The Italian, or the Confessional of the Black Penitents

Front matter

AuxTOC|title=Volumes|

Volume I.

THE

ITALIAN,

OR THE

CONFESSIONAL of the BLACK PENITENTS.

A ROMANCE.

BY

ANN RADCLIFFE,

AUTHOR OF THE MYSTERIES OF UDOLPHO, &c. &c.

He, wrapt in clouds of mystery and silence, Broods o'er his passions, bodies them in deeds, And sends them forth on wings of Fate to others; Like the invisible Will, that guides us, Unheard, unknown, unsearchable!

IN THREE VOLUMES.

VOL. I.

LONDON:

Printed for T. Cadell Jun, and W. Davies (Successors to Mr. Cadell) in the Strand. 1797.

Preface

THE

ITALIAN,

OR THE

CONFESSIONAL of the BLACK PENITENTS.

About the year 1764, some English travellers in Italy, during one of their excursions in the envi­rons of Naples, happened to stop before the portico of the Santa Maria del Pianto, a church belonging to a very ancient convent of the order of the Black Penitents. The magnificence of this portico, though impaired by time, excited so much admiration, that the travellers were curious to survey the structure to which it belonged, and with this intention they as­cended the marble steps that led to it.

Within the shade of the portico, a person with folded arms, and eyes directed towards the ground, was pacing behind the pillars the whole extent of the pavement, and was apparently so engaged by his own thoughts, as not to observe that strangers were approaching. He turned, however, suddenly, as if startled by the sound of steps, and then, without further pausing, glided to a door that opened into the church, and disappeared.

There was something too extraordinary in the figure of this man, and too singular in his conduct, to pass unnoticed by the visitors. He was of a tall thin figure, bending forward from the shoulders; of a sallow complexion, and harsh features, and had an eye, which, as it looked up from the cloak that muffled the lower part of his countenance, seemed expressive of uncommon ferocity.

The travellers, on entering the church, looked round for the stranger, who had passed thither before them, but he was no where to be seen, and, through all the shade of the long aisles, only one other person appeared. This was a friar of the adjoining convent, who sometimes pointed out to strangers the objects in the church, which were most worthy of attention, and who now, with this design, approached the party that had just entered.

The interior of this edifice had nothing of the shewy ornament and general splendor, which distinguish the churches of Italy, and particularly those of Naples; but it exhibited a simplicity and grandeur of design, considerably more interesting to persons of taste, and a solemnity of light and shade much more suitable to promote the sublime elevation of devotion.

When the party had viewed the different shrines and whatever had been judged worthy of observation, and were returning through an obscure aisle towards the portico, they perceived the person who had appeared upon the steps, passing towards a confessional on the left, and, as he entered it, one of the party pointed him out to the friar, and enquired who he was; the friar turning to look after him, did not immediately reply, but, on the question being repeated, he inclined his head, as in a kind of obeisance, and calmly replied, "He is an assassin."

"An assassin!" exclaimed one of the Englishmen; "an assassin and at liberty!"

An Italian gentleman, who was of the party, smiled at the astonishment of his friend.

"He has sought sanctuary here," replied the friar; "within these walls he may not be hurt."

"Do your altars, then, protect the murderer?" said the Englishman.

"He could find shelter no where else," answered the friar meekly.

"This is astonishing!" said the Englishman; "of what avail are your laws, if the most atrocious criminal may thus find shelter from them? But how does he contrive to exist here! He is, at least, in danger of being starved?"

"Pardon me," replied the friar; "there are always people willing to assist those, who cannot assist themselves; and as the criminal may not leave the church in search of food, they bring it to him here."

"Is this possible!" said the Englishman, turning to his Italian friend.

"Why, the poor wretch must not starve," replied the friend; "which he inevitably would do, if food were not brought to him! But have you never, since your arrival in Italy, happened to see a person in the situation of this man? It is by no means an uncommon one."

"Never!" answered the Englishman, "and I can scarcely credit what I see now!"

"Why, my friend," observed the Italian, "if we were to shew no mercy to such unfortunate persons, assassinations are so frequent, that our cities would be half depopulated."

In notice of this profound remark, the Englishman could only gravely bow.

"But observe yonder confessional," added the Italian, "that beyond the pillars on the left of the aisle, below a painted window. Have you discovered it? The colours of the glass throw, instead of light, a shade over that part of the church, which, perhaps, prevents your distinguishing what I mean!"

The Englishman looked whither his friend pointed, and observed a confessional of oak, or some very dark wood, adjoining the wall, and remarked also, that it was the same, which the assassin had just entered. It consisted of three compartments, covered with a black canopy. In the central division was the chair of the confessor, elevated by several steps above the pavement of the church; and on either hand was a small closet, or box, with steps leading up to a grated partition, at which the penitent might kneel, and, concealed from observation, pour into the ear of the confessor, the consciousness of crimes that lay heavy on his heart.

"You observe it?" said the Italian.

"I do," replied the Englishman; "it is the same, which the assassin has passed into; and I think it one of the most gloomy spots I ever beheld; the view of it is enough to strike a criminal with despair!"

"We, in Italy, are not so apt to despair," replied the Italian smilingly.

"Well, but what of this confessional?" enquired the Englishman. "The assassin entered it!"

"He has no relation, with what I am about to mention," said the Italian; "but I wish you to mark the place, because some very extraordinary circumstances belong to it."

"What are they?" said the Englishman.

"It is now several years since the confession, which is connected with them, was made at that very confessional," added the Italian; "the view of it, and the sight of this assassin, with your surprize at the liberty which is allowed him, led me to a recollection of the story. When you return to the hotel, I will communicate it to you, if you have no pleasanter way of engaging your time.

"I have a curiosity to hear it," replied the Englishman, "cannot you relate it now?"

"It is much too long to be related now; that would occupy a week; I have it in writing, and will send you the volume. A young student of Padua, who happened to be at Naples soon after this horrible confession became public"——

"Pardon me," interrupted the Englishman, "that is surely very extraordinary? I thought confessions were always held sacred by the priest, to whom they were made."

"Your observation is reasonable," rejoined the Italian; "the faith of the priest is never broken, except by an especial command from an higher power; and the circumstances must even then be very extraordinary to justify such a departure from the law. But, when you read the narrative, your surprise on this head will cease. I was going to tell you, that it was written by a student of Padua, who, happening to be here soon after the affair became public, was so much struck with the facts, that, partly as an exercise, and partly in return for some trifling services I had rendered him, he committed them to paper for me. You will perceive from the work, that this student was very young, as to the arts of composition, but the facts are what you require, and from these he has not deviated. But come, let us leave the church."

"After I have taken another view of this solemn edifice," replied the Englishman, "and particularly of the confessional you have pointed to my notice!"

While the Englishman glanced his eye over the high roofs, and along the solemn perspectives of the Santa del Pianto, he perceived the figure of the assassin stealing from the confessional across the choir, and, shocked on again beholding him, he turned his eyes, and hastily quitted the church.

The friends then separated, and the Englishman, soon after returning to his hotel, received the volume. He read as follows:

Chapter I.

THE

ITALIAN.

CHAP I.

"What is this secret sin; this untold tale, That art cannot extract, nor penance cleanse?" >>Mysterious Mother.

It was in the church of San Lorenzo at Naples, in the year 1758, that Vincentio di Vivaldi first saw Ellena Rosalba. The sweetness and fine expression of her voice attracted his attention to her figure, which had a distinguished air of delicacy and grace; but her face was concealed in her veil. So much indeed was he fascinated by the voice, that a most painful curiosity was excited as to her countenance, which he fancied must express all the sensibility of character that the mo- dulation of her tones indicated. He listened to their exquisite expression with a rapt attention, and hardly withdrew his eyes from her person till the matin service had concluded; when he observed her leave the church with an aged lady, who leaned upon her arm, and who appeared to be her mother.

Vivaldi immediately followed their steps, determined to obtain, if possible, a view of Ellena's face, and to discover the home to which she should retire. They walked quickly, looking neither to the right or left, and as they turned into the Strada di Toledo he had nearly lost them; but quickening his pace, and relinquishing the cautious distance he had hitherto kept, he overtook them as they entered on the Terrazzo Nuovo, which runs along the bay of Naples, and leads towards the Gran Corso. He overtook them; but the fair unknown still held her veil close, and he knew not how to introduce himself to her notice, or to obtain a view of the features, which ex- cited his curiosity. He was embarrassed by a respectful timidity, that mingled with his admiration, and which kept him silent, notwithstanding his wish to speak.

In descending the last steps of the Terrazzo, however, the foot of the elder lady faltered, and, while Vivaldi hastened to assist her, the breeze from the water caught the veil, which Ellena had no longer a hand sufficiently disengaged to confine, and, wafting it partially aside, disclosed to him a countenance more touchingly beautiful than he had dared to image. Her features were of the Grecian outline, and, though they expressed the tranquillity of an elegant mind, her dark blue eyes sparkled with intelligence. She was assisting her companion so anxiously, that she did not immediately observe the admiration she had inspired; but the moment her eyes met those of Vivaldi, she became conscious of their effect, and she hastily drew her veil.

The old lady was not materially hurt by her fall, but, as she walked difficultly, Vivaldi seized the opportunity thus offered, and insisted that she should accept his arm. She refused this with many acknowledgments; but he pressed the offer so repeatedly and respectfully, that, at length, she accepted it, and they walked towards her residence together.

On the way thither, he attempted to converse with Ellena, but her replies were concise, and he arrived at the end of the walk while he was yet considering what he could say, that might interest and withdraw her from this severe reserve. From the style of their residence, he imagined that they were persons of honourable, but moderate independence. The house was small, but exhibited an air of comfort, and even of taste. It stood on an eminence, surrounded by a garden and vineyards, which commanded the city and bay of Naples, an ever-moving picture, and was canopied by a thick grove of pines and majestic date-trees; and, though the little portico and collonade in front were of common marble, the style of architecture was elegant. While they afforded a shelter from the sun, they admitted the cooling breezes that rose from the bay below, and a prospect of the whole scope of its enchanting shores.

Vivaldi stopped at the little gate, which led into the garden, where the elder lady repeated her acknowledgments for his care, but did not invite him to enter; and he, trembling with anxiety and sinking with disappointment, remained for a moment gazing upon Ellena, unable to take leave, yet irresolute what to say that might prolong the interview, till the old lady again bade him good-day. He then summoned courage enough to request he might be allowed to enquire after her health, and, having obtained her permission, his eyes bade adieu to Ellena, who, as they were parting, ventured to thank him for the care he had taken of her aunt. The sound of her voice, and this acknowledgment of obligation, made him less willing to go than before, but at length he tore himself away. The beauty of her countenance haunting his imagination, and the touching accents of her voice still vibrating on his heart, he descended to the shore below her residence, pleasing himself with the consciousness of being near her, though he could no longer behold her; and sometimes hoping that he might again see her, however distantly, in a balcony of the house, where the silk awning seemed to invite the breeze from the sea. He lingered hour after hour, stretched beneath the umbrageous pines that waved over the shore, or traversing, regardless of the heat, the base of the cliffs that crowned it; recalling to his fancy the enchantment of her smile, and seeming still to listen to the sweetness of her accents.

In the evening he returned to his father's palace at Naples, thoughtful yet pleased, anxious yet happy; dwelling with delightful hope on the remembrance of the thanks he had received from Ellena, yet not daring to form any plan as to his future conduct. He returned time enough to attend his mother in her evening ride on the Corso, where, in every gay carriage that passed, he hoped to see the object of his constant thought; but she did not appear. His mother, the Marchesa di Vivaldi, observed his anxiety and unusual silence, and asked him some questions, which she meant should lead to an explanation of the change in his manners; but his replies only excited a stronger curiosity, and, though she forbore to press her enquiries, it was probable that she might employ a more artful means of renewing them.

Vincentio di Vivaldi was the only son of the Marchese di Vivaldi, a nobleman of one of the most ancient families of the kingdom of Naples, a favourite possessing an uncommon share of influence at Court, and a man still higher in power than in rank. His pride of birth was equal to either, but it was mingled with the justifiable pride of a principled mind; it governed his conduct in morals as well as in the jealousy of ceremonial distinctions, and elevated his prac- tice as well as his claims. His pride was at once his vice and his virtue, his safeguard and his weakness.

The mother of Vivaldi, descended from a family as ancient as that of his father, was equally jealous of her importance; but her pride was that of birth and distinction, without extending to morals. She was of violent passions, haughty, vindictive, yet crafty and deceitful; patient in stratagem, and indefatigable in pursuit of vengeance, on the unhappy objects who provoked her resentment. She loved her son, rather as being the last of two illustrious houses, who was to re-unite and support the honour of both, than with the fondness of a mother.

Vincentio inherited much of the character of his father, and very little of that of his mother. His pride was as noble and generous as that of the Marchese; but he had somewhat of the fiery passions of the Marchesa, without any of her craft, her duplicity, or vindictive thirst of revenge. Frank in his temper, ingenuous in his sen- timents, quickly offended, but easily appeased; irritated by any appearance of disrespect, but melted by a concession, a high sense of honor rendered him no more jealous of offence, than a delicate humanity made him ready for reconciliation, and anxious to spare the feelings of others.

On the day following that, on which he had seen Ellena, he returned to the villa Altieri, to use the permission granted him of enquiring after the health of Signora Bianchi. The expectation of seeing Ellena agitated him with impatient joy and trembling hope, which still encreased as he approached her residence, till, having reached the garden-gate, he was obliged to rest for a few moments to recover breath and composure.

Having announced himself to an old female servant, who came to the gate, he was soon after admitted to a small vestibule, where he found Signora Bianchi winding balls of silk, and alone; though from the position of a chair which stood near a frame for embroidery, he judged that Ellena had but just quitted the apartment. Signora Bianchi received him with a reserved politeness, and seemed very cautious in her replies to his enquiries after her niece, who, he hoped, every moment, would appear. He lengthened his visit till there was no longer an excuse for doing so; till he had exhausted every topic of conversation, and till the silence of Signora Bianchi seemed to hint, that his departure was expected. With a heart saddened by disappointment, and having obtained only a reluctant permission to enquire after the health of that lady on some future day, he then took leave.

On his way through the garden he often paused to look back upon the house, hoping to obtain a glimpse of Ellena at a lattice; and threw a glance around him, almost expecting to see her seated beneath the shade of the luxuriant plantains; but his search was every where vain, and he quitted the place with the slow and heavy step of despondency.

The day was employed in endeavours to obtain intelligence concerning the family of Ellena, but of this he procured little that was satisfactory. He was told, that she was an orphan, living under the care of her aunt, Signora Bianchi; that her family, which had never been illustrious, was decayed in fortune, and that her only dependence was upon this aunt. But he was ignorant of what was very true, though very secret, that she assisted to support this aged relative, whose sole property was the small estate on which they lived, and that she passed whole days in embroidering silks, which were disposed of to the nuns of a neighbouring convent, who sold them to the Neapolitan ladies, that visited their grate, at a very high advantage. He little thought, that a beautiful robe, which he had often seen his mother wear, was worked by Ellena; nor that some copies from the antique, which ornamented a cabinet of the Vivaldi palace, were drawn by her hand. If he had known these circumstances, they would only have served to encrease the passion, which, since they were proofs of a disparity of fortune, that would certainly render his family repugnant to a connection with hers, it would have been prudent to discourage.

Ellena could have endured poverty, but not contempt; and it was to protect herself from this effect of the narrow prejudices of the world around her, that she had so cautiously concealed from it a knowledge of the industry, which did honor to her character. She was not ashamed of poverty, or of the industry which overcame it, but her spirit shrunk from the senseless smile and humiliating condescension, which prosperity sometimes gives to indigence. Her mind was not yet strong enough, or her views sufficiently enlarged, to teach her a contempt of the sneer of vicious folly, and to glory in the dignity of virtuous independence. Ellena was the sole support of her aunt's declining years; was patient to her infirmities, and consoling to her sufferings; and repaid the fondness of a mother with the affection of a daughter. Her mother she had never known, having lost her while she was an infant, and from that period Signora Bianchi had performed the duties of one for her.

Thus innocent and happy in the silent performance of her duties and in the veil of retirement, lived Ellena Rosalba, when she first saw Vincentio di Vivaldi. He was not of a figure to pass unobserved when seen, and Ellena had been struck by the spirit and dignity of his air, and by his countenance, so frank, noble, and full of that kind of expression, which announces the energies of the soul. But she was cautious of admitting a sentiment more tender than admiration, and endeavoured to dismiss his image from her mind, and by engaging in her usual occupations, to recover the state of tranquillity, which his appearance had somewhat interrupted.

Vivaldi, mean while, restless from disappointment, and impatient from anxiety, having passed the greater part of the day in enquiries, which repaid him only with doubt and apprehension, determined to return to the villa Altieri, when evening should conceal his steps, consoled by the certainty of being near the object of his thoughts, and hoping, that chance might favour him once more with a view, however transient, of Ellena.

The Marchesa Vivaldi held an assembly this evening, and a suspicion concerning the impatience he betrayed, induced her to detain him about her person to a late hour, engaging him to select the music for her orchestra, and to superintend the performance of a new piece, the work of a composer whom she had brought into fashion. Her assemblies were among the most brilliant and crowded in Naples, and the nobility, who were to be at the palace this evening, were divided into two parties as to the merits of the musical genius, whom she patronised, and those of another candidate for fame. The performance of the evening, it was expected, would finally decide the victory. This, therefore, was a night of great importance and anxiety to the Marchesa, for she was as jealous of the reputation of her favourite composer as of her own, and the welfare of her son did but slightly divide her cares.

The moment he could depart unobserved, he quitted the assembly, and, muffling himself in his cloak, hastened to the villa Altieri, which lay at a short distance to the west of the city. He reached it unobserved, and, breathless with impatience, traversed the boundary of the garden; where, free from ceremonial restraint, and near the object of his affection, he experienced for the few first moments a joy as exquisite as her presence could have inspired. But this delight faded with its novelty, and in a short time he felt as forlorn as if he was separated for ever from Ellena, in whose presence he but lately almost believed himself.

The night was far advanced, and, no light appearing from the house, he concluded the inhabitants had retired to rest, and all hope of seeing her vanished from his mind. Still, however, it was sweet to be near her, and he anxiously sought to gain admittance to the gardens, that he might approach the window where it was possible she reposed. The boundary, formed of trees and thick shrubs, was not difficult to be passed, and he found himself once more in the portico of the villa.

It was nearly midnight, and the stillness that reigned was rather soothed than interrupted by the gentle dashing of the waters of the bay below, and by the hollow murmurs of Vesuvius, which threw up, at intervals its sudden flame on the horizon, and then left it to darkness. The solemnity of the scene accorded with the temper of his mind, and he listened in deep attention for the returning sounds, which broke upon the ear like distant thunder muttering imperfectly from the clouds. The pauses of silence, that succeeded each groan of the mountain, when expectation listened for the rising sound, affected the imagination of Vivaldi at this time with particular awe, and, rapt in thought, he continued to gaze upon the sublime and shadowy outline of the shores, and on the sea, just discerned beneath the twilight of a cloudless sky. Along its grey surface many vessels were pursuing their silent course, guided over the deep waters only by the polar star, which burned with steady lustre. The air was calm, and rose from the bay with most balmy and refreshing coolness; it scarcely stirred the heads of the broad pines that overspread the villa; and bore no sounds but of the waves and the groans of the far-off mountain,—till a chaunting of deep voices swelled from a distance. The solemn character of the strain engaged his attention; he perceived that it was a requiem, and he endeavoured to discover from what quarter it came. It advanced, though distantly, and then passed away on the air. The circumstance struck him; he knew it was usual in some parts of Italy to chaunt this strain over the bed of the dying; but here the mourn- ers seemed to walk the earth, or the air. He was not doubtful as to the strain itself;—once before he had heard it, and attended with circumstances which made it impossible that he should ever forget it. As he now listened to the choral voices softening in distance, a few pathetic notes brought full upon his remembrance the divine melody he had heard Ellena utter in the church of San Lorenzo. Overcome by the recollection, he started away, and, wandering over the garden, reached another side of the villa, where he soon heard the voice of Ellena herself, performing the midnight hymn to the Virgin, and accompanied by a lute, which she touched with most affecting and delicate expression. He stood for a moment entranced, and scarcely daring to breathe, lest he should lose any note of that meek and holy strain, which seemed to flow from a devotion almost saintly. Then, looking round to discover the object of his admiration, a light issuing from among the bowery foliage of a clematis led him to a lattice, and shewed him Ellena. The lattice had been thrown open to admit the cool air, and he had a full view of her and the apartment. She was rising from a small altar where she had concluded the service; the glow of devotion was still upon her countenance as she raised her eyes, and with a rapt earnestness fixed them on the heavens. She still held the lute, but no longer awakened it, and seemed lost to every surrounding object. Her fine hair was negligently bound up in a silk net, and some tresses that had escaped it, played on her neck, and round her beautiful countenance, which now was not even partially concealed by a veil. The light drapery of her dress, her whole figure, air, and attitude, were such as might have been copied for a Grecian nymph.

Vivaldi was perplexed and agitated between the wish of seizing an opportunity, which might never again occur, of pleading his love, and the fear of offending, by intruding upon her retirement at so sacred an hour; but while he thus hesitated, he heard her sigh, and then with a sweetness peculiar to her accent, pronounce his name. During the trembling anxiety, with which he listened to what might follow this mention of his name, he disturbed the clematis that surrounded the lattice, and she turned her eyes towards the window; but Vivaldi was entirely concealed by the foliage. She, however, rose to close the lattice; as she approached which, Vivaldi, unable any longer to command himself, appeared before her. She stood fixed for an instant, while her countenance changed to an ashy paleness; and then, with trembling haste closing the lattice, quitted the apartment. Vivaldi felt as if all his hopes had vanished with her.

After lingering in the garden for some time without perceiving a light in any other part of the building, or hearing a sound proceed from it, he took his melancholy way to Naples. He now began to ask himself some questions, which he ought to have urged before, and to enquire wherefore he sought the dangerous pleasure of seeing Ellena, since her family was of such a condition as rendered the consent of his parents to a marriage with her unattainable.

He was lost in revery on this subject, sometimes half resolved to seek her no more, and then shrinking from a conduct, which seemed to strike him with the force of despair, when, as he emerged from the dark arch of a ruin, that extended over the road, his steps were crossed by a person in the habit of a monk, whose face was shrouded by his cowl still more than by the twilight. The stranger, addressing him by his name, said, "Signor! your steps are watched; beware how you revisit Altieri!" Having uttered this, he disappeared, before Vivaldi could return the sword he had half drawn into the scabbard, or demand an explanation of the words he had heard. He called loudly and repeatedly, conjuring the unknown person to appear, and lingered near the spot for a considerable time; but the vision came no more.

Vivaldi arrived at home with a mind occupied by this incident, and tormented by the jealousy to which it gave rise; for, after indulging various conjectures, he concluded with believing the notice, of which he had been warned, to be that of a rival, and that the danger which menaced him, was from the poniard of jealousy. This belief discovered to him at once the extent of his passion, and of the imprudence, which had thus readily admitted it; yet so far was this new prudence from overcoming his error, that, stung with a torture more exquisite than he had ever known, he resolved, at every event, to declare his love, and sue for the hand of Ellena. Unhappy young man, he knew not the fatal error, into which passion was precipitating him!