Read here

Driftwood

Lou Bedford, May Bedford Eagan · 1893 · Scanned text · Free in the US

63,791 words · about 4 h 28 min to read

Period artwork: Interior of the Bodleian Library, 1845
About this edition

Scanned text — may contain errors · view original scans

Free in the US: this text is in the public domain in the United States; it may still be in copyright elsewhere.

Licence: PD · PD-US by publication date

Text from Internet Archive, read from page scans by OCR and set out for reading on screen; no words of the book are rewritten or summarized. How RedLectern is built

About this book

Authors
Lou Bedford, May Bedford Eagan
Language
English
Published
1893
Length
63,791 words · about 4 h 28 min
Sections
15 reader sections
Text
Scanned text, read from page scans by OCR; may contain errors
Rights
Public domain in the United States · PD-US by publication date

 

Contents (15)
  1. Front matter about 5 min
  2. Preface about 1 min
  3. Contents about 2 h 41 min
  4. Chapter I about 14 min
  5. Chapter II about 12 min
  6. Chapter III about 18 min
  7. Chapter IV about 20 min
  8. Chapter I about 6 min
  9. Chapter II about 5 min
  10. Chapter III. Clouds about 3 min
  11. Chapter IV. Sunshine about 3 min
  12. CHAPTER v about 11 min
  13. Part First about 1 min
  14. Part Second about 2 min
  15. Part Third about 5 min

Continue:

Front matter

THE LIBRARY ^ '^ < . > ' %'

OTBt^M^^gV^ya^{l3f *T if^ftl

THE UNIVERSITY ..

Preface

It is said that prefaces are out of date; nevertheless*! am sufficiently old-fashioned to believe that a word of ex planation is often necessary to bring the reader and writer into sympathy with each other.

Heretofore I have confined my publications to poetry; but in this miscellaneous collection I have interspersed prose with recently written poerns, together with others not embraced in the former volumes. I have also gathered together the short stories and other literary remains of my daughter, Mrs. May Bedford-Eagan, and included them in this work. Had not death intervened she intended publishing these under the title here used — Driftings. In that event mine would have been called Miscellaneous Pencilings — a title under which I have contrib uted much to the press. I have chosen Driftwood and Driftings as being a more euphoneous combination than the other names would have been. Doubtless her work would have been more finished had she lived to revise it; but to me it is sacred as it is — I have made few changes.

In regard to "Maude Arnold" I would say that the char acters are not a creation of the brain alone. The father and daughter are real actors, though imagination has played a part sometimes in their surroundings. Its beauty, however, is not in the romance itself, but in the gradual unfolding of mind and character, together with the life-like blending of the religious, the skeptical and the philosophical train of thought as committed to her diary by the heroine. I do not think the original plan of the story was fulfilled — the abrupt termina tion was the result of circumstances, the writer marrying about a week after the last installment was sent to the press.

• It is a sad pleasure to have my name connected in this way with one so dear — with one whose life was an exponent of the religion she professed, and whose writings are an exponent of the life she lived.

DALLAS, TEXAS, Feb. 9, 1893. L. S. B.

The opening of the book is shown; the full text loads in the reader.

Loading the full text…