Front matter
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CHAPTER I. PaGu
Mend@alssohn’s Parentage and Birth.— Precocious Talents. —
Stadies with Zelter.— Zelter’s Letters to Goethe regarding Mendelssohn. — He is taken to Paris by his Father to see Cherubini. — Compliments from Goethe. — Mendelssohn visits England. — He visits Goethe. — Goethe’s Influence on the Musician’s whole Career.— He becomes Moscheles’ Pupil. — “Midsummer Night’s Dream’? Overture. — He studies at Berlin University. — Preparations to travel. . »« » « « ©
IL.
Mendelssohn visits England. — Concerts in London with Sontag. —First Public Performance ever given of the “‘ Midsummer Night’s Dream” Overture. — He visits Scotland and the Hebrides. — He returns to Germany, visits Munich, and then sets his Steps towards Italy. — His Sojourn in Italy, and its Fruits. — He visits Paris; thence goes to London; afterwards, Home to Berlin. . . «© 2 2 2 © ee ee eh oe ee iil.
_ Mendelssohn applies for the Directorship of the Sing-Academie in Berlin. —Is disappointed. — Assumes Charge of the
Diisseldorf Musical Festival. — A new Epoch in his Life.
—Success in Diisseldorf — Flying Trip to London, and [ vii]
vill CONTENTS.
Faan Concerts there. —The Diisseldorf Festival.—He is chosen Municipal Music Director.—Friendship with Immermann. —Their united labors. — Estrangement. — Cologne Musical Festival. — Efforts to secure Mendelssohn at Leipzig. - - - 83
IV.
Mendelssohn becomes the Director of the Gewandhaus Concerts at Leipzig. — His Strict Training of the Orchestra. — His Efforts to educate a Refined Taste for Classical Music. — His First Appearance with the Baton. — The Concerts under his Direction. — Ferdinand David comes to Leipzig. . . . 44 ve
Mendelssohn finishes his “ St. Paul.” —Its First Performance. — Changes in the Work. — He directs a Festival at Frankfort. — Enjoyment in that City. —Meets his Future Wife. — Tribute to her Memory. — Sea-bathing. — Returns to his place at Leipzig. — Concerts there.— Mendelssohn as a Director. — Pleasant Surprise at one of the Concerts. — William Sterndale Bennett visits Leipzig. — ‘St. Paul’ sung there. — Brilliant Effect of the Work.— Analysis of “St. Paul.” . 47
VI.
Mendelssohn’s Marriage. — New Works. — He directs the “ St. Paul” at Birmingham, England. — Leipzig Concerts. — Clara Novello. — A Brilliant Winter. — Composition of the Forty-second Psalm. — Analysis of the Music. — New Music. — The Historical Concerts instituted by him.— He directs the Cologne Festival. — Repetition of “St. Paul” at Leipzig. . . €1
Vil.
The Leipzig Concerts. — Mrs. Alfred Shaw.— A memorable Musical Winter. — Mendelssohn conducts the Spring Festival at Diisseldorf.-- The Next Winter’s Concerts. —The Hundred and Fourteenth Psalm: its Musical Effects. — New. Instrumental Musics + is belies eel: Giisiiecines mmo a/s
CONTENTS. ix
VI.
Page Ihe “ Hymn of Praise.” — Its Occasion, History, First Performance, Musical Character, and Remarkable Success.» . » « 79
IX.
Efforts to erect a Monument to Bach.— Concerts given by Mendelssohn to raise Money for this Object. — “ Hymn of Praise’? in England. — Mendelssohn’s Visit to Queen Victoria. — He returns to Leipzig. — He is specially honored by the King of Saxony. — New Musical Activity. — The Leipzig Concerts. — He plays with Clara Schumann. — Directs Bach’s “ Passion Music.” — Careful Training of his Singers. 89
X.
Mendelssohn is made Doctor of Philosophy.—The King of Saxony offers him his Kapellmeistership. — The King of Prussia, Frederick William IV., does the same. — The Post accepted.-- Composition of the Music for the “ Antigone” of Sophocles. — Representation of the Tragedy in the Royal Palace.— Episode at Leipzig. — Appearance of the Great Symphony in A Minor.—The “Antigone” at Leipzig. — Visit to Dtisseldorf.— New Honors from the King of Prussia. — Journey to Lausanne. — His Stay at Frankfort. — Architectural Improvements at Leipzig. - Varied Activity. — Founding of the Leipzig Conservatorium of Music. —Loss of his Mother. . . - - - « + 101
XI.
Opening of the Leipzig Conservatorium. — Productive Activity. —“First Walpurgis Night.” — Leipzig Concerts. — Active Interest in the Conservatorium. — ‘‘Midsummer Night's
Dream” at Leipzig. - - 2+ + © 2 ss es ee eo 8 120 x CONTENTS.
XII.
Pacer
Life at Berlin.— Unacceptable Changes. — Mendelssohn’s Extiaordinary Activity.— Participates in London Concerts. — Directs the Palatinate Musical Festival. — The King of Prussia releases him from his Engagement. — “ Cidipus in Colonos.’? — Robert Schumann’s ‘‘ B-flat Symphony.” — Jenny Lind in Leipzig... » “7. « « + . « » « -« « 183
XU.
The “ Elijah.””— Conducts the Music Festivals at Aix-la- Chapelle, Liége, and Cologne.— Goes to England to direct the First Performance of “ Elijah’? at Birmingham. Brilliant Success of the Oratorio. — Instance of Mendelssohn’s Facility in Composition. — Declining Health. — His Sister Fanny’s Death.—Its Effect upon him.— He seeks Alleviation in Renewed Activity. — Retires to Switzerland.
— Begins the Oratorio of “Christ,” and the Opera “ Loreley.””— Sickness and Sudden Death. . 2... » « « 148
XIV.
General Grief over his Loss. — Imposing Obsequies. — His Remains are carried to Berlin. — Honors all along the Way. — The Berlin Solemnities.— Honors paid to his Memory in Foreign Lands as well as throughout Germany. — Depth of Sorrow at Leipzig, and its Manifestation. . . 154
XY.
Sketch of Mendelssohn’s Personal Appearance. — His Christian Character. — His Kindness, Geniality, and Courtesy. — His Restless Activity.— His Cordiality to other Great Artists. —Liszt’s Visit to Leipzig, and his Reception by Mendelssohn. — Hector Berlioz at Leipzig. —Spohr’s Visit. . . . 162
XVI.
Wonderful Union of the Highest Gifts in Mendelssohn. — His Power as a Conductor. — Incidents. — His Skill as a Virtuoso. — His Greatness as a Composer. — Conclusion. . . 172
CONTENTS. xi
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You’ve reached the end of Memoirs of Felix Mendelssohn Bartholdy. From the German of W.A. Lampadius with supplementary sketches by Julius Benedict, Henry F. Chorley, Ludwig Rellstab, Bayard Taylor, R.S. Willis, and J.S. Dwight;.
