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Representative English Comedies, v. 1. From the beginnings to Shakespeare

Unknown author · Public domain text

264,999 words · about 18 h 33 min to read

About this edition

The text of Representative English Comedies, v. 1. From the beginnings to Shakespeare comes from Project Gutenberg e-text #49710. It is public domain in the United States. Edited by Charles Mills Gayley. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

This text-only edition leaves out 1 illustration. See the illustrated edition at Project Gutenberg.

This book is long enough to be split into 6 parts, so each one loads quickly on its own.

About this book

Language
English
Subjects
English drama (Comedy)
Length
264,999 words · about 18 h 33 min
Sections
7 reader sections · Table of contents
Contents (7)
  1. Opening under 1 min
  2. Preface about 6 h 28 min
  3. Representative English Comedies, v. 1. From the beginnings to Shakespeare (part 3 of 6) about 27 min
  4. Appendix about 1 h 33 min
  5. Appendix about 2 h 48 min
  6. Appendix about 2 h 49 min
  7. Appendix about 4 h 28 min

The opening of Preface

"'Dost thou think, because thou art virtuous, there shall be no more cakes and ale ... nor ginger hot i' the mouth?' Or knowest not that while man, casting the dice with Fate and Mistress Grundy, imagineth a new luck, there shall be new comedy? Why, then, reprint these old?"

In part, because the comedies of a nation are for literature as well as for the footlights, and literature, in most cases, begins after the footlights are out. In part, because old comedies make good reading, not only for lovers of fiction and the stage, but for the student of society and the historian. Until rival forms of literary art began to usurp their function, comedies were--in England, not to speak of other and older lands--the recognized and cherished exponent of the successive phases of contemporary life. For us they still are living sketches of the social manners, morals, vanities, and ideals of generations of our ancestors; history "unbeknownst" as written by contemporaries.

Read on in Part 2 →