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Music and Manners in France and Germany: a series of travelling sketches of art and society

Henry Fothergill Chorley · 1841 · Scanned text

175,841 words · about 12 h 19 min to read

Period artwork: Interior of the Bodleian Library, 1845
About this edition

Scanned text — may contain errors · original scans are not available here · view the original source

Licence: PDM · British Library Digitised Books dataset db14 (doi 10.21250/db14) marks the OCR texts CC Public Domain Mark 1.0 (c. 1510-c. 1900 publications); text+metadata JSONL release doi 10.23636/r7w6-zy15 is CC0 1.0. Public Domain Mark is a status label, not a new copyright licence. · Digitised by the British Library (with Microsoft). Text: British Library Digitised Books, CC Public Domain Mark 1.0.

Text from British Library, read from page scans by OCR and set out for reading on screen; no words of the book are rewritten or summarized. How RedLectern is built

About this book

Author
Henry Fothergill Chorley
Language
English
Published
1841
Length
175,841 words · about 12 h 19 min
Sections
3 reader sections
Text
Scanned text, read from page scans by OCR; may contain errors
Rights
Public Domain Mark 1.0

 

Contents (3)
  1. Front matter about 11 min
  2. Chapter I. Esmeralda about 8 h 20 min
  3. Chapter II. French Critics about 3 h 48 min

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Front matter

MUSIC AND MANNERS IN FRANCE AND GERMANY: A SERIES OF TRAVELLING SKETCHES OF &rt antr gbomtg. BY HENRY F. CHORLEY, AUTHOR OF " CONTI," ETC. ETC. " Praising all, is praising none." — Burney. IN THREE VOLUMES. VOL. I. LONDON: LONGMAN, ORME, BROWN, GREEN, AND flpNGMANS, PATERNOSTER- ROW. 1841. London: Printed by A. Spottiswoode, New-Street- Square. TO JOHN RUTTER CHORLEY, Wfytiz §&&$£& ARE AFFECTIONATELY INSCRIBED IIV HIS BROTHER. A ADVBETISEMENT. When I first began to indulge myself with a few holiday weeks in France and Germany, it was as little likely that I should ever publish any thing on the Manners of either country, as it was probable that I should ever take pen in hand to write about Art in the days when I used to leave my bed betimes to hammer out Hook's harpsichord lessons and the " Battle of Prague " on the feeblest of all old-fashioned square piano-fortes.

The public will care little for the temptations which have led me to venture an essay then so little contemplated ; but I hope I may be permitted, for honesty's sake, to state the amount and nature of the materials from which the following sketches of Music and Manners have been arranged, with a constant reference to English wants and English capa bilities. a VI

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