Front matter
William Moorcroft, Potter Individuality by Design
Jonathan Mallinson
I feel there is a need for interesting, individual things. Not extreme, not fashionable, but things that will be the outcome of careful thought, things built with the spirit of love in every part of them.
Table of Contents
Abbreviations x Acknowledgements xii Introduction: William Moorcroft, Potter 1 PART I: MAKING A NAME 7 1. 1897-1900: The Making of a Potter 9 2. 1901-04: The End of the Beginning 31 3. 1905-09: Experiment and Adversity 51 4. 1910-12: Approaching a Crossroads 71 5. 1912-13: Breaking with Macintyre’s 93 PART II: CREATING A STUDIO 115 6. 1913-14: A New Beginning 117 7. 1914-18: The Art of Survival 137 8. 1919-23: A Lone Furrow 163 9. 1924-25: Recognition of the Artist Potter 185 10. 1926-28: Re-negotiating the Future 207 PART III: EXPRESSING A VISION 231 11. 1929-31: No Ordinary Potter 233 12. 1932-35: Individuality and Industrial Art 259 13. 1936-39: Pottery for a Troubled World 291 14. 1939-45: Adversity and Resolution 327 Conclusion: Individuality by Design 357 Bibliography 369 List of Figures 381 Index 389
Additional resources including images of pottery and original documents are available online at: https: //doi.org/10.11647/OBP.0349#resources
Abbreviations
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