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All Shakespeare's tales

Charles Lamb · 1911 · Scanned text · Free in the US

167,448 words · about 11 h 44 min to read

Period artwork: Interior of the Bodleian Library, 1845
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Free in the US: this text is in the public domain in the United States; it may still be in copyright elsewhere.

Licence: PD · Library of Congress states the book is in the public domain and free to use and reuse (https://data.labs.loc.gov/digitized-books/README.html); published 1911, public domain asserted for the US only · Library of Congress, Selected Digitized Books (https://www.loc.gov/item/11023284); text via the Common Pile (CC BY 4.0 compilation, per-document rights preserved)

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About this book

Author
Charles Lamb
Language
English
Published
1911
Length
167,448 words · about 11 h 44 min
Sections
3 reader sections
Text
Scanned text, read from page scans by OCR; may contain errors
Rights
Public domain in the United States

 

Contents (3)

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Preface To Tales From Shakespeare By Charles And Mary Lamb

THE following Tales are meant to be submitted to the young reader as an introduction to the study of Shakespeare, for which purpose his words are used whenever it seemed possible to bring them in; and in whatever has been added to give them the regular form of a connected story, diligent care has been taken to select such words as might least interrupt the effect of the beautiful English tongue in which he wrote: therefore, words introduced into our language since his time have been as far as possible avoided.

In those tales which have been taken from the Tragedies, the young readers will perceive, when they come to see the source from which these stories are derived, that Shakespeare's own words, with little alteration, recur very frequently in the narrative as well as in the dialogue; but in those made from the Comedies the writers found themselves scarcely ever able to turn his words into the narrative form : therefore it is feared that, in them, dialogue has been made use of too frequently for young people not accustomed to the dramatic form of writing. But this fault, if it be a fault, has been caused by an earnest wish to give as much of Shakespeare's own words as possible : and if the " He said" and " She said" the question and the reply, should sometimes seem tedious to their young ears, they must pardon it, because it was the only way in which could be given to them a few hints and little foretastes of the great pleasure which awaits them in their elder years, when they come to the rich treasures from which these small and valueless coins are extracted; pretending to no other merit than as faint and imperfect stamps of Shakespeare's matchless image. Faint

v

VI

PREFACE and imperfect images they must be called, because the beauty of his language is too frequently destroyed by the necessity of changing many of his excellent words into words far less expressive of his true sense, to make it read something like prose; and even in some few places, where his blank verse is given unaltered, as hoping from its simple plainness to cheat the young readers into the belief that they are reading prose, yet still his language being transplanted from its own natural soil and wild poetic garden, it must want much of its native beauty.

It has been wished to make these Tales easy reading for very young children. To the utmost of their ability the writers have constantly kept this in mind; but the subjects of most of them made this a very difficult task. It was no easy matter to give the histories of men and women in terms familiar to the apprehension of a very young mind. For young ladies too, it has been the intention chiefly to write; because boys being generally permitted the use of their fathers' libraries at a much earlier age than girls are, they frequently have the best scenes of Shakespeare by heart, before their sisters are permitted to look into this manly book; and therefore, instead of recommending these Tales to the perusal of young gentlemen who can read them so much better in the originals, their kind assistance is rather requested in explaining to their sisters such parts as are hardest for them to understand: and when they have helped them to get over the difficulties, then perhaps they will read to them (carefully selecting what is proper for a young sister's ear) some passage which has pleased them in one of these stories, in the very words of the scene from which it is taken; and it is hoped they will find that the beautiful extracts, the select passages, they may choose to give their sisters in this way will be much better relished and understood from their having some notion of the general story from one of these imperfect abridgments; — which if they be fortunately so done as to prove delightful to any of the young readers, it is hoped that no worse effect will result than to make them wish themselves a little older, that they may

PREFACE vii

be allowed to read the Plays at full length (such a wish will be neither peevish nor irrational). When time and leave of judicious friends shall put them into their hands, they will discover in such of them as are here abridged (not to mention almost as many more, which are left untouched) many surprising events and turns of fortune, which for their infinite variety could not be contained in this little book, besides a world of sprightly and cheerful characters, both men and women, the humour of which it was feared would be lost if it were attempted to reduce the length of them.

What these Tales shall have been to the young readers, that and much more it is the writers' wish that the true Plays of Shakespeare may prove to them in older years — enrichers of the fancy, strengtheners of virtue, a withdrawing from all selfish and mercenary thoughts, a lesson of all sweet and honourable thoughts and actions, to teach courtesy, benignity, generosity, humanity: for of examples, teaching these virtues, his pages are full.

Preface To Tales From Shakespeare By Winston Stokes

IN the preface by Charles Lamb, the purpose in writing a book of Shakespeare's Tales is too clearly and delightfully defined to bear repeating here; but as the author takes considerable pains to avoid the charge of presumption for creating what he is pleased to call " the faint and imperfect stamps of Shakespeare's matchless image," how much more must the present writer seek pardon for including his own imperfect efforts with the models that precede them !

It is hoped that the supplementary Tales may not be read in any spirit of comparison with Lamb's wonderfully blended classics; for even were they written with Lamb's skill, their nature and the subjects with which they deal must in themselves preclude so varied and beautiful a result. Here are the earlier and lesser known of Shakespeare's plays, the products of his unripe craftsmanship and the historical pageants best adapted to a stage far different from our own — all less widely read and talked about than the plays that Lamb has treated in so masterful and fairy-like a manner. The writing has presented untold difficulties ; and to portray in foreign form the shifting battle-scenes of " Henry the Sixth," and guide the thread of an unbroken narrative among the horrors of " Titus Andronicus," must forbid an equal literary merit with Lamb's Tales, even if this had been attempted.

But the purpose of this book is far removed from so presuming an effort, although the writer has, with Lamb, the definite desire to bring Shakespeare nearer to the affections of the young reader. If these Tales awaken interest in the less widely known of Shakespeare's plays, if they serve only as simple guides to render the plays more clear to future readers, they will accomplish their purpose.

ix x PREFACE

Moreover, there are a few notable omissions from Lamb's Tales, such as " Julius Caesar " and " The Merry Wives of Windsor," which here have been fulfilled to the best of the present writer's ability.

While any repetition of Lamb's Tales has been strictly avoided • — as it is superfluous even to attempt what has been performed inimitably — it is believed that there is need for a book containing all Shakespeare's Tales, and in this volume all are gathered — those by Lamb marvellously told, and the others at least with the effort to preserve, so far as possible, the spirit of the plays themselves.

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