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Nineteenth century English prose; critical essays

Thomas Herbert Dickinson · 1908 · Scanned text · Free in the US

140,792 words · about 9 h 52 min to read

Period artwork: Interior of the Bodleian Library, 1845
About this edition

Scanned text — may contain errors · view original scans

Free in the US: this text is in the public domain in the United States; it may still be in copyright elsewhere.

Licence: PD · Library of Congress states the book is in the public domain and free to use and reuse (https://data.labs.loc.gov/digitized-books/README.html); published 1908, public domain asserted for the US only · Library of Congress, Selected Digitized Books (https://www.loc.gov/item/09000584); text via the Common Pile (CC BY 4.0 compilation, per-document rights preserved)

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About this book

Author
Thomas Herbert Dickinson
Language
English
Published
1908
Length
140,792 words · about 9 h 52 min
Sections
4 reader sections
Text
Scanned text, read from page scans by OCR; may contain errors
Rights
Public domain in the United States

 

Contents (4)
  1. Front matter under 1 min
  2. Preface about 1 min
  3. Table Of Contents about 5 h 46 min
  4. II To The Same about 4 h 3 min

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Front matter

Class ^P^AMl Book JD_5_„

GopghtN".

COPVRIGHT DEPOSrC

Preface

In preparing the present work the editors have restricted themselves to a single type of Hterary expression, — the critical essay. They have endeavored to trace, in a series of ten selected essays, the development of EngHsh criticism in the nineteenth century. In choosing the material they have been influenced by something more than mere style. An underlying coherence in content, typical of the thought of the era in question, may be traced throughout.

The book is designed to furnish a series of essays covering a definite period and exhibiting the individuality in each author's method of criticism. The subject-matter in these selections provides interesting material for intensive study and class-room discussion, and each essay is an example of excellent, though varying, English style. It has not been the intention of the editors to place the different authors represented on the same level, either as critics or as stylists. Nor do they claim to have, necessarily, selected the best essay of each writer; they have sought, rather, to choose that one which appears to them to be most typical of the author's critical principles, and, at the same time, representative of the critical tendency of his age.

A volume compiled to serve the ends outlined above 3

4 PREFACE

needs few accessories. The introductions, mainly biographical, are brief; the notes treat only those matters upon which investigation by the student would be difficult or unprofitable.

With the exception of certain omitted passages from the poetry of Arnold and Browning in the Bagehot essay, the selections are given in their entirety.

Acknowledgments should be made to the Macmillan Company for permission to use the revised form of Walter Pater's essay on Leonardo da Vinci, and to the Travelers' Insurance Company for permission to print Walter Bagehot 's essay on Wordsworth ^ Tennyson, and Browning.

T. H. D.

F. W. R.

Madison, Wisconsin.

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