Music, Art and Emotion

Front matter

alo JO

AOSIS

Usic, Art and Emotion

Chapter 1: Music, emotion and imagery Conroy Cupido Introduction ‘Nagmusiek’

Music and emotion Perceived and aroused emotions Identifying emotions in music How are emotions induced by music?

Imagery elicited from musically aroused emotions Conclusion Consequences and limitations of this study

Chapter 2: ‘Nagmusiek’: An example of an interdisciplinary study employing artistic research and phenomenology as a multi-method approach

Introduction

The dissemination of knowledge derived from artistic research The role of the researchers in collaborative artistic research Methodological pluralism in artistic research

Artistic research and phenomenology

Trustworthiness, credibility and research paradigms

Ethics

‘Nagmusiek’: Combining artistic research and hermeneutic phenomenology

Significance of this study Conclusion and delimitations

21 23 24 25 27 30 31

32 38 39

Chapter 3: Understanding night music through analysis: Nocturnal features and forces Jaco Meyer

Introduction Music moves: Metaphors in music Musical forces and meaning Musical gravity Musical magnetism Musical inertia Meaning Analysis ‘Erlkonig’

‘Après un réve’

‘Beim Schlafengehen and ‘Im abendrot' ‘Le spectre de la rose’

Conclusion: References to the night Timbre and instrumentation Tempo Mode Dynamics Beat and rhythm Intervals Harmony Musical forces