← In the Heart of a Fool

Chapter XI…

Part 2 of 6 · William Allen White · Public domain text

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Source: Project Gutenberg e-text #30627, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (53)
  1. Opening about 4 min
  2. I. BEING STAGE DIRECTIONS, AND A CAST OF CHARACTERS about 3 min
  3. Chapter II about 29 min
  4. III. IN WHICH WE CONSIDER THE LADIES--GOD BLESS 'EM! about 27 min
  5. IV. THE ADAMS FAMILY BIBLE LIES LIKE A GENTLEMAN about 15 min
  6. Chapter V about 25 min
  7. Chapter VI about 9 min
  8. Chapter VII about 18 min
  9. Chapter VIII about 14 min
  10. IX. WHEREIN HENRY FENN MAKES AN INTERESTING EXPERIMENT about 13 min
  11. X. IN WHICH MARY ADAMS TAKES A MUCH NEEDED REST about 7 min
  12. Chapter XI about 17 min
  13. Chapter XII about 18 min
  14. XIII. IN WHICH WE OBSERVE THE INTERIOR OF A DESERTED HOUSE about 13 min
  15. Chapter XIV about 26 min
  16. Chapter XV about 18 min
  17. Chapter XVI about 27 min
  18. XVII. A CHAPTER WHICH INTRODUCES SOME POSSIBLE GODS about 11 min
  19. XVIII. OUR HERO RIDES TO HOUNDS WITH THE PRIMROSE HUNT about 20 min
  20. Chapter XIX about 13 min
  21. XX. IN WHICH HENRY FENN FALLS FROM GRACE AND RISES AGAIN about 14 min
  22. Chapter XXI about 20 min
  23. XXII. IN WHICH TOM VAN DORN BECOMES A WAYFARING MAN ALSO about 14 min
  24. XXIII. HERE GRANT ADAMS DISCOVERS HIS INSIDES about 16 min
  25. Chapter XXIV about 18 min
  26. XXV. IN WHICH WE SEE TWO TEMPLES AND THE CONTENTS THEREOF about 20 min
  27. XXVI. DR. NESBIT STARTS ON A LONG UPWARD BUT DEVIOUS JOURNEY about 17 min
  28. Chapter XXVII about 16 min
  29. XXVIII. WHEREIN MORTY SANDS MAKES A FEW SENSIBLE REMARKS IN PUBLIC about 16 min
  30. XXIX. BEING NOT A CHAPTER BUT AN INTERLUDE about 18 min
  31. Chapter XXX about 27 min
  32. Chapter XXXI about 20 min
  33. Chapter XXXII about 23 min
  34. XXXIII. IN WHICH THE ANGELS SHAKE A FOOT FOR HENRY FENN about 22 min
  35. Chapter XXXIV about 14 min
  36. Chapter XXXV about 24 min
  37. Chapter XXXVI about 31 min
  38. Chapter XXXVII about 11 min
  39. XXXVIII. GRANT ADAMS VISITS THE SONS OF ESAU about 15 min
  40. Chapter XXXIX about 4 min
  41. Chapter XL about 15 min
  42. Chapter XLI about 22 min
  43. Chapter XLII about 46 min
  44. Chapter XLIII about 28 min
  45. Chapter XLIV about 18 min
  46. Chapter XLV about 25 min
  47. Chapter XLVI about 27 min
  48. Chapter XLVII about 21 min
  49. XLVIII. WHEREIN WE ERECT A HOUSE BUILT UPON A ROCK about 10 min
  50. Chapter XLIX about 23 min
  51. Chapter L about 18 min
  52. Chapter LI about 6 min
  53. Chapter LII about 8 min

Continue:

Chapter XI

HERE OUR FOOL GROPES FOR A SPIRIT AND CAN FIND ONLY DUST

Henry Fenn and Margaret Müller sat naming their wedding day, while Grant Adams walked home with his burden. Henry Fenn had been fighting through a long winter, against the lust for liquor that was consuming his flesh. At times it seemed to him that her presence as he fought his battle, helped him; but there were phases of his fight, when she too fashioned herself in his imagination as a temptress, and she seemed to blow upon the coals that were searing his weak flesh.

At such times he was taciturn, and went about his day's work as one who is busy at a serious task. He smiled his amiable smile, he played his man's part in the world without whimpering, and fought on like a gentleman. The night he met Grant and the child at the steps of the house where Margaret lived, he had called to set the day for their marriage. And that night she glowed before him and in his arms like a very brand of a woman blown upon by some wind from another world. When he left her his throat grew parched and dry and his lips quivered with a desire for liquor that seemed to simmer in his vitals. But he set his teeth, and ran to his room, and locked himself in, throwing the key out of the window into the yard. He sat shivering and whimpering and fighting, by turns conquering his devil, and panting under its weight, but always with the figure and face of his beloved in his eyes, sometimes beckoning him to fight on, sometimes coaxing him to yield and stop the struggle. But as the day came in he fell asleep with one more battle to his credit.

In Harvey for many years Henry Fenn's name was a byword; but the pitying angels who have seen him fight in the days of his strength and manhood--they looked at Henry Fenn, and touched reverent foreheads in his high honor. Then why did they who know our hearts so well, let the blow fall upon him, you ask. But there you trespass upon that old question that the Doctor and Amos Adams have thrashed out so long. Has man a free will, or has the illusion of time and space wound him up in its predestined tangle, to act as he must and be what he is without appeal or resistance, or even hope of a pardon?

Doctor Nesbit and Amos Adams were trying to solve the mystery of human destiny at the gate of the Adams' home the day after the funeral. Amos had his foot on the hub of the Doctor's buggy and was saying: "But Doctor, can't you see that it isn't all material? Suppose that every atom of the universe does affect every other atom, and that the accumulated effect of past action holds the stars in their courses, and that if we knew what all the past was we should be able to foretell the future, because it would be mathematically calculable--what of it? That does not prove your case, man! Can't you see that in free will another element enters--the spiritual, if you please, that is not amenable to atomic action past or present?" Amos smiled deprecatingly and added sadly: "Got that last night from Schopenhauer." The Doctor, clearly unawed by Schopenhauer, broke out: "Aye, there I have you, Amos. Isn't the brain matter, and doesn't the brain secrete consciousness?"

"Does this buggy secrete distance, Jim? Go 'long with you, man." Before the Doctor could reply, around the corner of the house, bringing little Kenyon Adams in his best bib and tucker, came the lofty figure of Mrs. Nesbit. With her came her daughter. Then up spoke Mrs. Bedelia Satterthwaite Nesbit of the Maryland Satterthwaites, "Look here, Amos Adams--I don't care what you say, I'm going to take this baby." There was strong emphasis upon the "I'm," and she went on: "You can have him every night, and Grant can take care of the child after supper when he comes home from work. But every morning at eight I'm going to have this baby." Further emphasis upon the first person. "I'm not going to see a child turned over to a hired girl all day and me with a big house and no baby and a daughter about to marry and leave me and a houseful of help, if I needed it, which thank Heavens I don't." She put her lips together sternly, and, "Not a word, Amos Adams," she said to Amos, who had not opened his mouth. "Not another word. Kenyon will be home at six o'clock."

She put the child into the Doctor's submissive arms--helped her daughter into the buggy, and when she had climbed in herself, she glared triumphantly over her glasses and above her Roman nose, as she said: "Now, Amos--have some sense. Doctor,--go on." And in a moment the buggy was spinning up the hill toward the town.

Thus it was that every day, rain or shine, until the day of her wedding, Laura Nesbit drove her dog cart to the Adamses before the men went to their work and took little Kenyon home with her and brought him back in the evening. And always she took him from the arms of Grant--Grant, red-headed, freckled, blue-eyed, who was hardening into manhood and premature maturity so fast that he did not realize the change that it made in his face. It grew set, but not hard, a woman's tenderness crept into the features, and with that tenderness came at times a look of petulant impatience. It was a sad face--a sadly fanatic face--yet one that lighted with human feeling under a smile.

Little by little, meeting daily--often meeting morning and evening, Grant and Laura established a homely, wholesome, comfortable relation.

One evening while Laura was waiting for Tom Van Dorn and Grant was waiting for Kenyon she and Grant sitting upon the veranda steps of the Nesbit home, looked into the serene, wide lawn that topped the hill above the quiet town. They could look across the white and green of the trees and houses, across the prosperous, solid, red roofs of the stone and brick stores and offices on Market Street, into the black smudge of smoke and the gray, unpainted, sprawling rows of ill-kept tenements around the coal mines, that was South Harvey. They could see even then the sky stains far down the Wahoo Valley, where the villages of Foley and Magnus rose and duplicated the ugliness of South Harvey.

The drift of the conversation was personal. The thoughts of youth are largely personal. The universe is measured by one's own thumb in the twenties. "Funny, isn't it," said Grant, playing with a honeysuckle vine that climbed the post beside him, "I guess I'm the only one of the old crowd who is outlawed in overalls. There's Freddie Kollander and Nate Perry and cousin Morty and little Joe Calvin, all up town counterjumping or working in offices. The girls all getting married." He paused. "But as far as that goes I'm making more money than any of the fellows!" He paused again a moment and added as he gazed moodily into the pillars of smoke rising above South Harvey, "Gee, but I'll miss you when you're gone--"

The girl's silvery laugh greeted his words. "Now, Grant," she said, "where do you think I'm going? Why, Tom and I will be only a block from here--just over on Tenth Street in the Perry House."

Grant grinned as he shook his head. "You're lost and gone forever, just the same, Miss Clementine. In about three years I'll probably be that 'red-headed boss carpenter in the mine----let me see, what's his name?'"

"Oh, Grant," scoffed the girl. She saw that his heart was sadder than his face.

She took courage and said: "Grant, you never can know how often I think of you--how much I want you to win everything worth while in this world, how much I want you to be happy--how I believe in you and--and--bet on you, Grant--bet on you!"

Grant did not answer her. Presently he looked up and over the broad valley below them. The sun behind the house was touching the limestone ledge far across the valley with golden rays. The smoke from South Harvey on their right was lighted also. The youth looked into the smoke. Then he turned his eyes back from the glowing smoke and spoke.

"This is how I look at it. I don't mean you're any different from any one else. What I was trying to say was that I'm the only one of our old crowd in the High School you know that used to have parties and go together in the old days--I'm the only one that's wearing overalls, and my way is down there"; he nodded his head toward the mines and smelters and factories in the valley.

"Look at these hands," he said, solemnly spreading out his wide, muscular hands on his knees; showing one bruised blue-black finger nail. The hands were flinty and hairy and brown, but they looked effective with an intelligence almost apart from the body which they served.

"I'm cut out for work. It's all right. That's my job, and I'm proud of it so far as that goes. I could get a place clerking if I wanted to, and be in the dancing crowd in six months, and be out to the Van Dorns for dinner in a year." He paused and looked into the distant valley and cried. "But I tell you--my job is down there. And I'm not going to quit them. God knows they're getting the rough end of it. If you knew," his voice raised slightly and a petulant indignation tempered it. "If you knew the gouging and pocket picking and meanness that is done by the people up town to the people down there in the smoke, you'd be one of those howling red-mouthed anarchists you read about."

The girl looked at him silently and at length asked: "For instance--what's just one thing?"

"Well, for instance--in the mines where I work all the men come up grimy and greasy and vile. They have to wash. In Europe we roughnecks know that wash-houses are provided by the company, but here," he cried excitedly, "the company doesn't provide even a faucet; instead the men--father and son and maybe a boarder or two have to go home--into those little one and two roomed houses the company has built, and strip to the hide with the house full of children and wash. What if your girlhood had been used to seeing things like that--could you laugh as you laugh now?" He looked up at her savagely. "Oh, I know they're ignorant foreigners and little better than animals and those things don't hurt them--only if you had a little girl who had to be in and out of the single room of your home when the men came home to wash up--"

He broke off, and then began again, "Why, I was talking to a dago last night at the shaft mouth going down to work on the graveyard shift and he said that he came here believing he would find a free, beautiful country in which his children could grow up self-respecting men and women, and then he told me about his little girls living down there where all the vice is scattered through the tenements, and--about this washing up proposition, and now one of the girls is gone and they can't find her." He threw out a despairing hand; "So I'm a roughneck, Laura--I'm a jay, and I'm going to stay with them."

"But your people," she urged. "What about them--your father and brothers?"

"Jap's climbing out. Father's too old to get in. And Kenyon--" he flinched, "I hope to God I'll have the nerve to stay when the test on him comes." He turned to the girl passionately: "But you--you--oh, you--I want you to know--" He did not finish the sentence, but rose and walked into the house and called: "Dad--Kenyon--come on, it's getting late. Stars are coming out."

Half an hour later Tom Van Dorn, in white flannels, with a red silk tie, and with a white hat and shoes, came striding across the lawn. His black silky mustache, his soft black hair, his olive skin, his shining black eyes, his alert emotional face, dark and swarthy, was heightened even in the twilight by the soft white clothes he wore.

"Hello, popper-in-law," he cried. "Any room left on the veranda?"

"Come in, Thomas," piped the older man. "The girls are doing the dishes, Bedelia and Laura, and we'll just sit out two or three dances."

The young man lolled in the hammock shaded by the vines. The elder smoked and reflected. Then slowly and by degrees, as men who are feeling their way to conversation, they began talking of local politics. They were going at a high rate when the talk turned to Henry Fenn. "Doing pretty well, Doctor," put in the younger man. "Only broke over once in eighteen months--that's the record for Henry. Shows what a woman can do for a man." He looked up sympathetically, and caught the Doctor's curious eyes.

The Doctor puffed, cleaned out his pipe, absently put it away, then rose and deliberately pulled his chair over to the hammock: "Tom--I'm a generation older than you--nearly. I want to tell you something--" He smiled. "Boy--you've got the devil's own fight ahead of you--did you know it--I mean," he paused, "the--well, the woman proposition."

Van Dorn fingered his mustache, and looked serious.

"Tom," the elder man chirped, "you're a handsome pup--a damn handsome, lovable pup. Sometimes." He let his voice run whimsically into its mocking falsetto, "I almost catch myself getting fooled too."

They laughed.

"Boy, the thing's in your blood. Did you realize that you've got just as hard a fight as poor Henry Fenn? It's all right now--for a while; but the time will come--we might just as well look this thing squarely in the face now, Tom--the time will come in a few years when the devil will build the same kind of a fire under you he is building under Henry Fenn--only it won't be whisky; it will be the woman proposition. Damn it, boy," cried the elder man squeakily, "it's in your blood; you've let it grow in your very blood. I've known you ten years now, and I've seen it grow. Tom--when the time comes, can you stand up and fight like Henry Fenn--can you, Tom? And will you?" he cried with a piteous fierceness that stirred all the sympathy in the young man's heart.

He rose to the height of the Doctor's passion. Tears came into Van Dorn's bright eyes. His breast expanded emotionally and he exclaimed: "I know what I am, oh, I know it. But for her--you and I together--you'll help and we'll stand together and fight it out for her." The father looked at the mobile features of his companion, and sensed the thin plating of emotion under the vain voice. Whereupon the Doctor heaved a deep, troubled sigh.

"Heigh-ho, heigh-ho." He put his arm upon the broad, handsome, young shoulder. "But you'll try to be a good boy, won't you--" he repeated. "Just try hard to be a good boy, Tom--that's all any of us can do," and turning away he whistled into the house and a girlish trill answered him.

After the Doctor had jogged down the hill behind his old horse making his evening professional visits, Mrs. Nesbit came out and made a show of sitting with the young people for a time. And not until she left did they go into those things that were near their hearts.

When Mrs. Nesbit left the veranda the young man moved over to the girl and she asked: "Tom, I wonder--oh, so much and so often--about the soul of us and the body of us--about the justice of things." She was speaking out of the heart that Grant had touched to the quick with his outburst about the poor. But Tom Van Dorn could not know what was moving within her and if he had known, perhaps he would have had small sympathy with her feeling. Then she said: "Oh, Tom, Tom, tell me--don't you suppose that our souls pay for the bodies that we crush--I mean all of us--all of us--every one in the world?"

The man looked at her blankly. Then he put his arm tenderly about her and answered: "I don't know about our souls--much--" He kissed her. "But I do know about you--your wonderful eyes--and your magic hair, and your soft cheek!" He left her in no doubt as to her lover's mood.

Vaguely the girl felt unsatisfied with his words. Not that she doubted the truth of them; but as she drew back from him she said softly: "But if I were not beautiful, what then?"

"Ah, but you are--you are; in all the world there is not another like you for me." In the rapture that followed, her soul grew in a wave of joy, yet she spoke shyly.

"Tom," she said wistfully, "how can you fail to see it--this great, beautiful truth that makes me glad: That the miracle of our love proves God."

He caressed her hands and pressed closer to her. "Call it what you will, little girl: God if it pleases you, I call it nature."

"Oh, it's bigger than that, Tom," and she shook a stubborn Satterthwaite head, "and it makes me so happy and makes me so humble that I want to share it with all the world." She laid an abashed cheek on his hands that were still fondling hers.

But young Mr. Van Dorn spoke up manfully, "Well, don't you try sharing it. I want all of it, every bit of it." He played with her hair, and relaxed in a languor of complete possession of her.

"Doesn't love," she questioned, "lift you? Doesn't it make you love every living thing?" she urged.

"I love only you--only you in all the world--your eyes thrill me; when your body is near I am mad with delight; when I touch you I am in heaven. When I close my eyes before the jury I see you and I put the bliss of my vision into my voice, and," he clinched his hands, "all the devils of hell couldn't win that jury away from me. You spur me to my best, put springs in every muscle, put power in my blood."

"But, Tom, tell me this?" Still wistfully, she came close to him, and put her chin on her clasped hands that rested on his shoulder. "Love makes me want to be so good, so loyal, so brave, so kind--isn't it that way with you? Isn't love the miracle that brings the soul out into the world through the senses." She did not wait for his answer. She clasped her hands tighter on his shoulder. "I feel that I'm literally stealing when I have a single thought that I do not bring to you. In every thrill of my heart about the humblest thing, I find joy in knowing that we shall enjoy it together. Let me tell you something. Grant Adams and his father were here to-day for dinner. Well, you know Grant is in a kind of obsession of love for that little motherless child Mrs. Adams left; Grant mothers him and fathers him and literally loves him to distraction. And Grant's growing so manly, and so loyal and so strong in the love of that little boy--he doesn't realize it; but I can see it in him. Oh, Tom, can you see it in me?"

Before her mood had changed she told him all that Grant Adams had said; and her voice broke when she retold the Italian's story. Tears were in her eyes when she finished. And young Mr. Van Dorn was emotionally touched also, but not in sympathy with the story the girl was telling. She ended it:

"And then I looked at Grant's big rough hands--bony and hairy, and Tom, they told me the whole story of his destiny; just as your soft, effective, gentle white hands prophesy our destiny. Oh, why--why--I am beginning to wonder why, Tom, why things must be so. Why do some of us have to do all the world's rough, hard, soul-killing work, and others of us have lives that are beautiful, aspiring, glorious? How can we let such injustices be, and not try to undo them!"

In his face an indignation was rising which she could not comprehend. Finally he found words to say:

"So that's what that Adams boy is putting in your head! Why do you want to bother with such nonsense?"

But the girl stopped him: "Tom, it's not nonsense. They do work and dig and grind down there in a way which we up here know nothing about. It's real--this--this miserable unfair way things are done in the world. O my dear, my dear, it's because I love you so, it's because I know now what love really is that it hurts to see--" He took her face in his hands caressingly, and tried to put an added tenderness into his voice that his affection might blunt the sharpness of his words.

"Well, it's nonsense I tell you! Look here, Laura, if there is a God, he's put those dagos and ignorant foreigners down there to work; just as he's put the fish in the sea to be caught, and the beasts of the field to be eaten, and it's none of my business to ask why! My job is myself--myself and you! I refuse to bear burdens for people. I love you with all the intensity of my nature--but it's my nature--not human nature--not any common, socialized, diluted love; it's individual and it's forever between you and me! What do I care for the rest of the world! And if you love me as you will some day, you'll love me so that they can't set you off mooning about other people's troubles. I tell you, Laura, I'm going to make you love me so you can't think of anything day or night but me--and what I am to you! That's my idea of love! It's individual, intimate, restricted, qualified and absolutely personal--and some day you'll see that!"

As he tripped down the hill from the Nesbit home that spring night, he wondered what Laura Nesbit meant when she spoke of Grant Adams, and his love for the motherless baby. The idea that this love bore any sort of resemblance to the love of educated, cultivated people as found in the love that Laura and her intended husband bore toward each other, puzzled the young lawyer. Being restless, he turned off his homeward route, and walked under the freshly leaved trees. Over and over again the foolish phrases and sentences from Laura Nesbit's love making, many other nights in which she seemed to assume the unquestioned truth of the hypothesis of God, also puzzled him. Whatever his books had taught him, and whatever life had taught him, convinced him that God was a polite word for explaining one's failure. Yet, here was a woman whose mind he had to respect, using the term as a proved theorem. He looked at the stars, wheeling about with the monstrous pulleys of gravitation and attraction, and the certain laws of motion. A moment later he looked southward in the sky to that flaming, raging, splotched patch where the blue and green and yellow flames from the smelters and the belching black smoke from the factories hid the low-hanging stars and marked the seething hell of injustice and vice and want and woe that he knew was in South Harvey, and he held the glowing cigarette stub in his hand and laughed when he thought of God. "Free will," says "Mr. Left" in one of his rather hazy and unconvincing observations, "is of limited range. Man faces two buttons. He must choose the material or the spiritual--and when he has chosen fate plays upon his choice the grotesque variation of human destiny. But when the cloth of life is finished, the pattern of the passing events may be the same in either choice, riches or poverty, misery or power, only the color of the cloth differs; in one piece, however rich, the pattern is drab with despair, the other cloth sheens in happiness." Which Mr. Van Dorn in later life, reading the Psychological Journal, turned back to a second time, and threw aside with a casual and unappreciative, "Oh hell," as his only comment.

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Chapter XII

IN WHICH WE LEARN THAT LOVE IS THE LEVER THAT MOVES THE WORLD

Mrs. Nesbit tried to put the Doctor into his Sunday blacks the day of her daughter's wedding, but he would have none of them. He appeared on Market Street and went his rounds among the sick in his linen clothes with his Panama hat and his pleated white shirt. He did not propose to have the visiting princes, political and commercial, who had been summoned to honor the occasion, find him in his suzerainty without the insignia of his power. For it was "Old Linen Pants," not Dr. James Nesbit, who was the boss of the northern district and a member of the State's triumvirate. So the Doctor in the phaëton, drawn by his amiable, motherly, sorrel mare, the Doctor, white and resplendent in a suit that shimmered in the hot June sun, flaxed around town, from his office to the hotel, from the hotel to the bank, from the bank to South Harvey. As a part of the day's work he did the honors of the town, soothed the woes of the weary, healed the sick, closed a dying man's eyes, held a mother's hands away from death as she brought life into the world, made a governor, paid his overdue note, got a laborer work, gave a lift to a fallen woman, made two casual purchases: a councilman and a new silk vest, with cash in hand; lent a drunkard's wife the money for a sack of flour, showed three Maryland Satterthwaites where to fish for bass in the Wahoo, took four Schenectady Van Dorns out to lunch, and was everywhere at once doing everything, clicking his cane, whistling gently or humming a low, crooning tune, smiling for the most part, keeping his own counsel and exhibiting no more in his face of what was in his heart than the pink and dimpled back of a six-months' baby.

To say that the Doctor was everywhere in Harvey is inexact. He was everywhere except on Quality Hill in Elm Street. There, from the big, bulging house with its towers and minarets and bow windows and lean-tos, ells and additions, the Doctor was barred. There was chaos, and the spirit that breathed on the face of the waters was the Harvey representative of the Maryland Satterthwaites, with her crimping pins bristling like miniature gun barrels, and with the look of command upon her face, giving orders in a firm, cool voice and then executing the orders herself before any one else could turn around. She could call the spirits from the vasty deep of the front hall or the back porch and they came, or she knew the reason why. With an imperial wave of her hand she sent her daughter off to some social wilderness of monkeys with all the female Satterthwaites and Van Dorns and Mrs. Senators and Miss Governors and Misses Congressmen, and with the offices of Mrs. John Dexter, Mrs. Herdicker, the ladies' hatter, and two Senegambian slaveys, Mrs. Nesbit brought order out of what at one o'clock seemed without form and void.

It was late in the afternoon, almost evening, though the sun still was high enough in the heavens to throw cloud shadows upon the hills across the valley when the Doctor stabled his mare and came edging into the house from the barn. He could hear the clamor of many voices; for the Maryland Satterthwaites had come home from the afternoon's festivity. He slipped into his office-study, and as it was stuffy there he opened the side door that let out upon the veranda. He sat alone behind the vines, not wishing to be a part of the milling in the rooms. His heart was heavy. He blinked and sighed and looked across the valley, and crooned his old-fashioned tune while he tried to remember all of the life of the little girl who had come out of the mystery of birth into his life when Elm Street was a pair of furrows on a barren, wind-swept prairie hill; tried to remember how she had romped in girlhood under the wide sunshine in the prairie grass, how her little playhouse had sat where the new dining-room now stood, how her dolls used to litter the narrow porch that grew into the winding, serpentine veranda that belted the house, how she read his books, how she went about with him on his daily rounds, and how she had suddenly bloomed into a womanhood that made him feel shy and abashed in her presence. He wondered where it was upon the way that he had lost clasp of her hand: where did it drop from him? How did the little fingers that he used to hold so tightly, slip into another's hand? Her life's great decision had been made without consulting him; when did he lose her confidence? She had gone her way an independent soul--flown like a bird from the cage, he thought, and was going a way that he felt would be a way of pain, and probably sorrow, yet he could not stop her. All the experience of his life was worthless to her. All that he knew of men, all that he feared of her lover, were as chaff in the scales for her.

The Doctor, the boss, the friend, the man, withdrew from his consciousness as he sat behind the vines and he became the impersonal, universal father, wondering at the mystery of life. As he sat musing, he heard a step behind him, and saw his daughter coming across the porch to greet him. "Father," she said, "I have just this half hour that's to be ours. I've planned for it all day. Mother has promised to keep every one away."

The father's jaw began to tremble and his cherubic face to wrinkle in an emotional pucker. He put the girl's arm about his neck, and rubbed her hand upon his cheek. Then the father said softly:

"I never felt poor before until this minute." The girl looked inquiringly at him and was about to protest. He stopped her: "Money wouldn't do you much good--not all the money in the world."

"Well, father, I don't want money: we don't need it," said the girl. "Why, we have a beautiful home and Tom is making--"

"It's not that, my dear--not that." He played with her hand a moment longer. "I feel that I ought to give you something better than money; my--my--well, my view of life--what they call philosophy of life. It's the accumulation of fifty years of living." He fumbled in his pocket for his pipe. "Let me smoke, and maybe I can talk."

"Laura--girl--" He puffed bashfully in a pause, and began again: "There's a lot of Indiana--real common Eendiany," he mocked, "about your father, and I just some way can't talk under pressure." He caressed the girl's hand and pulled at his pipe as one giving birth to a system of philosophy. Yet he was dumb as he sat before the warm glow of the passing torch of life which was shining from his daughter's face. Finally he burst forth, piping impatience at his own embarrassment.

"I tell you, daughter, it's just naturally hell to be pore." The girl saw his twitching mouth and the impotence of his swimming eyes; but before she could protest he checked her.

"Pore! Pore!" he repeated hopelessly. "Why, if we had a million, I would still be just common, ornery, doless pore folks--tongue-tied and helpless, and I couldn't give you nothin--nothin!" he cried, "but just rubbish! Yet there are so many things I'd like to give you, Laura--so many, many things!" he repeated. "God Almighty's put a terrible hog-tight inheritance tax on experience, girl!" He smiled a crooked, tearful little smile--looked up into her eyes in dog-like wistfulness as he continued: "I'd like to give you some of mine--some of the wisdom I've got one way and another--but, Lord, Lord," he wailed, "I can't. The divine inheritance tax bars me." He patted her with one hand, holding his smoldering pipe in the other. Then he shrilled out in the impotence of his pain: "I just must give you this, Laura: Whatever comes and whatever goes--and lots of sad things will come and lots of sad things will go, too, for that matter--always remember this: Happiness is from the heart out--not from the world in! Do you understand, child--do you?"

The girl smiled and petted him, but he saw that he hadn't reached her consciousness. He puffed at a dead pipe a moment, then he cried as he beat his hands together in despair: "I suppose it's no use. It's no use. But you can at least remember these words, Laura, and some time the meaning will get to you. Always carry your happiness under your bonnet! It's the only thing I can give you--out of all my store!"

The girl put her arm about him and pressed closely to him, and they rose, as she said: "Why, father--I understand. Of course I understand. Don't you see I understand, father?"

She spoke eagerly and clasped her arms tighter about the pudgy little figure. They stood quietly a moment, as the father looked earnestly, dog-wise, up into her face, as if trying by his very gaze to transmit his loving wisdom. Then, as he found voice: "No, Laura, probably you'll need fifty years to understand; but look over on the hill across the valley at the moving cloud shadows. They are only shadows--not realities. They are just unrealities that prove the real--just trailing anchors of the sun!" He had pocketed his pipe and his hand came up from his pocket as he waved to the distant shadows and piped: "Trouble--heartaches--all the host of clouds that cover life--are only--only--" he let his voice drop gently as he sighed: "only anchors of the sun; Laura, they only prove--just prove--"

She did not let him finish, but bent to kiss him and she could feel the shudder of a smothered sob rack him as she touched his cheek.

Then he smiled at her and chirped: "Just Eendiany--sis'. Just pore, dumb Eendiany! Hi, ho! Now run and be a good girl! And here's a jim-crack your daddy got you!"

From his pocket he drew out a little package, and dangled a sparkling jewel in his hands. He saw a flash of pleasure on her face. But his heart was full, and he turned away his head as he handed the gift to her. Her eyes were upon the sparkling jewel, as he led her into the house, saying with a great sigh: "Come on, my dear--let's go in."

At nine o'clock that night, the great foundry of a house, with its half a score of chimneys, marking its various epochs of growth, literally was stuffed with smilax, ferns, roses, orange blossoms, and daisy chains. In the mazes of these aisles of verdure, a labyrinth of Van Dorns and Satterthwaites and visiting statesmen with highly powdered womankind was packed securely. George Brotherton, who was born a drum major, wearing all of his glittering insignia of a long line of secret societies, moved as though the welding humanity were fluid. He had presided at too many funerals not to know the vast importance of keeping the bride's kin from the groom's kin, and when he saw that they were ushered into the wedding supper, in due form and order, it was with the fine abandon of a grand duke lording it over the populace. Senators, Supreme Court justices, proud Satterthwaites, haughty Van Dorns, Congressmen, governors, local gentry, were packed neatly but firmly in their proper boxes.

The old families of Harvey--Captain Morton and his little flock, the Kollanders, Ahab Wright with his flaring side-whiskers, his white necktie and his shadow of a wife; Joseph Calvin and his daughter in pigtails, Mrs. Calvin having written Mrs. Nesbit that it seemed that she just never did get to go anywhere and be anybody, having said as much and more to Mr. Calvin with emphasis; Mrs. Brotherton, mother of George, beaming with pride at her son's part; stuttering Kyle Perry and his hatchet-faced son, the Adamses all starched for the occasion, Daniel Sands, a widower pro tem. with a broadening interest in school teachers, Mrs. Herdicker, the ladies' hatter, classifying the Satterthwaites and the Van Dorns according to the millinery of their womenkind; Morty Sands wearing the first white silk vest exhibited in Harvey and making violent eyes at a daughter of the railroad aristocracy--either a general manager's daughter or a general superintendent's, and for the life of her Mrs. Nesbit couldn't say; for she had not the highest opinion in the world of the railroad aristocracy, but took them, president, first, second and third vice, general managers, ticket and passenger agents, and superintendents, as a sort of social job-lot because they came in private cars, and the Doctor desired them, to add to his trophies of the occasion,--Henry Fenn, wearing soberly the suit in which he appeared when he rode the skyrocket, and forming part of the bridal chorus, stationed in the cigar-box of a sewing-room on the second floor to sing, "Oh, Day So Dear," as the happy couple came down the stairs--the old families of Harvey were all invited to the wedding. And the old and the new and most of the intermediary families of no particular caste or standing, came to the reception after the ceremony. But because she had the best voice in town, Margaret Müller sang "Oh, Promise Me," in a remote bedroom--to give the effect of distant music, low and sweet, and after that song was over, and after Henry Fenn's great pride had been fairly sated, Margaret Müller mingled with the guests and knew more of the names and stations of the visiting nobility from the state house and railroad offices than any other person present. And such is the perversity of the male sex that there were more "by Georges," and more "Look--look, looks," and more faint whistles, and more "Tch--tch tchs," and more nudging and pointing among the men when Margaret appeared than when the bride herself, pink and white and beautiful, came down the stairs. Even the eyes of the groom, as he stood beside the bride, tall, youthful, strong, and handsome as a man may dare to be and earn an honest living, even his eyes sometimes found themselves straying toward the figure and face of the beautiful girl whom he had scarcely noticed while she worked in the court house. But this may be said for the groom, that when his eyes did wander, he pulled them back with an almost irritated jerk, and seemed determined to keep them upon the girl by his side.

As for the wedding ceremony itself--it was like all others. The women looked exultant, and the men--the groom, the bride's father, the groomsmen, and even Rev. John Dexter, had a sort of captured look and went through the service as though they wished that marriages which are made in Heaven were celebrated there also. But after the service was actually accomplished, after the bride and groom had been properly congratulated, after the multitude had been fed in serried ranks according to social precedence, after the band on the lawn outside had serenaded the happy couple, and after further interminable handshaking and congratulations, from those outside, after the long line of invited guests had filed past the imposing vista of pickle dishes, cutlery, butter dishes and cake plates, reaching around the walls of three bedrooms,--to say nothing of an elaborate wax representation of nesting cupids bearing the card of the Belgian Society from the glass works and sent, according to the card, to "Mlle. Lille'n'en Pense"; after the carriage, bedecked and bedizened with rice and shoes and ribbons, that was supposed to bear away the bride and groom, had gone amid the shouting and the tumult of the populace, and after the phaëton and the sorrel mare had actually taken the bride and groom from the barn to the railway station, after the fiddle and the bassoon and the horn and the tinkling cymbal at Morty Sands's dance had frayed and torn the sleep of those pale souls who would sleep on such a night in Harvey, Grant Adams and his father, leaving Jasper to trip whatever fantastic toes he might have, in the opera house, drove down the hill through the glare of the furnaces, the creaking of the oil derricks and the smell of the straw paper mill through the heart of South Harvey.

They made little talk as they rode. Their way led them through the street which is shaded and ashamed by day, and which glows and flaunts itself by night. Men and women, gambling, drinking, carousing, rioted through the street, in and out of doors that spilled puddles of yellow light on the board sidewalks and dirt streets; screaming laughter, hoarse calls, the stench of liquor, the muffled noises of gambling, sputter of electric lights and the flash of glimmering reflections from bar mirrors rasped their senses and kept the father and son silent as they rode. When they had passed into the slumbering tenements, the father spoke: "Well, son, here it is--the two kinds of playing, and here we have what they call the bad people playing. The Van Dorns and the Satterthwaites will tell you that vice is the recreation of the poor. And it's more or less true." The elder man scratched his beard and faced the stars: "It's a devilish puzzle. Character makes happiness; I've got that down fine. But what makes character? Why is vice the recreation of the poor? Why do we recruit most of our bad boys and all of our wayward girls from those neighborhoods in every city where the poor live? Why does the clerk on $12 a week uptown crowd into Doctor Jim's wedding party, and the glass blower at $4 a day down here crowd into 'Big Em's' and 'Joe's Place' and the 'Crescent'? Is poverty caused by vice; or is vice a symptom of poverty? And why does the clerk's wife move in 'our best circles' and the miner's wife, with exactly the same money to spend, live in outer social darkness?"

"I've asked myself that question lots of times," exclaimed the youth. "I can't make it work out on any theory. But I tell you, father," the son clinched the hand that was free from the lines, and shook it, "it's wrong--some way, somehow, it's wrong, way down at the bottom of things--I don't know how nor why--but as sure as I live, I'll try to find out."

The clang of an engine bell in the South Harvey railroad yards drowned the son's answer. The two were crossing the track and turning the corner that led to the South Harvey station. The midnight train was about due. As the buggy came near the little gray box of a station a voice called, "Adams--Adams," and a woman's voice, "Oh, Grant."

"Why," exclaimed the father, "it's the happy couple." Grant stopped the horse and climbed out over the sleeping body of little Kenyon. "In a moment," replied Grant. Then he came to a shadow under the station eaves and saw the young people hiding. "Adams, you can help us," said Van Dorn. "We slipped off in the Doctor's phaëton, to get away from the guying crowd and we have tried to get the house on the 'phone, and in some way they don't answer. The horse is tied over by the lumber yard there. Will you take it home with you to-night, and deliver it to the Doctor in the morning--whatever--" But Grant cut in:

"Why, of course. Glad to have the chance." He was awkward and ill at ease, and repeated, "Why, of course, anything." But Van Dorn interjected: "You understand, I'll pay for it--" Grant Adams stared at him. "Why--why--no--" stammered Grant in confusion, while Van Dorn thrust a five-dollar bill upon him. He tried to return it, but the bride and groom ran to the train, leaving the young man alone and hurt in his heart. The father from the buggy saw what had happened. In a few minutes they were leading the Doctor's horse behind the Adams buggy. "I didn't want their money," exclaimed Grant, "I wanted their--their--"

"You wanted their friendship, Grant--that's what you wanted," said the father.

"And he wanted a hired man," cried Grant. "Just a hired man, and she--why, didn't she understand? She knew I would have carried the old horse on my back clear to town, if she'd let me, just to hear her laugh once. Father," the son's voice was bitter as he spoke, "why didn't she understand----why did she side with him?"

The father smiled. "Perhaps, on your wedding trip, Grant, your wife will agree with you too, son."

As they rode home in silence, the young man asked himself over and over again, what lines divided the world into classes; why manual toil shuts off the toilers from those who serve the world otherwise. Youth is sensitive; often it is supersensitive, and Grant Adams saw or thought he saw in the little byplay of Tom Van Dorn the caste prod of society jabbing labor back into its place.

"Tom," said the bride as they watched Grant Adams unhitch the horse by the lumber yard, "why did you force that money on Grant----he would have much preferred to have your hand when he said good-by."

"He's not my kind of folks, Laura," replied Van Dorn. "I know you like him. But that five will do him lots more good than my shaking his hand, and if that youth wasn't as proud as Lucifer he'd rather have five dollars than any man's hand. I would----if it comes to that."

"But, Tom," answered the girl, "that wasn't pride, that was self-respect."

"Well, my dear," he squeezed her gloved hand and in the darkness put his arm about her, "let's not worry about him. All I know is that I wanted to square it with him for taking care of the horse and five dollars won't hurt his self-respect. And," said the bridegroom as he pressed the bride very close to his heart, "what is it to us? We have each other, so what do we care----what is all the world to us?"

As the midnight train whistled out of South Harvey Grant Adams sitting on a bedside was fondly unbuttoning a small body from its clothes, ready to hear a sleepy child's voice say its evening prayers. In his heart there flamed the love for the child that was beckoning him into love for every sentient thing. And as Laura Van Dorn, bride of Thomas of that name, heard the whistle, her being was flooded with a love high and marvelous, washing in from the infinite love that moves the universe and carrying her soul in aspiring thrills of joy out to ride upon the mysterious currents that we know are not of ourselves, and so have called divine.

In the morning, in the early gray of morning, when Grant Adams rose to make the fire for breakfast, he found his father, sitting by the kitchen table, half clad as he had risen from a restless bed. Scrawled sheets of white paper lay around him on the floor and the table. He said sadly:

"She can't come, Grant--she can't come. I dreamed of her last night; it was all so real--just as she was when we were young, and I thought--I was sure she was near." He sighed as he leaned back in his chair. "But they've looked for her--all of them have looked for her. She knows I'm calling--but she can't come." The father fumbled the papers, rubbed his gray beard, and shut his fine eyes as he shook his head, and whispered: "What holds her--what keeps her? They all come but her."

"What's this, father?" asked Grant, as a page closely written in a fine hand fluttered to the floor.

"Oh, nothing--much--just Mr. Left bringing me some message from Victor Hugo. It isn't much."

But the Eminent Authority who put it into the Proceedings of the Psychological Society laid more store by it than he did by the scraps and incoherent bits of jargon which pictured the old man's lonely grief. They are not preserved for us, but in the Proceedings, on page 1125, we have this from Mr. Left:

"The vice of the poor is crass and palpable. It carries a quick and deadly corrective poison. But the vices of the well-to-do are none the less deadly. To dine in comfort and know your brother is starving; to sleep in peace and know that he is wronged and oppressed by laws that we sanction, to gather one's family in contentment around a hearth, while the poor dwell in a habitat of vice that kills their souls, to live without bleeding hearts for the wrong on this earth--that is the vice of the well-to-do. And so it shall come to pass that when the day of reckoning appears it shall be a day of wrath. For when God gives the poor the strength to rise (and they are waxing stronger every hour), they will meet not a brother's hand but a glutton's--the hard, dead hand of a hard, dead soul. Then will the vicious poor and the vicious well-to-do, each crippled by his own vices, the blind leading the blind, fall to in a merciless conflict, mad and meaningless, born of a sad, unnecessary hate that shall terrorize the earth, unless God sends us another miracle of love like Christ or some vast chastening scourge of war, to turn aside the fateful blow."

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XIII. IN WHICH WE OBSERVE THE INTERIOR OF A DESERTED HOUSE

An empty, lonely house was that on Quality Hill in Elm Street after the daughter's marriage. It was not that the Doctor and Mrs. Nesbit did not see their daughter often; but whether she came every day or twice a week or every week, always she came as a visitor. No one may have two homes. And the daughter of the house of Nesbit had her own home;--a home wherein she was striving to bind her husband to a domesticity which in itself did not interest him. But with her added charm to it, she believed that she could lure him into an acceptance of her ideal of marriage. So with all her powers she fell to her task. Consciously or unconsciously, directly or by indirection, but always with the joy of adventure in her heart, whether with books or with music or with comradeship, she was bending herself to the business of wifehood, so that her own home filled her life and the Nesbit home was lonely; so lonely was it that by way of solace and diversion, Mrs. Nesbit had all the woodwork downstairs "done over" in quarter-sawed oak with elaborate carvings. Ferocious gargoyles, highly excited dolphins, improper, pot-bellied little cupids, and mermaids without a shred of character, seemed about to pounce out from banister, alcove, bookcase, cozy corner and china closet.

George Brotherton pretended to find resemblances in the effigies to people about Harvey, and to the town's echoing delight he began to name the figures after their friends, and always saluted the figures intimately, as Maggie, or Henry, or the Captain, or John Kollander, or Lady Herdicker. But through the wooden menagerie in the big house the Doctor whistled and hummed and smoked and chirruped more or less drearily. To him the Japanese screens, the huge blue vases, the ponderous high-backed chairs crawly with meaningless carvings, the mantels full of jars and pots and statuettes, brought no comfort. He was forever putting his cane over his arm and clicking down the street to the Van Dorn home; but he felt in spite of all his daughter's efforts to welcome him--and perhaps because of them--that he was a stranger there. So slowly and rather imperceptibly to him, certainly without any conscious desire for it, a fondness for Kenyon Adams sprang up in the Doctor's heart. For it was exceedingly soft in spots and those spots were near his home. He was domestic and he was fond of home joys. So when Mrs. Nesbit put aside the encyclopedia, from which she was getting the awful truth about Babylonian Art for her paper to be read before the Shakespeare Club, and going to the piano, brought from the bottom of a pile of yellow music a tattered sheet, played a Chopin nocturne in a rolling and rather grand style that young women affected before the Civil War, the Doctor's joy was scarcely less keen than the child's. Then came rare occasions when Laura, being there for the night while her husband was away on business, would play melodies that cut the child's heart to the quick and brought tears of joy to his big eyes. It seemed to him at those times as if Heaven itself were opened for him, and for days the melodies she played would come ringing through his heart. Often he would sit absorbed at the piano when he should have been practicing his lesson, picking out those melodies and trying with a poignant yearning for perfection to find their proper harmonies. But at such times after he had frittered away a few minutes, Mrs. Nesbit would call down to him, "You, Kenyon," and he would sigh and take up his scales and runs and arpeggios.

Kenyon was developing into a shy, lovely child of few noises; he seemed to love to listen to every continuous sound--a creaking gate, a waterdrip from the eaves, a whistling wind--a humming wire. Sometimes the Doctor would watch Kenyon long minutes, as the child listened to the fire's low murmur in the grate, and would wonder what the little fellow made of it all. But above everything else about the child the Doctor was interested in watching his eyes develop into the great, liquid, soulful orbs that marked his mother. To the Doctor the resemblance was rather weird. But he could see no other point in the child's body or mind or soul whereon Margaret Müller had left a token. The Doctor liked to discuss Kenyon with his wife from the standpoint of ancestry. He took a sort of fiendish delight--if one may imagine a fiend with a seraphic face and dancing blue eyes and a mouth that loved to pucker in a pensive whistle--in Mrs. Nesbit's never failing stumble over the child's eyes.

Any evening he would lay aside his Browning----even in a knotty passage wherein the Doctor was wont to take much pleasure, and revert to type thus:

"Yes, I guess there's something in blood as you say! The child shows it! But where do you suppose he gets those eyes?" His wife would answer energetically, "They aren't like Amos's and they certainly are not much like Mary's! Yet those eyes show that somewhere in the line there was fine blood and high breeding."

And the Doctor, remembering the kraut-peddling Müller, who used to live back in Indiana, and who was Kenyon's great-grandfather, would shake a wise head and answer:

"Them eyes is certainly a throw-back to the angel choir, my dear--a sure and certain throw-back!"

And while Mrs. Nesbit was climbing the Sands family tree, from Mary Adams back to certain Irish Sandses of the late eighteenth century, the Doctor would flit back to "Paracelsus," to be awakened from its spell by: "Only the Irish have such eyes! They are the mark of the Celt all over the world! But it's curious that neither Mary nor Daniel had those eyes!"

"It's certainly curious like," squeaked the Doctor amicably--"certainly curious like, as the treetoad said when he couldn't holler up a rain. But it only proves that blood always tells! Bedelia, there's really nothing so true in this world as blood!"

And Mrs. Nesbit would ask him a moment later what he could find so amusing in "Paracelsus"? She certainly never had found anything but headaches in it.

Yet there came a time when the pudgy little stomach of the Doctor did not shake in merriment. For he also had his problem of blood to solve. Tom Van Dorn was, after all, the famous Van Dorn baby!

One evening in the late winter as the Doctor was trudging home from a belated call, he saw the light in Brotherton's window marking a yellow bar across the dark street. As he stepped in for a word with Mr. Brotherton about the coming spring city election, he saw quickly that the laugh was in some way on Tom Van Dorn, who rose rather guiltily and hurried out of the shop.

"Seegars on George!" exclaimed Captain Morton; then answered the Doctor's gay, inquiring stare: "Henry bet George a box of Perfectos Tom wouldn't be a year from his wedding asking 'what's her name' when the boys were discussing some girl or other, and they've laid for Tom ever since and got him to-night, eh?"

The Captain laughed, and then remembering the Doctor's relationship with the Van Dorns, colored and tried to cover his blunder with: "Just boys, you know, Doc--just their way."

The Doctor grinned and piped back, "Oh, yes--yes--Cap--I know, boys will be dogs!"

Toddling home that night the Doctor passed the Van Dorn house. He saw through the window the young couple in their living-room. The doctor had a feeling that he could sense the emotions of his daughter's heart. It was as though he could see her trying in vain to fasten the steel grippers of her soul into the heart and life of the man she loved. Over and over the father asked himself if in Tom Van Dorn's heart was any essential loyalty upon which the hooks and bonds of the friendship and fellowship of a home could fasten and hold. The father could see the handsome young face of Van Dorn in the gas light, aflame with the joy of her presence, but Dr. Nesbit realized that it was a passing flame--that in the core of the husband was nothing to which a wife might anchor her life; and as the Doctor clicked his cane on the sidewalk vigorously he whispered to himself: "Peth--peth--nothing in his heart but peth."

A day came when the parents stood watching their daughter as she went down the street through the dusk, after she had kissed them both and told them, and after they had all said they were very happy over it. But when she was out of sight the hands of the parents met and the Doctor saw fear in Bedelia Nesbit's face for the first time. But neither spoke of the fear. It took its place by the vague uneasiness in their hearts, and two spectral sentinels stood guard over their speech.

Thus their talk came to be of those things which lay remote from their hearts. It was Mrs. Nesbit's habit to read the paper and repeat the news to the Doctor, who sat beside her with a book. He jabbed in comments; she ignored them. Thus: "I see Grant Adams has been made head carpenter for all the Wahoo Fuel Companies mines and properties." To which the Doctor replied: "Grant, my dear, is an unusual young man. He'll have ten regular men under him--and I claim that's fine for a boy in his twenties--with no better show in life than Grant has had." But Mrs. Nesbit had in general a low opinion of the Doctor's estimates of men. She held that no man who came from Indiana and was fooled by men who wore cotton in their ears and were addicted to chilblains, could be trusted in appraising humanity.

So she answered, "Yes," dryly. It was her custom when he began to bestow knighthood upon common clay to divert him with some new and irrelevant subject. "Here's an item in the Times this morning I fancy you didn't read. After describing the bride's dress and her beauty, it says, 'And the bride is a daughter of the late H. M. Von Müller, who was an exile from his native land and gave up a large estate and a title because of his participation in the revolution of '48. Miss Müller might properly be called the Countess Von Müller, if she chose to claim her rightful title!'--what is there to that?"

The Doctor threw back his head and chuckled:

"Pennsylvania Dutch for three generations--I knew old Herman Müller's father--before I came West--when he used to sell kraut and cheese around Vincennes before the war, and Herman's grandfather came from Pennsylvania."

"I thought so," sniffed Mrs. Nesbit. And then she added: "Doctor, that girl is a minx."

"Yes, my dear," chirped the Doctor. "Yes, she's a minx; but this isn't the open season for minxes, so we must let her go. And," he added after a pause, during which he read the wedding notice carefully, "she may put a brace under Henry--the blessed Lord knows Henry will need something, though he's done mighty well for a year--only twice in eighteen months. Poor fellow--poor fellow!" mused the Doctor. Mrs. Nesbit blinked at her husband for a minute in sputtering indignation. Then she exclaimed: "Brace under Henry!" And to make it more emphatic, repeated it and then exploded: "The cat's foot--brace for Henry, indeed--that piece!"

And Mrs. Nesbit stalked out of the room, brought back a little dress--a very minute dress--she was making and sat rocking almost imperceptibly while her husband read. Finally, after a calming interval, she said in a more amiable tone, "Doctor Nesbit, if you've cut up all the women you claim to have dissected in medical school, you know precious little about what's in them, if you get fooled in that Margaret woman."

"The only kind we ever cut up," returned the Doctor in a mild, conciliatory treble, "were perfect--all Satterthwaites."

And when the Doctor fell back to his book, Mrs. Nesbit spent some time reflecting upon the virtues of her liege lord and wondering how such a paragon ever came from so common a State as Indiana, where so far as any one ever knew there was never a family in the whole commonwealth, and the entire population as she understood it carried potatoes in their pockets to keep away rheumatism.

The evening wore away and Dr. and Mrs. Nesbit were alone by the ashes in the smoldering fire in the grate. They were about to go up stairs when the Doctor, who had been looking absent-mindedly into the embers, began meditating aloud about local politics while his wife sewed. His meditation concerned a certain trade between the city and Daniel Sands wherein the city parted with its stock in Sands's public utilities with a face value of something like a million dollars. The stocks were to go to Mr. Sands, while the city received therefor a ten-acre tract east of town on the Wahoo, called Sands Park. After bursting into the Doctor's political nocturne rather suddenly and violently with her feminine disapproval, Mrs. Nesbit sat rocking, and finally she exclaimed: "Good Lord, Jim Nesbit, I wish I was a man."

"I've long suspected it, my dear," piped her husband,

"Oh, it isn't that--not your politics," retorted Mrs. Nesbit, "though that made me think of it. Do you know what else old Dan Sands is doing?"

The Doctor bent over the fire, stirred it up and replied, "Well, not in particular."

"Philandering," sniffed Mrs. Nesbit.

"Again?" returned the Doctor.

"No," snapped Mrs. Nesbit--"as usual!"

The Doctor had no opinion to express; one of the family specters was engaging his attention at the moment. Presently his wife put down her paper and sat as one wrestling with an impulse. The specter on her side of the hearth was trying to keep her lips sealed. They sat while the mantel clock ticked off five minutes.

"What are you thinking?" the Doctor asked.

"I'm thinking of Dan Sands," replied the wife with some emotion in her voice.

The foot tap of Mrs. Nesbit became audible. She shook her head with some force and exclaimed: "O Jim, wouldn't I like to have that man--just for one day."

"I've noticed," cut in the Doctor, "regarding such propositions from the gentler sex, that the Lord generally tempers the wind to the shorn lamb."

"The shorn lamb--the shorn lamb," retorted Mrs. Nesbit. "The shorn tom-cat! I'd like to shear him." Wherewith she rose and putting out the light led the Doctor to the stairs.

Both knew that the spectral sentinels had used Daniel Sands and his amours only as a seal upon their lips.

The parents could speak in parables about what they felt or fancied because there was so little that was tangible and substantial for them to see. Of all the institutions man has made--the state, the church, his commerce, his schools,--the home is by far the most spiritual. Its successes and its failures are never material. They are never evidenced in any sort of worldly goods. Only in the hearts of those who dwell in a home, or of those to whom it is dear, do its triumphs and its defeats register themselves. But in Tom Van Dorn's philosophy of life small space was left for things of the spirit alone, to register. He was trying with all his might to build a home upon material things. So above all he built his home around a beautiful woman. Then he lavished upon her and about the house wherein she dwelled, beautiful objects. He was proud of their cost. Their value in dollars and cents gave these objects their chief value in his balance sheet of gain or less in footing up his account with his home. And because what he had was expensive, he prized it. Possibly because he had bought his wife's devotion, at some material sacrifice to his own natural inclinations toward the feminine world, he listed her high in the assets of the home; and so in the only way he could love, he loved her jealously. She and the rugs and pictures and furniture--all were dear to him, as chattels which he had bought and paid for and could brag about. And because he was too well bred to brag, the repression of that natural instinct he added to the cost of the items listed,--rugs, pictures, wife, furniture, house, trees, lot, and blue grass lawn. So when toward the end of the first year of his marriage, he found that actually he could turn his head and follow with his eyes a pretty petticoat going down Market Street, and still fool his wife; when he found he could pry open the eyes of Miss Mauling at the office again with his old ogle, and still have the beautiful love which he had bought with self-denial, its value dropped.

And his wife, who felt in her soul her value passing in the heart she loved, strove to find her fault and to correct it. Daily her devotion manifested itself more plainly. Daily she lived more singly to the purpose of her soul. And daily she saw that purpose becoming a vain pursuit.

Outwardly the home was unchanged as this tragedy was played within the two hearts. The same scenery surrounded the players. The same voices spoke, in the same tones, the same words of endearment, and the same hours brought the same routine as the days passed. Yet the home was slowly sinking into failure. And the specters that sealed the lips of the parents who stood by and mutely watched the inner drama unfold, watched it unfold and translate itself into life without words, without deeds, without superficial tremor or flinching of any kind--the specters passed the sad story from heart to heart in those mysterious silences wherein souls in this world learn their surest truths.

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Chapter XIV

IN WHICH OUR HERO STROLLS OUT WITH THE DEVIL TO LOOK AT THE HIGH MOUNTAIN

The soup had come and gone; great platters of fried chicken had disappeared, with incidental spinach and new peas and potatoes. A bowl of lettuce splashed with a French dressing had been mowed down as the grass, and the goodly company was surveying something less than an acre of strawberry shortcake at the close of a rather hilarious dinner--a spring dinner, to be exact. Rhoda Kollander was reciting with enthusiasm an elaborate and impossible travesty of a recipe for strawberry shortcake, which she had read somewhere, when the Doctor, in his nankeens, putting his hands on the table cloth as one who was about to deliver an oracle, ran his merry eyes down the table, gathering up the Adamses and Mortons and Mayor Brotherton and Morty Sands; fastened his glance upon the Van Dorns and cut in on the interminable shortcake recipe rather ruthlessly thus in his gay falsetto:

"Tom, here--thinks he's pretty smart. And George Brotherton, Mayor of all the Harveys, thinks he is a pretty smooth article; and the Honorable Lady Satterthwaite here, she's got a Maryland notion that she has second sight into the doings of her prince consort." He chuckled and grinned as he beamed at his daughter: "And there is the princess imperial--she thinks she's mighty knolledgeous about her father--but," he cocked his head on one side, enjoying the suspense he was creating as he paused, drawling his words, "I'm just going to show you how I've got 'em all fooled."

He pulled from his pocket a long, official envelope, pulled from the envelope an official document, and also a letter. He laid the official document down before him and opened the letter.

"Kind o' seems to be signed by the Governor of the State," he drolled: "And seems like the more I look at it the surer I am it's addressed to Tom Van Dorn. I'm not much of an elocutionist and never could read at sight, having come from Eendiany, and I guess Rhody here, she's kind of elocutionary and I'll jest about ask her to read it to the ladies and gentlemen!" He handed Mrs. Kollander the letter and passed the sealed document to his son-in-law.

Mrs. Kollander read aloud:

"I take pleasure in handing you through the kindness of Senator James Nesbit your appointment to fill the vacancy in your judicial district created to-day by the resignation of Judge Arbuckle of your district to fill a vacancy in the Supreme Court of this State created there by the resignation of Justice Worrell."

Looking over his wife's shoulder and seeing the significance of the letter, John Kollander threw back his head and began singing in his roaring voice, "For we'll rally round the flag, boys, we'll rally once again, shouting the battle cry of freedom," and the company at the table clapped its hands. And while George Brotherton was bellowing, "Well--say!" Judge Thomas Van Dorn kissed his wife and beamed his satisfaction upon the company.

When the commotion had subsided the chuckling little man, all a-beam with happiness, his pink, smooth face shining like a headlight, explained thus:

"I jest thought these Maryland Satterthwaites and Schenectady Van Dorns was a-gittin' too top-lofty, and I'd have to register one for the Grand Duke of Griggsby's Station, to sort of put 'em in their place!" He was happy; and his vernacular, which always was his pose under emotional stress, was broad, as he went on: "So I says to myself, the Corn Belt Railroad is mighty keen for a Supreme Court decision in the Missouri River rate case, and I says, Worrell J., he's the boy to write it, but I says to the Corn Belt folks, says I, 'It would shatter the respect of the people for their courts if Worrell J. should stay on the bench after writing the kind of a decision you want, so we'll just put him in your law offices at twelve thousand per, which is three times what he is getting now, and then one idear brought on another and here's Tom's commission and three men and a railroad all made happy!" He threw back his head and laughed silently as he finished, "and all the justices concurring!" After the hubbub of congratulations had passed and the guests had moved into the parlor of the Nesbit home, the little Doctor, standing among them, regaled himself thus:

"Politics is jobs. Jobs is friends. Friends is politics. The reason why the reformers don't get anywhere is that they have no friends in politics. They regard the people as sticky and smelly and low. Bedelia has that notion. But I love 'em! Love 'em and vote 'em!"

Amos Adams opened his mouth to protest, but the Doctor waved him into silence. "I know your idear, Amos! But when the folks get tired of politics that is jobs and want politics that is principles, I'll open as fine a line of principles as ever was shown in this market!"

After the company had gone, Mrs. Nesbit faced her husband with a peremptory: "Well--will you tell me why, Jim Nesbit?" And he sighed and dropped into a chair.

"To save his self-respect! Self-respect grows on what it feeds on, my dear, and I thought maybe if he was a judge"--he looked into the anxious eyes of his wife and went on--"that might hold him!" He rested his head on a hand and drew in a deep breath. "'Vanity, vanity,' saith the Preacher--'all is vanity!' And I thought I'd hitch it to something that might pull him out of the swamp! And I happened to know that he had a sneaking notion of running for Judge this fall, so I thought I'd slip up and help him."

He sighed again and his tone changed. "I did it primarily for Laura," he said wearily, and: "Mother, we might as well face it."

Mrs. Nesbit looked intently at her husband in understanding silence and asked: "Is it any one in particular, Jim--"

He hesitated, then exclaimed: "Oh, I may be wrong, but somehow I don't like the air--the way that Mauling girl assumes authority at the office. Why, she's made me wait in the outer office twice now--for nothing except to show that she could!"

"Yes, Jim--but what good will this judgeship do? How will it solve anything?" persisted the wife. The Doctor let his sigh precede his words: "The office will make him realize that the eyes of the community are on him, that he is in a way a marked man. And then the place will keep him busy and spur on his ambition. And these things should help."

He looked tenderly into the worried face of his wife and smiled. "Perhaps we're both wrong. We don't know. Tom's young and--" He ended the sentence in a "Ho--ho--ho--hum!" and yawned and rose, leading the way up stairs.

In the Van Dorn home a young wife was trying to define herself in the new relation to the community in which the evening's news had placed her. She had no idea of divorcing the judgeship from her life. She felt that marriage was a full partnership and that the judgeship meant much to her. She realized that as a judge's wife her life and her duties--and she was eager always to acquire new duties--would be different from her life and her duties as a lawyer's wife or a doctor's wife or a merchant's wife, for example. For Laura Van Dorn was in the wife business with a consuming ardor, and the whole universe was related to her wifehood. To her marriage was the development of a two-phase soul with but one will. As the young couple entered their home, the wife was saying:

"Tom, isn't it fine to think of the good you can do--these poor folk in the Valley don't really get justice. And they're your friends. They always help you and father in the election, and now you can see that they have their rights. Oh, I'm so glad--so glad father did it. That was his way to show them how he really loves them."

The husband smiled, a husbandly and superior smile, and said absently, "Oh, well, I presume they don't get much out of the courts, but they should learn to keep away from litigation. It's a rich man's game anyway!" He was thinking of the steps before him which might lead him to a higher court and still higher. His ambition vaulted as he spoke. "Laura, Father Jim wouldn't mind having a son-in-law on the United States Supreme Court, and I believe we can work together and make it in twenty years more!"

As the young wife saw the glow of ambition in his fine, mobile face she stifled the altruistic yearnings, which she had come to feel made her husband uncomfortable, and joined him as he gazed into the crystal ball of the future and saw its glistening chimera.

Perhaps the preceding dialogue wherein Dr. James Nesbit, his wife, his daughter and his son-in-law have spoken may indicate that politics as the Doctor played it was an exceedingly personal chess game. We see him here blithely taking from the people of his state, their rights to justice and trading those rights cheerfully for his personal happiness as it was represented in the possible reformation of his daughter's husband. He thought it would work--this curious bartering of public rights for private ends. He could not see that a man who could accept a judgeship as it had come to Tom Van Dorn, in the nature of things could not take out an essential self-respect which he had forfeited when he took the place. The Doctor was as blind as Tom Van Dorn, as blind as his times. Government was a personal matter in that day; public place was a personal perquisite.

As for the reformation of Tom Van Dorn, for which all this juggling with sacred things was done, he had no idea that his moral regeneration was concerned in the deal, and never in all the years of his service did the vaguest hint come to him that the outrage of justice had been accomplished for his own soul's good.

The next morning Tom Van Dorn read of his appointment as Judge in the morning papers, and he pranced twice the length of Market Street, up one side and down the other, to let the populace congratulate him. Then with a fat box of candy he went to his office, where he gave the candy and certain other tokens of esteem to Miss Mauling, and at noon after the partnership of Calvin & Van Dorn had been dissolved, with the understanding that the young Judge was to keep his law books in Calvin's office, and was to have a private office there--for certain intangible considerations. Then after the business with Joseph Calvin was concluded, the young Judge in his private office with his hands under his coattails preened before Miss Mauling and talked from a shameless soul of his greed for power! The girl before him gave him what he could not get at home, an abject adoration, uncritical, unabashed, unrestrained.

The young man whom the newly qualified Judge had inherited as court stenographer was a sadly unemotional, rather methodical, old maid of a person, and Tom Van Dorn could not open his soul to this youth, so he was wont to stray back to the offices of Joseph Calvin to dictate his instructions to juries, and to look over the books in his own library in making up his decisions. The office came to be known as the Judge's Chambers and the town cocked a gay and suspicious eye at the young Judge. Mr. Calvin's practice doubled and trebled and Miss Mauling lost small caste with the nobility and gentry. And as the summer deepened, Dr. James Nesbit began to see that vanity does not build self-respect.

When the young Judge announced his candidacy for election to fill out the two years' unexpired term of his predecessor, no one opposed Van Dorn in his party convention; but the Doctor had little liking for the young man's intimacy in the office of Joseph Calvin and less liking for the scandal of that intimacy which arose when the rich litigants in the Judge's court crowded into Calvin's office for counsel. The Doctor wondered if he was squeamish about certain matters, merely because it was his own son-in-law who was the subject of the disquieting gossip connected with Calvin's practice in Van Dorn's court. Then there was the other matter. The Doctor could notice that the town was having its smile--not a malicious nor condemning smile, but a tolerant, amused smile about Van Dorn and the Mauling girl; and the Doctor didn't like that. It cut deeply into the Doctor's heart that as the town's smile broadened, his daughter's face was growing perceptibly more serious. The joy she had shown when first she told him of the baby's coming did not illumine her face; and her laughter--her never failing well of gayety--was in some way being sealed. The Doctor determined to talk with Tom on the Good of the Order and to talk man-wise--without feeling of course but without guile.

So one autumn afternoon when the Doctor heard the light, firm step of the young man in the common hallway that led to their offices over the Traders' Bank, the Doctor tuned himself up to the meeting and cheerily called through his open door:

"Tom--Tom, you young scoundrel--come in here and let's talk it all over."

The young man slipped a package into his pocket, and came lightly into the office. He waved his hand gayly and called: "Well--well, pater familias, what's on your chest to-day?" His slim figure was clad in gray--a gray suit, gray shirt, gray tie, gray shoes and a crimson rose bud in his coat lapel. As he slid into a chair and crossed his lean legs the Doctor looked him over. The young Judge's corroding pride in his job was written smartly all over his face and figure. "The fairest of ten thousand, the bright and morning star, Tom," piped the Doctor. Then added briskly, "I want to talk to you about Joe Calvin." The young man lifted a surprised eyebrow. The Doctor pushed ahead as he pulled the county bar docket from his desk and pointed to it. "Joe Calvin's business has increased nearly fifty per cent. in less than six months! And he has the money side of eighty per cent. of the cases in your court!"

"Well--" replied Van Dorn in the mushy drawl that he used with juries, "that's enough! Joe couldn't ask more." Then he added, eying the Doctor closely, "Though I can't say that what you tell me startles me with its suddenness."

"That's just my point," cried the Doctor in his high, shrill voice. "That's just my point, Thomas," he repeated, "and here's where I come in. I got you this job. I am standing for you before the district and I am standing for you now for this election." The Doctor wagged his head at the young man as he said, "But the truth is, Tom, I had some trouble getting you the solid delegation."

"Ah?" questioned the suave young Judge.

"Yes, Tom--my own delegation," replied the Doctor. "You see, Tom, there is a lot of me. There is the one they call Doc Jim; then there's Mrs. Nesbit's husband and there's your father-in-law, and then there's Old Linen Pants. The old man was for you from the jump. Doc Jim was for you and Mrs. Nesbit's husband was willing to go with the majority of the delegation, though he wasn't strong for you. But I'll tell you, Tom," piped the Doctor, "I did have the devil of a time ironing out the troubles of your father-in-law."

The Doctor leaned forward and pointed a fat, stern finger at his son-in-law. "Tom," the Doctor's voice was shrill and steely, "I don't like your didos with Violet Mauling!" The face above the crimson flower did not flinch.

"I don't suppose you're making love to her. But you have no business fooling around Joe Calvin's office on general principles. Keep out, and keep away from her." And then the Doctor's patience slipped and his voice rose: "What do you want to give her the household bills for? Pay 'em yourself or let Laura send her checks!" The Doctor's tones were harsh, and with the amiable cast off his face his graying blond pompadour hair seemed to bristle militantly. The effect gave the Doctor a fighting face as he barked, "You can't afford it. You must stop it. It's no way to do. I didn't think it of you, Tom!"

After Van Dorn had touched his black wing of hair, his soft mustache and the crimson flower on his coat, he had himself well in hand and had planned his defense and counter attacks. He spoke softly:

"Now, Father Jim--I'm not--" he put a touch of feeling in the "not," "going to give up the Mauling girl. When I'm elected next month, I'm going to make her my court stenographer!" He looked the Doctor squarely in the face and paused for the explosion which came in an excited, piping cry:

"Why, Tom, are you crazy! Take her all over the three counties of this district with you? Why, boy--" But Judge Van Dorn continued evenly: "I don't like a man stenographer. Men make me nervous and self-conscious, and I can't give a man the best that's in me. And I propose to give my best to this job--in justice to myself. And Violet Mauling knows my ways. She doesn't interpose herself between me and my ideas, so I am going to make her court stenographer next month right after the election."

When the Doctor drew in a breath to speak, Van Dorn put out a hand, checked the elder man and said blandly and smilingly, "And, Father Jim, I'm going to be elected--I'm dead sure of election."

The Doctor thought he saw a glint of sheer malicious impudence in Van Dorn's smile as he finished speaking: "And anyway, pater, we mustn't quarrel right now--Just at this time, Laura--"

"You're a sly dog, now, ain't you! Ain't you a sly dog?" shrilled the Doctor in sputtering rage. Then the blaze in his eyes faded and he cried in despair: "Tom, Tom, isn't there any way I can put the fear of God into you?"

Van Dorn realized that he had won the contest. So he forbore to strike again.

"Doctor Jim, I'm afraid you can't jar me much with the fear of God. You have a God that sneaks in the back door of matter as a kind of a divine immanence that makes for progress and Joe Calvin in there has a God with whiskers who sits on a throne and runs a sort of police court; but one's as impossible as the other. I have no God at all," his chest swelled magnificently, "and here's what happens":

He was talking against time and the Doctor realized it. But his scorn was crusting over his anger and he listened as the young Judge amused himself: "I've defended gamblers and thugs--and crooks, some rich, some poor, mostly poor and mostly guilty. And Joe has been free attorney for the law and order league and has given the church free advice and entertained preachers when he wasn't hiding out from his wife. And he's gone to conference and been a deacon and given to the Lord all his life. And now that it's good business for him to have me elected, can he get a vote out of all his God-and-morality crowd? Not a vote. And all I have to do is to wiggle my finger and the whole crowd of thugs and blacklegs and hoodlums and rich and poor line up for me--no matter how pious I talk. I tell you, Father Jim--there's nothing in your God theory. It doesn't work. My job is to get the best out of myself possible." But this was harking back to Violet Mauling and the young Judge smiled with bland impertinence as he finished, "The fittest survive, my dear pater, and I propose to keep fit--to keep fit--and survive!"

The Doctor's anger cooled, but the pain still twinged his heart, the pain that came as he saw clearly and surely that his daughter's life was bound to the futile task of making bricks without straw. Deep in his soul he knew the anguish before her and its vain, continual round of fallen hopes. As the young Judge strutted up and down the Doctor's office, the father in the elder man dominated him and a kind of contemptuous pity seized him. Pity overcame rage, and the Doctor could not even sputter at his son-in-law. "Fit and survive" kept repeating themselves over in Dr. Nesbit's mind, and it was from a sad, hurt heart that he spoke almost kindly: "Tom--Tom, my boy, don't be too sure of yourself. You may keep fit and you may survive--but Tom, Tom--" the Doctor looked steadily into the bold, black eyes before him and fancied they were being held consciously from dropping and shifting as the Doctor cried: "For God's sake, Tom, don't let up! Keep on fighting, son, God or no God--you've got a devil--keep on fighting him!"

The olive cheeks flushed for a fleeting second. Van Dorn laughed an irritated little laugh. "Well," he said, turning to the door, "be over to-night?--or shall we come over? Anything good for dinner?"

A minute later he came swinging into his own office. He pulled a package from his pocket. "Violet," he said, going up to her writing desk and half sitting upon it, as he put the package before her, "here's the candy."

He picked up her little round desk mirror, smiled at her in it, and played rather idly about the desk for a foolish moment before going to his own desk. He sat looking into the street, folding a sheet of blank paper. When it became a wad he snapped it at the young woman. It hit her round, beautiful neck and disappeared into her square-cut bodice.

"Get it out for you if you want it?" He laughed fatuously.

The girl flashed quick eyes at him, and said, "Oh, I don't know," and went on with her work. He began to read, but in a few minutes laid his book down.

"How'd you like to be a court stenographer?" The girl kept on writing. "Honest now I mean it. If I win this election and get this job for the two years of unexpired term, you'll be court stenographer--pays fifteen hundred a year." The girl glanced quickly at him again, with fire in her eyes, then looked conspicuously down at the keyboard of the writing machine.

"I couldn't leave home," she said finally, as she pulled out a sheet of paper. "It wouldn't be the thing--do you think so?"

He put his feet on the desk, showing his ankles of pride, and fingering his mustache, smiling a squinty smile with his handsome, beady eyes as he said: "Oh, I'd take care of you. You aren't afraid of me, are you?"

They both laughed. And the girl came over with a sheet of paper. "Here is that Midland Valley letter. Will you sign it now?"

He managed to touch her hand as she handed him the sheet, and again to touch her bare forearm as he handed it back after signing it. For which he got two darts from her eyes.

A client came in. Joseph Calvin hurried in and out, a busy little rat of a man who always wore shiny clothes that bagged at the knees and elbows. George Brotherton crashed in through the office on city business, and so the afternoon wore away. At the end of the day, Thomas Van Dorn and Miss Mauling locked up the office and went down the hall and the stairs to the street together. He released her arm as they came to the street, and tipped his hat as she rounded the corner for home. He saw the white-clad Doctor trudging up the low incline that led to Elm Street.

Dr. Nesbit was asking the question, Who are the fit? Who should survive? His fingers had been pinched in the door of the young Judge's philosophy and the Doctor was considering much that might be behind the door. He wondered if it was the rich and the powerful who should survive. Or he thought perhaps it is those who give themselves for others. There was Captain Morton with his one talent, pottering up and down the town talking all kinds of weather, and all kinds of rebuffs that he might keep the girls in school and make them ready to serve society; yet according to Tom's standards of success the Captain was unfit; and there was George Brotherton, ignorant, but loyal, foolishly blind, of a tender heart, yet compared with those who used his ignorance and played upon his blindness (and the Doctor winced at his part in that game) Mr. Brotherton was cast aside among the world's unfit; and so was Henry Fenn, fighting with his devil like a soldier; and so was Dick Bowman going into the mines for his family, sacrificing light and air and the joy of a free life that the wife and children might be clad, housed and fed and that they might enjoy something of the comforts of the great civilization which his toil was helping to build up around them; yet in his grime Dick was accounted exceedingly unfit. Dick only had a number on the company's books and his number corresponded to a share of stock and it was the business of the share of stock to get as much out of Dick and give him back as little, and to take as much from society in passing for coal as it could, and being without soul or conscience or feeling of any kind, the share of stock put the automatic screws on Dick--as their numbers corresponded. And for squeezing the sweat out of him the share was accounted unusually fit, while poor Dick--why he was merely a number on the books and was called a unit of labor. Then there was Daniel Sands. He had spread his web all over the town. It ran in the pipes under ground that brought water and gas, and the wires above ground, that brought light and power and communication. The web found its way into the earth--through deep cuts in the earth, worming along caverns where it held men at work; then the web ran into foul dens where the toilers were robbed of their health and strength and happiness and even of the money the toilers toiled for, and the web brought it all back slimey and stinking from unclean hands into the place where the spider sat spinning. And there was his son and daughter; Mr. Sands had married at least four estimable ladies with the plausible excuse that he was doing it only to give his children a home. Mr. Sands had given his son a home, to be sure; but his son had not taken a conscience from the home--for who was there at home to give it? Not the estimable ladies who had married Mr. Sands, for they had none or they would have been somewhere else, to be sure; not Mr. Sands himself, for he was busy with his web, and conscience rips such webs as his endways, and Daniel would have none of that. And the servants who had reared the youth had no conscience to give him; for it was made definite and certain in that home that they were paid for what they did, so they did what they were paid for, and bestowing consciences upon young gentlemen is no part of the duty of the "help" in a home like that.

As for his daughter, Anne, again one of God's miracles was wrought. There she was growing in the dead atmosphere of that home--where she had known two mothers before she was ten and she saw with a child's shrewd eyes that another was coming. Yet in some subsoil of the life about her the roots of her life were finding a moral sense. Her hazel eyes were questioning so curiously the old man who fathered her that he felt uncomfortable when she was near him. Yet for all the money he had won and all that money had made him, he was reckoned among the fit. Then there was the fit Mr. Van Dorn and the fit Mr. Calvin. Mr. Calvin never missed a Sunday in church, gave his tithe, and revered the law. He adjusted his halo and sang feelingly in prayer meeting about his cross and hoped ultimately for his crown as full and complete payment and return, the same being the legal and just equivalent for said hereinbefore named cross as aforesaid, and Mr. Calvin was counted among the fit, and the Doctor smiled as he put him in the list. And Mr. Van Dorn had confessed that he was among the fit and his fitness consisted in getting everything that he could without being caught.

But these reflections were vain and unprofitable to Dr. Nesbit, and so he turned himself to the consideration of the business in hand: namely, to make his calling and reëlection sure to the State Senate that November. So he went over Greeley County behind his motherly sorrel mare, visiting the people, telling them stories, prescribing for their ailments, eating their fried chicken, cream gravy and mashed potatoes, and putting to rout the forces of the loathed opposition who maintained that the Doctor beat his wife, by sometimes showing said wife as exhibit "A" without comment in those remote parts of the county where her proud figure was unknown.

In November he was reëlected, and there was a torchlight procession up the aisle of elms and all the neighbors stood on the front porch, including the Van Dorns and the Mortons and John Kollander in his blue soldier clothes, carrying the flag into another county office, and the Henry Fenns, while the Doctor addressed the multitude! And there was cheering, whereupon Mr. Van Dorn, Judge pro tem and Judge-elect, made a speech with eloquence and fire in it; John Kollander made his well-known flag speech, and Captain Morton got some comfort out of the election of Comrade Nesbit, who had stood where bullets were thickest and as a boy had bared his breast to the foe to save his country, and drawing the Doctor into the corner, filed early application to be made sergeant-at-arms of the State Senate and was promised that or Something Equally Good. The hungry friends of the new Senator so loaded him with obligations that blessed night that he again sold his soul to the devil, went in with the organization, got all the places for all his people, and being something of an organizer himself, distributed the patronage for half the State.

Ten days later--or perhaps it may have been two weeks later, at half past five in the evening--the Judge-elect was sitting at his desk, handsomely dressed in black--as befitting the dignity of his office. He and his newly appointed court stenographer had returned the hour before from an adjoining county where they had been holding court. The Judge was alone, if one excepts the young woman at the typewriting desk, before whom he was preening, as though she were a mere impersonal mirror. During the hour the Judge had visited the tailor's and had returned to his office wearing a new, long-tailed coat. His black silk neck-scarf was resplendently new, his large, soft, black hat--of a type much favored by statesmen in that day--was cocked at a frivolous angle, showing the raven's wing of black hair upon his fine forehead. A black silk watchguard crossed his black vest; his patent leather shoes shone below his trim black silk socks, and he rubbed his smooth, olive cheek with the yellow chrysanthemum upon his coat lapel.

"Gee, but you're swell," said Miss Mauling. "You look good enough to eat."

"Might try a bite--if you feel that way about it," replied the Judge. He put his hands in his pockets, tried them under his long coat tails, buttoned the coat and thrust one hand between the buttons, put one hand in a trousers' pocket, letting the other fall at his side, put both hands behind him, and posed for a few minutes exchanging more or less fervent glances with the girl. A step sounded in the hallway. The man and woman obviously listened. It was a heavy tread; it was coming to the office door. The man and woman slipped into Judge Van Dorn's private office. When the outer door opened, and it was apparent that some one was in the outer office, Miss Mauling appeared, note book in hand, quite brisk and businesslike with a question in her good afternoon.

"Where's Van Dorn?" The visitor was tall, rawboned, and of that physical cast known as lanky. His face was flinty, and his red hair was untrimmed at the neck and ears.

"The Judge is engaged just now," smiled Miss Mauling. "Will you wait?" She was careful not to ask him to sit. Grant Adams looked at the girl with a fretful stare. He did not take off his hat, and he shook his head toward Van Dorn's office door as he said brusquely, "Tell him to come out. It's important." The square shoulders of the tall man gave a lunge or hunch toward the door. "I tell you it's important."

Miss Mauling smiled. "But he can't come out just now. He's busy. Any message I can give him?"

The man was excited, and his voice and manner showed his temper.

"Now, look here--I have no message; tell Van Dorn I want him quick."

"What name, please?" responded Miss Mauling, who knew that the visitor knew she was playing.

"Grant Adams--tell him it's his business and not mine--except--"

But the girl had gone. It was several minutes before Tom Van Dorn moved gracefully and elegantly into the room. "Ah," he began. Grant glared at him.

"I've just driven down from Nesbit's with Kenyon, and Mrs. Nesbit says to tell you Laura's there--came over this morning, and you're to come just as quick as you can. They tried to get you on the 'phone, but you weren't here. Do you understand? You're to come quick, and I've left my horse out here for you. Kenyon and I'll catch a car home."

The pose with one hand in his trousers pocket and the other hanging loosely suited the Judge-elect as he answered: "Is that all?" Then he added, as his eyes went over the blue overalls: "I presume Mrs. Nesbit advised you as to the reason for--for, well--for haste?"

Grant saw Van Dorn's eyes wander to the girl's for approval. "I shall not need your horse, Adams," Van Dorn went on without waiting for a reply to his question. Then again turning his eyes to the girl, he asked: "Adams, anything I can do to repay your kindness?"

"No--" growled Adams, turning to go.

"Say, Adams," called Van Dorn, rubbing his hands and still smiling at the girl, "you wouldn't take a cigar in--in anticipation of the happy--"

Adams whirled around. His big jaw muscles worked in knots before he spoke; his blue eyes were set and raging. But he looked at the floor an instant before crying:

"You go to hell!" And an instant later, the lank figure had left the room, slamming the door after him. Grant heard the telephone bell ringing, and heard the girl's voice answering it, then he went to the doctor's office. As he was writing the words "At Home" on the slate on the door, he could hear Miss Mauling at the telephone.

"Yes," and again, "Yes," and then, "Is there any message," and finally she giggled, "All right, I'll call him." Then Grant stalked down the stairs. The receiver was hanging down. The Doctor at the other end of the wire could hear a man and a woman laughing. Van Dorn stepped to the instrument and said: "Yes, Doctor."

Then, "What--well, you don't say!"

And still again, "Yes, he was just here this minute; shall I call him back?" And before hanging up the receiver, he said, "Why, of course, I'll come right out."

The Judge-elect turned gracefully around, smiling complacently: "Well, Violet--it's your bet. It's a girl!"

The court stenographer poked a teasing forefinger at him and whittled it with another in glee. Then, as if remembering something, she asked: "How's your wife?"

Van Dorn's face was blank for an instant. "By George--that's so. I forgot to ask." He started to pick up the telephone receiver, but checked himself. He pulled his broad-brimmed hat over his eyes, and started for the door, waving merrily and rubbing his chin with his flower.

"Ta ta," he called as he saw the last of her flashing smile through the closing door.

And thus into a world where only the fittest survive that day came Lila Van Dorn,--the child of a mother's love.

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Chapter XV

WHEREIN WE WELCOME IN A NEW YEAR AND CONSIDER A SERIOUS QUESTION

The journey around the sun is a long and tumultuous one. Many of us jolt off the earth as we ride, others of us are turned over and thrown into strange and absurd positions, and a few of us sit tight and edge along, a little further toward the soft seats. But as we whirl by the stations, returning ever and again to the days that are precious in our lives, to the seasons that give us greatest joy, we measure our gains, on the long journey, in terms of what we love. "A little over a year ago to-night, my dear," chirruped Dr. Nesbit, pulling a gray hair from his temple where hairs of any kind were becoming scarce enough. "A year, a month, and a week and a day ago to-night the town and the Harvey brass band came out here and they tramped up the blue grass so that it won't get back in a dozen years.

"Well," he mused, as the fire burned, "I got 'em all their jobs, I got two or three good medical laws passed, and I hope I have made some people happy."

"Yes, my dear," answered his wife. "In that year little Lila has come into short dresses, and Kenyon Adams has learned to play on the piano, and is taking up the violin."

"How time has flown since election a year ago," said Captain Morton to his assembled family as they sat around the base burner smoldering in the dining-room. "And I've put the patent window fastener into forty houses and sold Henry Fenn the burglar alarm to go with his." And the eldest Miss Morton spoke up and said:

"My good land, I hope we'll have a new principal by this time next year. Another year under that man will kill me--pa, I do wish you'd run for the school board."

And the handsome Miss Morton added, "My goodness, Emma Morton, if I didn't have anything to do but draw forty dollars every month for yanking a lot of little kids around and teaching them the multiplication tables, I wouldn't say much. Why, we've come through algebra into geometry and half way through Cicero, while you've been fussing with that old principal--and Mrs. Herdicker's got a new trimmer, and we girls down at the shop have to put up with her didoes. Talk of trouble, gee!"

"Martha, you make me weary," said the youngest Miss Morton, eating an apple. "If you'd had scarlet fever and measles the same year, and your old dress just turned and your same old hat, you'd have something to talk about."

"Well," remarked His Honor the Mayor to Henry Fenn and Morty Sands as they sat in the Amen Corner New Year's eve, looking at the backs of a shelf of late books and viewing several shelves of standard sets with highly gilded backs, "it's more'n a year since election--and well, say--I've got all my election bets paid now and am out of debt again, and the book store's gradually coming along. By next year this time I expect to put four more shelves of copyrighted books in and cut down the paper backs to a stack on the counter. But old Lady Nicotine is still the patron of the fine arts--say, if it wasn't for the 'baccy little Georgie would be so far behind with his rent that he would knock off a year and start over."

Young Mr. Sands rolled a cigarette and lighted it and said: "It's a whole year--and Pop's gone a long time without a wife; it'll be two years next March since the last one went over the hill who was brought out to make a home for little Morty, and I saw Dad peeking out of the hack window as we were standing waiting for the hearse, and wondered which one of the old girls present he'd pick on. But," mused Morty, "I guess it's Anne's eyes. Every time he edges around to the subject of our need of a mother, Anne turns her eyes on him and he changes the subject." Morty laughed quietly and added: "When Anne gets out of her 'teens she'll put father in a monastery!"

"Honeymoon's kind of waning--eh, Henry?" asked Judge Van Dorn, who dropped in for a magazine and heard the conversation about the passing of the year. He added: "I see you've been coming down here pretty regularly for three or four months!" Henry looked up sadly and shook his head. "You can't break the habit of a dozen years. And I got to coming here back in the days when George ran a pool and billiard hall, and I suppose I'll come until I die, and then George will bring his wheezy old quartette around and sing over me, and probably act as pall-bearer too--if he doesn't read the burial service of the lodge in addition."

"Well, a year's a year," said the suave Judge Van Dorn. "A year ago you boys were smoking on me as the new judge of this judicial district. All hail Thane of Cawdor--" He smiled his princely smile, taking every one in with his frank, bold eyes, and waved himself into the blustery night. There he met Mr. Calvin, who, owing to a turn matters had taken at home, was just beginning another long period of exile from the hearthstone. He walked the night like a ghost, silent and grim. His thin little neck, furrowed behind by the sunken road between his arteries, was adorned by two tufts of straggling hair, and as his overcoat collar was rolled and wrinkled, he had an appearance of extreme neglect and dejection. "Did you realize that it's over a year since election?" said Van Dorn. "We might as well begin looking out for next year, Joe," he added, "if you've got nothing better to do. I wish you'd go down the row to-night and see the boys and tell them I want to talk to them in the next ten days or so; a man never can be too early in these things; and say--if you happen in the Company store down there and see Violet Mauling, slip her a ten and charge it to me on the books; I wonder how she's doing--I haven't heard of her for three months. Nice girl, Violet."

And Mrs. Herdicker hadn't heard of Miss Mauling for some time, and sitting in her little office back of the millinery store, sorting over her old bills, she came to a bill badly dog-eared with Miss Mauling's name on it. The bill called for something like $75 and the last payment on it had been made nearly half a year ago. So she looked at that bill and added ten dollars to Mrs. Van Dorn's bill for the last hat she bought, and did what she could to resign herself to the injustices of a cruel world. But it had been a good year for Mrs. Herdicker. New wells in new districts had come gushing gas and oil into Harvey in great geysers and the work on the new smelter was progressing, and the men in the mines had been kept steadily at work; for Harvey coal was the best in the Missouri Valley. So the ladies who are no better than they should be and the ladies who are much better than they should be, and the ladies who will stand for a turned ribbon, and a revived feather, and are just about what they may be expected to be, all came in and spent their money like the princesses that they were. And Mrs. Herdicker figured in going over her stock just which hat she could sell to Mrs. Nesbit as a model hat from the Paris exhibit at the World's Fair, and which one she could put on Mrs. Fenn as a New York sample, and as she built her castles the loss of the $75 to Miss Mauling had its compensating returns, and she smiled and thought that just a year ago she had offered that same World's Fair Model to the wife of the newly elected State Senator and she must put on a new bunch of flowers and bend down the brim.

The Dexters were sitting by the stove in the living-room with Amos Adams; they had come down to the lonely little home to prepare a good dinner for the men. "A year ago to-day," said the minister to the group as he put down the newspaper, "Kenyon got his new fiddle."

"The year has brought me something--I tell you," Jasper said. "I've bought a horse with my money I earned as page in the State Senate and I've got a milk route, and have all the milk in the neighborhood to distribute. That's what the year has done for me."

"Well," reflected the minister, "we've got the mission church in South Harvey on a paying basis, and the pipe organ in the home church paid for--that's some comfort. And they do say," his eyes twinkled as he looked at his wife, "that the committee is about to settle all the choir troubles. That's pretty good for a year."

"Another year," sighed Amos Adams, and the wind blew through the gaunt branches of the cottonwood trees in the yard, and far down in the valley came the moaning as of many waters, and the wind played its harmonies in the woodlot. The old man repeated the words: "Another year," and asked himself how many more years he would have to wait and listen to the sighing of the moaning waters that washed around the world. And Kenyon Adams, lying flushed and tousled and tired upon a couch near by, heard the waters in his dreams and they made such music that his thin, little face moved in an eyrie smile.

"Mag," said a pale, nervous girl with dead, sad eyes as she looked around at the new furniture in the new house, and avoided the rim of soft light that came from the electric under the red shade, "did you think I was cheeky to ask you all those questions over the 'phone--about where Henry was to-night, and what you'd be doing?" The hostess said: "Why, no, Violet, no--I'm always glad to see you."

There was a pause, and the girl exclaimed: "That's what I come out for. I couldn't stand it any longer. Mag, what in God's name have I done? Didn't you see me the other day on Market Street? You were looking right at me. It's been nearly a year since we've talked. You used to couldn't get along a week without a good talk; but now--say, Mag, what's the matter? what have I done to make you treat me like this?" There was a tremor in the girl's voice. She looked piteously at the wife, radiant in her red house gown. The hostess spoke. "Look here, Violet Mauling, I did see you on Market Street, and I did cut you dead. I knew it would bring you up standing and we'd have this thing out."

The girl looked her question, but flushed. Then she said, "You mean the old man?"

"I mean the old man. It's perfectly scandalous, Violet; didn't you get your lesson with Van Dorn?" returned the hostess. "The old man won't marry you--you don't expect that, do you?" The girl shook her head. The woman continued, "Well, then drop it. You can't afford to be seen with him."

"Mag," returned the visitor, "I tell you before God I can't afford not to. It's my job. It's all I've got. Mamma hasn't another soul except me to depend on. And he's harmless--the old coot's as harmless as a child. Honest and true, Mag, if I ever told the truth that's it. He just stands around and is silly--just makes foolish breaks to hear himself talk--that's all. But what can I do? He keeps me in the company store, and Heaven knows he doesn't kill himself paying me--only $8 a week, as far as that goes, and then he talks and talks and talks about Judge Van Dorn, and snickers and drops his front false teeth--ugh!--and drivels. But, Mag, he's harmless as a baby."

"Well," returned the hostess, "Henry says every one is talking about it, and you're a common scandal, Violet Mauling, and you ought to know it. I can't hold you up, as you well know--no one can."

Then there followed a flood of tears, and after it had subsided the two women were sitting on a couch. "I want to tell you about Tom Van Dorn, Mag--you never understood. You thought I used to chase him. God knows I didn't, Mag--honest, honest, honest! You knew as well as anything all about it; but I never told you how I fought and fought and all that and how little by little he came closer and closer, and no one ever will know how I cried and how ashamed I was and how I tried to fight him off. That's the God's truth, Mag--the God's truth if you ever heard it."

The girl sobbed and hid her face. "Once when papa died he sent me a hundred dollars through Mr. Brotherton, and mamma thought it came from the Lodge; but I knew better. And, O Mag, Mag, you'll never know how I felt to bury papa on that kind of money. And I saved for nearly a year to pay it back, and of course I couldn't, for he kept getting me expensive things and I had to get things to go with 'em and went in debt, and then when I went there in the office it was all so--so close and I couldn't fight, and he was so powerful--you know just how big and strong, and--O Mag, Mag, Mag--you'll never know how I tried--but I just couldn't. Then he made me court reporter and took me over the district." The girl looked up into the great, soft, beautiful eyes of Margaret Fenn, and thought she saw sympathy there. That was a common mistake; others made it in looking at Margaret's eyes. The girl felt encouraged. She came closer to her one-time friend. "Mag," she said, "they lied awfully about how I lost my job. They said Mrs. Van Dorn made a row. Honest, Mag, there's nothing to that. She never even dreamed anything was--well--was--don't you know. She wasn't a bit jealous, and is as nice as she can be to me right now. It was this way. You know when I sent mamma away last May for a visit, and the Van Dorns asked me over there to stay?" Mrs. Fenn nodded. "Well," continued Violet, "one day in court--you know when they were trying that bond case--the city bonds and all--well, the Judge scribbled a note on his desk and handed it to me. It said my room door creaked, and not to shut it." She stopped and put her head in her hand and rocked her body. "I know, Mag, it was awful, but some way I just couldn't help it. He is so strong, and--you know, Mag, how we used to say there's some men when they come about you just make you kind of flush all over and weak--well, he's that way. And, anyway, like a fool I dropped that note and one of the jurors--a farmer from Union township--picked it up and took it straight to Doctor Jim."

The girl hid her face in her friend's dress. "It was awful." She spoke without looking up. "But, O Mag--Doctor Jim was fine--so gentle, so kind. The Judge thought he would cuss around a lot, but he didn't--not even to him--the Judge said. And the Doctor came to me as bashful and--as--well, your own father couldn't have been better to you. So I just quit, and the Judge got me the job in the Company store and the Doctor drops in and she--yes, Mag, the Judge's wife comes with the Doctor sometimes, and now it's been five months to-day since I left the court reporter's work and I have hardly seen the Judge to speak to him since. But they all know, I guess, but mamma, and I sometimes think folks try to talk to her; and that old man Sands comes snooping and snickering around like an old dog hunting a buried bone, and he's my job, and I don't know what to do."

Neither did Margaret know what to do, so she let her go and let her stay, and knew her old friend no more. For Margaret was rising in the world, and could have no encumbrances; and Miss Mauling disappeared in South Harvey and that New Year's Eve marked the sad anniversary of the break in her relations with Mrs. Fenn. And it is all set down here on this anniversary to show what a jolty journey some of us make as we jog around the sun, and to show the gentle reader how the proud Mr. Van Dorn hunts his prey and what splendid romances he enjoys and what a fair sportsman he is.

But the old year is restless. It has painted the sky of South Harvey with the smoke of a score of smelter chimneys; it has burned in the drab of the dejected-looking houses, and it has added a few dozen new ones for the men and their families who operate the smelter.

Moreover, the old year has run many new, strange things through a little boy's eyes as he looks sadly into a queer world--a little, black-eyed boy, while a grand lady with a high head sits on a piano bench beside the child and plays for him the grand music that was fashionable in her grand day. The passing year pressed into his little heart all that the music told him--not of the gray misery of South Harvey, not of the thousands who are mourning and toiling there, but instead the old year has whispered to the child the beautiful mystic tales of great souls doing noble deeds, of heroes who died that men might live and love, of beauty and of harmony too deep for any words of his that throb in him and stir depths in his soul to high aspiration. It has all gone through his ears; for his eyes see little that is beautiful. There is, of course, the beauty of the homely hours he spends with those who love him best, hours spent at school and joyous hours spent by the murmuring creek, and there is what the grand lady at the piano thinks is a marvel of beauty in the ornate home upon the hill. But the most beautiful thing he sees as the old year winds the passing panorama of life for his eyes is the sunshine and prairie grass. This comes to him of a Sunday when he walks with Grant--brother Grant, out in the fields far away from South Harvey--where the frosty breath of autumn has turned the grass to lavender and pale heliotrope, and the hills roll away and away like silent music and the clouds idling lazily over the hillsides afar off cast dark shadows that drift in the lavender sea. Now the smoke that the old year paints upon the blue prairie sky will fade as the year passes, and the great smelters may crumble and men may plow over the ground where they stand so proudly even to-day; but the music in the boy's heart, put there by the passing year, and the glory of the sunshine and the prairie grass with the meadow lark's sad evening song as it quivers for a moment in the sunset air,--these have been caught in the child's soul and have passed through the strange alchemy of God's great mystery of human genius into an art that is the heritage of the race. For into the mind of that child--that eyrie, large-eyed, wondering, silent, lonely-seeming child--the signals of God were passing. When he grew into his man's estate and could give them voice, the winds of the prairie, low and gentle, the soft lisping of quiet waters, the moving passion of the hurricane, the idle dalliance of the clouds whose purple shadows combed the rolling hills, and all the ecstasy of the love cry of solitary prairie birds, found meaning and the listening world heard, through his music, God speaking to His children.

So the year moved quickly on. Its tasks were countless. It had another child to teach another message. There was a little girl in the town--a small girl with the bluest eyes in the world and tiny curls--yellow curls that wound so softly around her mother's fingers that you would think that they were not curls at all but golden dreams of curls that had for the moment come true and would fade back into fairyland whence they came. And the passing year had to prop the child at a window while the dusk came creeping into the quiet house. There she sat waiting, watching, hoping that the proud, handsome man who came at twilight down the way leading to the threshold, would smile at her. She was not old enough to hope he would take her in his arms where she could cuddle and be loved. So the passing year had to take a fine brush and paint upon the small, wistful face a fleeting shadow, the mere ghost of a sadness that came and went as she watched and waited for the father love.

And Judge Thomas Van Dorn, the punctilious, gay, resistless, young Tom Van Dorn was deaf to the deeper voices that called to him and beckoned him to rest his soul. And soon upon the winds that roam the world and carry earth dreams back to ghosts, and bring ghosts of what we would be back to our dreams--the roaming winds bore away the passing year, but they could not take the shadows that it left upon the child's tender heart.

Now, when the old year with all its work lay down in the innumerable company of its predecessors, and the bells rang and the whistles blew in South Harvey to welcome in the new year, the midnight sky was blazoned with the great torches from the smelter chimneys, and the pumps in the oil wells kept up their dolorous whining and complaining, like great insects battening upon an abandoned world. In South Harvey the lights of the saloons and the side of the dragon's spawn glowed and beckoned men to death. Money tinkled over the bars, and whispered as it was crumpled in the claws of the dragon. For money the scurrying human ants hurried along the dark, half-lighted streets from the ant hills over the mines. For money the cranes of the pumps creaked their monody. For money the half-naked men toiled to their death in the fumes of the smelter. So the New Year's bells rang a pean of welcome to the money that the New Year would bring with its toll of death.

"Money," clanged the church bells in the town on the hill. "Money makes wealth and since we have banished our kings and stoned our priests, money is the only thing in our material world that will bring power and power brings pleasure and pleasure brings death."

"And death? and death? and death?" tolled the church bells that glad New Year, and then ceased in circling waves of sound that enveloped the world, still inquiring--"and death? and death?" fainter and fainter until dawn.

The little boy who heard the bells may have heard their plaintive question; for in the morning twilight, sitting in his nightgown on his high chair looking into the cheerful mouth of the glowing kitchen stove, while the elders prepared breakfast, the child who had been silent for a long time raised his face and asked:

"Grant--what is death?" The youth at his task answered by telling about the buried seed and the quickening plant. The child listened and shook his head.

"Father," he asked, addressing the old man, who was rubbing his chilled hands over the fire, "what is death?" The old man spoke, slowly. He ran his fingers through his beard and then addressing the youth who had spoken rather than the child, replied:

"Death? Death?" and looked puzzled, as if searching for his words. "Death is the low archway in the journey of life, where we all--high and low, weak and strong, poor and rich, must bow into the dust, remove our earthly trappings, wealth and power and pleasure, before we rise to go upon the next stage of our journey into wider vistas and greener fields."

The child nodded his head as one who has just appraised and approved a universe, replying sagely, "Oh," then after a moment he added: "Yes." And said no more.

But when the sun was up, and the wheels scraped on the gravel walk before the Adams home, and the silvery, infectious laugh of a young mother waked the echoes of the home, as she bundled up Kenyon for his daily journey, the old man and the young man heard the child ask: "Aunty Laura--what is death?" The woman with her own child near in the very midst of life, only laughed and laughed again, and Kenyon laughed and Lila laughed and they all laughed.

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Chapter XVI

GRANT ADAMS IS SOLD INTO BONDAGE AND MARGARET FENN RECEIVES A SHOCK

Perhaps the sound of their laughter drowned the mournful voices of the bells in Grant Adams's heart. But the bells of the New Year left within him some stirring of their eternal question. For as the light of day sniffed out, Grant in a cage full of miners, with Dick Bowman and one of his boys standing beside him, going down to the second level of the mine, asked himself the question that had puzzled him: Why did not these men get as much out of life as their fellows on the same pay in the town who work in stores and offices? He could see no particular difference in the intelligence of the men in Harvey and the workers in South Harvey; yet there they were in poorer clothes, with, faces not so quick, clearly not so well kept from a purely animal standpoint, and even if they were sturdier and physically more powerful, yet to the young man working with them in the mine, it seemed that they were a different sort from the white-handed, keen-faced, smooth-shaven, well-groomed clerks of Market Street, and that the clerks were getting the better of life. And Grant cried in his heart: "Why--why--why?"

Then Dick Bowman said: "Red--penny for your thoughts?" The men near by turned to Grant and he said: "Hello, Dick--" Then to the boy: "Well, Mugs, how are you?" He spoke to the others, Casper and Barney and Evans and Hugh and Bill and Dan and Tom and Lew and Gomer and Mike and Dick--excepting Casper Herdicker, mostly Welsh and Irish, and they passed around some more or less ribald greetings. Then they all stepped upon the soft ground and stood in the light of the flickering oil torches that hung suspended from timbers.

Stretching down long avenues these flickering torches blocked out the alleys of the mine in either direction from the room, perhaps fifty by forty feet, six or seven feet high, where they were standing. A car of coal drawn by forlorn mules and pushed by a grinning boy, came creaking around a distant corner, and drew nearer to the cage. A score of men ending their shift were coming into the passageways from each end, shuffling along, tired and silent. They met the men going to work with a nod or a word and in a moment the room at the main bottom was empty and silent, save for the groaning car and the various language spoken by the grinning boy to the unhappy mule. Grant Adams turned off the main passage to an air course, where from the fans above cold air was rushing along a narrow and scarcely lighted runway about six feet wide and lower than the main passage. Down this passage the new mule barn was building. Grant went to his work, and just outside the barn, snuffed a sputtering torch that was dripping burning oil into a small oily puddle on the damp floor. The room was cold. Three men were with him and he was directing them, while he worked briskly with them. Occasionally he left the barn to oversee the carpenters who were timbering up a new shaft in a lower level that was not yet ready for operation. Fifty miners and carpenters were working on the third level, clearing away passages, making shaft openings, putting in timbers, constructing air courses and getting the level ready for real work. On the second level, in the little rooms, off the long, gloomy passages lighted with the flaring torches hanging from the damp timbers that stretched away into long vistas wherein the torches at the ends of the passage glimmered like fireflies, men were working--two hundred men pegging and digging and prying and sweating and talking to their "buddies," the Welsh in monosyllables and the Irish in a confusion of tongues. The cars came jangling along the passageways empty and went back loaded and groaning. Occasionally the piping voice of a boy and the melancholy bray of a mule broke the deep silence of the place.

For sound traveled slowly through the gloom, as though the torches sapped it up and burned it out in faint, trembling light to confuse the men who sometimes came plodding down the galleries to and from the main bottom. At nine o'clock Grant Adams had been twice over the mine, on the three levels and had thirty men hammering away for dear life. He sent a car of lumber down to the mule barn, while he went to the third level to direct the division of an air shaft into an emergency escape. On one side of this air shaft the air came down and there was a temporary hoist for the men on the third level and on the other side a wooden stairway was to be built up seventy feet toward the second level.

At ten o'clock Grant came back to the second level by the hoist in the air shaft and as he started down the low air course branching off from the main passage and leading to the new mule barn, he smelled burning pine; and hurrying around a corner saw that the boy who dumped the pine boards for the mule barn had not taken the boards into the barn, nor even entirely to the barn, but had dumped them in the passage to the windward of the barn, under the leaky torch, and Grant could see down the air course the ends of the boards burning brightly.

The men working in the barn could not smell the fire, for the wind that rushed down the air course was carrying the smoke and fumes away from them. Grant ran down the course toward the fire, which was fanned by the rushing air, came to the lumber, which was not all afire, jumped through the flames, slapping the little blazes on his clothes with his hat as he came out, and ran into the barn calling to the men to help him put out the fire. They spent two or three minutes trying to attach the hose to the water plug there, but the hose did not fit the plug; then they tried to turn the plug to get water in their dinner pails and found that the plug had rusted and would not turn. While they worked the fire grew. It was impossible to send a man back through it, so Grant sent a man speeding around the air course, to get a wrench from the pump room, or from some one in the main bottom to turn on the water. In the meantime he and the other two men worked furiously to extinguish the fire by whipping it with their coats and aprons, but always the flames beat them back. Helplessly they saw it eating along the mine timbers far down the vacant passage. Little red devils of flame that winked maliciously two hundred feet away, and went out, then sprang up again, then blazed steadily. Grant and the two men tugged frantically at the burning boards, trying to drag them out of the passageway into the barn, but only here and there could an end be picked up, and it took five minutes to get half a dozen charred boards into the barn. While they struggled with the charred boards the flames down the passage kept glowing brighter and brighter. The men were conscious that the flames were playing around the second torch below the barn. Although they realized that the man they sent for the wrench had nearly half a mile to go and come by the roundabout way, they asked one another if he was making the wrench!

Men began poking their heads into the course and calling, "Need any help down there," and Grant cried, "Yes, go to the pump in the main balcony with your buckets and get water." The man sent for the wrench appeared down the long passage. Grant yelled,

"Hurry--hurry, man!" But though he came running, the fire seemed to be going faster than he was. They could hear men calling and felt that there was confusion at the end of the air course where it turned into the main passage ahead of the flames. A second torch exploded, scattering the fire far down the course. The man, breathless and exhausted, ran up with the wrench. Then they felt the air in the air course stop moving. They looked at one another. "Yes," said the man with the wrench, "I told 'em to reverse the fans and when we got the water turned on we'd hold the fire from going to the other end of the passage." He said this between gasps as he tugged at the water plug with the wrench. He hit it a vicious blow and the cap broke.

The fan had reversed. The air was rushing back, bringing the flames to the barn. They beat the fire madly with their coats, but in two minutes the roaring air had brought the flames upon them. The loose timber and shavings in the barn were beginning to blaze and the men ran for their lives down the air course. As they ran for the south passage, the smoke followed them and they felt it in their eyes and lungs. The lights behind them were dimmed, and those in front grew dim. They reached the passage in a cloud of smoke, but it was going up the air shaft and did not fill the passage. "Mugs," yelled Grant to a boy driving an ore car, "run down this passage and tell the men there's a fire--where's your father?"

"He's up yon way," called the boy, pointing in the opposite direction as he ran. "You tell him." The fire was roaring down the air course behind them, and Grant and the three men knew that in a few minutes the reverse air would be sucking the flames up the air shaft, cutting off the emergency escape for the men on the first and second levels.

Grant knew that the emergency escape was not completed for the third level, but he knew that they were using the air chute for a temporary hoist for the men from the third level and that the main shaft was not running to the third level.

"Run down this passage, Bill," called Grant. "Get all those fellows. Evans, you call the first level; I'll skin down this rope to the men below." In an instant, as the men were flying on their errands, his red head disappeared down the rope into the darkness. At the bottom of the hoist in the third level Grant found forty or fifty men at work. They were startled to see him come down without waiting for the bucket to go up and he called breathlessly as his feet touched the earth: "Boys, there's a fire above on the next level--I don't know how bad it is; but it looks bad to me. They may get it out with a hose from the main bottom--if they've got hose there that will reach any place."

"Let's go up," cried one of the men. As they started toward him, Grant threw up his hand.

"Hold on now, boys--hold on. The fans will be blowing that fire down this air shaft in a few minutes. How far up have you got the ladders?" he asked.

Some one answered: "Still twelve feet shy." There was a scramble for the buckets, but no one offered to man the windlass and hoist them up the air shaft. Grant was only a carpenters' boss. The men around the buckets were miners. But he called: "Get out of there, Hughey and Mike--none of that. We must make that ladder first--get some timbers--put the rungs three feet apart, and work quick."

He pointed at the timbers to be used for the ladders, stepped to the windlass and cried:

"Here, Johnnie--you got no family--get hold of this windlass with me. Ready now--family men first--you, Sam--you, Edwards--you, Lewellyn."

Then he bent to the wheel and the men in the bucket started up the shaft. The others pounded at the ladder, and those who could find no work clambered up the stairs to the bottom of the gap that separated them from the second level. As the men in the buckets were nearly up to the second level, where the hoist stopped, Grant heard one of them call: "Hurry, hurry--here she comes," and a second later a hot, smoky wind struck his face and he knew the fan was turned again and soon would be blowing fire down the air course.

The men had the ladder almost finished. The men above on the stairs smelled the smoke and began yelling. The bucket reached the top and was started down. Grant looked up the air shaft and saw the fire--little flickering flames lighting up the shaft near the second level. The air rushing down was smoky and filled with sparks. The ladder was ready and the men made a rush with it up the stairway. Most of their lamps were put out and it was dark in the stairway. The men were uttering hysterical, foolish cries as they rushed upward in their panic. The ladder jolting against the sides of the chamber knocked the men off their feet and there was tumbling and swearing and tripping and struggling.

Grant grabbed the ladder from the men and held it above his head, and called out:

"You men go up there in order. You'll not get the ladder till you straighten up."

The emergency-passage was filling with smoke. The men were coughing and gasping.

Up and down the stairs men called:

"Brace up, that's right."

"Red's right."

"We'll all go if we don't straighten up."

In a moment there was some semblance of order, and Grant wormed his way to the top holding the ladder above him. He put one end of it on a landing and nailed the foot of the ladder to the landing floor. Then he stood on the landing, a great, powerful man with blazing eyes, and called down: "Now come; one at a time, and if any man crowds I'll kill him. Come on--one at a time." One came and went up; when he was on the third rung of the ladder, Grant let another man pass up, and so three men were on the ladder.

As the top man raised the trapdoor above, Grant and those upon the ladder could see the flames and a great gust of smoke poured down. The man at the top hesitated. On the other side of the partition in the air chute the smoke was pouring and the fire was circling the top of the emergency escape through which the men must pass.

"Go ahead or jump down," yelled Grant.

Those on the ladder and on the landing who could see up cried:

"Quick, for God's sake! Hurry!"

And in another second the first man had scrambled through the hole, letting the trapdoor fall upon the head of the scrambling man just under him. He fell, but Grant caught him, and shoved him into the next turn upon the ladder.

After that they learned to lift their hands up and catch the trapdoor, but they could see the flames burning the timbers and dropping sparks and blowing smoke down the emergency shaft. Ten men went up; the fire in the flume along the stairs below them was beginning to whip through the board partition. The fan was pumping the third level full of smoke; it was carried out of the stairway by the current. But the men were calling below. Little Ira Dooley tried to go around Grant ahead of his turn at the ladder. The cheater felt the big man's hand catch him and hold him. The men below saw Grant hit the cheater upon the point of the jaw and throw him half conscious under the ladder. The men climbed steadily up. Twenty-five went through the trapdoor into the unknown hell raging above. Again and again the ladder emptied itself, as the flames in the shaft grew longer, and the circle of fire above grew broader. The men passed through the trapdoor with scorching clothes.

The ladder was filling for the last time. The last man was on the first rung. Grant reached under the ladder, caught Dooley about the waist and started up with him. On the ladder Dooley regained consciousness, and Grant shoved him ahead and saw Dooley slip through the trapdoor and then stop in the smoke and fire and stand holding up the door for Grant. The two men smiled through the smoke, and as Grant came through with his clothes afire, he and Dooley looked quickly about them. Their lights were out; but the burning timbers above gave them their directions. They headed down the south passage, but even as they entered it the flames barred them there. Then they turned to go up the passage, and could hear men calling and yelling far down in the dark alley. The torches were gone. Far ahead through the stifling smoke that swirled about the damp timbers overhead, they could see the flickering lights of men running. They started to follow the lamps. Dooley, who was a little man, slowly dropped back. Grant caught his hand and dragged him. Soon they came up to the others, who paused to give them lights. Then they all started to run again, hoping to come out of that passage into the main bottom by the main shaft in another quarter of a mile. Occasionally a man would begin to lag, but some one always stopped to give him a hand. Once Grant passed two men, Tom Williams and Evan Davis, leaning against a timber, Davis fagged, Williams fanning his companion with his cap.

From some cross passage a group of men who worked on the second level came rushing to them. They had no lights and were lost. Down the passage they all ran together, and at the end they saw something cluttering it up. The opening seemed to be closed. The front man tumbled and fell; a dozen men fell over him. Three score men were trapped there, struggling in a pile of pipes and refuse timber that all but filled the passage into the main bottom. Five minutes were lost there. Then by twos they crawled into the main bottom. There men were working with hose, trying to put out the fire in the air course leading to the mule stables. They did not realize that the other end of the mine was in flames.

Coal was still going up in the cages. The men in the east and west passages were still at work. Smoke thickened the air. The entrance to the air course was charred, and puffing smoke. The fans relaxed for a moment upon a signal to cease until the course was explored. A hose was playing in the course, but no man had ventured down it. When Grant came out he called to the men with the cage boss: "Where's Kinnehan--where's the pit boss?" No one knew. Some little boys--trimmers and drivers--were begging to go up with the coal. Finally the cage boss let them ride up.

While they were wrangling, Grant said: "Lookee here--this is a real fire, men; stop spitting on that air course with the hose and go turn out the men."

The men from the third level were clamoring at the cage boss to go up.

Grant stopped them: "Now, here--let's divide off, five in a squad and go after the men on this level, and five in a squad go up to the next level and call the men out there. There's time if we hurry to save the whole shift." He tolled them off and they went down the glimmering passages, that were beginning to grow dim with smoke. As he left the main bottom he saw by his watch under a torch that it was nearly eleven o'clock. He ran with his squad down the passage, calling out the men from their little rooms. Three hundred yards down the smoke grew denser. And he met men coming along the passage.

"Are they all out back of you?" he called to the men as they passed. "Yes," they cried, "except the last three or four rooms."

Grant and his men pushed forward to these rooms. As they went they stumbled over an unconscious form in the passage. The men behind Grant--Dooley, Hogan, Casper Herdicker, Williams, Davis, Chopini--joined him. Their work was done. They had been in all the rooms. They picked up the limp form, and staggered slowly back down the passage. The smoke gripped Grant about the belly like a vise. He could not breathe. He stopped, then crawled a few feet, then leaned against a timber. Finally he rose and came upon the swaying group with the unconscious man. Another man was down, and three men were dragging two.

The smoke kept rolling along behind them. It blackened the passage ahead of them. Most of the lights the men carried were out. Grant lent a hand, and the swaying procession crawled under the smoke. They went so slowly that one man, then two on their hands and knees, then three more caught up with them and they were too exhausted to drag the senseless man with them. At a puddle in the way they soused the face of the prostrated man in the water. That revived him. They could hear and feel another man across the passage calling feebly for help. Grant and Chopini, speaking different languages, understood the universal call of distress, and together crawled in the dark and felt their way to the feeble voice. Chopini reached the voice first. Grant could just distinguish in the darkness the powerful movement of the Italian, with his head upon the ground like a nosing dog's as he wormed under the fallen body and got it on his back and bellied over to the group that was slowly moving down the passage toward the glimmering light. As they passed the rooms vacated by the miners, sometimes they put their heads in and got refreshing air, for the smoke moved in a slow, murky current down the passage and did not back into the rooms at first.

Grant and Chopini crawled on all fours into a room, and found the air fresh. They rose, holding each other's hands. They leaned together against the dark walls and breathed slowly, and finally their diaphragms seemed to be released and they breathed more deeply. By a hand signal they agreed to start out. At the door they crouched and crawled. A few yards further they found the little group of a dozen men feebly pushing on. Seven were trying to drag five. Further down the passage they could hear the shrill cries of the men in the main bottom, as they came hurrying from the other runways, and far back up the dark passage behind them they could hear the roar of flames. They saw that they were trapped. Behind them was the fire. Before them was the long, impossible stretch to the main bottom, with the smoke thickening and falling lower every second. So thick was the smoke that the light ahead winked out. Death stood before them and behind them.

"Boys--" gasped Grant, "in here--let's get in one of these rooms and wall it up."

The seven looked at him and he crawled to a room; sticking his head in he found it murky. He tried another. The third room was fresh and cool, and he called the men in.

Then all nine dragged one after another of the limp bodies into the room and they began walling the door into the passage. There were two lights on a dozen caps. Grant put out one lamp and they worked by the glimmer of a single lamp. Gradually, but with a speed--slow as it had to be--inspired by deadly terror, the wall went up. They daubed it with mud that seemed to refresh itself from a pool that was hollowed in the floor. After what seemed an age of swiftly accurate work, the wall was waist high; the smoke bellied in, in a gust, and was suddenly sucked out by an air current, and the men at the wall tapping some spring of unknown energy bent frantically to their task. Three of the six men were coming to life. They tried to rise and help. Two crawled forward, and patted the mud in the bottom crevices. The fierce race with death called out every man's reserves of body and soul.

Then, when the wall was breast high, some one heard a choking cry in the passage. Grant was in the rear of the room, wrestling with a great rock, and did not hear the cry; but Chopini was over the wall, and Dooley followed him, and Evans followed him in an instant. They disappeared down the passage, and when Grant returned, carrying the huge rock to the speeding work at the wall, he heard a voice outside call:

"We've got 'em."

And then, after a silence, as the workmen hurried with the wall, there came a call for help. Williams and Dennis Hogan followed Grant through the hole now nearing the roof of the room, out into the passage. The air was scorching. Some current was moving it rapidly. The second party came upon the first struggling weakly with Dick Bowman and his son. Father and son were unconscious and one of the rescuing party had fainted. Again the vise gripped Grant's abdomen, and he put his face upon the damp earth and panted. Slowly the three men in the darkness bellied along until they felt the wall, then in an agony of effort raised themselves and their burden. Up the wall they climbed to their knees, to their feet, and met the hands of those inside who took the burden from them. One, two, three whiffs of clean air as they stuck their heads in the room, and they were gone--and another two men from the room followed them. They came upon the first party working their gasping, fainting course back to the wall, with their load, rolling a man before them. And they all pulled and tugged and pushed and some leaned heavily upon others and all looked death squarely in the face and no man whimpered. The panic was gone; the divine spark that rests in every human soul was burning, and life was little and cheap in their eyes, compared with the chance they had to give it for others.

Flicks of fire were swirling down the passage, and the roar of the flames came nearer and Grant fancied he could hear the crackle of it. Chopini was on his knees clutching at the crevices in the wall; Hogan and Dooley dug with their hands into the chinks, then four men were on their feet, with the burden, and in the blackness, hands within the wall reached out and took the man from those outside. The hands reached out and felt other hands and pulled them up, and five, six men stood upon their feet and were pulled, scrambling and trembling and reeling, into the room. The blackness outside became a lurid glare. The flickering lamp inside showed them that one man was outside. Grant Adams stood faint and trembling, leaning against a wall of the room; the room and the men whirled about him and he grew sick at the stomach. But with a powerful effort he gathered himself, and lunged to the hole in the rising wall. He was trying to pull himself up when Dooley pulled him down, and went through the hole like a cat. Hogan followed Dooley and Evans followed Hogan. "Here he is, right at the bottom," called Hogan, and in an instant the feet of Casper Herdicker, then the sprawling legs, then the body and then the head with the closed eyes and gaping mouth came in, and then three men slowly followed him. Grant, revived by the water from the puddle under him, stood and saw the last man--Dennis Hogan--crawl in. Then Grant, seeing Hogan's coat was afire, looked out and saw flames dancing along the timbers, and a spark with a gust of smoke was sucked into the room by some eddy of the current outside. In a last spurt of terrible effort the hole in the wall was closed and plastered with mud and the men were sealed in their tomb.

It was but a matter of minutes before the furnace was raging outside. The men in the room could hear it crackle and roar, and the mud in the chinks steamed. The men daubed the chinks again and again.

As the fire roared outside, the men within the room fancied--and perhaps it was the sheer horror of their situation that prompted their fancy--that they could hear the screams of men and mules down the passage toward the main bottom. After an hour, when the roar ceased, they were in a great silence. And as the day grew old and the silence grew deep and the immediate danger past, they began to wait. As they waited they talked. At times they heard a roaring and a crash and they knew that the timbers having burned away, the passages and courses were caving in. By their watches they knew that the night was upon them. And they sat talking nervously through the night, fearing to sleep, dreading what each moment might bring. Lamp after lamp burned out in turn. And still they sat and talked. Here one would drowse--there another lose consciousness and sink to the ground, but always men were talking. The talk never ceased. They were ashamed to talk of women while they were facing death, so they kept upon the only other subjects that will hold men long--God and politics. The talk droned on into morning, through the forenoon, into the night, past midnight, with the thread taken from one man sinking to sleep by another waking up, but it never stopped. The water that seeped into the puddle on the floor moistened their lips as they talked. There was no food save in two lunch buckets that had been left in the room by fleeing miners, and thus went the first day.

The second day the Welsh tried to sing--perhaps to stop the continual talk of the Irish. Then the Italian sang something, Casper Herdicker sang the "Marseillaise" and the men clapped their hands, in the twilight of the last flickering lamp that they had. After that Grant called the roll at times and those who were awake felt of those who were asleep and answered for them, and a second day wore into a third.

By the feeling of the stem of Grant Adams's watch as he wound it, he judged that they had lived nearly four days in the tomb. Little Mugs Bowman was crying for food, and his father was trying to comfort him, by giving him his shoe leather to chew. Others rolled and moaned in their sleep, and the talk grew unstable and flighty.

Some one said, "Hear that?" and there was silence, and no one heard anything. Again the talk began and droned unevenly along.

"Say, listen," some one else called beside the first man who had heard the sound.

Again they listened, and because they were nervous perhaps two or three men fancied they heard something. But one said it was the roar of the fire, another said it was the sound of some one calling, and the third said it was the crash of a rock in some distant passageway. The talk did not rise again for a time, but finally it rose wearily, punctuated with sighs. Then two men cried:

"Hear it! There it is again!"

And breathless they all sat, for a second. Then they heard a voice calling, "Hello--hello?" And they tried to cheer.

But the voice did not sound again, and a long time passed. Grant tried to count the minutes as they ticked off in his watch, but his mind would not remain fixed upon the ticking, so he lost track of the time after three minutes had passed. And still the time dragged, the watch kept ticking.

Then they heard the sound again, clearer; and again it called. Then Dick Bowman took up a pick, called:

"Watch out, away from the wall, I'm going to make a hole."

He struck the wall and struck it again and again, until he made a hole and they cried through it:

"Hello--hello--We're here." And they all tried to get to the hole and jabber through it. Then they could hear hurrying feet and voices calling, and confusion. The men called, and cried and sobbed and cheered through the hole, and then they saw the gleam of a lantern. Then the wall crumbled and they climbed into the passage. But they knew, who had heard the falling timbers and the crashing rocks, for days, that they were not free.

The rescuers led the imprisoned miners down the dark passage; Grant Adams was the last man to leave the prison. As he turned an angle of the passage, a great rock fell crashing before him, and a head of dirt caught him and dragged him under. His legs and body were pinioned. Dennis Hogan in front heard the crash, saw Grant fall, and stood back for a moment, as another huge rock slid slowly down and came to rest above the prostrate man. For a second no one moved. Then one man--Ira Dooley--slowly crept toward Grant and began digging with his hands at the dirt around Grant's legs. Then Casper Herdicker and Chopini came to help. As they stood at Grant's head, quick as a flash, the rock fell and the two men standing at Grant's head were crushed like worms. The roof of the passage was working wickedly, and in the flickering light of the lanterns they could see the walls shudder. Then Dick Bowman stepped out. He brought a shovel from a room opening on the passage, and Evan Davis and Tom Williams and Jamey McPherson with shovels began working over Grant, who lay white and frightened, watching the squirming wall above and blowing the dropping dirt from his face as it fell.

"Mugs, come here," called Dick Bowman. "Take that shovel," commanded the father, "and hold it over Grant's face to keep the dirt from smothering him." The boy looked in terror at the roof dropping dirt and ready to fall, but the father glared at the son and he obeyed. No one spoke, but four men worked--all that could stand about him. They dug out his body; they released his legs, they freed his feet, and when he was free they helped him up and hurried him down the passage which he had traversed four days ago. Before they turned into the main bottom room, he was sick with the stench. And as he turned into that room, where the cage landed, he saw by the lantern lights and by the flaring torches held by a dozen men, a great congregation of the dead--some piled upon others, some in attitudes of prayer, some shielding their comrades in death, some fleeing and stricken prone upon the floor, some sitting, looking the foe in the face. Men were working with the bodies--trying to sort them into a kind of order; but the work had just begun.

The weakened men, led by their rescuers, picked their way through the corpses and went to the top in a cage. Far down in the shaft, the daylight cut them like a knife. And as they mounted higher and higher, they could hear the murmur of voices above them, and Grant could hear the sobs of women and children long before he reached the top. The word that men had been rescued passed out of the shaft house before they could get out of the cage, and a great shout went up.

The men walked out of the shaft house and saw all about them, upon flat cars, upon the dump near the shaft, upon buildings around the shaft house, a great crowd of cheering men and women, pale, drawn, dreadful faces, illumined by eager eyes. Grant lifted his eyes to the crowd. There in a carriage beside Henry Fenn, Grant saw Margaret staring at him, and saw her turn pale and slide down into her husband's arms, as she recognized Grant's face among those who had come out of death. Then he saw his father and little Kenyon in the crowd and he dashed through the thick of it to them. There he held the boy high in the air, and cried as the little arms clung about his neck.

The great hoarse whistles roared and the shrill siren whistles screamed and the car bells clanged and the church bells rang. But they did not roar and scream and peal and toll for money and wealth and power, but for life that was returned. As for the army of the dead below, for all their torture, for all their agony and the misery they left behind for society to heal or help or neglect--the army of the dead had its requiem that New Year's eve, when the bells and whistles and sirens clamored for money that brings wealth, and wealth that brings power, and power that brings pleasure, and pleasure that brings death--and death?--and death?

The town had met death. But no one even in that place of mourning could answer the question that the child heard in the bells. And yet that divine spark of heroism that burns unseen in every heart however high, however low--that must be the faltering, uncertain light which points us to the truth across the veil through the mists made by our useless tears.

And thus a New Year in Harvey began its long trip around the sun, with its sorrows and its joys, with its merry pantomime and its mutes mourning upon the hearse, with its freight of cares and compensations and its sad ironies. So let us get on and ride and enjoy the journey.

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XVII. A CHAPTER WHICH INTRODUCES SOME POSSIBLE GODS

When Grant Adams had told and retold his story to the reporters and had eaten what Dr. Nesbit would let him eat, it was late in the afternoon. He lay down to sleep with the sun still shining through the shutters in his low-ceiled, west bed room. Through the night his father sat or slept fitfully beside him and when the morning sun was high, and still the young man slept on, the father guarded him, and would let no one enter the house. At noon Grant rose and dressed. He saw the Dexters coming down the road and he went to the door to welcome them. It seemed at first that the stupor of sleep was not entirely out of his brain. He was silent and had to be primed for details of his adventure. He sat down to eat, but when his meal was half finished, there came bursting out of his soul a flame of emotion, and he put down his food, turned half around from the table, grasped the edges of the board with both hands and cried as a fanatic who sees a vision:

"Oh, those men,--those men--those wonderful, beautiful souls of men I saw!--those strong, fearless. Godlike men!--there in the mine, I mean. Evan Davis, Dick Bowman, Pat McCann, Jamey McPherson, Casper Herdicker, Chopini--all of them; yes, Dennis Hogan, drunk as he is sometimes, and Ira Dooley, who's been in jail for hold-ups--I don't care which one--those wonderful men, who risked their lives for others, and Casper Herdicker and Chopini, who gave their lives there under the rock for me. My God, my God!"

His voice thrilled with emotion, and his arms trembled as his hands gripped the table. Those who heard him did not stop him, for they felt that from some uncovered spring in his being a section of personality was gushing forth that never had seen day. He turned quietly to the wondering child, took him from his chair and hugged him closely to a man's broad chest and stroked the boyish head as the man's blue eyes filled with tears. Grant sat for a moment looking at the floor, then roughed his red mane with his fingers and said slowly and more quietly, but contentiously:

"I know what you don't know with all your religion, Mr. Dexter; I know what the Holy Ghost is now. I have seen it. The Holy Ghost is that divine spark in every human soul--however life has smudged it over by circumstance--that rises and envelopes a human creature in a flame of sacrificial love for his kind and makes him joy to die to save others. That's the Holy Ghost--that's what is immortal."

He clenched his great hickory fist and hit the table and lifted his face again, crying: "I saw Dennis Hogan walk up to Death smiling that Irish smile. I saw him standing with a ton of loose dirt hanging over him while he was digging me out! I saw Evan Davis--little, bow-legged Evan Davis--go out into the smoke alone--alone, Mr. Dexter, and they say Evan is a coward--he went out alone and brought back Casper Herdicker's limp body hugged to his little Welsh breast like a gorilla's--and saved a man. I saw Dick Bowman do more--when the dirt was dropping from the slipping, working roof into my mouth and eyes, and might have come down in a slide--I lay there and watched Dick working to save me and I heard him order his son to hold a shovel over my face--his own boy." Grant shuddered and drew the child closer to him, and looked at the group near him with wet eyes. "Ira Dooley and Tom Williams and that little Italian went on their bellies, half dead from the smoke, out into death and brought home three men to safety, and would have died without batting an eye--all three to save one lost man in that passage." He beat the table again with his fist and cried wildly: "I tell you that's the Holy Ghost. I know those men may sometimes trick the company if they can. I know Ira Dooley spends lots of good money on 'the row'; I know Tom gambles off everything he can get his hands on, and that the little Dago probably would have stuck a knife in an enemy over a quarter. But that doesn't count."

The young man's voice rose again. "That is circumstance; much of it is surroundings, either of birth or of this damned place where we are living. If they cheat the company, it is because the company dares them to cheat and cheats them badly. If they steal, it is because they have been taught to steal by the example of big, successful thieves. I've had time to think it all out.

"Father--father!" cried Grant, as a new wave of emotion surged in from the outer bourne of his soul, "you once said Dick Bowman sold out the town and took money for voting for the Harvey Improvement bond steal. But what if he did? That was merely circumstance. Dick is a little man who has had to fight for money all his life--just enough money to feed his hungry children. And here came an opportunity to get hold of--what was it?--a hundred dollars--" Amos Adams nodded. "Well, then, a hundred dollars, and it would buy so much, and leading citizens came and told him it was all right--men we have educated with our taxes and our surplus money in universities and colleges. And we haven't educated Dick; we've just taught him to fight--to fight for money, and to think money will do everything in God's beautiful world. So Dick took it. That was the Dick that man and Harvey and America made, father, but I saw the Dick that God made!" He stopped and cried out passionately, "And some day, some day all the world must know this man--this great-souled, common American--that God made!"

Grant's voice was low, but a thousand impulses struggled across his features for voice and his eyes were infinitely sad as he gazed at the curly, brown hair of the child in his arms playing with the buttons on his coat.

The minister looked at his wife. She was wet-faced and a-tremble, and had her hands over her eyes. Amos Adams's old, frank face was troubled. The son turned upon him and cried:

"Father--you're right when you say character makes happiness. But what do you call it--surroundings--where you live and how you live and what you do for a living--environment! That's it, that's the word--environment has lots and lots to do with character. Let the company reduce its dividends by giving the men a chance at decent living conditions, in decent houses and decent streets, and you'll have another sort of attitude toward the company. Quit cheating them at the store, and you'll have more honesty in the mines; quit sprinkling sour beer and whiskey on the sawdust in front of the saloons to coax men in who have an appetite, and you'll have less drinking--but, of course, Sands will have less rents. Let the company obey the law--the company run by men who are pointed out as examples, and there'll be less lawlessness among the men when trouble comes. Why, Mr. Dexter, do you know as we sat down there in the dark, we counted up five laws which the company broke, any one of which would have prevented the fire, and would have saved ninety lives. Trash in the passage leading to the main shaft delayed notifying the men five minutes--that's against the law. Torches leaking in the passageway where there should have been electric lights--that's against the law. Boys--little ten-year-olds working down there--cheap, cheap!" he cried, "and dumping that pine lumber under a dripping torch--that's against the law. Having no fire drill, and rusty water plugs and hose that doesn't reach--that's against the law. A pine partition in an air-chute using it as a shaft--that's against the law. Yet when trouble comes and these men burn and kill and plunder--we'll put the miners in jail, and maybe hang them, for doing as they are taught a thousand times a week by the company--risking life for their own gain!"

Grant Adams rose. He ran his great, strong, copper-freckled hands through his fiery hair and stood with face transfigured, as the face of one staring at some phantasm. "Oh, those men--they risked their lives--Chopini and Casper Herdicker gave their lives for me. Father," he cried, "I am bought with a price. These men risked all and gave all for me. I am theirs. I have no other right to live except as I serve them." He drew a deep breath; set his jaw and spoke with all the force he could put into a quiet voice: "I am dedicated to men--to those great-souled, brave, kind men whom God has sent here for man to dwarf and ruin. They have bought me. I am theirs."

The minister put the question in their minds:

"What are you going to do, Grant?"

The fervor that had been dying down returned to Grant Adams's face.

"My job," he cried, "is so big I don't know where to take hold. But I'm not going to bother to tell those men who sweat and stink and suffer under the injustices of men, about the justice of God. I've got one thing in me bigger'n a wolf--it's this: House them--feed them, clothe them, work them--these working people--and pay them as you people of the middle classes are housed and fed and paid and clad, and crime won't be the recreation of poverty. And the Lord knows the work of the men who toil with their hands is just as valuable to society as preaching and trading and buying and selling and banking and editing and lawing and doctoring, and insuring and school teaching."

He stood before the kitchen stove, a tall, awkward, bony, wide-shouldered, loose-wired creature in the first raw stage of full-blown manhood. The red muscles of his jaw worked as his emotions rose in him. His hands were the hands of a fanatic--never still.

"I've been down into death and I've found something about life," he went on. "Out of the world's gross earnings we're paying too much for superintendence, and rent and machines, and not enough for labor. There's got to be a new shake-up. And I'm going to help. I don't know where nor how to begin, but some way I'll find a hold and I'm going to take it."

He drew in a long breath, looked around and smiled rather a ragged, ugly smile that showed his big teeth, all white and strong but uneven.

"Well, Grant," said Mrs. Dexter, "you have cut out a big job for yourself." The young man nodded soberly.

"Well, we're going to organize 'em, the first thing. We talked that over in the mine when we had nothing else to talk about--but God and our babies."

In the silence that followed, Amos Adams said: "While you were down there of course I had to do something. So after the paper was out, I got to talking with Lincoln about things. He said you'd get out. Though," smiled the old man sheepishly and wagged his beard, "Darwin didn't think you would. But anyway, they all agreed we should do something for the widows."

"They have a subscription paper at George Brotherton's store--you know, Grant," said Mr. Dexter.

"Well--we ought to put in something, father,--all we've got, don't you think?"

"I tried and tried to get her last night to know how she felt about it," mused Amos. "I've borrowed all I can on the office--and it wouldn't sell for its debts."

"You ought to keep your home, I think," put in Mrs. Dexter quickly, who had her husband's approving nod.

"They told me," said the father, "that Mary didn't feel that way about it. I couldn't get her. But that was the word she sent."

"Father," said Grant with the glow in his face that had died for a minute, "let's take the chance. Let's check it up to God good and hard. Let's sell the house and give it all to those who have lost more than we. We can earn the rent, anyway."

Mrs. Dexter looked significantly at Kenyon.

"No, that shouldn't count, either," said Grant stubbornly. "Dick Bowman didn't let his boy count when I needed help, and when hundreds of orphaned boys and girls and widows need our help, we shouldn't hold back for Kenyon."

"Grant," said the father when the visit was ended and the two were alone, "they say your father has no sense--up town. Maybe I haven't. I commune with these great minds; maybe they too are shadows. But they come from outside of me." He ran his fingers through his graying beard and smiled. "Mr. Left brings me things that are deeper and wiser than the things I know--it seems to me. But they all bear one testimony, Grant; they all tell me that it's the spiritual things and not the material things in this world that count in the long run, and, Grant, boy," the father reached for his son's strong hand, "I would rather have seen the son that has come back to me from death, go back to death now, if otherwise I never could have seen him. They told me your mother was with you. And now I know some way she touched your heart out there in the dark--O Grant, boy, while you spoke I saw her in your face--in your face I saw her. Mary--Mary," cried the weeping old man, "when you sent me back to the war you looked as he looked to-day, and talked so."

"Father," said Grant, "I don't know about your Mr. Left. He doesn't interest me, as he does you, and as for the others--they may be true or all a mockery, for anything I know. But," he exclaimed, "I've seen God face to face and I can't rest until I've given all I am--everything--everything to help those men!"

Then the three went out into the crisp January air--father and son and little Kenyon bundled to the chin. They walked over the prairies under the sunshine and talked together through the short winter afternoon. At its close they were in the timber where the fallen leaves were beginning to pack against the tree trunks and in the ravines. The child listened as the wind played upon its harp, and the rhythm of the rising and falling tide of harmony set his heart a-flutter, and he squeezed his father's fingers with delight. A redbird flashing through the gray and brown picture gave him joy, and when it sang far down the ravine where the wind organ seemed to be, the child's eyes brimmed and he dropped behind the elders a few paces to listen and be alone with his ecstasy. And so in the fading day they walked home. The quail piped for the child, and the prairie chicken pounded his drum, and in the prairie grass the slanting sun painted upon the ripples across the distant, rolling hills many pictures that filled the child's heart so full that he was still, as one who is awed with a great vision. And it was a great vision that filled his soul: the sunset with its splendors, the twilight hovering in the brown woods, the prairie a-quiver with the caresses of the wind, winter-birds throbbing life and ecstasy into the picture, and above and around it all a great, warm, father's heart symbolizing the loving kindness of the infinite to the child's heart.

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XVIII. OUR HERO RIDES TO HOUNDS WITH THE PRIMROSE HUNT

Going home from the Adamses that afternoon, John Dexter mused: "Curious--very curious." Then he added: "Of course this phase will pass. Probably it is gone now. But I am wondering how fundamental this state of mind is, if it will not appear again--at some crisis later in life."

"His mother," said Mrs. Dexter, "was a strong, beautiful woman. She builded deep and wide in that boy. And his father is a wise, earnest, kindly man, even if he may be impractical. Why shouldn't Grant do all that he dreams of doing?"

"Yes," returned the minister dryly. "But there is life--there are its temptations. He is of the emotional type, and the wrong woman could bend him away from any purpose that he may have now. Then, suppose he does get past the first gate--the gate of his senses--there's the temptation to be a fool about his talents if he has any--if this gift of tongues we've seen to-day should stay with him--he may get the swelled head. And then," he concluded sadly, "at the end is the greatest temptation of all--the temptation that comes with power to get power for the sake of power."

The next morning Amos Adams and Grant went in to Market Street to sell their home. Grant seemed a stranger to that busy mart of trade: the week of his absence had taken him so far from it. His eyes were caught by two tall figures, a man and a woman, walking and talking as they crossed the street--the man in a heavy, long, brown ulster, the woman in a flaring red, outer garment. He recognized them as Margaret Fenn and Thomas Van Dorn. They had met entirely by chance, and the meeting was one of perhaps half a dozen chance meetings which they had enjoyed during the winter, and these meetings were so entirely pleasurable that the man was beginning rather vaguely to anticipate them--to hope for another meeting after the last. Grant was in an exalted mood that morning, and the sight of the two walking together struck him only as a symbol and epitome of all that he was going into the world to fight--in the man intellect without moral purpose, in the woman materialism, gross and carnal. The Adamses went the rounds of the real estate dealers trying to sell their home, and in following his vision Grant forgot the two tall figures in the street.

But the two figures that had started Grant's reverie continued to walk--perhaps a trifle slower than was the wont of either, down Market Street. They walked slowly for two reasons: For her part, she wished to make the most of a parade on Market Street with so grand a person as the Judge of the District Court, and the town's most distinguished citizen; and for his part, he dawdled because life was going slowly with him in certain quarters: he felt the lack of adventure, and here--at least, she was a stunning figure of a woman! "Yes," she said, "I heard about them. Henry has just told me that Mr. Brotherton said the Adamses are going to sell their home and give it to the miners' widows. Isn't it foolish? It's all they've got in the world, too! Still, really nothing is strange in that family. You know, I boarded with them one winter when I taught the Prospect School. Henry says they want to do something for the laboring people," she added naïvely.

As she spoke, the man's eyes wandered over her figure, across her face, and were caught by her eyes that looked at him with something in them entirely irrelevant to the subject that her lips were discussing. His eyes caught up the suggestion of her eyes, and carried it a little further, but he only said: "Yes--queer folks--trying to make a whistle--"

"Out of a pig's tail," she laughed. But her eyes thought his eyes had gone just a little too far, so they drooped, and changed the subject.

"Well, I don't know that I would say exactly a pig's tail," he returned, bracketing his words with his most engaging smile, "but I should say out of highly refractory material."

His eyes in the meantime pried up her eyelids and asked what was wrong with that. And her eyes were coy about it, and would not answer directly.

He went on speaking: "The whole labor trouble, it seems to me, lies in this whistle trade. A smattering of education has made labor dissatisfied. The laboring people are trying to get out of their place, and as a result we have strikes and lawlessness and disrespect for courts, and men going around and making trouble in industry by 'doing something for labor.'"

"Yes," she replied, "that is very true."

But her eyes--her big, liquid, animal eyes were saying, "How handsome you are--you man--you great, strong, masterful man with your brown ulster and brown hat and brown tie, and silken, black mustache." To which his eyes replied, "And you--you are superb, and such lips and such teeth," while what he trusted to words was:

"Yes--I believe that the laborer in the mines, for instance, doesn't care so much about what we would consider hardship. It's natural to him. It would be hard for us, but he gets used to it! Now, the smelter men in that heat and fumes--they don't seem to mind it. The agonizing is done largely by these red-mouthed agitators who never did a lick of work in their lives."

Their elbows touched for a moment as they walked. He drew away politely and her eyes said:

"That's all right: I didn't mind that a bit." But her lips said: "That's what I tell Mr. Fenn, and, anyway, the work's got to be done and cultivated people can't do it. It's got to be done by the ignorant and coarse and those kind of people."

His eyes flinched a little at "those kind" of people and she wondered what was wrong. But it was only for a moment that they flinched. Then they told her eyes how fine and desirable she looked, and she replied eyewise with a droop such as the old wolf might have used in replying to Red Riding Hood, "The better to eat you, my child." Then his voice spoke; his soft, false, vain, mushy voice, and asked casually: "By the way, speaking of Mr. Fenn--how is Henry? I don't see him much now since he's quit the law and gone into real estate."

His eyes asked plainly: Is everything all right in that quarter? Perhaps I might--

"Oh, I guess he's all right," and her eyes said: That's so kind of you, indeed; perhaps you might--

But he went on: "You ought to get him out more--come over some night and we'll make a hand at whist. Mrs. Van Dorn isn't much of a player, but like all poor players, she enjoys it." And the eyes continued: But you and I will have a fine time--now please come--soon--very soon.

"Yes, indeed--I don't play so well, but we'll come," and the eyes answered: That is a fair promise, and I'll be so happy. Then they flashed quickly: But Mrs. Van Dorn must arrange it. He replied: "I'll tell Mrs. Van Dorn you like whist, and she and you can arrange the evening."

Then they parted. He walked into the post office, and she walked on to the Wright & Perry store. But instead of returning to his office, he lounged into Mr. Brotherton's and sat on a bench in the Amen Corner, biting a cigar, waiting for traffic to clear out. Then he said: "George, how is Henry Fenn doing--really?"

His soft, brown hat was tipped over his eyes and his ulster, unbuttoned, displayed his fine figure, and he was clearly proud of it. Brotherton hesitated while he invoiced a row of books.

"Old trouble?" prompted Judge Van Dorn.

"Old trouble," echoed Mr. Brotherton--"about every three months since he's been married; something terrible the last time. But say--there's a man that's sorry afterwards, and what he doesn't buy for her after a round with the joy-water isn't worth talking about. So far, he's been able to square her that way--I take it. But say--that'll wear off, and then--" Mr. Brotherton winked a large, mournful, devilish wink as one who was hanging out a storm flag. Judge Van Dorn twirled his mustache, patted his necktie, jostled his hat and smiled, waiting for further details. Instead, he faced a question:

"Why did Henry quit the law for real estate, Judge--the old trouble?"

Judge Van Dorn echoed, and added: "Folks pretty generally know about it, and they don't trust their law business in that kind of hands. Poor Henry--poor devil," sighed the young Judge, and then said: "By the way, George, send up a box of cigars--the kind old Henry likes best, to my house. I'm going to have him and the missus over some evening."

Mr. Brotherton's large back was turned when the last phrase was uttered, and Mr. Brotherton made a little significant face at his shelves, and the thought occurred to Mr. Brotherton that Henry Fenn was not the only man whom people pretty generally knew about. After some further talk about Fenn and his affairs, Van Dorn primped a moment before the mirror in the cigar cutter and started for the door.

"By the by, your honor, I forgot about the Mayor's miners' relief fund. How is it now?" asked Van Dorn.

"Something past ten thousand here in the county."

"Any one beat my subscription?" asked Van Dorn.

Brotherton turned around and replied: "Yes--Amos Adams was in here five minutes ago. He has mortgaged his place and so long as he and Grant can't find kith or kin of Chopini, and Mrs. Herdicker would take nothing--Amos has put $1,500 into the fund. Done it just now--him and Grant."

The Judge took the paper, looked at the scrawl of the Adamses, and scratching out his subscription, put two thousand where there had been one thousand. He showed it to Brotherton, and added with a smile:

"Who'll call that--I wonder."

And wrapping his ulster about him and cocking his hat rakishly, he went with some pride into the street. He was thirty-four years old and was accounted as men go a handsome dog, with a figure just turning from the litheness of youth into a slight rotundity of very early middle age. He carried his shoulders well, walked with a firm, straight gait--perhaps a little too much upon his toes for candor, but, with all, he was a well-groomed animal and he knew it. So he passed Margaret Fenn again on the street, lifted his hat, hunted for her eyes, gave them all the voltage he had, and the smile that he shot at her was left over on his face for half a block down the street. People passing him smiled back and said to one another:

"What a fine, good-natured, big-hearted fellow Tom Van Dorn is!"

And Mr. Van Dorn, not oblivious to the impression he was making, smiled and bowed and bowed and smiled, and hellowed Dick, and howareyoued Hiram, and goodmorninged John, down the street, into his office. There he found his former partner busy with a laudable plan of defending a client. His client happened to be the Wahoo Fuel Company, which was being assailed by the surviving relatives of something like one hundred dead men. So Mr. Calvin was preparing to show that in entering the mine they had assumed the ordinary risks of mining, and that the neglect of their fellow servants was one of those ordinary risks. And as for the boy ten years old being employed in the mines contrary to law, there were some details of a trip to Austria for that boy and his parents, that had to be arranged with the steamship company by wire that very morning. The Judge sat reading the law, oblivious--judicially--to what was going on, and Joseph Calvin fell to work with a will. But what the young Judge, who could ignore Mr. Calvin's activities, could not help taking judicial notice of in spite of his law books, were those eyes out there on the street. They were indeed beautiful eyes and they said so much, and yet left much to the imagination--and the imagination of Judge Van Dorn was exceedingly nimble in those little matters, and in many other matters besides. Indeed, so nimble was his imagination that if it hadn't been for the fact that at Judge Van Dorn's own extra-judicial suggestion, every lawyer in town, excepting Henry Fenn, who had retired from the law practice, had been retained by the Company an hour after the accident, no one knows how many holes might have been found in Mr. Joseph Calvin's unaided brief.

As the young Judge sat poring over his law book, Captain Morton came in and after the Captain's usual circumlocution he said:

"What I really wanted to know, Judge, was about a charter. I want to start a company. So I says to myself, Judge Tom, he can just about start me right. He'll get my company going--what say?" Answering the Judge's question about the nature of the company, the Captain explained: "You see, I had the agency for the Waverly bicycle here a while back, and I got one of their wheels and was fooling with it like a fellow will on a wet day--what say?" He smiled up at the Judge a self-deprecatory smile, as if to ask him not to mind his foolishness but to listen to his story. "And when I got the blame thing apart, she wouldn't go together--eh? So I had to kind of give up the agency, and I took a churn that was filling a long-felt want just then. Churns is always my specialty and I forgot all about the bicycle--just like a fellow will--eh? But here a while back I wanted to rig up a gearing for the churn and so I took down the wreck of the old wheel, and dubbing around I worked out a ball-bearing sprocket joint--say, man, she runs just like a feather. And now what I want is a patent for the sprocket and a charter for the company to put it on the market. Henry Fenn's going to the capital for me to fix up the charter; and then whoopee--the old man's coming along, eh? When I get that thing on the market, you watch out for me--what say?"

The eyes of Margaret Fenn danced around the Captain's sprocket. So the Judge, thinking to get rid of the Captain and oblige the Fenns with one stroke, sent the Captain away with twenty-five dollars to pay Henry Fenn for getting the patent for the sprocket and securing the charter for the company.

As the Captain left the office of the Judge he greeted Mrs. Van Dorn with an elaborate bow.

And now enter Laura Van Dorn. And she is beautiful, too--with candid, wide-open gray eyes. Maturity has hardly reached her, but through the beauty of line and color, character is showing itself in every feature; Satterthwaite and Nesbit, force and sentiment are struggling upon her features for mastery. The January air has flushed her face and her frank, honest eyes glow happily. But when one belongs to the ancient, though scarcely Honorable Primrose Hunt, and rides forever to the hounds down the path of dalliance, one's wife of four years is rather stale sport. One does not pry up her eyelashes; they have been pried; nor does one hold dialogues with her under the words of conventional speech. The rules of the Hunt require one to look up at one's wife--chiefly to find out what she is after and to wonder how long she will inflict herself. And when one is hearing afar the cry of the pack, no true sportsman is diverted from the chase by ruddy, wifely cheeks, and beaming, wifely eyes, and an eager, wifely heart. So when Laura his wife came into the office of the young Judge she found his heart out with the Primrose Hunt and only his handsome figure and his judicial mind accessible to her. "Oh, Tom," she cried, "have you heard about the Adamses?" The young Judge looked up, smiled, adjusted his judicial mind, and answered without emotion: "Rather foolish, don't you think?"

"Well, perhaps it's foolish, but you know it's splendid as well as I. Giving up everything they had on earth to soften the horror in South Harvey--I'm so proud of them!"

"Well," he replied, still keeping his chair, and letting his wife find a chair for herself, "you might work up a little pride for your husband while you're at it. I gave two thousand. They only gave fifteen hundred."

"Well--you're a dear, too." She touched him with a caressing hand. "But you could afford it. It means for you only the profits on one real estate deal or one case of Joe Calvin's in the Federal Court, where you can still divide the fees. But, Tom--the Adamses have given themselves--all they have--themselves. It's a very inspiring thing; I feel that it must affect men in this town to see that splendid faith."

"Laura," he answered testily, "why do you still keep up that foolish enthusiasm for perfectly unreasonable things? There was no sense in the Adamses giving that way. It was a foolish thing to do, when the old man is practically on the town. His paper is a joke. Sooner or later we will all have to make up this gift a dollar at a time and take care of him."

He turned to his law book. "Besides, if you come to that--it's money that talks and if you want to get excited, get excited over my two thousand. It will do more good than their fifteen hundred--at least five hundred dollars more. And that's all there is to it."

Her face twitched with pain. Then from some depths of her soul she hailed him impulsively:

"Tom, I don't believe that, and I don't believe you do, either--it isn't the good the money does those who receive; it's the good it does the giver. And the good it does the giver is measured by the amount of sacrifice--the degree of himself that he puts into it--can't you understand, Tom? I'd give my soul if you could understand."

"Well, I can't understand, Laura," impatiently; "that's your father's sentimental side. Of all the fool things," the Judge slapped the book sheet viciously, "that the old man has put into your head--sentiment is one of the foolest. I tell you, Laura, money talks. There are ten languages spoken in South Harvey, and money talks in all of them, and one dollar does as much as another, and that's all there is to it."

She rose with a little sigh. "Well," she said gently, "we won't quarrel." The wife looked intently at the husband, and in that flash of time from beneath her consciousness came renewed strength. Something primeval--the eternal uxorial upon which her whole life rested, possessed her and she smiled, and touched her husband's thick, black hair gently. For she felt that if the spiritual ties for the moment had failed them, she must pick up some other tie. She was the nest builder indomitable. If the golden thread should drop--there is the string--the straw--the horse hair--the twig. So Laura Van Dorn picked up an appeal to her husband's affections and continued her predestined work.

"Tom," she said, with her smile still on her face, "what I really and truly wanted to tell you was about Lila." The mention of the child's name brought quick light to the mother's face. "Lila--think of it, Tom--Lila," the mother repeated with vast pride. "You must come right out and see her. About an hour ago, she sat gazing at your picture on my dresser, and suddenly without a word from me, she whispered 'Daddy,' and then was as shy for a moment, then whispered it again, and then spoke it out loud, and she is as proud as Punch, and keeps saying it over and over! Tom--you must come out and hear it."

Perhaps it was a knotty point of law that held his mind, or perhaps it was the old beat of the hoofs on the turf of the Primrose Hunt that filled his ears, or the red coat of the fox that filled his eyes.

He smiled graciously and replied absently: "Well--Daddy--" And repeated "Daddy--don't you think father is--" He caught the cloud flashing across her face, and went on: "Oh, I suppose daddy is all right to begin with." He picked up his law book and the woman drew nearer to him. She put her hand over the page and coaxed:

"Come on, Tom--just for a little minute--come on out and see her. I know she is waiting for you--I know she is just dying to show off to you--and besides, the new rugs have come for the living-room, and I just couldn't unpack them without you. It would seem so--old--old--old marriedy, and we aren't going to be that." She laughed and tried to close the law book.

Their eyes met and she thought for a moment that she was winning her contest. But he put her hand aside gently and answered: "Now, Laura, I'm busy, exceedingly busy. This mine accident is bound to come before me in one form or another soon, and I must be ready for it, and it is a serious matter. There will be all kinds of attacks upon the property."

"The property?" she asked, and he answered:

"Why, yes--legal attacks upon the mine--to bleed the owners, and I must be ready to guard them against these assaults, and I just can't jump and run every time Lila coos or you cut a string on a package. I'll be out to-night and we'll hear Lila and look at the rugs." To the disappointment upon her face he replied: "I tell you, Laura, sentiment is going to wreck your life if you don't check it."

The man looked into his book without reading. He had come to dislike these little scenes with his wife. He looked from his book out of the window, into the snowy street. He remembered his morning walk. There was no talk of souls in those eyes, no hint of higher things from those lips, no covert taunt of superiority in that face.

Laura did not wince. But her eyes filled and her voice was husky as she spoke: "Tom, I want your soul again--the one that used to speak to me in the old days." She bent over him, and rubbed her cheek against his and there she left him, still looking into the street.

That evening at sunset, Judge Van Dorn, with his ulster thrown back to show his fine figure, walked in his character of town Prince homeward up the avenue. His face was amiable; he was gracious to every one. He spoke to rich and poor alike, as was his wont. As he turned into his home yard, he waved at a little face in the window. In the house he was the spirit of good nature itself. He was full of quips and pleasantries and happy turns of speech. But Laura Van Dorn had learned deep in her heart to fear that mood. She was ashamed of her wisdom--degraded by her doubt, and she fought with it.

And yet a man and a woman do not live together as man and wife and parents without learning much that does not come from speech and is not put into formulated conviction. The signs were all for trouble, and in the secret places of her heart she knew these signs.

She knew that this grand manner, this expansive mood, this keying up of attentions to her were the beginnings of a sad and sordid story--a story that she did not entirely understand; would not entirely translate, but a story that sickened her very soul. To keep the table talk going, she said: "Tom, it's wonderful the way Kenyon is taking to the violin. He has a real gift, I believe."

"Yes," answered the husband absently, and then as one who would plunge ahead, began: "By the by--why don't you have your father and mother and some of the neighbors over to play cards some evening--and what's the matter with the Fenns? Henry's kind of down on his luck, and I'll need him in my next campaign, and I thought if we could have them over some evening--well, what's the matter with to-morrow evening? They'd enjoy it. You know Mrs. Fenn--I saw her down town this morning, and George Brotherton says Henry's slipping back to his old ways. And I just thought perhaps--"

But she knew as well as he what he "thought perhaps," and a cloud trailed over her face.

When Thomas Van Dorn left his home that night, striding into the lights of Market Street, his heart was hot with the glowing coals of an old wrong revived. For to Judge Van Dorn, home had become a trap, and the glorious eyes that had beamed upon him in the morning seemed beacons of liberty.

As gradually those eyes became fixed in his consciousness, through days and weeks and months, a mounting passion for Margaret Fenn kindled in his heart. And slowly he went stone-blind mad. The whole of his world was turned over. Every ambition, every hope, every desire he ever had known was burned out before this passion that was too deep for desire. Whatever lust was in his blood in those first months of his madness grew pale. It seemed to the man who went stalking down the street past her house night after night that the one great, unselfish passion of his life was upon him, loosening the roots of his being, so that any sacrifice he could make, whether of himself or of any one or anything about him, would give him infinite joy. When he met Henry Fenn, Van Dorn was always tempted and often yielded to the temptation to rush up to Fenn with some foolish question that made the sad-eyed man stare and wonder. But just to be that near to her for the moment pleased him. There was no jealousy for Fenn in Van Dorn's heart; there was only a dog-like infatuation that had swept him away from his reason and seated a fatuous, chattering, impotent, lecherous ape where his intellect should have been. And he knew he was a fool. He knew that he was stark mad. Yet what he did not know was that this madness was a culmination, not a pristine passion new born in his heart. For the maggot in his brain had eaten out a rotten place wherein was the memory of many women's yieldings, of many women's tears. One side of his brain worked with rare cunning. He wound the evidence against the men in the mine, taken at the coroner's hearing, through the labyrinth of the law, and snared them tightly in it. That part of his brain clicked with automatic precision. But sitting beside him was the ape, grinning, leering, ready to rise and master him. So many a night when he was weary, he lay on the couch beside his desk, and the ape came and howled him to a troubled sleep.

But while Judge Van Dorn tried to fight his devil away with his law book, down in South Harvey death still lingered. Death is no respecter of persons, and often vaunts himself of his democracy. Yet it is a sham democracy. In Harvey, when death taps on a door and enters the house, he brings sorrow. But in South Harvey when he crosses a threshold he brings sorrow and want. And what a vast difference lies between sorrow, and sorrow with want. For sometimes the want that death brings is so keen that it smothers sorrow, and the poor may not mourn without shame--shame that they feel the self-interest in their sorrow. So when Death entered a hundred homes in South Harvey that winter day at the beginning of the new year, with him came hunger, with him came cold, with him came the harlot's robe and the thief's mask, and the blight of ignorance, and the denial of democratic opportunity to scores of children. With death that day as he crossed the dreary, unpainted portals of the poor came horror that overshadows grief among the poor and makes the boast of the democracy of death a ruthless irony.

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Chapter XIX

HEREIN CAPTAIN MORTON FALLS UNDER SUSPICION AND HENRY FENN FALLS FROM GRACE

On Market Street nearly opposite the Traders' National Bank during the decades of the eighties and nineties was a smart store front upon which was fastened a large, black and gold sign bearing the words "The Paris Millinery Company" and under these words in smaller letters, "Mrs. Brunhilde Herdicker, Prop." If Mr. George Brotherton and his Amen Corner might be said to be the clearing house of public opinion in Harvey, the establishment of Mrs. Brunhilde Herdicker, Prop., might well be said to be the center of public clamor. For things started in this establishment--by things one means in general, trouble; variegated of course as to domestic, financial, social, educational, amatory, and at times political. Now the women of Harvey and South Harvey and of Greeley county--and of Hancock and Seymour counties so far as that goes--used the establishment of "The Paris Millinery Company, Mrs. Brunhilde Herdicker, Prop.," as a club--a highly democratic club--the only place this side of the grave, in fact, where women met upon terms of something like equality.

And in spring when women molt and change their feathers, the establishment of "Mrs. Brunhilde Herdicker, Prop." at its opening rose to the dignity of a social institution. It was a kind of folk-mote. Here at this opening, where there was music and flowers and bonbons, women assembled en masse. Mrs. Nesbit and Mrs. Fenn, Mrs. Dexter and Violet Hogan, she that was born Mauling met, if not as sisters at least in what might be called a great step-sisterhood; and even the silent Lida Bowman, wife of Dick, came from her fastness and for once in a year met her old friends who knew her in the town's early days before she went to South Harvey to share the red pottage of the Sons of Esau!

But her friends had little from Mrs. Bowman more than a smile--a cracked and weather-beaten smile from a broken woman of nearly forty, who was a wife at fifteen, a mother at seventeen, and who had borne six children and buried two in a dozen years.

"There's Violet," ventured Mrs. Bowman to Mrs. Dexter. "I haven't seen her since her marriage."

To a question Mrs. Bowman replied reluctantly, "Oh--as for Denny Hogan, he is a good enough man, I guess!"

After a pause, Mrs. Bowman thought it wise to add under the wails of the orchestra: "Poor Violet--good hearted girl's ever lived; so kind to her ma; and what with all that talk when she was in Van Dorn's office and all the talk about the old man Sands and her in the Company store, I just guess Vi got dead tired of it all and took Denny and run to cover with him."

Violet Hogan in a black satin,--a cheap black satin, and a black hat--a cheap black hat with a red rose--a most absurdly cheap red rose in it, walked about the place picking things over in a rather supercilious way, and no one noticed her. Mrs. Fenn gave Violet an eyebrow, a beautifully penciled eyebrow on a white marble forehead, above beaming brown eyes that were closed just slightly at the moment. And Mrs. Van Dorn who had kept track of the girl, you may be sure, went over to her and holding out her hand said: "Congratulations, Violet,--I'm so glad to hear--" But Mrs. Denny Hogan having an eyebrow to spare as the gift of Mrs. Fenn passed it on to Mrs. Van Dorn who said, "Oh--" very gently and went to sit on a settee beside Mrs. Brotherton, the mother of the moon-faced Mr. Brotherton and Mrs. Ahab Wright, who always seemed to seek the shade. And then and there, Mrs. Van Dorn had to listen to this solo from Mrs. Brotherton:

"George says Judge Van Dorn is running for Judge again: really, Laura, I hope he'll win. George says he will. George says Henry Fenn is the only trouble Mr. Van Dorn will have, though I don't see as Henry could do much. Though George says he will. George says Henry is cranky and mean about the Judge someway and George says Henry is drinking like a fish this spring and his legs is hollow, he holds so much; though he must have been joking for I have heard of hollow horn in cattle, but I never heard of hollow legs, though they are getting lots of new diseases."

By the time Mrs. Brotherton found it necessary to stop for breath, Laura Van Dorn had regained the color that had dimmed as she heard the reference to Henry Fenn. And when she met Mrs. Margaret Fenn at a turn of the aisle, Mrs. Margaret Fenn was the spirit of joy and it seemed that Mrs. Van Dorn was her long lost sister; so Mrs. Margaret Fenn began fumbling her over to find the identifying strawberry mark. At least that is what Mrs. Herdicker, Prop., told Mrs. Nesbit as she sold Mrs. Nesbit the large one with the brown plume.

Mrs. Herdicker, Prop., made it a rule never to gossip, as every one who frequented her shop was told, but as between old friends she would say to Mrs. Nesbit that if ever one woman glued herself to another, and couldn't be boiled or frozen, or chopped loose, that woman was Maggie Fenn sticking to Laura Van Dorn. And Mrs. Herdicker, Prop., closed her mouth significantly, and Mrs. Nesbit pretended with a large obvious, rather clumsy pretense, that she read no meaning in Mrs. Herdicker's words. The handsome Miss Morton, with her shoe tops tiptoeing to her skirts, who was in the shop and out of school for the rush season, listened hard, but after that they whispered and the handsome Miss Morton turned her attention to the youngest Miss Morton who was munching bonbons and opening the door for all of Harvey and South Harvey and the principalities around about to enter and pass out. After school came the tired school teachers from the High School, her eldest sister, Emma Morton, among them, with their books and reports pressed against their sides. But Margaret Fenn did not see the school teachers, nor even the fifth Mrs. Sands towed about by her star-eyed stepdaughter Anne, though Margaret Fenn's eyes were busy. But she was watching the women; she was looking for something as though to ward it off, always glancing ahead of her to see where she was going, and who was in her path; always measuring her woman, always listening under the shriek of the clarionettes, always quick with a smile--looking for something--something that she may have felt was upon its way, something that she dreaded to see. But all the shoulders she hobnobbed with that day were warm enough--indifferently warm, and that was all she asked. So she smiled and radiated her fine, animal grace, her feline beauty, her superfemininity, and was as happy as any woman could be who had arrived at an important stage of her journey and could see a little way ahead with some degree of clearness.

Let us look at her as she stands by the door waiting to overhaul Mrs. Nesbit. A fine figure of a woman, Margaret Fenn makes there--in her late twenties, with large regular features, big even teeth, clear brown eyes--not bold at all, yet why do they seem so? Perhaps because she is so sure and firm and unhesitating. Her skin is soft and fair as a child's, bespeaking health and good red blood. The good red blood shows in her lips--red as a wicked flower, red and full and as shameless as a dream. Taller than Mrs. Nesbit she stands, and her clothes hang to her in spite of the fullness of the fashion, in most suggestive lines. She seems to shine out of her clothes a lustrous, shimmering figure, female rather than feminine, and gorgeous rather than lovely. Margaret Fenn is in full bloom; not a drooping petal, not a bending stamen, not a wilted calyx or bruised leaf may be seen about her. She is a perfect flower whose whole being--like that of a flower at its full--seems eager, thrilling, burning with anticipation of the perfect fruit.

She puts out her hands--both of her large strong hands, so well-gloved and well-kept, to Mrs. Nesbit. Surely Mrs. Fenn's smile is not a make-believe smile; surely that is real pleasure in her voice; surely that is real joy that lights up her eyes. And why should they not be real? Is not Mrs. Nesbit the one person in all Harvey that Margaret Fenn would delight to honor? Is not Mrs. Nesbit the dowager empress of Harvey, and the social despot of the community? And is not Mrs. Nesbit smiling at the eldest Miss Morton, she of the Longfellow school, who is trying on a traveling hat, and explaining that she always wanted a traveling hat and suit alike so that she could go to the Grand Canyon if she could ever save up enough money, but she could never seem to afford it? Moreover is not Mrs. Nesbit in a beneficent frame of mind?

"Well," smiles the eyes and murmurs the voice, and glows the face of the young woman, and she puts out her hand. "Mrs. Nesbit--so glad I'm sure. Isn't it lovely here? Mrs. Herdicker is so effective."

"Mrs. Fenn,--" this from the dowager, and the eyebrow that Mrs. Fenn gave to Mrs. Hogan, and Mrs. Hogan gave to Mrs. Van Dorn and Mrs. Van Dorn gave to Mrs. Brotherton and Mrs. Brotherton gave to Mrs. Calvin who, George says, is an old cat, and Mrs. Calvin gave to Mrs. Nesbit for remarks as to the biennial presence of Mr. Calvin in the barn (repeated to Mrs. Calvin), the eyebrow having been around the company comes back to Mrs. Fenn.

After which Mrs. Nesbit moves with what dignity her tonnage will permit out of the perfumed air, out of the concord of sweet sounds into the street. Mrs. Fenn, who was looking for it all the afternoon, that thing she dreaded and anticipated with fear in her heart's heart, found it. It was exceedingly cold--and also a shoulder of some proportions. And it chilled the flowing sap of the perfect flower so that the flower shivered in the breeze made by the closing door, though the youngest Miss Morton presiding at the door thought it was warm, and Mrs. Herdicker thought it was warm and Mrs. Violet Hogan said to Mrs. Bowman as they went through the same door and met the same air: "My land, Bowman, did you ever see such an oven?" and then as the door closed she added:

"See old Mag Fenn there? I just heard something about her to-day. I bet it's true."

Thus the afternoon faded and the women went home to cook their evening meals, and left Mrs. Herdicker, Prop., with a few late comers--ladies of no particular character who had no particular men folk to do for, and who slipped in after the rush to pay four prices for what had been left. Mrs. Herdicker, Prop., was straightening up the stock and snapping prices to the girls who were waiting upon the belated customers. She spent little of her talent upon the sisterhood of the old, old trade, and contented herself with charging them all she could get, and making them feel she was obliging them by selling to them at all. It was while trade sagged in the twilight that Mrs. Jared Thurston, Lizzie Thurston to be exact, wife of the editor of the South Harvey Derrick came in. Mrs. Herdicker, Prop., knew her of old. She was in to solicit advertising, which meant that she was needing a hat and it was a swap proposition. So Mrs. Herdicker told Mrs. Thurston to write up the opening and put in a quarter page advertisement beside and send her the bill, and Mrs. Thurston looked at a hat. No time was wasted on her either--nor much talent; but as Mrs. Thurston was in a business way herself, Mrs. Herdicker, Prop., stopped to talk to her a moment as to an equal--a rare distinction. They sat on a sofa in the alcove that had sheltered the orchestra behind palms and ferns and Easter lilies, and chatted of many things--the mines, the new smelter, the new foreman's wife at the smelter, the likelihood that the Company store in South Harvey would put in a line of millinery--which Mrs. Herdicker, Prop., denied with emphasis, declaring she had an agreement with the old devil not to put in millinery so long as she deposited at his bank. Mrs. Herdicker, Prop., had taken the $500 which the Company had offered for the life of poor Casper and had filed no lawsuit, fearing that a suit with the Company would hurt her trade. But as a business proposition both women were interested in the other damage suits pending against the Company for the mine accident. "What do they say down there about it?" asked the milliner.

"Well, of course," returned Mrs. Thurston, who was not sure of her ground and had no desire to talk against the rich and powerful, "they say that some one ought to pay something. But, of course, Joe Calvin always wins his suits and the Judge, of course, was the Company's attorney before he was the Judge--"

"And so the claim agents are signing 'em up for what the Company will give," cut in the questioner.

"That's about it, Mrs. Herdicker," responded Mrs. Thurston. "Times are hard, and they take what they can get now, rather than fight for it. And the most the Company will pay is $400 for a life, and not all are getting that."

"Tom Van Dorn--he's a smooth one, Lizzie--he's a smooth one." Mrs. Herdicker, Prop., looked quickly at Mrs. Thurston and got a smile in reply. That was enough. She continued:

"You'd think he'd know better--wouldn't you?"

"Well, I don't know--it's hard to teach an old dog new tricks," was the non-committal answer of Mrs. Thurston, still cautious about offending the powers.

Mrs. Herdicker, Prop., brushed aside formalities. "Yes--stenographers and hired girls, and biscuit shooters at the Palace and maybe now and then an excursion across the track; but this is different; this is in his own class. They were both here this afternoon, and you should have seen the way she cooed and billed over Laura Van Dorn. Honest, Lizzie, if I'd never heard a word, I'd know something was wrong. And you should have seen old lady Nesbit give her the come-uppins."

Mrs. Herdicker, Prop., dropped her voice to a confidential tone. "Lizzie?" a pause; "They say you've seen 'em together."

The thought of the quarter page advertisement overcame whatever scruples Mrs. Thurston may have had, and so long as she had the center of the stage she said her lines: "Why I don't know a single thing--only this: that for--maybe a month or so every few days along about five or six o'clock when the roads are good I've seen him coming one way on his wheel, and go down in the country on the Adams road, and about ten minutes later from another way she'd come riding along on her wheel and go down the Adams road into the country following him. Then in an hour or so, they come back, sometimes one of them first--sometimes the other, but I've really never seen them together. She might be going to the Adamses; she boarded there once years ago."

"Yes,--and she hates 'em!" snapped Mrs. Herdicker derisively, and then added, "Well, it's none of my business so long as they pay for their hats."

"Well, my land, Mrs. Herdicker," quoth Lizzie, "it's a comfort to hear some one talk sense. For two months now we've been hearing nothing but that fool Adams boy's crazy talk about unions, and men organizing to help their fellows, and--why did you know he's quit his job as boss carpenter in the mine? And for why--so that he can be a witness against the company some say; though there won't be any trial. Tom Van Dorn will see to that. He's sent word to the men that they'd better settle as the law is against them. But that Grant Adams quit his job any way and is going about holding meetings every night, and working on construction work above ground by day and talking union, union, union till Jared and I are sick of it. I tell you the man's gone daft. But a lot of the men are following him, I guess."

Being a methodical woman Mrs. Herdicker, Prop., wrote the copy for her advertisement and let Mrs. Thurston go in peace. She went into the gathering twilight, and hurried to do a few errands before returning to South Harvey.

At the court house Mrs. Thursston met Henry Fenn coming out of the register of deeds office where he had been filing a deed to some property he had sold, and at Mr. Brotherton's Amen Corner, she saw Tom Van Dorn smoking upon the bench. The street was filled with bicycles, for that was a time when the bicycle was a highly respectable vehicle of business and pleasure. Mrs. Thurston left Market Street and a dozen wheels passed her. As she turned into her street to South Harvey a bell tinkled. She looked around and saw Margaret Fenn making rapidly for the highway. Mrs. Thurston was human; she waited! And in five minutes Tom Van Dorn came by and went in the same direction!

An hour later Margaret Fenn came pedaling into the town from the country road, all smiling and breathless and red lipped, and full of color. As she turned into her own street she met her husband, immaculately dressed. He bowed with great punctiliousness and lifting his hat high from his head smiled a search-light of a smile that frightened his wife. But he spoke no word to her. Five minutes later, as Tom Van Dorn wheeled out of Market Street, he also saw Henry Fenn, standing in the middle of the crossing leering at him and laughing a drunken, foolish, noisy laugh. Van Dorn called back but Fenn did not reply, and the Judge saw nothing in the figure but his drunken friend standing in the middle of the street laughing.

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