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The City of the Living Dead

Multiple authors · 1930 · Free in the US

10,974 words · about 46 min to read

Period artwork: Interior of the Bodleian Library, 1845
About this edition

Free in the US: this text is in the public domain in the United States; it may still be in copyright elsewhere.

Licence: PD-US · Published in 1930 (before 1931): public domain in the United States. Text and transcription from en Wikisource by Wikisource contributors (transcription licensed CC BY-SA 4.0; contributors: https://en.wikisource.org/w/index.php?title=Science_Wonder_Stories/Number_12/The_City_of_the_Living_Dead&action=history). · Wikisource contributors

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About this book

Author
Multiple authors
Language
English
Published
1930
Length
10,974 words · about 46 min
Sections
5 reader sections
Text
Digital text
Rights
Public domain in the United States

 

Contents (5)

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Front matter

(Illustration by Paul)

The man with the metal mask rose, and going to the board transferred one of the loops from one hole to another. For a long time I watched …

LAURENCE MANNING

CHAPTER II Beyond the Mountain

HALF an hour later I shot a ptarmigan amid the snow and so tasted meat for the first time in three days. This was the greatest luck, for the descent was worse than the climb on the other side had been. For a day I floundered amid the drifts, and came at last to a place that dropped sheer for half a mile. There was no descent, so I had to turn back and try this way and that. Three days I spent thus, going down and coming back, climbing and descending, before I deviously reached the bottom. On the second day I tasted once more the kindness of the gods, for my foot touched a stone that touched another and suddenly set off a landslide that cleared my path down the worst of the steeps.

"At last I stood at the base of the mountain, a place by no means lacking in' piled rocks, but with no more dizzy descents. For a time I lay on my face, prostrate, and clasped the fair grass with my bruised hands—grass that felt softer to them than after the longest winter! Then I arose and, with such strength as I had left, staggered to the brim of Oster Dalalven and plunged my face in the water; then by the brim of the stream I fell asleep, though the sun was still high in the heavens.

"I woke in the chill of dawn, with the memory of a sound ringing in the back of my head. As I started to my feet, I heard again the sound that had roused me-the baying of a dog—and in a moment it was answered by multiple voices, as when a pack of our Alvrosdale hounds course on the trail of a rabbit.

Surely,' I thought, 'there must be men not far away in this dale, since there are men's dogs here,' and I climbed up onto a boss of rock the better to see my way and the dogs that had sounded. As I reached the crest of the stone, the hounds swept into view from the road not a hundred paces to my left, and came tearing along among the stones indeed, but such as I had never seen, strong and terrible of aspect, and not on the trail of a rabbit, but of a great antlered deer. In a moment they were past, but two of the later members of the pack paused when they came to where I had passed, sniffing and growling over the place where I had slept.

IF all the Anglesk are as great as their dogs, then theirs is indeed a mighty race,' I thought. The road itself was curious, all overgrown and the stones pushed apart by grass and weeds; and the dried grass of other summers lay among the fresh, as though it had been there for a long time. Yet I mused not overmuch on it, for the road led up under the Mountain of the South, and all men knew how that hill had risen between Alvrosdale and the world in a single night, breaking sheer across the road and all else.

"Perhaps a mile or two further along I saw houses clustered in a hamlet between road and river. Among them all there was no sign of life and while it might have been the earliness of the hour, I remarked it because of the other signs of desolation on that journey and my heart misgave me. And as I drew near I was more surprised than ever, for in all that village, which by the legends of the dale should have been a great and splendid place, there was neither sound of voice, bark of dog, nor sign of smoke in the chimneys. A fear came upon me, and I ran forward, weak as I was. But at the first house my fear was confirmed. The door hung all awry with rust marks at its side—the doorsill split and dug up by the frosts of winter, and the broken windows looking in on ruin and desolation.

"I hastened to the next house and the next, and so on through the village. Some were of stone and some of purest glass, but all alike were empty; it was a village of the dead, but with no sign of dead or living. Only at the end of the village did I hear the bleating of sheep and, going to the spot, came upon a flock—not well-kept, fat sheep such as we house in Alvrosdale, but thin and lank, and their coats filled with briars. At my approach they made off toward the forest. I bent my bow against them and slew a ewe, and taking of her meat went to one of the houses, thinking to cook the meat in that ruined town; but in no house that I entered was there so much as a fireplace—all were filled with Machines, now fallen to dust and rust, and other appliances whose use I did not understand; so I built my fire in the open, using dead branches from the trees.

"The food refreshed me much, and packing in my scrip as much more of it as I could conveniently carry, I followed the road onward. Further down I came upon another House of Power, so like this that the two might have been built by the same hand; and with fear strong within me I swung wide around it, yet had no need, for like all else in this dale, it was lifeless.

The Dead City

IT is sad to me even now in retrospect to think of coming to that place after a journey of so much arduousness. For in all that land of the Anglesk I found no living man nor heard any voice save those of the wild dogs as they bayed now near, now far. For days I journeyed thus; many villages I passed, all well built and strong and beautiful, most of them made of shining glass, testifying to the glory of the Anglesk. All were filled with Machines of much marvel—and all were fallen to ruin and rust, befouled by beasts, streaked with the wet of rains and rent by tempests. At night I often lay in the cellars of these houses. By day I walked, killing now a sheep and now a hog, according to my need and as I came upon them. One day I came to a place where the houses grew thicker and the forest had retreated until the village was the greatest ever seen by the eye of man. Some of these houses were like those I had heard of in legends-mighty towers whose tops soared to the clouds, built all of stone and bronze so that the tooth of time had hardly touched them. But all were dead and deserted like the rest, with only birds to nest behind the broken windows, and swine to wander among the streets of that melancholy place.

"I wandered to and fro among the streets for close upon a day, and as twilight fell I made preparations to find a cellar for the night. But as I did this I saw among the myriad towers a single one that held a light in its window. A great, fierce hope sprung up in me that living men might be here, though mingled with it was the fear that it was only a trap of the Demon Power to lure me into his clutches. However, for what purpose had I come so far in such a melancholy land—but to adventure? So I made for this tall tower as rapidly as I might through all the tangled maze of streets.

"Night had come on before I reached it. I came upon it suddenly, swinging around the corner of another tower upon a square of forest land let into that village. A fox stirred in the underbrush as I crossed this square and for a moment a dark owl soared between me and the spring moon. The tower rose before me—a mountain of stone and glass, like the Mountain of the South in size but all dark and silent behind its windows, save some four or five near the base, and a whole floor high up, from which came the light I had seen.

"I drew near and saw a flight of steps that led up to a great bronze door. It would not yield to my push, nor was there any answer to my knocking. As it was already late, I looked for a place to spend the night so that I might attempt the adventure of the tower again when day should come.

WHEN the sun gilded the towers of the great village, I rose to try again. As before, I found the bronze doors locked fast against me; but the building was of great extent as well as height, and I did not desist, thinking there might be some other way in. I had not looked far when I came upon another and smaller door, set level with the street. This I tried; it gave a little to my push and I set my shoulder against it. As I did so, door and lock burst, and I plunged in.

"I stood in a long hall, lit dimly by the tall and narrow windows at the side of the door I had entered. At either side there was a long row of doors. With my mind now made up to follow the venture through, I tried the first. It would not open; but the trick of its movement as I pushed it showed me that it was a sliding panel door, and, slipping it to one side, I stepped in. I found myself in a room no larger than a closet in my father's house in Alvrosdale, windowless as that same closet, and very dark. The door had slid into place behind me. I groped for it, and it is in my mind that I must have touched some Machine within the wall of the room, for forthwith there rose a humming sound, and when I put my hand out again, it touched a wall in rapid motion. The whole room was moving! … My friends, you cannot understand the terror of that moment; for I felt that I was in the very grip of the Demon Power. Though Power is an old and feeble demon now, in those days he was strong and malignant."

The old man paused and from the hand of one of the elders took a fragrant draught of mead; and when he paused, a low sigh of interest and excitement ran around the hall, for all those folk had been brought up to fear Power and Machines as the most deadly of things.

"In real life men do not faint or go mad with terror, when in such situations," said the old man, beginning again. "They seek for some means of escape. But even as I sought to escape from that moving room, there came a louder buzz and it stopped as suddenly as it had moved. A shaft of light filtered in at the top and showed me that it had stopped before a door. I flung it open—anything was better than that small moving closet. I stood in a long hall with sunlight streaming through the glass walls and reflecting back in dazzling radiance from row on row of great ingots of silver.

The Silver Men

SO much wealth neither I nor anyone in this dale has ever seen. Yet there was something curious about those ingots, when I looked at them a second time, for each one was laid on a table by itself, and each seemed rather a close winding of many wires than a solid piece of that precious metal. Dumb with astonishment at the sight, I stood for a moment, and then approached one of them, thinking that they might be a dream wrought for my undoing by the Demon Power. I noted that the form of the silver winding had, from a little distance, a certain likeness to that of a man, from one side of which many of the wires were collected and twisted through holes in a slab of stone on which the form lay.

"The likeness to the form of a man increased as I approached, and when I came and stood directly over it, I saw that it was indeed a man, but a dead one—all swathed and wound in silver wires which, as they drew near his body, drew into finer and finer wires till right over the skin they were spread out like silver spider webs, half-concealing his features. The dead man had a grave and reverend aspect, like a priest of the gods; no hair grew on his head nor beard on his face, for even here the silver wires lay over him.

"All this I took in at a glance, and in the same moment the thought came over me that each of these piles of silver was a man, dead like the first. I stepped back in horror. As I did so, my hand touched the tangle of silver wires from one of the dead, and all up my hand and arm ran a tingling jar! At the same moment the dead man before me stirred ever so slightly. With the horror of that moment my tongue was loosed; I shrieked and fled. Around and around the room I ran, like a rat trapped in a cage. At last I reached a door and flung it open, not on another narrow room, but on a stair, and up this I fled without taking account of direction …

"You will understand that, although the place is of ill omen and hence forbidden for our folk to approach, it is in no wise deadly; but I did not know this. I thought that these living dead were under the shadow of the Demon Power and that the jar I had received was a warning not to disturb their sleep, lest I become like them … But the staircase up which I fled gave on another hall, filled, like the first, with row upon row of those living corpses, lapped in silver. As in the hall below, the walls were all of glass; and the coiled silver cables, where the thin wires of this most precious metal united, were twisted from the sides of the sleepers and passed through holes in the slabs.

"Yet all this I hardly noted, for I fled again, and so to another hall, and another, and yet another, up and down the stairs seeking only to leave that accursed place. I do not know how long I ranged thus up and down. I only know that at last, stumbling downward, I came to a door that led upon a long passage. Down it I went, though it was narrow, and at one side a Machine hung over the edge of the passage to grip the passer-by the instant the Demon Power should will it.

CHAPTER III The Man with the Metal Mask

AT the end the passage divided in two. Not knowing which turn would lead me from the building, I chose the right, but had hardly gone twenty paces when before me I saw the low flare of a light and heard a mighty clanking. Surely, I thought, this is the very abode of the Demon Power himself, and I turned back with a new fright to add to the old.

"This time I took the other branch. As I went down it I again saw a light ahead—but to what purpose would it be to turn back? Moreover I had now somewhat gained control of myself, and so, saying—'A man who is fated to die will surely die, whereas a man fated to live shall walk through perils,'—I strode on. And lo! the shaft of light came from a room, and near the door of the room sat a man, a veritable living man in a chair with a board before him, on which he moved small carved figures. As I entered, he turned to me a face that was not a face, but a metal mask, and said some words to me in a tongue which I did not understand. Overcome with fatigue, I fell at his feet "

Again the old man paused and drank a draught of mead, then seated himself for a brief space, while in the Hall arose a whirr of voices that were stilled again when he rose once more.

"When I awoke I was lying on the floor of the room where I found the man with the metal face, and it seemed that he looked upon me with kindness. In his hand he held vessels, which he extended to me, making signs that I should eat and drink, and though the food was strange I ate and was refreshed. I spoke to him quickly, asking what this city of the living dead was, and where were the people of so glorious a town and what had become of the Anglesk, but he only shook his head and sat down again to his board, which was marked out in squares of alternate black and white. Then, taking one of the carved figures from the board, he held it up to me, and said—'Rook.' I examined it—it was in the likeness of a tower of stone—but it conveyed no meaning whatever to me, so I handed it back with a smile for his courtesy. Therewith the man with the metal face sighed deeply and motioned me to a seat beside him, while he went on moving the carved figures here and there, making notes on a piece of paper he held in his hand the while.

"I looked about; the room was long rather than wide, and along one wall of it ran a great board, from which loops of wire jutted, entering into little holes. Presently a red light shone from the board and the man with the metal face rose, and with slow and halting steps, like one of great age, went to the board and transferred one of the loops from one hole to another; then returned to his table.

FOR a long time I waited, watching the man with the metal face. He said no more—nor did I. But after a time he arose and, motioning that I should follow him, led me through the other end of the room. There he showed me a bed; it was narrow and low, and covered not with blankets but with a single web of a weave marvellously fine and softer to the fingers than anything I had ever touched. The room was filled with a pleasant fragrance like that of the woods in spring, though there was no window and we were far from the trees.

"He signed that I should lay myself on the bed, and when I had done so he brought forth from some corner a Machine like a cap, fitting close to the head, with special parts to cover the ears, and this he placed on my head. I started back in fright at it, for I thought it some new device to trap me deeper into the lures of the Demon Power. But the man with the metal face spoke kindly, and placed the cap on his own head to show that no harm was intended.

"With that I lay down on the bed and slept, and knew no more, though my sleep was shot with dreams in which the living dead rose and spoke to me in the tongue of the Anglesk, and told me of frightful things… To you, my friends, it will seem strange that men should speak in another tongue than ours. Yet so it was in the days of the Anglesk, that different men in different dales had different words for the same thing and could no more understand one another than we could understand the babbling of a child or the bark of a fox.

"In the morning I awoke fresh and rested after my sleep. The man with the metal face was bending over me, and as I sat up in the first wild surprise at finding myself in this so unfamiliar place, he bent over and detached the Machine I had been wearing through the night.

Do you play chess?' he asked; not in our own words, but in the tongue of the Anglesk of old; and, wonder of all wonders, I understood him.

What?' I cried in astonishment. How is it that I now understand what you say, though it is in a different way from our own speech?'

Oh, that is the radio helmet,' he replied, treating the matter as one of no import. 'But tell me, do you play chess?' His speech was thick and slow, as though passed through lips unable to properly form the words.

Chess?" I answered. 'I don't know the name. Is it a game of the Anglesk?'

"The man with the metal face sighed deeply and half to himself said: 'And for twenty years I have been bringing my Sayers gambit to absolute perfection—my legacy to the world. Of this I understood nothing, but he said aloud: 'Yes, I am one of the Anglesk, as you call them, though our name is the English. I am the last.' And again the man with the metal face sighed.

"Questions rushed to my lips. 'Then what does all this mean?' I asked. 'Who built this glorious village and these shining towers with the spider-like bridges from one to another, and where are those who should live in them? And who are the living dead that sleep above?'

They are the English,' said the man with the metal face, 'all that are left of them. Now let us eat and I will explain it to you; but first you shall tell me how you came here, ignorant of Machines and civilization, and yet with a white skin.'

The Tale of the Machine Man

I FELL in with his humor and with him partook of his curious foods; then sat in the room of the board and table, where ever and again the red light flashed and the man with the metal face ceased his talking and changed a loop of silver wire from one hole to another. I told him of Alvrosdale and of our life there; how we hunted and tilled the ground and tended our flocks; and of the Mountain of the South and how I had climbed over it with the aid of the most high gods. It was a tale of which he did not weary. He plied me with meat and drink, and learned what I knew. Then he told me his tale in turn, which I will rehearse to you."

At this saying the old man paused again, and again drank from the mead-horn. And as he began the tale of the man with the metal face, the hall was hushed to hear him.

Know, man of Alvrosdale (the man with the metal face told me) that I am of an age compared to which you are but a babe in arms, for I count beyond a hundred summers, and so does the least of those sleepers above. Much have I seen and heard and read, and of one thing I am sure—I that you are a part of a race which for thousands of summers has been shut away from the progress of civilization. You have no business in this dying world today, and when you have heard how it is with us, you had best go back over your mountain, there to stay. Or perhaps you will gather companions, and out of your dale come to people a new world.

Know that long centuries ago—about the year 1950 A. D.—the world held countless hundreds of millions of people. There were men whose skins were black, and men with yellow skins and even with red skins; but they were mostly barbarians, and hence I was surprised at your own arrival, for I thought all the men with white skins had died long ago. The men with white skins were, in truth, the greatest of peoples; they had spread out and conquered all the rest of the world, so that the black and yellow and red men toiled for them. Now of all the white men, the greatest were the English; they moved fastest and strongest across the face of the earth; they founded colonies, and the colonies themselves grew to be greater than other nations.

In elder ages men quarrelled, this group and that, and fought destructive wars in which thousands were slain by the use of guns, which hurled great pieces of steel that rent and tore asunder all that stood in their path. But among the English and the colonies of the English were many great scientists. These scientists designed Machines called Radio, fashioned so cunningly that a man had but to speak in them to be heard afar by many men in other lands. Now in the days of which I speak, the English spoke into their Radio and their tongue spread across the whole world. Then the quarrelling of nations ceased, for there is no quarrel that may not be settled by simple words when men may speak these words understandingly to one another.

THAT was long after the Mountain of the South had risen to shut off your dale. The people of your dale may have heard of the wonders of our civilization, though it is not likely. We had Machines that flew through the air and bore many passengers across the oceans: Machines that grew crops for us, tending them carefully and driving away the insects; Machines that transformed these crops into food without the intervention of hands. We built great cities, of which this is one of the least: cities of majestic buildings, all of glass, in which men lived lives of ease and pleasure. Pleasure! That was the cause of the whole tragedy of our world. We did not know that the pursuit of pleasure alone, which had been our guide, was to be our ruin.

Can you imagine, barbarian of Alvrosdale, what it is to be free from the necessity of earning your bread? You cannot—for you belong to another age and another race. But the English all over the world, and the men of other races who had become English, now had nothing to do. The sources of Power were so inexhaustible, and the amount of work necessary to make them available so slight, that half an hour's labor a day sufficed to earn a man his living. And the Machines continued to grow ever more complex and more ingenious.

Adventure, which is the pastime of many men, disappeared when war became obsolete. For some people, art filled the vacant hours. But as the scientists grew in knowledge, the Machines they made executed the arts better than the artists themselves. Music was the first of the arts to disappear. First there were Machines that recorded the performances of great musicians and reproduced them to all hearers at any time. Then came Machines that gave these reproductions to vast audiences, and others that showed the audiences such lifelike pictures of the musicians that they seemed to be present in person. And finally Machines were invented that altogether eliminated the musícian, striking the correct tones and shades of tones with scientific accuracy.

The picture Machines, that brought an end to music, were the beginning of the end of the art of the theatre—you hardly know what a theatre is? It is, or was, a place where people acted stories. With the going of theatres, too, there were fewer and fewer artists, and finally we had only mere puppets. Sculpture, which was a kind of carving, was the next art to cease. The scientists made Machines that felt gently over living persons and carved their likenesses out of enduring stone or wood.

CHAPTER IV Adventure is Dead

BUT why tell you more? You have heard enough to understand that art, the last refuge of men of leisure, was destroyed by the very Machines that gave man the leisure to enjoy art … So it was with everything. Adventure of all kinds died. The last depths in the earth were plumbed, the last mountains were climbed or flown over by the might of the Machines. Men even made Machines to travel to the other planets that circle around the sun; they went to them, found them all inhospitably hot, cold or airless.

And even here the Machines did away with all those occupations which provide adventure; for adventure is always the outcome of some lawless act, and the scientists had eliminated lawlessness by eliminating criminals soon after the coming of universal peace. Machines tested every child psychologically and supplied the proper remedies to make him a good citizen…

You must picture, my barbarian friend, a world in which Machines had deprived men not only of labor, but of amusement, of adventure, of excitement—in short, of everything that makes life worth while. Oh they were terrible days of boredom! What was left? Only the frantic pursuit of artificial pleasures. And men did pursue pleasure to a degree which seems fantastic to even me. Men became connoisseurs of odors, of clothes; I, even I, have spent a month's income on a new perfume, and a thousand dollars for a single piece of cloth of original design… But even here the Machines followed us, doing things better than we. We had nothing but leisure—endless, meaningless leisure.

THEN the institution of Adventure Insurance arose. It began with a Japanese named Hatsu Yotosaki, who was hired to furnish new amusement—'thrills' they called it to—a party of rich Australians who had gone on an extended air voyage over Antarctica. This Jap conceived the idea of letting each member of the party know, indirectly, that some other one of the party was a criminal lunatic who was scheming to murder him. Long before their six months' cruise was up, they were all eying each other with suspicion and fright, prowling about the corridors of the airship at night and doing all the things men do under the influence of fear. Three of them were even killed by mistake.

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