Front matter
WH ITE WAY
Black Performance,
Eugene O'Neill, and the Transformation of Broadway
Contents
List of Illustrations ix Acknowledgments xi A Note about Language xiii Introduction 1 one. The Emperor's Remains 19 two. An Algerian in Paris 46 THREE. Broadway’s First Interracial Kiss 70 Four. Racing Operatic Emperors 96 Five. Racing the Cut: Black to Ireland 122 Conclusion. What Remains? 150 Notes 157 Bibliography 209 Index 237
Digital materials related to this title can be found on the Fulcrum platform via the following citable URL: https://doi.org/10.3998/mpub.12340544
Illustrations
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