Final Report of the Louisiana Purchase Exposition Commission (part 2 of 3)
In the Department of Forestry, Fish, and Game Cuba's exhibition consisted of samples of woods used in construction and for furniture, house decorations, etc. The collection of woods at the Forestry Building was given to the Yale University Forestry Schools at the close of the fair. The mineral collection at the Mines Building was subsequently donated to the United States National Museum, at Washington, D.C.
DENMARK.
The Government of Denmark, while making no appropriation for a participation at the Louisiana Purchase Exposition, appointed William Arup as commissioner-general to look after the interests of the Danish exhibitors. At the same time the Government appointed a committee, consisting of the following-named persons, to assist him in his work: Charles Ambte, director of State railways; Mr. N. Anderson, councilor of state, P.D.; Arnold Krog, professor in arts, P.D.; Admiral Richeleu St. Kors, of D.; Philip Schon, councilor of state. Of these gentlemen only Admiral Richeleu visited the fair.
Commissioner-General Arup personally bore the total expenses of transportation and installation, which amounted approximately to $25,000.
Denmark had no official building on the grounds but confined her space to the principal exhibition palaces. Her principal displays were installed in the Palace of Varied Industries, where she occupied about 5,000 square feet of space.
Twenty exhibitors displayed goods in the Palace of Varied Industries. Their displays consisted principally of porcelain, silverware, art pottery, cabinet works, embroideries, photography, ship models, and a ship model of the free port of Copenhagen. The last-mentioned model was subsequently donated to the Chicago Municipal Museum.
In the Palace of Electricity, the Agricultural Building, and the Palace of Fine Arts Denmark occupied smaller spaces, but her exhibits attracted general attention on account of their universal excellence.
EGYPT.
The amount of Government appropriation for Egypt's participation at the Louisiana Purchase Exposition was approximately $50,000. The principal exhibit made by the Government of Egypt consisted of a representation of antiquities in the Anthropology Building; an exhibit by the Sudan Government in the foreign section, comprising ivory, gum, rubber, various cereals, and a variety of ancient weapons and curious articles in use by the natives of Sudan. In the same section were exhibited some heads of wild animals including hippopotamus and the buffalo. In the Liberal Arts section was displayed a large relief map showing the system of irrigation in use in Egypt with the canals clearly marked. This exhibit was made by the administration of the Daira Sanich, which forms part of the Government, and in the same section the public works department of the Government exhibited various models of the Delta Barrage and other irrigation works existing in various parts of Egypt.
In the Agricultural Building, through the Khedivial Agriculture Society and the Produce Association of Alexandria, a complete collection of cotton and cereals and every kind of agricultural product grown in Egypt were shown, in addition to which the Campagnie des Sucreries of Egypt had a very fine display of sugar, and the Port Said Salt Association sent samples of various kinds of salt.
The commissioners appointed by the Egyptian Government were Herman E. Lawford and Abdel Hamid Abazza. The latter was in charge of the agricultural section. He is connected with the Khedivial Agriculture Society of Egypt, and was requested by the Government of Egypt to make a report on the cotton industry in this country, particularly with regard to diseases of the cotton plant. Mr. Lawford has resided in Egypt for several years and has been connected with various land and industrial companies. Mr. Quibell, who was attached to the commission, is an inspector of antiquities in the employ of the museum at Cairo, and has been in Egypt for a number of years, his time being devoted to scientific researches.
FRANCE.
The French Government, at the time when the general commission to the Louisiana Purchase Exposition was appointed, appropriated a sum of 600,000 francs for its expenses and a sum of 600,000 francs for the participation of the fine arts. Later on an appropriation of 350,000 francs was made for the educational exhibit and several other exhibits over which the Government had immediate and direct control. The entire charge of putting up the French commercial exhibits in the various palaces, except Fine Arts and Education and National Pavilion, had been granted, in April, 1902, to a permanent committee on foreign expositions, which worked under the supervision of the French general commission. The committee raised from private sources a sum of 5,000,000 francs.
Aside from the above sums, an appropriation of 100,000 francs was made by the department of the colonies for the participation of the different colonies at the exposition.
Another appropriation of the same amount was made for the social economy exhibit.
The approximate amount of money spent by France for its participation in the Louisiana Purchase Exposition was 7,750,000 francs. The contract for building the French Government Pavilion was let to a general contractor in Paris, who undertook to build it for the sum of 500,000 francs.
In addition to the above sum, an appropriation of 100,000 francs was made for the painting of the building; 10,000 francs for the statuary over the roof. An appropriation of 150,000 was made for the gardens.
The commission appointed by the Government of France was as follows:
Mr. Alfred Picard, special envoy of the French Republic; Mr. Georges Gerald, commissioner-general; Mr. Jules Boeufvé, assistant commissioner-general; Mr. Felix Lamy, secretary of the French commission; Mr. Robert Delaunay-Belleville, private secretary to the special envoy; Mr. Max Ferlaud, private secretary to the commissioner-general; Mr. Emile Heurteau, private secretary to the special envoy; Mr. Marcel Estieu, attaché; Mr. André Artoine, attaché. French commercial section: Mr. Ancelot, president; Mr. Gustav Kester, vice-president; Mr. Perdoux; Mr. Maurice Estieu, treasurer. Fine arts section: Mr. André Saglio, commissioner; Mr. Horteloup; Mr. Delestre, attaché.
The National Palace of France, as erected at the St. Louis World's Fair, was a reproduction of the Grand Trianon, at Versailles. It was located at the west end of the Louisiana way, one of the main avenues on the fair grounds; at the other end of the avenue was located the United States Government Building.
The French Pavilion consisted of three rectangular buildings bordering on a main state court. Large pilasters of white and pink marble were arranged as the frame work for high windows, topped with decorative arches. An outside flight of stairs and porphyrolite sills of imitation marble gave that impression of luxury and good taste which is characteristic of all productions of the Louis XIV period.
Two large wrought-iron brackets supported lanterns in the same style and gave a more animated appearance to the main entrance at the end of the court. Part of the arch decorations were reserved for the entrances; the balance of the arches used in the arrangement of windows with balcony were fitted with wrought-iron balustrade railings, in the general style of the palace.
Only one change was made in the otherwise exact reproduction of the Grand Trianon. According to documents published in the seventeenth century, and especially to the tentative drawings made by Lepautri himself, the Grand Trianon architect, that monument was originally to be decorated over its high balustrade railings with some artistic devices and groups of children, each to be found in the present French monument. The architects of the St. Louis Palace, Messrs. Gustave Umbdenstock and Roger Bouvard, conceived the happy thought of making that restoration complete, and thus contributing a more lifelike appearance to the whole palace.
On the other hand, a large allegorical medallion was arranged over the central decorative device, which was indicative of the national character. The medallion bore the coat of arms of the French Republic topped with the "Phrygian" cap, being flanked on either side by two allegorical female figures, one of which was symbolic of the Armed Peace protecting herself with a sword, and the other was intended to represent French trade. Over the allegorical medallion was the mainmast used to display the French flag. Owing to the arrangement of the palace itself the flag was thus displayed in the continuation of the center of the main monumental avenue of the fair.
From the entrance to the French Concession, which covered an area of about 150 meters in width by 250 meters in depth, a large monumental grill in the style of Louis XIV covered the entire front of the grounds separating the garden from the avenue which bounded it at the right corner. The grill included three large gates supported by four metal towers which were topped by lanterns and decorated with allegorical panels, producing the finest effect. The grills were devised on the same lines as those exhibited at Versailles and on the Place Stanislas, at Nancy.
A large garden, laid out in French style, was arranged in a border on the central path leading to the palace. The latter, with flower beds in the border, was ornamented with vases and statuary on pedestals.
The interior arrangement of the palace was such that the public would visit it regularly in its entirety without the necessity of passing twice through the same rooms. Double doors were provided so as to permit a continuous circulation for entrance and egress.
The building at the farthest side of the state court was devoted to the large state room, the decoration of which was intrusted to the National "Garde-Meuble," or "Historical Furniture Depot." The size of the room was 30 meters in length by 9 meters in width, and it was lighted by seven large windows; its height was 7 meters to the ceiling. The entrance stairs on the outside and the entrance hall were paved with imitation marble of pink and white. The carved ceiling was arranged as a framing for three large decorative paintings executed by Mr. George G. Roussel. The subject selected by the artist was Liberty, Equality, Fraternity. The Liberty allegory represented France placing her sword in 1772 at the service of America for the conquest of the latter's independence.
In "Equality" the figures were personifications of the commerce and industry of both nations.
"Fraternity" represented America receiving the France of 1904 in a symbolic group.
In the corner of the ceiling were a child uniting the flags of both nations and goddesses personifying Fame hovering over a globe representing Earth in glorification of that cordial understanding.
The large state room contained fine Gobelin tapestries reproducing scenes of the reign of Louis XIV, as follows:
(1) Audience of Cardinal Chigi (July 29, 1664). This was a tapestry woven of wool and silk set off with gold manufactured at the Gobelin factory in the seventeenth century. It was one of a series illustrating the history of King Louis from Van der Meulen et de Charles Le Brun. It had a very rich border by Yvart.
(2) Entrance of the King into Dunkerque (December 2, 1662). A wool and silk woven tapestry set off with gold, made at the Gobelin factory in the seventeenth century; one of the series of the history of King Louis XIV from Van der Meulen et de Charles Le Brun drawing. A rich border by Yvart.
(3) The Siege of the City of Douai (July, 1667). A wool and silk woven tapestry with gold, made at the Gobelin factory in the seventeenth century; one of the series of the history of King Louis XIV from Van der Meulen et de Charles Le Brun drawing. A rich border by Yvart.
(4) A piece of tapestry. This was woven from wool and silk and made at the Gobelin factory in the seventeenth century; one of the series of hangings (portieres) of the Triumphal Chariot and bearing the coat of arms of France and Navarre; made from the drawings of Charles Le Brun (the final drawings).
The right wing of the palace was used first by the National Factory of Sevre, with a room 12 meters by 8 meters and a hall in front which measures 8 meters by 3.50 meters.
The decoration of this room was subdued to enhance the appearance of the vases and bisques exhibited. The walls were hung with watered silk to a height of 4.50 meters, the tone of the silk being well adapted to set off the whiteness of the china. Above this hanging a painted frieze was decorated with gray and blue leaves set off with medallions of crystallized pink stone work. The application of ceramics to decorative purposes was again found in the trimmings of the portieres in the shape of pendentives.
The objects exhibited in these rooms were especially selected with due consideration to the place they were to occupy and with a view to making up a complete decorative whole.
In the main room the place in the center of the longest sides were occupied by Houdon's bust of Lafayette, with a small statue of Liberty by Aube in front, and by a Puech's bust of President Loubet, with a small statue of De la Paix by G. Michel in front.
On either side of these busts were seen four pink vases of the so- called "Cleremont" class and four vases of the "Chelles" class representative of the four seasons in floral decorations.
At the corners of the main room in niches especially provided for them were four Blois vases, decorated with hollyhocks, Chinese lilies, and magnolias. On either side of the window were two d'Auxerre "Flambets" (signed) vases.
The city of Paris occupied three rooms in the right wing of the National Palace.
There were in the exhibit many statues, pictures, objects of the Paris municipal council and of the council-general of the Department of Seine, the insignia of councils, engravings, reproducing the most important decorative works in the Paris Hotel de Ville (city hall); also work done by pupils of the professional and industrial art schools, such as the Germain Pilon, Bernard, Palissy, Dorian, Diderot, Estienne, Boulle, etc.; such work includes ceramic pieces, modeling, bookbinding, furniture, chasing work, pottery, etc. The architectural service was represented by plans and drawings illustrating some types of the main edifices in Paris, such as the Sorbonne, Palais des Beaux Arts de la Ville de Paris, the barracks, mayoralty buildings, professional schools, primary schools, etc.
The departments of public highways, public lighting, water and health exhibited some graphical and statistical information in reference to their undertakings.
The Metropolitan Underground Railway sent most complete information covering its most interesting work.
The department of public charity exhibited water colors which gave useful information in reference to its various branches and modes of operating.
The department of historical work and the committee of ancient Paris showed a collection of publications covering the history of the city and of its several transformations. The general decorations included views of Paris, public gardens, and two large panels by de Grinberg, showing the Notre Dame Cathedral and the Pavilion de Fiore, in the Tuilleries.
There were also frontispieces and escutcheons by the master decorator Jambon. Elaborate middle pieces and a beautiful chandelier in the middle of the main room attracted considerable attention.
There was a small horizontal show case containing a collection of objects employed by the teacher in lecturing on civic instruction. These objects included various kinds of tickets, stamps, tax bills, receipts, official postals, etc.
Agricultural education occupied an extensive area, showing the importance attached in France to that department. A very remarkable collection, filling seven volumes, showed the really wonderful result that an inspector of the Brittany region was able to obtain in a district consisting of some hundred townships. There was also an "experiment case," which was to be found again in the normal school graduate's outfit, and a set of small instruments made by the country teachers.
The series, drawings, samples of manual work, of sewing, etc., showed how republican schools in France care for the workman's interests.
Other superior schools were represented in adequate manner through the aggregate exhibits. That at Onzain showed a few peculiarities of the rural type.
Superior primary schools for girls only showed a few specimens of several collections of work. The department of technical education, as represented by practical, industrial, and commercial schools, gave a fair idea of what is done in France in that branch.
The aggregate display gave a fair idea of what is going on in France in the normal schools, where teachers of both sexes are being prepared for their work.
Attention was particularly directed to manual work, especially to the scientific training that the girls of the normal school receive on leaving school.
A show case in one of the compartments contained a complete collection of documents relating to primary education in France. Several displays of that kind were attached to the walls, such as the six graphical tables made by Levasseur, which are summaries of statistical documents.
The Museum of Pedagogy had collected in similar summary form the most important results obtained for the past twelve years in the work done in promoting special work as a complement to school education.
Enlarged photographs representing scenes of school life were placed practically everywhere throughout the exhibit of French primary schools. They were prepared by the school administration as a reproduction, on a smaller scale, of the exhibit which proved such a success at the Paris Exhibition Fair in 1900.
The exhibit of higher education included displays from universities and scientific institutions, the leading ones being the College of France, the Museum of Natural History, the Practical of Highest Studies, the School of Charters, the School of Living Oriental Languages.
An inquiry was instituted in 1883 in academic councils and faculties in reference to drafting a plan for the constitution of universities that should administer and manage themselves under the supervision of the State.
Many had been impressed with the inconvenience caused by a lack of cohesion in the work. Attention was called to those many common interests of which the faculties should have been the guardian, but of which they could not take care on account of their isolation. Inquiry, begun in 1883, made the necessity of a reform obvious. It ended in the rendering of the decrees of July 25 and December 28, 1885. These decrees may be divided into two distinct parts--one covering the interior life of faculties, the other providing for a grouping of faculties established in each academic center and the general council of faculties to be the representative organ and executive power of the new faculty life created.
Appreciable results were derived from these reforms. However they were incomplete, and it was thought, in consequence, that genuine unity should be given to a superior education. The establishment of the new universities had been a legal consequence of that express wish.
The law of July 10, 1896, gave the name of university to each body of faculties, substituting the university council for the general council of faculties, the duties and powers of such university council being regulated by the decree of July 21, 1897. The rector of the university is president of that council by right, and is the legal representative of the university before the courts.
In the Department of Machinery the French exhibit included according to the general classification groups, steam engines, various motors and engines, sundry general machinery, machine tools, and shipyard machinery. All of these several groups and classes were united in order to form a collective exposition for the whole department.
To the above groups there were added the following: Spinning and rope-making machinery and weaving machinery and materials. The latter groups included machinery that could also have been placed in the department of general machinery.
In compliance with a suggestion made by the head of the engineering service at the fair, all machines and mechanical appliances exhibited in the Palace of Machinery were distributed, not in accordance with the nationality of exhibitors, but in accordance with the character and nature of the machinery.
French manufacturers had nothing to fear from the fact of their machinery having been placed in the immediate vicinity of other similar machines made by foreign manufacturers. On the contrary, a closer contact only resulted in setting off in a better light those particular qualities that have made France so successful in that branch of industry on previous occasions.
Outside of the Palace of Machinery there were exhibited in the boiler buildings five steam generators made by French manufacturers. These boilers contributed to the generation of the steam required for the power houses of the fair.
The distribution of exhibits all over the Palace of Machinery has made it impossible to arrange any decorative devices for the whole group of French exhibitors.
Another manifestation of the French mechanical industry was found in a pavilion which was built on ground between two of the main gates leading to the main entrance to the Hall of Machinery.
The French department of electricity was located on the left of the main entrance to the Palace of Electricity, occupying an area exceeding 2,000 square meters. In the center of the exhibit there was a space 350 square meters in area, used as a resting room for visitors. There were to be seen in a circular arrangement the show cases that made up the retrospective and modern exhibits sent by the French department of commerce, industry, post, and telegraph.
The decorative frieze arranged around the room bore, between laurel wreaths, the name of the most illustrious French physicians or electricians from the eighteenth century to this date.
The French exhibit in the Palace of Agriculture occupied an area of nearly 2,800 square meters. It was located in the northern corner and next to one of the main gates, fronting the French National Palace.
The French exhibit extended along the front of the palace on the northern and eastern sides.
The French exhibit of social economy occupied an area of 700 square meters in the Palace of Education. The main entrance formed one of the largest avenues in that palace, giving access to a main hall 50 meters in length by 12 meters in width, both front sides of which were subdivided into a score of small rooms 3 by 5 meters. The front sides of these small rooms were made up of partitions 4 meters high, decorated with mural paintings, and topped with a decorative frieze that bore the titles and subtitles belonging to the group of exhibits represented in the room. A shelf 0.50 meter wide, with a ledge, was arranged all along the rooms at the height of 1 meter from the ground, and supported all pamphlets, books, and other documents that supplemented the information supplied by the exhibits on the walls.
A show case and bookcase were put in the center of each room, containing the documents placed in view by the several exhibitors who were represented through publications only.
The individuality of each of the several groups was evident by titles or medallions of a decorative character, which also included a subtitle and index, arranged with as many particulars and in as methodical manner as possible, of all exhibitors, in order that the visitor might be saved as much labor as possible in his inquiries.
GERMANY.
Members of commission.--Dr. Theodor Lewald (privy councilor), imperial German commissioner-general; Dr. Eugene Wagner (superior Government councilor), vice-commissioner; Mr. Otto Zippel (imperial councilor), treasurer; Mr. Heinrich Albert, assistant commissioner; Mr. Paul A. Zilling, commercial attaché, department of arts and crafts; Dr. Fritz Kestner, attaché; Dr. Hugo Hardy, attaché; Fritz Von Bardeleben, attaché; Dr. F.C. Rieloff, imperial consul; Baron von Reden, imperial vice-consul; Count Limburg-Stirum, general commissioner education department; Dr. Leopold Bahlsen (professor), substitute to the general commissioner education department; Mr. Herman Albert, commissioner mining department; Mr. Alard Scheck, commissioner of forestry department; Dr. Ludwig Wittmark (privy councilor), agricultural department; Dr. Hugo Kruss, scientific instruments; Dr. Johannes Breger, hygienic department; Dr. Otto Zwingenberger, chemical exhibits.
By order of the German Emperor, the German House (das Deutsche Haus) was erected on a prominence in the center of the World's Fair near the Cascades. It was a replica of one of the German castles most celebrated in history and art, and the most prominent German architects reproduced it in St. Louis and equipped it with the best products of modern art industry.
In the year 1902 the great question arose as to what kind of style and which building should be erected in America as a symbol of Germany. The Emperor decided that Charlottenburg Castle should be used for this purpose, as one of the most aristocratic and characteristic monuments of the first epoch of the Prussian Kingdom. The location of the German House on a towering hill and its purpose called for a different architecture from that of the Charlottenburg Castle, which is situated in a plain and which at the same time serves as a dwelling house. So the two wings of the Charlottenburg Castle were omitted, one of them to give room to the Pergola and the German Wine Restaurant. The place of a court of honor was here taken by the massive stairway and there were new ideas produced in the cupola, the exterior ornamentation, and in some of the interior apartments. The erection of the building was awarded to Prof. Bruno Schmitz, of Berlin, who in Germany has built some great monuments, and who is no stranger to the American public.
The equipment of the interior rooms was awarded to a number of the first German manufactories in the line of art furniture, the art of weaving and illuminating, and was finished by the most skillful artisans. The German House was on the same level as the Palace of Fine Arts and Festival Hall. Its base was 47 feet higher than the Mining Building. From the State buildings in the southern divisions of the World's Fair a wide path led through artistic garden spots to the rear entrance of the German House and from the Mining Building large stairs led up to the German Restaurant. Ascending the hill of the German House, the first impression was that of a castle front. The dimensions of the castle were: Length, 150 feet; depth, 69 feet; the height of the building to the apex of the cupola was 160 feet; it covered an area of 10,000 square feet, while the complete site with the terraces amounted to 174,931 square feet.
The castle consisted of a two-story gable, the front of which was almost exclusively occupied by the high windows and two by-parts with four axes, each with three-quarter Corinthian columns. Of the three stories, the uppermost--the mezzanine story--served only as a storeroom. The gable above the center part bore in large letters the inscription "Das Deutsche Haus." Groups at the corners of the gable represented Power and Wisdom. The capitals of the columns were molded from the original and the balustrades of the cornices were made from designs. The roof of the house was a platform like the original in Charlottenburg, surrounded by a cast-iron balustrade.
As at the prototype, in front of the German House the two Borghesian gladiators with sword and shield kept guard. The death masks on the sentry houses were Schluter's work and were erected after models taken in Charlottenburg. The dark color of the building and the patina of the roof accentuated the historical character of the building.
Around the building on the broad terraces, surrounded by a balustrade in modern Baroque, were long rows of laurel trees and rhododendrons which were brought over from Germany.
In the lower story was a circular center hall, the flat ceiling of which was supported by 8 columns, a true copy of the entrance hall of the Charlottenburg Castle. In the two wall niches, between high laurel trees, were placed busts of the Emperor and Empress. The pedestals were done in gray, specially prepared oak wood. Behind the busts were two stucco reliefs molded from the originals in Charlottenburg, representing scenes from Roman history.
A room with modern escritoire equipment served as reading and writing room for the members of the German press.
Off the center hall and facing the front was the extensive reading hall, likewise a copy of the room of the Charlottenburg Castle.
Noticeable in the room was a picture of the capital of the German Empire, Berlin, showing the bridge across the Spree, with the renowned statue of the Great Elector; behind this the great Royal Palace; also a picture of the "Hohkonigsberg," in olden times a mighty castle in German Alsatia, which for centuries has been a desolate ruin, but now is built anew in its old pomp and splendor. The series of pictures was concluded by a view of a plaza in the Hansa Town Lubeck.
In addition to these views, around the hall were the busts of eminent scholars, artists, poets, musicians. Besides other pieces of ornament, the reading room contained choice pieces of the royal porcelain manufactory, as well as a series of artistically finished groups representing the different countries of culture. Finally, to symbolize the character of the reading room, on the right table a bronze figure was placed showing the greatest German historian of all times, Theodore Mommsen, who only a short time ago died in extreme old age.
In the rear of the reading hall a broad terrace led down to the garden plots, embellished by the group by Professor von Uechtritz, Berlin, "The Crown is the safeguard of peace."
At both sides of the reading hall the office rooms were situated; to the right a large office room of the imperial commissioner or his representative, very tastefully equipped in modern style. The walls were wainscoted in oak and had capacious book shelves. From the ceiling, the beams of which were ornamented, numerous lamps and large candelabra were suspended. The room was completed by a comfortable fireplace, and to the left side of the room, or reading hall, were office rooms.
The upper center hall, with its eight columns, was a copy of the center hall of the Charlottenburg Palace, and in its quiet dignity highly characteristic of the Prussian development of the art of the Baroque.
In front of the nether window, between two columns, was placed the bust of the German Emperor in the uniform of the Gardes du Corps, with the eagle helmet, from the royal porcelain manufacturer in Berlin.
Another interesting feature of the German Building was the Gobelin hall. The rich ceiling in its pure plastic was modeled after the Elizabeth hall in the royal palace of Berlin, the stucco figures, as well as the decorations of the ceiling, likewise the golden medallions at the four corners, representing a procession of bacchantes, while the rich door panelings were modeled in the royal palace and placed here. The walls all around were wainscoted with palisander. But the main interest in this room centered in the four mighty gobelins. These gobelins were, by the charm of their colors and the delicacy of the composition, a source of enjoyment to every lover of art.
The Gobelin hall was laid out with a gorgeous modern carpet from the carpet works at Barmen. Of surprising delicacy were the curtains and the golden hangings above the windows, all masterpieces of the modern art of weaving, as were those all over the house made by the concern Hertzog in Berlin. The great candelabra of bronze and mountain crystal were lighted by wax candles.
Off the Gobelin hall was one of the richest rooms of the castle, the Bradenburg chamber. This red-velvet chamber was used for one of the most brilliant ceremonies in the royal palace, the solemn decoration of the Knights of the Order of the Black Eagle.
Adjacent to this rich room was the main hall of the Deutsche Haus, the famous oak gallery, 115 feet long and 20 feet broad. The oak gallery forms in Charlottenburg the most important apartment of the castle and is characteristically German. The combination of the simple oak wood with the delicate gold carving produced a most original and most restful effect. The wonderful dimensions, the beautiful material, the harmony of colors, and perfection of artistic details all combined to impress the observer. The entire length of the long wall was divided into niches by pilasters. Each niche contained a mirror and over that a picture from the ancient classics. Along the walls of the hall were placed on marble pedestals the busts of former Prussian rulers.
The series of state rooms was concluded by one of the very finest rooms, the Tressen Saal (galloon room), also a copy from the Charlottenburg Castle. In contrast to the substantial splendor of the oak gallery, this apartment showed the whole delicacy and refinement of the Baroque. The name "Tressen Saal" was given to this room in consideration of the gold interwoven bands (tresses) which were sewn on to the red damask.
The harmony of the oak carvings, of the gilt stucco, the red damask, and the gold galloon composed one of the most delicate decorations of Prussian castles. This was finished by the ceiling, where were seen allegories painted and mounted on linen in imitation of the Tressen Saal in Charlottenburg Castle.
There was no special act authorizing the German exposition. In accordance with the general principles of the German constitution, the sum required for this purpose was entered in the budget. After an approval of the budget by the Bundesrath and the Reichstag the participation of Germany became a law. The fire insurance of the combined German exhibits covered $4,000,000, and this sum may be regarded as the approximate value of the exhibits. The aggregate cost of the organization, installation, and transportation paid by the Government was $1,300,000, of which the Imperial Government paid $900,000, the Prussian government $250,000, and the other Federal States $150,000.
GREAT BRITAIN.
Members of commission.--His Royal Highness the Prince of Wales, K.G., president of the royal commission; the Right Honorable Viscount Peel, chairman of the royal commission; Col. Charles M. Watson, R.E., C.B., C.M.G., commissioner-general and secretary of the royal commission; Mr. J.H. Cundall, general superintendent; Mr. Edmund H. Lloyd, general superintendent; Mr. Lucien Serraillier, secretary to the commissioner-general and for juries; Mr. C.D. Barrett, accountant; Mr. Herbert Langridge, in charge of correspondence and catalogue. Clerical assistants: Mr. R. Grant Dalton, Mr. S.G. Hutchinson, Mr. J. Perrin Harris. Department of education: Capt. P.H. Atkin, representative of the education committee; Mr. C.E. Down, assistant superintendent. Department of art: Mr. R.S. Hunt, representative of the art committee; Mr. Alfred A. Longdon, representative of the applied art committee. Department of liberal arts: Mr. J.E. Petavel, scientific manager of low temperature exhibit; Mr. H. Payne, assistant. Assistant superintendents of exhibits: Mr. J.F. Barrett, mines and metallurgy; Mr. John E. Blacknell, manufactures; Mr. J.T. Christie, liberal arts; Mr. Harold Darby, transportation; Mr. Joseph Devlin, agriculture, fish, and game; Mr. Edward Dixon, electricity; Mr. H. Werninck, liberal arts; Mr. W.C. Forster, Queen Victoria's jubilee presents; Mr. W. Brown, in charge of the British Pavilion garden; Mr. Arthur Smith, general foreman.
On April 23, 1903, the royal commission of King Edward VII was issued at Whitehall under His Majesty's royal sign, appointing the following commissioners to the Louisiana Purchase Exposition:
The Prince of Wales; Arthur Wellesley, Viscount Peel; Victor Albert George, Earl of Jersey; Richard George Penn, Earl Howe; Bernard Edward Barnaby, Baron Castletown; George Arbuthnot, Baron Inverclyde; Richard Barnaby, Baron Alverstone; John, Baron Avebury; Horace Cruzon Plunkett; Charles Napier Lawrence; Sir Charles William Fremantle; Sir George Hayter Chubb; Sir Edward John Poynter; Sir Charles Rivers Wilson; Sir Edward Maunde Thompson; Sir William Henry Preece; Sir William Turner Thiselton-Deyer; Sir Herbert Jekyll; Sir Lawrence Alma Tadema; Sir Caspar Purdon Clarke; Sir George Thomas Livesey; Henry Hardinge; Samuel Cunyghame; Edward Austin Abbey; Charles Vernon Boys; Thomas Brock; George Donaldson; Clement Le Neve Foster; John Clarke Hawkshaw; Thomas Graham Jackson; William Henry Maw; Francis Grant Ogilvie; William Quiller Orchardson; Boverton Redwood; Alfred Gordon Salamon; Joseph Wilson Swan; Jethro Justinian Harris; Teall, and Francis William Webb.
Col. Charles Moore Watson was appointed secretary to the commission. Subsequently, on the 6th of June, 1903, Sir John Benjamin Stone, M.P., was appointed additional commissioner.
At the first meeting of the royal commission, held at Marlborough House on the 28th of April, 1903, His Royal Highness the Prince of Wales, K. G., made a speech showing the interest that was felt in the exposition generally throughout Great Britain.
The interest taken in the exposition by Great Britain was exemplified strikingly in the amount of space which she occupied in the various exhibition buildings, amounting in the aggregate to no less than 206,642 superficial feet, of which only 8,000 feet was occupied by the Royal Pavilion. An idea of the vast scope of the exhibit may be learned from the following table, which gives the amount of space in each of the various exhibit palaces occupied by Great Britain's display:
Superficial feet. Education ...................... 6,500 Social economy ................. 810 ------- 7,310 Art .................................... 20,872 Liberal arts ........................... 35,500 Manufactures ........................... 58,000 Electricity ............................ 5,960 Transportation ......................... 33,500 Agriculture ............................ 20,400 Horticulture ........................... 500 Forestry, Fish, and Game ............... 3,900 Mines and Metallurgy ................... 11,700 Physical Culture ....................... 1,000
In making choice of an interesting type to be followed in the British Royal Pavilion at the Louisiana Purchase Exposition, it was felt that the Orangery of the Royal Palace of Kensington would be representative of English domestic building at one of its happiest periods, and a tribute also to the memory of the great architect, Sir Christopher Wren. In the Orangery of Kensington was found a building that could be strictly reproduced to its real size. The Orangery was 170 feet long and had a range of sash windows uninterrupted by doorways, the central and end windows having stall boards under them, making the entrances. The long line of roof was broken only by the three brick parapets or pediments, the center one being carried on half-round columns and pilasters of gauged brickwork. The walls were of red brick and stock brick spaced out with design, imitation white stone being sparingly introduced in cornices or keystones to give a note of white in the color scheme. The long hall ended in circular anterooms. In the replica, at St. Louis, of Wren's building, the only departure from the original was the introduction of an enriched plaster ceiling, such as would be found in a house of the period; the real Orangery was left bare and whitewashed.
The architects used the Orangery as the principal front to a quadrangular building, the necessary offices and accommodation for royal commissioners and executive staff being provided in wings that led from the two circular anterooms. The fourth side of the open court was made by a colonnade, the royal arms being above the central opening. The character and details of the Orangery were carried through as far as possible, so that harmony and unity was given to this pleasant composition.
In the garden surrounding the pavilion an attempt was made to reproduce on a small scale the style of garden that was generally attached to the mansion residences in England during the reign of William III and Mary, in the latter part of the seventeenth century, and at the time of Queen Anne, in the early part of the eighteenth century. The old-fashioned garden with characteristic features of shady terraces of "peached alleys," as they would be called, inclosed by hedges clipped into shapes and embellished with topiary work with the forms of animals and birds cut out of yews and boxes attracted much attention. The garden was filled with old-fashioned flowers. A water basin and fountain, typical of the old English gardens, were there, as also were stone statues and lead urns and vases. The garden became one of the sights of the exposition and was usually crowded with interested and delighted sightseers.
His Majesty King Edward VII was graciously pleased to lend the Queen Victoria jubilee presents to the exposition. The valuable and unique collection was placed in the upper story of the Hall of Congresses, one of the permanent stone buildings, now a part of the Washington University, and, according to the terms of loan, admission was free to the public. The royal presents included in the collection chiefly consisted of gifts made to Her Majesty the late Queen Victoria on the occasion of the jubilee celebrations of 1887 and 1897. Of these, the greater number came from India, where native princes of all grades and representatives of all nationalities and religions vied with each other in offering to her majesty the splendid tribute of her Indian Empire.
These Indian presents were of great interest, not merely on account of the precious metals and rare woods in which they were worked, but as showing how in recent years European ideas have influenced native Indian art, which, in many instances, was represented in its most characteristic and unaffected form.
The remainder of the collection included gifts offered by the representatives of the British colonies, many of them richly illuminated addresses, inclosed in caskets handsomely worked in metal or in native woods, or, as in the case of Cape Colony, which was represented by a magnificent screen of ostrich feathers, by objects recalling an important industry of the colony. These presents formed only a small proportion of the thousands sent from every part of the British Empire.
The presents were guarded night and day by members of the constabulary force of the city of London. Policemen from the same body patrolled the British Pavilion and grounds. The uniform courtesy of these men and their patience in answering the many questions put to them by a curious public spoke well for the corps which they represented.
The grant voted by the British Government for participation at the Louisiana Purchase Exposition was £150,000. Private exhibitors bore all the expense connected with the collection, installation, and maintenance of their exhibits.
GOVERNMENT OF GUATEMALA.
The small but artistic pavilion erected by the Government of Guatemala was situated at the extreme northern end of the World's Fair grounds, just east of the Administration Building and beside the pavilion of the Argentine Republic. It was intended as an exhibit palace, with the object of installing all the Guatemalan exhibits, as well as being a bureau of information.
In its exterior facade appeared an extensive, semicircular peristyle, sustained by columns of the renaissance style, and in front two doors leading to the two rooms into which the building was divided. In the upper part of the middle of the doors was placed the national shield, with the American flag on the right and the Guatemalan ensign on the left, both surrounding the bust of Extrada Cabrera, the present President of this wealthy and prosperous section of Central America.
The salon to the left was decorated with pictures by Guatemalan artists and had other artistic features, such as native pottery, statuettes, etc. Here every afternoon the coffee for which Guatemala is so justly famous was served to visitors. In the same room also were placed an extensive collection of newspapers and a series of literary works, scientific and didactic, by Guatemalan authors.
In the department to the right, arranged very tastefully and skillfully, were samples of valuable products, demonstrating the agricultural and mineral wealth of Guatemala. Among the exhibits was a collection of specimens of all classes of coffee, arranged in 160 receptacles and two small crystal columns. A magnificent collection of 186 specimens of cabinet work wood, beautiful in construction and coloring, attracted much attention by its wonderful variety.
The mineralogical section was not so extensive as that devoted to wood, but it showed magnificent specimens from the gold mines, also samples of silver, copper, lead, isinglass, coal, marble, kaolin, etc. Another installation showed some samples of native beer of excellent quality. There were also samples of rum and brandies, distilled from sugar cane and native fruits, among these products being the "banana whisky," a delicious liquor, exhibited for the first time to the public. The manufacture of this whisky is a new industry, and promises an excellent future.
The cereal and grain section was notable for the great variety of corn, frejols, wheat, barley, etc. The famous cocoas known by the name of "Socomusco," and which since the earliest time have been recognized as among the best produced on the continent, were also represented in this section, as well as sugar, which is being produced in the country in respectable quantities. The attention of visitors was attracted by the silk (or "ceiba") cotton, installed in the same section. It is remarkable for fineness, softness, and special color. It is locally known as "Algodon de Cajeta."
The extensive and variegated collection of roots, barks, and medicinal plants constituted a special section. Among them were different kinds of quinine, sarsaparilla, ipecacuana, and other herbs. Elastic or "india rubber," stearin, gums, vanilla, etc., made up an interesting exhibition of native products. Tobacco, similar to the kind grown in Cuba, which is produced in great abundance in Guatemala, was presented in its various processes of development, from the native leaf to the finished cigar or cigarette. Samples of fibers, grasses, flowers, roots, and palms were shown in abundance. From the palms of Guatemala are manufactured the so-called "Panama hats." Visitors were much interested in their extreme lightness and the uniformity of tissue of the Guatemalan hand-made straw hats.
The building was erected at a cost of $10,000. This sum included ornamentation and the landscape gardening. The cost of the exhibits, freight, and installation was approximately $10,000, and the expenses of the commission extant during the exposition was estimated at $5,000. This brought up the expenditure to the amount appropriated by the Guatemalan Government for the expenses of the exhibit.
The exhibit was authorized by a decree issued by the President of Guatemala appointing the commission to represent the Government at the St. Louis Universal Exposition, dated the 7th of April, 1904, which reads as follows:
The constitutional President of the Republic has resolved that the official representation of Guatemala at the Universal Exposition of St. Louis shall be in charge of the legation of this Republic at Washington, D.C., and designates Mr. Carlos F. Irigoyen as special commissioner to be in charge of the exhibition, and appoints Mr. Manuel M. Jiron as attendant to the commission and to have charge of the degustation of our coffee. Mr. Jiron shall receive orders from the special commissioner, who in turn shall receive his instructions from the minister of fomento.
HAITI.
Members of Haiti commission.--Mr. J.N. Léger, president; Mr. Edmond Roumain, commissioner-general; Mr. Joseph Duque, commissioner; Mr. Price Mars, commissioner.
The participation of the Government of Haiti in the Louisiana Purchase Exposition was decided by the deliberation of the ministerial council, presided over by the President of the country. The decision was taken previously in 1901, under the former government of Gen. Tiresias Simon Sam, and maintained by the actual government of Gen. Nord Alexis, in February and March of this year. The amount of the appropriation by the Haitian Government spent in its exhibit was $50,000.
Haiti unfortunately arrived too late at the fair to construct a special building, but installed excellent exhibits in the Forestry, Fish, and Game Building and in the Palace of Mines and Metallurgy.
The Haitian exhibit at the World's Fair was located in the southwestern section of the Forestry, Fish, and Game Building, next the California exhibit, and covered a space of 30 by 75 feet. In the center was a beautiful pavilion in which the following species of native woods were represented: Mahogany, Santa Maria, tacha, rosewood, and tavernon. The woods most used in the construction were mahogany and Santa Maria. Most of the panels and all of the columns were made of these two woods, and they blended in such a manner that they looked as if they were one and the same wood. The other varieties were used in the smaller decorations. The object in making the pavilion was to show the native cabinet woods of Haiti, especially that of Santa Maria, a wood which very much resembles mahogany. Four columns of the pavilion were made of Santa Maria, one of mahogany, and one partly of each. In the pavilion were served coffee and cocoa, native products.
Just at the rear of the pavilion was a display of imported liquors and sirups from the land of Haiti, including anisette, maraschuino, repikes, creme de menthe, sirup d'orfeat, sirup de granadine, and crême de cocoa; also triple-distilled bay rum and rum of good quality from four distilleries in Haiti. On either side were glass cases in which were shown other interesting exhibits. First a collection of cigars and of beeswax in molds. Next a sectional case containing, samples of cotton mapon, used for the filling of mattresses and pillows. Then the cocoa bean; also coffee taken from the cherry, peanuts, sugar from the sugar cane, and bottled honey. In the next case were hides, leather, and a collection of fine shoes made in Haiti. Next to this case was a display of coffee beans and an interesting exhibit of hats made from palm leaves and corn husks. The chairs were made from the osier, or water willow. In the rear was a cabin made from the natural woods imported from Haiti. The roof was covered with palm leaves. The entrance was draped with an American flag on the, left and the red and blue flag of Haiti on the right. This Haitian; flag was made entirely by hand. In the interior was a fine collection of hand-carved vases, pedestals, mortar and pestles, bowls, urns, and tobacco boxes.
HONDURAS.
Members of Honduras commission.--Mr. Salvador Cordova, commissioner-general; Mr. Howard S. Reed, executive commissioner; Mr. Alejandro Bauer, assistant commissioner.
In the Palace of Agriculture, surrounded by a tropical bower of graceful palms and thousands of yards of long gray Spanish moss, was shown a collective exhibit of the wondrous and little known country of Honduras, Central America. Upon all sides the visitor was confronted by most curious and interesting samples of its varied resources. Crowds were constantly gathered about the rubber tree with its white, milk-like sap, and everyone seemed interested in the great bales of dried raw rubber, while questions, opinions, and discussions were many regarding this little known raw product. Even the great scarlet and blue macaw, from his high perch overhead, joined in with wild screeches when the crowds got too noisy.
Curious bales of sarsaparilla wrapped in white cowhide, great clusters of cocoanuts in their thick hulls, long tables with hundreds of specimens of dug plants and medicinal barks and roots, attracted curious crowds. The banana bulbs and stalks, 20 feet high, eleven months' growth, with the fruit which they had produced, gave the visitor an idea of what is possible by systematic culture, as a banana plantation with the proper care will produce fifty-two crops a year, which means a cutting every week. The consumption of the banana has increased with greater rapidity than any other fruit, and it occupies a position second to none as a food and fruit. The sarsaparilla in its original packing case was unique, and it represented its share in the country's exportations. Honduras sarsaparilla has taken the highest award at the last five expositions.
The cocoanut in its fibrous hull was a surprise to many, as the market shows them only clear of the hull. It is said that each cocoanut tree in Honduras averages about 365 nuts a year, or a nut each day. Brazil nuts were shown, with their hard outside shell, in which some 15 to 20 of the nuts are closely packed.
Of the 400 specimens of cabinet woods which were displayed, only about 100 are known to commercial uses; the rest are awaiting development. In this exhibit were the woods which neither burn nor float. Lignum-vitae, which is one of the heaviest woods known to science, and used extensively in the manufacture of mallets, etc., was displayed; also the San Juan wood, which has lately been discovered, and is found extensively on the coast. This wood is practically non-combustible, and is said to be the coming wood for car building, furniture, and interior finishing, being susceptible of a high polish. The mahogany, for which Honduras is noted, was shown in many varieties, as were rosewood, redwood, hard pine, cedar, etc.
The exhibit of native drug plants received special recognition. Among other herbs were the Peruvian and cinchona-bark quinine, rhubarb, vegetable wax, and many others unknown to science. Sugar planters were astounded at the cane only three months old and 12 feet high, grown without cultivation, and stalks were exhibited 24 feet high of twelve months' growth. At present there is not a sugar refinery in the country.
The ores exhibited were many specimens of quartz and placer gold, silver, lead, copper, and magnetic iron, of which there is practically an inexhaustible supply. The work of the natives was shown in hats, baskets, hammocks, etc., being of a high order of perfection. Many of the finest panama hats are made by the Indians in Honduras. The different kinds of sisal and hemp shown were pronounced by manufacturers to be of the very highest grade.
Many people, when the name Honduras, Central America, is mentioned, think of a far-away land untrodden by man. As a matter of fact, it was pointed out that it is not as far from New Orleans to Honduras as it is from St. Louis to either New York or Boston.
HUNGARY.
Several causes prevented an appropriation by Parliament for Hungary's participation at the Universal Exposition held in St. Louis; consequently the royal Hungarian minister of commerce, anxious that Hungary should be represented at the Congress of Nations in St. Louis, decided to furnish a sufficient sum out of funds at his disposal to make this participation possible.
Acting upon this decision, he appointed George de Szogyeny, LL.D., at that time commissioner of commerce, and accredited to the State Department in Washington, D.C., as commissioner-general, and commissioned the Hungarian Society of Fine Arts and the Hungarian Society of Applied Arts to arrange the exhibits in the Fine Arts Building and to arrange for the exhibit of applied arts.
The Hungarian Society of Applied Arts sent Paul Horti as its representative. Mr. Paul Horti is a well known art critic of Hungary. Mr. R.E. Rombauer was also a member of the commission.
The cost of Hungary's participation was approximately 200,000 crowns. The value of exhibits was as follows:
Fine arts, 150,000 crowns; applied arts in the Manufactures Building, 600,000 crowns. There were other individual exhibits scattered through the palaces of Agriculture, Mines and Metallurgy, and Education, but they represented only a small value.
EAST INDIA.
The government of India and the provincial governments of Bengal, Assam, and Mysore jointly contributed the sum of 105,000 rupees (equivalent to about $35,000), and the Indian Tea Association, Indian Tea Cess Committee, and the United Planters' Association of southern India, contributed 90,000 rupees (equal to about $30,000) for the erection of a building and expenses attendant on the work of the exhibition proper, which was designed to promote and encourage the use of India tea and coffee in America. When it was decided that India should take part in the exhibition, exhibitors of Indian manufactures, for whom no space had been reserved in the exhibition palaces, were referred by the government of India, the exhibition authorities, and by the British royal commission to the commissioners in charge, and their exhibits, together with those made of tea, coffee, cardamoms, and pepper, were installed in the government building and formed practically the entire exhibit from India.
Mr. R. Blechynden was the only executive officer appointed for East India. F.C. Williams, of New York, was subsequently appointed as honorary assistant commissioner.
The exhibit would not have been made but for the urgent request of those representing the tea interests, through the Bengal Chamber of Commerce, and it was intended primarily and mainly for the exploitation of Indian teas in America, thus finding a wider market for their use. In addition to the erection of a building and the serving of tea in liquid form to the visitors at a nominal charge, a considerable fund was set apart for advertising the merits of these teas in the Middle West. Part of this sum was expended during the continuance of the exhibition, and the work was all coordinated and in the hands of the commissioner. The exploitation may continue for several years. Advertisements have appeared in newspapers in St. Louis, Omaha, Chicago, Columbus, Indianapolis, Cincinnati, Louisville, and many other smaller towns. The aggregate of expenditure in the next few years will be much more than set apart for the exhibition.
All of the East India exhibits were contributed by individuals and were confined to the East India Building, but were grouped under the heads of art, liberal arts, manufactures, and agriculture.
ITALY.
Members of Italian commission.--His Excellency Baron E. Mayor des Planches, honorary commissioner-general; Mr. Giovanni Branchi, commissioner-general; Mr. Adolfo Appoloni, commissioner of fine arts; Chev. Vittorio Zeggio; Mr. Guido Pantaleoni; Mr. Alberto Alfani, Mr. Tullio Giordana, Mr. Cesare Della Chiesa, Mr. Jerome Zeggio, secretaries; Mr. Giuseppe Sommarauga, architect of the pavilion.
The Italian pavilion was one of the most artistic and beautiful, if not one of the smallest, foreign buildings on the World's Fair grounds. It was a construction of Roman travertine stone, ornamented with bronze and marble sculptures. It was an architectonic fancy, Graeco-Roman, on the style of the ancient villas of the emperors of the Caesarian age, with garden and fountains.
The front colonnade ended in two stout lateral "pillars," crowned by two "victories" of gilded bronze (a work by Bialetti, of Milan), one of which bore the Italian laurel and the others the olive branch, as a token of peace and welfare.
After ascending the first stairs, about 90 feet wide, and passing through all the colonnade of ionic style, was the garden where the ancient Romans used to grow their laurel, an image of glory.
The building was erected on a strong base more than 15 feet high, with another flight of stairs more than 45 feet wide.
The front was formed by a central body of the Corinthian style of the best epoch, flanked by two lower parts ornamented by marble and bronze works. The caryatides of the three latticed windows were authentic copies of the ancient caryatides of Greek origin now in the Castle of Abano, near Rome.
In the hall, together with cases and various ancient works, there was a faithful copy of the famous Etruscan vase called "Of François," belonging to the gallery of Florence, and a good copy in marble of the Roman group of wrestlers. Also in the same halls, in the cavities at the end under the frieze, with the inscription in Roman characters, "Italia lux alma preevit," were two great oil paintings of their Royal Majesties the King and Queen of Italy.
This monument of art was the work of Giuseppe Sommarauga, architect, of Milan, who had also the task of originating and directing all the principal decorations made and shipped from Italy.
The participation of Italy at the Louisiana Purchase Exposition was authorized by a law of the Italian Parliament dated December 27, 1903. The participation was prepared by the department of agriculture, industry, and commerce, under the direct supervision of the minister, Hon. Luigi Rava. A special committee was appointed for that purpose by the King, and the Hon. Angelo Pavis, a prominent member of the Italian Parliament, was elected chairman of the committee. The Italian ambassador to the United States, the Baron Edmondo Mayor des Planches, who advised the Italian Government to let Italy appear officially at the exposition, was appointed honorary commissioner-general, and Hon. Giovanni Branchi, the Italian consul-general in New York, was appointed commissioner-general. Adolfo Appoloni, one of the members of the royal commission in Rome, was appointed special commissioner for fine arts, and Mr. Branchi chose as members of the commission Guido Pantaleoni, electrical engineer, of St. Louis, and Chev. Vittorio Zeggio, who was special delegate from the Louisiana Purchase Exposition, to promote the participation of Italy to the World's Fair. Besides these members of the commission four secretaries and several assistants helped the commission in the work of arranging and distributing the different exhibits.
The appropriation of the Italian Government for the exposition was 650,000 lire ($130,000), but this appropriation was raised in progress to 800,000 lire ($170,000). A small fee of $4 per square meter was assessed to the exhibitors, but the artists and the schools had nothing to pay. No private contributions were accepted by the Government. The Government paid the cost of transporting and maintenance of exhibits, which amounted to about $30,000. The number of exhibitors was about 1,100. Many more firms would have sent their products to this exposition had they had time to arrange a fitting display. For this reason the Italian display was not a full demonstration of what Italy produces.
The largest Italian displays were in the Fine Arts, the Manufactures, and the Agriculture buildings. The paintings and the sculptures exhibited were sufficient to give an idea of the modern art in Italy. They were all quite recent, with the exception of some pictures exhibited as loan, which were painted before the Chicago Exposition. The largest and most important art societies of Italy took a great interest in the exposition, but lack of time prevented the artists from preparing special works to be exhibited. The spirit of modern Italian art was individual, all working for the development of a national art. Among the sculptures were Monteverde, Fontana, Origo, and Romanelli. Among the painters, Previati, Rizzi, Mancini, Gioli, Morbelli, Dall'Oca Bianca Laurenti, Ciardi, Fattori de Karolis, Nomellini, Gelli, etc.
In the Manufactures Building the exhibits of carved wood furniture was displayed, together with ceramics, pottery, marble, bronzes, silks, textiles, laces, embroideries, paving bricks, and many other exhibits of great importance. Among the show cases was a large and artistic one, in which was exhibited the silk factories' display.
In the Agriculture Building Italy had a large display of samples of the many kinds of wines and olive oils it produces, and there was a large display of seeds sent by the department of agriculture.
In the Mines Building a beautiful collection of marbles and sulphur showed the wealth of the under-soil resources of Italy.
The photographs, the plans, and the maps of the electrical power houses and diverting works for the production of electricity in the Electricity Building attracted many visitors.
In the Transportation Building the Rete Mediterranes, one of the railroads that operates in Italy, exhibited the electrical system used on some of its lines.
One of the best and most important Italian exhibits was in the Educational and Social Economy Building. In both these lines Italy stood among the most progressive nations in the world. The results of the schools, the people's banks and savings banks, and the mutual help societies were an excellent demonstration.
In the Liberal Arts were to be seen musical instruments, books, and products of the paper factories.
Corals, cameos, and mosaics were exhibited in the Varied Industries Building, and some of them were remarkable works of art.
JAPAN.
On July 10, 1903, an imperial ordinance for the organization of the imperial Japanese commission to the Louisiana Purchase Exposition was issued by the Mikado to the effect that the imperial commission to the Louisiana Purchase Exposition should be under the supervision of the minister of state for agriculture and commerce, and should deal with all the matters relating to the participation of the Japanese Empire in the Louisiana Purchase Exposition; that the imperial commission should consist of the following:
Nonresident: Baron Keigo Kiyoura, president; Baron Masanao Matsudaira, vice-president. Resident: Mr. Seiichi Tegima, commissioner-general; Mr. Hiromichi Shugio; Mr. Ushitaro Beppu; Mr. Naozo Kanzaki. Nonresident commissioners: Mr. Hajime Ota, Mr. Haruke Yamawaki, Mr. Masanao Hanihara, Mr. M. Isobe, Mr. J. Koyama, Mr. M. Oka, Mr. Okamoto. Resident: Mr. Keisuke Niwa, director of works; Mr. Yukio Itchikawa, landscape architect; Mr. Saizo Tajima; Prof. Yoshitaro Wantanabe; Mr. Mosuke Matsumura, secretary education department; Mr. Kannosuke Miyashima, expert home department. Secretaries (resident): Mr. Harukazu Miyabe, Mr. Michio Hattori, Mr. Toyozo Kobayashi. Attachés (resident): Mr. Shun Suzuki, Mr. Kiro Harada, Mr. Teiichiro Gejyo, Mr. Risaburo Ota.
Beginning with the international exposition held at Vienna in 1873, and including the Louisiana Purchase Exposition, Japan has participated in twenty-seven world's fairs. Her participation in the exposition at St. Louis was more memorable in many respects than at any preceding exposition. In the first place, the exhibits never before occupied such an extensive area. It was three times as large as that occupied by Japan at the Chicago World's Fair of 1893 and the Paris Exposition of 1900, respectively. In each department where Japan took any part at the fair her location was excellent. The enthusiasm of Japanese manufacturers and traders in their desire to participate in the exposition was so intense that despite the effort of the Government to discriminate between numerous applicants the quantity of exhibits was swelled to such an extent that it was a matter of no small difficulty to find places for all the articles sent in for exhibition. Notwithstanding the fact that there was only a short period of nine months between Japan's decision to participate and the opening of the fair, and that in the course of that comparatively short period the rupture of friendly relations between Russia and Japan greatly handicapped the latter's endeavors concerning the exposition, the officials and exhibitors pursued their preconceived plan without an interruption. In view of such disadvantages, the promptness and accuracy with which articles were brought into their destination, arranged, and displayed seasonably in proper form may well be regarded as remarkable. By the time the gates of the fair were thrown open to the public the display had been well-nigh completed, to the gratification of the Exposition Company and the Japanese exhibitors.
When Japan was first invited to take part in the exposition she was busily engaged in preparing for the Fifth National Exhibition held in the city of Osaka. For that reason she declined reluctantly to accept the invitation; but as the inauguration of the Louisiana Purchase Exposition was consequently postponed until the 1st day of May, 1904, Japan was later enabled to accept the invitation.
Early in the year 1904 the imperial Government sent a corps of officials to St. Louis to select a suitable location for the Government buildings, and to apply for space in the various departments of the exposition. Due to the prompt attention of the Japanese Government and the courtesy of the managers of the exposition, the desired arrangements were accomplished without the slightest difficulty. A bill appropriating $400,000 to be expended for the exposition was passed by both houses of the legislature, and in July, 1903, the Government formally notified the Exposition Company at St. Louis that Japan would be represented at the fair.
The Japanese commission for the exposition took great care not to accept for exhibition any articles which had mere virtue of novelty, without practical value, or any articles not produced in large volume. The idea of the Government in employing such discrimination was to so plan the exhibition that it would leave some lasting effects after the exposition upon the world's trade and commerce. The exhibition of matters relating to education was executed under the direct supervision of the department of education, and was so planned as to make it represent a complete system of the education now in vogue in Japan. In regard to the exhibitions of mines, fish, forestry, agriculture, and horticulture, the department of agriculture and commerce exercised the authority of deciding what articles should be displayed. The arrangement of articles exhibited in various departments of the exposition was made so that those independent of the Japan Exhibits Association were arranged by individual exhibitors under the supervision of the Japanese commission, while others were set out in proper order by the association.
There was no department or palace in which Japan did not exhibit. Displays on an especially elaborate scale, however, could be found in the following eleven palaces, namely: Palaces of Education and Social Economy, Fine Arts, Liberal Arts, Manufactures, Varied Industries, Transportation, Mines, Forestry, Fish, and Game, Electricity, and Agriculture. The total area of space of the Japanese sections in these departments was distributed among different sections as follows:
Square feet. Palace of Education ............................... 6,299 Palace of Fine Arts ............................... 6,825 Palace of Liberal Arts ............................ 400 Palace of Industry ................................ 27,384 Palace of Manufactures ............................ 54,737 Palace of Transportation .......................... 14,160 Palace of Electricity ............................. 1,100 Palace of Mines ................................... 6,903 Palace of Forestry, Fish, and Game ................ 2,982 Palace of Agriculture ............................. 8,667 ------- Total ...................................... 129,457
Besides the above areas in the various departments, a garden of a genuine Japanese style covered an extensive space of ground, in which stood the Government building. Attached to it was a reception hall and several artistic mansions. Displays of Japanese garden and floricultural arts were exhibited in the garden. In the reception hall were exhibited various data showing the growth and present status of the Red Cross Society of Japan. Altogether, the dimension of space taken by Japan for the garden aggregated approximately 148,361 square feet. Artistically distributed within the precincts of the garden were the reception hall, the office building, the Formosa tea house, the Kinkaku tea house, and several cottages and a bazaar. Hills and waterfalls, ponds and bridges were presented in miniature scale. In the verdant lawns flowers of different colors were all harmonized into an artistic unit in unique landscape gardening. Beautifully trained dwarf trees, centuries old, were brought from Japan for the special purpose of ornamenting the garden. There were also the drooping wisteria and gay peony, the scented lily and blushing maple.
The building materials for the reception hall, the office building, and resting cottages were brought from Japan. The reception hall was built entirely by native carpenters, after the style of a daimyo's goten (palace of feudal lord) of some six hundred years ago. The architectural style of the building was what is termed Heike, a style prevailing at the time when a military family called Heike held a paramount power. The artistically curved roofs, projecting one upon another, were a modest representation of architectural accomplishment already attained in Japan several centuries ago. Hanging on the inner wall of the hall was the portrait of Her Majesty the Empress of Japan, and occupying a section of the room were the exhibits of the Red Cross Society of Japan, in which the Empress takes a keen interest. The resting cottage was modeled after a cottage in a shogun's (military magistrate) garden, two or three centuries ago. Close to the south bank of the lake was a small reproduction of Kinkaku Temple. Close to the right of the front gate of the garden stood the Formosa mansion, a fair representation of characteristic native dwellings. The Kinkaku Temple was built under the auspices of the Japan Tea Traders' Association, and the Formosa mansion by the initiative of the Formosa government.
MEXICO.
Members of Mexico commission.--Engineer Albino R. Nuncio, commissioner-general; Mr. Benito Navarro, assistant to the commissioner-general; Mr. Juan Renteria, assistant to the commissioners general; Engineer Lauro Viadas, chief department of agriculture; Mr. Daniel R. De la Vega, assistant to the chief; Mr. Isidoro Aldasoro, chief department of art and ethnology; Mr. Leopoldo Tell and Mr. Octavio Andrade, assistants to the chief; Mr. Maximiliano M. Chabert, chief department of liberal arts; Mr. Alberto Ocampo, assistant to the chief; Mr. Julio Poulat, chief department of education; Mr. Manuel Costa, assistant to the chief; Mr. Enrique Garibay, chief department of forestry, fish, and game; Mr. Jorge Salazar, assistant to the chief; Mr. J. Alberto MacDowell, chief department of horticulture; Mr. J.M. Nuncio, chief department of manufactures; Mr. Antonio Sierra Cruz, assistant to the chief; Engineer Eduardo Mantinez Baca, chief department of mines and metallurgy; Mr. Miguel Peinado, assistant to the chief; Maj. S. Garcia Cuellar, chief department of transportation; Lieut. Manuel Garcia Lugo and Lieut. Jose Ortiz Monasterio, assistants to the chief; Mrs. Laura M. De Cuenca, Dr. Plutarco Ornelas, Prof Teofilo Frezieres, Mr. E.H. Talbot, Mr. Jose M. Trigo De Claver, Mr. Roberto Garcia, Mr. Jose A. Bonilla.
The amounts voted by the Mexican Congress, according to dates since the organization of the work, for the participation of Mexico at the Universal Exposition of St. Louis, were as follows:
October 22, 1901 ............................... $50,000 July 1, 1902 ................................... 70,000 November 23, 1902 .............................. 15,000 July 1, 1903 ................................... 90,000 December 3, 1903 ............................... 250,000 July 1, 1904 ................................... 100,000 November, 1904 ................................. 300,000 -------- Total ....................................... 875,000
The Mexican exhibit in the department of education, as a whole, demonstrated the remarkable development of public instruction from primary to scientific, and at the same time the progress made by adopting new plans and systems. The exhibit as a whole could also be studied in detail by looking over the regulations, plans of study, statistics, texts, etc., which were displayed there.
The Gallery No. 94 of the west pavilion of the Fine Arts Building was the one assigned by the Exposition Company to the exhibition of fine arts from the Republic of Mexico. This small gallery contained 38 oil paintings, 2 pen drawings, and 2 sculptures. The paintings belonged to 11 exhibitors.
The importance of the exhibition as relates to the art cultivated in Mexico was represented by the famous works of the Artist Fabres, which attracted a great deal of attention.
In the Palace of Liberal Arts Mexico exhibited technical works and diversified industrial products. Among the most important were those of official character, such as geographical maps, the system used for the illumination of the seashores, the construction of buildings for special works, etc. Also plans and constructions of architectural character from' prominent architects of Mexico.
Displayed here were exhibits from the manufactures of drugs and chemical products, perfumes, paper, printing and binding companies, and many others comprised in the extensive official classification. One most important exhibit was that of chemical products and pharmacy.
Another very important branch of liberal arts, and very well developed, was that of photography. Very remarkable works of the most expert photographers of the country were exhibited.
In the Department of Manufactures the industrial concerns from Mexico were represented as follows: The cotton and woolen mills, which have greatly developed in the Republic; the leather and shoe industry was well demonstrated by a number of factories which exhibited their products; there were also shown a number of samples from the manufacture of furniture and decorating fixtures for buildings and residences.
Full information about the railroad lines, general railroad map, and great number of photographs of the most important points on the lines, plaster models of the Tehuantepec Railroad connecting the two oceans, and statistical information of the railroad development were exhibited in the Transportation Building. Models of light-houses and original light-houses that will be used in the Vera Cruz Harbor were displayed also, as well as models of the harbors of Mazanillo, Salina, Curz, Coatzacoalcos, and Tampico. Tools, bags, scales, etc., used in the mail service, and statistical information of the development of the service were shown, as were carriages, harness, saddles, and all kinds of implements used for driving and riding.
The war department had a general display of educational methods used in the military and naval academies, and maps, military library, improvements invented by some member of the army and samples of materials made by its factories.
In the Electricity Building were maps and reports of the most important electrical installations of the country.
In the Machinery Hall were displayed machines made in the factories of the army for the manufacture of cartridges, and antiscaling substance.
Among the Mexican exhibits at St. Louis, the largest number was in the Agricultural Building, where the display occupied over 900 square feet of space. The exhibits made by the three leading breweries of Mexico was noticeable as to elegance and artistic good taste. Great importance was attached to the exhibits of leaf and manufactured tobacco. The coffee exhibit attracted general attention.
The exhibit of fibers, especially that of Henequen, from Yucatan, was very important and complete, the last named being the cause of flourishing trade with the United States. The exhibit of sugar showed the great resources of Mexico in this product. A splendid exhibit of Mexican vanila attracted the attention of all visitors. The exhibit of agronomical maps by the Mexican Commission was of much scientific value, and the collection of insects and injurious parasitical plants was also worthy of attention.
The Mexican exhibit in the Department of Forestry, Fish and Game consisted of 600 specimens, arranged and classified by the Medical and National Institute of Mexico, and attracted considerable attention. The magnificent exhibit of animals and stuffed birds was also admired. The exhibit was arranged and presented by the Geographical Commission of Mexico. The collection of woods presented by the governments of the States of Colima, Durahgo, Mexico, Puebla, San Luis Potosi, Michoacan, Yucatan, and the department of fomento was noticeable for the diversity of kinds of woods forming the collection, amounting to 800. The exhibit of broom root from Mexico was the only one of its kind in all the Department of Forestry, and concerning which the largest number of inquiries was made.
In the Palace of Mines and Metallurgy Mexico occupied 13,000 square feet of space. A great variety of ores and minerals was displayed, viz, gold, silver, lead, iron, copper, antimony, zinc, etc. The number of exhibitors amounted to 330. The Geological Institute of Mexico presented maps, geological plans, mineral rocks, publications, etc. Among the latter a very interesting study of the veins of the mines of Pachuca and Real de Monte, also another of the Rhyolitas of Mexico.
The social and economical conditions of the Republic of Mexico were splendidly represented in the Department of Social Economy by numerous official and private publications and photographs. The wise steps taken by the Government, which have changed the economical conditions of the country, constituting an intellectual, material, and positive development, were logically collected according to the department of state to which they belong. The exhibit was completed by a numerous collection of photographs of cities, ports, public buildings, monuments, residences, etc., showing how Mexican cities have been improved and beautified and how the Republic of the south has progressed from a material and artistical standpoint.
NEW ZEALAND.
Members of commission.--Mr. T.E. Donne, representative; Mr. Frederick Moorhouse and Mr. Thomas Clarkson, attachés.
When the New Zealand government received the invitation of the Louisiana Purchase Exposition executive to be represented at the World's Fair the colonial parliament gave the utmost publicity to the proposal and offered to allow any of its business firms a share of the space that was to be placed at its disposal. The tariffs of the United States, however, proved a serious obstacle, as the chief business houses of the young nation failed to see how their interests would be served by advertising in a country which placed a heavy tariff on their goods. However, the executive of the government, recognizing the cordiality of the invitation and with a desire to emphasize its wishes for the closest relationship with the American people, decided to be represented directly by one of its own departments--the department of tourist and health resorts. The chief of that branch of the public service, Mr. T. E. Donne, was therefore authorized to prepare an exhibit setting forth the attractions of New Zealand to tourists and the work the department is doing in that connection. When compiling the exhibit Commissioner Donne represented to his government that it would be advisable also to include a few of the country's general products, and it therefore extended the original idea in this direction.
In the Department of Forestry, Fish, and Game New Zealand had a unique and tastefully arranged display that attracted keenest interest. A collection of Scotch red deer and fallow deer heads testified to the magnificent hunting that is obtained among the virgin forests of New Zealand, and specimens of trout--rainbow, salmon, fario, and fontinalis--taken from the mountain-fed streams that intersect the country from one end to the other appealed to the fishing enthusiast.
Pictures and paintings around the walls were fascinating in that they served to indicate to visitors the character of a country which nature has blessed, when judged from a point of view of the beautiful and picturesque. Mount Cook, majestically rising to a height of nearly 13,000 feet, was shown in paintings and photographs. Lakes Taupo, Te Anau, Wakatipu, Manawapouri, Waikaremona, and others, whose clear, glassy waters, surrounded by verdure-covered hills, gave some idea of the loveliness of New Zealand lakes. The Wanganui River, Milford Sound, one of the world's wonderful fiords, and the canyons known as the Otira and Buller gorges were some of the features that interested the visitors.
The thermal districts were chiefly represented by the great Waimangu geyser and its crater, 21/2 acres in extent, which throws up boiling water, mud, and stones to a height of 1,500 feet, claiming a place as one of the "wonders of the world."
Forestry was represented by beautifully finished ornamental wood and a splendid exhibit of the famous Kauri gum. This gum, which is used principally in the manufacture of varnish, takes an important place among New Zealand products, no less than five million dollars worth being exported last year. Of special interest to ornithologists were the native wingless birds of New Zealand.
The ancient habits of that interesting and progressive race, the Maori, who preceded white people in New Zealand, were shown in some remarkably realistic and unique carvings and paintings. The Maori has long since passed the savage state and has shown his ability to attain the highest stages of modern civilization. The contrast between the position of the Maori in 1840 and in 1904 constitutes a remarkable progress in racial development. Formerly the Maori was a savage, clever and enterprising, but ferocious, cruel, and a cannibal. To-day he tills the soil, speaks English, and sends his children to school and college, where they study for the highest professions, such as medicine, law, teaching, etc. Contact with a highly civilized community has diverted the natural intelligence of the Maori to useful channels, while Christianity has developed the best instincts of a fine race of people. In the to-day the Maori stands side by side with the white man, a welcome comrade in the building of a new nation. Six Maoris occupy positions in the New Zealand legislature, and one is a cabinet minister.
In the Agricultural Building a score of sacks containing wheat, oats, peas, beans, clover, grass seed, etc., paid tribute to the climate and soil of New Zealand. The extreme interest shown by all visitors constituted a very high compliment to the country. The demand by farmers for samples of wheat and oats was great. The attention bestowed by farmers and grain merchants upon the New Zealand grain display had its counterpart in the attitude of women visitors toward the exhibit of woolen rugs and blankets. Its exceptional soil and climate enable the New Zealand farmer to rear sheep with a grade of wool that can seldom be obtained elsewhere. Factories that have been established in the principal cities weave the wool into clothing, rugs, and blankets of an excellent strength and quality. Fleeces, both scoured and greasy, afforded wool experts an opportunity of closely examining the staple in raw material. Other products shown in the Palace of Agriculture were bales of hemp manufactured from New Zealand flax, a very fine sample of hops grown in the Nelson district, rabbit skins packed and ready for export, kegs of tallow, crude petroleum, etc. These served to indicate partially the resources of a wonderfully rich and productive country.
A chief attraction of the New Zealand exhibit was the opportunity it provided Americans for personally interrogating the New Zealand representatives concerning the government of their country. Political economists in America, as in other parts of the world, have in recent years been pointing to New Zealand as a country where a government fulfills its proper functions in caring for the welfare of the whole of the people, where each man and woman takes a recognized and effective part in the making of the laws which govern them, and where high ideals of modern civilization are lived up to.
NORWAY AND SWEDEN.
The Norwegian Storthing (Parliament) on the 20th of January, 1904, failed to pass a bill appropriating funds for Norway's participation in the Louisiana Purchase Exposition. The Government, however, being aware that there would be some individual exhibitors, decided to accept the invitation from the American authorities to have a commission appointed.
By resolution of the Crown Prince Regent on March 25, Frederick L.M. Waage, vice-consul for Sweden and Norway to St. Louis, was appointed commissioner-general for Norway. No Government appropriation and no money was raised by private subscriptions.
Three individual exhibitors displayed goods:
David Andersen, Christiana, in the Varied Industries Building, silverware and enamel. Cost of exhibit, $40,000; installation, $500, transportation, $800.
Chr. Knag, Bergen, furniture of the old Norwegian style in the east wing of the Fine Arts Building. Cost of exhibit, $3,000; transportation, $125.
Nordenfjeldske Kunstindustrimuseum, Dortheim, tapestries, old and new Norwegian patterns and designs by Gerhard Munthe. Cost of exhibit, $10,000; transportation, $35.
Sweden's participation at the Louisiana Purchase Exposition was authorized by the following decree addressed by King Oscar, of Sweden and Norway, to A.R. Akerman, director-general and president of the board of trade, which decree appointed Mr. Akerman commissioner-general to the exposition. The decree gives fully an account of the Swedish participation and was as follows:
Greetings, etc.
Since the President of the United States has invited the governments of other states, including Sweden, to participate in a Universal Exposition in St. Louis, originally intended to be held in 1903, but now being decided to be open during the period from May 1 to December 1, 1904, and we, through gracious proposition, of which a copy is herewith attached, suggested to the Riksdag to appropriate, on an extra budget for 1904, an amount of 120,000 kronor for Sweden's participation in the art and educational exhibits of the exposition has the Riksdag in a communication of May 22, 1903, with reference to the arrangements of expenses of the State budget, eighth section, communicated the following:
The Riksdag had considered the advisability that Sweden be officially represented at the Universal Exposition in St. Louis 1904, especially as this could be supposed as being in line with the desire of the Swedes residing in the United States and serving to strengthen the ties that still unite them with their Fatherland, and in accordance with the expression of the chief of our ecclesiastic department in the minutes of our ministry had the Riksdag embraced the opinion that the official participation of Sweden should embrace the departments of art and education, in which sections our country seems to have especially good possibilities successfully to compete with the greater countries of culture.
In a letter to the Academy of Fine Arts, incorporated in the minutes of our ministry, the three societies of artists had expressed the desire that from the collections of art belonging to the State works of art should be contributed that might be required in order that the exposition in question should give a complete illustration of the development of art in our country. In consequence of this, the Riksdag had considered it necessary to point out the fact that as it has occurred that works of art contributed from the collection of the States to be exhibited at other places at the return of the same were more or less damaged, and that as in consequence of the transport that would be necessary in this case absolute guarantee for the restitution of these works of art in an undamaged condition could hardly be had, doubts seemed to meet as to such a contribution as had been suggested by the societies of artists.
Calling attention to what has just been pointed out, the Riksdag stated that the Riksdag, with consent to our proposition in question regarding the participation of Sweden in the art and educational departments of the Universal Exposition in St. Louis 1904, had appropriated on an extra budget for the year 1904 the sum of 120,000 kronor.
Having had this presented before us, we have, accepting on Sweden's behalf the above-mentioned invitation as far as concerns the art and the educational departments of the exposition, resolved to appoint a committee, who is hereby empowered to take all measures necessary for the participation of Sweden in these departments of the exposition and to transact all business belonging to the same which is not of a nature to be submitted to our gracious consideration; and we have appointed you as president of the committee and as members of the same selected the principal of the technical school of Stockholm, Bror Viktor Adler; the inspector of the common schools at Stockholm, Carl Gustaf Bergman; the vice-general consul, Bror Axel Fredrik Georgii; the assistant professor at Ostermalms public secondary school, Stockholm, Nols Gerhard, Eilhelm Lagerstedt, and the superintendent of the art section of the National Museum, Carl Ludvig Looström.
We, intending to appoint in the future, on the recommendation of the committee, a commissioner for Sweden at the exposition, herewith empower the committee to appoint a secretary and necessary assistants and in as far as it is found necessary to secure the cooperation of persons whose insight and ability can secure for Sweden a successful and honorable representation at the exposition.
Finally, we authorize the committee to collect after the beginning of 1904, at our exchequer department, the above-mentioned amount appropriated by the Riksdag to be used as demands require for the purpose intended, with the obligation to account for same and with the understanding that the committee assumes the responsibility that this amount under no circumstances is exceeded; and we have ordered the exchequer department to pay from moneys on hand in advance, on requisition and to be deducted from the mentioned appropriation, what is necessary to carry on the work of the committee during the year 1903, not exceeding an amount of 20,000 kronor. Which we herewith communicate for your knowledge and abeyance as far as you are concerned, at the same time as a gracious letter is sent to the exchequer department.
PERU.
For the representation of Peru at the Louisiana Purchase Exposition, the Peruvian Government appropriated approximately $100,000. The President of Peru appointed Mr. Alexander Garland, a distinguished Peruvian and noted writer of international and economical matters, commissioner-general. Mr. Garland, it is said, has always been noted in his country as a strong upholder of favorable trade relations with the United States. Mr. Miguel Miro-Queseda, a newspaper man of Peru, was appointed secretary to the commission. Subsequently Mr. Ernest H. Wands, of New York, and Wilfred H. Schoff were appointed commissioners and Mr. Manual C. Velarde secretary.
A variety of samples of cotton and woolen goods manufactured by factories lately established in Peru, at La Victoria, Vitarte, La Providencia, San Jacinto, Malastesta, etc., was displayed in the Peruvian section of the Agriculture Building, together with abundant samples of different qualities of Peruvian cotton. In the same building were exhibited excellent samples of sugar cane from Grande, Cartavio, Roma, and Chiquitoy. Samples of other products of the soil, as cotton, coffee, cacao, cocoa, cocaine, rice, etc., which figure under the exports of Peru, were also exhibited. In the same section were samples of Peruvian maize, white, yellow, and red, at least double the size of the corn raised in other parts of the world, as well as other specimens of the agricultural products of Peru.
The mines section showed the mineral resources of the country. Gold, silver, copper, lead, cinnabar, manganese, and all kinds of minerals were represented by a large variety of rich samples. Large blocks of lignite, anthracite, etc., gave an idea of the importance of the coal fields of Peru. Mineral oils, mineral waters, sands from placers, and a variety of salts samples were exhibited demonstrating that Peru is well endowed in minerals. There was also a mineral map of Peru made under the direction of the Sociedad Nacional de Mineria.
The Peruvian section in the Forestry, Fish, and Game Palace had samples of rubber of the Peruvian varieties in large quantities. Samples of wood gave an idea of the inexhaustible amount of raw materials that are contained in the vast forests of Peru, valuable for civil and naval construction and cabinetwork. Barks, resins, nuts, roots, seeds, and leaves for medical use and dyeing and tanning purposes confirmed the richness of Peruvian soil.
RUSSIA.
Russian Commission.--Mr. Edward Grunwaldt, executive commissioner; Mr. Jacob Godberg, Mr. Max Berkowitz, Mr. L.A. Robinson.
Russia was at different times invited to participate in the Louisiana Purchase Exposition of 1904, but no definite acceptance was received until Mr. Thomas H. Cridler, the foreign representative of the Exposition Company, made a personal visit to the Emperor. His Majesty was heartily in favor of the proposition, and in proof of his good feeling toward the American people, ordered an appropriation of 450,000 rubles be set aside to meet the preliminary expense of the Russian exhibit.
A commissioner-general was appointed. He was instructed to proceed to St. Louis and secure the necessary space for exhibits and a site for Russia's pavilion.
Committees were appointed for the purpose of collecting exhibits and to look after the work of installation and maintenance.
On the outbreak of the Russia-Japan war it was deemed advisable to withdraw the Government exhibit. This was a cause of considerable concern to the Russian Emperor, who had been anxious to show his appreciation of the friendship that existed between Russia and the United States.
The commissioner-general then made a report that was unfavorable to Russia's participation at the exposition, and he was then informed through the minister of finance of the withdrawal of Russia as a Government exhibitor.
The question of having Russia represented at the exposition by private exhibitors was then considered. The minister of finance informed Mr. Grunwaldt that the Government would offer no objection to individual participation.
The Exposition Company allotted space to Mr. Grunwaldt in the various buildings. Exhibits were installed in the Fine Arts, Liberal Arts, Manufactures, Varied Industries, and Agricultural buildings. The exhibits were very extensive in all the departments.
The entire cost of collecting, transportation, and installation of exhibits, and the maintenance of same, was borne by Mr. Grunwaldt.
SIAM.
While making an extended tour of the United States in 1902, His Royal Highness the Crown Prince of Siam visited St. Louis and was the guest of the Louisiana Purchase Exposition Company. His entertainment was so generous and his reception throughout the entire country so cordial that he decided to use his influence toward inducing His Siamese Majesty to participate in the exposition of 1904. The plan, consequently, that suggested itself as to the character of Siam's display was to send to St. Louis the most interesting articles and the best examples of Siamese industries.
The National Siamese Pavilion, a typical specimen of the architecture of the country, was a reproduction of the Wat (or temple), Benchamabopit, now in the course of erection at Bangkok. The plans were closely followed, thus creating a type of Siamese architecture which in itself was an exhibit of interest and instruction. The building cost $25,000.
Within the pavilion were placed many objects from the Royal, Museum, notably a large collection of ancient weapons, drums, cymbals, temple gongs, howdahs, some wonderful examples of mother-of-pearl work, hammered silver of antique designs, old lacquer, enormous elephant tusks, ancient theatrical costumes and properties, and portraits of Their Majesties the King and the Queen and His Royal Highness the Crown Prince.
In the Agricultural Building were displayed models of farming implements of all kinds and examples of the agricultural products of the land. Especially noticeable was the large collection of rice, the most important of Siam's exports.
The exhibit in forestry, fish, and game showed the great variety of woods that grow in Siam, the appliances that are used for fishing, skins of the many wild animals of the country, and a large collection of forest products.
Teak, for which Siam is famous, was shown in a number of ways--cross sections, longitudinal cuts, and portions of the outer surface.
In the Transportation Pavilion were shown models of boats, panniers, and carts, howdahs, a buffalo cart, and a buggy in full size. The boat models were especially interesting. Because of the many navigable rivers and canals a greater part of transportation is by water; consequently a large variety of boats has been evolved to meet the various conditions.
The collection of spinning and weaving appliances in the Manufacturers' Building was large and instructive. Here, too, were many fine examples of mother-of-pearl work, pottery, hammered silver, and lacquer; also a collection of mats and textiles, both cotton and silk.
In the Mines and Metallurgy Building were displayed samples of the many minerals that are found in the country and models of the appliances used to secure them.
Altogether nearly six thousand individual articles were on exhibition and represented more completely the industries and resources of Siam than has any previous collection. In each State or Province of Siam a local committee was appointed with instructions to gather and forward to Bangkok at least one example of every article produced either for home use or sale. From these consignments a selection was made by the Commission and forwarded to St. Louis. In this way objects representing every section and all the arts and industries were shown. The total cost of the exhibition of the Government of Siam was approximately $120,000.
Although the trade of Siam has developed very rapidly during the past few years, the exhibits sent did not have for their purpose the extension of commerce with this country. The relations between the United States and Siam are most cordial. The latter recently accredited to the United States a minister, and Congress very promptly elevated the rank of the United States representative to that of minister plenipotentiary. Thus when the invitation to participate in the exposition was accepted, prospects of commercial gain were not in contemplation. The one idea was to contribute in every conceivable manner to the attractiveness of the exposition and add to its educational possibilities. The invitation was looked upon by the Siamese Government as a compliment, and the unselfish manner in which its acceptance was shown proved conclusively that the compliment was appreciated.
On the occasion of the exposition there was published by the Commission a richly illustrated book entitled "The Kingdom of Siam." This work was presented to the educational institutions of this country, to public libraries, and to all persons who were known to be interested in Siam. The book, written by experts, will be an authority for years to come upon Siam, its climate, resources, people, institutions, and industries, and will doubtless supplant the writings of hurrying traveler and transient visitor.
The commissioners appointed by the King of Siam were as follows: His Royal Highness the Crown Prince, president. Vice-presidents: His Royal Highness Prince Devawongse Varopakar, minister of foreign affairs; His Royal Highness Prince Mahisra Rajaharudhai, minister of finance; His Excellency Chow Phya Devesra Wongse Vivadhna, minister of agriculture; Mr. A. Cecil Carter, M.A., department of education, secretary-general. Members: His Royal Highness Prince Sanbasiddhi Prasong, His Royal Highness Prince Marubongse Siribadhna, His Highness Prince Vadhana, His Excellency Phya Vorasiddhi Sevivatra, His Excellency Phya Sukhum Nayavinit, His Excellency Phya Amarindra Lujae, His Excellency Phya Surasih Visisth Sakdi, His Excellency Phya Kamheng Songkram, His Excellency Phya Sunthorn Buri, His Excellency Phya Rasda Nupradit, His Excellency Phya Kraibej Ratana Raja Sonkram, His Excellency Phya Vijayadibadi, Phra Phadung-Sulkrit. Prof. James H. Gore, Columbian University, commissioner-general.
SPAIN.
The only Spanish exhibits at the Louisiana Purchase Exposition were shown in the Agricultural Building. There were but three displays, one being of pure sherry brandy, another of wines, and another of olive oil.
D. Mauricio Mandil was the only exhibitor from Spain, and he had the brandies, wines, and olive oil analyzed by well-known analytical chemists. The brandy exhibit consisted of a pyramid of ten barrels, well finished and varnished, placed on a fancy stand in the center of a well-polished platform, in the corners and sides of which were piled up polished pine cases of pure brandy distilled from sherry wine. On the top box of each pile were pyramids of bottles of different fancy packings artistically located.
The wine exhibit occupied a square 20 feet on each side. It represented a vine in full growth, being 18 feet high. The four corners were the trunks, on which were painted life-size figures of Spanish girls surmounted by the vine, bearing grapes. This square was covered by a silk awning made in the Spanish colors. In the center of the tent and on a platform was located a pyramid 15 feet high, composed of barrels and bottles artistically placed. The wines exhibited were mostly of old vintages, dating as far back as 1809, and among these was a special brand brought to America for the first time, and called Solera Lincoln, it being of the vintage of 1865, the year of Lincoln's assassination.
The olive-oil exhibit was made by one of the largest exporters of olive oil in the world.
TURKEY.
The Imperial Government of Turkey with great regret decided, for financial reasons, not to participate officially in the Louisiana Purchase Exposition, and therefore no official pavilion was built. The three functionaries appointed for the Turkish commission were instructed to aid and to give advice to private exhibitors only who were Turkish subjects and who could be accommodated in exhibit buildings.
The three officials appointed were Chékib Bey, envoy extraordinary and minister plenipotentiary to the United States, commissioner-general; Dr. Hermann Schoenfeld, consul-general in Washington, associate commissioner-general; George Eli Hall, consul-general in San Francisco, secretary-general of the commission.
VENEZUELA.
The participation of Venezuela in the St. Louis Exposition was authorized in the month of October, 1903, immediately after the end of one of the most sanguinary civil wars known in the history of the country. The following-named gentlemen were appointed as commissioners of the Venezuela Government: Gen. Cipriano Castro, honorary president; Eugenio M. Ambard, commissioner-general; Dr. H. Lameda, attaché; H. Meinhard, secretary.
The amount of the Government appropriation was at first $25,000, but this amount was soon exhausted and smaller amounts were subsequently sanctioned for the maintenance, transportation, and installation of exhibits. The total amount of appropriation was $30,000. There was absolutely no private contribution in cash. The approximate value of the exhibits was about $105,000.
Some of the most interesting features of the exhibition were:
First. A collection of over 200 varieties of fibers prepared under different processes and taken from different altitudes. Nearly all were prepared by a machine invented by Dr. J. Lameda, who collected and took the greatest interest in the fiber exhibit. From the coarsest to the finest were to be found among these fibers. The longest was of the musa variety, a coarse fiber which grows to the length of 10 feet. The Annanassa sativa, a fine fiber, grows to the length of 5 feet. This was the only collection of the kind at the exposition or which has ever been shown at any other exposition.
Second. The magnificent collection of hard woods from the Government States of Carabobo, Zulia, and Guayana, each comprising over 600 specimens of native logs, woods for cabinetwork, for building construction, lumber, staves, dyewoods, tanning, resinous, oil, rubber, and fragrant woods.
Third. A most unique and complete collection of forest plants, roots, herbs, leaves, barks, seeds, fruits, resins, gums, and dyeing and flavoring materials used by herbalists and pharmacists. These were collected, prepared, and classified by E.M. Ambard.
Fourth. A complete collection of all the minerals and precious stones (uncut) found in South America, prepared, collected, classified, and catalogued by Dr. Louis Plazard, who devoted nearly all his life to this work.
Fifth. A collection of cocoa beans from different regions, which is considered to be one of the best and most nutritious cocoas in the world, and has always obtained a far higher price than any other cocoa; also a collection of coffee from different altitudes, considered by authorities to be of very fine flavor and high grade.
The Venezuela Government had no special building. The exhibits were shown in the various exhibit palaces on the grounds.
VATICAN.
The Holy See having been requested to take part in the Louisiana Purchase Exhibition, accepted the invitation and sent to St. Louis, Mo., as its commissioner, Mr. Francis Cagiati, of Rome.
The exhibits sent by the Vatican to the fair were phototypical reproductions of the most valuable manuscripts existing in the Vatican Library, as well as some excellent specimens of works in mosaic, manufactured by the Studio del Mosaico Vaticano.
No special building was erected for the Vatican exhibit, but as the special nature of the objects required, the entire exhibit was placed in the Administration Building.
The exhibits sent by the Holy See to the Louisiana Purchase Exposition were as follows:
Copies of valuable manuscripts, codes, and documents from the Vatican Library.
The Roman Virgil (fifth century), the miniatures of the Greek Palatine Balter (twelfth century), the famous Greek Vatican Bible (fourth century), the Vatican Virgil (fifth century), the miniatures of the Bible of the Patricins Leo (tenth century), selected pages from the Papal Letter Book (eleventh century), Papal letters regarding Greenland (ninth century), earliest Papal documents regarding America (sixteenth century), the miniatures of the Ottobonian Pontifical (fifteenth century), the Palmipsett manuscript of the (de republica) of Cicero (fifth century), the ivories of the Christian, Museum of the Vatican Library.
Many phototypical and photographical reproductions of the Borgia rooms, Sistine Chapel, Raphael's Stanze.
Forty-one different pieces of mosaic work.
The death mask of Leo XIII.
Cast of the right hand of Leo XIII.
APPENDIX 4.
REPORTS OF STATES, TERRITORIES, AND DISTRICTS.
ALABAMA.
Committee on Birmingham district exhibit: Fred M. Jackson, president; J. B. Gibson, secretary; J.A. MacKnight, special representative; Rufus N. Rhodes, Culpepper Exum, F.H. Dixon, George H. Clark.
The legislature of Alabama failed to provide any funds for an exhibit of the resources of that State. A commission which had been appointed by the governor to attend to the business for the State was powerless to act and gave up the undertaking. In consequence of this failure the Commercial Club of Birmingham decided, when it was almost too late to arrange for any kind of an exhibit, to make a display of the State's mineral resources by means of a fund raised by popular subscription. The actual amount of money raised was approximately $20,000.
After considerable discussion the Commercial Club decided, upon a suggestion made by J.A. Mac Knight, to build a colossal statue of Vulcan, god of fire and metals, in iron. F.M. Jackson, president of the club, and J.B. Gibson, secretary, took a deep interest in the matter, and as a result the work was commenced in October, 1903. Great difficulty was met with in securing the services of a competent sculptor who was willing to build the model for such a statue, which was to be of a height of at least 50 feet. Mr. Mac Knight was appointed special representative of the club to promote this work and finally secured the services of Mr. G. Moretti, a sculptor residing in New York, who undertook to perform the task and to complete it in time for the exposition.
The model of this colossal statue of Vulcan was first built in clay at Passaic, N.J., where Mr. Moretti carried on the work under adverse circumstances and through the zero weather of the winter of 1903-4. It was then cast in plaster of Paris in sections, which were braced and stayed with scantling on the inside of the shell, to be used as patterns in the foundry. The entire model was shipped to Birmingham, Ala., on seven flat cars, its bulk rendering it impossible to put it in box cars. As soon as it reached Birmingham the work of casting the figure in iron was begun in the foundry of the Birmingham Steel and Iron Company.
Mr. Moretti went to Birmingham to keep the patterns in condition during the process of casting, and it was well that he did so, because the extreme cold had frozen the plaster casts before they were dry, rendering them so brittle that many of them were broken in handling, and the head itself was crumbled into a hundred pieces and had to be entirely remodeled.
Iron manufacturers from all parts of the world have said in regard to this statue that it was the most remarkable piece of iron casting they had ever seen. An agent of the Japanese Government was present at Passaic to watch the building of the model, and followed the work to Birmingham to make notes on the methods of casting it in iron. He also went to St. Louis and remained during its erection in the Mines Palace, and made an extended report to his Government on the subject.
The statue was successfully completed and set up in the exposition within three weeks after the day of opening. At the close of the exposition it was taken down and removed to Birmingham, where it is to be set up in a public park. Its height is 56 feet, and its weight a little more than 60 tons. The head was cast in one piece and weighed over 17,000 pounds. There were 20 casts in all, including the anvil and anvil block. The statue, which was intended to show forth the colossal iron deposits of Alabama, representing primitive man at the time he discovered the method of hardening iron into steel. Vulcan held aloft in his right hand the finished spearhead as a result of his knowledge and handicraft. It is the largest cast statue in the world, and it could not be duplicated for less than $40,000.
The space occupied by the exhibit collected and installed by the Commercial Club was 62 by 32 feet on the south side of the Mines Building, and contained approximately 2,000 square feet. The statue of Vulcan stood in the center of one side of the space facing the center of the Mines Palace. It was placed on a platform built upon nine heavy piles, which were driven to bedrock. The figure was perfectly poised when set up, but as an additional safeguard anchor bars were run down through the legs and through a heavy timber, which was bolted to the piles. These passed through plates on the inside of the timber and were screwed up tight. The rest of the space was occupied by a complete exhibit of raw mineral products from all parts of Alabama and especially iron and coal from the Birmingham district. The raw materials embraced the following: Brown hematite iron ore, soft red ore, hard red ore, bituminous coals, building stone, gray iron, limestone, dolomite, kaolin, clays, cement rocks, gold ores, copper ore, lignite, and glass sand, and a long list of other minerals which have not been developed. The products of coal and iron were coke and pig iron. The finished products were as follows: Open-hearth steel rails, bar and angle iron, car wheels, bar steel, steel plate, sewer pipe, and vitrified brick. This entire exhibit was displayed in an attractive manner and was the object of a great deal of comment by visitors to the exposition and by newspapers throughout the country and Europe.
A display of Alabama marble was made in the form of a head of Christ, which was carved by Moretti, while he was at work on the Vulcan statue at Birmingham. This marble is of exceedingly fineness and whiteness. Moretti gave it as his opinion that this marble is equal to the best Carara or Parian marbles, and it is believed that the making of this exhibit will lead to the development of the marble deposits of Alabama, which are believed to be very extensive and of superior quality. The raw materials displayed offer to capital and enterprise a number of splendid opportunities. The glass sands are probably destined to place Alabama in the front rank in glass making in the future, while the following resources were displayed in such abundance and were of such excellent quality as to offer the greatest inducements to capital and skill:
An exhibit of porcelain clays and kaolins, which should lead to the establishment of the manufacture of all kinds of crockery and pottery ware near these deposits.
The cement rocks, which formed a principal part of the exhibit, have already attracted capital, and Portland cement of the highest quality is now being manufactured to a limited extent. Large industries in this line are to be located near these deposits, which are among the finest in the world and in inexhaustible quantity.
The beds of lignite, of which samples were on exhibition, are said to be of very superior quality. No artificial binder is required to make this material up into briquettes for fuel. It is understood that very profitable enterprises in this line are to be built up near these deposits.
The marble deposits, gold and copper ores, and other mineral deposits were sufficiently exhibited to warrant the assertion that they were worthy of the fullest investigation. The large deposits of low-grade gold ore in the eastern part of Alabama, according to exhibitors, will undoubtedly prove immensely profitable to anyone who may establish a system to extract the gold economically.
Owing to the failure of the State to make an exhibit, the authorities of the exposition recognized the Birmingham committee as the State commission of Alabama and extended to them the courtesies due to a State commissioner. The exhibit was maintained through the period of the exposition, and many thousands of souvenirs of the great statue of Vulcan were sold at the exhibit. An electric picture machine was installed, which gave a large series of moving pictures representing the scenery and life of the Birmingham district. The business of the exhibit was under the direction of J.A. MacKnight, of Birmingham, throughout the exposition, and he had his office at the exhibit.
ALASKA.
Members of the Alaska commission.--Thomas Ryan, First Assistant Secretary of the Interior, chairman; Governor John F. Brady executive commissioner; Joseph B. Marvin, resident representative; Mrs. Mary E. Hart, hostess. Honorary commissioners: M.E. Martin, mayor of Ketchikan; Peter Jensen, mayor of Wrangell; O.H. Adsit, mayor of Juneau; Frank Bach, mayor of Douglas; John Goodell, mayor of Valdez; L.S. Keller, mayor of Skagway; D.B. Miller, mayor of Eagle City; W.H. Bard, ex-mayor of Nome; Anthony Tubbs, mayor of Treadwell; H.P. King, mayor of Nome.
The district of Alaska appeared at the Louisiana Purchase Exposition as an exhibitor in a national exposition for the first time. The conception of the Louisiana Purchase Exposition and its plans were presented for the consideration of the Congress of the United States at a time when the reports of the committees of Congress sent to Alaska to investigate its resources and needs had aroused the Congress to the duty of enacting legislation for the development of this great region. In appropriating the large sum of $50,000 for an Alaska Building and an Alaska exhibit at the Louisiana Purchase Exposition it was the purpose of Congress to afford an object lesson as a means of education to the millions of people who should attend the exposition as to the extent and resources of this country or territory. The sequel showed that the money was wisely expended, as the Alaska exhibit had the distinction of being regarded by the thousand of its visitors as forming one of the most interesting, instructive, an surprising exhibits shown at the great World's Fair.
When the United States, thirty-seven years ago, paid to Russia the sum of $7,200,000 for the almost unknown territory of Alaska, the purchase was not generally approved; and even members of Congress denounced it, regarding the acquisition as a region of icebergs and glaciers. Later, when gold was discovered in Alaska, the region was regarded as being one of ice and almost inaccessible gold, and few had the hardihood to venture within its precincts, even with the possibility of finding gold as an inducement for the venture.
Still later, after the reports of the Revenue-Cutter Service and the recognizances of army officers and naval commanders, the United States Geological Survey sent men into Alaska to investigate its resources. The Department of Agriculture tested its capacity for agriculture, the Bureau of Education established schools and introduced reindeer from Siberia, the Signal Service began to build telegraph lines and to inspect the country as to the availability of its rivers and harbors for navigation, and it became known by the Government that Alaska was richer in resources by far than had been supposed. This knowledge was not common to the public, and emigration to that region was tardy.
The United States could hardly have done more for the furtherance of the development of the great rich district of Alaska, with its untold wealth in minerals and its great possibilities in agriculture, than it did by securing to the people of Alaska an opportunity to display their resources and products to the inspection of the millions who have visited the Louisiana Purchase Exposition. The exhibits shown by them excited the utmost wonder and surprise in the minds of many witnessing them, who had been in ignorance of the resources of their country. Thousands have been led to investigate and seek further information. The effect of the Alaska exhibit will undoubtedly be far-reaching and permanent; nor can it be doubted that Congress will supplement this contribution to Alaska's welfare in the near future by legislation which shall secure the one great need of Alaska--inland transportation.
An appropriation of $50,000 for the Alaskan exhibit at the Louisiana Purchase Exposition was made by act of Congress March 3, 1903, as follows:
To enable the inhabitants of the district of Alaska to provide and maintain an appropriate and creditable exhibit of the products and resources of that district at the Louisiana Purchase Exposition in the city of St. Louis, Missouri, in nineteen hundred and four, and to erect and maintain on the site of said exposition a suitable building to be used for the purposes of exhibiting the products and resources of said district, the sum of fifty thousand dollars, to be subject to the order of the Secretary of the Interior, who is hereby authorized to expend the same in such manner as in his judgment will best promote the objects for which said sum is appropriated in accordance with the rules and regulations to be prescribed by him.
After the passage of the act of Congress which made appropriation for the Alaska exhibit, providing that the sum appropriated should be expended by the Secretary of the Interior in such manner as in his judgment would promote the objects for which the sum was appropriated, in accordance with rules and regulations prescribed by him, one of his first acts was the appointment of Hon. Thomas Ryan, First Assistant Secretary of the Interior, chairman of the Alaska commission, to have immediate charge at the Department of the elaboration of the exhibit. Later Governor John G. Brady was appointed executive commissioner, and entered upon the task of gathering together and forwarding to the exposition such collections of exhibits as would best represent and illustrate the products and resources of Alaska.
Still later Mr. Joseph B. Marvin was appointed special agent of the Alaska exhibit and was sent to St. Louis in December, 1903, to superintend the construction of the Alaska Building, to attend to all accounts with the Department, and to arrange for the installation of the exhibits as they arrive.
Mrs. Mary E. Hart was employed January 1, 1904, to assist in the securing of the exhibits in Alaska, especially in the Department of Education, and upon the opening of the exposition Mrs. Hart was directed to proceed to St. Louis, where she was designated as hostess and placed in charge of the bureau of information in the Alaska Building. At the same time attendants were selected, whose duty it was to explain the exhibits to visitors.
The executive commissioner, the honorary commissioners, the hostess, all of the attendants, and those employed in collecting exhibits in Alaska were all Alaskans, the attendants being especially selected because of their acquaintance with Alaska and its products.
It was the desire of the executive commissioner that the utmost hospitality should be shown to all visitors at the Alaska Building, and the commodious and homelike parlors on the second floor of the building were free to the public, maids being employed for special attention to the wants of ladies and children.
The principal exhibits in the Alaska Building related naturally to the mining interest of the country.
One of the most impressive and significant exhibits was a gilded cube, about 3 feet in diameter, representing the size of a block of gold worth $7,200,000, which was the amount paid by the United States to Russia for Alaska, and beside it, inclosed in a brass railing, a gilded pyramid of blocks representing the amount of gold taken each year since 1882 from the Treadwell mine in Alaska, aggregating $21,800,000, a sum which is three times the amount paid for Alaska taken from one mine.
The ore exhibit, especially of gold and copper ores, was very large, filling a glass case 75 feet long and 5 feet high. These ores were collected by an expert mineralogist employed by the Alaska commission, and included specimens from nearly all the mines in Alaska.
Following is a list of exhibits, showing the principal industries the country, as displayed throughout the building: Marble, canned goods, furs, coal, oils, guano, vegetables and fruit, Indian basketry and curios, and mounted specimens of game and fish.
An interesting exhibit of Alaskan ethnology was made, twenty totem poles and two native houses and one war canoe being located about the building. The totem poles came from different places on Prince of Wales Island and from two different tribes. At an old village called Tuxekan four were obtained. These represented the totem or heraldic sign of each family, and the back part of the totem was excavated to receive the charred bones of friends and ancestors of the man who raised it. The Thlingits were in the habit of burning their dead, but carefully preserved all the charred embers from the funeral pile. These totem poles were always erected on great occasions, and the bones were usually carefully wrapped in a new blanket and incased in the back part of the totem.
The Commission was fortunate in securing for the exhibit a fine collection of samples of grains raised at the experiment stations at Alaska, consisting of the grains in the straw and thrashed grains, including wheat, rye, barley, and oats. These samples were handsomely displayed, some of the grains and straw being tastefully arranged on the walls, covering a space 10 by 40 feet, and the balance in a pyramid some 10 feet high and 8 feet in diameter. The thrashed grains were displayed in glass jars. The grasses were shown in bales of hay. The display of cereals and grasses was one of the most important, instructive, and surprising to visitors of any display in the Alaska Building, for it demonstrated the fact that agriculture is possible in Alaska, and seekers of the treasures of the mines may always feel sure of subsistence.
ARIZONA.
Arizona commission.--A.J. Doran, chairman; B.F. Packard, treasurer; H.B. St. Claire, secretary; Mrs. J.A. Black, commissioner; R.N. Leatherwood, superintendent of exhibits.
The Arizona Building stood near the southeast entrance of the grounds. Its architecture was Spanish, belonging to the sixteenth century. It contained seven rooms, elegantly furnished and decorated. The cost of the building was approximately $5,000. During the exposition period a large amount of literature descriptive of the Territory and its various resources was distributed.
The exhibits in the Arizona State Building other than those placed therein by the board of managers were a prehistoric collection loaned by Mrs. M. Aguria, of Tucson, Ariz., valued at $5,000; an oil painting of a mountain scene in southern Arizona, loaned by Mr. A.J. Scofield and valued at $4,000; a collection of Indian baskets, rugs, and blankets (Navaho), valued at $600; an exhibit of cactus picture frames, loaned by F.E. White, of Florence, Ariz., valued at $250.
The Territory made exhibits in the departments of Mines and Metallurgy, Education, Agriculture and Horticulture. The exhibit in the Palace of Mines and Metallurgy occupied a space of 80 feet frontage by 20 feet in depth. In all, nearly 300 mines were represented by characteristic ores showing actual values rather than specimens, including in nearly every exhibit the inclosing and country rocks in which the vein matter occurred. These exhibits were arranged in two tiers, running the full length of the space, each mine having its distinctive ore placed on wooden mounts, appropriately labeled, giving the county, district, owner, name and character of ore, and its value per ton in gold, silver, copper, or lead. The exhibit also showed free gold, native silver, native copper, copper bars, lead-silver bars, copper ingots, onyx (rough and polished), marble (rough and polished) building stone of various kinds, lithographic stone, petrified wood in rough and polish, meteoric iron, etc.; also photographic views of many of the mines, mills, reduction works, and localities from which the exhibits were taken. The value of the exhibit was approximately $20,000 and the cost of installation $1,900.
The educational exhibit in the Education and Social Economy Building represented the school work of the Territory from the kindergarten to the academic grade, showing the educational system and the progress made in Arizona. The value of the exhibit was approximately $2,500 and the cost of installation $750.
The agricultural exhibit in the Agricultural Building showed the various products of the soil of the Territory. Wheat, oats, barley, corn, Kaffir corn, sorghum, millet, alfalfa seed, alfalfa, hay, vegetables, olives, olive oil, preserved fruits, dates, etc., were displayed The exhibit cost approximately $875. The cost of installation was $1,500.
In the Horticultural Building there were maintained throughout the fair from 130 to 160 plates on the table, which held the following: Valencia late oranges, Washington navel oranges, Mediterranean sweets, lemons, limes, grape fruit, citronella, tangarines, grapes, plums, quinces, apricots, plum grabites, pears, cantaloupes, melons, olives, olive oil, pickled olives, etc. The value of the exhibit was approximately $2,500 and the cost of installation $950.
The amount appropriated by the legislative act for the participation of Arizona was $30,000 in bonds, which were sold for 7 per cent. premium, thus making available from that source $32,000. No other funds from any source came into the hands of the board of managers.
ARKANSAS.
Members of Arkansas commission.--George R. Belding, president; J.C. Rembert, secretary; Thomas W. Milan, manager; George T. Lake; John P. Logan, superintendent horticultural department; A.H. Purdue, superintendent mines; H.T. Bradford, agriculture department; Miss Lizzie Cage, assistant lady manager.
In May, 1901, the legislature of the State of Arkansas enacted a bill appropriating the sum of $30,000 for the erection and maintenance of a State building at the Louisiana Purchase Exposition, and for the installation and maintenance of the exhibits of the State. Subsequently, in 1903, the State legislature appropriated a further sum of $50,000 for the purpose of the State exhibit. There were no private subscriptions, the entire cost of the State building and maintenance thereof being borne by the State appropriation.
The cost of the installation and transportation of the different exhibits made by the commission was $18,102, besides the cost of returning the exhibits.
The Arkansas Pavilion at the Louisiana Purchase Exposition was a fine specimen of Georgian architecture, of the type so much used throughout the South in antebellum times. The adaptation of the colonial features to the purpose for which the building was used was most admirable. The location, with its foreground of grass and forest trees, produced an effect suggesting age and permanency that few buildings on the ground possessed. In fact, on coming upon the building unexpectedly, one would presume that it had occupied its site for two generations at least. The building was arranged for the entertainment of the Arkansans visiting the fair, and served the purpose of a clubhouse and general headquarters for thousands of people.
The principal feature of the plan of the building was the large reception hall in the center, connecting through wide openings two reception rooms, one on either side, and an exhibit room in the rear. On this floor there were also four smaller rooms used as commissioners' headquarters, manager's office, post-office, and lady manager's headquarters; also wide hallways at right angles to the principal axis of the building.
The second story of the building contained the library, auditorium, headquarters of the State Bankers' Association, and ladies' parlor, four sleeping rooms, together with the general toilet rooms.
The three exterior porticos were connected with wide terraces, affording over 3,000 square feet of floor space. The building was constructed entirely of Arkansas timber, and was designed by Frank W. Gibb, A.I.A. A., architect, Little Rock, Ark., and constructed at a cost of $19,944.05.
At the conclusion of the fair the building was sold to a citizen of Arkansas, where it is to be reerected as a residence.
In the building were exhibited many handsome pieces of art and fancywork, burnt-wood plaques and panels, china work, a large silk map of the United States, showing States, rivers, railroads, principal towns, etc.; oil paintings, pictures, and portraits, and miscellaneous exhibits.
In the main exhibit hall of the building was a composite exhibit made by the land department of the Iron Mountain Railroad, consisting of a collection of minerals found in the State, samples of the various woods of the State, a wooden library of seventy-five volumes, each book being made of a different kind of Arkansas wood, paintings and pictures of Arkansas scenes, and a historic clock made in Germany in 1763 for the Duke of Saxony, and samples of mineral waters of Montgomery County.
The Arkansas State commission maintained five exhibits in the exhibition palaces, viz, Agriculture, approximate value, $7,500; Horticulture, approximate value, $9,300; Forestry, approximate value, $3,500; Mines and Metallurgy, approximate value, $6,500; Education, approximate value, $3,600. In addition to these State exhibits, the city of Hot Springs maintained in the Government Building a unique exhibit in the nature of a cave or grotto made of quartz, crystals.
CALIFORNIA.
Members of California commission.--Frank Wiggins; J. A Filcher; George A. Dennison, secretary; Lewis E. Auburg, chief department of mining; George C. Roeding, chief department of horticulture; W.H. Mills, chief department of forestry; Robert Furlong, chief department of education.
On March 25, 1903, the legislature of the State of California passed a bill appropriating the sum of $130,000 for the purpose of adequately exploiting California's resources and progress at the Louisiana Purchase Exposition, and providing for two commissioners--one to have had one year's residence in the southern half of the State; both to have had experience in installing and managing exhibits at former, expositions. In addition to this appropriation, there was about $120,000 raised by the various counties of the State for exclusive county displays to be installed in the Agricultural Building. These displays were intended to set forth the possibilities of California in an agricultural and horticultural way. The cost of installation of said features was about $40,000. The transportation of all the exhibits, including those of the counties, which were paid by the State, amounted to, approximately, $15,000.
The California State Building was located on "The Trail" in the vicinity of the buildings erected by Georgia and other Southern States, and was always an object of interest to sightseers at the fair. The pavilion was built after the Mission style of architecture, modeled after the houses in which the old Spanish settlers in California used to live. The front of the building was an exact copy in reduced proportions of the Mission at Santa Barbara, which was erected by the Franciscan monks in 1786. The pavilion contained no special exhibits, but its furnishings and decorations were entirely of Californian material, manufactured by Californian labor. The cost of the building complete was about $17,000, the balance of the appropriation by the State being consumed in the collection of the exhibit, its maintenance, and in general demonstration.
In the Forestry Pavilion California showed altogether 73 varieties of commercial and cabinet woods. A separate exhibit in the same place displayed an exhibit of the fish and game of the State. Just outside of the building there was an exhibit of forestry containing five logs, or timbers, which were too heavy to be placed on the Exhibition Building floor.
In the Agricultural Building the State made a distinctive feature of wine, dried fruits, canned fruit, processed vegetables, honey, hay, hops, canned fish, seeds and cereals, grasses and vegetable fibers, etc. A façade was erected in this department and decorated most artistically. The counties made separate displays. Altogether 23,300 feet of space was occupied by the State in agriculture, exclusive of aisles.
In the Horticultural Building the State occupied 9,000 square feet of space and made a strong showing of processed fruits, fresh fruits, nuts, and a panoramic scene illustrating methods of orchard irrigation. There was also shown a cabinet containing the insects that prey on California orchards, and their parasites.
An operating mill and concentrators were displayed in the Mining Gulch, and in the Palace of Mines the State occupied 5,200 feet of floor space with an exhibit showing all the commercial minerals of California. Altogether there were forty-odd varieties.
In education a strong showing of the university work was made in one of the alcoves, 40 by 40 feet, and 2,000 feet of floor space was occupied for the general artistic exhibit of school work from the kindergarten to the high school. This was inclosed within a characteristic façade of California redwood, finished in natural color.
A handsome display was a butter feature in the refrigeration department of agriculture with a beautiful modeled goddess of California, draped in fruits. Incubators were shown in the proper department, and on the grounds and in the conservatory were exhibited about 600 rare plants and shrubs and some tropical fruit trees.
COLORADO.
The Colorado legislature of 1901 appropriated $50,000 for the purpose of making a display of Colorado products and resources at the Louisiana Purchase Exposition and provided for the appointment by the governor of the State of a board of five commissioners, of which the governor should be a member and ex officio president. In 1903 an additional $100,000 was appropriated and the board was increased from five to seven members.
The following-named persons composed the Colorado commission:
Governor James H. Peabody, president; T.J. O'Donnell, vice-president; Paul Wilson, commissioner in chief; I.N. Stevens, secretary; Harry Cassady, treasurer; Mrs. Lionel Rose Anthony; William F. Sperry; John A. Wayne, assistant to commissioner in chief; Maria W. Stewart, assistant treasurer.
The appropriation by the legislature of 1903 unfortunately was placed in the fifth-class appropriation, and not all of the sum was available for the use of the board; but by arrangement of other departments of the State government and with the State institutions of Colorado $80,000 of the $100,000 was made available for the State's participation in the exposition.
The work of the board was divided into six departments, all under the direction of Commissioner in Chief Paul Wilson, as follows:
Mining Department, Mr. I.N. Stevens, chairman; Horticultural Department, Mr. Paul Wilson, chairman; Agricultural Department, Mr. Harry Cassady, chairman; Educational Department, Mrs. I.R. Anthony, chairman; Forestry, Fish, and Game Department, Mr. T.J. O'Donnell, chairman; Fine Arts Department, Mr. W.F. Sperry chairman.
The exhibits of the resources of the State were collected from every portion of the State in these various departments.
The value of the mining exhibit placed by the State of Colorado on exhibition in St. Louis was $500,000; the value of the agricultural exhibit, $10,000; horticultural exhibit, $8,000; educational exhibit, $15,000; forestry, fish, and game exhibit, $7,500.
The approximate cost of installing and caring for these exhibits was as follows:
Mining Department ........................ $25,000 Horticultural Department ................. 10,000 Agricultural Department .................. 15,000 Educational Department ................... 12,000 Forestry, Fish, and Game Department ...... 10,000
CONNECTICUT.
The legislature of Connecticut appropriated $100,000 for the participation of that State at the Louisiana Purchase Exposition. The following commissioners were appointed by the governor of Connecticut, according to an act of the legislature passed April 2, 1903:
Frank L. Wilcox, president: Charles Phelps, vice-president; J.A. Vail, secretary-treasurer; Edgar J. Dolittle, Isaac W. Birdseye, Phelps Montgomery, Mrs. Louis R. Cheney, Mrs. George H. Knight, Miss Anne H. Chappell. National commissioners: Frederick Betts, Mrs. John M. Holcombe. Resident commissioner, Hobart Brinsmade.
The Connecticut State Building was intended to represent colonial design. In its main exterior features it was a replica of the Sigourney mansion in Hartford, built about 1820 by Charles Sigourney, whose wife Lydia Huntley Sigourney, was highly regarded as a poet in her time. In later years it was the home of Lieut. Governor Julius Catlin. The architect of the Connecticut building was Edward T. Hapgood, of Hartford. The interior plan was designed to combine colonial ideas with modern requirements, which were carried out to such extent as to make it one of the most attractive and homelike structures on the exposition grounds. It was erected by The H. Wales Lines Company, of Meriden, Conn., at a cost of about $31,000, and official inspectors pronounced it the best-built edifice at the exposition. The walls of the rooms on the first floor and the upper hall were hung with five different designs of exquisite silk tapestry, the gift of the Cheney Brothers, of South Manchester. These added a "finishing touch" that found no comparison elsewhere on the grounds. The furnishing of the building was in excellent harmony with its colonial design. Highboys and lowboys, Chippendale, Hepplewhite and Windsor chairs, Sheraton and thousand-legged tables, flax wheels and warming pans were associated with canopied high-post bedsteads, while corner cupboards revealed rare copper-luster china of almost untold value. As a colonial exhibit it was unique, and had it been entered in competition for reward would most surely have been given the grand prize. The souvenir catalogue issued by the Connecticut commission contains a list of 514 articles, most of them loaned from various Connecticut homesteads. The catalogue also contains a list of oil paintings and water colors, all by Connecticut artists, which embellished the walls of the building, the selection being made by Charles Noel Flagg, of Hartford, chosen by the commission for that service.
The collective exhibits of Connecticut were in the following-named departments: Education, farm products, tobacco, dairy, horticulture (including pomology), herbarium, public parks and residential grounds (photographs), and shellfish. The grounds surrounding the Connecticut Building form part of the State horticultural exhibit.
On account of the limited appropriation it was necessary to abandon the live exhibit of Connecticut in the Fish and Game Building. With the limited amount of stock which the oystermen had, owing to the lack of "set" for a number of years, they considered it a detriment to advertise, and it was only through a regard for the commission that any of the larger cultivators would contribute to the exhibit.
The exhibit was advantageously placed in the center of the Forest, Fish, and Game Building and attracted a great deal of attention from visitors and will undoubtedly prove of material advantage to an immense State industry.
On one side of the booth the strictly State exhibit was placed, showing in the cases the oysters of all ages, their enemies, and various curiosities in growth and development. Over the cases were maps of the oyster grounds, with photographs showing the oyster houses, docks, and steamers. On the opposite side were individual displays of several of the larger cultivators.
Connecticut made a good display. Fifty-eight different specimens of nuts attracted much attention, many of the varieties shown now growing in the West and South, and being seen for the first time by many of the visitors.
Much interest was manifested in flint (Yankee) corn, as it was called by people of the West and South, and many samples were given to people from all parts of the United States and to some from foreign countries.
Samples of grass taken from a field yielding 121 tons to the acre far surpassed any yield of alfalfa claimed from the rich soil of California or any other Western State.
Exhibit of tobacco leaf and the continuous and frequent favorable comment demonstrated clearly that its reputation as a State growing fine quality of wrapper leaf is confined to no small area.
Connecticut has the credit of being the only New England State which made any dairy exhibit, and in this exposition Connecticut did what she has never before attempted. An entry was made for the permanent exhibit as well as for the butter sent for scoring. The lower part of this space was filled with packages of butter, both tubs and prints, handsomely arranged so as to make an artistic display.
This was surmounted with a form like a large open book, on one page of which was the coat of arms, and the other the Charter Oak, both made from the butter from Connecticut and from true models.
The coat of arms and the Charter Oak were exact reproductions.
These spaces were kept at low temperature by refrigeration, and the exhibit lasted until the end of the fair.
Connecticut was the first State to have her exhibit completed.
About 775 square feet was assigned to Connecticut in Horticultural Building, and some time before the opening of the exposition, this space was fitted with tables and other needed appliances. The space assigned came within the section where only low installation was allowed. As a result, those in charge were enabled to install the exhibit at much less expense than anticipated, which accounts for much of the unexpended portion of the appropriation set apart for this display. The location was very desirable, being open, airy, and very accessible from all parts of the hall.
The exhibit was opened the first day of the fair and was one of the very few that had the tables fully occupied the opening day of the exposition. The display, mostly of apples, but including pears and cranberries, was kept up from stock in storage, using from 5 to 10 barrels per week until about July 15, when the first apples of 1904 and some small fruits were available. Soon after that regular supplies were sent forward, but not until September 15 was the storage stock fully disposed of and the tables wholly filled with fruit of 1904 and kept in that condition until the close of the exposition, making the exhibit of great credit to the State, and the only one from New England.
During the season all cultivated fruits grown in the State, except blackberries and raspberries, were shown, even the so-called tender or perishable fruits being sent in large lots, and usually arriving in very satisfactory condition. It was expected, at first, that apples and pears would constitute the exhibit, but a trial shipment convinced the committee that it was perfectly feasible to send the finer fruits, and this was continued as long as they were to be obtained.
In horticulture, Connecticut, after careful consideration, decided to make only so much of the exhibit of living plants as was needed for the decoration of the grounds around the Connecticut Building. This was done apparently to the satisfaction of those interested in the fair and to the pleasure of people who visited the exposition, for uniformly it was spoken of as being one of the best planted and decorated grounds around any State building.
The collection of the herbarium was most successful. The botanists of the State gave a great deal of gratuitous labor that it might be completed. It was exhibited on revolving screens, the first attempt ever made to so exhibit the flora of a State. It was so arranged that every specimen was readily available for examination and study. This exhibit, after the close of the fair, was presented to Trinity College, Hartford, at the request of the college authorities, they paying all expenses of its return and agreeing to give it suitable location for exhibition in their Natural Science Building, where it can be seen and studied by all interested.
The parks and public grounds of the State were well represented by photographs, as were also the private grounds. These photographs have been returned to Hartford and are now stored in the capitol, awaiting final disposition.
In school-garden work Connecticut was a leader, having one of the best equipped school gardens in the country. Believing that a knowledge of what this State has done in this work should be known and recognized at the fair, a committee was created to arrange for a school garden and conduct the same during the World's Fair, and their work was most excellent.
GEORGIA.
Members of Georgia commission.--Governor J.M. Terrell, ex officio chairman; O.B. Stevens, commissioner of agriculture; Col. Dudley M. Hughes, commissioner-general; Glascock Barrett, assistant commissioner-general; Hugh V. Washington, vice-commissioner-general; F. B. Gordon, commissioner; H.H. Tift, commissioner. Advisory board: John M. Egan, Col. P.A. Stovall, E.L. Rainey, I.P. Cocke, Dr. L.H. Chappell, Harry Fisher, Oliver Porter, Dr. J.H. Turner, W.J. Kinkaid, A.H. Shaver, W.J. Neal, Dr. T.H. Baker, McAlpine Thornton, James M. Smith, Dr. J.F. Erwin, H.M. Franklin, E.B. Hook, Col. J.F. De Lacy, W.S. Humphries, John A. Cobb, R.C. McIntosh, James B. Gaston.
Situated on one of the main avenues of the exposition, known as "The Trail," and immediately north of Virginia and opposite Tennessee and Ohio, was a replica of the home of the late Gen. John B. Gordon at Kirkwood, near Atlanta, erected by the Georgia State commission as the official headquarters of Georgia. The building was paid for by a fund raised by public subscription, at an approximate cost of $16,000. The house was furnished entirely with Georgian manufactures. The cost of furnishing the building was approximately $3,000.
Although the appropriation made by the State of Georgia was only $30,000, the amount was largely increased by popular subscription from counties and cities. The $30,000 appropriated by the legislature was designated as a basis for increasing the State's museum.
Owing to the lateness of the date that the work of preparing for the exposition was begun--October, 1903--Georgia did not make so complete and comprehensive an exhibit of her natural, educational, and manufacturing advantages as she would otherwise have made.
In the Forestry, Fish, and Game, Georgia contributed a very fine exhibit, at a cost of $3,500, of which much the larger part was composed of Georgia pine. In this department there was a complete exhibit of naval stores, beginning at the pine tree, showing in detail the different methods of boxing, gathering the crude products, tools used, distillation, turpentine, different grades of resin, and its different by-products. This was donated by the Board of Trade of Savannah, Ga., at an approximate cost of $2,000.
In the Agricultural Building, one of the most interesting exhibits contributed by Georgia was that of the manufacture of the celebrated Georgia cane sirup, which was demonstrated by two negro women serving waffles and sirup from a miniature log cabin. Sirup and cabin and expenses were donated by the Georgia Sirup Growers' Association, and cost approximately $1,700. There was also a complete display of sea-island cotton in bales and types, together with threads and the various cloths manufactured from same, the cost of installation and maintenance being $2,400.
Possibly the most interesting and complete exhibit made by Georgia at the fair was the display of its cotton industry. This consisted of a pyramid containing cotton-seed hulls, meal linters, crude oil, surrounded by commercial packages of meal and hulls, refined oils and lard compounds manufactured from cotton seed. The material and maintenance cost $12,000. An exhibit of cotton products showing in detail cotton seed, cotton on the stalk and in bales, cotton-seed oils, crude and refined, and oil products, lard compounds, food cooked with cotton-seed oils, and cotton-seed hulls and meals for cattle feeding showed some of the many uses to which the cotton plant can be put. The most interesting display in this connection was that of a fountain flowing cotton-seed oil and surrounded by illuminated columns containing manufactured products of oils, such as soaps, etc. This display cost $10,000.
Georgia being to a certain extent a tobacco State, samples of the "weed" indigenous to the State and said to be equal to the very best Cuba and Sumatra tobaccos were shown in the raw leaf and in cases. The exhibit cost approximately $2,900.
In the block immediately adjoining the cotton exhibit were displayed 86 commercial packages of forage grasses donated by farmers throughout the State, valued at $500; an exhibit of the silk industry, valued at $400; wheat, oats, field peas of seventy-odd varieties, rye, rice, barley, flour, bran, peanuts, pecan nuts, corn meal, and all of the varied agricultural exhibits. These were donated by farmers of Georgia. The freight, installation, and care of them was provided by public subscription. The cost of installation, freights, and care, including the proper show cases and glass containers, which belonged to the State museum, was estimated, in addition to the amounts enumerated above, at $12,000. Besides the above items, nearly every city of importance made appropriations to cover expenses of having prepared for distribution books and pamphlets calling the attention of the public to the many advantages of their several localities, at an estimated cost of $10,000.
Subsequently the Georgia commission to the Louisiana Purchase Exposition donated the entire furnishings of the State building to the Georgia Industrial Home at Macon, Ga., the only nonsectarian orphanage in the State.
The resolution creating the appropriation for the installation and exhibit of Georgia products, which was approved August 17, 1903, provided--
That the sum of thirty thousand dollars should be appropriated, to be expended in collecting and permanently preserving specimens of minerals, granite, clays, kaolin, marble, iron, and such other minerals and precious stones as may abound in or are found within the State; to further collect specimens of the field and forest, mills and mines, orchards and vineyards of this State, and such other matters and things pertaining to the character and the productiveness of the soils of Georgia; that when the specimens aforesaid were collected they should be deposited in the State museum, there to be safely kept and displayed; and that the exhibit thus collected should be displayed at the Louisiana Purchase Exposition at St. Louis, Missouri.
IDAHO.
Members of Idaho commission.--Gov. J.T. Morrison; James E. Steele, president; R.W. McBride, vice-president; Mrs. W.H. Mansfield, secretary; Martin J. Wessels, Idaho section Forestry Building; Dr. Harold J. Read; Clarence B. Hurtt, executive commissioner; Miss Anne Sonna; Miss Genevieve Vollmer.
Idaho was represented by a State building and by exhibits in four of the great exhibit palaces of the exposition. The building was situated upon the elevated ground east of the Palace of Agriculture, and the surroundings made it one of the most attractive spots of the exposition. The Idaho Building was not big or imposing, but there were few State buildings on the World's Fair grounds that excited more interest or inquiry. The building was a bungalow with an open court, in which were grass and bright flowers. The structure, which was 60 feet square, was but 1 story high and contained ten rooms. The roof was of red tile and the exterior of cream-colored staff. The interior finish served to show the utility of Idaho woods for this particular use. Transparencies and mounted photographs illustrated the vast forest resources of the State. Around the court a row of heavy columns supported the overhanging roof, and a wide cloister behind the columns, paved with brick, afforded a charming resting place. At the close of the exposition the building was sold to a citizen of Texas, who is to have it reerected on his ranch, and it will still bear the name of "Idaho."
The exhibits of the State were shown in the departments of Education, Mining, Agriculture, and Horticulture. The State appropriation for the World's Fair was $25,000.
While not boasting a large acreage under cultivation, Idaho was a competitor at the World's Fair with the best of her sisters in the quality of her field products. The exhibit in the Palace of Agriculture was impartially chosen and fairly represented all parts of the State where agricultural interests have a foothold. In the exhibit were 47 varieties of wheat, 41 varieties of oats, 32 varieties of flax--the only specimen of white flaxseed known to exist, from the farm of Alonzo McWillis, of Rosetta, who received a gold medal for his exhibit. Wheat was shown weighing 62 to 64 pounds to the bushel in comparison with the standard of 60 pounds. Idaho barley weighs 53 to 54 pounds to the bushel, while the standard is but 48. A bunch of alfalfa of the second cutting was received early in October and was more than 6 feet high. Displays of beans of many varieties, peas, corn, alfalfa, and clover seed all indicated the resourcefulness of Idaho soil.
It was not practicable to show Idaho melons, strawberries, and small fruits in fresh condition, but a display with a showy array of canned fruits and dried fruits of favorite sorts attracted attention. Idaho potatoes of the 5-pound class were a part of the exhibit, along with turnips, carrots, parsnips, onions, and other vegetables. There was a small showing also of popcorn, sweet corn, and the field varieties.
The effort to make a complete fruit exhibit on behalf of Idaho had its justification in the wide advertising its fruit and agricultural lands would receive from an effective presentation of the products of the many fine orchards of the State. The exhibit contained many surprises, such as the soft-shell almonds. Idaho's grape display was a surprise to many of the States. In the exhibit were about a dozen varieties that are new in this country, the vines of which were brought from Persia and other eastern Mediterranean countries. Among these were the Hunisa, a dark grape which is regarded as a distinct gain to the Pacific slope grape-growing interests because of its fine flavor and sweetness and good keeping qualities.
The educational exhibit was collected by Miss May Scott, State superintendent of public instruction, installed at State expense, but maintained at the personal expense of Mrs. S.M. Harris, of Silver City, and Mrs. C.J. Johnson, of Pocatello. The Boise exhibit showed the work of all grades, elementary, secondary, and high school pupils doing themselves and the State credit in comparison with other States. Lessons, drawings, photographs, and maps were displayed in 37 bound volumes, besides 5 volumes of district school work and 33 card mounts of lessons, embracing the 8 grades of the primary schools. Silver City exhibited graded work from the first to eighth grades, inclusive, very attractively mounted on cards. Credit is due the Weiser schools, also, for all-around good work. The schools contributed to the general display a fine collection of mounted cards in elementary work, and the Industrial School sent a good display of the work in manual training, including needlework and photographs of buildings. Moscow made a good general display of school work, and particularly in composition and writing. Every community was shown to be alive to the importance of having good schools. A part of the space in the exhibit was devoted to photographs of the University of Idaho, about which a great many questions were asked. The work of the Mountainhouse School was handsomely bound in a burnt-leather cover.
The Pocatello public school work was delayed and reached the exhibit so late that it could not be judged. The display consisted of photographs of the children and schoolhouses and the work of the schools from the kindergarten to the high school. The Shoshone County exhibit was displayed in 79 volumes, embracing the work from the first grade to the high school work. A number of mounted cards of kindergarten work were also shown. The Wallace schools were commended for several excellent examples of map drawing contributed. Kendrick made a good display in 11 bound books. Coeur d'Alene sent a dozen volumes of bound work. Bonners Ferry and Sandpoint contributed good work in a number of bound books and photographs. Idaho County made a good display of raffia work and Indian pictures, besides the school-work exhibit. The Albion State Normal School made a large display of photographs showing the institution and its equipment. Oro Fino sent a collection of drawings, and Council and Harrison both made good displays of what their schools are doing to keep up with the times. The work of the Lewiston schools, which would have formed a conspicuous and very creditable part of the Idaho educational display, was lost in transit.
The mineral exhibit of the State at the World's Fair at St. Louis embraced specimens from every county and mining district. Hundreds of mines contributed specimens of ore and they were all labeled and displayed to the best advantage possible in the Idaho booth. The largest specimens were huge nuggets of lead ore weighing several tons each, almost pure lead, which occupied a central place in the exhibit and served to draw attention to the vast collection of other mineral specimens. Boise, the seat of government, was represented by specimens of gold-bearing rhyolite from the granite slopes north of the city, as well as by samples of fire clay of high quality; found partly within the city limits. From the Black Hornet and Curlew Creek districts came quartz specimens containing gold and silver. From Bear Creek were cuttings from the dike formation of low-grade ores that may mean much to Boise if they be profitably handled.
There were specimens of lead ores from Halley and Wood Rivet district, where lead to the value of $20,000,000 has been taken out. These ores run high in silver, and the revival of interest in the workings there is a matter of comment. These specimens included some of the Minnie Moore deposits, the most famous mine in Idaho's history, whose best ores show 70 per cent lead and 110 ounces of silver to the ton. A few specimens of gold-bearing quartz from the Boise basin were shown, although these deposits are but partly developed, more interest attaching to the placer mining, which has produced a hundred million dollars' worth of gold in the history of this region. The Pearl district contributed good specimens of oxidized quartz and granite gangue, iron and arsenical pyrites with zinc blend, and a showing of galena and copper sulphides. Monaxite, a heavy yellow sand, the ore of thorium, is found here, and is in considerable demand on account of the new discoveries in the radio activity of certain minerals.
From the vicinity of Pocatello were fine specimens of copper and lead ores having gold and silver veins, iron, and manganese oxide ores. These came principally from the workings on Rabbit Creek, Pocatello Creek, and the Hovey group. Coal specimens were shown from the vicinity of Blackfoot and Idaho Falls. From Bear Lake County were ores carrying copper, gold, and silver. Coal specimens were shown from the Goose Creek Mountains and the ranges in the southern part of Cassia County. The mines all about Silver City, the county seat and mining center, were well represented. The South Mountain district, south of Silver City, was represented by ores from some of the reopened mines which had been idle for many years.
Ores from the Rocky Bar, Atlanta, Pine Grove, Black Warrior, Neal, Lime Creek, and Dixie districts made a good representation for Elmore County, which, on account of its nearness to Boise and railroad facilities, has been better developed than many other parts of the State. The Yankee Fork, Loon Creek, and Stanley basin districts of Custer County were all contributors to the State exhibit of gold and silver ores. The lead-silver ores of Custer County came from the Bayhorse, Squaw Creek, Clayton, Poverty Flat, and Slate Creek districts. Copper ores from the Big Lost River Valley were convincing proof of the richness of mines in that newly developed part of the State. Fremont County sent specimens of coal from the rich mines opened a year ago in the eastern part of the county.
Shoshone County was represented by huge nuggets of lead-silver ore. Gold ores from Shoshone County showed the wide distribution of the yellow metal, which appears in every county in the State. Copper ores from Shoshone County were an indication of future possibilities in copper production in the State.
It was the earnest endeavor of the Commission to make the most of the opportunities and the means at their disposal to give Idaho and her resources a thorough advertisement. The press of the country was interested in Idaho's development, with the result that hundreds of articles have been printed about the State's large showing at the exposition in the newspapers of all States. The large number of gold, silver, and bronze medals awarded to the exhibitors bore evidence of the success of the work.
ILLINOIS.
To Illinois belongs the distinction of having held the first and, until the Louisiana Purchase Exposition, the greatest World's Fair. Naturally the State of Illinois at that time had a more immediate pride in its showing and spent a vastly greater sum to gather and shelter its exhibits than it could afford for an exposition outside of its own borders; but it is not the opinion of any that Illinois has been outclassed in any respect at the World's Fair of 1904. With comparatively a small appropriation, when the $800,000 appropriated by Illinois in Chicago in 1893, or the $1,000,000 spent by Missouri, in St. Louis is considered, Illinois has taken a leading part in the Louisiana Purchase Exposition. It has not only furnished its large share of the attractions, but it no doubt sent to the exposition the largest number of visitors from any one State outside of Missouri.
Only exhibits of a public character were installed at the expense or through the efforts of the commission. Private enterprises, many of which took exhibits from this State, were not assisted at the expense of the commission; but the State exhibits were gathered, prepared, installed, and cared for wholly or in part at the expense of the State, authorized by an act of the Forty-second general assembly in 1901, which appropriated the sum of $250,000 for the purpose.
The law provided for the appointment of a commission of 15 members. The members of this commission as originally appointed were:
Samuel Alschuler, C.F. Coleman, F.M. Blount, I.L. Ellwood, D.M. Funk, Jos. P. Mahoney, J.N.C. Shumway, H.C. Beitler, C.C. Craig, H.M. Dunlap, J.H. Farrell, J.H. Miller, P.T. Chapman, C.N. Travous, C.N. Rannals.
The commission organized by the election of officers, as follows: President, H.M. Dunlap; vice-president, C.N. Travous; second vice-president, J.P. Mahoney; treasurer, P.T. Chapman; secretary, John J. Brown.
Of the members originally appointed the following afterwards resigned, viz, I.L. Ellwood, P.T. Chapman, H.C. Beitler, C.N. Rannals, Samuel Alschuler, F.M. Blount, and were succeeded by John H. Pierce, Albert Campbell, Walter Warder, W.L. Mounts, T.K. Condit, William J. Moxley.
The advantage of nearness to the seat of the World's Fair which made possible the great displays of Missouri was enjoyed and made use of almost as fully by the sister State of Illinois. In every department of the exposition the great resources of Illinois were shown.
The State House was, with possibly two exceptions, the most pretentious of all the State buildings, and certainly its location was the most commanding. From the intramural cars this great white structure, with its generous verandas and its wealth of ornament, could be seen at several points. It was not on the Plateau of States, but was the important member of another State group on The Trail, directly west of the Cascade Gardens. Across the way were the beautiful gardens of Japan, and the Lincoln Museum was directly north.
The building was designed along the lines of the French renaissance, but it was entirely modern in treatment. For instance, in the relief ornament of frieze and cornice the fleur-de-lis was replaced by the ear of corn motif. This was Illinois renaissance and was something more than cut and dried ornament. It was symbolic of the State.
The two great statues that greeted the visitor were those of Lincoln and Douglas. The grand central reception hall was done in tones of ivory, green, and gold, with floor of tile. The medallion center of the tile was the great seal of the State. At one side of the broad staircase was a raised platform, on which stood a grand piano. The elevated apartment served as a reception and music room.
Opening from the great hall were reading rooms, rest rooms, and the office of the commission. On the floor above were the suites of apartments for the governor, the commissioners, and the officers of the building. The wives of the commissioners served as hostesses, each doing the honors for a period of ten days at a time.
One of the most noteworthy features of the Illinois State Home was its verandas. From these every part of the exposition grounds could be seen, and the night view was especially glorious. The building was designed by Illinois architects, erected by Illinois labor, and furnished, for the most part, by Illinois firms. Hence it was really an expression of the State it represented. Its cost was $90,000.
Aside from the State House, the most remarkable exhibits of the State were those in the Palace of Mines and Metallurgy and the Palace of Agriculture. In the former there was abundant evidence that Illinois is primarily a mining State, while the latter wholly contradicted this notion. As a matter of fact, Illinois ranks second to Pennsylvania in the production of coal, and its quarries yield a fine quality of both sand and lime stone. The booth in the Palace of Mines contained the largest block of soft coal ever removed from a mine. It was 6 by 7 by 8 feet in size and was hoisted 335 feet from the shaft. In the coal exhibit there were specimens of the product of over 50 mines, with chemical analyses showing their respective heating elements.
There was a large display of the clay industry of the State, including bricks, tile, and pottery. In addition there were shown splendid specimens of fluorspar, lead, and zinc.
In the Palace of Horticulture there was an extensive table exhibit of fresh fruit, especially of apples and the more ephemeral fruits, such as berries and plums. However, the best display of all was in the Palace of Agriculture. In the cold-storage case in the dairy section were two exceptionally good pieces of butter sculpture. They were the busts of those two great Illinoisans--Lincoln and Grant.
The most striking feature of the great corn pavilion was an enormous broom, that was typical both of the production of broom corn and of the State's broom industry. In the corners were small ornamental booths made entirely of the native woods of the State. One of these was used as an office by the secretary. There were several excellent pictures made of various grains. Among the grain pictures were three that were worthy to stand together. They were President Lincoln, Governor Yates, and the great seal of the State.
By far the largest and most significant part of the exhibit was the collection of samples of corn planted, cultivated, and harvested by boys. The League of Corn Growers numbered 8,000 members, and there were 1,100 prizes each year, the first being $500. Each boy submitted 10 ears of corn from his own patch, together with an account of his experiences and method. The prize winners attached their photographs to the little pyramids of 10 ears of fine corn. For the farming industry of the State it was felt that nothing could possibly be better than this annual contest. The boy is taught to look upon the scientific cultivation of the soil as something worthy his best effort. That in which he takes a personal pride ceases to be drudgery. As a result of this corn contest much of the danger that all the farmer boys will seek the great cities may be averted, and it was felt that the great exposition should encourage the boys in their worthy enterprise.
There were installed by the Illinois commission 14 separate and distinct exhibits, including that of live stock. Each exhibit was in charge of a superintendent and a committee of the commission.
As soon as the Illinois commission had been appointed the members of the Illinois State Historical Society felt that the society should make an exhibit. As the appropriation of $2,000 was small and the time brief for the preparation of the exhibit, the trustee decided that no better and more appropriate exhibit could be made than a manuscript and pictorial life of Abraham Lincoln, these manuscripts and pictures to be arranged so plainly that they could be understood and appreciated by all.
The plan of the exhibit was to utilize all the space possible, and as this was the only exhibit in the Illinois Building it was made as handsome in appearance as possible. Accordingly 16 large wall frames handsomely labeled in gold letters were prepared. The labels read as follows:
(1) Ancestry of Lincoln. (2) Youth of Lincoln. (3) Lincoln at New Salem. (4) Lincoln as a Surveyor. (5) Lincoln in the Black Hawk War. (6) Lincoln as a Lawyer (two cases). (7) Lincoln in Congress. (8) Domestic Life of Lincoln. (9) Lincoln and Douglas. (10) Lincoln and Douglas Debates. (11) Lincoln and the Foundation of the Republican Party. (12) The Campaign of 1860. (13) Lincoln in Washington, The Cabinet. (14) The War of Rebellion. (15) Assassination and Death.
The titles indicate the character of the contents.
The agricultural committee was organized, and the scope and character of the exhibit to be made by Illinois was carefully considered.
It was determined to devote entire attention to the exploitation of those products which can be grown most successfully and profitably within the limits of this State. While the interests of Illinois were, of course, always given the first consideration, such an exhibit was of just as much interest and value to adjoining States, or, in fact, to any countries of the Temperate Zone where similar conditions of climate and soil exist as in the State of Illinois.
Accordingly it was determined to exploit the principal crop of the State, which surpasses all other in value--that of corn.
It was also planned to exhibit choice specimens of wheat, oats, rye, millet, sorghum, Kaffir corn, clover, broom corn, and other grains and grasses, and did exhibit those varieties that can best be raised in the different sections of the State. The grains were shown both in the sheaf and thrashed. There were collected over one hundred varieties of native woods from different sections of the State.
The installation and exhibit was completed early in May, soon after the fair opened, except the soil exhibit, which was not finished in all its details until about a month later. A company of Chicago donated to the committee an assortment of some thirty new by-products of corn, which have been manufactured by them in the last few years, including different varieties of glucose, starch, proteins, and different varieties of sugar, rubber, dextrine, corn oils, sirups, etc., which were exhibited in large jars arranged in the form of a pyramid. The entire agricultural exhibit covered 10,000 square feet of space.
During the fair additions were made from time to time as the season progressed, and specimens of grains and corn from the crop of 1904 were added.
The exhibit as completed showed the variety and character of Illinois soil and also showed the elements which they contain and which they lack in various portions of the State. The proper treatment, cultivation, and fertilization necessary to bring each kind of soil to the standard and keep it there; the products that could be raised to best advantage on these soils; the method of raising them, and the appearance and characteristics of these crops at various stages of their growth; the best seed to plant, and, finally, the grown and ripened products and the various articles manufactured therefrom, and the uses to which they could most successfully and profitably be put. Attendants were engaged who were able to fully explain the various features of the exhibit, and as there were so many things that had never been exhibited or shown anywhere before the exhibit appealed strongly to those interested in farming.
And in this connection it might be stated that thousands of schoolteachers from every State came to the Illinois section to study corn in a more scientific manner than they had ever studied it before. This was especially true of the teachers of the East and South.
There was no effort made to collect every known grain or grass or seed that grows upon the farm, but to display such products as were considered most valuable to the different sections of the State. Only the leading standard varieties were installed and such valuable varieties were exhibited in such proportion and in such profusion as to demonstrate their value in different sections of the State. Large displays of wheat, oats, grasses, and grains of all kinds, in sheaf and thrashed, were exhibited, and it was intended to show both the growth of the root and the stalk, as well as the grain. As an example, more than thirty varieties of oats were exhibited, showing root growth, stalk growth, size and length of head, and beside each variety was 1 peck of the oats thrashed.
In one corner of our exhibit was erected a triangle of grain pictures, three in number, each 8 by 10 feet, and made entirely of seeds. One picture was that of Abraham Lincoln, another Governor Richard Yates, and a third represented the State seal.
Upon seven large tables were displayed more than 500 glass bottles of seeds, ranging from 8 ounces to 1 gallon each.
But the feature of the agricultural display that attracted more attention than anything else was the immense display of corn grown by the farmer boys of Illinois. The commission from the very start determined to make this display by the farmer boys a strong feature of the exhibit, and how well their efforts were rewarded is now known by millions of people who visited the Agricultural Building. The superintendent solicited special premiums to the amount of $3,500. Circulars describing the farmers boys' corn contest were placed in the hands of 120,000 farmer boys in Illinois. Eight thousand entered the contest.
Above the two vast pyramids of white and yellow corn, each 20 by 30 feet, was a handsome banner inscribed "Grown by the farmer boys of Illinois."
One of the most attractive and interesting sections of the dairy exhibit was that installed by the Illinois commission. The statuary in this exhibit consisted of a full-length ideal statue representing "Illinois," holding the shield of State with one hand, while the other grasps the shaft holding the streamer reading "Illinois" in large, clear, golden letters. On either side of this figure were large busts of Lincoln and Grant. These busts and the full-length figure were made of pure Illinois creamery butter.
The background for the statuary was arranged with the banner won by the Illinois creameries and two large United States flags, which were in keeping with the historical character of the two men represented.
At the sides and in front heavy draperies separated the statuary from the commercial exhibits, which consisted of print butter from the Elgin district and from the University of Illinois, arranged in various designs; also samples of condensed milk, malted milk, and evaporated cream.
There were also jars with samples showing the amounts of water, butter fat, casein, albumen, and other ingredients entering into the composition of a 30-pound tub of butter.
Tables showing the value of the great dairy industry of Illinois, the production of butter and cheese in the Elgin district, the butter and cheese market of Chicago, and large photographs portraying typical Illinois dairy cows and Illinois creameries and the condensing plants occupied prominent positions among the exhibits. Several bulletins from the University of Illinois agricultural experiment station, showing the importance of clean milk and pure butter and other information of value to dairymen, were distributed from the superintendent's desk. The cheese exhibited consisted of samples made by students at the University of Illinois, and a large collection installed by M. Uhlmann & Co., of Chicago, occupied a space in the cheese case directly opposite the butter exhibit.
The refrigerator which contained these exhibits had a glass front formed of three thicknesses of plate glass, with air spaces between. The temperature inside the case was kept close to the freezing point by an ice-making machine in constant operation.
The Illinois commission set apart $15,000 to make a duplication as far as possible of premiums won by the breeders of live stock exhibited in the Louisiana Purchase Exposition, less than $1,000 of which was reserved to provide for the necessary expenses incident to printing, allotting, and distributing the said prize fund.
The live stock from the State of Illinois won one-twentieth of the entire premiums offered by the Louisiana Purchase Exposition.
Five thousand square feet of space was secured in the Palace of Horticulture at the exposition for the exhibit and installation and fixtures placed thereon prior to the opening of the exposition, May 1, 1904, upon which date the exhibit was put in place and maintained with apples from storage of 1903 crop until the crop of 1904 began to mature about June 1. From this latter date fruits of all kinds were supplied as they matured during the period of the exposition. Among the most popular varieties of apples exhibited were: For early apples--Yellow Transparent, Red June, Benoni, Wealthy, Duchess, Maiden Blush. For fall or early winter--Grimes Golden and Jonathan. Winter varieties--Wine Sap, Willow Twig, Rome Beauty, Ben Davis. Peaches--Reeves, Elberta, Diamond. Pears--Bartlett, Tyson, Sechel, Duchess.
Mines and metallurgy exhibit.--The mines and metallurgy exhibit covered a space 25 by 75 feet facing on two of the main aisles near the southeast entrance to the Mines and Metallurgy Building.
The installation was uniform with that of the other exhibits of the State. The object of the exhibit was to show particularly the mineral and to some extent the mineral industries.
The most important branch of production, according to its value, was that of coal. After this came the various materials used in the manufacture of brick and ceramics.
The building stone, although limited to a few varieties of limestone and sandstone, was of great importance, as was also some stone and gravel used for road material, railroad ballast, concrete, and flux for iron reduction.
The exhibit of coal consisted of a series of large blocks intended to show the character and thickness of the veins; the largest block, weighing 15 tons, is the largest single piece ever hoisted from a mine. There are 11 of these blocks from different mines, ranging from the largest down to one block of 1 ton.
In clay products the importance of the industry could only be shown by statistics, as common brick, which is made all over the State in such a uniform character, are so well known that exhibits are not necessary.
Neither the geology nor topography offer many opportunities for the development of stone quarries, but such stone as is extensively used was displayed. The limestones of the Silurian series are the principal sources of supply, the quarries about Joliet being among the largest in the United States. The limestone is generally used in the form of rubble or rock-faced ashler.
The exhibit at the United States Fish Commission Building was in the large aquarium situated in the southeast corner of the building and the two smaller aquaria immediately adjoining on the right and left.
In the large aquarium the commissioners decided to show the commercial fishes of the State--that is, such fishes as were commonly used for shipping and found in greatest abundance, namely, the carp, buffalo, the coarser catfishes, and dogfish. The dogfish in the last few years has become a very important factor in the food supply, having been previously thrown away as worthless, but is now extensively used by a class of people in the larger cities and sold alive under the name of grass bass. In this aquarium has been carried, for a period of seven months, perhaps the largest amount in weight ever carried in an aquarium for that length of time with so small a percentage of loss.
In the smaller aquaria were shown the game fish of the State, a list of which comprises the black bass, crappie, sunfishes, yellow perch, white perch, warmouth bass, and the two varieties of striped bass.
These aquaria have attracted a great deal of attention, particularly among those who were interested in the subject of fish propagation and distribution, and gave people a better idea of what Illinois produced than could have been obtained by any other method.
The exhibits of the common schools and the five State normal schools were installed under the direction of the State superintendent of public instruction. The material of the exhibits was furnished, except that from the normal schools, by the school districts, without expense to the commission, and in substantial conformity to the following suggestions, sent to the schools about November 1, 1903:
Classification of schools.--Group 1. Elementary education.--Class 1. Country schools. Class 2. Semigraded schools. Class 3. Graded schools. Group 2. Secondary education.--Class 4. High schools. Class 5. Normal schools.
Under this classification it is desired to exhibit: (1) Legislation, organization, general statistics; (2) buildings, photographs, plans, models; (3) administrative methods; (4) results obtained by methods of instruction.
The educational exhibit of the university of Illinois occupied a space 30 by 45 feet, or an area of 1,290 square feet, open upon an aisle on its long dimension. Against the back and the two side walls were glass-inclosed cases 7 feet high, and above these were many enlarged photographs in frames, showing the main buildings, views of the campus, etc., together with numerous pictures from the department of art and design, also a set of finely colored plates of the food and game fish of Illinois. Other cases occupied a part of the central area of the space, with room for seats and a writing table.
The exhibits were classified according to general subjects illustrative of the equipment and work of the colleges of the university from which they came. An attendant was on hand to supply published documents and information to visitors.
The exhibit of the college of science contained diagrams and photographs and a set of bound volumes of the contributions to science published by the members of the college faculty, but was otherwise almost wholly illustrative of the work of only one of its eight departments, that of chemistry, and in this it was confined to the results of two line of investigation, which have for some years been closely associated with the work of the department; first, a study of the chemical composition and heating value of the coals of the State, and, second, a sanitary survey of Illinois waters. The importance of the first is emphasized by the fact that Illinois ranks second among American States in tonnage output, with a valuation in the aggregate of $35,000,000 annually.
The agricultural portion of the university exhibit was designed to show the comparative produce of Illinois soils expressed in terms of both crops and animal products. The yields shown were of corn, wheat, oats, beans, potatoes, apples, tomatoes, milk, butter, cheese, port, mutton, and beef.
The actual amount of corn, wheat, apples, and other crops shown was the normal yield of one-hundredth of an acre of standard fertile soil of Illinois. The milk shown was the amount that should be produced from the same amount of land when growing crops suitable for milk production, and the butter and cheese shown were such as could be made from this milk.
A mounted steer, which when living weighed 750 pounds, represented the amount of beef that should be produced from an acre of soil in one year. The same land would produce 10 such sheep as shown, weighing in all 1,100 pounds, or 100 pigs like the roaster shown, or their equivalent, with a total weight of 1,400 pounds.
Incidentally the work in soil improvement was shown by a number of yields from soils naturally deficient in fertility, taken both before and after treatment, and thus showing the benefit of intelligent methods of soil restoration.
The articles contributed by the College of Engineering were arranged in an alcove, partly inclosed by cases of books and for folding frames, on which were placed photographs and diagrams mounted on large cards. A larger case contained the more bulky specimens of the work of students in the engineering shops. Above these cases were placed on the walls enlarged views and some original designs by architectural students.
A large series of good photographs arranged for convenient examination presented views of all buildings occupied by the College of Engineering, especially of their interiors, showing class and drawing-rooms, shops and laboratories, incidentally illustrating much of the equipment of machines and apparatus. A series of large diagrams and tables afforded full information concerning the very remarkable increase in the number of students in attendance during recent years.
The exhibit of the College of Medicine consisted of a large series of normal and pathological specimens and dexterously executed dissections of various portions of the human body. These were mounted so as to show to best advantage the special peculiarities in each case and so as to secure permanent preservation.
Closing up.--The closing up of the business of the commission, the sale of the building, furniture, and exhibits involved considerable work. The commission on two separate occasions advertised the building and furniture for sale, advertisements to that effect appearing in the St. Louis, Chicago, and Springfield papers. Opportunity was given for the people to bid for the building and furnishings as a whole, for them separately, or for any part. About sixty separate bids were received, some for one article only, many for a few pieces of furniture, and a very few for the building or furniture as a whole. Four bids were received for the building, viz, $200, $500, $750, and $1,000, the bids on the building including a provision that all debris from the wrecking of same should be removed and the ground cleared and left as it was originally, all of which involved considerable expense. The bid of the Southern Illinois Construction Company, of East St. Louis, was the highest, including building, furniture, and furnishings, and amounted to $4,250. This bid was accepted. Articles in other exhibits not included were afterwards disposed of and are included in the financial statement, bringing the amount of salvage to over $5,000. This amount seemed small, but was in line with the results of all expositions. At Chicago, with a net appropriation of $662,000 and with a building and furnishings costing $277,000, the total amount realized from the sale of buildings and furnishings was $3,926.50. At Omaha and Buffalo the amounts realized were less than $1,000.
INDIANA.
On March 9, 1903, the legislature of the State of Indiana appropriated the sum of $150,000 for the necessary expenses of the participation of Indiana at the Louisiana Purchase Exposition. At the same time the governor of the State was authorized and directed to appoint a commission of fifteen persons, not more than nine of whom were to be of the same political party.
Newton W. Gilbert, president; Henry W. Marshall, vice-president; James W. Cockrum, secretary; A.C. Alexander, assistant secretary; W.W. Wicks, W.W. Stevens, W.H. O'Brien, Crawford Fairbanks, D.W. Kinsey, N.A. Gladding, Frank C. Ball, C.C. Shirley, Fremont Goodwine, Joseph B. Grass, Stephen B. Fleming, Melville W. Mix.
The State made altogether seventeen exhibits in the various exhibit palaces, the total value of which was approximately $60,000. The exhibits consisted of needlework and lace work in the Manufactures Building, decorated china in the Varied Industries Building, coal and stone exhibits in the Mines and Metallurgy Building, horticultural exhibit in the Horticultural Building, special corn and dairy exhibits in the Agriculture Building, and general educational, library, college, State board of health, juvenile courts, department of inspection, school for feeble-minded youths, and State board of charities exhibits in the Educational Palace.
The Indiana Building at the Louisiana Purchase Exposition was located in the center of the State group, on one of the most artistic spots within the exposition grounds. It was designed in the spirit of the French renaissance, and was intended to be a resting place for all visitors to meet friends and enjoy social and musical entertainments.
The building was surrounded by a broad terrace, with balustrade embellished with flowers and pedestals supporting vases with flowers and vines. The approach was through a spacious portico, on either side of which were candelabra of monumental character. A large lounging hall, 30 by 58, was furnished with heavy leather upholstered furniture. On either side were men's and women's resting rooms, 19 by 37, back of which were commodious toilet and retiring rooms. The toilet rooms had tile floors and walls and partitions made of "novus" sanitary glass, manufactured at Alexandria, Ind. The resting rooms were wainscoted 7 feet high with paneled oak, and were luxuriously furnished with rugs, upholstered furniture, and each was furnished with an upright piano.
In connection with the lounging hall were a secretary's office, a post-office, check room, registry desk, and bureau of information. The broad, spacious stairway in the center led to a landing with Corinthian columns supporting an art-glass dome.
Midway was a large landing and on either side were wide stairs leading to the floor above. This landing merged into a large music room, 25 by 50, superbly furnished with oriental rugs, Louis XIV furniture, and containing two grand pianos.
The art-glass decorations throughout the building and in the dome represented a material whose quality is said to be unexcelled in the world.
On the second floor was a large library, or reading room, in which were kept on file all the State newspapers and magazines; also all the principal daily papers and monthly magazines.
At one end of the building was the governor's reception room; at the other, the commissioners' reception room and private office. In connection with this latter was the art and literary department of the State, which contained copies of books by prominent Indiana authors and original manuscripts and drawings. The paintings which adorned the walls of the building were the product of Indiana genius. Her artists were lavish of their time and thought in contributing to the effect sought. The color scheme of the building was the result of educated taste.
The electric lighting was a special feature. A multitude of 4-candlepower lamps were used, distributed on the ceiling in pleasant form, that harmonized the decorative plaster panels. The woodwork throughout the building was stained and finished in bog oak. Most of the furniture was of the Mission style, stained to suit the interior finish.
The building was furnished and decorated luxuriously and in a quiet character, making an interior that offered comfort and quiet environment to the weary visitor. At the very beginning it was determined that this building and the things associated with it and housed in it should speak the culture and artistic development of Indiana life, and so it has gathered within its walls the best offerings of literature and art--the trophies of civilization.
INDIAN TERRITORY.
Members of Indian Territory commission.--Thomas Ryan, chairman; F.C. Hubbard, executive commissioner; H.B. Johnson, honorary commissioner; A.J. Brown, honorary commissioner; W.L. McWilliams; H.B. Spaulding; J.E. Campbell; J.J. McAlester; William Busby; Miss Olive Blentlinger, clerk.
A fund of $50,000 was expended for the Indian Territory participation in the Louisiana Purchase Exposition. Of this amount, $25,000 was appropriated by Congress and $25,000 was raised by popular subscription in the Territory. The expenditure, according to the provisions of the Congressional appropriation, was made under the direction of the Secretary of the Interior. It was the purpose of the commission to make the Indian Territory exhibit one that would primarily set forth the actual condition that existed in the Territory and to advertise the developments and resources of the same in a comprehensive manner. The same general lines that were adopted by other States and Territories in similar work were followed as closely as practicable.
Because of its limited funds the Territorial commission deemed it advisable to make exhibits only in the following departments: In the Mines and Metallurgy Building were displayed the coke and coal, marble, granite, and oil exhibits. The corn and cotton exhibits were shown in the Palace of Agriculture. In the Horticultural Building exhibits of the orchards and gardens of Indian Territory were maintained, and all other exhibits, such as educational, photographic, mineral specimens, etc., were installed in the Indian Territory Building.
The Indian Territory Building was completed and exhibits installed on the opening day of the exposition, April 30, 1904. It was located on a beautiful site in the Plateau of States, near the southeast entrance to the grounds. The building was a two-story colonial structure, 109 by 72 feet. The first floor contained, besides the large lobby room, two exhibit rooms. In one of these rooms was displayed the art and educational exhibit; in the other the photographic exhibit. These two exhibits--one setting forth the artistic, the other the commercial development of the residents of the Indian Territory--went far toward dispelling the somewhat prevalent idea that the Indian Territory is a wilderness, where progress and civilization are unknown.
In the art and educational room were displayed many beautiful paintings, studies, laces, fine needle and bead work, and industrial work, all the products of Indian Territory students and residents. In the photographic room were arranged 500 large photographs suitably framed and mounted, taken from all parts of Indian Territory, and representing the actual status and present commercial condition in the Indian Territory.
In the main lobby on the first floor of the Territory Building were displayed the collections of old Indian pottery, beadwork, etc. These collections belong to J.E. Campbell, of the Cherokee Nation; Mr. and Mrs. J.S. Murrow, of the Choctaw Nation; Mr. Thomas P. Smith and Miss Alice M. Robertson, of the Creek Nation, and were all especially fine and very valuable, many of the articles being more than a hundred years old and representing in the highest type the work of the old Indians. The paintings of Jefferson and his descendants, the work of Mrs. Narcissa Owen, of the Cherokee Nation, as well as the tapestries by the same artist, were admired by the many thousands who visited the Territory pavilion. Mention should be made also of the 100 wild flowers of the Indian Territory, mounted and framed, the collection of Mr. J.B. Bushyhead, of the Cherokee Nation.
The second floor of the Territory Building contained a large reception hall, ladies' parlors and resting rooms, and the offices of the executive commissioner. An especially attractive feature about the pavilion were the large stair landing and the five big windows, two transparencies being set in each and representing typical scenes from the Territory.
The Indian Territory was also represented in three of the exhibit palaces of the exposition, maintaining booths in the Palace of Mines and Metallurgy, the Palace of Horticulture, and the Palace of Agriculture.
The coal fields of the Indian Territory, especially in the Choctaw Nation, have for years been operated successfully, and within the past two years the development of the coal industry has been immense. Petroleum is also found in many parts of the Indian Territory. This industry, though new, is developing into gigantic proportions. Hundreds of wells are going down in both the Bartlesville and Muskogee fields, and the majority of those already opened are good producers. The crude oil in the Bartlesville field is in grade about the same as the Kansas oil, while the grade of the Muskogee field is somewhat better. Railroads, pipe lines, and refineries are being built for handling this product, which promises to be in such abundant supply. In the Indian Territory booth in the Mines and Metallurgy Building were shown many samples of Indian Territory coals and oils. Beside the four large cubes of the four separate grades of bituminous coal found in the Territory, there were arranged cases of the finest samples of egg coal, nut coal, and pea coal, and pyramids of coal and coke were erected. Samples of the oil from 27 flowing wells, together with samples of the oil sands, were arranged in glass and formed the background of the booth. Cubes of the Chickasha granite and the Cherokee marble and many blocks of building stone, filtering rock, colite, etc., were shown in this booth. A large relief map, costing more than $2,000, of the Choctaw coal fields and many pictures and plates of the top works of coal mines, oil wells, and asphaltum works were attractively placed in this booth.
A comprehensive display of the corn and cotton products of the Indian Territory was made in the two booths maintained in the Palace of Agriculture. The Indian Territory is particularly a cotton country. No finer staple is sold on the Liverpool market than that which grows in the bottoms along the Arkansas, Verdigris, Canadian, Washita, and Red rivers. Corn, wheat, oats, rye, and, in fact, all grains and products that flourish in such States as Kansas, Iowa, and Illinois do equally well in Indian Territory. With practically an unvarying temperature and abundant rainfall the "Indian lands" will, within a few years, be converted into agricultural domains rich and beautiful.
Though not the largest, one of the very prettiest displays in the Palace of Horticulture was that of the Indian Territory. Occupying the very center circular space in the building, this booth was kept constantly supplied with Indian Territory products of the orchard and flower gardens. Apples, peaches, pears, grapes, and plums seem to grow to perfection in the Indian Territory, and the many thousands who saw the fruit display at the exposition can attest the fact that wonderful are the products from Indian Territory orchards and gardens.
KANSAS.
The legislature of the State of Kansas in 1901 appropriated the sum of $75,000 for the purpose of having the State represented at the Louisiana Purchase Exposition. Subsequently, in March, 1903, a second appropriation of $100,000 was made. There were no subscriptions of any kind for this purpose.
In 1901 the governor of Kansas appointed the following-named gentlemen as commissioners:
John C. Carpenter, president; J.C. Morrow, vice-president; R.T. Simons, treasurer; C.H. Luling, secretary; W.P. Waggener, commissioner.
Kansas made exhibits in the Agriculture, Horticulture, Education, and Social Economy buildings and in the Dairy Department. The State also made large exhibits in live stock of horses, cattle, swine, sheep, and poultry.
In the Agricultural Palace the corn steer, corn eagles, corn Indian, and several other striking features of installation, made exclusively of agricultural products, were greatly admired and favorably commented upon. In this department a grand prize was given to the State.
Although known principally as an agricultural State, the exhibit made by Kansas in the Mines and Metallurgy palaces was such as to astonish all who saw it. Besides its other large and varied resources and fine installation of lead, zinc, coal, salt, gypsum, stone, shale for manufacture of brick, cement, etc., Kansas is known as one of the greatest oil and gas fields in the United States.
The floor space assigned to the Kansas educational exhibit in the Educational Building was 45 by 30 feet. The walls were 15 feet high, thus giving for display purposes a surface of 2,100 square feet in addition to the floor space. All the wall space was used to show drawing maps, charts, photographs, and work in manual training. Thirty cabinet cases were used to exhibit miscellaneous work, mainly in drawing, kindergarten, sewing, and in photographic representations of various kinds.
The total cost of the booth was about $1,230, and of the furnishings about $600. The transportation of the educational exhibits cost approximately $100. The total cost of the educational exhibit in the Kansas booth was about $6,000.
In the Kansas school exhibits the work of the common schools was made conspicuous. There were on the tables in the booths between three and four hundred bound volumes of written work, comprising spelling, writing, composition, arithmetic, geography, grammar, United States history, map drawing, kindergarten. But while the work of the elementary schools was given the most important place in the Kansas exhibit, higher education was kept well in the foreground. The University of Kansas effectively showed its work through 50 large framed photographs in which all the buildings and many of the class rooms made the work of the institution visible to all.
There was work of some kind from 104 cities and about 400 country districts. The exhibits from many of the smaller cities did not appear separately on the catalogues, because they were included in county displays.
The Kansas Pavilion in the Agricultural Palace occupied a space 92 by 62 feet on the main aisle, near the center of the building. On each side were pillars 16 feet high decorated with ears of corn and corn husks. Upon each of these rested a Grecian vase made of corn husks and festooned with rosettes and garlands of corn husks, the whole being very attractive.
Standing at the main entrance, between the two high corn columns, were two eagles with wings spread for flight--one made of corn husks and kernels of corn, the other made of wheat straw and kernels of corn. They were the work of an artist.
One of the most striking features was the large center pyramid, surmounted by a monster steer of the Hereford type, 7 feet in height, fashioned of red and white shelled corn. At the top of this pyramid the word "Kansas" was worked in corn.
At the north entrance stood a pyramid of native grasses, upon which was a vase made of oat heads, 7 feet high. Directly opposite stood a pyramid of tame grasses, upon which rested a vase made of the heads of grains and grasses, 7 feet high.
The Kansas State Agricultural College, at Manhattan, exhibited alfalfa, corn, cane, Kaffir corn, oats, buffalo grass, and big blue-stemmed grass, showing the plant and root growth. Besides these there were 25 varieties of wheat sheaves, 10 varieties of cane 14 feet in length, 4 varieties of Kaffir corn, 3 of broom corn 15 feet, stalks of corn 16 feet, and millet 6 feet high.
The State Agricultural College Experiment Station, Hays, Kans., had a collection of wheat, rye, barley, speltz, oats, and flax.
The total cost of the various installations of the agricultural exhibits of Kansas was $17,750.
The Kansas exhibit in the Horticultural Department fully and completely represented that branch of industry in the State and was highly commented upon by the people generally from all sections of the country. Kansas was given space covering 2,000 square feet. The commission appropriated $9,000 for this exhibit, which covered all expenses.
The fruits, especially apples, placed Kansas high in rank as one of the leading apple-growing States of the Union. Kansas also ranked close along with the leading States in peaches, plums, grapes, and small fruits and was the banner State in the production of cherries.
The Kansas commission secured an 8-foot square space in the butter pavilion, Palace of Agriculture, at a cost of $500 for the season. The cost of placing and maintenance was $2,500.
Kansas did very well in her live-stock exhibit, for which an appropriation of $10,000 was used. More than two hundred entries won prizes, aggregating $313,800.
In the art exhibit, in the Kansas Building, the total number of articles entered and shown was 537. The total value of the same was $20,247, classified as follows: Sculpture, paintings in oil, paintings in water colors, pastels and other drawings, miniatures, etchings, etc., paintings on china, art needlework, embroideries, etc., tapestries, etc.
KENTUCKY.
The legislature of 1902 refused to make an appropriation for a State exhibit. The organization of the Kentucky Exhibit Association to raise a fund by private subscription followed. For fourteen months an active canvass was conducted, resulting in $30,000 and a sentiment so unanimous for the State's representation at the fair that in January, 1904, the general assembly supplemented this amount with $75,000. The Kentucky Exhibit Association had several hundred members, with a board of 15 directors. Upon the passage of the appropriation act, Governor J.C. Beckham, who signed the measure, appointed the following commissioners, all to serve without compensation:
A.Y. Ford, president; Charles C. Spalding, vice-president; R.E. Hughes, secretary; W.H. Cox, W.T. Ellis, Clarence Dallam, W.H. Newman, Sam P. Jones, Samuel Grabfelder, M.H. Crump, J.B. Bowles, Charles E. Hoge, A.G. Caruth, B.L.D. Guffy, Garrett S. Wall, Frank M. Fisher, Mrs. Bertha Miller Smith, hostess.
Mr. Hughes, as secretary, was in charge of the building, and as director of exhibits maintained supervision over Kentucky's entire representation in the exhibit palaces. He was Kentucky's member of the Executive Commissioners' Association of the fair. Mr. Hughes had a most capable secretary in Mr. Frank Dunn, who was connected with the work from the organization of the old Kentucky Exhibit Association. Mrs. Bertha Miller Smith, of Richmond, Ky., held the position of hostess of the building.
Besides erecting a State Building, Kentucky collected, installed, and maintained 16 different exhibits; a collective display of minerals, a separate display of coal, a separate display of clays, in the Mines and Metallurgy Building; a collective display from the schools and colleges of the State and two separate displays in the blind section in the Palace of Education and Social Economy; two collective displays--one exterior, the other interior--of forestry in the department devoted to Forestry, Fish, and Game; a collective display of general agricultural products in the Palace of Agriculture; and displays of paintings and sculptures by Kentucky artists and sculptors, of fancy needle and drawn work by women, and of the works of Kentucky authors and composers in the Kentucky Building.
The displays in the exhibit palaces occupied 15,000 square feet of space, the tobacco display with 4,000 square feet having the largest space assigned any one product. Four thousand square feet were devoted to minerals, 1,200 to education, 3,000 to a general agricultural exhibit, 1,200 to forestry and its manufactured products, and 1,200 to horticulture.
In the Palace of Mines and Metallurgy the general display combined both State and individual effort. Its 3,400 square feet of space faced on three of the main aisles of the building. Facing on three aisles the exhibit had three entrances, an arch of cannel coal, an arch of white limestone, and an arch of terra cotta burned in St. Louis from clay taken from Waco, Madison County. The arches were connected by a 3-foot wall of minerals, forming an inclosure for the exhibit. In this wall were shown, as approaches to the clay-entrance arch, building brick, tiles, paving brick, fire brick, plain and decorated pottery, etc.; as approaches to the cannel-coal arch, both bituminous and cannel coal, and as approaches to the stone arch, building stones and cement building blocks.
Oil and its future development was found in a collective petroleum exhibit from the several oil horizons. Large blocks of coal, representing the different veins of Kentucky, several full lines of broken coals, and a very complete display of coke were also displayed. A very elaborate display of kaolin--plastic, vitrifying, and refractory clays--was made.
In all, there were 114 different specimens of clay attractively displayed in glass cases and in convenient corners; also plain and decorated pottery, white and cream-colored wares, terra cotta, earthen-ware, building brick, firebacks, coke-oven sundries, paving brick, fire brick, tiles, etc. The Kentucky display contained also zinc ore and sphalerite, lead ore and barite, lead and zinc ore, and fluarite from the mines in Chittenden County; zinc and lead ores and metallic zinc from "the Joplin district of Kentucky;" sphalerite and galena from Marion, galena (in barite) from Lockport, Henry County, and large lumps and ground fluorspar and lead concentrates from Marion, Crittenden County. There were 138 samples of iron ore shown as a collective State exhibit, and in addition to this there was ore from Edmonson County, ore from Nelson County, ore from Allen County, ore from Carter County, and ore from Hart County. One of the unique displays was a sample bottle of oil from the old American oil well in Cumberland County. This well, begun September 10, 1827, was the first oil well in America. Collective State exhibits of oynx marble, paint earths, polished earths, sands, silicious earths, road materials, fluorspars, barite calcite, cement materials, salt, lithograph stone, lime, potash, marl, asphalt rock, etc., were also to be found in Kentucky's general mineral exhibit.
The State made a fine display in forestry, fish, and game. The collection embraced displays from all parts of Kentucky. The forestry exhibit not only showed Kentucky's timbers in the rough and polished state, but hundreds of samples of the manufactured products. One of the exhibits was a full-sized log wagon, carrying three large logs 10 feet long, one each of oak, poplar, and hickory. The idea of showing the timber from which the product was made was carried out as far as possible throughout the exhibit.
Kentucky's educational exhibit occupied 1,100 square feet, every foot of which was utilized to advantage. The public schools, Catholic institutions, commercial branches, and colleges were given due prominence, while special attention was given to mountain school labors. One part was devoted to public schools and another to Catholic institutions. The school work of the totally blind pupils occupied six display cabinets. These cases showed the entire course, from 8 years to 18. The display from the Kentucky School for the Deaf at Danville, illustrating the work done in its manual-training department, was shown also. This school was the pioneer in the manual-training movement in Kentucky, and for over half a century every graduate has left its halls equipped with a knowledge of some useful handicraft. More than a year was consumed in the collection of Kentucky's educational exhibit.
Kentucky made a good showing agriculturally, and had a creditable and attractive representation in the Palace of Agriculture. Raising more than 90 per cent of the hemp of the United States, Kentucky made one of the really distinctive exhibits of the Agricultural Building at the exposition. The exhibit occupied more than 2,000 square feet. An experiment station showed 50 varieties of grasses and 15 varieties of wheat, both in the seed and in the sheaf Another interesting feature was an entire case of insects injurious to fruit trees and staple products. An interesting feature was an obelisk, 12 feet high, made of blue grass from the experiment station The apex was of ripened blue grass; the shades leading up to it, formed the base, beginning with the grass in its green state. The bluish tint that gives the grass its name could be seen. Various stages of hemp culture and harvest were shown also. These include the seed, the stalk intact, broken and dressed hemp. Practically 100 different places were represented in this Kentucky exhibit. There were in all 242 exhibitors. Fifty-two of these showed tobacco, 108 corn, 18 wheat, 6 oats, 8 seeds, 5 hemp, and the others miscellaneous.
The display of tobacco was conceded to be most instructive. Occupying an entire block--4,628 square feet of space--it covered more floor area than any other display in the 1,240 acres of the exposition devoted to a single product. There was shown in miniature or by pictures tobacco in every phase of its culture and manufacture. A box of plug tobacco 3 feet square, the largest ever made, was shown here. To show to good advantage the successive steps in the culture, harvesting, curing, and marketing of the tobacco, two platforms, each 31 feet long by 8 feet wide, were utilized. They were on opposite aisles of the space, running parallel with the 89-foot sides. On one platform were shown the plant beds and fields, on the other the curing barns and warehouses.
The State Pavilion was dedicated as the "New Kentucky Home." By a careful study of the visitors' register with the total attendance at the exposition it was found that 1 out of every 18 visitors to the fair visited the "New Kentucky Home." The registers showed for one day alone citizens from 35 States and 11 foreign countries. Its walls, hung with more than $20,000 worth of the paintings of Kentucky artists, the most important collection in the State Building; a score of glass cases holding one of the exhibits of fancy needlework and a display of relics, with a library of the works of Kentucky authors and an art-design piano with Kentucky-written music, the "New Kentucky Home" was most interesting. With four sides, and every side a front, its doors were always wide open and no restriction was placed upon visitors. Its 582 lights at night spoke an invitation to all.
LOUISIANA.
Members of commission.--Governor Newton C. Blanchard, president; Dr. W.C. Stubbs, State commissioner; Maj. J.G. Lee, secretary; Gen. J.B. Levert; Col. Charles Schuler; H.L. Gueydan; Robert Glenk, assistant to State commissioner; Charles K. Fuqua, assistant secretary.
The legislature of the State of Louisiana in 1902 passed an act providing that a board of commissioners, to be known as "The Board of Commissioners of the Louisiana Purchase Exposition," be created, consisting of the governor, who should be ex officio president thereof, and four other members to be appointed by the governor. The sum of $100,000 was appropriated by the same act for Louisiana's participation in the Louisiana Purchase Exposition.
In the city of New Orleans is an old Spanish building, erected in 1795, used during the Spanish reign as a cabildo or court building. In this building the actual transfer of the Louisiana purchase from Spain to France and from France to the United States occurred, the first on November 30 and the last on December 20, 1803.
The commission wisely determined to reproduce this building as it was at that date on the exposition grounds at St. Louis and to use the same as a State building. It was determined also to furnish it with furniture and pictures of that date. On account of the prominence of the State of Louisiana in the original purchase, she was accorded first choice in the selection of a site for her State building. A beautiful spot overlooking Government Hill and directly south of Missouri's handsome State Palace was selected. The building was completed in October, 1903, at a cost of $25,000. On account of its historic interest and rich antique furnishings, the State building attracted much attention, and the visitors that passed through its portals numbered perhaps nearly a million.
In front of the building was reproduced the "Place d'Armes" of the French and Spanish regimes, now Jackson square, in the center of which was erected an equestrian statue of Andrew Jackson, modeled upon the one erected to the hero of Chalmette in the square in New Orleans by the grateful citizens of Louisiana.
In the room known as Sala Capitular, in which the transfer occurred, was exposed throughout the exposition a facsimile of the treaty signed by Livingstone, Monroe, and Marbois. In the jails in the rear of the Cabildo were placed the original stocks used by the Spanish in punishment of their criminals.
Besides the Cabildo, which was a veritable museum of curios and interesting relics, Louisiana had 15 exhibits in 10 buildings.
In the Agricultural Palace she had 8,500 feet of space, of which 2,000 was devoted to sugar, 2,000 to rice, 2,000 to cotton, and 2,500 to general agriculture.
In the sugar exhibit was a field of cane made of wax, with negroes cutting the same, and from this field there was a train of cars carrying cane to the sugarhouse. On reaching the sugarhouse the cane was unloaded by machinery and crushed by a complete sugar mill with crusher. Surrounding the sugarhouse were 500 small barrels of sugar and 100 barrels of molasses; also in the same space were commercial samples of plantation and refined sugars and a life-sized model of "Miss Louisiana" made of sugar. Samples of 100 varieties of cane were shown and samples of sugarhouse products were also, displayed. There were also to be seen beautiful samples of paper Of all grades made from the cane.
In the rice exhibit were to be found, first, large shocks of each, variety of rice in the sheaf. A field of growing rice, made of wax, with a harvesting machine cutting and binding the same, was in evidence. All stages of growing rice were represented, from the sprouting seed to the fully matured grain. Samples of commercial rice were tastefully exhibited.
In the cotton exhibit were to be found 15 commercial bales of cotton specially prepared for the exhibit by patriotic citizens of Louisiana. Over these bales was a platform, upon which was erected a "Carnival King" in cotton. A roller and saw gin, a square and round bale cotton press, and a complete cotton-seed oil mill made up the display of machinery in the cotton exhibit. Nearly 100 varieties were shown in small, neat bales, weighing 3 or 4 pounds each.
In the agricultural exhibit every crop growing in the field and the garden was exhibited. Hay from the grasses and legumes, all kinds of grain, both clean and in the straw; all kinds of fiber plants, in the stock and in the fiber; all kinds of tobacco, yellow-leaf cigar leaf, cigars, and the famous Perique were to be found. Vegetables of all kinds, both fresh and in wax, were handsomely displayed.
In the Palace of Horticulture two exhibits were made. Pecans, oranges, grapefruit, peaches, plums, pears, pomegranates, Japan persimmons, and many other subtropical fruits were shown.
In the conservatory were two carloads of plants brought from New Orleans. In it were 28 varieties of palms and many varieties of oranges, pecans, figs, pineapples, bananas, pomegranates, etc.
In the Forestry Building there were two exhibits from Louisiana. In the first were to be found timbers of valuable forests and their products. In the same building were found the birds, fishes, and animals of Louisiana.
In the Educational Building there were also two exhibits from Louisiana. One was the regular State exhibit, illustrating the work done in the schools, colleges, and universities.
In the same building and in the exhibit from the experimental stations a complete sugar laboratory made by the sugar experimental station at Audubon Park, New Orleans, was shown.
In the Mines and Metallurgy Building were exhibits of sulphur and salt, crude and refined petroleum, marble, and iron ore, all fresh from the mines of Louisiana.
In the Liberal Arts Building were topographical maps showing the levees of Louisiana, and showing also the city of New Orleans in 1803 and New Orleans in 1903. There were also in this exhibit 200 maps of the Gulf coast from 1500 up to the present time, some rare old books, a section of the palisades that surrounded New Orleans in the year 1794, and copies of all the books of the authors of the State.
In the Transportation Building was represented transportation on the Mississippi River, past and present, beginning with the Indian canoe and on through the evolution of transportation up to the monster ocean liner of to-day.
In the Anthropology Building was a very fine collection of Indian relics, including a number of baskets of rare and beautiful type.
MAINE.
The State of Maine erected one of the most noteworthy buildings of the ground and one that attracted universal attention. The building represented accurately the popular conception of what a sportsman's clubhouse should be. The building was made entirely of Maine lumber and was in the form of a log cabin, exaggerated in size and equipped with all the comforts of a country clubhouse. In this connection it is interesting to note that the Maine Pavilion was subsequently sold for $2,000 for the purpose of a sportsman's clubhouse in the country. The spacious, cool verandas and the odor from the fresh pine logs made the log house of Maine a favorite rendezvous during the heated days of the summer. The building was furnished throughout with furnishings from the manufacturers of Maine. The walls were decorated with moose heads and specimens of the game and fish to be found in Maine. The walls of the building were hung with pictures of various scenes in the State. The total cost of the building was $22,361.40, and the furnishings cost $159.80.
The legislature of the State appropriated $40.000 for the purpose of erecting the building and making the display. There was no money given by individuals. The total cost of the exhibit was $1,893.19.
The commissioners appointed by the legislature were as follows:
Louis B. Goodall, Sanford, chairman; Lemuel Lane, Westbrook; Frank H. Briggs, Auburn; Charles C. Burrill, Ellsworth; Henry W. Sargent, Sargentville. Edward E. Philbrook was elected secretary.
The purpose of the commission was primarily to advertise they resources of the State of Maine as a vacation and sporting State. The only exhibit made by the State, beyond that described above, was a small display of potatoes and apples.
MARYLAND.
In the legislature of the State of Maryland in 1902 an item of $25,000 was provided in the general appropriation bill "for the use of the commissioners to the St. Louis Fair, hereby authorized to be appointed by the governor." The amount of this appropriation was less than the friends of the measure desired, but it enabled the work to be inaugurated. Governor Smith appointed the following commissioners:
Gen. L. Victor Baughman, chairman; Francis E. Waters, vice-chairman; Frederick P. Stieff, treasurer; Frank N. Hoen, William A. Marburg, William H. Grafflin, Wesley M. Oler, Thomas H. Robinson, Jacob M. Pearce, Orlando Harrison, Mrs. Frances E. Lord, Mrs. Parks Fisher, F.P. Cator, H.J. McGrath; Samuel K. Dennis, secretary.
A further appropriation of $40,000 was made, giving the commission a total of $65,000. Through the systematic, scientific work of the Maryland geological survey the commission had at hand the basis of an excellent exhibit for the Palace of Mines. After vicissitudes of various kinds, chiefly those occasioned by the great fire in Baltimore, the Maryland Building was finished and opened on June 8. The total cost of the building was $18,402.70. It was of a modern classic design, very boldly treated. In plan it was a parallelogram 100 feet long by 40 feet wide, with a recess on the front 10 by 55 feet, forming a loggia, which was richly decorated in color (the only such external color scheme on the grounds), supported by six columns of the composite order 25 feet high, carrying a cornice and balustrade above. The Maryland State arms were the central feature over the main entrance. At either end there were large semicircular porches, supported on Ionic columns, which made the total length of the building over all 140 feet. The site was an ideal one, close to the New York and other State buildings and on the direct route from the Inside Inn to the center of the grounds. The building was surrounded by a beautiful oak grove, and was on gently rising ground. Inside the classic feeling was maintained. On entering through the loggia one found an imposing hall 55 feet long by 25 feet high. The color scheme of this room was golden brown, with a lighter shade of the same for the vaulted ceiling. Portraits of great value, taken from the statehouse at Annapolis, as well as one of his eminence Cardinal Gibbons, lent an air of dignity. Other rooms on the ground floor were: On the left a picture room, where a large number of framed photographs of Maryland scenery, buildings, and objects of interest were hung, and back of this a lunch room and pantry, for use on reception days. At the other end of the building there was a drawing room, with a room at the back which was used as a men's smoking room, with toilet attached. A stairway led from this part of the building to the ladies' boudoir, which also had toilet attached, and to a ladies' drawing-room.
The second story, at the other end of the building, had a good room fitted up for the gentleman in charge of the building. Mr. Albert Jones, of Baltimore, and Mrs. Parks Fisher, of Baltimore, dispensed hospitality in true Maryland style, and made many friends for the State among the many visitors who came daily to the building. Upon Mrs. Fisher devolved much of the responsibility of making the building popular, and she was careful to have a few representative ladies of old Maryland families established in St. Louis to assist her in entertaining those who came. To Mrs. Fisher is due much of the credit for the taste and judgment used in furnishing the building.
The exhibit of Maryland's mineral resources in the Mines and Metallurgy Building covered an area of nearly 3,000 square feet of floor space, together with about 4,000 square feet of wall and window space. The mineral products were as follows:
Coals, building and decorative stones, ores, clays and clay products (including pottery, tile, terra cotta, fancy and common brick, fire brick, enameled brick, retorts and stove linings), limestones, sands, cement rocks, flints, feldspars, marls, tripoli, barites, soapstones, etc. All of the leading operators and manufacturers in the State took part in the display, some of them supplying large collections of materials. In addition to the exhibit of mineral products there was an extensive systematic collection representing the geology, mineralogy, and paleontology of the State, displayed in a series of plate-glass, cases on the walls. In this exhibit the numerous materials found at the various geological horizons were displayed, the object of the exhibit being to show the great variety of geological formations represented in Maryland.
The Maryland agricultural exhibit occupied a space 90 by 20 feet. A feature intended to illustrate the varied conditions, crops, and methods found in the northern and southern sections of the State, quite foreign to each other, were the two barn scenes, located at each end and on the wall side of the block. The corn exhibit, consisting of samples of ten ears each, was displayed in a handsome case 4 by 12 feet, protected by plate glass. Each sample was tied with orange and black ribbon, with the names and addresses of the growers attached. A second corn exhibit was made in a special exhibit in the, middle aisle of this mammoth building. Here were displayed the four staples--tobacco, sugar, cotton, and corn.
The tobacco exhibit was displayed in a case of like construction and proportions to that occupied by the corn, and located at the opposite end and in front of the "Southern Maryland Barn." It made an attractive showing of the planters' tobacco from both southern Maryland and Frederick County. A special tobacco exhibit was also made in the middle aisle on a space 20 feet square. In the center stood a giant Indian on a pedestal over 7 feet high, with a long-stemmed pipe in his mouth and a horn of plenty on his left arm, from which the manufactured products of the weed fell to the ground. The whole was apparently built of tobacco.
The canned-goods industry was in evidence in this section to the right and left of the "Springhouse." Placed against the wall, which was covered with black cloth, were three pyramids of cans of peas, corn, and tomatoes.
MASSACHUSETTS.
That Massachusetts might be creditably represented at the St. Louis Exposition the Commonwealth appropriated $100,000.
Governor Bates appointed as the board of managers having the appropriation in charge Dr. George Harris, of Amherst; Mrs. Sears and Mrs. May Alden Ward, of Boston; Thomas B. Fitzpatrick, of Brookline, and Hon. Wilson W. Fairbank, of Warren. Doctor Harris was elected president of the board; Mrs. Sears, vice-president, and Mrs. Ward, recording secretary. To Mr. Harris was assigned the department of education; to Mrs. Sears, art; to Mrs. Ward, history, and to Messrs. Fitzpatrick and Fairbank, finance. Mrs. Sears, Mrs. Ward, and Mr. Fairbank were chosen to serve as the building committee. The board appointed James M. Perkins, of Boston, secretary and George E. Gay, of Malden, educational director.
The State Building at St. Louis was designed by C. Howard Wattset., of Boston, and the cost, including the furnishings and the grading of the grounds, was about $32,000. The building was of colonial style, embodying as many features as possible of the Bulfinch front of the Massachusetts statehouse. The reception hall on the first floor resembled in part the old senate chamber in the statehouse, and the room above, the historical hall, was like the present senate chamber. Most of the furniture in the building was secured from the statehouse by Senator Fairbank, to whom a large part of Massachusetts's success at the fair was due.
In the historical room of the building was a very fine collection of historical relics. Mrs. Ward, who was assisted by Miss Helen A. Whittier, of Lowell, had charge of this exhibit. There were no other exhibits in the State Building, but Massachusetts was well represented in the different exhibit palaces, and in the Educational Building had an exhibit that cost $30,000.
MICHIGAN.
The governor of the State of Michigan appointed the following named persons as commissioners to the Louisiana Purchase Exposition:
Governor Aaron T. Bliss, ex officio member; Frederick B. Smith, president; Austin Farrell, vice-president; Roy S. Barnhart, treasurer; Hal H. Smith, secretary; William A. Hurst, assistant secretary; D. Aaron R. Ingram, Charles P. Downey.
The act which authorized the governor to appoint the commission authorized also the expenditure of $50,000 for the purpose of Michigan's representation at the exposition.
The Michigan State Building was situated at the corner of Federal avenue and Government terrace. The building occupied 80 by 130 feet, and was of colonial renaissance architecture. It rose to the height of two stories and was surrounded by wide porches and terraces. Immediately in front and center four fluted stately columns supported the porch around the entire building. French windows were used on both floors, and their effect was emphasized and enhanced by the use of arches on the lower porch. The whole was painted white and colonial cream.
The interior of the building was divided into a large reception hall, which was flanked on either side by double parlors. The decorations were of green and yellow in quiet tints. From the center of the main assembly hall an imposing staircase was raised to a landing and then to the second floor. The second floor was arranged in a large assembly room, which was decorated with scenes in green and filled with light wicker furniture. At the one side was a writing room, finished in weathered or mission furniture, and decorated with scenes of the resort sections of Michigan; on the other side were the private apartments of the commissioners.
The hangings of the rooms were in quiet tones, harmonizing with the wall tints. The floors were of hard maple throughout, and were covered with attractive and beautiful rugs. The building was erected at a cost of $14,000. The furniture and fittings cost approximately $5,000.
The agricultural exhibit comprised an extensive collection of samples of different varieties of pease and beans; a large exhibit of seeds; an exhibit of grains in stalk, tastefully arranged; an exhibit of grains and corn; also a cabinet of pickled goods; a large exhibit of salt; condensed-milk products; a complete exhibit in season of vegetables from different counties of Michigan. The sugar-beet industry was represented by samples of beets and of sugar in its various processes. The maple-sirup industry of Michigan and the pepper industry were likewise represented by cabinets containing samples of the products. This exhibit was installed, complete, on a space 40 by 40 feet.
The horticultural exhibit comprised a space covering 2,500 square feet of tables. For its first installation there were used 100 bushels of apples grown in 1903, which had been kept in cold storage for this, purpose. It comprised a collection of over 100 varieties of Michigan fruit. With the coming of 1904 fruit, a complete exhibit of fresh apples was installed from time to time, comprising over 150 varieties of apples, requiring as many as 1,500 plates at one time, with many varieties of grapes, peaches, plums, pears, quinces, and cherries. A. large exhibit was also made of small fruit, raspberries, strawberries, currants, and huckleberries. The exhibits were made by individuals, by counties, and by local fair associations of the State.
The forestry exhibit was collected through the generosity and contributions of a committee. It was a complete exhibit of Michigan lumber, showing the rough log and the finished board, both in lumber and in transverse sections. There were also displayed samples of the different products which are manufactured from the log, such as shoe-last blocks, wooden utensils, paper, paper pulp, etc., and there was also an extensive collection of photographs of forestry scenes and lumber camps, together with a complete collection of blueprints for the construction of lumber mills. It was installed in a space 50 by 20 feet, and was surrounded by natural cedar railings.
The mines and metallurgy exhibit comprised exhibits of the iron, copper, and salt products, cement, manufactures of lime and sand, brick, and an extensive collection of specimens of various minerals found in Michigan. The copper mines were represented by samples of rock, minerals, and tailings, models of shaft houses, and manufactured copper. The iron industry was represented by upward of 100 samples of ore of various ranges. These were classified and shown in the various ranges and stages of their production from the rock to the finished product. The cement industry was well represented. Coal of the Saginaw Valley was installed in a 6-foot wall in the booth. An extensive and very valuable collection of over 1,500 specimens were shown in cases. Three large geographical maps showed the location of the different ranges, and photographs of mining scenes supplemented the exhibit.
In the educational exhibit the University of Michigan was represented by a main exhibit in the Education Building and by a small exhibit of the physical-culture work of women in the Physical Science Building. In the Educational Building a space 22 1/4 by 30 feet was assigned to the university, having frontage on two aisles. On this space a booth was erected, built of cypress and stained to resemble weathered oak. Within the booth the floor was stained a dark color, and upon it were spread carefully selected oriental rugs of strong coloring. The furniture was of the "arts and crafts" style. It may be said that the chief motive of the committee having charge of the exhibit was to provide a rest room or social headquarters for the alumni and students of the university and their friends.
There were placed upon exhibition several hundred volumes containing the chief publications of members of the various faculties, also reprints of scientific articles, these and a series of books showing the work of the university bindery.
The engineering department was represented by numerous rolls of large-scale blueprints, by an album of photographs specially prepared, and by a large and attractive sample board of student shop-work. To illustrate the equipment in marine engineering there were presented two models of vessels and a model of the large marine tank which is now in process of completion.
In the Educational Building could also be found cabinets showing the method of collecting vital statistics of the department of the State of Michigan and cabinets exhibiting the work of the School for the Feeble-Minded, of Kalamazoo, and a cabinet of the School for the Deaf and Dumb, of Flint.
A Michigan furniture company, interested in the exposition through the efforts of the commission, expended over $25,000 in the installation of a magnificent exhibit of furniture in the Department of Varied Industries, making the most complete collection of furniture shown by any American firm.
MINNESOTA.
The matter of the participation of Minnesota at the Louisiana Purchase Exposition was brought to the attention of the State legislature at a special session in 1902, and it responded with an appropriation of $50,000. This bill was chapter 87, and was approved March 11, 1902. In January, 1903, Governor Samuel R. Van Sant appointed as the board of three managers authorized by the law Mr. Conde Hamlin, of St. Paul, Mr. Theo. L. Hays, of Minneapolis, and Mr. J.M. Underwood, of Lake City.
At the time of the appropriation it was expected that the exposition would be held in 1903. It, however, grew in magnitude and scope far beyond the original designs of its projectors. The board organized by the election of Mr. Hamlin as president, Mr. Underwood as vice-president, and Mr. Hays as secretary. Charles S. Mitchell, of Alexandria, was elected superintendent and executive officer, to have immediate charge of exhibits and to carry out the plans of the board.
A site for Minnesota's building was selected, and space was reserved in the great exhibit palaces of Mines and Metallurgy, Education, Agriculture, Horticulture, and Forestry, Game, and Fish.
Subsequently, on April 1, 1903, a further appropriation of $100,000 was voted by the Minnesota legislature.
The style of the Minnesota State Building resembled the Byzantine. It was designed for a southern climate. The entire lower floor could be thrown open by means of large glass doors opening upon corridors and a wide promenade, which was protected by awnings. A low wall surmounted this promenade, broken at intervals by abutments, on which were placed large vases of flowering plants. This added color, and with the beds of cannas, which extended along the base of this wall, and large beds of brilliant scarlet geraniums on the lawn, made a handsome setting for the building. These plants were Minnesota grown. The cannas grew to huge proportions, and at the height of the season there were few landscapes on the Plateau of States more effective than that of Minnesota.
The building was ample for its uses. There was a reception room 30 by 50 feet in size, with reading tables, the files of the State papers, a post-office, check room, and superintendent's office. A men's room and a women's room, each 20 by 20 feet, opened from the reception room. Two pianos were free for the use of guests, and were a much-appreciated feature. Every possible convenience was afforded to visitors. That the general public, as well as visitors from Minnesota, appreciated the building was shown by the hundreds who visited it daily and the many who came day after day to write letters, read the papers, or merely to rest and enjoy its coolness. The location gave it added prominence, as it was near the southeast entrance, one of the most convenient for visitors, close to the Inside Inn, and with the Massachusetts, New York, Iowa, and Kansas buildings as neighbors.
The financial statement shows that the construction of the building, with furnishing, landscaping, maintenance, care, and salaries of employees, cost a total of less than $29,000.
In the agricultural display, while wheat was not neglected, especial stress was laid on Minnesota's grasses, both tame and wild, and its general forage crops. It was conceded by experts that no State made a better display in that line of products. Corn was also made prominent. Two elaborate butter models were shown, one in this department and one in the exposition refrigerator.
The State was fortunate in the location secured. It was on one of the large central aisles and adjoining the great glass butter refrigerator, where were shown all the competing fancy butter exhibits from the various States. On the same aisle or near by were the most splendid exhibits in this building, those of States that expended from $30,000 to $100,000 in that department alone, the latter figure being the expenditure of Missouri. That Minnesota was able with $10,000 to make a showing that found credit and favor in comparison with these other much more elaborate and costly displays was surely commendable.
The central feature of the booth was a splendid piece of statuary in butter. On a platform was placed an eight-faced glass refrigerator; it was 8 by 10 feet on the floor and 15 feet high. The statue in butter filled this. The square pedestal had at the four corners figures representing Agriculture, Education, Mining, and Dairying. On the front face was the seal of Minnesota, and on the two side faces medallions of Alexander Ramsey and Samuel R. Van Sant. The crowning figure was that of a mother giving to her little boy, who stood at her side, a piece of bread and butter. Nearly a ton of the best creamery butter made in Minnesota was used in this model.
The butter refrigerator in the Agricultural Building was of triple-plate glass, and was 90 feet long. Minnesota's space was 8 by 16 feet. The subject chosen for its model was historical--a representation of Father Hennepin discovering St. Anthonys Falls. The father, in his priestly garb, was shown in the act of stepping from an Indian canoe to the shore. An Indian was holding the canoe to the bank by grasping a small bush, while the boat was steadied by a French voyageur with his paddle. The three types--the aborigine, the priest, and the French voyageur--were accurately reproduced in costume, expression, and features, and were practically life-size. The swift-flowing river, with a suggestion of the falls, completed the picture, in which nearly 1,500 pounds of butter were used.
In a space just east of the butter refrigerator was the exposition refrigerator for displays of cheese. In this the board took a space 8 by 8 feet.
The horticulture exhibit was placed in the hands of experts from the State Horticultural Society. Here were shown large and small fruits, preserved in many handsome jars. Apples which had been preserved in cold storage from the crop of 1903 kept that feature of the exhibit replenished, while the smaller fruits were shown as they matured, being shipped from the growers in the State almost daily.
In September, when the new apples became available, a second and larger space was secured. Here was made a display which was one of the greatest attractions in the building. It represented a Dutch windmill and tower, done entirely in apples.
During the final months of the exposition, when the live stock displays were made, the board arranged with the State live stock association for an exhibit of cattle, horses, and swine. The board appropriated $4,000 to this department and paid it into the hands of representatives of the association to be distributed to the exhibitors from the State in proportion to the prizes awarded to them by the exposition. This plan was very successful and resulted in a creditable exhibit of the State's prize live stock. At this time also a very successful display of poultry was made, and a great many prizes were won.
In the Department of Education it was determined that Minnesota, should retain its rank among the States and, if possible, should win new glory. It was therefore made a leading department. The exhibit was especially strong in rural school and primary and elementary education, and much more attention than ever before was given to the secondary schools of the State at large. The State department of education was consulted, and the State Teachers' Association, the request of the board, named a committee to advise with the board.
This was the first exposition to devote a separate building and one of the main group of exhibit palaces to education. The plan greatly dignified the department. Minnesota was most fortunate in the location assigned its display, as this exhibit had the first space at the principal entrance and was the first seen on entering the building from the main exposition thoroughfare. The space was 30 by 60 feet. The booth, the cabinet, the furnishings, and the frames were of Mission brown oak. The walls were covered by a deep-blue burlap. The mountings of the wall and cabinet exhibits toned with these colors, as did the hangings. The design, as a whole, was exceedingly simple, but in the style, in harmony of tone, and general artistic merit it was given first rank among all the exhibits in the building. Its prominent position demanded this excellence, for it commanded the most critical dicta of the visitors.
In the arrangement of material, repetition and duplication were avoided. All the written work and much of the drawing, designing, and drafting was mounted in cabinets or bound in books. The arrangement showed the State system as a unit, and every article in the booth was the work of the schools, including the furniture, pottery, bric-a-brac, and hangings. It was especially strong in manual training. In dividing the space the manual-training exhibits were united as far as possible. The first alcove of cabinet exhibits was devoted to the rural schools, the second to the semigraded schools. The third and fourth sets of cabinets contained the work of the secondary high schools and the grades in their respective towns. The fifth set was given to the normal schools, while the last two alcoves were devoted to the schools of St. Paul and Minneapolis, the wall space being also apportioned to them. One cabinet was filled with photographs of the university, the curricula, statistics, etc. On the rear wall was a frieze of excellent photographs of the university buildings, and around the outside of the entire booth was a painted frieze, 5 feet deep, giving a panoramic view of the campus and buildings, both of the academic and of the agricultural department.
A cabinet was also devoted to statistics, which included the State system of aid to rural, semigraded, graded, and high schools. This cabinet also gave figures showing the State permanent school funds, the special tax, and school apportionment based on attendance; school attendance, value of school property, system of examination of teachers, and State examination for pupils, etc. There were also very complete sets of State examination papers.
In the State Building the large reception room and the women's and men's rooms were furnished by the pupils of the manual training classes of the Minneapolis high schools, and of the Mechanic Arts High School of St. Paul.
While the exhibits of mining and building materials were kept separate financially, they were practically combined in one exhibit in the Palace of Mines and Metallurgy. No scientific display was attempted, and the plan of installation was severely simple.
Minnesota has but one mineral in such abundance as to be a great financial asset, but in that one--iron--it produces over half the output of the Lake Superior region, which alone of the United States iron fields produces any considerable quantity of ore of a quality required for manufacturing Bessemer steel. The analysis of the ores and names of the mines were given on the samples, which were shown in nearly 100 large glass jars. A chart of the Mesaba range; a large map of the State, showing the location of the mineral lands; two groups of photographic views of working mines and mining methods, in frames 3 by 10 feet in size, with statistical charts. These constituted the wall display. On the floor was a model, 11 feet square, of the Fayal, the greatest producing mine in the world. This showed all the mining processes and every detail of shaft house, ore dumps, cars, tracks, steam shovels, telegraph lines, etc., in and about the mines.
The stone exhibit was also a practical one. It showed the more marketable varieties as they appear in actual use. There were five large wall pieces of granite, one of Winona stone, one of pipestone, and one of Frontenac stone. Inclosing two sides of the floor space, which was 36 by 54 feet, was a low wall of stone, with two entrances. The shorter wall was of polished granite from the St. Cloud quarries, showing all the more distinct varieties--gray, mottled, black, red, and brown. The wall on the longer side, beginning with a corner post and extending to the entrances, was of polished red granite, with a panel of Minnesota marble. On either side of the side entrance, were high posts of Kettle River sandstone, handsomely carved, and the rest of the wall was of this stone combined in part with the Twin City brick.
An elaborate game and fish display was determined upon in the Game and Fisheries Building. Every inducement was held out by the company, and an especial effort was made for this exhibit. It pledged, among other things, that pure refrigerated water would be furnished for the fish. The board consulted in this department the State game and fish chief, Mr. Samuel Fullerton, who extended all the assistance possible. Eighty-four feet of aquaria were put in, and it is indisputable that they were the best built, most practical, and best arranged in the building. At the close of the fair the Pacific Coast Association offered $1,000 in cash for them where they were, or nearly one-third of their cost. They were planned to show not only the State's trout and small fish, but the large game fish that are found there. As it was, splendid specimens were shipped to St. Louis in the fish car of the Pennsylvania commission, loaned without charge for that purpose. The fish arrived on Minnesota Day under the personal care of Mr. Fullerton and one of his wardens and of three Pennsylvanians, expert in such work. The fish were in splendid condition, and they included wall-eyed pike, pickerel, muskellunge, bass of all varieties, and great northern pike that experts said were larger than had ever before been sent anywhere for exhibition purposes. There were also rare specimens of trout, including the white trout that are a Minnesota specialty. The fish, except the trout, were successfully transferred to the State's tank that evening. By morning only three were alive, and these died during the day. The trout were not tanked at all, but were turned over to the United States authorities, who were glad to get them because of their rarity. The responsibility for this failure rests with the Exposition Company. The water supplied was not from wells, but was the muddy Missouri River water clarified by the alum process, which is fatal to fish. It was also entirely too warm, no attempt to keep the promise of refrigeration having been made. After this disaster the board refused to bring more fish until the company should fulfill its pledge, which it never did. Minnesota's experience was shared by Pennsylvania and Missouri, the only other States prepared to make large live fish displays.
The failure of the St. Louis Fair officials to provide proper water caused a difference in the board finances of nearly $2,000. The board had secured subscriptions from six different towns in the fishing regions of the State toward the payment for the aquaria, the idea being to stock the aquaria with fish from the lakes near the towns that subscribed, and to give them proper individual credit. When the possibility of keeping the fish alive was realized the board promptly released them from their obligations, but it was too late to save the appropriation made through reliance upon the plans and promises of the exposition.
The game exhibit had a large space adjoining that occupied by the aquarium. It was at the principal entrance to the building. The larger part of the space was covered by a realistic scene from the northern woods--the State game region. A pine forest was shown with a rocky embankment at the side, while opposite was a birch opening. Breaking through this opening and represented as scenting danger were three moose--two bucks and a cow--that were the finest specimens of the great game animals in the building. Elsewhere in the scene was a family of three red deer; also very handsome caribou, black bears, wolves, foxes, porcupines, grouse, prairie chicken, owls, etc. The background of the scene was a distant lake view, and with effective lighting it was conceded to be among the most novel exhibits in the building. No other scenic reproduction was more complete. Adjoining this scene was a smaller space filled with moose and deer heads and mounted fish. The walls were draped with fish nets, and a large map of the State showed the railroads, summer resorts, and lakes.
MISSISSIPPI.
In compliance with the very general demand of the press and people, the legislature of Mississippi, in 1902, appropriated $50,000 for the purpose of securing and installing the products, resources, industries, and enterprises of the State at the Louisiana Purchase Exposition. This was the first appropriation ever made by Mississippi for a World's Fair. The bill providing for the State exhibits created a State exposition bureau of five members, specifying that the governor should be ex officio president and name his four associates, the following being the personnel of the bureau: J.K. Vardaman, ex officio chairman; Dr. O.B. Quinn, chairman; Frank Burkitt, secretary; L.H. Enochs; V.P. Still.
At the first meeting of the bureau Col. R.H. Henry, of Jackson, was elected executive commissioner, and was charged with the duty of canvassing the State, with a view of procuring the exhibits. He visited all parts of Mississippi, delivered exposition addresses in the different counties, and urged upon the people the importance of making the best exhibit possible at the exposition. He devoted two years to the work.
The legislature of 1904 made an additional appropriation of $10,000 under the administration of Governor James K. Vardaman, who succeeded Governor Longino as president of the exposition bureau. Several counties also made appropriations, as did some of the factories and mills of the State, the total appropriation aggregating about $62,000.
The Mississippi State Building was a reproduction of the last home of Jefferson Davis, known as "Beauvoir." This home is located near Biloxi, Miss., is of old-style southern architecture, massive in construction and imposing in appearance, and from its broad porches may be seen the "whitecaps" of the Gulf of Mexico. The house was built by James Brown, a rich cotton planter of Madison County, and by him used as a summer home until the close of the civil war, when it was sold to Mrs. Sarah A. Dorsey, from whom Mr. Davis secured it. It contained a large historic collection pertaining to the Davis family, much of the family furniture, the bed upon which Mr. Davis died, and the suit of clothes he wore when captured by General Wilson, in Georgia, at the close of hostilities between the North and the South; the object of the exhibit being to disprove the report that Mr. Davis wore a woman's dress when arrested. A statement of Capt. J.H. Parker, of General Wilson's staff was attached, contradicting the falsehood. The building cost $15,000 without furnishings or pictures. It was built entirely of Mississippi lumber, the contractor being J.F. Barnes, of Greenville, Miss.
In the horticultural exhibit the State showed all varieties of sweet and citrus fruits, pecans and edible nuts, together with a pecan horse.
In the Palace of Agriculture two exhibits were shown, the special cotton exhibit, including the 35-foot statue of "King Cotton," and the collective agricultural exhibit--cotton, corn, cereals, grains, hay, grasses, potatoes, peas, beans, sirups, honey, wines, cordials, preserves, pickles, jellies, canned goods, vegetables, oysters, shrimps, crabs, fish, etc.
All the merchantable timbers of the State were displayed in the forestry exhibit, which contained over 500 samples, highly polished and superbly finished, one of the largest and best collections shown.
In the Department of Fish and Game were exhibited all varieties of native fresh and salt water fish, birds, and wild animals.
In the Educational Building Mississippi showed the best work from the colleges and high schools of the State. The Agricultural and Mechanical College had a fine display in the general Agricultural and Mechanical College section.
Other displays were the following: A varied and attractive collection of building stone, cement material, clays, phosphates, mineral waters in the Mineral Building; buggies and wagons made in the State in Transportation Hall; engines, sawmills, and other heavy machinery in the Machinery Building; a rare old double plate-glass electrical machine was exhibited in the Electrical Building, the contribution of the State university.
Mississippi was awarded over 30 prizes for her various exhibits, including 2 grand prizes on cotton and timbers; 6 gold medals and 3 silver medals on agriculture; a gold, silver, and bronze medal on fish and game; 2 gold, 4 silver, and 5 bronze medals on education; 2 silver and 3 bronze medals on minerals; a silver medal on wagons; a bronze medal on machinery; a gold medal on fruits, and a gold medal on pecans.
Less than $47,000 of the $60,000 appropriated by the legislature was spent on the State building and on the collection and installation of the exhibits, and from $10,000 to $15,000 of the appropriation was turned back into the State treasury. The expenditure proved of incalculable benefit to Mississippi, and good results are already being felt.
The executive commissioner, Col. R.H. Henry, is a native Mississippian. He was born in Scott County, May 15, 1851, and received education in the schools and academies of Mississippi. He engaged in journalism in early life, has been an editor and publisher over thirty years, and is regarded as the most successful journalist of his State. As the executive commissioner and the State's only representative at the exposition Mr. Henry designed and personally supervised the installation of the different Mississippi exhibits, ten in number, and the award of over 30 medals, including 2 grand prizes, abundantly attests and amply proves the merit and value of the Mississippi products.
MISSOURI.
The largest appropriation for exposition purposes by any State was by Missouri, namely, $1,000,000. In every exposition building where a State could have an exhibit Missouri's exhibit was found. In every building where only exhibits by individuals, business firms, or corporations were permitted, Missourians made display of the products of their industry and skill. The Missouri State Building was among the finest upon the grounds. The displays of the State in the Agriculture, Horticulture, Education, Mining, Forestry, Live Stock, Poultry, Dairying, Fish and Game, and Woman's Work were noted for artistic beauty and comprehensiveness.
The exhibit made by Missouri at the World's Fair was the result of the labors of the board of commissioners to the Louisiana Purchase Exposition, appointed by Governor A.M. Dockery, under the direction of which the $1,000,000 voted by the people of Missouri for an exhibit of the State's resources were expended. At the general election in November, 1900, the people adopted a constitutional amendment permitting the legislature of this State to appropriate $1,000,000 for World's Fair expenses. A bill appropriating the amount and providing for a commission to direct its expenditure was passed by the next general assembly and was signed by the governor April 17, 1901. The same bill was reenacted in 1903 and was signed by the governor March 24, 1903. On the 28th of May, 1901, Governor Dockery appointed as the board of commissioners: M.T. Davis, of Springfield; F.J. Moss, of St. Joseph; B.H. Bonfey, of Unionville; W.H. Marshall, of Morehouse; L.F. Parker, of St. Louis; D.P. Stroup, of Norborne; N.H. Gentry, of Sedalia; J.O. Allison, of New London, and H.C. McDougall, of Kansas City. Mr. McDougall resigned and J.H. Hawthorne, of Kansas City, was appointed his successor. When the law was reenacted in 1903 the board was reappointed. The board elected M.T. Davis president, F.J. Moss vice-president, B.H. Bonfey secretary, and W.H. Marshall treasurer. Later the ill health of Mr. Marshall caused his temporary absence from the State, and J.H. Hawthorne succeeded him as treasurer.
The Missouri State building was erected at a cost, including furnishings, of $250,000. The keynotes of the Missouri building were public comfort, culture, and social enjoyment. A golden dome surmounted by an emblematic statue of "The Spirit of Missouri" crowned the building. Over the main entrance was this inscription: "Embracing within her confines all the elements of an empire devoted to all the arts and sciences that advance civilization, Missouri, the central State of the Louisiana Purchase Exposition, greets her sister States and welcomes the world." Around the building were the names of great Missourians: Thomas Hart Benton, Francis P. Blair, B. Gratz Brown, David R. Atchison, David Barton, Meriwether Lewis, Edward Bates, Lewis F. Linn, Lewis V. Bogy, Aylett H. Buckner, John S. Phelps, James S. Green. The building contained rooms adapted for various purposes, two large halls in either wing, a commodious auditorium or State hall, in which conventions were held, a handsome rotunda with brilliant electric fountain, the suite of Governor Dockery, men's parlors, women's parlors, press room, and executive offices. On the second floor were rooms fittingly furnished. The building was warmed by steam in cold weather and refrigerated by cold air in warm weather. The approaches and elevations of the building were adorned with statuary, heroic figures of Thomas Jefferson and Napoleon Bonaparte being placed at the main entrance. In the west hall were placed a collection of paintings by Missouri artists and the fine bell presented by the citizens of the State to the battle ship Missouri. The mural decorations in the rotunda consisted of four pendentives illustrating the prehistoric savage, developing and productive eras in the State's history. The decorations in the dome embodied a historical allegory, tracing the epochs in the development of the Middle West.
In the Palace of Horticulture the space allotted to Missouri was 6,600 square feet--larger than that awarded to any other State, and filled with Missouri fruits. More than 430 varieties of fruits grown in the State were shown from 84 counties.
In the Palace of Agriculture Missouri agricultural resources occupied prominent position at the main entrance of the building and on the main aisle. In the artistic facade, made, as all the decorative features of the display, entirely of grain and grasses, was shown a series of thirty pictures illustrating the marked contrast between the old and new methods in agriculture. Corn was exhibited in many forms. A corn temple, constructed of the great cereal, was in the main aisle, Missouri being chosen by the exposition to represent the great corn States.
In the Palace of Mines and Metallurgy a display was made of the mining resources of the State. Missouri's space was at the main entrance. The exhibit consisted of typical products of Missouri mines and quarries--coal, lead, zinc, iron, copper, tripoli, building and ornamental stone, clay, sands--and mineral waters, crystals of all types, mining machinery at work, laboratory specimens and equipment from the School of Mines, and photographs of 1,200 mining views in a brief comprehensive showing of all the mineral wealth of the State. Every district was represented by adequate specimens. An outside mining exhibit was made by Missouri in the Mining Gulch, where mining machinery was shown at work and a Missouri mine. Special features were a zinc and lead concentrating plant, model of shot tower, illustration of process of making Babbitt metal and solder. A Scotch hearth furnace for smelting lead ore was also in operation.
Missouri was represented in several places in the Palace of Education and Social Economy. Here was made the general exhibit of Missouri schools. The main school exhibit consisted of showings of grades of the work done in the twelve regular grades of the public schools and in the kindergarten, of the work of the colleges and normal schools, of the schools for negroes, and of special schools. Aside from the high school and grade exhibit, private institutions had separate displays. The public school exhibit was intended to show the work of the entire system of the State public schools, each grade being represented by photographs of typical children and school scenes by representative work of the pupils. Over 300 photographs were shown. Mutoscopes presented in moving pictures scenes upon the school grounds. By means of cabinets, tables, and winged frames the exhibits were presented in compact form. Every kind of school--city, town, village, and rural--was represented in the exhibit, and the work of more than 200,000 children was on exhibition.
The State University exhibit showed what that institution had been and what it is doing. Bird's-eye views of the university at different periods of its existence and a fine model of its present buildings and grounds were shown. The various departments made exhibits of their work.
In social economy were shown the work of the Industrial Training School at Boonville, the School for the Deaf and Dumb at Fulton, the School for the Blind at St. Louis, together with photographs of the Colony for the Feeble-Minded at Marshall, the St. Louis Hospital, the Hospital for the Insane at St. Joseph, the work of the Missouri board of charities and correction, and other eleemosynary institutions. The work of the Industrial Manual School was shown by an exhibit of the products of the school--wagons, clothing, shoes, bricks, and other results of the industry of the boys. In addition to an exhibit along similar lines of the School for the Blind and the School for the Deaf and Dumb, showing the pupils' proficiency in industrial training, classes from these schools were at different times shown actually at work in class rooms in the building.
In live stock Missouri offered premiums supplementary to those offered by the Louisiana Purchase Exposition Company. The list of animals for which prizes were offered included cattle, horses, asses, mules, hogs, sheep, goats, and all domestic animals. The aggregate appropriation for live stock was $93,000.
In poultry, prizes for Missouri poultry of all kinds were offered on the same lines as for other live stock, the total of $7,000 being set aside for the purpose.
The fish and game exhibit, located just outside of the Forestry, Fish, and Game Building, was the only exhibit of live game at the exposition. It was arranged in cages around a lake, the waters of which were stocked with fish. A commodious hunter's lodge, furnished in rustic style with the paraphernalia of the sportsman, was conspicuous upon the lake shore. The exhibit showed live deer, wild cat, mountain lion or panther, coyote, gray wolf, red fox, gray fox, opossum, raccoon, beaver, rabbit, fox and gray squirrel, mink, wild turkey, wild geese, wild duck, quail, black wolf, bald eagle, horned owl, and four varieties of pheasants, all the varieties of game to be found in Missouri forests. As showing the chief varieties of fish, were exhibited rainbow trout, lake trout, brook trout, large-mouthed black bass, crappie, channel cat, buffalo, sunfish, perch, eel, and carp.
In the Agriculture Building was shown a model of the St. Joseph stock yards, setting out all the buildings and grounds of that section of St. Joseph. A working model of one of the great packing establishments was exhibited, displaying the actual process of preparing cattle for the market.
The woman's-work exhibit had booths in the Varied Industry Building and the Manufactures Building. In the first were shown specimens of fancy embroideries, laces, and needlework by Missouri women. In the second were displayed china painting, pyrography, and paintings in oil, water color, and pastel, all by Missouri women.
The forestry exhibit, located in the Forestry, Fish, and Game Building, showed the woods of the State available for commercial use rather than a mere botanical display. More than 60 varieties of Missouri woods were shown. The forestry exhibit was shown in two booths--one devoted to gum, the other to Missouri woods. The gum booth showed furniture of black, red, and tupelo gum wood. In the booths were shown hand-carved mantels, tables, and chairs.
The dairy interest of the State was represented in an exhibit in the Palace of Agriculture. In this exhibit samples of the butter and cheese products in Missouri were shown tastefully arranged.
The Kansas City Casino showed a municipal exhibit attractively arranged in a commodious building erected for that purpose. The casino consisted of two wings, each 24 by 58 feet, and connected by an open court 62 by 67 feet, and located on the model street of the exposition. In the casino were a relief map showing Kansas City in detail, a map of the United States showing Kansas City's location with reference to the great productive region, railroad map, assembly room, rest rooms, and library.
MONTANA.
On May 20, 1903, the governor of Montana, Joseph Toole, appointed the following-named commissioners from the State of Montana at the Louisiana Purchase Exposition: Lee Mantle, Butte; Martin Maginnis, Helena; Paul McCormick, Billings; C.W. Hoffman, Bozeman; B.F. White, Dillon; William Scallon, Butte; F.A. Heinze, Butte; D. McDonald, Butte; Conrad Kohrs, Helena; J.H. Rice, Fort Benton; W.G. Conrad, Great Falls; T.L. Greenough, Missoula; C.J. McNamara, Helena; D.R. Peeler, Kalispel; H.L. Frank, Butte, and William C. Buskett, special representative.
The commission met and appointed the following officers:
Lee Mantle, president; Martin Maginnis, vice-president; Paul McCormick, secretary; C.W. Hoffman, treasurer.
The legislature of the State appropriated the sum of $50,000 on May, 1903, and at the same time made appropriations of $7,300 and $14,290.99, which could be utilized by the commissioners for the purpose of Montana's participation in the exhibition at the World's Fair. Besides the amount appropriated by the State, the sum of $20,000 was contributed from private sources.
The State building was erected at a cost of $20,000, and was maintained throughout the period of the exposition at a cost of $6,000, $1,000 additional being spent for entertainments.
The Montana State Building was of fancy Doric design, and was universally admired by the exposition visitors. One of the prominent features in the interior of the building was the famous painting by Paxton of the Custer Massacre. An onyx mantle from Montana was also greatly admired. The State shield, in gold, copper, silver, and Montana sapphires, was one of the most interesting features of the interior decorations.
The commission appointed as hostess to look after the personal welfare of the visitors from the State of Montana Mrs. Addie McDowell, who was ably assisted by an auxiliary committee consisting of Mary A. Cruse, Mrs. W.W. Cheely, and Mrs. T.R. Carson. State officials and some of the most prominent residents of the State were entertained at various times in the building.
Montana was represented in the following departments: Mines and Metallurgy, Palace of Agriculture, Horticulture Pavilion, Forestry, Fish, and Game Building, and the Educational Palace.
In the Mines Building the grand prize was awarded to Montana. In the Agricultural Building the State received 209 medals, and the exhibits in all the other exhibit palaces were remarkably good.
NEBRASKA.
On April 8, 1903, the Nebraska State legislature voted for the appointment of a State board of commissioners by the governor and for the appropriation of $35,000.
The following-named commissioners were subsequently appointed by the governor:
Gurdon W. Wattles, president; Peter Jansen, vice-president; Matt Miller, treasurer; H.C. Shedd, secretary.
Although Nebraska had no State building on the grounds, it erected a very large and commodious pavilion on the main aisle of the Palace of Agriculture, where the State commissioners established their headquarters. In the pavilion were reception rooms, reading and writing tables, post-office, check room, lavatories, and all the articles and conveniences found in the more elaborate State buildings on the grounds. The pavilion covered nearly 8,000 square feet of space, and was handsomely decorated with grains, grasses, and corn arranged in most artistic form. In addition to the appropriation of $35,000 made by the legislature to cover the cost of the exhibit, private subscriptions, amounting in the aggregate to $25,000, contributed largely by exhibitors, increased the amount expended by Nebraska at the fair to $60,000.
The principal exhibit made by Nebraska was in the Agriculture Department. There sheaf grain, grasses, corn, vine products, and all agricultural products were shown, including all varieties of field, sweet, flint, and pop corn.
In connection with the agricultural exhibit in the pavilion, the commission maintained a small theater fitted up with opera chairs, stage, electric fans, and all accessories of the modern playhouse. In the theater a free stereopticon and moving-picture exhibition was given, illustrating the resources and industries of the State. Another attractive feature of the agricultural exhibit was the mounted steer "Challenger," which won the first prize of the world at the international stock show at Chicago, December, 1903.
In the horticultural exhibit a display of Nebraska's choicest fruits attracted much attention.
The educational exhibit showed the work of the Nebraska schools from the kindergarten through the colleges and universities. It also made a fine display of the work of women's clubs in literary and musical lines. Throughout the exhibit the fact that Nebraska ranked first in small percentage of illiteracy was constantly emphasized.
In the mineral exhibit samples of Nebraska's best building stones, bricks, cement, and similar products were displayed, and a complete collection of soils from different parts of the State was shown. Cases of fossils from the university museum, specimens from the geological department of the university, and typical photographs of Nebraska added attractiveness to the exhibit. There was also an exhibit showing Nebraska's dairy and creamery resources.
Opposite the Nebraska Pavilion the State made its main corn display. Nebraska had a larger exhibit of corn than any State making an exhibition of cereals. There were more than 57 varieties, running from the little "Tom Thumb" ears of popcorn to mammoth ears of field corn. One species of corn which attracted particular attention was the result of grafting experiments, whereby several varieties of corn of various colors and shades were made to grow on one cob. This variety was known as the "Evolution Species."
During the exposition live-stock shows the Nebraska commission transported free from Nebraska to St. Louis the prize-winning stock and poultry of the State fair at a cost of several thousand dollars. The choice and exhibition of this kind of stock and poultry were in charge of the Nebraska live-stock and poultry associations.
NEW HAMPSHIRE.
The New Hampshire Building was a reproduction of the birthplace of Daniel Webster. The building was quaint and striking in appearance, with high-pitched roof and an absence of eaves, small-paned, old-fashioned windows, and weatherboarded sides, and an enormous chimney rising from the center of the roof, exactly like the original at Franklin, N.H. In every room was a wealth of old-fashioned furniture from New Hampshire homes, much of it a hundred years old or more, as well as Webster relics, davenports, massive polished-top mahogany tables and sideboards, warming pans, antique sideboards, china closets, straight-backed armchairs, grandfather clocks, china and pewter ware. The greater part of the antique furnishings were from the very valuable collection of Gen. William E. Spalding, of Nashua. The State Building was provided with a lecture hall for stereopticon lectures, having a screen 16 feet square.
The State commission was composed of Gen. Charles S. Collins, president; Arthur C. Jackson, vice-president and executive commissioner; Omar A. Towne, secretary; Augustine R. Ayers, treasurer; J. Adam Graf; Orton B. Brown; Mrs. Arthur C. Jackson, hostess. Mr. Brown contributed a carload of lumber, and General Collins and Mr. Jackson individually bore all the expense of construction and maintenance.
The most elaborate of New Hampshire's exhibits was that of the largest cotton mills in the world, in the Manufactures Building, although the State was represented by individual exhibitors in the various exhibition palaces.
NEW JERSEY.
Members of New Jersey commission.--Foster M. Vorhees, chief commissioner; Elbert Rappleye, Edgar B. Ward, C.E. Breckenridge, Edward R. Weiss, J.T. MacMurray, Ira W. Wood, W.H. Wiley, Johnston Cornish, Harry Humphreys, R.W. Herbert; Lewis T. Bryant, secretary.
The object of the New Jersey commission for the Louisiana Purchase Exposition was to provide visitors from the State with suitable and homelike headquarters and to advertise the extensive resources of the Commonwealth. The growth of the manufacturing interests of the State has been so remarkable that from a purely agricultural center it has, within a comparatively few years, obtained an indisputable position in the forefront of the manufacturing States of the Union. The number and character of individual exhibits compared favorably with other States represented. They represented a variety of industries, and were among the finest exhibits at the exposition.
The State Pavilion was a practical reproduction of the old Ford Tavern at Morristown, N.J., which was used as Washington's headquarters during the winter of 1779-80. Alexander Hamilton made his home there that winter, and there met the daughter of General Schuyler, whom he afterwards married. Among other famous men who have been beneath its roof were Green, Knox, Lafayette, Steuben, Kosciusko, Schuyler, "Light Horse" Harry Lee, Old Israel Putman, "Mad Anthony" Wayne, and Benedict Arnold.
The location of the New Jersey Building was in the center of a grove of trees, with an extensive lawn, and had every convenience for the comfort of visitors. The furnishings were selected to harmonize in color as well as with a view to comfort.
Owing to the expense required to make shipments of fresh articles such a great distance, the commission found it would be impossible to make such agricultural and horticultural displays as would do justice to the State with the amount of the appropriation placed at their disposal.
The educational exhibit differed in some features from that of any other State. For the display of books and various lines of work not readily shown upon the walls or in the cabinets, drawers instead of shelves were placed under the cabinets. This enabled the work to be put in convenient form for inspection, and had the additional merit of keeping it clean. Another feature entirely new and used for the first time at this exposition was the index key. The exhibit was divided into sections lettered from A to M, inclusive, and these were subdivided into units numbered from 1 to 68, inclusive. Each unit consisted of a leaf cabinet with six drawers directly underneath. The units from 15 to 21, inclusive, served as an index to the entire New Jersey educational exhibit. Unit No. 15 directed to first year's work. Unit No. 16 directed to second and fourth year's work. Unit No. 17 directed to third and fourth year's work, and so on.
To find work from a particular school, the card containing work from the county or city in which said school is located was first taken. That card directed to the section in which all work of the school, except that placed upon the walls, could be found. Different lines of school work were bound in different colored volumes, as shown by index cards. Another unique feature of the exhibit was the manual-training work of each school shown in connection with its academic work.
A combined exhibit of music and art was exceptionally fine and attracted much attention. The work of a very large percentage of schools, both rural and urban, was represented, and the Garden State ably maintained the reputation won at former expositions.
In the section of social economy of the Educational Building the State was represented by comprehensive exhibits from the following: The State board of health, Trenton, N.J.; bureau of statistics of labor and industries, Trenton, N.J.; New Jersey School for Deaf Mutes; New Jersey State Institution for Feeble-Minded Women, Vineland, N.J.; New Jersey Training School for Feeble-Minded Boys and Girls, Vineland, N.J.; New Jersey Children's Home Society, Trenton, N.J.; Woodbine Settlement, Woodbine, N.J.; State Custodial Asylum for Feeble-Minded Women, Newark, N.J., and the School for Nervous and Backward Children.
The exhibit of the geological survey in the Mines and Metallurgy Building was in many respects unique among the various exhibits in the Mines Building. Geological surveys have been carried out under State auspices for more than half a century, and, as a result, New Jersey was in a position to illustrate to younger and less thoroughly studied States how science and industry go hand in hand.
New Jersey is the best-mapped portion in America. Therefore a salient feature of the exhibit was a large relief map of the State, models of typical sections of the State, and files of the position and elevation of every portion of the State. The building stones of the State formed a pyramid in the center of the exhibit, and alongside of it was a microscope, with 70 sections of New Jersey rocks, showing how they are studied to estimate their value for construction purposes.
The New Jersey geological survey had two superb terra-cotta columns made of New Jersey clay on enameled brick piers. Adjoining the entrance was the New Jersey clay exhibit proper. In it were shown samples of all the prominent clays, burned bricklets, which illustrated the way clay acts when burned at various cones (temperatures), the air and fire shrinkage, and various other properties and analyses of clays, all facts of importance to the clay worker, as well as large photographs of the chief clay banks and various steps in utilizing clay.
A collection of New Jersey bricks was tested to determine the breaking and crushing strength. The results of these tests were shown, together with samples of the bricks classified according to the method of manufacture and geological occurrences of the clay. A model of a New Jersey clay refinery was shown, illustrating the manner in which high-grade clays are prepared for potteries.
The natural advantages found on the coast and mountains of New Jersey have produced many fine and well-known resorts. In order to illustrate some of the attractions there found, the exhibit in the Forestry, Fish, and Game Building was prepared. It showed beautiful mounted specimens of practically all the birds that frequent the State. In addition to the mounted fresh and salt-water fishes there was displayed, in the largest pool that has ever been constructed at an exposition, a number of the live salt-water fish found along the coast. The oyster industry was represented by an exhibit from the State bureau of shell fisheries. A glass tank filled with salt water showed an oyster bed containing the following variety of oysters, all of which are products of New Jersey: Shrewsburys, Raritan, Barnegat, Maurice River coves, Absecon salts, and the Cape May salts. The tank also contained a profusion of marine vegetation, and a number of the varieties of clams and fish common to the waters of the State. An interesting demonstration was made of each stage of the progression from the spat to the prime oyster.
Another very instructive and important feature was the mosquito exhibit, which was intended to illustrate the work which has been done by authority of the State of New Jersey in studying the life, history, and methods of dealing with the mosquito pest. The work was in charge of Prof. John B. Smith, the State entomologist, and the exhibit was prepared under his direction. It consisted of a series of table cases in which were shown the common species of mosquitoes, with their larvae as well as their natural enemies. Enlarged drawings gave the character of each species so far as they were not obvious on ordinary examination.
At one end of the square was represented a marsh area divided into two parts. One of these showed breeding pools, where the immense shore crop develops. The other showed fiddler crabs and other creatures that provide a natural drainage for the meadows inhabited by them. Areas where fiddler crabs live are never mosquito breeders, and as a matter of fact only a small percentage of the entire salt, marsh country is dangerous. Illustrations showed drainage ditches, the methods of making them, and also typical areas where the insects breed.
New Jersey had an exhibit also of road building in the Model City, showing the manner of constructing and maintaining the excellent highways of that State.
In the Palace of Liberal Arts interesting exhibits were displayed by various business enterprises of the State. This included a variety of printing presses, books, binding, and publications of different series, musical instruments, philosophical and scientific apparatus, coins and medals, as well as an exhibit of chemical and pharmaceutical arts, and model plans and designs for public work.
In the Palace of Manufactures and Varied Industries New Jersey exhibits attracted considerable attention. The display included hardware, carpets, tapestries, fabrics for upholstery, wearing apparel, silks, and clothing.
In the Palace of Electricity New Jersey displays ranked among the best, as was also the case in the Palace of Machinery.
In the Transportation Building and the Palace of Agriculture the displays, while not large, were very commendable.
NEW MEXICO.
The legislature of the Territory of New Mexico in March ,1903, appropriated the sum of $30,000 for the purpose of adequately representing the resources and products of the Territory at the Louisiana Purchase Exposition. Shortly after the passage of the act the governor of New Mexico appointed the following commission, which subsequently met and elected its officers:
Charles A. Spiess, president; Carl A. Dalies, vice-president; Arthur Seligman, treasurer; W.B. Walton, secretary; Herbert J. Hagerman, Eusebio Chacon, Fayette A. Jones, and H.W. Porterfield, managers; W.C. Porterfield, assistant manager.
The ten or eleven years that have elapsed since the Columbian Exposition at Chicago have brought great changes to New Mexico, and the marked advancement and progress made along all lines were emphasized in a comparison of her exhibits at the Louisiana Purchase Exposition with those at Chicago. The Territory had large and excellent exhibits, displayed in a most attractive and interesting manner and showing many of the splendid products of that country, as well as the educational facilities and other interesting features, and it was felt that the chance for statehood had much advanced by the excellent impression made at the fair.
Great irrigation enterprises within the last decade have reclaimed large areas of fine agricultural land, providing happy homes for people in that beautiful and delightful climate.
The superior products shown in New Mexico's agricultural and horticultural exhibits were a revelation to visitors, and demonstrated that the very best results and most perfect development in fruits and farm products are obtained by irrigation and sunny skies. The fruits, grains, vegetables, and other products of the soil shown had few equals. The exhibits were larger and better than have ever been made by the Territory at previous expositions.
New Mexico's exhibit in the Palace of Mines and Metallurgy ably presented the status of one of her most important industries, showing the production of a vastly greater number of producing mines than it was possible to show ten years ago, or when the Territory made an exhibit at Chicago, and it also included a far greater range of minerals, anthracite and bituminous coal, iron, zinc, lead, mineralogical forms, besides mica, gypsum, salt, sulphur, asbestos, marble, onyx, and building stone. A unique and most important product of the mines of New Mexico was the beautiful blue gem stone, the finest and most valuable turquoise found in any part of the world. The Territory had the only turquoise exhibits at the exhibition. One was in the mineral exhibit in the Palace of Mines and Metallurgy, and a larger and perhaps the most extensive exhibit of this stone ever shown was in the Varied Industries Building. An exhibit of a turquoise mine and its products was shown in the gulch, or outside mining exhibit, where a reproduction of the famous turquoise mines of Porterfield, near Silver City, N. Mex., showed the actual geological occurrence of the gem. This was accomplished by bringing to the fair several tons of the rock from the mine with turquoise embedded in it, just as it was when the chemical processes of nature were preparing the beautiful jewels to delight the eye of man.
New Mexico's greatest pride was her educational exhibit, which showed results of splendid schoolroom work and by photographs recorded the grand and stately school buildings, demonstrating that New Mexico was, in proportion to her population, in no way behind the older States in her public school system. At Chicago the school exhibit represented only a few institutions, and these in a limited way; while at St. Louis a very large number of splendid graded schools and country schools were represented by fine exhibits. Besides the work of the colleges of agriculture and mechanical arts, the Military Institute, a university, a school of mines, two normal schools, and a number of denominational schools of higher order were displayed.
The beautifully arranged ethnological exhibit in the Department of Anthropology consisted of a valuable collection, chief among which was the wonderful Harvey collection, brought from Albuquerque.
Among the numerous beautiful buildings which adorned the Plateau of States, many of which were reproductions of historic structures or homes of some of the nation's famous citizens, stood the pretty structure erected by New Mexico, a gem in point of architecture and interior decoration, and one of the ornamental features of the exposition.
NEW YORK.
New York commission.--Edward H. Harriman, president; William Berri, vice-president; Louis Stern, chairman of executive committee; Edward Lyman Bill, treasurer; Lewis Nixon, Frank S. McGraw, Mrs. Norman E. Mack, Frederick R. Green, John C. Woodbury, John K. Stewart, James H. Callahan, John Young; Charles A. Ball, secretary and chief executive officer; Mrs. Dore Lyon, assistant secretary.
New York State's participation in the Louisiana Purchase Exposition was calculated to exploit fully the wonderful resources of the State, as well as to set forth what the Empire State is accomplishing in the various lines of humanitarian work. The New York State commission started out with the idea of making exhibits only in lines where New York was preeminently the leader. On this account and for the reason that the appropriation was relatively limited, exhibits were planned to cover seven distinct departments. It was intended at the outset to make these exhibits strong in every detail, and the commission believes that the close of the exposition has demonstrated the excellent judgment exercised.
The most conspicuous feature of New York's participation in the exposition was her State Building. An excellent site was chosen for this structure, and a handsome building was erected in a conspicuous place on the plateau of the States on the exposition grounds. The building occupied the most commanding site on the State plateau of any of the State buildings. It also enjoyed the benefits of Forest Park, both in front and rear, which made it one of the coolest buildings on the grounds.
The building was simple, but dignified, in design; of Italian architecture in the colonial treatment. Martini's Quadriga flanked the dome, representing the progress or art and commerce, and Lenz's dancing group was placed around the columns at the entrances. A very large hall ran through to the dome, the lower part of which was treated in the Doric order, and the whole was scholarly, dignified, and beautiful in design. Another interesting feature in the hall was the organ case, which was designed particularly for this place. This hall was flanked on the northern side by a large assembly hall with a barrel ceiling running up to the second story, and the treatment of this room in old gold, Antwerp blues, and siennas was beautiful. The draperies were in green velvet, and the chairs were of leather, treated to represent the old Spanish illuminated leather. The floors were carefully made. There were rooms for banquets or functions of any kind. On the westerly side were the waiting rooms for men and women, writing rooms, and also retiring rooms and toilets.
The mural decorations of the large hall were done by Florian Peixotto, and represented De Soto discovering the Mississippi, one showing the French and Indian occupation of the land, and others showing New York in 1803 and New York in 1903. The pendentives, which supported the dome, had four emblematic pictures representing the four States most benefited by the purchase, the blue Mississippi in the background of each.
The second story was divided into apartments for the commissioners and the offices of the secretary, which were perfect in appointments. The suites were composed of parlor, bedroom, and baths.
A piano of great beauty, with inlays and paintings, was contributed by a leading New York manufacturer, a picture of Niagara Falls being particularly fine. A company of New York contributed the organ as an exhibit, and concerts were given each afternoon of the fair.
The grounds received careful consideration, and there were many beds of flowers and shrubbery, such as lily ponds, poppy beds, hydrangeas, and cannae.
The amount of money appropriated by the State of New York for participation at the Louisiana Purchase Exposition was $390,000. There were no private subscriptions of any sort, but many exhibits were loaned to the commission from the various departments of the State to be displayed. The cost of installing the various exhibits was $10,755. This did not include the cost of labor in placing the exhibit, as the work was done by men who were employed by the State in the various departments. The cost of transportation of exhibits was $12,342. The State building cost $88,275.23 to erect.
Upon the landscape gardening, which was one of the most admired features of the exposition, was expended the sum of $4,465.75. The organ case alone cost $3,500. Including that, the total amount expended for furnishing the State building was $23,423.96.
New York displayed her products in six of the exhibit palaces, namely: Agriculture, Horticulture, Education, Forest, Fish and Game, Fine Arts, and Mines and Metallurgy. In addition to this there was a very fine exhibit of live stock. New York State was the only successful exhibitor of a forest nursery.
It is impossible to give an approximate value of the exhibits. In the Fine Arts Department, New York had 1,112 out of a total of 3,524 exhibits. They were selected after very careful scrutiny by a jury appointed by the National Academy of Design, and consisted of oil paintings, mural paintings, water colors, miniatures, illustrations, etchings, engravings, lithographs, wood engravings, sculpture, architecture, and applied arts.
The commission made appropriations for the various exhibits as follows:
Agriculture and live stock .................... $25,000 Horticulture and floriculture ................. 20,000 Forestry, fish, and game ...................... 18,000 Fine arts ..................................... 10,000 Scientific exhibit ............................ 7,500 Education and social economy .................. 27,500
The education exhibit was composite in nature and was subdivided as follows: Administration, kindergarten, elementary grades, high schools, normal schools, training schools and classes, higher education, industrial and trade schools, special schools, business colleges, Indian schools, schools for defectives, summer schools, and extension schools.
There were exhibits from both the State department of public instruction and the University of the State of New York. In the public schools exhibit contributions were received from 24 cities and various villages. There was also a comprehensive exhibit from the rural schools of the State. In the normal school exhibit contributions were received from every normal school. The training schools and classes of the State were very generally represented. Exhibits were in place from Hobart College, Geneva; Manhattan College, New York City; Colgate University, Hamilton, and Syracuse University. In the schools for defectives there were exhibits from the New York State School for the Blind, Batavia; New York Institution for the Blind, New York City; Western New York Institution for Deaf Mutes, Rochester; New York Institution for the Improved Instruction of Deaf Mutes, New York City, and the New York Institution for the Deaf and Dumb, New York City. The exhibit from the Indian schools contained work from all of the seven reservations in the State, and was arranged by the State inspector of Indian schools.
Owing to the plan of installation adopted by the exposition authorities, the State exhibit in the Department of Social Economy was found in several different places. The State commission in lunacy made an interesting exhibit of the ancient and modern methods of caring for insane patients. There was also a model showing the tent system for treatment of tuberculosis. The State board of charities made a very complete exhibit of the several State institutions under its jurisdiction, first, by means of photography of exteriors and interiors, and, second, by specimens of work carried on in the industrial departments of the various institutions. They also made an elaborate photographic exhibit of the almshouses in the State and of the penitentiaries. The State labor bureau sent a series of 28 graphic charts bearing on labor conditions in the State and comparisons between New York and other States and countries. This was supplemented by a series of the reports of the bureau. The State department of health furnished an exhibit of the blanks generally used in the administration of the department of health and graphically showed the work under its jurisdiction. The State excise department furnished a series of graphic charts upon the receipt and disbursement of the excise moneys of the State.
The New York agricultural exhibit differed from the other exhibits in the Agricultural Building in that the object sought was educational rather than spectacular. In wheat there were over 500 varieties and about 1,000 samples; in corn, about 100 varieties and 300 samples; beans, 75 varieties; peas, 50 varieties; oats, 20 varieties; barley, 8 varieties; buckwheat, 50 samples, and other grains in proportion. There were also exhibits of tobacco, salt, canned fruits of every variety, canned meats and fish, hops, flour, maple sirup and sugar, including varieties of potatoes.
In the Cheese Department New York had over half of the exhibit. In the Butter Department a facsimile of the Liberty Bell in butter, exact size, with all the inscriptions.
New York had the largest exhibit in the Horticultural Palace and also had more than twice the number of varieties of any other State. New York was the only State showing pears and grapes.
In exhibiting the timber indigenous to the State in the Forestry, Fish, and Game Building, two specimens of each species were shown in paneled framework, showing both sides of the specimen.
In connection with the specimens of timber were exhibited a series of photographs of trees of New York, eight in number. Each tree was shown in leaf and also as it appears in winter. A life-size photograph of the bark of each tree was shown, and in most instances specimens of the leaves, flowers, and fruit. In this connection there were in small glass jars seeds of all the important forest trees of New York, also by-products of the forest, such as nuts, sugar, pulp, wood alcohol, and many other commodities.
A collection of all the insects injurious to the trees of New York was shown in an attractive manner in cases.
The outside exhibit of New York consisted of a nursery and plantation of forest trees. As a part of the inside exhibit were shown specimens of substantially all the food and game fishes of New York. No attempt was made to show abnormally large specimens; the purpose was to show the average fish, true to color and size. The collection included both fresh and salt water specimens of the fishes of New York. Some interesting specimens of oyster growth and of the enemies of the oyster were also shown.
A part of the inside exhibit was a typical hunter camp. It was constructed of spruce logs and roofed with spruce bark from the Adirondack forest by Adirondack guides.
An outside exhibit of forestry consisted of a nursery and plantation of forest trees, showing the method by which the forest, fish, and game commission of New York is foresting the denuded, nonagricultural lands of the State. The plot was 120 feet by 60 feet and contained 80,000 trees.
In the Mines Building were displayed ten geological maps of the State of New York, besides a relief map of the State, a hypsometric map, a road map, and publications on mineralogical works besides photographs. In metallic products there were iron ores, lead and zinc, and pyrites. In nonmetallic products there were displayed garnet, emery, millstones, infusorial earth, mineral paints, graphite, talc, mica, salt, gypsum, land plaster, and plaster of Paris. In building stones there were shown granite, diabase, morite, sandstone, bluestone, limestone, marble, slate, and marl.
A pavilion was erected in order to display the clay products of the State. The collection was of type products rather than a great mass of similar clays. New York State produces roofing tile, and several styles were wrought into the roof of the pavilion. The brick were of several styles and colors, from the classic roman dry-press brick to the rough rock-face clinker which forms the base course of the structure.
NORTH CAROLINA.
Members of North Carolina commission.--H.H. Brimley, commissioner-general; T.K. Bruner and J.A. Holmes, resident commissioners.
In March, 1903, the legislature of North Carolina appropriated $10,000 for the participation of the State at the Louisiana Purchase Exposition. Ten thousand dollars was also raised by subscriptions among citizens and manufacturers of North Carolina, making a total of $20,000. The cost of transportation, installation, and maintenance, and general expenses of the State exhibit practically used up the total amount.
North Carolina had no State building.
The State had exhibits in the Departments of Mines and Metallurgy, Agriculture, Horticulture, Forestry, Fish and Game. The total cost of the State's participation in the exposition was about as follows:
Value of loan exhibits in the different departments ....... $9,000 Cost of new specimens and cases ........................... 8,000 Value of specimens and cases already on hand and withdrawn from the State museum ................................... 30,000 Installation and expenses ................................. 12,000 ------ Total .............................................. 59,000
In mines and metallurgy the exhibit covered a floor space of about 2,200 square feet. It consisted of a full, systematic collection of the minerals of the State, a representation of the ores of gold, copper, silver, iron, nickel, and tin that are native to North Carolina, and a very full exhibit of the economic minerals. Wherever possible, there were shown specimens of the finished product alongside of the raw material, and this feature added considerable value to the display. A very beautiful and very comprehensive collection of cut gems and crude gem material was perhaps the most attractive feature of the exhibit. The collection of building and ornamental stones included a large variety of granites, marbles, and sandstones, many of them of a very superior quality.
In agriculture the chief features of the exhibit were the special tobacco display and the collection of grains and seeds in the main space. A good line of commercial cotton samples and of the best varieties of cotton seed were shown and some cotton-oil and cotton-mill machinery in connection therewith. The late date at which any money became available prevented any show of sheaf grains or grasses and cut short the exhibit in many ways.
In the Department of Horticulture the show was a small one, owing both to the very poor fruit year and also, again, to the late date at which the collecting had to be started. The space occupied was about 500 square feet in size, while in the four different spaces in the Agricultural Building the total floor area occupied was nearly 4,000 square feet.
The combined forestry and fish and game exhibits were among the most complete of any of the State exhibits. The total floor space occupied by these was 2,400 square feet. The display of native timber specimens was most complete and systematic, and the specimens were shown in a way to impart the most information in a condensed form. The main collection consisted of planks cut the full length and width of the trees, 4 feet long by 4 inches thick, with the bark left attached. One-half of each was dressed and sandpapered, but not varnished; the other half filled and varnished and given an oil-rub finish to bring out the beauties of the grain and to show the best finish the different kinds of wood would take. Wherever possible, two sections were shown in the form of disks cut across the log. These brought out the character of the end grain and the annual growth rings, as well as the size of the trees from which each specimen came. A variety of finished wood products and a collection of forest seeds and of medicinal plants completed the exhibit.
In the Department of Fish and Game the State showed collections of mounted food and game fishes, of oysters and clams, and of tools and appliances used in their capture, including some very fine models of the more typical of the fishing craft used in North Carolina waters. Fairly complete collections of the game birds, wild fowl, and shore birds were shown, as well as most of the prey-catching and fish-eating birds found in the State. The game animals and those valuable for their furs were also exhibited, and a very fine lot of furs, both raw and dressed, occupied a case contiguous to that containing the fur-bearing animals. Guns, traps, etc., were shown as well to illustrate the means used in the capture of the different kinds. Collections of marine invertebrates, of reptiles and batrachians, casts of fishes and cetaceans, an old whaling outfit, and a lot of miscellaneous material completed the exhibit.
Considering the amount of money used, the exhibits were large, varied, full, and of good quality all through, and in some cases unlimited funds could hardly have bettered them.
NORTH DAKOTA.
North Dakota had no State building on the grounds. The exhibits, which comprised every variety of grain and species of grass grown in the State, gathered from the very best samples obtained from the crop of 1903, were shown principally in the Agricultural Building, although there was a very excellent exhibit in the Palace of Mines and Metallurgy, showing the mineral resources of the State, and including coal, clays, cement, building stones, etc.
The State legislature, on March 17, 1903, passed an act authorizing the participation of the State at the World's Fair to be held in St. Louis in 1904, and at the Lewis and Clark Centennial and Pacific Exposition and Oriental Fair to be held at Portland, Oreg., in 1905, and creating a commission composed of the governor, the State auditor, the lieutenant-governor, the commissioner of agriculture, and Warren N. Steele, of Rolette County. The governor was made the president of the commission and the commissioner of agriculture the secretary.
This act appropriated the sum of $50,000 for the exhibits to be made at the two expositions therein named.
The commissioners appointed by the legislature were as follows:
Governor Frank White, president; Commissioner of Agriculture R.J. Turner, secretary; Lieut. Governor David Bartlett, executive commissioner; Hon. H.L. Holmes, and Hon. Warren N. Steele.
There was absolutely no private contribution or subscription. The cost of the installation, including transportation and freight charges, etc., was in the neighborhood of $25,000.
OHIO.
In an act of the general assembly of the State of Ohio a bill was passed May 12, 1902, creating a commission to the Louisiana Purchase Exposition and appropriating $75,000 for the erecting and maintaining of a State building. The act provided as follows:
For the appointment of a commission to erect a building on the grounds of the Louisiana Purchase Exposition and to take charge of the building and exhibits that might be placed therein, the governor was authorized to appoint within thirty days after the passage of the act, a commission of seven residents of the State of Ohio and one executive commissioner, who should be ex officio a member of the commission. No more than four of the commission were to be of the same political party. It was the duty of the commission to decide upon plans and specifications for an Ohio Building to cost not exceeding $35,000. Members of the commission were not entitled to receive any compensation for their services except their actual expenses for transportation and for subsistence for the time they were necessarily engaged on the business of the commission. The salary of the executive commissioner was $2,500 per annum, and in addition to this salary he was allowed his actual and necessary expenses. That there should be appropriated the sum of $50,000, $25,000 to be available on and after the 15th day of February, 1903, for the erection and equipment of the building and for other expenses provided for in the act.
An extra appropriation of $12,500 for the completion of the State building was provided for in an act passed March 25, 1904, making an appropriation for an Ohio Building on the grounds of the Louisiana Purchase Exposition in St. Louis, Mo.
The following commissioners were appointed:
William F. Burdell, president; L.E. Holden, vice-president; Stacey B. Rankin, executive commissioner; D.H. Moore, Edwin Hagenbuch, M.K. Gantz, Newell K. Kennon, and David Friedman.
As soon as the bill had been passed and the commissioners had been appointed a meeting of the commission was held for the purpose of deciding upon the plans for the State building. The building was erected on the southeastern end of the fair grounds, on that part known as the Terrace of States, at a cost of $35,000. The structure was designed solely for the comfort and convenience of the people of the State, and no effort was made to exhibit therein any of the resources of the State. In an act of the general assembly of the State an additional bill was passed March 24, 1904, appropriating $12,500 for completing and furnishing the State building on the grounds of the Louisiana Purchase Exposition. In this connection it may be of interest to mention that President Francis especially complimented the commission for its promptness in having the building erected, for on the opening day of the exposition the Ohio Building was ready for occupancy and the president himself was the first to register his name. At the close of the exposition the commission advertised for the sale of the building and disposed of it to the highest bidder.
While Ohio as a State maintained only one exhibit in the Mines and Metallurgy Building, consisting chiefly of clay and its products, over 150 private individuals and corporations throughout the State added to the prominence and magnitude of the exposition by installing costly exhibits, which were maintained by them at very great expense. These miscellaneous exhibits showed to very good advantage the natural resources of the State and its diversified products. In the Palaces of Electricity, Machinery, and Transportation the State was represented remarkably well by these private exhibitors, and much credit is due to them for their attractive and interesting display. In the Liberal Arts Building it may be correctly intimated that the Ohio exhibitors were predominant. In the Department of Anthropology, also, Ohio took the grand prize over all competitors. The display consisted principally of relics taken from the historical mounds of the State, which in themselves were very interesting. Not only was the grand prize awarded for the display, but a special gold medal was presented to Prof. W.C. Mills, librarian and curator of the Ohio Archaeological and Historical Society, for his untiring efforts in revealing to the public of to-day the mode of livelihood and the characteristics of the oldest and most historical race of this continent.
OKLAHOMA.
The Oklahoma World's Fair commission was appointed on April 19, 1901, and organized ready for active work on May 1, 1901. Two days after it was decided to hold the World's Fair in Forest Park, the Oklahoma commission notified Secretary Stevens that Oklahoma was ready to select her site for a building.
Oklahoma was among the very first to select a site on the World's Fair grounds, was first to lay a corner stone for the Territorial building, and the first to accept her building complete from the contractor and dedicate the same.
By an act of the legislature of the Territory of Oklahoma, dated March 1, 1901, the sum of $20,000 was appropriated for the participation of the Territory at the Louisiana Purchase Exposition. Subsequently, on March 14, 1903, the legislature of the Territory enacted a bill appropriating $40,000 additional for the erection and equipment of the building on the grounds of the exposition, and for the transportation and installation of the exhibits of the Territory. The following were appointed by the legislature as a commission in charge of Oklahoma exhibits:
Joseph Meibergen, chairman; Otto A. Shuttee, treasurer; Edgar B. Marchant, secretary.
The Oklahoma Building was of semi-Moorish architecture, size 71 by 72, with balconies above, below, and in front, the full width of the building. It contained reception halls, parlors, toilet rooms, and commissioner's office, 14 rooms in all. The building was two stories high, with basement, provided with rugs and carpets of Wilton velvet.
The total cost of the building, exclusive of furniture, including gas and electric light fixtures, was approximately $15,500.
All the plaster, inside and out, used in the construction of the building was manufactured from Oklahoma gypsum.
The educational exhibit was shown in the Palace of Education and occupied 488 square feet. It contained representative work from the kindergarten to the University of Oklahoma. All the seven colleges and preparatory schools supported by the Territory were represented, and many of the ten institutions of higher learning supported by denominational and private enterprises. Work from the majority of the 2,192 district schools was shown in leaf cabinets, framed pictures, and in other ways. Taxidermical work and modeling in Oklahoma plaster were shown, together with specimens of the handiwork of the students in the Agricultural and Mechanical College. There were more than 4,000 exhibits contained in the collection, which was shown in cabinets and cases. The total cost of collection, installation, and maintenance was $1,825.95.
The agricultural exhibit was shown in section 42 of the Palace of Agriculture, and covered 3,600 square feet of floor space.
Specimens of all the agricultural products of the Territory were shown in the exhibit and consisted of the following:
Exhibits. Thrashed grain: Wheat ................................... 160 Oats .................................... 65 Rye ..................................... 5 Barley .................................. 11 Corn, shelled ............................. 19 Miscellaneous, consisting of alfalfa seed, timothy, speltz, castor beans, etc ...... 31 Corn in the ear: 1903 .................................... 159 1904 .................................... 300 Potatoes: Irish ......................... plates .. 150 Sweet ........................... do .... 57 Broom corn ................................ 20
The foregoing constituted the main body of the exhibit, which was supplemented by corn in the stalk, wheat, oats, barley, and other grains in exhibit bundles, native and tame grasses in profusion, water-melons, the largest of which weighed 117 pounds; various field and garden vegetables, cotton and cotton-seed products, flax, tobacco, etc. A special feature was a loaf of bread baked from flour ground from wheat of the 1904 crop. The total cost of collection, installation, and maintenance was $4,072.80.
In the Horticultural Department the exhibit covered 1,100 square feet of floor space. The exhibit consisted of 250 jars of preserved fruits of the various kinds produced in Oklahoma, 200 bottles of Oklahoma grape wine, and about 400 plates of fresh fruits of the various kinds in their season. Four hundred and fifty bushels of the choicest apples were placed in cold storage in the fall of 1903 to keep the exhibit fresh. On the 15th of November the exhibit had 1,800 specimens of apples from the crops of 1904. The total cost of collection, installation, and maintenance was $4,892.48.
The mineral exhibit occupied 1,020 square feet in the Palace of Mines and Metallurgy. Here were shown 186 exhibits of sandstone, limestone, and other building stone, magnetite, brick (both burned and green), transparent selenite, and various others from Oklahoma. It also contained salt, oil, and glass sand testing 96 per cent pure. The plaster resources of Oklahoma were shown from the raw material in a solid block weighing 3,600 pounds, through the various evolutions of plaster manufacture to the finished product in dainty statuettes. A prominent feature of this exhibit was the relief map of the Territory, made from Oklahoma plaster by Doctor Finney, of the University of Oklahoma. The map weighed 1,600 pounds and showed every elevation and depression, with the rivers, streams, lakes, gypsum deposits, and salt reserves. The total cost of collection, installation, and maintenance was $3,263.50.
OREGON.
Members of commission.--Jefferson Myers, president; W.E. Thomas, vice-president; Edmond C. Giltner, secretary; W.H. Wehrung, special commissioner and general superintendent; F.A. Spencer, David Rafferty, J.C. Flanders, G.Y. Harry, J.H. Albert, Richard Scott, Frank Williams, F.G. Young, George Conser; Layton Wisdom, private secretary to general superintendent.
The legislature of the State of Oregon made an appropriation of $50,000 for the participation of Oregon at the Louisiana Purchase Exposition. One of the main objects was to excite interest in the Lewis and Clark Centennial Exposition to be held at Portland, Oreg., in 1905.
The Oregon State Building was built of logs and was a reproduction of Fort Clatsop, the fort in which Lewis and Clark and their companions resided during their stay in Oregon in the winter of 1805-6. Two square wings stood diagonally from each front corner of the building like the old fortress abutments used in the days when it was necessary for pioneer settlers to maintain such defenses against the hostile Indians.
The cost of the erection and maintenance of the building was $9,000, of which the Lewis and Clark Exposition Company contributed $3,500.
Not including the exhibits in the Oregon Building, the State made exhibits in six exhibit palaces, as follows: Agricultural Pavilion, Horticultural Pavilion, Educational Pavilion, Forestry Pavilion, Mining Pavilion, and Fish and Game Pavilion.
In the Educational Department a very interesting display was made by the State board of education and the public schools of approximately all the towns in the State.
In the Forestry, Fish, and Game Building were exhibits by large lumber corporations of the State and a very interesting display of mounted specimens of fish and game, furs and rugs, also cannery displays from the fish-canning concerns. The Oregon State experimental stations at Corvallis and Union made very interesting exhibits of grains and grasses in the Palace of Agriculture. The same classes of products were exhibited by about 60 individual exhibitors, residents of the State of Oregon. While grains and grasses formed the largest exhibit, there were also interesting displays of wool, mohair, hops, milling stuffs, evaporated cream, and vegetables and fruit, both evaporated and in jars.
In the Horticultural Building about 50 exhibitors displayed specimens of the fruits of Oregon. Apples, pears, and prunes were shown in interesting variety and unexcelled quality.
Four exhibitors made exhibits in the Live Stock Department.
In the Mines and Metallurgy Building there was a very unique and interesting display of mineral specimens, many of which were loaned to the State of Oregon for use at the exposition. Among the specimens there were collections of gold quartz and nuggets from the various gold mines of the State. Besides the gold, there were shown collections of polished pebble, copper ores, native silver, including cobalt and antimony ores, crystals, opals, marble, jasper, asbestos, limestone, kaolin, asphaltum, and tellurium ores. There were also displayed Indian curios, ethnological, geological, and other specimens, all found in the State of Oregon. The total value of the exhibit in the Mines and Metallurgy Building was estimated at $35,000.
The cost of installing and maintaining the exhibits in the several palaces were as follows:
Agricultural Building ................. $7,117 Horticultural Building ................ 6,148 Educational Building .................. 3,800 Forestry Building ..................... 3,200 Mines and Metallurgy Building ......... 5,000 Fish and Game Building ................ 2,300
The cost of freight and transportation from Oregon to the Louisiana Purchase Exposition was, approximately, $4,400. Altogether the State of Oregon expended $45,803.34 out of its appropriation up to the close of the exposition.
PENNSYLVANIA.
By a joint resolution of the legislature of Pennsylvania, on February 4, 1903, Governor Samuel W. Pennypacker appointed Lieutenant-Governor William M. Brown, president of the senate; John M. Scott, speaker of the house; Henry F. Walton, State treasurer; Frank G. Harris, auditor; Gen. Edmund B. Hardenbergh, secretary of internal affairs, and Isaac B. Brown as members of the Pennsylvania commission. Subsequently the governor appointed the following additional members: William S. Harvey, Morris L. Clothier, Joseph M. Gazzam, George H. Earle, Jr., Charles B. Penrose, George T. Oliver, H.H. Gilkyson, Hiram Young, James Pollock, and James McBrier. The president of the senate appointed John G. Brady, William C. Sproul, William P. Snyder, J. Henry Cochran, Cyrus E. Woods, and the speaker of the house appointed Theodore B. Stulb, John Hamilton, William B. Kirker, William Wayne, John A.F. Hoy, Fred T. Ikeler, William H. Ulrich, A.F. Cooper, Frank B. McClain, George J. Hartman.
The commission organized on April 24, 1903, and nominated James H. Lambert, of Philadelphia, executive officer; Bromley Wharton, secretary of the commission and created an executive committee of nine members, with H. George J. Brennan as secretary; Thos. H. Garvin, superintendent State Building; Philip H. Johnson, architect.
The State appropriation was $300,000. The only amount raised by private subscription, which was used in the installation of State exhibits, was $15,000, contributed by the anthracite coal corporations to make a display of the process of mining and marketing anthracite coal. There were no exhibits in the Pennsylvania State Building outside of the portraits of distinguished Pennsylvanians, past and present, 42 of which were displayed, and a collection of pictures loaned by the American Art Society. Several mural paintings from the Women's School of Design, in Philadelphia, and a series of nearly 100 photographs of the monuments erected to Pennsylvania regiments on the field of Gettysburg.
The State mining exhibit represented an expenditure of $60,000.
The cost of the educational exhibit was $14,000; of the agricultural exhibit $12,000; of the fish exhibit, $10,000.
In the Department of Social Economy Pennsylvania's charitable and penal system was fully demonstrated in an exhibit which received a grand prize and which was installed at an expenditure of $2,500. In addition to this, Pennsylvania's interests were represented in every department of the exposition--in Manufactures, Liberal Arts, Varied Industries, Electricity, Transportation, and Machinery.
It was Pennsylvania-made machinery which furnished the power for the electric light of the exposition, as well as for driving the machinery and pumping the water for the Cascades.
The Pennsylvania State Building occupied a conspicuous position on elevated ground and was one of the finest and most costly in the State group. The most imposing figure was the magnificently proportioned rotunda, the roof of which was supported by a colonnade of Ionic capitaled columns, which supported an entablature of great dignity, this in turn being surmounted by a series of 12 semicircular arches or lunettes, in each of which was placed an allegorical painting, suggestive and typically illustrative of the very important industries of the State.
The principal color scheme of the architectural features was ivory white, with the capitals and plinths of columns gilt, as also the vaulted soffits above the paintings and the large Guilloche moldings on ribs of the ceiling, and the other important details.
The walls above the low wainscoting were painted in a rich shade of turquoise blue, with paneled ornamental stenciled work of a very rich ecru tone.
The ceiling was finished in a rich yellow tint of a tone to harmonize with the general surroundings. The general effect produced, aside from the artistic result obtained, was Pennsylvania's State colors. The ladies' room contained some beautiful furniture, consisting of some large settees, tables, writing desks, and comfortably upholstered easy chairs. The windows were draped with red silk curtains on which were embroidered the coat of arms and other State emblems.
The men's room, across the large stair hall, was similarly treated as regards furniture and draperies, but in more masculine, taste, the furniture being covered in leather, the draperies of heavier material, and the color scheme and design throughout being more suggestive of the sex.
The second floor had three large, beautifully lighted and proportioned rooms, known as "art rooms."
The various rooms throughout the building were decorated murally and otherwise in such color tones, draperies, etc., as to make one harmonious with the other. Each department, in addition to its other features, had specially designed Smyrna rugs in color and design to match.
Pennsylvania, in the allotment of space for her education exhibit, received one of the most desirable plots in the Educational Building. The booth was one of the most attractive in the building, and was in harmony with its purpose. The exhibit was almost entirely from the public schools, including work from the kindergarten, the grades, and the high school. The normal schools and the soldiers' orphans schools, which are a part of the public school system in Pennsylvania, were also well represented. The work of all the kindergartens appeared together, likewise the first grade, and so on through the grades. The high school and normal school products were arranged by subjects, the papers from one branch appearing in a cabinet. The display was made on the inside walls of the booth in leaf cabinets, base stands, and special show cases.
In portfolios and on the walls were about 3,000 photographs of school buildings, grounds, interiors with children at work and at play, manual classes at sewing, basketry, weaving, in the shops and the gardens, plans and drawings in full of model rural school buildings; evolution of the schoolhouses, showing the first log building, its successors until the modern school structure is reached, and noted places and buildings in Pennsylvania history. The State soldiers' orphans schools had an interesting and attractive exhibit of photographs of their buildings, grounds, pupils, and shops with work going on. The industrial Indian school at Carlisle had a number of most interesting photographs showing the marvelous development in the pupils after they enter that school. The normal schools of the State had about 300 photographs of buildings, interiors, and students.
Haverford College and Lehigh University had exhibits of photographs of the college buildings, interiors, course of study, and students. The Philadelphia School of Design for Women, the Pennsylvania School of Industrial Art, and the Spring Garden Institute had most interesting exhibits showing the best handiwork in the lines for which these schools were severally noted.
In the exhibit in the Mines and Metallurgy it was designed to make an exposition of the mineral wealth of the State in the crude condition of its occurrences, and of her industrial advancement in the arts and sciences as shown by the finished product. There were aggregated in the exhibit statistical data, photographic views, transparencies and prints, relief maps, specimens of crude, partly worked, and finished material.
The central feature of the exhibit, an octagonal shaft about 30 feet in height, surmounted by an ornamental frieze, dome, and golden eagle, bore statistics relating to the most important mineral productions of the State during the year 1903. Among the relief maps reproducing mining regions one, 12 by 8 feet, covered the whole State of Pennsylvania, and showed coal measures, including the Pottsville conglomerate, oil-producing areas, and gas territory.
Among the crude materials exhibited, coal, the greatest mineral product of the State, was given preeminence. A piece of anthracite coal weighing 11 tons, said to be the largest unbroken piece of this coal ever taken from the ground, was surrounded by pyramidal glass cases in which were displayed anthracite coals of various kinds, quantities, and qualities in all the marketable sizes, from lump to culm. Adjoining this display was a working breaker illustrating modern methods of breaking, cleaning, and assorting anthracite coal. Next to this display was probably the most perfect and comprehensive coal-mine model ever constructed. It was about 16 feet by 9 feet, and was accurately proportioned to the scale of 5 feet to 1 inch. The background of the model showed the surface plan of a large mine, including a miniature breaker near the head of the mine shaft to the breaker, small cars bearing slate and culm away from the breakers, and coal cars upon a track which ran under the breaker for convenience in loading the marketable product for shipment; also upon the left hand, the fan supplying ventilation to the mine, the carpenter shop, and the boiler room, and on the right hand, the men at work on strippings (coal lying on or near the surface) with steam shovels.
Mounted prints and transparencies showed interior and surface views of mines, and a valuable collection of coal fossils completed the State exhibit of anthracite coal.
The bituminous coal of the State of Pennsylvania was represented by twelve cross-sectional cuttings from well-known veins occurring in different parts of the State and by models and views. Pennsylvania's interest in iron mining and manufactures was represented by the crude product only.
In crude specimens, ores of manganese, zinc, copper, nickel, lead, etc., were displayed, as well as feldspar, corundum talc, asbestos, gypsum, and mica. A pavilion built of old Bangor slate showed slabs of different grades and varieties of finish.
A handsomely mounted exhibit of crude and refined oils in 200 flasks conveyed a conception of the variety and extent of the oil industry of the State. The whole exhibit, so far as space would permit, was designed upon a scale significant of the size, importance, and value of the mineral wealth it represented.
The general scheme of installation of Pennsylvania's agricultural exhibit embraced an inclosing structure of show cases with plate-glass tops. On either side of the four corners was a massive paneled port surmounted by a glass sphere 6 inches in diameter and filled with some farm products similar to that which was shown in the cases adjoining them.
Upon two of the keystones grains and seeds were displayed in glass jars, while corn was shown in rows of ears. Upon another keystone were shown fine specimens of fine tobacco, as also in the show cases adjoining the pagoda. All the tobacco shown was grown in Lancaster County. Wool was shown in the grease, or "unwashed," in small samples taken directly from the sheep. These samples were arranged upon black velvet, which lined the bottom of the cases in a large variety of beautiful forms, and constituted one of the most attractive features of the exhibits.
In the remaining show cases was found an unusually large collection of the manufactured products of the farmers' crops, including meals, flours, "breakfast foods," oils, liquors, pipes, etc.
Pennsylvania's fish exhibit was divided into five groups, namely: Live fish, mounted fish, birds and mammals, water colors and photographs of fishery subjects, legally confiscated devices for catching fish and angling materials.
Naturally, it was designed that the live-fish exhibit should be the prominent feature. Thirty-five aquaria were placed on two sides of the main aisle. Only prominent examples of various groups were displayed, consisting of game fishes, food fishes, the principal interior fishes commercially valuable as food, representatives of types which have no value either for game or food purposes and which were distinctively destructive, and also minnows.
The still exhibit was one of great beauty. The mounted groups were separated into two divisions, mounted fishes of the larger size and the mounted specimens of the birds and animals which prey upon fishes.
The greatest interest was probably shown in the exhibit of legally confiscated nets, draped in artistic fashion against a high board wall stained to represent a natural fence. Among them were placed fish on panels, which added materially to the effect. It was the only exhibit of its kind in the World's Fair, and it apparently proved to be one of the most attractive.
Pennsylvania responded enthusiastically to the invitation to participate in the general educational display in the Art Palace. Fully conscious of the ethical influence of art as a factor in the progress of the Commonwealth, the commissioners set aside funds to assist the Pennsylvania artists in displaying the best of their works produced since the Columbian Exposition--eleven years ago--and in a manner worthy of the State, which possesses the oldest art institute in the country and which gave birth to Benjamin West, Sully, Nagel, Rothemmel, and Abbey.
The State had important representation in all of the six groups in which the department had classified its exhibits.
The following table will show the extent of the participation:
Paintings and drawings ...... 145 Etchings and engravings ..... 7 Sculpture ................... 36 Architecture ................ 104 Loan ........................ 14 Applied arts ................ 107 ---- Total ....................... 313
Pennsylvania sculpture was a striking feature of the impressive collection in the United States sculpture court of the Art Palace. The late Edmund C. Stewartson's work, "The Bather," one of the best productions of American sculpture, was installed here, and, among others, important works were shown of Charles Grafly, to whom was intrusted the designing of the official medal of awards for the exposition; of Alexander Sterling Calder, and of Samuel Murray, who exhibited many portrait busts of well-known Pennsylvanians. Architecture had as its Pennsylvania representation many well-known individuals and firms.
To the splendid collection of foreign masterpieces forming the loan collection of the United States section, borrowed from individual collectors and art institutions, Pennsylvania made sumptuous contributions.
The Pennsylvania display in the Department of Art was of the highest importance, and a comparison with the contributions of other States disclosed the fact that Pennsylvania stood second to only one other State in point of numbers.
PHILIPPINE ISLANDS.
The Philippine exposition board was created by Act 514 of the Philippine Commission, passed for the purpose of collecting and installing a distinctively Philippine exhibit at the Louisiana Purchase Exposition of 1904 at St. Louis, Mo.
The original act carried an appropriation of $125,000, which was made immediately available, and authorized the board to incur additional obligations to the amount of $250,000 apart from such sum as might be set aside by the Louisiana Purchase Exposition Company in aid of the Philippine exhibit. The amount of such aid was $200,000 from the appropriation made by Congress.
Several amendments to Act 514 were made, notably Acts 765, 827, 1055, and other acts carrying additional appropriations.
The exposition board, as originally appointed, consisted of Dr. W.P. Wilson, director of the Philadelphia Commercial Museum; Dr. Gustavo Niederlein, chief of the scientific department of the Philadelphia museums, and Mr. Pedro A. Paterno, of Manila, as members, and Dr. Leon M. Guerrero, also of Manila, secretary. Mr. Carson Taylor was appointed disbursing officer.
Several changes in the authorized official organization have occurred. Mr. Pedro A. Paterno, member, whose work had been confined to the Philippine Islands, resigned in August, 1904, and was succeeded by Mr. A.L. Lawshe, auditor for the Philippine Islands, who was appointed to serve during a leave of absence from the Philippines. Dr. W.P. Wilson resigned the chairmanship in October, 1904, the resignation to take effect November 1 following. Mr. Lawshe was appointed to the chairmanship to succeed Doctor Wilson, and Mr. Herbert S. Stone, previously connected with the board as chief of publicity, was appointed to the vacant membership on the board.
The task of collecting the material for the exhibit devolved on Doctor Niederlein, who, as director of exhibits, was given sole charge of this work. He arrived in the islands for the purpose in October, 1902.
Chairman Wilson made a brief visit to the islands in May, 1903, to arrange plans for the work, and upon his return undertook the construction of the buildings and the beautifying of the grounds. Forty-seven acres of rolling country, lying for the most part on an elevation of the southwestern section of the World's Fair grounds, were assigned to the Philippine exhibit. The work of construction consisted of building a miniature city, with streets and parks and complete sewerage, water, and electric light, and fire-alarm systems. The ground plan included a central park or plaza, the sides of the quadrangle being occupied, respectively, by the cathedral or educational building, the typical Manila house, the commerce building, and the government or administration building, each of these beautiful structures being filled with appropriate exhibits. In addition there were separate exhibit buildings devoted to forestry, mines, and metallurgy, to agriculture and horticulture, to fish and game, and to ethnology, all artistically placed. A reproduction of the ancient walls of Manila commanded the main approach to the Philippine grounds. After crossing a miniature reproduction of the Bridge of Spain, which spans the Pasig River at Manila, the visitors entered the Philippine reservation through the Real gate. Villages typical of the Philippine life, from the lowest grade to the better class, surrounded the main buildings, while on the south side were the quarters, camps, and parade grounds of the Philippine Constabulary and the Philippine Scouts. The Manila Observatory, with a large outdoor relief map on the east and a hospital and office building in a convenient space on the west part of the grounds, completed the scheme.
Each and every building constructed under Philippine auspices was typical of the islands. Vast quantities of bamboo and nipa, brought from the archipelago, were used in the construction of the native villages as well as in the Forestry, Mines, Agriculture, and Fish and Game buildings.
While the expenditure for the exhibit far exceeded the amount originally contemplated by the Philippine Commission, due to many causes and conditions, it gave to the people of the United States a more intimate knowledge of the resources and possibilities of the Philippine Islands than they could acquire except by an actual and extended visit.
The exhibit was an honest one. There were the least civilized people in the Negritos and the Igorrotes; the semicivilized in the Bagobos and the Moros, and the civilized and cultured in the Visavans, as well as in the constabulary and scout organizations. In all other respects the exhibit was a faithful portrayal.
The official staff of the board was as follows:
Dr. William P. Wilson, chairman; Dr. Gustavo Niederlein, member and director of exhibits; Mr. Pedro A. Paterno, member; Dr. Leon M. Guerrero, secretary; Mr. Edmund A. Felder, executive officer; Mr. Carson Taylor, disbursing officer; Mr. H.C. Lewis, cashier; Rev. Jose Algue, S.J., director of the Philippine Weather Bureau and director of the Philippine Exposition Observatory; Capt. M.C. Butler, U.S. Army, director of supplies; Capt. Llewellyn P. Williamson, Medical Department, U.S. Army, medical director; Mr. Charles L. Hall, chief department of agriculture; Mr. Charles P. Fenner, chief department of commerce and manufactures and representative of the American Chamber of Commerce of Manila; Mr. A.R. Hager, chief department of education; Dr. Albert E. Jenks, chief ethnological survey for the Philippine Islands and chief of the department of ethnology, Philippine exposition; Mr. Roy Hopping, chief department mines and metallurgy; Mr. Herbert S. Stone, chief department of publicity; Mr. Alfred C. Newell, chief department of exploitation; Mr. William N. Swarthout, editor of the Manila Times, on special duty; Mr. George P. Linden, curator of exhibits, in charge of forestry; Capt. F.E. Cofren, P.C., chief of war exhibit; Mr. Antonio G. Escammilla, assistant secretary; Capt. George S. Clark, purchasing agent; Mr. A.E. Anderson, architect; Mr. James D. Lalor, chief engineer; Miss Pilar Zamora, superintendent of model school; Mr. Jose Quadras, chief department of fish and game.
The forestry exhibit was installed in a handsome and characteristic bamboo and nipa structure of the bungalow type. The interior of the building was divided into four parts, of which two were utilized to show the woods in the rough, planed, and polished states, a third being used to display forestry by-products, while the last contained the finished products made into furniture.
The total number of exhibitors in this department was 1,294. The superior jury approved the following awards:
Grand prizes, 3; gold medals, 24; silver medals, 39; bronze medals, 32; honorable mentions, 207; total number awards granted, 305.
In the commerce and manufactures was a commercial exhibit showing the articles of importation, their cost, method of packing, etc. Exhibitors of samples of imports in this department were awarded suitable medals and diplomas for their collaboration and the wisdom of the scheme has been fully demonstrated.
The commercial library, consisting of the Philippine tariff and customs administrative act, public laws and resolutions passed by the civil commission, and other books of interest, served excellently as works of reference.
The department of liberal arts and fine arts was installed in the two wings on the ground floor of the Government Building, while the fine-art exhibit was placed in the art gallery formed by the rear wing of the building. Taking advantage of the available facilities, they were arranged so as to give unity to the whole, notwithstanding their variety, thus making the general effect pleasing to the eye.
A collection of mollusks of great scientific value and a collection of insects were placed, respectively, in the right and left wings of the building.
A large collection of books, pamphlets, newspapers, photographs, etc., relating to the Philippines, the maps and public and private house models, and the different exhibits of the insular government bureaus were exhibited in the palaces above mentioned. The needlework in silk cloth, pina, and cotton, together with work in leather, silver, and gold, and musical instruments, noteworthy on account of perfect workmanship, were equally well displayed for public inspection.
The prizes awarded to this department were as follows:
Grand prizes, 14; gold medals, 55; silver medals, 64; bronze medals, 45; honorable mentions, 123.
The main installation of fine arts was made in the reception hall of the Government Building, both for paintings and sculpture. Of the first mentioned there were 61, selected for special merit, and of the second, 28, notable for their artistic conception and execution. The remainder were divided between the educational building and the Manila House, there being 85 oil paintings aside from water colors and some drawings in crayon; 35 pieces of sculpture, and 8 wood carvings. Among the pieces of sculpture were included certain ancient pieces which, in some respects, illustrate the history of this branch of fine arts cultivated by the Filipinos, with special application to religious iconography.
In July the paintings and sculptures were examined, and the following awards were unanimously made:
Grand prizes, 4; gold medals, 15; silver medals, 31; bronze medals, 38; honorable mentions, 42.
The Manila observatory took a special interest in the St. Louis Exposition and exhibited a model of a first-class meteorological seismic station equipped with the very latest instruments. This model, unlike others that were on exhibition at the World's Fair, was in working order, and all the recording instruments were continually kept in motion by the head mechanic of the Manila central observatory.
The work in the meteorological station consisted principally in taking two daily observations of Green's mercurial barometer, of the maximum and minimum temperature of the psychrometer, of the direction of the winds and of the clouds and also the amount of rainfall.
The educational exhibit was installed in a large, well-lighted building which was a diminished model of the Manila Cathedral. Central walls and alcoves, covered with green burlap, were erected to give wall space, and 220 square meters of space were thus provided. In preparing the exhibit, the first step was to enlist the cooperation of the American and Filipino teachers in the Government schools, about 2,000 in number, and as many as possible of the teachers of private schools. To this end, circulars were sent to every American teacher, and visits were made to the school divisions near Manila. Supplies of school materials, uniform paper for written work, etc., were sent by the bureau of education, which gave every assistance possible to schools that requested such material. Letters were written to a number of educators in America requesting personal expressions as to what they would find most interesting in a Philippine educational exhibit. In response many helpful suggestions were received.
The educational exhibit known as "Department A," of the Philippine exposition board, contained collections sent by 438 exhibitors and consisted of 8,542 exhibits.
Labels of various sizes were freely used to give visitors information regarding collections and conditions of school work in the Philippines, particularly where these conditions differed from those of the United States.
Written work was displayed in flat-top wall cases arranged according to school divisions, some of the typical work being shown open under glass. These cases were arranged so that they might have been opened without disturbing the displayed work to give access to other written work of the division.
The industrial exhibits and photographs filled 30 glazed show cases and the wall space around these cases and were arranged by school divisions. These show cases varied in size from one-half to 7 cubic meters. The list of awards contained eight grand prizes, as follows:
The secretary of public instruction and the general superintendent of education, on the exhibit as a whole; the Philippine Model School; Laguna High School; Liceo de Manila Secondary School; the Philippine Nautical School; the Philippine Normal School, and the University of Santo Tomas.
Thirty gold medals, 71 silver medals, 110 bronze medals, and 323 honorable mentions were also awarded.
The Model School was in a typical nipa and bamboo schoolhouse especially arranged for exhibition purposes. It was in charge of Miss Pilar Zamora, a Tagalog, who is a teacher, in the Philippine Normal School. Two sessions were held daily, to which visitors were admitted.
The exhibits in the agricultural building represented agriculture, horticulture, and land transportation. The material on exhibition consisted of all raw and manufactured products of the soil, together with crude native instruments and implements employed in the cultivation of the land, as well as native machinery for the preparation of such products for the market, illustrating in as complete a manner as possible the old process of raising the various crops of the island.
Among the cereals were large and interesting collections of rice, both hulled and in the hull, representing hundreds of varieties and subvarieties grown in the different islands of the archipelago. These varieties were divided into two groups, namely, "palay de secano" or mountain rice, which is cultivated without irrigation, and "palay de regadio" or valley rice, which is cultivated in rice paddies and by irrigation. There were also samples of wheat grown at some of the experimental stations established by the insular bureau of agriculture. Samples of corn or maize, millet, sorghum, pease, beans, and lentils were also exhibited.
There was also a large collection of tropical and European vegetable seeds, together with seeds of various kinds of pumpkins, squash, calabash, and cucumbers grown in the islands. The collection of oil and oil-producing seeds consisted of samples of sesame, peanut, castor, pili, palo, maria, tangan-tangan, tuba-tuba, copra, or dried cocoanut, etc.
The collection of wild and cultivated fruits, vegetables, and tubers preserved in formaldehyde was a very interesting one, and undoubtedly the first collection of its kind seen in America. Samples of unrefined sugar of different grades, together with the preserved cane, were also displayed, with the crude native machinery used in the extraction of the sugar.
Samples of alcohol, wines, and vinegar produced from the various palm saps or grain and sugar were well represented. The collection of fibers and textiles was very complete. It consisted of several varieties of shrub cotton in white, yellow, and brown, together with the cloth made of this cotton by the natives on crude hand looms, and the tree cotton variety, which is principally used by the natives for filling pillows. In the fiber exhibit were samples of hemp, maguey pina, and textile barks of all kinds, together with samples of cloth and rope manufactured from them.
A conservatory built in the center of the building on the south side contained a very interesting collection of orchids, cycas, and some tree ferns from the Philippines.
Exhibits were cared for in 93 show cases, 40 inches wide, 7 feet high, and 1 foot deep; 4 show cases 6 feet wide, 7 feet high, and 6 feet deep. Other exhibits too large to be placed in show cases were cared for on 420 feet of double shelving and on tables 80 feet long and 12 feet wide.
The exhibits in this building numbered over 20,000 individual pieces, the duplicates being exhibited under the same number. The following number of awards was granted in the department of agriculture:
Nine grand prizes, 4 gold medals, 179 silver medals, 145 bronze medals, and 463 honorable mentions.
The Fish and Game Building was situated in the extreme northern part of the exposition grounds and overlooked Arrowhead Lake. The structure was in the shape of the letter "T," and had a floor space of 4,400 square feet and represented a "camarian," or Philippine warehouse.
The building was divided into two sections; the first, containing a floor space of 1,700 square feet, was devoted to the game exhibit, while the second, containing a floor space of 3,200 square feet, was devoted to fish, fishing apparatus, shells, etc.
At the entrance was a fine specimen of the Tamarao, a species of wild buffalo (Bubalus mindorensis Heude); to the left a complete collection of birds, well mounted and scientifically labeled, and to the right a fine collection of the enormous fruit bats and some of the skins of these bats, which are of great commercial value. Large collections of birds' eggs, attractively displayed; numerous specimens of stuffed wild boars and deer were displayed. Fine specimens of python, 21 feet long and 1 foot in diameter, and a collection of crocodiles, large iguanas, and lizards were prominent features in the collection of reptiles.
A numerous collection of nets for fishing and hunting of deer and wild boar, with some of the snares, game traps, bows, and arrows completely covered and festooned the ceiling and walls.
There was also a collection of corals, gorgonias or sponge corals, having a spread of about 5 feet.
The awards in this department, as approved by the superior jury, were as follows:
Fish and game: Grand prizes, 2; gold medals, 5; silver medals, 10; bronze medals, 38; honorable mentions, 201. Water transportation: Grand prizes, 2; gold medals, 3; silver medals, 3; bronze medals, 2; honorable mentions, 33.
A most interesting exhibit of the numerous mineral resources of the archipelago was displayed for the inspection of the public in the mines and mining exhibit.
The most important exhibits were, first, the cases of iron ores, those from Bulacan, Luzon, receiving a grand prize, 3 silver medals, and 2 bronze medals. Second, a complete coal exhibit, that from Cebu and Bataan Island each receiving a gold medal. Third, an exhibit of gold and gold quartz, which filled five wall cases and two small table cases, and which received three gold medals, six silver medals, and four bronze medals. Gold medals were also given the exhibit of basalt for heavy foundations and heavy construction, marble from Romblon Island, a geological and mineralogical collection exhibited by the mining bureau and Isuan mineral water from Los Banos, Laguna, Luzon.
The ethnological collection was displayed in the ethnology building, constructed around three sides of a square open court; the building was 119 feet long and 88 feet wide. It consisted of two long halls, one 88 by 37, and one 88 by 39 feet long. Over one of these long halls were two chambers about 30 feet square each. The building contained about 4,500 square feet of surface behind glass cases, and about 9,400 square feet of open wall and ceiling space covered with museum specimens, or a total of about 14,000 square feet, where about 1,800 specimens were displayed.
Some of the specimens exhibited were: Bontoc Igorrote head-axes, Bontoc Igorotte basket work utensils used in the domestic and field activities; Benguet and Banawi Igorrote carved wooden food bowls and spoons; Benguet Igorrote baskets; wooden clay and metal pipes from northern Luzon; and a collection of Benguet Igorrote copper pots and copper mining outfit. Also Bontoc Igorotte spears, shields, and carved wooden human figures, men's basket hats, women's headdress beads, men's boar tusk armlets, and the earrings and ear plugs worn by both men and women.
The ceilings and walls of the hall in which the exhibits were located were covered with bark and cotton clothing made by the various Igorrote people, such clothing as women's skirts and jackets, men's breechcloths and shirts, and the various burial garments used by both men and women. There was also a very large collection of shields and spears of the various Igorrote people, a very exhaustive collection of Negrito materials, and some excellent Kalinga, Ibilao, Tinguian, and Mangiyan materials.
One case contained a collection of Bagobo, Manobo, and Mandaya materials and a collection of materials from the Tagakola, the Bilan, the Tiruray, and the Subano.
A good collection of materials from the little-known Tagabanua people of the island of Paragua was displayed.
The third hall contained, almost exclusively, materials from the various Mohammedan people of the archipelago, commonly called "Moros," such as Moro mats, saddles, and bridles made and used by the "Moros," crude string and wind instruments gathered from many places in the archipelago, and curious gongs used by the Moros as musical instruments and for beating sound messages from place to place.
A typical manial house attracted much attention. The building represented a house of the wealthy class, with shell windows. The exhibit contained therein consisted in the main of handsome handwoven fabrics and embroideries, prominent among which are the famed jusi and pina cloths and sinamy fabrics. There were, besides, many pieces of hand-carved furniture and works of art.
There were artificial flowers, cotton goods, fancy goods, embroidery, jusi cloth, sinamay cloth, pina cloth, and silks.
Besides the above, the walls, ceilings, and show cases were decorated with hats, baskets, mattings, and pottery. In the rooms were 50 pieces of carved furniture. A number of paintings was also on exhibition here.
Following is the list of awards as approved by the superior jury:
Grand prizes, 1; gold medals, 16; silver medals, 62; bronze medals, 213; honorable mention, 1,200; total number of awards 1,492.
PORTO RICO.
In the Agricultural Building, not far from the main entrance, was found the Porto Rico section. It was in the nature of a pagoda of two floors. The lower one was dedicated to agriculture, mines, forestry, and a few of the manufactures exhibits. On the second floor were the liberal arts and manufactures exhibits and the offices of the commission; also the needlework display, which was collected and exhibited by the Women's Aid Society, San Juan, and the Benevolent Society, Ponce.
The commission that represented Porto Rico at the Louisiana Purchase Exposition was composed of the following:
Mr. Jaime Annexy, president; Mr. Gutsavo Preston, commissioner; Mr. Antonio Mariani, commissioner; Mr. L.A. Castro, assistant secretary; Mrs. R.A. Miller, honorary commissioner; Mrs. Hortensia Y. de Annexy, honorary commissioner; Miss Maria Stahl, representative Women's Aid Society of San Juan; Mrs. David A. Skinner, representative of Benevolent Society of Ponce; Miss Pearl Magehan, superintendent of education; Mr. Nicolas Hernandez, attaché.
The president of the commission was for some months in personal charge of everything concerning the exhibit. To his efforts the credit for the Porto Rico exhibit is due. Mr. Annexy is an industrial engineer and occupies a prominent position in his native country. Porto Rican coffee was considered the most extensive exhibit and was awarded the highest honors. The coffee produced in Porto Rico is almost all exported to Europe. In the year 1902 to 1903 coffee was exported to European countries to the value of $3,252,043, and the export to the United States was only $718,531. The total exports of the same year to foreign countries was $3,956,893 and to the United States $10,909,147. The exhibition of coffee was the most important aim of the Porto Rico commission, and it was distributed free in the Porto Rico Pagoda. It was also given away green, roasted, and powdered, in bags of different sizes.
Sugar was the next most extensive display and was awarded a gold medal. The export of sugar to the United States in the year 1902 to 1903 was $376,757 and to foreign countries $2,543. Many millions of dollars have been spent to import the latest machinery for the manufacture of sugar and all modern improvements in transportation are rapidly being adopted.
Tobacco leaf and manufactured tobacco comprised an excellent display. Different American concerns have undertaken in the last seven years the introduction of Porto Rican cigars and cigarettes into the United States, and there are few places in America where they can not be found. Porto Rican cigars and cigarettes are said to rank with those of Cuba.
Porto Rican cotton was said to be of superior quality and attracted attention. Cotton growers in Porto Rico are adopting the best machinery that is made in the United States. The liquor exhibit also was noticeable. Porto Rico received highest awards in straw hats, needlework, rice, beans, pharmaceutical products, etc.
In the Educational Building was the Porto Rican public school exhibit. The development of this branch of the Porto Rico administration in the last seven years was remarkable. The total number of schools is more than twice the number maintained under the Spanish Government, although it is said that the public schools are able to accommodate less than one-fourth of the pupils, in spite of the fact that more than 25 per cent of the revenues of the island, both insular and municipal, are expended for educational purposes. In addition to the elementary schools there are now established four high schools. Teachers are both natives and Americans.
An appropriation of $30,000 was made by the Porto Rican legislature for the purpose of representation at the Louisiana Purchase Exposition. The Porto Rican Pagodo was designed by a native architect, Mr. Armando Morales, and cost $5,000.
RHODE ISLAND AND PROVIDENCE PLANTATIONS.
Members of commission.--Robert B. Treat, president; William F. Gleason, vice-president; Edwin F. Penniman, treasurer; George E. Ball, secretary; George N. Kingsbury, executive commissioner; Col. Patrick E. Hayes, Frank L. Budlong, and George L. Shepley.
The Rhode Island and Providence Plantations Building was beautifully situated on an eminence on Colonial avenue, facing north, and adjoining Indiana and Nevada. The design for the building was selected in open competition by Rhode Island architects. The building in its general form was a reproduction of the Stephen H. Smith mansion in the town of Lincoln--a model distinguished among types of colonial architecture in old New England.
A distinctive feature of the design was the ogee gable, of which but one other example is believed to exist in Rhode Island colonial architecture. The Rhode Island Building imitated in cement the material of which the old Smith mansion is constructed--seam-faced granite--taken from the quarry on the estate. This material is curiously finished by nature's handiwork in many colorings. The irregularity of the pieces and the variety of the colorings in peculiar combinations gave a quaint appearance to the building, and added much to its attractiveness.
From the broad front piazza through an entrance the visitor was introduced to State hall. The hall was set with lofty columns in colonial style. A writing room was on the east and a reading room on the west; between, a broad stairway led to the upper stories. The suite was in Doric detail. Opening from the southerly section of the hallway were the ladies' parlor, the smoking room, and information bureau. The stairway was a reproduction of a notably beautiful construction in old Providence Bank Building and the Brown-Gammell house. A curious feature of its design were the balusters, which were fashioned in nine different patterns.
The finish of the second floor was from excellent models of the Ionic order found in old colonial mansions in Newport and Bristol. On either side of the hall were the executive and commissioners' rooms. Prominent among the features of the building was the stained-glass window at the second-story landing of the stairway. The design for this window was the result of a competition by the students of the Rhode Island School of Design. On either side, suitably reproduced as to design and coloring, were the seals of the State of Rhode Island and the city of Providence.
By an ingenious arrangement of the gable construction a roof garden was provided, a broad stairway leading thereto from the second floor. A part of the roof garden was set aside for a suite for servants' quarters, breakfast room, kitchen, pantry, and storage. Apart from the sleeping quarters the entire building was devoted to public use. The furnishings, decoration, and equipment of the Rhode Island Building represented many public-spirited contributions. The building cost $26,000, and the furnishing and equipment, which were contributed, were estimated to have cost $6,000. On July 4, 1904, the Rhode Island Building was purchased by Mr. John Ringen, of St. Louis. It was the first building on the grounds to be disposed of. Mr. Ringen transferred the building intact to his country estate for a residence.
In April, 1903, the legislature of the State of Rhode Island and Providence Plantations enacted a measure providing for a State exhibit, and appropriated $35,000 for the purpose of the same. It was subsequently found that the sum appropriated would not be sufficient for the purpose, and in April, 1904, the legislature passed another bill appropriating the sum of $30,000.
Besides the State appropriation of $65,000, the school committee of the city of Providence subscribed $2,000 for an educational exhibit, making the total amount available $67,000. There was absolutely no private subscription or contribution.
The cost of installation, including cost of transportation, was as follows:
Rhode Island State Building ......................... $26,000 Furnishing and equipment, contributed (valued at).... 6,000 Exhibit of inland fisheries ......................... 2,500 Exhibit Department of Education ..................... 3,000 Exhibit Department of Social Economy ................ 3,000 Exhibit Department of Forestry, Fish, and Game ...... 1,000 Exhibit Department of Agriculture and Horticulture .. 2,500
The State of Rhode Island was represented by exhibits in five of the exhibition palaces as follows:
United States Fisheries Building: By the commission of inland fisheries. Palace of Education: State board of education, Rhode Island State Normal School, Providence High School, and demonstration by exhibit of various schools of all grades in public school system of the city of Providence, Rhode Island School of Design, public schools of the town of Warwick, public schools of the town of Cranston, public schools of the town of Bristol, Miss Mary C. Wheeler's Private School for Young Ladies, Providence, R.I. Social Economy: Board of State charities and corrections, Sockanosset School for Boys, Oaklawn School for Girls, department of factory inspection, bureau of industrial statistics, State Sanatorium for Consumptives, State board of health, State board of soldiers' relief. Forestry, Fish, and Game: James W. Stainton, of Providence, R.I., exhibit of game birds and fish of Rhode Island. Palace of Agriculture: State board of agriculture, Rhode Island College of Agriculture and Mechanic Arts.
SOUTH DAKOTA.
Under an act of the legislature approved March 11, 1903, South Dakota appropriated the sum of $35,000 for the purpose of exhibiting the resources, the products, and the industrial, commercial, and social progress and general development of the State of South Dakota at the Louisiana Purchase Exposition. A commission was also constituted, which consisted of three persons appointed by the governor, selected entirely with regard to their familiarity with the resources, arts, and products of the State, their business experience and executive skill, and all of whom were residents of the State.
Shortly after the 1st day of July, 1903, when the law creating the commission became operative, Gov. Charles N. Herreid, then acting governor, appointed as commissioners, S.W. Russell, of Deadwood; L.T. Boucher, of Eureka, and W.B. Saunders, of Milbank, who constituted the commission throughout the entire period. S.W. Russell was elected president; L.T. Boucher, vice-president; W.B. Saunders, treasurer, and George R. Farmer, secretary.
The commission at its first session determined that the State should be represented not only by a building or home for its citizens, but likewise in the Departments of Agriculture, Horticulture, Dairy, Mining, and Education. To that end application was at once made to the chiefs of the various departments of the exposition for space in the respective exhibit buildings. Tentative locations were at once assigned to our State commission in all these departments, with the exception of that in the Palace of Education.
Although one of the last of the States to procure ground for the erection of our State building, the South Dakota Building was one of the three State buildings ready to open its doors on the opening day of the exposition.
The State building was located at the top of Art Hill, a little to the east of the colonnade of States and about 500 feet east of the Art Palace.
The South Dakota Building in its exterior and style of architecture was unpretentious. The building was two stories in height, having two commodious porches on the north and west sides; the outside walls were covered with cement, finished in natural color. The building being situated at the top of a small hill and entirely surrounded by large oak trees presented a most inviting spot to the overheated, weary sightseer.
It was to the interior construction of the building that time, care, and expense were chiefly devoted. Upon entering the front door the visitor stood in a hall 12 feet wide by 21 feet in length; to the right was the writing room and general business office, to the left the parlor, and at the rear of the building were the ladies' retiring room, reading room, lavatories, and storage room. The walls and ceilings of all the rooms described were covered with metallic sheeting with embossed designs, beautifully tinted in colorings, each room different from the others. The furnishings of these rooms were simple, yet serviceable and neat, and in harmony with the colorings of the walls.
It was "The Great Corn Room" that impressed the visitor with wonder at its beautiful and fascinating designs, the interior walls being covered with native grasses, straw, and grains, wrought in a hundred beautiful and artistic designs. The word "Welcome," directly over the rostrum in the center of the south wall, attracted the attention of the visitor upon his first entrance to the building on account of the peculiar shading, the letters, running from a pure white at the top to a dark blue at the bottom, the shading being so gradual that it seemed incredible that it was actual corn in its native coloring.
The arch in the ceiling presented a beautiful appearance, with large stars in crosscuts of red, white, yellow, and blue corn, a fantastic background with festoons of grains in the natural colors, wheat, oats, rye, barley, and flax straw being mostly used. There were two panels, lettered with oat straw, that glistened like burnished gold under the electric lights of the arch, describing the various products of the State, viz, cattle, swine, horses, wheat, oats, barley, corn, flax, gold, and silver. On the east wall wrought in corn upon a green background was the State's motto, "Under God the People Rule." This motto contained every conceivable color that corn is known to take on.
The walls of the other rooms were adorned by a number of paintings in oil and water colors. A number of enlarged colored photographs of artesian wells, public buildings, and other scenes, were also displayed, as well as pictures of prominent men of the State.
During the exposition forty-three South Dakota people received attention and care on account of illness or indisposition or accidents, and thousands came there to rest, meet friends, and attend to business matters. A post-office was maintained in the building, where thousands of letters were received and delivered.
The agricultural booth was similar in its construction to the "Corn Hall" of the State building, although different in design. The place assigned this exhibit in the Palace of Agriculture covered a space 35 by 45 feet 6 inches, with aisles on three sides. The façade fronted on the three aisles and in its architectural lines presented a solidity characteristic of the State's exhibits. Cane stalk and corn in red colors were used to form the base of the façade, being put on in transverse sections, which gave at a distance as well as by close inspection a very pleasing effect. It was, however, to the interior decoration and exhibit that great labor and skill were devoted in making it especially attractive. Grains in the native straw, grasses, and clover were worked out in many fantastic shapes and beautiful designs. In the center of the booth, rising to a height of 15 feet, was a large octagonal pyramid, used almost exclusively for the display of grain in the straw; the bright yellow being in strong contrast with a red burlap background, made it naturally attractive. On the south wall or side a like exhibit of grains and grasses was shown; four large display tables, also in pyramid shape, occupied the space surrounding the centerpiece above described. On this table were several hundred glass jars, globes, and bottles for the display of grains and seeds of every description grown in South Dakota. It was, however, to the corn exhibits that special care and attention were given. Twelve large show cases were used for the display of this exhibit, besides a large quantity displayed in bulk, both in the ear and shelled. Over 100 bushels of corn was used in this exhibit alone.
The exhibit attracted much attention from the corn growers of other States, and was conceded to be one of great merit considering the newness of the State, and, as one Illinois farmer said, "It is better corn by long odds than I raised when I first went to Illinois."
The display of horticultural products was in the Palace of Agriculture instead of the Palace of Horticulture. Twenty-five barrels of apples of some 15 different varieties were collected early in the fall of 1903 and placed in cold storage at St. Louis, thus supplying a continual display until the fruit season of 1904. The fact that 10 medals were awarded to the horticultural display demonstrates the merit of this exhibit.
The State's representation in the dairy department was both unique and so different from that of other States that it attracted much attention. The space assigned for this exhibit in the refrigerator section of the Agricultural Building was 8 by 8 feet. The artistic feature, aside from the display of butter in bulk, was a profusion of flowers, buds, leaves in the form of bouquets, wreaths, garlands, and festoons made out of butter. They were artistically displayed on plates, baskets, and various sized vases, some of which were made of butter and others of painted chinaware. At the back of the exhibit the name of South Dakota appeared in leaf-work letters, as well as statistics of the annual production of butter, milk, and cream, all worked out in butter also.
About the 1st of June the educational exhibit was put in place. The walls were covered with art work, maps, and industrial work. The cabinets were filled with mounted specimens of written lessons, drawing, music, maps, and industrial work. The bases of the cabinets contained the remainder of the written work, neatly bound in volumes and labeled; specimens of basketry and woodwork, and a collection of zoological and botanical specimens. A number of the schools were represented by photographs alone, others by written work, photographs, and industrial work, and a few by written work alone. In subject-matter and original thought, South Dakota's work compared favorably with that of other schools of like age and conditions, especially in simplicity and originality.
The arrangement of the mineral exhibit in the Mines and Metallurgy Building was along practical commercial lines rather than on specimen, spectacular, or on purely scientific lines, though rich specimens and beautiful pictures were displayed, and the State School of Mines had a most excellent scientific collection of ores, rocks, and fossils that was awarded a gold medal.
The location obtained for the exhibit was most favorable, and by many was considered one of the choicest in the building, having three full fronts on main aisles, two 44 feet and one 52 feet long, and was surrounded by the most attractive State exhibits in the building.
The installation was with stone walls 2 feet high, built of rough ashlar and surmounted by a dressed coping. On the two 44-foot sides this was of the celebrated Sioux Falls red jasper. The 52-foot wall was of Hot Springs sandstone.
On the face of each lintel the name of the State had been cut and gilded. In the center of the exhibit on tables were two relief maps of the Black Hills, one of these showing the whole geological uplift 120 miles long north and south and 100 miles east and west, the other showing the mineralized portion of the hills as now known, 55 miles northwest and southeast and 25 miles wide. The larger was about 12 feet long and 6 feet wide.
Across the exhibit from east to west and above the heads were displayed a series of panoramic views and pictures, transparencies on glass, being reproductions in color of the finest photographs obtainable, showing the scenic beauty and material conditions of our Black Hills country. The varied ores were exhibited in large piles.
Financial statement.--Following is a brief review of the expenditures made by this commission and a report of the disposition of its properties:
Salary State commissioners .................... $3,000.00 Total amount expended ......................... 31,725.06 Unexpended balance ............................ 274.94 ----------- Total ..................................... 35,000.00 =========== Received from sale of State properties: State building .............................. 365.00 Furniture ................................... 387.50 Booths and fixtures ......................... 225.50 ----------- Total ..................................... 978.00 Returned to the State treasurer unexpended balance, salvage ............................ 978.00
The following properties have been turned over to the State Historical Society, for the use of the same, or such purposes as the State may deem advisable:
Educational exhibit (cases and bases, glass and cards), value ............................... $400.00 Exhibit glass jars, globes, and bottles ....... 115.00 Exhibit ores and specimens .................... 200.00 ----------- Total ..................................... 715.00
TENNESSEE.
Members of commission.--Governor James B. Frazier, chairman; J.H. Caldwell, Chas. A. Keffer, E. Watkins, John F. McNutt, J.M. Shoffner, E.C. Lewis, John W. Fry, Hu. C. Anderson, Thomas W. Neal, I.F. Peters, Mrs. J.P. Smartt, Mrs. Mary C. Dorris, Mrs. A.S. Buchanan; B.A. Enloe, secretary and director of exhibits; D.F. Wallace, jr., assistant secretary.
The State of Tennessee made nine different exhibits at the World's Fair, designated and located as follows:
(1) Tennessee State Building, a reproduction of "The Hermitage," the home of Andrew Jackson, the seventh President of the United States. (2) Collective agricultural exhibit, Palace of Agriculture. (3) Special tobacco exhibit, Palace of Agriculture. (4) Palace of Horticulture. (5) Palace of Forestry. (6) Palace of Education. (7) Palace of Mines and Metallurgy. (8) Mining Gulch on Intramural Railway. (9) Administration Building, section of anthropology.
The idea of raising a fund for the reproduction of "The Hermitage" as the Tennessee State building originated with the commission appointed by the governor of Tennessee to take charge of the participation of that State. The secretary of the commission was directed by the commission to inaugurate the movement. He began the agitation through the newspaper press, and delivered addresses on the subject to the commercial bodies of Chattanooga, Knoxville, Memphis, and Jackson and to the representatives of the commercial organizations of Nashville. Intelligent zeal and persistent energy carried the enterprise to a successful conclusion. The entire expense of constructing the building and maintaining it was defrayed by voluntary contributions. It was Tennessee's greatest single advertisement at the Louisiana Purchase Exposition. "The Hermitage" was appropriately furnished with furniture of the period in which Andrew Jackson lived, and a great many articles of the original furniture owned by Jackson were exhibited in the building.
In the Educational Building exhibit were displays from the city schools of Bristol, Knoxville, Memphis, Chattanooga, and Jackson, and the public schools of Knox, Hamilton, and Shelby counties were represented also. The University of Tennessee, at Knoxville; Buford College, at Nashville; Burritt College, at Spencer; Columbia Institute, at Columbia; Memphis, at Memphis; Mrs. Forest Nixon, Centreville; Roger Williams University, at Nashville; Southern School of Photography, at McMinnville, and Tennessee Industrial School, at Nashville, were all represented by highly creditable exhibits.
The entire forestry interests of the State were represented in the forestry exhibit, which was collected from every portion of the State.
There were 94 different producers represented in the horticultural exhibit. The display of horticultural products was collected from every part of the State, and Tennessee was surpassed by few in the character and quality of her products.
There were 266 contributors to the agricultural exhibit, representing every strictly agricultural product, except tobacco, which was represented in a special exhibit. There were 187 exhibitors represented in the special tobacco exhibit, and these exhibits covered the tobacco production and industry of every county in the State. The collective exhibit in agriculture and the special tobacco exhibit were located in and adjoining the central nave of the Palace of Agriculture.
In the mineral display in Mines and Metallurgy Building there were 168 different exhibits, representing every mineral in the State, and the specimens were from the different localities where developments have been made. This exhibit was one of the most beautiful in its installation and general effect of the many splendid exhibits in the Palace of Mines and Metallurgy. On account of the quantity of material collected and the inadequacy of space inside the building it became necessary to make a separate exhibit in the Mining Gulch, which was confined to coal, iron, phosphate, copper, and marble.
There were 12 different exhibitors in the Live Stock and Poultry Department, who made their exhibits under the auspices of the commission.
The exhibit in the division of anthropology, Administration Building, was one of the finest of its kind, and one which attracted the attention of archaeologists from every part of the world. Gen. Gates P. Thurston, of Nashville, collected and installed the exhibit, which was made up from the private collection of General Thurston, the Hicks collection, and the collection of the Tennessee Historical Society.
During the life of the exposition large quantities of advertising matter were distributed from the State building and from the State spaces in the exhibit palaces. This advertising matter was furnished in part by the State, in part by the different cities and counties of the State, and in part by the railroad companies of the State.
TEXAS.
On January 9, 1902, a corporation known as "The Texas World's Fair Commission" was chartered under the provisions of the laws of the State of Texas on application of citizens of Texas, and appointed Texas World's Fair Commissioners by Hon. Joseph D. Sayers, then the governor of the State. It was believed by the commission that with State aid to the extent of $200,000 added to sums that had already been guaranteed by subscribers, the State could make a creditable showing at the World's Fair in competition with other States and Territories. Accordingly the commission memorialized the twenty-eighth legislature for an appropriation of $200,000. The bill which sought to authorize the appropriation was reported to the house and was opposed by the governor of the State on two contentions: First, that the constitution did not authorize such an appropriation, and, second, that the limited revenues of the State would not justify it. When the commission failed in this direction, a meeting was held to determine whether the commission should attempt to go ahead with the work or abandon the enterprise. The commission decided by an overwhelming vote that Texas could not afford to deny herself participation in a universal exposition where all the States and Territories of the United States would enter in friendly competition, and the executive committee and the general manager were instructed to proceed with the organization. The task of reorganizing the work by counties was resumed, but with limited success. The plan was to call upon the counties for a sum equal to 2 cents on the $100 property valuation, with which to create the Texas World's Fair Commission fund. Out of 243 organized counties in the State the following subscribed and paid the amounts set against them:
El Paso, Tom Green, Tarrant, Dallas, Harris, Jefferson, Galveston, Smith, Nueces, and Comal.
Navarro, McLennan, Grayson, Travis, Harrison, Collin, Palo Pinto, Fannin, Lamar, and Bexar counties endeavored to raise the assessments set against them, but did not succeed in doing so, although their subscriptions in the aggregate were generous. The subscriptions from the counties mentioned amounted to $49,096.34.
The railroads of Texas subscribed approximately $25,000. Early in the organization of the commission the Texas Bankers' Association passed a resolution calling on its members to assess themselves for the Texas World's Fair Commission fund at the rate of one-tenth of 1 per cent on their capital stock. About one-half of the banks of the State subscribed and paid on that basis an amount in the aggregate of $11,672.65. The State Lumbermen's Association gave $3,133. The Texas Cattle Raisers' Association subscribed $2,150.
The above sums, augmented by scattering amounts from different sources, constituted a total fund to the commission of $126,780.14.
The Texas commission was composed of the following-named persons:
John H. Kirby, president; L.J. Polk, W.W. Seley, and Walter Tips, vice-presidents; Royal A. Ferris, treasurer; Louis J. Wortham, secretary and general manager; Paul Waples, chairman executive committee; A.W. Houston, Barnett Gibbs, B.F. Hammett, Jesse Shain, E.P. Perkins, L.L. Jester, Monta J. Moore; P.P. Paddock, executive commissioner; R.H. Sexton, resident commissioner.
The members of the board of lady commissioners were: Mrs. L.S. Thorne; Miss Kate Daffan, Ennis; Mrs. B.F. Hammett, El Paso; Mrs. O.T. Holt, Houston; Mrs. W.R. Roberts, Brownwood; Mrs. Fannie Foote Emerson, McKinney; Mrs. J.B. Wells, Brownsville; Mrs. W.F. Beers, Galveston; Mrs. C.L. Potters, Gainesville; Mrs. E.P. Turner, Dallas; Mrs. William Cameron, Waco; Mrs. William Christian, Houston; Mrs. W.F. Gill, Paris; Mrs. W.E. Green, Tyler; Mrs. J.F. Wolters, Lagrange; Mrs. F. Hufsmith, Palestine; Mrs. I.H. Evans, Austin; Mrs. J.C. Lea, Dallas; Mrs. W.F. Robertson, Austin; Mrs. Bacon Saunders, Fort Worth; Mrs. T.V. Sessions, Nacogdoches.
The Texas commission installed and successfully maintained exhibits in the palaces of Fine Arts, Education, Transportation, Mines and Metallurgy, Forestry, Agriculture, and Horticulture. The cost of the installation was as follows:
Fine Arts ................. $1,225.50 Education ................. 948.00 Transportation ............ 459.30 Mines and Metallurgy ...... 10,577.85 Forestry .................. 4,477.05 Agriculture ............... 6,899.87 Horticulture .............. 6,099.14
The contract price for the Texas Building, which occupied one of the most admirable sites on the exposition grounds, was $45,562. Expenditures in furnishings and in ornamenting the grounds were $12,000.
The Texas Building contained exhibits of a character intended to demonstrate the kinds of homes in which Texas people live, the kinds of schools in which their children are educated, and the churches in which they conduct their worship. These demonstrations were the conception and work of the Texas Federation of Women Clubs.
The work which the Texas commission did for Texas in forcing a recognition of the rights of breeders of pure-bred cattle below the Federal quarantine line, and the rights of breeders and raisers of beef cattle, on the attention of the exposition management was noticeable. The original ruling of the Live-Stock Department of the exposition was to the effect that pure-bred cattle from below the Federal quarantine line should not be allowed to participate in the live-stock show at the exposition, and that none but halter-broke cattle should be exhibited in any event. The effect of this ruling, the commission claimed, was, first, to shut out from participation the breeders of pure cattle from below the quarantine line, and, second, to prevent a demonstration that should show what the immense cattle ranges of the Northwest and Southwest are capable of producing.
When the supplementary appropriation of $4,600,000 was under consideration by Congress, the commission, through its general manager, Louis J. Wortham, who acted also as the official representative of the Texas Cattle Raisers' Association, succeeded in having a provision added to the bill permitting an exhibition of pure-bred cattle from below the quarantine line under such restrictions as the Secretary of Agriculture might deem advisable, and, further, permitting the exhibition of range cattle in carload lots.
As a result of this action, the exposition provided for an exhibit of cattle from below the quarantine line and of range cattle in carload lots in November, and set aside $19,000 in prizes to be divided among exhibitors.
UTAH.
By a legislative enactment the State of Utah, on the 12th day of March, 1903, appropriated the sum of $50,000 for the participation of Utah at the Louisiana Purchase Exposition. Subsequently about $10,000 additional was received from the legislature for the expenses of the State at the exposition. The act making the appropriation appointed Governor Heber M. Wells, of Salt Lake City, as chairman of the State commission. The governor appointed as his assistants Hon. H.L. Shurtliff, Ogden; Hon. Willis Johnson, Salt Lake City; and the board elected S.T. Whitaker, of Salt Lake City, as director-general and John T. Cannon as secretary.
The Utah State Building was erected from designs of Director-General Whitaker, and was a replica of a residence of the State of Utah. Mrs. Inez Thomas was appointed hostess of the State building.
The State had exhibits in the Mines and Metallurgy Building, Educational Palace, and the Agricultural Pavilion. It received 3 grand prizes, 140 gold medals, as well as several minor awards.
UNITED STATES GOVERNMENT INDIAN EXHIBIT.
The United States Government Indian exhibit was opened June 1, and was visited by hundreds of thousands of persons, who pronounced it one of the most interesting and instructive exhibits at the World's Fair.
Authority to establish and conduct the Indian exhibit at the exposition was granted in the following letter from the Secretary of the Interior to Mr. Samuel M. McCowan, superintendent of the Chilocco Indian School in Oklahoma:
Sir: In connection with the Department letter of May 22 last, detailing you for duty as superintendent of the Indian exhibit at the Louisiana Purchase Exposition, and on the recommendation of the Commissioner of Indian Affairs, you are hereby detailed to erect the required building, perfect the details of the transfer of Indian families and pupils from their homes and schools to St. Louis, install and conduct the exhibit and supply the Indians with necessary food, shelter, and medical attendance.
You are hereby authorized to disburse the funds appropriated by act of Congress approved June 28, 1902 (32 Stats., p. 445), so far as expenditures are required by your duties in connection with the exhibit.
You are hereby also authorized to pay your actual necessary traveling expenses incurred in connection with the exhibit, including transportation and sleeping-car fare, payable out of $40,000 appropriation.
The exhibit occupied a reservation of about 10 acres in the northwest corner of the fair grounds, and its location at the extreme end of the anthropological exhibit typified the advancement of a primitive people toward civilization. Around the border of the reservation were arranged in a semicircle the native dwellings of the "blanket" or uncivilized Indians, as follows: Beginning at the western end of the semicircle, a Kickapoo bark house; the Maricopa-Pima group in two kees, one tent and summer houses; Arapaho group, one stockaded tepee; Geronimo, the great Apache medicine man, one (decorated) tepee; Pawnee group, ceremonial earth lodge or residence temple; Wichita group, grass lodge, summer house, and one tepee; Pueblo group, two tents and two summer sheds; Pomo group, one tent; Apache group, two tepees. These habitations were erected by the Indians themselves.
The Indians were grouped as follows: Six Pima, Arizona; 5 Maricopa, Arizona; 23 Arapaho, 35 Cheyenne, 50 Pawnee, 35 Wichita, 5 Comanche, 9 San Carlos Apache, 20 Osage, all from Oklahoma; 29 Pueblo and 23 Navaho, New Mexico; 35 Sioux, Rosebud, S. Dak.; 2 Pomos, California; 8 Jicarilla Apache; 25 Chippewa, Minnesota; a total of 310.
The school building was a two-story structure of the old Mission style of architecture, standing at the rear of the reservation and extending the width of it. A hall ran the length of the building on either side of which were the booths containing the exhibits. The idea was to show the contrast between the civilized and uncivilized Indians, and to this end the booths on the west side of the hall were occupied by the old Indians working at their crude, primitive trades, and those of the east side by the new Indians (pupils of the various Indian schools) pursuing the up-to-date methods taught them by the white man.
The exhibits were as follows: On the west side, beginning at the south end of the building, Chilocco School exhibit, showing work in agriculture and stock husbandry, methods of instruction and results; Pueblo, San Juan, N. Mex., expert potters and weavers with needle loom, primitive millers, and bakers of wafer bread; Pomo, California, makers of fine baskets, mats, stone tools, and musical instruments; Pima, Arizona, makers of coiled baskets and pottery; Maricopa, Arizona, makers of fancy pottery and basket workers; Navaho, Arizona, famous blanket weavers, workers in silver, shell, and turquois; Sioux, South Dakota, decorative artists with porcupine quills, beads of buckskin, manufacturers of bows and arrows, and the calinite pipes, axes, and hammers; Apache, Arizona, expert weavers of blankets and makers of pottery; Apache, New Mexico, makers of coiled basketry of a peculiar type; Navaho, Sante Fe, N. Mex., Indian School, modern blanket weavers; Navaho, reservation, N. Mex., workers in silver, shell, and turquois; Pueblo, New Mexico, makers of pottery, blanket weavers and silversmiths.
On the east side, beginning at the south end of the building; Chilocco class in domestic science, model dining room, furnishings made by the pupils of the Chilocco School, Chilocco, Okla. This class gave daily demonstrations in cooking and serving food, Miss Peters in charge. Laundry class from the Chilocco School, under the charge of Miss Peters. Class in printing the Indian School Journal, printed daily by a class of students from the Chilocco School, E.K. Miller in charge. Painting, blacksmithing, and wheelwrighting classes from Haskell Institute, Lawrence, Kans., K.C. Kaufman in charge. Manual training, Haskell Institute, C.F. Fitzgerald in charge. Domestic art class, students from Haskell Institute, Miss Taylor in charge. Harness-making class from Genoa, Nebr., School, J. McCallum in charge.
The halls were decorated with the work of the Indian pupils in penmanship, literary composition, arithmetic, sewing, lace work, bead work, and basketry. Every school in the service was represented in this display, except Carlisle, Phoenix, and Riverside. The exhibit was remarkable for its beauty and extent. In the model dining room the tables, dishes, napkins, rug, floor, chairs, wall paper, and general furnishings were all manufactured by pupils of the Chilocco School.
In the rear-center of the building was the assembly hall, where were held the daily classes, under the direction of Miss Harrison, and the musical and literary programmes, under the direction of Miss Crawford. There were in attendance at the school during the exhibit 150 boys and girls.
The following daily programme was observed:
Reveille ................................................ 6.00 Flag salute ............................................. 6.45 Breakfast ............................................... 7.00 Band concert ................................... 9.30 to 11.30 Industrial work ................................ 9.00 to 11.30 Literary class work ............................ 9.00 to 11.00 Literary musical programme .................... 11.00 to 11.30 Dinner ................................................. 12.00 Band concert .................................... 1.00 to 3.30 Industrial work ................................. 1.00 to 4.00 Literary class work ............................. 1.00 to 3.00 Literary musical programme ...................... 4.00 to 5.00 Old Indian sports and ceremonies (on plaza in front of school building) ..................... 5.00 to 6.00 Flag salute and dress parade ........................... 6.00 Supper ................................................. 6.20 Taps ................................................... 10.00
The band concerts, under the direction of Mr. Lem Wiley, were always well attended and heartily applauded. The feature that attracted more attention, probably, than any other was the musical-literary programme. At these entertainments the hall was always crowded, and the audience never failed to be interested. The following programme, chosen at random, will give an idea of the character of the exhibitions:
1. Prelude --------------------------------------- Orchestra.
2. Vocal solo --------------------------------- Dolly, Dolly. Mary Leeds, Pueblo.
3. Scarf drill ------------------------------ Kindergartners.
4. Recitation -------------------------------- My Tambourine. Ida Prophet, Seneca.
5. Vocal Solo --------------------------- Hearts and Flowers. Oscar Norton, Houp.
6. Oration -------------------------- The Old and New Indian. Richard Lewis, Pima.
7. Vocal solo ------------------------------------ My Desire. Bertha Johnson, Pottawatomi.
8. Recitation -------------------------- Flag of the Rainbow. Esther Parker, Comanche.
9. Recitation ----------------------------- The Pawned Bible. Stella Hall, Cherokee.
10. Vocal solo --------------- When the Birds go North Again. James Arquette, Puyallup.
11. Recitation ------------- Why he Stole the Parson's Sheep. Iva Miller, Shawnee.
12. Pole drill ------------------------------- Sixteen Girls.
13. Instrumental solo ----------------------------- Selected. Gertrude Brewer, Puyallup.
The dress parade in the evening was another feature that drew large crowds, and was thoroughly enjoyed by the spectators.
The average daily attendance was about 30,000. On some days it ran as high as 50,000.
Praise of the exhibit has been universal. Distinguished men of nearly every nationality and profession have eulogized it in the highest terms. It is believed that the Government, by bringing this exhibit to St. Louis, has given a strong impetus to the work of the Indian Service. The people of the country have seen the progress made by the Indian in the Government schools, and will no longer refuse to give the work their substantial support. It has been said that the true value of the Government Indian exhibit can not be estimated until the years have revealed its fruits.
VERMONT.
The Vermont Building, 50 by 100 feet, was a reproduction of what is claimed to be the second most interesting historic structure in the United States--the old Constitution House at Windsor, where in 1777 the constitution of the State was formulated, a constitution of intense interest from the fact that it was the first in all history to prohibit slavery.
As this State building was a reproduction of a famous old tavern, it was peculiarly appropriate that it should maintain a dining room, and here between one and two thousand people were daily entertained.
The minutes of the constitutional convention were for many years supposed to have been lost, but were quite recently discovered in the Congressional Library at Washington, and were elaborately reproduced in facsimile by Senator Proctor.
Thanksgiving Day was the Vermont and Hew Hampshire day at the exposition.
The State commission was composed of the following:
Governor Charles J. Bell, ex officio chairman; W. Seward Webb, president; Arthur C. Jackson, vice-president and executive commissioner; Frederick G. Fleetwood, second vice-president; J.C. Enright, secretary and counsel; F.W. Stanyan, treasurer; Miss Mary Evarts.
The legislature having failed to make an appropriation, Mr. Jackson, a native of Waitsfield, personally raised all the money required for the construction and maintenance of the State building.
Among the elaborate displays were those of private exhibitors in the Machinery Building, marble in the Mines Building, and the granite exhibit in the same building.
VIRGINIA.
During the winter session of 1902 the Virginia legislature by enactment provided $50,000 for an industrial exhibit at the Louisiana Purchase Exposition, with the condition that no portion of the sum should be used for a State building. The act provided for three commissioners and five assistant commissioners, one of whom was named principal assistant, with duties of superintendent and treasurer. The State commissioner of agriculture was named as one of the commissioners, and the appointment of two was left to the governor, with power vested in the commission to appoint the assistant commissioners. Governor Montague appointed Col. A. M. Bowman, of Salem, Va., and J.L. Patton, of Newport News, Va., as commissioners. This commission, in February, 1903, elected Hon. G.W. Koiner, president, and appointed Hon. George E. Murrell, of Fontella, Va., superintendent, treasurer, and secretary; Hon. W.W. Baker, alternate and second assistant, and later appointed O.W. Stone, Martinsville, Va., B.C. Banks, Bland, Va., Lyman Babcock, of Bay Shore, Va., and J.C. Mercer, of Williamsburg, to complete the executive force. Mr. Murrell immediately took charge of the work and assisted by J.C. Mercer as his secretary and stenographer, with the aid of Mr. Baker, planned the scope and took steps toward the collection of exhibits. Later, as the force was strengthened, Mr. Stone was given charge of tobacco and peanuts, Mr. Banks of minerals and timber, and Mr. Babcock of fish and game.
Exhibits were planned in agriculture, horticulture, forestry, fish and game, mines, and education, and were executed as follows:
In agriculture, exhibits of corn on the stalk, in the ear, and shelled, to the extent of 1,000 bushels; grain in sheaf and threshed; peanuts shelled and unshelled, to the extent of 5,000 pounds; wine, pickles, vegetables, cowpeas, transparencies illustrating agricultural scenes, cotton in bales, etc., tobacco in leaf and manufactured products. A pavilion erected in the Agricultural Building was of Moorish architecture, consisting of one central and eight subsidiary pavilions, connected with corn festoons. Corn, tobacco, peanuts, and sheaf grain entered into the decorations on a blue ground, the effect being harmonious. It was accorded the honor of obtaining one of the four grand prizes awarded in State agricultural exhibits. Tobacco was also used as a special exhibit, and was featured by an Indian maiden standing on a pedestal 23 feet high and holding in her outstretched hand a bundle of tobacco. A miniature log cabin advertised a special brand of tobacco. The horticultural exhibit consisted of an open, three-towered elliptical pavilion and a horn of plenty, apparently pouring apples on a pyramid of natural fruit below. This was made primarily an apple exhibit, more than 800 barrels being used for the purpose. Peaches, melons, pears, cranberries, and other fruits were shown in season.
The forestry, fish, and game exhibit was displayed by the use of sectional disks and boards in the rough, dressed, and polished, and by specimens of fish in natural skins and papier-mache, illustrating the leading food fish of Virginia waters. Mounted animals and a very complete collection of mounted water fowls and game birds were displayed. There was also one of the largest collections of oyster models ever made, illustrating by means of composition replicas in the natural shell of all the leading types of the Virginia oyster.
Transparencies 28 by 30 were used to illustrate forest scenes, while in manufactured goods an interesting display was made. The exhibit booth consisted of a rear façade with brown color scheme, relieved by ornamentation in shells, fish scales, and forest products, the whole forming an immense picture of Hampton Roads executed in colors.
The installation for the mines and metallurgy exhibit was mediaeval in architecture. A castellated gateway, veneered with copper ores, gypsum, and slate was flanked by a balustrade of slate surmounted by onyx balls. In the gateway appeared a coal exhibit, representing King Coal seated on a throne and guarded on either side by gnomes. The windows in the rear were screened with transparencies 28 by 34, illustrating scenery of the State, while the floor space was occupied by pyramids of various ores. The panels of the wall space were framed in coke, in which were displayed, in colors, pictures of the upper works of the mines. Between these panels were arranged upright cases containing ores of gold, silver, lead, iron, asbestos, kaolin, mica, clays, zinc, manganese, talc, etc., while exhibits of marble, rough and sculptured, together with cubes of building stones and mineral waters were displayed. The general color scheme was that of copper and iron pyrites. In these four exhibits Virginia occupied a little less than 10,000 square feet of floor, and her exhibits, both by award and public opinion, were adjudged to be among the best. An award was won by every entry made. During the spring of 1903 the Virginia assembly appropriated $10,000 to be expended by the Commission in the erection of a State building. This sum was augmented by private subscriptions of nearly an equal amount, and an exact replica of Monticello, the home of Jefferson, was erected. In this building, outside of the manual exhibit made in the Education and Social Economy Building, by the Blind, Deaf and Dumb Institute of Stanton, all of Virginia's educational exhibit was displayed It consisted of an exhibit valued at over $10,000, made by the University of Virginia. A comprehensive exhibit was made by the Randolph Macon system, and exhibits were made by Roanoke College Hollins Institute, and a number of other schools. The building, in addition to its social offerings, provided an interesting historical study through its furnishings of articles owned by Jefferson, and was classed among the most satisfactory State buildings of the fair.
WASHINGTON.
In March, 1903, Governor McBride, pursuant to the act of the legislature, appointed the following-named gentlemen members of the Washington State commission for the Louisiana Purchase Exposition:
A.L. Black, Bellingham; Edward C. Cheasty, Seattle; Thomas Harrington, Buckley; M.E. Hay, Wilbur; G.L. Lindsley, Ridgefield; G.W.R. Peaslee, Clarkston; R.P. Thomas, Anacortes; W.W. Tolman, Spokane.
At the first meeting of the commission, held in Tacoma April 2, 1903, A.L. Black was elected president of the commission; G.W.R. Peaslee, secretary; and Elmer E. Johnston, of Everett, executive commissioner.
The type of structure selected for the Washington State Building at the St. Louis World's Fair was an unique and attractive one, designed primarily to demonstrate the quality, character, and exceeding dimensions of the State's forestry product. It consisted of eight pieces of fir timber 24 inches square and 110 feet long, placed on end at the points of an octagon 90 feet in diameter at the base, five stories in height, the eight timbers surmounted by an observatory carrying a flag pole 60 feet in length. All the material entering into the construction of the State Building was shipped from the State of Washington, and was donated to the State by the Northwest Lumber Manufacturers' Association. The market value of said material in Washington would be, in round numbers, $8,000. The freight on the material from Washington to St. Louis and the construction of the building amounted to $18,823.10. The unique design and unusual construction features of this building constituted it at the start one of the features of the exposition construction.
It was photographed by many thousand visitors, illustrated in railroad guides as one of the attractions, featured by papers and magazines everywhere, and will probably be distinctly remembered longer by a greater number of people than any other building on the exposition grounds. As a practical exhibit of the State's lumber products it was a tremendous success, and together with its exhibit contents, representing a composite collection of the State's natural products and resources, was a colossal advertisement and demonstration of the State's natural wealth.
In addition to the State appropriation, heretofore mentioned, and the donation of lumber material above referred to, various counties in the State expended a total of $15,000 in the maintenance of individual exhibits.
The State of Washington installed and maintained throughout the period, in the various classified exhibit palaces, comprehensive exhibits of its mines, forestry, fisheries, game, horticulture, agriculture, education, climate, and scenery, and in addition, and supplemental thereto, maintained a composite showing of all these resources in its State building:
Horticulture: One thousand boxes of the best apples grown in the State in 1903 were carried over in St. Louis in cold storage. On May 1 the exhibit was opened with the 500 jars of miscellaneous fruits preserved for this exhibit; on May 15 we began the showing of fresh fruits, which showing was continued with all varieties and ample quantities (both in Horticultural Hall and in our State building) throughout the season, consuming four carloads of this material received by freight, and 150 boxes miscellaneous fruits in season expressed. Awards--Grand prize, for "collective exhibit of fruits." Gold medals, Yakima County, Chelan County, W.L. Wright, Geo. H. Farwell; silver medals, Chelan County Horticulture Association, Chelan County Fair Association, Clarkston Fruit Growers' Association, Orondo Fruit Farm, Yakima Horticulture Association, Washington Irrigation Company (Sunnyside), Wrightville Farm, to 38 individual exhibitors; bronze medals, to 27 individual exhibitors.
Forestry: A comprehensive collection of commercial woods, large dimensions, rough, and a good variety of finish shown in our various booths, counters, tables, etc.; also, a sample collection of all our native woods, rough and finished, exceeding in quantity (exclusive of the exhibit features of our State building) the exhibit shown by any State.
This exhibit was entered as "collection of commercial woods of best quality and largest dimensions; and the greatest educational exhibit of forestry shown at the Louisiana Purchase Exposition, in that it teaches the youth and uninformed adult more of the characteristics and extent of the wonderful forests of the Northwest, and conveys to the residents of the treeless areas of the North-Central States a better knowledge of the quality and duration of their future lumber supply than does any other forestry exhibit shown on the occasion."
Awarded grand prize on "commercial woods." Collaborators--H. McCormick Lumber Company, the Larson Lumber Company, Grays Harbor Commercial Company, Pat McCoy Logging Company, St. Paul and Tacoma Lumber Company, Clarke-Nickerson Lumber Company, the Northwestern Lumber Company, the Northwestern Woodenware Company, Panel and Folding Box Company (Hoquiam), E.K. Lambert (Elma), and the American Portable House Company.
Agriculture: In this department our space in Agriculture Hall and the lower floor of our State building was crowded with an exhibit of all cereals in straw and seed, forage grasses, vegetables, hops, wool, dairy products, etc.
Awarded grand prize on "collection of cereals, forage grasses, and miscellaneous vegetables;" grand prize on "best one-farm exhibit;" gold medals on various county exhibits, seven in number; gold medals on various mill products, five in number; gold medal on dairy exhibit, by Hazelwood Company; gold medal on hops, wool, and flax; gold medal on beet sugar.
Fisheries: Washington's exhibit in this department included every native leading variety of food fish and game fish, exceeding in numbers and quantity the showing of any other State. The installation was also the most practical undertaken here, considering the water and temperature, as all live exhibits were failures, and the collective exhibit was awarded first prize.
Game: In this department was shown a comprehensive specimen collection, in whole mounts, of the fur-bearing animals, animals of prey, game animals, and game birds indigenous to the section; one carload. Awarded silver medal.
Mines: In this department was shown the most complete collection of the State's minerals that has ever been made. Entered as "a collection of ores, gold, silver, copper; minerals, fossil collection, coal and coke; building materials, iron, lead, antimony arsenic; roadmaking and cement materials, clay and clay products, limestone and lime, soils, mineral waters, illustrations." Awarded gold medal on "collective exhibit of ores and minerals;" silver medals to various counties and individual exhibits.
Climate and scenery: Over 400 paintings and photographs were shown in the State building. Not in competitive exhibit.
Education: Photographic enlargements of all the State's normal schools colleges, and city school buildings; also shown in the State building.
Literature: The "State Book" issued by the commission has been distributed at the rate of 500 per day throughout the period; in addition to which individual literature has been furnished by Seattle, Spokane, Yakima, Everett, Walla Walla, Oregon Railway and Navigation Company, Clarkston, Waitsburg, Tacoma, Bellingham, Wenatchee, Olympia, Great Northern Railway, Northern Pacific Railway Company, Chelan, Pullman, to the total number of 800,000 pieces.
The total expenses on account of participation in the Exposition were $69,135.47, leaving a balance unexpended of $8,245.
WISCONSIN.
The board of managers for the State of Wisconsin was appointed under an act of the State legislature, and an appropriation of $104,000 was also made for exploiting the State's resources, its educational advantages, and for providing a State building. Of this amount $100,000 was for general exploitation and the State building, and the $4,000 was for use exclusively in showing the work of the State University, which ranks among the leading educational institutions of the United States.
The appropriation was apportioned by the board of managers as follows:
Agriculture ............................ $5,000 Dairying ............................... 6,000 Horticulture ........................... 5,000 Agricultural College ................... 1,500 Mines .................................. 5,000 Education .............................. 6,000 State building ......................... 15,000 Furnishings and maintaining ............ 10,000 Forestry ............................... 5,000 Live stock ............................. 10,000 Special university appropriation ....... 4,000
The results obtained from the exploitation are shown in the large number of grand prizes, gold, silver, and bronze medals awarded to the State. The State building received a gold medal. The Wisconsin building was erected at a cost of only $14,750.
The Wisconsin State Building was located on Commonwealth avenue on the brow of the hill above the United States bird exhibit. The building was original in conception. The design of the building was what is known as the "English cottage." It was a departure from the ordinary semiclassic style of architecture prevalent in the exposition buildings. It gave the impression that it was designed for the spot on which it was located, and it fitted in the slope of the hillside and between the giant forest trees as if it were a part of nature's plan. The structure with its plastered walls and red gable roofs, amid the green foliage, was a welcome relief from the general massive architecture of the surrounding buildings.
The building proper was 30 feet from the street. The semicourt was flanked on the north and south by long and wide verandas and a veranda extended across the front of the cottage. The semicourt was a profusion of flowers and shrubbery. The keynote of the building was rest and comfort. The decorative and color schemes were restful and quiet and harmonious. The wainscoting and the grand staircase were finished in Flemish oak, and the furniture was the "mission style," which harmonized with the woodwork. Indian blankets in rich dull reds and blues hung from the railing of the wall, which emphasized the "mission" effect.
The second floor was devoted to the sleeping apartments of the hostess and the board of managers and the governor's suite. The furnishings were of mahogany. In the basement were the dining room, kitchen, and storerooms.
The personnel of the board of managers of the State of Wisconsin was as follows:
W.D. Hoard, president; A.J. Lindemann, vice-president; Grant Thomas, secretary; S.A. Cook, treasurer; W.H. Flett, William A. Scott, Mrs. Lucy E. Morris, Mrs. Theodora Youmans; Mrs. Emma I. Walsh, hostess.
In the Palace of Education and Social Economy a comprehensive display of the highly organized school system of the State of Wisconsin was arranged; in the Palace of Agriculture a fine collection of the agricultural and dairy products of the State, also the exhibit of the Agricultural College; in the Palace of Horticulture a superb display of the fruit; in the Palace of Mines and Metallurgy an interesting exhibit of the mineral wealth; in the Palace of Forestry, Fish, and Game a display of the commercial woods, and throughout the fall prize-winning herds of cattle, sheep, horses, and other live stock were on show at the live stock display grounds. The educational exhibit in the Palace of Education was illustrative of the progress of Wisconsin's schools. The exhibit embraced the kindergarten, graded schools, high schools, manual training schools, optional study of the German language, public library, the public museum in its connection with the schools, school for the deaf, agricultural school, and barracks or portable schoolhouses for use in the crowded districts of the city. The three free schools of agriculture and domestic economy, located at Madison in connection with the State University, and at Menominee, and Wassau were especially noteworthy. The two latter are distinctly training schools in agriculture and domestic economy, and are the only schools of their kind in the United States.
The public schools of Milwaukee made a separate display. The furnishings of the entire exhibit, except the cabinets, were made by the pupils of the high school manual training department.
A unique feature of modern school work was illustrated by the application of the graphophone in the instruction of the children, and illustrations of the results obtained. Unique among the records were those on which had been impressed the voices and declamations of children who have been taught to speak at the public school for the deaf.
The Milwaukee public school exhibit embraced the entire school system, from the enrollment of the student in the kindergarten to the graduation by the high school, the salaries of the teachers, and the financial statement of the school board.
One booth was devoted to the work of the benevolent institutions and the United States School for Indians.
The exhibit of the State University was in the Palace of Social Economy. It was mainly composed of photographs of the university buildings, grounds, equipment, and of classes at work.
Wisconsin made its best record in the display in the Agricultural Palace, which was made up of agricultural products of the State and of butter and cheese exhibits. The space that was allotted to Wisconsin was utilized to the best possible advantage. Every grain grown in the Badger State was exhibited in the stalk or sheaf and in the threshed state. There were also, from time to time, fresh exhibits of seasonable vegetables.
The display in the Horticultural Palace was comprehensive enough to include about all of the fruits produced in the State. Eighty-nine varieties of Wisconsin apples were shown. There were shown 18 kinds of Wisconsin grown strawberries; 5 varieties of crab apples; 47 kinds of plums; 4 kinds of pears; 5 kinds of gooseberries, and 4 kinds of cranberries.
Wisconsin's fame as a cranberry-producing State was brought to the attention of the visitors by a miniature representation of a Wisconsin cranberry bog.
Under the head of "mining interest," there were included all of the various distinctive mining industries and the granite and other stone productions of the State, and its clay development. All of this was included in the State's display in the Mines and Metallurgy Building. A clever representation of a cross section of a lead and zinc mine was interesting.
In the center of this exhibit was a pyramid of red hematite iron ore from the famous Menominee, Baraboo, and Gogebic districts.
In the display of metals, Wisconsin showed zinc, lead, iron, copper, and graphite. The last was new in the State, and promised great results.
The display of granite and building stones was of interest, and a polished shaft of Montello granite was greatly admired.
The display included samples of various clays for which the State is famous, together with examples of the wares made from them.
In the Forestry, Fish, and Game Building, Wisconsin made a comprehensive display of its commercially important woods. There were 14 kinds of timber suitable for commercial purposes, together with the furnishings of the display, which were also of Wisconsin wood. Of the woods the more important were white and red and curly birch.
There were, in 4 large cases, lifelike specimens of the taxidermist's art. Prominently displayed was the Wisconsin badger, and other cases contained bear, deer, and porcupines in characteristic attitudes.
The live stock exhibits of the State were very successful, although handicapped by a small appropriation.
The entries consisted of horses--Percherons, Clydesdales, hackneys, and English coach animals. In cattle there were Guernseys, Shorthorns, and Jerseys. In sheep, Shropshires, Bembouillets, and Cotswolds. In swine, Tamworths, Berkshires, and Poland Chinas. Poultry, of all breeds, and pigeons were also displayed.
WYOMING.
By act of the seventh legislature of the State of Wyoming in 1903, provision was made for the appointment by the governor of a commission of seven members to secure a collection of the resources and products of this State and to properly display and care for the same at the Louisiana Purchase Exposition, at St. Louis in 1904, celebrating the one hundredth anniversary of the acquisition of the Louisiana Territory from the Government of France.
The same act appropriated $25,000 from the general revenues of the said State of Wyoming, to be used in the purpose aforesaid.
In pursuance of such act of the Wyoming legislature, Governor DeForest Richards appointed the following commission:
Clarence B. Richardson, commissioner in chief; Robert H. Homer, Bryant B. Brooks, Willis George Emerson, George E. Pexton, Charles A. Badgette, William C. Deming.
Whereas the law provided that the said commission should meet at the State capital and organize within fifteen days of the date of appointment, a meeting was held upon the 20th day of March, 1903. The following were elected:
Robert H. Homer, president; Bryant B. Brooks, vice-president; William C. Deming, secretary.
In pursuance of the instructions of the commission, the commissioner in chief and the secretary proceeded to St. Louis about the middle of March, 1904, and installed Wyoming's exhibit in the Mines and Agricultural departments, along general lines approved by the commission. The exposition was formally opened on the 30th day of April, 1904, and Wyoming was one of the comparatively few States to have its exhibit practically complete upon the opening day.
Almost from the opening day of the exposition a surprisingly large number of people from Wyoming visited the fair, and the expressions of approval of the showing made by this State were highly encouraging to the commission. It was shown by registration at the Wyoming headquarters and at the various hotels that one person in every fifty in Wyoming saw the World's Fair.
In the Palace of Mines and Metallurgy, Wyoming's exhibits were very favorably located on two of the most prominent aisles of the building and occupied a floor space of 2,700 square feet. In addition to this, a wall space of 2,100 square feet was utilized for a display of Wyoming pictures, plats, maps, and drawings. The exhibit in this building was quite extensive and weighed about 250,000 pounds, it being the purpose of the commission to show all native products in commercial quantities.
The oil exhibit, which Dr. F. Salathe kindly volunteered to prepare, consisted of over 200 varieties of every grade of lubricating and illuminating oil in this State, and was one of the most complete exhibits of the kind shown at St. Louis.
Whenever it was practicable, the commission endeavored not only to show the crude material, but some article of utility manufactured from it. In carrying out this idea, the iron exhibit comprised 32,000 pounds of the crude ore, and around it were grouped nails, spikes, bolts, steel rails, barbed wire, and pig iron manufactured from the ore.
To illustrate the utility of our onyx and marble displays, a large pyramid of the different varieties of onyx, weighing about 40,000 pounds, was shown; also a beautiful mantel and fireplace manufactured from this material.
The mines exhibit was comprised of 156 varieties of mineral--a larger number than was shown by any other State--and over 3,000 classified exhibits. Being one of the most complete in extent and variety shown in the Mines Building, the State received a gold medal on the general collective exhibit.
Great quantities of copper ore and copper products from the famous Encampment district made up a large part of the State's display. One of the exhibiting companies showed the mineral in all its stages and processes of manufacture, from the crude ore to the finished product.
Wyoming also exhibited one piece of natural soda, weighing 5,000 pounds, taken from a natural soda lake near Laramie, in Albany County, while the exhibit of refined sodas was on a par with that exhibited from any other State. In bituminous and lignite coals, both in quality and quantity, Wyoming's exhibit was one of the most prominent found at the fair. Cubes of coal weighing as much as 10,000 pounds each, from which huge pyramids were formed, towered high above their surroundings and immediately caught the eye of every passer-by. These coal exhibits came chiefly from the great mines at Cumberland, Rock Springs, and Kemmerer, and were taken from veins 30 feet in thickness.
Onyx in both its native and finished state was shown in large quantities. A pyramid of gray onyx and beautiful mantels and polished slabs from fields in northern Laramie County were a revelation to all who saw them.
Gold ore and refined gold from the famous South Pass district were on exhibition, demonstrating that Wyoming may in the course of time rival her southern neighbor, Colorado, as a gold-producing State.
Marble and building stones were shown in great variety, both in their native and finished states. Moss agates, lithograph stones, asbestos, bentonite, gypsum, glass from native sand, and soda added to Wyoming's collection, which in variety was as great as any exhibit in the Mines Department. All told, there were 156 varieties of minerals, aggregating more than 3,000 classified exhibits. The exhibit was reenforced by beautiful color photographs of Wyoming scenes and resources, which occupied a wall space in the Mines Building of 2,100 square feet.
The commission was especially indebted to State Geologist H.C. Beeler for his valuable assistance and advice in connection with this work.
As the State's appropriation was so limited, the commission decided to show all the agricultural, horticultural, educational, and forestry and game exhibits in the Palace of Agriculture. In this building Wyoming occupied a floor space of 2,100 square feet and a wall space of 1,400 square feet.
The agricultural display was prepared and installed under the direction of Prof. B.C. Buffum, assisted by Mr. Elias Nelson, and consisted of over 1,400 classified exhibits. The showing of grains was particularly remarkable, and by actual competitive tests it was demonstrated that Wyoming grown wheat weighed 66 pounds per bushel, and the heaviest wheat from elsewhere was that of the Argentine Republic, which weighed 64 1/2 pounds per bushel. Wyoming oats weighed 48 pounds per bushel, and the heaviest oats from elsewhere were those from New Zealand, which weighed 46 1/2, and those from Idaho, weighing 46 pounds. Wyoming hulless barley weighed 56 pounds, while the standard is 48 pounds per bushel.
On all these products, as well as Wyoming grown alfalfa, Wyoming was awarded grand prizes.
The exhibit of Wyoming forestry products, which was prepared under the direction of Mr. John H. Gordon, showed a number of trees from 5 to 7 feet in diameter, and a variety of over 40 woods found in the State. Owing to the great expense and disadvantage under which such a collection must necessarily be made, it was impossible to reach every section of the State and secure samples of the different woods, but this was done wherever it was found to be possible, and an effort was made to secure samples of all the woods of the State.
A beautiful table manufactured by Mr. Gordon, made of over 35 varieties of these woods, was a work of art and attracted more attention and favorable comment than anyone thing shown in the exhibit.
The exhibit of Wyoming grown fruits from Fremont county, as well as the fruits grown in Laramie County, were especially praiseworthy.
The educational exhibit, which was prepared and collected under the direction of the superintendent of public instruction, T.T.T. Tynan, consisted largely in showing pictures of school buildings of the State and the school work of many of the pupils. Although only a small sum was available for this purpose, the exhibit was quite complete and made a very creditable showing.
The commission printed and distributed over 500,000 pamphlets giving information on the resources of Wyoming, and this was supplemented by a large amount of literature which was received for distribution from other sources.
Wyoming exhibitors received 125 awards in the two departments of Mines and Agriculture, where the Wyoming exhibits were shown, and the grand prizes awarded Wyoming grown grains were the results of actual tests by weight for the excellent quantity and size of the grain. Credit must be given Prof. B.C. Buffum, of the State University, for his thorough work in the preparation of these exhibits.
The Wyoming Commission closed up its affairs February 1, 1905, showing that its entire expenditures for all purposes was only $20,000, or about four-fifths of the appropriation.
LOUISIANA PURCHASE EXPOSITION HOSTESS' ASSOCIATION.
In obedience to the call of Mrs. Parks Fisher, hostess of the Maryland Building, the hostesses of the various State and Territorial buildings of the Louisiana Purchase Exposition assembled at the Maryland Building on the morning of June 16, 1904, for the purpose of forming an organization, the object being mutual improvement and the bringing into closer social relationship the members thereof.
Preliminaries were discussed and the meeting adjourned to assemble on June 30 at the Alaska Building, on which occasion the organization was perfected and the following officers were elected:
President, Mrs. Parks Fisher, Maryland; vice-presidents, Mrs. Mary E. Hart, Alaska, Mrs. C.C. Monson, Connecticut, Mrs. Floyd Walton, Mississippi, Mrs. Sallie Douglas, New Mexico, Miss Esther Wehrung, Oregon; recording secretary, Mrs. Dore Lyon, New York; assistant recording secretary, Mrs. G.L. Hall, New Jersey; corresponding secretary, Mrs. W.N. Strother, Virginia; assistant corresponding secretary, Miss Elizabeth Cage, Arkansas; treasurer, Mrs. Belle Hall Small, Missouri; press representative, Mrs. Mary E. Hart, Alaska.
Many pleasant social functions took place under the auspices of this popular organization, and its business and social meetings were characterized by the greatest harmony. The organization is a permanent one and is to be represented at all future expositions. Its officers are to be elected annually, the next election to be held at the Lewis and Clark Centennial Exposition in Portland, Oreg.
The full list of membership is as follows:
Mrs. Parks Fisher, Maryland; Mrs. Mary E. Hart, Alaska; Miss Jessie Drais, Arizona; Miss Elizabeth Cage, Arkansas; Mrs. Frank Wiggins, California; Mrs. J.A. Filcher, California; Mrs. Josiah Hughes, Colorado; Mrs. C.C. Monson, Connecticut; Mrs. John W. Hughes, Georgia; Miss Anne Sonna, Idaho; Mrs. Floyd Walton, Mississippi; Mrs. Belle Hall Small, Missouri; Mrs. Emma D. Nuckols, Missouri; Mrs. Addie McDowell, Montana; Mrs. H.E. Freudenthal, Nevada; Mrs. G.L. Wall, New Jersey; Mrs. Sallie Douglas, New Mexico; Mrs. Dore Lyon, New York; Mrs. E.B. Marchant, Oklahoma; Miss Ethel Wehrung, Oregon.
APPENDIX 5.
REPORT OF BOARD OF LADY MANAGERS TO THE LOUISIANA PURCHASE EXPOSITION COMMISSION.
AUTHORIZED BY ACT OF CONGRESS MARCH 3, 1901.
* * * * *
NEW YORK, N.Y., June, 1905.
I have the honor to transmit herewith the report of the Board of Lady Managers of the Louisiana Purchase Exposition, which was appointed by you as provided for by the act of Congress dated March 3, 1901.
Very respectfully, MARY MARGARETTA MANNING, _President of the Board of Lady Managers Louisiana Purchase Exposition_. The LOUISIANA PURCHASE EXPOSITION COMMISSION.
Historical Data.[1]
[Footnote 1: Compilation.]
The territory originally known as Louisiana was taken possession of by the explorer La Salle in 1682, in the name of Louis XIV, and the first colony was founded by the French at Biloxi in 1699. The vast domain was transferred to Spain, by secret treaty, in 1763, and remained in the possession of that country until 1800, when the King of Spain, during the assistance of Napoleon in the erection of the Kingdom of Etruria for his son-in-law, the Duke of Parma, ceded the Louisiana Territory to France in return for that aid. It was part of Bonaparte's policy and earliest ambition to restore to France all her lost possessions, and by the significant treaty of San Ildefonso, signed by Manual Godoy, the Spanish minister of state (known as the "Prince of Peace"), and Marshal Berthier, minister of France at Madrid, all that vast and vaguely defined territory known as Louisiana, which France had originally transferred to Spain, was reconveyed to France.
Up to the end of the revolution the possession of the Louisiana Territory by one foreign power or another had not touched Americans closely, but now conditions changed. When rumors of the last treaty finally reached the United States, the planters in the Mississippi Valley became alarmed. The laws and customs regulations of the Spaniards at New Orleans were arbitrary, and their business methods antiquated, complicated, and irksome to the colonists, and there had already been friction between them, the Spaniards being aided by Indians hostile to the frontiersmen. The right of deposit was essential to the pioneers who journeyed down the river in their flat-bottom homemade boats; they required a place to store their goods at New Orleans while waiting the arrival of trading vessels. In the early nineties the Spanish authorities closed navigation and refused the right of way to the ocean, but in 1795 a treaty was signed which gave the right of deposit, with certain minor limitations, for three years, and the way to a market was kept open for that period, and thereafter until 1802; that year the Spaniards again withdrew the privilege, and therein lay a potent motive for the acquisition of at least the mouth of the Mississippi River, and, although the immediate demand of these early American settlers was simply an open seaport and waterway to the sea, the Louisiana Purchase was the direct outcome of our strained relations with Spain.
A resolution was offered in Congress authorizing the President to call out 50,000 militia and take possession of New Orleans, but the United States sought security, and a substitute resolution was adopted appropriating $2,000,000 for the purchase of the Floridas and New Orleans, the Floridas being at first the entire cession contemplated, even without the island of New Orleans. The chancellor, Robert R. Livingston, had been appointed as our minister to France at a time when the affairs of that country were in a somewhat precarious condition. Napoleon, then only 34 years old, was dictator, surrounded by enemies. President Jefferson wrote Livingston to make the best terms he could with Napoleon, either for the mouth of the river, site for a city, or place for deposit. He at no time spoke of acquiring the whole tract. Livingston, with great tact and judgment, kept the matter before Napoleon, realizing not only the importance of the small tract originally involved, but the incalculable advantage that would be derived by the United States could the accession of the whole territory be accomplished. He was, therefore, greatly surprised by a question from Talleyrand, in which he was asked "What we would give for the whole tract?" This was followed by a proposition from Napoleon's representative, Marbois, the state treasurer, in which he offered to sell all the Louisiana Territory to the United States for 100,000,000 francs ($20,000,000), with a provision that the United States should pay the claims of American citizens against France for depredations by French privateers, which amounted to 20,000,000 francs ($4,000,000). This offer Livingston declined, and Marbois asked him to name a price. Livingston, after a polite and politic disavowal of any anxiety to seek a larger expansion of territory, cautiously remarked, "We would be ready to purchase, provided the sum was reduced to reasonable limits," but refused to make an offer, postponing the matter until the arrival of Monroe, who, he was informed by the United States Government, had been appointed minister with special powers to negotiate this purchase of New Orleans.
Talleyrand told Livingston that if they gave New Orleans, the rest would be of little value, and Marbois dropped his price to 80,000,000 francs ($16,000,000) and the claims, and later said if we would name 60,000,000 francs and take upon us the American claims to the amount of 20,000,000 more, he would submit the offer to Bonaparte. Our minister declared that sum was greatly beyond our means, and wished Bonaparte reminded that the whole region was liable to become the property of England. The minister of the public treasury admitted the weight of this possibility, but said: "Try if you can not come up to my mark. Consider the extent of the country, the exclusive navigation of the river, and the importance of having no neighbors to disrupt you, no war to dread."
The American minister was not long in deciding to accept Napoleon's proposition to acquire the whole territory, but still waited to conclude negotiations until the arrival in Paris of Monroe.
The great treaty was, in its essential elements, the work of three days. On April 11 Talleyrand asked Livingston "whether he wished to have the whole of Louisiana?" On April 12 Monroe arrived, but was too ill to attend a conference. Livingston again saw Talleyrand, and on April 13 two conferences took place between Marbois and Livingston, lasting several hours and ending at midnight, in which both negotiators agreed upon a treaty of transfer and acquisition, leaving open the amount to be paid. Upon this point they did not widely differ. Livingston's memorable midnight dispatch, dated Paris, April 13, 1803, and finished at 3 o'clock in the morning, gives the authentic official history of the Louisiana purchase treaty. The Livingston letters tell that the decision to sell Louisiana was reached on Sunday, April 10, after Napoleon had had a prolonged conference with Talleyrand, Marbois, and others. The idea of selling originated in the active brain of Napoleon. It was opposed by Talleyrand, Berthier, and others, but Napoleon contemplated war with England, and needed funds. The Louisiana Purchase tract was so far away and would require so much money and so many men to protect it, that, in his estimation, it was probably better to dispose of it at a good price rather than hold, and he feared, in the event of war, which was imminent, he would lose the colony of Louisiana within sixty days after he took possession. The treaty of Amiens was at an end; Austria was threatening; a British fleet was in the West Indies; he was disgusted at the disastrous campaign in Santo Domingo, angry with Spain, and desired to be free for new campaigns in Europe. The First Consul, impressed by our minister's social rank in his own country, no less than by his merciless logic and solid understanding, had given his promise that debts due for the spoliation of our commerce should be paid. This promise, of which he was again reminded, could only be kept by realizing on sale of public lands, as he had no other resource. Small wonder that he wished to be rid of the whole irritating subject of Louisiana.
Monroe, on his arrival in Paris, found that the negotiations for the purchase were already far advanced by Minister Livingston. Owing to the illness of the special envoy, he was not presented to the First Consul until May 1, and hence, as a negotiator, had nothing officially to do with the treaty, which was virtually negotiated April 13, and finally concluded April 30. On that day the treaty was signed in the presence of Napoleon by Marbois and the two American representatives, and when the negotiations were completed Napoleon made the following prophecy: "This accession of territory strengthens forever the power of the United States. I have given England a rival."
The agreement, in the form of a treaty, reached Washington July 14 for ratification. Congress was called in special session October 17; the treaty was confirmed by the Senate after two days of discussion; a resolution was passed, to take effect immediately, but only after much opposition. Many persons were strongly opposed to the purchase, condemned the acquisition of a wilderness, and expressed their belief that the territory was not worth the price to be paid, and that its control would be difficult and unprofitable.
The exact cost ultimately agreed upon was 64,000,000 francs in the form of United States 6 per cent bonds, representing a capital of $11,250,000. In addition to this, the American Government agreed to assume and pay the obligations of France to American citizens for French attacks upon American shipping. These were estimated at 20,000,000 francs, or $3,750,000, making the total payment $15,000,000. The tract comprised 554,000,000 acres. Napoleon sold the territory for 2 cents an acre, or 10 acres for one franc. When the negotiations were pending, Marbois expressed to Napoleon the difficulty of reaching a definite conclusion as to boundary. When Talleyrand was questioned as to boundaries, he returned evasive answers, and said he did not know, and when pressed to be more explicit, said: "You must take it as we received it." "But what did you mean to take?" asked Livingston. "I do not know," replied Talleyrand. "Then you mean that we shall construe it our own way?" said Livingston again, to which Talleyrand made final reply: "I can give you no direction. You have made a noble bargain for yourselves, and I suppose you will make the most of it."
When we consider that Jefferson at one time was willing to give $2,000,000 for New Orleans alone, we can marvel that so vast an empire as the whole province should come to us for the price paid. We can afford to overlook any defects in the treaty details and forever hold in gratitude the illustrious men who, by their diplomatic skill, their earnestness of purpose, and well-directed efforts, achieved one of the greatest triumphs in the world's history. It well justified the assertion of Minister Livingston as he placed his name to the treaty of cession, and rising and shaking hands with Monroe and Marbois, said: "We have lived long; but this is the noblest work of our lives."
The Louisiana Purchase Exposition was held to commemorate this most important event in the history of America--the purchase from France of the vast Louisiana Territory--an event second only in importance to the signing of the Declaration of Independence, which constituted the first great advance of the United States toward national expansion, and at the same time insured to them the control forever of the greatest natural waterway on earth, the Mississippi River.
The Missouri Historical Society was the first organization to take formal steps toward the celebration of the one hundredth anniversary of the acquisition of this territory. In acknowledgment of the public sentiment expressed, Governor Stevens, of Missouri, called a convention of delegates to be appointed by the respective governors of the twelve States and two Territories that had been created in the Louisiana Purchase. Ninety-three delegates attended the meeting on January 10, 1899, and unanimously voted that an international exposition should be held in St. Louis as a means of giving expression, by practical demonstration, to the universal appreciation of what had been accomplished within this vast region during the century.
An executive committee was appointed, of which Hon. David R. Francis, of St. Louis, was made chairman. The aid of the United States Government was sought, and, after preliminary work on the part of the members of the committee in raising the $10,000,000, which Congress had made a condition should be secured before rendering material assistance, a bill was passed March 3, 1901, appropriating $5,000,000 toward "celebrating the one hundredth anniversary of the Louisiana Purchase Territory by the United States by holding an international exhibition of arts, industries, manufactures, and the products of the soil, mine, forest, and sea in the city of St. Louis, in the State of Missouri."
This enormous tract of land that for a century had been steadily contributing to the material advancement of the world was now to show that it was ready and able to assume its full share not only in practical life and progress but in the deeper phases of science and art, and to demonstrate the nature of its resources by participation in the greatest universal exposition ever held. By this exposition it was not only above all else to illustrate the marvelous development of the territory whose acquisition it was meant to celebrate, but it was likewise "to provide for a comparative display of the products, natural and artificial, of the nations of the world, to be arranged in classified groups, the exhibits of each nation in every class to be set down by the side of those of all other nations, thereby better to insure comparison and an intelligent verdict as to merit by the direct and practical contrast thus secured." It was to demonstrate the feasible combination of the artistic with the useful, the beautiful with the enduring, the graceful with the strong.
The three most significant dates historically connected with the acquisition of the magnificent domain known as Louisiana are April 30, 1803, when the great treaty was signed; October 19, when the treaty was ratified in the Senate of the United States by a vote of 24 to 7; and December 20, of the same year, when our Government received formal possession at New Orleans from the French prefect, Laussat. The council chamber of the Cabildo (which building was so ably reproduced at the exposition) and the balcony adjacent were the scene of the formal retrocession of Louisiana from Spain to France, and also of the event so much more momentous to us--the ceremony in which France delivered Louisiana into the keeping of the United States.
On August 20, 1901, by a proclamation of the President, "in the name of the Government and of the people of the United States, all the nations of the earth" were invited "to take part in the commemoration of the purchase of the Louisiana Territory, an event of great interest to the United States and of abiding effect on their development, by appointing representatives and sending such exhibits to the Louisiana Purchase Exposition as would most fitly and fully illustrate their resources, their industries, and their progress in civilization." This invitation was sent through the Department of State of the United States to the chief magistrates of all civilized governments, from nearly all of whom official acceptances were received in reply.
It has become a matter of history that ground was broken for the site of the Louisiana Purchase Exposition December 20, 1901, that day being the anniversary of the one on which the jurisdiction over the Louisiana Territory passed from France to the United States in 1803. The dedication exercises were held on the afternoon of April, 30, 1903, and were designed to commemorate not only the one hundredth anniversary of the signing of the treaty by Livingston, Monroe, and Marbois, transferring the territory from France to the United States, but also to dedicate in a formal manner the grounds and palaces of the exposition then rapidly advancing toward completion, though not to be opened before the following spring.
The exercises were participated in by representatives from nearly all civilized nations, and the presence on April 30, 1903, of the President of the United States, ex-President Cleveland, the Joint Committee of Congress, the ambassadors and ministers of twenty-six foreign governments, the governors and representatives of more than forty States and Territories, conferred upon it the official indorsement of the nations of the world, and added the weight and dignity which the sanction of governments alone could give.
When the treaty of cession was concluded in 1803 President Jefferson represented less than 6,000,000 people and there were but 50,000 white settlers in the Louisiana Territory. President Roosevelt in 1903 represented 80,000,000 people, the Purchase contained 15,000,000 inhabitants, and the 865,000 square miles which it comprised had been geographically divided into twelve States and two Territories. It was an area greater in extent and in natural resources than that of the original thirteen States, and constituted the largest real estate transfer ever known in the history of nations.
The price of $15,000,000 paid for it was considered exorbitant by those who were opposed to the purchase in 1803, yet the possibilities of the country, then so vague and ill-defined, so amply justified the prophetic faith of its advocates that a century later many millions of dollars in excess of the purchase money were spent in commemorating the transfer of a tract of land without which the present greatness of the United States would not have been possible. The present value of the agricultural products alone of the area for one year are a hundred times, and the taxable wealth more than four hundred times, the purchase money.
The board of lady managers was created pursuant to a clause in section 6 of the act of Congress of March 3, 1901, empowering the National Commission[A] of the Louisiana Purchase Exposition as follows:
[Footnote A: The creation of the National Commission of the Louisiana Purchase Exposition was authorized by act of Congress, March 3, 1901, and the members were appointed by President McKinley. According to section 12 of an act approved June 28, 1902, the Commission will cease officially to exist on the first day of July, 1905, at which time, also, will expire the term of appointment of the members of the board of lady managers.]
And said Commission is hereby authorized to appoint a board of lady managers, of such number and to perform such duties as may be prescribed by said Commission, subject, however, to the approval of said company. Said board of lady managers may, in the discretion of said Commission and corporation, appoint one member of all committees authorized to award prizes for such exhibits as may have been produced in whole or in part by female labor.
The following is the complete list and order of appointment of the members of the board of lady managers made by the Louisiana Purchase Exposition Commission, acting under the authority conferred by the aforesaid section 6 of the act of Congress of March 3, 1901:
Name. Date By whom. appointed. Miss Helen M. Gould Oct. 16, 1901 Hon. P.D. Scott. Mrs. John A. McCall Oct. 18, 1901 Hon. M.H. Glynn. Mrs. John M. Holcombe do Hon. F.A. Betts. Miss Anna L. Dawes do Do. Mrs. William E. Andrews do Hon. J.M. Thurston. Mrs. Helen Boyce-Hunsicker do Do. Mrs. James L. Blair do Hon. John M. Allen. Mrs. Fannie L. Porter do Hon. P.D. Scott. Mrs. Frederick M. Hanger do Do. Mrs. Richard W. Knott Nov. 19, 1901 Hon. William Lindsay. Mrs. Washington A. Roebling do Do. Mrs. M.H. de Young do Hon. Thomas H. Carter. Mrs. Belle L. Everest do Hon. John F. Miller. Mrs. Marcus P. Daly Nov. 20, 1901 Hon. Thomas H. Carter. Mrs. William H. Coleman Nov. 21, 1901 Hon. John F. Miller. Mrs. Edward L. Buchwalter do Do. Mrs. Lewis D. Frost do Hon. John M. Thurston. Mrs. Finis P. Ernest Nov. 22, 1901 Hon. George W. McBride. Mrs. James B. Montgomery Jan. 22, 1902 Do. Mrs. John Miller Horton Sept. 30, 1902 Hon. M.H. Glynn. Mrs. Daniel Manning Oct. 2, 1902 Do. Mrs. Carl von Mayhoff do Do. Mrs. James Edmund Sullivan do Hon. Thomas H. Carter. Mrs. Annie McLean Moores Oct. 3, 1902 Hon. John M. Allen. Miss Lavinia H. Egan Nov. 29, 1902 Do.
OFFICERS AND MEMBERS OF THE BOARD OF LADY MANAGERS, LOUISIANA PURCHASE EXPOSITION
Mrs. Daniel Manning, president, Albany, N.Y.; Mrs. Edward L. Buchwalter, first vice-president, Springfield, Ohio; Mrs. Finis P. Ernest, second vice-president, Denver, Colo.; Mrs. Helen Boice-Hunsicker, third vice-president, Hoboken, N.J.; Miss Anna L. Dawes, fourth vice-president, Pittsfield, Mass.; Mrs. Belle L. Everest, fifth vice-president, Atchison, Kans.; Mrs. M.H. de Young, sixth vice-president, San Francisco, Cal.; Mrs. Fannie L. Porter, seventh vice-president, Atlanta, Ga.; Mrs. William H. Coleman, treasurer, Indianapolis, Ind.; Miss Helen M. Gould, New York, N.Y.; Mrs. Richard W. Knott, Louisville, Ky.; Mrs. John M. Holcombe, Hartford, Conn.; Mrs. Frederick M. Hanger, Little Rock, Ark.; Mrs. James Edmund Sullivan, Providence, R.I.; Mrs. Margaret P. Daly, Anaconda, Mont.; Mrs. Mary Phelps Montgomery, Portland, Oreg.; Mrs. Carl von Mayhoff, New York, N.Y.; Mrs. John Miller Horton, Buffalo, N.Y.; Mrs. Lewis D. Frost, Winona, Minn.; Mrs. W.E. Andrews, Washington, D.C.; Mrs. Annie McLean Moores, Mount Pleasant, Tex.; Miss Lavinia H. Egan, Shreveport, La. Miss Julia T.E. McBlair, Washington, D.C., hostess of the building of the board of lady managers.
Standing committees.--Executive: Mrs. Daniel Manning, chairman; Mrs. Holcombe, Miss Egan, Mrs. Montgomery, Mrs. Coleman, Mrs. Buchwalter, Mrs. Moores, Miss Dawes, Mrs. Knott, Mrs. Hanger, Miss Gould. Entertainment: Mrs. Daniel Manning, chairman; Mrs. Porter, Mrs. Everest, Mrs. Sullivan, Mrs. Ernest, Mrs. de Young, Mrs. Horton, Mrs. von Mayhoff, Mrs. Hunsicker. Foreign Relations: Miss Dawes, chairman; Mrs. Knott, Miss Gould, Mrs. Holcombe, Mrs. von Mayhoff, Mrs. Montgomery, Mrs. Moores. Congresses: Mrs. Buchwalter, chairman; Mrs. Hanger, Mrs. Andrews. Press: Mrs. Knott, chairman; Mrs. Hanger, Miss Egan, Mrs. Moores. Woman's Work: Mrs. Montgomery, chairman; Mrs. Holcombe, Mrs. Daly, Miss Gould, Mrs. Buchwalter, Miss Dawes, Mrs. de Young. Legislative: Mrs. Buchwalter, chairman; Mrs. Montgomery, Mrs. Coleman. Awards: Mrs. Hanger, chairman; Mrs. Knott, Miss Egan, Mrs. Porter, Mrs. Hunsicker. Auditing Committee: Mrs. Andrews, chairman; Mrs. Ernest, Mrs. Montgomery.
Special committees.--Hall of Philanthropy: Miss Helen M. Gould, chairman. Creche: Miss Helen M. Gould, chairman; Mrs. Everest, Mrs. Andrews, Mrs. Sullivan. House: Mrs. Ernest, chairman; resident members of board and members of rotating committee on duty. Model Playground: Mrs. Holcombe, chairman; Mrs. Hanger, Miss Gould. Editing Minutes: Mrs. Hanger, chairman; Mrs. Ernest, Miss Dawes. House Furnishing: Mrs. Daniel Manning, chairman; Mrs. Holcombe, Mrs. Montgomery.