Preface
A TEXTBOOK in composition should include those principles of rhetoric, grammar, and mechanics which will be immediately useful to the pupils who are to use it — all of these principles and no others. Accordingly, the authors of English in Service have carefully reviewed their own teaching experience and studied the various reports on "essentials" to determine just what technical instruction pupils in the seventh, eighth, and ninth grades find profitable. The plan of revealing to the pupils their need of each principle before asking them to learn it has acted as a further check upon the selection of such material. It may be confidently asserted that nothing of major importance has been omitted and that the body of technical information presented is all valuable to the children who will study the book and is as extensive as they will have time really to master.
A textbook should harmonize with the best methods of teaching. The authors of English in Service take it for granted that
1. Pupils learn best when they are most interested;
2. They are most interested when they are attempt-
ing to realize purposes of their own;
vi PREFACE
3. As a rule junior high-school youngsters can be
more deeply interested in actual communicating than in developing technical skill in language;
4. The surest way to give any idea the associations
which will assure its recall is to use that idea in solving a problem or realizing a purpose;
5. The more the purposes formed and the conditions
under which they are carried out are hke those of extra-school life, the more likely the solutions are to be used on proper occasions outside the classroom;
6. The way to develop initiative in children is to
give them opportunities for its exercise;
7. The best means of training children for democracy
is to train them in democracy.
The entire books, the chapters, and the individual sections have been organized in accordance with these principles.
The arrangement of the materials in English in Service may best be revealed by an examination of the structure of the chapters. First in each chapter some undertaking in communication is presented as attractively as possible, means of carrying out the undertaking are considered, provision is made for the actual speaking or writing involved, and the learners are led to estimate the degree of their own success and to discover so far as possible the causes of success and failure. From this consideration of the effective and the undesirable in the pui)ils' expression the second part of the chapter develops a specific problem of form, and helps the learners to work out its solution. When the nature of this solution permits.
PREFACE vii
there is provided formal drill in its application sufficient to make the learners certain in their knowledge of what is right. Since formal drills will never set up habits likely to function in informal — or, better, natural — situations, no attempt is made to use them for that purpose. The third step in each chapter is the presentation of more composition undertakings. Shortly, as the fourth step, a second problem of form is developed and solved. In most chapters one of the problems lies in the field of rhetoric and the other in that of grammar or of mechanics. The fifth and last portion of the chapter — usually more than half — consists of further practice in actual communicating, so chosen as to call for the use of the principles taught in the second and fourth steps and so conducted as to make evident the usefulness of the principles in those activities.
This text gives unusually detailed directions for the conduct of class activities. These directions introduce into the classroom the procedures employed by successful speakers and writers the world over. They are well calculated also to develop initiative, originality, and self-control in the pupils by allowing them to form purposes rather than to obey directions, to seek out means of accomplishing these purposes, and to cooperate with others almost constantly. Such suggestions in the body of the text and in the margins have been made complete enough to make possible genuinely socialized work with out requiring the teacher to do anything more than merely keep order. This, of course, for the sake of overburdened and inexperienced teachers. Those viii PREFACE
who desire to introduce variations in assignments, in emphasis upon technical principles, or in procedures will find the text quite adaptable to their needs; in many cases such variations are positively invited by the language of the directions given.
The character of the assignments deserves notice. These undertakings in which the pupils are asked to engage are not just themes but real attempts to entertain, inform, or persuade real persons. English in Service is more than a title: it is an expression of the fundamental character of the book. Just as swimming motions practiced while the novice poses horizontall}^ on a chair have proved of little aid in mastery of the water, so formal drills in mechanics and "practice" in composition through *' themes" must give way to genuine use of language in the classroom. The art of communication is best learned through attempts to communicate, with a moderate amount of systematic coaching. English in Service is planned to stimulate pupils to such attempts and to supply whatever counsel will be useful.
BOOK I Chapter I FULLNESS OF DETAIL
THE SENTENCE SENSE
NIT PAGE
1. New Circumstances {Oral narrative) . 2
2. Roundcheeks or Barebones? (Need of details) 6
3. 'Putting on Flesh (Supplying details) . . 12
4. A Story Circle (Oral Narrative)
5. The Sentence Sense (Oral periods)
6. A Second Chance (Oral Narrative)
7. A Surprise (Oral narrative) .
8. Another Story Circle (Oral narrative) . 26
9. A Fair Exchange (Written narrative. Com-
pleteness of sentences) 30
10. A Good Play (Oral narrative) .... 36
11. Better Speech (Discussion) .... 39
12. An Incident from a Book I am Reading
(Oral narrative) 41
13. A Guide to Reading (Written narrative) 44
14. \^henl Learned (Oral narrative) ... 48
CONTENTS Chapter II
RELEVANCE OF DETAIL
NUMBER OF VERBS SUBJECTS AND OBJECTS
PAGE
15. Do Animals Reason? {Oral narrative.
Choosing details) 54
16. Money and Human Nature (Oral narra-
tive) 60
17. How Many.^ {Number: the verb be) . . 62
18. Practice {Written drill) 66
19. A More General Rule {Number: all verbs) 68
20. Practice {Oral drill) 70
21. More Practice {Oral drill) .... 71
22. One at a Time (Each of, either of) . . 74
23. Profitable Play {Language game) . . 76
24. For Want of a Shoe {Oral narrative) . . 78
25. A Difficulty Downed {Oral narrative) . 81
26. In Mother's Shoes — or Father's {Oral nar-
rative) 85
27. Subject or Object {Nominative and objec-
tive cases of pronouns) 87
28. Another Name for the Same Thing {Pred-
icate nominative) 91
29. Parties by Proxy {Oral narrative) . . 94
30. My Creation {Oral narrative) .... 95
31. The Rescue {Written narrative) ... 97
32. ys'\\oVs-As\i? {Language game) ... 100
33. Tit-for-Tat {Oral narrative) .... 101
34. The Land of Counterpane {Oral narrative) 104
35. Vsholhii^li'^ (JMnguagc game) ... 107
36. I Told You So {Oral narrative) ... 108
CONTENTS xi Chapter III
SOCIAL LETTERS COMPOUND SUBJECTS AND PREDICATES
37. Writing for Fun (Social letter. Letter form) 109
38. Complications {Compound subjects and ob-
jects) 115
39. Gone but not Forgotten (Social letter) 118
40. A Letter to Mail (*Socia/ Z^^/er) ... 120
41. Please Come! (Informal invitation) . . 121
42. The Answer (Social Letter. Formal invi-
tation) . . 123
43. Tell Me, Please (Written inquiry) . . 124
44. I Recommend (Social letter) . . . . 125
Chapter IV
CHRONOLOGICAL ORDER PREDICATE ADJECTIVES AND ADVERBS
45. Lost and Found (Oral narrative) . . . 126
46. My Loss (Oral narrative) 127
47. Good or WeW? (Predicate adjective or adverb) 128
48. The "Ly" Words (Adverbs in general) . 130
49. Practice (Oral drill) 132
50. More Practice (Oral sentence analysis) . 133
51. Practice Again (Oral drill) . . . . 134
52. A Grammar Match (Written and oral drill) 135
53. Pure Fiction (Written narrative) . . . 136
54. Misjudged (Written narrative) . . . 141
55. An Army or ISisLvy Hero (Oral narrative) . 142 xii CONTENTS
PAGE
56. More Fiction (Written narrative) . . 144
57. Historical Anecdotes (Orai narra/tVe) . . 148
58. Jokes {Oral narrative) 1^1
59. A Partnership Story {Written narrative) . 157
LOGICAL ORDER IN EXPLANATION ADJECTIVES AND ADVERBS
60. How to ^tudy {Oral explanation) ... 159
61. A Business Meeting {Written and oral ex-
62. More Adjectives and Adverbs {Modifiers
of adjectives and of adverbs) .... 164 63 Useful and Harmful Plants {Oral explanation) ^^^
64. TheBuiionVs'eed {Order in explanation) . 171
66. Favorites {Oral explanation) .... 175
Chapter VI
COMPLETENESS IN EXPLANATION PREPOSITIONS
67. I wonder {Oral explanation . Completeness) 178
68. Giving Orders (Om/ea:p/anafio7?) ... 182
69. InterestingInsects(Ora/^a-p/a^m/7O70 . • 185
70. One More Use of Pronouns {Prepositions
and their objects) ^^
71. A Train Letter (Socio/ /e/M .... 195
CONTENTS xiii
BOOK II Chapter I VIVIDNESS THROUGH DETAIL CO-ORDINATION AND SUBORDINATION
PAGE
1. An 'EmhsLTYSissmg'NLcYaeiit (Oral narrative) 1
2. A Letter of July 4, 1776 {Written narrative) 5
3. Hank Banta's Ducking (Combination and
subordination) 8
4. Equals and Dependents (Compound and
complex sentences) 10
5. Practice (Written) 13
6. A Lively Combination (Written narrative) 14
7. Righteous Indignation (Oral narrative) . 17
8. Placing Modifying Clauses (6Vo2i2^ ^/W?/) . 18
9. Practice (Oral and written) 20
10. A Sample Incident from My Book (Writ-
ten narrative) 22
11. An Old Story (OraZ narra/ne) .... 24
12. Grandfather's Story (WWiiten narrative) . 25
13. Your Own Paper (Discussion) .... 29
Chapter II EFFECTIVE INITIAL SENTENCES THE COMMA
14. First Impressions (Oral narrative) ... 31
15. Beginnings (Effective initial sentences) . . 36
16. Comedies (Oral narrative) 37
17. Choosing a Vocation (Discussion) ... 39 xiv CONTENTS
UNIT
18. The Series Comma (Punctuation study) . 43
19. VCovk 1 'Enjoyed {Written riarrative) . . 47
20. Quoting (Punctuation study) .... 49
21. An Instance of Courage (Written narrative) 53
22. Marking the Members (Punctuation study) 59
23. I'dLiketo DO IT Again (Written narrative) 61
24. ^\im.Y>u\g\he^\xm.^?> (Efective endings) . 63
25. Once Only (Written narrative) .... 64
26. Revising the OutHne (Discussion) . . .65
27. Planning the Procedure (Discussion) . 68
28. Illustrated Lectures (Oral Narrative and
explanation) 70
29. Our Opportunity (Oral argument) ... 72
THE BUSINESS LETTER THE COMMA
"0. Arranging an Interview (Business letter form) 75
31. The ne\)\y (Business letter) .... 80
32. Mild Parentheses (Punctuation study) . . 81
33. Inquiring (Business letter) 84
34. Merely Explanatory (Punctuation study). 85
35. Your Opinion of Him (Letter of recommen-
dation) 89
36. A Summary (Comma rules) 92
37. A Vacat ion Order (Order letter) .... 92
38. Substituting (Business letter) .... 95
39. Refusing (Business letter) ..... 98
40. ^Jlieater lockets for Two (Order letter) . 99
41. A Possible Case (Sales letter) .... 101
CONTENTS XV Chapter IV
TENSES
42. The Influence of Our Feelings {Oral nar-
rative) 103
43. Marking the Time {Tenses: "present and
past) 104
44. An Explosion {Oral narrative) . . . . 107
45. A'Reminder {Oral explanation. Vocations) 109
46. A Dip into the Future {Written narrative) 109
47. Up Till Now {Present perfect tense) . . 112
48. Practice {Oral and written drill) . . . 117
49. Trouble Makers {Principal parts of verbs) 118
50. Practice {Verb game) 123
51. The Time Before {Past perfect tense) . . 124
52. Progressives {Progressive verbs) . . . 125
53. A Summary {Verb tenses) 127
54. Vocations Again {Oral explanation) . . 128
55. The Best Policy {Written narrative) . . 130 5Q. Thrillers {Written narrative) . . . 131
Chapter V PASSIVE voice
EXCLUDING THE IRRELEVANT
57. Some Strange Histories {Oral explanation) 135
58. Common Scientific Phenomena {Oral ex-
planation. Passive voice) 140
59. Science in Industry {Oral explanation) . . 146
60. A Mystery Solved {Oral explanation) . . 149
61. A Faulty Narrative (/rre/e?;ance) . . . 151 xvi CONTENTS
6*2. Some Common Figures of Speech (Oral explanation) 154
63. A Clever Idea (Oral explanaiioti) . . . 157
64. fleeting ^emergencies (Oral explanation) . 159
Chapter VI
EVIDENCE AND ENTHUSIASM IN ARGUMENT COMPARISON OF ADJECTIVES AND ADVERBS
66. An Opinion fleeting (Oral argujnent) . . 166
67. \Miat Counts ]\Iost.^ (Effectiveness in argu-
ment) 170
68. How ShainVe Celebrate.^ (Oral argument) 174
69. Comparison (Comparative and superlative
degrees) 178
70. Success (Oral argume?it) 180
71. Should the School Term be Changed.^
(Written argument) 183
72. A Debate (Formal argument). . . . 185
73. Investments for Young People (Oral argu-
ment) 186
BOOK III Chapter I FOCUSING narratives AND ARGUMENTS
1. Reason for Pride (Oral narrative) ... 1
'2. A Boomerang (Oral narrative. Focusing) . 3
3. A Bold Bluff (Oral narrative). ... 11
CONTENTS xvii
PAGE
4. Air Castles {Oral narrative) .... 16
5. A Thrilling Contest {Oral narrative) . . 17
6. A Real Young People's Book {Written
narrative) 22
7. Tiresome! {Written narrative). ... 26
8. Keeping Up With the Times {Discussion.
Club organization) 29
9. In Strange Surroundings {Written narrative) 36
Chapter II
THE TOPIC SENTENCE REVIEW
10. Effective Study {Written explanation.
Topic sentence) . . . . . . . 42
11. Practice {Written) 48
12. Adopting a Policy {Discussion) ... 51 13 Would You Like to Try This.^^ {Newspaper
14. Prominent Personalities {Written descrip-
tion) 56
15. Setting Up Standards {Oral explanation.
Review) 58
16. Pooling Information {Oral explanation) . 59
17. Advertising Your School {News writing) 62
18. A Cartoon {Oral description and explana-
tion) 63
SPECIFIC DICTION
19. An Old Topic {Written description. Image-
ful words) 67 xviii CONTENTS
20. A Sensation {Written description) ... 72
21. ^\oTdYoTtT^iiis (Oral or uritten description) 75
22. A Vocabulary Match (Ga 7??^) .... 80
23. Oh, So Good! (Written description) . . 81
24. A More Difficult Vocabulary Game . . 85 26. Christmas Eve (Written narrative) . . 86
26. Sharing a Pleasure (Written description) . 89
27. Unpolished (Written narrative) ... 95
28. A Tenderfoot (Written narrative) . . 97
Chapter IV SENTENCE VARIETY ADVANCED PUNCTUATION
29. A Childish Quarrel (Written Narrative.
Dialogue form) 99
30. Earning a CrowTi (Variety of sentence struc-
ture 102
31. Rapid Movement (0/Y//7?flrra//rr) . . 105
32. Variety (Participial phrase) . . . 108
33. Your Own City (Written report) 111
34. A Useful Construction (r/z^fife?-?/??^) . 115
35. ^Xishes (Oral narrative) 116
36. FourV('d\s to ^iiylX (Infinitives) ... 120
37. Future Progress (Written narrative) . . 123
38. A Means of Brevity (The appositive) . 125
40. Vigorous Points (E,rclamation point and
41. A (\)ming Event {Written explanation) . 132
42. Connna's Big Brother (The semicolon) . 1-5
CONTENTS xix
43. Confusion: Comedy or Melodrama (Writ-
ten narrative) 138
44. The Colon (Study and drill) 140
45. A Competition (Written explanation) . . 142
PERSONALIZING ARGUMENT
46. Philanthropy (Oral argument) . . . . 146
47. Arguments that Count (Emphasis) . . 149
48. An Improvement (Oral argument) . . 153
49. A Class Responsibility (Oral argument) . 157
50. Getting Your Way (Impromptu argument) 159
51. More Class Business (Oral discussion) . 160
52. A Mock Trial (Oral argument) . . . . 161
53. Excuse Us! (Written argument) . . . 162
Appendix
Summary of Grammar ....... 164
ENGLISH IN SERVICE BOOK ONE
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