Front matter
ANNETTE FORSTER
Histories of Fame and Fate
Amsterdan Universit
Table Of Contents
INTRODUCTION 9
The Method of Writing Careerographies 11
Archival and Other Sources 15
Part I Adrienne Solser, The Netherlands
ADRIENNE SOLSER ON THE DUTCH POPULAR STAGE 25 The Formative Years, 1885-1904 25
Pioneering Comedians in the Dutch Variété 26
The Years of Achievement, 1904-1914 38
New Entertainment Genres and Blurry Boundaries 39 Entr’acte: Solser’s Repertoire and Stage Persona 46 The Years of Character Comedy, 1914-1920 55 Adriénne Solser as the Amsterdam Folk Woman 56 Stage History of Amsterdam Folk Characters 58
ADRIENNE SOLSER AND THE DUTCH SILENT CINEMA 73 Interaction On-stage and On-screen, 1896-1930 73 Mixed Programs in Dutch Variétés and Cinemas 73 Staging Films: Lecturing 80
Dutch Comic Film Production until1920 83 Reviewing Interaction Between Stage and Screen 90 Dutch Comic Film during the 1920s 92
Adriénne Solser as an On- and Off-screen Film Performer 92 A Difficult Choice 105
Adriénne Solser’s Production Company, 1924-1928 106 Solser’s Live Act and the Bet-character 116
Solser’s Careerinthe Cinema 131
Epilogue 132
Part II Musidora, France
Jeanne Roques Becoming Musidora, 1906-1912 137 Musidora’s Early Acting Career 142
French Popular Stage Genres 143
Musidora in Music-hall and the Parisian Revue, 1912-1914 145 Of Vedettes and “their” Genres 148
Musidora in the Parisian Revue 151
Revue and Film 162
Musidora’s Writings and Charicatures 166
Conditions of Musidora’s Stage Career by1914 167
MUSIDORA AND THE FRENCH SILENT CINEMA 169 Musidora as an Actress at Gaumont, 1914-1916 169 Feuillade’s Dramas and Comic Films with Musidora 173 Coexistence Cinema and Stage Performance 188 Ciné-vaudevilles and Stage Vaudeville 192
Feuillade’s Serials with Musidora 210
Musidora as an Actress, 1916-1918 236
Musidora Speaking about Acting in LAVAGABONDE 240 Musidora Writing, Directing, Acting and Producing Films, 1919-1924 245 VICENTA (1920) 246
POUR DON CARLOS (1921) 249
SOLEIL ET OMBRE (1922) 263
LA TERRE DES TAUREAUX (1924) 271
Epilogue 278
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