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Shirley

Charlotte Brontë · Public domain text

215,854 words · about 15 h 7 min to read

Period artwork: Interior of the Bodleian Library, 1845

Text only · 2 illustrations omitted. Illustrated source.

About this edition

The text of Shirley comes from Project Gutenberg e-text #30486. It is in English and public domain in the United States. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

This text-only edition leaves out 2 illustrations. See the illustrated edition at Project Gutenberg.

This book is long enough to be split into 7 parts, so each one loads quickly on its own.

About this book

From Wikipedia

Shirley, A Tale is an 1849 social novel by the English novelist Charlotte Brontë. It was Brontë's second published novel after Jane Eyre (originally published under Brontë's pseudonym Currer Bell). The novel is set in Yorkshire in 1811–12, during the industrial depression resulting from the Napoleonic Wars and the War of 1812. The novel is set against the backdrop of the Luddite uprisings in the Yorkshire textile industry.

Excerpt from the Wikipedia article “Shirley (novel)” (revision 1359601427), licensed CC BY-SA 4.0. Not written by RedLectern.

Author
Charlotte Brontë (1816–1855)
Language
English
Subjects
Historical fiction, Yorkshire (England) › Fiction, Women › England › Fiction, Textile industry › Fiction, Napoleonic Wars, 1800-1815 › Fiction
Length
215,854 words · about 15 h 7 min
Sections
38 reader sections · Table of contents
Contents (38)

The opening of I. LEVITICAL

Of late years an abundant shower of curates has fallen upon the north of England: they lie very thick on the hills; every parish has one or more of them; they are young enough to be very active, and ought to be doing a great deal of good. But not of late years are we about to speak; we are going back to the beginning of this century: late years--present years are dusty, sunburnt, hot, arid; we will evade the noon, forget it in siesta, pass the midday in slumber, and dream of dawn.

If you think, from this prelude, that anything like a romance is preparing for you, reader, you never were more mistaken. Do you anticipate sentiment, and poetry, and reverie? Do you expect passion, and stimulus, and melodrama? Calm your expectations; reduce them to a lowly standard. Something real, cool, and solid lies before you; something unromantic as Monday morning, when all who have work wake with the consciousness that they must rise and betake themselves thereto.

Read on in Part 1 →