Issue 3

October 1936 (Volume 28, Issue 3)

A SECRET METHOD FOR THE MASTERY OF LIFE

| Whence came the knowledge that built the Pyramids and the mighty Temples of the Pharaohs? Civilization began in the Nile Valley centuries ago. Where did its first builders acquire their astounding wisdom that started man on his upward climb? Beginning with naught they overcame nature's forces and gave the world its first sciences and arts. Did their knowledge come from a race now submerged beneath the sea, or were they touched with Infinite inspiration? From what concealed source came the wisdom that produced such characters as Amenhotep IV, Leonardo da Vinci, Isaac Newton, and a host of others? | Today it is known that they discovered and learned to interpret certain Secret Methods for the development of their inner power of mind. They learned to command the inner forces within their own beings, and to master life. This secret art of living has been preserved and handed down throughout the ages. Today it is extended to those who dare to use its profound principles to meet and solve the problems of life in these complex times. | AMENHOTEP IV | FOUNDER OF EGYPT'S MYSTERY SCHOOLS

| This Sealed Book—FREE

| Has life brought you that personal satisfaction, the sense of achievement and happiness that you desire? If not, it is your duty to yourself to learn about this rational method of applying natural laws for the mastery of life. To the thoughtful person it is obvious that everyone cannot be entrusted with an intimate knowledge of the mysteries of life, for everyone is not capable of properly using it. But if you are one of those possessed of a true desire to forge ahead and wish to make use of the subtle influences of life, the Rosicrucians (not a religious organization) will send you A Sealed Book of explanation without obligation. This Sealed Book tells how you, in the privacy of your own home, without interference with your personal affairs or manner of living, may receive these secret teachings. Not weird or strange practices, but a rational application of the basic laws of life. Use the coupon, and obtain your complimentary copy. | The ROSICRUCIANS | {| | | Use this coupon for FREE copy of book

SCRIBE: B. H. D. The Rosicrucians (AMORC) San Jose, California | Please send free copy of Sealed Book which I shall read as directed.

|}

A MAGAZINE OF THE BIZARRE AND UNUSUAL

REGISTERED IN U.S. PATENT OFFICE

Volume 28 | | CONTENTS FOR OCTOBER, 1936 | | Number 3

Cover Design | J. Allen St. John

Illustrating a scene in "Isle of the Undead"

Isle of the Undead | | Lloyd Arthur Eshbach | |

An uncanny tale of the fate that befell a yachting party on the awful island of living dead men

The Lost Temples of Xantoos | | Howell Calhoun | |

Verse

The Opener of the Way | | Robert Bloch | | 277

A tremendous tale of dread doom in a forgotten tomb beneath the desert sands of Egypt

Witch-Burning | | Mary Elizabeth Counselman | |

Verse

The Lost Door | | Dorothy Quick | |

An alluring but deadly horror out of past centuries menaced the life of a young American

Doom of the House of Duryea | | Earl Peirce, Jr. | |

A powerful story of stark horror, and the dreadful thing that happened in a lone lodge in the Maine woods

The Tree of Life | | C. L. Moore | |

A tale of the planet Mars and a terrible monstrosity that called its victims to it from afar

Red Nails (end) | | Robert E. Howard | |

A three-part serial story of a weird roofed city and the strangest people ever spawned

R. E. H. | | R. H. Barlow | |

Verse, a tribute to the late Robert E. Howard

The Doors of Death | | Arthur B. Waltermire | |

A strange and curious story about a banker whose only fear was that be might he buried alive

The Secret of Kralitz | | Henry Kuttner | |

A story of the shocking revelation that came to the twenty-first Baron Kralitz

Weird Story Reprint: The Great Keinplatz Experiment | | Arthur Conan Doyle | |

A weird-scientific story by a late British writer

The Eyrie | |

Our readers exchange opinions about this magazine

Published monthly by the Popular Fiction Publishing Company, 2457 East Washington Street, Indianapolis, Ind. Entered as second-class matter March 20, 1923, at the post office at Indianapolis, Ind., under the act of March 3, 1879. Single copies, 25 cents. Subscription rates: One year in the United States and possessions, Cuba, Mexico, South America. Spain, $2.50; Canada, $2.75; elsewhere, $3.00. English office: Otis A. Kline, c/o John Paradise, 86 Strand, W. C. 2, London. The publishers are not responsible for the loss of unsolicited manuscripts, although every care will be taken of such material while in their possession. The contents of this magazine are fully protected by copyright and must not be reproduced either wholly or in part without permission from the publishers.

NOTE—All manuscripts and communications should be addressed to the publishers' Chicago office at 840 North Michigan Avenue, Chicago, Ill.

FARNSWORTH WRIGHT, Editor.

Copyright, 1936, by the Popular Fiction Publishing Company,

COPYRIGHTED IN GREAT BRITAIN

WEIRD TALES ISSUED 1st OF EACH MONTH

COMING NEXT MONTH

From the black woods beside the trail rose a shriek of blood-curdling laughter. Slavering, mouthing sounds followed it, so strange and garbled that at first I did not recognize them as human words. Their unhuman intonations sent a chill down my spine.

"Dead men!" the inhuman voice chanted. "Dead men with torn throats! There will be dead men among the pines before dawn! Dead men! Fools, you are all dead!"

Ashley and I both fired in the direction of the voice, and in the crashing reverberations of our shots the ghastly chant was drowned. But the weird laugh rang out again, deeper in the woods, and then silence closed down like a black fog, in which I heard the semi-hysterical gasping of the girl. She had released Ashley and was clinging frantically to me. I could feel the quivering of her lithe body against mine. Probably she had merely followed her feminine instinct to seek refuge with the strongest; the light of the match had shown her that I was a bigger man than Ashley.

"Hurry, for God's sake!" Ashley's voice sounded strangled. "It can't be far to the cabin. Hurry! You'll come with us, Mr. Garfield?"

"What was it?" the girl was panting. "Oh, what was it?"

"A madman, I think," I answered, tucking her trembling little hand under my left arm. But at the back of my head was whispering the grisly realization that no madman ever had a voice like that. It sounded—God!—it sounded like some bestial creature speaking with human words, but not with a human tongue!...

You will not want to miss this grim novelette of stark horror—of the terrible disfigurement inflicted upon Adam Grimm by the dark priests of Inner Mongolia, and the frightful vengeance that pursued his enemy to the United States and tracked him down in the Louisiana woods. It will be published complete in the November issue of Weird Tales:

Black Hound of Death

By Robert E. Howard

———Also———

Witch-House | By Seabury Quinn | A fascinating and gripping tale of the blight that fell upon a lovely and beautiful American girl—a tale of Jules de Grandin, ghost-breaker, occultist, and master of the supernatural. | The Man in Black | By Paul Ernst | A vivid weird tale about a masquerade ball, and a grim figure clad in formal black, who mingled with the dancers but did not dance.

| | The Dark Demon | By Robert Bloch | The strange tale of a man who communed too closely with things from beyond space—a shuddery tale of stark horror. | | | The Crawling Horror | By Thorp McClusky | A grim tale of the weird terror that wrought ghastly death and panic at Brubaker Farm—by the author of "Loot of the Vampire."

| | Midas | By Bassett Morgan | A shuddery graveyard tale, through which blows an icy breach of horror, like a chill wind from the tomb. | | | Mice | By Robert Barbour Johnson | What ghastly fate pursued the dweller in that vermin-infested old mansion in Louisiana?—the story of a weird doom.

{| | While They Last!

| | • | At | Special | Close-out Price | 50c | • |

The Moon Terror, by A. G. Birch, is a stupendous weird-scientific novel of Chinese intrigue to gain control of the world. | ALSO—OTHER STORIES | In addition to the full length novel, this book also contains three shorter stories by well-known authors of thrilling weird-scientific fiction: | Ooze, by Anthony M. Rud, tells of a biologist who removed the growth limitations from an amoeba, and the amazing catastrophe that ensued. | Penelope, by Vincent Starrett, is a fascinating tale of the star Penelope, and fantastic thing that happened when the star was in perihelion. | An Adventure in the Fourth Dimension, by Farnsworth Wright, is an uproarious skit on the four-dimensional theories of the mathematicians and inter-planetary stories in general. | LIMITED SUPPLY | Make sure of getting your copy now before the close-out supply is exhausted. Send your order today for this book at the special bargain price of only 50c. | NOTE: This book for sale from the publisher only. It cannot be purchased in any book store.

WEIRD TALES, Book Dept. 840 N. Michigan Ave., Chicago, Ill., U.S.A. | Enclosed find 50c for cloth-bound copy of The Moon Terror as per your special offer. | {|

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|} |}

Isle of the Undead

sle of the Undead

By LLOYD ARTHUR ESHBACH

A gripping: thrilling, uncanny tale about the frightful fate that befell a yachting party on the dreadful island of living dead men

1. A Horror from the Past

A drab gray sheet of cloud slipped stealthily from the moon's round face, like a shroud slipping from the face of one long dead, a coldly phosphorescent face from which the eyes had been plucked. Yellow radiance fell toward a calm, oily sea, seeking a narrow bank of fog lying low on the water, penetrating its somber mass like frozen yellow fingers.

Vilma Bradley shuddered and shrank against Clifford Darrell's brawny form. "It's—it's ghastly, Cliff!" she said.

"Ghastly?" Darrell leaned against the rail, laughing softly. "One cocktail too many—that's the answer. It's given you the jitters. Listen!" Faintly from the salon came strains of dance music and the rhythmic shuffle of feet. "A nifty yacht, a South Sea moon, a radio dance orchestra, dancers—and little Clifford! And you call it ghastly!" Almost savagely his arms tightened about her, and the bantering note left his voice. "I'm crazy about you, Vilma."

She tried to laugh, but it was an unconvincing sound. "It's the moon, Cliff—I guess. I never saw it like that before. Something's going to happen—something dreadful I just know it!"

"Oh—be sensible, Vilma!" There was a hint of impatience in Cliff's deep voice. A gorgeous girl in his arms—dark-haired, dark-eyed, made for love—and she talked of dreadful things which were going to happen because the moon looked screwy.

She released herself and glanced out over the sea, "I know I'm silly, but2" Her voice froze and her slender body stiffened. "Cliff—look!"

Darrell spun around, and as he stared, he felt a dryness seeping into his throat, choking him...

Out of the winding-sheet of fog into the moonlight crept a strange, strange craft, her crumbling timbers blackened and rotted with incredible age. The corpse of a ship, she seemed, resurrected from the grave of the sea. Her prow thrust upward like a simitar bent backward, hovering over the gaunt ruin of a cabin whose seaward sides were formed by port and starboard bows. From a shallow pit amidships jutted the broken arm of a mast, its splintered tip pointing toward the blindly watching moon. The stern, thickly covered with the moldering encrustations of age, curved inward above the strange high poop, beneath which lay another cabin. And along either side of her worm-eaten freeboard ran a row of apertures like oblong portholes. Out of these projected great oars, long, unwieldy, as somberly black as the rest of the ancient bulk.

Now a sound drifted across the waters, the steady, rhythmic br-rr-oom, br-rr-oom, br-rr-oom of a drum beating time for the rowers, Its hollow thud checked the heart, set it to throbbing in tempo with its own weary pulse. Ghostly fingers, dripping dread, crawled up Darrell's spine.

Stiff-lipped, Vilma gasped: "What—what is it?"

Cliff answered in a dry husky voice, the words seeming to trip over an awkward tongue. "It's—it's—it can't be, damn it!—but it's a galley, a ship from the days of Alexander the Great! What's it doing—here—now?"

Closer she came through the moon-path, a frothing lip of brine curling away from her swelling prow. Closer—her course crossing that of the Ariel—and the watchers saw her crew! They gasped, and the blood ebbed from their faces.

Men of ancient Persia, clad in leather kirtles and rusted armor, and they were hideous! In the yellow moon-glow Cliff could see them clearly now—a lookout standing motionless in the stem, the steersman on the poop-deck, the drummer squatting beside the broken mast, the rowers in the pit—and all, all were a bloodless white, the skin of their faces puffed and bloated and horribly wrinkled, like flesh that had been under water a long time.

Dead men ... men whose movements were stiffly wooden ... as dead as their faces. But most horrible was the fact that they were there, that they moved at all!

"A queer mirage, isn't it?" A hollow voice spoke suavely behind them. Vilma gasped at the sudden sound, and they whirled. A foot away stood the tall, lean figure of the Ariel's captain, Leon Corio. A queer smile twisted his thin lips.

"What's the idea—sneaking up on us?" Darrell demanded angrily. He didn't like this man, hadn't liked him from the moment he had approached Cliff to sell him the yacht. But Cliff had bought the craft because she was a bargain, and in accordance with their agreement he had hired Corio as captain.

The tall man's smile remained fixed, and he bowed gravely. "Sorry, sir. I always walk softly, A habit, I suppose." He gestured toward the galley. "It looks quite life-like, don't you think so?"

"Life-like?" Cliff spoke between his teeth as he again faced the black ship. "It looks dead to me!"

The galley had almost reached them now, veering sharply to draw up beside the Ariel. The drum quieted, and the oars trailed in the water, motionless except for the swaying imparted by the waves. A musty, age-old odor filtered through the air like a breath from a grave. The music and dancing had stopped. A fear-filled hush shrouded the yacht.

Vilma drew Cliff's arm about her shoulder. He glanced back at the motionless captain.

"Do something, Corio!" he rasped. "Don't stand there like a dummy!"

Corio nodded with his same queer smile. His hand darted to an inside pocket, came out bearing a curious instrument like four twisted cones of silver bound together with silver thongs. As he raised this to his mouth, his eyelids were slits behind which burned the embers of his eyes.

Out over the sea crept a single note, deep, hollow, laden with eery minor wailings—a sound that summoned imperatively, yet a sound that repelled. It was a moan, hideous as the moan of a dying demon. It raked the heart with fear-tipped claws. It rose, and fell, and rose again, and as it died, it awakened the crew of the ancient galley to motion, sweeping them in a horde to the rail of the yacht.

Cliff swung toward Corio in bursting fury, fury mingled with dread. His fist lashed out at that glittering silver instrument and the face behind it, but Corio avoided him like a wraith, still smiling fixedly, the horn again at his lips. Cliff cursed, and hurled himself through the air. One hand caught a bony shoulder; he felt fingers like hooks close on his own throat. He wrenched free, landing a stunning blow on Corio's face—saw him reel and crash to the deck—and then he heard Vilma scream!

He whirled. She was struggling between two of the flabby-faced things from the galley! In an instant he was upon them, his fist thudding against icy flesh, burying itself in something horribly soft and yielding. Startled, Cliff swung a second blow; and an arm, tomb-cold and strong as the tentacle of an octopus, wrapped itself around him—a vise of thin-covered bone! A dead, drowned face peered over his shoulder, staring blankly. Other arms seized his legs, and though he struggled and writhed with the strength of a mounting fear, he was borne to the rail. Over they went, and dropped to the rotting deck of the galley.

A numbness was creeping through him like a contagion, spreading from those crushing hands of ice. His struggles ceased. With eyes that turned stiffly in their sockets he looked for Vilma, saw her raised high above the heads of two other pallid creatures, saw them climb over the rail. Then the blackness of a dank and musty cabin enveloped him; and he was dropped with jarring force. His captors bulked black against the moonlit doorway, treading soundlessly, and were gone.

Cliff lay in rigid paralysis, every sense keenly alive, his mind striving to clutch a single spar of reason in this chaotic whirlpool of the incredible. This couldn't be! Soon he'd awaken to laugh at his absurd nightmare.... Yet it seemed horribly real.... It was real!

From the Ariel boiled a fearful bedlam. Screams of terror. Curses. Then other shadows loomed in the doorway, and Vilma, motionless and rigid, was dropped brutally beside him on the spongy floor.

Furiously Cliff strugged against the maddening restraint of paralysis. He couldn't lie here helpless! Vilma needed him! He'd—he'd have to do something. Wiht an effort that studded his forehead with rounded drops of sweat and sent the blood throbbing through the distended veins of his neck, he sought to move. And like a cord snapping, his invisible bonds fell from him.

He was crouching over Vilma, rubbing her wrists, calling to her, when again he heard the silver horn of Corio. A low droning utterly unlike the note that had awakened the galley's crew, it drifted languidly along a channel of endless sleep. It seeped through the ear-drums, touching every nerve-tip with resistless lassitude. Doggedly Cliff fought against the sound, pressing his hands over his ears, gritting his teeth, holding his eyelids wide. Yet he felt his muscles weaken, began to relax, knew dimly that his mind, sodden with drowsiness, was creeping toward the pits of slumber—and the vibrant drone ended!

His head cleared rapidly, and he bent over Vilma. As he touched a limp arm, he knew she had passed from paralysis into a deep, quiet sleep. He shook her. It was useless. He listened, heard her steady breathing; and at that instant realized that the noises from the yacht had ceased.

Rising, he strode toward the square of chalky moonlight. A foot away he halted, fell back. He had heard a faint footfall, had seen an armor-clad figure climbing over the rail! With silent haste he flung himself down beside Vilma.

And there he lay while the crew of the galley carried his friends from the Ariel, all slumped in that unnatural sleep, and stretched them out on the floor of the black cabin. Unmoving, he watched through narrow lids till all save Corio had been carried aboard, and the drowned things had gone back to their places in the rowers' pits. Again the hollow voice of the drum began throbbing through the silence, and the oars creaked a faint accompaniment. He could feel the galley cleaving the oily sea.

On his feet, he peered through the doorway. The backs of the rowers rose and fell with stiff, mechanical rhythm. Beyond the galley's stern came the yacht, slinking along like a thief, only one dim light showing, her Diesel engines purring almost soundlessly.

He turned and bent over Vilma, still in thrall to that strange deep slumber. As he traced the delicate outlines of her lovely face, now so lifeless and pale, bitter wrath flared within him, wrath and hatred for Leon Corio. But as he thought of the ghastly undead things out there in the galley pit, thought of this water-soaked anachronism which had no right to be afloat, his skin crisped with a sense of foreboding, a fear of what was yet to come. He must do something!

Stepping over the still forms of his friends, he moved to the forward wall where a beam of radiance crept fearfully through a gap between two boards. His hands touched the hull—and he jerked them away. Rotten, clammy, like a decayed corpse, partly frozen. Crouching, he peered through.

Far ahead, a blotch of evil blackness squatted on the horizon, an island crouching low like a black beast ready to spring. Around it the moonlight seemed to dim, as though it were striving to hide some nameless horror. Interminably Cliff watched while the shadowed mass drew closer ... closer....

They were headed for a towering wall of black basalt; and as the galley neared it, Cliff saw that it bore striking resemblance to a gigantic human skull, its rounded surface broken by caves that the sea had carved into hollow eye-sockets and an empty nasal cavity. The rock wall ended high above the water; beneath it lay a gaping chasm of pitchy darkness. And the galley, drum silenced, oars at rest, slid under the ledge, into the mouth of the skull!

Just before total blackness fell, Cliff sprang to Vilma's side and raised her in his arms. If he hoped to do anything, he must do it now! He groped his way to the starboard bow and moved one hand along the dank timbers, searching. He found what he sought, a wide gap at the edge of a board. Gently lowering Vilma to the floor, he gripped the slimy wood with both hands and thrust outward mightily. A wide strip of decayed timber burst free. He dropped it into the sea and attacked the next board. In moments a wide irregular opening yawned in the galley's hull.

Leaning out, Cliff looked down. He could see nothing. Then suddenly a faint light appeared, and he heard the hum of the Ariel's motors as she entered the cave. The humming ceased instantly, but the faint light persisted.

Now he could see the blackness of waters, a rock wall beyond. He drew back—and as he did so, he heard movements on deck! At any moment the rowers might enter! He'd have to risk a drop into the water with Vilma—there was nothing else to do. If only she were conscious!

He stooped and raised her, holding her firmly with one arm. Gripping the hull with the other, he climbed through the opening, inhaled deeply, and dropped! A heart-stopping plunge—and cold water closed over them. Down, down—then they shot upward, reached the surface; and even as Cliff gulped a single gasping breath, something struck his skull a blinding, stunning blow! The oars!

With rapidly numbing arms and legs Cliff kicked and flailed the water, striving for land. Dimly he knew he no longer held Vilma; dimly he visioned her as were those ghastly undead; then his body scraped on something hard, and a blackness that was not physical blotted out consciousness!

2. The Dreadful Isle

Red-hot hammers pounding against his temples wakened Cliff Darrell. He opened his eyes to stare into total darkness crawling with mental monsters spawned by his pain-stabbed brain. He lay half immersed in shallow brine, his head resting on a jagged stone just above the surface. Struggling to his hands and knees, he shook his head from side to side, dumbly, like an animal in pain. Something had hit him—and now he was in water—and there was no light. What had happened? Where was Vilma?

Vilma! He groaned. He remembered now. They had dropped—and his head had struck something—and—and—maybe she was floating out there even now, dead eyes staring upward.

"Vilma!" he cried, his voice pleading, "Vilma!"

Only a mocking echo answered him. There was no other sound, not even the whisper of waves swishing among the rocks.

Cliff pressed his hands fiercely against his throbbing head. The pain had become a madness, matched only by the agony of his own helplessness. He felt his reason reeling; he fought an insane desire to fling himself shrieking into that silent expanse of water to search for Vilma; then with a tremendous physical effort he jarred himself back to sanity.

He staggered to his feet, groped stumblingly over the rocks away from the water. His hand touched a rock wall broken and pitted by the action of the sea; and he crept slowly inland, feeling his way, like a blind man. As he plodded on his thoughts blended into one fixed idea: he must get to light, must get light to search for Vilma.

Gradually the insensate pounding in his head abated, and strength returned to his body. When at last he saw light beyond a narrow fissure around an angle in the cavern, he had almost recovered. In moments he was gazing out over a plain bathed in the glow of a leprous moon. As he stared, he shivered; and it was not because of the cold draft drawing through the fissure, fanning his brine-drenched body.

Grim and starkly forbidding the plain lay before him, dead as the frozen landscape of the moon. Once there had been life there, but now only the skeletons of trees remained, lifting their wasted limbs in rigid pleading to an unresponsive sky. Some, there were, that had fallen, uprooted by the fury of passing hurricanes; these lay like the scattered bones of a dismembered giant, age-blackened, and painted with hoarfrost by the brushes of moonlight. Feebly the dead forest stirred under the touch of a moaning wind, and the gaunt shadows cast by the trees seemed to be multi-armed monsters slithering over the rocky earth.

He looked beyond the trees, and he saw light. Little squares of pale radiance cut high in the walls of an ancient black castle. Castle? Cliff frowned. He could liken it to nothing else, though he could not recall ever having seen a castle which thrust curving, needle-thin spires into the sky like a devil's horns.

Impatiently Cliff stepped from the wall of rock and glanced along a path that writhed through the forest; glanced—and crouched swiftly, a low cry escaping him. A single spot of water on a smooth, flat stone! A spot shaped like a woman's shoe! Vilma had passed this way!

But—might it not have been some other woman from the Ariel? No! They had been carried—and even if they had walked, their feet were dry!

Like a hound on the scent, Cliff Darrell sped along the serpentine path. The wind moaned above him, and the soughing branches seemed to whisper croaking warnings, but he ran on, his eyes constantly seeking signs of Vilma's course. Here a drop of water shaken from her drenched skirt, there another; and Cliff blessed the full moon whose light made possible his trailing of the almost invisible spoor.

Now he had passed beyond the dead forest and was moving toward the castle. The trail had been growing steadily fainter, but he managed to follow it. It led him toward a narrow stone stairway climbing crookedly to a misshapen opening in the wall. Light glowed faintly lurid somewhere deep within; and now Cliff heard a blasphemous sound belch from the depths of the castle—a wheezing, sardonic croaking like the moan of a demoniac organ, rumbling an obscene dirge. His hair bristled, and he stopped short.

He looked at the steps, searching for the fading trail—and he stiffened. There on the second step was an irregular blotch of moisture! What did it mean? Had Vilma crouched there? Had she ascended those steps? Entered?

With drawn face he began to skirt the base of the black building, searching every nook and cranny, scanning the bare walls. His heart lay like ballast in his breast. If—if something had lured Vilma into that demon-infested vault … he checked the thought.

Suddenly he cursed. Mechanically he had begun to measure his stride in time with the doleful dirge from the castle. He stalked on with altered pace. As he rounded the corner at the rear of the structure, he saw a shadow outlined against the sky, crouching on a ledge below one of the little windows. He looked again—cried:

"Vilma!"

The figure above him stirred, looked down, then climbed hastily earthward. It was Vilma … Vilma, with black hair hanging stringily about her head, face pale, eyes fixed in the wideness of fear … Vilma, with her wet clothing clinging to the lovely contours of her symmetrical body.

"Oh, Cliff!" she gasped, a dry sob choking her. "Thank God—thank God!"

She clung to him, her face hidden against his shoulder, quivering uncontrollably. Then tears came, saving tears, relieving her pent-up emotions.

Cliff said nothing, only held her close, strongly protective. And gradually he felt the tempest of terror subside. At last she looked up. Some of the dread had gone from her face, and she tried to smile.

"I guess—I can't take it," she said.

Cliff shook his head solemnly. "You're a game girl, Vilma! You've nerve enough for two men. If you can, tell me what happened. Of if you'd rather let it wait, just say so."

"I'll feel better if I get it off my chest," she said. "You probably saw those—things—carry me from the yacht." Cliff nodded. "Well, I was just about paralyzed when they dropped me in their terrible boat. I remember, you tried to arouse me; then that horn blew, and I just seemed to float away in an ocean of sleep.