for himself--not for others. He wishes to be loved without any sacrifice of feeling on his part. Alas! can one love such a man? No, Alamontade, love demands something more; it gives itself up to the beloved object, exists in it, and is not master of itself; it does not calculate, it knows no care; it takes its chance whether fidelity will at length bless it or treachery destroy it. But it cannot exist without hope; it demands the heart of its object, and in that finds its heaven.”

“And in that it finds its heaven,” sighed I, as I again stood in my own chamber and thought of Clementine.

I took down the withered wreath, which had been hitherto a sacred pledge of Clementine’s favour, and hung it upon my harp. Had she not herself thrown it on the breast which incloses my loving heart? Did she not then appear as if she wished to crown that heart with her own hand? Could it only have been childish play? Ah! could it have been indifferent to her whether it was a crown of thorns or a wreath of blossoms which she was winding round my heart?

She was at the window. I raised the wreath and pressed it to my lips. She seemed to perceive it; she suppressed a smile, bent forward and looked into the street, but not again at me. This response plunged me into inexpressible trouble. It seemed as if she was ashamed of the gift she once had bestowed on me. I now suddenly became conscious of what I expected and hoped from her. I wished an impossibility. I had never thought of Clementine as my wife; I loved her and wished to be loved by her. But she my wife? I, the poor son of a farmer who died encumbered with debt. I who still had to battle with want, and only saw an uncertain fate in the future--I expect the richest heiress in Montpellier!

At this thought my proud spirit sank. I loved Clementine and forgave her if she could not return my love. I saw clearly that I could not change the relations of social life; and, in fact, was too proud to make my fortune by marriage.

Henceforth I applied more ardently to my studies, wishing to pave my way to Clementine’s elevation by my own energies. Many nights I passed sleepless in study. Desirous of hearing the unbiassed judgment of critics respecting my talents, I published, anonymously, a work on the jurisprudence of the ancients, and a collection of poems, the greater part of which were inspired by my secret passion.

This publication of my labours had an unexpected success. Curiosity soon discovered the name of the author, who was everywhere courted. The loud applause raised my self-esteem, and the success of my first attempt rekindled the extinguished flame of hope by the light of which I saw Clementine as my own, though at a distance which rendered her indistinct.

She herself rewarded me in the most pleasing manner, by once reading my poems at the window, when their author had become known. Indeed, from a hundred allusions in the poems which she only understood, she might have guessed their author. She looked across to me, smiled, and pressed the book to her bosom, as if she wished to tell me, “I love it, and what you express in it you have addressed to this heart, which feels and is grateful.”

I again took up the withered wreath, at which I had often sung; smiled, made a sigh, and retired.

But no one was more delighted by the applause I had gained than my friend Bertollon. He became more affectionate and confidential. We regarded each other as brothers; he was devoted to me, and proved, in a thousand ways, that he had a heart for others. He did not let a day pass without showing some kindness; it was only by chance that I learned many of his noble deeds.

“Oh! Bertollon,” I once exclaimed, as I pressed him to my heart, “what a man you are! Why must I pity as much as admire you?”

“You go too far in both points, for I deserve neither one nor the other,” replied he, with a complacent smile.

“No! Bertollon, what I lament is, that you are good and virtuous, without wishing to appear so; you call virtue fanaticism and narrowness of ideas, and yet you constantly practise its precepts.”

“Well, then, Alamontade, rest satisfied with that. Why do you for ever weary yourself with my conversion? When you are older I shall see you treading in my footsteps; be, at least, tolerant for the present; the same child has, perhaps, a twofold name.”

“I doubt it. Could you, Bertollon, voluntarily plunge yourself into misery in order to support a righteous cause?”

“What do you call a righteous cause? Your ideas are not clear.”

“If you could save Montpellier from destruction by sacrificing yourself, would you be capable of suffering poverty or death?”

“M. Colas, you rave again. Only fanatics can demand and make such sacrifices, and it is good for the world that there are such. But now come for once to your senses; I am sorry that you are always indulging such whims, for in this way you will never be happy. Run over the whole world and collect the fools who would meet death for your notions: you will not find one in a hundred million. Every thing is true, good, useful, just, and noble, only under certain circumstances. The ideas of men vary everywhere; many have fancied that they could save the world by their death. They died, but for their own caprice, not for the world, and were afterwards laughed at as fools.”

“For these words I could despise you, Bertollon.”

“Then you would not be over virtuous, according to your own notions.”

“If you could increase your wealth by plunging me into misery, would you do so!”

“For such a question I ought to despise you, Colas?”

“And yet I may put it, for you say that you only strive after that which is useful to yourself. You weigh the goodness of an action only by the result.”

“Dear Colas, I see you will be a bad advocate, and will make a poor fortune, if you only defend causes which are right according to your notions, and never an unjust one by which you might gain.”

“I swear to you, Bertollon, I should abhor myself as long as I lived, if ever I moved my lips for the accusation of innocence, and the defence of crime.”

“And yet you, good-hearted simpleton, you will do it more than once, because you will not always find guilt or innocence written on men’s foreheads. You will be the world’s fool, if you will not walk its way.”

In this manner we often disputed. I was sometimes puzzled with him, and could have feared him, had he not always expressed his terrible opinions so jocosely, that he did not seem to believe them himself. He only wished to irritate me, and when he had succeeded, laughed heartily. But his actions contradicted his words.

Madame Bertollon, on the contrary, daily displayed more of the noble sentiments that animated her. She glowed for the virtuous actions which she practised with religious ardour.

I became her guest, and we were never in want of conversation. Alone with her I spent the long winter evenings, and from me she learned the harp. Soon I could accompany her charming voice, while she sang my songs with deep feeling. She was lovely, and her beauty would have been dangerous to me, had not my heart been fixed on Clementine.

When I spoke of her with enthusiasm to Bertollon, he smiled; if I reproached him for leaving such a lovely creature to herself, he replied, “Our tastes differ; let every one follow his own inclination. Would you, dear despot, have all heads and hearts moulded in the same form? I know my wife loses nothing by me, consequently she is not made unhappy by my treating her in the manner so customary in fashionable society. She knew this beforehand. If you are happy in her society I am glad; and I rejoice if she also finds pleasure in your conversation. You see, virtuous Colas, that I, also, am capable of great sacrifices, for I leave you to her often when I most sincerely desire your company.”

I had finished my studies, had taken the degree of Doctor of Laws, and had obtained permission to practise as attorney before the tribunals of the kingdom. My increased occupations during this time prevented me from visiting Madame Bertollon as frequently as before; but she received me the more joy fully when we met; and I felt now, more than ever, how sincerely I was attached to her. We never confessed how indispensable we were to each other; but each of us betrayed it in every feature, and by the cordiality of demeanour.

At times it seemed to me as if she were more melancholy than she had been, and then, again, more affable and complaisant; at other times she appeared to treat me with marked coldness and reserve; and then, again, as if she wished, with sisterly affection, to quiet my anxiety. This change of behaviour surprised me, and I vainly endeavoured to discover the reason of it. I could not help perceiving that she no longer possessed her former serenity and equanimity. I often found her with eyes that evinced recent weeping. She sometimes spoke with singular enthusiasm of the retirement of a convent, and withdrew more and more from her usual society. A hidden melancholy gnawed the bud of her youth.

These reflections make me also melancholy, and I in vain endeavoured to cheer her. The calm sadness of her look, the vanishing bloom of her cheek, her deep silence, and her efforts to conceal, by an affected cheerfulness, the grief which was gnawing her heart, added to my friendship the genial warmth and tenderness of sympathy. How gladly would I have sacrificed my life to procure happiness for her!

One evening when I accompanied her singing on my harp, a sudden burst of tears choked her voice. Alarmed, I ceased playing. She rose, and was on the point of hurrying to her apartment to conceal her grief.

How touching, in moments of quiet suffering, are youth, beauty, and innocence. I seized her hand, and held her back.

“No!” she exclaimed, “let me go.”

“Stay, I cannot possibly let you go in this excited state. May I not witness your grief? Am I not your friend? Do you not yourself call me so? And does not this pleasing name give me a right to ask you the cause of that affliction which you in vain endeavour to conceal from me?”

“Leave me, I conjure you, leave me,” she cried, as she endeavoured, with feeble efforts, to free herself.

“No,” said I, “you are unhappy.”

“Unhappy, alas!” she sighed, with unrestrained grief, drooping her beautiful face on my bosom to conceal her tears.

Involuntarily I clasped my arms around the gentle sufferer. A deep sympathy seized me. I stammered forth some words of consolation, and begged her to be calm.

“Alas! I am unhappy,” she exclaimed, sobbing, and with vehemence. I dared not endeavour further to appease the storm of feeling by my untimely persuasions; and, letting her weep without interruption, I led her back to her seat, as I felt that she became exhausted and trembling, her head resting still on my bosom.

“You are not well?” I asked timidly.

“I feel better now,” she replied; and, becoming more tranquil, she looked up, and seeing tears in my eyes, asked, “Why do you weep, Alamontade?”

“Can I remain unmoved by your sorrows?” I answered, bending down to her. Silently we sat absorbed in our feelings, hand in hand, gazing at each other. A tear rolled down her cheek, which I kissed away, and drew the sufferer closely to my heart, unconscious of what I was doing. During this embrace our fears evaporated with the glow of our cheeks; and what we called friendship, was changed into love.

We parted; ten times we bade each other farewell, and as often I clasped her in my arms, forgetting the separation.

Keeling as if intoxicated, I entered my room; the harp, wreath, and window, terrified me.

I had never been in a greater state of confusion than I was on the following morning. I could not understand myself, and wavered between contradictions. Madame Bertollon appeared to love me; but hitherto she had heroically struggled with feelings which seemed to wound the nobility of her mind. I was the wretch who, without loving her, could encourage her passion, and fan the fatal flame by which she must be consumed, and I must be dishonoured still more than the unhappy woman herself.

In vain I called to mind the sacredness of my duties; in vain I disclosed to myself the base ingratitude I committed against Bertollon’s generous friendship; in vain I remembered my own and Clementine’s vows; all that once had been to her pleasing and estimable had lost its power and influence. The tumult of my senses continued without intermission: only Bertollon’s lovely wife floated in my imagination; I still felt on my lip the glow of her kiss, and my flattered vanity overwhelmed the earnest warnings of my conscience with illusive sophistry.

“Wretch! you will feel remorse, you will some day blush at your own disgraceful act, and the snow of advanced age will not quench the burning of an evil conscience!”

With these words I endeavoured to arouse my better feelings. While I still revelled in the remembrance of the previous evening, and dark forebodings were rising in my mind, I sat down at the table to write to Madame Bertollon, to describe to her the danger to which we should both expose ourselves by further intercourse, and to tell her that to continue worthy of her friendship I must leave her and Montpellier.

But while reason dictated her precepts, and I wished to make the first heavy sacrifice to virtue, I wrote to Madame Bertollon the most solemn oaths of my attachment, declaring falsely that a secret passion for her had long consumed me, and that I saw my happiness only in her love. I entreated and conjured her not to let me despair, and unrolled to her imagination a vivid picture of our bliss.

I started up, read the letter over and over, tore it, and wrote another, repeating only what I had written, and then again destroyed it. As if by an unknown power I was drawn against my will to a crime at which my soul vainly shuddered. While vowing to myself, in a half-suppressed voice, that I would start for Nismes, and never again see the walls of Montpellier, I also vowed unconsciously I would never leave the charming though unhappy woman; but that I would cling to her, although my passion should lead to inevitable death.

It was as if two distinct souls were struggling within me with equal power and skill. But consciousness became more dim, and the feeling of duty expired in the feeling of the all-engrossing desire. I resolved to hasten to Madame Bertollon, thinking that she was perhaps tormenting herself with reproaches at the weakness she had shown, or that she also might be determined to leave me and Monpellier. I intended to detain her to reason away her fears, and to endeavour to persuade her of the lawfulness of our love.

I started up and ran to the door. A voice within me again cried, “You are going to sin then?--to lose the long guarded feeling of innocence?” I hesitated, and stepped back, saying to myself, “Be pure as God and continue so. One day more and this storm will pass over, and then you are safe.”

This holy feeling exalted me; the words, “Be pure as God,” sounded above the tumult of my agitated feelings, and deterred me, for the time at least, from hastening to Madame Bertollon. But the struggle remained undecided; my yearnings became more impetuous, and I scorned my own virtuous intentions.

At this moment the door of my room opened, and M. Bertollon entered.

“How are you, dear Colas,” he asked, “are you unwell?” At this question I first perceived that I had thrown myself on my bed, from which I jumped up, but had not the courage to take the hand which he extended to me.

“But what is the matter with you, Colas?” he said again, “you look confused and pale.”

Before I could reply, the voice within me again called, “Disclose all to him, disclose all to her husband, and a barrier will be raised between you and his wife; you will remain pure, you will not be the seducer of a woman, nor the traitor and deceiver of your noble benefactor and friend.”

“Bertollon,” said I, hastily, fearing that I might not finish my confession; “I am unhappy, because I love your wife.” I had scarcely uttered the last syllable when remorse seized me; but it was too late, it was done, the husband knew all, and I was now for once right. In the wild tumult of the senses, when powerful passion struggles with the sense of duty, it is only a sudden and decided act which we perceive to be a remedy, that can save us. We must as it were forcibly drive the reluctant body to accomplish it, until we can no more return. I felt like one who is tossed about by the waves of the ocean, and who, when on the point of drowning, indistinctly perceives before his giddy eye the branches on the shore, and hears a voice within him saying, “Seize them.”

Bertollon changed colour and said, “What did you say, Colas?”

“I must go, I must flee Montpellier, you and your wife, for I love her,” replied I.

“I think you are a fool,” said he, smiling, and he regained his usual colour.

“No, Bertollon, I am in earnest; I must not remain here. Your wife is a virtuous woman! and I fear my intercourse with her will prove her ruin and my own. It is yet time. You are my friend, my benefactor, I will not deceive you. Take this bitter confession as a proof of my love for you. I am too weak to be always master of myself, and your wife is too lovely for me to remain indifferent near her.”

“A saint like you, Colas,” said Bertollon, laughing loud, “who with pious devotion confesses the secrets of his heart to the husband himself, will not be dangerous to any husband. Compose yourself; you will remain with us. What folly to make so much ado about a passion? I trust you, and have suspicion neither of you nor of my wife; let that suffice. If you love each other, what can I do against your hearts? If I interpose the world between you, would you love each other less for that? Will your removal remove also your heart? Love each other; I know you both think too nobly to forget yourselves.”

He said all this so ingenuously and cheerfully, and with a tone of such unsuspecting confidence, that I pressed him with emotion to my heart. His noble-mindedness renewed my virtuous resolutions; I was ashamed of my baseness and even of the fact that it had cost me so hard a struggle.

“No! dear Bertollon,” said I. “I should indeed be a wretch if I could betray your confidence and requite your friendship so disgracefully. You have brought me back to a sense of my better self; I will remain here, and the recollection of your trust in me will preserve me against any dishonourable intention. I will remain and prove that I am worthy of you, by breaking off all intercourse with your wife. I will never see her alone; I will----”

“Why tell me all this?” interrupted Bertollon. “It is enough that I trust you. Do you imagine that I have not long observed that my wife loves you, that her love is characterised by her violent, impetuous temper, and that her passion is the more powerful the more she conceals it? Impress her with your noble principles, and cure her if you wish; but be cautious. I know her; her love might soon change into terrible hatred, and then woe be to you.”

“What! Do you expect, Bertollon, that I shall cure her of a disease by which I am myself overwhelmed? And what are you talking of the violence of her temper? Of this I have never discovered even the slightest symptom.”

“Friend Colas, you do not know the sex. In order to please you, she will not show herself in her true colours; and should she once forget herself, love will make you blind.”

Here the subject was dropped, and he engaged my attention by another topic, as he would not suffer me to resume our former conversation. The more I had cause to admire the extent of his confidence, the calmer I became, and the more I resolved to separate gradually from his wife. The following evening I saw her again: she was sitting alone in her apartment, her beautiful head resting sadly on her arm. As soon as she perceived me she rose, her face expressing a pleasing confusion, and her eyes cast down. For some time we remain silent.

At length I asked, trembling, “May I dare to appear before you? But I only come to atone for my transgression.”

To this she made no reply.

“I have abused your confidence,” I continued. “Esteem ought to be my only feeling for the wife of my friend. I have acted dishonourably.”

“So have I,” she added in a whisper.

“Alas! madame, I feel I am too little master of myself;--nay, who could be so in your presence? But, should it cost my life, I will not disturb your peace of mind. My resolution is unalterably taken. I have discovered my innermost heart to your husband.”

“Discovered!” she exclaimed, terrified; “and he--?”

“He at first changed colour.”

“He changed colour?” she faltered.

“But with confidence in you, madame, and with a confidence greater than my virtue, he wished to dissuade me from my intention of leaving Montpellier.”

“Was that your intention, Alamontade?”

“It is still so. I love you, madame; but you are Bertollon’s wife, and I will not disturb the peace of a family to which I am indebted for a thousand benefits.”

“You are a noble man,” said she, shedding tears. “You intend doing what I was resolved to do. My clothes are ready packed. I must and will not conceal from you, Alamontade, that I wish I had never known you. Our friendship grew into love. I deceived myself in vain, and struggled too late against my violent feelings.”

She sobbed more violently, and exclaimed, “Yes, it is better thus! We must part, but not for ever. No! only until our hearts beat more calmly, until we can meet with cooler friendship.”

At these words I was deeply moved.

“But, alas! kind friend,” she continued, still sobbing, and throwing herself on my bosom, “I shall not long survive this separation.”

While her heart beat against mine, and our passion was rekindled, and our sense of duty was struggling for victory, the hours fled quickly. We vowed eternal, pure, sacred love, and yet swore to extinguish it in our hearts. We resolved to separate, to see each other seldom, and then only with calmness, and in the presence of witnesses, and sealed the indissoluble alliance of our souls with rapturous kisses.

What a wretched creature is man! He is ever weakest when he thinks himself strongest. He who flees temptation is the hero; he who wantonly runs into it to attain the crown of virtue has lost it before he begins the combat.

When we parted, we agreed that I should not go farther than a league from Montpellier. I was to live at the château near Castelnau, and only to come to town on an occasional visit. Without delay I executed my design, departing without venturing to take leave of Madame Bertollon; and, however much M. Bertollon was against it, he was, nevertheless, obliged at last to consent.

I soon recovered from my delusion in the tranquillity of rural nature. I felt that I had never loved Madame Bertollon, and I despised myself for endeavouring to make her believe that I entertained a sentiment for her which I did not feel. All with me had been nothing but an intoxicating delusion, which was first produced by the unhappy passion that this lovely creature could no longer conceal from me. She alone was to be pitied, and it was my duty to restore to her the peace she had lost.

My mind now gradually resuming its wonted serenity and cheerfulness, rose above the clouds that had darkened it, and Clementine’s image stood before me more resplendent and charming than ever. At my departure from Montpellier, I had left the wreath and harp behind, not because I had then quite forgotten Clementine, but because shame and a sacred awe drove me back when I was on the point of touching the adored relics. I no longer thought myself worthy of her, and considered the torments of my longing, and of the separation from her, a mild penance for my crime.

Several weeks passed, during which Bertollon only called on me, telling me often that he could not live without me, and yet that he was fettered by his affairs to the unlucky town.

He made several attempts to induce me to return to Montpellier; but in vain. I continued in my salutary retreat, and felt myself happier.

One morning early, I was awakened by my servant, who told me that M. Larette, a friend of Bertollon’s, had called, and desired to speak to me immediately. At the same moment, Larette himself entered, pale and confused.

“Get up,” he cried, “and come directly to Montpellier.”

“What is the matter?” I asked, terrified.

“Get up and dress yourself; you must not lose a moment; Bertollon is poisoned, and is on the point of death.”

“Poisoned?” I faltered, and sank back senseless on my bed.

“Only be quick, he wishes to see you once more; I hastened here by his order.”

Trembling, I flung on my clothes, and followed him mechanically to the door, where a carriage awaited us. We stepped in, and, with the utmost speed, went to Montpellier.

“Poisoned?” I asked again on the way.

“Certainly,” replied M. Larette, “but there is an inconceivable mystery about the affair. A fellow who bought the poison at the chemist’s has been imprisoned; Madame Bertollon is also a prisoner in her apartment.”

“Madame Bertollon a prisoner!--For what reason? And who has put her under arrest?”

“The magistrate.”

“The magistrate! Is the police mad enough to fancy Madame Bertollon capable of poisoning her husband?”

“He believes it, and every body----”

“Sir, you are shrugging your shoulders; ‘And every body?--’ Well, continue: what were you going to say.”

“That every body believes it. The fellow, Valentine I think is his name----”

“What Valentine? Sure the old faithful servant, the most honest fellow under the sun----”

“Well, he has deposed, that about a week ago, he fetched the poison by order of Madame Bertollon.”

“The infernal liar; the----”

“And Madame Bertollon, when interrogated about the servant’s deposition, has confessed it unconditionally. There, that is the whole affair.”

“Confessed? I am bewildered; for I do not understand you. What has she confessed?”

“That she sent Valentine for the poison.”

“Horrible! and also that it was she that murdered, poisoned, her own husband?”

“Who would like to confess such things? but such unfortunately is the case. Bertollon felt yesterday morning his usual indisposition; you know he is sometimes subject to giddiness. He then requested his wife, who keeps a medicine-chest, to give him the usual cordial, a very expensive essence which she keeps in a gilt blue phial.”

“I know it well and also the essence.”

“She herself poured it into a spoon, added some sugar and administered it to her husband. In a short time he felt the most violent spasms in his bowels. The physician was sent for and recognised the symptoms as the effect of poison; of which they found remains in the spoon. The physician did his utmost to save him. He asked for the essence to analyze it. At this Madame Bertollon was offended, and asked whether they thought she was a poisoner; but at length being no longer able to refuse the phial without causing suspicion, she gave it up. In the meanwhile several physicians had been called, as well as an officer of the police. The affair becoming known, the druggist, who recollected that the poison had been bought by Valentine, had informed the police of the circumstance. Valentine was immediately arrested, but referred to his mistress and her orders. Madame Bertollon being interrogated by the police, fainted; all her keys were taken from her, the medicine-chest was examined, and the poison, which was recognised by the above-mentioned druggist, was found. It was, however, deficient in weight, and the essence in the blue phial being likewise examined, the poison was discovered in that. Thus, sir, do matters stand, and you may think of it as you please.”

I shuddered but did not say a word, seeing in the whole a horrible connexion which neither Larette nor any one but myself could perceive. Madame Bertollon loved me with frightful intensity, and our separation had increased her passion instead of checking it; thus she conceived this atrocious plan of freeing herself from her husband. I called to mind the consuming fire in her character, of which Bertollon had told me. I also remembered my last interview with her, during which I had inconsiderately told her that I had candidly confessed our attachment to her husband, and how she then was startled, and how she had inquired anxiously concerning Bertollon’s deportment.

My conjecture was changed into a frightful certainty. I could imagine how the black thought was matured in her, I saw her mixing the accursed draught, and, infatuated by her passion, presenting it to her unhappy husband.

We arrived in Montpellier. I hastened to the room of my beloved benefactor, exclaiming at the foot of the stairs: “Is he still living?”

They told me in whispers to be calm, and prevented me from entering his apartment. He had sunk into a gentle slumber, from which he was expected to derive benefit, and even to recover during its influence.

“And where is Madame Bertollon?” I asked.

In answer to this I was told that she had left the house early that morning, and had gone to her relations, where she was under arrest upon the security of her family; that her nearest relations, by their influence and with much difficulty, had succeeded in saving her from the disgrace of imprisonment. I was further told in confidence that M. Bertollon had advised her, through a friend, to fly to Italy before it was too late. As she hesitated, her brothers also had endeavoured to persuade her to avail herself of her short period of liberty. Her pride, however, triumphed, and her reply was: “I shall not fly, for by doing so I should own a crime of which I am not yet, and cannot be, convicted.”

Beauty of form exerts its magic only so far as we conceive it to be the sign of a noble soul, but loses all its power, nay, inspires us with horror, when it is the cloak of crime. Let the artist paint Sin beautiful on the threshold of hell, and it will be a thousand times more terrible when that which is dearest to man is but the tool of his wickedness.

I could no longer think of Madame Bertollon without detestation. She was a poisoner, and all that Larette had hastily told me was confirmed in Montpellier; while a number of various circumstances threw still greater light on her murderous deed.

All Montpellier was in agitation at this extraordinary occurrence. Bertollon’s gradual recovery, which was accomplished by the skill of the physicians, caused the most lively joy in every house. I no more left the bed of my beloved friend, whom I honoured as a father and a brother.

“Oh, Bertollon!” I exclaimed one day, “You are saved. How miserable I should have been had you died! My grief would not long have allowed me to survive your death. You are my only friend, the only one in the world; you are my benefactor, my guardian angel. I am always ready to die for you. And is it possible that a woman, such a tender timid creature, a woman endowed with, such heavenly charms, a woman whose eyes and mouth preached virtue so sweetly, could be so atrocious?”

“Do you still love her, Alamontade,” said Bertollon, pressing my hand.

“Love her? The very thought is revolting to me. I never loved her; it was only trifling vanity and a delusion of the senses that I once in my infatuation called love. I have never loved her. A secret power always drove my heart from her. How should I love one who intended to murder you? I curse every hour I spent in her society; and repent the attentions I lavished on her. Ah! I knew her not.”

By this time the trial had commenced. The most celebrated counsel in Montpellier, M. Menard, came forward of his own accord to the family of the accused, and offered to be her defender. Menard had never lost a suit. The charm of his eloquence conquered all; where he could not convince reason he knew how to entangle it inextricably by doubts, and to excite against it all the feelings of the heart. Whenever he spoke in the court it was crowded with spectators, who often came from distant parts to hear him. He undertook with success even the worst cause, if he could expect from it a rich reward.

“I desire nothing,” said Bertollon, “but an eternal separation from the poisoner, and I require no other punishment for her than the failure of her attempt. Her own conscience and public contempt are a sufficient sting to her. I know Menard is my personal enemy. He was once my rival, and I foresee that by his artifices he will so confound and dazzle the judges and people, that my infamous wife will extricate herself triumphantly.”

“That he shall not do!” I exclaimed with vehemence. “Pray Bertollon entrust me with your case, though I am but a beginner, and have never spoken in a court of law. Confide in me and the justness of your cause. Indeed, it does not grieve me to appear before the tribunal against a lady whom I once called my friend, and who loaded me with treacherous favours. You are my brother and benefactor, your cause is sacred.”

Bertollon smiled, expressing at the same time his doubts as to my being a match for my adversary’s tact. At length, however, he agreed to my wish of making his suit the first trial of my ability, but was apparently apprehensive.

“Be easy, dear Bertollon,” said I, “friendship will inspire and exalt me if I should seem to sink under Menard’s superior powers, and notwithstanding all his subtlety he will not be able to get over the facts which his client too hastily confessed.”

From time immemorial no trial had excited greater interest than this, which was rendered so conspicuous, both by the atrocity of its cause, and the respectability of the parties concerned. And what a part I undertook! No one knew the relation in which I had stood to Madame Bertollon. No one imagined that I had once clasped the accused to my heart in a moment of extatic rapture; no one knew that her illicit affection for me had perhaps given her hand the first direction towards mixing the poisonous draught.

All this was still a secret, and was to remain so until Menard’s art should threaten victory over me. Then only this last mine was to explode against him.

When it was reported in Montpellier that I was Bertollon’s advocate, success was given to my opponent beforehand. After sufficient investigation, and the examination of witnesses, Menard and I were called to the bar. This powerful speaker seemed only to mock me. He almost evinced contempt, at appearing against a young man who had recently been his pupil, and was now going to make his debût. He spoke with such power that he affected me most deeply, and almost inspired me for the cause of the accused.

The trial had been prolonged by Menard’s manoeuvres for six months, when I had hoped to conquer in a few weeks. Menard was always followed by the applause of the people on leaving the court; and it appeared that I wasted my energies in rendering his victory more difficult, only to increase his laurels.

The beauty of the accused had gained for her party all the young men of the town, and her former beneficence engaged for her the poorer class of the people. I had to contend against Menard, against the secret predilection of innumerable hearts prejudiced in her favour, and the remembrance of the virtues which Madame Bertollon had once displayed.

The more, however, my cause seemed hopeless, the more my courage rose. An unusual energy animated me, and Menard himself began to respect or fear me the more I drove him back from his first conquests. His party diminished in proportion, as he was forced to acknowledge the truth of facts which he had before rendered doubtful and uncertain. Soon I heard my praise in public; soon a small number of partisans surrounded me: soon the applause of the people was increased, the more Madame Bertollon appeared guilty, and her beauty and virtues were eclipsed and darkened by the remembrance of so black a deed.

Pleasing as this incense was to me, it delighted me less than Clementine’s quiet approval. Madame Bertollon was related to the family De Sonnes. When it was known that I undertook Bertollon’s cause, Clementine often appeared at the window shaking her head sadly, and making menacing signs. I thought I understood her, and shrugged my shoulders, but was not deterred from performing a duty so sacred.

As my name became more known and lauded in Montpellier, she became more friendly. She appeared to forget her relationship to Madame Bertollon in my success. Yes! I saw myself loved by the angel I adored. No mortal could be happier than I. Our dumb correspondence had now lasted for years.

But I turn to that fatal trial which now took the most serious turn for the accused. Madame Bertollon seeing every fact and witness in league against her, could do nothing but strongly deny her intention of poisoning her husband, though appearances rendered her guilty. I now insisted on interrogating her more closely respecting her object in buying the poison a week previous to the deed. To this she gave evasive answers, and entangled herself in contradictions. It was evident that she feared discovering the reason. All the entreaties of her relations, and the menaces of her advocate, were of no avail. This increased the suspicion; Menard gave up his case as lost, though still protesting her innocence. The tribunal ordered closer confinement, and threatened the first examination by the rack to force confession.

Now Madame Bertollon undertook to plead her own cause before the tribunal in which Menard had been so unsuccessful. In this I saw nothing but an artifice of Menard himself, who wished to call the power of female beauty to his aid to support his eloquence.

As she entered the hall a deathlike silence prevailed. She never was so charming as at this moment; her simple attire, and the paleness of deep grief, summoned compassion into each heart, and tears into every eye.

All was silent, and all eyes were turned from her upon me. I was to speak, but could not, such was my inexpressible confusion. She was the picture of suffering innocence. All the delightful hours I had spent with her were recalled to my memory on seeing her, and surrounded my soul like weeping angels pleading for her and whispering that she was certainly guiltless.

At length I recovered. I declared that no one would be more delighted by a proof of the innocence of the accused than her husband, and myself, his advocate. But for this proof it was necessary that she should remove suspicion and confess her intention in purchasing the poison.

Madame Bertollon appeared very weak, leaning on the arm of her advocate. She looked at me with a painful glance, expressive of love and sorrow.

“Oh! Alamontade,” she said, in a faint voice, “and must it be you to urge the discovery of my object in purchasing the poison? You--and in this place?”

After a few moments’ silence she suddenly rose, turned her pale countenance towards the judges, and said, in a bitter tone, expressive of mental despair,

“My lords, you have threatened me with the rack to force my confession; that is sufficient, and I will put an end to the proceedings--I am guilty, I intended a murder with this poison. More you will not learn from me; pronounce your verdict.”

She turned and left the court--perfect silence and utter amazement prevailed. Two days afterwards the tribunal pronounced the verdict of “guilty” against the wretched woman.

M. Bertollon had long since recovered. He was more cheerful than usual, and joked as before at my zeal for virtue; he loved me at the same time so truly that it grieved him that I so obstinately persisted in my strict principles. I therefore sometimes afforded him the satisfaction of appearing to agree with him, and of yielding to his favourite whim, that all upon earth was but a play of expediency.

The evening previous to the day on which the sentence was passed I was with him; we were cheerfully sitting at our wine, until midnight, and swore everlasting friendship to each other till death.

“Tell me, Colas, do you know Clementine de Sonnes?”

I blushed. Wine and confidence in his friendship elicited the holy secret. Bertollon laughed immoderately, exclaiming repeatedly, “Simpleton that you are! you are everywhere tricked by your heavenly virtue. Pray be rational for once, why have you not told me this long since? She would now be your betrothed; well, she shall be yours, here is my hand upon it. With prudence we may subdue the world, why not a girl or a proud family? I have already observed that Clementine is not likely to refuse you.”

In raptures I clasped my friend in my arms. “Oh! if you could do that, Bertollon, you would make me happy--make me a god.”

“So much the better, for I shall still want your divine assistance for some pet plan. A girl so like your Clementine that they might be taken for sisters. Such a girl lives at Adze. You simpletons have hitherto thought that I go there as frequently as I do for the sake of pure air or business. No; I love the girl inexpressibly; no woman ever fettered me like her. As soon as I am rid of my wife I shall court the Venus of Adze. But then, M. Colas, I shall trouble you not to have such conversations with my future wife as you used to enjoy with my first one.”

“What, Bertollon!” I exclaimed, confounded; “you will marry again?”

“Certainly. Look you. I at first thought you were going to play a romance in due form with my wife; I thought you really loved her, in which case I would have resigned her to you, and then we could have come to some arrangement in the affair. I should have liked it very well, and we should not have had all this ado about the poison which had nearly gone against me.”

“But how do you mean, Bertollon? I do not quite understand you.”

“I must tell you, you innocent. In my wife’s absence, I one evening secretly searched her drawers--you may laugh; you see I did not quite trust you at that time, with all your virtue; for I thought you had exchanged love letters of grief and affection. While so doing, the lame Jacques happened to come down the stairs and saw me leave my wife’s room after I played her this trick. But the blockhead passed quickly and saluted me.”

“What trick do you mean? You talk so confusedly. Drink! here is to your health.”

“And to yours, Colas! You have acquitted yourself well. You are a capital fellow. I lay you would not have made an address half so good before the court against my wife, had you known that I myself mixed the poison with the essence, though it was only a small quantity.”

“No! certainly not, dear Bertollon.”

“Therefore it was wise on my part not to tell you before; now it can do no harm.”

“Why you were not fool enough to wish to poison yourself?”

“As to that I knew very well that I was in no great danger. I was only astonished to find poison in my wife’s possession. She had labelled it. But what do you think she intended to do with it?”

“Why, that is an enigma.”

“But it was a deep trick, Colas, was it not? The following morning I pretended giddiness, sent for my wife, who brought me the essence herself as usual. The physician was also sent for, and an antidote was applied, but I had only mixed in a small quantity of the poison.”

“But Bertollon, what are you talking about? Your wife after all then is quite innocent?”

“That is the joke in the affair. And you have pleaded your throat sore for nothing. But drink; this will cure it. Confess now, was it not a bold stroke of mine? My wife must think she is quite bewitched, for she does not know that I have the best of picklocks in the world for all her drawers.”

“But--” said I, becoming suddenly sober with horror.

“Let no one hear any thing of this; you, Colas, are my only confidant. You must know that the affair might have terminated badly after all, as in my haste I upset a phial containing a red liquid in the medicine-chest, and forgot to replace it. But, to cut the matter short, Colas, I am happy. You shall be so too. I swear to you that the day on which I marry Julia, you shall celebrate your nuptials with Clementine. But what is the matter with you? Actually you are fainting. There--drink some water. The champagne does not agree with you.”

He supported me with one arm, while offering me the glass with the other, which I pushed back shuddering. I was stunned by what I had heard.

“Go to bed,” he said.

I left him, while he staggered after me, laughing loudly.

Midnight had long passed, sleep had not visited me, and when morning approached I had not even undressed, and I walked up and down the room in great agitation. What a night! What had I learned? I was not able to believe so atrocious and revolting a crime. An innocent and virtuous wife, who had never offended her husband, plunged into prison and everlasting disgrace; the husband abusing his friend by making him accomplish his hellish designs, and innocence tortured with pangs more bitter than death?

I felt some relief, however, in the hope that Bertollon only wished to test my friendship. For, if he really had acted so atrociously, how could he venture to let another glass of wine pass his lips, since every drop threatened to disclose his secret; how could he so shamelessly reveal himself in all his atrocity, either to a villain or to an honourable man?

But I hoped in vain to deceive myself; his expressions respecting me and his unfortunate wife, and his former willingness to resign her to me, made all but too true. His early plans were now becoming clearly developed in the misty distance. I recollected many expressions which he had used, and that he himself favoured my intercourse with Madame Bertollon, and refused to become suspicious of our intimacy. And when he spoke of the vehemence and reserve of her disposition, he probably then conceived designs of charging her with this crime.

The morning had dawned, and I was still undecided as to what I should do. Innocence must be saved, but her safety must be the ruin of my benefactor, my first and only friend; only an excess of love for me had elicited the horrible secret. Should I go and betray him? He was the author of my happiness; should the hand which had received innumerable benefits from him, plunge him ungratefully into an unfathomable abyss? Should I lose him whom I still loved, the only one who loved me? “Unhappy series of events,” I sighed, “must I become the instrument of fettering innocence, or of sacrificing the life of my benefactor?”

But my conscience cried, “Be just before you wish to be kind! Whatever consequences may attend the actions which we perform, from duty,--nay, even did they involve the destruction of ourselves--nothing should hinder us when virtue is at stake. Return to your poverty, go solitary and cheerfully through life, only save your peace of mind and carry with you a quiet conscience. You did what justice required. There is a God, be pure as he is.”

I wrote to the police inspector of the district to come immediately to me on most urgent business. On his arrival I repaired to Bertollon’s room, while the officer remained without.

Bertollon was still asleep; I trembled, love and compassion overcame me, I exclaimed, “Bertollon,” and kissed him.

He awoke, and I suffered him to wake completely during some indifferent conversation.

“Tell me,” I said, at length, “is your wife really innocent? Had you poisoned the essence yourself?”

He looked at me with a penetrating glance, saying, “Be silent.”

“But, Bertollon, this answer is but a confirmation of last night’s statement. I conjure you, my friend, remove my doubts. Have you done all you said, or did you only wish to----”

Bertollon rose, and said, “Colas! I trust you are discreet.”

“But speak, Bertollon, pray speak! the court will pass sentence on your wife to-day, let not innocence perish!”

“Are you mad, Colas? Would you become the betrayer of your friend?”

While stammering this he appeared in violent emotion. He turned pale, and his lips became livid; his eyes stared vacantly. All proved too certainly that he had confessed the previous night, in the excitement of wine, circumstances at which he was now terrified, seeing they were no longer safe in my keeping.

I put my hand on his shoulder, and whispered in his ear, “Bertollon! dress, take money enough with you, and flee. I will manage the rest.”

With a look threatening death, he asked, “Why?”

“Fly, I say, while there is time.”

“Why?” he replied, “Do you intend---- or have you, perhaps, already----”

“By all that is dear and sacred to you, fly!”

While I whispered these last words to him, he suddenly jumped up, looked about the room as if searching for something, which made me think he had forgotten in his consternation that his clothes lay near the bed. While I stooped to give them to him he fired a pistol at me, and the blood gushed down over my chest.

The door was burst open, and the inspector of police entered in terror. Bertollon still holding in one hand the pistol he had fired, and a second in the other, looked aghast at the unexpected appearance.

“Accursed dog!” he cried to me, with gestures of despair, and flung the discharged pistol furiously at my head. Another shot followed--Bertollon had shot himself. He reeled against me--I caught him in my arms--his head was shattered.

I became senseless, sank on the floor, and when I first recovered consciousness, I found myself in my own room, with physicians and servants busy about me. My wound, which was under the left shoulder, was probed and dressed, but was not dangerous.

All around me were in great consternation. Several of Bertollon’s friends were near me, assailing me with questions.

I dismissed them, and, when recovered, dressed myself and ordered a sedan-chair to carry me to the assembled court.

In the meanwhile Bertollon’s suicide had become known in the town. An enormous concourse of people thronged his house, but when they learned that I intended going to the court the curious crowd followed me.

Sentence had already been passed on Madame Bertollon at a private sitting of the court. The moment she was led into the hall to hear it before the assembled multitude, I arrived.

I begged a hearing as I had to make important disclosures. Permission to speak was granted me. Amidst a silence as if death reigned, I said to the judges: “My lords, once I stood here the accuser of innocence, I now come to save her, and to prepare her for a well-deserved triumph. I was deceived by the appearance of circumstances, deceived and abused by my friend, and an accomplice in an act of cruelty without knowing it. The unfortunate lady upon whom you are about to pronounce sentence is not guilty of any crime.”

I now distinctly stated the history of the previous night, Bertollon’s suicide, and his attempt on my life. Beside me stood the police-inspector as a witness, and lame Jacques, who recollected that he had seen M. Bertollon the evening previous to the poison being taken, coming from the apartment of his wife with a light.

Such a termination to the trial in which I had at first achieved such a splendid victory over my opponent Menard, and which was to found my reputation in that country, no one had expected. During my speech astonishment and horror were depicted on a thousand faces. But when I stopped, a murmuring arose which swelled to loud exultation. My name was shouted with enthusiastic joy, and the eyes of all were filled with tears.

All order was at an end: Madame Bertollon had sunk fainting amidst the congratulations of those around. The vice-governor of the province, a relation of the Mareschale Montreval, whom chance or curiosity brought to the court, descended from his seat and embraced me. M. Menard followed his example, amidst the shouts of the enthusiastic multitude.

I was led to Madame Bertollon, my knees failed me, I sank down and pressed her hand, which I bedewed with tears.

“Can you forgive me?” I faltered.

With a look full of excessive love and a heavenly smile, she looked down on me. “Alamontade!” she sighed softly, but tears checked her words.

The court broke up and the judges embraced me. In vain I endeavoured to find Madame Bertollon; the crowd was too great. I was led down the steps of the court-house, through the dense mass which headed me, with marks of honour.

In the act of getting into my sedan, I was stopped by a well-dressed young man saying, “Sir, you cannot possibly return with pleasant feelings to a house which still contains the corpse of a suicide, and which must remind you of the most horrible circumstances. Do me the honour of allowing me to entertain you in the meanwhile in my own house.”

This invitation, urged with cordiality, was quite unexpected. Tears still sparkled in the young man’s eyes, and he entreated me so earnestly that I could not refuse. He pressed my hand with joyful gratitude, gave orders to the bearers and disappeared.

Followed by the acclamations of the multitude through the streets, I proceeded but slowly, but at length arrived at the house of my unknown friend. I only noticed that it was in the neighbourhood of Bertollon’s house and in the street where Clementine lived, which could not be an unpleasant discovery to me, though I was still confused and overcome.

At the foot of the steps in the inner court, the sedan-chair was opened. The friendly stranger awaited me; I saw myself in a large splendid building, and was assisted up the marble stairs by two servants.

All that is terrible and pleasing in human life was compressed for me into the narrow space of this one day.

The folding-doors were opened, and some ladies advanced to receive me. The eldest among them addressed me, saying, “I am much indebted to my nephew for procuring me the honour of seeing the noble-minded deliverer of innocence in my dwelling.”

Who can describe my astonishment when I discovered this lady to be Madame de Sonnes, and that Clementine was following her. I was about to stammer something in reply to her kind reception, but was too much exhausted. The loss of blood in the morning, after a night spent in wakeful melancholy, and the various and extraordinary sensations to which I had been exposed, had quite exhausted me. Clementine’s appearance made me lose sight of all around me. I only saw her, only spoke to her, until forms and colours were blended before my fading sight in a confused chaos.

For several weeks I kept my bed and room, a fever having been produced by the sufferings from my wound. Young M. de Sonnes never left me; he had all my property removed from Bertollon’s house; including the harp, but not the wreath. They did not know of what value it was to me.

In the meanwhile Madame Bertollon had been acquitted; and M. de Sonnes told me that the fair sufferer had immediately left Montpellier, and had gone into a distant convent. He likewise gave me a letter which had been sent for me, under cover, to Madame de Sonnes, saying, “Madame Bertollon probably wished us to thank her deliverer.”

I took it with a trembling hand; as soon as I was alone I perused it, and ever since it has accompanied me in weal and woe. Its contents are as follows:--

“Abbey St. G., at V----, “May 11, 1762.

“Farewell, Alamontade, these lines, the first I ever wrote to a man, will be the last. I have left the stormy life of the great world; the solemn stillness of sacred walls encloses me; I have been able to disengage myself, without regret, from all that once was dear and indispensable; I take nothing out of the world except the wounds which it inflicted.

“Ah! that I could have left these wounds, and the remembrance of the past behind me. They cling to me to make my last friend, Death, the more desirable.

“In the bloom of life the black veil of widowhood encircles me; by it I show to men a mourning which I feel not, and conceal that which consumes me.

“Yes, Alamontade, I do not blush even now, in this sacred spot, to confess what I never wished to conceal from you, that I loved you. You knew it. Alas! you still know it; and it was you who could point the dagger to a heart which beat for you alone in this world.

“Oh! Alamontade, you have deceived me. You never loved me. I was not grieved at my unfortunate husband accusing me of the blackest crime. No. But that you could believe me guilty, could become my accuser; you, for whom I would cheerfully have died,--that has withered the very root of my life.

“But no; no reproaches. Noble, and still beloved, you were blameless. Dazzled by appearances, you sacrificed feeling to friendship and your sense of justice. You wished, at most, to be unhappy, not ungrateful. I feel it fully; the wife of another dared not love you; and I, in my sinful affection, was never worthy of your pure heart. I always felt this, and my weakness was always at war with my inclination. No being was more wretched than I; and each look from you, each kiss perpetuated a flame which it ought to have extinguished. In a moment of despair I wished for a voluntary death rather than the danger of losing my virtue. Then I procured the poison which I had destined for myself, because I loved you much too passionately. This is the secret which shame would have prevented me from confessing upon the rack. Alas! You, the source of my misfortune--it was you that interrogated me before the judges.

“You have never loved me, and my separation will never grieve you. I had deceived myself, and must suffer for the devotion of my unsuspecting heart. The world pities me, but its pity leaves me without consolation; and even your compassion, my friend, aggravates my pain instead of mitigating it.

“Within these cloistered walls I see the end of my short pilgrimage; the lime-tree before the grated window of my cell throws its shade upon the little spot that will become my tomb. This is my consolation.

“Ah! how melancholy to stand thus alone in the world! and I am alone, for no one living loves me. My friends have forgotten me already in their joyous circles, and my tears do not disturb their merriment. I fade like the solitary flower of the mountain, unknown and unseen; it gives and receives no joy; its disappearance leaves no trace behind.

“And you, the only one I loved, receive these lines as a farewell. A breaking heart breathed these words; a dying hand traced them. I do my last duty. Do not disturb my peace by answering this. I shall not receive any letter, and will never see you. I will pray to God for your happiness; and my last sigh shall be for you; and, with the remembrance of you, death shall lead me to a better life.

“AMELIA BERTOLLON.”

I never saw the noble creature again. Perfectly virtuous, she sank. But I never forgot her, and often shed tears to her memory.

Madame de Sonnes and Clementine frequently visited me during my illness, and treated me not like a stranger, but like a brother, or near relative.

Madame de Sonnes was a noble lady of lively temperament and superior education. She never seemed to live for herself, but only for others; being constantly anxious to afford pleasure and render some service, she knew how to give to those, who were not above profiting by her benevolence, the appearance of being her benefactors. Her kindness always wore the stamp of gratitude.

Clementine, the pride of the family, was quite worthy of her mother. Perfect innocence and constant serenity formed her character, and no one could approach her without loving her. I had never seen, never fancied her so beautiful as now. Her smile was inspiring, her look penetrated to the soul, her deportment was the beau ideal of grace, and she was distinguished above her friends by so much amiability that she alone was unusually admired. Yet she was the most unassuming of all; she knew nothing of all her excellence, and was delighted when she discovered excellence in others. You could imagine that she had never seen her own image reflected.

I had never touched my harp since I had been with them; she also was more reserved than when at a distance as formerly; she came less frequently than any one else, spoke less to me than to others, and yet was most solicitous about me, watching anxiously my minutest wish. Only her eyes expressed her friendly feeling towards me.

While my love for her increased to an unconquerable passion, a thousand obstacles became more evident, which deprived me of all hope of ever being made happy by her hand. I was poor, as I possessed nothing but a good reputation and the confidence of all honest people. But how little is that in the great world! I had, indeed, gained such general reputation by Bertollon’s lawsuit, that the number of my clients increased daily. Still how long had I to work before I could acquire a fortune sufficient even to approach Clementine. I saw the lovely creature every day, both at home and in the garden, sometimes alone and sometimes in company. Oh! she might easily perceive how much I loved her, for my silence and my converse, my approach and departure, were so many betrayers of my heart.

I became daily more embarrassed and uneasy. Absence from her was the only remedy against inexpressible unhappiness. I came to the resolution of taking a house for myself, and discovered my intention to M. de Sonnes. Both he and his aunt opposed me in vain; I remained immoveable to their wishes and entreaties. Clementine alone neither appeared nor entreated, but she became more serious, and, as I thought, more sad.

“You are very cruel,” said Madame de Sonnes one day to me; “what have we done to offend you, that you wish to punish us so severely? You will take with you the peace of our house, until now so happy. We all love you, leave us not, I beseech you.”

All the reasons that I could state to justify my departure were insufficient to satisfy her. The most important, indeed the only one, I could not reveal, and she saw nothing but unconquerable caprice in my refusal.

“Well then,” she said at length, “we must, I suppose, resign ourselves to your will; we are more indifferent to you than I thought. Why is it not given to all to allow friendship to strike root in the heart just deep enough to be plucked up without pain at any time?--Clementine will some day be unhappy for this. I fear she will be quite ill.”

These words pained me. I turned pale and trembled, faltering, “Clementine suffer?”

Without the least suspicion of what was passing in my mind, Madame de Sonnes said, “Come with me to my room.” I followed; and on opening the door, she said to her daughter: “He will not stay, you perhaps can persuade him.” Finding myself alone with her, I approached her.

What a beautiful picture of grief! It will never be effaced from my memory. The terrors of endless misery which I have suffered in foreign climes have not been able to deprive it of its charm and life. There she sat in her plain attire, charming as a child of Eden; a fading blossom of lilac hung from her head, peering forth by her simple veil, as though it were a symbol of that which she most needed, repose.

When I approached her, she looked up, and her kindly beaming eyes, filled with tears, smiled upon me. I took her hand, and kneeling before her, sighed, “Clementine!”

She made no answer, nor did she smile.

“Do you also wish me to stay? Only command me and I will joyfully obey, even if I should become more unhappy.”

“More unhappy?” she replied, with an anxious look; “Are you then unhappy with us!”

“You do not know that! You only wish to diffuse happiness around you; but, Clementine, you accustomed me to a heaven too soon. If sooner or later I should have to lose all, to lose your society (and such a time might arrive, Clementine), how would it then be with me?” I asked, while I pressed her hand against my throbbing heart.

“If you never separate yourself from us we shall not lose you,” she replied.

“Would to heaven I might not leave you but in death,” I exclaimed.

She looked towards heaven, sighed, and leaning forward, a burning tear rolled on my hand.

“Do you doubt the constancy of my friendship,” she said.

“Have I a right to your friendship, Clementine, and this noble heart? Alas! will it not some day beat more warmly for another? and then, Clementine, then----”

“Never! Alamontade,” she said, rising quickly, and turning away her face, which was suffused with a gentle glow. I rose with ineffable rapture, clasped her in my arms, her bosom heaving with strong emotion, her cheeks glowing, and her looks expressing the words which her lips refused to utter.

Our souls were united, and made the everlasting compact. A trembling sigh was our vow, the world vanished like a shadow, and in a kiss we exchanged life for life.

Oh! what bliss has the hand of the Almighty infused even in the dust, and how much has it sweetened the lot of the spirit to be united with the earthly.

When we awoke from our pure rapture, and I could lisp Clementine’s name, and she mine, all nature around was changed, and nothing was left of the former world. Every thing shone more gloriously and beautifully; the dull apartment resembled a temple, and a sweet spirit spoke from every object--from the pictures and from the carpet. Even the whispering of the trees was significant, and in the waving shadows of the leaves there was a secret expression of delight.

“I will remain,” I exclaimed.

“And for ever,” she added.

A few hours afterwards, when I saw Madame de Sonnes, I felt a slight timidity; but she came to me with a smile, and said, “What changes have you worked on Clementine? She is inspired. She speaks in verses. She steps as light as a fairy. But what do I see, Alamontade? Why do you blush? I am indebted to you. How shall I show my gratitude?”

Saying this, she embraced me with great affection, adding, “You are a noble man. I know well the dearest reasons you had for leaving us.”

I was so confused that I could not reply.

“Singular enough, that I, after all, was not to guess your secret. You always wished to be the wiser, and so you are, Alamontade, but not this time! Do you think that I did not perceive your love for Clementine? Why did you make a secret of it to me, the mother of your beloved?”

“Madame,----” I faltered, more confused.

“I think you would, even now, deny it if you could,” she said, in a pleasant tone. “I stood near you both when in the height of your happiness, you neither saw me nor the world around; and then I felt that I was not at all required to witness your betrothal. My daughter lives for you, make her happy, and then I shall be so too.”

What kindness! I sank at her feet, and kissed her hand without being able to utter a word.

“Not so,” she said, “a son must not kneel before his mother.”

“Madame,” I exclaimed, “you give more than the most daring hopes could----”

“Not I,” she replied, “it is you, dear friend, who bring peace to our house. I am indeed a mother, but I have no command over my daughter’s heart. Clementine has known you longer than I. On your account she has refused many offers; her hopes were centred in you. To complete her happiness is my duty. Now I know you, I bless Clementine’s choice.”

“This is too great kindness,” I said; “it was indeed my resolution, some day, when my fortune should be adequate--but I am poor, Madame----”

“What has fortune to do with this affair?” answered the noble lady, “you have a respectable competency, and Clementine, beside having property of her own, is my heiress. The cares of life cannot trouble you; and should you ever, by any misfortune, lose all, you must retrench; you possess knowledge, activity, and honesty: with these you will always succeed.”

In vain I stated several obstacles; she was above considering them important.

“No, sir,” she said, “that you loved Clementine without regard to wealth I was well aware. And indeed the girl has sufficient worth of her own to be loved for herself only. Your delicacy, dear friend, is therefore not compromised; if you could aspire to her heart and conquer it, truly you need not blush at her bringing you a rich dowry. The heart which you possess is worth more than the paltry money to which you fear to aspire, as if it were too much. My daughter cannot be happier, if she marries with a man she does not love, though he has a million. She will only be rendered happy by the mind, nobleness, true love, and solicitude of her beloved.”

“And--” said Clementine, bounding in with her charming simplicity, taking my hand, and looking affectionately in the eyes of her kind mother.

“You have chosen well,” said Madame de Sonnes, embracing us both; “you always are more solicitous for your mother’s happiness than for your own.”

Clementine was now my betrothed; the whole family treated me with the greatest affection; I was looked upon as the beloved son, and possessed the esteem of the whole town. I had attained my supreme object, and it would be wearisome to describe the variety of my enjoyments.

Letters had arrived from London to the Mareschale de Montreval, as governor of the province, for my late father, together with the deeds of a large inheritance left him by a brother who had died in the West Indies. I hastened for a few days to Nismes to the mareschale by his order. He only showed me the letter from the London banker and a copy of the will, without being able to give me any further particulars.

The property had been already remitted to the government of Languedoc by draughts on the bank in Paris. This made me the possessor of an annual income of 4000 livres.

Although aware that one of my uncles, in his early days, had gone to America, from whence no news had ever arrived, I could scarcely believe that he had saved so large a fortune. Moreover the obscurity which enveloped several points requisite to be known in the account from London, inspired me with some suspicion as to this unexpected wealth, considered as an inheritance, though it appeared to me too large for a present. I wrote both to the London banker and the magistrate of the province in America, where my uncle was reported to have died; but never discovered more than I knew already. Hence I could not help thinking that Madame Bertollon had more to do with the inheritance than my uncle.

The mareschale appeared almost angry at my scruples. “Enjoy your undisputed property and have a dozen masses for uncle,” he said; “and that you may not live altogether idle on your property, come to me and accept the first situation in my office. One condition, however, I must make, viz: that you live in my palace. I must see you daily, my affairs are numerous, and your advice will be valuable to me.”

I thanked the mareschale for this honourable distinction, and only asked time for consideration before accepting a situation to which my attainments were not adequate. He overwhelmed me with civilities, and dismissed me with kindly menaces in case I did not soon resolve to comply with his wishes.

M. Etienne, my good old uncle, was elated with joy when he heard of the mareschale’s offer to me.

“When you, Colas, came to me as a boy, in your smock-frock and wooden shoes, and so stood before me in your poverty, I was then touched in my heart, and heard, as it were, the voice of the spirit within me, commanding me to adopt you, because you would one day be the guardian angel of the oppressed believers. Behold, Colas, the Lord has done great things for you; you now stand again on the same spot of the poor miller’s house, and are a highly honoured, learned, and rich man. Hesitate no longer to accept the offer of the mareschale. It is not his will, no, it is the will of God; it is not his calling, but it is the call of Heaven, which comes to you to afford comfort to the gospel Christians.”

My uncle and his amiable family (in whose circle one daughter was missing, having been married), as well as his friends, who were all secret Protestants, did not desist in their most urgent remonstrances with me to accept the situation. I was obliged partly to promise that I would accept it; but it was still important to consult Clementine and her mother on the subject.

I had no sooner made the mareschale’s proposal known to them, than both were at once agreed that I must not let slip an opportunity which promised me a larger sphere of activity.

“We will both accompany you to Nismes,” said Clementine; “you will no doubt remember the amphitheatre and the house of Albertas?--but to live with the mareschale--no, that will not do, you must refuse that politely.”

And so it happened; we went together to Nismes, I entered on my situation, and I was permitted to find recreation in Clementine’s society.

Wealth, authority, and influence over the affairs of the province, prepared for me the happiest lot man could imagine. Friendship and love completed my felicity; but in the picture of my life, at that period, there was almost too much light, too little shade, and all became a bright, rosy monotony.

The death of Clementine’s grandfather occasioned a family mourning, and our union was postponed, out of respect, for six months. But this could not darken our happiness; we saw each other daily, and nothing in the world could separate us.

During the first few months the Mareschale de Montreval treated me with marked favour. Still I could not prevail upon myself to approach him with confidence, or to return his kind sentiments with equal cordiality. His affable demeanour had something terrible in it, and in his smile there was always something threatening. He was a man of genius and judgment, but yet beclouded by prejudices which were sacred to him, and which were probably owing to his monkish education in his early life. Enervated by former excesses, he was sickly, fearful of death, tormented by dark imaginations and suspicions. He never scrupled to commit the most arbitrary acts, to be severe even to cruelty, and to sacrifice the welfare of many to his caprice; but at the same time he professed to be very religious. The monks were his favourite associates, and ruled him without his suspecting it. He never neglected a mass, and passed for a most devout man. He seldom smiled, was generally grave and cold; and there was something commanding in his calm demeanour. The more I knew him, the more I privately disliked him. A man like Bertollon, without religion, without God, without eternity, and without moral principles, who, acting only on the suggestions of prudence, could see with an egotist smile a whole despairing world sink for his gain, is not more atrocious, not more dangerous, than a man of the world, filled with bigotry, like Montreval. The atheist and bigot, who do not acknowledge moral principles and eternal right, weigh equally in the scale of morals, and are equally poisonous to society. Both without feeling for the true dignity of man, without regard for humanity, spin their subtle web between the relations of society, and rob and kill with honour. Neither fear God, for the one does not believe in him, the other tries to appease his wrath with prayers and masses, and in the temple cleanses himself of the sins which he has committed without.

Even during the first days of my residence in Nismes, I was surrounded by a holy troop of monks, who feared my influence on the mareschale as being hostile to their views. But they perceived how little I cared for this influence, and gradually left me to myself. They, however, continued very friendly, praised my character to the mareschale, and ended by expressing their pity I was a man without religion.

The Protestants of Nismes looked upon me as their leader and protector. They showed me extravagant honours, which could not fail to excite the suspicion of the mareschale, even if he had been less suspicious than he was. They became bolder in their words and deeds. More than once I succeeded in obtaining his pardon for their inconsiderate acts; but instead of being warned by such occurrences, their fanaticism, in frequent combat with their persecutors, and a secret confidence in my protection, only rose higher, and it was in vain for me to represent to them the danger which they wantonly prepared for themselves.

“No!” cried M. Etienne, my uncle; “no, where God is, there is no danger. Oh! Colas, be not afraid of men, for the Lord is with you. ‘He who confesses me before men, him will I also confess before my Father,’ says the Saviour of the world. In France, the gospel grain of mustard-seed will spring up, as on the mountains of Switzerland and in the forests of Germany; but we want men like Zuinglius, Calvin, and Luther, who do not tremble before the princes of this world. And you, Alamontade, be like them, and God will be your strong fortress.”

Once, when I was again obliged to intercede for the Protestants, the mareschale asked me, with a penetrating glance, “You are not a heretic, I hope?” He refused my solicitations, and from that time became more reserved towards me.

I perceived how little good I could do under existing circumstances, but, on the contrary, how injurious my presence in Nismes, my office, and the false notion of my influence must be to the followers of Calvin, who relied upon me with too much confidence. This brought me to the resolution of requesting my discharge; but Madame de Sonnes and Clementine prevented me from doing so by their entreaties until the winter had passed. The mareschale was in Montpellier, and his absence rendered me happier, but the Protestants still more daring.

On the Palm Sunday of the year 1703, the mareschale, who had recently returned from Montpellier, invited me to a banquet in his castle, and though not feeling quite well I determined on going.

In the morning I said smiling to Clementine, “To-morrow I shall ask for my discharge, and whatever your mother may say, it must be done to-morrow, and then, Clementine!----”

“And then?”---- she asked.

“We will no longer delay our union. We may now rejoice with propriety since you have this day left off your black dress. Therefore in a week you will be my wife. And then,” I continued, “we will leave this melancholy Nismes, and go to our new estate near Montpellier. Spring is coming with its beauty; we must live amid rural nature.”

And this was resolved on, and sealed by a kiss.

At this moment I was called out. I quitted the room; I found that my uncle had come, and requested a private interview in my own apartment.

“Colas,” said he, “this is Palm Sunday, and you must come with me.”

“I cannot,” was my reply, “for I am invited to dine with the mareschale.”

“And I,” said he, with solemn voice. “I invite you to the holy supper. No grandee of this earth will there sit at table with us, but we shall be assembled in Jesus’ name, and he will be in the midst of us. All of us, some hundreds in number, with our wives and children, celebrate this morning the holy sacrament in my mill near the Carmelite gate.”

I was terrified, and exclaimed: “What presumption! Do you not know that the mareschale is in Nismes?”

“We know it, and the Almighty God is there also.”

“Will you then designedly plunge yourselves into misery and a dungeon? The law forbids most strictly all meetings of this kind, and threatens death.”

“What law? The law of the mortal king? Thou shalt obey God rather than man.”

In this way my uncle knew how to surmount all my objections, by biblical quotations, and the more I urged the unlawfulness and danger of such meetings, and the more vividly I described the probable consequences, the more zealous he became.

“When Jesus was betrayed,” he exclaimed, “and when the traitor stood near him, and when he knew they were preparing to take him, then, oh! Colas, surrounded by the danger of certain death, he instituted the holy sacrament. And should we, who would be the disciples of Jesus, tremble? No, never; if all hell were in arms it should not terrify us.”

I could not bring my uncle to his senses; he called me an apostate, a hypocrite, a papist, and left me in a rage.

I returned to Clementine. She had seen my uncle, and the vexation expressed in all his gestures; she inquired the cause which I dared not disclose to her. Amidst her innocent caresses, my fear and uneasiness gradually left me. She told me that her mother agreed to all my wishes; this cheered me still more. On Clementine’s bosom I dreamed of the peaceful happiness of the future.

Withdrawn from the tumult of the world and its passions, I proposed to live alone with my young wife, surrounded by blooming nature, by love and friendship, and in the pursuit of science.

How happy we were both in these moments! “Oh! Clementine,” said I, “no throne is indeed required to make others happy, but only the will. We may be useful even in a small and insignificant sphere. We will visit the abodes of poverty. I shall again defend the cause of accused innocence, and a kiss shall be my reward when I have succeeded in accomplishing any good. Our library furnishes an inexhaustible store for the mind, and our harp shall sound in the evening, to record the unenvied felicity of two loving souls in the shade of our own grove. The poor shall eat at our table, and those consoled in their griefs shall be our companions. Surely, Clementine, we shall never yearn for the cold splendour of this palace. And some day, you, Clementine--the mere thought vibrates rapture through me--some day, Clementine, you will be a mother. Mother! oh, Clementine!”--Her kisses interrupted my words.

At this moment my servant entered pale as death and breathless.

“What is the matter with you?” I asked.

“Sir,” he faltered, “the Calvinists have met for their interdicted worship in the mill of M. Etienne near the Carmelite gate.”

I was much alarmed. Lo, then, it was betrayed. “And what else,” I cried.

“The mill is surrounded by dragoons, and all within are prisoners. Only think, the Mareschale de Montreval is there himself. The preacher and a few others of the secured heretics endeavoured to escape through the window, but the mareschale gave the signal, and the dragoons fired.”

“Fired?” I cried. “Was any one killed?”

“Four of them lie dead on the spot,” was the servant’s reply.

Without asking any further questions, I took my hat and stick. Clementine wept and trembled; she would not let me leave her, turned pale, and clung speechless and in great anguish round my neck.

Madame de Sonnes came in. I told her of this frightful occurrence, and that I was resolved to hasten there in order to move the mareschale to humanity. She praised my resolution, entreating me to fly thither without delay, and spoke consoling words to Clementine.

As I departed, I looked back, and saw Clementine pale and trembling in her mother’s arms. I returned, kissed her pale lips, and hastened away.

When I reached the gate, I had to force my way through a throng of people who stood crowded together, gaping with mingled curiosity, terror, joy, and expectation.

With cold shuddering I beheld above the crowd the glittering arms of the dragoons, who surrounded, three deep, my beloved uncle’s mill. High above all I saw the mareschale on horseback, surrounded by noblemen; he seemed grave and thoughtful.

“My lord!” I exclaimed, when I reached him.

He turned round on hearing me, looked at me, and pointing with his stick to the mill, said, without changing a feature, “The wretches! Now they are caught.”

“What do you intend doing, my lord?” I asked.

“I have been considering for the last quarter of an hour.”

“Oh! my lord,” I said; “it is true these infatuated men have broken the laws, but truly they are more the objects of your contempt than your wrath. Be magnanimous, my lord, and the transgressors will fall at your feet in repentance, and never again----”

“What!” interrupted the mareschale, “these men are incorrigible. They are rebels, furious, audacious rebels. Am I to let this accursed weed luxuriate until it can perpetrate a second Michelade?”[2]

“No, my lord,” I said, seizing his hand, which was hanging down; “you are too just to attribute to these unfortunate persons cruelties which happened nearly a century and a half ago.”

“It is time to set a severe example,” said the mareschale, who to this moment had been undecided. He withdrew his hand, rode a few paces forward without further noticing me, and cried, with a loud voice, “Fire the mill!”

Cold with terror, I staggered after him, seized the reins of his horse, and cried, “For God’s sake mercy, mercy.”

“Begone,” he cried, casting a furious look at me, and flourishing his stick as if he would strike me. I let go the horse and fell upon my knees before this cold-blooded demon, crying, “Mercy!”

I heard the crackling and hissing of the flames, saw the thick clouds of smoke rolling over the roof of the mill, and then heard the horrible cries of those enclosed within. I sprang up again and clasped the mareschale’s knees, but God only knows what I cried to him in my anguish. He heard me not, he had no humanity; the pious tiger only looked upon the burning mill.

Soon my voice was drowned amidst the wild roar around, the cries of those consigned to death, and the thunder of the carabines. Those who endeavoured to escape the flames were shot down by the dragoons.

I started up and ran to the mill. At this moment a girl threw herself from the window. I caught her in my arms; it was Antonia my uncle’s youngest daughter.

“You are saved, Antonia,” said I, carrying away the poor creature through the smoke and fire, and came up, without knowing it, to the mareschale.

“The dog!” he cried, “I always said he was one of them!” I knew not he spoke of me.

“Down with them!” he shouted again. Two dragoons tore the fainting girl from my arms, and while she lay on the ground these ruffians shot the innocent creature at my feet.

“It serves the cursed heretics right!” said the mareschale calmly, close behind me.

“Oh! you atrocious monster! how will you answer for this deed before your and our king,--before your and our God?” I cried, foaming with rage.

He galloped up to me, gave me a blow on my head with his stick, and rode over me. Half stunned, I imagined he had given orders to kill me. I started up and snatched a carabine from the hands of a dragoon to defend my life. No one dared to lay hands on me, in spite of the mareschale’s exclaiming repeatedly, “Secure him! secure him!”

While looking around me with consternation, I beheld--oh! horrible sight--I beheld my uncle with blood streaming from his head, standing over the corpse of Antonia; I only recognised him by his figure and clothing. He uttered a frightful shriek towards heaven, and sank amidst musket shots over the body of his beloved child.

I was going to address the mareschale, but my tongue was paralysed. Raising my eyes and my arm with the musket to heaven, I received a blow, and sank down perfectly insensible.

Until then, I had still preserved my faith in humanity, and blindly devoted myself to this belief. Impressed with the best works of the greatest minds of our time, I had lulled myself into happy illusions. I had believed mankind much more humane and freer from the bonds of barbarism. Indeed, I was the subject of the most lauded monarch of the world, and France called the reign of Louis XIV. her Golden Age. Alas! Montreval was one of his governors, and the Palm Sunday of 1703, a day of that Golden Age. About 200 men were burnt alive and shot on that day, and even the infant on its mother’s breast was not spared. All the property of the murdered was confiscated, and Montreval’s cruelty was crowned with laurels by the royal hand.

When I had recovered my consciousness and could discover the objects around, I found myself among strangers, and my wounded head bandaged. Now and then, during my insensibility, I felt pain, and dimly perceived that people were employed about me; but this consciousness soon left me, and I relapsed again into stupor as into a heavy sleep.

“By my faith thou hast a tough life.” These were the first words I heard, as they were uttered by a dirty old fellow, who was standing by me offering medicine.

I did not see Clementine. I was in a narrow chamber, on a hard, coarse bed.

“Where am I then?” I asked.

“Thou art with me,” said the fellow. I now, for the first time, remembered the fatal event to which I owed my present situation.

“Am I then a prisoner?”

“To be sure, and quite right too!” answered my keeper.

“Does Madame de Sonnes know of this? Has she not sent here? May I not see her?”

“Dost thou know any one here? Where does she live?”

“In the Rue de Martin. The house Albertas.”

“Thou fool! there is no Rue de Martin in all Marseilles. Thou art still feverish, I think, or dost thou not know that thou art in Marseilles?”

“In Marseilles? What, in Marseilles am I? Am I not in Nismes? How long have I been here?”

“May be three weeks. I can easily believe that thou, poor devil, dost not know of it. Thou hast been raving in a burning fever till last night. Thou must have a strong constitution. We thought we should have to bury thee to-day.”

“What am I to do here?”

“When thou art recovered thou wilt put on that dress; dost thou know it?”

“That is a galley slave’s dress. What? pray tell me, am I then--I will--I cannot believe--have I been sentenced?”

“Perhaps so; only for twenty-nine years to the oars, as they say.”

The fellow spoke too truly. As soon as I recovered, my terrible sentence was announced to me. I was condemned to punishment in the galleys for twenty-nine years, for menaces, and murderous attempts on the life of the Mareschale de Montreval; also for the crime of being a secret Protestant, and for having committed sundry peculations, for the benefit of the heretics, in the office where I had influence, by virtue of my situation.

I sighed, yet conscious of my innocence, put on the dress without pain. My tears flowed only for the fate of Clementine. I endeavoured to send her a few lines, which I wrote as a farewell, on a scrap of paper, with a pencil I borrowed. But alas! I was too poor to bribe my keeper; he took the paper, read it, and laughing, tore it to pieces, saying, “There is no post for love letters here.”

I was now put in chains, and led, together with some companions in misfortune, to the galley appointed for us in the harbour. It was a beautiful evening, and the city displayed its splendour in the radiance of the setting sun. Amidst the dark green of the sloping mountains surrounding the harbour, which was crowded with the vessels of all nations, glistened innumerable snow-white villas, and between the almond and olive trees of the Bastides, waved a thousand silken pennons, displaying all the colours of the rainbow; while through the mouth of the harbour, the view was lost in the immeasurable expanse of the ocean.

The splendour of this spectacle dazzled me, and filled me with melancholy. The shores of my native land seemed to display all their glory, only to make me feel more vividly what I had lost. All around breathed joy, I only was for ever joyless, and I saw no limits to my misery, except on the brink of the distant grave.

I passed the night sleepless; with the early dawn our galley left the harbour and when the sun arose above the ruddy waves, I lost sight of Marseilles. I and five other slaves were chained to the oars.

What a fate! To be for ever separated from all the friends and playmates of my youth,--to be separated alas! from thee, Clementine, cast from the lap of wealth upon the hard bench, forgotten by all the happy, dishonoured, and among malefactors, to hear now, instead of Clementine’s delightful conversation, only the curses and ribaldry of low thieves, murderers, smugglers, and robbers;--to be without books, without information as to the progress of science, my mind left the prey of itself, without hope;--to hear the terrible clanking of my chains instead of the magic of music and Clementine’s harp! Surely, death itself is not so bitter as this dreadful change.

“But I will bear it,” said I to myself; “there is a God, and my spirit knows its divine origin. I have not lost myself. I shall remain faithful to virtue, and though mistaken by the world, I carry with me across the sea the esteem which innocent souls feel for themselves. I have only been compelled to forsake that which was not my own, and what I suffer is but the pain of a body which hitherto has not been accustomed to deny itself.”

Thus my mind, after one year had passed, obtained the victory; thus did I live the greater part of my life, joyless, and in solitude. I have grown old in misfortune, and have never again heard any thing of those who once loved me. The only cheerful feelings I have had were when, in my leisure hours, I could write down my thoughts, and look back with tears on the long passed paradise of my youth. Often during the monotonous sound of the oars, grief recalled to my mind the visions of the happy past. Then it seemed as if Clementine floated on the waves of the sea, and encouraged me with her smiles, like an angel of consolation. I gazed with moistened eyes at the beloved vision, and felt all the wounds of my heart again opened. Still I despaired not, but rowed cheerfully on.

I should sometimes have taken all the felicities of my youth as the effect of imagination, had not the melancholy farewell letter which Madame Bertollon had written from the convent, by some chance remained with me. I preserved it with veneration, as the last sacred remnant of what I formerly possessed. I often read it in distant seas, and on the burning coasts of Africa; and I always drew from it unspeakable consolation, and rowed cheerfully onwards, nearer and nearer to the end of my life.

Thus nine-and-twenty years have now elapsed. What are they?

Death, my ardently wished for friend comes to release me. Ah! sir, you have shown much compassion for me in making the last hours of my life so sweet. Our minds are congenial, and will, perhaps, meet again.

* * * * *

[The preceding narrative, according to the author, is related to some friends by the Abbé Dillon, who was with Alamontade the last days of his life, after his liberation from the galleys.

Shortly before his death, Alamontade learns that Clementine is still living, and is much delighted to hear that she has remained faithfully attached to him. His only wish and consolation now is, that his days may be prolonged till she arrives; but she does not come till the day after his death; aged and infirm herself, she soon follows him to the grave.

The whole of Alamontade is divided into two books in the original, the first containing Zschokhe’s[3] views on religion and moral philosophy. The following are the author’s prefatory remarks:

“The following narrative was composed during the winter of 1801-2, at Berne, where the author having retired from public affairs, wished to devote his leisure hours to some useful purpose, having, by frequent intercourse become acquainted with many of those diseased minds who, being entangled in doubts, have lost their God and the joys of life. He therefore was desirous of making an attempt to raise again in them a holy faith and courage for virtue. He was inspired by the affecting dream of one night; it was an angelic but transient vision, which he in vain endeavoured to hold fast. However imperfect the original narrative was, yet it went through four editions during the first ten years after its appearance. This circumstance makes the author believe that he has not altogether failed in his object.”]

C. A. F.

[1] One of the most lovely walks near Montpellier.

[2] The Calvinists in Nismes had, in the night after Michaelmas day, 1567, murdered in their fanatic rage, about thirty magistrates, deans, and monks. This slaughter gave rise to the word Michelade.

[3] It will be remembered that he is the author of Die Stunden der Andacht.

THE JESUITS’ CHURCH IN G----.

BY E. T. W. HOFFMANN.

Packed up in a wretched post-chaise, which the moths had left from instinct--as the rats left Prospero’s vessel--I at last, after a break-neck journey, stopped half dislocated, at the inn in the G---- market-place. All the possible misfortune that might have befallen me had lighted on my carriage, which lay, shattered, with the postmaster at the last stage. Four skinny, jaded horses, after a lapse of many hours, dragged up the crazy vehicle, with the help of several peasants and my own servant; knowing folks came up, shook their heads, and thought that a thorough repair, which might occupy two, or even three days would be necessary. The place seemed to me agreeable, the country pretty, and yet I felt not a little horror-struck at the delay with which I was threatened. If, gentle reader, you were ever compelled to stop three days in a little town, where you did not know a soul, but were forced to remain a stranger to every body, and if some deep pain did not destroy the inclination for social converse, you will be able to appreciate my annoyance. In words alone does the spirit of life manifest itself in all around us; but the inhabitants of your small towns are like a secluded orchestra, which has worked into its own way of playing and singing by hard practice, so that the tone of the foreigner is discordant to their ears, and at once puts them to silence. I was walking up and down my room, in a thorough ill-humour, when it at once struck me that a friend at home, who had once passed two years at G----, had often spoken of a learned, clever man, with whom he had been intimate. His name, I recollected, was Aloysius Walter, professor at the Jesuits’ college. I now resolved to set out, and turn my friend’s acquaintance to my own advantage. They told me at the college that Professor Walter was lecturing, but would soon have finished, and as they gave me the choice of calling again or waiting in the outer rooms, I chose the latter. The cloisters, colleges, and churches of the Jesuits are everywhere built in that Italian style which, based upon the antique form and manner, prefers splendour and elegance to holy solemnity and religious dignity. In this case the lofty, light, airy halls were adorned with rich architecture and the images of saints, which were here placed against the walls, between Ionic pillars, were singularly contrasted by the carving over the doorways, which invariably represented a dance of genii, or fruit and the dainties of the kitchen.

The professor entered--I reminded him of my friend, and claimed his hospitality for the period of my forced sojourn in the place. I found him just as my friend had described him; clear in his discourse, acquainted with the world, in short, quite in the style of the higher class priest, who has been scientifically educated, and peeping over his breviary into life, has often sought to know what is going on there. When I found his room furnished with modern elegance, I returned to my former reflections in the halls, and uttered them to the professor aloud.

“You are right,” said he, “we have banished from our edifices that gloomy solemnity, that strange majesty of the crushing tyrant, who oppresses our bosoms in Gothic architecture, and causes a certain unpleasant sensation, and we have very properly endowed our works with the lively cheerfulness of the ancients.”

“But,” said I, “does not that sacred dignity, that lofty majesty of Gothic architecture which seems, as it were, striving after Heaven, proceed from the true spirit of Christianity, which, supersensual itself, is directly opposed to that sensual spirit of the antique world which remains in the circle of the earthly?”

The professor smiled: “The higher kingdom,” said he, “should be recognised in this world, and this recognition can be awakened by cheerful symbols, such as life--nay, the spirit which descends from that kingdom into earthly life--presents. Our home is above, but while we dwell here, our kingdom is of this world also.”

“Ay,” thought I, “in every thing that you have done you have indeed shown that your kingdom is of this world--nay, of this world only;” but I did not communicate my thoughts to Professor Aloysius Walter, who proceeded thus:

“What you say of the magnificence of our buildings in this place can only refer properly to the pleasant appearance of the form. Here, where we cannot afford marble, and great masters in painting will not work for us, we are--in conformity with the modern fashion--obliged to make use of substitutes. If we get as high as polished plaster we have done a great deal, and our different kinds of marble are often nothing more than the work of the painter. This is the case in our church, which, thanks to the liberality of our patrons, has been newly decorated.”

I expressed a desire to see the church; the professor led me down, and when I entered the Corinthian colonnade, which formed the nave of the church, I felt the pleasing--too pleasing impression of the graceful proportions. To the left of the principal altar a lofty scaffolding had been erected, upon which a man stood, who was painting over the walls in the antique style.

“Now! how are you going on, Berthold?” cried the professor.

The painter turned round to us, but immediately proceeded with his work, saying in an indistinct, and almost inaudible voice: “Great deal of trouble--crooked, confused stuff--no rule to make use of--beasts--apes--human faces--human faces--miserable fool that I am!”

These last words he cried aloud in a voice, that nothing but the deepest agony working in the soul could produce. I felt strangely affected;--these words, the expression of face, the glance which he had previously cast at the professor, brought before my eyes the whole struggling life of an unfortunate artist. The man could have been scarcely more than forty years old; his form, though disfigured by the unseemly, dirty costume of a painter, had something in it indescribably noble, and deep grief could only discolour his face, but could not extinguish the fire that sparkled in his black eyes. I asked the professor for particulars respecting this painter: “He is a foreign artist,” was the reply, “who came here just at the time when the repair of the church had been resolved upon. He undertook the work we offered him with pleasure, and indeed his arrival was for us a stroke of good fortune, since neither here, nor for a great distance round, could we find a painter so admirably fitted for all that we require. Besides, he is the most good-natured creature in the world, and we all love him heartily; for that reason he got on well in our college. Beside giving him a considerable salary for his work, we board him, which, by the way, does not entail a very heavy burden upon us, for he is abstemious almost to excess, though perhaps it may accord with the weakness of his constitution.

“But,” said I, “he seemed to-day so peevish--so irritable.”

“That,” replied the professor, “is owing to a particular cause. But let us look at some fine pictures on the side altars, which by a lucky chance we obtained some time ago. There is only a single original--a Dominichino--among them, the rest are by unknown masters of the Italian school; but if you are free from prejudice, you will be forced to confess that every one of them might bear the most celebrated name.”

I found it was exactly as the professor had said. Strangely enough, the only original was one of the weakest--if not the very, weakest of the collection, while the beauty of many of the anonymous pictures had for me an irresistible charm. The picture on one of the altars was covered up, and I asked the cause of this: “This picture,” said the professor, “is the finest that we possess,--it is the work of a young artist of modern times--certainly his last, for his flight is checked. At this time we are obliged, for certain reasons, to cover it up, but to-morrow, or the day after, I shall perhaps be in a condition to show it you.”

I wished to make further inquiries, but the professor hurried swiftly through the passage, and that was enough to show his unwillingness to answer more. We went back to the college, and I readily accepted the invitation of the professor, who wished me, in the afternoon, to go with him to some public gardens in the neighbourhood. We returned home late, a storm had risen, and I had scarcely reached my dwelling than the rain began to pour down. About midnight the sky cleared up, and the thunder only murmured in the distance. Through the open windows the warm air, laden with scents, entered the room, and though I was weary I could not resist the temptation to take a walk. I succeeded in waking the surly man-servant, who had been snoring for about two hours; and in showing him that there was no madness in walking at midnight. Soon I found myself in the street. When I passed the Jesuits’ church, I was struck by the dazzling light that beamed through a window. The little side-door was ajar, so I entered and saw a wax-taper burning before a niche. When I had come nearer, I observed that before this niche a pack-thread net had been spread, behind which a dark form was running up and down the ladder, and seemed to be designing something on the niche. It was Berthold, who was accurately tracing the shadow of the net with black colour. On a tall easel, by the ladder, stood the drawing of an altar. I was much struck at the ingenious contrivance. If, gentle reader, you are in the least acquainted with the noble art of painting, you will once know, without further explanation, the use of the net, the shadow of which Berthold was sketching. Berthold was about to paint a projecting altar on the niche, and that he might make a large copy of the small drawing with due correctness, he was obliged to put a net, in the usual manner, over both the sketch and the surface on which the sketch was to be completed. In this instance he had to paint not on a flat surface but on a semicircular one; and the correspondence of the squares which the curved lines of the net formed on the concave surface, with the straight ones of the sketch, together with accuracy in the architectural proportions which were to be brought forward in perspective, could not be otherwise obtained than by that simple and ingenious contrivance. I was cautious enough not to step before the taper, lest I might betray myself by my shadow, but I stood near enough to his side to observe the painter closely. He appeared to me quite another man. Perhaps it was the effect of the taper, but his face had a good colour, his eyes sparkled with internal satisfaction, and when he had completed the lines he placed himself before the screen, with his hands resting on his sides, and looking at his work, whistled a merry tune. He now turned round, and tore down the net. Suddenly he was struck by my figure, and cried aloud:

“Halloah! halloah! is that you, Christian?”

I went up to him, explained how I had been attracted into the church, and praising the ingenious contrivance of the net, gave him to understand that I was but a connoisseur and practiser of the noble art of painting. Without making me any further answer, Berthold said:

“Christian is neither more nor less than a sluggard. He was to have kept with me faithfully through the whole night, and now he is certainly snoring somewhere! I must get on with my work, for probably it will be bad to paint here on the screen to-morrow--and yet I can do nothing by myself.”

I offered my assistance, upon which he laughed aloud, laid hold of both my shoulders, and cried:

“That is a capital joke! What will Christian say, when he finds to-morrow that he is an ass, and that I have done without him? So, come hither, stranger, help me to build a little.”

He lit several tapers, we ran through the church, pulled together a number of blocks and planks, and a lofty scaffold was soon raised within the screen.

“Now hand up quickly,” cried Berthold, as he ascended.

I was astonished at the rapidity with which Berthold made a large copy of the drawing; he drew his lines boldly, and always clearly and correctly, without a single fault. Having been accustomed to such matters in my early youth, I was of good service to him, for standing, now above him, now below him, I fixed the long rulers at the points he indicated, and held them fast, pointed the charcoal, and handed it to him, and so on.

“You are a capital assistant,” cried Berthold, quite delighted.

“And you,” I retorted, “are one of the best architectural painters possible. But tell me, have you applied your bold, ready hand to no sort of painting but this?--Pardon the question.”

“What do you mean?” said Berthold.

“Why, I mean,” replied I, “that you are fit for something better than painting church walls with marble pillars. Architectural painting is, after all, something subordinate; the historical painter, the landscape painter, stands infinitely higher. With them, mind and fancy, no longer confined to the narrow limits of geometrical lines, take a higher flight. Even the only fantastic part of your painting, that perspective, which deceives the senses, depends upon accurate calculation, and the result therefore is the product not of genius, but of mathematical speculation.” While I was speaking thus, the painter laid aside his pencil, and rested his head on his hand.

“Friend stranger,” he began, in a solemn, indistinct voice, “thou speakest profanely, when thou endeavourest to arrange the different branches of art according to rank, like the vassals of some proud king. And still more profane is it, when thou only esteemest those presumptuous fools who, being deaf to the clang of the fetters that enslave them, and being without feeling for the pressure of the earthy, wish to think themselves free--yea, even to be gods--and to rule light and life after their own fashion. Dost thou know the fable of Prometheus, who wished to be a creator, and stole fire from heaven to animate his lifeless figures? He succeeded; the forms stalked living along, and from their eyes beamed forth that heavenly fire that burned within them; but the impious being, who had dared to attempt the divine, was condemned to fearful, endless torment, without redemption. The heart which had felt the divine, in which the desire after the unearthly had awakened, was torn by the vulture, to which revenge had given birth, and which now fed upon the vitals of the presumptuous one. He who has attempted the heavenly, feels earthly pain for ever.”

The painter stood absorbed in his own reflections.

“Berthold,” I exclaimed, “what has all this to do with your art? I do not think that any one can deem it presumption to present the human form, either by painting or sculpture.”

“Um, ha,” laughed Berthold, in wild derision; “child’s play is no presumption. It is all child’s play with those folks, who comfortably dip their pencils into colour-pots, and daub a canvass with the veritable desire of producing human beings; but it always turns out as if some drudge of nature had undertaken to make men, as it stands in that tragedy, and had failed. Such as those are no presumptuous sinners, but poor innocent fools. But if one strives to attain the highest, not the mere sensual, like Titian--no, the highest in divine nature, the Promethean spark in man--that is a precipice--a narrow edge on which we stand--the abyss is open! The bold sailor soars above him, and a devilish deceit lets him perceive that below, which he wished to see above the stars.” The painter uttered a deep sigh, passed his hand over his forehead, and then looked upwards. “But why do I talk all this mad stuff to you, comrade, and leave off painting? Look here, mate, this is what I call well and honestly drawn. How noble is the rule! All the lines combine to a determined end--a determined, clearly conceived effect. Only that which is done by measure is purely human;--what is beyond, is of evil. Can we not conceive that the Deity has expressly created us, to manage for his own good purpose that which is exhibited according to measured, appreciable rules;--in a word, the purely commeasurable, just as we, in our turn build saw-mills and spinning-machines, as the mechanical superintendents of our wants? Professor Walter lately maintained, that certain beasts were merely created to be eaten by others, and that this in the end, conduced to our own utility. Thus, for example, cats, he said, had an innate propensity to devour mice, that they might not nibble the sugar placed ready for our breakfast. And the professor was right in the end;--animals, and we ourselves are but well-ordered machines, made to work up and knead certain materials for the table of the unknown king.--Come, come, mate, hand me up the pots. I prepared all the tones yesterday by daylight, that this candlelight might not deceive us, and they all stand numbered in yonder corner. Hand me up No. 1, young friend. Gray with gray!--What would dry, weary life be, if the Lord of Heaven had not put so many motley playthings into our hands. He who demeans himself well does not, like the curious boy, try to break the box from which the music comes when he turns the handle. It is just natural, they say, that it sounds inside, for I turn the handle. Because I have drawn this intellective correctly according to the point of view, I know that it will have the effect of actual sculpture on the spectator.--Now, boy, reach me No. 2, now I paint in colours that are toned down according to rule, and it appears receding five yards. All that I know well enough--oh, we are amazingly clever! How is it that objects diminish in the distance? This one stupid question of a Chinese could put to confusion Professor Eytelwein himself; but he could help himself out with the music-box, and say he had often turned the handle, and always experienced the same result.--Violet, No. 2, youngster! Another rule, and a thick washed-out brush! Ah, what is all our striving and struggling after the higher, but the helpless, unconscious act of an infant who hurts the nurse that feeds him. Violet, No. 2! Quick, young man! The ideal is an evil, lying dream, produced by fermented blood. Take away the pot, young man, I am coming down. The devil lures us with puppets, to which he glues angel’s wings.”

I am unable to repeat literally, what Berthold said, while he went on painting rapidly, and treated me only as his fag. He went on in the tone in which he had begun, scoffing at the limited nature of every human effort. Ah, I was inspecting the depth of a mind that had received its death-wound, and that only uttered its complaints in bitter irony. Morning dawned, and the glimmer of the taper grew pale before the entrance of sunlight. Berthold painted on zealously, but he became more and more silent, and only single sounds--ultimately, only sighs--escaped his burdened breast. He had planned the entire altar with all its gradation of colour, and even now the picture stood out quite prominently.

“Admirable! admirable!” I cried out with delight.

“Do you think,” said Berthold, faintly, “that I shall make something of it? I at least took great pains to make my drawing correct, but now I can do no more.”

“No, no, not a stroke more, dear Berthold,” I exclaimed, “it is almost incredible how you have made so much progress in such a work within a few hours. But you exert yourself too much, and are quite lavish of your power.”

“And yet,” said Berthold, “these are my happiest hours. Perhaps I talked too much, but it is only in words that the pain which consumes my vitals finds a vent.”

“You seem to feel very unhappy, my poor friend,” said I, “some frightful event has had an evil influence on your life.”

The painter slowly took his materials into the chapel, extinguished the lights, and coming up to me, seized my hand, and said, in a faltering voice, “Could you be cheerful, nay, could you have one quiet moment, if you were conscious of a fearful, irreparable crime?”

I stood perfectly amazed. The bright sunbeams fell on the painter’s pallid, agitated countenance, and he almost looked like a spectre as he staggered through the little door into the interior of the college.

I could scarcely wait for the hour on the following day, when Professor Walter had appointed to see me. I told him the whole affair of the previous night, which had excited me not a little; I described in the most lively colours the strange conduct of the painter, and did not suppress a word that he had uttered--not even those, which related to himself. But the more I hoped for the professor’s sympathy, the more indifferent he appeared; nay, he smiled upon me in a most unpleasant manner when I continued to talk of Berthold, and pressed him to tell me all he knew about this unfortunate man.

“He is a strange creature that painter,” said the professor, “mild, good-tempered, sober, industrious, as I told you before, but weak in his intellect. If he had been otherwise he would never have descended, even though he did commit a crime, from a great historical painter, to a poor dauber of walls.”

This expression, “dauber of walls,” annoyed me as much as the professor’s general indifference. I tried to convince him that Berthold was even now a most estimable artist, and deserving of the highest, the most active sympathy.

“Well,” said the professor at last, “since you take so much interest in Berthold you shall hear all that I know of him, and that is not a little. By way of introduction we will go into the church at once. As Berthold has worked hard throughout the night he will rest during the forenoon. If we found him in the church my design would fail.”

We went to the church, the professor had the cloth removed from the covered picture, and a work of the most magical splendour, such as I had never seen, was revealed to me. The composition was in the style of Raffaelle, simple and of heavenly sublimity. Mary and Elizabeth were sitting on the grass in a beautiful garden; the children, Jesus and John, were before them, playing with flowers, and in the background towards the side, a male figure was praying. Mary’s lovely, heavenly face, the dignity and elevation of her entire figure, filled me with astonishment and the deepest admiration. She was beautiful, more beautiful than an earthly woman, and her glance indicated the higher power of the mother of God, like that of Raffaelle’s Mary in the Dresden Gallery. Ah! was not the deepest thirst for eternity awakened perforce in the human heart, by those wondrous eyes round which a deep shadow was floating? Did not those soft, half-opened lips speak in consolatory language, as in the sweet melody of angels, of the infinite happiness of heaven? An indescribable feeling impelled me to cast myself down in the dust before her, the Queen of Heaven. I had lost the power of speech, and could not turn my eyes from the incomparable figure. Only Mary and the children were quite finished; the last touch had not, apparently, been given to the figure of Elizabeth, and the praying man was not yet painted over. Approaching nearer, I perceived in this man the features of Berthold, and already anticipated in my mind what the professor presently said: “This picture is Berthold’s last work. We got it several years ago from N----, in Upper Silesia, where one of our colleagues bought it at an auction. Although unfinished, we had it fitted in here, in the place of the wretched altar-piece which we had formerly. When Berthold first came and saw the picture, he uttered a loud shriek and fell senseless to the ground. Afterwards he carefully avoided looking at it, and told me in confidence that it was his last work of this class. I hoped that I should gradually persuade him to finish it, but every proposal of the sort he rejected with the utmost abhorrence, and to keep him in good spirits, and in the full possession of his powers, I was forced to cover up the picture so long as he remained in the church. If it met his eye only by accident, he ran as if impelled by some irresistible power, cast himself sobbing on the ground, a paroxysm seized him, and he was for many days quite unfit for work.”

“Poor unfortunate man!” exclaimed I, “how did the hand of the devil take such a deadly hold of thy life?”

“Oh!” cried the professor, “the hand as well as the arm grew in his own body: he was his own demon, his own Lucifer, flashing the infernal torch upon his own life. That is plain enough to those who know his biography.”

I entreated the professor at once to tell me all that he knew about the life of the unfortunate painter.

“That would be much too prolix, and cost too much breath,” replied the professor. “Do not let us spoil the cheerful day by such gloomy stuff. We will take breakfast and then go to the mill, where an excellent dinner awaits us.”

I did not desist from my requests to the professor, and after much talk on both sides, it came out that, immediately after Berthold’s arrival, a youth who was studying at the college, devotedly attached himself to him, and that Berthold, by degrees, communicated the particulars of his life to this youth, who had carefully written them down, and had given the manuscript to the professor.

“He was,” said the professor, “much such an enthusiast as--pardon me--you are! But this work of writing down the strange events in the painter’s life served him as a capital exercise for style.”

With much trouble I obtained from the professor a promise that he would lend me the manuscript after the close of our pleasure-party. Whether it proceeded from my own violent curiosity, or whether it was the professor’s fault, I never felt more uneasy than during this day. The icy coldness of the professor when speaking of Berthold had been repulsive to me, but his conversation with his colleagues who participated in the repast, convinced me, that in spite of all his learning, and all his knowledge of the world, he had no sense for the sublime, and was as gross a materialist as possible. The system of consuming and being consumed, as Berthold called it, he had actually adopted. All mental endeavours, all the powers of creation and invention, he deduced from certain states of the stomach and the entrails, uttering on this subject all sorts of monstrous conceits. Thus, for instance, he very seriously maintained that every thought proceeded from the marriage of two fibres in the human brain. I perceived how the professor, with all this absurd stuff, must torment poor Berthold, who, in the irony of despair, attacked the notion of any favourable influence from a higher region, and how he must plunge pointed daggers into wounds still fresh and bleeding. The evening at last came, and the professor put a few sheets of manuscript into my hand, with the words: “There, my dear enthusiast, is the student’s handy work. It is not badly written but very odd, and the author, against all rule, thrusts in discourses of the painter, word for word, without any notice to the reader. I will make you a present of the work, of which I have a right to dispose by virtue of my office, for I know perfectly well that you are no writer. The author of the “Fantasie-Stücke in Callot’s Manier,”[1] (fancy pieces in the style of Callot) would have cut it according to his own mad fashion, and would have printed it at once. I have nothing of the sort to expect from you.”

Professor Aloysius Walter did not know that he really stood before the “travelling enthusiast,” although he might have found it out, and thus, gentle reader, I am enabled to give you the Jesuit-student’s short history of the painter, Berthold. It thoroughly explains the manner in which he conducted himself in my presence, and thou, reader, wilt be able to see how the strange spirit of destiny often plunges us into destructive error.

* * * * *

“‘Only let your son make up his mind and go to Italy. He is already a clever artist, and here at D---- there is no lack of opportunity for studying after excellent originals in every class, but here he must not stay. The free life of an artist must dawn upon him in the cheerful land of art, his studies will there first take a living form, and produce individual thoughts. Mere copying is now of no further use to him. The growing plant requires more sun to thrive and bring forth its blossoms and fruit. Your son has a really artistical temperament, so you may be perfectly satisfied about all the rest!’ Thus said the old painter, Stephan Birkner, to Berthold’s parents. The latter scraped together all that their slender means would allow to fit out the youth for his long journey, and thus was Berthold’s warmest wish--that of travelling to Italy--accomplished.

“‘When Birkner told me the decision of my parents, I literally jumped for joy. I wandered about as in a dream till the time of my departure. I was not able to make a single stroke with my pencil in the gallery. I made the inspector, and all the artists who had been to Italy, tell me of the land where art flourishes. The day and hour at length arrived. The parting from my parents was painful, as they felt a gloomy presentiment that they should not see me again. Even my father, generally a firm, resolute man, had difficulty in containing his feelings. ‘Italy! you will see Italy!’ cried my brother artists, and then my wish shone forth with greater power, from my deep melancholy, and I stepped boldly forth, for the path of an artist seemed to begin even at my parents’ door.’

“Berthold had studied every department of painting, but he had especially devoted himself to landscapes, at which he worked with ardent love and zeal. In Rome he expected to find abundant nurture for this branch of art, but it proved otherwise. The very circle of artists and dilettanti in which he moved, continually told him that the historical painter alone stood on the highest point, and that all the rest were but subordinate. He was advised, if he wished to become an artist of eminence, to abandon at once the department he had chosen, and to devote himself to the higher branch; and this advice, coupled with the novel impression which Raffaelle’s mighty frescoes in the Vatican had made upon him, determined him to give up landscape painting altogether. He sketched after the Raffaelles, and he copied small oil paintings by other celebrated masters. All these things were very cleverly done by his practised hand; but he plainly felt that the praise of the artists and dilettanti should only solace him, and encourage him to further efforts. He himself saw that his sketches and copies wanted all the fire of the originals. Raffaelle’s and Correggio’s heavenly thoughts--so he thought--inspired him to creations of his own, but he wished to hold them fast in his fancy, they vanished as in a mist, and all that he sketched was like every obscure, confused thought, without motion and significance. During his vain endeavours deep melancholy took possession of his soul, and he often escaped from his friends, privately to sketch and paint in the vicinity of Rome, groups of trees--single pieces of landscape. But even these attempts were less successful than formerly; and, for the first time in his life, he doubted the truth of his calling as an artist. His proudest hopes seemed on the point of vanishing. ‘Ah, my revered friend and instructor,’ wrote Berthold to Birkner, ‘you gave me credit for great things; but here, when a light should have risen in my soul, I have learned that that which you termed real artistical genius was nothing but a sort of talent--mere dexterity of hand. Tell my parents that I shall soon return, and learn some trade that I may get my living,’ &c. Birkner wrote back: ‘Oh! would I could be with you, my son, to support you in your depression. It is your very doubts that prove your calling as an artist. He who with steady immoveable confidence in his powers believes that he will always progress, is a blind fool, who only deceives himself, for he wants the proper spur to endeavour, which only consists in the thought of deficiency. Persevere and you will soon gain strength; and then, no longer fettered by the opinion or the advice of friends, who are, perhaps, unable to appreciate you, you will quietly pursue the path which your own nature has designed for you. It will then be left to your own decision whether you become a painter of landscapes or historical pieces, and you will cease to think of a hostile separation of the branches of one trunk.’

“It happened that about the time when Berthold received this letter of consolation from his old friend and instructor, Philip Hackert’s fame became widely extended in Rome. Some of the paintings which he had exhibited, and which were distinguished by wonderful grace and clearness, proved the real genius of the artist, and even the historical painters admitted that there was much greatness and excellence in this pure imitation of nature. Berthold breathed again; he no more heard his favourite art treated with contempt, he saw a man who pursued it honoured and elevated, and, as it were, a spark fell on his soul that he must travel to Naples and study under Hackert. In high spirits he wrote to Birkner, and his parents, that he had now, after a hard struggle, discovered the right way, and hoped to become a clever artist in his own style. The honest German, Hackert, received his German pupil with great kindness, and the latter soon made great efforts to follow his master. Berthold attained great facility in giving faithful representations of the different kinds of trees and shrubs, and was not a little successful in those misty effects, which are to be found in Hackert’s pictures. He thus gained great praise, but it seemed to him as if something was wanting both in his own and his master’s landscapes;--something to which he could not give a name, and which was nevertheless plainly apparent in the pictures by Claude Lorraine, and the wild landscapes of Salvator Rosa. Soon he felt a want of confidence in his instructor, and he felt particularly dispirited when Hackert, with unwearied exertion, painted some dead game which the king had sent him. Soon, however, he conquered such presumptuous thoughts--as he considered them--and went on with virtuous resignation and true German industry, following the pattern of his master, so that in a short time he could nearly equal him. At Hackert’s own suggestion he sent a large landscape, which he had faithfully copied from nature, to an exhibition, which was chiefly to consist of landscapes and pieces of still-life in the Hackert style. All the artists and connoisseurs admired the young man’s faithful, neatly executed works, and praised him aloud. There was only an elderly strangely-attired man who did not say a word about Hackert’s pictures, but smiled, significantly, whenever the multitude broke out into extravagant praises. Berthold perceived plainly enough that this stranger, when he stood before his landscape, shook his head with an air of the deepest pity, and was then about to retire. Being somewhat elevated by the general praise which he had received, Berthold could not help feeling indignant with the stranger. He went up to him, and speaking more sharply than was necessary, said: ‘You do not seem satisfied with the picture, sir, although I must say there are excellent artists and connoisseurs who do not think it so bad. Pray tell me where the fault lies that I may improve the picture according to your kind suggestion.’ The stranger cast a keen glance at Berthold, and said, very seriously: ‘Young man, a great deal might be made out of you.’ Berthold felt deeply horrified at the glance and words of this man; he had not courage to say any thing more, or to follow him, when he slowly stalked out of the saloon. Hackert soon came in himself, and Berthold hastened to tell him of his meeting with this strange man. ‘Ha!’ said Hackert, smiling, ‘do not take that to heart. That is a crabbed old man, who grumbles at every thing, and is pleased at nothing; I met him in the ante-room. He was born of Greek parents, in Malta, and is a rich, queer old fellow, and no bad painter. All that he does has a fantastic appearance, and this proceeds from the absurd notion he has about art, and from the fact that he has constructed a system which is utterly worthless. I know well enough that he has no opinion of me, which I readily pardon in him, since he cannot throw any doubt on my honourably acquired fame.’ Berthold had felt as if the Maltese had touched a sore place in his soul, like a beneficent physician, only for the purpose of probing it and healing it; but he soon drove this notion from his mind, and worked on happily as he had done before.

“The success of this large picture, which was universally admired, gave him courage to begin a companion to it. Hackert himself selected one of the most lovely spots in the gorgeous vicinity of Naples; and, as the first picture had represented sunset, this landscape was to show the effect of sunrise. He had a number of strange trees, a number of vineyards, and, above all, a good deal of mist to paint.

“Berthold was sitting on a large flat stone, in this very spot, completing the sketch of the great picture after nature. ‘Bravo--well done!’ said a voice near him. He looked up. The Maltese was viewing his work, and added, with a sarcastic smile, ‘You have only forgotten one thing, my dear young friend. Only look yonder, at the wall of the distant vineyard; the one covered with green tendrils. The door is half-open, don’t you see? You must represent that with its proper shading. The half-open door makes a surprising effect!’

“‘You are joking, sir,’ exclaimed Berthold, ‘and without reason. Such accidental circumstances are by no means so contemptible as you imagine, and for that very reason my master loves to employ them. Only recollect the suspended white cloth in the landscape of one of the Dutch painters, that could not be omitted without marring the general effect. You, however, seem to be no friend to landscape painting in general; and, as I have given myself up to it with heart and soul, I beg of you to let me go on working in quiet.’

“‘You are much mistaken, young man,’ said the Maltese. ‘I tell you again that a good deal might be made of you, for your works visibly prove an unwearied endeavour to attain the highest; but that, unfortunately, you will never attain, since the path that you have taken does not lead to it. Only mark what I tell you. Perhaps I may succeed in kindling that flame in your soul, which you, senseless as you are, are endeavouring to smother, and in making it flash up brightly, so as to enlighten you. Then you will be able to recognise the real spirit that animates you. Do you think I am so foolish as to place the landscape lower in rank than the historical painting, and that I do not recognise the common goal after which the painters of both classes should strive? The apprehension of nature in the deepest import of that higher sense, which kindles all beings to a higher life, that is the sacred end of all art. Can the mere dim copying of nature lead to this? How poor, how stiff and forced, is the appearance of a manuscript copied from another in some foreign language, which the copyist does not understand, and is, therefore, unable to give the strokes, which he laboriously imitates, their proper significance. Thus your master’s landscapes are correct copies of an original author in a language which is strange to him. The initiated artist hears the voice of nature, which from trees, hedges, flowers, mountains, and waters, speaks to him, and of unfathomable mysteries in wondrous sounds, which form themselves in his bosom to a pious feeling of foreboding; then, as a divine spirit, the talent itself of transferring this dim feeling to his works, descends upon him. Have not you yourself, young man, felt strangely affected when looking at the landscapes of the old masters? Assuredly you did not think whether the leaves of the lime trees, the pines, the plane trees, might be truer to nature, whether the back ground might be more misty, or the water might be clearer; but the spirit that breathes from the whole raised you into a higher region, the reflection of which you seemed to behold. Therefore, study nature in the mechanical part, sedulously and carefully, that you may attain the practice of representation; but do not take the practice for the art itself. If you have penetrated into the deep import of nature, her pictures will arise within you in bright magnificence.’ The Maltese was silent; but when Berthold, deeply moved by what he had heard, stood with downcast eyes, and incapable of uttering a word, the Maltese left him, saying, ‘I had no intention of interrupting you in your calling, but I know that a higher spirit is slumbering in you. I called upon it, with strong words, that it might awake, and move its wings with freshness and vigour. Farewell.’

“Berthold felt as if the Maltese had only clothed in words that which had already been fermenting in his soul. The inner voice broke forth. ‘No! All this striving, this constant endeavour, is but the uncertain, deceptive groping of the blind. Away with all that has hitherto dazzled me.’ He was not in a condition to accomplish a single other stroke. He left his master, and wandered about full of wild uneasiness, loudly imploring that the high knowledge of which the Maltese had spoken might be revealed to him.

“‘Only in sweet dreams was I happy--yes, truly blessed! Then every thing that the Maltese had spoken became true. I lay in the green hedge, while magical exhalations played around me, and the voice of nature sounded audibly and melodiously through the dark forest. ‘Listen, listen, oh! thou initiated one. Hear the original tones of creation, which fashion themselves to beings accessible to thy mind.’ And when I heard the chords sound plainer and plainer, I felt as though a new sense was awakened in me, and apprehended with wonderful perspicuity, that which had appeared unfathomable. As if in strange hieroglyphics I drew in the air the secrets that had been revealed to me with characters of fire; and this hieroglyphic writing was a strange landscape, upon which trees, hedges, flowers, and waters moved, as it seemed, in loud delightful sounds.’

“But it was only in dreams that poor Berthold felt real happiness, for his strength was broken, and his mind was more disturbed than it had been in Rome, when he wished to be an historical painter. If he strode through the dark wood, an unpleasant sensation of awe came over him; if he went out and looked into the distant mountains, he felt as though icy cold claws grasped his heart--his breath was stopped--and he felt as if he perished from internal anguish. All nature, which used to smile kindly upon him, became a threatening monster, and her voice, which used to greet him sweetly in the murmuring of the evening breeze, in the bubbling of the brook, in the rustling of the leaves, now told him of nothing but perdition. At last, however, the more these lively dreams consoled him, the calmer he became; nevertheless, he avoided being alone in the open air, and hence he associated himself with a couple of cheerful German painters, and took with them many a trip to the loveliest spots of Naples.

“One of them, whom we will call Florentin, was at this moment more intent upon the enjoyment of life, than upon the serious study of his art, as his portfolio sufficiently testified. Groups of dancing peasant-girls, processions, rural festivals--all this class of subjects he could transfer to paper with a sure, ready hand, whenever he chanced to meet with them. Every drawing, even though it were a mere sketch, had life and motion. At the same time his mind was by no means closed to the higher in art; on the contrary, he penetrated more than any modern painter into the strange import of the paintings by all masters. In his sketch-book he had copied in outline the frescoes of an old convent-church in Rome, before the walls were pulled down. They represented the martyrdom of St. Catharine, and one could not see any thing more beautiful, more happily conceived than those outlines, which made a very peculiar impression upon Berthold. He saw flashes through the gloomy desert that surrounded him, and the result was, that he became capable of appreciating the cheerful mind of Florentin, and that, as the latter when representing the charms, especially brought forward the human principle, he also took this principle as the ground on which he must stand, not to float away into boundless space. While Florentin was hastily sketching some group that he met, Berthold took the opportunity of looking into his book, and tried to imitate the lovely figure of Catharine, in which he was tolerably successful, although, as at Rome, he failed in giving his figures the animation of the original. He complained of this to Florentin, whom he looked upon as far his superior in true artistical genius, and at the same time told him all that the Maltese had spoken about art. ‘The Maltese is right, dear brother Berthold,’ said Florentin, ‘and I rank the genuine landscape quite as high as the deeply significant sacred histories, as depicted by the old masters. Nay, I maintain that one ought first to strengthen oneself by the representation of that organic nature which is nearest to us, that we may be able to find light for her darker regions. I advise you, Berthold, to practise yourself in sketching figures, and in arranging your thoughts in them. Perhaps by this means you will gain additional light.’ Berthold acted according to the suggestion of his friend, and it seemed to him, as if the dark clouds which spread over his life, were passing away.

“‘I endeavoured to represent that, which seemed no more than a mere obscure feeling in my innermost soul, by hieroglyphic characters, as I had done in my dream; but the hieroglyphics became human figures, which moved about a focus of light in strange combinations. This focus was to be the noblest form that ever was evoked by a painter’s fancy, but I vainly endeavoured, when this form appeared to me in a dream, surrounded by the rays of heaven, to catch the features. Every attempt to represent it proved an utter failure, and I seemed to fade away in a state of the most ardent desire.’ Florentin perceived the situation of his friend, who was excited to a morbid degree, and gave him all the consolation in his power. Often did he tell him that this was the very time when illumination would break upon him; but Berthold merely slunk about like a dreamer, and all his attempts were but the feeble efforts of a puny child.

“In the vicinity of Naples was a duke’s villa from which there was the finest view of Vesuvius and the sea, and which, on this account was hospitably kept open for foreign artists, especially landscape painters. Berthold had often worked here, but still oftener in a grotto in the park had he given himself up to his fantastic dreams. One day he was sitting in this grotto tortured by the sense of longing, that tore his bosom, and was shedding briny tears, hoping that the star would shine upon his obscure path, when a rustling was heard in the hedges, and the form of an exquisitely beautiful woman was before him.

“‘The sunbeams fell upon her angelic countenance: she cast upon me an indescribable glance. It was Saint Catharine. No, more than she, it was my ideal. Mad with transport I threw myself on the ground, and the form vanished with a benignant smile! My most ardent prayer was realised.’

“Florentin entered the grotto, and was surprised at Berthold, who, with beaming countenance, pressed him to his heart, while the tears streamed from his eyes. ‘My friend! my friend!’ he stammered forth; ‘I am happy--I am blessed--she is found--found!’ He hurried to his atelier, and stretching the canvass began to paint as if inspired by divine power, he charmed before him the superterrestrial woman--for so he thought her--with the full glow of life. From this moment his inmost soul was entirely changed. Far from feeling that melancholy which preyed upon his heart, he was serene and cheerful. He industriously studied the chefs-d’oeuvre of the old painters. Many of his copies were perfectly successful, and now, for the first time, he began to produce paintings which caused astonishment among all the connoisseurs. As for landscapes, they were no more to be thought of, and Hackert himself confessed that the youth had not till now discovered his proper vocation. He had to paint many large works, such as altar-pieces for churches, and generally selected the more cheerful subjects of Christian tradition. From all of these, however, the noble form of his ideal beamed forth. It was discovered that the face and figure of the Princess Angiola T---- were represented to the life; nay, this fact was communicated to the young painter himself, and knowing folks waggishly insinuated that the German was smitten to the heart by the brilliant eyes of the lovely dame. Berthold was highly indignant at this silly gossip of people who wished to lower the heavenly into the mere earthy. ‘Do you believe,’ he said, ‘that such a being could wander here upon earth? No; the highest was revealed in a wondrous vision; it was the moment when the artist receives consecration.’ Berthold lived happy, until the French army, after Bonaparte’s conquests in Italy, approached the kingdom of Naples, and the revolution, which so fearfully destroyed all the peaceful relations of the place, broke out. The king and queen had left Naples, and the Citta was appointed. The vicar-general concluded a disgraceful truce with the French commander, and the French commissaries soon came to receive the sums that were to be paid them. The vicar-general fled to escape the rage of the people, who believed themselves deserted by him, by the Citta, and, in short, by all who could defend them against the approaching enemy. Then were all the bands of society loosened. The people, in a state of wild anarchy, set law and order at defiance, and with the cry, ‘Viva la Santa Fede!’ wild hordes ran through the streets plundering and burning the houses of the nobles, who they thought had sold them to the enemy. Vain were the endeavours of Moliterno and Rocca Romana, who were the favourites of the people, and had been elected for leaders: vain were their endeavours to restore order. The dukes Delia Torre and Clement Filomarino were murdered, but the thirst for blood among the raging people was not yet satisfied. Berthold had just been able to escape, half-dressed, from a burning house, when he met a mob, that with kindled torches and glittering knives, was hurrying to the palace of the Duke of T----. These madmen, taking him for one of their own class, carried him along with them, shouting, ‘Viva la Santa Fede!’ and in a few minutes the duke, the servants, every one who resisted, were murdered, and the palace, into which Berthold was more and more forced by the throng, was in flames. Thick clouds of smoke rolled through the long passages. Berthold, in danger of being burned to death, darted through the now open doors in hopes of finding an outlet, but all in vain; a piercing shriek of agony struck his ear, and he rushed into the hall. A woman was struggling with a lazzarone, who held her fast, and was about to plunge a knife in her heart. It was the princess--it was Berthold’s ideal! Losing all consciousness with horror, he sprang towards them, and it was but the work of a moment to seize the lazzarone, to fling him to the ground, to plunge his own knife in his throat, to catch the princess in his arms, to fly with her through the flaming ruins, to dash down the steps, and to go on--on--through the dense crowd of people. None attempted to stop him in his flight. With the bloody knife in his hand, with his face begrimed by smoke, with his clothes torn, he was taken for a plunderer and murderer by the people, who willingly conceded him his prey. In a deserted corner of the city, beneath an old wall, to which, as if by instinct he had run to escape danger, he fell exhausted. On recovering, he found the princess kneeling at his side, and washing his forehead with cold water. ‘Oh thanks!--thanks!’ said she, in the softest and most lovely voice; ‘thanks to the saints that thou hast recovered, my preserver, my all!’ Berthold raised himself,--he fancied he was dreaming, he looked with fixed eyes upon the princess--yes, it was herself--the celestial form which had kindled the divine spark in his breast. ‘Is it possible?--Is it true?--Do I live?’ he exclaimed. ‘Yes,’ replied the princess, ‘thou livest for me. That which thou didst not venture even to hope, has happened through a miracle. Oh! I know thee well,--thou art the German painter, Berthold, who loved me, and ennobled me in his beautiful works. Was it then possible for me to be thine? But now I am thine for ever--let us fly!’ A strange feeling, as when a sudden pain disturbs sweet dreams, darted through Berthold as the princess spoke. But when the lovely woman clasped him with her full, snow-white arms, when he pressed her passionately to his bosom, then did a delicious trembling, hitherto unknown, take possession of him, and in the mad delight of possessing the greatest earthly felicity, he cried: ‘Oh, it was no delirious dream! No! it is my wife whom I embrace, and whom I will never leave!’

“Escape from the city was at first impossible, for at the gate stood the French army, whose entrance the people, although badly armed and without leaders, were able to dispute for two days. Berthold, however, succeeded in flying with Angiola from one hiding-place to another, and at last out of the city. Angiola, deeply enamoured of him, could not think of remaining in Italy; she wished her family to consider her dead, that Berthold’s possession of her might be secure. A diamond necklace, and some valuable rings which she wore, were sufficient to provide them with all necessaries at Rome--whither they had proceeded by slow degrees--and they arrived happily at M----, in Southern Germany, where Berthold intended to settle, and to support himself by his art. Was it not a state of felicity, not even to be dreamed, that Angiola, that creature of celestial loveliness, that ideal of his most delightful visions, now became his own,--when all social laws had seemed to raise an insurmountable barrier between him and his beloved? Berthold could hardly comprehend his happiness, he was abandoned to inexpressible delight, until the inner voice became louder and louder, urging him to think of his art. He determined to found his fame at M---- by a large picture which he designed for the Maria church there. The whole subject was to be the very simple one of Mary and Elizabeth sitting on the grass in a beautiful garden, with the infant Christ and John playing before them; but all his efforts to obtain a pure spiritual view of his picture proved fruitless. As in that unhappy period of the crisis the forms floated away from him, and it was not the heavenly Mary--no, it was an earthly woman, his Angiola herself, fearfully distorted, that stood before the eyes of his mind. He fancied that he could defy the gloomy power that seemed to grasp him,--he prepared his colours and began to paint; but his strength was broken, and all his endeavours were--as they had been formerly--only the puny efforts of a senseless child. Whatever he painted was stiff and inanimate, and even Angiola,--Angiola his ideal, became, when she sat to him, and he tried to paint her, a mere wax image on the canvass, staring at him with its glassy eyes. His soul became more and more the prey of a despondency, that consumed all the happiness of his life. He would not, nay, he could not, work any more; and thus he fell into a state of poverty, which was the more crushing, because Angiola did not utter a word of complaint.

“‘The grief that gnawed more and more into my soul, that grief that was the offspring of a hope, invariably deceived, when I summoned powers that were no longer mine, soon reduced me to a state that might be compared to madness. My wife bore me a son,--that increased my misery, and my long suppressed discontent broke out into open, burning hate. She--she alone had been the cause of my unhappiness. She was not the ideal which had appeared to me, but had only assumed the form and face of that heavenly woman. In wild despair I cursed her and her innocent child. I wished them both dead, that I might be freed from the insupportable pains that tortured me, like so many burning knives. Thoughts of hell arose in my mind. In vain did I read in Angiola’s corpse-like face, and in her tears, the madness and impiety of my conduct. ‘Thou hast cheated me out of my life, cursed woman!’ I thundered forth, and thrust her away with my foot, when she fell fainting to the ground and clasped my knees.’

“Berthold’s mad, cruel conduct towards his wife and child excited the attention of the neighbours, who informed the magistrates of the circumstance. They wished to imprison him; but when the police entered his dwelling, he had vanished with his wife and child, without leaving so much as a trace behind. Soon afterwards he appeared at N----, in Upper Silesia; he had got rid of his wife and child, and cheerfully began to paint the picture which he had vainly attempted at M----. However he could only finish the Virgin Mary, and the children--Christ and John--for he fell into a dreadful illness, which brought him near the death he desired. Every thing that belonged to him, including the unfinished picture, was sold for his subsistence; and, after he had recovered, in some measure, he departed, a sick, miserable beggar. He afterwards gained a poor livelihood by a few jobs of wall-painting.”

* * * * *

“There is something terrible in the history of Berthold,” said I to the professor. “Although so much is not plainly expressed, I believe that he was the reckless murderer of his innocent wife and child.”

“He is a mad fool,” replied the professor, “to whom I do not give credit for enough courage to perform such an act. On this point he never speaks plainly; and the question is, whether it be not a mere fancy that he took any part in the death of his wife and child. He now returns to painting marble; and this very night he will finish the altar. This puts him in a good-humour, and you may learn something about this critical affair from his own mouth.”

I must confess that the thought of passing midnight in the church alone with Berthold made me shudder a little, now I had read his history. I thought that there might be a little of the devil in him in spite of his good-humour and frank deportment; and I chose rather to be in his company that very noon in the clear sunlight.

I found him upon the scaffold, reserved and in an ill-humour, painting the veins of marble. Climbing up to him, I reached him the pots, while he stared at me with amazement. “I am your helpmate,” said I softly, and this drew a smile from him. Now I began to talk of his life, so as to let him know that I was acquainted with all; and he seemed to believe that he himself had, on that night, communicated every thing. Very, very gently I came to the frightful catastrophe, and then said suddenly--“Did you actually, in your unholy madness, murder your wife and child?”

At this he let the paint-pot and the pencil fall; and, staring at me with a hideous countenance, as he raised both his hands, cried out, “No, these hands are unstained by the blood of my wife--of my son! Another such word and I will dash myself down from the scaffolding with you, so that both our heads shall be shattered on the stone floor of the church.”

At this moment I felt my situation rather odd, and deemed it advisable to change the subject. “Look here, dear Berthold,” said I, as quietly and coolly as possible; “see how that ugly dark yellow is running on the wall.”

He turned his eyes to the spot, and while he painted out the yellow, I slipped gently down the scaffold, left the church, and went to the professor, to have a hearty laugh at my well-chastised presumption.

My vehicle was repaired, and I left G----, after Professor Aloysius Walter had solemnly promised that in case any thing happened to Berthold, he would communicate it in writing immediately.

About half a year elapsed, when I actually received a letter from the professor. He expressed himself in very prolix terms of praise about our meeting at G----, and wrote as follows about Berthold:--“Soon after your departure affairs took a singular turn with our whimsical painter. He became suddenly quite cheerful, and finished, in the most splendid style, the great altar-piece, which is now the wonder of every body. He then vanished; and, as he took nothing with him, and a few days afterwards we found a hat and stick lying near the O---- stream, we are all of opinion that he met a voluntary death.”

J. O.

[1] These “Fantasie-Stücke” are a collection of tales, &c., by Hoffmann, and purport to be leaves from the journal of a travelling enthusiast. J. O.

THE SEVERED HAND.

BY WILHELM HAUFF.

[This story is related by a Greek merchant, in the collection called “Die Karavane.”]

I was born at Constantinople, where my father was a dragoman to the Sublime Porte, and carried on besides, a tolerably lucrative trade in perfumes and silks. He gave me a good education, partly instructing me himself, and partly engaging a priest of our religion for that purpose. He originally intended me for his own business, but as I displayed greater talents than he expected, he determined, by the advice of his friends, to make me a physician, being of opinion that a physician, if he has learned more than the common charlatans, could make his fortune in Constantinople. Our house was frequented by many Franks, one of whom urged my father to let me go to the city of Paris, in his native country, where people might study such things gratis and in the best manner, saying, he would take me with him for nothing when he returned thither.

My father, who in his youth had also travelled, agreed, and the Frank told me to be ready in three months. I was delighted beyond measure at the prospect of seeing foreign lands, and could scarcely await the time when we should embark. Having at length concluded all his business, the Frank prepared for his voyage, and on the evening previous to our departure my father took me to his lodgings. Here I saw beautiful dresses and arms lying on the table; but what most attracted my eyes was a large heap of gold, as I had never before seen so much together. My father embraced me, saying, “Behold, my son, I have provided these clothes for your voyage; those arms are yours, and they are the same your grandfather gave me when I went forth to foreign countries. I know you can wield them, but never use them excepting in self-defence, and then fight bravely. My fortune is not large; but see, I have divided it into three parts, of which one is yours, one shall be for my support and wants, but the third shall be sacred property, and devoted to the purpose of saving you in the hour of need.” Thus spoke my aged father, and tears trembled in his eyes, perhaps from a certain presentiment, for I never saw him again.

Our voyage was prosperous; we soon reached the land of the Franks, and in six days’ journey, after landing, we came to the great city of Paris. Here my Frankish friend hired a room and advised me to use proper discretion in laying out my money, which in all was two thousand thalers. I lived for three years in this city, and learned what every skilful physician ought to know; but I should not speak the truth were I to say that I liked the place, for the manners and customs of this people did not suit me. Moreover, I had but few friends, though these were indeed noble young men.

The desire of seeing my native country, at length, became strong; and having all this time heard nothing of my father, I seized a favourable opportunity to return home.

This opportunity was afforded me by an embassy from the land of the Franks to the Sublime Porte. I engaged myself as surgeon in the suite of the ambassador, and was fortunate enough to return to Constantinople. There I found my father’s house closed, and the neighbours were astonished when they saw me, and told me that my father had died two months since. The priest who had instructed me in my youth brought me the keys of the now desolate house, which I entered alone and forsaken. I found every thing as my father had left it, only the money he had promised to bequeath me was not there. I inquired of the priest about it, who, with a bow, told me that my father had died as a holy man, since he had bequeathed all his money to the church.

The latter circumstance has ever since been inexplicable to me. Yet what could I do? I had no witnesses against the priest, and could not but consider myself fortunate that he had not also claimed as a legacy the house and goods of my father. This was the first calamity that befel me, but from that time misfortunes succeeded each other. My reputation as a physician spread but slowly, because I was ashamed to play the quack, and I wanted everywhere the recommendation of my father, who would have introduced me to the wealthiest and noblest persons, who now no longer thought of poor Zaleukos. Neither could I find customers for my father’s goods, for all had gone elsewhere after his death, and new ones come but slowly. Once sadly reflecting on my situation it occurred to me that I had often seen in France men of my native land, who travelled through the country, exposing their goods in the market-places of the towns; I remembered that they easily found customers because they came from a foreign country, and that by such traffic one might profit a hundred-fold. My resolution was soon taken. I sold my father’s house, gave part of the money I received for it to a tried friend to keep for me, and with the rest I purchased such things as are seldom seen in the west--viz: shawls, silks, ointments, and perfumes. Having engaged a berth in a ship, I thus set out on my second voyage to France. As soon as I had turned my back on the castles of the Dardanelles it seemed as if fortune would again smile on me. Our passage was short and prosperous.

I travelled through large and small towns, and found everywhere ready purchasers of my goods. My friend in Constantinople supplied me constantly with fresh goods, and I daily became more wealthy.

When at length I thought I had saved enough to risk a greater enterprise, I went to Italy. But I must here mention that I derived no small additional profit from the healing art. Whenever I entered a town, I announced, by bills, that a Greek physician had arrived, who had already cured many; and truly my balsams and medicines brought me in many a zechino. I now reached the city of Florence, in Italy, where I purposed remaining for some time, as I liked it much, and wished to recover from the fatigues of my travels. I hired a shop in the quarter called Santa Croce, and in an inn not far from thence two beautiful rooms which led to a balcony. Having made these arrangements, I had my bills placarded about, announcing myself as a physician and merchant. I had no sooner opened my shop than I had crowds of customers, and though my prices were rather high, I sold more than others, because I was civil and obliging to my customers. When I had thus pleasantly spent four days in Florence, I was one evening about closing my shop, and only had to examine my stock of boxes of ointments, as was my custom, when I found in a small jar a piece of paper which I did not recollect to have put there. On opening it I discovered that it was an invitation for me to appear that night at twelve o’clock precisely on the bridge called Ponte Vecchio. I conjectured a long time who it could possibly be that invited me thither, but, not knowing a soul in Florence, I thought some one wished, perhaps, to take me secretly to some sick person, which was not uncommon, and I therefore determined to go. However, I took the precaution to buckle on the sword my father had given me.

When it was near midnight I set out on my way, and soon arrived at the Ponte Vecchio. I found the bridge forsaken and lonely, and determined to await the person who had appointed to meet me.

It was a cold night, the moon shone brightly, and I looked down on the waves of the Arno, glistening in the moonlight. The church clocks now struck the midnight hour, I looked up and saw before me a tall man, enveloped in a red cloak, a corner of which he had drawn over his face.

At first, I was rather terrified, at his suddenly appearing behind me, but soon recovered myself, and said, “If you have summoned me hither, say what is your command.” The Red Cloak turned round, and slowly said, “Follow me.” I felt somewhat uneasy at the thought of following the stranger alone; so I stood still, saying, “Nay, sir, please first to tell me whither. Moreover, you might let me have a peep at your face, that I may see whether you intend any good with me.” But the Red Cloak did not seem to mind my words, “If you will not follow, Zaleukos, stop where you are,” he said, and then went on. Now my anger was roused, and I cried, “Think you a man like me, will submit to be tantalized by any fool, and to wait for nothing in a cold night like this?” In three leaps I overtook him, seized him by the cloak, and cried still louder, while grasping my sword with the other hand. But the cloak alone remained in my hand, and the stranger vanished round the next corner. My rage gradually subsided, but still I held the cloak, and this I expected would give me a clue to this singular adventure. I wrapped it round me, and walked home. When I was about a hundred paces from my house, some one passed close by me, and whispered to me in French, “Be on your guard, Count, there is nothing to be done to night.” But before I could look round, this somebody had passed, and I only saw his shadow glide along the houses. That those words were addressed to the owner of the cloak and not to me was pretty evident, but this threw no light on the affair. The following morning, I considered what I should do. At first I intended to have the cloak cried, as if I had found it: on reflection, however, I thought the owner might send another person for it, and that I might still have no clue to the discovery. While thus considering, I looked at the cloak more narrowly; It was of heavy Genoese reddish purple velvet, edged with Astracan fur, and richly embroidered with gold. The sight of this splendid cloak suggested an idea to me, which I resolved to execute. I carried it to my shop, and exposed it for sale, but set upon it so high a price, that I felt sure I should not find a purchaser. My object in this was to look closely at every person who might ask the price; for I thought I could discover, among a thousand, the figure of the stranger, which after the loss of the cloak had shown itself to me distinctly, though but for a moment. Many came desirous of buying the cloak, the extraordinary beauty of which attracted every eye, but no one had the remotest resemblance to the stranger, and none would pay for it the high price of two-hundred zechinos. What struck me most was, that all whom I asked whether they had ever seen such a cloak in Florence before, replied in the negative, assuring me they had never seen such costly and tasteful work.

As evening approached, a young man came who had often been in my shop, and had also during the day made a handsome offer for it. He threw a purse of zechinos on the table, saying, “By Heavens, Zuleukos I must have your cloak, though it will beggar me!” At these words he counted down the gold. I was greatly embarrassed, having only exposed the cloak for sale in hopes of attracting the looks of its owner, and now comes a young madcap to pay the exorbitant price. But what could I do? I yielded; for the idea was pleasing of being so handsomely recompensed for my nocturnal adventure. The young man put on the cloak and went away; but returned at the door, as he took off a paper which was fastened to it, threw it to me, and said, “Here, Zaleukos is something which I think does not belong to the cloak.” I took the paper carelessly, when behold! it contained these words:

“Bring the cloak to night at the usual hour to the Ponte Vecchio, and four hundred zechinos shall be yours.” I was thunderstruck. Thus then I had trifled with my good luck, and utterly missed my aim; but I soon recovered, took the two-hundred zechinos, followed him, and said, “Take back your money, my friend, and leave me the cloak, I cannot possibly part with it.” He thought at first I was joking, but when he perceived I was in earnest, he flew into a rage at my demand, called me a fool, and we at length came to blows. In the scuffle, I was fortunate enough to secure the cloak, and was about to run off with it, when the young man called the police to his assistance, and brought me before the magistrate. The latter was much surprised at the accusation, and awarded the cloak to my opponent. I now offered the young man twenty, fifty, eighty, nay, a hundred zechinos, if he would let me have it. My gold effected what my entreaties could not. He took my money, I went off triumphant with the cloak, and was obliged to submit to be called mad by all Florence. But I cared little for the opinion of the people, since I knew more than they, viz: that I still gained by my bargain.

I awaited the night with impatience. About the same time as before I went to the Ponte Vecchio, with the cloak under my arm. The figure approached me with the last stroke of the clock, and I could not be mistaken as to its identity. “Have you the cloak?” was the question. “I have, sir,” I answered, “but it cost me a hundred zechinos.” “I know it,” he replied; “here are four hundred for it.” With these words he stepped to the broad balustrade and counted down the gold, four hundred pieces, which sparkled beautifully in the moonlight; their glitter delighted my heart, which, alas! little imagined that this was its last joy. I put the money in my pocket, and was going to take a close survey of the kind unknown, but he had on a mask, through which his dark eyes flashed at me frightfully. “I thank you, sir, for your kindness,” said I. “What else do you desire of me? for I must tell you beforehand that it must be nothing underhanded.” “Unnecessary fear,” he replied, as he wrapped the cloak round him. “I want your assistance as a physician, not, however, for one living, but for one who is dead.”

“How can that be?” I exclaimed, astonished. He beckoned me to follow him, and related as follows: “I came here from foreign lands with my sister, and have lived with her at the house of a friend, where she died suddenly yesterday. Her relatives wish her to be buried to-morrow; and by an ancient custom in our family every member is to be buried in the vault of our ancestors, where many who died in foreign countries now repose embalmed. I wish to leave her body to our relations here, but must take to my father her head, at least, that he may see his daughter’s face once more.”

This custom of cutting off the head of beloved relatives seemed to me somewhat repulsive, but I did not venture to raise any objections, fearing to give offence to the stranger. I therefore told him that I well understood embalming the dead and begged him to take me to the deceased. At the same time I could not refrain from asking him why all this must be done so mysteriously, and in the night. To this he answered, that his relations, considering his intention as somewhat cruel, would prevent him if he attempted it during the daytime; but that if the head was once severed they would say little about it; that he, indeed, would have brought me the head himself had not a natural feeling deterred him from performing the operation.

In the meanwhile we arrived at a large, splendid mansion, which my companion pointed out as the end of our nocturnal walk. Passing the principal gate we entered the house by a small door, which he carefully fastened after him, and ascended, in the dark, a narrow winding staircase. This led to a faintly lighted corridor through which we came to an apartment, which was lighted by a lamp suspended from the ceiling.

In this apartment was a bed in which the corpse lay. The stranger averted his face and seemed anxious to hide his tears. Pointing to the bed, he ordered me to do my business well and expeditiously, and left the apartment.

I took my knives out of the case, which, as a doctor, I always carried, and approached the bed. Only the head of the corpse was visible; it was so beautiful that, involuntarily, I felt compassion in my inmost heart; the dark hair hung in long tresses over the pale face, and the eyes were closed. I commenced, according to the custom of surgeons when they amputate a limb, by making an incision in the skin. Then taking my sharpest knife I cut the throat with one stroke. Oh! horror! the dead opened her eyes, but closed them again immediately, and with one deep sigh now breathed forth her life. At the same time a stream of hot blood gushed over me from the wound. I was convinced that I only had killed the poor lady. That she was dead now I could no longer doubt, since such a wound was sure to be fatal. I stood for some minutes in fearful anxiety as to what I had done. Had the Red Cloak imposed on me, or had his sister only been apparently dead? The latter seemed to me the more probable, but I dare not tell the brother of the dead that a less speedy cut would perhaps have aroused her without killing her. I was going, therefore, to sever the head entirely, when the dying lady once more groaned, stretched herself in painful convulsions, and then expired. Overcome by terror, I rushed shuddering from the apartment. It was dark in the corridor without, the lamp was extinguished, no trace of my companion was to be discovered, and I was obliged to grope my way along the wall at hazard in order to reach the winding staircase. I found it at length, and hurried down precipitately. There was no one visible below, the door was ajar, and when I reached the street I breathed more freely, having felt oppressed with horror in the house. Spurred on by terror, I hastened towards my lodging and buried myself in the pillows of my couch, to forget the atrocious deed I had perpetrated. But sleep fled from me, and the morning first summoned me to composure. It seemed to me probable that the man who had seduced me to the fearful act, as it now appeared to me, would not inform against me. I determined to go into my shop to business and assume, if possible, a cheerful air. But alas! a new circumstance which I observed only now, increased my anxiety; I missed my cap and belt, as well as the knives, and was uncertain whether I had left them in the apartment of the murdered lady, or had lost them in my flight. The former, unfortunately, seemed more probable, and the knives would therefore betray me as the murderer.

I opened my shop at the usual time, and my neighbour came in, as he usually did in the morning, being fond of a chat. “Well, neighbour,” said he, “what do you think of this horrible occurrence which took place last night?” I pretended not to know any thing about it. “What! do you pretend not to know what is known all over the town? Not to know that the fairest flower in Florence, Bianca, the daughter of the governor, was murdered last night?” Ah me! I saw her even yesterday go in her carriage with her bridegroom, for it was only yesterday she was married. Every word spoken by my neighbour was a dagger in my heart. How often were these my tortures renewed, for each of my customers repeated the story, one painting it more frightfully than the other, though none could speak all the horrors I had myself witnessed. About noon an officer from the magistrate entered my shop, and requesting me to dismiss the customers, and, producing the things I missed, he said, “Senore Zaleukos, do you own these things?” I hesitated a moment whether I had not better disown them altogether, but seeing through the half-open door my landlord and several acquaintances, who might perhaps witness against me, I determined not to aggravate the affair by telling a falsehood, and so owned the things produced. The officer desired me to follow him, and led me to a large building, which I soon recognised as a prison. He showed me into an apartment to await further orders.

My situation was terrible as I reflected on it in my solitude; the thought of having committed murder, though unintentionally, constantly returned. Neither could I deny to myself that the glitter of gold had captivated my senses, or I could not so easily have been caught in the snare. Two hours after my arrest, I was led from my room up several staircases into a large hall. Twelve persons, mostly old men, were sitting at a round table, covered with black cloth. Along the walls stood benches occupied by the nobility of Florence. In the galleries above stood the spectators, densely crowded together. When I stepped to the table, a man, with a gloomy and melancholy expression of countenance, rose: it was the president of the tribunal. Addressing the assembly, he said, that as the father of the murdered, he could not pass judgment in this matter, and therefore, ceded his place to the senior of the senators. The latter was an aged man of at least ninety years. He was bent with age, and his temples were scantily covered with a few white hairs, but his eyes still burned with lustre, and his voice was strong and firm. He began by asking me whether I confessed the murder? I demanded to be heard, and fearlessly, and in a very audible voice, related what I had done, and what I knew. I observed that the president, during my statement, was alternately flushed and pale, and that when I concluded, he started up furiously, crying to me, “What, wretch! Do you wish to charge the crime you committed from avarice upon another?” The senator called him to order for his interruption, as he had voluntarily resigned his right of judgment, remarking, moreover, that it was by no means proved that I committed the crime from avarice, as, by his own deposition, nothing had been stolen from the murdered. Indeed, he went still further, declaring that the president must give an account of the life of his daughter, for that only could enable them to determine whether I had spoken the truth or not. He now dismissed the court for that day to consult, as he said, the papers of the deceased, which the president would deliver to him.

I was again led back to my prison where I spent a sorrowful day, still ardently hoping that some connexion between the dead lady and the Red Cloak might be discovered. Full of this hope I entered the judgment hall the following day. Several letters lay on the table, and the aged senator asked me whether they were written by me. I looked at them, and found they must be by the same hand as the two slips of paper I had received. This I stated to the senate, but they did not seem to regard it, and answered that I could, and must, have written both, the initial on both letters being evidently a Z, the initial letter of my name. The letters contained menaces to the deceased, and warnings against the marriage which she was about to contract.

The president appeared to have given singular information respecting my person, for they treated me on this day more suspiciously and severely. In justification of myself I appealed to my papers which must be found in my lodgings, but they told me that they had searched and found nothing. Thus, at the closing of the court, all my hopes vanished, and when, on the third day, I was again led into the hall, the sentence was read to me that I was convicted of premeditated murder and was to die. To this condition had I come! Forsaken by all that was dear on earth, far distant from my native country, I was, though innocent, to die by the axe in the flower of youth. As I was sitting in my lonely dungeon on the evening of this terrible day that had decided my fate, all my hopes having fled, and all my thoughts being seriously fixed on death, the door opened and a man entered, who looked silently at me for a long time.

“Do I thus find you again, Zaleukos?” said he.

The faint glimmer of my lamp prevented me from recognising him, but the sound of his voice awakened in me recollections of former days. It was Valetti, one of the few friends I had known in Paris while there pursuing my studies. He told me that he happened to come to Florence where his father lived much respected, that he had heard my history, and had come to see me once more, and to learn from me how I could have committed such a heavy crime. I told him the whole story. He seemed much astonished, and conjured me to tell him, my only friend, every thing, that I might not depart this life with a lie on my conscience. I swore to him with a most solemn oath that I had spoken the truth, and that no other guilt oppressed me, but that, being dazzled by the gold, I had not at once recognised the improbability of the stranger’s story.

“You did not then know Bianca?” he asked.

I assured him I had never seen her. Valetti now related to me that a deep secret was connected with the deed, that the president had very much hastened my sentence, and that a report was circulated that I had long known Bianca, and now had murdered her out of revenge for her marrying another. I observed to him, that all this applied well to the Red Cloak, but that I could not prove his participation in the deed. Valetti embraced me, weeping, and promised to do all in his power to save my life at least. I had little hope, though I knew him to be a wise man and well conversant in the law, and that he would not fail to do his utmost to save me. For two long days I remained in suspense; at length he came and exclaimed, “I bring a consolation though a sad one. You will live to be free, but must lose one hand.” Deeply affected, I thanked my friend for having saved my life. He told me the president had been inexorable as to granting a new investigation into the affair, but, that he might not appear unjust, he at length agreed that if they could find a similar case in the annals of Florence, my punishment should be according to that awarded in such a case. He, therefore, with his father had now read day and night in the archives, and had, at length, found a case similar to mine, the punishment for which was that the perpetrator should have his left hand cut off, his property confiscated, and that he himself should be banished for life. This was now my sentence, and I was to prepare for the painful moment which awaited me. I will spare you this terrible moment: in the open market-place I placed my hand on the block, and my own blood gushed over me.

When all was over, Valetti took me to his house until my recovery was completed, and then nobly provided me with money for my journey, for all I had earned with so much labour had been taken from me. From Florence I went to Sicily, and thence by the first ship to Constantinople. Here I hoped to find the sum of money I had left with my friend, and begged him to receive me into his house, but what was my astonishment when he inquired why I did not take possession of my own? He informed me that a stranger had purchased a house in my name in the quarter of the Greeks, and had told the neighbours that I was soon coming. I immediately repaired thither with my friend, and was joyfully welcomed by all my old acquaintance. An aged merchant gave me a letter that had been left by the purchaser of the house for me. Its contents were as follows:

“Zaleukos! Two hands shall be constantly ready to work for you that you may not feel the loss of the one. The house you now own with all in it is yours, and you will receive every year sufficient to make you rank among the wealthy of your countrymen. May you forgive him who is more wretched than yourself!”

I could guess who was the writer of these lines, and the merchant told me, on inquiry, that he took the stranger, who wore a red cloak, for a Frank. I now knew sufficient to convince me that the stranger was not devoid of generous feelings. I found all in my new house arranged admirably, and also a shop with goods more beautiful than I ever possessed. Ten years have now elapsed, and I have continued my commercial travels more from former habit than necessity, yet I have never again seen the country where I met such a misfortune. Ever since I have annually received a thousand gold pieces, but though I rejoice to know that that unfortunate man is generous, he cannot with his money relieve my soul from its grief, for the awful picture of the murdered Bianca will for ever be present with me.

C. A. F.

THE END.

C. WHITING, BEAUFORT HOUSE, STRAND.

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