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The poetical works of Sir Walter Scott, baronet; ed. with a careful revision of the text

W. J. Rolfe · 1888 · Scanned text · Free in the US

334,799 words · about 23 h 27 min to read

Period artwork: Interior of the Bodleian Library, 1845
About this edition

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Free in the US: this text is in the public domain in the United States; it may still be in copyright elsewhere.

Licence: PD · Library of Congress states the book is in the public domain and free to use and reuse (https://data.labs.loc.gov/digitized-books/README.html); published 1888, public domain asserted for the US only · Library of Congress, Selected Digitized Books (https://www.loc.gov/item/12038446); text via the Common Pile (CC BY 4.0 compilation, per-document rights preserved)

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About this book

Author
W. J. Rolfe
Language
English
Published
1888
Length
334,799 words · about 23 h 27 min
Sections
110 reader sections
Text
Scanned text, read from page scans by OCR; may contain errors
Rights
Public domain in the United States

 

Contents (110)
  1. Preface about 2 min
  2. Canto Sixth 459 Conclusion 464 about 1 min
  3. Contents under 1 min
  4. Appendix about 14 min
  5. Introduction about 3 min
  6. Canto First about 9 min
  7. II As glanced his eye o'er Haliclon about 1 min
  8. Canto Second about 14 min
  9. Canto Third about 1 min
  10. III about 12 min
  11. CANTO FOURTH. SwFKT Teviot ! on thy silver tide about 18 min
  12. Canto Fifth about 15 min
  13. Canto Sixth about 2 min
  14. V about 2 min
  15. VII. The Goblin Page, omitting still about 23 min
  16. Canto First. The Castle about 47 min
  17. Canto Third. The Hostel, Or Inn about 3 min
  18. IX under 1 min
  19. X. Song about 13 min
  20. Introduction To Canto Fourth about 6 min
  21. Canto Fourth. The Camp about 6 min
  22. XII. Another aspect Crichtoun showed about 12 min
  23. Introduction To Canto Fifth about 5 min
  24. Canto Fifth. The Court about 11 min
  25. XIV about 2 min
  26. XVI about 22 min
  27. Canto Sixth. The Battle about 15 min
  28. XVIII. Stung with these thoughts, he urged to about 1 min
  29. XIX about 1 min
  30. XXI about 16 min
  31. Canto First. The Chase about 21 min
  32. Canto Second. The Island about 13 min
  33. XXII. Some feelings are to mortals given about 12 min
  34. Canto Third. The Gathering about 15 min
  35. XXIII. Sonfl about 6 min
  36. Canto Fourth. The Prophecy about 17 min
  37. XXIV about 1 min
  38. XXV about 6 min
  39. Canto Fifth. The Combat about 21 min
  40. XXVI about 1 min
  41. XXVIII. ' Hear, gentle friends, ere yet for me about 1 min
  42. XXX about 1 min
  43. XXXI under 1 min
  44. XXXII about 1 min
  45. XXXIII about 1 min
  46. Canto Sixth. The Guard-room about 40 min
  47. XXXV. Gray Royalty, grown impotent of toil about 9 min
  48. Conclusion about 6 min
  49. Canto First about 22 min
  50. Canto Second. I about 20 min
  51. Canto Third about 22 min
  52. Canto Fourth about 23 min
  53. Canto Fifth about 27 min
  54. XXXVII about 1 min
  55. Canto Sixth about 33 min
  56. Canto First about 12 min
  57. CANTO SECOND. 3Lgulpl)'s ?CaU Continues. ' Another day, another day about 21 min
  58. Canto Third. Introduction about 3 min
  59. CANTO THIRD. Bewcastle now must keep the hold about 25 min
  60. Canto First about 18 min
  61. Canto Second about 18 min
  62. Canto Third about 21 min
  63. Canto Fourth about 22 min
  64. Canto Fifth about 24 min
  65. Canto Sixth about 45 min
  66. Canto First. I about 12 min
  67. CANTO SECOND. 'T IS merry in greenwood — thus runs the about 11 min
  68. Canto Third about 10 min
  69. Canto Fourth about 11 min
  70. Canto Fifth about 11 min
  71. Canto Sixth about 1 h 22 min
  72. Prologue about 52 min
  73. Epilogue to tfje Appeal about 2 h 7 min
  74. Canto First about 6 min
  75. Canto Second about 7 min
  76. Canto Third about 3 min
  77. Canto Fourth about 7 min
  78. Canto Fifth about 2 min
  79. Canto Sixth about 17 min
  80. Introduction To Canto First about 10 min
  81. Canto First about 10 min
  82. Introduction To Canto Second about 3 min
  83. Canto Second about 11 min
  84. Canto Third about 4 min
  85. Canto Fourth about 7 min
  86. Canto Fifth about 7 min
  87. Introduction To Canto Sixth about 3 min
  88. Canto Sixth about 13 min
  89. Canto First about 4 min
  90. Canto Second about 4 min
  91. Canto Third about 6 min
  92. Canto Fourth about 3 min
  93. Canto Fifth about 4 min
  94. Canto Sixth about 21 min
  95. Canto First about 6 min
  96. Canto Second about 6 min
  97. Canto Third about 3 min
  98. Canto Fourth about 4 min
  99. Canto Fifth about 1 min
  100. Canto Sixth about 10 min
  101. Canto First about 3 min
  102. Canto Second about 6 min
  103. Canto First about 4 min
  104. Canto Second about 6 min
  105. Canto Third about 1 min
  106. Canto Fourth about 4 min
  107. Canto Fifth about 4 min
  108. Canto Sixth about 12 min
  109. Canto Fourth about 35 min
  110. Index about 22 min

Continue:

Preface

The aim in this edition of Scott's Poems has been to give a correct text, with such portions of Scott's notes as are likely to be useful or interesting to the general reader, and with fuller and better pictorial illustrations than are to be found in any former edition. The volume contains all the poems Qiot \\\Q plays, which are seldom, if ever, read nowadays, unless as mere literary curiosities), with the exception of a few bits of personal or occasional verse which Scott himself would never have printed, and which are not worth preserving. The original contributions to the Border Minstrelsy are included, except Scott's portion of Thomas the Rhymer (the Third Part only), which could not well be separated from the rest. Of the Songs scattered through the novels and plays, the best of such as are comparatively independent of the context are given, together with all the poetical mottoes written by Scott himself for the heading of chapters.

The text of all the editions, English or American, published during the last fifty years, is more or less corrupt. I do not except that of Lockhart, who very rarely corrected an error in Scott's editions, while he allowed many slips made by his own printers to pass undetected. In the prefaces to the " Students' Edition " of the Lady of the Lake and Marmion, I have quoted examples of these corruptions, some of which are almost incredibly bad. Marmion, as I have shown, was never printed correctly until I edited viii rREFACE.

it, sundry misprints in the first edition having been overlooked by Scott and by all his commentators and critics. This is the more amazing, inasmuch as the passages in which the errors occurred became utterly nonsensical.

In carefully collating the text of all the other long poems with that of the earliest editions I have been able to obtain (I have not always succeeded in getting hold of the first edition), I have found corruptions quite as bad as those in the Lady and Mannion. In the minor poems 1 have met with comparatively few of these inaccuracies.

The punctuation has been revised throughout, in accordance with the best recent usage, thousands of the superfluous points with which former editions are so plentifully besprinkled having been deleted.

In abridging Scott's voluminous notes (they have been merely abridged without alteration of the portions retained), I have omitted nothing which the reader who turns to them for explanation or illustration of the text is likely to miss. That the longer notes have been little read, is evident from the fact that Lockhart's accidental dropping of a whole page from one in the Lady in 1833, which destroyed the sense by uniting the fragments of two independent sentences, was not observed, or at least not pointed out, until I called attention to it in 1883.

The Glossary contains all the words explained in Scott's shorter notes, with a few additions of my own.

The engravings may be trusted to speak for themselves. Whether for beauty or for accuracy, they may challenge comparison with anything that has appeared in former editions on either side of the Atlantic.

W. J. R.

Page

THE LAY OF THE LAST MINSTREL i

Introduction 3

Canto Sixth 459 Conclusion 464

BALLAD.S, TRANSLATED OR IMI- TATED, FROM THE GERM AN, etc. 465

William and Helen 467

The Wild Huntsman 470

The Fire-King 472

Frederick and Alice 475

The Battle of Sempach 475

The Noble Moringcr 477

The Erl-King 481

BALLADS 4S2

Gleniinlas : or. Lord Ronald's Coronach 482

The Eve of Saint John 486

Cadyow Castle 488

The Violet 492

To a Lady 492

The Bard's Incantation 492

Hellvcliyn 493

The Dying Bard 494

The Norman Horse-Shoe .... 494

The Maid of Toro ....... 494

The Palmer 49^

MISCELLANEOUS POEMS.

The Maid of Neidpath 495

Wandering Willie 496

Hunting Song 496

Song 497

The Resolve 497

Ei)itaph designed for a Monument in Lichfield Cathedral, at the Burial- Place of the f^amily of Miss Seward 498 Prologue to Miss Baillie's Play of " The Family Legend " . . . . 498

The Poacher 498

The Bold Dragoon ; or, The Plain of

Badajos 501

On the Massacre of Glencoe . . . 501 Song for the Anniversary Meeting of

the Pitt Club of Scotland .... 502 Lines addressed to Ranald Macdon-

ald, Esq., of Staffa 502

Pharos Loquitur 503

Letters in Verse on the Voyage with the Commissioners of Northern

Lights 503

Farewell to Mackenzie, High Chief

of Kintail 505

Imitation of the preceding Song . . 506 War-Song of Lachlan, High Chief of

Maclean 506

Saint Cloud 507

The Dance of Death 507

Romance of Dunois 508

The Troubadour 509

From the French 509

Song on the Lifting of the Banner of the House of Buccleuch, at a great Foot-Ball Match on Carterhaugh . 509 Lullaby of an Infant Chief .... 511

The Return to Ulster 511

Jock of Hazeldean 512

Pibroch of Donald Dhu 512

Nora's Vow 512

MacGregor's Gathering 513

Verses composed for the Occasion, adapted to Haydn's Air, " God save the Emperor Francis," and sung by a select Band after the Dinner given by the Lord Provost of Edinburgh to the Grand Duke Nicholas of Russia, and his Suite, 19th December, 1816 513

Contents

MISCELLANEOUS POEMS.

The Search for Happiness ; or, The

Quest of Sultaun Solimaun . . . 514

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