Foreword
The author of the following narrative has peculiar qualifications for her task. She is a daughter of Lord Yii Keng, a member of the Manchu White Banner Corps, and one of the most advanced and progressive Chinese officials of his generation. Lord Yii Keng entered the army when very young, and served in the Taiping rebellion and the Formosan war with France, and as Vice Minister of War during the China-Japan war in 1895. Later he was Minister to Japan, which post he quitted in 1898 to become President of the Tsung-li-yamen (Chinese Foreign Office). In 1899 he was appointed Minister to France, where he remained four years. At a period when the Chinese Government was extremely conservative and reactionary. Lord Yii Keng labored indefatigably for reform. He was instrumental in reorganizing China's postal service on modern lines, but failed in efforts to revise the revenue system and
vii viii FOREWORD
modernize the army and navy, from being ahead of his times. He died in 1905.
The progressive spirit of Lord Yii Keng was shown in the education of his children. When it became known that his daughters were receiving a foreign education — then an ahnost unheard-of proceeding among high Manchu officials— attempts were made to impeach him as pro-foreign and revolutionary, but he was not deterred. His children got their early education in missionary schools, and the daughters later attended a convent in France, where the author of this work finished her schoohng and entered society. On returning to China, she became First Lady-in-Waiting to the Empress Dowager, and while serving at the Court in that capacity she received the impressions which provide the subject-matter of this book. Her opportunity to observe and estimate the characteristics of the remarkable woman who ruled China for so long was unique, and her narrative throws a new light on one of the most extraordinary personalities of modern times.
While on leave from her duties to attend upon her father, who was fatally ill in Shanghai, Prin-
FOREWORD ix
cess Der Ling took a step which terminated connexion with the Chinese Court. This was her engagement to Mr. Thaddeus C. White, an American, to whom she was married on May 21, 1907. Yielding to the urgent solicitation of friends, she consented to put some of her experiences into literary form, and the following chronicle, in which the most famous of Chinese women, the customs and atmosphere of her Court are portrayed by an intimate of the same race, is a result.
Thomas F. Millard.
Shanghai, July 24, 1911.
Contents
CHAPTBE
I. Introductory ....
II. At the Palace ....
Chapter Two At The Palace
When we reached the City gates, which were about half way between our house and the Summer Palace, they were wide open for us to pass. This quite surprised us, as all gates are closed at seven o'clock in the evening and are not opened except on special occasions until daylight. We inquired of the guard why this was, and were told that orders had been given for the gates to be opened for us to pass. The officials who had charge were standing in a double line dressed in full official dress and saluted us as we passed.
It was still quite dark when we had passed through the gate and I thought of the many experiences of my short life ; but this was by far the strangest of them all. I wondered what Her Majesty would be like and whether she would like me or not. We were told that probably we would be asked to stay at the Court, and I thought that if that came to pass, I would possibly be able to influence Her Majesty in favor of reform and so be of valuable assistance to China. These thoughts made me feel happy and
I made up my mind then and there that I would do all I could and use any influence I might have in the future towards the advancement of China and for her welfare. While I was still dreaming of these pleasant prospects, a faint red line appeared on the horizon heralding the coming of a most perfect day, and so it proved. As the light grew brighter and I could distinguish ob j ects, a very pretty view gradually opened to me, and as we came nearer to the Palace I could see a high red wall which zigzagged from hill to hill and enclosed the Palace grounds. The tops of the wall and buildings were covered with yellow and green tiles and made a most dazzling picture in the bright sunhght. Pagodas of different sizes and styles were passed, and when we arrived at the village of Hai Tien, about four li from the Palace gates, we were told by the officers we only had a short distance further to go. This was good news, as I began to think we would never get there. This village was quite a pretty country place of one-story houses built of brick, which were very neat and clean as are most of the houses in the northern part of China. The children trouped out to see the procession pass, and I heard one remark to another: "Those ladies are going to the Palace to become Empresses," which amused me very much.
Soon after leaving Hai Tien we came to a pai lou (archway), a very beautiful piece of old Chinese architecture and carved work, and from here got our first view of the Palace gates, which were about 100 yards ahead. These gates are cut into the solid wall surrounding the Palace and consist of one very large gate in the center and two smaller ones on each side. The center gate is only opened when their Majesties pass in and out of the Palace. Our chairs were set down in front of the left gate, which was open. Outside of these gates, at a distance of about 500 yards, were two buildings where the guard stayed at night.
Just as we arrived I saw a number of officials talking excitedly, and some of them went into the gate shouting "Li la, doula" (have come, have arrived). When we got out of our chairs, we were met by two eunuchs of the fourth rank (chrystal button and feather). This feather which is worn by eunuchs of the fourth rank, comes from a bird called the magh (horse-fowl) which is found in Szechuen Province. They are grey and are dyed black, and are much wider than the peacock feather. These two eunuchs were accompanied by ten small eunuchs carrying yellow silk screens, which they placed around our chairs when we alighted. It appeared that Her Majesty had given orders that these screens (huang wai mor) should be brought to us. This
North View of the Summer Palace fWfH^mmm-'-' -\ vyiHm444i*Hmu'
VV VV\ VVV\\\VV\i . » «
Pai Lou (Archway) — Summer Palace is considered a great honor. They were ten feet long and twenty feet high and were held by two eunuchs.
These two eunuchs of high rank were extremely polite and stood at each side of the gate and invited us to enter. Passing through this gate we came into a very large paved courtyard about three hundred feet square, in which there were a great many small flower beds and old pine trees from which hung all kinds of birds in cages. On the side opposite to the gates we had entered was a red brick wall with three gates exactly like the others ; on the right and left side were long rows of low buildings each containing twelve rooms, used as waiting rooms. The courtyard was full of people dressed in official robes of the different ranks, and, after the Chinese fashion, all seemed to be very busy doing nothing. When they saw us they stood still and stared. The two eunuchs who were showing us the way conducted us to one of these rooms. This room was about twenty feet square, just ordinarily furnished in black wood furniture with red cloth cushions and silk curtains hanging from the three windows. We were not in this room more than five minutes when a gorgeously dressed eunuch came and said : "Imperial Edict says to invite Yu tai tai (Lady Yii) and young ladies to wait in the East side Palace." On his saying this, the two eunuchs who were with us knelt down and replied "Jur" (Yes). Whenever Her Majesty gives an order it is considered an Imperial Edict or command and aU servants are required to kneel when any command is transmitted to them the same as they would if in Her Majesty's presence. Then they told us to follow them and we went through another left gate to another courtyard laid out exactly the same as the former, except that the Ren Shou Dien (audience hall) is situated on the north side and the other buildings were, a little larger. The eunuchs showed us into the east side building, which was beautifully furnished with reddish blackwood exquisitely carved, the chairs and tables covered with blue satin and the walls hung with the same material. In different parts of the room were fourteen clocks of all sizes and shapes. I know this, for I counted them.
In a little while two servant girls came and waited on us and told us that Her Majesty was dressing and that we were to wait a little time. This little time proved to be a matter of more than two hours and a half, but as this is considered nothing in China, we did not get impatient. From time to time eunuchs came and brought milk to drink and about twenty or more dishes of various kinds of food which Her Majesty sent. She also sent us each a gold ring with a large pearl in the center. Later the chief eunuch, Li Lien Ying, came dressed in his official clothes. He was of the second rank and wore a red button and peacock feather and was the only eunuch that was ever allowed to wear the peacock feather. He was a very ugly man, very old and his face was full of wrinkles ; but he had beautiful manners and said that Her Majesty would receive us in a little while, and brought us each a jade ring which she had sent us. We were very much surprised that she should give us such beautiful presents before she had even seen us, and felt most kindly disposed toward her for her generosity.
Soon after Li Lien Ying had gone, two court ladies, daughters of Prince Ching, came in and asked the eunuchs who were attending us if we could speak Chinese, which we thought a great joke. I was the first one to speak, and told them of course we could speak our own language, although we knew several others. They were very much surprised and said: "Oh! how funny, they can talk the language as well as we do." We in turn were very much surprised to find such ignorant people in the Imperial Palace and concluded that their opportunities for acquiring knowledge were very limited. Then they told us Her Majesty was waiting to receive us, and we went immediately.
After walking through three courtyards verysimilar to those we had previously passed through, we came to a magnificent building just one mass of exquisite carving. Large lanterns made of buffalo horns hung all over the veranda covered with red silk from which red silk tassels were hanging and from each of these tassels was suspended a beautiful piece of jade. There were two smaller buildings flanking this large one, also one mass of carvings and hung with lanterns.
At the door of the large building we met a lady, dressed the same as Prince Ching's daughters, with the exception that she had a phoenix in the center of her headdress which distinguished her from the others. This lady came out to meet us, smiling, and shook hands with us in the most approved foreign fashion. We were told later that this was the Young Empress, wife of the Emperor Kwang Hsu. She said: "Her Majesty has sent me to meet you," and was very sweet and polite, and had beautiful manners ; but was not very pretty. Then we heard a loud voice from the hall saying, "Tell them to come in at once." We went into this hall immediately and saw an old lady dressed in a beautiful yellow satin gown embroidered all over with pink peonies, and wearing the same kind of headdress with flowers on each side made of pearls and jade, a pearl tassel on the left side and a beautiful phoenix in the center made of purest jade. Over her gown she wore a cape, the most magnificent and costly thing I ever saw. This cape was made of about three thousand five hundred pearls the size of a canary bird's egg, all exactly alike in color and perfectly round. It was made on the fish net pattern and had a fringe of jade pendants and was joined with two pure jade clasps. In addition to this Her Majesty wore two pairs of pearl bracelets, one pair of jade bracelets, several jade rings and on her third and little fingers of her right hand she wore gold finger nail protectors about three inches long and on the left hand two finger nail protectors made of jade and about the same length. Her shoes were trimmed with small tassels made of pearls and embroidered with tiny pieces of different colored jade.
Her Majesty stood up when she saw us and shook hands with us. She had a most fascinating smile and was very much surprised that we knew the Court etiquette so well. After she had greeted us, she said to my mother: "Yu tai tai (Lady Yii), you are a wonder the way you have brought your daughters up. They speak Chinese just as well as I do, although I know they have been abroad for so many years, and how is it that they have such beautiful manners?" "Their father was always very strict with them," m^ mother replied; "he made them study their own language first and they had to study very hard." "I am pleased to hear their father has been so careful with them," Her Majesty said, "and given them such a fine education." She took my hands and looked into my face and smiled and kissed me on both cheeks and said to my mother : "I wish to have your daughters and hope they will stay with me." We were very much pleased at this and thanked her for her kindness. Her Majesty asked all sorts of questions about our Paris gowns and said we must wear them all the time, as she had very little chance to see them at the Court. She was particularly in love with our Louis XV high heel shoes. While we were talking to her we saw a gentleman standing at a little distance and after a while she said, "Let me introduce you to the Emperor Kwang Hsu, but you must call him Wan Sway Yeh (Master of 10,000 years) and call me Lao Tsu Tsung (the Great Ancestor)." His Majesty shyly shook hands with us. He was a man about five feet, seven inches in height, very thin, but with very strong features; high nose and forehead, large, brilliant black eyes, strong mouth, very white, even teeth; altogether good looking.
I noticed he had a very sad look, although he was smiling all the time wei were there. At this juncture the head eunuch came, knelt down on the marble floor and announced that Her Majesty's chair was ready and she asked us to go with her to the Audience Hall, distant about two minutes' walk, where she was going to receive the heads of the different Boards. It was a beautiful day and her open chair was waiting. This chair is carried by eight eunuchs all dressed in official robes, a most unusual sight. The head eunuch walked on her left side and the second eunuch on her right side, each with a steadying hand on the chair pole. Four eunuchs of the fifth rank in front and twelve eunuchs of the sixth rank walked behind. Each eunuch carried something in his hand, such as Her Majesty's clothes, shoes, handkerchiefs, combs, brushes, powder boxes, looking glasses of different sizes, perfumes, pins, black and red ink, yellow paper, cigarettes, water pipes, and the last one carried her yellow satin-covered stool. Besides this there were two amahs (old women servants) and four servant girls all carrying something. This procession was most interesting to see and made one think it a lady's dressing room on legs. The Emperor walked on Her Majesty's right and the Young Empress on the left, as did also the Court ladies.
The Audience Hall was about two hundred feet long by about one hundred and fifty feet wide, and at the left side was a long table covered with yellow satin. When Her Majesty came down from the chair she went into the Hall and mounted her throne just behind this table, and His Majesty mounted a smaller one at her left side, the Ministers all kneehng on the floor in front of her and on the opposite side of the table.
At the back of the Hall was a large dais about twenty feet long by about eighteen feet wide, enclosed by a magnificently carved railing about two feet high running all the way round, open only in the front in two places just large enough for a person to pass through. These two openings were reached by a flight of six steps. At the back of this dais was a small screen and immediately in front of this, in the center, was Her Majesty's throne. Immediately behind was an immense carved wood screen, the most beautiful thing I ever saw, twenty feet long by ten feet high. In front of Her Majesty's throne was a long narrow table. At the left side was a smaller throne for the Emperor.
The theme of the carving and furnishings of this dais was the phoenix and peony most exquisitely carved in ebony wood, in fact the theme of the entire room was the same. On each side of Her Majesty's throne were two upright ebony
The Empress Dowager in her one hundred butterfly robe.
beneath which can be seen one of her shoes trimmed
with pearls and other precious stones
AT THE PALACE S3
poles on the top of which were peacock feathers made into the shape of a fan. The upholstery was entirely of yellow Chinese velvet.
Just before Her Majesty took her seat on her throne she ordered us to go behind this screen with the Young Empress and the Court ladies. This we did, and could hear the conversation between Her Majesty and the Ministers very plainly, and as my readers will see later, I made good use of this.
Chapter Three
This day to me was a medley of brilliant impressions. I was a great novelty among these exclusive Court ladies, brought up rigidly apart from foreign life and customs, and I was subjected to a rapid fire of questions. I soon found that these women were the same as others the world over in point of curiosity and love of gossip. The fourth daughter of Prince Ching ( Sze Gurgur), a young widow and a strikingly handsome woman, spoke to me. "Were you brought up in Europe and educated?" she asked. "I am told that when people go to that country and drink the water there, they quickly forget their own country. Did you really study to acquire all those languages or was it drinking the water that gave them to you?" I mentioned that I met her brother. Prince Tsai Chen, in Paris on his way to London for the coronation of King Edward, and that we should have liked to have gone also, as my father had a special invitation, but were prevented from doing so by his urgent duties in Paris in setthng the Yunnan question, to which
24> the Princess replied: "Is there a king in England ? I had thought that our Empress Dowager was Queen of the world." Her sister, wife of the brother of the Young Empress, a most intelligent, quiet and dignified lady, stood by smihng and listening to the eager questions. After numerous questions had been asked the Young Empress finally said: "How ignorant you are. I know that each country has its ruler and that some countries are republics. The United States is a republic and very friendly toward us, but I am sorry that such a common class of people go there, as they will think we are all the same. What I should like to see is some of our good Manchu people go, as then they would see what we really are." She afterwards told me she had been reading a history of the different countries, which had been translated into Chinese, and she seemed to be very well informed.
After the Audience was over, Her Majesty called us out from behind the screen and told us to go with her to see the theatre. She said, as it was such a beautiful day, she preferred to walk, so we started, walking a little behind her, as is the custom. Along the way she pointed out from time to time different places and things that were her particular favorites, and as she had to keep turning around all the time, she finally told us to come and walk alongside of her. This, as I afterwards found out, was a great condescension on her part and a thing that she very seldom ever did. She, like everybody else, had her pets and hobbies, such as flowers, trees, plants, dogs, horses, etc., and there was one dog in particular that was her favorite pet. This dog was with Her Majesty always and followed her wherever she went, and a more homely dog I never saw. It had absolutely nothing to recommend it in any way. Her Majesty thought it beautiful, and called it Shui Ta (Sea Otter).
A short distance from the Audience Hall we came to a large courtyard. On each side of this courtyard were two immense baskets fifteen feet in height, built of natural logs and literally covered with purple wisteria. They were simply gorgeous and great favorites of Her Majesty. She was always very proud of them when in bloom and took great delight in showing them to the people.
From this courtyard we entered a sort of passageway which ran along the sides of a big hill and led directly to the theatre, where we soon arrived. This theatre is quite unlike anything that you can imagine. It is built around the four sides of an open courtyard, each side being separate and distinct. The building has five stories. It is entirely open on the front and has two stages, one above the other. The three top stories are used for holding the drops and for store rooms. The stage on the first floor is of the ordinary kind; but that on the second floor is built to represent a temple and used when playing religious plays, of which Her Majesty was very fond.
On the two sides were long, low buildings with large verandas running their entire length, where the Princes and Ministers sat when invited by Her Majesty to witness the play. Directly opposite this stage was a spacious building, containing three large rooms, which was used exclusively by Her Majesty. The floor was raised about ten feet above the ground, which brought it on a level with the stage. Large glass windows ran along in front, so made that they could be removed in the summer and replaced with pale blue gauze screens. Two of these rooms were used as sitting rooms and the third, the one on the right, she used as a bedroom, and it had a long couch running across the front, on which she used to sit or lie according to her mood. This day she invited us to go to this room with her. Later I was told that she would very often come to this room, look at the play for a while and then take her siesta. She could certainly sleep soundty, for the din and noise did not disturb her in the least. If any of my readers have ever been to a Chinese theatre, they can well imagine how difficult it would be to woo the God of Sleep in such a pandemonium.
As soon as we were in this bedroom the playcommenced. It was a religious play called "The Empress of Heaven's Party or Feast to all the Buddhist Priests to eat her famous peaches and drink her best wine." This party or feast is given on the third day of the third moon of each year.
The first act opens with a Buddhist Priest, dressed in a yellow coat robe with a red scarf draped over his left shoulder, descending in a cloud from Heaven to invite all the priests to this party. I was very much surprised to see this actor apparently suspended in the air and actually floating on this cloud, which was made of cotton. The clever way in which they moved the scenery, etc., was most interesting, and before the play was finished I concluded that any theatre manager could well take lessons from these people; and it was all done without the shghtest bit of machinery.
As this Buddhist Priest was descending, a large pagoda began to slowly rise from the center of the stage in which was a buddha singing and holding an incense burner in front of him. Then four other smaller pagodas slowly rose from the four corners of the stage, each containing a buddha the same as the first. When the first Buddhist Priest had descended, the five buddhas came out of the pagodas, which immediately disappeared, and walked about the stage, still singing. Gradually from the wing came numbers of buddhas singing until the stage was full, and they all formed into a ring. Then I saw a large lotus flower, made of pink silk, and two large green leaves appearing from the bottom of the stage, and as it rose the petals and leaves gradually opened and I saw a beautiful lady buddha (Goddess of Mercy) dressed all in white silk, with a white hood on her head, standing in the center of this flower. As the leaves opened I saw a girl and a boy in the center of them. When the petals of the lotus flower were wide open this lady buddha began to gradually ascend herself, and as she ascended, the petals closed until she seemed to be standing on a lotus bud. The girl standing in the leaf on the Goddess' right side held a bottle made of jade and a willow branch. The legend of this is that if the Goddess dips the willow branch into the jade bottle and spreads it over a dead person it will bring the person to life. The boy and the girl are the two attendants of the buddha.
Finally the three came down from the flower and leaves and joined the rest of the buddhas. Then the Empress of Heaven came, a good old lady with snow-white hair, dressed from head to foot in Imperial yellow, followed by many attendants, and ascended the throne, which was in the center of the stage, and said: "We will go to the banquet hall." This ended the first scene.
The second scene opened with tables set for the feast to be given by the Empress of Heaven. These tables were loaded down with peaches and wine and four attendants guarding them. Suddenly a bee came buzzing near and scattered a powder under the nostrils of the attendants, which made them sleepy. When they had fallen asleep, this bee transformed itself into a big monkey and this monkey ate all the peaches and drank all the wine. As soon as he had finished he disappeared.
A blast of trumpets announced the coming of the Empress of Heaven and she soon arrived accompanied by all the Buddhist Priests and their attendants. When the Empress of Heaven saw all the peaches and wine had disappeared, she woke the attendants and asked them why they were asleep and where the peaches and wine had gone. They said that they did not know, that they were waiting for her to come and fell asleep. Then one of the guests suggested that she should find out what had become of the feast, and attendants were sent out to the guard to find out from the soldiers if anyone had gone out of
A PLAY AT THE COURT SI
the gate recently. Before the messenger had time to retm'n, the Guard of Heaven came and informed the Empress that a big monkey, who was very drunk and carrying a big stick, had just gone out of the gate. When she was told this, she ordered the soldiers of heaven and several buddhas to go and find him at his place. It seems that this monkey had originally been made from a piece of stone and lived in a large hole in a mountain on the earth. He was endowed with supernatural powers and could walk on the clouds. He was allowed to come to heaven and the Empress of Heaven gave him a position looking after the Imperial orchards.
When they got to his place on the earth, they found that he had taken some of the peaches with him and he, with other monkeys, was having a feast. The soldiers challenged him to come out and fight. He immediately accepted this challenge, but the soldiers could do nothing with him. He pulled the hair out of his coat and transformed each hair into a little monkey and each monkey had an iron rod in its hand. He himself had a special iron rod, which had been given to him by the King of Sea Dragons. This rod he could make any size he wanted from a needle to a crowbar.
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