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They Knew What They Wanted

Sidney Coe Howard · 1925 · Free in the US

23,751 words · about 1 h 40 min to read

Period artwork: Interior of the Bodleian Library, 1845
About this edition

Free in the US: this text is in the public domain in the United States; it may still be in copyright elsewhere.

Licence: PD-US · Wikisource licence template(s) on the work: {{pd/us}}. Text and transcription from en Wikisource by Wikisource contributors (transcription licensed CC BY-SA 4.0; contributors: https://en.wikisource.org/w/index.php?title=They_Knew_What_They_Wanted&action=history). · Wikisource contributors

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About this book

Author
Sidney Coe Howard
Language
English
Published
1925
Length
23,751 words · about 1 h 40 min
Sections
5 reader sections
Text
Digital text
Rights
Public domain in the United States

 

Contents (5)
  1. Front matter about 5 min
  2. Scene about 2 min
  3. Act I about 36 min
  4. Act II about 31 min
  5. Act III about 26 min

Continue:

Front matter

They Knew what they Wanted

by Sidney Howard

THEY KNEW WHAT THEY WANTED

Scene

THEY KNEW WHAT THEY WANTED

THEY KNEW WHAT THEY WANTED

SCENE

The scene of the play is the home of an Italian wine-grower in the Napa Valley in California. All of theaction takes place in the main downstairs room which serves as general living and dining room.

It is necessary to understand that the house is not in the least Spanish in its architecture. As a matter of fact, it would serve any respectable middle-western farmer as a fitting and inconspicuous residence. It was built in the ’nineties of wood, is painted white on its exterior, and has only one story.

A door at the back, the main one to the outer world, gives on the porch. Another door, to the right of the audience, gives on the kitchen. The kitchen is three steps above the level of the room and so placed that the audience can see into it. It is completely furnished. A third door, to the left of the audience, gives on a flight of steps which leads to the cellar of the house. A fourth door, also on the left and farther down stage, gives on the bedroom.

The back wall should also be broken by windows; on the right of the central door, a bay window, on the left, a double flat window.

The view from the house is over a valley and toward brown Californian hills. The landscape is checkered with cultivation. Some of the checkers are orchards. Most of them are vineyards. The foreground is all vines. Vines twine about the pillars of the porch. In the beginning of the play—it begins in summer—the grapes on the porch vines are small and green. In the last act—three months having elapsed—they are large and purple.

The back stage must be so arranged that people who approach the house from the highroad appear to mount the porch steps from a much lower level. At other times, however, it is required that the characters be able to go and come on the level of the house itself where the farmyard is.

Inside the room the wall paper and the carpet are new and garish. The cheapest variety of lace curtains hangs in the windows. The furniture is new and includes a golden-oak dining table with chairs to match, a morris chair, another easy chair, a chest of drawers, a sideboard, a hat rack.

On one wall hangs a picture of Garibaldi. A picture of George Washington hangs over the central door. Other mural decorations include a poster of the Navigazione Generale Italiana, a still-life chromo, a religious chromo, and a small mirror.

On the hat rack hangs a double-barrelled shotgun draped with a loaded cartridge belt.

The whole impression must be one of gaiety and simple good living.

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