Appendix

Appendix

I.

COINCIDENCES BETWEEN SHAKESPEARE AND WHITNEY IN THE USE AND APPLICATION OF WORDS NOW OBSOLETE, OR OF OLD FORM.

N.B. After the words the References are to the pages and lines of Whitney’s Emblems; in the Dramas to the act, scene, and line, according to the Cambridge Edition, 8vo, in 9 vols. 1866.

Accidentes p. vi. line 2 yet they set them selues a worke in handlinge suche accidentes, as haue bin done in times paste.

p. vii. l. 21 this present time behouldeth the accidentes of former times.

Tempest, v. 1. 305 And the particular accidents gone by.

1 Hen. IV. i. 2, And nothing pleaseth but rare 199 accidents.

W. Tale, iv. 4, As the unthought-on accident 527 is guilty.

affectioned p. vi. l. 5 one too much affectioned, can scarce finde an ende of the praises of Hector.

Twelfth N. ii. 3, An affectioned ass. 139

L. L. Lost, i. 2, I do affect the very ground. 158.

aie, or aye p. 21, l. 7 With theise hee lines, and doth rejoice for aie.

p. 111, l. 12 Thy fame doth liue, and eeke, for aye shall laste.

M. N. Dr. i. l. 71 For aye to be in shady cloister mew’d.

Pericles, v. 3, 95 The worth that learned charity aye wears.

Tr. and Cr. iii. To feed for aye her lamp and 2, 152 flames of love.

alder, or elder p. 120, l. 5 And why? theise two did alder time decree.

2 Hen. VI. i. l. With you my alder, liefest 28 sovereign.

Tr. and Cr. ii. 2, Virgins and boys, mid-age and 104 wrinkled eld.

Rich. II. ii. 3, — which elder days shall 43 ripen.

amisse p. 211, l. 16 That all too late shee mourn’d, for her amisse.

Hamlet iv. 5, 18 Each toy seems prologue to some great amiss.

Sonnet cli. 3 Then gentle cheater urge not my amiss.

Sonnet xxxv. 7 Myself corrupting, salving thy amiss.

annoyes p. 219, l. 9 His pleasures shalbee mated with annoyes.

Rich. III. v. 3, Guard thee from the boar’s 156 annoy!

Tit. An. iv. 1, 50 — root of thine annoy.

3 Hen. VI. v. 7, — farewell, sour annoy! 45

assaie p. 34, l. 13 But when the froste, and coulde, shall thee assaie.

p. 40, l. 3 With reasons firste, did vertue him assaie.

1 Hen. IV. v. 4, I will assay thee; so defend 34 thyself.

Hamlet, ii. 2, 71 Never more to give the assay of arms against your majesty.

a worke p. vi. l. 2 They set them selues a worke in handlinge.

2 Hen. IV. iv. 3, for that sets it a-work. 108

K. Lear, iii. 5, 6 set a-work by a reproveable badness.

Baie, or baye p. 213, l. 3 Wherefore, in vaine aloude he barkes and baies.

p. 191, l. 4 And curteous speeche, dothe keepe them at the baye.

Cymb. v. 5, 222 — set the dogs o’ the street to bay me.

J. Cæs. iv. 3, 27 I had rather be a dog, and bay the moon.

T. of Shrew, v. 2, Your deer does hold you at a 56 bay.

2 Hen. IV. i. 3, — baying him at the heels. 80

bale p. 180, l. 7 A worde once spoke, it can retourne no more,

But flies awaie, and ofte thy bale doth breede.

p. 219, l. 16 Lo this their bale, which was her blisse you heare.

1 Hen. VI. v. 4, By sight of these our baleful 122 enemies.

Coriol. i. 4, 155 Rome and her rats are at the point of battle;

The one side must have bale.

bane or bayne p. 141, l. 7 Euen so it happes, wee ofte our bayne doe brue.

p. 211, l. 14 Did breede her bane, who mighte haue bath’de in blisse.

Tit. An. v. 3, 73 Lest Rome herself be bane unto herself.

M. for M. i. 2, Like rats that ravin down 123 their proper bane.

Macbeth, v. 3, 59 I will not be afraid of death and bane.

banne p. 189, l. 10 And in a rage, the brutishe beaste did banne.

Hamlet, iii. 2, With Hecate’s ban thrice 246 blasted.

1 Hen. VI. v. 4, Fell, banning hag, 42 enchantress, hold thy tongue!

2 Hen. VI. iii. 2, Every joint should seem to 319 curse and ban.

betide p. 9, l. 2 Woulde vnderstande what weather shoulde betide.

3 Hen. VI. iv. 6, A salve for any sore that may 88. betide.

T. G. Ver. iv. 3, Recking as little what 40. betideth me.

betime p. 50, l. 1 Betime when sleepe is sweete, the chattringe swallowe cries.

Hamlet, iv. 5, 47 All in the morning betime.

2 Hen. VI. iii. 3, And stop the rage betime. 285

bewraye p. v. l. 30 bewrayeth it selfe as the smoke bewrayeth the fire.

p. 124, l. 5 Theire foxes coate, theire fained harte bewraies.

1 Hen. VI. iv. 1, Bewray’d the faintness of my 107 master’s heart.

K. Lear, ii. 1, He bewray his practice. 107

3 Hen. VI. i. 1, Whose looks bewray her anger. 211

bleared p. 94. l. 7 What meanes her eies? so bleared, sore, and redd.

T. of Shrew, v. 1, While counterfeit supposes 103 blear’d thine eyne.

M. Venice, iii. 2, Dardanian wives with blear’d 58 visages.

bloodes p. 99, 1. 18 Can not be free, from guilte of childrens bloodes.

Cymb. i. 1, 1 Our bloods no more obey the heavens than our courtiers.

broache p. 7, l. 2 And bluddie broiles, at home are set a broache.

Rom. and J. i. 1, Who set this ancient quarrel 102 new abroach?

2 Hen. IV. iv. 2, Alack what mischiefs might he 14 set a broach.

budgettes p. 209, l. 10 The quicke Phisition did commaunde that tables should be set

About the misers bed, and budgettes forth to bring.

W. Tale, iv. 3, 18 If tinkers may have leave to live,

And bear the sow-skin budget.

Carle p. 209, l. 5 At lengthe, this greedie carle the Lythergie posseste.

Cymb. v. 2, 4 — this carl, a very drudge of nature’s.

As Like it, iii. And he hath bought the cottage 5, 106 and the bounds

That the old carlot once was master of.

carpes p. 50, 1. 3 Which carpes the pratinge crewe, who like of bablinge beste.

K. Lear, i. 4, 194 — your insolent retinue do hourly carp and quarrel.

1 Hen. VI. iv. 1, This fellow here, with envious 90 carping tongue.

catch’de p. 77, l. 6. Yet, with figge leaues at lengthe was catch’de, & made the fisshers praie.

Rom. and J. iv. 5, But one thing to rejoice and 47 solace in,

And cruel death hath catch’d it from my sight!

cates p. 18, l. 9 Whose backe is fraighte with cates and daintie cheare.

p. 202, l. 12 And for to line with CODRVS cates: a roote and barly bonne.

T. of Shrew, ii. My super-dainty Kate, all 1, 187 dainties are all Kates.

1 Hen. VI. ii. 3, That we may taste of your 78 wine, and see what cates you have.

C. Errors, iii. 1, But though my cates be mean, 28 take them in good part.

caytiffe p. 95, l. 19 See heare how vile, theise caytiffes doe appeare.

Rom. and J. v. 1, Here lives a caitiff wretch. 52

Rich. II. i. 2, 53 A caitiff recreant to my cousin Hereford.

clogges p. 82, l. 9. Then, lone the onelie crosse, that clogges the worlde with care.

Macbeth, iii. 6, You’ll rue the time that clogs 42 me with this answer.

Rich. II. i. 3, Bear not along the clogging 200 burden of a guilty soul.

cockescombe p. 81, l. 5 A motley coate, a cockescombe, or a bell.

M. Wives, v. 5, Shall I have a coxcomb of 133 frize?

K. Lear, ii. 4, She knapped ’em o’ the 119 coxcombs with a stick.

consummation p. xi. l. 23 wee maie behoulde the consummatiõ of happie ould age.

Cymb. iv. 2, 281 Quiet consummation have.

Hamlet, iii. 1, 63 ’Tis a consummation devoutly to be wish’d.

corrupte p. xiv. l. 19 too much corrupte with curiousnes and newfanglenes.

1 Hen. VI. v. 4, Corrupt and tainted with a 45 thousand vices.

Hen. VIII. i. 2, @span 4: the mind growing once 116 corrupt,@

They turn to vicious forms.

corse p. 109, l. 30 But fortie fiue before, did carue his corse.

W. Tale, iv. 4, Like a bank, for love to lie 130 and play on; not like a corse.

Rom. and J. v. 2, Poor living corse, clos’d in a 30 dead man’s tomb.

create p. 64, l. 1 Not for our selues alone wee are create.

Hen. V. ii. 2, 31 With hearts create of duty and of zeal.

K. John, iv. 1, Being create for comfort. 107

Deceaste p. 87, l. 13 Throughe Aschalon, the place where he deceaste.

Cymb. i. 1, 38 His gentle lady—deceas’d as he was born.

delight p. xiii l. 37 Lastlie, if anie deuise herein shall delight thee.

Hamlet, ii. 2, 300 Man delights not me.

Much Ado, ii 1, None but libertines delight 122 him.

dernell p. 68, l. 2 The hurtfull tares, and dernell ofte doe growe.

1 Hen. VI. iii. 2, ’Twas full of darnel; do you 44 like the taste?

K. Lear, iv. 4, 4 Darnel, and all the idle weeds that grow.

determine p. x. l. 9 healthe and wealthe—determine with the bodie.

Coriol. iii. 3, 43 Must all determine here?

Coriol. v. 3, 119 I purpose not to wait,—till these wars determine.

distracte p. 102, l. 17 Which when hee sawe, as one distracte with care.

K. Lear, iv. 6, Better I were distract: so 281 should my thoughts be severed from my griefs.

2 Hen. VI. iii. 3, My hair be fix’d on end as one 318 distract.

doombe p. 30, l. 4 Wronge sentence paste by AGAMEMNONS doombe.

As Like it, i. 3, Firm and irrevocable is my 79 doom, which I have pass’d upon her.

Rom. and J. iii. Then, dreadful trumpet, sound 2, 67 the general doom.

doubt p. 148, l. 3 The boye no harme did doubt, vntill he felt the stinge.

Rich. II. iii. 4, ’Tis doubt he will be. 69

Coriol. iii. 1, More than you doubt the change 152 on’t.

dulcet p. 128, l. 11 And biddes them feare, their sweet and dulcet meates.

As Like it, v. 4, According to the fool’s bolt, 61 Sir, and such dulcet diseases.

Twelfth N. ii. 3, To hear by the nose is a 55 dulcet in contagion.

dull p. 103, l. 12 For ouermuch, dothe dull the finest wittes

Hen. V. ii. 4, 16 For peace itself should not so dull a kingdom.

Sonnet ciii. l. 8 Dulling my lines and doing me disgrace.

Eeke, or eke p. 2, l. 8 Before whose face, and eeke on euerye side.

p. 45, l. 10 And eke this verse was grauen on the brasse.

M. N. Dr. iii. l. Most brisky juvenal, and eke 85 most lovely Jew.

All’s Well, ii. 5, With true observance seek to 73 eeke out that.

M. Wives, ii. 3, And eke Cavaleiro Slender. 67

englished Title, l. 5 Englished and Moralized.

M. Wives, i. 3, 44 — to be English’d rightly, is, I am Sir John Falstaff’s.

ercksome p. 118, l. 4 With ercksome noise, and eke with poison fell.

T. of Shrew, i. 2, I know she is an irksome 181 brawling scold.

2 Hen. VI. ii. 1, Irksome is this music to my 56 heart.

erste p. 194, l. 20 As with his voice hee erste did daunte his foes.

As Like it, iii. Thy company, which erst was 5, 94 irksome to me.

2 Hen. VI. ii. 4, That erst did follow thy proud 13 chariot wheels.

eschewed p. vii. l. 19 examples—eyther to bee imitated, or eschewed.

M. Wives, v. 5, What cannot be eschew’d, must 225 be embraced.

eternised p. ii. l. 32 — learned men haue eternised to all posterities.

2 Hen. VI. v. 3, Saint Alban’s battle won by 30 famous York

Shall be eterniz’d in all age to come.

euened p. 131, l. 6 If ÆGYPT spires, be euened with the soile.

K. Lear, iv. 7, 80 To make him even o’er the time he has lost.

Hamlet, v. 1, 27 Their even Christian.

extincte p. iv. l. 32 deathe—coulde not extincte nor burie their memories.

Othello, ii. 1, 81 Give renew’d fire to our extincted spirits.

Rich. II. i. 3, — be extinct with age. 222

Facte p. 79, l. 22 Thinke howe his facte, was ILIONS foule deface.

M. for M. v. 1, Should she kneel down in mercy 432 of this fact.

2 Hen. VI. i. 3, A fouler fact did never 171 traitor in the land commit.

fardle p. 179, l. 9 Dothe venture life, with fardle on his backe.

Hamlet, iii. 1, 76 Who would fardels bear, to groan and sweat under a weary life?

W. Tale, v. 2, 2 I was by at the opening of the fardel.

falls p. 176, l. 7 Euen so, it falles, while carelesse times wee spende.

J. Cæs. iii. 1, I know not what may fall; I 244 like it not.

feare p. 127, l. 11 Who while they liu’de did feare you with theire lookes.

Ant. and C. ii. 6, Thou canst not fear us, 24 Pompey, with thy sails.

M. for M. ii. 1, 2 Setting it up to fear the birds of prey.

fell p. 3, l. 12 Hath Nature lente vnto this Serpent fell.

M. N. Dr. v. 1, A lion-fell, nor else no 221 lion’s dam.

2 Hen. VI. iii. 1, This fell tempest shall not 351 cease to rage.

filed p. 30, l. 5 But howe? declare, Vlysses filed tonge

Allur’de the Iudge, to giue a Iudgement wronge.

Macbeth, iii. 1, If’t be so, for Banquo’s issue 63 have I fil’d my mind.

fittes p. 103, l. 11 Sometime the Lute, the Chesse, or Bowe by fittes.

Tr. and Cr. iii. Well, you say so in fits. 1, 54

floate p. 7, l. 10 This, robbes the good, and setts the theeues a floate.

J. Cæs. iv. 3, 220 On such a full sea are we now afloat.

Macbeth, iv. 2, 21 But float upon a wild and violent sea.

foile p. 4, l. 10 And breake her bandes, and bring her foes to foile.

Tempest, iii. 1, Did quarrel with the noblest 45 grace she ow’d,

And put it to the foil.

fonde p. 223, l. 7 Oh worldlinges fonde, that ioyne these two so ill.

M. for M. v. 1, Fond wretch, though know’st 105 not what thou speak’st.

M. N. Dr. iii. 2, How simple and how fond I am. 317

forgotte p. 5, l. 7 Yet time and tune, and neighbourhood forgotte.

Othello, ii. 3, How comes it, Michael, you are 178 thus forgot?

Rich. II. ii. 3, That is not forgot which ne’er 37 I did remember.

foyles p. xvii. l. 18 PERFECTION needes no other foyles, suche helpes comme out of place.

1 Hen. IV. iv. 2, That which hath no foil to set 207 it off.

fraies p. 51, l. 6 Unto the good, a shielde in ghostlie fraies.

1 Hen. IV. i. 2, To the latter end of a fray, 74 and the beginning of a feast.

M. Venice, iii. 4, And speak of frays, like a 68 fine bragging youth.

frende p. 172, l. 14 As bothe your Towne, and countrie, you maye frende.

Macbeth, iv. 3, 10 As I shall find the time to friend.

Hen. VIII. i. 2, Not friended by his wish. 140

frettes p. 92, l. 1 The Lute ... lack’de bothe stringes, and frettes.

T. of Shrew, ii. She mistook her frets. 1, 148

fustie p. 80, l. 6 Or fill the sacke, with fustie mixed meale.

Tr. and Cr. i. 3, at this fusty stuff, 161

The large Achilles ... laughs out a loud applause.

Gan p. 156, l. 3 At lengthe when all was gone, the pacient gan to see.

Macbeth, i. 2, 54 The thane of Cawdor began a dismal conflict.

Coriol. ii. 2, 112 — the din of war gan pierce his ready sense.

ghoste p. 141, l. 5 Beinge ask’d the cause, before he yeelded ghoste.

1 Hen. VI. i. 1, — cause him once more yield 67 the ghost.

Rich. III. i. 4, — often did I strive to yield 36 the ghost.

ginnes p. 97, l. 3 For to escape the fishers ginnes and trickes.

Twelfth N. ii. 5, Now is the woodcock near the 77 gin.

2 Hen. VI. iii. 1 Be it by gins, by snares.

gladde p. 198, l. 10 And CODRVS had small cates, his harte to gladde.

3 Hen. VI. iv. 6, — did glad my heart with hope. 93

Tit. An. i. 2, 166 The cordial of mine age to glad my heart!

glasse p. 113, l. 6 An acte moste rare, and glasse of true renoume.

Twelfth N. iii. 4, I my brother know yet liuing 363 in my glasse.

C. Errors, v. 1, Methinks you are my glass, and 416 not my brother.

J. Cæs. i. 2, 68 So well as by reflection, I, your glass.

Rich. II. i. 3, Even in the glasses of thine 208 eyes I see thy grieved heart.

glosse p. 219, l. 17 O loue, a plague, thoughe grac’d with gallant glosse.

L. L. Lost, ii. 1, The only soil of his fair 47 virtue’s gloss.

Hen. VIII v. 3, 71 Your painted gloss discovers,—words and weakness.

gripe p. 75, l. 2 Whose liuer still, a greedie gripe dothe rente.

p. 199, l. 1, 2 If then, content the chiefest riches bee,

And greedie gripes, that doe abounde be pore.

Cymb. i. 6, 105 Join gripes with hands made hard with hourly falshood.

Hen. VIII. v. 3, Out of the gripes of cruel 100 men.

guerdon p. 15, l. 10 And shall at lenghte Actæons guerdon haue.

Much Ado, v. 3, 5 Death in guerdon of her wrongs.

1 Hen. VI. iii. 1, — in reguerdon of that duty 170 done.

guide p. 33, l. 5 And lefte her younge, vnto this tirauntes guide.

Timon, i. 1, 244 Pray entertain them; give them guide to us.

Othello, ii. 3, My blood begins my safer 195 guides to rule.

guise p. 159, l. 9 Inquired what in sommer was her guise.

Macbeth, v. 1, 16 This is her very guise; and, upon my life, fast asleep.

Cymb. v. 1, 32 To shame the guise o’ the world.

Hale, hal’de p. 71, l. 2 In hope at lengthe, an happie hale to haue.

p. 37, l. 10 And AJAX gifte, hal’de HECTOR throughe the fielde.

1 Hen. VI. v. 4, Although ye hale me to a 64 violent death.

Tit. An. v. 3, 143 Hither hale that misbelieving Moor.

1 Hen. VI. ii. 5, Even like a man new haled from 3 the rack.

happe p. 147, l. 13 So ofte it happes, when wee our fancies feede.

p. 201, l. 29 Wherefore, when happe, some goulden honie bringes?

T. of Shrew, iv. Hap what hap may, I’ll roundly 4, 102 go about her.

Rom. and J. ii. 2, His help to crave, and my dear 190 hap to tell.

harmes p. 183, l. 7 In marble harde our harmes wee always graue.

1 Hen. VI. iv. 7, My spirit can no longer bear 30. these harms.

Rich. III. ii. 2, None can cure their harms by 103. wailing.

hatche p. 180, l. 9 A wise man then, selles hatche before the dore.

K. John, i. 1, 171 In at the window, or else o’er the hatch.

K. Lear, iii. 6, Dogs leap the hatch and all 71 are fled.

haughtie p. 53, l. 7 In craggie rockes, and haughtie mountaines toppe.

1 Hen. VI. iv. 1, Valiant and virtuous, full of 35 haughty courage.

hauocke p. 6, l. 6 Till all they breake, and vnto hauocke bringe.

J. Cæs. iii. 1, Cry “Havock,” and let slip the 274 dogs of war.

K. John, ii. 1, Wide havock made for bloody 220 power.

heste p. 87, l. 10 And life resigne, to tyme, and natures heste.

Tempest, i. 2, 274 Refusing her grand hests,

Tempest, iii. 1, I have broke your hest to say 37 so.

hidde p. 43, l. 1 By vertue hidde, behoulde, the Iron harde.

Much Ado, v. 1, Adam, when he was hid in the 172 garden.

M. Venice, i. 1, Two grains of wheat hid in two 115 bushels of chaff.

Impe p. 186, l. 14 You neede not THRACIA seeke, to heare some impe of ORPHEVS playe.

p. 19, l. 9. But wicked Impes, that lewdlie runne their race.

2 Hen. IV. v. 5, The heavens thee guard and 43 keep, most royal imp of fame.

L. L. Lost, v. 2, Great Hercules is presented by 581 this imp.

indifferencie p. xiv. l. 29 those that are of good iudgemente, with indifferencie will reade.

K. John, ii. 1, Makes it take head from all 579 indifferency.

2 Hen. IV. iv. 3, An I had but a belly of any 20 indifferency.

ingrate p. 64, l. 3 And those, that are vnto theire frendes ingrate.

T. of Shrew, i. 2, — will not so graceless be, to 266 be ingrate.

1 Hen. IV. i. 3, As this ingrate and canker’d 137 Bolingbroke.

ioye p. 5, l. 5 And bothe, did ioye theire iarringe notes to sounde.

T. of Shrew, Ind. Oh, how we joy to see your wit 2, 76 restored.

2 Hen. VI. iii. 2, Live thou to joy thy life. 364

Kinde p. 49, l. 16 And spend theire goodes, in hope to alter kinde.

p. 178, l. 8 And where as malice is by kinde, no absence helpes at all.

Ant. and C. v. 2, Look you, that the worm will 259 do his kind.

J. Cæs. i. 3, 64 Why birds and beasts, from quality and kind.

As Like it, iii. If the cat will after kind, 2, 93

So, be sure, will Rosalind.

knitte p. 76, l. 2 And knittes theire subiectes hartes in one.

M. N. Dr. iv. 1, These couples shall eternally 178 be knit.

Macbeth, ii. 2, 37 Sleep that knits up the ravell’d sleave of care.

knotte p. 142, l. 10 Yet, if this knotte of frendship be to knitte.

Cymb. ii. 3, 116 To knit their souls ... in self-figur’d knot.

M. Wives, iii. 2, He shall not knit a knot in 64 his fortune.

Launch’de p. 75, l. 11 Which being launch’de and prick’d with inward care.

Rich. III. iv. 4, Whose hand soever lanced their 224 tender hearts.

Ant. and C. v. 1, We do lance diseases in our 36 bodies.

leaue p. 50, l. 5 For noe complaintes, coulde make him leaue to steale.

Tr. and Cr. iii. What some men do, while some 3, 132 men leave to do!

let p. 89, l. 8 But Riuers swifte, their passage still do let.

p. 209, l. 9 But, when that nothinge coulde OPIMIVS sleepinge let.

Hamlet, i. 4, 85 By heaven, I’ll make a ghost of him that lets me.

T. G. Ver. iii. 1, What lets, but one may enter 113 at her window.

like p. xi. 1. 14 if it shall like your honour to allowe of anie of them.

K. Lear, ii. 2, 85 His countenance likes me not.

T. G. Ver. iv. 2, The music likes you not. 54

linke, linckt p. 226, l. 8 Take heede betime: and linke thee not with theise.

p. 133, l. 4 And heades all balde, weare newe in wedlocke linckt.

1 Hen. VI. v. 5, Margaret, he be link’d in 76 love.

Hamlet, i. 5, 55 though to a radiant angel linked.

liste p. 63, l. 3 And with one hande, he guydes them where he liste.

T. of Shrew, iii. Now take them up, quoth he, if 2, 159 any list.

lobbe p. 145, l. 6 Let Grimme haue coales: and lobbe his whippe to lashe.

M. N. Dr. ii, 1, Farewell, thou lob of spirits; 16 I’ll be gone.

lotterie p. 61 Her Maiesties poesie, at the great Lotterie in London.

M. Venice, i. 2, The lottery—in these three 25 chests of gold, silver and lead.

All’s Well, i. 3, — ’twould mend the lottery 83 well.

lustie p. 9, l. 1 A YOUTHEFVLL Prince, in prime of lustie yeares.

As Like it, ii. 3, Therefore my age is as a lusty 52 winter.

T. G. Ver. iv. 2, Let’s tune, and to it lustily 25 a while.

Meane p. 23, l. 12 The meane preferre, before immoderate gaine.

M. Venice, i. 2, 6 It is no mean happiness, therefore, to be seated in the mean.

mid p. 160, l. 1 A Satyre, and his hoste, in mid of winter’s rage.

Rich. III. v. 3, About the mid of night come to 77 my tent.

misliked p. xiv. l. 22 Some gallant coulours are misliked.

2 Hen. VI. i. 1, ’Tis not my speeches that you 135 do mislike.

3 Hen. VI. iv. 1, Setting your scorns and your 24 mislike aside.

misse p. 149, l. 15 Or can we see so soone an others misse.

1 Hen. IV. v. 4, O, I should have a heavy miss 105 of thee.

mockes and mowes p. 169, l. 4 Of whome both mockes, and apishe mowes he gain’d.

Othello v. 2, 154 O mistress, villainy hath made mocks of love!

Cymb. i. 7, 40 — contemn with mows.

motley p. 81, l. 5 A motley coate, a cockes combe, or a bell.

Hen. VIII. Prol. A fellow in a long motley 15 coat, guarded with yellow.

As Like it, ii. 7, I am ambitious for a motley 43 coat.

muskecattes p. 79, l. 1, 2 Heare LAIS fine, doth braue it on the stage,

With muskecattes sweete, and all shee coulde desire.

All’s Well, v. 2, — fortune’s cat,—but not a 18 musk-cat.

Neare p. 12, l. 3 Where, thowghe they toile, yet are they not the neare.

Rich. II. v. 1, 88 Better far off, than—near, be ne’er the near.

newfanglenes p. xiv. l. 19 too much corrupte with curiousnes and newfanglenes.

L. L. Lost, i. 1, Than wish a snow in May’s new 106 fangled shows.

As Like it, iv. 1, — more new-fangled than an 135 ape.

nones p. 103, l. 10 And studentes muste haue pastimes for the nones.

Hamlet, iv. 7, 159 I’ll have prepared him a chalice for the nonce.

1 Hen. IV. i. 2, I have cases of buckram for 172 the nonce.

Occasion p. 181, l. 1 What creature thou? Occasion I doe showe.

K. John, iv. 2, Withhold thy speed, dreadful 125 occasion.

2 Hen. IV. iv. 1, And are enforced from our most 71 quiet there,

By the rough torrent of occasion.

ope p. 71, l. 9 Let Christians then, the eies of faithe houlde ope.

C. Errors, iii. 1, I’ll break ope the gate. 73

2 Hen. VI. iv. 9, Then, heaven, set ope thy 13 everlasting gates.

Packe p. 42, 1. 9 Driue VENVS hence, let BACCHVS further packe.

C. Errors, iii. 2, ’Tis time, I think, to trudge, 151 pack and be gone.

T. of Shrew, ii. If she do bid me pack, I’ll 1, 176 give her thanks.

paine p. 85, l. 8 The Florentines made banishement theire paine.

M. for M. ii. 4, Accountant to the law upon 86 that pain.

Rich. II. i. 3, — against dice upon pain of 153 life.

pelfe p. 198, 1. 8 No choice of place, nor store of pelfe he had.

Timon, i. 2 Immortal gods, I crave no pelf,

I pray for no man but myself.

personage p. 187, l. 8 And dothe describe theire personage, and theire guise.

Twelfth N. i. 5, Of what personage and years is 146 he?

M. N. Dr. iii. 2, And with her personage, her 292 tall personage.

pickthankes p. 150, l. 4 With pickthankes, blabbes, and subtill Sinons broode.

1 Hen. IV. iii. 2, By smiling pick-thanks, and 24 base news mongers.

pikes p. 41, l. 17. And thoughe long time, they doe escape the pikes.

Much Ado, v. 2, 18 You must put in the pikes with a vice.

3 Hen. VI. i. 1, The soldiers should have 244 toss’d me on their pikes.

pill p. 151, l. 4 His subiectes poore, to shaue, to pill, and poll.

Timon, iv. 1, 11 Large handed robbers your grave masters are

And pill by law.

pithie p. x. l. 31 a worke both pleasaunte and pithie.

T. of Shrew, iii. To teach you gamut in a 1, 65 briefer sort,

More pleasant, pithy, and effectual.

poastes p. 39, l. 7 And he that poastes, to make awaie his landes.

Tr. and Cr. i. 3, And posts, like the 93 commandment of a king.

prejudicate p. xiii. l. 44 with a preiudicate opinion to condempne.

All’s Well, i. 2, Wherein our dearest friend 7 prejudicates the business.

proper p. iv. l. 7 that which hee desired to haue proper to him selfe.

M. for M. v. 1, Faults proper to himself: if 110 he had so offended.

purge p. 68, l. 5. When graine is ripe, with siue to purge the seede.

M. N. Dr. iii. 1, I will purge thy mortal 146 grossness so.

Rom. and J. v. 3, And here I stand, both to 225 impeach and purge

Myself condemned and myself excused.

Quaile p. 111, l. 5 No paine, had power his courage highe to quaile.

Ant. and C. v. 2, But when he meant to quail and 85 shake the orb.

3 Hen. VI. ii. 3, This may plant courage in 54 their quailing breasts.

queste p. 213, l. 5 But yet the Moone, who did not heare his queste.

M. for M. iv. 1, Run with these false and most 60 contrarious quests.

C. Errors, i. 1, Might bear him company in the 130 quest of him.

Reaue p. 25, l. 3 Or straunge conceiptes, doe reaue thee of thie rest.

All’s Well, v. 3, To reave her of what should 86 stead her most.

2 Hen. VI. v. 1, To reave the orphan of his 187 patrimony.

rente p. 30, l. 3 What is the cause, shee rentes her goulden haire?

Tit. An. iii. 1, Rent off thy silver hair 261 (note).

2 Hen. VI. i. 1, torn and rent my very heart. 121

ripes p. 23, l. 1 When autumne ripes, the frutefull fieldes of graine.

As Like it, ii. 7, We ripe and ripe and then. 26

2 Hen. IV. iv. 1, He is retired, to ripe his 13 growing fortunes.

roomes p. 186, l. 12 the trees, and rockes, that lefte their roomes, his musicke for to heare.

3 Hen. VI. iii. 2, the unlook’d for issue—take 131 their rooms, ere I can place myself.

Rom. and J. i. 5, — give room! and foot it, 24 girls.

ruthe p. 4, l. 1 Three furies fell which turne the worlde to ruthe.

Rich. II. iii. 4, Rue even for ruth. 106

Coriol. i. 1, 190 Would the nobility lay aside their ruth.

ruthefull p. 13, l. 1 Of NIOBE, behoulde the ruthefull plighte.

3 Hen. VI. ii. 5, O, that my death would stay 95 these ruthful deeds.

Tr. and Cr. v. 3, Spur them to ruthful work, 48 rein them from ruth!

Sauced p. 147, l. 4 He founde that sweete, was sauced with the sower.

Tr. and Cr. i. 2, His folly sauced with 23 discretion.

Coriol. i. 9, 52 — dieted in praises sauced with lies.

scanne p. 95, l. 6 Theise weare the two, that of this case did scanne.

Othello, iii. 3, I might entreat your honour to 248 scan this thing no further.

Hamlet, iii. 3, 75 That would be scann’d; a villain kills my father.

scape p. 24, l. 4 And fewe there be can scape theise vipers vile.

K. Lear, ii. 1, 80 the villain shall not scape.

sillye p. 194, l. 7 For, as the wolfe, the sillye sheep did feare.

3 Hen. VI. ii. 5, — looking on their silly 43 sheep.

Cymb. v. 3, 86 there was a fourth man in a silly habit.

sith p. 109, l. 3 And sithe, the worlde might not their matches finde.

3 Hen. VI. i. 1, Talk not of France, sith thou 110 hast lost it all.

Othello, iii. 3, But, sith I am enter’d in this 415 cause so far.

sithe p. 225, l. 6 For, time attendes with shredding sithe for all.

L. L. Lost, i. 1, That honour which shall bate 6 his scythe’s keen edge.

Ant. and C. iii. I’ll make death love me, for I 13, 193 will contend

Even with his pestilent scythe.

skante p. 199, l. 8 And, whilst wee thinke our webbe to skante.

Ant. and C. iv. 2, Scant not my cups. 21

K. Lear, iii. 2, Return, and force their 66 scanted courtesy.

skap’d p. 153, l. 1 The stagge, that hardly skap’d the hunters in the chase.

3 Hen. VI. ii. 1, I wonder how our princely 1 father scap’d.

Hamlet, i. 3, 38 Virtue itself ’scapes not calumnious strokes.

soueraigne p. 161, l. 8 But that your tonge is soueraigne, as I heare.

Coriol. ii. 1, 107 The most sovereign prescription in Galen is but empyric.

spare p. 60, l. 5 VLYSSES wordes weare spare, but rightlie plac’d.

As Like it, iii. As it is a spare life look 2, 18 you.

2 Hen. IV. iii. 2, O give me the spare men, and 255 spare me.

square p. 140, l. 8 Each bragginge curre, beginnes to square, and brall.

Ant. & C. iii. 13, Mine honesty and I begin to 41 square.

Tit. An, ii. 1, 99 And are you such fools to square for this?

stall’d p. 38, l. 10 And to be stall’d, on sacred iustice cheare.

All’s Well, i. 3, Leave me; stall this in your 116 bosom.

Rich. III. i. 3, Deck’d in thy rights, as thou 206 art stall’d in mine.

starke p. ix. l. 31 whose frendship is frozen, and starke towarde them.

1 Hen. IV. v. 3, Many a nobleman lies stark and 40 stiff.

Rom. and J. iv. 1, Shall stiff, and stark and 103 cold, appear like death.

stithe p. 192, l. 5 For there with strengthe he strikes vppon the stithe.

Hamlet, iii. 2, 78 And my imaginations are as foul as Vulcan’s stithy.

Tr. and Cr. iv. 5, By the forge that stithied 255 Mars his helm.

swashe p. 145, l. 5 Giue PAN, the pipe; giue bilbowe blade, to swashe.

Rom, and J. i. 1, Gregory, remember thy swashing 60 blow.

As Like it, i. 3, We’ll have a swashing and a 116 martial outside.

Teene p. 138, l. 14 Not vertue hurtes, but turnes her foes to teene.

L. L. Lost, iv. 3, Of sighs, of groans, of 160 sorrow, and of teene.

Rom. and J. i. 3, To my teen be it spoken. 14

threate p. 85, l. 11 And eke Sainct Paule, the slothful thus doth threate.

Rich. III. i. 3, What threat you me with 113 telling of the king?

Tit. An. ii. 1, 39 Are you so desperate grown to threat your friends?

Vndergoe p. 223, l. 3 First, vndergoes the worlde with might, and maine.

Much Ado, v. 2, 50 Claudio undergoes my challenge.

Cymb. iii. 5, 110 — undergo those employments.

vnmeete p. 81, l. 12 And fooles vnmeete, in wisedomes seate to sitte.

M. for M. iv. 3, A creature unprepar’d, unmeet 63 for death.

Much Ado, iv. 1, Prove you that any man 181 convers’d with me at hours unmeet.

vnneth p. 209, l. 5, 6 At lengthe, this greedie carle the Lethergie posseste:

That vnneth hee could stere a foote.

2 Hen. VI. ii. 4, Uneath may she endure the 8 flinty streets.

vnperfecte p. 122, l. 10 Behoulde, of this vnperfecte masse, the goodly worlde was wroughte.

Othello, ii. 3, One unperfectness shews me 284 another.

vnrest p. 94, l. 12 It shewes her selfe, doth worke her owne vnrest.

Rich. III. iv. 4, Rest thy unrest on England’s 29 lawful earth.

Rich. II. ii. 4, Witnessing storms to come, woe 22 and unrest.

vnsure p. 191, l. 3 So, manie men do stoope to sightes vnsure.

Macbeth, v. 4, 19 Thoughts speculative their unsure hopes relate.

Hamlet, iv. 4, 51 Exposing what is mortal and unsure.

vnthriftes p. 17, l. 18 And wisedome still, againste such vnthriftes cries.

Rich. II. ii. 3, My rights and royalties—given 120 away to upstart unthrifts.

M. Venice, v. 1, And with an unthrift love did 16 run from Venice.

Wagge p. 148, l. 14 The wanton wagge with poysoned stinge assay’d.

L. L. Lost, v. 2, Making the bold wag by their 108 praises bolder.

W. Tale, i. 2, 65 Was not my lord the verier wag of the two.

weakelinges p. 16, l. 10 Wee weakelinges prooue, and fainte before the ende.

3 Hen. VI. v. 1, And, weakling, Warwick takes 37 his gift again.

wighte p. 24, l. 7 The faithfull wighte, dothe neede no collours braue.

M. Wives, i. 3, 35 I ken the wight: he is of substance good.

Othello, ii. 1, She was a wight, if ever such 157 wight were.

Yerke p. 6, l. 5 They praunce, and yerke, and out of order flinge.

Hen. V. iv. 7, 74 With wild rage, yerk out their armed heels.

Othello, i. 2, 5 I had thought to have yerked him here under the ribs.

younglinge p. 132, l. 20 Before he shotte: a younglinge thus did crye.

T. of Shrew, ii. Youngling! thou canst not love 1, 329 so dear as I.

Tit. An. iv. 2, 93 I tell you, younglings, not Enceladus.

------------------------------------------------------------------------

II.

SUBJECTS OF THE EMBLEM-IMPRESE AND ILLUSTRATIONS, WITH THEIR MOTTOES AND SOURCES.

The * denotes there is no device given in our volume.

DEVICE. PAGE. MOTTO. SOURCE.

Actæon and Hounds 275 _In receptatores Alciat, Emb. 52, sicariorum_ Ed. 1551, p. 60.

276 Ex domino servus Aneau’s _Picta Poesis_, Ed. 1552, f. 41.

277 Voluptas Sambucus, Ed. ærumnosa 1564, p. 128.

278 ” ” Whitney’s Emb. Ed. 1586, p. 15.

Adam hiding in the 416 _Dominus viuit & Whitney’s Emb. Garden videt_ Ed. 1586, p. 229.

416 Vbi es? Montenay’s Emb. Ed. 1584.

416 Vbi es? Stamm Buch, Emb. 65, Ed. 1619, p. 290.

Adam’s Apple. Pl. X. 132 _Vijt Adams Appel Vander Veen’s Sproot Ellende Zinne-beelden, Zonde en Doodt._ Ed. 1642.

Adamant on the Anvil 347 _Qvem nvlla Le Bey de pericvla Batilly’s Emb. terrent_ 29, Ed. 1596.

Æneas bearing 191 _Pietas filiorum Alciat, Emb. Anchises in parentes_ 194, Ed. 1581.

191 ” ” Whitney’s Emb. Ed. 1586, p. 163.

Alciat’s Device 211 _Virtuti fortuna Giovio, Dev. &c. comes_ Ed. 1561.

*Annunciation of the 124 _Fortitudo ejus Drummond’s Virgin Mary Rhodum tenuit_ Scotland, Ed. 1665.

Ants and Grasshopper 149 _Contraria Freitag’s _Myth. industriæ ac Eth._ Ed. 1579, desidiæ præmia._ p. 29.

148 _Dum ætatis ver Whitney’s Emb. agitur: consule Ed. 1586, p. brumæ._ 159.

Ape and Miser’s Gold 128, _Malè parta malè Whitney’s Emb. Ed. 487 dilabuntur_ 1586, p. 169.

486 ” ” Paradin’s _Dev. Her._ Ed. 1562, f. 174.

128 _Ut parta Cullum’s labuntur_ Hawsted, Ed. 1813, p. 159.

486 Symeoni’s Imprese, & c.

Apollo receiving the 379 Poetarum gloria Le Bey de Christian Muse Batilly’s Emb. 51, Ed. 1596.

*Apple-tree on a 123 _Per vincula Drummond’s Thorn crescit_ Scotland, Ed. 1665.

Arion and the 280 _In auaros, vel Alciat, Emb. 89, Dolphin quibus melior Ed. 1581, p. conditio ab 323. extraneis offertur._

280, _Homo homini Whitney’s Emb. 281 lupus_ Ed. 1586, p. 144.

*Arrow through three 123 _Dederit ne viam Drummond’s Birds Casusve Deusve._ Scotland, Ed. 1665.

Arrow wreathed on a 183 _Sola viuit in Paradin’s _Dev. Tomb illo_ Her._ Ed. 1562, f. 30.

126 ” ” Gent. Mag. Nov. 1811, p. 410.

Ass and Wolf 53 _Dyalogus Creaturarum_, Ed. 1480.

54 _Scelesti hominis Apologi Creat. imago, et Ed. 1584, f. 54. exitus._

Astronomer, Magnet, 335 _Mens immota Sambucus’ Emb. and Pole-star. manet_ Ed. 1584, p. 84.

335 ” ” Whitney’s Emb. Ed. 1586, p. 43.

Athenian Coin 8 ΑΘΕ Eschenburg’s Man. Ed. 1844, p. 351.

*Atlas 245 _Sustinet nec Giovio’s fatiscit_ Dialogue, Ed. 1561, p. 129.

Bacchus 247 Ebrietas Boissard’s _Theat. V. H._ Ed. 1596, p. 213.

247, r_Le Microcosme_, 248 Ed. 1562.

248 _In statuam Alciat, Emb. Ed. Bacchi_ 1581, p. 113.

248 ” ” Whitney’s Emb. Ed. 1586, p. 187.

Ban-dog 482 _Canis queritur Sambucus’ Emb. nimium nocere._ Ed. 1599, p. 172.

483 _Feriunt summos Whitney’s Emb. fulmina montes._ Ed. 1586, p. 140.

Barrel full of Holes 332 _Hac illac Paradin’s _Dev. perfluo_ Her._ Ed. 1562, f. 88.

331 Frustrà Whitney’s Emb. Ed. 1586, p. 12.

Bear and Ragged 236 Whitney’s Emb. Staff Ed. 1586, Frontispiece.

Bear, Cub, and Cupid 348 _Perpolet incultum Tronus Cupid. paulatim tempus Ed. about amorem._ 1598, f. 2.

349 Boissard’s Emb. 43, Ed. 1596.

Bees types of a 358 Πῶς λαοῦ πειθήνιου Horapollo, Ed. well-governed βασιλεῖ 1551, p. 87. People.

360 _Principis Alciat, Emb. clementia_ 148, Ed. 1551, p. 161.

Bees types of Love 361 _Patria cuique Whitney’s Emb. for our Native chara_ Ed. 1586, p. Land. 200.

Bellerophon and 299 _Consilio et Alciat, Emb. 14. Chimæra virtute Chimæram Ed. 1581. superare, id est, fortiores et deceptores._

Bible of the Poor, 46 _Ecce virgo Humphrey’s Pl. VI. concipiet et Fac-simile from pariet filium, Pl. 2, &c._ Block-book, 1410–20.

Bird caught by an 130 Speravi et perii Cullum’s Oyster (see Hawsted, Ed. Mouse). 1813.

*Bird in Cage and 124 _Il mal me preme Drummond’s Hawk. et me spaventa a Scotland, Ed. Peggio._ 1665.

Block Book, 46 _Ecce virgo Humphrey’s specimens. Pl. VI. concipiet et Fac-simile from pariet filium, Pl. 2, &c._ Block-book, 1410–20.

Pl. VII. 49 _Conversi ab Tracings idolis, &c._ photo-lithed from _Hist. S. Joan. Euang._ About 1430.

Pl. VIII. 49 _Datæ sunt Tracings muliebri duæ alæ photo-lithed aquitæ, &c._ from _Hist. S. Joan. Euang._ About 1430.

Block Print. Pl. XV. 407 _Seven ages of Archæologia, man_ vol. xxxv., 1853, p. 167, a print from original in Brit. Museum.

Brasidas and his 195 _Perfidvs Aneau’s _Picta Shield familiaris_ Poesis_, Ed. 1552, p. 18.

195 Whitney’s Emb. Ed. 1586, p. 141.

Brutus, Death of 202 _Fortuna virtutem Alciat, Emb. superans._ 119, Ed. 1581, p. 430.

202 ” ” Whitney’s Emb. Ed. 1586, p. 70.

Butterfly and 151 _Cosi vino piacer Paradin’s _Dev. Candle. conduce à Her._ Ed. 1562. morte._

152 _La guerre doulce Corrozet’s aux Hecatomg. Ed. inexperimentez._ 1540.

152 Brevis et damnosa Camerarius, Ed. voluptas. 1596.

152 ” ” Vænius’ _Emb. of Love_, Ed. 1680, p. 102.

152 Breue gioia Vænius’ _Emb. of Love_, Ed. 1608, p. 102.

153 D’amor soverchio Symeoni’s Imprese, Ed. 1561.

*Camel and his 283 Homo homini Deus Cousteau’s Driver. Pegma, Ed. 1555, p. 323.

*Camomile trodden 124 _Fructus calcata Drummond’s down. dat amplos._ Scotland, Ed. 1665.

Cannon bursting 344 Beza’s Emb. 8; Ed. 1580.

Canoness (see Nun) 469

Cebes, Tablet of 12 _Picture of Human Ed. Life_ “Francphordio,” anno 1507.

Pl. I. 13 ” ” Ed. Berkeli, 1670, De Hooghe.

Pl. I.b. 68 ” ” Old Woodcut.

Chaos 448 Il Caos Symeoni’s Ovid, Ed. 1559, p. 12.

ΧΑΟΣ 449 _Sine ivstitia Aneau’s _Picta confvsio. Poesis, Ed. 1551. p. 49.

450 ” ” Whitney’s Emb. Ed. 1586, p. 122.

Chess an Emblem of 320 _La fin nous faict Perriere’s _Th. Life. tous egaulx_ Bons Engins_, 27; Ed. 1539.

321 ” ” Corrozet’s Hecatomg. Ed. 1540

Child and motley 484 _Fatuis leuia Whitney’s Emb. Fool commitito._ Ed. 1586, p. 81.

484 ” ” Sambucus.

Chivalry, Wreath of 169 (see Wreath).

Christian Love 32 Vænius’ _Amoris presenting the Div. Emb._ Ed. Soul to Christ. 1615. Pl. II.

Circe transforming 250 _Cauendum à Alciat, Emb. 76, Ulysses’ men. meretricibus_ Ed. 1581, p. 184.

250 _Homines Whitney’s Emb. voluptatibus Ed. 1586, p. 82. transformantur._

252 _Improba Siren Reusner’s Emb. desidia_ Ed. 1581, p. 634.

*Cleopatra applying 131 Chimneypiece, the Asps. Lower Tabley Hall.

*Conscience, Power 420 _Hic murus aheneus Emb. of Horace, of esto_ Ed. 1612, pp. 58 and 70.

Countryman and Viper 197 _Maleficio Freitag’s _Myth. beneficium Eth._ Ed. 1579. compensatum_

198 Merces anguina Reusner’s Emb. Ed. 1581, p. 81.

199 _In sinu alere Whitney’s Emb. serpentem_ Ed. 1586, p. 189.

Crab and Butterfly 15 Festina lente Symeoni’s Dev. Ed. 1561, p. 218.

Creation and 35 _La creatione & Symeoni’s Ovid, Confusion. Pl. confusione del Ed. 1559, p. 13. III. mondo._

Crescent Moon 127 _Donec totem Iovio’s _Dial. des impleat orbem_ Dev._ Ed. 1561, p. 25.

123 ” ” Drummond’s Scotland, Ed. 1655.

*Crossbow at full 126 _Ingenio superat Gent. Mag. Nov. stretch. vires_ 1811, p. 416.

Crowns of Victory 221 (see Wreaths, Four).

*Crowns, Three, one on the Sea. 124 Aliamque moratur Drummond’s Scotland, Ed. 1655.

*Crucifix and 123 Undique Drummond’s kneeling Queen. Scotland, Ed. 1655.

Cupid and Bear 348 (see Bear, Cub, and Cupid).

Cupid and Death 401 _De morte et Whitney’s Emb. amore: Iocosum_ Ed. 1586, p. 132.

401 ” ” Alciat, Emb. Ed. 1581.

403 _De Morte et Peacham’s Min. Cvpidine_ Ed. 1612, p. 172.

Cupid blinded, 329 Perriere’s _Th. holding a Sieve. Bons Engins_, 1539, p. 77.

*Cupid felling a 324 “By continuance” Vænius, Ed. 1608, Tree. p. 210.

Daphne changed to a 296 Aneau’s _Picta Laurel. Poesis_, Ed. 1551, p. 47.

Dedication page. v Alciat’s Emb. Ed. 1661, Title-page.

Diana. 3 _Qvodcvnqve petit, Symeoni’s Ovid, conseqvitvr_ Ed. 1559, p. 2.

Diligence and 145 Perriere’s _Th. Idleness. Bons Engins_, Ed. 1539, Emb. 101.

146 _Otiosi semper Whitney’s Emb. egentes_ Ed. 1586, p. 175.

Dog baying at the 270 Beza’s Emb. Ed. Moon. 1580, Emb. 22.

269 Inanis ineptis Alciat, Emb. 164, Ed. 1581, p. 571.

269 ” ” Whitney’s Emb. Ed. 1586, p. 213.

270 _Despicit alta Camerarius, Ed. Canis_ 1595, p. 63.

Dolphin and Anchor. 16# Propera tarde Symeoni’s Imprese, Ed. 1574, p. 175.

16 Giovio’s Dialogo, Ed. 1574, p. 10.

D. O. M. 464 _Domino Optimo Whitney’s Emb. Maximo_ Ed. 1586, Frontispiece.

*Doves and winged 245 Corrozet’s Cupid. Hecatomg. Ed. 1540, f. 70.

Drake’s Ship. 413 Auxilio diuino Whitney’s Emb. Ed. 1586, p. 203.

Eagle renewing its 368 _Renovata Camerarius, Emb. Feathers. ivventvs_ 34, Ed. 1596.

*Eclipses of Sun and 124 _Ipsa sibi lumen Drummond’s Moon. quod invidet Scotland, Ed. aufert._ 1665.

Elephant and 196 _Nusquam tuta Sambucus’ Emb. undermined Tree. fides_ Ed. 1564, p. 184.

196 ” ” Whitney’s Emb. Ed. 1586, p. 150.

Elm and Vine 307 _Amicitia etiam Alciat, Emb. post mortem 159, Ed. 1581, durans._ p. 556.

307 ” ” Whitney’s Emb. Ed. 1586, p. 62.

308 ” ” Camerarius, Ed. 1590, p. 36.

Envy 432 _Inuidiæ Whitney’s Emb. descriptio_ Ed. 1586, p. 94

431 ” ” Alciat, Emb. 71, Ed. 1581.

Falconry 366 _Sic maiora Giovio’s _Sent. cedvnt_ Imprese_, Ed. 1562, p. 41.

Fame armed with a 446 _Pennæ gloria Whitney’s Emb. Pen. immortalis_ Ed. 1586, p. 197.

446 ” ” Junius, Ed. 1565.

Fardel on a Swimmer 480 _Auri sacra fames Whitney’s Emb. quid non?_ Ed. 1586, p. 179.

481 Perriere’s _Th. Bons Engins_, Ed. 1539, p. 70.

February 135 _Iddio, perche è Spenser’s Works, uecchio, Fa suoi Ed. 1616. al suo essempio._

Fleece, Golden, and 229 Diues indoctus Alciat, Emb. Phryxus. 189, Ed. 1581.

229 _In diuitem Whitney’s Emb. indoctum_ Ed. 1586, p. 214.

Fleece, Golden, 228 _Precium non vile Paradin’s _Dev. Order of. laborum_ Her._ Ed. 1562, f. 25.

*Flourishes of Arms, 124 _Dabit Deus his Drummond’s &c. quoque finem_ Scotland, Ed. 1665.

*Forehead measured 129 _Fronte nulla Cullum’s by Compasses. fides_ Hawsted, Ed. 1813.

129 ” ” Whitney’s Emb. Ed. 1586, p. 100.

129 ” ” Sambucus, Emb. Ed. 1564, p. 177.

Forehead shows the 129 _Frons hominem Symeoni’s _Dev. Man. præfert_ Her._ Ed. 1561, p. 246.

Fortune 261 _L’ymage de Corrozet’s fortune_ Hecatomg. Ed. 1540, Emb. 41.

Fox and Grapes 310 _Ficta eius quod Freitag’s _Myth. haberi nequit Eth._ Ed. 1579, recusatio._ p. 127.

310 _Stultitia sua Faerni’s Fables, seipsum Ed. 1583. saginari_

311 ” ” Whitney’s Emb. Ed. 1586, p. 98.

Gem in a Ring of 418 _Beaulté compaigne Corrozet’s Gold de bonté._ Hecatomg. Ed. 1540, p. 83.

Gemini 355 _Tratta della Brucioli, Ed. Sphera_ Venice, 1543.

Gold on the 175 _Sic spectanda Paradin’s _Dev. Touchstone fides_ Her._ Ed. 1562, f. 100.

178 ” ” Whitney’s Emb. Ed. 1586, p. 139.

177 _Pecunia sanguis Crispin de Passe, et anima about 1589. mortalium._

Good out of Evil 447 Ex malo bonum Montenay, Ed. 1574.

Halcyon days (see 391 King-fisher).

Hands of Providence. 489 _Dominus pauperem Coornhert, Ed. Pl. XVI. facit, et 1585, p. 6. ditat._

Hares biting a dead 305 _Cum laruis non Whitney’s Emb. Lion luctandum._ Ed. 1586, p. 127.

305 ” ” Alciat, Emb. 153, Ed. 1581.

306 ” ” Reusner’s Emb. Ed. 1581.

Harpocrates guarding 208 Silentium Whitney’s Emb. his Mouth Ed. 1586, p. 61.

209 _The Goddess Pegma, Ed. 1555, Ageniora_ p. 109.

Hawk on Mummy-case 26 Πῶς δηλοῦσι ψυχήν Cory’s Horapollo Ed. 1840, p. 15.

Hen eating her own 411 Quæ ante pedes Whitney’s Emb. Eggs Ed. 1586, p. 64.

411 ” ” Sambucus, Emb. Ed. 1564, p. 30.

Hives of Bees (see 358, Bees). &c.

Hope and Nemesis 182 _Illicitum non Whitney’s Emb. sperandum_ Ed. 1586, p. 139.

Hydra slain by 374 _Multiplication de Corrozet’s Hercules proces_ Hecatomg. Ed. 1540.

Icarus and his ill 288 In astrologos Alciat, Emb. Fortune. 103. Ed. 1581.

288 ” ” Whitney’s Emb. Ed. 1586, p. 28.

289 _Faire tout par Corrozet’s moyen_ Hecatomg. Ed. 1540, Emb. 67.

Idiot-Fool, and 472 Holbein’s _Imag. Death Mortis_, Lyons, 1547.

*Introductory Lines 464 Whitney. (see D. O. M.).

Inverted Torch 171 _Qvi me alit me Symeoni’s _Sent. extingvit_ Imprese_, 1561, p. 35.

Inverted Torch 173 _Qvi me alit me Paradin’s _Dev. extingvit_ Her._ Ed. 1562, f. 169.

173 ” ” Whitney’s Emb. Ed. 1586, p. 183.

*Jackdaw in 313 _Qvod sis esse Camerarius, Ed. Peacock’s velis_ 1596, Emb. 81. Feathers.

Janus, Double-headed 139 Prudentes Alciat, Ed. 1581, p. 92.

139 _Respice, et Whitney’s Emb. prospice_ Ed. 1586, p. 108.

140 Perriere’s _Th. Bons Engins_, Ed. 1539.

John, St. 49 Block-book, (Apocalypse). Pl. about 1430. VIII.

John, St., the 49 Block-book, Evangelist, about 1430. History of. Pl. VII.

June 136 Spenser’s Works, Ed. 1616.

King-fisher, Emblem 392 _Novs scavons bien Giovio’s _Sent. of Tranquillity. le temps_ Imprese_, Ed. 1561, p. 107.

125 _Mediis Drummond’s tranquillus in Scotland, Ed. undis._ 1665.

Lamp burning 456 Quo modo vitam Horapollo, Ed. 1551, p. 220.

Laurel, Safety 422 _Conscientious Sambucus, Emb. against integra, laurus_ Ed. 1564, p. 14. Thunderbolts.

423 _Murus æneus, sana Whitney’s Emb. conscientia._ Ed. 1586, p. 67.

423 Camerarius, Ed. 1590, p. 35.

*Leafless Trees and 128 Jam satis Paradin’s _Dev. Rainbow. Her._ Ed. 1562, f. 38.

128 Cullum’s Hawsted, Ed. 1813.

*Lion and Whelp 124 _Unum quidem, sed Drummond’s leonem_ Scotland, Ed. 1665.

*Lion in a Net, and 124 _Et lepores Drummond’s Hares. devicto Scotland, Ed. insultant 1665. leone._

Loadstone (see 335 Astronomer).

*Loadstone towards 123 _Maria Stuart, sa Drummond’s the Pole. virtu m’attire._ Scotland, Ed. 1665.

*Lotterie in London, 208 Video, et taceo Whitney’s Emb. 1568. Ed. 1586, p. 62.

*Lucrece 131 Lower Tabley Old Hall, 1619.

Macaber, Dance of 39 MS. of the 14th (see Brunet’s century. Manuel, vol. v. c. 1559–60).

*Man measuring his 129 _Fronte nulla Cullum’s Forehead. fides_ Hawsted, Ed. 1813.

Man swimming with a 480 Burden (see Fardel on a Swimmer).

Map of inhabited 351 Partium τῆς Sambucus’ Emb. World. οἰκουμένης Ed. 1564, p. symbola. 113.

Medeia and the 189 _Ei qui semel sua Alciat, Emb. 54, Swallows. prodegerit, Ed. 1581. aliena credi non oportere._

190 ” ” Whitney’s Emb. Ed. 1586, p. 33.

Mercury and Fortune. 255 _Ars Naturam Alciat, Emb. Ed. adiuuans_ 1551, p. 107.

Mercury charming 123 _Eloquium tot Drummond’s Argus. lumine clausit._ Scotland, Ed. 1665.

Mercury mending a 256 _Industria naturam Sambucus’ Emb. Lute. corrigit._ Ed. 1564, p. 57.

256 ” ” Whitney’s Emb. Ed. 1586, p. 92.

Michael, St., Order 227 _Immensi tremor Paradin’s _Dev. of Oceani_ Her._ Ed. 1562, p. 12.

*Milo caught in a 344 _Qvibvs rebvs Le Bey de Batilly, Tree confidimvs, iis Ed. 1596, Emb. maxime 18. evertimvs._

Moth and Candle 151 (see Butterfly).

Motley Fool (see 484 Child).

Mouse caught by an 130 _Captiuus ob Alciat, Emb. 94, Oyster. gulam_ Ed. Paris, 1602, p. 437.

130 ” ” Whitney’s Emb. Ed. 1586, p. 128.

130 Freitag’s _Myth. Eth._ Ed. 1579, p. 169.

Narcissus viewing 294 Φιλαυτία Alciat, Emb. 69, himself. Ed. 1581, p. 261.

295 Amor sui Whitney’s Emb. Ed. 1586, p. 149.

295 _Contemnens alios, Aneau’s _Picta arsit amore Poesis_, Ed. sui._ 1552, p. 48.

Nemesis and Hope 182 (see Hope).

Niobe’s Children 292 Superbia Alciat, Emb. 67. slain Ed. 1581, p. 255.

293 Superbiæ vltio Whitney’s Emb. Ed. 1586, p. 13.

Nun or Canoness 469 Holbein’s _Simulachra, &c._, Sign. liiij. 1538.

Oak and Reed, or 315 _Vincit qui Whitney’s Emb. Osier. patitur_ Ed. 1586, p. 220.

314 Εἴξας νικᾶ, or Junius’ Emb. Ed. _victrix animi 1565. equitas_.

Occasion. Pl. XII. 265 _Dum Tempus David’s Occasio, labitur, Ed. 1605. p. Occasionem 117. fronte capillatam remorantur._

Occasion, or 259 In occasionem. Alciat, Emb. Ed. Opportunity. Διαλογιστικῶς. 1551, p. 133.

260 ” ” Whitney’s Emb. Ed. 1586, p. 181.

258 Perriere’s _Th. Bons Engins_, Ed. 1539.

261 _L’image Corrozet’s d’occasion_ Hecatomg. Ed. 1540, p. 84.

Olive and Vine 249 (see Vine).

Order, &c. (see 228 Fleece, Golden, and

Michael, St., Order 227 of).

Orpheus and Harp 271 _La force Cousteau’s d’eloquence_ Pegme, Ed. 1560, p. 389.

272 _Musicæ, et Reusner’s Emb. poeticæ vis_ Ed. 1581, p. 129.

272 Orphei musica Whitney’s Emb. Ed. 1586, p. 186.

Ostrich eating Iron 233 _Spiritus Giovio’s _Sent. durissima Imprese_, Ed. coquit_ 1561, p. 115.

234 ” ” Camerarius, Emb. Ed. 1595, p. 19.

126 ” ” Gent. Mag. Nov. 1811, p. 416.

Ostrich with 370 _Nil penna, sed Paradin’s _Dev. outspread Wings. usus_ Her._ Ed. 1562, f. 23.

370 ” ” Whitney’s Emb. Ed. 1586, p. 51.

Palm Tree 124 _Ponderibus virtus Drummond’s innata Scotland, Ed. resistit._ 1665.

Pegasus 141 _Ars rhetor, Bocchius, Symb. triplex movet, 137, Ed. 1555, &c._ p. 314.

143 _Non absque Reusner’s Emb. Theseo_ Ed. 1581, p. 1.

Pegasus (see 299 Bellerophon).

Pelican and Young 393 ΠΕΡΙ ΤΗΣ ΠΕΛΕΚΑΝΟΣ Epiphanius, S., Ed. 1588, p. 30.

394 _Pro lege et Reusner’s Emb. grege_ Ed. 1581, p. 73.

394 ” ” Camerarius, Ed. 1596, p. 87.

395 _Quod in te est, Junius’ Emb. 7, prome_ Ed. 1565.

395 ” ” Whitney’s Emb. Ed. 1586, p. 87.

Phaeton and the 285 In temerarios Alciat, Emb. 56, Sun’s Chariot. Ed. 1551.

284 _Phaethontis Plantinian Ovid, casvs_ Ed. 1591, pp. 46–9.

281 _Fetonte fulminato Symeoni’s Ovid, da Gioue_ Ed. 1559, p. 34.

Phœnix, Emblem of 381 _Juuenilia studia Freitag’s Myth. New Birth, &c. cum prouectiori Eth. Ed. 1579, ætate p. 249. permutata._

123 En ma fin git mon Drummond’s commencement. Scotland, Ed. 1665.

Phœnix, Emblem of 23 Πῶς ψυχὴν ἐνταῦθα Horapollo, Ed. Duration πολὺν χρόνον 1551, p. 52. διαβέβουσαν.

Phœnix, Emblem of 234 _Sola facta solum Paradin’s _Dev. Loneliness. Deum sequor_ Her._ Ed. 1562, f. 165.

235 _Sola facta solvm Giovio’s _Sent. Devm seqvor_ Imprese_, Ed. 1561.

Phœnix, Emblem of 385 _Vnica semper Paradin’s _Dev. Oneliness. auis_ Her._ Ed. 1562, f. 53.

385 ” ” Reusner’s Emb. Ed. 1581, p. 98.

387 ” ” Whitney’s Emb. Ed. 1586, p. 177.

Phœnix with two 384 _Eadem inter se. Hawkin’s ΠΑΡΘΕΝΟΣ, Hearts. Sunt eadem vni Ed. 1633. tertia._

Phryxus (see 229 Fleece, Golden).

*Pilgrim travelling 128 _Dum transis, Cullum’s time_ Hawsted, Ed. 1813.

Pine-trees in a 476 _Nimium rebus ne Whitney’s Emb. Storm fide secundis._ Ed. 1586, p. 59.

475 ” ” Sambucus’ Emb. Ed. 1569 p. 279.

Poets, Insignia of 218 (see Swan).

Porcupine 231 _Cominvs et Giovio’s _Sent. eminvs_ Imprese_, Ed. 1561, p. 56.

124 Ne volutetur Drummond’s Scotland, Ed. 1665.

*Portcullis 124 Altera securitas Drummond’s Scotland, Ed. 1665.

Progne, or Procne 193 _Impotentis Aneau’s _Picta Vindictæ Fœmina_ Poesis_, Ed. 1552, p. 73.

Prometheus chained 266 _Quæ supra nos, Alciat, Emb. nihil ad nos._ 102, Ed. 1551.

267 _Cvriositas Aneau’s _Picta Fvgienda_ Poesis_, Ed. 1552, p. 90.

267 Microcosme, Ed. 1579, p. 5.

268 _O vita, misero Reusner’s Emb. longa_ Ed. 1581, p. 37.

268 ” ” Whitney’s Emb. Ed. 1586, p. 75.

Providence and 413 Girdle (see Drake’s Ship).

*Pyramid and Ivy 124 Te stante virebo Drummond’s Scotland, Ed. 1665.

Various Authors.

Quivers of Cupid and 401 Death (see Cupid and Death).

*Rock in Waves 125 _Rompe ch’il Drummond’s percote_ Scotland, Ed. 1665.

Rose and Thorn 333 _Post amara Whitney’s Emb. dulcia_ Ed. 1586, p. 165.

332 ” ” Perriere’s _Th. Bons Engins_, Ed. 1539, Emb. 30.

333 _Armat spina Otho Vænius, Ed. rosas, mella 1608, p. 160. tegunt apes._

Ruins and Writings 443 Scripta manent Whitney’s Emb. Ed. 1586, p. 131.

442 Costalius’ Pegma, Ed. 1555, p. 178.

Salamander 126 _Nvtrisco et Jovio’s extingvo_ Dialogue, Ed. 1561, p. 24.

123 ” ” Drummond’s Scotland, Ed. 1665.

Satan, Fall of. Pl. 133 Lapsvs Satanæ Boissard’s XI. Theatrum, Ed. 1596, p. 19.

Sepulchre and Cross 183 & (see Arrow 126 wreathed).

Serpent and 197 _Maleficio Freitag’s _Myth. Countryman (see beneficium Eth_. Ed. 1579, Countryman). compensatum._ p. 177.

*Serpent and 198 Merces anguina Reusner’s Emb. Countryman. Ed. 1581, p. 81.

*Serpent in the 199 _In sinu alere Whitney’s Emb. Bosom serpentem_ Ed. 1586, p. 189.

Seven Ages of Man. 407 _Rota vitæ que Archæologia, Pl. XV. septima vol. xxxv. 1853, notatur._ p. 167.

*Shadows Fled and 468 _Mulier vmbra Whitney’s Emb. Pursued. viri_ Ed. 1586, p. 218.

Shield, 195 Untrustworthy (see Brasidas and his Shield).

Ship on the Sea. 125 Durate Drummond’s Scotland, Ed. 1665.

Ship tossed by the 435 _Res humanæ in Sambucus’ Emb. Waves. summo Ed. 1564, p. 46. declinans._

435 ” ” Whitney’s Emb. Ed. 1586, p. 11.

Ship sailing forward 436 _Constantia comes Whitney’s Emb. victoriæ_ Ed. 1586, p. 137.

436 ” ” Alciat, Emb. 43, Ed. 1581.

*Ship with Mast 124 _Nusquam nisi Drummond’s overboard rectum_ Scotland. Ed. 1665.

Sieve held by Cupid 329 (see Cupid).

Sirens and Ulysses 253 Sirenes Alciat, Emb. Ed. 1551.

254 ” ” Whitney’s Emb. Ed. 1586, p. 10.

Skull, human 337 _Ex Maximo Aneau’s _Picta Minimvm_ Poesis_, Ed. 1552, p. 55.

338 ” ” Whitney’s Emb. Ed. 1586, p. 229.

Snake fastened on 342 Quis contra nos? Paradin’s _Dev. the Finger. Her._ Ed. 1562, f. 112.

342 _Si Deus nobiscum, Whitney’s Emb. Ed. quis contra 1586, p. 166. nos?_

126 Quis contra nos? Gent. Mag. Nov. 1811, p. 416.

Snake in the Grass 340 _Latet anguis in Paradin’s _Dev. herba_ Her._ Ed. 1562, f. 41.

340 ” ” Whitney’s Emb. Ed. 1586, p. 24.

Speculum,— 44 _Speculum humanæ An exact MS. copy Photoliths in salvationis. in the small size_. Pl. collection of H. IV. and V. Yates Thompson, Esq.

Stag wounded 398 _Esto tiene sv Giovio and remedio y non Symeoni’s _Sent. yo. Imprese, Ed. 1561.

398 _Esto tienne su Paradin’s _Dev. remedio, y non Her._ Ed. 1562, yo._ f. 168.

399 _Vvlnvs, salvs et Camerarius, Ed. vmbra_ 1595, Emb. 69, p. 71.

Star, Hieroglyphic 25 Τί ἀστέρα Leeman’s γράφοντες Horapollo, Ed. δηλοῦσι. 1835, Fig. 31.

25 ” ” Cory’s Horapollo, Ed. 1840, p. 30.

Storks, their Purity 28 Epiphanius, S., and Love. Ed. 1588, p. 106.

Student entangled in 441 _In studiosum Whitney’s Emb. Love. captum amore._ Ed. 1586, p. 135.

441 ” ” Alciat, Emb. 108, Ed. 1581.

Sun and Moon 52 De sole et luna Dyal. Creat. Lyons Ed. 1511.

*Sun in Eclipse 124 _Medio occidet Drummond’s die_ Scotland, Ed. 1665.

Sun Setting 323 _Tempus omnia Whitney’s Emb. terminat_ Ed. 1586, p. 230.

Sun, Wind, and 165 _Plus par doulceur Corrozet’s Traveller. que par force._ Hecatomg. Ed. 1540, Emb. 28.

166 _Moderata vis Freitag’s _Myth. impotenti Eth._ Ed. 1579, violentia p. 27. potior._

Swan, Insignia of 218 _Insignia Alciat, Emb. Ed. Poets. poëtarum_ 1551, p. 197.

217 ” ” Whitney’s Emb. Ed. 1586, p. 126.

Swan (Old Age 215 Facvnda senectvs Aneau’s _Picta eloquent). Poesis_, Ed. 1552, p. 28.

Swan (Pure Truth) 216 _Simplicitas veri Reusner’s Emb. sana_ Ed. 1581, p. 91.

217 _Sibi canit et Camerarius, Ed. orbi_ 1595, Emb. 23.

Swan singing at 213 Πῶς γέροντα Horapollo, Ed. Death μουσικόν 1551, p. 136.

Sword broken on an 326 Perriere’s _Th. Anvil. Bons Engins_, Ed. 1539, p. 31.

327 _Importunitas Whitney’s Emb. euitanda_ Ed. 1586, p. 192.

*Sword to weigh Gold 124 _Quid nisi victis Drummond’s dolor_ Scotland, Ed. 1665.

Sword with a Motto 138 _Si Fortune me Douce’s Illustr. tourmente vol. i. p. 452. L’Esperance me contente._

Testing of Gold 173 (see Gold on Touchstone).

Theatre of Human 405 _Theatrum omnium Boissard’s Life. miserarium._ Theatrum, 1596. Pl. XIV.

Things at our Feet 411 (see Hen eating her Eggs).

Thread of Life. 454 _Quo pacto mortem Horapollo, Ed. seu hominis 1551, p. 219. exitum_.

Time flying, &c. 466 _Quæ sequimur Sambucus, Ed. fugimus, nosque 1564. fugiunt_.

467 Whitney’s Emb. Ed. 1586, p. 199.

Time leading the 491 _Tempus Vænius, _Emb. Seasons, and of irrevocabile_ Hor._ Ed. 1612, Eternity a Symbol. p. 206. Pl. XVII.

Timon. 427 Μισάνθροπος Τίμων Sambucus, Ed. 1564.

Title-page, 57 Navis stultorum Brant’s and _Photolith Locher’s _Navis fac-simile. Pl. stultifera, Ed. IX. 1497.

*Tongue with Bats’ 128 Quò tendis? Cullum’s Hawsted, Wings. Ed. 1813.

128 ” ” Paradin’s _Dev. Her._ Ed. 1562, f. 65.

Torch (see 171 Inverted Torch).

Tree of Life (see 183 Arrow wreathed).

*Tree planted in a 124 _Pietas revocabit Drummond’s Churchyard. ob orco_ Scotland, Ed. 1665.

*Triangle, Sun, 124 _Trino non Drummond’s Circle convenit orbis_ Scotland, Ed. 1665.

*Trophy on a Tree, 124 Ut casus dederet Drummond’s &c. Scotland, Ed. 1665.

Turkey and Cock. 357 _Jus Freitag’s _Myth. hospitalitatis Eth._ Ed. 1579, violatum_ p. 237.

357 Rabie svccensa Camerarius, Ed. tvmescit 1596, Emb. 47.

Unicorn, Type of 371 _Victrix casta Reusner’s Emb. Faith undefiled. fides_ Ed. 1581, p. 60.

372 Nil inexplorato Camerarius, Ed. 1595, Emb. 12.

372 _Hoc virtutis Camerarius, Ed. amor_ 1595, Emb. 13.

372 _Pretiosum quod Camerarius, Ed. utile_ 1595, Emb. 14. pp. 14–16.

*Venus dispensing 328 _Amoris Van Veen’s Emb. Cupid from his ivsivrandvm of Love, p. 140. Oaths. pœnam non habet_.

Vine and Olive. 249 _Prudentes vino Whitney’s Emb. abstinent_ Ed. 1586, p. 133.

249 ” ” Alciat, Emb. 24, Ed. 1602, p. 164.

*Vine watered with 124 _Mea sic mihi Drummond’s Wine. prosunt_ Scotland, Ed. 1665.

*Waves and Siren 125 Bella Maria Drummond’s Scotland, Ed. 1665.

*Waves, with Sun 125 _Nunquam Drummond’s over siccabitur æstu_ Scotland, Ed. 1665.

Wheat among Bones 184 Spes altera vitæ Camerarius, Ed. 1595, p. 102.

184 ” ” Paradin’s Dev. Her. Ed. 1562.

Wheel rolling into 124 _Piena di dolor Drummond’s the Sea. voda de Scotland, Ed. Sperenza._ 1665.

Wings and Feathers 124 _Magnatum Drummond’s scattered vicinitas_ Scotland, Ed. 1665.

World, 351 Three-cornered (see Map, &c.).

Wreath of Chivalry 169 _Me pompæ prouexit Paradin’s _Dev. apex_ Her._ Ed. 1562, f. 146.

Wreath of Oak 224 _Seruati gratia Paradin’s _Dev. ciuis_ Her._ Ed. 1562, f. 147.

Wreaths, Four on a 221 _Fortiter et Whitney’s Emb. Spear. feliciter_ Ed. 1586, p. 115.

222 _His ornari avt Camerarius, Ed. mori_ 1590, Emb. 99.

Wrongs engraved on 457 _Scribit in Giovio and Marble. marmore læsus_ Symeoni’s _Sent. Imprese_, Ed. 1562, p. 24.

458 ” ” Paradin’s _Dev. Her._ Ed. 1562, f. 160.

460 ” ” Whitney’s Emb. Ed. 1586, p. 183.

Zodiac, signs of. 353 _Trattato della Brucioli, Ed. Pl. XIII. sphera_ Venetia, 1543, Title.

------------------------------------------------------------------------

III.

REFERENCES TO PASSAGES FROM SHAKESPEARE, IN THE ORDER OF THE PLAYS AND POEMS OF MACMILLAN’S EDITION, 1866, AND TO THE CORRESPONDING DEVICES AND SUBJECTS OF THE EMBLEMS TREATED OF IN THIS WORK.

N. B. The subjects printed in italics have no corresponding device.

THE TEMPEST

VOL. PAGE. ACT. SC. LINE. DEVICE OR SUBJECT. PAGES.

I. 20 I. 2 387 Appreciation of 116 music

36 II. 2 7 Ape and miser’s gold 488

48 III. 2 135 Hands of Providence. 489 Plate XVI.

50 III. 3 21 Unicorn 373

50 III. 3 21 Phœnix 373, 385

50 III. 3 22 Phœnix, type of 234, 236 oneliness

53 III. 3 95 Laurel, type of 422, 424 conscience

54 IV. 1 1 Thread of life 454, 455

57 IV. 1 110 Diligence and idleness 145, 146

64 V. 1 21 rarer action in v462# virtue

THE TWO GENTLEMAN OF VERONA.

I. 112 II. 6 24 a swarthy Ethiope 162

121 III. 1 153 Phaeton 285, 286

129 III. 2 68 Orpheus and harp 273, 274

135 IV. 2 38 Gem in ring of gold 418, 419

143 IV. 4 87 The Fox and Grapes 310, 312

THE MERRY WIVES OF WINDSOR.

I. 177 I. 3 64 East and West Indies 351, 352

186 II. 1 106 Actæon and hounds 275, 276

190 II. 2 5 Gemini,—Zodiac. Plate 353, 355 XIII.

196 II. 2 187 Shadows fled and 466, 468 followed

MEASURE FOR MEASURE.

I. 296 I. 1 28 Hen eating her own 411, 412 eggs

303 I. 2 158 Zodiac, signs of. 353, 354 Plate XIII.

324 II. 2 149 Gold on the touchstone 175, 180

327 II. 4 1 Student entangled in 441 love

334 III. 1 6 Idiot-fool, and death, 472 Holbein’s Simulachres

334 III. 1 17 Sleep and death, 469, 470 Holbein’s Simulachres

340 III. 1 175 Gem in ring of gold 417, 418

THE COMEDY OF ERRORS.

I. 411 II. 1 97 Eagle renewing its 369 feathers

417 II. 2 167 Elm and vine 307, 309

425 III. 2 27 Sirens and Ulysses 253, 254

429 III. 2 131 America 351, 352

437 IV. 2 53 Time turning back 473

455 V. 1 210 Circe transforming men 252

MUCH ADO ABOUT NOTHING.

II. 22 II. 1 214 Withered branch 181

69 V. 1 4 Water through a 329, 331 sieve

75 V. 1 170 Adam hiding 415, 416

LOVE’S LABOUR’S LOST.

II. 97 I. 1 1 Ruins and writings 443, 444

97 I. 1 4 Time leading the 491 Seasons. Plate XVII.

114 II. 1 56 Bear, cub, and Cupid 349, 350

138 IV. 2 100 Oak and reed, or osier 315, 316

144 IV. 3 97 Rose and thorn 333, 334

144 IV. 3 111 Juno but an Ethiope 162 were

151 IV. 3 308 Bacchus 247, 249

MIDSUMMER NIGHT’S DREAM.

II. 204 I. 1 168 arrow with a golden 404 head

205 I. 1 180 Astronomer and magnet 335, 336

206 I. 1 232 Bear, cub, and Cupid 349

215 II. 1 148 Appreciation of 116 melody

216 II. 1 155 Cupid and Death 401, 404

216 II. 1 173 Drake’s ship 413, 415

216 II. 1 181 Ape and miser’s gold 488

217 II. 1 194 Astronomer and magnet 335, 336

218 II. 1 227 Daphne changed to a 296, 297 laurel

218 II. 1 231 Gelding’s Ovid used 244

225 II. 2 145 Countryman and serpent 197, 198

239 III. 2 200 Coats in heraldry 218, 220

240 III. 2 237 Ape and miser’s gold 488

241 III. 2 260 Snake on the finger 342, 343

250 IV. 1 37 Vine and elm 307, 309

258 V. 1 1 Æsop 302

258 V. 1 12 The poet’s glory 379, 380

MERCHANT OF VENICE.

II. 280 I. 1 50 The two-headed Janus 139, 140

281 I. 1 77 The world a stage 133

281 I. 1 77 The world a stage. 407, 410 Plate XV.

284 I. 1 161 Golden fleece and 229, 230 Phryxus

286 I. 2 24 The old man 213, 215 prophesying

286 I. 2 4 Lottery 208, 209

296 II. 1 11 Lottery 208, 209

312 II. 7 4 A casket scene 150

312 II. 7 20 “golden mind,” 404 “golden bed”

313 II. 7 62 Casket scene 150

318 II. 9 63 Casket scene 151

319 II. 9 79 Moth and candle 151, 153

325 III. 2 41 Insignia of Poets 218, 219

328 III. 2 115 A painter’s power 112

345 IV. 1 75 The mountain pine 476

347 IV. 1 124 Envy, description of 432, 433

360 V. 1 54 Appreciation of 116 melody

361 V. 1 70 Power of music 271, 273

AS YOU LIKE IT.

II. 391 I. 3 69 Juno’s swans, 244 Golding’s Ovid

393 I. 3 120 Ganymede, Golding’s 244 Ovid

394 II. 1 29 The wounded stag 397, 398

400 II. 4 43 Sword broken on an 326, 327 anvil

405 II. 7 13 A motley fool 485

406 II. 7 43 “A motley coat” 485

409 II. 7 136 Theatre of human life. 405, 406 Plate XIV.

409 II. 7 137 Theatre of human life 133, 405

409 II. 7 139 The seven ages of man. 407, 409 Plate XV.

427 III. 3 67 Hawking 366, 368

442 IV. 3 15 The Phœnix 234, 236

THE TAMING OF THE SHREW.

III. 10 Ind. 2 41 Hawking 366, 367

10 Ind. 2 47 Mythological pictures 114 by Titian

10 Ind. 2 47 Cytherea, Io, Daphne, 115 Apollo

10 Ind. 2 52 Jupiter and Io 246

10 Ind. 2 55 Daphne and Apollo 296, 297

23 I. 2 24 Two Italian 163 sentences

45 II. 1 338 Beautiful furniture 112 described

67 IV. 1 174 Falconry 366, 367

78 IV. 3 165 “_honour peereth in 490 the meanest habit._” Plate XVI.

ALL’S WELL THAT ENDS WELL.

III. 112 I. 1 76 Symbolical imagery 377

119 I. 2 58 Bees,—and native land 361, 365

123 I. 3 73 A lottery 208, 210

127 I. 3 182 Cupid and the sieve 329, 330

132 II. 1 40 “cicatrice an emblem 9 of war”

133 II. 1 59 The Fox and the Grapes 310, 311

201 V. 3 5 Niobe’s children slain 292, 293

TWELFTH NIGHT.

III. 223 I. 1 9 Actæon and the hounds 277, 278

224 I. 1 33 “The rich golden 404 shaft”

225 I. 2 10 Arion and the dolphin 280, 282

231 I. 3 127 Zodiac,—Taurus. Plate 353, 355 XIII.

234 I. 5 50 Mottoes,—Latin, &c. 138

240 I. 5 214 Power of judging 113 artistic skill

257 II. 5 15 A turkey-cock 357

257 II. 5 27 A turkey-cock 357

265 III. 1 68 Snatches of French 163

271 III. 2 73 New map with the 352 Indies

285 III. 4 340 Whitney’s Introduction 464

THE WINTER’S TALE.

III. 323 I. 2 115 The wounded deer 398, 400

371 IV. 1 7 Old Time, power of 473

382 IV. 4 116 Proserpina,—see 244 Ovid

383 IV. 4 135 Poetic ideas, or 379 symbolical imagery

420 V. 2 8 “Julio Romano” 110

422 V. 3 14 Description of 109 statuary

423 V. 3 18 Sleep and death, 469, 470 Holbein’s Simulachres

424 V. 3 63 Description of 189 statuary

KING JOHN.

IV. 17 II. 1 134 Hares biting a dead 305, 306 lion

26 II. 1 373 Theatre of human life. 405, 406 Plate XIV.

37 III. 1 96 Gold on the touchstone 177, 180

42 III. 1 258 Snake on the finger 342, 343

65 IV. 2 125 Occasion, 259; or 261, 264 Fortune

67 IV. 2 170 Mercury mending a lute 256, 257

76 IV. 3 155 Wind, sun, and 166 traveller

91 V. 7 1 The swan, the Poet’s 218, 219 badge

RICHARD II.

IV. 116 I. 1 202 Wreath of chivalry 169, 170

125 I. 3 129 Envy 432, 433

130 I. 3 275 “no virtue like 347 necessity”

131 I. 3 294 “the frosty 347 Caucasus”

137 II. 1 53 Wreath of chivalry 169, 170

140 II. 1 120 The Pelican 393, 396

145 II. 1 270 hollow eyes of death 339

164 III. 2 12 Snake in the grass 340, 343

164 III. 2 24 Cadmus and the 245 serpent’s teeth

164 III. 2 29 Human dependence 465

165 III. 2 37 Drake’s ship 413, 415

168 III. 2 129 Countryman and serpent 197, 198

179 III. 3 178 Phaeton and the 285, 286 Sun-chariot

210 V. 3 57 Countryman and serpent 197, 198

FIRST PART HENRY IV.

IV. 317 IV. 1 97 Ostrich with spreading 370 wings

318 IV. 1 104 Mercury 255, 257

323 IV. 3 30 Sir Walter Blount 160

337 V. 2 82 Time leading the 491 Seasons. Plate XVII.

342 V. 4 25 Hydra slain by 374, 375 Hercules

SECOND PART HENRY IV.

IV. 392 II. 2 41 Time terminates all 323

405 II. 4 165 Sword with Spanish 137, 138 motto

431 IV. 1 70 Occasion, 259; Fortune 261, 264

450 IV. 4 103 Hands of Providence. 489 Plate XVI.

453 IV. 5 35 Sleep and Death, 469, 470 Holbein’s Simulachres

454 IV. 5 75 Bees 361, 364

474 V. 3 136 Prometheus chained 266, 358

KING HENRY V.

IV. 491 I. Chor. 5 Diligence and idleness 145, 146

493 I. 1 35 Hydra slain by 374, 375 Hercules

502 I. 2 178 Bees 360, 362

538 III. 4 1 Snatches of French 163

543 III. 6 20 Image of Fortune 261, 262

544 III. 6 44 Thread of life 454, 455

549 III. 7 10 Pegasus 141, 142

550 III. 7 54 French and Latin 144 proverb

552 III. 7 130 The mastiff praised 483

555 IV. 1 3 “goodness out of evil” 447

555 IV. 1 9 Time irrevocable. 491 Plate XVII.

564 IV. 1 256 Sound sleep of the 147 slave

574 IV. 4 2 Snatches of French 163

582 IV. 7 82 Human dependence 465

588 IV. 8 100 Human dependence 465

591 V. 1 13 Turkey-cock 357, 358

596 V. 2 48 Evils of war 147

598 V. 2 107 Snatches of French 163

FIRST PART HENRY VI.

V. 8 I. 1 127 “A Talbot! a 207 Talbot!”

14 I. 2 129 Halcyon days 392

20 I. 4 49 Adamant on the anvil 347, 348

25 I. 6 6 Adonis’ gardens, 243 Golding’s Ovid

29 II. 1 78 The cry, “A Talbot! a 207 Talbot!”

32 II. 3 11 The cry, “A Talbot! a 207 Talbot!”

33 II. 3 36 A picture gallery 114 named

36 II. 4 30 Rose and thorn 333, 334

40 II. 5 28 Death 469

68 IV. 1 188 Chaos,—discord 450, 453

71 IV. 3 17 Prometheus bound 266, 268

72 IV. 3 47 Prometheus bound 267, 268

78 IV. 6 46 Icarus and his ill 288, 291 fortune

80 IV. 7 60 Order of St. Michael 227

80 IV. 7 60 Order of the Golden 227, 228 Fleece

82 IV. 7 92 Phœnix 386, 388

86 V. 3 30 Circe 252

SECOND PART HENRY VI.

V. 129 I. 4 16 Ban-dog 484

132 II. 1 1 Falconry 366, 367

145 II. 3 45 Pine-trees in a storm 477

153 III. 1 55 Fox and Grapes 310, 312

153 III. 1 69 Jackdaw in peacock’s 312 feathers

158 III. 1 224 Snake in the grass 340, 341

162 III. 1 343 Countryman and serpent 197, 198

162 III. 1 360 The porcupine 231, 232

168 III. 2 125 Bees 361, 363

171 III. 2 232 Conscience 421, 422

174 III. 2 310 Envy 432, 433

182 IV. 1 83 The pelican 393, 394, 397

185 IV. 2 27 Thread of life 454, 455

197 IV. 7 49 Latin proverb, “bona 139 terra,” &c.

206 IV. 10 23 Ostrich eating iron 233, 234

213 V. 1 143 Bear and ragged staff 237, 239

215 V. 1 196 Bear and ragged staff 237, 240

217 V. 2 28 The game of chess 320

217 V. 2 28 French proverb, “La 320 fin couronne,” &c.

218 V. 2 45 Æneas and Anchises 191, 192

THIRD PART HENRY VI.

V. 244 I. 4 16 Phaeton 285, 286

245 I. 4 35 Phœnix 385, 386, 388

245 I. 4 39 Leash of proverbs 318

252 II. 1 50 Cupid felling a tree 324

252 II. 1 68 Human skull 337, 339

271 II. 6 10 Phaeton 285, 287

280 III. 2 48 Many drops pierce the 324 stone

281 III. 2 51 Inverted torch 171, 173, 174

284 III. 2 153 Bear, cub, and Cupid 349, 350

285 III. 2 188 Countryman and 197, 200 serpent, Sinon

309 IV. 4 32 Olive branch and 223 laurel crown

312 IV. 7 24 Fox and Grapes 310, 312

319 V. 1 34 Atlas 245

319 V. 1 54 Wrongs on marble 458, 461

324 V. 3 1 Four wreaths on a 221, 222 spear

325 V. 4 1 Ships sailing 435, 436, 438

329 V. 5 25 Æsop 303

332 V. 6 18 Icarus 288, 290

KING RICHARD III.

V. 473 I. 1 1 “Sun of York” 223

580 IV. 2 8 Gold on the touchstone 177, 180

583 IV. 2 65 D. O. M. 464

606 IV. 4 418 The phœnix 385, 389

615 V. 2 Sir James Blount 160

617 V. 3 30 Sir James Blount 160

625 V. 3 181 Laurel, type of 422, 425 conscience

KING HENRY VIII.

VI. 3 Prol. 15 A motley coat 485

45 II. 3 60 Gem in a ring of gold 418, 419

46 II. 3 75 Gem in a ring of gold 418, 420

56 III. 1 1 Orpheus and his harp 271, 274

76 III. 2 372 Laurel, type of 422, 424 conscience

79 III. 2 446 D. O. M. 465

84 IV. 1 81 Emblems literally 9

87 IV. 2 27 Wrongs on marble 458, 459

88 IV. 2 77 Swan, the Poet’s badge 218, 219

103 V. 3 10 D. O. M. 464

104 V. 3 43 Envy 432, 433

114 V. 5 28 Phœnix 385, 390

TROILUS AND CRESSIDA

VI. 130 I. 1 94 Daphne 295, 296

134 I. 2 100 Epithet golden 403, 404

142 I. 3 33 Ship sailing forward 436, 439

142 I. 3 33 Perseus’ horse 299, 300

142 I. 3 39 Pegasus 143

143 I. 3 49 Oak and reed, or osier 315, 316

144 I. 3 75 Bees 360, 361, 363

144 I. 3 75 Chaos 449, 451

155 I. 3 391 Ban-dog, or Mastiff 483

164 II. 2 81 Paris and Helen 463

164 II. 2 92 Paris and Helen 463

168 II. 3 9 Mercury 255, 257

169 II. 3 18 Envy 432, 433

175 II. 3 189 Cancer,—Zodiac. 353, 355 Plate XIII.

177 II. 3 237 Milo 297

178 II. 3 240 Milo 244, 344

191 III. 2 169 Astronomer, magnet, 335, 337 polestar

198 III. 3 145 Active exertion 378 demanded

201 III. 3 196 Hand of Providence 489

228 IV. 5 183 Pegasus 299, 300

230 IV. 5 223 Setting sun 323

247 V. 3 37 “kindness befitting a 282 lion”

253 V. 5 11 Sagittary,—Zodiac. 353, 355 Plate XIII.

259 V. 9 21 Hares biting a dead 304, 305 lion

261 V. 11 16 Niobe and her children 292, 294

CORIOLANUS.

VI. 287 I. 3 7 Wreath of oak 224, 225

304 I. 9 58 Wreaths of victory 221, 225

312 II. 1 109 Wreath of oak 224, 226

323 II. 2 84 Wreath of oak 224, 225

344 III. 1 161 D. O. M. 465

369 IV. 1 44 Gold on the touchstone 175, 177, 181

380 IV. 5 100 Sword on an anvil 325, 326

403 V. 2 102 Oak and reed, or osier 315, 316

407 V. 3 101 Great Roman names 201

411 V. 3 206 Great Roman names 201

TITUS ANDRONICUS.

VI. 450 II. 1 5 The zodiac. 353 Plate XIII.

451 II. 1 14 Prometheus chained 266, 268

451 II. 1 18 Sirenes 253, 254

456 II. 2 1 Tabley Old Hall, 131 chimneypiece

459 II. 3 55 Actæon and hounds 277, 279

472 III. 1 12 “to write in the 461 dust”

483 III. 2 9 Theatre of human life. 405, 406 Plate XIV.

490 IV. 1 85 Wrongs on marble 458, 460

490 IV. 1 102 Wrongs on marble 458, 460

492 IV. 2 18 Conscience, power 420

501 IV. 3 52 The zodiac. 353, 354 Plate XIII.

522 V. 2 192 Progne 193

527 V. 3 85 Countryman and 200 serpent,Sinon

ROMEO AND JULIET.

VII. 23 I. 4 4 Cupid hoodwinked 329, 331

30 I. 5 41 Gem set in gold 418, 420

42 II. 3 90 Venus dispensing 327 Cupid from his oaths

58 II. 4 187 Astronomer and magnet 187, 335

59 II. 5 8 Doves and winged Cupid 245

72 III. 2 1 Phaeton 285, 286

75 III. 2 69 Snake in the grass 340, 341

84 III. 3 126 Dispensing from 327, 328 oaths

117 V. 1 15 Time and eternity, 492 symbol. Plate XVII.

124 V. 3 61 D. O. M. 464

126 V. 3 111 Theatre of human life. 405, 406 Plate XIV.

TIMON OF ATHENS.

VII. 228 II. 1 28 Jackdaw in borrowed 312, 314 plumes

245 III. 3 1 Gold on the touchstone 175, 177, 180

254 III. 5 31 Wrongs on marble 458, 459

263 III. 6 103 Timon’s intense 427, 428 hatred

265 IV. 1 35 The extravagance of 429 Timon’s hatred

269 IV. 3 18 The extravagance of 429 Timon’s hatred

270 IV. 3 51 The extravagance of 429 Timon’s hatred

288 IV. 3 473 The extravagance of 429 Timon’s hatred

269 IV. 3 25 Gold on the touchstone 175, 177, 178

281 IV. 3 317 Mention of many 375 animals

281 IV. 3 324 Mention of many 376 animals

281 IV. 3 331 The unicorn 371, 373

283 IV. 3 377 Gold on the touchstone 177, 178

305 V. 4 69 Timon’s epitaph 430

JULIUS CÆSAR.

VII. 322 I. 1 68 Jackdaw in borrowed 312, 313 plumes

326 I. 2 107 Æneas and Anchises 191, 193

329 I. 2 192 Characteristics of 205 Brutus and Cassius

334 I. 3 5 Oak and reed, or osier 315, 316

347 II. 1 203 Unicorn 371, 372

363 III. 1 58 Astronomer and magnet 335, 336

368 III. 1 205 The wounded stag 398, 399

375 III. 2 73 Wrongs on marble 458, 459

384 IV. 1 12 Three-cornered world 351, 352

389 IV. 3 21 Dog baying at the moon 269, 270

396 IV. 3 213 Occasion. Plate XII. 259, 260

409 V. 3 80 Wreath of victory 221, 224, 226

413 V. 5 25 Death of Brutus 202, 203

MACBETH.

VII. 438 I. 5 61 Snake in the 340, 341 strawberry

442 I. 7 44 “I dare not,” “I 376 would”

444 II. 1 7 D. O. M. 464

454 II. 2 71 Sleep and death, 469, 470 Holbein’s Simulachres

454 II. 3 67 Gorgon, Golding’s 244 Ovid

459 II. 4 10 Falconry 366, 368

467 III. 2 22 “After life’s fretful 492 fever he sleeps well”

512 V. 5 19 Theatre of life. 405, 406 Plate XIV.

512 V. 5 24 Time leading on the 491 Seasons. Plate XVII.

HAMLET.

VIII. 14 I. 2 71 Time leading the 491 Seasons. Plate XVII.

35 I. 5 13 The porcupine 231, 232

63 II. 2 295 “Man a God to man” 283, 284

79 III. 1 62 Theatre of life. Plate 405, 406 XIV.

79 III. 1 60 Sleep and death, 469, 470 Holbein’s Simulachres

79 III. 1 70 Death’s praises, 471 life’s evils

80 III. 1 76 Fardel on a swimmer 481

97 III. 2 259 The wounded stag 398, 399

111 III. 4 53 The herald Mercury 255, 256, 258

111 III. 4 55 A poet’s artistic 112 description

117 III. 4 205 Cannon bursting 344, 345

127 IV. 4 33 The camel and his 283 driver

135 IV. 5 135 The pelican 393, 394, 396

145 IV. 7 84 Pegasus 143, 144

153 V. 1 73 Human skull 337, 338

154 V. 1 86 Human skull 337, 338

158 V. 1 191 Human skull 337, 339

164 V. 2 8 Drake’s ship 413, 414

KING LEAR.

VIII. 280 I. 4 93 Child and motley fool 485

295 I. 5 33 “why seven stars” 356

307 II. 2 73 King-fishers 392, 393

317 II. 4 61 Ants and grasshopper 148, 149

320 II. 4 129 Prometheus and the 266, 358 vulture

342 III. 4 68 Pelican 393, 394, 396

366 IV. 1 64 Hands of Providence. 489 Plate XVI.

416 V. 3 171 our pleasant vices, 425 &c.

OTHELLO.

VIII. 477 II. 1 129 “Old fond paradoxes” 474

498 II. 3 290 Hydra slain by 374, 375 Hercules

500 II. 3 326 Symbols 2

505 III. 1 47 Occasion. Plate XII. 259, 261, 265

512 III. 3 145 Confidence kept back 434

513 III. 3 159 Calumny 434

574 V. 2 7 Light; the Canoness 469

581 V. 2 146 Swan 218

586 V. 2 249 Swan 213, 216, 218, 220

ANTONY AND CLEOPATRA.

IX. 38 II. 2 201 Appreciation of art 113

40 II. 2 245 The lottery 208, 211

48 II. 5 95 Narcissus at the 205, 206 stream

60 II. 7 101 Bacchus 246, 247

64 III. 2 7 The Phœnix 381, 387, 389

100 III. 13 195 Ostrich, or estridge 371, 372

109 IV. 6 5 Map, “three-nooked 351, 353 world”

118 IV. 12 3 Medeia, swallows on 190 her breast

123 IV. 14 46 Lamp, or torch of life 456

132 IV. 15 84 Lamp of life 456

150 V. 2 277 Time’s and eternity’s 491 emblems. Plate XVII.

151 V. 2 305 Chimney-piece at the 131 Old Hall, Tabley

CYMBELINE.

IX. 167 I. 1 130 The eagle renewing its 369 feathers

183 I. 6 12 The phœnix 234, 235, 236

183 I. 6 15 The phœnix, “Arabian 387, 390 bird”

184 I. 6 30 Ape and miser’s gold 488

185 I. 6 46 Contrasts of 474 epithets

191 I. 6 188 Jewels and ornaments 8 of rare device

207 II. 4 68 Adornments of 111 Imogen’s chamber

212 II. 5 33 Envy 432, 433

226 III. 4 57 Countryman and 197, 208 serpent, Sinon

240 III. 6 31 Diligence and idleness 145, 147

253 IV. 2 172 Pine-trees in a storm 477

257 IV. 2 259 The oak and reed, or 315 osier

PERICLES PRINCE OF TYRE.

IX. 325 I. 2 102 Thread of life 454, 455

343 II. 2 17 The Triumph Scene 158, 159

343 II. 2 19 A black Ethiope 160

343 II. 2 27 Spanish motto 162

343 II. 2 30 Wreath of chivalry 168, 169

343 II. 2 32 Inverted torch 170, 171, 173

343 II. 2 33 Quod or qui me 170, 174 alit

344 II. 2 36 Gold on the touchstone 175, 177

344 II. 2 43 Withered branch 181, 183

345 II. 3 9 Wreath of victory 223, 224

366 III. 2 26 Man a God to man 283, 284

375 IV. Intr. 12 Envy 432, 433

POEMS.

VENUS AND ADONIS.

VOL. PAGE. LINE. SONNET. DEVICE OR SUBJECT. PAGES.

IX. 436 Dedication 475

RAPE OF LUCRECE.

IX. 544 1723 The chimney-piece, Tabley 133 Old Hall

515 869 Occasion or opportunity. 259, 264 Plate XII.

537 1513 Countryman and serpent, 197, 200 Sinon

SONNETS.

IX. 578 1 55 Ruins and writings 443, 445

583 1 65 Ruins and writings 443, 445

A LOVER’S COMPLAINT.

IX. 638 92 Phœnix 381, 385, 389

THE PH[OE]NIX AND THE TURTLE.

IX. 671 21 Phœnix 381, 385, 388

671 25 Phœnix with two hearts 384

671 37 Phœnix with two hearts 384

672 53 Phœnix’ nest 23, 381, 389

------------------------------------------------------------------------

GENERAL INDEX,

ARRANGED ACCORDING TO FOUR SUBJECTS: =1.= EMBLEM WRITERS PREVIOUS TO A.D. 1616. =2.= PROVERBS, SAYINGS, AND MOTTOES. =3.= WORKS QUOTED OR REFERRED TO. =4.= MISCELLANEOUS REFERENCES.

=A.=

A, O. L. Linacre’s Galen, Paris, 1538, p. 105; O. L. Nef des folz, f. xvi., Paris, 1499, p. 188; O. L. Alciat’s Emblems, 2, Paris, 1534, p. 377.

=1.= A. Bruck, Emb. mor. et bellica, 1615, p. 95; Emb. politica, 1618, pp. 34, 97. Æsop, Fables, Latin and German, 1473; Italian, 1479; Greek, 1480; French and English, 1484; Spanish, 1489; thirty other editions before 1500, p. 51. Aesticampianus, Tabula Cebetis, 1507, pp. 12. A. Ganda, Spiegel van vrouwen, 1606, p. 98; Emblemata amatoria nova, 1613, p. 98. Alberti, Ecatonphyla, 1491; French, 1536, p. 55. Alciat, Andrew, Emblematum libellus, 1522, p. 69; Emb. liber, 1531, its size compared with ed. 1621, p. 69; in the interval above 130 editions; French, 1536; German, 1542; Spanish and Italian, 1549; English (?), 1551, p. 70; Commentators, 70; arms or device, 211. Aleander, Explicatio antiq. fabulæ, &c., 1611, pp. 95, 97. Altorfinæ, Emb. anniversaria, 1597, p. 94. Amman, Biblical figures, Heraldry, &c., 1564, p. 85. Ammirato, Il rota overo dell’ imprese, 1562, pp. 79, 81. Aneau, French Alciat, 1549, p. 70; Picta poesis, and L’imagination poetique, 1552, p. 76. Angeli, Astrolabium planum, 1488, p. 42. Anjou, La joyeuse et mag. entrée, 1582, p. 87. Apocalypse, a block-book, 48, 49. Arias Montanus, Hum. salutis monum., 1572, pp. 88, 89. Ars memorandi, a block-book, about 1410, p. 45. Astronomical MS., about 1330, Chetham Library, 41. Austria, Don John of, On Sambucus, 1572, p. 86.

=2.= Aliamque moratur, 124; Altera securitas, 124; Amicitia etiam post mortem durans, and Amicitiæ immortali, 307; Amor certus in re incerta cernitur, 179; Amoris jusjurandum pœnam non habet, 328; Amor vincit omnia, 7; Anchora speme, 185; Armat spina rosas, mella tegunt apes, 333; Ars naturam adjuvans, 255; Ars rhetor triplex movet, &c., 141; Au navire agité semble le jour de l’homme, 437; Auri sacra fames quid non? 480; Auxilio divino, 413; Ave gratiâ plena, dominus tecum, 46; A vous entier: j’en suis contente, 45.

=3.= Æschylus, on Symbol, p. 2; Swan, 213. Æsop’s Fables, low estimate of by Shakespeare, 302; Antwerp, ed. 1593, p. 313; Jackdaw and fine feathers, 312. Aikin’s General Biography: Champier, 63; Joachim, 67; Pierius, 80. Alciat, characterised, 69; quoted, Janus, 139–40; Hope, 182; Æneas and Anchises, 191; Medea and Progne, 191; Brutus 201; Zisca, 206; Swan, 213; Insignia of poets, 218; Phrixus, 229; Sirens, 253; Mercury and Fortune, 255; Occasion, 259; Prometheus bound, 266; Dog and moon, 270; Actæon, 275; Arion, 280; Phaeton, 285; Icarus, 288; Niobe, 292; Narcissus, 295; Pegasus, 299; Several fables, 303; Friendship after death, 307; Bees, 360; Cupid and death, 401; Envy, 431; Ship-sailing, 435; Student entangled in love, 440. Amboise, 1620, named by Menestrier, 79. Ames’ Antiquities of printing names an English version of Alciat, 70. Anacreon, the swan, 214. Aneau, or Anulus quoted: Progne, 193; Brasidas, 194; Swan, 213; Prometheus, 267; Actæon, 276; Narcissus, 295; Daphne, 296; Skull, 337; Chaos, 449. Animals, artistic books of, 1560–1586, p. 85. Archæologia, lottery, 208; Ages of man, 406. Aristotle, the head an index of the mind, 129; Halcyon’s nest, 391. Arundel MS., ages of man, 406. Athenæ (Cantab. ii. p. 258), Spenser, 87. Augustine, S., Confessions, 426. Aulus Gellius, Androcles and lion, 281. Ayscough, 461.

=4.= Achilles, shield of, 20. Actæon, referred to by Alciat, 275; Shakespeare, Aneau, Sambucus, 276; Palæphatus, Ovid, Whitney, 278; and Shakespeare, 279. Adam hiding, by Shakespeare, Whitney, 416; Montenay and Stamm Buch, 416. Adam’s apple, reference to Milton, Plate X., 132. Adamant, indestructibility: Le Bey de Batilly and Pliny, 347; Shakespeare, 348. Æneas, his shield, 20; and Anchises, by Alciat and Whitney, 191; Shakespeare, 193. Albret, Madame, Queen of Navarre, 88. Aldi, 1490–1563, device, 16; Horapollo, 1505, p. 64. Alphonso V., ancestor of Don Juan Manuel, 1575, p. 90. America and West Indies ignored, 350, 352. Androcles and the lion, 281. Antefixæ, of Etruscan art, 19. Ants and grasshopper, by Freitag, 148; and Whitney, 148. Ape and miser’s gold, by Cullum, 128; Paradin, Whitney, and Symeoni, 486; Shakespeare, 488. Apollo and the Christian muse, Le Bey de Batilly, 379; Shakespeare, 380. Appendices, I. 497, II. 515, III. 531–542. Architecture and statuary excluded, 11. Argonauts and Jason, 229; Shakespeare, 230. Arion, by Alciat, 280; Whitney, &c., 281; Shakespeare and Microcosm, 282, 283. Arms on Queen Mary’s bed, 123, 124. Arran, earl of, 1549; patron of Aneau, 108, 121. Arrow wreathed on a tomb, Paradin, 183. Art, Shakespeare’s exquisite judgment of, 108–117. Ascencian printing press, 1511, p. 63. Ass and wolf, 53, 54. Astronomer and magnet, Sambucus, 335; Whitney, 335; Shakespeare, 336. Athenian coin, 8. Atkinson’s gem, Picta Poesis, 76. Atlas, by Giovio and Shakespeare, 245. Augustus, his emblem, 15.

=B.=

=1.= Badius, Stultif. navic. fatuarum mul., 1500, 1502, p. 61; Nef des folles, &c., 1501, p. 62; Account of, 63. Balsat, Nef des princes, &c., 1502, p. 63. Barclay, Shyp of folys of the worlde, 1509, 1570, pp. 57, 65, 91, 119; Mirrour of good maners, 1570, p. 58. Bargagli, 79; Dell’ Imprese, 1589, p. 87. Bedford Missal, MS., 1425, p. 44. Beham’s Bible figures, 1536, p. 72. Bellerophon, of Lust tot wysheyd, 1614, p. 98. Belloni, Discorso, 1601, p. 92. Bernardetti, Giornata prima, &c., 1592, pp. 79, 92. Beza, Icones, accedunt emb., 1581, p. 88. Bible figures, 1503, p. 63; 1536, p. 72. Biblia pauperum, 1410–1420, p. 45; Plate VI., 46; Description of, 46, 47. Biblische historien, 1551, p. 73. Billyng, Five wounds of Christ, MS., 1400, ed. 1814, p. 41. Block-books: Biblia pauperum, Plate VI., 45–47; Book of Canticles and the Apocalypse of S. John, 48; Ars memorandi, 45, 48; Historia S. Joan. Evangelist., sold for 415_l._, not for 45_l._, Plates VII. and VIII., 49; Print, Plate XV., 407. Bocchius, Symbol. Quest., libri v. 1555, p. 77. Boissard, Theatrum vitæ humanæ, 1596, p. 31; Shawspiel Menschliches lebens, 1597, p. 97; Fall of Satan, Plate XI., 133; Human life a theatre, Plate XIV., 405. Boissart, Mascarades recueillies, 93, 94. Bol, Emb. evang. ad XII. signa, 1585, p. 88. Boner, German fables, about 1400, ed. 1461, p. 50. Borcht, Ovid’s Metamorphoses, 1591, p. 94. Boria, Emprese morales, 1581, p. 90. Brandt, Narren schyff, 1494; Stult. navis, before 1500, Plate IX., ed. 1497, p. 57; Nef des fols, 57; Flemish version, 1504, Two English, 1509, p. 57; Hortulus animæ, MS., ed. 1498, p. 58. Broecmer, Embl. moralia et œconomica, 1609, pp. 95, 97. Brosamer, Biblische historien, 1551, p. 73. Bynneman, Van der Noot’s theatre, 1569, p. 91.

=2.= Beaulté compaigne de bonté, 418; Bella Maria, 125; Bona terra, mala gens, 139; Breue gioia, 152; Brevis et damnosa voluptas, 152.

=3.= Bacon’s Adv. of learning, 1. Bateman’s ed. Five wounds of Christ, 40. Bellay’s Cupid and death, 1569, p. 400; Dog, 482; Emblem writing, 136. Berjeau’s Biblia pauperum, ed. 1859, pp. 45, 48. Beza, quoted, Phrixus, 230; Dog and moon, 270; Engineer and petard, 344. Biographie Universelle, Boner, 50; Zainer, 55; Badius, 63; Shoeufflein, 67; Manuel, 90; Dinet, 94; Van Visscher, 98. Blanchet’s Apologues orientaux, 17. Blandford, Catalogue of emblem books, 35, 55. Blomfield’s Norfolk, Lottery, 208. Bohn’s Holbein, ed. 1858, Lottery, 207; Edward VI., 121. Boissard quoted, Satan’s fall, 132, 133; Bacchus, 247; Bear and whelp and Cupid, 349; Human life, 405. See Messin, Emblemes. Brucioli’s Trattato della sphera, 1543, Zodiac, Plate XIII., 353. Brunet’s Manuel du libraire, 39; Speculum humanæ salvationis, 43; Dyalogus Creaturarum, 51; Ecatonphyla, 55; Todtentanz, 56; Figures du vieil Test., 63; Turnierbuch, 68; Figures of the Bible, 73; Giovio, &c., 78; Spelen van sinne, 81; Hoffer, 81; &c. Bryan’s Dict. of Engravers, Zainer, 56; Boissart, 94; Van Veen, 96. Brydges, Egerton, Res literariæ, 78, 100.

=4.= Bacchus, by Boissard, and Microcosme, 247; Alciat, Whitney, 248; Shakespeare, 249. Badges, traced by Giovio, 14; Of ancient usage, 14; Augustus, 15; Titus, 16. Ban-dog, Sir T. More, Spenser, 481; Sambucus, 482; Whitney, 483; Shakespeare, 484. Barrel with holes, Paradin, Whitney, 332. Bear and ragged staff, Whitney, 236, 239; traced to the Earls of Warwick, 237, 239; Shakespeare, 239. Bear and cub, Boissard, 349; Tronus Cupidinis, 348; Shakespeare, 350. Beauchamp, Thos. and Richd., their monuments, 237. Beccafumi’s designs for seven ages, 407. Bed of state, with emblems by Mary Stuart, 123, 126; at Hinckley, 126. Bees, types of good government, Horapollo, 358; Alciat, 360; King bee, Plato, Xenophon, Virgil, 359; Types of love for native land, Whitney, 361; Commonwealth, Shakespeare, 362-364. Bellerophon and Chimæra, Alciat and Shakespeare, 299, 300. Bird caught by an oyster, 130; In a cage, and hawk, 124. Black Ethiope reaching at the sun, 123, 160–162; No exact resemblance found, Reusner, 160, 161. Blount’s crest, an armed foot in the sun, 166; Families of Blounts, 160. Bodily signs emblematical, 17. Bodleian library, its block-books, 49. Bona of Savoy, the Phœnix her device, 234. Brasidas and shield, Aneau and Whitney, 194, 195. Bridgewater gallery, Diana bathing, 111. Britain, emblem literature known in, 119–137. Brutus, death of, Alciat and Whitney, 201, 202; Shakespeare, 203, 204; Characteristics of Brutus and Cassius, Shakespeare, 204, 205. Bullogne, Godfrey of, his impresa, 123. Butterfly and candle, Paradin, 151; Corrozet, Camerarius, Vænius, 152; Symeoni, 153; Shakespeare, 153; Boissard, 152.

C.

C, O. L., Alciat, 38 Ant., 1581, p. 497.

=1.= Caburacci, Trattato ... di fare le imprese, 1580, pp. 79, 86. Callia, Emb. sacra, e libris Mosis excerpta, 1591, p. 94. Camerarius, Symb. et emblematum, &c., 1590, p. 89. Camilli, Imprese—co i discorsi, &c., 1586, p. 87. Canticles, book of, a block-book, 48. Capaccio, Delle imprese trattato, 1592, pp. 34, 85. Caputi, La pompa, 1599, p. 92. Cartari, Imagini dei Dei degli antichi, 1556, p. 79. Cebes, Tablet of, B.C. 390, p. 12; Editions various, 1497–1507, pp. 13, 68; De Hooghe’s and another’s delineation, Plates I. and I. b, 13, 68. Champier, La nef des dames vertueuses, 1503, p. 63. Chartier, Les blasons de vertu par vertu, 1574, pp. 87, 88. Chiocci, Delle imprese, 1601, pp. 79, 92. Cimolotti, Il superbi, 1587, p. 87. Clamorinus, Thurnier-buch, 1590, p. 90. Clemens of Alexandria, Stromata, 21. Cœlius, Emblemata sacra, 1589, p. 89. Combe, Emblems, about 1594, p. 120. Compost des bergers, 1500–1705, p. 42. Contile, Ragionamento ... delle imprese, 1574, pp. 79, 86. Coörnhert, Recht ghebruyck ende misbruyck, 1585, p. 90. Corrozet, Hecatomgraphie, 1540, and other works, 74. Cory, Hieroglyphics of Horapollo Nilous, 1840, pp. 22, 24. Costalius, Pegma, cum nar. phil., 1555, p. 77. Costerius, Ὁ Μικρόκοσμος, 1584, p. 98. Coustau, Le pegme, avec les nar. phil., 1560, p. 77. Crosse, His covert, MS. about 1600, with reasons for that date, 100.

=2.= Canis queritur nimium nocere, 482; Canis reversus ad suum vomitum, &c., 144; Captivus ob gulam, 130; Cavendum à meretricibus, 250; Certe tu vita es mihi, 161; Christus bajulat crucem, 43; Come l’oro nel foco, 179; Cominus et eminus, 231; Coney, so doth struggle in the net, 319; Conscientia integra laurus, 422; Consequitur quodcunque petit, 3; Consilio & virtute chimæram superari, &c., 299; Constantia comes victoriæ, 436; Contraria industriæ ac desidiæ præmia, 148; Cosi troppo piacer conduce à morte, 153; Cosi vivo piacer conduce à morte, #151; Creatione et confusione del mondo, 35; Creavit dominus novum super terram, &c., 47; Cucullus non facit monachum, 138; Cum larvis non luctandum, 305; Curiositas fugienda, 267.

=3.= Calendrier et compost des bergers, 1705, p. 42. Callimachus, Perjuria ridet amantum, 328. Cambridge Works of Shakespeare, 1863, 1866, p. 157. Centifolium stultorum, 1707, p. 33. Chaucer, use of the word Emblem, 7. Chrysostom, God loved and hated in man, 281. Cicero, use of the word Emblem, 5. Collier, J. Payne, Phœnix’ nest, 1593, reprint, 380. Cotgrave’s Dictionary, Emblema 1. Cowden Clarke’s Concordance, 388. Cudworth’s Intellectual System, ed. 1678, pp. 2, 103. Cullum, Sir John, History and antiquities of Hawsted, 1813, p. 127.

=4.= Cadmus, alluded to in Rich. II., 245. Calcott, Lady, account of the seven ages of man inlaid on the pavement, Siena, 407. Calumny, Shakespeare, 434. Camel and his driver, 283. Camerarius, quoted for,—Butterfly and candle, 151; Dog and moon, 270; Eagle renewing youth, 369; Elm and vine, 307; Falconry, 366; Jackdaw in fine feathers, 312; Laurel and lightning, 423; Ostrich, 234; Pelican, 394; Stag wounded, 398; Swan, 217; Turkey and cock, 357; Unicorn, 372; Wheat among bones, 184; Wreaths on a spear, 223. Cannon bursting, Beza and Shakespeare, 344. Casket scenes, emblematical, 149–154, 186. Cassius and Cæsar in the Tiber, 193. Cervantes and Shakespeare died in 1616, 318. Chaos, Ovid, Symeoni, 448; Aneau, Whitney, 449, 450; Shakespeare, 451, 453. Charles I., his fine collection of paintings, 111. Charles V. emperor, the Tewrdannckh dedicated to him in 1517, p. 68. Chatterton, Dr., on choice of a wife, 210. Chess, emb. of life and equality in the grave, Perriere, 320; Corrozet, 321. Child and motley-fool, Whitney, Sambucus, 484; Shakespeare, 485; Drant, 486. Chivalry, wreath of, Paradin, Shakespeare, 169. Cholmeley, knight, Sir Hughe, 320. Christian art, fulness of its emblems, 26. Christian love, the soul, and Christ, Plate II., 32. Circe, Alciat, 250; Whitney, Horace, Reusner, 251; Shakespeare, 252. Classification of the correspondencies and parallelisms, 187. Cliffords, father and son, 192. Clip the anvil of my sword, Shakespeare, 325; Perriere, 326; Whitney, and meaning, 327. Closet adorned with emblems, 127. Coats of arms, often imaginative, 236. Coincidences of Whitney and Shakespeare in the use of words, 478, 479, 497–514. Coincidences and parallelisms in heraldic emblems, 240. Coins and medals often emblematical, 13. Columbus, tribulations on marble, 461. Commonwealth of bees, Whitney and Shakespeare, 361–365. Compress, difficulty to, 101. Conclusion, Shakespeare acquainted with Emblem-books, 495. Confidence kept back, Shakespeare, 434. Conscience, power of, Horace, 420; Vænius, 421; Shakespeare, 421, 424, 425. Coörnhert’s device of Providence making poor and making rich, Plate XVI., 489. Coriolanus, 201; his civic crowns, 225. Coronation scene, Anne Bullen’s, 9. Correspondence of Whitney and Shakespeare in words, 477–479, 497–514. Corrozet, quoted, Butterfly and candle, 152; Chess, 321; Doves and Cupid, 245; Fortune, 261; Gem in gold, 418; Hydra, 374; Icarus, 289; Sun and wind, 165. Corser of Stand, Rev. T., Historia S. Joan, sold for 415_l._, p. 49; De Sole et Luna, 52; Figures du vieil Test. et du nouuel, 63; Alciat of 1531 p. 69; Dance of Death, 71; Crosse his covert, MS., 100. Cotton, Richard, Esquier, of Combermere, 1586, p. 360. Countryman and serpent, Freitag, Reusner, 197; Shakespeare, 198. Coustau, Camel and driver, 283; Silence, 209; Orpheus, 271; Ruins and writings, 442. Crab and butterfly, Symeoni, 15. Creation and confusion, Ovid, Plate III., 35. Crescent moon, Giovio, 125, 127. Crests of ancient times, 14–16. Crowns, civic and others, 221, 224. Cupid felling a tree, 324; Blinded, Perriere and Shakespeare, 329, 331; and Bear, Boissard, 349; Tronus Cupidinis, 348; Cupid and Death, Alciat, 400; Whitney, 401; Haechtan, 400; Peacham, 403; Cupid in mid-air, Shakespeare, 404. Curtius, a silver emblem ornament, 5. Custom, a guide for Emblems, 37.

=D.=

=1.= Dance of Death. See Holbein. Danse Macabre, ed. 1485, p. 56. Dalle Torre, Dialogo, 1598, p. 92. Daniell, Worthy Tract of Paulus Iouius, 1585, p. 77. David, Virtutis spectaculum, 1597; Veridicus christianus, 1601; Christelücke, 1603; Occasio arrepta, neglecta, 1605; Pancarpium marianum, 1607; Messis myrrhæ et aromatum, 1607; Paradisus sponsi et sponsæ, 1607; Duodecim specula, 1610, p. 95; Occasio, quoted in illustration, Plate XII., 265. Daza Pinciano, Alciat in Spanish, 1549, p. 70. De Bry, T., Stam und wapenbuch, 1593, p. 32; Emb. nobilitate et vulgo scitu digna, 1592, and _Emblemata secularia_, 1593, p. 94; Emb. sec.—rhythmis Germanicis, 1596, p. 97; Pourtraict de la cosmog. morale, 1614, p. 94. De la Perriere, Theatre des bons engins, 1539; Les cent considerations d’amour, 1543; Les considerations des quatre mondes, 1552; La Morosophie, 1553, p. 74. De Montenay, Emblêmes ou devises chrestiennes, 1574, pp. 87, 88. De Passe, 96; Metamorphoseωn Ouid., 1602, p. 95; Speculum heroicum—Homeri, 1613, p. 36; Original drawings at Keir, about 1600, p. 177; Quoted, Phaëton, 284; Daphne, 296; Tronus Cupidinis, 348. Derendel, Historyke Portreatures, 1553, pp. 73, 119. De Romieu, Le Pegme de P. Covstav, 1560, p. 77. De Soto, Emblemas moralizadas, 1599, p. 99. Desprez, Théatre des animaux, &c., 1595, p. 93. Destructoriũ vitiorum (Dyalog. Creat.), 1509, p. 52. Dialoges of creatures moralyzed, 1520, pp. 52, 119, 303. Dinet, Les cinq livres des hieroglyph., 1614, p. 94. Dolce, Le prime imprese del conte Orlando, 1572; Dialogo, 1575, p. 86. Domenichi, Ragionamento, 1556, 1574, pp. 77, 78. Doni, I mondi; I marmi; La moral filosofia, 1552, 1553, p. 76. Droyn, La grãt nef des folz, 1498, 1579, pp. 57, 87. Dupont, Satyriques grotesques, 1513, p. 67. Durer, Ehrenpforte, 1515; Tewrdannckh, 1517; and Triumphwagen, 1522, p. 67. Dutch Emblem-books, passim, and 90, 97. Duvet, L’apocalypse figurée, 1561, p. 81. Dyalogus creaturarum, 1480, p. 51; French ed. 1482, English, 1520, p. 51.

=2.= Dabit Deus his quoque finem, 124; Dederitne viam Casusve Deusve, 123; Defecit in dolore vita mea, &c., 131; De more et amore, 401; De Morte et Cupidine, 403; Descendet dominus sicut pulvia in vellus, 47; Despicit alta canis, 270; Dives indoctus, 229; Divesque miserque, 31; D. O. M., 464; Dominus tecum virorum fortissime, 47; Dominus vivit et videbit, 416; Donec totum impleat orbem, 123, 127; Dum ætatis ver agitur, consule brumæ, 148; Dum tempus labitur, occasionem fronte capillatam remorantur, 265; Dum transis, time, 128; Durate et vosmet rebus servate secundis, 125.

=3.= De Bry, Icones virorum illustrũm, 85. De la Perriere, quoted for,—Chess emb. of life, 320; Cupid blinded and sieve, 329; Diligence, 145; Fardel, 495; Janus, 140; Occasion, 258; Sword broken on anvil, 326; Thorns on the rose, 332. Democritus, Golden sentences, 13. De Montenay, quoted, Adam hiding, 416; Fearlessness, 440; Good out of evil, 447. Dibdin, Bibliographical Antiquarian, 58; Bibliomania, 51, 137; Bibliogr. Decameron, 45; Bibliotheca Spenseriana, 48; Tour, 57. Dict. Greek and Roman Antiquities, 20. Diodorus Siculus, History, 20. Donne, Elegy, Flowers, 18. Doré, Drawings for Elaine, 30. Douce, Dissertation, ed. 1833, pp. 56, 71; Remarks on Macaber, 56; Illustrations of Shakspeare and of Ancient Manners, 1807, pp. 106, 167, 172; Holbein’s Images, ed. 1858, p. 121. Drake, Shakspeare and his Times, 106, 107, 238; on Falconry, 365; Timon of Athens, 426. Drant, Horace’s Art of Poetry, 1567, p. 486. Drayton, Baron’s Wars, 1598, names, emblems, impresas, hieroglyphics, 132. Drummond, History of Scotland, 1655, p. 123; Letter to Benjamin Johnson, Emblems on a bed of state, 123–125; Other letters naming devices or emblems, 124. Dryden’s opinion of the Pericles, 157. Dugdale, Antiq. of Warwickshire, 237. Du Vondel, illustrious poet of Holland, 98.

=4.= Daphne to a laurel, Aneau, Ovid, 296; Shakespeare, 297. Death, its mention by Shakespeare, 339, 469. Death and sleep, 469–471. Death’s praises,—life’s evils, 471. Dedalus and his sons, 287. Diana, emblem and symbol in one, 3. Diana of Poitiers, dedication to, 3, 172. Dice an emblem of life, Le Bey de Batilly, 322. Diligence and idleness,—Perriere, 145; Whitney, 146; not followed by Shakespeare, 147. Direct References to Emblems, six in the Pericles, 156–188. Di Terra Nova, Duke, emblem, 125. Division into three parts of Emblem-books, from 1500 to 1564, p. 60; into two parts, from 1564 to 1615, p. 84. Dog baying the moon, Shakespeare and Alciat, 269; Whitney and Camerarius, 270; Beza, 271. Dogs not praised by Shakespeare, 145, 483. Dolphin and anchor, Symeoni and Giovio, 16; The device of Titus, and of the Aldi, 16. D. O. M., Whitney and Shakespeare, 464, 465. Doubtful if certain books are Emblem-books, 51, 55. Doves and winged Cupids, Shakespeare and Corrozet, 245. Drake, Sir Francis, compared to Jason, 229. Drake’s ship, Whitney, 413; Shakespeare, 414. Drawing and device or emblem, their difference, 49. Drinking bout of Antony and his friends, 246. Droppes manie pierce the stone, &c., Whitney, 324; Shakespeare and Vænius, 324 Dudley, Ambrose, earl of Warwick, died 1589, p. 238. Dudley, Robert, earl of Leycester, died 1588, p. 238; Whitney’s Emblems dedicated to him, 239. Dupes emblematised, 33. Dust, to write in, Sir T. More, 461; Shakespeare, 460, 461.

=E.=

E, O. L. of uncertain origin, 241; O. L. from Plato’s works, 710; Francfort, 1602, p. 346; O. L., Dial. of Creatures, 62, ed. 1520, p. 463.

=1.= Ecatonphyla, 1491, centiesme amour, 1536. p. 55. Ehrenpforte, or triumphal arch, about 1515, p. 67. Emb. Amat., Afbeeldinghen, 1611, p. 98. Emblemata Evang. ad XII. signa, 1585, p. 88. Emblesmes sur les actions—du Segnor Espagnol, 1608, p. 93. Emblematum Philomilæ Thiloniæ Epidigma, 1603, p. 95. Emblem-books, in the tabulated forms, 86–99:— Dutch or Flemish, 1585, p. 90; 1603–1614, pp. 97, 98. English, 1569–1586, p. 91; 1591–1612, p. 99. French, 1568–1588, p. 87; 1595–1614, pp. 93, 94. German, 1576–1590, p. 90; 1596–1611, p. 97. Italian, 1566–1589, pp. 86, 87; 1592–1609, p. 92. Latin, 1568–1590, pp. 88, 89; 1591–1615, pp. 94, 95. Spanish, 1575–1589, p. 90; 1599–1615, p. 99. Emblem-books, in Greek; Tablet of Cebes, B.C. 390, pp. 12, 68; Clemens of Alexandria, about A.D. 300, Stromata, 21; Epiphanius, A.D. 367, p. 28; Horapollo, originally Egyptian, about A.D. 400, p. 22; translated into Greek by Philip, about A.D. 550, p. 22. English Emblem-books down to Willet, 1598, p. 119; passim, 91, 99–101. Epiphanius, A.D. 367, Physiologus, 1587, p. 28. Estienne, Henri, Anthologia gnomica, 1579, pp. 88, 89.

=2.= Eadem inter se, 384; Ecce, ancilla domini, fiat mihi, 46; Ecce ascendimus Hierosolimam, 66; Ecce virgo concipiet et pariet filium, 46; Ei qui semel sua prodegerit, aliena credi non oportere, 189; Εἴξας νικᾶ, 314; Eloquentia fortitudine præstantior, 164; Eloquium tot lumina clausit, 123; En ma fin git mon commencement, 123; Erant signa in sole et luna, 48; Esto tiene su remedio y non yo, 398; Ex domino servus, 276; Ex malo bonum, 447; Ex maximo minimum, 337.

=3.= Engravers, named, and referred to:— Amman, Jost, 1564, pp. 74, 85. Avibus, Gaspar ab, 1558, p. 80. Bernard, Solomon, 1560, pp. 36, 73. Bewick, Thomas, 1789, p. 71. Boissart, Robert, 1590, p. 94. Bonasone, Giulio, 1555, p. 77. De Bry, Theodore, 1592, pp. 96, 348. ” John Theod., p. 96. ” John Israel, p. 96. De Hondt, Jost, 1606, p. 98. De Hooghe, Romyn, 1670, p. 13. De Jode, Gerard, 1584, p. 53. De Passe, Crispin, 1611, pp. 95, 97, also pp. 57, 177. Durer, Albert, 1509, pp. 65, 67, 73. Duvet, John, 1561, p. 81. Feyrabend, Sigismund, about 1581, p. 90. Fortoul, 1832, p. 71. Holbein, Hans, 1538, pp. 71, 72. Koster, Laurens, 1410, p. 46. Lützenberge, Hans, 1538, p. 72. Marcolini, Ant. Franc., 1552, p. 76. Pytheus, named by Pliny, 5. Raimondi, Marc Ant., 1516, p. 67. Sadeler, Ægidius, 1600, pp. 96, 98. Sadeler, John, 96. Sadeler, Raphael, 96. Schlotthauer (Dance of Death), 1832, p. 71. Shaeufflein, Hans, 1517, p. 67. Solis, Virgil, 1555, p. 77; 1560, p. 74. Stimmer, Tobias, 1576, p. 90. Stimmer, John Chr., 1591, p. 90. Van der Borcht, 1591, p. 95. Van Veen, or Vænius, Otho, 1607, p. 96. Van Veen, Gilbert, 1607, p. 96. Veneziano, Zoan And., 1500, p. 55. Eschenburg’s Manual class. lit., 1844, pp. 7, 224.

=4.= Eagle renewing its youth, Camerarius, 368; Shakespeare, 369, 370. Edward VI., Emblem-books belonging to him, 121. Egerton, Lord Chancellor, and Thomas Wilbraham, 467. Elephant and undermined tree, Sambucus and Whitney, 196. Elizabeth, Queen, devices, 124; prayer-book, 137; lottery, 208; phœnix, 390; flattered by Shakespeare, 404. Elm and vine, Alciat and Boissard, 307; Whitney and Camerarius, 308; Vænius and Shakespeare, 309. Ἔμβλεμα, ἐνβαλλεῖν, pp. 4, 5, 6. Emblem defined, Cotgrave, Quarles, and Bacon, 1; Whitney, 6; Shakespeare, 9; origin, 9; definition seldom strictly observed, 30. Emblems, original meaning, 4; Chaucer, 7; kept by Shakespeare and Milton, 9; changes of meaning, 4; classical and modern meaning, 4, 5, 11. Emblem and Symbol, confounded, 1; difference, 2; united, 2, 3; affinity of, 6. Emblem, the word introduced into Latin, 5; opposed by Tiberius, 5; used by Cicero and Quinctilian, 5. Emblema nudum, or bare, without a device or picture, 13, 51; in Shakespeare, 149–154. Emblem Artists and Artificers, 5, 20. See also Engravers. Emblem Authors, number before 1616, p. 102; men of literature and mental power, 102; estimate in which they were held, 103; introduce fables, 303. Emblem-books our theme, 11; preceded by writings, 119; three large collections, accessible for this work, at Keir, Stand, and Thingwall, 86; number composed from 1564 to 1590, pp. 91, 92; number of original texts and versions, 770, before 1616, p. 102; illuminated MS., 38–45, 50; block books, 46–50. Emblem Literature,—applied with great latitude; what appears essential to it, 31; Instances: proverbs and witty sayings, scenes from history, armorial bearings, 31; celebration of events, devotion and satire, 32, 33; politics, 34; classic poets, 34–36; great latitude in using the phrase, Emblem Literature, custom the general guide, 37; includes ornamental devices in books, 38; architecture, sculpture, and painting too extensive to be included, 38; known in Britain, 119–137; bed of state, with emblems wrought by Mary, Queen of Scots, 123–125; ancient bed at Hinckley, 126; painted closet at Hawsted, 127–130; ancient hall at Lower Tabley, 131; Drayton’s testimony, 1598, p. 132. Emblems,—raised or carved figures and designs, a crust or framework, a mosaic, figured ornaments, 9, 10; devices on smooth surfaces; any drawing representative of thought, character, &c.; a species of hieroglyphics, 11; coins and medals, 13; heraldry, 14–17; signs, 17–19; fictile ornamentation, 19, 20; works by the silversmith, 20; hieroglyphics, 21–26; Christian art, 26, 27. Emblems classified—by Whitney into three kinds, 187; for this work into eight divisions, 188: —historical, 188–211; heraldic, 212–240; mythological, 241–301; for fables, 302–317; for proverbs, 318–345; for objects in nature, 346–376; for poetic ideas, 377–410; moral and æsthetic, 411–462; miscellaneous, 463–496. Emperors:—Maximilian I., 1517, pp. 67, 68; Charles V., 1517, p. 68; Maximilian II., 1564, p. 85; Rodolph II., 1576, pp. 85, 89, 96; Matthias, and Ferdinand II., 96. End crowns all; or the end makes all equal, Shakespeare, Messin, Whitney, Perriere, 320; Illustrated by chess, Perriere, 320; Corrozet, 321, 322; Whitney and Shakespeare, 323. Engineer hoist with his own petar, from Beza and Le Bey de Batilly, 344; Shakespeare, 345. Envy, from Whitney, Alciat, 431, 432; Shakespeare, 433. Estridge, ostrich, or falcon? Paradin, 370; Shakespeare, 371. Eternity, emblem of, 37; in Plate XVII., 491; Horapollo, 491; Shakespeare, 492.

=F.=

F, O. L., Nef des folz, Paris, 1499, xxv., p. vii.

=1.= Fables, German, about 1400, p. 50. See Boner. Fabrici, Delle allusioni, imprese & emblemi, 1588, p. 87. Faerno, Fabvlæ centvm, 1565, pp. 85, 303, 310, 311; quoted, Fox and grapes, 311. Farra, Settenario dell’ humana riduttione, 1571, pp. 79, 86. Feyrabend, Stam und wapenbuch, 1579, p. 90. Figures du vieil Test. & du nouuel, 1503, p. 63. Figures of the Bible, 73. Fiorino, Opera nuova, &c., 1577, p. 86. Flemish books of emblems, passim, and, 90, 97. Franceschino, Hori Apollinis selecta hieroglyphica, 1597, p. 94. Fraunce, Insignium armorum emblematum, &c., 1588, p. 89. Freitag, Mythologia ethica, 1579, p. 88; Viridiarium mor. phil. per fabulas, 1594, p. 94. Frellonius, Holbein’s Historiarum veteris instrumenti, 1547, p. 72. French Emblem-books, passim, and, 87, 93. Furmerus, De rerum usu et abusu, 1575, p. 88; Hands of Providence, Plate XVI., 489.

=2.= Facunda senectus, 215; Faire tout par moyen, 289; Fatuis levia commitito, 484; Feriunt summos fulgura montes, 475; Festina lente, 15; Ficta ejus quod haberi nequit recusatio, 310; Finis coronat opus, 437; Fortiter et feliciter, 221; Fortitudo ejus Rhodum tenuit, 124; Fortuna virtutem superans, 202; Fortunæ comites, 124; Frons hominem præfert, 129; Fronte nulla fides, 129; Fructus calcata dat amplos, 124; Frustra, 329, 331.

=3.= Farmer, Dr., on Pericles, 156. Flintner, Nebulo nebulonum, 1620, p. 65. Freitag, quoted for,— Mouse caught by an oyster, 130; Ants and grasshopper, 148; Countryman and serpent, 197; Fox and grapes, 309; Phœnix, 381; Sun, wind, and traveller, 166; Turkeycock and cock, 356.

=4.= Fables: doubtful if strictly emblems, 51; The best emblem writers introduce them, 303; A floating literature, interchanged throughout the world, 302; Shakespeare’s estimation of them, 303; Early editions, 303. Fables, emblems illustrative of, 302–317; Fly and candle, 151–153; Sun, wind, and traveller, 164–167; Elephant and tree, 196; Countryman and serpent, 197; Hares biting the dead lion, 304–306; Elm and vine, or elm and ivy, 307–309; Fox and grapes, 309–312; Jackdaw in fine feathers, 312–314; Oak and reed, 314–316. Facts in Nature, emblems from, and from the properties of animals, 346–376: —Frosty Caucasus, 346; Adamant on the anvil indestructible, 347; Bear, cub, and Cupid—natural affection, 348–350; The inhabited, or three-cornered world, 351–353; Signs of the zodiac, 353–356; The cock and turkeycock, 356–358; The vulture, 358; Bees, types of a well governed people, and of love for our native land, 358–365; Falconry, 365–368; Eagle renewing its feathers, 368; Ostrich with outspread wings, 370; Unicorn, type of faith undefiled, 371–373; Hydra slain by Hercules, 373–375; Various animals named, 375, 376. Falconry, from Dr. Drake, 365; Camerarius and Giovio, 366; Shakespeare, 367, 368. Fame armed with a pen, from Junius and Whitney, 445, 446; Shakespeare, 444, 445. Fardel on a swimmer, 480, 481. Ferdinand II., emperor, 96. Fictile ornamentation, 19, 20. Fin couronne les œuvres, from Shakespeare, 320–323. See End. Firmin Didot, 40. Flower language, emblematical, 18. Fly and candle. See Butterfly. Forehead, index of the mind, 129. Fortune, from Corrozet, 261. See Occasion. Fox and grapes, from Freitag, 310; Faerni, 310; Whitney, 311; Shakespeare, 311, 312. Francis I., impresa, 123, 125, 126. Friendship after death, 307. See Elm and Vine. Frosty Caucasus, 346.

=G.=

G, O. L., an altered C, from Linacre’s Galen, Paris, 1538, p. 543.

=1.= Ganda. See À Ganda. German Emblem-books, passim, and, 90, 97. Geschlechtes Buch, editions 1550, 1580. p. 75. Geyler, Navicula sive speculum fatuorum, 1511, and _Navicula penitentiæ_, 1511, several reprints before 1520, —the first book with the imperial privilege, 66; Two German translations, 66; Latin version of Narren Schyf, 1498, p. 66. Giovio, Dialogo dell’ imprese, or Ragionamento, 1555, p. 77; 1574, pp. 14, 15, 16; English version, 1585, p. 77; Menestrier, 79. Giovio, Symeoni, and Domenichi, Dialogo dell’ imprese, &c., 1574, p. 78; Twenty-seven editions between 1553 and 1585, p. 78. Glissenti, Discorsi morali, &c., 1609, pp. 92, 93. Golding, Ovid’s Metamorphoses, 1565, p. 243. Goulart, Les vrais pourtraits, 1581, p. 87. Grapheus, Entry of Philip of Spain, 1550, p. 75. Grevin, Emblemes d’ Adrian la Jeune, 1568, p. 87. Guazzo, Dialoghi piacevoli, 1585, p. 87. Gueroult, Premier livre des emblemes, 1550, p. 75. Guillim, A display of heraldry, 1611, pp. 99, 120. Gulden, Den gulden winckel, 1613, p. 98. Guzman, Triumphas morales, 1557, p. 90.

=2.= Gang forward; I am ready, 14; Giuramento sparso al vento, 328.

=3.= Gale’s Opus mythol., 13. Gentleman’s Magazine, 126, 208. German book—the first in pure German,—a book of fables printed in 1461, p. 50. Giovio, quoted from,— Alciat’s device, 211; Atlas, 245; Crescent moon, 125, 127; Dolphin and anchor, 16; Falconry, 365; Kingfisher, 392; Ostrich and iron, 233; Phœnix, 235; Salamander, 125, 126. Giovio and Symeoni, quoted,—Porcupine, 231; Wrongs on marble, 457. Golding’s Ovid, 1567, p. 243; Shakespeare indebted to it, 243; The epithet golden, 400. Gough, on the Bedford missal, 1794, p. 44. Gower’s Conf. am.—pur reposer, 7. Green’s Never too late, 1610, p. 128.

=4.= Gem in a ring of gold, by Corrozet, 418; Shakespeare, 419, 420. Gemini, 355. Geography, 350–353; more correct, 415. Glance only, at times, to emblem subjects by Shakespeare, 269, 317. Glyptic art as exemplified in hieroglyphics, 21–26. Gold on the touchstone, by Paradin, 175; Whitney, 178; Crispin de Passe, 177; Shakespeare, 175, 180; Vænius, 179. Golden, the epithet, Douce, Sidney, Golding’s Ovid, 400; Bellay, Alciat, 400; Whitney, 401; Peacham, Whitney, 403; Shakespeare, 404. Golden fleece, order of, 228. Gonsaga, Hanibal, saying on surrendering his sword and himself, 138. Good out of evil, Shakespeare and Montenay, 447. Gravella, Cardinal, his impresa, 125, note. Greatest out of least, from Anulus, 337; Whitney, 338; Shakespeare, 338, 339. Grecian coins, 13.

=H.=

H, O. L., Nef des folz, xv., Paris, 1499, p. 187; Monogram, H. G., a construction, preface, xii.

=1.= Haller, Chartiludium logicæ, 1507, p. 64. Held, Alciat in German, 1542, p. 70. Hesius, Emblemata sacra, 1581, p. 88. Hillaire, Speculum Heroicum ... Homeri, 1613, pp. 36, 95. Historia S. Joan. Euangelist., block-book, 1420, p. 49; MS. of, belonged to Henry II., 49. Histories of Joseph, Daniel, Judith, and Esther, earliest printed book with text and engravings, 1461, p. 45. Hoffer’s Icones catecheseos, 1560, p. 81. Holbein, Les simulachres & Historiees faces de la mort, 1538, pp. 72, 350, 487; Previous to 1600 at least fifteen editions, 72; Historiarum veteris instrumenti icones, 1538, p. 72; Spanish, ed. 1543, English, ed. 1549, within the century twelve other editions, 73; The canoness or nun, 469; Sleep and death compared, 469, 470; Wrong done to the soul, 433; Praises of death, evils of life, 470, 471; The last judgment, and escutcheon of death, 470. Hollar, Dance of death, 1790, p. 56. Homeri, Speculum heroicum. See Hillaire. Horapollo, account of, 22; De sacris notis et sculpturis, 1551, example, the Phœnix, 22, 23; Other examples from Leemans and Cory, 24–26 (see Leemans and Cory); First printed edition by Aldus, 1505, Latin, French, Italian, and German, before 1535; sixteen other editions before 1616, p. 64. Horatii Emblemata, 1607 and 1612, p. 36. Horozco, Emblemas morales, 1589, Symbolæ sacræ, 1601, p. 90. Hortinus, Icones, 1585, p. 88; Emblemata sacra, 1589, p. 89. Hortulus rosarum, 1499, p. 58. Hunger, Alciat, Cum rhythmis Germanicis versus, 1542, p. 70.

=2.= Heart of Jesus the well of everlasting life, 40; Homines voluptatibus transformantur, 250; Homo homini Deus, 283; Homo homini lupus, 280, 283; His ornari aut mori, 222.

=3.= Haechtan’s Parvus mundus, 1579, p. 400. Hallam, on Pericles, 157. Halliwell, on Astron., MS., Chetham Library, 42. Haslewood, reprint Dialogues of Creatures, 1816, p. 303. Hawkins’ Η ΠΑΡΘΕΝΟΣ, 1633, p. 383. Heraldry, ornamental, 16th century, 1868, p. 14. Herodotus, the Scythian arrow, mouse, &c., 18; the phœnix, 382. Hesiod, shield of Hercules, 20. Hessells on Spelen van sinnen, 81, 82. Hippocrates, Seven ages of man, 406. Holbein’s Simulachres, the canoness, 469; Heath and sleep, 469; Death and fool, 472. Holland’s Pliny, a work of art by Pytheus, to be put on or taken off,—a literal Emblem, 5; Hardnesse of a diamant, 348; The phœnix, 382; Halcyones, 391. Homer, Iliad, shield of Achilles, 20; Word Emblem illustrated, 4; Death not unbecoming the defender of his country, 222; Insults to Hector’s dead body, 304; Odyssey, Circe, 250. Hood’s Miss Kilmansegg, to illustrate “golden,” 403. Horace, conscience, 420, 421; Circe and Sirens, 251; Pine-trees in a storm, 490; The swan, 214; Time leading the seasons, 490. Horapollo, quoted, Bees, 358; Hawk on mummy case, 26; Lamp burning, 456; Phœnix, 23; Star, 25; Swan, 213; Thread of life, 454. Humphrey’s Hist. of art of printing, 1867, p. 43; Plates from block-books, Biblia pauperum, 43, 46; Ars memorandi, 45; Dance of death, 469.

=4.= Halcyon. See Kingfisher. Hands of Providence, by Furmer and Coornhert, Plate XVI., 489; Shakespeare, 489. “Happe some goulden honie brings,” Whitney, 364; Shakespeare, 365. Hares biting a dead lion, Iliad, Alciat, Shakespeare, 304; Alciat, Whitney, 305; Reusner, 306; Shakespeare, 306. Harpocrates, Silence, Whitney, 208; Pegma, 209. See Lottery. Hawk on a mummy case, its meaning, 26. Hawsted and Hardwick, emblems there, 127–130. Hen eating her own eggs, Whitney, Sambucus, 411; Shakespeare, 412. Henry II. of England, 50. Henry II. of France, his impresa, 123, 125, 127. Henry VIII., collection of pictures, 111, 114; his impresa, 124. Heraldic Emblems, 212–240; in three divisions;— I. Poetic Heraldry, 212–221:— The swan singing at death, Horapollo, 213; Virgil, Horace, Pindar, Anacreon, 214; On death poets take the form of swans, Ovid, Plato, 214; type of old age eloquent, Aneau, 215; of the simplicity of truth, Reusner, 215; fine thought by Camerarius, 217; insignia of poets, Alciat and Whitney, 218; Shakespeare combines various of these emblems, or of their spirit, 219–221; Shakespeare’s beautiful comparison of heraldry, 221. II. Heraldry of Reward for heroic achievements, 221–230:— Wreath of chivalry, Whitney, Camerarius, 222; Shakespeare, 223; Victors’ crowns, Paradin, 224; Eschenburg, 224; Shakespeare, 225–227; Honours from sovereign princes, Shakespeare, Talbot, 226; Order of St. Michael, Paradin, 227; Order of the golden fleece, Paradin, 228; Argonauts, Whitney, 229; Phrixus, Alciat, 229; Whitney, 230; Beza, 230; Shakespeare, 230. III. Imaginative Devices, 231–240:— Porcupine, Giovio, 231; Camerarius, 232; Shakespeare, 232; Ostrich and iron, Giovio, 233; Camerarius, 234; Shakespeare, 234; Phœnix, Lady Bona of Savoy, Paradin, 234; Giovio, 235; Shakespeare, 236; Bear and ragged staff, Whitney, 236; Dugdale, 237; Dudley, 238; Shakespeare, 239. Heraldry, Emblems its language, 14, 17, 82; Its close connection with Emblems, 212; Beautiful comparison from, 220. Heraldry of poetry, 212–221. Heraldry of heroic achievements, 221–230. Heraldry of imaginative devices, 231. Hercules, his shield, 20. Hieroglyphics, their emblem character, 21, 25; Subjects, 21, 26; Examples, 24, 26; Meanings of several, 26. Hinckley, bed at, with emblems, 126, 127. Historical Emblems, 188—211:— Medeia, Alciat, Whitney, 189, 190; Æneas and Anchises, Alciat and Whitney, 191, 192; Shakespeare, 192; Progne, Aneau, Shakespeare, 193, 194; Sinon, illustrated from Brasidas and his shield, Aneau, 194; Whitney, 195; The elephant and undermined tree, Sambucus, 196; Countryman and viper, Freitag, 197; Shakespeare, 198; Siege of Antwerp, Whitney, 199; Sinon often alluded to by Shakespeare, 200; Coriolanus, 201; Death of Brutus, Alciat, Whitney, 201; Shakespeare, 203, 204; Characteristics of Brutus and Cassius, 204, 205; Formidable after death, Alciat, Whitney, 205; Shakespeare, 207; The lottery, video et taceo, Whitney, 208; Costalius, 209; Shakespeare, 209–211. Hives of bees, 371. See Bees. Homo homini lupus, Whitney, Chrysostom, 281; Androclus and the lion, 281; Shakespeare, 282. Homo homini Deus, Coustau, 283; Reusner, 283; Shakespeare, “in apprehension how like a god,” 284. Honours from sovereign princes, 226. Hope, illustrated by Alciat, Paradin, Whitney, and Sambucus, 182–185; Camerarius, 184; Spenser, 185. Human life a theatre, Plate XIV., 405. Hunterian Museum, Glasgow, the Tewrdannckh, 67. Hydra slain by Hercules, Corrozet, 374; Shakespeare, 375.

=I.=

I, O. L., Giovio’s Ragionamento, Venetia, 1556, p. 30; O. L., Alciat’s Diverse Imprese (p. 2), Lyons, 1551, p. 84.

=1.= Ieucht, Den nieuwen Ieucht spieghel, 1610, p. 98. Italian emblem-books, passim, and, 86, 92.

=2.= Iddio, perche é vecchio, fa suoi al suo essempio, 136; Il caos, 448; Il fine corona l’opere, 437; Illicitum non sperandum, 182; Il mal me preme et mi spaventa Peggio, 124; Immensi tremor oceani, 227; Importunitas evitanda, 327; Impotentis vindictæ fœmina, 193; Improba siren desidia, 252; In astrologos, 288; In avaros vel quibus melior conditio ab extraneis offertur, 280; In divitem indoctum, 229; Industria naturam corrigit, 256; Ingenio superat vires, 126; In hac spe vivo, 159, 181, 185; In morte vita, 185; In occasionem, 259; In receptatores sicariorum, 275; In sinu alere serpentem, 199; Insonti qui insidias struit, ipse perit, 54; In spe fortitude, 182; In statuam Bacchi, 248; In studiosum captum amore, 441; In temerarios, 285; Invidiæ descriptio, 432; Ipsa sibi lumen quod invidet aufort, 124; Isaac portat ligna sua, 43.

=3.= Image or symbol of St. Matthew, 48.

=4.= Icarus and ill-fortune, Alciat, 288; Whitney, 288; Corrozet, 289; Shakespeare, 291. Idiot-fool and death, Holbein and Shakespeare, 472. Index, General, 543–571. Indian hieroglyphics, 18. Industry. See Diligence and Idleness, 145. Introductory lines,— Whitney, D. O. M., 464; Shakespeare, 464. Inverted torch,— Shakespeare, Symeoni, 171; Paradin, Whitney, 173; Shakespeare, 170; Vænius, 171; Corrozet, 175. Io, 245. See Jupiter.

J.

=1.= Joachim, Abbot, died 1201; editions 1475, 1515, _Prophetia dello Abbate Joachimo circa le Pontefici & Re_, 67. Joan. S., Euangelist., block-book. See Historia. Jodelle, Recueil, 1558; Austriacis gentis imagines, 1558, 1569, 1573, p. 80. John, Don, of Austria, Notes on Alciat, 1572, p. 86. Joseph, Daniel, Judith and Esther. See Histories of, 45. Jovius. See Giovio. Junius, Emblemata, 1565; and 10 others, 86.

=2.= Jam satis, 128; Jus hospitalitatis violatum, 357; Juvenilia studia cum provectiori ætate permutata, 381.

=3.= Jode, Gerard de, 89, 282, 298, 313. Johnson and Steevens’ Shakspeare, 483. Johnson, Dr., 426. Jones, Mr., Chetham Library, on Joachim, 67, 123. Jonson’s testimony to Shakespeare, 496. Junius, quoted:— Fame armed with a pen, 446; Oak and reed, 314; Pelican and young, 395; The caged cat and the rats; The crocodile and her eggs, 303.

=4.= Jackdaw in fine feathers, Camerarius, Æsop, Microcosme, Shakespeare, 313. James VI. of Scotland, Beza’s emblems, 122; Epigram on, 122. Janus, two-headed, Alciat, Whitney, 139, 140; Shakespeare, 140. Jar, with Emblems, named by Pliny, 5. Jason, 229, 230. Jove laughs at lovers’ perjuries, Shakespeare, 327; Van Veen, Callimachus, Tibullus, 328; Shakespeare, 328. June, illustration from Spenser, ed. 1616, p. 136. Jupiter and Io, Symeoni, Ovid, Shakespeare, 245, 246.

=K.=

K, O. L., Plato’s Works (p. 153), Francfort, 1602, p. 212.

=1.=Kalendrier des Bergers, MS., 1330, p. 42; Kindred works in Latin, Italian, and German, 1475, p. 42.

=3.= Kenrick’s Anc. Egypt, p. 21. King’s Vale Royal, 211. Knight’s Pictorial Shakspere, 156; Acknowledging Shakespeare’s acquaintance with Whitney, 396. Kugler’s Handbuch de geschichte der malerei, Berlin, 1847, pp. 110, 111, 114.

=4.= Katherine, Queen of France, her emblem, 128. Keir, near Dunblane, N. B., its library: —Astrolabium planum, 1488, p. 42; Alciat’s Emblems, 1531, p. 69; Entry of Philip of Spain into Antwerp, 1549, p. 75; Gueroult’s Premier livre des emblemes, 1550, p. 75; Doni’s Emblem Works, 1552, 1553, p. 76; Remark, 86; Guillim’s Heraldry, 100; Thirty-five original Emblem Drawings by Crispin de Passe, 177. King-emperor, or master-bee, 359–363. Kingfisher, Halcyon-days, Ovid, Aristotle, and Pliny, 391; Giovio, Shakespeare, 392. Knowledge of Emblem-books in Britain, 119–137. Koster of Haarlem, about 1430, p. 43; Earliest engraver of block-books, 1410–1420, p. 45.

=L.=

L, O. L., Camerarius (i. 35), Norimberg, 1605, p. #383; O. L., David’s Veridicus Christianus (70), Antverpiæ, 1606, p. 60.

=1.= L’Anglois, Discours des hierog. Égyptiens, 1583, p. 87. Le Bey de Batilly, Emblemata, 1596, p. 94. Leemans, Horapollinis Niloi Hierogl., 1835, examples from, pp. 24, 25. Lefevre, Emblemes de Maistre A. Alciat, 1536, p. 70. Le Vasseur, Devises des Emp. Rom., 1608, p. 93; Devises des Rois de France, 1609, p. 93. Libri cronicarum, 1493, p. 56. Locher, Stultifera navis, before 1500, Plate IX., 57. Lonicer, J. A., Stand und Orden, 1585, p. 90; Venatus et aucupium icon., 1582, p. 88. Lonicer, Ph., Insignia sacræ Cæsaræ maj., 1579, p. 88. Lydgate’s Dance of Macaber, about 1430, p. 56; Hollar’s account, 1790, quoted, 56.

=2.= La fin couronne les œuvres, 139, 320, 322; La fin nous faict tous egaulx, 321; La force d’eloquence, 273; La guerre doulce aux inexperimentez, 152; Latet anguis in herba, 340; La vie de Memoire, 444; _Le chien est retourné à son propre vomissement, et la truie lavée au bourbier_, 144; Loues triall, 179; Lucet et ignescit, sed non rubus igne calescit, 64; Lux tua vita mea, 160; Lux tua vita mihi, 160; L’ymage de Fortune, 261.

=3.= Langhorne’s Plutarch, Timon, 430. Le Bey de Batilly, quoted:—Adamant on anvil, 347; Apollo and Christian Muse, 379; Milo caught in a tree, 344; Life like a game of dice, 322. Lindsay, Lord, Christian Art, 293; Seven Ages, 407.

=4.= Labour in vain:—Cupid and sieve, Perriere, 329; Shakespeare, 330; A tun with holes, Paradin, Whitney, 331, 332. Laing, D., letter, 1867, Queen Mary’s bed, 123, note. Lamp-burning, Horapollo, Shakespeare, 456. Land-jewels of the Netherlands, what, 83. Languages, snatches of, by Shakespeare, 163. Laurel, safety against lightning, Sambucus, 422; Whitney, Camerarius, 423; Shakespeare, 424, 425. Life, its seven ages, Plate XV., 407. Life, evils of, Holbein’s Simulachres, Shakespeare, 471. Limbert, Stephen, of Norwich School, 461. Limner’s art in Emblems, 38. Loft, Capel, his opinion of Shakespeare, 106, 107. Logomaniacs, reproved by Cudworth, 103. Lorrain, Card. of, his impresa, 124. Lottery of 1569, Whitney, 208; Shakespeare, 209–211. Louis XI., Order of St. Michael in 1469, p. 227; his impresa, 231. Louis XIV., history of, in medals, &c., 13. Love, its transforming power, Shakespeare, 349.

=M.=

M, O. L., Linacre’s Galen, f. 35, Paris, 1538, p. 119.

=1.= Macaber, Dance of, 14th century, p. 39; ed. 1484, p. 39; La Danse Macabre, 1485, and several other editions, 56. Mansion, Dialogue des creatures moralizie, 1482, p. 52. Manuel, El conde Lucanor, 1575, p. 90. Marquale, Diverse imprese, 1547, p. 70. Martin, Orus Apollo de Ægypte, 1543, p. 22. Mercerius, Emblemata, 1592, p. 94. Mercier, Horapollo, 1551, p. 22. Messin, Boissard’s Emblêmes, 1588, pp. 87, 164, 307, 320, 383, 444. Microcosme, le, 1562, p. 247. Mignault, or Minos, Emblemes d’Alciat, 1583, p. 70; Omnia Andreæ Alciati Emblemata. Adj. comm., 1573 and 1581, pp. 71, 79. ΜΙΚΡΟΚΟΣΜΟΣ, Parvus mundus, 1579 and 1592, pp. 88, 267. Modius, Liber ordinis eccl. origo, 1585, and Pandectæ triumphales, 1586, pp. 88, 89. Moerman, Apologi creaturarum, 1584, pp. 53, 88; De Cleyn Werelt, 98. Montenay. See De Montenay. More’s “pageauntes,” 1496, p. 120. Murner, Chartiludium logicæ, 1507, p. 64; Narren Beschwörung, 1512, 1518, p. 65.

=2.= Maleficio beneficium compensatum, 197; Malè parta, malè dilabuntur, 128, 502; Manie droppes pierce the stone, 324; Materiam superabat opus, 124; Maulvaise nourriture, 175; Mea sic mihi prosunt, 124; Medio occidet die, 124; Mediis tranquillus in undis, 125, note; Mens immota manet, 335; Me pompæ provexit apex, 158, 168; Merces anguina, 198; ΜΙΚΡΟΝ ΦΡΟΝΤΙΣΑΝΤΕΣ ΣΩΚΡΑΤΟΥΣ, 155; Moderata vis impotenti violentia potior, 166; Mort vivifiante, 185; Much rain wears the marble, 324; Multiplication de proces, 374; Mulier umbra viri, 468; Murus æneus, sana conscientia, 423.

=3.= Magnat, On flower signs, 1855, p. 18. Martin, Shakespeare’s seven ages, 1848, p. 407. Menestrier, Philosophia and Judicium, 1595, pp. 78, 79. Microcosm, quoted:—Fortune, 263; Prometheus, 267; Arion, 280; Milo, 298. Mignault, quoted:—Symbols, Coats of Arms, and Emblems, ed. 1581, or 1608, p. 2; Narcissus, 295; Hares and dead lion, 304, 305. Milton, Emblem, 9; Paradise Lost, curiously portrayed in Adams appel, 1642, p. 132; in Boissard’s Theatrum, The fall of Satan, Plate XI., 133. Moerman quoted, Wolf and ass, 53, 54. Moine’s Devises, Roy des abeilles, 363. Montalde, P. Horatius, 79. More, Sir T., quoted, 120, 461, 481. Motley, Dutch Republic, 81, 82. Mulgrave, Voyage to the North Sea, 348.

=4.= Maidens, Hindoo and Persian, and flowers, 18. Manchester Free Library, Faerno’s Fables, 1565, p. 85. Man, like a wolf, 281; like a god, 283. Man measuring his forehead, 129. Man swimming with a burden, from Perriere, 480; Whitney, 480; Shakespeare, 481. Man’s greatness, Coustau, 283; Reusner and Shakespeare, 283, 284. Manuscript Emblem-books, Macaber, 39; Astronomical, 41; Speculum humanæ salvationis, 42, 44; Bedford Missal, 44; Hortulus animæ, 58; Crosse, 100; Eng. Alciat, 101. Map of the world, Sambucus, 351; Shakespeare, 352. Marble, writings on, 457–462. Marcus Curtius, 5. Marquetry or mosaic work, in Emblems, 4. Mary of Lorrain, her impresa, 123. Mary, queen of Scotland, educated in France, 1548, p. 121; Bed of state wrought by her with many emblems, 123; Account of it, 123–125. Matthias, emperor, 96, 97. Maximilian I., Tewrdannckh attributed to him, 1517, p. 67; Ehrenpforte and Triumphwagen in his honour, 67. Maximilian II., patron of Sambucus, 85. Maxwell. See Stirling-Maxwell. Mead, Dr., his copy of the Dance of Death, 40. Medeia and the swallows, as shown by Alciat, 190; Whitney, 190; Shakespeare, 192. Mercury and fortune, Alciat, 255; Mercury charming Argus, Drummond, 123; Mercury mending a lute, Sambucus, Whitney, 256; Shakespeare, 257, 258. Metrical renderings or translations: Diana, 3; the Fool, 34; Wolf and ass, 54; Oarsman’s cry, 61, 62; Epigram on James I., 122; Janus, 140; Diligence, 145; Sun of the soul, 161; Sun and wind, 165; Inverted torch, 171; Money, 178; Hope, 184; Snake, 198; Drums, 206; Wreaths, 222; Porcupine, 232; Courage, 233; Lady Bona, 235; Wine, 249; Sloth, 251; Fortune, 255, 262; Prometheus, 266; Dog and moon, 271; Eloquence, 272; Assassin, 276; Actæon, 277; Arion, 280; Man to man a god, 283; Phaeton, 285; Daphne, 297; Pegasus, 299; Insult to Hector, 304; Dead lion, 306; Elm and vine, 308; False feathers, 312; Ash and reed, 314; Cupid and the sieve, 330; Mind unmoved, 335; Adamant, 348; Wasps, 360; Falcon, 367; Renewed youth, 369; Unicorn, 372; Law’s delay, 374; Glory of poets, 380; Phœnix, 383; Alcyone, 391; King-fisher, 392; Pelican, 394, 395; Wounded stag, 398; Theatre, 405; State of man, 408; The hen, 411; Beauty, 419; Integer vitæ, 421; Laurel, 422; Timon, 428; Constancy, 436; Cupid and a ship, 437; Chaos, 448, 449; Wrongs on marble, 457; We flee what we follow, 467; Ban-dogs, 482; Riches and poverty, 489. Michael, St., order of, 1469, p. 227. Milo, in a tree, De Batilly, 344; Bull-bearing, Shakespeare; Microcosm, 296. Minerva superintending the Argo, 20. Minnesingers, or troubadours, remains of, 1461, p. 50. Miscellaneous Emblems: Words and forms of thought, Paris and Helen, 463; D. O. M., 464, 465; Time flying, &c., 466–468; Shadows fled and pursued, 468; Death and sleep, 469–471; Death’s fool, 471; Old time, 473, 474; Similarity of dedications, 475; Pine-trees in a storm, 475–477; Correspondencies in words, 477–479; Man swimming with a burden, 480; Ban-dogs, 481–483; Child and motley fool, 484; Ape and miser’s gold, 487; Hands of Providence, 489; Time leading the seasons, 491; Eternity, 491. Montgomerie, Earl of, Shakespeare’s dedication to, 122. Moral and æsthetic Emblems, allusions to, Corrozet, Montenay, Le Bey de Batilly, Shakespeare, 411–462: —Things at our feet, 411–413; Drake’s ship, 413–415; Adam in the garden, 415, 416; Gem in a ring of gold, 417–420; Conscience, 420–422; Laurel, safety of, against lightning, 422–425; Pleasant vices, 425; Timon of Athens, 426–431; Envy, 431–433; Ship tossed on the sea, 434–440; Student in love, 440–442; Ruins and writings, 443–445; Fame armed with a pen, 446; Good out of evil, 447; Il Caos, 448; Chaos, 449–454; Thread of life, 454, 455; Lamp burning, 456; Wrongs on marble, 457–461; Write in dust, 461; Higher morality, 462. Moth and candle, 151–153. See Butterfly. Motley fool and child, 499. Mouse caught in an oyster, Alciat, Whitney, Freitag, 130. Mulcaster, of Merchant Tailors’ school, 1561, p. 100. Music, Shakespeare’s appreciation of, 116. Mythological characters, Emblems for, 241–301: —Instances, 243, 244; Milo, 244; Cupid’s wings, 245; Cadmus, 245; Atlas, 245; Jupiter and Io, 245; Bacchus, 246–248; Circe, 250; Sirens, 253; Mercury and Fortune, 255; Mercury and the lute, 256; Mercury, 257, 258; Fortune, or occasion, and opportunity, 258–260; Fortune, 261; Fortune on the rolling stone, 263; Occasion, 263–265; Prometheus bound, 265–269; The dog baying at the moon, 270; Orpheus, 271–274; Actæon and the hounds, 274–279; Arion, 279–281; The contrary sentiment, 281–283; Phaeton, 284–287; Dædalus and Icarus, 287–291; Niobe, 291–294; Narcissus, 294–296; Daphne, 296, 297; Milo, 297; Pegasus, 298–300. Mythology, a fruitful source of illustrations, 241; Open to every one, 242; Ovid the chief storehouse, 242.

=N.=

=1.= Narren Beschwörung, 65. See Murner. Narren Schyff, 1494, p. 57; Supplied texts for Geyler, 66. See Brant. Navicula, 1511, p. 66. See Geyler. Navis stultifera, before 1500, p. 57. See Locher. Nef des dames vertueuses, 1503, p. 63. See Champier. Nef des folles, selon les cinq sens, 1501, p. 61. Nef des princes, 1502, p. 63. See Champier. Nestor, Histoire des hommes—de Medici, ed. 1564, p. 80. North, Morall philosophie of Doni, 1570 and 1601, pp. 76, 91, 120.

=2.= Ne per morte, 309; Nil penna sed usus, 370; Nimium rebus ne fide secundis, 476; Niuno vecchio, Spaventa Iddio, 136; Nobil è quel, ch’ è di virtu dotata, 366; Non absque Theseo, 143; No pleasure without pain, 333; Nous savons bien le temps, 392; Nunquam siccabitur æstu, 125, note; Nusquam nisi rectum, 124; Nusquam tuta fides, 196.

=3.= Nebulo nebulonum, 1620, p. 65. See Flintner. North’s Plutarch, 1579, Timon of Athens, 426; Epitaph, 430, 431. Notes and queries, 1862, p. 67.

=4.= Napoleon’s return from Elba, 18. Narcissus, from Mignault, Alciat, 294; Aneau, Whitney, Shakespeare, 295, 296. Nature, Emblems from facts in, and from properties of animals, 346–376: —Natural, one of the divisions of emblems, 346; Frosty Caucasus, 346; Adamant indestructible, 347, 348; Bear and cub, power of love, 348–350; The inhabited world, 350–353: Zodiac, 353–355; Turkey, 356–358; Vulture, 358; Commonwealth of bees, 358–365; Happe goulden honie bringes, 364; Falconry, 365–368; Eagle renewing its youth, 369; Ostrich spreading its wings, 370; Unicorn, 371–373; Hercules and dragon, 373–375; Various animals, 375, 376. Nemesis and hope, 182. See Hope. Niobe and her children, from Alciat, 292; Aneau, Whitney, Shakespeare, 293. Nowell, Dr. Alexander, 395. Nun, or canoness, Holbein, 469.

=O.=

=1.= Occulti academici, &c., 1568. See Rime. Orozco, Emblemas morales, 1610, pp. 31, 99. Ovid, Heroidum liber, 1473, p. 242; Metamorphoses, 1480, p. 242; M. cum figuris depictis, 1497, p. 35; Metamorphoses, Spanish, 1494, p. 242; Italian, 1497, p. 242; Metamorphoses, figurato, &c., 1559, pp. 35, 245; Plantin’s ed. 1591, p. 246; Golding’s English translation, 1565 and 1567, pp. 241, 243; La bible des poetes, 242.

=2.= Orphei musica, 272; Otiosi semper egentes, 146; O vita misero longa, 268.

=3.= Oetlinger, Bibliog. biog. univ., 97. Ormerod, History of Cheshire, 211. Ovid, Metamorphoses, quoted:—Singular subscription, 242; Swan, 214; Circe, 250; Orpheus, 274; Actæon, 278; Phaeton, 284; Niobe, 291; Daphne, 296; Phœnix, 385; Halcyon, 391; Wounded stag, 399; Cupid’s arrow golden, 400; Chaos, 448; 2 Trist., Jove’s thunderbolt, 209.

=4.= Oak and reed, Junius, Shakespeare, Vænius, 315; Whitney, 316. Oarsman’s cry, 61, 62. Occasion, or opportunity, 258; Alciat, 259; Whitney, 260; Shakespeare, 260, 264, 265; Plate XII., 265. Old men at death, Shakespeare, 215. Old time, Shakespeare, 473. Olive and vine, 249. See Vine. Orange, Prince of, device, 125, note. Order, of St. Michael, 227; Of the golden fleece, 228. Ornamentation of houses, Emblems used for, 126–130, 131. Orpheus, Coustau, 271; Reusner, Whitney, 272; Ovid, 274; Shakespeare, 273, 274. Ostrich, eating iron, 126; Giovio, 233; Camerarius and Shakespeare, 234; Spreading its wings, Paradin, 370; Whitney and Shakespeare, 370, 371.

=P.=

P, O. L., Alciat’s Emb. p. xii., Antverp., 1581, p. 318.

=1.= Palazza, I discorsi imprese, &c., 1577, pp. 79, 86. Paracelsus, Prognosticatio, 1536, p. 71. Paradin, Quadrins historiques de la Bible, 1555, p. 75; Devises heroiques, 1557, Symbola heroica, 1567, and other editions before 1600, p. 75; English version, 1591, p. 75; Menestrier, 79. Parker, Tryumphes of Petrarcke, 1564, p. 55. Passæus, 95, 96. See De Passe. Peacham, Minerva Britanna, 1612, pp. 99, 100. Percivalle, Versus et emblemata, 1588, p. 79. Pergaminus, Dyalogus Creaturarum, written in the 14th century,—editions, Latin, 1480, 1483; French, 1482; and English, 1520, pp. 51, 52, 66. Perriere, 60. See De la Perriere. Personé, alluded to by Menestrier, 79. Petrarch, Trionphi, 1475, 1510, and 1523, p. 55. Pezzi, La vigna del signore, 1589, p. 87. Pfintzing, Tewrdannckh, 1517; love adventures of Maximilian I. and Mary of Burgundy, 67, 68. Phasianinus, Latin version of Horapollo, 1517, p. 64. Philieul, Dialogue des Devises, 1561, p. 78. Pierius Valerian, Hieroglyphica, 1556, pp. 24, 80. Pignorius, Vetustissimæ tabulæ, 1605, 95; Characters Ægyptii, 1608, pp. 95, 97; and Short notes on Alciat, 1618, p. 71. Pinciano, Los Emblemas de Alciato, 1549, p. 70. Pinedi, Duodecim symbola in Jobum, 1600, p. 79. Pittoni, Imprese di diversi principi, 1566, p. 86. Ponce de Leon, Epiphanius, 1587, p. 28. Porri, Vaso di verita, 1597, p. 92. Porro, Il primo libro, 1589, p. 87.

=2.= Parfaite est l’amitie qui vit après la mort, 307; Partium τῆς οἰκουμένης symbola, 351; Patria cuique chara, 361; Paupertas immerita, 489; Pecunia sanguis et anima mortalium, 177; Perfidus familiaris, 195; Pennæ gloria immortalis, 446; Perpolit incultum paulatim tempus amorem, 348; Per vincula crescit, 123; Peu à peu, 349; Φιλαυτία, 295; Piena di dolor voda de sperenza, 124; Pietas filiorum in parentes, 191; Pietas revocabit ab orco, 124; Piu por dulzura que por fuerza, 162, 167; Plus par doulceur que par force, 165; Plus virtute quàm armis, or Plvs par vertv qve par armes, 164; Poetarum gloria, 379; Ponderibus virtus innata resistit, 124; Porta hæc clausa erit et non aperietur, 47; Post amara dulcia, 332; Πῶς γέροντα μουσίκον, 213; Πῶς λαὸν πειθήνιον βασιλεῖ, 358; Precipitio senza speranza, 124; Precium non vile laborum, 228; Principis bona imago, 143; Principis clementia, 360; Pro lege et grege, 394; Propera tarde, 16; Prudentes vino abstinent, 249; Pur reposer, 7.

=3.= Palæphatus, on Actæon, 278. Paradin, quoted,—Ape and miser’s gold, 501; Arrow wreathed on a tomb, 183; Barrel full of holes, 332; Butterfly and candle, 151; Fleece, golden, 228; Gold on the touchstone, 175; Leafless trees and rainbow, 128; Michael, order of St., 227; Ostrich with stretched wings, 370; Phœnix, 234, 385; Snake on the finger, 342; Stag wounded, 399; Wheat among bones, 184; Wreath of chivalry, 169; Wreath of oak, 224; Wrongs on marble, 458. Penny Cyclopædia, on Pericles, 168; on the plays of Henry VI., 238; Unicorn, 372. Percy Reliques, Dragon, 373. Pfister, earliest printed book on scriptural subjects, 1462, p. 45; Earliest German book, 1461, p. 50. Pindar, on Symbol, 2. Plantin, 1564–1590, fifty editions of Emblem-books, 85. Plato, the swan, 214; king-bee, 359. Plautus, “life to me,” 161. Plutarch, Timon of Athens, 430; Carking, 468. Priestley, Lectures on History—on Grecian coins, 13. Proclus, Seven ages of man, 407.

=4.= Painters referred to, Romano, 110; Rubens, 96; Titian, 111, 114. Palm-tree, a device on Queen Mary’s bed, 124. Parallelisms and correspondencies between Shakespeare and emblem writers, numerous, 494. Pegasus described, 141–144; Alciat, 299; Shakespeare, 300. Pelican, Epiphanius, 393; Camerarius and Reusner, 394; Junius and Whitney, 395; Shakespeare, 396; Note in Knight, 396. Pembroke, earl of, dedication to, 1668, p. 122. Pericles, accepted as of Shakespeare’s authorship, 156, 157, 158; the triumph-scene, 158; First knight, Lux tua vita mihi, 160–162; Second knight, Piu por dulzura que por fuerza, 162–167; Third knight, Me pompæ provexit apex, 168–170; Fourth knight, Quod me alit, me extinguit, 170–175; Fifth knight, Sic spectanda fides, 175–181#; Sixth knight, In hac spe vivo, 181–186. Personification, especially in mythology, 258. Perth, earl of, Emblems in a letter to, 124, note. Phaeton, Ovid, 284; Alciat, 285; Symeoni, 284; Shakespeare, 286, 287. Philip, duke of Burgundy, 1429, Golden fleece, 228. Phœnix, emblem for long life; for returning to friends; restoration after long ages, 23; Oneliness or loneliness, 235, 236; Accounts of, 22, 23, 234–236; Phœnix’ nest, 380; Emblem of loneliness, Paradin, Giovio, 234, 235; Shakespeare, 236; Emblem of duration, Horapollo, 23; Emblem of new birth, and resurrection, Freitag, 381; Mary of Lorraine, 123; Emblem of oneliness, Paradin and Reusner, 385; Whitney, 387; Shakespeare, 388–390; Emblem of life eternal, 386. Phœnix with two hearts, Hawkins, 383; the Virgin mother and her son, entire oneness of affection, 384; Shakespeare, 384. Phryxus, or Phrixus, 229. See Golden Fleece. Picture writing, 18, 30. Picture and short poesie, marks of the Emblem, 31. Pilgrim travelling, Cullurn’s Hawsted, 128. Pine-trees in a storm, Horace, Sambucus, 475; Whitney, 476; Shakespeare, 477. Plate, of emblematical character, 20. Pleasant vices, their punishment, 425. Poetic ideas, emblems for, 377–410; Shakespeare’s splendid symbolical imagery, 377; Glory of poets, 379, 380; The phœnix, 381–383; Phœnix with two hearts, 384; The bird always alone, 384–390; Kingfisher, 391–393; Pelican, 393–398; Wounded stag, 397–400; Golden, the epithet, 400; Death and Love, 404, 405; Cupid in mid-air, 404; Human life a theatre, 405, 406; Seven ages of life, 407–410. Poet’s badge, Alciat, 218; Whitney, 217; Shakespeare, 219. Poet’s glory, 379; Le Bey de Batilly, 380; Shakespeare, 380. Politics in emblems, Il Principe, 34. Porcupine, Drummond, 124; Giovio, 231; Camerarius, Shakespeare, 232. Portcullis, emblem used by Henry VIII., 124. Powers granted for noble purposes, Whitney, Shakespeare, 412. Printing with blocks, 45–49; with moveable types, 50. Progne or Procne, Aneau, Shakespeare, 193. Prometheus bound, Alciat, 266; Aneau, 267; Microcosme, 267; Reusner, Whitney, 268; Shakespeare, 268, 269. Proverbs, Emblems in connection with, 318–345: —Proverbs suggestive of narrative or picture, 318; La fin couronne les œuvres, 320–322; Manie droppes pierce the stone, &c., 324; To clip the anvil of my sword, 325–327; Jove laughs at lovers’ perjuries, 328, 329; Labour in vain, 329–332; Every rose its thorn, 332–334; True as the needle to the pole, 334–337; Out of greatest least, 337–339; A snake in the grass, 340, 341; Who against us? 342, 343; Hoist with his own petar, 343, 344. Providence, and girdle, 413 (see Drake’s ship); Making poor and enriching, Plate XVI., 489. Pyramid and ivy, Drummond, 124.

=Q.=

=1.= Quadrins historiques de la Bible, 1553–1583, _twenty-two editions_ in various languages_73_. Quadrins historiques du Genèse, 1553, p. 73. Quadrins historiques de l’Exode, 1553, p. 73.

=2.= Quæ ante pedes? 411; Quæ sequimur fugimus, nosque fugiunt, 466; Quæ supra nos, nihil ad nos, 260; Quel che nutre, estingue, 175; Que mas puede la eloquençia que la fortaliza, 164; Quem nulla pericula terrent, 347; Quibus rebus confidimus, iis maxime evertimus, 344; Quid nisi victis dolor, 124; Qui me alit, me extinguit, 171–173; Quis contra nos? 126, 342; Quod in te est, prome, 395; Quod me alit, me extinguit, 170, 174; Quod nutrit extinguit, 174; Quod sis esse velis, 312; Quo modo vitam? 456; Quo pacto mortem seu hominis exitum? 454; Quo tendis? 128.

=3.= Quarles, definition of Emblem, 1. Quinctilian, use of the word Emblem, 5.

=4.= Qui or quod, variations in the reading, 174.

R.

R, O. L., Nef des folz, xlix., Paris, 1499, p. 411; O. L., of uncertain origin, p. 531.

=1.= Rabelais, Les songes drolatiques de Pantagruel, 1565, p. 86. Rastall, Dialogue of creatures, 1520, p. 51. Regiomontanus, or Muller, 1476, p. 42. Regiselmus. See Joachim. Reusner, Emblemata 1581, Aureolorum Emblem., 1591, pp. 88, 89, 251. Rime de gli academici occulti, 1568, p. 86. Rinaldi, Il mostruosissimo, 1588, p. 87. Ripa, Iconologia, &c., 1603, 1613, p. 92. Riviere, Nef des folz du monde, before 1500, p. 57. Rollenhagen, Les emblemes, 1611, p. 95; Nucleus Emblematum, 1613, p. 97. Ruscelli, Discorso, 1556, p. 77; Imprese illustri, 1566, p. 78. Rüxner, Turnier-buch, 1530, p. 68.

=2.= Rabie succensa, 356; Remember still thy ende, 320; Renovata juventus, 369; Res humanæ in summo declinant, 435; Respice et prospice, 139; Rompe ch’ il percote, 125; Rore madet vellus, Permansit arida tellus, 47; Rota vite que septima notatur, 407.

=3.= Rapin, History of England, 1724, p. 122. Real museo Borbonico, 1824, p. 19. Reusner, quoted:— Circe, 251; Hares and dead lion, 306; Man a god to man, 283; Orpheus and harp, 272; Pegasus, 143; Pelican and young, 394; Phœnix, 385; Prometheus, 268; Serpent and countryman, 197; Sirens, 252; Swan, 215, 216; Unicorn, 371. Roscoe, Leo X., 303.

=4.= Recapitulation and conclusions, 492–495. References and coincidences not purely accidental, 494. References to passages from Shakespeare, in the order of the plays and poems, and to the corresponding devices and subjects of the Emblems, Appendix iii., 531–542. Rhetoric, chambers of, their pursuits and amusements, 81, 82; Extent and nature, 82. Rich and poor, Plate XVI., 489. Rock in waves, Drummond, 125, note. Romano, Julio, works known to Shakespeare, 110; Where there are now works of his, 110, 111. Romano, Capitano Girolamo Mattei, 233. Rose and thorn, Whitney, Perriere, 333; Vænius, 333; Shakespeare, 334. Rubens, desciple of Vænius, 96. Rudolph II, 85, 89, 96. Ruins and writings, Whitney and Costalius, 444; Shakespeare, 444, 445; Boissard, 449.

=S.=

S, O. L., Giovio’s Sent. Imp. 3, Lyons, 1562, pp. 156, 515; O. L., Sambucus (Emb. 232), Antverp., 1564, p. 302.

=1.= Sadeler, Symbola divina et humana, 1600, 1601, p. 95; Theatrum morum, 1608, pp. 95, 96, 97. Sambigucius, Interpretatio, 1556, p. 77. Sambucus, Emblemata, 1564, and Emblêmes de Jehan Sambucus, 1567, p. 85; Notes by Don John of Austria, 1572, p. 86. Sanctius, or Sanchez, on Alciat, 1573, pp. 71, 88. Sassus, referred to by Menestrier, 79. Sceve, Delie, 1544, p. 75. Schopperus, Πανοπλία, 1568, and _De omnibus illiberalibus sive mechanicis artibus_, 1574, p. 88. Schrot, Wappenbuch, 1581, p. 90. Scribonius, 1550. See Graphæus. Sevus, referred to by Menestrier, 79. Shyp of fooles. See Watson and Barclay. Sicile, Le blason de toutes armes, and Le blason des couleurs, 1495, p. 58. Simulachres & historiees faces de la mort, 1538, p. 71; Fifteen editions, 72, 471. Soto. See De Soto. S. (P.), Heroical devices, 1591, pp. 75, 120. Spanish Emblem-books, passim, and, 70, 90, 99. Speculum humanæ salvationis, MS., printed about 1430 by Koster, 43; Description of his edition, 43; Many editions and kindred works before 1500, p. 43; Plates IV. and V., 44. Spelen van sinne, allegorical plays, 1539, p. 81. Stam und wapenbuch, 1579, p. 31. Stimmer, Neue kunstliche figuren Biblischen, 1576, p. 90. Stockhamer, commentariola to Alciat, 1556, p. 70. Stultifera navis, previous to 1500, Locher, Riviere, Plate IX., 57; Other versions, 57; Badius, 61. Symeoni, Vita et Met. d’Ovid., 1559, pp. 3, 35, 79; Devises ou emblemes heroiques et morales, 1561, pp. 15, 16; Imprese, 1574, p. 17; Imprese heroiche et morale, 1562, p. 78; Sententiose imprese, 1562, p. 78.

=2.= Sa virtu m’attire, 123; Scelesti hominis imago & exitus, 53; Scribit in marmore læsus, 457, 458; Scripta manent, 443; Servati gratia ciuis, 224; Sibi canit et orbi, 217; Sic majora cedunt, 366; Sic spectanda fides, 159, 175, 178; Si Deus nobiscum, quis contra nos?, 342; Si fortuna me tormenta, il sperare me contenta, 137, 138; Si fortune me tourmente, l’esperance me contente, 138; Silentium, 208; Sine justitia confusio, 449, 450; Sola facta, solum Deum sequor, 234; Sol animi virtus, 161; Sola vivit in illo, 126; Speravi et perii, 130; Spes altera vitæ, 1833, #184; Spes aulica, 182; Spes certa, 182; Spiritus durissima coquit, 233; Stultitia sua seipsum saginari, 310; Stultorum infinitus est, 66; Superbia, 292; Superbiæ vltio, 293.

=3.= Sadeler, Zodiacus christianus, 1618, p. 353. Sambucus, quoted: —Actæon, 277; Astronomer, 335; Ban-dog, 482; Child and motley fool, 484; Elephant, 196; Forehead, 129; Hen eating her own eggs, 411; Laurel, 422; Mercury and lute, 256; Pine-trees in a storm, 475; Ship on the waves, 435; Time flying, 466; Timon, 427; World, map of, 351. Schiller, Werke, 199. Schlegel, on Pericles, 157. Shakespeare quoted, by way of allusion, or of reference to: —Æsop’s Fables, 303; Actæon, 276, 279; Adam hiding, 416; Adamant, 348; Æneas and Anchises, 191; Ape and miser’s gold, 488; Apollo and the Christian muse, 379; Argonauts and Jason, 230; Arion, 283; Astronomer and magnet, 356; Atlas, 245; Bacchus, 249; Ban-dog, 484; Bear and ragged staff, 237–240; Bear and cub, 349, 350; Bees, 361–365; Bellerophon and chimæra, 300; Brutus, 201–205; Butterfly and candle, 153; Cadmus, 245; Cannon bursting, 345; Casket scenes, 149–154, 186; Cassius and Cæsar, 193; Chaos, 451–453; Child and motley fool, 485; Chivalry, wreath of, 168; Circe, 252; Cliffords, 192; Clip the anvil of my sword, 327; Commonwealth of Bees, 362–365; Conscience, power of, 421; Coriolanus, 201; and his civic crowns, 226; Coronation scene, 9; Countryman and serpent, 197; Cupid blinded, 331; Cupid in mid-air, 404; Daphne, 297; Death, 469; Dog baying the moon, 269; Dogs not praised, 145, 483; D. O. M., 464, 465; Drake’s ship, 415; Drinking bout of Antony and his friends, 246; Drops pierce the stone, 324; Dust, to write in, 461; Eagle renewing its youth, 369; Elizabeth, queen, 404; Elm and vine, 309; Emblem defined, 9; Emblems without device, 149–151; End crowns all, 320, 323; Engineer hoist, 345; Envy, 433; Estridge, 371; Eternity, 491, 492; Falconry, 367, 368; Fame armed with a pen, 445, 446; Fin couronne les œuvres, 320–323; Fortune, 262; Fox and grapes, 311; Frosty Caucasus, 346; Gem in a ring, 419; Golden, 400, 404; Gold on the touchstone, 175, 180; Golden Fleece, 227; Good out of evil, 447; Greatest out of least, 337–339; Hands of Providence, 489, 490; Happe some goulden honie bringes, 365; Hares and dead lion, 304; Hen eating her own eggs, 412; Heraldry, 222, 223; Homo homini lupus, 280, 283; Homo homini Deus, 283, 284; Hydra, 375; Icarus, 291; Inverted torch, 170; Jackdaw in fine feathers, 313; Janus, two-headed, 140; Jupiter and Io, 246; Jove laughs at lovers’ perjuries, 328; King-fisher, 392; Labour in vain, 331, 332; Lamp burning, 456; Laurel, 422–425; Lottery, 209–211; Love’s transforming power, 349; Man with a fardel or burden, 481; Man’s greatness, 284; Map of the world, 351, 352; Medeia, 192; Mercury, 257, 258; Michael, order of St., 227; Milo, 297; Narcissus, 296; Niobe, 293, 294; Oak and reed, 315, 316; Occasion, or opportunity, 260, 264, 265; Old Time, 473; Orpheus, 273, 274; Ostrich, 234, 371; Pegasus, 299, 300; Pelican, 394–397; Pen, its eternal glory, 447; Pericles,—the triumph scene, 158, 160–186; Phaeton, 286, 287; Phœnix, 236, 381–390; Pine-trees, 477; Poet’s badge, 218, 219; Poet’s glory, 379, 380; Porcupine, 232; Powers granted for noble purposes, 412; Progne, 194; Prometheus bound, 268; Romano, Julio, 110; Ruins and writings, 443–445; Rose and thorn, 333, 334; Serpent in the breast, 198; Seven ages of man, 407–410; Shadows fled and pursued, 468; Ship in storm and calm, 435–440; Sirens, 254; Skull, human, 337–339; Snake in the grass, 341; Snake on the finger, 343; Stag wounded, 397–400; Student entangled in love, 441; Sun and wind, 160; The setting sun, 323; The swan, 219; Sword on an anvil, 327; Sword with a motto, 138; Testing of gold, 175, 180, 181; Theatre of life, 405, 406; Things at our feet, 411, 412; Thread of life, 454; Time leading the seasons, 491; Timon, 427–431; Turkey and cock, 357, 358; Unicorn, 371, 372; Vine and olive, 249; Whitney’s dedication lines, 464; Wreath of chivalry, 168; Wreaths, 222; Wreath of oak, 225; Wrongs on marble, 457–462; Zodiac, signs of, 353. Shakespeare, acquainted with languages, 106, 107, 168; with the works of Julio Romano, 110; and of Titian, 115; with Emblems, 137, 158, 186. —Attainments, 106–116; sufficient for cultivating Emblem literature, 107, 108. —Dramatic career, 1590–1615, pp. 91, 92; An Emblem writer, 148, 154, 493; Genius, 105; Judgment in works of art,—sculpture, 109, 110; ornament, 111; painting, 112–115; melody and song, 115, 116. —Knowledge of ancient history and customs, 105, 106, 225, 226; Marks of reading and thought, 242; Tendency to depreciate his attainments, 105; Use of term Symbol, 2; Device, 8; Emblem, 9. Shepheards calender, Spenser, 134–137, 186. Siegenbeek, Geschiedenis der Nederlandsche letterkunde, 82. Smith, Dictionary of Greek and Roman Antiquities, 10. Sotheby, Principia typographica, 1858, pp. 48, 49. Spenser, ideas of devices, 8; Early sonnets, 88; Visions, 134; Shepheards calender, 134, 136, 185; Ban-dogs, 481. Stamm Buch, 1619, Adam hiding, 416. Statius, badges, 47. Suetonius, Tiber. Cæsaris vita, 5. Symbola divina et humana, 1652, p. 176. Symeoni, quoted:—Ape and miser’s gold, 486; Butterfly and candle, 153; Chaos, 448; Creation and confusion, 35; Diana, 3; Dolphin and anchor, 16; Forehead shows the man, 129; Inverted torch, 171; Phaeton, 284; Serpent’s teeth, 245; Wounded stag, 398; Wrongs on marble, 457. Syntagma de symbolis, 2.

=4.= Saint Germain, fair at, imprese, 124, note. Salamander, impresa of Francis I., 123, 125. Satan, fall of, Boissard, 1596, Plate XI., 132, 133. Satire in Emblems, 33. Saviour’s adoption of a human soul, Vænius, Plate II., 32. Savoy, duke of, his impresa, 124; Madame Bona of, her device, 235. Sepulchre and cross, Diana of Poitiers, 183. Serpent and countryman, Freitag, Reusner, 197; Serpent in the bosom, Shakespeare, 198. Seven ages of man, Arundel MS., 406; Hippocrates, Proclus, Antonio Federighi, Martin, Lady Calcott, 407; Block-print described, Plate XV., 407, 408; Shakespeare, 409, 410. Shadow, fled and pursued, Whitney, 467; Shakespeare, 468. Shield untrustworthy. See Brasidas. Shields of Achilles, Hercules, Æneas, &c., 20. Ship, with mast overboard, Drummond, 124; Ship on the sea, Drummond, 125; Ship tossed by the waves, Sambucus, Whitney, 435; Ship sailing forward, Whitney, Alciat, 436; Boissard, 437; Shakespeare, 438–440. Sieve held by Cupid, 340. See Cupid. Silent academy at Hamadan, 17. Silversmiths, their craft and emblems, 20. Similitudes and identities in literature, 302. Sinon, 194–200; Virgil, 194; Whitney, 195, 196, 199; Shakespeare, 200. Sirens,—Alciat, 253; Whitney, 254; Shakespeare, 254. Six direct references to Emblems in the Pericles of Shakespeare, 156–186. Skiff of foolish tasting, Badius, 1502, p. 61. Skull, human, Aneau, Whitney, 337; Shakespeare, 338, 339. Snake in the grass, Paradin, Whitney, 340; Shakespeare, 341. Snake on the finger, Paradin, 342; Whitney, Shakespeare, 343. Soul, its hieroglyphic sign, 25, 26. Spanish motto, 162, 164, 167. Speculum humanæ salvationis, Plates IV. and V., 44. Stag wounded, Giovio and Symeoni, 398; Paradin, Camerarius, Virgil, Ovid, Vænius, 399; Shakespeare, 399, 400. Stage, the world a, 409. See Seven ages. Star, its hieroglyphic meaning, 25. Statuary and architecture excluded, 11. Stirling-Maxwell, Bart., of Keir, De Bry’s Stam und wapenbuch, 1593, p. 32; ΜΙΚΡΟΚΟΣΜΟΣ, by Costerius, 98. See also Keir. Stork, emblem of filial piety, &c., 28; Epiphanius and Alciat, 28. Student in love, Alciat, Whitney, 441; Shakespeare, 442. Subjects of the Emblem Imprese, &c., 515–530. Sun and moon, in dialogue, 52. Sun of York, 223; Sun in eclipse, 124; Sun setting, Whitney, 323; Sun, wind, and traveller, Corrozet, 165; Freitag, Shakespeare, 166. Swan singing at death, Æschylus, Horapollo, 213; Virgil, Horace, 214; Old age eloquent, Aneau, 215; Pure truth, Reusner, 216; Camerarius, 217; Insignia of Poets, Alciat, Whitney, 218; Shakespeare, 219, 220. Sword with motto, 138. Sword on anvil, Perriere, 326; Whitney, 327; Shakespeare, 325, 327. Sword to weigh gold, Drummond, 124. Symbol, more exact use, Pindar, Æschylus, Cudworth, Shakespeare, 2. Symbols and Emblems, almost convertible terms, 1; yet a difference, 2. Symbolic properties of animals, 28. Symbolical imagery, fine example of, 377.

=T.=

T, O. L., Nef des Folz. 7, Paris, 1499, p. xiii.

=1.= Taëgius, referred to by Menestrier, 79. Tambaco, Speculũ-paciẽtierum, 1509, p. 65. Tasso, Torq., Discorsi del poeme, 79, 92. Tasso, Herc., referred to by Menestrier, 79. Taurellius, Emblema physico-ethica, 1595, pp. 94, 96. Tewrdannckh, in honour of Maximilian I., dedicated to Charles V., splendid volume, 67. Théatre des animaux, 93. See Desprez. Todtentanz, the original editions, 1485 to 1490, not by the Holbeins, 56. Trebatius, Latin version of Horapollo, 1515, p. 64. Triumphwagen, 67. See Durer. Troiano, Discorsi delli triomfi, 1568, p. 86. Turnier-buch, 68. See Durer. Typotius, 1601–1603, p. 95. See Sadeler.

=2.= ’t Geld vermagalles, 177; Temere ac pericvlose, or Temerité dangerevse, 152; Tempus irrevocabile, 36, 490; Tempus omnia terminat, 323; Te stante virebo, 124; Time terminates all, 323; Trino non convenit orbis, 124; True as needle to the pole, 334; True as steel, 337.

=3.= Tennyson, Elaine, 30. Tibullus, on lovers’ vows, quoted, 328. Timperley, Dictionary of printers, 1839, pp. 44, 56. Titian, Triumph of truth and fame, 32; his paintings, 111, 114. Tod, remarks on Spenser, 137.

=4.= Tabley, Cheshire, ancient hall of the Leycesters, with emblem, 131. Talbot, earl of Shrewsbury, 207, 227. Theatre, human life, Boissard, Plate XIV., 405; Shakespeare, 406. Theological conjecture, a curious, 383. Thieves, so triumph, 319. Things at our feet, Whitney, Sambucus, 411; Types of powers to be used, Shakespeare, 412. Thingwall, the emblem library there, 86. Thompson, H. Yates, of Thingwall, 5, 44. Thread of life, Horapollo, 454; Shakespeare, 455. Time flying, Sambucus, 466; Whitney, 467; Plutarch, 468; Shakespeare, 468, 469; Turning back, Shakespeare, 473. Time leads the seasons, Vænius, Horace, Plate XVII., 491; Shakespeare, 491. Timon of Athens, Dr. Drake, 426; North, Plutarch, Sambucus, 426, 427; Shakespeare, 428, 429; Epitaph, 430; Mode of death, 431. Titus, son of Vespasian, his emblem, 16. Tongue with bat’s wings, Cullum and Paradin, 128. Tree of life, 126. See Arrow wreathed. Tree in a churchyard, Drummond, 124. Triangle, sun and circle, Drummond, 124. Triumph scene in the Pericles, 1589, pp. 160–186. Tronus Cupidinis, De Passe, 348. Trophy on a tree, Drummond, 124. True as needle, Sambucus, 334; Whitney, 335; Shakespeare, 336; lode stars, 336. True as steel, 337. True men so yield, 319. Truth, an emblem so named, 20. Turkeycock, Freitag, Camerarius, 357; Shakespeare, 358.

=U.=

=1.= Ulloa, Alphonsus, 1561, Menestrier, 79.

=2.= Unde, 124, note; Undique, 123; Unica semper avis, 385; Unum quidem, sed leonem, 124; Ut casus dederit, 124; Ut parta labuntur, 128; Utilia prudenti, imprudenti futilia, 53.

=4=. Ulysses and Diomed as an emblem, 5. Unicorn, 371; Reusner, Brucioli, Penny Cyclopædia, and Camerarius, 372; Shakespeare, 373.

V.

=1.= Vænius, 93; Zinnebeelden, 1603, p. 98; Q. Horatii Fl. Emblemata, 1607 & 1612, pp. 36, 95; Amorum Emblemata, Latin, English, and Italian, 1608, pp. 95, 99; Amorum Emblemata, Spanish, 1608, pp. 99, 122; Amoris Divini Emblemata, 1615, pp. 32, 99. Valence, Emblesmes—du Segnor Espagnol, 1608, pp. 93, 94. Valerian, 80. See Pierius. Vander Noot’s Theatre, &c., 1568, pp. 87, 91. Van Ghelen, Flem. trans. Navis stultorum, 1584, p. 90. Van Vischer, Sinnepoppen (Emblem play), 1614, p. 98. Verdier, trans. into French, Imagini, &c., 1581, p. 87. Villava, Empresas Espirituales, &c., 1613, p. 99. Virgil Solis, 85; Libellus sartorum, 1555, p. 77; Figures for the New Testament, and Artistic book of animals, between 1560 and 1568, p. 85. Volucribus, de, sive de tribus columbis, MS., 13th century, 44.

=2.= Vel post mortem formidolosi, 205; Veritas armata, 123; Veritas invicta, 264; Via, veritas, vita, 462; Victrix animi equitas, 314; Victrix casta fides, 371; Video et taceo, 208; Vigilantia et custodia, 210; Vina coronal, 101; Vincit qui patitur, 315; Violentior exit, 154; Vipera vim perdet, sine vi pariente puella, 47; Virgo salutatur, innupta manens gravidatur, 47; Virtuti fortuna comes, 211; Vine ut viuas, 444; Volat irrevocabile tempus, 36, 494; Voluptas ærumnosa, 277; Vijt Adams appel Sproot, Ellende Zonde en Doodt, 132.

=3.= Vænius, quoted, Butterfly and candle, 152; Christian Love presenting the soul to Christ, Plate II., 32; Conscience, 421; Cupid felling a tree, 324; Elm and vine, 308; Fortune, 263; Rose and thorn, 333; Ship sailing, 437; Time leading the seasons, Plate XVII., 490, 491; Two Cupids at work, 179; Venus dispensing Cupid from his oaths, 328; Wounded stag, 399; Amorum Emblemata, Latin, English, and Italian, 179, 437. Van der Veen, Adams appel, 1642, Plate X., 132. Van Hooghe, Frontispiece of Cebes, 1670, p. 13. Virgil, Æneid, Bees, 359; Circe, 251; Crests, 14; Shield of Æneas, 20; Sinon, 194; Stag wounded, 398; Swan, 214; L’Eneide de Virgile, Lyons, 1560, p. 36.

=4.= Van Hooft, illustrious Dutch poet, 98. Varieties of Emblems, 18; great, 34. Vases with emblems, Warwick, 10; Italo-Græco, 19. Venus dispensing Cupid from his oaths, 328. Verard, 1503, publisher of Les figures, &c., 63. Vine and olive, Whitney, Alciat, 249. Vine watered with wine, Drummond, 124. Volvelle, astrological, 42. Vostre, Simon, of Paris, printer, 39.

=W.=

W, O. L., Symeoni’s Vita d’ Ovidio, Lyons, 1559, p. 1.

=1=. Watson, Shyppe of Fooles, 1509, pp. 57, 65, 119. Whitney, Choice of Emblemes, 1586, pp. 91, 120. Willet, Sacrorum Emblematum Centuria, 1598, pp. 99, 100, 119, 120. Wohlgemuth, Libri cronicarum, 1493, p. 56. Wyrley, True use of armorie, 1592, pp. 99, 100.

=2.= Wat den mensch aldermeest tot’ conste verwect?, 82; Where the end is good, all is good, 437; With manie blowes the oke is ouerthrowen, 324.

=3.= Walcott, Sacred Archæology, 1868, p. 27. Waller, master-bee, 363. Wedgwood, Life of, fictile ornament, 19. Whitney, Fac-simile Reprint, 1866, p. 172; Emblems quoted by Knight to illustrate Hamlet, 396. Whitney, quoted:—Definition of Emblems, 6; Actæon, 278; Adam hiding, 416; Æneas bearing Anchises, 191; Ants and grasshopper, 148; Ape and miser’s gold, 128, 487; Arion and the dolphin, 281; Astronomer and magnet, 335; Bacchus, 248; Ban-dog, 483; Barrel with holes, 332; Bear and ragged staff, 236; Bees, 361, 364; Brasidas, 195; Brutus, 202; Chaos, 450; Child and motley fool, 484; Circe, 251; Cupid and death, 402; Diligence and idleness, 146; Dog baying the moon, 270; D. O. M., 464; Drake’s ship, 413; Elephant, 196; Elm and vine, 308; Envy, 432; Fame armed with a pen, 446; Fardel on a swimmer, 480; Fleece, golden, 229, 230; Forehead, 129; Fox and grapes, 311; Gold on the touchstone, 178; Hares and dead lion, 305; Harpocrates, silence, 208; Hen eating her own eggs, 412; Hope and Nemesis, 182; Icarus, 288; Introductory lines, D. O. M., 464; Inverted torch, 173; Janus, 139, note; Laurel, 423; Lottery in London, 208; Medeia, 190; Mercury and lute, 256; Mouse and oyster, 130; Narcissus, 295; Niobe, 293; Oak and reed, 315; Occasion, 260; Orpheus, 272; Ostrich stretching out its wings, 370; Pelican, 395; Phœnix, 387; Pine-trees in a storm, 476; Prometheus, 267; Rose and thorn, 333; Ruins and writings, 443; Serpent in the bosom, 199; Shadows, 468; Ship tossed by the waves, 435; Ship sailing forward, 436; Sirens, 254; Skull, 338; Snake in the grass, 340; Snake on the finger, 342; Student entangled, 441; Sun setting, 323; Swan, of poets, 217; Sword on an anvil, 327; Time flying, 467; Vine and olive, 249; Wreaths on a spear, 222; Wrongs on marble, 460. Wrangham, Plutarch, 431.

=4.= Walker, Rev. T., 462. Waves and siren, 125, note; Waves with sun over them, 125. Wheat among bones, Paradin, 183; Camerarius, 184; Boissard and Messin, 185. Wheel rolling into the sea, 124. Whitehall, collection of paintings there, founded by Henry VIII. and Charles I., 111. Who against us? Paradin and Whitney, 342; Shakespeare, 343. Wilbraham, Tho., Esq., the old English gentleman, 467. William III., history of, in medals, 14. Wings and feathers scattered, 124. Wolf and ass, a fable, 52–54. Woltmann, Holbein and his time, Death’s fool, 471; Shakespeare’s mistakes as to costume, 106. Woodcock, so strives the, with the gin, Shakespeare and Æsop, 319. Words and forms of thought, some, the same in Whitney and Shakespeare, 463. World, inhabited, three-cornered, earth the centre, Brucioli, 350; Sambucus, 351; No. America, 351, 352; Shakespeare, 52; Three-nooked world, 353. World a stage, 133. Wreath of chivalry, Paradin, 169; Shakespeare, 168, 170. Wreath of oak, Paradin, 224; Shakespeare, 225, 226. Wreaths of victory, Whitney, Camerarius, 222; Shakespeare, 222, 223; Paradin, 224. Writings remain, Whitney, 443; Boissard, 444; Shakespeare, 444, 445. Wrongs on marble, Symeoni, 457; Paradin, 458; Shakespeare, 459, 460; Whitney, 460; Origin of the sentiment, 460; Sir T. More and Columbus, 461; Nobler sentiments, 462.

X.

Xenophon’s Cyropædia, king bee, 359.

=Y.=

Y, the letter, an emblem of life, 320.

Yates, Joseph B., Alciat, MS., 1610, p. 101; Sketch of Emblem-books, 4, 5; Silver emblem, 5; Dedication Plate to, p. v.

=Z.=

Zainer, Das helden buch, 1477, p. 55. Zeb, Dr., of the Silent Academy, 17. Zinne-beelden, oft Adams appel, Plate X., 132. Zisca, named by Alciat and Whitney, 206. Zodiac, signs of, Sadeler, Brucioli, Plate XIII., 353; Shakespeare, 353–355. Zuingerus, Icones, 1589, p. 89.

COLOPHON.

Ex literarum studiis immortalitatem acquiri.

BRADBURY, EVANS, AND CO., PRINTERS, WHITEFRIARS.

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Transcriber’s Note

The table at the end of this note summarizes any corrections to the text that have been deemed to be printer’s errors. Proper names have been mostly allowed to stand as well, given the vagaries of spelling and translation in the originals, with the exception of Diane of Poi[c]tiers, whose name is consistently spelled without the ‘c’, save in the one instance noted.

The paragraph at the bottom of p. 19, beginning with ‘For the nature of Fictile ornamentation...’ ends with a double quotation mark which is unmatched. It is not clear where the quotation begins, since the passage seems to be partly paraphrasing. The quotation has been allowed to stand.

The spelling of the emblem-writer ‘Cœlius’ in the General Index disagrees with that given in the table on p. 89 as ‘Cælius’.

The index entry for the Latin phrase Malè parta, malè dilabuntur includes a reference to p. 502, where it is not mentioned. The emblem associated with the phrase appears on p. 487. The incorrect page reference was retained, but a link is provided to the correct location.

p. 5 n. 9 [“]Quidam ... Added.

p. 79 Bartholo[æm/mæ]us Taëgius Transposed.

p. 129 of his temper and inclination.[”] Added.

p. 174 PERICLES, PRINCE OF TYRE,” was first Added. pu[b]lished

p. 183 n. 106 used by Diana of Poi[c]tiers Removed.

p. 257 [“]O thou great thunder-darter of Added. Olympus

p. 271 Of an instrume[u/n]t Corrected.

p. 545 Brucioli’s Trattato della sphera, Corrected. 1543, Zodiac, Plate [XIV/XIII]., 353.

p. 562 Pignorius, Vetustissimæ tabulæ, Added. 1605[, 95];

p. 564 Rubens, d[e/i]sciple of Vænius Corrected.

p. 565 Servati gratia [av/ciu]is Corrected.

p. 566 Dramatic c[e/a]reer, 1590–1615 Corrected.

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