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Martin Chuzzlewit

Charles Dickens · Public domain text

336,628 words · about 23 h 34 min to read

Cover of Martin Chuzzlewit
About this edition

The text of Martin Chuzzlewit comes from Project Gutenberg e-text #968. It is in English and public domain in the United States. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

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About this book

Cover of Martin Chuzzlewit

From Wikipedia

The Life and Adventures of Martin Chuzzlewit (commonly known as Martin Chuzzlewit) is a novel by English author Charles Dickens, considered the last of his picaresque novels. It was originally serialised between January 1843 and July 1844. While he was writing it, Dickens told a friend that he thought it was his best work thus far, but it was one of his least popular novels, judged by sales of the monthly instalments. Characters in this novel gained fame, including Pecksniff and Mrs Gamp.

Excerpt from the Wikipedia article “Martin Chuzzlewit” (revision 1369780163), licensed CC BY-SA 4.0. Not written by RedLectern.

Author
Charles Dickens (1812–1870)
Language
English
Subjects
Satire, England › Fiction, Bildungsromans, Young men › Fiction, Grandfathers › Fiction, Adventure stories
Length
336,628 words · about 23 h 34 min
Sections
57 reader sections · Table of contents
Contents (57)
  1. Opening under 1 min
  2. Preface about 3 min
  3. Postscript about 3 min
  4. Chapter One about 10 min
  5. Chapter Two about 31 min
  6. Chapter Three about 32 min
  7. Chapter Four about 35 min
  8. Chapter Five about 39 min
  9. Chapter Six about 26 min
  10. Chapter Seven about 28 min
  11. Chapter Eight about 19 min
  12. Chapter Nine about 46 min
  13. Chapter Ten about 26 min
  14. Chapter Eleven about 36 min
  15. Chapter Twelve about 36 min
  16. Chapter Thirteen about 37 min
  17. Chapter Fourteen about 20 min
  18. Chapter Fifteen about 16 min
  19. Chapter Sixteen about 37 min
  20. Chapter Seventeen about 33 min
  21. Chapter Eighteen about 20 min
  22. Chapter Nineteen about 28 min
  23. Chapter Twenty about 24 min
  24. Chapter Twenty-One about 36 min
  25. Chapter Twenty-Two about 17 min
  26. Chapter Twenty-Three about 17 min
  27. Chapter Twenty-Four about 29 min
  28. Chapter Twenty-Five about 28 min
  29. Chapter Twenty-Six about 15 min
  30. Chapter Twenty-Seven about 37 min
  31. Chapter Twenty-Eight about 18 min
  32. Chapter Twenty-Nine about 17 min
  33. Chapter Thirty about 28 min
  34. Chapter Thirty-One about 33 min
  35. Chapter Thirty-Two about 11 min
  36. Chapter Thirty-Three about 30 min
  37. Chapter Thirty-Four about 27 min
  38. Chapter Thirty-Five about 12 min
  39. Chapter Thirty-Six about 37 min
  40. Chapter Thirty-Seven about 17 min
  41. Chapter Thirty-Eight about 17 min
  42. Chapter Thirty-Nine about 32 min
  43. Chapter Forty about 26 min
  44. Chapter Forty-One about 16 min
  45. Chapter Forty-Two about 18 min
  46. Chapter Forty-Three about 38 min
  47. Chapter Forty-Four about 16 min
  48. Chapter Forty-Five about 17 min
  49. Chapter Forty-Six about 40 min
  50. Chapter Forty-Seven about 17 min
  51. Chapter Forty-Eight about 30 min
  52. Chapter Forty-Nine about 24 min
  53. Chapter Fifty about 19 min
  54. Chapter Fifty-One about 39 min
  55. Chapter Fifty-Two about 34 min
  56. Chapter Fifty-Three about 17 min
  57. Chapter Fifty-Four about 20 min

The opening of Preface

What is exaggeration to one class of minds and perceptions, is plain truth to another. That which is commonly called a long-sight, perceives in a prospect innumerable features and bearings non-existent to a short-sighted person. I sometimes ask myself whether there may occasionally be a difference of this kind between some writers and some readers; whether it is ALWAYS the writer who colours highly, or whether it is now and then the reader whose eye for colour is a little dull?

On this head of exaggeration I have a positive experience, more curious than the speculation I have just set down. It is this: I have never touched a character precisely from the life, but some counterpart of that character has incredulously asked me: “Now really, did I ever really, see one like it?”

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