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A handbook of photography in colours

Edgar Senior · 1900 · Scanned text · Free in the US

92,476 words · about 6 h 29 min to read

Period artwork: Interior of the Bodleian Library, 1845
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About this edition

Scanned text — may contain errors · view original scans

Free in the US: this text is in the public domain in the United States; it may still be in copyright elsewhere.

Licence: PD · PD-US by publication date

Text from Internet Archive, read from page scans by OCR and set out for reading on screen; no words of the book are rewritten or summarized. How RedLectern is built

About this book

Author
Edgar Senior
Language
English
Published
1900
Length
92,476 words · about 6 h 29 min
Sections
42 reader sections
Text
Scanned text, read from page scans by OCR; may contain errors
Rights
Public domain in the United States · PD-US by publication date

 

Contents (42)
  1. Section I under 1 min
  2. SECTION III. By EDGAR SENIOR about 1 min
  3. Index about 11 min
  4. Chapter I. The Origin & Development Of Heliochromy about 11 min
  5. II about 25 min
  6. Chapter III. Interference Heliochromy about 27 min
  7. Chapter IV. Synthetic Or Three-colour Heliochromy about 28 min
  8. Preface about 1 min
  9. Chap. II. Sources of Light .. •• •• x42 under 1 min
  10. Contents about 14 min
  11. Chapter I. Instrumental Means about 27 min
  12. CHAPTER III. DEMONSTRATIONS WITH THE SPECTRUM (i) about 3 min
  13. Chapter IV about 3 min
  14. Chapter V. The Production Of Colour By Selective Absorption about 5 min
  15. Chapter VI. Demonstrations With The Spectrum (2) about 3 min
  16. Chapter VII. Conditions Necessary For Correct Colour Vision about 2 min
  17. Chapter VIII. All Hues Counterfeited By Three about 8 min
  18. Chapter IX. Maxwell’s Colour Mixture Curves about 4 min
  19. Chapter X. Colour Mixture Curves And Colour Sensation .curves about 4 min
  20. Chapter XI about 2 min
  21. Chapter XII. The Reproduction Colours For Projection about 3 min
  22. Chapter XIII. Simple Apparatus For Experiment about 2 min
  23. Chapter XIV. The Reproduction Colours For Printing about 15 min
  24. Chapter XV. The Photographic Parallel about 1 min
  25. Chapter XVI about 10 min
  26. Chapter XVII. Colour Screens Or Filters about 2 min
  27. Chapter XVIII. The Influence Of The Ultra-violet Rays about 2 min
  28. Chapter XIX. The Position Of Colour Filters about 3 min
  29. Chapter XX about 7 min
  30. Chapter XXI. The Manufacture Of Colour Filters about 6 min
  31. Chapter XXII about 9 min
  32. Chapter XXIII. The Relative Exposures about 4 min
  33. Chapter XXIV. The Necessity Of Using One Kind Of Plate about 9 min
  34. Chapter XXV. The Kromskop And Projection Lantern about 6 min
  35. Chapter XXVI about 4 min
  36. Chapter XXVII about 3 min
  37. Chapter XXVIII. Triple Superposed Positives about 6 min
  38. Chapter XXIX. The Diffraction Process Of Colour Photography about 12 min
  39. Chapter XXX. Three-colour Typographic Printing about 11 min
  40. SECTION III- By EDGAR SENIOR. Lippmonn’s Process of Interference Heliochromy about 26 min
  41. Conclusion under 1 min
  42. Index To Advertisements about 1 h 7 min
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Section I

by THOMAS BOLAS.

Historical Development of Heliochromy. General Survey of Processes. Direct Heliochromes on Silver Chloride.

Section II

By ALEXANDER A. K. T'ALLE'NT.

Tri-colour Photography.

SECTION III. By EDGAR SENIOR

Lippmann s Piocess of Interference Heliochromy.

MARION & Co.,

22 & 23, SOHO SQUARE, LONDON, W.

1 900

Copyright-

ZZ'-H -£zz /

HIRTY-ONE years ago the firm of Marion published the Pioneer Work on Photography in Colours (Les Couleurs en Photographie, par Louis Ducos du Hauron, Paris 1869, A. Marion) a work containing the basis of practically all phases of the Trichromatic Photography of the present day. This work, however, appeared before the time was ripe for the Process. In now presenting the Public with the present Volume we feel satisfaction in following a line we opened up over a quarter of a century ago ; but there is this difference — Photography in colours is now an industrial fact.

Marion & Co.

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