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Aesthetic as science of expression and general linguistic

Benedetto Croce · 1909 · Scanned text

103,680 words · about 7 h 16 min to read

Period artwork: Interior of the Bodleian Library, 1845
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Licence: PD · PD-US by publication date

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About this book

Author
Benedetto Croce
Language
English
Published
1909
Length
103,680 words · about 7 h 16 min
Sections
6 reader sections
Text
Scanned text, read from page scans by OCR; may contain errors
Rights
Public domain · PD-US by publication date

 

Contents (6)
  1. Front matter under 1 min
  2. Contents under 1 min
  3. II about 1 min
  4. IV Historicism And Intellectualism In ^esthetic under 1 min
  5. VI Theoretic And Practical Activity about 7 h 13 min
  6. Canto I under 1 min

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Front matter

MACMILLAN AND CO., Limited

THE MACMILLAN COMPANY

THE MACMILLAN CO. OF CANADA, Ltd.

Contents

PAGE

Introduction . xv

THEORY

II

Corollaries and explanations — Identity of art and of intuitive know¬ ledge — No specific difference — No difference of intensity — Dif¬ ference extensive and empirical — Artistic genius — Content and form in ^Esthetic — Critique of the imitation of nature and of the artistic illusion — Critique of art conceived as a sentimental, not a theoretic fact — The origin of ^Esthetic, and sentiment — Critique of the theory of aesthetic senses — Unity and indivisi¬ bility of the work of art — Art as deliverer ....

ix

X in

PAGE

Indissolubility of intellective and of intuitive knowledge — Critique of the negations of this thesis — Art and science — Content and form : another meaning. Prose and poetry — The relation of first and second degree — Inexistence of other cognoscitive forms — Historicity — Identity and difference in respect of art — His¬ torical criticism — Historical scepticism — Philosophy as perfect science. The so-called natural sciences, and their limits — The phenomenon and the noumenon ...... 36

IV Historicism And Intellectualism In ^esthetic

Critique of the verisimilar and of naturalism — Critique of ideas in art, of art as thesis, and of the typical — Critique of the symbol and of the allegory — Critique of the theory of artistic and literary categories — Errors derived from this theory in judgments on art — Empirical meaning of the divisions of the categories . 53

V

ANALOGOUS ERRORS IN HISTORY AND IN LOGIC

Critique of the philosophy of History — .Esthetic invasions of Logic — Logic in its essence — Distinction between logical and non-logical judgments — The syllogism — False Logic and true .Esthetic — Logic reformed ....... 65

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