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II. THE PATH OF PHILANTHROPY…

Part 39 of 49 · Winston Churchill · Public domain text

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Contents (371)
  1. Opening under 1 min
  2. I. THE BORDERLAND under 1 min
  3. II. FLOTSAM AND JETSAM under 1 min
  4. III. LOUISIANA under 1 min
  5. Afterword under 1 min
  6. I. THE BLUE WALL about 8 min
  7. II. WARS AND RUMORS OF WARS about 11 min
  8. III. CHARLESTOWN about 22 min
  9. IV. TEMPLE BOW about 18 min
  10. V. CRAM'S HELL about 15 min
  11. VI. MAN PROPOSES, BUT GOD DISPOSES about 17 min
  12. VII. IN SIGHT OF THE BLUE WALL ONCE MORE about 20 min
  13. VIII. THE NOLLICHUCKY TRACE about 24 min
  14. IX. ON THE WILDERNESS TRAIL about 26 min
  15. X. HARRODSTOWN about 27 min
  16. XI. FRAGMENTARY about 10 min
  17. XII. THE CAMPAIGN BEGINS about 15 min
  18. XIII. KASKASKIA about 20 min
  19. XIV. HOW THE KASKASKEIANS WERE MADE CITIZENS about 12 min
  20. XV. DAYS OF TRIAL about 20 min
  21. XVI. DAVY GOES TO CAHOKIA about 19 min
  22. XVII. THE SACRIFICE about 11 min
  23. Chapter XVIII about 24 min
  24. XIX. THE HAIR BUYER TRAPPED about 23 min
  25. XX. THE CAMPAIGN ENDS about 13 min
  26. I. IN THE CABIN about 19 min
  27. Chapter II about 14 min
  28. III. WE GO TO DANVILLE about 17 min
  29. IV. I CROSS THE MOUNTAINS ONCE MORE about 5 min
  30. V. I MEET AN OLD BEDFELLOW about 17 min
  31. VI. THE WIDOW BROWN'S about 21 min
  32. VII. I MEET A HERO about 16 min
  33. VIII. TO ST. LOUIS about 16 min
  34. Chapter IX about 23 min
  35. X. THE KEEL BOAT about 18 min
  36. XI. THE STRANGE CITY about 21 min
  37. XII. LES ILES about 23 min
  38. XIII. MONSIEUR AUGUSTE ENTRAPPED about 15 min
  39. XIV. RETRIBUTION about 35 min
  40. I. THE RIGHTS OF MAN about 10 min
  41. II. THE HOUSE ABOVE THE FALLS about 21 min
  42. III. LOUISVILLE CELEBRATES about 15 min
  43. IV. OF A SUDDEN RESOLUTION about 12 min
  44. V. THE HOUSE OF THE HONEYCOMBED TILES about 14 min
  45. VI. MADAME LA VICOMTESSE about 15 min
  46. VII. THE DISPOSAL OF THE SIEUR DE ST. GRE about 24 min
  47. VIII. AT LAMARQUE'S about 20 min
  48. IX. MONSIEUR LE BARON about 15 min
  49. X. THE SCOURGE about 19 min
  50. Chapter XI about 10 min
  51. XII. VISIONS, AND AN AWAKENING about 14 min
  52. XIII. A MYSTERY about 15 min
  53. Chapter XIV about 21 min
  54. XV. AN EPISODE IN THE LIFE OF A MAN about 10 min
  55. Afterword about 3 min
  56. Chapter I about 26 min
  57. Chapter II about 32 min
  58. Chapter III about 26 min
  59. Chapter IV about 13 min
  60. Chapter V about 23 min
  61. Chapter VI about 22 min
  62. Chapter VII about 32 min
  63. Chapter VIII about 29 min
  64. Chapter IX about 39 min
  65. Chapter X about 21 min
  66. Chapter XI about 44 min
  67. Chapter XII about 34 min
  68. Chapter XIII about 31 min
  69. Chapter XIV about 20 min
  70. THE DWELLING-PLACE OF LIGHT under 1 min
  71. Chapter XV about 34 min
  72. Chapter XVI about 17 min
  73. Chapter XVII about 25 min
  74. Chapter XVIII about 23 min
  75. Chapter XIX about 37 min
  76. Chapter XX about 25 min
  77. Chapter XXI about 31 min
  78. I. THE HONOURABLE HILARY VANE SITS FOR HIS PORTRAIT about 14 min
  79. II. ON THE TREATMENT OF PRODIGALS about 13 min
  80. III. CONCERNING THE PRACTICE OF LAW about 21 min
  81. Chapter IV about 21 min
  82. V. THE PARTING OF THE WAYS about 20 min
  83. VI. ENTER THE LION about 24 min
  84. VII. THE LEOPARD AND HIS SPOTS about 24 min
  85. VIII. THE TRIALS OF AN HONOURABLE about 38 min
  86. IX. Mr. CREWE ASSAULTS THE CAPITAL about 26 min
  87. Chapter X about 14 min
  88. XI. THE HOPPER about 29 min
  89. XII. Mr. REDBROOK'S PARTY about 18 min
  90. XIII. THE REALM OF PEGASUS about 34 min
  91. XIV. THE DESCENDANTS OF HORATIUS about 38 min
  92. XV. THE DISTURBANCE OF JUNE SEVENTH about 24 min
  93. XVI. THE "BOOK OF ARGUMENTS" IS OPENED about 19 min
  94. XVII. BUSY DAYS AT WEDDERBURN about 30 min
  95. XVIII. A SPIRIT IN THE WOODS about 28 min
  96. XIX. MR. JABE JENNEY ENTERTAINS about 28 min
  97. XX. MR. CREWE: AN APPRECIATION (1) about 19 min
  98. MR. CREWE'S CAREER under 1 min
  99. XXI. ST. GILES OF THE BLAMELESS LIFE about 15 min
  100. XXII. IN WHICH EUPHRASIA TAKES A HAND about 19 min
  101. XXIII. A FALLING-OUT IN HIGH PLACES about 12 min
  102. XXIV. AN ADVENTURE OF VICTORIA'S about 25 min
  103. XXV. MORE ADVENTURER about 23 min
  104. XXVI. THE FOCUS OF WRATH about 21 min
  105. XXVII. THE ARENA AND THE DUST about 44 min
  106. XXVIII. THE VOICE OF AN ERA about 29 min
  107. XXIX. THE VALE OF THE BLUE about 14 min
  108. XXX. P.S about 10 min
  109. 1. I about 3 h 35 min
  110. 2. X about 3 h 36 min
  111. A FAR COUNTRY under 1 min
  112. 3. XVIII about 4 h 40 min
  113. Chapter I about 15 min
  114. Chapter II about 10 min
  115. Chapter III about 9 min
  116. Chapter IV about 12 min
  117. Chapter V about 23 min
  118. Chapter VI about 8 min
  119. Chapter VII about 20 min
  120. Chapter VIII about 17 min
  121. Chapter IX about 19 min
  122. Chapter X about 12 min
  123. Chapter XI about 21 min
  124. Chapter XII about 10 min
  125. Chapter XIII about 18 min
  126. Chapter XIV about 18 min
  127. Chapter XV about 28 min
  128. Chapter XVI about 22 min
  129. Chapter I about 16 min
  130. Chapter II about 22 min
  131. Chapter III about 13 min
  132. Chapter IV about 14 min
  133. Chapter V about 20 min
  134. Chapter VI about 29 min
  135. Chapter VII about 21 min
  136. Chapter VIII about 25 min
  137. Chapter IX about 25 min
  138. Chapter X about 21 min
  139. Chapter XI about 19 min
  140. Chapter XII about 23 min
  141. Chapter XIII about 29 min
  142. Chapter XIV about 35 min
  143. Chapter XV about 32 min
  144. Chapter XVI about 27 min
  145. Chapter XVII about 20 min
  146. Chapter XVIII about 20 min
  147. Chapter XIX about 22 min
  148. Chapter XX about 12 min
  149. Afterword about 5 min
  150. I. THE WARING PROBLEMS about 19 min
  151. II. MR. LANGMAID'S MISSION about 23 min
  152. III. THE PRIMROSE PATH about 18 min
  153. IV. SOME RIDDLES OF THE TWENTIETH CENTURY about 18 min
  154. V. THE RECTOR HAS MORE FOOD FOR THOUGHT about 33 min
  155. Chapter VI about 16 min
  156. VII. THE KINGDOMS OF THE WORLD about 17 min
  157. VIII. THE LINE OF LEAST RESISTANCE about 18 min
  158. IX. THE DIVINE DISCONTENT about 29 min
  159. X. THE MESSENGER IN THE CHURCH about 30 min
  160. XI. THE LOST PARISHIONER about 21 min
  161. XII. THE WOMAN OF THE SONG about 16 min
  162. XIII. WINTERBOURNE about 19 min
  163. XIV. A SATURDAY AFTERNOON about 19 min
  164. XV. THE CRUCIBLE about 22 min
  165. XVI. AMID THE ENCIRCLING GLOOM about 32 min
  166. XVII. RECONSTRUCTION about 21 min
  167. XVIII. THE RIDDLE OF CAUSATION about 43 min
  168. XIX. MR. GOODRICH BECOMES A PARTISAN about 34 min
  169. XX. THE ARRAIGNMENT about 41 min
  170. XXI. ALISON GOES TO CHURCH about 34 min
  171. Chapter XXII about 31 min
  172. XXIII. THE CHOICE about 24 min
  173. XXIV. THE VESTRY MEETS about 24 min
  174. Chapter XXV about 20 min
  175. XXVI. THE CURRENT OF LIFE about 34 min
  176. THE INSIDE OF THE CUP under 1 min
  177. XXVII. RETRIBUTION about 27 min
  178. XXVIII. LIGHT about 39 min
  179. Afterword about 7 min
  180. Foreword about 1 min
  181. I. LIONEL CARVEL, OF CARVEL HALL about 7 min
  182. II. SOME MEMORIES OF CHILDHOOD about 16 min
  183. III. CAUGHT BY THE TIDE about 16 min
  184. IV. GRAFTON WOULD HEAL AN OLD BREACH about 23 min
  185. Chapter V about 14 min
  186. VI. I FIRST SUFFER FOR THE CAUSE about 16 min
  187. VII. GRAFTON HAS HIS CHANCE about 13 min
  188. VIII. OVER THE WALL about 12 min
  189. IX. UNDER FALSE COLOURS about 20 min
  190. X. THE RED IN THE CARVEL BLOOD about 17 min
  191. XI. A FESTIVAL AND A PARTING about 19 min
  192. XII. NEWS FROM A FAR COUNTRY about 13 min
  193. XIII. MR. ALLEN SHOWS HIS HAND about 16 min
  194. XIV. THE VOLTE COUPE about 11 min
  195. XV. OF WHICH THE RECTOR HAS THE WORST about 15 min
  196. XVI. IN WHICH SOME THINGS ARE MADE CLEAR about 7 min
  197. XVII. SOUTH RIVER about 8 min
  198. XVIII. THE "BLACK MOLL" about 16 min
  199. XIX. A MAN OF DESTINY about 16 min
  200. XX. A SAD HOME-COMING about 17 min
  201. XXI. THE GARDENER'S COTTAGE about 12 min
  202. XXII. ON THE ROAD about 18 min
  203. XXIII. LONDON TOWN about 18 min
  204. XXIV. CASTLE YARD about 11 min
  205. XXV. THE RESCUE about 15 min
  206. XXVI. THE PART HORATIO PLAYED about 14 min
  207. XXVII. IN WHICH I AM SORE TEMPTED about 16 min
  208. XXVIII. ARLINGTON STREET about 10 min
  209. XXIX. I MEET A VERY GREAT YOUNG MAN about 12 min
  210. XXX. A CONSPIRACY about 16 min
  211. Chapter XXXI about 21 min
  212. XXXII. LADY TANKERVILLE'S DRUM-MAJOR about 14 min
  213. XXXIII. DRURY LANE about 14 min
  214. XXXIV. HIS GRACE MAKES ADVANCES about 8 min
  215. XXXV. IN WHICH MY LORD BALTIMORE APPEARS about 13 min
  216. XXXVI. A GLIMPSE OF MR. GARRICK about 10 min
  217. XXXVII. THE SERPENTINE about 16 min
  218. XXXVIII. IN WHICH I AM ROUNDLY BROUGHT TO TASK about 12 min
  219. XXXIX. HOLLAND HOUSE about 14 min
  220. XL. VAUXHALL about 10 min
  221. XLI. THE WILDERNESS about 13 min
  222. XLII. MY FRIENDS ARE PROVEN about 9 min
  223. XLIII. ANNAPOLIS ONCE MORE about 14 min
  224. XLIV. NOBLESSE OBLIGE about 13 min
  225. XLV. THE HOUSE OF MEMORIES about 13 min
  226. XLVI. GORDON'S PRIDE about 7 min
  227. XLVII. VISITORS about 15 min
  228. XLVIII. MULTUM IN PARVO about 15 min
  229. XLIX. LIBERTY LOSES A FRIEND about 13 min
  230. RICHARD CARVEL under 1 min
  231. L. FAREWELL TO GORDON'S about 8 min
  232. LI. HOW AN IDLE PROPHECY CAME TO PASS about 19 min
  233. LII. HOW THE GARDENER'S SON FOUGHT THE "SERAPIS" about 22 min
  234. LIII. IN WHICH I MAKE SOME DISCOVERIES about 15 min
  235. LIV. MORE DISCOVERIES about 18 min
  236. Chapter LV about 13 min
  237. LVI. HOW GOOD CAME OUT OF EVIL about 16 min
  238. LVII. I COME TO MY OWN AGAIN about 8 min
  239. Afterword about 2 min
  240. Book I under 1 min
  241. Book II under 1 min
  242. Book III under 1 min
  243. I. WHAT'S IN HEREDITY about 8 min
  244. II. PERDITA RECALLED about 15 min
  245. III. CONCERNING PROVIDENCE about 16 min
  246. IV. OF TEMPERAMENT about 18 min
  247. V. IN WHICH PROVIDENCE BEEPS FAITH about 23 min
  248. VI. HONORA HAS A GLIMPSE OF THE WORLD about 22 min
  249. VII. THE OLYMPIAN ORDER about 19 min
  250. VIII. A CHAPTER OF CONQUESTS about 15 min
  251. IX. IN WHICH THE VICOMTE CONTINUES HIS STUDIES about 22 min
  252. X. IN WHICH HONORA WIDENS HER HORIZON about 20 min
  253. XI. WHAT MIGHT HAVE BEEN about 10 min
  254. XII. WHICH CONTAINS A SURPRISE FOR MRS. HOLT about 10 min
  255. I. SO LONG AS YE BOTH SHALL LIVE! about 15 min
  256. Chapter II about 10 min
  257. III. THE GREAT UNATTACHED about 18 min
  258. IV. THE NEW DOCTRINE about 14 min
  259. V. QUICKSANDS about 15 min
  260. VI. GAD AND MENI about 14 min
  261. VII. OF CERTAIN DELICATE MATTERS about 15 min
  262. VIII. OF MENTAL PROCESSES--FEMININE AND INSOLUBLE about 17 min
  263. IX. INTRODUCING A REVOLUTIONIZING VEHICLE about 16 min
  264. X. ON THE ART OF LION TAMING about 29 min
  265. XI. CONTAINING SOME REVELATIONS about 11 min
  266. I. ASCENDI about 14 min
  267. II. THE PATH OF PHILANTHROPY about 24 min
  268. III. VINELAND about 16 min
  269. IV. THE VIKING about 22 min
  270. V. THE SURVIVAL OF THE FITTEST about 9 min
  271. VI. CLIO, OR THALIA? about 20 min
  272. Chapter VII about 16 min
  273. VIII. IN WHICH THE LAW BETRAYS A HEART about 17 min
  274. IX. WYLIE STREET about 13 min
  275. X. THE PRICE OF FREEDOM about 13 min
  276. XI. IN WHICH IT IS ALL DONE OVER AGAIN about 19 min
  277. XII. THE ENTRANCE INTO EDEN about 15 min
  278. XIII. OF THE WORLD BEYOND THE GATES about 15 min
  279. XIV. CONTAINING PHILOSOPHY FROM MR. GRAINGER about 17 min
  280. XV. THE PILLARS OF SOCIETY about 17 min
  281. A MODERN CHRONICLE under 1 min
  282. XVI. IN WHICH A MIRROR IS HELD UP about 13 min
  283. XVII. THE RENEWAL OF AN ANCIENT HOSPITALITY about 27 min
  284. XVIII. IN WHICH MR. ERWIN SEEK PARIS about 25 min
  285. Chapter I about 4 min
  286. Chapter II about 19 min
  287. Chapter III about 12 min
  288. Chapter IV about 14 min
  289. Chapter V about 15 min
  290. Chapter VI about 15 min
  291. Chapter VII about 10 min
  292. Chapter VIII about 13 min
  293. Chapter IX about 7 min
  294. Chapter X about 12 min
  295. Chapter XI about 15 min
  296. Chapter XII about 12 min
  297. Chapter XIII about 8 min
  298. Chapter XIV about 9 min
  299. THE CELEBRITY under 1 min
  300. Chapter XV about 9 min
  301. Chapter XVI about 12 min
  302. Chapter XVII about 9 min
  303. Chapter XVIII about 13 min
  304. Chapter XIX about 10 min
  305. Chapter XX about 15 min
  306. Chapter XXI about 9 min
  307. Book I under 1 min
  308. Book II under 1 min
  309. Book III under 1 min
  310. I. WHICH DEALS WITH ORIGINS about 27 min
  311. III. THE UNATTAINABLE SIMPLICITY about 9 min
  312. IV. BLACK CATTLE about 17 min
  313. V. THE FIRST SPARK PASSES about 7 min
  314. VI. SILAS WHIPPLE about 10 min
  315. VII. CALLERS about 10 min
  316. VIII. BELLEGARDE about 13 min
  317. IX. A QUIET SUNDAY IN LOCUST STREET about 11 min
  318. X. THE LITTLE HOUSE about 10 min
  319. XI. THE INVITATION about 4 min
  320. Chapter XII about 16 min
  321. XIII. THE PARTY about 14 min
  322. I. RAW MATERIAL about 9 min
  323. II. ABRAHAM LINCOLN about 13 min
  324. III. IN WHICH STEPHEN LEARNS SOMETHING about 10 min
  325. IV. THE QUESTION about 9 min
  326. V. THE CRISIS about 19 min
  327. Chapter VI about 22 min
  328. VII. AN EXCURSION about 13 min
  329. VIII. THE COLONEL IS WARNED about 8 min
  330. IX. SIGNS OF THE TIMES about 17 min
  331. X. RICHTER'S SCAR about 11 min
  332. XI. HOW A PRINCE CAME about 10 min
  333. XII. INTO WHICH A POTENTATE COMES about 11 min
  334. XIII. AT MR. BRINSMADE'S GATE about 18 min
  335. Chapter XIV about 19 min
  336. XVI. THE GUNS OF SUMTER about 8 min
  337. XVII. CAMP JACKSON about 17 min
  338. XVIII. THE STONE THAT IS REJECTED about 13 min
  339. XIX. THE TENTH OF MAC about 15 min
  340. XX. IN THE ARSENAL about 22 min
  341. XXI. THE STAMPEDE about 20 min
  342. XXII. THE STRAINING OF ANOTHER FRIENDSHIP about 11 min
  343. XXIII. OF CLARENCE about 8 min
  344. I. INTRODUCING A CAPITALIST about 19 min
  345. II. NEWS FROM CLARENCE about 21 min
  346. III. THE SCOURGE OF WAR about 14 min
  347. IV. THE LIST OF SIXTY about 11 min
  348. V. THE AUCTION about 22 min
  349. VI. ELIPHALET PLAYS HIS TRUMPS about 20 min
  350. VII. WITH THE ARMIES OF THE WEST about 17 min
  351. VIII. A STRANGE MEETING about 15 min
  352. XI. BELLEGARDE ONCE MORE about 15 min
  353. X. IN JUDGE WHIPPLE'S OFFICE about 24 min
  354. XI. LEAD, KINDLY LIGHT about 7 min
  355. THE CRISIS under 1 min
  356. XII. THE LAST CARD about 8 min
  357. XIII. FROM THE LETTERS OF MAJOR STEPHEN BRICE about 13 min
  358. XIV. THE SAME, CONTINUED about 17 min
  359. XV. MAN OF SORROW about 23 min
  360. XVI. ANNAPOLIS about 6 min
  361. Afterword about 2 min
  362. Preface about 1 min
  363. Act I about 43 min
  364. Act II about 34 min
  365. Act III about 39 min
  366. A TRAVELLER IN WARTIME under 1 min
  367. Preface about 3 min
  368. Chapter I about 25 min
  369. Chapter II about 31 min
  370. Chapter III about 32 min
  371. AN ESSAY ON THE AMERICAN CONTRIBUTION AND THE DEMOCRATIC IDEA about 1 h 16 min

Continue:

II. THE PATH OF PHILANTHROPY

Mrs. Cecil Grainger may safely have been called a Personality, and one of the proofs of this was that she haunted people who had never seen her. Honora might have looked at her, it is true, on the memorable night of the dinner with Mrs. Holt and Trixton Brent; but--for sufficiently obvious reasons--refrained. It would be an exaggeration to say that Mrs. Grainger became an obsession with our heroine; yet it cannot be denied that, since Honora's arrival at Quicksands, this lady had, in increasing degrees, been the subject of her speculations. The threads of Mrs. Grainger's influence were so ramified, indeed, as to be found in Mrs. Dallam, who declared she was the rudest woman in New York and yet had copied her brougham; in Mr. Cuthbert and Trixton Brent; in Mrs. Kame; in Mrs. Holt, who proclaimed her a tower of strength in charities; and lastly in Mr. Grainger himself, who, although he did not spend much time in his wife's company, had for her an admiration that amounted to awe.

Elizabeth Grainger, who was at once modern and tenaciously conservative, might have been likened to some of the Roman matrons of the aristocracy in the last years of the Republic. Her family, the Pendletons, had traditions: so, for that matter, had the Graingers. But Senator Pendleton, antique homo virtute et fide, had been a Roman of the old school who would have preferred exile after the battle of Philippi; and who, could he have foreseen modern New York and modern finance, would have been more content to die when he did. He had lived in Washington Square. His daughter inherited his executive ability, many of his prejudices (as they would now be called), and his habit of regarding favourable impressions with profound suspicion. She had never known the necessity of making friends: hers she had inherited, and for some reason specially decreed, they were better than those of less fortunate people.

Mrs. Grainger was very tall. And Sargent, in his portrait of her, had caught with admirable art the indefinable, yet partly supercilious and scornful smile with which she looked down upon the world about her. She possessed the rare gift of combining conventionality with personal distinction in her dress. Her hair was almost Titian red in colour, and her face (on the authority of Mr. Reginald Farwell) was at once modern and Italian Renaissance. Not the languid, amorous Renaissance, but the lady of decision who chose, and did not wait to be chosen. Her eyes had all the colours of the tapaz, and her regard was so baffling as to arouse intense antagonism in those who were not her friends.

To Honora, groping about for a better and a higher life, the path of philanthropy had more than once suggested itself. And on the day of Peter's visit to New York, when she had lunched with Mrs. Holt, she had signified her willingness (now that she had come to live in town) to join the Working Girls' Relief Society. Mrs. Holt, needless to say, was overjoyed: they were to have a meeting at her house in the near future which Honora must not fail to attend. It was not, however, without a feeling of trepidation natural to a stranger that she made her way to that meeting when the afternoon arrived.

No sooner was she seated in Mrs. Holt's drawing-room--filled with camp-chairs for the occasion--than she found herself listening breathlessly to a recital of personal experiences by a young woman who worked in a bindery on the East side. Honora's heart was soft: her sympathies, as we know, easily aroused. And after the young woman had told with great simplicity and earnestness of the struggle to support herself and lead an honest and self-respecting existence, it seemed to Honora that at last she had opened the book of life at the proper page.

Afterwards there were questions, and a report by Miss Harber, a middle-aged lady with glasses who was the secretary. Honora looked around her. The membership of the Society, judging by those present, was surely of a sufficiently heterogeneous character to satisfy even the catholic tastes of her hostess. There were elderly ladies, some benevolent and some formidable, some bedecked and others unadorned; there were earnest-looking younger women, to whom dress was evidently a secondary consideration; and there was a sprinkling of others, perfectly gowned, several of whom were gathered in an opposite corner. Honora's eyes, as the reading of the report progressed, were drawn by a continual and resistless attraction to this group; or rather to the face of one of the women in it, which seemed to stare out at her like the eat in the tree of an old-fashioned picture puzzle, or the lineaments of George Washington among a mass of boulders on a cliff. Once one has discovered it, one can see nothing else. In vain Honora dropped her eyes; some strange fascination compelled her to raise them again until they met those of the other woman: Did their glances meet? She could never quite be sure, so disconcerting were the lights in that regard--lights, seemingly, of laughter and mockery.

Some instinct informed Honora that the woman was Mrs. Grainger, and immediately the scene in the Holland House dining-room came back to her. Never until now had she felt the full horror of its comedy. And then, as though to fill the cup of humiliation, came the thought of Cecil Grainger's call. She longed, in an agony with which sensitive natures will sympathize, for the reading to be over.

The last paragraph of the report contained tributes to Mrs. Joshua Holt and Mrs. Cecil Grainger for the work each had done during the year, and amidst enthusiastic hand-clapping the formal part of the meeting came to an end. The servants were entering with tea as Honora made her way towards the door, where she was stopped by Susan Holt.

"My dear Honora," cried Mrs. Holt, who had hurried after her daughter, "you're not going?"

Honora suddenly found herself without an excuse.

"I really ought to, Mrs. Holt. I've had such a good time-and I've been so interested. I never realized that such things occurred. And I've got one of the reports, which I intend to read over again."

"But my dear," protested Mrs. Holt, "you must meet some of the members of the Society. Bessie!"

Mrs. Grainger, indeed--for Honora had been right in her surmise--was standing within ear-shot of this conversation. And Honora, who knew she was there, could not help feeling that she took a rather redoubtable interest in it. At Mrs. Holt's words she turned.

"Bessie, I've found a new recruit--one that I can answer for, Mrs. Spence, whom I spoke to you about."

Mrs. Grainger bestowed upon Honora her enigmatic smile.

"Oh," she declared, "I've heard of Mrs. Spence from other sources, and I've seen her, too."

Honora grew a fiery red. There was obviously no answer to such a remark, which seemed the quintessence of rudeness. But Mrs. Grainger continued to smile, and to stare at her with the air of trying to solve a riddle.

"I'm coming to see you, if I may," she said. "I've been intending to since I've been in town, but I'm always so busy that I don't get time to do the things I want to do."

An announcement that fairly took away Honora's breath. She managed to express her appreciation of Mrs. Grainger's intention, and presently found herself walking rapidly up-town through swirling snow, somewhat dazed by the events of the afternoon. And these, by the way, were not yet finished. As she reached her own door, a voice vaguely familiar called her name.

"Honora!"

She turned. The slim, tall figure of a young woman descended from a carriage and crossed the pavement, and in the soft light of the vestibule she recognized Ethel Wing.

"I'm so glad I caught you," said that young lady when they entered the drawing-room. And she gazed at her school friend. The colour glowed in Honora's cheeks, but health alone could not account for the sparkle in her eyes. "Why, you look radiant. You are more beautiful than you were at Sutcliffe. Is it marriage?"

Honora laughed happily, and they sat down side by side on the lounge behind the tea table.

"I heard you'd married," said Ethel, "but I didn't know what had become of you until the other day. Jim never tells me anything. It appears that he's seen something of you. But it wasn't from Jim that I heard about you first. You'd never guess who told me you were here."

"Who?" asked Honora, curiously.

"Mr. Erwin."

"Peter Erwin!"

"I'm perfectly shameless," proclaimed Ethel Wing. "I've lost my heart to him, and I don't care who knows it. Why in the world didn't you marry him?"

"But--where did you see him?" Honora demanded as soon as she could command herself sufficiently to speak. Her voice must have sounded odd. Ethel did not appear to notice that.

"He lunched with us one day when father had gout. Didn't he tell you about it? He said he was coming to see you that afternoon."

"Yes--he came. But he didn't mention being at lunch at your house."

"I'm sure that was like him," declared her friend. And for the first time in her life Honora experienced a twinge of that world-old ailment --jealousy. How did Ethel know what was like him? "I made father give him up for a little while after lunch, and he talked about you the whole time. But he was most interesting at the table," continued Ethel, sublimely unconscious of the lack of compliment in the comparison; "as Jim would say, he fairly wiped up the ground with father, and it isn't an easy thing to do."

"Wiped up the ground with Mr. Wing!" Honora repeated.

"Oh, in a delightfully quiet, humorous way. That's what made it so effective. I couldn't understand all of it; but I grasped enough to enjoy it hugely. Father's so used to bullying people that it's become second nature with him. I've seen him lay down the law to some of the biggest lawyers in New York, and they took it like little lambs. He caught a Tartar in Mr. Erwin. I didn't dare to laugh, but I wanted to."

"What was the discussion about?" asked Honora.

"I'm not sure that I can give you a very clear idea of it," said Ethel. "Generally speaking, it was about modern trust methods, and what a self-respecting lawyer would do and what he wouldn't. Father took the ground that the laws weren't logical, and that they were different and conflicting, anyway, in different States. He said they impeded the natural development of business, and that it was justifiable for the great legal brains of the country to devise means by which these laws could be eluded. He didn't quite say that, but he meant it, and he honestly believes it. The manner in which Mr. Erwin refuted it was a revelation to me. I've been thinking about it since. You see, I'd never heard that side of the argument. Mr. Erwin said, in the nicest way possible, but very firmly, that a lawyer who hired himself out to enable one man to take advantage of another prostituted his talents: that the brains of the legal profession were out of politics in these days, and that it was almost impossible for the men in the legislatures to frame laws that couldn't be evaded by clever and unscrupulous devices. He cited ever so many cases . . . "

Ethel's voice became indistinct, as though some one had shut a door in front of it. Honora was trembling on the brink of a discovery: holding herself back from it, as one who has climbed a fair mountain recoils from the lip of an unsuspected crater at sight of the lazy, sulphurous fumes. All the years of her marriage, ever since she had first heard his name, the stature of James Wing had been insensibly growing, and the vastness of his empire gradually disclosed. She had lived in that empire: in it his word had stood for authority, his genius had been worshipped, his decrees had been absolute.

She had met him once, in Howard's office, when he had greeted her gruffly, and the memory of his rugged features and small red eyes, like live coals, had remained. And she saw now the drama that had taken place before Ethel's eyes. The capitalist, overbearing, tyrannical, hearing a few, simple truths in his own house from Peter--her Peter. And she recalled her husband's account of his talk with James Wing. Peter had refused to sell himself. Had Howard? Many times during the days that followed she summoned her courage to ask her husband that question, and kept silence. She did not wish to know.

"I don't want to seem disloyal to papa," Ethel was saying. "He is under great responsibilities to other people, to stockholders; and he must get things done. But oh, Honora, I'm so tired of money, money, money and its standards, and the things people are willing to do for it. I've seen too much."

Honora looked at her friend, and believed her. One glance at the girl's tired eyes--a weariness somehow enhanced--in effect by the gold sheen of her hair--confirmed the truth of her words.

"You've changed, Ethel, since Sutcliffe," she said.

"Yes, I've changed," said Ethel Wing, and the weariness was in her voice, too. "I've had too much, Honora. Life was all glitter, like a Christmas tree, when I left Sutcliffe. I had no heart. I'm not at all sure that I have one now. I've known all kinds of people--except the right kind. And if I were to tell you some of the things that have happened to me in five years you wouldn't believe them. Money has been at the bottom of it all,--it ruined my brother, and it has ruined me. And then, the other day, I beheld a man whose standards simply take no account of money, a man who holds something else higher. I--I had been groping lately, and then I seemed to see clear for the first time in my life. But I'm afraid it comes too late."

Honora took her friend's hand in her own and pressed it.

"I don't know why I'm telling you all this," said Ethel: "It seems to-day as though I had always known you, and yet we weren't particularly intimate at school. I suppose I'm inclined to be oversuspicious. Heaven knows I've had enough to make me so. But I always thought that you were a little--ambitious. You'll forgive my frankness, Honora. I don't think you're at all so, now." She glanced at Honora suddenly. "Perhaps you've changed, too," she said.

Honora nodded.

"I think I'm changing all the time," she replied.

After a moment's silence, Ethel Wing pursued her own train of thought.

"Curiously enough when he--when Mr. Erwin spoke of you I seemed to get a very different idea of you than the one I had always had. I had to go out of town, but I made up my mind I'd come to see you as soon as I got back, and ask you to tell me something about him."

"What shall I tell you?" asked Honora. "He is what you think he is, and more."

"Tell me something of his early life," said Ethel Wing.

.....................

There is a famous river in the western part of our country that disappears into a canon, the walls of which are some thousands of feet high, and the bottom so narrow that the confined waters roar through it at breakneck speed. Sometimes they disappear entirely under the rock, to emerge again below more furiously than ever. From the river-bed can be seen, far, far above, a blue ribbon of sky. Once upon a time, not long ago, two heroes in the service of the government of the United States, whose names should be graven in the immortal rock and whose story read wherever the language is spoken, made the journey through this canon and came out alive. That journey once started, there could be no turning back. Down and down they were buffeted by the rushing waters, over the falls and through the tunnels, with time to think only of that which would save them from immediate death, until they emerged into the sunlight of the plain below.

All of which by way of parallel. For our own chronicle, hitherto leisurely enough, is coming to its canon--perhaps even now begins to feel the pressure of the shelving sides. And if our heroine be somewhat rudely tossed from one boulder to another, if we fail wholly to understand her emotions and her acts, we must blame the canon. She had, indeed, little time to think.

One evening, three weeks or so after the conversation with Ethel Wing just related, Honora's husband entered her room as her maid was giving the finishing touches to her toilet.

"You're not going to wear that dress!" he exclaimed.

"Why not?" she asked, without turning from the mirror.

He lighted a cigarette.

"I thought you'd put on something handsome--to go to the Graingers'. And where are your jewels? You'll find the women there loaded with 'em."

"One string of pearls is all I care to wear," said Honora--a reply with which he was fain to be content until they were in the carriage, when she added: "Howard, I must ask you as a favour not to talk that way before the servants."

"What way?" he demanded.

"Oh," she exclaimed, "if you don't know I suppose it is impossible to explain. You wouldn't understand."

"I understand one thing, Honora, that you're too confoundedly clever for me," he declared.

Honora did not reply. For at that moment they drew up at a carpet stretched across the pavement.

Unlike the mansions of vast and imposing facades that were beginning everywhere to catch the eye on Fifth Avenue, and that followed mostly the continental styles of architecture, the house of the Cecil Graingers had a substantial, "middle of-the-eighties" appearance. It stood on a corner, with a high iron fence protecting the area around it. Within, it gave one an idea of space that the exterior strangely belied; and it was furnished, not in a French, but in what might be called a comfortably English, manner. It was filled, Honora saw, with handsome and priceless things which did not immediately and aggressively strike the eye, but which somehow gave the impression of having always been there. What struck her, as she sat in the little withdrawing room while the maid removed her overshoes, was the note of permanence.

Some of those who were present at Mrs. Grainger's that evening remember her entrance into the drawing-room. Her gown, the colour of a rose-tinted cloud, set off the exceeding whiteness of her neck and arms and vied with the crimson in her cheeks, and the single glistening string of pearls about the slender column of her neck served as a contrast to the shadowy masses of her hair. Mr. Reginald Farwell, who was there, afterwards declared that she seemed to have stepped out of the gentle landscape of an old painting. She stood, indeed, hesitating for a moment in the doorway, her eyes softly alight, in the very pose of expectancy that such a picture suggested.

Honora herself was almost frightened by a sense of augury, of triumph, as she went forward to greet her hostess. Conversation, for the moment, had stopped. Cecil Grainger, with the air of one who had pulled aside the curtain and revealed this vision of beauty and innocence, crossed the room to welcome her. And Mrs. Grainger herself was not a little surprised; she was not a dramatic person, and it was not often that her drawing-room was the scene of even a mild sensation. No entrance could have been at once so startling and so unexceptionable as Honora's.

"I was sorry not to find you when I called," she said. "I was sorry, too," replied Mrs. Grainger, regarding her with an interest that was undisguised, and a little embarrassing. "I'm scarcely ever at home, except when I'm with the children. Do you know these people?"

"I'm not sure," said Honora, "but--I must introduce my husband to you."

"How d'ye do!" said Mr. Grainger, blinking at her when this ceremony was accomplished. "I'm awfully glad to see you, Mrs. Spence, upon my word."

Honora could not doubt it. But he had little time to express his joy, because of the appearance of his wife at Honora's elbow with a tall man she had summoned from a corner.

"Before we go to dinner I must introduce my cousin, Mr. Chiltern--he is to have the pleasure of taking you out," she said.

His name was in the class of those vaguely familiar: vaguely familiar, too, was his face. An extraordinary face, Honora thought, glancing at it as she took his arm, although she was struck by something less tangible than the unusual features. He might have belonged to any nationality within the limits of the Caucasian race. His short, kinky, black hair suggested great virility, an effect intensified by a strongly bridged nose, sinewy hands, and bushy eyebrows. But the intangible distinction was in the eyes that looked out from under these brows the glimpse she had of them as he bowed to her gravely, might be likened to the hasty reading of a chance page in a forbidden book. Her attention was arrested, her curiosity aroused. She was on that evening, so to speak, exposed for and sensitive to impressions. She was on the threshold of the Alhambra.

"Hugh has such a faculty," complained Mr. Grainger, "of turning up at the wrong moment!"

Dinner was announced. She took Chiltern's arm, and they fell into file behind a lady in yellow, with a long train, who looked at her rather hard. It was Mrs. Freddy Maitland. Her glance shifted to Chiltern, and it seemed to Honora that she started a little.

"Hello, Hugh," she said indifferently, looking back over her shoulder; "have you turned up again?"

"Still sticking to the same side of your horse, I see." he replied, ignoring the question. "I told you you'd get lop-sided."

The deformity, if there were any, did not seem to trouble her.

"I'm going to Florida Wednesday. We want another man. Think it over."

"Sorry, but I've got something else to do," he said.

"The devil and idle hands," retorted Mrs. Maitland.

Honora was sure as she could be that Chiltern was angry, although he gave no visible sign of this. It was as though the current ran from his arm into hers.

"Have you been away?" she asked.

"It seems to me as though I had never been anywhere else," he answered, and he glanced curiously at the guests ranging about the great, flower-laden table. They sat down.

She was a little repelled, a little piqued; and a little relieved when the man on her other side spoke to her, and she recognized Mr. Reginald Farwell, the architect. The table capriciously swung that way. She did not feel prepared to talk to Mr. Chiltern. And before entering upon her explorations she was in need of a guide. She could have found none more charming, none more impersonal, none more subtly aware of her wants (which had once been his) than Mr. Farwell. With his hair parted with geometrical precision from the back of his collar to his forehead, with his silky mustache and eyes of soft hazel lights, he was all things to all men and women--within reason. He was an achievement that civilization had not hitherto produced, a combination of the Beaux Arts and the Jockey Club and American adaptability. He was of those upon whom labour leaves no trace.

There were preliminaries, mutually satisfactory. To see Mrs. Spence was never to forget her, but more delicately intimated. He remembered to have caught a glimpse of her at the Quicksands Club, and Mrs. Dallam nor her house were not mentioned by either. Honora could not have been in New York Long. No, it was her first winter, and she felt like a stranger. Would Mr. Farwell tell her who some of these people were? Nothing charmed Mr. Farwell so much as simplicity--when it was combined with personal attractions. He did not say so, but contrived to intimate the former.

"It's always difficult when one first comes to New York," he declared, "but it soon straightens itself out, and one is surprised at how few people there are, after all. We'll begin on Cecil's right. That's Mrs. George Grenfell."

"Oh, yes," said Honora, looking at a tall, thin woman of middle age who wore a tiara, and whose throat was covered with jewels. Honora did not imply that Mrs. Grenfell's name, and most of those that followed, were extremely familiar to her.

"In my opinion she's got the best garden in Newport, and she did most of it herself. Next to her, with the bald head, is Freddy Maitland. Next to him is Miss Godfrey. She's a little eccentric, but she can afford to be--the Godfreys for generations have done so much for the city. The man with the beard, next her, is John Laurens, the philanthropist. That pretty woman, who's just as nice as she looks, is Mrs. Victor Strange. She was Agatha Pendleton--Mrs. Grainger's cousin. And the gentleman with the pink face, whom she is entertaining--"

"Is my husband," said Honora, smiling. "I know something about him."

Mr. Farwell laughed. He admired her aplomb, and he did not himself change countenance. Indeed, the incident seemed rather to heighten the confidence between them. Honora was looking rather critically at Howard. It was a fact that his face did grow red at this stage of a dinner, and she wondered what Mrs. Strange found to talk to him about.

"And the woman on the other side of him?" she asked. "By the way, she has a red face, too."

"So she has," he replied amusedly. "That is Mrs. Littleton Pryor, the greatest living rebuke to the modern woman. Most of those jewels are inherited, but she has accustomed herself by long practice to carry them, as well as other burdens. She has eight children, and she's on every charity list. Her ancestors were the very roots of Manhattan. She looks like a Holbein--doesn't she?"

"And the extraordinary looking man on my right?" Honora asked. "I've got to talk to him presently."

"Chiltern!" he said. "Is it possible you haven't heard something about Hugh Chiltern?"

"Is it such lamentable ignorance?" she asked.

"That depends upon one's point of view," he replied. "He's always been a sort of a--well, Viking," said Farwell.

Honora was struck by the appropriateness of the word.

"Viking--yes, he looks it exactly. I couldn't think. Tell me something about him."

"Well," he laughed, lowering his voice a little, here goes for a little rough and ready editing. One thing about Chiltern that's to be admired is that he's never cared a rap what people think. Of course, in a way, he never had to. His family own a section of the state, where they've had woollen mills for a hundred years, more or less. I believe Hugh Chiltern has sold 'em, or they've gone into a trust, or something, but the estate is still there, at Grenoble--one of the most beautiful places I've ever seen. The General--this man's father--was a violent, dictatorial man. There is a story about his taking a battery at Gettysburg which is almost incredible. But he went back to Grenoble after the war, and became the typical public-spirited citizen; built up the mills which his own pioneer grandfather had founded, and all that. He married an aunt of Mrs. Grainger's,--one of those delicate, gentle women who never dare to call their soul their own."

"And then?" prompted Honora, with interest.

"It's only fair to Hugh," Farwell continued, "to take his early years into account. The General never understood him, and his mother died before he went off to school. Men who were at Harvard with him say he has a brilliant mind, but he spent most of his time across the Charles River breaking things. It was, probably, the energy the General got rid of at Gettysburg. What Hugh really needed was a war, and he had too much money. He has a curious literary streak, I'm told, and wrote a rather remarkable article--I've forgotten just where it appeared. He raced a yacht for a while in a dare-devil, fiendish way, as one might expect; and used to go off on cruises and not be heard of for months. At last he got engaged to Sally Harrington--Mrs. Freddy Maitland."

Honora glanced across the table.

"Exactly," said Mr. Farwell. "That was seven or eight years ago. Nobody ever knew the reason why she broke it--though it may have been pretty closely guessed. He went away, and nobody's laid eyes on him until he turned up to-night."

Honora's innocence was not too great to enable her to read between the lines of this biography which Reginald Farwell had related with such praiseworthy delicacy. It was a biography, she well knew, that, like a score of others, had been guarded as jealously as possible within the circle on the borders of which she now found herself. Mrs. Grainger with her charities, Mrs. Littleton Pryor with her good works, Miss Godfrey with her virtue--all swallowed it as gracefully as possible. Noblesse oblige. Honora had read French and English memoirs, and knew that history repeats itself. And a biography that is printed in black letter and illuminated in gold is attractive in spite of its contents. The contents, indeed, our heroine had not found uninteresting, and she turned now to the subject with a flutter of anticipation.

He looked at her intently, almost boldly, she thought, and before she dropped her eyes she had made a discovery. The thing stamped upon his face and burning in his eyes was not world-weariness, disappointment, despair. She could not tell what it was, yet; that it was none of these, she knew. It was not unrelated to experience, but transcended it. There was an element of purpose in it, of determination, almost--she would have believed--of hope. That Mrs. Maitland nor any other woman was a part of it she became equally sure. Nothing could have been more commonplace than the conversation which began, and yet it held for her, between the lines as in the biography, the thrill of interest. She was a woman, and embarked on a voyage of discovery.

"Do you live in New York?" he asked.

"Yes," said Honora, "since this autumn."

"I've been away a good many years," he said, in explanation of his question. "I haven't quite got my bearings. I can't tell you how queerly this sort of thing affects me."

"You mean civilization?" she hazarded.

"Yes. And yet I've come back to it."

Of course she did not ask him why. Their talk was like the starting of a heavy train--a series of jerks; and yet both were aware of an irresistible forward traction. She had not recovered from her surprise in finding herself already so far in his confidence.

"And the time will come, I suppose, when you'll long to get away again."

"No," he said, "I've come back to stay. It's taken me a long while to learn it, but there's only one place for a man, and that's his own country."

Her eyes lighted.

"There's always so much for a man to do."

"What would you do?" he asked curiously.

She considered this.

"If you had asked me that question two years ago--even a year ago--I should have given you a different answer. It's taken me some time to learn it, too, you see, and I'm not a man. I once thought I should have liked to have been a king amongst money changers, and own railroad and steamship lines, and dominate men by sheer power."

He was clearly interested.

"And now?" he prompted her.

She laughed a little, to relieve the tension.

"Well--I've found out that there are some men that kind of power can't control--the best kind. And I've found out that that isn't the best kind of power. It seems to be a brutal, barbarous cunning power now that I've seen it at close range. There's another kind that springs from a man himself, that speaks through his works and acts, that influences first those around him, and then his community, convincing people of their own folly, and that finally spreads in ever widening circles to those whom he cannot see, and never will see."

She paused, breathing deeply, a little frightened at her own eloquence. Something told her that she was not only addressing her own soul--she was speaking to his.

"I'm afraid you'll think I'm preaching," she apologized.

"No," he said impatiently, "no."

"To answer your question, then, if I were a man of independent means, I think I should go into politics. And I should put on my first campaign banner the words, 'No Compromise.'"

It was a little strange that, until now--to-night-she had not definitely formulated these ambitions. The idea of the banner with its inscription had come as an inspiration. He did not answer, but sat regarding her, drumming on the cloth with his strong, brown fingers.

"I have learned this much in New York," she said, carried on by her impetus, "that men and women are like plants. To be useful, and to grow properly, they must be firmly rooted in their own soil. This city seems to me like a luxurious, overgrown hothouse. Of course," she added hastily, "there are many people who belong here, and whose best work is done here. I was thinking about those whom it attracts. And I have seen so many who are only watered and fed and warmed, and who become --distorted."

"It's extraordinary," replied Chiltern, slowly, "that you should say this to me. It is what I have come to believe, but I couldn't have said it half so well."

Mrs. Grainger gave the signal to rise. Honora took Chiltern's arm, and he led her back to the drawing-room. She was standing alone by the fire when Mrs. Maitland approached her.

"Haven't I seen you before?" she asked.

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III. VINELAND

It was a pleasant Newport to which Honora went early in June, a fair city shining in the midst of summer seas, a place to light the fires of imagination. It wore at once an air of age, and of a new and sparkling unreality. Honora found in the very atmosphere a certain magic which she did not try to define, but to the enjoyment of which she abandoned herself; and in those first days after her arrival she took a sheer delight in driving about the island. Narrow Thames Street, crowded with gay carriages, with its aspect of the eighteenth and it shops of the twentieth century; the whiffs of the sea; Bellevue Avenue, with its glorious serried ranks of trees, its erring perfumes from bright gardens, its massed flowering shrubs beckoning the eye, its lawns of a truly enchanted green. Through tree and hedge, as she drove, came ever changing glimpses of gleaming palace fronts; glimpses that made her turn and look again; that stimulated but did not satisfy, and left a pleasant longing for something on the seeming verge of fulfilment.

The very stillness and solitude that seemed to envelop these palaces suggested the enchanter's wand. To-morrow, perhaps, the perfect lawns where the robins hopped amidst the shrubbery would become again the rock-bound, windswept New England pasture above the sea, and screaming gulls circle where now the swallows hovered about the steep blue roof of a French chateau. Hundreds of years hence, would these great pleasure houses still be standing behind their screens and walls and hedges? or would, indeed, the shattered, vine-covered marble of a balustrade alone mark the crumbling terraces whence once the fabled owners scanned the sparkling waters of the ocean? Who could say?

The onward rush of our story between its canon walls compels us reluctantly to skip the narrative of the winter conquests of the lady who is our heroine. Popularity had not spoiled her, and the best proof of this lay in the comments of a world that is nothing if not critical. No beauty could have received with more modesty the triumph which had greeted her at Mrs. Grenfell's tableaux, in April, when she had appeared as Circe, in an architectural frame especially designed by Mr. Farwell himself. There had been a moment of hushed astonishment, followed by an acclaim that sent the curtain up twice again.

We must try to imagine, too, the logical continuation of that triumph in the Baiae of our modern republic and empire, Newport. Open, Sesame! seems, as ever, to be the countersign of her life. Even the palace gates swung wide to her: most of them with the more readiness because she had already passed through other gates--Mrs. Grainger's, for instance. Baiae, apparently, is a topsy-turvy world in which, if one alights upside down, it is difficult to become righted. To alight upside down, is to alight in a palace. The Graingers did not live in one, but in a garden that existed before the palaces were, and one that the palace owners could not copy: a garden that three generations of Graingers, somewhat assisted by a remarkable climate, had made with loving care. The box was priceless, the spreading trees in the miniature park no less so, and time, the unbribeable, alone could now have produced the wide, carefully cherished Victorian mansion. Likewise not purchasable by California gold was a grandfather whose name had been written large in the pages of American history. His library was now lined with English sporting prints; but these, too, were old and mellow and rare.

To reach Honora's cottage, you turned away from the pomp and glitter and noise of Bellevue Avenue into the inviting tunnel of a leafy lane that presently stopped of itself. As though to provide against the contingency of a stray excursionist, a purple-plumed guard of old lilac trees massed themselves before the house, and seemed to look down with contempt on the new brick wall across the lane. 'Odi profanum vulgus'. It was on account of the new brick wall, in fact, that Honora, through the intervention of Mrs. Grainger and Mrs. Shorter, had been able to obtain this most desirable of retreats, which belonged to a great-aunt of Miss Godfrey, Mrs. Forsythe.

Mr. Chamberlin, none other than he of whom we caught a glimpse some years ago in a castle near Silverdale, owned the wall and the grounds and the palace it enclosed. This gentleman was of those who arrive in Newport upside down; and was even now, with the somewhat doubtful assistance of his wife, making lavish and pathetic attempts to right himself. Newport had never forgiven him for the razing of a mansion and the felling of trees which had been landmarks, and for the driving out of Mrs. Forsythe. The mere sight of the modern wall had been too much for this lady--the lilacs and the leaves in the lane mercifully hid the palace--and after five and thirty peaceful summers she had moved out, and let the cottage. It was furnished with delightful old-fashioned things that seemed to express, at every turn, the aristocratic and uncompromising personality of the owner who had lived so long in their midst.

Mr. Chamberlin, who has nothing whatever to do with this chronicle except to have been the indirect means of Honora's installation, used to come through the wall once a week or so to sit for half an hour on her porch as long as he ever sat anywhere. He had reddish side-whiskers, and he reminded her of a buzzing toy locomotive wound up tight and suddenly taken from the floor. She caught glimpses of him sometimes in the mornings buzzing around his gardeners, his painters, his carpenters, and his grooms. He would buzz the rest of his life, but nothing short of a revolution could take his possessions away.

The Graingers and the Grenfells and the Stranges might move mountains, but not Mr. Chamberlin's house. Whatever heart-burnings he may have had because certain people refused to come to his balls, he was in Newport to remain. He would sit under the battlements until the crack of doom; or rather--and more appropriate in Mr. Chamberlin's case--walk around them and around, blowing trumpets until they capitulated.

Honora magically found herself within them, and without a siege. Behold her at last in the setting for which we always felt she was destined. Why is it, in this world, that realization is so difficult a thing? Now that she is there, how shall we proceed to give the joys of her Elysium their full value? Not, certainly, by repeating the word pleasure over and over again: not by describing the palaces at which she lunched and danced and dined, or the bright waters in which she bathed, or the yachts in which she sailed. During the week, indeed, she moved untrammelled in a world with which she found herself in perfect harmony: it was new, it was dazzling, it was unexplored. During the week it possessed still another and more valuable attribute--it was real. And she, Honora Leffingwell Spence, was part and parcel of its permanence. The life relationships of the people by whom she was surrounded became her own. She had little time for thought--during the week.

We are dealing, now, in emotions as delicate as cloud shadows, and these drew on as Saturday approached. On Saturdays and Sundays the quality and texture of life seemed to undergo a change. Who does not recall the Monday mornings of the school days of youth, and the indefinite feeling betwixt sleep and waking that to-day would not be as yesterday or the day before? On Saturday mornings, when she went downstairs, she was wont to find the porch littered with newspapers and her husband lounging in a wicker chair behind the disapproving lilacs. Although they had long ceased to bloom, their colour was purple--his was pink.

Honora did not at first analyze or define these emotions, and was conscious only of a stirring within her, and a change. Reality became unreality. The house in which she lived, and for which she felt a passion of ownership, was for two days a rented house. Other women in Newport had week-end guests in the guise of husbands, and some of them went so far as to bewail the fact. Some had got rid of them. Honora kissed hers dutifully, and picked up the newspapers, drove him to the beach, and took him out to dinner, where he talked oracularly of finance. On Sunday night he departed, without visible regrets, for New York.

One Monday morning a storm was raging over Newport. Seized by a sudden whim, she rang her bell, breakfasted at an unusual hour, and nine o'clock found her, with her skirts flying, on the road above the cliffs that leads to the Fort. The wind had increased to a gale, and as she stood on the rocks the harbour below her was full of tossing white yachts straining at their anchors. Serene in the midst of all this hubbub lay a great grey battleship.

Presently, however, her thoughts were distracted by the sight of something moving rapidly across her line of vision. A sloop yacht, with a ridiculously shortened sail, was coming in from the Narrows, scudding before the wind like a frightened bird. She watched its approach in a sort of fascination, for of late she had been upon the water enough to realize that the feat of which she was witness was not without its difficulties. As the sloop drew nearer she made out a bare-headed figure bent tensely at the wheel, and four others clinging to the yellow deck. In a flash the boat had rounded to, the mainsail fell, and a veil of spray hid the actors of her drama. When it cleared the yacht was tugging like a wild thing at its anchor.

That night was Mrs. Grenfell's ball, and many times in later years has the scene come back to Honora. It was not a large ball, by no means on the scale of Mr. Chamberlin's, for instance. The great room reminded one of the gallery of a royal French chateau, with its dished ceiling, in the oval of which the colours of a pastoral fresco glowed in the ruby lights of the heavy chandeliers; its grey panelling, hidden here and there by tapestries, and its series of deep, arched windows that gave glimpses of a lantern-hung terrace. Out there, beyond a marble balustrade, the lights of fishing schooners tossed on a blue-black ocean. The same ocean on which she had looked that morning, and which she heard now, in the intervals of talk and laughter, crashing against the cliffs,--although the wind had gone down. Like a woman stirred to the depths of her being, its bosom was heaving still at the memory of the passion of the morning.

This night after the storm was capriciously mild, the velvet gown of heaven sewn with stars. The music had ceased, and supper was being served at little tables on the terrace. The conversation was desultory.

"Who is that with Reggie Farwell?" Ethel Wing asked.

"It's the Farrenden girl," replied Mr. Cuthbert, whose business it was to know everybody. "Chicago wheat. She looks like Ceres, doesn't she? Quite becoming to Reggie's dark beauty. She was sixteen, they tell me, when the old gentleman emerged from the pit, and they packed her off to a convent by the next steamer. Reggie may have the blissful experience of living in one of his own houses if he marries her."

The fourth at the table was Ned Carrington, who had been first secretary at an Embassy, and he had many stories to tell of ambassadors who spoke commercial American and asked royalties after their wives. Some one had said about him that he was the only edition of the Almanach de Gotha that included the United States. He somewhat resembled a golden seal emerging from a cold bath, and from time to time screwed an eyeglass into his eye and made a careful survey of Mrs. Grenfell's guests.

"By George!" he exclaimed. "Isn't that Hugh Chiltern?"

Honora started, and followed the direction of Mr. Carrington's glance. At sight of him, a vivid memory of the man's personality possessed her.

"Yes," Cuthbert was saying, "that's Chiltern sure enough. He came in on Dicky Farnham's yacht this morning from New York."

"This morning!" said Ethel Wing. "Surely not! No yacht could have come in this morning."

"Nobody but Chiltern would have brought one in, you mean," he corrected her. "He sailed her. They say Dicky was half dead with fright, and wanted to put in anywhere. Chiltern sent him below and kept right on. He has a devil in him, I believe. By the way, that's Dicky Farnham's ex-wife he's talking to--Adele. She keeps her good looks, doesn't she? What's happened to Rindge?"

"Left him on the other side, I hear," said Carrington. "Perhaps she'll take Chiltern next. She looked as though she were ready to. And they say it's easier every time."

"C'est le second mari qui coute," paraphrased Cuthbert, tossing his cigar over the balustrade. The strains of a waltz floated out of the windows, the groups at the tables broke up, and the cotillon began.

As Honora danced, Chiltern remained in the back of her mind, or rather an indefinite impression was there which in flashes she connected with him. She wondered, at times, what had become of him, and once or twice she caught herself scanning the bewildering, shifting sheen of gowns and jewels for his face. At last she saw him by the windows, holding a favour in his hand, coming in her direction. She looked away, towards the red uniforms of the Hungarian band on the raised platform at the end of the room. He was standing beside her.

"Do you remember me, Mrs. Spence?" he asked.

She glanced up at him and smiled. He was not a person one would be likely to forget, but she did not say so.

"I met you at Mrs. Granger's," was what she said.

He handed her the favour. She placed it amongst the collection at the back of her chair and rose, and they danced. Was it dancing? The music throbbed; nay, the musicians seemed suddenly to have been carried out of themselves, and played as they had not played before. Her veins were filled with pulsing fire as she was swung, guided, carried out of herself by the extraordinary virility of the man who held her. She had tasted mastery.

"Thank you," she faltered, as they came around the second time to her seat.

He released her.

"I stayed to dance with you," he said. "I had to await my opportunity."

"It was kind of you to remember me," she replied, as she went off with Mr. Carrington.

A moment later she saw him bidding good night to his hostess. His face, she thought, had not lost that strange look of determination that she recalled. And yet--how account for his recklessness?

"Rum chap, Chiltern," remarked Carrington. "He might be almost anything, if he only knew it."

In the morning, when she awoke, her eye fell on the cotillon favours scattered over the lounge. One amongst them stood out--a silver-mounted pin-cushion. Honora arose, picked it up contemplatively, stared at it awhile, and smiled. Then she turned to her window, breathing in the perfumes, gazing out through the horse-chestnut leaves at the green, shadow-dappled lawn below.

On her breakfast tray, amidst some invitations, was a letter from her. uncle. This she opened first.

"Dear Honora," he wrote, "amongst your father's papers, which have been in my possession since his death, was a certificate for three hundred shares in a land company. He bought them for very little, and I had always thought them worthless. It turns out that these holdings are in a part of the state of Texas that is now being developed; on the advice of Mr. Isham and others I have accepted an offer of thirty dollars a share, and I enclose a draft on New York for nine thousand dollars. I need not dwell upon the pleasure it is for me to send you this legacy from your father. And I shall only add the counsel of an old uncle, to invest this money by your husband's advice in some safe securities." . . .

Honora put down the letter, and sat staring at the cheque in her hand. Nine thousand dollars--and her own! Her first impulse was to send it back to her uncle. But that would be, she knew, to hurt his feelings--he had taken such a pride in handing her this inheritance. She read the letter again, and resolved that she would not ask Howard to invest the money. This, at least, should be her very own, and she made up her mind to take it to a bank in Thames Street that morning.

While she was still under the influence of the excitement aroused by the unexpected legacy, Mrs. Shorter came in, a lady with whom Honora's intimacy had been of steady growth. The tie between them might perhaps have been described as intellectual, for Elsie Shorter professed only to like people who were "worth while." She lent Honora French plays, discussed them with her, and likewise a wider range of literature, including certain brightly bound books on evolution and sociology.

In the eighteenth century, Mrs. Shorter would have had a title and a salon in the Faubourg: in the twentieth, she was the wife of a most fashionable and successful real estate agent in New York, and was aware of no incongruity. Bourgeoise was the last thing that could be said of her; she was as ready as a George Sand to discuss the whole range of human emotions; which she did many times a week with certain gentlemen of intellectual bent who had the habit of calling on her. She had never, to the knowledge of her acquaintances, been shocked. But while she believed that a great love carried, mysteriously concealed in its flame, its own pardon, she had through some fifteen years of married life remained faithful to Jerry Shorter: who was not, to say the least, a Lochinvar or a Roland. Although she had had nervous prostration and was thirty-four, she was undeniably pretty. She was of the suggestive, and not the strong-minded type, and the secret of her strength with the other sex was that she was in the habit of submitting her opinions for their approval.

"My dear," she said to Honora, "you may thank heaven that you are still young enough to look beautiful in negligee. How far have you got? Have you guessed of which woman Vivarce was the lover? And isn't it the most exciting play you've ever read? Ned Carrington saw it in Paris, and declares it frightened him into being good for a whole week!"

"Oh, Elsie," exclaimed Honora, apologetically, "I haven't read a word of it."

Mrs. Shorter glanced at the pile of favours.

"How was the dance?" she asked. "I was too tired to go. Hugh Chiltern offered to take me."

"I saw Mr. Chiltern there. I met him last winter at the Graingers'."

"He's staying with us," said Mrs. Shorter; "you know he's a sort of cousin of Jerry's, and devoted to him. He turned up yesterday morning on Dicky Farnham's yacht, in the midst of all that storm. It appears that Dicky met him in New York, and Hugh said he was coming up here, and Dicky offered to sail him up. When the storm broke they were just outside, and all on board lost their heads, and Hugh took charge and sailed in. Dicky told me that himself."

"Then it wasn't--recklessness," said Honora, involuntarily. But Mrs. Shorter did not appear to be surprised by the remark.

"That's what everybody thinks, of course," she answered. "They say that he had a chance to run in somewhere, and browbeat Dicky into keeping on for Newport at the risk of their lives. They do Hugh an injustice. He might have done that some years ago, but he's changed."

Curiosity got the better of Honora.

"Changed?" she repeated.

"Of course you didn't know him in the old days, Honora," said Mrs. Shorter. "You wouldn't recognize him now. I've seen a good deal of men, but he is the most interesting and astounding transformation I've ever known."

"How?" asked Honora. She was sitting before the glass, with her hand raised to her hair.

Mrs. Shorter appeared puzzled.

"That's what interests me," she said. "My dear, don't you think life tremendously interesting? I do. I wish I could write a novel. Between ourselves, I've tried. I had Mr. Dewing send it to a publisher, who said it was clever, but had no plot. If I only could get a plot!"

Honora laughed.

"How would I The Transformation of Mr. Chiltern' do, Elsie?"

"If I only knew what's happened to him, and how he's going to end!" sighed Mrs. Shorter.

"You were saying," said Honora, for her friend seemed to have relapsed into a contemplation of this problem, "you were saying that he had changed."

"He goes away for seven years, and he suddenly turns up filled with ambition and a purpose in life, something he had never dreamed of. He's been at Grenoble, where the Chiltern estate is, making improvements and preparing to settle down there. And he's actually getting ready to write a life of his father, the General--that's the most surprising thing! They never met but to strike fire while the General was alive. It appears that Jerry and Cecil Grainger and one or two other people have some of the old gentleman's letters, and that's the reason why Hugh's come to Newport. And the strangest thing about it, my dear," added Mrs. Shorter, inconsequently, "is that I don't think it's a love affair."

Honora laughed again. It was the first time she had ever heard Mrs. Shorter attribute unusual human phenomena to any other source. "He wrote Jerry that he was coming back to live on the estate,--from England. And he wasn't there a week. I can't think where he's seen any women--that is," Mrs. Shorter corrected herself hastily, "of his own class. He's been in the jungle--India, Africa, Cores. That was after Sally Harrington broke the engagement. And I'm positive he's not still in love with Sally. She lunched with me yesterday, and I watched him. Oh, I should have known it. But Sally hasn't got over it. It wasn't a grand passion with Hugh. I don't believe he's ever had such a thing. Not that he isn't capable of it--on the contrary, he's one of the few men I can think of who is."

At this point in the conversation Honora thought that her curiosity had gone far enough.

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IV. THE VIKING

She was returning on foot from the bank in Thames Street, where she had deposited her legacy, when she met him who had been the subject of her conversation with Mrs. Shorter. And the encounter seemed--and was--the most natural thing in the world. She did not stop to ask herself why it was so fitting that the Viking should be a part of Vineland: why his coming should have given it the one and final needful touch. For that designation of Reginald Farwell's had come back to her. Despite the fact that Hugh Chiltern had with such apparent resolution set his face towards literature and the tillage of the land, it was as the Viking still that her imagination pictured him. By these tokens we may perceive that this faculty of our heroine's has been at work, and her canvas already sketched in.

Whether by design or accident he was at the leafy entrance of her lane she was not to know. She spied him standing there; and in her leisurely approach a strange conceit of reincarnation possessed her, and she smiled at the contrast thus summoned up. Despite the jingling harnesses of Bellevue Avenue and the background of Mr. Chamberlin's palace wall; despite the straw hat and white trousers and blue double-breasted serge coat in which he was conventionally arrayed, he was the sea fighter still--of all the ages. M. Vipsanius Agrippa, who had won an empire for Augustus, had just such a head.

Their greeting, too, was conventional enough, and he turned and walked with her up the lane, and halted before the lilacs. "You have Mrs. Forsythe's house," he said. "How well I remember it! My mother used to bring me here years ago."

"Won't you come in?" asked Honora, gently.

He seemed to have forgotten her as they mounted in silence to the porch, and she watched him with curious feelings as he gazed about him, and peered through the windows into the drawing-room.

"It's just as it was," he said. "Even the furniture. I'm glad you haven't moved it. They used to sit over there in the corner, and have tea on the ebony table. And it was always dark-just as it is now. I can see them. They wore dresses with wide skirts and flounces, and queer low collars and bonnets. And they talked in subdued voices--unlike so many women in these days."

She was a little surprised, and moved, by the genuine feeling with which he spoke.

"I was most fortunate to get the house," she answered. "And I have grown to love it. Sometimes it seems as though I had always lived here."

"Then you don't envy that," he said, flinging his hand towards an opening in the shrubbery which revealed a glimpse of one of the pilasters of the palace across the way. The instinct of tradition which had been the cause of Mrs. Forsythe's departure was in him, too. He, likewise, seemed to belong to the little house as he took one of the wicker chairs.

"Not," said Honora, "when I can have this."

She was dressed in white, her background of lilac leaves. Seated on the railing, with the tip of one toe resting on the porch, she smiled down at him from under the shadows of her wide hat.

"I didn't think you would," he declared. "This place seems to suit you, as I imagined you. I have thought of you often since we first met last winter."

"Yes," she replied hastily, "I am very happy here. Mrs. Shorter tells me you are staying with then."

"When I saw you again last night," he continued, ignoring her attempt to divert the stream from his channel, I had a vivid impression as of having just left you. Have you ever felt that way about people?"

"Yes," she admitted, and poked the toe of her boot with her parasol.

"And then I find you in this house, which has so many associations for me. Harmoniously here," he added, "if you know what I mean. Not a newcomer, but some one who must always have been logically expected."

She glanced at him quickly, with parted lips. It was she who had done most of the talking at Mrs. Grainger's dinner; and the imaginative quality of mind he was now revealing was unlooked for. She was surprised not to find it out of character. It is a little difficult to know what she expected of him, since she did not know herself the methods, perhaps; of the Viking in Longfellow's poem. She was aware, at least, that she had attracted him, and she was beginning to realize it was not a thing that could be done lightly. This gave her a little flutter of fear.

"Are you going to be long in Newport?" she asked.

"I am leaving on Friday," he replied. "It seems strange to be here again after so many years. I find I've got out of touch with it. And I haven't a boat, although Farnham's been kind enough to offer me his."

"I can't imagine you, somehow, without a boat," she said, and added hastily: "Mrs. Shorter was speaking of you this morning, and said that you were always on the water when you were here. Newport must have been quite different then."

He accepted the topic, and during the remainder of his visit she succeeded in keeping the conversation in the middle ground, although she had a sense of the ultimate futility of the effort; a sense of pressure being exerted, no matter what she said. She presently discovered, however, that the taste for literature attributed to him which had seemed so incongruous--existed. He spoke with a new fire when she led him that way, albeit she suspected that some of the fuel was derived from the revelation that she shared his liking for books. As the extent of his reading became gradually disclosed, however, her feeling of inadequacy grew, and she resolved in the future to make better use of her odd moments. On her table, in two green volumes, was the life of a Massachusetts statesman that Mrs. Shorter had lent her. She picked it up after Chiltern had gone. He had praised it.

He left behind him a blurred portrait on her mind, as that of two men superimposed. And only that morning he had had such a distinct impression of one. It was from a consideration of this strange phenomenon, with her book lying open in her lap, that her maid aroused her to go to Mrs. Pryor's. This was Tuesday.

Some of the modern inventions we deem most marvellous have been fitted for ages to man and woman. Woman, particularly, possesses for instance a kind of submarine bell; and, if she listens, she can at times hear it tinkling faintly. And the following morning, Wednesday, Honora heard hers when she received an invitation to lunch at Mrs. Shorter's. After a struggle, she refused, but Mrs. Shorter called her up over the telephone, and she yielded.

"I've got Alfred Dewing for myself," said Elsie Shorter, as she greeted Honora in the hall. "He writes those very clever things--you've read them. And Hugh for you," she added significantly.

The Shorter cottage, though commodious, was simplicity itself. From the vine-covered pergola where they lunched they beheld the distant sea like a lavender haze across the flats. And Honora wondered whether there were not an element of truth in what Mr. Dewing said of their hostess--that she thought nothing immoral except novels with happy endings. Chiltern did not talk much: he looked at Honora.

"Hugh has got so serious," said Elsie Shorter, "that sometimes I'm actually afraid of him. You ought to have done something to be as serious as that, Hugh."

"Done something!"

"Written the 'Origin of Species,' or founded a new political party, or executed a coup d'etat. Half the time I'm under the delusion that I'm entertaining a celebrity under my roof, and I wake up and it's only Hugh."

"It's because he looks as though he might do any of those things," suggested Mr. Deming. "Perhaps he may."

"Oh," said Elsie Shorter, "the men who do them are usually little wobbly specimens."

Honora was silent, watching Chiltern. At times the completeness of her understanding of him gave her an uncanny sensation; and again she failed to comprehend him at all. She felt his anger go to a white heat, but the others seemed blissfully unaware of the fact. The arrival of coffee made a diversion.

"You and Hugh may have the pergola, Honora. I'll take Mr. Deming into the garden."

"I really ought to go in a few minutes, Elsie," said Honora.

"What nonsense!" exclaimed Mrs. Shorter. "If it's bridge at the Playfairs', I'll telephone and get you out of it."

"No--"

"Then I don't see where you can be going," declared Mrs. Shorter, and departed with her cavalier.

"Why are you so anxious to get away?" asked Chiltern, abruptly.

Honora coloured.

"Oh--did I seem so? Elsie has such a mania for pairing people off-sometimes it's quite embarrassing."

"She was a little rash in assuming that you'd rather talk to me," he said, smiling.

"You were not consulted, either."

"I was consulted before lunch," he replied.

"You mean--?"

"I mean that I wanted you," he said. She had known it, of course. The submarine bell had told her. And he could have found no woman in Newport who would have brought more enthusiasm to his aid than Elsie Shorter.

"And you usually--get what you want," she retorted with a spark of rebellion.

"Yes," he admitted. "Only hitherto I haven't wanted very desirable things."

She laughed, but her curiosity got the better of her.

"Hitherto," she said, "you have just taken what you desired."

From the smouldering fires in his eyes darted an arrowpoint of flame.

"What kind of a man are you?" she asked, throwing the impersonal to the winds. "Somebody called you a Viking once."

"Who?" he demanded.

"It doesn't matter. I'm beginning to think the name singularly appropriate. It wouldn't be the first time one landed in Newport, according to legend," she added.

"I haven't read the poem since childhood," said Chiltern, looking at her fixedly, "but he became--domesticated, if I remember rightly."

"Yes," she admitted, "the impossible happened to him, as it usually does in books. And then, circumstances helped. There were no other women."

"When the lady died," said Chiltern, "he fell upon his spear."

"The final argument for my theory," declared Honora.

"On the contrary," he maintained, smiling, "it proves there is always one woman for every man--if he cars find her. If this man had lived in modern times, he would probably have changed from a Captain Kidd into a useful citizen of the kind you once said you admired."

"Is a woman necessary," she asked, "for the transformation?"

He looked at her so intently that she blushed to the hair clustering at her temples. She had not meant that her badinage should go so deep.

"It was not a woman," he said slowly, "that brought me back to America."

"Oh," she exclaimed, suffused, "I hope you won't think that curiosity" --and got no farther.

He was silent a moment, and when she ventured to glance up at him one of those enigmatical changes had taken place. He was looking at her gravely, though intently, and the Viking had disappeared.

"I wanted you to know," he answered. "You must have heard more or less about me. People talk. Naturally these things haven't been repeated to me, but I dare say many of them are true. I haven't been a saint, and I don't pretend to be now. I've never taken the trouble to deceive any one. And I've never cared, I'm sorry to say, what was said. But I'd like you to believe that when I agreed with with the sentiments you expressed the first time I saw you, I was sincere. And I am still sincere."

"Indeed, I do believe it!" cried Honora.

His face lighted.

"You seemed different from the other women I had known--of my generation, at least," he went on steadily. "None of them could have spoken as you did. I had just landed that morning, and I should have gone direct to Grenoble, but there was some necessary business to be attended to in New York. I didn't want to go to Bessie's dinner, but she insisted. She was short of a man. I went. I sat next to you, and you interpreted my mind. It seemed too extraordinary not to have had a significance."

Honora did not reply. She felt instinctively that he was a man who was not wont ordinarily to talk about his affairs. Beneath his speech was an undercurrent--or undertow, perhaps--carrying her swiftly, easily, helpless into the deep waters of intimacy. For the moment she let herself go without a struggle. Her silence was of a breathless quality which he must have felt.

"And I am going to tell you why I came home," he said. "I have spoken of it to nobody, but I wish you to know that it had nothing to do with any ordinary complication these people may invent. Nor was there anything supernatural about it: what happened to me, I suppose, is as old a story as civilization itself. I'd been knocking about the world for a good many years, and I'd had time to think. One day I found myself in the interior of China with a few coolies and a man who I suspect was a ticket-of-leave Englishman. I can see the place now the yellow fog, the sand piled up against the wall like yellow snow. Desolation was a mild name for it. I think I began with a consideration of the Englishman who was asleep in the shadow of a tower. There was something inconceivably hopeless in his face in that ochre light. Then the place where I was born and brought up came to me with a startling completeness, and I began to go over my own life, step by step. To make a long story short, I perceived that what my father had tried to teach me, in his own way, had some reason in it. He was a good deal of a man. I made up my mind I'd come home and start in where I belonged. But I didn't do so right away--I finished the trip first, and lent the Englishman a thousand pounds to buy into a firm in Shanghai. I suppose," he added, "that is what is called suggestion. In my case it was merely the cumulative result of many reflections in waste places."

"And since then?"

"Since then I have been at Grenoble, making repairs and trying to learn something about agriculture. I've never been as happy in my life."

"And you're going back on Friday," she said.

He glanced at her quickly. He had detected the note in her speech: though lightly uttered, it was unmistakably a command. She tried to soften its effect in her next sentence.

"I can't express how much I appreciate your telling me this," she said. "I'll confess to you I wished to think that something of that kind had happened. I wished to believe that--that you had made this determination alone. When I met you that night there was something about you I couldn't account for. I haven't been able to account for it until now."

She paused, confused, fearful that she had gone too far. A moment later she was sure of it. A look came into his eyes that frightened her.

"You've thought of me?" he said.

"You must know," she replied, "that you have an unusual personality--a striking one. I can go so far as to say that I remembered you when you reappeared at Mrs. Grenfell's--" she hesitated.

He rose, and walked to the far end of the tiled pavement of the pergola, and stood for a moment looking out over the sea. Then he turned to her.

"I either like a person or I don't," he said. "And I tell you frankly I have never met a woman whom I cared for as I do you. I hope you're not going to insist upon a probationary period of months before you decide whether you can reciprocate."

Here indeed was a speech in his other character, and she seemed to see, in a flash, his whole life in it. There was a touch of boyishness that appealed, a touch of insistent masterfulness that alarmed. She recalled that Mrs. Shorter had said of him that he had never had to besiege a fortress--the white flag had always appeared too quickly. Of course there was the mystery of Mrs. Maitland--still to be cleared up. It was plain, at least, that resistance merely made him unmanageable. She smiled.

"It seems to me," she said, "that in two days we have become astonishingly intimate."

"Why shouldn't we?" he demanded.

But she was not to be led into casuistry.

"I've been reading the biography you recommended," she said.

He continued to look at her a moment, and laughed as he sat down beside her. Later he walked home with her. A dinner and bridge followed, and it was after midnight when she returned. As her maid unfastened her gown she perceived that her pincushion had been replaced by the one she had received at the ball.

"Did you put that there, Mathilde?" she asked.

Mathilde had. She had seen it on madame's bureau, and thought madame wished it there. She would replace the old one at once.

"No," said Honora, "you may leave it, now."

"Bien, madame," said the maid, and glanced at her mistress, who appeared to have fallen into a revery.

It had seemed strange to her to hear people talking about him at the dinner that night, and once or twice her soul had sprung to arms to champion him, only to remember that her knowledge was special. She alone of all of them understood, and she found herself exulting in the superiority. The amazed comment when the heir to the Chiltern fortune had returned to the soil of his ancestors had been revived on his arrival in Newport. Ned Carrington, amid much laughter, had quoted the lines about Prince Hal:

"To mock the expectations of the world, To frustrate prophecies."

Honora disliked Mr. Carrington.

Perhaps the events of Thursday, would better be left in the confusion in which they remained in Honora's mind. She was awakened by penetrating, persistent, and mournful notes which for some time she could not identify, although they sounded oddly familiar; and it was not until she felt the dampness of the coverlet and looked at the white square of her open windows that she realized there was a fog. And it had not lifted when Chiltern came in the afternoon. They discussed literature--but the book had fallen to the floor. 'Absit omen'! If printing had then been invented, undoubtedly there would have been a book instead of an apple in the third chapter of Genesis. He confided to her his plan of collecting his father's letters and of writing the General's life. Honora, too, would enjoy writing a book. Perhaps the thought of the pleasure of collaboration occurred to them both at once; it was Chiltern who wished that he might have her help in the difficult places; she had, he felt, the literary instinct. It was not the Viking who was talking now. And then, at last, he had risen reluctantly to leave. The afternoon had flown. She held out her hand with a frank smile.

"Good-by," she said. "Good-by, and good luck."

"But I may not go," he replied.

She stood dismayed.

"I thought you told me you were going on Friday--to-morrow."

"I merely set that as a probable date. I have changed my mind. There is no immediate necessity. Do you wish me to go?" he demanded.

She had turned away, and was straightening the books on the table.

"Why should I?" she said.

"You wouldn't object to my remaining a few days more?" He had reached the doorway.

"What have I to do with your staying?" she asked.

"Everything," he answered--and was gone.

She stood still. The feeling that possessed her now was rebellion, and akin to hate.

Her conduct, therefore, becomes all the more incomprehensible when we find her accepting, the next afternoon, his invitation to sail on Mr. Farnham's yacht, the 'Folly'. It is true that the gods will not exonerate Mrs. Shorter. That lady, who had been bribed with Alfred Dewing, used her persuasive powers; she might be likened to a skilful artisan who blew wonderful rainbow fabrics out of glass without breaking it; she blew the tender passion into a thousand shapes, and admired every one. Her criminal culpability consisted in forgetting the fact that it could not be trusted with children.

Nature seems to delight in contrasts. As though to atone for the fog she sent a dazzling day out of the northwest, and the summer world was stained in new colours. The yachts were whiter, the water bluer, the grass greener; the stern grey rocks themselves flushed with purple. The wharves were gay, and dark clustering foliage hid an enchanted city as the Folly glided between dancing buoys. Honora, with a frightened glance upward at the great sail, caught her breath. And she felt rather than saw the man beside her guiding her seaward.

A discreet expanse of striped yellow deck separated them from the wicker chairs where Mrs. Shorter and Mr. Dewing were already established. She glanced at the profile of the Viking, and allowed her mind to dwell for an instant upon the sensations of that other woman who had been snatched up and carried across the ocean. Which was the quality in him that attracted her? his lawlessness, or his intellect and ambition? Never, she knew, had he appealed to her more than at this moment, when he stood, a stern figure at the wheel, and vouchsafed her nothing but commonplaces. This, surely, was his element.

Presently, however, the yacht slid out from the infolding land into an open sea that stretched before them to a silver-lined horizon. And he turned to her with a disconcerting directness, as though taking for granted a subtle understanding between them.

"How well you sail," she said, hurriedly.

"I ought to be able to do that, at least," he declared.

"I saw you when you came in the other day, although I didn't know who it was until afterwards. I was standing on the rocks near the Fort, and my heart was in my mouth."

He answered that the Dolly was a good sea boat.

"So you decided to forgive me," he said.

"For what?"

"For staying in Newport."

Before accepting the invitation she had formulated a policy, cheerfully confident in her ability to carry it out. For his decision not to leave Newport had had an opposite effect upon her than that she had anticipated; it had oddly relieved the pressure. It had given her a chance to rally her forces; to smile, indeed, at an onslaught that had so disturbed her; to examine the matter in a more rational light. It had been a cause for self-congratulation that she had scarcely thought of him the night before. And to-day, in her blue veil and blue serge gown, she had boarded the 'Folly' with her wits about her. She forgot that it was he who, so to speak, had the choice of ground and weapons.

"I have forgiven you. Why shouldn't I, when you have so royally atoned."

But he obstinately refused to fence. There was nothing apologetic in this man, no indirectness in his method of attack. Parry adroitly as she might, he beat down her guard. As the afternoon wore on there were silences, when Honora, by staring over the waters, tried to collect her thoughts. But the sea was his ally, and she turned her face appealingly toward the receding land. Fascination and fear struggled within her as she had listened to his onslaughts, and she was conscious of being moved by what he was, not by what he said. Vainly she glanced at the two representatives of an ironically satisfied convention, only to realize that they were absorbed in a milder but no less entrancing aspect of the same topic, and would not thank her for an interruption.

"Do you wish me to go away?" he asked at last abruptly, almost rudely.

"Surely," she said, "your work, your future isn't in Newport."

"You haven't answered my question."

"It's because I have no right to answer it," she replied. "Although we have known each other so short a time, I am your friend. You must realize that. I am not conventional. I have lived long enough to understand that the people one likes best are not necessarily those one has known longest. You interest me--I admit it frankly--I speak to you sincerely. I am even concerned that you shall find happiness, and I feel that you have the power to make something of yourself. What more can I say? It seems to me a little strange," she added, "that under the circumstances I should say so much. I can give no higher proof of my friendship."

He did not reply, but gave a sharp order to the crew. The sheet was shortened, and the Folly obediently headed westward against the swell, flinging rainbows from her bows as she ran. Mrs. Shorter and Dewing returned at this moment from the cabin, where they had been on a tour of inspection.

"Where are you taking us, Hugh?" said Mrs. Shorter. "Nowhere in particular," he replied.

"Please don't forget that I am having people to dinner to-night. That's all I ask. What have you done to him, Honora, to put him in such a humour?"

Honora laughed.

"I hadn't noticed anything peculiar about him," she answered.

"This boat reminds me of Adele," said Mrs. Shorter. "She loved it. I can see how she could get a divorce from Dicky--but the 'Folly'! She told me yesterday that the sight of it made her homesick, and Eustace Rindge won't leave Paris."

It suddenly occurred to Honora, as she glanced around the yacht, that Mrs. Rindge rather haunted her.

"So that is your answer," said Chiltern, when they were alone again.

"What other can I give you?"

"Is it because you are married?" he demanded.

She grew crimson.

"Isn't that an unnecessary question?"

"No," he declared. "It concerns me vitally to understand you. You were good enough to wish that I should find happiness. I have found the possibility of it--in you."

"Oh," she cried, "don't say such things!"

"Have you found happiness?" he asked.

She turned her face from him towards their shining wake. But he had seen that her eyes were filled with sudden tears.

"Forgive me," he pleaded; "I did not mean to be brutal. I said that because I felt as I have never in my life felt before. As I did not know I could feel. I can't account for it, but I ask you to believe me."

"I can account for it," she answered presently, with a strange gentleness. "It is because you met me at a critical time. Such-coincidences often occur in life. I happened to be a woman; and, I confess it, a woman who was interested. I could not have been interested if you had been less real, less sincere. But I saw that you were going through a crisis; that you might, with your powers, build up your life into a splendid and useful thing. And, womanlike, my instinct was to help you. I should not have allowed you to go on, but--but it all happened so quickly that I was bewildered. I--I do not understand it myself."

He listened hungrily, and yet at times with evident impatience.

"No," he said, "I cannot believe that it was an accident. It was you--"

She stopped him with an imploring gesture.

"Please," she said, "please let us go in."

Without an instant's hesitation he brought the sloop about and headed her for the light-ship on Brenton's reef, and they sailed in silence. Awhile she watched the sapphire waters break to dazzling whiteness under the westerning sun. Then, in an ecstasy she did not seek to question, she closed her eyes to feel more keenly the swift motion of their flight. Why not? The sea, the winds of heaven, had aided others since the dawn of history. Legend was eternally true. On these very shores happiness had awaited those who had dared to face primeval things.

She looked again, this time towards an unpeopled shore. No sentinel guarded the uncharted reefs, and the very skies were smiling, after the storm, at the scudding fates.

It was not until they were landlocked once more, and the Folly was reluctantly beating back through the Narrows, that he spoke again.

"So you wish me to go away?"

"I cannot see any use in your staying," she replied, "after what you have said. I--cannot see," she added in a low voice, "that for you to remain would be to promote the happiness of--either of us. You should have gone to-day."

"You care!" he exclaimed.

"It is because I do not wish to care that I tell you to go--"

"And you refuse happiness?"

"It could be happiness for neither of us," said Honora. "The situation would be impossible. You are not a man who would be satisfied with moderation. You would insist upon having all. And you do not know what you are asking."

"I know that I want you," he said, "and that my life is won or lost with or without you."

You have no right to say such a thing."

"We have each of us but one life to live."

"And one life to ruin," she answered. "See, you are running on the rocks!"

He swung the boat around.

"Others have rebuilt upon ruins," he declared.

She smiled at him.

"But you are taking my ruins for granted," she said. "You would make them first."

He relapsed into silence again. The Folly needed watching. Once he turned and spoke her name, and she did not rebuke him.

"Women have a clearer vision of the future than men," she began presently, "and I know you better than you know yourself. What--what you desire would not mend your life, but break it utterly. I am speaking plainly. As I have told you, you interest me; so far that is the extent of my feelings. I do not know whether they would go any farther, but on your account as well as my own I will not take the risk. We have come to an impasse. I am sorry. I wish we might have been friends, but what you have said makes it impossible. There is only one thing to do, and that is for you to go away."

He eased off his sheet, rounded the fort, and set a course for the moorings. The sun hung red above the silhouetted roofs of Conanicut, and a quaint tower in the shape of a minaret stood forth to cap the illusions of a day.

The wind was falling, the harbour quieting for the night, and across the waters, to the tones of a trumpet, the red bars of the battleship's flag fluttered to the deck. The Folly, making a wide circle, shot into the breeze, and ended by gliding gently up to the buoy.

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V. THE SURVIVAL OF THE FITTEST

It was Saturday morning, but Honora had forgotten the fact. Not until she was on the bottom step did the odour of cigarettes reach her and turn her faint; and she clutched suddenly at the banisters. Thus she stood for a while, motionless, and then went quietly into the drawing-room. The French windows looking out on the porch were, as usual, open.

It was an odd sensation thus to be regarding one's husband objectively. For the first time he appeared to her definitely as a stranger; as much a stranger as the man who came once a week to wind Mrs. Forsythe's clocks. Nay, more. There was a sense of intrusion in this visit, of invasion of a life with which he had nothing to do. She examined him ruthlessly, very much as one might examine a burglar taken unawares. There was the inevitable shirt with the wide pink stripes, of the abolishment or even of the effective toning down of which she had long since despaired. On the contrary, like his complexion, they evinced a continual tendency towards a more aggressive colour. There was also the jewelled ring, now conspicuously held aloft on a fat little finger. The stripes appeared that morning as the banner of a hated suzerain, the ring as the emblem of his overlordship. He did not belong in that house; everything in it cried out for his removal; and yet it was, in the eyes of the law at least, his. By grace of that fact she was here, enjoying it. At that instant, as though in evidence of this, he laid down a burning cigarette on a mahogany stand he had had brought out to him. Honora seized an ash tray, hurried to the porch, and picked up the cigarette in the tips of her fingers.

"Howard, I wish you would be more careful of Mrs. Forsythe's furniture," she exclaimed.

"Hello, Honora," he said, without looking up. "I see by the Newport paper that old Maitland is back from Europe. Things are skyrocketing in Wall Street." He glanced at the ash tray, which she had pushed towards him. "What's the difference about the table? If the old lady makes a row, I'll pay for it."

"Some things are priceless," she replied; "you do not seem to realize that."

"Not this rubbish," said Howard. "Judging by the fuss she made over the inventory, you'd think it might be worth something."

"She has trusted us with it," said Honora. Her voice shook.

He stared at her.

"I never saw you look like that," he declared.

"It's because you never look at me closely," she answered.

He laughed, and resumed his reading. She stood awhile by the railing. Across the way, beyond the wall, she heard Mr. Chamberlin's shrill voice berating a gardener.

"Howard," she asked presently, "why do you come to Newport at all?"

"Why do I come to Newport?" he repeated. "I don't understand you."

"Why do you come up here every week?"

"Well," he said, "it isn't a bad trip on the boat, and I get a change from New York; and see men I shouldn't probably see otherwise." He paused and looked at her again, doubtfully. "Why do you ask such a question?"

"I wished to be sure," said Honora.

"Sure of what?"

"That the-arrangement suited you perfectly. You do not feel--the lack of anything, do you?"

"What do you mean?"

"You wouldn't care to stay in Newport all the time?"

"Not if I know myself," he replied. "I leave that part of it to you."

"What part of it?" she demanded.

"You ought to know. You do it pretty well," he laughed. "By the way, Honora, I've got to have a conference with Mr. Wing to-day, and I may not be home to lunch."

"We're dining there to-night," she told him, in a listless voice.

Upon Ethel Wing had descended the dominating characteristics of the elder James, who, whatever the power he might wield in Wall Street, was little more than a visitor in Newport. It was Ethel's house, from the hour she had swept the Reel and Carter plans (which her father had brought home) from the table and sent for Mr. Farwell. The forehanded Reginald arrived with a sketch, and the result, as every one knows, is one of the chief monuments to his reputation. So exquisitely proportioned is its simple, two-storied marble front as seen through the trees left standing on the old estate, that tourists, having beheld the Chamberlin and other mansions, are apt to think this niggardly for a palace. Two infolding wings, stretching towards the water, enclose a court, and through the slender white pillars of the peristyle one beholds in fancy the summer seas of Greece.

Looking out on the court, and sustaining this classic illusion, is a marble-paved dining room, with hangings of Pompeiian red, and frescoes of nymphs and satyrs and piping shepherds, framed between fluted pilasters, dimly discernible in the soft lights.

In the midst of these surroundings, at the head of his table, sat the great financier whose story but faintly concerns this chronicle; the man who, every day that he had spent down town in New York in the past thirty years, had eaten the same meal in the same little restaurant under the street. This he told Honora, on his left, as though it were not history. He preferred apple pie to the greatest of artistic triumphs of his daughter's chef, and had it; a glorified apple pie, with frills and furbelows, and whipped cream which he angrily swept to one side with contempt.

"That isn't apple pie," he said. "I'd like to take that Frenchman to the little New England hilltown where I went to school and show him what apple pie is."

Such were the autobiographical snatches--by no means so crude as they sound that reached her intelligence from time to time. Mr. Wing was too subtle to be crude; and he had married a Playfair, a family noted for good living. Honora did not know that he was fond of talking of that apple pie and the New England school at public banquets; nor did Mr. Wing suspect that the young woman whom he was apparently addressing, and who seemed to be hanging on his words, was not present.

It was not until she had put her napkin on the table that she awoke with a start and gazed into his face and saw written there still another history than the one he had been telling her. The face was hidden, indeed, by the red beard. What she read was in the little eyes that swept her with a look of possession: possession in a large sense, let it be emphasized, that an exact justice be done Mr. James Wing,--she was one of the many chattels over which his ownership extended; bought and paid for with her husband. A hot resentment ran through her at the thought.

Mr. Cuthbert, who was many kinds of a barometer, sought her out later in the courtyard.

"Your husband's feeling tiptop, isn't he?" said he.

"He's been locked up with old Wing all day. Something's in the wind, and I'd give a good deal to know what it is."

"I'm afraid I can't inform you," replied Honora.

Mr. Cuthbert apologized.

"Oh, I didn't mean to ask you far a tip," he declared, quite confused. "I didn't suppose you knew. The old man is getting ready to make another killing, that's all. You don't mind my telling you you look stunning tonight, do you?"

Honora smiled.

"No, I don't mind," she said.

Mr. Cuthbert appeared to be ransacking the corners of his brain for words.

"I was watching you to-night at the table while Mr. Wing was talking to you. I don't believe you heard a thing he said."

"Such astuteness," she answered, smiling at him, "astounds me."

He laughed nervously.

"You're different than you've ever been since I've known you," he went on, undismayed. "I hope you won't think I'm making love to you. Not that I shouldn't like to, but I've got sense enough to see it's no use."

Her reply was unexpected.

"What makes you think that?" she asked curiously.

"Oh, I'm not a fool," said Mr. Cuthbert. "But if I were a poet, or that fellow Dewing, I might be able to tell you what your eyes were like to-night."

"I'm glad you're not," said Honora.

As they were going in, she turned for a lingering look at the sea. A strong young moon rode serenely in the sky and struck a path of light across the restless waters. Along this shimmering way the eyes of her companion followed hers.

"I can tell you what that colour is, at least. Do you remember the blue, transparent substance that used to be on favours at children's parties?" he asked. "There were caps inside of them, and crackers."

"I believe you are a poet, after all," she said.

A shadow fell across the flags. Honora did not move.

"Hello, Chiltern," said Cuthbert. "I thought you were playing bridge..."

"You haven't looked at me once to-night," he said, when Cuthbert had gone in.

She was silent.

"Are you angry?"

"Yes, a little," she answered. "Do you blame me?"

The vibration of his voice in the moonlit court awoke an answering chord in her; and a note of supplication from him touched her strangely. Logic in his presence was a little difficult--there can be no doubt of that.

"I must go in," she said unsteadily, "my carriage is waiting."

But he stood in front of her.

"I should have thought you would have gone," she said.

"I wanted to see you again."

"And now?"

"I can't leave while you feel this way," he pleaded. "I can't abandon what I have of you--what you will let me take. If I told you I would be reasonable--"

"I don't believe in miracles," she said, recovering a little; "at least in modern ones. The question is, could you become reasonable?"

"As a last resort," he replied, with a flash of humour and a touch of hope. "If you would--commute my sentence."

She passed him, and picking up her skirts, paused in the window.

"I will give you one more chance," she said.

This was the conversation that, by repeating itself, filled the interval of her drive home. So oblivious was she to Howard's presence, that he called her twice from her corner of the carriage after the vehicle had stopped; and he halted her by seizing her arm as she was about to go up the stairs. She followed him mechanically into the drawing-room.

He closed the door behind them, and the other door into the darkened dining room. He even took a precautionary glance out of the window of the porch. And these movements, which ordinarily might have aroused her curiosity, if not her alarm, she watched with a profound indifference. He took a stand before the Japanese screen in front of the fireplace, thrust his hands in his pockets, cleared his throat, and surveyed her from her white shoulders to the gold-embroidered tips of her slippers.

"I'm leaving for the West in the morning, Honora. If you've made any arrangements for me on Sunday, you'll have to cancel them. I may be gone two weeks, I may be gone a month. I don't know."

"Yes," she said.

"I'm going to tell you something those fellows in the smoking room to-night did their best to screw out of me. If you say anything about it, all's up between me and Wing. The fact that he picked me out to engineer the thing, and that he's going to let me in if I push it through, is a pretty good sign that he thinks something of my business ability, eh?"

"You'd better not tell me, Howard," she said.

"You're too clever to let it out," he assured her; and added with a chuckle: "If it goes through, order what you like. Rent a house on Bellevue Avenue--any thing in reason."

"What is it?" she asked, with a sudden premonition that the thing had a vital significance for her.

"It's the greatest scheme extant," he answered with elation. "I won't go into details--you wouldn't understand'em. Mr. Wing and some others have tried the thing before, nearer home, and it worked like a charm. Street railways. We buy up the little lines for nothing, and get an interest in the big ones, and sell the little lines for fifty times what they cost us, and guarantee big dividends for the big lines."

"It sounds to me," said Honora, slowly, "as though some one would get cheated."

"Some one get cheated!" he exclaimed, laughing. "Every one gets cheated, as you call it, if they haven't enough sense to know what their property's worth, and how to use it to the best advantage. It's a case," he announced, "of the survival of the fittest. Which reminds me that if I'm going to be fit to-morrow I'd better go to bed. Mr. Wing's to take me to New York on his yacht, and you've got to have your wits about you when you talk to the old man."

A MODERN CHRONICLE

By Winston Churchill

Volume 6.

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VI. CLIO, OR THALIA?

According to the ordinary and inaccurate method of measuring time, a fortnight may have gone by since the event last narrated, and Honora had tasted at last the joys of authorship. Her name was not to appear, to be sure, on the cover of the Life and Letters of General Angus Chiltern; nor indeed, so far, had she written so much as a chapter or a page of a work intended to inspire young and old with the virtues of citizenship. At present the biography was in the crucial constructive stage. Should the letters be put in one volume, and the life in another? or should the letters be inserted in the text of the life? or could not there be a third and judicious mixture of both of these methods? Honora's counsel on this and other problems was, it seems, invaluable. Her own table was fairly littered with biographies more or less famous which had been fetched from the library, and the method of each considered.

Even as Mr. Garrick would never have been taken for an actor in his coach and four, so our heroine did not in the least resemble George Eliot, for instance, as she sat before her mirror at high noon with Monsieur Cadron and her maid Mathilde in worshipful attendance. Some of the ladies, indeed, who have left us those chatty memoirs of the days before the guillotine, she might have been likened to. Monsieur Cadron was an artist, and his branch of art was hair-dressing. It was by his own wish he was here to-day, since he had conceived a new coiffure especially adapted, he declared, to the type of Madame Spence. Behold him declaring ecstatically that seldom in his experience had he had such hairs to work with.

"Avec une telle chevelure, l'on peut tout faire, madame. Etre simple, c'est le comble de l'art. Ca vous donne," he added, with clasped hands and a step backward, "ca vous donne tout a fait l'air d'une dame de Nattier."

Madame took the hand-glass, and did not deny that she was eblouissante. If madame, suggested Monsieur Cadron, had but a little dress a la Marie Antoinette? Madame had, cried madame's maid, running to fetch one with little pink flowers and green leaves on an ecru ground. Could any coiffure or any gown be more appropriate for an entertainment at which Clio was to preside?

It is obviously impossible that a masterpiece should be executed under the rules laid down by convention. It would never be finished. Mr. Chiltern was coming to lunch, and it was not the first time. On her appearance in the doorway he halted abruptly in his pacing of the drawing-room, and stared at her.

"I'm sorry I kept you waiting," she said.

"It was worth it," he said. And they entered the dining room. A subdued, golden-green light came in through the tall glass doors that opened out on the little garden which had been Mrs. Forsythe's pride. The scent of roses was in the air, and a mass of them filled a silver bowl in the middle of the table. On the dark walls were Mrs. Forsythe's precious prints, and above the mantel a portrait of a thin, aristocratic gentleman who resembled the poet Tennyson. In the noonday shadows of a recess was a dark mahogany sideboard loaded with softly gleaming silver--Honora's. Chiltern sat down facing her. He looked at Honora over the roses,--and she looked at him. A sense of unreality that was, paradoxically, stronger than reality itself came over her, a sense of fitness, of harmony. And for the moment an imagination, ever straining at its leash, was allowed to soar. It was Chiltern who broke the silence.

"What a wonderful bowl!" he said.

"It has been in my father's family a great many years. He was very fond of it," she answered, and with a sudden, impulsive movement she reached over and set the bowl aside.

"That's better," he declared, "much as I admire the bowl, and the roses."

She coloured faintly, and smiled. The feast of reason that we are impatiently awaiting is deferred. It were best to attempt to record the intangible things; the golden-green light, the perfumes, and the faint musical laughter which we can hear if we listen. Thalia's laughter, surely, not Clio's. Thalia, enamoured with such a theme, has taken the stage herself--and as Vesta, goddess of hearths. It was Vesta whom they felt to be presiding. They lingered, therefore, over the coffee, and Chiltern lighted a cigar. He did not smoke cigarettes.

"I've lived long enough," he said, "to know that I have never lived at all. There is only one thing in life worth having."

"What is it?" asked Honora.

"This," he answered, with a gesture; "when it is permanent."

She smiled.

"And how is one to know whether it would be--permanent?"

"Through experience and failure," he answered quickly, "we learn to distinguish the reality when it comes. It is unmistakable."

"Suppose it comes too late?" she said, forgetting the ancient verse inscribed in her youthful diary: "Those who walk on ice will slide against their wills."

"To admit that is to be a coward," he declared.

"Such a philosophy may be fitting for a man," she replied, "but for a woman--"

"We are no longer in the dark ages," he interrupted. "Every one, man or woman, has the right to happiness. There is no reason why we should suffer all our lives for a mistake."

"A mistake!" she echoed.

"Certainly," he said. "It is all a matter of luck, or fate, or whatever you choose to call it. Do you suppose, if I could have found fifteen years ago the woman to have made me happy, I should have spent so much time in seeking distraction?"

"Perhaps you could not have been capable of appreciating her--fifteen years ago," suggested Honora. And, lest he might misconstrue her remark, she avoided his eyes.

"Perhaps," he admitted. "But suppose I have found her now, when I know the value of things."

"Suppose you should find her now--within a reasonable time. What would you do?"

"Marry her," he exclaimed promptly. "Marry her and take her to Grenoble, and live the life my father lived before me."

She did not reply, but rose, and he followed her to the shaded corner of the porch where they usually sat. The bundle of yellow-stained envelopes he had brought were lying on the table, and Honora picked them up mechanically.

"I have been thinking," she said as she removed the elastics, "that it is a mistake to begin a biography by the enumeration of one's ancestors. Readers become frightfully bored before they get through the first chapter."

"I'm beginning to believe," he laughed, "that you will have to write this one alone. All the ideas I have got so far have been yours. Why shouldn't you write it, and I arrange the material, and talk about it! That appears to be all I'm good for."

If she allowed her mind to dwell on the vista he thus presented, she did not betray herself.

"Another thing," she said, "it should be written like fiction."

"Like fiction?"

"Fact should be written like fiction, and fiction like fact. It's difficult to express what I mean. But this life of your father deserves to be widely known, and it should be entertainingly done, like Lockhart, or Parton's works--"

An envelope fell to the floor, spilling its contents. Among them were several photographs.

"Oh," she exclaimed, "how beautiful! What place is this?"

"I hadn't gone over these letters," he answered. "I only got them yesterday from Cecil Grainger. These are some pictures of Grenoble which must leave been taken shortly before my father died."

She gazed in silence at the old house half hidden by great maples and beeches, their weighted branches sweeping the ground. The building was of wood, painted white, and through an archway of verdure one saw the generous doorway with its circular steps, with its fan-light above, and its windows at the side. Other quaint windows, some of them of triple width, suggested an interior of mystery and interest.

"My great-great-grandfather, Alexander Chiltern, built it," he said, "on land granted to him before the Revolution. Of course the house has been added to since then, but the simplicity of the original has always been kept. My father put on the conservatory, for instance," and Chiltern pointed to a portion at the end of one of the long low wings. "He got the idea from the orangery of a Georgian house in England, and an English architect designed it."

Honora took up the other photographs. One of them, over which she lingered, was of a charming, old-fashioned garden spattered with sunlight, and shut out from the world by a high brick wall. Behind the wall, again, were the dense masses of the trees, and at the end of a path between nodding foxgloves and Canterbury bells, in a curved recess, a stone seat.

She turned her face. His was at her shoulder.

"How could you ever have left it?" she asked reproachfully.

She voiced his own regrets, which the crowding memories had awakened.

"I don't know," he answered, not without emotion. "I have often asked myself that question." He crossed over to the railing of the porch, swung about, and looked at her. Her eyes were still on the picture. "I can imagine you in that garden," he said.

Did the garden cast the spell by which she saw herself on the seat? or was it Chiltern's voice? She would indeed love and cherish it. And was it true that she belonged there, securely infolded within those peaceful walls? How marvellously well was Thalia playing her comedy! Which was the real, and which the false? What of true value, what of peace and security was contained in her present existence? She had missed the meaning of things, and suddenly it was held up before her, in a garden.

A later hour found them in Honora's runabout wandering northward along quiet country roads on the eastern side of the island. Chiltern, who was driving, seemed to take no thought of their direction, until at last, with an exclamation, he stopped the horse; and Honora beheld an abandoned mansion of a bygone age sheltered by ancient trees, with wide lands beside it sloping to the water.

"What is it?" she asked.

"Beaulieu," he replied. "It was built in the seventeenth century, I believe, and must have been a fascinating place in colonial days." He drove in between the fences and tied the horse, and came around by the side of the runabout. "Won't you get out and look at it?"

She hesitated, and their eyes met as he held out his hand, but she avoided it and leaped quickly to the ground neither spoke as they walked around the deserted house and gazed at the quaint facade, broken by a crumbling, shaded balcony let in above the entrance door. No sound broke the stillness of the summer's day--a pregnant stillness. The air was heavy with perfumes, and the leaves formed a tracery against the marvellous blue of the sky. Mystery brooded in the place. Here, in this remote paradise now in ruins, people had dwelt and loved. Thought ended there; and feeling, which is unformed thought, began. Again she glanced at him, and again their eyes met, and hers faltered. They turned, as with one consent, down the path toward the distant water. Paradise overgrown! Could it be reconstructed, redeemed?

In former days the ground they trod had been a pleasance the width of the house, bordered, doubtless, by the forest. Trees grew out of the flower beds now, and underbrush choked the paths. The box itself, that once primly lined the alleys, was gnarled and shapeless. Labyrinth had replaced order, nature had reaped her vengeance. At length, in the deepening shade, they came, at what had been the edge of the old terrace, to the daintiest of summer-houses, crumbling too, the shutters off their hinges, the floor-boards loose. Past and gone were the idyls of which it had been the stage.

They turned to the left, through tangled box that wound hither and thither, until they stopped at a stone wall bordering a tree-arched lane. At the bottom of the lane was a glimpse of blue water.

Honora sat down on the wall with her back to a great trunk. Chiltern, with a hand on the stones, leaped over lightly, and stood for some moments in the lane, his feet a little apart and firmly planted, his hands behind his back.

What had Thalia been about to allow the message of that morning to creep into her comedy? a message announcing the coming of an intruder not in the play, in the person of a husband bearing gifts. What right had he, in the eternal essence of things, to return? He was out of all time and place. Such had been her feeling when she had first read the hastily written letter, but even when she had burned it it had risen again from the ashes. Anything but that! In trying not to think of it, she had picked up the newspaper, learned of a railroad accident,--and shuddered. Anything but his return! Her marriage was a sin,--there could be no sacrament in it. She would flee first, and abandon all rather than submit to it.

Chiltern's step aroused her now. He came back to the wall where she was sitting, and faced her.

"You are sad," he said.

She shook her head at him, slowly, and tried to smile.

"What has happened?" he demanded rudely. "I can't bear to see you sad."

"I am going away," she said. The decision had suddenly come to her. Why had she not seen before that it was inevitable?

He seized her wrist as it lay on the wall, and she winced from the sudden pain of his grip.

"Honora, I love you," he said, "I must have you--I will have you. I will make you happy. I promise it on my soul. I can't, I won't live without you."

She did not listen to his words--she could not have repeated them afterwards. The very tone of his voice was changed by passion; creation spoke through him, and she heard and thrilled and swayed and soared, forgetting heaven and earth and hell as he seized her in his arms and covered her face with kisses. Thus Eric the Red might have wooed. And by what grace she spoke the word that delivered her she never knew. As suddenly as he had seized her he released her, and she stood before him with flaming cheeks and painful breath.

"I love you," he said, "I love you. I have searched the world for you and found you, and by all the laws of God you are mine."

And love was written in her eyes. He had but to read it there, though her lips might deny it. This was the man of all men she would have chosen, and she was his by right of conquest. Yet she held up her hand with a gesture of entreaty.

"No, Hugh--it cannot be," she said.

"Cannot!" he cried. "I will take you. You love me."

"I am married."

"Married! Do you mean that you would let that man stand between you and happiness?"

"What do you mean?" she asked, in a frightened voice.

"Just what I say," he cried, with incredible vehemence. "Leave him --divorce him. You cannot live with him. He isn't worthy to touch your hand."

The idea planted itself with the force of a barbed arrow from a strong-bow. Struggle as she might, she could not henceforth extract it.

"Oh!" she cried.

He took her arm, gently, and forced her to sit down on the wall. Such was the completeness of his mastery that she did not resist. He sat down beside her.

"Listen, Honora," he said, and tried to speak calmly, though his voice was still vibrant; "let us look the situation in the face. As I told you once, the days of useless martyrdom are past. The world is more enlightened today, and recognizes an individual right to happiness."

"To happiness," she repeated after him, like a child. He forgot his words as he looked into her eyes: they were lighted as with all the candles of heaven in his honour.

"Listen," he said hoarsely, and his fingers tightened on her arm.

The current running through her from him made her his instrument. Did he say the sky was black, she would have exclaimed at the discovery.

"Yes--I am listening."

"Honora!"

"Hugh," she answered, and blinded him. He was possessed by the tragic fear that she was acting a dream; presently she would awake--and shatter the universe. His dominance was too complete.

"I love you--I respect you. You are making it very hard for me. Please try to understand what I am saying," he cried almost fiercely. "This thing, this miracle, has happened in spite of us. Henceforth you belong to me--do you hear?"

Once more the candles flared up.

"We cannot drift. We must decide now upon some definite action. Our lives are our own, to make as we choose. You said you were going away. And you meant--alone?"

The eyes were wide, now, with fright.

"Oh, I must--I must," she said. "Don't--don't talk about it." And she put forth a hand over his.

"I will talk about it," he declared, trembling. "I have thought it all out," and this time it was her fingers that tightened. "You are going away. And presently--when you are free--I will come to you."

For a moment the current stopped.

"No, no!" she cried, almost in terror. The first fatalist must have been a woman, and the vision of rent prison bars drove her mad. "No, we could never be happy."

"We can--we will be happy," he said, with a conviction that was unshaken. "Do you hear me? I will not debase what I have to say by resorting to comparisons. But--others I know have been happy are happy, though their happiness cannot be spoken of with ours. Listen. You will go away--for a little while--and afterwards we shall be together for all time. Nothing shall separate us: We never have known life, either of us, until now. I, missing you, have run after the false gods. And you--I say it with truth-needed me. We will go to live at Grenoble, as my father and mother lived. We will take up their duties there. And if it seems possible, I will go into public life. When I return, I shall find you--waiting for me--in the garden."

So real had the mirage become, that Honora did not answer. The desert and its journey fell away. Could such a thing, after all, be possible? Did fate deal twice to those whom she had made novices? The mirage, indeed, suddenly became reality--a mirage only because she had proclaimed it such. She had beheld in it, as he spoke, a Grenoble which was paradise regained. And why should paradise regained be a paradox? Why paradise regained? Paradise gained. She had never known it, until he had flung wide the gates. She had sought for it, and never found it until now, and her senses doubted it. It was a paradise of love, to be sure; but one, too, of duty. Duty made it real. Work was there, and fulfilment of the purpose of life itself. And if his days hitherto had been useless, hers had in truth been barren.

It was only of late, after a life-long groping, that she had discovered their barrenness. The right to happiness! Could she begin anew, and found it upon a rock? And was he the rock?

The question startled her, and she drew away from him first her hand, and then she turned her body, staring at him with widened eyes. He did not resist the movement; nor could he, being male, divine what was passing within her, though he watched her anxiously. She had no thought of the first days,--but afterwards. For at such times it is the woman who scans the veil of the future. How long would that beacon burn which flamed now in such prodigal waste? Would not the very springs of it dry up? She looked at him, and she saw the Viking. But the Viking had fled from the world, and they--they would be going into it. Could love prevail against its dangers and pitfalls and--duties? Love was the word that rang out, as one calling through the garden, and her thoughts ran molten. Let love overflow--she gloried in the waste! And let the lean years come,--she defied them to-day.

"Oh, Hugh!" she faltered.

"My dearest!" he cried, and would have seized her in his arms again but for a look of supplication. That he had in him this innate and unsuspected chivalry filled her with an exquisite sweetness.

"You will--protect me?" she asked.

"With my life and with my honour," he answered. "Honora, there will be no happiness like ours."

"I wish I knew," she sighed: and then, her look returning from the veil, rested on him with a tenderness that was inexpressible. "I--I don't care, Hugh. I trust you."

The sun was setting. Slowly they went back together through the paths of the tangled garden, which had doubtless seen many dramas, and the courses changed of many lives: overgrown and outworn now, yet love was loth to leave it. Honora paused on the lawn before the house, and looked back at him over her shoulder.

"How happy we could have been here, in those days," she sighed.

"We will be happier there," he said.

Honora loved. Many times in her life had she believed herself to have had this sensation, and yet had known nothing of these aches and ecstasies! Her mortal body, unattended, went out to dinner that evening. Never, it is said, was her success more pronounced. The charm of Randolph Leffingwell, which had fascinated the nobility of three kingdoms, had descended on her, and hostesses had discovered that she possessed the magic touch necessary to make a dinner complete. Her quality, as we know, was not wit: it was something as old as the world, as new as modern psychology. It was, in short, the power to stimulate. She infused a sense of well-being; and ordinary people, in her presence, surprised themselves by saying clever things.

Lord Ayllington, a lean, hard-riding gentleman, who was supposed to be on the verge of contracting an alliance with the eldest of the Grenfell girls, regretted that Mrs. Spence was neither unmarried nor an heiress.

"You know," he said to Cecil Grainger, who happened to be gracing his wife's dinner-party, "she's the sort of woman for whom a man might consent to live in Venice."

"And she's the sort of woman," replied, "a man couldn't get to go to Venice."

Lord Ayllington's sigh was a proof of an intimate knowledge of the world.

"I suppose not," he said. "It's always so. And there are few American women who would throw everything overboard for a grand passion."

"You ought to see her on the beach," Mr. Grainger suggested.

"I intend to," said Ayllington. "By the way, not a few of your American women get divorced, and keep their cake and eat it, too. It's a bit difficult, here at Newport, for a stranger, you know."

"I'm willing to bet," declared Mr. Grainger, "that it doesn't pay. When you're divorced and married again you've got to keep up appearances--the first time you don't. Some of these people are working pretty hard."

Whereupon, for the Englishman's enlightenment, he recounted a little gossip.

This, of course, was in the smoking room. In the drawing-room, Mrs. Grainger's cousin did not escape, and the biography was the subject of laughter.

"You see something of him, I hear," remarked Mrs. Playfair, a lady the deficiency of whose neck was supplied by jewels, and whose conversation sounded like liquid coming out of an inverted bottle. "Is he really serious about the biography?"

"You'll have to ask Mr. Grainger," replied Honora.

"Hugh ought to marry," Mrs. Grenfell observed.

"Why did he come back?" inquired another who had just returned from a prolonged residence abroad. "Was there a woman in the case?"

"Put it in the plural, and you'll be nearer right," laughed Mrs. Grenfell, and added to Honora, "You'd best take care, my dear, he's dangerous."

Honora seemed to be looking down on them from a great height, and to Reginald Farwell alone is due the discovery of this altitude; his reputation for astuteness, after that evening, was secure. He had sat next her, and had merely put two and two together--an operation that is probably at the root of most prophecies. More than once that summer Mr. Farwell had taken sketches down Honora's lane, for she was on what was known as his list of advisers: a sheepfold of ewes, some one had called it, and he was always piqued when one of them went astray. In addition to this, intuition told him that he had taken the name of a deity in vain--and that deity was Chiltern. These reflections resulted in another after-dinner conversation to which we are not supposed to listen.

He found Jerry Shorter in a receptive mood, and drew him into Cecil Grainger's study, where this latter gentleman, when awake, carried on his lifework of keeping a record of prize winners.

"I believe there is something between Mrs. Spence and Hugh Chiltern, after all, Jerry," he said.

"By jinks, you don't say so!" exclaimed Mr. Shorter, who had a profound respect for his friend's diagnoses in these matters. "She was dazzling to-night, and her eyes were like stars. I passed her in the hall just now, and I might as well have been in Halifax."

"She fairly withered me when I made a little fun of Chiltern," declared Farwell.

"I tell you what it is, Reggie," remarked Mr. Shorter, with more frankness than tact, "you could talk architecture with 'em from now to Christmas, and nothing'd happen, but it would take an iceberg to write a book with Hugh and see him alone six days out of seven. Chiltern knocks women into a cocked hat. I've seen 'em stark raving crazy. Why, there was that Mrs. Slicer six or seven years ago--you remember--that Cecil Grainger had such a deuce of a time with. And there was Mrs. Dutton--I was a committee to see her, when the old General was alive,--to say nothing about a good many women you and I know."

Mr. Farwell nodded.

"I'm confoundedly sorry if it's so," Mr. Shorter continued, with sincerity. "She has a brilliant future ahead of her. She's got good blood in her, she's stunning to look at, and she's made her own way in spite of that Billycock of a husband who talks like the original Rothschild. By the bye, Wing is using him for a good thing. He's sent him out West to pull that street railway chestnut out of the fire. I'm not particularly squeamish, Reggie, though I try to play the game straight myself--the way my father played it. But by the lord Harry, I can't see the difference between Dick Turpin and Wing and Trixy Brent. It's hold and deliver with those fellows. But if the police get anybody, their get Spence."

"The police never get anybody," said Farwell, pessimistically; for the change of topic bored him.

"No, I suppose they don't," answered Mr. Shorter, cheerfully finishing his chartreuse, and fixing his eye on one of the coloured lithographs of lean horses on Cecil Grainger's wall. "I'd talk to Hugh, if I wasn't as much afraid of him as of Jim Jeffries. I don't want to see him ruin her career."

"Why should an affair with him ruin it?" asked Farwell, unexpectedly. "There was Constance Witherspoon. I understand that went pretty far."

"My dear boy," said Mr. Shorter, "it's the women. Bessie Grainger here, for instance--she'd go right up in the air. And the women had--well, a childhood-interest in Constance. Self-preservation is the first law--of women."

"They say Hugh has changed--that he wants to settle down," said Farwell.

"If you'd ever gone to church, Reggie," said Mr. Shorter, "you'd know something about the limitations of the leopard."

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Chapter VII

"LIBERTY, AND THE PURSUIT OF HAPPINESS"

That night was Honora's soul played upon by the unknown musician of the sleepless hours. Now a mad, ecstatic chorus dinned in her ears and set her blood coursing; and again despair seized her with a dirge. Periods of semiconsciousness only came to her, and from one of these she was suddenly startled into wakefulness by her own words. "I have the right to make of my life what I can." But when she beheld the road of terrors that stretched between her and the shining places, it seemed as though she would never have the courage to fare forth along its way. To look back was to survey a prospect even more dreadful.

The incidents of her life ranged by in procession. Not in natural sequence, but a group here and a group there. And it was given her, for the first time, to see many things clearly. But now she loved. God alone knew what she felt for this man, and when she thought of him the very perils of her path were dwarfed. On returning home that night she had given her maid her cloak, and had stood for a long time immobile,--gazing at her image in the pierglass.

"Madame est belle comme l'Imperatrice d'Autriche!" said the maid at length.

"Am I really beautiful, Mathilde?"

Mathilde raised her eyes and hands to heaven in a gesture that admitted no doubt. Mathilde, moreover, could read a certain kind of history if the print were large enough.

Honora looked in the glass again. Yes, she was beautiful. He had found her so, he had told her so. And here was the testimony of her own eyes. The bloom on the nectarines that came every morning from Mr. Chamberlin's greenhouse could not compare with the colour of her cheeks; her hair was like the dusk; her eyes like the blue pools among the rocks, and touched now by the sun; her neck and arms of the whiteness of sea-foam. It was meet that she should be thus for him and for the love he brought her.

She turned suddenly to the maid.

"Do you love me, Mathilde?" she asked.

Mathilde was not surprised. She was, on the contrary, profoundly touched.

"How can madame ask?" she cried impulsively, and seized Honora's hand. How was it possible to be near madame, and not love her?

"And would you go--anywhere with me?"

The scene came back to her in the night watches. For the little maid had wept and vowed eternal fidelity.

It was not--until the first faint herald of the morning that Honora could bring herself to pronounce the fateful thing that stood between her and happiness, that threatened to mar the perfection of a heaven-born love --Divorce! And thus, having named it resolutely several times, the demon of salvation began gradually to assume a kindly aspect that at times became almost benign. In fact, this one was not a demon at all, but a liberator: the demon, she perceived, stalked behind him, and his name was Notoriety. It was he who would flay her for coquetting with the liberator.

What if she were flayed? Once married to Chiltern, once embarked upon that life of usefulness, once firmly established on ground of her own tilling, and she was immune. And this led her to a consideration of those she knew who had been flayed. They were not few, and a surfeit of publicity is a sufficient reason for not enumerating them here. And during this process of exorcism Notoriety became a bogey, too: he had been powerless to hurt them. It must be true what Chiltern had said that the world was changing. The tragic and the ridiculous here joining hands, she remembered that Reggie Farwell had told her that he had recently made a trip to western New York to inspect a house he had built for a "remarried" couple who were not wholly unknown. The dove-cote, he had called it. The man, in his former marriage, had been renowned all up and down tidewater as a rake and a brute, and now it was an exception when he did not have at least one baby on his knee. And he knew, according to Mr. Farwell, more about infant diet than the whole staff of a maternity hospital.

At length, as she stared into the darkness, dissolution came upon it. The sills of her windows outlined themselves, and a blurred foliage was sketched into the frame. With a problem but half solved the day had surprised her. She marvelled to see that it grew apace, and presently arose to look out upon a stillness like that of eternity: in the grey light the very leaves seemed to be holding their breath in expectancy of the thing that was to come. Presently the drooping roses raised their heads, from pearl to silver grew the light, and comparison ended. The reds were aflame, the greens resplendent, the lawn sewn with the diamonds of the dew.

A little travelling table was beside the window, and Honora took her pen and wrote.

"My dearest, above all created things I love you. Morning has come, and it seems to me that I have travelled far since last I saw you. I have come to a new place, which is neither hell nor heaven, and in the mystery of it you--you alone are real. It is to your strength that I cling, and I know that you will not fail me.

"Since I saw you, Hugh, I have been through the Valley of the Shadow. I have thought of many things. One truth alone is clear-- that I love you transcendently.. You have touched and awakened me into life. I walk in a world unknown.

"There is the glory of martyrdom in this message I send you now. You must not come to me again until I send for you. I cannot, I will not trust myself or you. I will keep this love which has come to me undefiled. It has brought with it to me a new spirit, a spirit with a scorn for things base and mean. Though it were my last chance in life, I would not see you if you came. If I thought you would not understand what I feel, I could not love you as I do.

"I will write to you again, when I see my way more clearly. I told you in the garden before you spoke that I was going away. Do not seek to know my plans. For the sake of the years to come, obey me.

"HONORA."

She reread the letter, and sealed it. A new and different exaltation had come to her--begotten, perhaps, in the act of writing. A new courage filled her, and now she contemplated the ordeal with a tranquillity that surprised her. The disorder and chaos of the night were passed, and she welcomed the coming day, and those that were to follow it. As though the fates were inclined to humour her impatience, there was a telegram on her breakfast tray, dated at New York, and informing her that her husband would be in Newport about the middle of the afternoon. His western trip was finished a day earlier than he expected. Honora rang her bell.

"Mathilde, I am going away."

"Oui, madame."

"And I should like you to go with me."

"Oui, madame."

"It is only fair that you should understand, Mathilde. I am going away alone. I am not--coming back."

The maid's eyes filled with sudden tears.

"Oh, madame," she cried, in a burst of loyalty, "if madame will permit me to stay with her!"

Honora was troubled, but her strange calmness did not forsake her. The morning was spent in packing, which was a simple matter. She took only such things as she needed, and left her dinner-gowns hanging in the closets. A few precious books of her own she chose, but the jewellery her husband had given her was put in boxes and laid upon the dressing-table. In one of these boxes was her wedding ring. When luncheon was over, an astonished and perturbed butler packed the Leffingwell silver and sent it off to storage.

There had been but one interruption in Honora's labours. A note had arrived--from him--a note and a box. He would obey her! She had known he would understand, and respect her the more. What would their love have been, without that respect? She shuddered to think. And he sent her this ring, as a token of that love, as undying as the fire in its stones. Would she wear it, that in her absence she might think of him? Honora kissed it and slipped it on her finger, where it sparkled. The letter was beneath her gown, though she knew it by heart. Chiltern had gone at last: he could not, he said, remain in Newport and not see her.

At midday she made but the pretence of a meal. It was not until afterwards, in wandering through the lower rooms of this house, become so dear to her, that agitation seized her, and a desire to weep. What was she leaving so precipitately? and whither going? The world indeed was wide, and these rooms had been her home. The day had grown blue-grey, and in the dining room the gentle face seemed to look down upon her compassionately from the portrait. The scent of the roses overpowered her. As she listened, no sound brake the quiet of the place.

Would Howard never come? The train was in--had been in ten minutes. Hark, the sound of wheels! Her heart beating wildly, she ran to the windows of the drawing-room and peered through the lilacs. Yes, there he was, ascending the steps.

"Mrs. Spence is out, I suppose," she heard him say to the butler, who followed with his bag.

"No, sir, she's is the drawing-room."

The sight of him, with his air of satisfaction and importance, proved an unexpected tonic to her strength. It was as though he had brought into the room, marshalled behind him, all the horrors of her marriage, and she marvelled and shuddered anew at the thought of the years of that sufferance.

"Well, I'm back," he said, "and we've made a great killing, as I wrote you. They were easier than I expected."

He came forward for the usual perfunctory kiss, but she recoiled, and it was then that his eye seemed to grasp the significance of her travelling suit and veil, and he glanced at her face.

"What's up? Where are you going?" he demanded. "Has anything happened?"

"Everything," she said, and it was then, suddenly, that she felt the store of her resolution begin to ebb, and she trembled. "Howard, I am going away."

He stopped short, and thrust his hands into the pockets of his checked trousers.

"Going away," he repeated. "Where?"

"I don't know," said Honora; "I'm going away."

As though to cap the climax of tragedy, he smiled as he produced his cigarette case. And she was swept, as it were, by a scarlet flame that deprived her for the moment of speech.

"Well," he said complacently, "there's no accounting for women. A case of nerves--eh, Honora? Been hitting the pace a little too hard, I guess." He lighted a match, blissfully unaware of the quality of her look. "All of us have to get toned up once in a while. I need it myself. I've had to drink a case of Scotch whiskey out West to get this deal through. Now what's the name of that new boat with everything on her from a cafe to a Stock Exchange? A German name."

"I don't know," said Honora. She had answered automatically.

To the imminent peril of one of the frailest of Mrs. Forsythe's chairs, he sat down on it, placed his hands on his knees, flung back his head, and blew the smoke towards the ceiling. Still she stared at him, as in a state of semi-hypnosis.

"Instead of going off to one of those thousand-dollar-a-minute doctors, let me prescribe for you," he said. "I've handled some nervous men in my time, and I guess nervous women aren't much different. You've had these little attacks before, and they blow over--don't they? Wing owes me a vacation. If I do say it myself, there are not five men in New York who would have pulled off this deal for him. Now the proposition I was going to make to you is this: that we get cosey in a cabin de luxe on that German boat, hire an automobile on the other side, and do up Europe. It's a sort of a handicap never to have been over there."

"Oh, you're making it very hard for me, Howard," she cried. "I might have known that you couldn't understand, that you never could understand--why I am going away. I've lived with you all this time, and you do not know me any better than you know--the scrub-woman. I'm going away from you--forever."

In spite of herself, she ended with an uncontrollable sob.

"Forever!" he repeated, but he continued to smoke and to look at her without any evidences of emotion, very much as though he had received an ultimatum in a business transaction. And then there crept into his expression something of a complacent pity that braced her to continue. "Why?" he asked.

"Because--because I don't love you. Because you don't love me. You don't know what love is--you never will."

"But we're married," he said. "We get along all right."

"Oh, can't you see that that makes it all the worse!" she cried. "I can stand it no longer. I can't live with you--I won't live with you. I'm of no use to you--you're sufficient unto yourself. It was all a frightful mistake. I brought nothing into your life, and I take nothing out of it. We are strangers--we have always been so. I am not even your housekeeper. Your whole interest in life is in your business, and you come home to read the newspapers and to sleep! Home! The very word is a mockery. If you had to choose between me and your business you wouldn't hesitate an instant. And I--I have been starved. It isn't your fault, perhaps, that you don't understand that a woman needs something more than dinner-gowns and jewels and--and trips abroad. Her only possible compensation for living with a man is love. Love--and you haven't the faintest conception of it. It isn't your fault, perhaps. It's my fault for marrying you. I didn't know any better."

She paused with her breast heaving. He rose and walked over to the fireplace and flicked his ashes into it before he spoke. His calmness maddened her.

"Why didn't you say something about this before?" he asked.

"Because I didn't know it--I didn't realize it--until now."

"When you married me," he went on, "you had an idea that you were going to live in a house on Fifth Avenue with a ballroom, didn't you?"

"Yes," said Honora. "I do not say I am not to blame. I was a fool. My standards were false. In spite of the fact that my aunt and uncle are the most unworldly people that ever lived--perhaps because of it--I knew nothing of the values of life. I have but one thing to say in my defence. I thought I loved you, and that you could give me--what every woman needs."

"You were never satisfied from the first," he retorted. "You wanted money and position--a mania with American women. I've made a success that few men of my age can duplicate. And even now you are not satisfied when I come back to tell you that I have money enough to snap my fingers at half these people you know."

"How," asked Honora, "how did you make it?"

"What do you mean?" he asked.

She turned away from him with a gesture of weariness.

"No, you wouldn't understand that, either, Howard."

It was not until then that he showed feeling.

"Somebody has been talking to you about this deal. I'm not surprised. A lot of these people are angry because we didn't let them in. What have they been saying?" he demanded.

Her eyes flashed.

"Nobody has spoken to me on the subject," she said. "I only know what I have read, and what you have told me. In the first place, you deceived the stockholders of these railways into believing their property was worthless, and in the second place, you intend to sell it to the public for much more than it is worth."

At first he stared at her in surprise. Then he laughed.

"By George, you'd make something of a financier yourself, Honora," he exclaimed. And seeing that she did not answer, continued: "Well, you've got it about right, only it's easier said than done. It takes brains. That's what business is--a survival of the fittest. If you don't do the other man, he'll do you." He opened the cigarette case once more. "And now," he said, "let me give you a little piece of advice. It's a good motto for a woman not to meddle with what doesn't concern her. It isn't her business to make the money, but to spend it; and she can usually do that to the queen's taste."

"A high ideal?" she exclaimed.

"You ought to have some notion of where that ideal came from," he retorted. "You were all for getting rich, in order to compete with these people. Now you've got what you want--"

"And I am going to throw it away. That is like a woman, isn't it?"

He glanced at her, and then at his watch.

"See here, Honora, I ought to go over to Mr. Wing's. I wired him I'd be there at four-thirty."

"Don't let me keep you," she replied.

"By gad, you are pale!" he said. "What's got into the women these days? They never used to have these confounded nerves. Well, if you are bent on it, I suppose there's no use trying to stop you. Go off somewhere and take a rest, and when you come back you'll see things differently."

She held out her hand.

"Good-by, Howard," she said. "I wanted you to know that I didn't--bear you any ill-will--that I blame myself as much as you. More, if anything. I hope you will be happy--I know you will. But I must ask you to believe me when I say that I shan't come back. I--I am leaving all the valuable things you gave me. You will find them on my dressing-table. And I wanted to tell you that my uncle sent me a little legacy from my father-an unexpected one--that makes me independent."

He did not take her hand, but was staring at her now, incredulously.

"You mean you are actually going?" he exclaimed.

"Yes."

"But--what shall I say to Mr. Wing? What will he think?"

Despite the ache in her heart, she smiled.

"Does it make any difference what Mr. Wing thinks?" she asked gently. "Need he know? Isn't this a matter which concerns us alone? I shall go off, and after a certain time people will understand that I am not coming back."

"But--have you considered that it may interfere with my prospects?" he asked.

"Why should it? You are invaluable to Mr. Wing. He can't afford to dispense with your services just because you will be divorced. That would be ridiculous. Some of his own associates are divorced."

"Divorced!" he cried, and she saw that he had grown pasty white. "On what grounds? Have you been--"

He did not finish.

"No," she said, "you need fear no scandal. There will be nothing in any way harmful to your--prospects."

"What can I do?" he said, though more to himself than to her. Her quick ear detected in his voice a note of relief. And yet, he struck in her, standing helplessly smoking in the middle of the floor, chords of pity.

"You can do nothing, Howard," she said. "If you lived with me from now to the millennium you couldn't make me love you, nor could you love me--the way I must be loved. Try to realize it. The wrench is what you dread. After it is over you will be much more contented, much happier, than you have been with me. Believe me."

His next remark astonished her.

"What's the use of being so damned precipitate?" he demanded.

"Precipitate!"

"Because I can stand it no longer. I should go mad," she answered.

He took a turn up and down the room, stopped suddenly, and stared at her with eyes that had grown smaller. Suspicion is slow to seize the complacent. Was it possible that he had been supplanted?

Honora, with an instinct of what was coming, held up her head. Had he been angry, had he been a man, how much humiliation he would have spared her!

"So you're in love!" he said. "I might have known that something was at the bottom of this."

She took account of and quivered at the many meanings behind his speech --meanings which he was too cowardly to voice in words.

"Yes," she answered, "I am in love--in love as I never hoped to be--as I did not think it possible to be. My love is such that I would go through hell fire for the sake of it. I do not expect you to believe me when I tell you that such is not the reason why I am leaving you. If you had loved me with the least spark of passion, if I thought I were in the least bit needful to you as a woman and as a soul, as a helper and a confidante, instead of a mere puppet to advertise your prosperity, this would not--could not--have happened. I love a man who would give up the world for me to-morrow. I have but one life to live, and I am going to find happiness if I can."

She paused, afire with an eloquence that had come unsought. But her husband only stared at her. She was transformed beyond his recognition. Surely he had not married this woman! And, if the truth be told, down in his secret soul whispered a small, congratulatory voice. Although he did not yet fully realize it, he was glad he had not.

Honora, with an involuntary movement, pressed her handkerchief to her eyes.

"Good-by, Howard," she said. "I--I did not expect you to understand. If I had stayed, I should have made you miserably unhappy."

He took her hand in a dazed manner, as though he knew not in the least what he was doing. He muttered something and found speech impossible. He gulped once, uncomfortably. The English language had ceased to be a medium. Great is the force of habit! In the emergency he reached for his cigarette case.

Honora had given orders that the carriage was to wait at the door. The servants might suspect, but that was all. Her maid had been discreet. She drew down her veil as she descended the steps, and told the coachman to drive to the station.

It was raining. Leaning forward from under the hood as the horses started, she took her last look at the lilacs.

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VIII. IN WHICH THE LAW BETRAYS A HEART

It was still raining when she got into a carriage at Boston and drove under the elevated tracks, through the narrow, slippery business streets, to the hotel. From the windows of her room, as the night fell, she looked out across the dripping foliage of the Common. Below her, and robbed from that sacred ground, were the little granite buildings that housed the entrances to the subway, and for a long time she stood watching the people crowding into these. Most of them had homes to go to! In the gathering gloom the arc-lights shone, casting yellow streaks on the glistening pavement; wagons and carriages plunged into the maelstrom at the corner; pedestrians dodged and slipped; lightnings flashed from overhead wires, and clanging trolley cars pushed their greater bulk through the mass. And presently the higher toned and more ominous bell of an ambulance sounded on its way to the scene of an accident.

It was Mathilde who ordered her dinner and pressed her to eat. But she had no heart for food. In her bright sitting-room, with the shades tightly drawn, an inexpressible loneliness assailed her. A large engraving of a picture of a sentimental school hung on the wall: she could not bear to look at it, and yet her eyes, from time to time, were fatally drawn thither. It was of a young girl taking leave of her lover, in early Christian times, before entering the arena. It haunted Honora, and wrought upon her imagination to such a pitch that she went into her bedroom to write.

For a long time nothing more was written of the letter than "Dear Uncle Tom and Aunt Mary": what to say to them?

"I do not know what you will think of me. I do not know, to-night, what to think of myself. I have left Howard. It is not because he was cruel to me, or untrue. He does not love me, nor I him. I cannot expect you, who have known the happiness of marriage, to realize the tortures of it without love. My pain in telling you this now is all the greater because I realize your belief as to the sacredness of the tie--and it is not your fault that you did not instil that belief into me. I have had to live and to think and to suffer for myself. I do not attempt to account for my action, and I hesitate to lay the blame upon the modern conditions and atmosphere in which I lived; for I feel that, above all things, I must be honest with myself.

"My marriage with Howard was a frightful mistake, and I have grown slowly to realize it, until life with him became insupportable. Since he does not love me, since his one interest is his business, my departure makes no great difference to him.

"Dear Aunt Mary and Uncle Tom, I realize that I owe you much --everything that I am. I do not expect you to understand or to condone what I have done. I only beg that you will continue to --love your niece,

"HONORA."

She tried to review this letter. Incoherent though it were and incomplete, in her present state of mind she was able to add but a few words as a postscript. "I will write you my plans in a day or two, when I see my way more clearly. I would fly to you--but I cannot. I am going to get a divorce."

She sat for a time picturing the scene in the sitting-room when they should read it, and a longing which was almost irresistible seized her to go back to that shelter. One force alone held her in misery where she was,--her love for Chiltern; it drew her on to suffer the horrors of exile and publicity. When she suffered most, his image rose before her, and she kissed the ring on her hand. Where was he now, on this rainy night? On the seas?

At the thought she heard again the fog-horns and the sirens.

Her sleep was fitful. Many times she went over again her talk with Howard, and she surprised herself by wondering what he had thought and felt since her departure. And ever and anon she was startled out of chimerical dreams by the clamour of bells-the trolley cars on their ceaseless round passing below. At last came the slumber of exhaustion.

It was nine o'clock when she awoke and faced the distasteful task she had set herself for the day. In her predicament she descended to the office, where the face of one of the clerks attracted her, and she waited until he was unoccupied.

"I should like you to tell me--the name of some reputable lawyer," she said.

"Certainly, Mrs. Spence," he replied, and Honora was startled at the sound of her name. She might have realized that he would know her. "I suppose a young lawyer would do--if the matter is not very important."

"Oh, no!" she cried, blushing to her temples. "A young lawyer would do very well."

The clerk reflected. He glanced at Honora again; and later in the day she divined what had been going on in his mind.

"Well," he said, "there are a great many. I happen to think of Mr. Wentworth, because he was in the hotel this morning. He is in the Tremont Building."

She thanked him hurriedly, and was driven to the Tremont Building, through the soggy street that faced the still dripping trees of the Common. Mounting in the elevator, she read on the glass door amongst the names of the four members of the firm that of Alden Wentworth, and suddenly found herself face to face with the young man, in his private office. He was well groomed and deeply tanned, and he rose to meet her with a smile that revealed a line of perfect white teeth.

"How do you do, Mrs. Spence?" he said. "I did not think, when I met you at Mrs. Grenfell's, that I should see you so soon in Boston. Won't you sit down?"

Honora sat down. There seemed nothing else to do. She remembered him perfectly now, and she realized that the nimble-witted clerk had meant to send her to a gentleman.

"I thought," she faltered, "I thought I was coming to a--a stranger. They gave me your address at the hotel--when I asked for a lawyer."

"Perhaps," suggested Mr. Wentworth, delicately, "perhaps you would prefer to go to some one else. I can give you any number of addresses, if you like."

She looked up at him gratefully. He seemed very human and understanding, --very honourable. He belonged to her generation, after all, and she feared an older man.

"If you will be kind enough to listen to me, I think I will stay here. It is only a matter of--of knowledge of the law." She looked at him again, and the pathos of her smile went straight to his heart. For Mr. Wentworth possessed that organ, although he did not wear it on his sleeve.

He crossed the room, closed the door, and sat down beside her.

"Anything I can do," he said.

She glanced at him once more, helplessly.

"I do not know how to tell you," she began. "It all seems so dreadful." She paused, but he had the lawyer's gift of silence--of sympathetic silence. "I want to get a divorce from my husband."

If Mr. Wentworth was surprised, he concealed it admirably. His attitude of sympathy did not change, but he managed to ask her, in a business-like tone which she welcomed:--"On what grounds?"

"I was going to ask you that question," said Honora.

This time Mr. Wentworth was surprised--genuinely so, and he showed it.

"But, my dear Mrs. Spence," he protested, "you must remember that--that I know nothing of the case."

"What are the grounds one can get divorced on?" she asked.

He coloured a little under his tan.

"They are different in different states," he replied. "I think--perhaps --the best way would be to read you the Massachusetts statutes."

"No--wait a moment," she said. "It's very simple, after all, what I have to tell you. I don't love my husband, and he doesn't love me, and it has become torture to live together. I have left him with his knowledge and consent, and he understands that I will get a divorce."

Mr. Wentworth appeared to be pondering--perhaps not wholly on the legal aspects of the case thus naively presented. Whatever may have been his private comments, they were hidden. He pronounced tentatively, and a little absently, the word "desertion."

"If the case could possibly be construed as desertion on your husband's part, you could probably get a divorce in three years in Massachusetts."

"Three years!" cried Honora, appalled. "I could never wait three years!"

She did not remark the young lawyer's smile, which revealed a greater knowledge of the world than one would have suspected. He said nothing, however.

"Three years!" she repeated. "Why, it can't be, Mr. Wentworth. There are the Waterfords--she was Mrs. Boutwell, you remember. And--and Mrs. Rindge--it was scarcely a year before--"

He had the grace to nod gravely, and to pretend not to notice the confusion in which she halted. Lawyers, even young ones with white teeth and clear eyes, are apt to be a little cynical. He had doubtless seen from the beginning that there was a man in the background. It was not his business to comment or to preach.

"Some of the western states grant divorces on--on much easier terms," he said politely. "If you care to wait, I will go into our library and look up the laws of those states."

"I wish you would," answered Honora. "I don't think I could bear to spend three years in such--in such an anomalous condition. And at any rate I should much rather go West, out of sight, and have it all as quickly over with as possible."

He bowed, and departed on his quest. And Honora waited, at moments growing hot at the recollection of her conversation with him. Why--she asked herself should the law make it so difficult, and subject her to such humiliation in a course which she felt to be right and natural and noble? Finally, her thoughts becoming too painful, she got up and looked out of the window. And far below her, through the mist, she beheld the burying-ground of Boston's illustrious dead which her cabman had pointed out to her as he passed. She did not hear the door open as Mr. Wentworth returned, and she started at the sound of his voice.

"I take it for granted that you are really serious in this matter, Mrs. Spence," he said.

"Oh!" she exclaimed.

"And that you have thoroughly reflected," he continued imperturbably. Evidently, in spite of the cold impartiality of the law, a New England conscience had assailed him in the library. "I cannot take er--the responsibility of advising you as to a course of action. You have asked me the laws of certain western states as to divorce I will read them."

An office boy followed him, deposited several volumes on the taule, and Mr. Wentworth read from them in a voice magnificently judicial.

"There's not much choice, is there?" she faltered, when he had finished.

He smiled.

"As places of residence--" he began, in an attempt to relieve the pathos.

"Oh, I didn't mean that," she cried. "Exile is--is exile." She flushed. After a few moments of hesitation she named at random a state the laws of which required a six months' residence. She contemplated him. "I hardly dare to ask you to give me the name of some reputable lawyer out there."

He had looked for an instant into her eyes. Men of the law are not invulnerable, particularly at Mr. Wentworth's age, and New England consciences to the contrary notwithstanding. In spite of himself, her eyes had made him a partisan: an accomplice, he told himself afterwards.

"Really, Mrs. Spence," he began, and caught another appealing look. He remembered the husband now, and a lecture on finance in the Grenfell smoking room which Howard Spence had delivered, and which had grated on Boston sensibility. "It is only right to tell you that our firm does not--does not--take divorce cases--as a rule. Not that we are taking this one," he added hurriedly. "But as a friend--"

"Oh, thank you!" said Honora.

"Merely as a friend who would be glad to do you a service," he continued, "I will, during the day, try to get you the name of--of as reputable a lawyer as possible in that place."

And Mr. Wentworth paused, as red as though he had asked her to marry him.

"How good of you!" she cried. "I shall be at the Touraine until this evening."

He escorted her through the corridor, bowed her into the elevator, and her spirits had risen perceptibly as she got into her cab and returned to the hotel. There, she studied railroad folders. One confidant was enough, and she dared not even ask the head porter the way to a locality where--it was well known--divorces were sold across a counter. And as she worked over the intricacies of this problem the word her husband had applied to her action recurred to her--precipitate. No doubt Mr. Wentworth, too, had thought her precipitate. Nearly every important act of her life had been precipitate. But she was conscious in this instance of no regret. Delay, she felt, would have killed her. Let her exile begin at once.

She had scarcely finished luncheon when Mr. Wentworth was announced. For reasons best known to himself he had come in person; and he handed her, written on a card, the name of the Honourable David Beckwith.

"I'll have to confess I don't know much about him, Mrs. Spence," he said, "except that he has been in Congress, and is one of the prominent lawyers of that state."

The gift of enlisting sympathy and assistance was peculiarly Honora's. And if some one had predicted that morning to Mr. Wentworth that before nightfall he would not only have put a lady in distress on the highroad to obtaining a western divorce (which he had hitherto looked upon as disgraceful), but that likewise he would miss his train for Pride's Crossing, buy the lady's tickets, and see her off at the South Station for Chicago, he would have regarded the prophet as a lunatic. But that is precisely what Mr. Wentworth did. And when, as her train pulled out, Honora bade him goodby, she felt the tug at her heartstrings which comes at parting with an old friend.

"And anything I can do for you here in the East, while--while you are out there, be sure to let me know," he said.

She promised and waved at him from the platform as he stood motionless, staring after her. Romance had spent a whole day in Boston! And with Mr. Alden Wentworth, of all people!

Fortunately for the sanity of the human race, the tension of grief is variable. Honora, closed in her stateroom, eased herself that night by writing a long, if somewhat undecipherable, letter to Chiltern; and was able, the next day, to read the greater portion of a novel. It was only when she arrived in Chicago, after nightfall, that loneliness again assailed her. She was within nine hours--so the timetable said--of St. Louis! Of all her trials, the homesickness which she experienced as she drove through the deserted streets of the metropolis of the Middle West was perhaps the worst. A great city on Sunday night! What traveller has not felt the depressing effect of it? And, so far as the incoming traveller is concerned, Chicago does not put her best foot forward. The way from the station to the Auditorium Hotel was hacked and bruised--so it seemed--by the cruel battle of trade. And she stared, in a kind of fascination that increased the ache in her heart; at the ugliness and cruelty of the twentieth century.

To have imagination is unquestionably to possess a great capacity for suffering, and Honora was paying the penalty for hers. It ran riot now. The huge buildings towered like formless monsters against the blackness of the sky under the sickly blue of the electric lights, across the dirty, foot-scarred pavements, strange black human figures seemed to wander aimlessly: an elevated train thundered overhead. And presently she found herself the tenant of two rooms in that vast refuge of the homeless, the modern hotel, where she sat until the small hours looking down upon the myriad lights of the shore front, and out beyond them on the black waters of an inland sea.

.......................

From Newport to Salomon City, in a state not far from the Pacific tier, is something of a transition in less than a week, though in modern life we should be surprised at nothing. Limited trains are wonderful enough; but what shall be said of the modern mind, that travels faster than light? and much too fast for the pages of a chronicle. Martha Washington and the good ladies of her acquaintance knew nothing about the upper waters of the Missouri, and the words "for better, for worse, for richer, for poorer" were not merely literature to them.

'Nous avons change tout cela', although there are yet certain crudities to be eliminated. In these enlightened times, if in one week a lady is not entirely at home with husband number one, in the next week she may have travelled in comparative comfort some two-thirds across a continent, and be on the highroad to husband number two. Why travel? Why have to put up with all this useless expense and worry and waste of time? Why not have one's divorce sent, C.O.D., to one's door, or establish a new branch of the Post-office Department? American enterprise has surely lagged in this.

Seated in a plush-covered rocking-chair that rocked on a track of its own, and thus saved the yellow-and-red hotel carpet, the Honourable Dave Beckwith patiently explained the vexatious process demanded by his particular sovereign state before she should consent to cut the Gordian knot of marriage. And his state--the Honourable Dave remarked--was in the very forefront of enlightenment in this respect: practically all that she demanded was that ladies in Mrs. Spence's predicament should become, pro tempore, her citizens. Married misery did not exist in the Honourable Dave's state, amongst her own bona fide citizens. And, by a wise provision in the Constitution of our glorious American Union, no one state could tie the nuptial knot so tight that another state could not cut it at a blow.

Six months' residence, and a whole year before the divorce could be granted! Honora looked at the plush rocking-chair, the yellow-and-red carpet, the inevitable ice-water on the marble-topped table, and the picture of a lady the shape of a liqueur bottle playing tennis in the late eighties, and sighed. For one who is sensitive to surroundings, that room was a torture chamber.

"But Mr. Beckwith," she exclaimed, "I never could spend a year here! Isn't there a--house I could get that is a--a little--a little better furnished? And then there is a certain publicity about staying at a hotel."

The Honourable Dave might have been justly called the friend of ladies in a temporary condition of loneliness. His mission in life was not merely that of a liberator, but his natural goodness led him to perform a hundred acts of kindness to make as comfortable as possible the purgatory of the unfortunates under his charge. He was a man of a remarkable appearance, and not to be lightly forgotten. His hair, above all, fascinated Honora, and she found her eyes continually returning to it. So incredibly short it was, and so incredibly stiff, that it reminded her of the needle points on the cylinder of an old-fashioned music-box; and she wondered, if it were properly inserted, what would be the resultant melody.

The Honourable Dave's head was like a cannon-ball painted white. Across the top of it (a blemish that would undoubtedly have spoiled the tune) was a long scar,--a relic of one of the gentleman's many personal difficulties. He who made the sear, Honora reflected, must have been a strong man. The Honourable Dave, indeed, had fought his way upward through life to the Congress of the United States; and many were the harrowing tales of frontier life he told Honora in the long winter evenings when the blizzards came down the river valley. They would fill a book; unfortunately, not this book. The growing responsibilities of taking care of the lonely ladies that came in increasing numbers to Salomon City from the effeter portions of the continent had at length compelled him to give up his congressional career. The Honourable Dave was unmarried; and, he told Honora, not likely to become so. He was thus at once human and invulnerable, a high priest dedicated to freedom.

It is needless to say that the plush rocking-chair and the picture of the liqueur-bottle lady did not jar on his sensibilities. Like an eminent physician who has never himself experienced neurosis, the Honourable Dave firmly believed that he understood the trouble from which his client was suffering. He had seen many cases of it in ladies from the Atlantic coast: the first had surprised him, no doubt. Salomon City, though it contained the great Boon, was not esthetic. Being a keen student of human nature, he rightly supposed that she would not care to join the colony, but he thought it his duty to mention that there was a colony.

Honora repeated the word.

"Out there," he said, waving his cigar to the westward, "some of the ladies have ranches." Some of the gentlemen, too, he added, for it appeared that exiles were not confined to one sex. "It's social--a little too social, I guess," declared Mr. Beckwith, "for you." A delicate compliment of differentiation that Honora accepted gravely. "They've got a casino, and they burn a good deal of electricity first and last. They don't bother Salomon City much. Once in a while, in the winter, they come in a bunch to the theatre. Soon as I looked at you I knew you wouldn't want to go there."

Her exclamation was sufficiently eloquent.

"I've got just the thing for you," he said. "It looks a little as if I was reaching out into the sanitarium business. Are you acquainted by any chance with Mrs. Boutwell, who married a fellow named Waterford?" he asked, taking momentarily out of his mouth the cigar he was smoking by permission.

Honora confessed, with no great enthusiasm, that she knew the present Mrs. Waterford. Not the least of her tribulations had been to listen to a partial recapitulation, by the Honourable Dave, of the ladies he had assisted to a transfer of husbands. What, indeed, had these ladies to do with her? She felt that the very mention of them tended to soil the pure garments of her martyrdom.

"What I was going to say was this," the Honourable Dave continued. "Mrs. Boutwell--that is to say Mrs. Waterford--couldn't stand this hotel any more than you, and she felt like you do about the colony, so she rented a little house up on Wylie Street and furnished it from the East. I took the furniture off her hands: it's still in the house, by the way, which hasn't been rented. For I figured it out that another lady would be coming along with the same notions. Now you can look at the house any time you like."

Although she had to overcome the distaste of its antecedents, the house, or rather the furniture, was too much of a find in Salomon City to be resisted. It had but six rooms, and was of wood, and painted grey, like its twin beside it. But Mrs. Waterford had removed the stained-glass window-lights in the front door, deftly hidden the highly ornamental steam radiators, and made other eliminations and improvements, including the white bookshelves that still contained the lady's winter reading fifty or more yellow-and-green-backed French novels and plays. Honora's first care, after taking possession, was to order her maid to remove these from her sight: but it is to be feared that they found their way, directly, to Mathilde's room. Honora would have liked to fumigate the house; and yet, at the same time, she thanked her stars for it. Mr. Beekwith obligingly found her a cook, and on Thursday evening she sat down to supper in her tiny dining room. She had found a temporary haven, at last.

Suddenly she remembered that it was an anniversary. One week ago that day, in the old garden at Beaulieu, had occurred the momentous event that had changed the current of her life!

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IX. WYLIE STREET

There was a little spindle-supported porch before Honora's front door, and had she chosen she might have followed the example of her neighbours and sat there in the evenings. She preferred to watch the life about her from the window-seat in the little parlour. The word exile suggests, perhaps, to those who have never tried it, empty wastes, isolation, loneliness. She had been prepared for these things, and Wylie Street was a shock to her: in sending her there at this crisis in her life fate had perpetrated nothing less than a huge practical joke. Next door, for instance, in the twin house to hers, flaunted in the face of liberal divorce laws, was a young couple with five children. Honora counted them, from the eldest ones that ran over her little grass plot on their way to and from the public school, to the youngest that spent much of his time gazing skyward from a perambulator on the sidewalk. Six days of the week, about six o'clock in the evening, there was a celebration in the family. Father came home from work! He was a smooth-faced young man whom a fortnight in the woods might have helped wonderfully--a clerk in the big department store.

He radiated happiness. When opposite Honora's front door he would open his arms--the signal for a race across her lawn. Sometimes it was the little girl, with pigtails the colour of pulled molasses candy, who won the prize of the first kiss: again it was her brother, a year her junior; and when he was raised it was seen that the seat of his trousers was obviously double. But each of the five received a reward, and the baby was invariably lifted out of the perambulator. And finally there was a conjugal kiss on the spindled porch.

The wife was a roly-poly little body. In the mornings, at the side windows, Honora heard her singing as she worked, and sometimes the sun struck with a blinding flash the pan she was in the act of shining. And one day she looked up and nodded and smiled. Strange indeed was the effect upon our heroine of that greeting! It amazed Honora herself. A strange current ran through her and left her hot, and even as she smiled and nodded back, unbidden tears rose scalding to her eyes. What was it? Why was it?

She went downstairs to the little bookcase, filled now with volumes that were not trash. For Hugh's sake, she would try to improve herself this winter by reading serious things. But between her eyes and the book was the little woman's smile. A month before, at Newport, how little she would have valued it.

One morning, as Honora was starting out for her lonely walk--that usually led her to the bare clay banks of the great river--she ran across her neighbour on the sidewalk. The little woman was settling the baby for his airing, and she gave Honora the same dazzling smile.

"Good morning, Mrs. Spence," she said.

"Good morning," replied Honora, and in her strange confusion she leaned over the carriage. "Oh, what a beautiful baby!"

"Isn't he!" cried the little woman. "Of all of 'em, I think he's the prize. His father says so. I guess," she added, "I guess it was because I didn't know so much about 'em when they first began to come. You take my word for it, the best way is to leave 'em alone. Don't dandle 'em. It's hard to keep your hands off 'em, but it's right."

"I'm sure of it," said Honora, who was very red.

They made a strange contrast as they stood on that new street, with its new vitrified brick paving and white stone curbs, and new little trees set out in front of new little houses: Mrs. Mayo (for such, Honora's cook had informed her, was her name) in a housekeeper's apron and a shirtwaist, and Honora, almost a head taller, in a walking costume of dark grey that would have done justice to Fifth Avenue. The admiration in the little woman's eyes was undisguised.

"You're getting a bill, I hear," she said, after a moment.

"A bill?" repeated Honora.

"A bill of divorce," explained Mrs. Mayo.

Honora was conscious of conflicting emotions: astonishment, resentment, and--most curiously--of relief that the little woman knew it.

"Yes," she answered.

But Mrs. Mayo did not appear to notice or resent her brevity.

"I took a fancy to you the minute I saw you," she said. "I can't say as much for the other Easterner that was here last year. But I made up my mind that it must be a mighty mean man who would treat you badly."

Honora stood as though rooted to the pavement. She found a reply impossible.

"When I think of my luck," her neighbour continued, "I'm almost ashamed. We were married on fifteen dollars a week. Of course there have been trials, we must always expect that; and we've had to work hard, but--it hasn't hurt us." She paused and looked up at Honora, and added contritely: "There! I shouldn't have said anything. It's mean of me to talk of my happiness. I'll drop in some afternoon--if you'll let me --when I get through my work," said the little woman.

"I wish you would," replied Honora.

She had much to think of on her walk that morning, and new resolutions to make. Here was happiness growing and thriving, so far as she could see, without any of that rarer nourishment she had once thought so necessary. And she had come two thousand miles to behold it.

She walked many miles, as a part of the regimen and discipline to which she had set herself. Her haunting horror in this place, as she thought of the colony of which Mr. Beckwith had spoken and of Mrs. Boutwell's row of French novels, was degeneration. She was resolved to return to Chiltern a better and a wiser and a truer woman, unstained by the ordeal. At the outskirts of the town she halted by the river's bank, breathing deeply of the pure air of the vast plains that surrounded her.

She was seated that afternoon at her desk in the sitting-room upstairs when she heard the tinkle of the door-bell, and remembered her neighbour's promise to call. With something of a pang she pushed back her chair. Since the episode of the morning, the friendship of the little woman had grown to have a definite value; for it was no small thing, in Honora's situation, to feel the presence of a warm heart next door. All day she had been thinking of Mrs. Mayo and her strange happiness, and longing to talk with her again, and dreading it. And while she was bracing herself for the trial Mathilde entered with a card.

"Tell Mrs. Mayo I shall be down in a minute," she said.

It was not a lady, Mathilde replied, but a monsieur.

Honora took the card. For a long time she sat staring at it, while Mathilde waited. It read:

Mr. Peter Erwin.

"Madame will see monsieur?"

A great sculptor once said to the statesman who was to be his model: "Wear your old coat. There is as much of a man in the back of his old coat, I think, as there is in his face." As Honora halted on the threshold, Peter was standing looking out of the five-foot plate-glass window, and his back was to her.

She was suddenly stricken. Not since she had been a child, not even in the weeks just passed, had she felt that pain. And as a child, self-pity seized her--as a lost child, when darkness is setting in, and the will fails and distance appalls. Scalding tears welled into her eyes as she seized the frame of the door, but it must have been her breathing that he heard. He turned and crossed the room to her as she had known he would, and she clung to him as she had so often done in days gone by when, hurt and bruised, he had rescued and soothed her. For the moment, the delusion that his power was still limitless prevailed, and her faith whole again, so many times had he mended a world all awry.

He led her to the window-seat and gently disengaged her hands from his shoulders and took one of them and held it between his own. He did not speak, for his was a rare intuition; and gradually her hand ceased to tremble, and the uncontrollable sobs that shook her became less frequent.

"Why did you come? Why did you come?" she cried.

"To see you, Honora."

"But you might have--warned me."

"Yes," he said, "it's true, I might."

She drew her hand away, and gazed steadfastly at his face.

"Why aren't you angry?" she said. "You don't believe in what I have done--you don't sympathize with it--you don't understand it."

"I have come here to try," he said.

She shook her head.

"You can't--you can't--you never could."

"Perhaps," he answered, "it may not be so difficult as you think."

Grown calmer, she considered this. What did he mean by it? to imply a knowledge of herself?

"It will be useless," she said inconsequently.

"No," he said, "it will not be useless."

She considered this also, and took the broader meaning that such acts are not wasted.

"What do you intend to try to do?" she asked.

He smiled a little.

"To listen to as much as you care to tell me, Honora."

She looked at him again, and an errant thought slipped in between her larger anxieties. Wherever he went, how extraordinarily he seemed to harmonize with his surroundings. At Silverdale, and in the drawing-room of the New York house, and in the little parlour in this far western town. What was it? His permanence? Was it his power? She felt that, but it was a strange kind of power--not like other men's. She felt, as she sat there beside him, that his was a power more difficult to combat. That to defeat it was at once to make it stronger, and to grow weaker. She summoned her pride, she summoned her wrongs: she summoned the ego which had winged its triumphant flight far above his kindly, disapproving eye. He had the ability to make her taste defeat in the very hour of victory. And she knew that, when she fell, he would be there in his strength to lift her up.

"Did--did they tell you to come?" she asked.

"There was no question of that, Honora. I was away when--when they learned you were here. As soon as I returned, I came."

"Tell me how they feel," she said, in a low voice.

"They think only of you. And the thought that you are unhappy overshadows all others. They believe that it is to them you should have come, if you were in trouble instead of coming here."

"How could I?" she cried. "How can you ask? That is what makes it so hard, that I cannot be with them now. But I should only have made them still more unhappy, if I had gone. They would not have understood--they cannot understand who have every reason to believe in marriage, why those to whom it has been a mockery and a torture should be driven to divorce."

"Why divorce?" he said.

"Do you mean--do you mean that you wish me to give you the reasons why I felt justified in leaving my husband?"

"Not unless you care to," he replied. "I have no right to demand them. I only ask you to remember, Honora, that you have not explained these reasons very clearly in your letters to your aunt and uncle. They do not understand them. Your uncle was unable, on many accounts, to come here; and he thought that--that as an old friend, you might be willing to talk to me."

"I can't live with--with my husband," she cried. "I don't love him, and he doesn't love me. He doesn't know what love is."

Peter Erwin glanced at her, but she was too absorbed then to see the thing in his eyes. He made no comment.

"We haven't the same tastes, nor--nor the same way of looking at things --the same views about making money--for instance. We became absolute strangers. What more is there to say?" she added, a little defiantly.

"Your husband committed no--flagrant offence against you?" he inquired.

"That would have made him human, at least," she cried. "It would have proved that he could feel--something. No, all he cares for in the world is to make money, and he doesn't care how he makes it. No woman with an atom of soul can live with a man like that."

If Peter Erwin deemed this statement a trifle revolutionary, he did not say so.

"So you just--left him," he said.

"Yes," said Honora. "He didn't care. He was rather relieved than otherwise. If I had lived with him till I died, I couldn't have made him happy."

"You tried, and failed," said Peter.

She flushed.

"I couldn't have made him happier," she declared, correcting herself. "He has no conception of what real happiness is. He thinks he is happy,-he doesn't need me. He'll be much more--contented without me. I have nothing against him. I was to blame for marrying him, I know. But I have only one life to live, and I can't throw it away, Peter, I can't. And I can't believe that a woman and a man were intended to live together without love. It is too horrible. Surely that isn't your idea of marriage!"

"My idea of marriage isn't worth very much, I'm afraid," he said. "If I talked about it, I should have to confine myself to theories and--and dreams."

"The moment I saw your card, Peter, I knew why you had come here," she said, trying to steady her voice. "It was to induce me to go back to my husband. You don't know how it hurts me to give you pain. I love you--I love you as I love Uncle Tom and Aunt Mary. You are a part of me. But oh, you can't understand! I knew you could not. You have never made any mistakes--you have never lived. It is useless. I won't go back to him. If you stayed here for weeks you could not make me change my mind."

He was silent.

"You think that I could have prevented--this, if I had been less selfish," she said.

"Where you are concerned, Honora, I have but one desire," he answered, "and that is to see you happy--in the best sense of the term. If I could induce you to go back and give your husband another trial, I should return with a lighter heart. You ask me whether I think you have been selfish. I answer frankly that I think you have. I don't pretend to say your husband has not been selfish also. Neither of you have ever tried, apparently, to make your marriage a success. It can't be done without an honest effort. You have abandoned the most serious and sacred enterprise in the world as lightly as though it had been a piece of embroidery. All that I can gather from your remarks is that you have left your husband because you have grown tired of him."

"Yes," said Honora, "and you can never realize how tired, unless you knew him as I did. When love dies, it turns into hate."

He rose, and walked to the other end of the room, and turned.

"Could you be induced," he said, "for the sake of your aunt and uncle, if not for your own, to consider a legal separation?"

For an instant she stared at him hopelessly, and then she buried her face in her hands.

"No," she cried. "No, I couldn't. You don't know what you ask."

He went to her, and laid his hand lightly on her shoulder.

"I think I do," he said.

There was a moment's tense silence, and then she got to her feet and looked at him proudly.

"Yes," she cried, "it is true. And I am not ashamed of it. I have discovered what love is, and what life is, and I am going to take them while I can."

She saw the blood slowly leave his face, and his hands tighten. It was not until then that she guessed at the depth of his wound, and knew that it was unhealed. For him had been reserved this supreme irony, that he should come here to plead for her husband and learn from her own lips that she loved another man. She was suddenly filled with awe, though he turned away from her that she might not see his face: And she sought in vain for words. She touched his hand, fearfully, and now it was he who trembled.

"Peter," she exclaimed, "why do you bother with me? I--I am what I am. I can't help it. I was made so. I cannot tell you that I am sorry for what I have done--for what I am going to do. I will not lie to you--and you forced me to speak. I know that you don't understand, and that I caused you pain, and that I shall cause--them pain. It may be selfishness--I don't know. God alone knows. Whatever it is, it is stronger than I. It is what I am. Though I were to be thrown into eternal fire I would not renounce it."

She looked at him again, and her breath caught. While she had been speaking, he had changed. There was a fire in his eyes she had never seen before, in all the years she had known him.

"Honora," he said quietly, "the man who has done this is a scoundrel."

She stared at him, doubting her senses, her pupils wide with terror.

"How dare you, Peter! How dare you!" she cried.

"I dare to speak the truth," he said, and crossed the room to where his hat was lying and picked it up. She watched him as in a trance. Then he came back to her.

"Some day, perhaps, you will forgive me for saying that, Honora. I hope that day will come, although I shall never regret having said it. I have caused you pain. Sometimes, it seems, pain is unavoidable. I hope you will remember that, with the exception of your aunt and uncle, you have no better friend than I. Nothing can alter that friendship, wherever you go, whatever you do. Goodby."

He caught her hand, held it for a moment in his own, and the door had closed before she realized that he had gone. For a few moments she stood motionless where he had left her, and then she went slowly up the stairs to her own room . . . .

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