XXI. ANTICHRIST
The Kali Age--Satan sifting Simon--Satan as Angel of Light--Epithets of Antichrist--The Cæsars--Nero--Sacraments imitated by Pagans--Satanic signs and wonders--Jerome on Antichrist--Armillus--Al Dajjail--Luther on Mohammed--'Mawmet'--Satan 'God's ape'--Mediæval notions--Witches Sabbath--An Infernal Trinity--Serpent of Sins--Antichrist Popes--Luther as Antichrist--Modern notions of Antichrist.
In the 'Padma Purana' it is recorded that when King Vena embraced heretical doctrine and abjured the temples and sacrifices, the people following him, seven powerful Rishis, high priests, visited him and entreated him to return to their faith. They said, 'These acts, O king, which thou art performing, are not of our holy traditions, nor fit for our religion, but are such as shall be performed by mankind at the entrance of Kali, the last and sinful age, when thy new faith shall be received by all, and the service of the gods be utterly relinquished.' King Vena, being thus in advance of his time, was burned on the sacred grass, while a mantra was performed for him.
This theory of Kali is curious as indicating a final triumph of the enemies of the gods. In the Scandinavian theory of 'Ragnarok,' the Twilight of the gods, there also seems to have been included no hope of the future victory of the existing gods. In the Parsí faith we first meet with the belief in a general catastrophe followed by the supremacy and universal sway of good. This faith characterised the later Hebrew prophecies, and is the spirit of Paul's brave saying, 'When all things shall be subjected unto him, then also shall the Son himself be subject unto him that put all things under him, that God may be all in all.'
When, however, theology and metaphysics advanced and modelled this fiery lava of prophetic and apostolic ages into dogmatic shapes, evil was accorded an equal duration with good. The conflict between Christ and his foes was not to end with the conversion or destruction of his foes, but his final coming as monarch of the world was to witness the chaining up of the Archfiend in the Pit.
Christ's own idea of Satan, assuming certain reported expressions to have been really uttered by him, must have been that which regarded him as a Tempter to evil, whose object was to test the reality of faith. 'Simon, Simon, behold, Satan asked you for himself, that he might sift you as the wheat; but I made supplication for thee, that thy faith fail not; and when once thou hast returned, confirm thy brethren. And he said unto him, Lord, I am ready to go with thee, both into prison and into death. And he said, I tell thee, Peter, a cock will not crow this day till thou wilt thrice deny that thou knowest me.' [130] Such a sentiment could not convey to Jewish ears a degraded notion of Satan, except as being a nocturnal spirit who must cease his work at cock-crow. It is an adaptation of what Jehovah himself was said to do, in the prophecy of Amos. 'I will not utterly destroy the house of Jacob, saith the Lord.... I will sift the house of Israel among all nations, like as corn is sifted in a sieve, yet shall not the least grain fall upon the earth.' [131]
Paul, too, appears to have had some such conception of Satan, since he speaks of an evil-doer as delivered up to Satan 'for the destruction of the flesh that the spirit may be saved.' [132] There is, however, in another passage an indication of the distinctness with which Paul and his friends had conceived a fresh adaptation of Satan as obstacle of their work. 'For such,' he says, 'are false apostles, deceitful workers, transforming themselves into apostles of Christ. And no marvel: for Satan transforms himself into an angel of light. It is no great thing therefore if his ministers also transform themselves as ministers of righteousness; whose end will be according to their works.' [133] It may be noted here that Paul does not think of Satan himself as transforming himself to a minister of righteousness, but of Satan's ministers as doing so. It is one of a number of phrases in the New Testament which reveal the working of a new movement towards an expression of its own. Real and far-reaching religious revolutions in history are distinguished from mere sectarian modifications, which they sum up in nothing more than in their new phraseology. When Jehovah, Messias, and Satan are gradually supplanted by Father, Christ, and Antichrist (or Man of Sin, False Christ, Withholder (katechon), False Prophet, Son of Perdition, Mystery of Iniquity, Lawless One), it is plain that new elements are present, and new emergencies. These varied phrases just quoted could not, indeed, crystallise for a long time into any single name for the new Obstacle to the new life, for during the same time the new life itself was too living, too various, to harden in any definite shape or be marked with any special name. The only New Testament writer who uses the word Antichrist is the so-called Apostle John; and it is interesting to remark that it is by him connected with a dogmatic statement of the nature of Christ and definition of heresy. 'Every spirit that confesses Jesus Christ is come in the flesh is of God; and every spirit that confesses not Jesus is not of God: and this is the spirit of Antichrist, whereof ye have heard that it comes; and now it is in the world already.' [134] This language, characteristic of the middle and close of the second century, [135] is in strong contrast with Paul's utterance in the first century, describing the Man of Sin (or of lawlessness, the son of perdition), as one 'who opposeth and exalteth himself above all that is called God, or that is worshipped; so that he sat in the temple of God, showing himself that he is God.' [136] Christ has not yet begun to supplant God; to Paul he is the Son of God confronting the Son of Destruction, the divine man opposed by the man of sin. When the nature of Christ becomes the basis of a dogma, the man of sin is at once defined as the opponent of that dogma.
As this dogma struggled on to its consummation and victory, it necessarily took the form of a triumph over the Cæsars, who were proclaiming themselves gods, and demanding worship as such. The writer of the second Epistle bearing Peter's name saw those christians who yielded to such authority typified in Balaam, the erring prophet who was opposed by the angel; [137] the writer of the Gospel of John saw the traitor Judas as the 'son of perdition,' [138] representing Jesus as praying that the rest of his disciples might be kept 'out of the evil one;' and many similar expressions disclose the fact that, towards the close of the second century, and throughout the third, the chief obstacle of those who were just beginning to be called 'Christians' was the temptation offered by Rome to the christians themselves to betray their sect. It was still a danger to name the very imperial gods who successively set themselves up to be worshipped at Rome, but the pointing of the phrases is unmistakable long before the last of the pagan emperors held the stirrup for the first christian Pontiff to mount his horse.
Nero had answered to the portrait of 'the son of perdition sitting in the temple of God' perfectly. He aspired to the title 'King of the Jews.' He solemnly assumed the name of Jupiter. He had his temples and his priests, and shared divine honours with his mistress Poppæa. Yet, when Nero and his glory had perished under those phials of wrath described in the Apocalypse, a more exact image of the insidious 'False Christ' appeared in Vespasian. His alleged miracles ('lying wonders'), and the reported prediction of his greatness by a prophet on Mount Carmel, his oppression of the Jews, who had to contribute the annual double drachma to support the temples and gods which Vespasian had restored, altogether made this decorous and popular emperor a more formidable enemy than the 'Beast' Nero whom he succeeded. The virtues and philosophy of Marcus Aurelius still increased the danger. Political conditions favoured all those who were inclined to compromise, and to mingle the popular pagan and the Jewish festivals, symbols, and ceremonies. In apocalyptic metaphor, Vespasian and Aurelius are the two horns of the Lamb who spake like the Dragon, i.e., Nero (Rev. xiii. 11).
The beginnings of that mongrel of superstitions which at last gained the name of Christianity were in the liberation, by decay of parts and particles, of all those systems which Julius Cæsar had caged together for mutual destruction. 'With new thrones rise new altars,' says Byron's Sardanapalus; but it is still more true that, with new thrones all altars crumble a little. At an early period the differences between the believers in Christ and those they called idolaters were mainly in name; and, with the increase of Gentile converts, the adoption of the symbolism and practices of the old religions was so universal that the quarrel was about originality. 'The Devil,' says Tertullian, 'whose business it is to pervert the truth, mimics the exact circumstances of the Divine Sacraments in the mysteries of idols. He himself baptizes some, that is to say, his believers and followers: he promises forgiveness of sins from the sacred fount, and thus initiates them into the religion of Mithras; he thus marks on the forehead his own soldiers: he then celebrates the oblation of bread; he brings in the symbol of resurrection, and wins the crown with the sword.' [139]
What masses of fantastic nonsense it was possible to cram into one brain was shown in the time of Nero, the brain being that of Simon the Magician. Simon was, after all, a representative man; he reappears in christian Gnosticism, and Peter, who denounced him, reappears also in the phrenzy of Montanism. Take the followers of this Sorcerer worshipping his image in the likeness of Jupiter, the Moon, and Minerva; and Montanus with his wild women Priscilla and Maximilla going about claiming to be inspired by the Holy Ghost to re-establish Syrian orthodoxy and asceticism; and we have fair specimens of the parties that glared at each other, and apostrophised each other as children of Belial. They competed with each other by pretended miracles. They both claimed the name of Christ, and all the approved symbols and sacraments. The triumph of one party turned the other into Antichrist.
Thus in process of time, as one hydra-head fell only to be followed by another, there was defined a Spirit common to and working through them all--a new devil, whose special office was hostility to Christ, and whose operations were through those who claimed to be christians as well as through open enemies.
As usual, when the phrases, born of real struggles, had lost their meaning, they were handed up to the theologians to be made into perpetual dogmas. Out of an immeasurable mass of theories and speculations, we may regard the following passage from Jerome as showing what had become the prevailing belief at the beginning of the fifth century. 'Let us say that which all ecclesiastical writers have handed down, viz., that at the end of the world, when the Roman Empire is to be destroyed, there will be ten kings, who will divide the Roman world among them; and there will arise an eleventh little king who will subdue three of the ten kings, that is, the king of Egypt, of Africa, and of Ethiopia; and on these having been slain, the seven other kings will submit.' 'And behold,' he says, 'in the ram were the eyes of a man'--this is that we may not suppose him to be a devil or a dæmon, as some have thought, but a man in whom Satan will dwell utterly and bodily--'and a mouth speaking great things;' for he is the 'man of sin, the son of perdition, who sitteth in the temple of God making himself as God.' [140]
The 'Little Horn' of Daniel has proved a cornucopia of Antichrists. Not only the christians but the Jews and the mussulmans have definite beliefs on the subject. The rabbinical name for Antichrist is Armillus, a word found in the Targum (Isa. xi. 4): 'By the word of his mouth the wicked Armillus shall die.' There will be twelve signs of the Messiah's coming--appearance of three apostate kings, terrible heat of the sun, dew of blood, healing dew, the sun darkened for thirty days, universal power of Rome with affliction for Jews, and the appearance of the first Messias (Joseph's tribe), Nehemiah. The next and seventh sign will be the appearance of Armillus, born of a marble statue in a church at Rome. The Romans will accept him as their god, and the whole world be subject to him. Nehemiah alone will refuse to worship him, and for this will be slain, and the Jews suffer terrible things. The eighth sign will be the appearance of the angel Michael with three blasts of his trumpet--which shall call forth Elias, the forerunner, and the true Messias (Ben David), and bring on the war with Armillus who shall perish, and all christians with him. The ten tribes shall be gathered into Paradise. Messias shall wed the fairest daughter of their race, and when he dies his sons shall succeed him, and reign in unbroken line over a beatified Israel.
The mussulman modification of the notion of Antichrist is very remarkable. They call him Al Dajjail, that is, the impostor. They say that Mohammed told his follower Tamisri Al-Dari, that at the end of the world Antichrist would enter Jerusalem seated on an ass; but that Jesus will then make his second coming to encounter him. The Beast of the Apocalypse will aid Antichrist, but Jesus will be joined by Imam Mahadi, who has never died; together they will subdue Antichrist, and thereafter the mussulmans and christians will for ever be united in one religion. The Jews, however, will regard Antichrist as their expected Messias. Antichrist will be blind of one eye, and deaf of one ear. 'Unbeliever' will be written on his forehead. In that day the sun will rise in the west. [141]
The christians poorly requited this amicable theory of the mussulmans by very extensively identifying Mohammed as Antichrist, at one period. From that period came the English word mawmet (idol), and mummery (idolatry), both of which, probably, are derived from the name of the Arabian Prophet. Daniel's 'Little Horn' betokens, according to Martin Luther, Mohammed. 'But what are the Little Horn's Eyes? The Little Horn's Eyes,' says he, 'mean Mohammed's Alkoran, or Law, wherewith he ruleth. In the which Law there is nought but sheer human reason (eitel menschliche Vernunft).' ... 'For his Law,' he reiterates, 'teaches nothing but that which human understanding and reason may well like.' ... Wherefore 'Christ will come upon him with fire and brimstone.' When he wrote this--in his 'army sermon' against the Turks--in 1529, he had never seen a Koran. 'Brother Richard's' (Predigerordens) Confutatio Alcoran, dated 1300, formed the exclusive basis of his argument. But in Lent of 1540, he relates, a Latin translation, though a very unsatisfactory one, fell into his hands, and once more he returned to Brother Richard, and did his Refutation into German, supplementing his version with brief but racy notes. This Brother Richard had, according to his own account, gone in quest of knowledge to 'Babylon, that beautiful city of the Saracens,' and at Babylon he had learnt Arabic and been inured in the evil ways of the Saracens. When he had safely returned to his native land he set about combating the same. And this is his exordium:--'At the time of the Emperor Heraclius there arose a man, yea, a Devil, and a first-born child of Satan, ... who wallowed in ... and he was dealing in the Black Art, and his name it was Machumet.' ... This work Luther made known to his countrymen by translating and commenting, prefacing, and rounding it off by an epilogue. True, his notes amount to little more but an occasional 'Oh fie, for shame, you horrid Devil, you damned Mahomet,' or 'O Satan, Satan, you shall pay for that,' or, 'That's it, Devils, Saracens, Turks, it's all the same,' or, 'Here the Devil smells a rat,' or briefly, 'O Pfui Dich, Teufel!' except when he modestly, with a query, suggests whether those Assassins, who, according to his text, are regularly educated to go out into the world in order to kill and slay all Worldly Powers, may not, perchance, be the Gypsies or the 'Tattern' (Tartars); or when he breaks down with a 'Hic nescio quid dicat translator.' His epilogue, however, is devoted to a special disquisition as to whether Mohammed or the Pope be worse. And in the twenty-second chapter of this disquisition he has arrived at the final conclusion that, after all, the Pope is worse, and that he, and not Mohammed, is the real 'Endechrist.' 'Wohlen,' he winds up, 'God grant us his grace, and punish both the Pope and Mohammed, together with their devils. I have done my part as a true prophet and teacher. Those who won't listen may leave it alone.' In similar strains speaks the learned and gentle Melancthon. In an introductory epistle to a reprint of that same Latin Koran which displeased Luther so much, he finds fault with Mohammed, or rather, to use his own words, he thinks that 'Mohammed is inspired by Satan,' because he 'does not explain what sin is,' and further, since he 'showeth not the reason of human misery.' He agrees with Luther about the Little Horn: though in another treatise he is rather inclined to see in Mohammed both Gog and Magog. And 'Mohammed's sect,' he says, 'is altogether made up (conflata) of blasphemy, robbery, and shameful lusts.' Nor does it matter in the least what the Koran is all about. 'Even if there were anything less scurrilous in the book, it need not concern us any more than the portents of the Egyptians, who invoked snakes and cats.... Were it not that partly this Mohammedan pest, and partly the Pope's idolatry, have long been leading us straight to wreck and ruin--may God have mercy upon some of us!' [142]
'Mawmet' was used by Wicliffe for idol in his translation of the New Testament, Acts vii. 41, 'And they made a calf in those days and offered a sacrifice to the Mawmet' (idol). The word, though otherwise derived by some, is probably a corruption of Mohammed. In the 'Mappa Mundi' of the thirteenth century we find the representation of the golden calf in the promontory of Sinai, with the superscription 'Mahum' for Mohammed, whose name under various corruptions, such as Mahound, Mawmet, &c., became a general byword in the mediæval languages for an idol. In a missionary hymn of Wesley's Mohammed is apostrophised as--
That Arab thief, as Satan bold, Who quite destroyed Thy Asian fold;
and the Almighty is adjured to--
The Unitarian fiend expel, And chase his doctrine back to Hell.
In these days, when the very mention of the Devil raises a smile, we can hardly realise the solemnity with which his work was once viewed. When Goethe represents Mephistopheles as undertaking to teach Faust's class in theology and dwells on his orthodoxy, it is the refrain of the faith of many generations. The Devil was not 'God's Ape,' as Tertullian called him, in any comical way; not only was his ceremonial believed to be modelled on that of God, but his inspiration of his followers was believed to be quite as potent and earnest. Tertullian was constrained to write in this strain--'Blush, my Roman fellow-soldiers, even if ye are not to be judged by Christ, but by any soldier of Mithras, who when he is undergoing initiation in the cave, the very camp of the Powers of Darkness, when the wreath is offered him (a sword being placed between as if in semblance of martyrdom), and then about to be set on his head, he is warned to put forth his hand and push the wreath away, transferring it to, perchance, his shoulder, saying at the same time, My only crown is Mithras. And thenceforth he never wears a wreath; and this is a mark he has for a test, whenever tried as to his initiation, for he is immediately proved to be a soldier of Mithras if he throws down the wreath offered him, saying his crown is in his god. Let us therefore acknowledge the craft of the Devil, who mimics certain things of those that be divine, in order that he may confound and judge us by the faith of his own followers.'
This was written before the exaltation of Christianity under Constantine. When the age of the martyrdom of the so-called pagans came on, these formulæ became real, and the christians were still more confounded by finding that the worshippers of the Devil, as they thought them, could yield up their lives in many parts of Europe as bravely for their faith as any christian had ever done. The 'Prince of this world' became thus an unmeaning phrase except for the heretics. Christ had become the Prince of this world; and he was opposed by religious devotees as earnest as any who had suffered under Nero. The relation of the Opposition to the Devil was yet more closely defined when it claimed the christian name for its schism or heresy, and when it carried its loyalty to the Adversary of the Church to the extent of suffering martyrdom. 'Tell me, holy father,' said Evervinus to St. Bernard, concerning the Albigenses, 'how is this? They entered to the stake and bore the torment of the fire not only with patience, but with joy and gladness. I wish your explanation, how these members of the Devil could persist in their heresy with a courage and constancy scarcely to be found in the most religious of the faith of Christ?'
Under these circumstances the personification of Antichrist had a natural but still wonderful development. He was to be born of a virgin, in Babylon, to be educated at Bethsaida and Chorazin, and to make a triumphal entry into Jerusalem, proclaiming himself the Son of God. In the interview at Messina (1202) between Richard I. and the Abbot Joachim of Floris, the king said, 'I thought that Antichrist would be born at Antioch or in Babylon, and of the tribe of Dan, and would reign in the temple of the Lord in Jerusalem, and would walk in that land in which Christ walked, and would reign in it for three years and a half, and would dispute against Elijah and Enoch, and would kill them, and would afterwards die; and that after his death God would give sixty days of repentance, in which those might repent which should have erred from the way of truth, and have been seduced by the preaching of Antichrist and his false prophets.'
This belief was reflected in Western Europe in the belief that the congregation of Witches assembled on their Sabbath (an institution then included among paganisms) to celebrate grand mass to the Devil, and that all the primitive temples were raised in honour of Satan. In the Russian Church the correspondence between the good and evil powers, following their primitive faith in the conflict between Byelbog and Tchernibog (white god and black god), went to the curious extent of picturing in hell a sort of infernal Trinity. The Father throned in Heaven with the Son between his knees and the Dove beside or beneath him, was replied to by a majestic Satan in hell, holding his Son (Judas) on his knees, and the Serpent acting as counteragent of the Dove. This singular arrangement may still be seen in many of the pictures which cover the walls of the oldest Russian churches (Fig. 9). The infernal god is not without a solemn majesty answering to that of his great antagonist above. The Serpent of Sins proceeds from the diabolical Father and Son, passing from beneath their throne through one of the two mouths of Hell, and then winds upward, hungrily opening its jaws near the terrible Balances where souls are weighed (Fig. 10). Along its hideous length are seated at regular intervals nine winged devils, representing probably antagonists of the nine Sephiroth or Æons of the Gnostic theology. Each is armed with a hook whereby the souls weighed and found wanting may be dragged. The sins which these devils represent are labelled, generally on rings around the serpent, and increase in heinousness towards the head. It is a curious fact that the Sin nearest the head is marked 'Unmercifulness.' Strange and unconscious sarcasm on an Omnipotent Deity under whose sway exists this elaboration of a scheme of sins and tortures precisely corresponding to the scheme of virtues and joys!
Truly said the Epistle of John, there be many Antichrists. If this was true before the word Christianity had been formed, or the system it names, what was the case afterwards? For centuries we find vast systems denouncing each other as Antichrist. And ultimately, as a subtle hardly-conscious heresy spread abroad, the great excommunicator of antichrists itself, Rome, acquired that title, which it has never shaken off since. The See of Rome did not first receive that appellation from Protestants, but from its own chiefs. Gregory himself (A.C. 590) started the idea by declaring that any man who held even the shadow of such power as the Popes arrogated to themselves after his time would be the forerunner of Antichrist. Arnulphus, Bishop of Orleans, in an invective against John XV. at Rheims (A.C. 991), intimated that a Pope destitute of charity was Antichrist. But the stigma was at length fixed (twelfth century) by Amalrich of Bena ('Quia Papa esset Antichristus et Roma Babylon et ipse sedit in Monte Oliveti, i.e., in pinguedine potestatis'); and also by the Abbot Joachim (A.C. 1202). The theory of Richard I., as stated to Joachim concerning Antichrist, has already been quoted. It was in the presence of the Archbishops of Rouen and Auxerre, and the Bishop of Bayonne, and represented their opinion and the common belief of the time. But Joachim said the Second Apocalyptic Beast represented some great prelate who will be like Simon Magus, and, as it were, universal Pontiff, and that very Antichrist of whom St. Paul speaks. Hildebrand was the first Pope to whom this ugly label was affixed, but the career of Alexander VI. (Roderic Borgia) made it for ever irremovable for the Protestant mind. There is in the British Museum a volume of caricatures, dated 1545, in which occurs an ingenious representation of Alexander VI. The Pope is first seen in his ceremonial robes; but a leaf being raised, another figure is joined to the lower part of the former, and there appears the papal devil, the cross in his hand being changed to a pitchfork (Fig. 11). Attached to it is an explanation in German giving the legend of the Pope's death. He was poisoned (1503) by the cup he had prepared for another man. It was afterwards said that he had secured the papacy by aid of the Devil. Having asked how long he would reign, the Devil returned an equivocal answer; and though Alexander understood that it was to be fifteen years, it proved to be only eleven. When in 1520 Pope Leo X. issued his formal bull against Luther, the reformer termed it 'the execrable bull of Antichrist.' An Italian poem of the time having represented Luther as the offspring of Megæra, the Germans returned the invective in a form more likely to impress the popular mind; namely, in a caricature (Fig. 12), representing the said Fury as nursing the Pope. This caricature is also of date 1545, and with it were others showing Alecto and Tisiphone acting in other capacities for the papal babe.
The Lutherans had made the discovery that the number of the Apocalyptic Beast, 666, put into Hebrew numeral letters, contained the words Aberin Kadescha Papa (our holy father the Pope). The downfall of this Antichrist was a favourite theme of pulpit eloquence, and also with artists. A very spirited pamphlet was printed (1521), and illustrated with designs by Luther's friend Lucas Cranach. It was entitled Passional Christi und Antichristi. The fall of the papal Antichrist (Fig. 13), has for its companion one of Christ washing the feet of his disciples.
But the Catholics could also make discoveries; and among many other things they found that the word 'Luther' in Hebrew numerals also made the number of the Beast. It was remembered that one of the earliest predictions concerning Antichrist was that he would travesty the birth of Christ from a virgin by being born of a nun by a Bishop. Luther's marriage with the nun Catharine von Bora came sufficiently near the prediction to be welcomed by his enemies. The source of his inspiration as understood by Catholics is cleverly indicated in a caricature of the period (Fig. 14).
The theory that the Papacy represents Antichrist has so long been the solemn belief of rebels against its authority, that it has become a vulgarised article of Protestant faith. On the other hand, Catholics appear to take a political and prospective view of Antichrist. Cardinal Manning, in his pastoral following the election of Leo XIII., said: 'A tide of revolution has swept over all countries. Every people in Europe is inwardly divided against itself, and the old society of Christendom, with its laws, its sanctities, and its stability, is giving way before the popular will, which has no law, or rather which claims to be a law to itself. This is at least the forerunning sign of the Lawless One, who in his own time shall be revealed.'
Throughout the endless exchange of epithets, it has been made clear that Antichrist is the reductio ad absurdum of the notion of a personal Devil. From the day when the word was first coined, it has assumed every variety of shape, has fitted with equal precision the most contrarious things and persons; and the need of such a novel form at one point or another in the progress of controversy is a satire on the inadequacy of Satan and his ancient ministers. Bygone Devils cannot represent new animosities. The ascent of every ecclesiastical or theological system is traceable in massacres and martyrdoms; each of these, whether on one side or the other, helps to develop a new devil. The story of Antichrist shows devils in the making. Meantime, to eyes that see how every system so built up must sacrifice a virtue at every stage of its ascent, it will be sufficiently clear that every powerful Church is Adversary of the religion it claims to represent. Buddhism is Antibuddha; Islam is Antimohammed; Christianity is Antichrist.
XXII. THE PRIDE OF LIFE
The curse of Iblis--Samaël as Democrat--His vindication by Christ and Paul--Asmodäus--History of the name--Aschmedai of the Jews--Book of Tobit--Doré's 'Triumph of Christianity'--Aucassin and Nicolette--Asmodeus in the convent--The Asmodeus of Le Sage--Mephistopheles--Blake's 'Marriage of Heaven and Hell'--The Devil and the artists--Sádi's Vision of Satan--Arts of the Devil--Suspicion of beauty--Earthly and heavenly mansions--Deacon versus Devil.
On the parapet of the external gallery of Nôtre Dame in Paris is the carved form, of human size, represented in our figure (15). There is in the face a remarkable expression of pride and satisfaction as he looks forth on the gay city and contemplates all the wickedness in it, but this satisfaction is curiously blended with a look of envy and lust. His elegant head-dress gives him the pomp becoming the Asmodeus presiding over the most brilliant capital in the world.
His seat on the fine parapet is in contrast with the place assigned him in Eastern traditions--ruins and desert places,--but otherwise he fairly fulfilled, no doubt, early ideas in selecting his headquarters at Paris. A mussulman legend says that when, after the Fall of Man, Allah was mitigating the sentences he had pronounced, Iblis (who, as the Koran relates, pleaded and obtained the deferment of his consignment to Hell until the resurrection, and unlimited power over sinners who do not accept the word of Allah) asked--
'Where shall I dwell in the meantime?
'In ruins, tombs, and all other unclean places shunned by man.
'What shall be my food?
'All things slain in the name of idols.
'How shall I quench my thirst?
'With wine and intoxicating liquors.
'What shall occupy my leisure hours?
'Music, song, love-poetry, and dancing.
'What is my watchword?
'The curse of Allah until the day of judgment.
'But how shall I contend with man, to whom thou hast granted two guardian angels, and who has received thy revelation?
'Thy progeny shall be more numerous than his,--for for every man that is born, there shall come into the world seven evil spirits--but they shall be powerless against the faithful.'
Iblis with wine, song, and dance--the 'pride of life'--is also said to have been aided in entering Paradise by the peacock, which he flattered. [143]
This fable, though later than the era of Mohammed in form, is as ancient as the myth of Eden in substance. The germ of it is already in the belief that Jehovah separated from the rest of the earth a garden, and from the human world a family of his own, and from the week a day of his own. The reply of the elect to the proud Gentile aristocracy was an ascetic caste established by covenant with the King of kings. This attitude of the pious caste turned the barbaric aristocrats, in a sense, to democrats. Indeed Samaël, in whom the execrated Dukes of Edom were ideally represented, might be almost described as the Democratic Devil. According to an early Jewish legend, Jehovah, having resolved to separate 'men' (i.e., Jews) from 'swine' (i.e., idolaters, Gentiles), made circumcision the seal on them as children of Abraham. There having been, however, Jews who were necessarily never circumcised, their souls, it was arranged, should pass at death into the forms of certain sacred birds where they would be purified, and finally united to the elect in Paradise. Now, Samaël, or Adam Belial as he was sometimes called, is said to have appealed to the Creator that this arrangement should include all races of beings. 'Lord of the world!' he said, 'we also are of your creation. Thou art our father. As thou savest the souls of Israel by transforming them that they may be brought back again and made immortal, so also do unto us! Why shouldst thou regard the seed of Abraham before us?' Jehovah answered, 'Have you done the same that Abraham did, who recognised me from his childhood and went into Chaldean fire for love of me? You have seen that I rescued him from your hands, and from the fiery oven which had no power over him, and yet you have not loved and worshipped me. Henceforth speak no more of good or evil.' [144]
The old rabbinical books which record this conversation do not report Samaël's answer; nor is it necessary: that answer was given by Jesus and Paul breaking down the partitions between Jew and Gentile. It was quite another thing, however, to include the world morally. Jesus, it would seem, aimed at this also; he came 'eating and drinking,' and the orthodox said Samaël was in him. Personally, he declined to substitute even the cosmopolitan rite of baptism for the discredited national rite of circumcision. But Paul was of another mind. His pharisaism was spiritualised and intensified in his new faith, to which the great world was all an Adversary.
It was a tremendous concession, this giving up of the gay and beautiful world, with its mirth and amusements, its fine arts and romance--to the Devil. Unswerving Nemesis has followed that wild theorem in many forms, of which the most significant is Asmodeus.
Asmodäus, or Aêshma-daêva of the Zend texts, the modern Persian Khasm, is etymologically what Carlyle might call 'the god Wish;' aêsha meaning 'wish,' from the Sanskrit root ish, 'to desire.' An almost standing epithet of Aêshma is Khrvîdra, meaning apparently 'having a hurtful weapon or lance.' He is occasionally mentioned immediately after Anrô-mainyus (Ahriman); sometimes is expressly named as one of his most prominent supporters. In the remarkable combat between Ahuro-mazda (Ormuzd) and Anrô-mainyus, described in Zam. Y. 46, the good deity summons to his aid Vohumano, Ashavahista, and Fire; while the Evil One is aided by Akômano, Aêshma, and Aji-Daháka. [145] Here, therefore, Aêshma appears as opposed to Ashavahista, 'supreme purity' of the Lord of Fire. Aêshma is the spirit of the lower or impure Fire, Lust and Wrath. A Sanskrit text styles him Kossa-deva, 'the god of Wrath.' In Yaçna 27, 35, Sraosha, Aêshma's opponent, is invoked to shield the faithful 'in both worlds from Death the Violent, from Aêshma the Violent, from the hosts of Violence that raise aloft the terrible banner--from the assaults of Aêshma that he makes along with Vídátu ('Divider, Destroyer'), the demon-created.' He is thus the leading representative of dissolution, the fatal power of Ahriman. Ormuzd is said to have created Sraosha to be the destroyer of 'Aêshma of the fatal lance.' Sraosha ('the Hearer') is the moral vanquisher of Aêshma, in distinction from Haoma, who is his chief opponent in the physical domain.
Such, following Windischmann, [146] is the origin of the devil whom the apocryphal book of Tobit has made familiar in Europe as Asmodeus. Aschmedai, as the Jews called him, appears in this story as precisely that spirit described in the Avesta--the devil of Violence and Lust, whose passion for Sara leads him to slay her seven husbands on their wedding-night. The devils of Lust are considered elsewhere, and Asmodeus among them; there is another aspect of him which here concerns us. He is a fastidious devil. He will not have the object of his passion liable to the embrace of any other. He cannot endure bad smells, and that raised by the smoke of the fish-entrails burnt by Tobit drives him 'into the utmost parts of Egypt, where the angel bound him.' It is, however, of more importance to read the story by the light of the general reputation of Aschmedai among the Jews and Arabians. It was notably that of the devil represented in the Moslem tradition at the beginning of this chapter. He is the Eastern Don Giovanni and Lothario; he plies Noah and Solomon with wine, and seduces their wives, and always aims high with his dashing intrigues. He would have cried Amen to Luther's lines--
Who loves not wine, woman, and song, He lives a fool his whole life long.
Besides being an aristocrat, he is a scholar, the most learned Master of Arts, educated in the great College of Hell, founded by Asa and Asael, as elsewhere related. He was fond of gaming; and so fashionable that Calmet believed his very name signifies fine dress.
Now, the moral reflections in the Book of Tobit, and its casual intimations concerning the position of the persons concerned, show that they were Jewish captives of the humblest working class, whose religion is of a type now found chiefly among the more ignorant sectarians. Tobit's moral instructions to his son, 'In pride is destruction and much trouble, and in lewdness is decay and much want,' 'Drink not wine to make thee drunken,' and his careful instructions about finding wealth in the fear of God, are precisely such as would shape a devil in the image of Asmodeus. Tobit's moral truisms are made falsities by his puritanism: 'Prayer is good with fasting and alms and righteousness;' 'but give nothing to the wicked;' 'If thou serve God he will repay thee.'
'Cakes and ale' do not cease to exist because Tobits are virtuous; but unfortunately they may be raised from their subordinate to an insubordinate place by the transfer of religious restraints to the hands of Ignorance and Cant. Asmodeus, defined against Persian and Jewish asceticism and hypocrisy, had his attractions for men of the world. Through him the devil became perilously associated with wit, gallantry, and the one creed of youth which is not at all consumptive--
Grey is all Theory, Green Life's golden-fruited tree!
Especially did Asmodeus represent the subordination of so-called 'religious' and tribal distinctions to secular considerations. As Samaël had petitioned for an extension of the Abrahamic Covenant to all the world and failed to secure it from Jehovah, Asmodeus proposed to disregard the distinction. There is much in the Book of Tobit which looks as if it were written especially with the intention of persuading Jewish youth, tempted by Babylonians to marriage, that their lovers might prove to be succubi or incubi. Tobit implores his son to marry in his own tribe, and not take a 'strange woman.' Asmodeus was as cosmopolitan as the god of Love himself, and many of his uglier early characteristics were hidden out of sight by such later developments.
Gustave Doré has painted in his vivid way the 'Triumph of Christianity.' In it we see the angelic hosts with drawn swords overthrowing the forms adored of paganism--hurling them headlong into an abyss. So far as the battle and victory go, this is just the conception which an early christian would have had of what took place through the advent of Christ. It filled their souls with joy to behold by Faith's vision those draped angels casting down undraped goddesses; they would delight to imagine how the fall might break the bones of those beautiful limbs. For they never thought of these gods and goddesses as statues, but as real seductive devils; and when these christians had brought over the arts, they often pictured the black souls coming out of these fair idols as they fell.
Doré may have tried to make the angels as beautiful as the goddesses, but he has not succeeded. In this he has interpreted the heart behind every deformity which was ever added to a pagan deity. The horror of the monks was transparent homage. Why did they starve and scourge their bodies, and roll them in thorns? Because not even by defacing the beautiful images were they able to expel from their inward worship the lovely ideals they represented.
It is not difficult now to perceive that the old monks were consigning the pagan ideals to imaginary and themselves to actual hells, in full hope of thereby gaining permanent possession of the same beauty abjured on earth. The loveliness of the world was transient. They grew morbid about death; beneath the rosiest form they saw the skeleton. The heavenly angels they longed for were Venuses and Apollos, with no skeletons visible beneath their immortalised flesh. They never made sacrifices for a disembodied heaven. The force of self-crucifixion lay in the creed--'I believe in the resurrection of the body, and the life everlasting.'
The world could not generally be turned into a black procession at its own funeral. In proportion to the conquests of Christianity must be its progressive surrender to the unconquerable--to human nature. Aphrodite and Eros, over whose deep graves nunneries and monasteries had been built, were the first to revive, and the story, as Mr. Pater has told it, is like some romantic version of Ishtar's Descent into Hades and her resurrection. [147] While as yet the earth seemed frostbound, long before the Renaissance, the song of the turtle was heard in the ballad of Aucassin and Nicolette. The christian knight will marry the beautiful Saracen, and to all priestly warnings that he will surely go to hell, replies, 'What could I do in Paradise? I care only to go where I can be with Nicolette. Who go to Paradise? Old priests, holy cripples, dried-up monks, who pass their lives before altars. I much prefer Hell, where go the brave, the gay, and beautiful. There will be the players on harps, the classic poets and singers; and there I shall not be parted from Nicolette!'
Along with pretty Saracen maidens, or memories of them, were brought back into Europe legends of Asmodeus. Aphrodite and Eros might disguise themselves in his less known and less anathematised name, so that he could manage to sing of his love for Sara, of Parsi for Jewess, under the names of christian Aucassin and saracen Nicolette. In the Eastern Church he reappeared also. There are beautiful old pictures which show the smart cavalier, feather-in-cap, on the youth's left, while on his right stands 'grey Theory' in the form of a long-bearded friar. Such pictures, no doubt, taught for many a different lesson from that intended--namely, that the beat of the heart is on the left.
Where St. Benedict rolled himself in thorns for dreaming of his (deserted) 'Nicolette,' St. Francis planted roses; and the Latin Church had to recognise this evolution of seven centuries. They hid the thorns in the courts of convents, and sold the roses to the outside world as indulgences. But as Asmodeus had not respected the line between Jew and Gentile in Nineveh, so he passed over that between priest, nun, and worldling in the West. In the days of Witchcraft the Church was scandalised by the rumour that the nuns of the Franciscan Convent of Louviers had largely taken to sorcery, and were attending the terrible 'Witches' Sabbaths.' The nun most prominent in this affair was one Madeleine Bavent. The priests announced that she had confessed that she was borne away to the orgies by the demon Asmodeus, and that he had induced her to profane the sacred host. It turned out that the nuns had engaged in intrigues with the priests who had charge of them--especially with Fathers David, Picard, and Boulé--but Asmodeus was credited with the crime, and the nuns were punished for it. Madeleine was condemned to life-long penance, and Picard anticipated the fire by a suicide, in which he was said to have been assisted by the devil.
Following the rabbinical tradition which represented him as continually passing from the high infernal College of Asa and Asael to the earth to apply his arts of sorcery, Asmodeus gained a respectable position in European literature through the romance of Le Sage ('Le Diable Boiteux'), and his fame so gained did much to bring about in France that friendly feeling for the Devil which has long been a characteristic of French literature. A very large number of books, periodicals, and journals in France have gained popularity through the Devil's name. Asmodeus was, in fact, the Arch-bohemian. As such, he largely influenced the conception of Mephistopheles as rendered by Goethe--himself the Prince of Bohemians. The old horror of Asmodeus for bad smells is insulted in the name Mephistopheles, and this devil is many rolled into one; yet in many respects his kinship to Asmodeus is revealed. All the dried starveling Anthonys and Benedicts are, in a cultured way, present in the theologian and scholar Faust; all the sweet ladies that haunted their seclusion became realistic in Gretchen. She is the Nemesis of suppressed passions.
One province of nature after another has been recovered from Asceticism. In this case Ishtar has had to regain her apparel and ornaments at successive portals that are centuries, and they are not all recovered yet. But we have gone far enough, even in puritanised England, to produce a 'madman' far-seeing enough to behold The Marriage of Heaven and Hell. The case of Asmodeus is stated well, albeit radically, by William Blake, in that proverb which was told him by the devils, whom he alone of midnight travellers was shrewd enough to consult: 'The pride of the peacock is the glory of God; the lust of the goat is the bounty of God; the wrath of the lion is the wisdom of God.' When that statement is improved, as it well may be, it will be when those who represent religion shall have learned that human like other nature is commanded by obedience.
In this connection may be mentioned a class of legends indicating the Devil's sensitiveness with regard to his personal appearance. The anxiety of the priests and hermits to have him represented as hideous was said to have been warmly resented by Satan, one of the most striking being the legend of many versions concerning a Sacristan, who was also an artist, who ornamented an abbey with a devil so ugly that none could behold it without terror. It was believed he had by inspiration secured an exact portrait of the archfiend. The Devil appeared to the Sacristan, reproached him with having made him so ugly, and threatened to punish him grievously if he did not make him better looking. Although this menace was thrice repeated, the Sacristan refused to comply. The Devil then tempted him into an intrigue with a lady of the neighbourhood, and they eloped after robbing the abbey of its treasure. But they were caught, and the Sacristan imprisoned. The Devil then appears and offers to get him out of his trouble if he will only destroy the ugly likeness, and make another and handsomer. The Sacristan consented, and suddenly found himself in bed as if nothing had happened, while the Devil in his image lay in chains. The Devil when discovered vanished; the Sacristan got off on the theory that crimes and all had been satanic juggles. But the Sacristan took care to substitute a handsome devil for the ugly one. In another version the Sacristan remained faithful to his original portraiture of the Devil despite all menaces of the latter, who resolved to take a dire revenge. While the artist was completing his ornamentation of the abbey with an image of the Virgin, made as beautiful as the fiend near it was ugly, the Devil broke the ladder on which he was working, and a fatal fall was only prevented by the hand of the Madonna he had just made, which was outstretched to sustain him. The accompanying picture of this scene (Fig. 16) is from 'Queen Mary's Psalter' in the British Museum.
Vasari relates that when Spinello of Arezzo, in his famous fresco of the fall of the rebellious angels, had painted the hideous devil with seven faces about his body, the fiend appeared to him in the same form, and asked the artist where he had seen him in so frightful an aspect, and why he had treated him so ignominiously. When Spinello awoke in horror, he fell into a state of gloom, and soon after died.
The Persian poet Sádi has a remarkable passage conceived in the spirit of these legends, but more kindly.
I saw the demon in a dream, But how unlike he seemed to be To all of horrible we dream, And all of fearful that we see. His shape was like a cypress bough, His eyes like those that Houris wear, His face as beautiful as though The rays of Paradise were there. I near him came, and spoke--'Art thou,' I said, 'indeed the Evil One? No angel has so bright a brow, Such yet no eye has looked upon. Why should mankind make thee a jest, When thou canst show a face like this? Fair as the moon in splendour drest, An eye of joy, a smile of bliss! The painter draws thee vile to sight, Our baths thy frightful form display; They told me thou wert black as night, Behold, thou art as fair as day!' The lovely vision's ire awoke, His voice was loud and proud his mien: 'Believe not, friend!' 'twas thus he spoke, 'That thou my likeness yet hast seen: The pencil that my portrait made Was guided by an envious foe; In Paradise I man betrayed, And he, from hatred, paints me so.'
Boehme relates that when Satan was asked the cause of God's enmity to him and his consequent downfall, he replied, 'I wished to be an artist.' There is in this quaint sentence a very true intimation of the allurements which, in ancient times, the arts of the Gentile possessed for the Jews and christian judaisers. Indeed, a similar feeling towards the sensuous attractions of the Catholic and Ritualistic Churches is not uncommon among the prosaic and puritanical sects whose younger members are often thus charmed away from them. Dr. Donne preached a sermon before Oliver Cromwell at Whitehall, in which he affirmed that the Muses were damned spirits of devils; and the discussion on the Drama which occurred at Sheffield Church Congress (1878), following Dr. Bickerstith's opening discourse on 'the Devil and his wiles,' shows that the Low Church wing cherishes much the same opinion as that of Dr. Donne. The dread of the theatre among some sects amounts to terror. The writer remembers the horror that spread through a large Wesleyan circle, with which he was connected, when a distinguished minister of that body, just returned from Europe, casually remarked that 'the theatre at Rome seemed to be poorly supported.' The fearful confession spread through the denomination, and it was understood that the observant traveller had 'made shipwreck of faith.' The Methodist instinct told true: the preacher became an accomplished Gentile.
Music made its way but slowly in the Church, and the suspicion of it still lingers among many sects. The Quakers took up the burthen of Epiphanius who wrote against the flute-players, 'After the pattern of the serpent's form has the flute been invented for the deceiving of mankind. Observe the figure that the player makes in blowing his flute. Does he not bend himself up and down to the right hand and to the left, like unto the serpent? These forms hath the Devil used to manifest his blasphemy against things heavenly, to destroy things upon earth, to encompass the world, capturing right and left such as lend an ear to his seductions.' The unregenerate birds that carol all day, be it Sabbath or Fast, have taught the composer that his best inspiration is from the Prince of the Air. Tartini wrote over a hundred sonatas and as many concertos, but he rightly valued above them all his 'Sonata del Diavolo.' Concerning this he wrote to the astronomer Lalande:--'One night, in the year 1713, I dreamed that I had made a compact with his Satanic Majesty, by which he was received into my service. Everything succeeded to the utmost of my desires, and my every wish was anticipated by my new domestic. I thought that, in taking up my violin to practise, I jocosely asked him if he could play on this instrument. He answered that he believed he was able to pick out a tune; when, to my astonishment, he began a sonata, so strange, and yet so beautiful, and executed in so masterly a manner, that in the whole course of my life I had never heard anything so exquisite. So great was my amazement that I could scarcely breathe. Awakened by the violence of my feelings, I instantly seized my violin, in the hope of being able to catch some part of the ravishing melody which I had just heard, but all in vain. The piece which I composed according to my scattered recollections is, it is true, the best I ever produced. I have entitled it, 'Sonata del Diavolo;' but it is so far inferior to that which had made so forcible an impression on me, that I should have dashed my violin into a thousand pieces, and given up music for ever in despair, had it been possible to deprive myself of the enjoyments which I receive from it.'
The fire and originality of Tartini's great work is a fine example of that power which Timoleon called Automatia, and Goethe the Dämonische,--'that which cannot be explained by reason or understanding; it is not in my nature, but I am subject to it.' 'It seems to play at will with all the elements of our being.'
The Puritans brought upon England and America that relapse into the ancient asceticism which was shown in the burning of great pictures by Cromwell's Parliament. It is shown still in the jealousy with which the puritanised mind in both countries views all that aims at the simple decoration of life, and whose ministry is to the sense of beauty. On that day of the week when England and New England hebraise, as Matthew Arnold says, it is observable that the sabbatarian fury is especially directed against everything which proposes to give simple pleasure or satisfy the popular craving for beauty. Sabbatarianism sees a great deal of hard work going on, but is not much troubled so long as it is ugly and dismal work. It utters no cry at the thousands of hands employed on Sunday railways, but is beside itself if one of the trains takes excursionists to the seaside, and is frantic at the thought of a comparatively few persons being employed on that day in Museums and Art Galleries. It is a survival of the old feeling that the Devil lurks about all beauty and pleasure.
A money-making age has measurably dispersed the superstitions which once connected the Devil with all great fortunes. For a long time, and in many regions of the world, the Jews suffered grievously by being supposed to get their wealth by the Devil's help. Their wealth (largely the result of their not exchanging it for worldly enjoyments) so often proved their misfortune, that it was easy to illustrate by their case the monkish theory that devil's gifts turn to ashes. Princes were indefatigable in relieving the Jews of such ashes, however. The Lords of Triar, who possessed the mines of Glucksbrunn, were believed to have been guided to them by a gold stag which often appeared to them--of course the Devil. It is related that when St. Wolfram went to convert the Frislanders, their king, Radbot, was prevented from submitting to baptism by a diabolical deception. The Devil appeared to him as an angel clothed in a garment woven of gold, on his head a jewelled diadem, and said, 'Bravest of men! what has led thee to depart from the Prince of thy gods? Do it not; be steadfast to thy religion and thou shalt dwell in a house of gold which I will give into thy possession to all eternity. Go to Wolfram to-morrow, ask him about those bright dwellings he promises thee. If he cannot show them, let both parties choose an ambassador; I will be their leader and will show them the gold house I promise thee.' St. Wolfram being unable to show Radbot the bright dwellings of Paradise, one of his deacons was sent along with a representative of the king, and the Devil (disguised as a traveller) took them to the house of gold, which was of incredible size and splendour. The Deacon exclaimed, 'If this house be made by God it will stand for ever; if by the Devil, it must vanish speedily.' Whereupon he crossed himself; the house vanished, and the Deacon found himself with the Frislander in a swamp. It took them three days to extricate themselves and return to King Radbot, whom they found dead.
The ascetic principle which branded the arts, interests, pursuits, and pleasures of the world as belonging to the domain of Satan, involved the fatal extreme of including among the outlawed realms all secular learning. The scholar and man of science were also declared to be inspired by the 'pride of life.' But this part of our subject requires a separate chapter.
XXIII. THE CURSE ON KNOWLEDGE
A Bishop on intellect--The Bible on learning--The Serpent and Seth--A Hebrew Renaissance--Spells--Shelley at Oxford-- Book-burning--Japanese ink-devil--Book of Cyprianus--Devil's Bible--Red letters--Dread of Science--Roger Bacon--Luther's Devil--Lutherans and Science.
In Lucas van Leyden's picture of Satan tempting Christ (Fig. 6), the fiend is represented in the garb of a University man of the time. From his head falls a streamer which coils on the ground to a serpent. From that serpent to the sceptical scholar demanding a miracle the evolution is fully traceable. The Serpent, of old the 'seer,' was in its Semitic adaptation a tempter to forbidden knowledge. This was the earliest priestly outcry against 'godless education.'
During the Shakespere tercentenary festival at Stratford-on-Avon, the Bishop of St. Andrews declared that there is not a word in the Bible warranting homage to Intellect, and such a boast beside the grave of the most intellectual of Englishmen is in itself a survival illustrating the tremendous curse hurled by jealous Jehovah on man's first effort to obtain knowledge. That same Serpent of knowledge has passed very far, and his curse has many times been repeated. In the Accadian poem of the fatal Seven, as we have seen, it is said, 'In watching was their office;' and the Assyrian version says, 'Unto heaven that which was not seen they raised.' On the Babylonian cylinders is inscribed the curse of the god of Intelligence (Hea) upon man--'Wisdom and knowledge hostilely may they injure him.' [148] The same Serpent twined round the staff of Æsculapius and whispered those secrets which made the gods jealous, so that Jove killed the learned Physician with a flash of lightning. Its teeth were sown when Cadmus imported the alphabet into Greece; and when these alphabetical dragon's-teeth had turned to type, the ancient curse was renewed in legends which connected Fust with the Devil.
The Hebrews are least among races responsible for the legend which has drifted into Genesis. Nor was the Bishop's boast about their Bible correct. The homage paid to Solomon was hardly on account of his moral character. 'He spake of trees, from the cedar-tree that is in Lebanon, even unto the hyssop that springeth out of the wall; he spake also of beasts, and of fowl, and of creeping things, and of fishes.' [149] While the curse on man for eating the fruit of knowledge is never quoted in the Hebrew scriptures, there are many indications of their devotion to knowledge; and their prophets even heard Jehovah saying, 'My people are destroyed through lack of knowledge.' It is not wonderful, therefore, that we find among the Jews the gradual growth of a legend concerning Seth, which may be regarded as a reply to the curse on the Serpent.
The apotheosis of Seth in rabbinical and mussulman mythology represents a sort of Semitic Renaissance. As we have seen in a former chapter, the Egyptians and Greeks identified Set with Typhon, but at the same time that demon was associated with science. He is astronomically located in Capricorn, the sphere of the hierophants in the Egyptian Mysteries, and the mansion of the guardians of science. Thus he would correspond with the Serpent, who, as adapted by the Hebrews in the myth of Eden, whispers to Eve of divine knowledge. But, as detached from Typho, Seth, while leaving behind the malignancy, carried away the reputation for learning usually ascribed to devils. Thus, while we have had to record so many instances of degraded deities, we may note in Seth a converted devil. In the mussulman and rabbinical traditions Seth is a voluminous author; he receives a library from heaven; he is the originator of astronomy and of many arts; and, as an instructor in cultivation, he restores many an acre which as Set he had blighted. In the apocryphal Genesis he is represented as having been caught up to heaven and shown the future destiny of mankind. Anastasius of Sinai says that when God created Adam after his own image, he breathed into him grace and illumination, and a ray of the Holy Spirit. But when he had sinned this glory left him. Then he became the father of Cain and Abel. But afterwards it is said Adam 'begat a son in his own likeness, after his image, and called his name 'Seth,' which is not said of Cain and Abel; and this means that Seth was begotten in the likeness of unfallen man in paradise--Seth meaning 'Resurrection.' And all those then living, when they saw how the face of Seth shone with divine light, and heard him speak with divine wisdom, said, He is God; therefore his sons were commonly called the sons of God. [150]
That this 'Resurrection' of departed glory and wisdom was really, as I have said, a Renaissance--a restoration of learning from the curse put upon it in the story of the Serpent--is indicated by its evolution in the Gnostic myth wherein Seth was made to avenge Satan. He took under his special care the Tree of the Knowledge of Good and Evil, and planted it in his father's grave (Fig. 8). Rabbins carried their homage to Seth even to the extent of vindicating Saturn, the most notorious of planets, and say that Abraham and the Prophets were inspired by it. [151] The Dog (Jackal) was, in Egyptian symbols, emblem of the Scribe; Sirius was the Dog-star domiciled with Saturn; Seth was by them identified with Sirius, as the god of occult and infernal knowledge. He was near relative of the serpent Sesha, familiar of Æsculapius, and so easily connected with the subtlest of the beasts in Eden which had crept in from the Iranian mythology.
This reaction was instituted by scholars, who, in their necessarily timid way of fable, may be said to have recovered the Tree of Knowledge under guise of homage to Seth. It flourished, as we have seen (chap. xi.), to the extent of finally raising the Serpent to be a god, and lowering Jehovah who cursed him to a jealous devil!
But the terror with which Jehovah is said to have been inspired when he said, 'The man has become as one of us, to know good and evil,' never failed to reappear among priesthoods when anything threatened to remove the means of learning from under their control. The causes of this are too many to be fully considered here; but the main cause unquestionably was the tendency of learning to release men from the sway of the priest. The primitive man of science would speedily discover how many things existed of which his priest was ignorant, and thus the germ of Scepticism would be planted. The man who possessed the Sacred Books, in whole or in part, might become master of the 'spells' supposed to be contained in its words and sentences, and might use them against the priests; or, at any rate, he might feel independent of the ordinary apparatus of salvation.
The anxiety of priests to keep fast hold of the keys of learning, so that no secular son of Adam should become 'as one of them,' coupled with the wonderful powers they professed ability to exercise, powerfully stimulated the curiosity of intellectual men, and led them to seek after this forbidden fruit in subtle ways, which easily illustrated the story of the Serpent. The poet Shelley, who was suspected at Oxford because of his fondness for chemistry, recognised his mythological ancestry, and used to speak of 'my cousin, the Serpent.' The joke was born of circumstances sufficiently scandalous in the last generation to make the Oxonian of to-day blush; but the like histories of earlier ages are so tragical that, when fully known by the common people, they will change certain familiar badges into brands of shame. While the cant goes on about the Church being the protector of learning through the dark ages, the fact is that, from the burning of valuable books at Ephesus by christian fanatics (Acts xix. 19) to the present day, the Church has destroyed tenfold more important works than it ever produced, and almost suffocated the intellectual life of a thousand years. Amid the unbroken persecution of the Jews by christian cruelty, which lasted from the early eleventh century for five hundred years, untold numbers of manuscripts were destroyed, which might have now been giving the world full and clear knowledge concerning ages, for whose records archæological scholars are painfully exploring the crumbled ruins of the East. Synagogues were believed to be temples of Satan; they were plundered and razed to the ground, and their precious archives strewed the streets of many cities. On the 17th of June 1244 twenty-four cartloads of these ancient MSS. were burned in Paris alone. "And all this by our holy 'protector of learning' through the Middle Ages!
The Japanese have pictures of a famous magician who conjured up a demon--vast, vague, and terrible--out of his inkstand. They call it latterly 'emblem of a licentious press,' but, no doubt, it was originally used to terrify the country generally concerning the press. That Devil has also haunted the ecclesiastical imagination in Europe. Nearly every book written without priestly command was associated with the Devil, and there are several old books in Europe, laboriously and honestly written, which to this day are invested with popular superstitions reporting the denunciations with which they were visited. For some centuries it has been believed in Denmark and neighbouring countries that a strange and formidable book exists, by means of which you can raise or lay the Devil. It is vulgarly known as the Book of Cyprianus. The owner of it can neither sell, bury, or burn it, and if he cannot get rid of it before his death, he becomes the prey of the fiend. The only way of getting rid of it is to find somebody who will accept it as a present, well knowing what it is. Cyprianus is said to have been a clever and virtuous young student, but he studied the black art in Norway, and came under the power of the Devil, who compelled him to use his unholy learning to evil ends. This grieved him sorely, and he wrote a book, in which he shows first, how evil shall be done, and then how to counteract it. The book is probably one which really exists or existed, and professed to teach the art of sorcery, and likewise the charms against it. It consists of three parts, severally called Cyprianus, Dr. Faust, and Jacob Ramel. The two latter are written in cypher. It teaches everything appertaining to 'signing,' conjuring, second sight, and all the charms alluded to in Deuteronomy xviii. 10-12. The person possessing Cyprianus' book is said never to be in need of money, and none can harm him. The only way of getting rid of it is to put it away in a secret place in a church along with a clerk's fee of four shillings.
In Stockholm I saw the so-called Devil's Bible, the biggest book in the world, in the Royal Library. It is literally as they describe it, 'gigas librorum': no single man can lift it from the floor. It was part of the booty carried off by the Swedes after the surrender of Prague, A.D. 1648. It contains three hundred parchment leaves, each one made of an ass's hide, the cover being of oak planks, 1 1/2 inches thick. It contains the Old and New Testaments; Josephi Flavii Antiquitates Judaicæ; Isidori Episcopi L. XX. de diversis materiis; Confessio peccatorum; and some other works. The last-named production is written on black and dark brown ground with red and yellow letters. Here and there sentences are marked 'hæc sunt suspecta,' 'superstitiosa,' 'prohibita.' One MS., which is headed, 'Experimentum de furto et febribus', is a treatise in Monkish Latin on the exorcism of ghosts and evil spirits, charms against thieves and sickness, and various prescriptions in 'White Magic.' The age of the book is considerably over three hundred years. The autograph of a German emperor is in it: 'Ferdinandus Imperator Romanorum, A.D. 1577.' The volume is known in Sweden as Fan's Bibel (Devil's Bible). The legend says, that a monk, suspected of black arts, who had been condemned to death, begged for life, and his judge mockingly told him that he would be pardoned only if he should produce next morning all the books here found and in this vast size. The monk invoked the Devil's assistance, and the ponderous volume was written in a single night. This Devil must have been one who prided himself more on his literary powers than his personal appearance; for the face and form said to be his portrait, frontispiece of the volume, represent a most hideous ape, green and hairy, with horrible curled tusks. It is, no doubt, the ape Anerhahn of the Wagner legends; Burns's 'towzie tyke, black, grim, and large.' [152]
I noticed particularly in this old work the recurrence of deep red letters and sentences similar to the ink which Fust used at the close of his earliest printed volumes to give his name, with the place and date of printing. Now Red is sacred in one direction as symbolising the blood of Christ, but it is also the colour of Judas, who betrayed that blood. Hence, while red letters might denote sacred days and sentences in priestly calendars, they might be supposed mimicry of such sanctities by 'God's Ape' if occurring in secular works or books of magic. It is said that these red letters were especially noted in Paris as indications of the diabolical origin of the works so easily produced by Fust; and, though it is uncertain whether he suffered imprisonment, the red lines with his name appear to have been regarded as his signature in blood.
For a long time every successive discovery of science, every invention of material benefit to man, was believed by priest-ridden peoples to have been secured by compact with the devil. The fate of the artist Prometheus, fettered by jealous Jove, was repeated in each who aspired to bring light to man, and some men of genius--such as Cornelius Agrippa, and Paracelsus--appear to have been frightened away from legitimate scientific research by the first connection of their names with sorcery. They had before them the example of the greatest scientific man of the Middle Ages, Roger Bacon, and knew how easily, in the priestly whisper, the chemist's crucible grew to a wizard's cauldron. The time may come when Oxford University will have learned enough to build a true memorial of the grandest man who ever wrote and taught within its walls. It would show Roger Bacon--rectifier of the Julian Calendar, analyst of lenses, inventor of spectacles and achromatic lenses, probable constructor of the first telescope, demonstrator of the chemical action of air in combustion, inventor of the mode of purifying saltpetre and crystallising it into gunpowder, anticipator of the philosophical method with which his namesake is credited--looking on a pile of his books for whose researches he had paid two thousand French livres, to say nothing of a life's labour, only to see them condemned by his University, their circulation prohibited; and his sad gaze might be from the prison to which the Council of Franciscans at Paris sentenced him whom Oxford gladly delivered into their hands. He was condemned, says their historian Wadding, 'propter novitates quasdam suspectas.' The suspected novelties were crucibles, retorts, and lenses that made the stars look larger. So was it with the Oxford six hundred years ago. Undeniably some progress had been made even in the last generation, for Shelley was only forbidden to study chemistry, and expelled for his metaphysics. But now that it is claimed that Oxford is no longer partaker with them that stoned investigators and thinkers from Bacon to Shelley, it would be in order to build for its own great martyr of science a memorial, that superstition may look on one whom it has pierced.
Referring to Luther's inkstand thrown at the Devil, Dr. Zerffii, in his lecture on the Devil, says, 'He (the devil) hates nothing so much as writing or printer's ink.' But the truth of this remark depends upon which of two devils be considered. It would hardly apply to the Serpent who recommended the fruit of knowledge, or to the University man in Lucas van Leyden's picture (Fig. 6). But if we suppose the Devil of Luther's Bible (Fig. 17) to be the one at which the inkstand was thrown, the criticism is correct. The two pictures mentioned may be instructively compared. Luther's Devil is the reply of the University to the Church. These are the two devils--the priest and the scholar--who glared at each other in the early sixteenth century. 'The Devil smelled the roast,' says Luther, 'that if the languages revived, his kingdom would get a hole which he could not easily stop again.' And it must be admitted that some of the monkish execrations of the time, indeed of many times since, have an undertone of Jahvistic jealousy. 'These Knowers will become as one of us.' It must also be admitted that the clerical instinct told true: the University man held in him that sceptical devil who is always the destroyer of the priest's paradise. These two devils which struggled with each other through the sixteenth century still wage their war in the arena of Protestantism. Many a Lutheran now living may remember to have smiled when Hofmann's experiments in discovering carbonic acid gas gained him repute for raising again Mephosto; but perhaps they did not recognise Luther's devil when, at the annual assembly of Lutheran Pastors in Berlin (Sept. 1877), he reappeared as the Rev. Professor Grau, and said, 'Not a few listen to those striving to combine Christ with Belial, to reconcile redeeming truth with modern science and culture.' But though they who take the name of Luther in vain may thus join hands with the Devil, at whom the Reformer threw his inkstand, the combat will still go on, and the University Belial do the brave work of Bel till beneath his feet lies the dragon of Darkness whether disguised as Pope or Protestant.
If the Church wishes to know precisely how far the roughness pardonable in the past survives unpardonably in itself, let its clergy peruse carefully the following translation by Mr. Leland of a poem by Heine; and realise that the Devil portrayed in it is, by grace of its own prelates, at present the most admired personage in every Court and fashionable drawing-room in Christendom.
I called the Devil, and he came: In blank amaze his form I scan. He is not ugly, is not lame, But a refined, accomplished man,-- One in the very prime of life, At home in every cabinet strife, Who, as diplomatist, can tell Church and State news extremely well. He is somewhat pale--and no wonder either, Since he studies Sanskrit and Hegel together. His favourite poet is still Fonqué. Of criticism he makes no mention, Since all such matters unworthy attention He leaves to his grandmother, Hecaté. He praised my legal efforts, and said That he also when younger some law had read, Remarking that friendship like mine would be An acquisition, and bowed to me,-- Then asked if we had not met before, At the Spanish Minister's soiree? And, as I scanned his face once more, I found I had known him for many a day.
XXIV. WITCHCRAFT
Minor gods--Saint and Satyr--Tutelaries--Spells--Early Christianity and the poor--Its doctrine as to pagan deities--Mediæval Devils--Devils on the stage--An Abbot's revelations--The fairer deities--Oriental dreams and spirits--Calls for Nemesis--Lilith and her children--Neoplatonicism--Astrology and Alchemy--Devil's College--Shem-hammphorásch--Apollonius of Tyana--Faustus--Black Art Schools--Compacts with the Devil--Blood-covenant--Spirit-seances in old times--The Fairfax delusion--Origin of its devil--Witch, goat, and cat--Confessions of Witches--Witchcraft in New England--Witch trials--Salem demonology--Testing witches--Witch trials in Sweden--Witch Sabbath--Mythological elements--Carriers--Scotch Witches--The cauldron--Vervain--Rue--Invocation of Hecaté--Factors of Witch persecution--Three centuries of massacre--Würzburg horrors--Last victims--Modern Spiritualism.
St. Cyprian saw the devil in a flower. [153] That little vision may report more than many more famous ones the consistency with which the first christians had developed the doctrine that nature is the incarnation of the Evil Spirit. It reports to us the sense of many sounds and sights which were heard and seen by ears and eyes trained for such and no other, all showing that the genii of nature and beauty were vanishing from the earth. Over the Ægean sea were heard lamentations and the voice, 'Great Pan is dead!' Augustus consults the oracle of Apollo and receives reply--
Me puer Hebræus, Divos Deus ipse gubernans, Cedere sede jubet, tristremque redire sub orcum; Aris ergo dehinc tacitis abscedito nostris.
But while the rage of these Fathers towards all the great gods and goddesses, who in their grand temples represented 'the pride of life,' was remorseless, they were comparatively indifferent to the belief or disbelief of the lower classes in their small tutelary divinities. They appear almost to have encouraged belief in these, perhaps appreciating the advantages of the popular custom of giving generous offerings to such personal and domestic patrons. At a very early period there seems to have arisen an idea of converting these more plebeian spirits into guardian angels with christian names. Thus Jerome relates in his Life of the first Hermit Paul, that when St. Anthony was on his way to visit that holy man, he encountered a Centaur who pointed out the way; and next a human-like dwarf with horns, hooked fingers, and feet like those of a goat. St. Anthony believing this to be an apparition of the Devil, made the sign of the Cross; but the little man, nowise troubled by this, respectfully approached the monk, and having been asked who he was, answered: 'I am a mortal, and one of those inhabitants of the Desert whom the Gentiles in their error worship under the names of Fauns, Satyrs, and Incubi: I am delegated by my people to ask of thee to pray for us to our common God, who we know has descended for the salvation of the world, and whose praises resound in all the earth.' At this glorification of Christ St. Anthony was transported with joy, and turning towards Alexandria he cried, 'Woe to thee, adulterous city, which adorest animals as gods!'
Perhaps the evolution of these desert demons into good christians would have gone on more rapidly and completely if the primitive theologians had known as much of their history as comparative mythology has disclosed to the modern world. St. Anthony was, however, fairly on the track of them when he turned towards Alexandria. Egypt appears to have been the especial centre from which were distributed through the world the fetish guardians of provinces, towns, households and individuals. Their Serapes reappear in the Teraphim of Laban, and many of the forms they used reappear in the Penates, Lares, and genii of Latin countries. All these in their several countries were originally related to its ancient religion or mythology, but before the christian era they were very much the same in Egypt, Greece, and Italy. They were shaped in many different, but usually natural forms, such as serpents, dogs, boys, and old men, though often some intimation was given of their demonic character. They were so multiplied that even plants and animals had their guardians. The anthropomorphic genii called the Patrii, who were supposed to preside over provinces, were generally represented bearing weapons with which they defended the regions of which they were patrons. These were the Averrunci or Apotropæi.
There are many interesting branches of this subject which cannot be entered into here, and others have already been considered in the foregoing parts of this work. It is sufficient for my present purpose to remark, that, in the course of time, all the households of the world had traditional guardians; these were generally represented in some shape on amulets and talismans, on which were commonly inscribed the verbal charms by which the patron could be summoned. In the process of further time the amulets--especially such as were reproduced by tribes migrating from the vicinity of good engravers--might be marked only with the verbal charms; these again were, in the end, frequently represented only by some word or name. This was the 'spell.' Imagination fails in the effort to conceive how many strata of extinct deities had bequeathed to the ancient Egyptians those mystical names whose exact utterance they believed would constrain each god so named to appear and bind him to serve the invoker's purpose whether good or evil. [154] This idea continued among the Jews and shaped the commandment, 'Thou shalt not take the name of the Lord thy God in vain.'
It was in these diminutive forms that great systems survived among the common people. Amid natural convulsions ancient formations of faith were broken into fragments; in the ebb and flow of time these fragments were smoothed, as it were, into these talismanic pebbles. Yet each of these conveyed all the virtue which had been derived from the great and costly ceremonial system from which it originally crumbled; the virtue of soothing the mind and calming the nerves of sufferers with the feeling that, though they might have been assailed by hostile powers, they had friendly powers too who were active in their behalf--Vindicators, to recall Job's phrase--who at last would stand by them to the end. In the further ebb and flow of generations the mass of such charms are further pulverised into sand or into mud; but not all of them: amid the mud will be found many surviving specimens, and such mud of accumulated superstitions is always susceptible of being remoulded after such lingering models, should occasion demand.
Erasmus, in his 'Adages,' suggests that it was from these genii of 'the Gentiles' that the christians derived their notion of each person being attended by two angels, a good and a bad. Probably he was but half right. The peoples to whom he refers did not generally believe that each man was attended by a bad spirit, a personal enemy. That was an honour reserved for individuals particularly formidable to the evil powers,--Adam, Jacob, Hercules, or Zoroaster. The one preternatural power attending each ordinary individual defended him from the general forces of evil. But it was Christianity which, in the gradual effort to substitute patron-saints and guardian-angels of its own for the pagan genii, turned the latter from friends to enemies, and their protecting into assailing weapons.
All the hereditary household gods of what is now called Christendom were diabolised. But in order that the masses might turn from them and invoke christian guardians, the Penates, Lares, and genii had to be belittled on the one hand, and the superior power of the saints and angels demonstrated. When Christianity had gained the throne of political power, it was easy to show that the 'imps,' as the old guardians were now called, could no longer protect their invokers from christian punishment, or confer equal favours.
Christianity conquered Europe by the sword, but at first that sword was not wielded against the humble masses. It was wielded against their proud oppressors. To the common people it brought glad tidings of a new order, in which, under the banner of a crucified working-man and his (alleged) peasant mother, all caste should disappear but that of piety and charity. Christ eating with publicans and sinners and healing the wayside cripples reappeared in St. Martin dividing his embroidered cloak with a beggar--type of a new aristocracy. They who worshipped the Crucified Peasant in the rock-cave of Tours which St. Martin had consecrated, or in little St. Martin's Church at Canterbury where Bertha was baptized, could not see the splendid cathedrals now visible from them, built of their bones and cemented with their blood. King Ethelbert surrendered the temple of his idol to the consecration of Augustine, and his baptized subjects had no difficulty in seeing the point of the ejected devil's talons on the wall which he assailed when the first mass was therein celebrated.
Glad tidings to the poor were these that the persecuted first missionaries brought to Gaul, Britain, and Germany. But they did not last. The christians and the pagan princes, like Herod and Pilate, joined hands to crucify the European peasant, and he was reduced to a worse serfdom than he had suffered before. Every humble home in Europe was trampled in the mire in the name of Christ. The poor man's wife and child, and all he possessed were victims of the workman of Jerusalem turned destroyer of his brethren. Michelet has well traced Witchcraft to the Despair of the Middle Ages. [155] The decay of the old religions, which Christianity had made too rapid for it to be complete, had left, as we have seen, all the trains laid for that terrible explosion; and now its own hand of cruelty brought the torch to ignite them. Let us, at risk of some iteration, consider some of these combustible elements.
In the first place the Church had recognised the existence of the pagan gods and goddesses, not wishing to imbreed in the popular mind a sceptical habit, and also having use for them to excite terror. Having for this latter purpose carved and painted them as ugly and bestial, it became further of importance that they should be represented as stupid and comparatively impotent. Baptism could exorcise them, and a crucifix put thousands of them to flight. This tuition was not difficult. The peasantries of Europe had readily been induced to associate the newly announced (christian) Devil with their most mischievous demons. But we have already considered the forces under which these demons had entered on their decline before they were associated with Satan. Many conquered obstructions had rendered the Demons which represented them ridiculous. Hence the 'Dummeteufel' of so many German fables and of the mediæval miracle-plays. 'No greater proof,' says Dr. Dasent, 'can be given of the small hold which the christian Devil has taken of the Norse mind, than the heathen aspect under which he constantly appears, and the ludicrous way in which he is always outwitted.' [156] 'The Germans,' says Max Müller, 'indoctrinated with the idea of a real devil, the Semitic Satan or Diabolus, treated him in the most good-humoured manner.' [157] A fair idea of the insignificance he and his angels reached may be gained from the accompanying picture (Fig. 18), with which a mediæval Missal now in possession of Sir Joseph Hooker is illuminated. It could not be expected that the masses would fear beings whom their priests thus held up to ridicule. It is not difficult to imagine the process of evolution by which the horns of such insignificant devils turned to the asinine ears of such devils as this stall carving at Corbeil, near Paris (Fig. 19), which represented the popular view of the mastery obtained by witches over devils. It must be remembered also that this power over devils was in accordance with the traditions concerning Solomon, and the subserviency of Oriental demons generally to the lamps or charms to which they were bound.
What the popular christian devil had become in all the Northern nations is sufficiently shown in the figure he presented in most of the old miracle-plays and 'Moralities.' 'The Devill in his fethers all ragged and rent,' [158] had horns, wide mouth, long (sometimes up-turned) nose, red beard, cloven foot, and tail. He was attended by a buffoon called Vice. 'And,' says Harsenet, 'it was a pretty part in the old Church playes when the nimble Vice would skip up nimbly like a Jackanapes into the Devil's necke, and ride the Devil a course, and belabour him with a wooden dagger, till he made him roar, whereat the people would laugh to see the Devil so Vice-haunted.' [159] The two must have nearly resembled the clown and his unhappy victim Pantaloon in our pantomimes, as to their antics. It would seem that sometimes holy personages were caricatured in the make-up of the stage-devil. Thus in 'Gammer Gurton's Needle' we have this conversation:--
GAMMER. But, Hodge, had he no horns to push?
HODGE. As long as your two armes. Saw ye never fryer Rushe Painted on cloth, with a side long cowe's tayle And crooked cloven feet, and many a hooked nayle? For all the world (if I should judge) should reckon him his brother; Loke, even what face fryer Rushe had, the devil had such another.
In the scene of Christ's delivering souls from purgatory, the Devil is represented as blowing lustily a horn to alarm his comrades, and crying, 'Out, out, aronzt!' to the invader. He fights with a three-pronged fork. He and his victims are painted black, [160] in contrast with the souls of the saved, which are white. The hair was considered very important. [161] When he went to battle, even his fiery nature was sometimes represented in a way that must have been more ludicrous than impressive. [162]
The insignificance to which the priests had reduced the devil in the plays, where they were usually the actors, reflected their own petty routine of life. They could conceive of nothing more terrible than their own mean mishaps and local obstructions. One great office of the Devil was to tempt some friar to sleep when he should be at prayer, [163] make another drink too much, or a third cast warm glances at a village beauty. The Revelations of the Abbot Richalmus, written seven hundred years ago, shows the Devil already far gone in his process of diminution. The Devil here concentrates the energies which once made the earth tremble on causing nausea to the Abbot, and making the choir cough while he is preaching. 'When I sit down to holy studies,' he says, 'the devils make me heavy with sleep. Then I stretch my hands beyond my cuffs to give them a chill. Forthwith the spirits prick me under my clothes like so many fleas, which causes me to put my hands on them; and so they get warm again, and my reading grows careless.' 'Come, just look at my lip; for twenty years has an imp clung to it just to make it hang down.' It is ludicrous to find that ancient characteristic of the gods of Death already adverted to--their hatred of salt, the agent of preservation--descended from being the sign of Job's constancy to Jehovah into a mere item of the Abbot's appetite. 'When I am at dinner, and the devil has taken away my appetite, as soon as I have tasted a little salt it comes back to me; and if, shortly afterwards, I lose it again, I take some more salt, and am once more an hungered.' [164]
One dangerous element was the contempt into which, by many causes, the infernal powers had been brought. But a more dangerous one lay in another direction. Though the current phrases of the New Testament and of the Fathers of the Church, declaring this world, its wealth, loves, and pleasures, to be all the kingdom of Satan, had become cant in the mouths of priests ruling over Europe, it had never been cant to the humble peasantries. Although they had degraded many devils imported by the priests, it had been in connection with the declining terrors of their native demonologies. But above these degraded and hated gnomes and elves, whose paternity had been transferred from Soetere to Satan, there was an array of beautiful deities--gentle gods and goddesses traditionally revered and loved as protectors of the home and the family--which had never really lost their hold on the common people. They might have shrunk before the aggressive victories of the Saints into little Fairies, but their continued love for the poor and the oppressed was the romance of every household. What did these good fairies do? They sometimes loaded the lowly with wealth, if summoned in just the right way; they sang secrets to them from trees as little birds, they smoothed the course of love, clothed ash-maidens in fine clothes, transported people through the air, enabled them to render themselves invulnerable, or invisible, to get out of prisons, to vanquish 'the powers that be,' whether 'ordained of God' or not. Now all these were benefits which, by christian theory, could only be conferred by that Prince of this World who ministered to 'the pride of life.'
Into homes which the priest and his noble had stripped of happiness and hope,--whose loving brides were for baptized Bluebeards, whose hard earnings were taken as the price of salvation from devils whose awfulness was departing,--there came from afar rumours of great wealth and splendour conferred upon their worshippers by Eastern gods and goddesses. The priests said all those were devils who would torture their devotees eternally after death; yet it could not be denied that the Moors had the secret of lustres and ornamentation, that the heathen East was gorgeous, that all Christendom was dreaming of the wealth of Ormus and of Ind. Granted that Satan had come westward and northward, joined the scurvy crew of Loki, and become of little importance; but what of Baal or Beelzebub, of Asmodeus, of the genii who built Solomon's temple, of rich Pluto, of august Ahriman? Along with stories of Oriental magnificence there spread through Christendom names of many deities and demons; many of them beautiful names, too, euphemism having generally managed to bestow melodious epithets alike on deities feared and loved. In Faust's 'Miraculous Art and Book of Marvels, or the Black Raven' (1469), the infernal heirarchy are thus named:--King, Lucifer; Viceroy, Belial; Gubernatores, Satan, Beelzebub, Astaroth, Pluto; Chief Princes, Aziel, Mephistopheles, Marbuel, Ariel, Aniguel, Anisel, Barfael. Seductive meanings, too, corresponding to these names, had filtered in some way from the high places they once occupied into the minds of the people. Lucifer was a fallen star that might rise again; Belial and Beelzebub were princes of the fire that rendered possible the arts of man, and the Belfires never went out in the cold North; Astarte meant beauty, and Pluto wealth; Aziel (Asael) was President of the great College of occult arts, from whom Solomon learned the secrets by which he made the jinni his slaves; Marbuel was the artist and mechanic, sometimes believed to aid artisans who produced work beyond ordinary human skill; Ariel was the fine spirit of the air whose intelligence corresponded to that of the Holy Ghost on the other side; Aniguel is the serpent of Paradise, generally written Anisel; Anizazel is probably a fanciful relative of Azazel, 'the strong god;' and Barfael, who in a later Faust book is Barbuel, is an orientalised form of the 'demon of the long beard' who holds the secret of the philosopher's stone.
In a later chapter the growth of favourable views of the devil is considered. Some of the legends therein related may be instructively read in connection with the development of Witchcraft. Many rumours were spread abroad of kindly assistance brought by demons to persons in distress. But even more than by hopes so awakened was the witch aided by the burning desire of the people for vengeance. They wanted Zamiel (Samaël) to help them to mould the bullet that would not miss its mark. The Devil and all his angels had long been recognised by their catechists as being utilised by the Deity to execute his vengeance on the guilty; and to serfs in their agony that devil who would not spare prince or priest was more desired than even the bestower of favours to their starving minds and bodies.
Under the long ages of war in Europe, absorbing the energies of men, women had become the preservers of letters. The era of witchcraft in Europe found that sex alone able to read and write, arts disesteemed in men, among the peasantry at least. To them men turned when it had become a priestly lesson that a few words were more potent than the weapons of princes. Besides this, women were the chief sorcerers, because they were the chief sufferers. In Alsace (1615), out of seventy-five who perished as witches, sixty-two were women. The famous Malleus Maleficorum, which did more evil than any work ever published, derives femina from fide minus. Although in the Faust legend Mephistopheles objects to marriage, many stories represent diabolical weddings. Particular details were told of the marriage of Satan with the daughter of a Sorceress at Egnischen (1585), on which occasion the three towers of the castle there were said to have been illuminated, and a splendid banquet spread, the favourite dish being a ragout of bats. There was exquisite music, and a 'beautiful man' blessed the nuptials. How many poor peasant girls must have had such dreams as they looked up from their drudgery to the brilliant chateaux?
In the illuminated manuscript known as 'Queen Mary's Psalter' (1553) there is a picture of the Fall of Man (Fig. 20) which possesses far-reaching significance. It is a modification of that idea, which gained such wide currency in the Middle Ages, that it was the serpent-woman Lilith who had tempted Adam to eat the forbidden fruit. In this picture, while the beautiful face and ample hair of Lilith are given, instead of the usual female bust she has the body of a cat. This nocturnal animal, already sacred to Freyja, the Teutonic Venus, whose chariot it drew, gained a new mythological career in the North by the large number of Southern and Oriental stones which related it to the lunar and amorous demonesses. When the gods fled before the Titans, Diana, as Ovid relates, changed herself to a cat, and as infernal Hecate that animal was still beside her. If my reader will turn to vol. i. p. 130, some of the vast number of myths which prepared the cat to take its place as familiar of the witch may be found. Whether the artist had Lilith in his mind or not, the illumination in 'Queen Mary's Psalter' represents a remarkable association of myths. For Lilith was forerunner of the mediæval mothers weeping for their children; her voice of perpetual lamentation at the cruel fate allotted her by the combined tyranny of God and man was heard on every sighing wind; and she was the richly dressed bride of the Prince of Devils, ever seeking to tempt youth. Such stories floated through the mind of the Middle Ages, and this infernal Madonna is here seen in association with the cat, beneath whose soft sparkling fur the goddess of Love and Beauty was supposed to be still lurking near the fireside of many a miserable home. Some fragrance of the mystical East was with this feline beauty, and nothing can be more striking than the contrast which the ordinary devils beside her present. Their unseductive ugliness and meanness is placed out of sight of the pair tempted to seek the fruit of forbidden knowledge. They inspire the man and woman in their evidently eager grasping after the fruit, which here means the consultation of fair fortune-tellers and witches to obtain that occult knowledge for which speculative men are seeking in secret studies and laboratories.
Those who have paid attention to the subject of Witchcraft need not be reminded that its complexity and vastness would require a larger volume than the present to deal with it satisfactorily. The present study must be limited to a presentation of some of the facts which induce the writer to believe that, beneath the phenomena, lay a profound alienation from Christianity, and an effort to recall the banished gods which it had superseded.
The first christian church was mainly Jewish, and this is also to say that it inherited the vast Angelolatry and the system of spells which that tribe had brought from Babylon. To all this was now superadded the accumulation of Assyrian and Egyptian lore which was re-edited in the form of Neoplatonicism. This mongrel mass, constituted of notions crumbled from many systems, acquired a certain consistency in Gnosticism. The ancient Egyptians had colleges set apart for astrological study, and for cultivation of the art of healing by charms. Every month, decade, day of the year had its special guardian in the heavens. The popular festivals were astronomic. To the priests in the colleges were reserved study of the sacred books in which the astrological secrets were contained, and whose authorship was attributed to the god Thoth, inventor of writing, the Greek Hermes, and, later, Egyptian Hermes Trismegistus. The zodiac is a memorial of the influence which the stars were supposed to exert upon the human body. Alchemy (the word is Egyptian, Kémi meaning 'black earth') was also studied in connection with solar, lunar, and stellar influences. The Alchemists dreamed of discovering the philosopher's stone, which would change base metals to gold; and Diocletian, in burning the Alchemists' books, believed that, in so doing, he would deprive the Egyptians of their source of wealth. [165]
Imported into Greece, these notions and their cult had a twofold development. Among the Platonists they turned to a naturalistic and allegorical Demonology; among the uncultivated they formed a Diabolarchy, which gathered around the terrible lunar phantasm--Hecate.
The astrological College of Egypt gave to the Jews their strange idea of the high school maintained among the devils, already referred to in connection with Asmodeus, who was one of its leading professors. The rabbinical legend was, that two eminent angels, Asa and Asael, remonstrated with the Creator on having formed man only to give trouble. The Creator said they would have done the same as man under similar circumstances; whereupon Asa and Asael proposed that the experiment should be tried. They went to earth, and the Creator's prediction was fulfilled: they were the first 'sons of God' who fell in love with the daughters of men (Gen. vi. 2). They were then embodied. In heaven they had been angels of especial knowledge in divine arts, and they now used their spells to reascend. But their sin rendered the spells powerless for that, so they repaired to the Dark Mountains, and there established a great College of Sorcery. Among the many distinguished graduates of this College were Job, Jethro, and Bileam. It was believed that these three instructed the soothsayers who attempted to rival the miracles of Moses before Pharaoh. Job and Jethro were subsequently converted, but Bileam continued his hostility to Israel, and remains a teacher in the College. Through knowledge of the supreme spell--the Shem-hammphorásch, or real name of God--Solomon was able to chain Professor Asmodeus, and wrest from him the secret of the worm Schámir, by whose aid the Temple was built.
Traditions of the learning of the Egyptians, and of the marvels learned by Solomon from Asa and Asael by which he compelled demons to serve him, and the impressive story of the Witch of Endor, powerfully influenced the inquisitive minds of Europe. The fierce denunciations of all studies of these arts of sorcery by the early Church would alone reveal how prevalent they were. The wonderful story of Apollonius of Tyana, [166] as told by Philostratus, was really a kind of gospel to the more worldly-minded scholars. Some rabbins, following the outcry against Jesus, 'He casteth out devils by Beelzebub,' circulated at an early date the story that Jesus had derived his power to work miracles from the spell Shem-hammphorásch, which he found on one of the stones of the Temple where Solomon had left it. Though Eusebius cast doubt upon them, the christians generally do not appear to have denied the miracles of Apollonius, which precisely copy those of Jesus from the miraculous birth to the ascension, but even to have quoted them as an evidence of the possibility of miracles. Celsus having attributed the miracles of Jesus to sorcery, and said that magic influenced only the ignorant and immoral, Origen replies that, in order to convince himself of the contrary, he has only to read the memoirs of Apollonius by Mæragenes, who speaks of him as a philosopher and magician, who repeatedly exercised his powers on philosophers. Arnobius and the fathers of the fourth century generally believed in the Apollonian thaumaturgy and attributed it to magic. Aldus Manutius published the book of Philostratus in the fifteenth century, and the degree to which the fascinating and marvellous stories concerning Apollonius fired the European imagination just awaking under the breath of the Renaissance, may be estimated by the fury with which the 'magician' was anathematised by Pico della Mirandola, Jean Bodin, and Baronius. The book and the controversy attracted much attention, and while the priests still continued to charge Apollonius with being a 'magician,' they appear to have perceived that it would have been more to the point, so far as their real peril was concerned, to have proved him an impostor. Failing that, Dr. Faustus and his fellow-professors in the 'black art' were left masters of the situation. The people had to digest the facts admitted, that a Pagan had learned, by initiations into the astrological schools of Egypt and India, the means of healing the sick, raising the dead, flying through the air, throwing off chains, opening locks, rendering himself invisible, and discerning the future.
There was a call for some kind of Apollonius, and Faustus arose. Side by side flourished Luther and Faustus. To Roman Catholic eyes they were twin sons of the Devil; [167] that they were characteristic products of one moral age and force appears to me certain, even as to-day the negations of Science and the revival of 'Spiritualism' have a common root in radical disbelief of the hereditary dogmas and forms of so-called religion. It is, however, not surprising that Protestantism felt as much horror of its bastard brother as Science has of the ghostly seances. Through the early sixteenth century we can trace this strange Dr. Faustus ('auspicious,' he had chosen that name) going about Germany, not omitting Erfurth, and talking in taverns about his magic arts and powers. More is said of him in the following chapter; it is sufficient to observe here, and it is the conclusion of Professor Morley, who has sifted the history with his usual care, that about him, as a centre of crystallisation, tales ascribed in the first place to other conjurers arranged themselves, until he became the popular ideal of one who sought to sound the depths of this world's knowledge and enjoyments without help from the Church or its God. The priests did not doubt that this could be done, nor did the Protestants; they generally agreed that it could be accomplished at cost of the soul. As angels of the good God must answer to the formulas of invocation to those who had made a sacramental compact with their Chief, so was it possible to share a sacrament of Satan, and by certain invocations summon his infernal angels to obtain the pleasures of this world of which he is Prince. A thousand years' experience of the Church had left the poor ready to sign the compact if they could secure some little earthly joy. As for Heaven, if it were anything like what its ministers had provided for the poor on earth, Hell might be preferable after all.
Dr. Wuttke, while writing his recent work on German superstitions, was surprised to learn that there still exist in France and in Wurtemberg schools for teaching the Black Art. A priest in the last-named country wrote him that a boy had confessed to having passed the lower grade of such a school, but, scared by the horrid ceremonies, had pronounced some holy words which destroyed the effect of the wicked practices, and struck the assembled Devil-worshippers with consternation. The boy said he had barely escaped with his life. I have myself passed an evening at a school in London 'for the development of Spirit-mediums,' and possibly Dr. Wuttke's correspondent would describe these also as Devil-worshippers. No doubt all such circles might be traced archæologically to that Sorcerers' College said by the rabbins to have been kept by Asa and Asael. But what moral force preserved them? They do but represent a turning of methods made familiar by the Church to coax benefits from other supernatural powers in the hope that they would be less dilatory than the Trinity in bestowing their gifts. What is the difference between St. Wolfram's God and King Radbot's Devil? The one offers a golden mansion on earth warranted to last through eternity, the other a like mansion in the skies receivable after death. The Saint agrees that if Radbot's Devil can build him such a house the king would be quite right to worship the architect. The question of the comparative moral merits of the two invisible Powers is not mentioned. This legend, related in a preceding chapter, is characteristic of the motives to which the priesthood appealed through the Middle Ages. It is no wonder that the people began to appeal to the gods of their traditional Radbots, nor that they should have used the ceremonial and sacramental formulas around them.
But to these were added other formulas borrowed from different sources. The 'Compact with the Devil' had in it various elements. It appears to have been a custom of the Odinistic religion for men to sign acts of self-dedication to trusted deities, somewhat corresponding to the votive tablets of Southern religion. It was a legend of Odin that when dying he marked his arm with the point of a spear, and this may have been imitated. In the 'Mysteries' of pagan and christian systems blood played an important part--the human blood of earlier times being symbolised by that of animals, and ultimately, among christians, in wine of the Eucharist. The primitive history of this blood-covenant is given in another chapter. Some astrological formulas, and many of the deities invoked, spread through Europe with the Jews. The actual, and quite as often fabulous, wealth of that antichristian race was ascribed to Antichrist, and while christian princes thought of such gold as legitimate spoil, the honest peasants sought from their astrologers the transmitted 'key of Solomon,' in virtue of which the demons served him. The famous 'Compact' therefore was largely of christian-judaic origin, and only meant conveyance of the soul in consideration of precisely the same treasures as those promised by the Church to all whose names were written in the Lamb's Book,--the only difference being in the period when redemption of the respective issues of priest and astrologer should fall due. One was payable during this life, the other after death.
The ceremonial performances of Witchcraft have also always existed in some form. What we are familiar with of late as Spirit-seances are by no means new. More than a hundred years ago, Mr. Wesley and various clergymen were sitting at a table in Cock Lane, asking the spirit 'Fanny' to rap twice if she were 'in a state of progressive happiness.' Nay, a hundred years before that (1661), Sir Thomas Chamberlain and others, sitting in a haunted house at Tedworth, Wilts, asked 'Satan, if the Drummer set thee to work, give three knocks, and no more, which it did very distinctly, and stopped.' [168] We also learn that, in another town and case (1654), 'a naked arm and hand appeared and beat the floor.' It would not be difficult to go further back and find that the dark circle of our Spiritualists with much of its apparatus has existed continuously through the Middle Ages. The dark seance which Goethe has represented in Faust, Part II., at which the spirits of Helen and Paris are evoked, is a very accurate picture of the 'materialisations' now exhibited by mediums, more than forty years after its publication. These outer resemblances are physiognomical. The seance of to-day has lost the darker features of its mediæval prototype, because the Present has not a real and temporal, but only a speculative and sentimental despair, and this is the kind that possesses chiefly the well-to-do and idle classes. It is not difficult to meet the eye of our everyday human nature amid those frenzied periods when whole districts seemed afflicted with epidemic madness, and look deep in that eye to the fathomless heart of humanity.
In an old parish register of Fewston, Yorkshire, are the following entries:--'1621. Anne, daughter of Edward Fairfax, baptized the 12th June.' '1621. Edward Fairfax, Esq., a child named Anne, buried the 9th October.' Then in the History of Knaresborough we read of this child, 'She was held to have died through witchcraft.' In what dreams did that child, supposed to have been snatched away by diabolic malice, return as a pure spirit uplifted in light, yet shadowed by the anxiety and pain of the bereaved family! A medium is at hand, one through whose mind and heart all the stormy electricities of the time are playing. The most distinguished representative of the Fairfax family is off fighting for Parliament against the King. Edward Fairfax is a zealous Churchman. His eldest daughter, Helen, aged twenty-one, is a parishioner of the Rev. Mr. Smithson, yet she has come under the strong influence of a Nonconformist preacher, Mr. Cook. The scholarly clergyman and his worldly Church on one side, and the ignorant minister with his humble followers on the other, are unconscious personifications of Vice and Virtue, while between them poor Helen is no Heraklea.
Nineteen days after the burial of her little sister Anne, as mentioned above, Helen is found 'in a deadly trance.' After a little she begins to speak, her words showing that she is, by imagination, 'in the church at Leeds, hearing a sermon by Mr. Cook.' On November 3, as she lies on her bed, Helen exclaims, 'A white cat hath been long upon me and drawn my breath, and hath left in my mouth and throat so filthy a smell that it doth poison me!' Next we have the following in the father's diary: 'Item. Upon Wednesday, the 14th of November, she saw a black dog by her bedside, and, after a little sleep, she had an apparition of one like a young gentleman, very brave, his apparel all laid with gold lace, a hat with a golden band, and a ruff in fashion. He did salute her with the same compliment as she said Sir Fernandino Fairfax useth when he cometh to the house and saluteth her mother.... He said he was a Prince, and would make her Queen of England and of all the world if she would go with him. She refused, and said, 'In the name of God, what art thou?' He presently did forbid her to name God; to which she replied, 'Thou art no man if thou canst not abide the name of God; but if thou be a man, come near, let me feel of thee;' which he would not do, but said, 'It is no matter for feeling.' She proceeded, 'If thou wert a man, thou wouldst not deny to be felt; but thou art the devil, and art but a shadow.'
It is possible that Helen Fairfax had read in Shakspere's 'Lear,' printed twelve years before, that
The Prince of Darkness is a gentleman; Modo he's called, and Mahu. [169]
But the reader will remark how her vision anticipates that of Faust, the transformation of the poodle to finely-dressed Mephistopheles. On the next apparition a bit from Patmos is interpolated, the Devil appearing as a beast with many horns; but the folklore of Yorkshire prevails, and 'presently he was like a very little dog, and desired her to open her mouth and let him come into her body, and then he would rule all the world.' Lastly, he 'filled the room with fire.'
In the account thus far we have the following items of ancient mythology:--1, the Cat; 2, the Dog; 3, the Pride of Life (Asmodeus), represented in the fine dress and manners of the fiend; 4, the Prince of this World, offering its throne; 5, the Egyptian belief in potency of the Name; 6, the Hunger-Demon, who dares not be felt, because his back is hollow, and, though himself a shadow, casts none; 7, the disembodied devil of the rabbins, who seeks to enter a human form, in order to enjoy the higher powers of which man is capable; 8, the fiend of fire.
The period in which Helen Fairfax lived supplied forms for the 'materialisation' of these notions flitting from the ancient cemeteries of theology. The gay and gallant Asmodeus had been transformed into a goat under the ascetic eye of Europe; his mistress is a naked witch; her familiar and slave is a cat. This is the conventionalised theologic theory, as we find it in many examples, one of which is here shown (Fig. 21), as copied from a stone panel at the entrance of Lyons Cathedral. This is what Helen's visions end in. She and her younger sister of seven years, and a young neighbour, a girl of twelve, who have become infected with Helen's hysterics, identify six poor women as witches, and Edward Fairfax would have secured their execution had it not been for the clergyman Smithson.
Cats played a large part in this as in other witch-trials. They had long been regarded as an insurance of humble households. In many regions still may be found beliefs that a three-coloured cat protects against fire; a black cat cures epilepsy, protects gardens; and in Bohemia a cat is the favourite bridal gift to procure a happy wedded life. One who kills a cat has no luck for seven years. The Yorkshire women called witches remembered these proverbs to their cost. Among the cats regarded by the Fairfaxes as familiars of the accused, some names are notable. One is called 'Gibbe.' This is the Icelandic gabba, to 'delude,' and our gibber; it is the 'Gib' cat of Reinicke Fuchs, and of the 'Romaunt of the Rose.' In 'Gammer Gurton' we read, 'Hath no man gelded Gyb, her cat;' and in Henry IV. i. 2, 'I am as melancholy as a gib cat.' Another of the cats is called Inges. That is, ignis, fire--Agni maintaining his reign of terror.
Helen's devil hates the dissenter, and says, 'Cook is a lying villain,' because Cook exorcises him with a psalm. On the other hand, the devil praises the clergyman, but Helen breaks out with 'He is not worthy to be a vicar who will bear with witches.' Amid the religious controversies then exciting all households, mourning for his dead child, humiliated by the suspicions of his best neighbours that his daughter was guilty of deception, Edward Fairfax, Gentleman, a scholar and author, lent an ear to the vulgar superstitions of his neighbourhood. Could he have stood on the shoulders of Grimm, he would have left us a very different narrative than that preserved by the Philobiblion Society. [170]
It is hardly possible to determine now the value of the alleged confessions of witches. They were extorted by torture or by promises of clemency (the latter rarely fulfilled); they were shaped by cross-examiners rather than by their victims; and their worth is still more impaired where, as is usual, they are not given in detail, but recorded in 'substance,' the phraseology in such case reflecting the priest's preconceived theory of witches and their orgies. It is to be feared, for instance, that 'devil' is often written instead of some name that might now be interesting. Nevertheless, there seems to be ground for believing that in many cases there were seances held to invoke supernatural powers.
Among the vast number of trials and confessions, I have found none more significant than the following. In February 1691 a daughter and niece of Mr. Parris, minister in Salem (Massachusetts), girls of ten or eleven years, and several other girls, complained of various bodily torments, and as the physicians could find no cause for them, they were pronounced bewitched. The Rev. Mr. Parris had once been in business at the Barbadoes, and probably brought thence his two slaves, Spanish Indians, man and wife. When the children were declared bewitched, the Indian woman, Tituba, tried an experiment, probably with fetishes familiar in the Barbadoes, to find out the witch. Whereupon the children cried out against the Indian woman as appearing to them and tormenting them. Tituba said her mistress, in her own country, had taught her how to find out a witch, but denied being one herself; but afterwards (urged, as she subsequently declared, by her master) she confessed; and the marks of Spanish cruelty on her body were assumed to be the Devil's wounds. The Rev. Mr. Parris in a calmer time might have vindicated poor Tituba by taking for text of his sermon on the subject Christ's saying about a house divided against itself, and reminding the colony, which held public fast against Satan, that the devil was too clever to cover his Salem agent with wounds; but instead of that he preached on the words, 'Have I not chosen you twelve, and one of you is a devil.' During this sermon a woman left the church; she was sister of a woman who had also been accused by the children, and, being offended by something Mr. Parris said, went out of meeting; of course, also to prison. There were three other women involved with Tituba, in whose fetish experiments a well-informed writer thinks the Salem delusion began. [171] The examination before the Deputy-Governor (Danforth) began at Salem, April 11, 1692, and there are several notable points in it. Tituba's husband, the Indian John, cunningly escaped by pretending to be one of the afflicted. He charged Goody Proctor, and said, 'She brought the book to me.' No one asked what book! Abigail Williams, also one of the accusers of Goody, was asked, 'Does she bring the book to you? A. Yes. Q. What would she have you do with it? A. To write in it, and I shall be well.' Not a descriptive word is demanded or given concerning this book. The examiners are evidently well acquainted with it. In the alleged confessions preserved in official reports, but not in the words of the accused, the nature of the book is made clear. Thus Mary Osgood 'confesses that about eleven years ago, when she was in a melancholy state and condition, she used to walk abroad in her orchard, and, upon a certain time she saw the appearance of a cat at the end of the house, which yet she thought was a real cat. However, at that time it diverted her from praying to God, and instead thereof she prayed to the Devil; about which time she made a covenant with the Devil, who, as a black man, came to her, and presented her a book, upon which she laid her finger, and that left a red spot. And that upon her signing that book, the devil told her that he was her god.' This is not unlikely to be a paraphrase of some sermon on the infernal Book of Satan corresponding to the Book of Life, the theory being too conventional for the court to inquire about the mysterious volume. Equally well known was the Antichrist theory which had long represented that avatar of Satan as having organised a church. Thus we read:--'Abigail Williams, did you see a company at Mr. Parris's house eat and drink? A. Yes, sir; that was their sacrament. Q. What was it? A. They said it was our blood.' 'Mary Walcot, have you seen a white man? A. Yes, sir, a great many times. Q. What sort of man was he? A. A fine grave man, and when he came he made all the witches to tremble.' When it is remembered that Mary Osgood had described the Devil as 'a black man' (all were thinking of the Indians), this Antiblackman suggests Christ resisting Antichrist. Again, although nothing seems to have been said in the court previously about baptism, one of the examiners asks 'Goody Laccy how many years ago since they were baptized? A. Three or four years ago I suppose. Q. Who baptized them? A. The old serpent. Q. How did he do it? A. He dipped their heads in the water, saying they were his, and that he had power over them; ... there were six (who) baptized. Q. Name them. A. I think they were of the higher powers.'
There are interspersed through the proceedings suggestions of mercy on condition of confession, which, joined to these theoretical questions, render it plain that the retractations which the so-called witches made were true, and that in New England, at least, there was little if any basis for the delusion beyond the experiment of the two Spanish Indians. The terrible massacre of witches which occurred there was the result of the decision of English judges and divines that witchcraft is recognised in the Bible, and there assigned the death-penalty.
It will be observed here that ancient mythology to Salem is chiefly that of the Bible, modified by local conditions. White man and black man represent Christ and Antichrist, and we have the same symbols on both sides,--eucharists, baptisms, and names written in books. The survivals from European folklore met with in the New England trials are--the cat, the horse (rarely), and the dog. In one case a dog suffered from the repute of being a witch, insomuch that some who met him fell into fits; he was put to death. Riding through the air continues, but the American witches ride upon a stick or pole. The old-fashioned broom, the cloud-symbol of the Wild Huntsman, is rarely mentioned. One thing, however, survives from England, at least; the same sharp controversy that is reflected in the Fairfax case. Cotton Mather tried one of the possessed with the Bible, the 'Assembly's Catechism,' his grandfather's 'Milk for Babes,' his father's 'Remarkable Providence,' and a book to prove there were witches. 'And when any of those were offered for her to read in, she would be struck dead and fall into convulsions.' But when he tried her with Popish and Quaker books, the English Prayer-Book, and a book to prove there were no witches, the devil permitted her to read these as long as she pleased. One is at a loss which most to admire, the astuteness of the accused witch in bearing testimony to the Puritan religion, or the phenomenon of its eminent representative seeking a witness to it in the Father of lies.
If now we travel towards the East we find the survivals growing clearer, as in the West they become faint.
In 1669 the people of the villages of Mohra and Elfdale in Sweden, believing that they were troubled by witches, were visited by a royal commission, the result of whose investigations was the execution of twenty-three adults and fifteen children; running of the gauntlet by thirty-six between the ages of nine and sixteen years; the lashing on the hand of twenty children for three Sundays at the church-door, and similar lashing of the aforesaid thirty-six once a week for a year. Portions of the confessions of the witches are given below from the Public Register as translated by Anthony Horneck, D.D., and printed in London, anno 1700. I add a few words in brackets to point out survivals.
'We of the province of Elfdale do confess that we used to go to a gravel-pit which lay hard by a cross-way (Hecate), and there we put on a vest (Wolf-girdle) over our heads, and then danced round, and after this ran to the cross-way, and called the Devil thrice, first with a still voice, the second time somewhat louder, and the third time very loud, with these words--Antecessor, come and carry us to Blockula. Whereupon immediately he used to appear, but in different habits; but for the most part we saw him in a grey coat and red and blue stockings: he had a red beard (Barbarossa), a high-crowned hat (Turn-cap), with linen of divers colours wrapt about it, and long garters upon his stockings.
'Then he asked us whether we would serve him with soul and body. If we were content to do so, he set us upon a beast which he had there ready, and carried us over churches and high walls; and after all we came to a green meadow where Blockula lies. We must procure some scrapings of altars, and filings of church clocks; and then he gives us a horn with a salve in it, wherewith we do anoint ourselves (chrism); and a saddle with a hammer (Thor's), and a wooden nail, thereby to fix the saddle (Walkyr's); whereupon we call upon the Devil and away we go.'
'For their journey, they said they made use of all sorts of instruments, of beasts, of men, of spits, and posts, according as they had opportunity: if they do ride upon goats (Azazel) and have many children with them, that all may have room, they stick a spit into the backside of the Goat, and then are anointed with the aforesaid ointment. What the manner of their journey is, God only knows. Thus much was made out, that if the children did at any time name the names (Egyptian spells) of those that had carried them away, they were again carried by force either to Blockula, or to the cross-way, and there miserably beaten, insomuch that some of them died of it.'
'A little girl of Elfdale confessed that, naming the name of Jesus as she was carried away, she fell suddenly upon the ground, and got a great hole in her side, which the Devil presently healed up again, and away he carried her; and to this day the girl confessed she had exceeding great pain in her side.'
'They unanimously confessed that Blockula is situated in a delicate large meadow, whereof you can see no end. The place or house they met at had before it a gate painted with divers colours; through this gate they went into a little meadow distinct from the other, where the beasts went that they used to ride on; but the men whom they made use of in their journey stood in the house by the gate in a slumbering posture, sleeping against the wall (castle of Waldemar). In a huge large room of this house, they said, there stood a very long table, at which the witches did sit down; and that hard by this room was another chamber where there were very lovely and delicate beds. The first thing they must do at Blockula was, that they must deny all, and devote themselves body and soul to the Devil, and promise to serve him faithfully, and confirm all this with an oath (initiation). Hereupon they cut their fingers (Odinism), and with their blood write their name in his book (Revelations). They added that he caused them to be baptized, too, by such priests as he had there (Antichrist's Sacraments).'
'And he, the Devil, bids them believe that the day of judgment will come speedily, and therefore sets them on work to build a great house of stone (Babel), promising that in that house he will preserve them from God's fury, and cause them to enjoy the greatest delights and pleasures (Moslem). But while they work exceeding hard at it, there falls a great part of the wall down again.'
'They said, they had seen sometimes a very great Devil like a Dragon, with fire round about him, and bound with an iron chain (Apocalyptic), and the Devil that converses with them tells them that if they confess anything he will let that great Devil loose upon them, whereby all Sweedeland shall come into great danger.
'They added that the Devil had a church there, such another as in the town of Mohra. When the Commissioners were coming he told the Witches they should not fear them; for he would certainly kill them all. And they confessed that some of them had attempted to murther the Commissioners, but had not been able to effect it.
'Some of the children talked much of a white Angel (Frigga as christian tutelary), which used to forbid them what the Devil had bid them do, and told them that those doings should not last long. What had been done had been permitted because of the wickedness of the people.
'Those of Elfdale confessed that the Devil used to play upon an harp before them (Tannhauser), and afterwards to go with them that he liked best into a chamber, when he committed venerous acts with them (Asmodeus); and this indeed all confessed, that he had carnal knowledge of them, and that the Devil had sons and daughters by them, which he did marry together, and they ... brought forth toads and serpents (Echidna).
'After this they sat down to table, and those that the Devil esteemed most were placed nearest to him; but the children must stand at the door, where he himself gives them meat and drink (Sacrament). After meals they went to dancing, and in the meanwhile swore and cursed most dreadfully, and afterwards went to fighting one with another (Valhalla).
'They also confessed that the Devil gives them a beast about the bigness and shape of a young cat (Hecate), which they call a carrier; and that he gives them a bird as big as a raven (Odin's messenger), but white; [172] and these two creatures they can send anywhere, and wherever they come they take away all sorts of victuals they can get, butter, cheese, milk, bacon, and all sorts of seeds, whatever they find, and carry it to the witch. What the bird brings they may keep for themselves, but what the carrier brings they must reserve for the Devil, and that is brought to Blockula, where he doth give them of it so much as he thinks fit. They added likewise that these carriers fill themselves so full sometimes, that they are forced to spue ('Odin's booty') by the way, which spuing is found in several gardens, where colworts grow, and not far from the houses of these witches. It is of a yellow colour like gold, and is called butter of witches.
'The Lords Commissioners were indeed very earnest, and took great pains to persuade them to show some of their tricks, but to no purpose; for they did all unanimously confess that since they had confessed all, they found that all their witchcraft was gone, and that the Devil at this time appeared to them very terrible, with claws on his hands and feet, and with horns on his head, a long tail behind, and showed to them a pit burning, with a hand put out; but the Devil did thrust the person down again with an iron fork; and suggested to the witches that if they continued in their confession, he would deal with them in the same manner.'
The ministers of both Elfdale and Mohra were the chief inciters of this investigation, and both testified that they had suffered many tortures in the night from the witches. One was taken by the throat and so violently used that 'for some weeks he was not able to speak or perform divine service.'
We have in this narrative the official and clerical statement, and can never know to what the victims really confessed. Blockula seems to be a Swedish edition of Blocksberg, of old considered a great resort of witches. But we may especially note the epithet by which the witches are said to have first appealed to the Devil--Antecessor. Dr. Horneck has not given us the Swedish term of which this is a translation, but we may feel assured that it was not a phrase coined by the class among whom reputed witches were found. In all probability it was a learned phrase of the time for some supposed power which preceded and was conquered by Christianity; and if we knew its significance it might supply a clue to the reality with which the Commissioners were dealing. There would seem to be strong probabilities that in Sweden also, as elsewhere, there had been a revival of faith in the old religion whose barbaric rites had still survived in a few holes and corners where they were practised by night. The Antecessor was still present to hold out promises where the Successor had broken all that his sponsors had made when the populace accepted his baptism. This probability is further suggested by the fact that some of these uncanny events happened at Elfdale, a name which hints at a region of especial sanctity under the old religion, and also by the statement that the Devil had a church there, a sort of travesty of the village church. About the same time we find John Fiene confessing in Scotland that the Devil appeared to him in 'white raiment,' and it is also testified that John heard 'the Devil preach in a kirk in the pulpit in the night by candlelight, the candle burning blue.' [173]
The names used by the Scotch witches are often suggestive of pagan survivals. Thus in the trial at the Paisley Assizes, 1678, concerning the alleged bewitching of Sir George Maxwell, Margaret Jackson testified to giving up her soul by renouncing her baptism to a devil named Locas (Loki?); another raised a tempest to impede the king's voyage to Denmark by casting into the sea a cat, and crying Hola (Hela?); and Agnes Sampson called the Devil to her in the shape of a dog by saying, 'Elva (Elf?), come and speak to me!'
It is necessary to pass by many of the indications contained in the witch-trials that there had been an effort to recur to the pleasures and powers traditionally associated with the pagan era of Europe, and confirmed by the very denunciations of contemporary paganism with its pomp and luxury by the priesthood. The promises held out by the 'Devil' to Elfdale peasants and puritanised Helen Fairfax are unmistakable. But it is necessary to remark also that the ceremonies by which, as was clearly proved in various cases, the fortune-tellers or 'witches' endeavoured to imitate the spells of Dr. Faustus were archæological.
Around the cauldron, which was used in imitation of the Alchemists, a rude Zodiac was marked, some alchemic signs being added; and in the cauldron were placed ingredients concerning many of which the accounts are confused. It is, however, certain that the chief ingredients were plants which, precisely as in ancient Egypt, had been gathered at certain phases of the moon, or seasons of the year, or from some spot where the sun was supposed not to have shone on it. It was clearly proved also that the plants chiefly used by the sorceresses were rue and vervain. Vervain was sacred to the god of war in Greece and Rome, and made the badge of ambassadors sent to make treaties of peace. In Germany it was sacred to Thor, and he would not strike with his lightning a house protected by it. The Druids called it 'holy herb;' they gathered it when the dog-star rose, from unsunned spots, and compensated the earth for the deprivation with a sacrifice of honey. Its reputation was sufficient in Ben Jonson's day for him to write--
Bring your garlands, and with reverence place The vervain on the altar.
The charm which vervain had for the mediæval peasant was that it was believed, if it had first touched a Bel-fire, to snap iron; and, if boiled with rue, made a liquid which, being poured on a gunflint, made the shot as sure to take effect as any Freischütz could desire.
Rue was supposed to have a potent effect on the eye, and to bestow second sight. So sacred was it once in England that missionaries sprinkled holy water from brushes made up of it, whence it was called 'herb of grace.' Milton represents Michael as purging Adam's eyes with it. In the Tyrol it is believed to confer fine vision and used with agrimony (flowers of Argos, the many-eyed); in Posen it is said also to heal serpent-bites. By this route it came into the cauldron of the wizard and witch. In Drayton's incantation it is said--
Then sprinkles she the juice of rue, With nine drops of the midnight dew From lunary distilling.
This association of lunary, or moon-wort, once supposed to cure lunacy, with rue is in harmony with the mythology of both. An old oracle, said to have been revealed by Hecate herself, ran thus:--'From a root of wild rue fashion and polish a statue; adorn it with household lizards; grind myrrh, gum, and frankincense with the same reptiles, and let the mixture stand in the air during the waning of a moon; then address your vows in the following terms' (the formula is not preserved). 'As many forms as I have, so many lizards let there be; do these things exactly; you will build me an abode with branches of laurel, and having addressed fervent prayers to the image, you will see me in your sleep.' [174]
Rue was thus consecrated as the very substance of Hecate, the mother of all European witches. M. Maury supposes that it was because it was a narcotic and caused hallucinations. Hallucinations were, no doubt, the basis of belief in second sight. But whatever may be the cause, rue was the plant of witchcraft; and Bishop Taylor speaks of its being used by exorcists to try the devil, and thence deriving its appellation 'herb of grace.' More probably it was used to sprinkle holy water because of a traditional sanctity. All narcotics were supposed to be children of the night; and if, in addition, they were able to cause hallucinations, they were supposed to be under more especial care of the moon.
After reading a large number of reports concerning the ordeals and trials of witches, and also many of their alleged confessions, I have arrived at the conclusion that there were certainly gatherings held in secret places; that some of the ordinary ceremonies and prayers of the Church were used, with names of traditional deities and Oriental demons substituted for those of the Trinity and saints; that with these were mingled some observances which had been preserved from the ancient world by Gnostics, Astrologists, and Alchemists. That at these gatherings there was sometimes direct devil-worship is probable, but oftener the invocations were in other names, and it is for the most part due to the legal reporters that the 'Devil' is so often named. As to the 'confessions,' many, no doubt, admitted they had gone to witches' Sabbaths who had been there only in feverish dreams, as must have been the case of many young children and morbid pietists who were executed; others confessed in hope of escape from charges they could not answer; and others were weary of their lives.
The writer of this well remembers, in a small Virginian village (Falmouth), more than thirty years ago, the terrible persecutions to which an old white woman named Nancy Calamese was subjected because of her reputation as a witch. Rumours of lizards vomited by her poor neighbours caused her to be dreaded by the ignorant; the negroes were in terror of her; she hardly dared pass through the streets for fear of being hooted by boys. One morning she waded into the Rappahannock river and drowned herself, and many of her neighbours regarded the suicide as her confession. Probably it was a similar sort of confession to many that we read in the reports of witch trials.
The retribution that followed was more ferocious than could have visited mere attempts by the poor and ignorant to call up spirits to their aid. Every now and then the prosecutions disclose the well-known animus of heresy, persecution, and also the fury of magistrates suspicious of conspiracies. In England, New England, and France, particularly, an incipient rationalism was revealed in the party called 'Saducees,' who tried to cast discredit on the belief in witchcraft. This was recognised by Sir Mathew Hale in England and Cotton Mather in New England, consequently by the chief authorities of church and state in both countries, as an attack on biblical infallibility, since it was said in the Bible, 'Thou shalt not suffer a witch to live.' The leading wizards and witches were probably also persons who had been known in connection with the popular discontent and revolutionary feeling displayed in so many of the vindictive conjurations which were brought to light.
The horrors which attended the crushing out of this last revival of paganism are such as recall the Bartholomew massacre and the recent slaughter of Communists in Paris, so vividly that one can hardly repress the suspicion that the same sort of mingled panic and fanaticism were represented in them all. Dr. Réville has summed up the fearful history of three hundred years as follows:--'In the single year 1485, and in the district of Worms alone, eighty-five witches were delivered to the flames. At Geneva, at Basle, at Hamburg, at Ratisbon, at Vienna, and in a multitude of other towns, there were executions of the same kind. At Hamburg, among other victims, a physician was burnt alive, because he saved the life of a woman who had been given up by the midwife. In Italy, during the year 1523, there were burnt in the diocese of Como alone more than two hundred witches. This was after the new bull hurled at witchcraft by Pope Adrian VI. In Spain it was still worse; there, in 1527, two little girls, of from nine to eleven years of age, denounced a host of witches, whom they pretended to detect by a mark in their left eye. In England and Scotland political influence was brought to bear upon sorcery; Mary Stuart was animated by a lively zeal against witches. In France the Parliament of Paris happily removed business of this kind from the ecclesiastical tribunals; and under Louis XI., Charles VIII., and Louis XII. there were but few condemnations for the practice of magic; but from the time of Francis I., and especially from Henry II., the scourge reappeared. Jean Bodin, a man of sterling worth in other respects, but stark mad upon the question of witchcraft, communicated his mania to all classes of the nation. His contemporary and disciple, Boguet, showed how that France swarmed with witches and wizards. 'They increase and multiply on the land,' said he, 'even as do the caterpillars in our gardens. Would that they were all got together in a heap, so that a single fire might burn them all at once.' Savoy, Flanders, the Jura Mountains, Lorraine, Béarn, Provence, and in almost all parts of France, the frightful hecatombs were seen ablaze. In the seventeenth century the witch-fever somewhat abated, though it burst out here and there, centralising itself chiefly in the convents of hysterical nuns. The terrible histories of the priests Gaufridy and Urban Grandier are well known. In Germany, and particularly in its southern parts, witch-burning was still more frequent. In one small principality at least 242 persons were burnt between 1646 and 1651; and, horribile dictu, in the official records of these executions, we find that among those who suffered were children from one to six years of age! In 1657 the witch-judge, Nicholas Remy, boasted of having burnt 900 persons in fifteen years. It would even seem that it is to the proceedings against sorcery that Germany owes the introduction of torture as an ordinary mode of getting at the truth. Mr. Roskoff reproduces a catalogue of the executions of witches and wizards in the episcopal town of Würzburg, in Bavaria, up to the year 1629. In 1659 the number of those put to death for witchcraft amounted, in this diocese, to 900. In the neighbouring bishopric of Bamberg at least 600 were burnt. He enumerates thirty-one executions in all, not counting some regarded by the compilers of the catalogue as not important enough to mention. The number of victims at each execution varies from two to seven. Many are distinguished by such surnames as 'The Big Hunchback, The Sweetheart, The Bridge-keeper, The Old Pork-woman,' &c. Among them appear people of all sorts and conditions, actors, workmen, jugglers, town and village maidens, rich burghers, nobles, students, magistrates even, and a fair number of priests. Many are simply entered as 'a foreigner.' Here and there is added to the name of the condemned person his age and a short notice. Among the victims, for instance, of the twentieth execution figures 'Little Barbara, the prettiest girl in Würzburg;' 'a student who could speak all manner of languages, who was an excellent musician, vocaliter et instrumentaliter;' 'the master of the hospice, a very learned man.' We find, too, in this, gloomy account the cruel record of children burnt for witchcraft; here a little girl of about nine or ten years of age, with her baby sister, younger than herself (their mother was burnt a little while afterwards); here boys of ten or eleven; again, a young girl of fifteen; two children from the poorhouse; the little boy of a councillor. The pen falls from one's hand in recapitulating such monstrosities. Cannot those who would endow Catholicity with the dogma of papal infallibility hearken, before giving their vote, to the cries that rise before God, and which history re-echoes, of those poor innocent ones whom pontifical bulls threw into flames? The seventeenth century saw the rapid diminution of trials and tortures. In one of his good moments, Louis XIV. mitigated greatly the severity of this special legislation. For this he had to undergo the remonstrances of the Parliament of Rouen, which believed society would be ruined if those who dealt in sorcery were merely condemned to perpetual confinement. The truth is, that belief in witchcraft was so wide-spread, that from time to time even throughout the seventeenth century there were isolated executions. One of the latest and most notorious was that of Renata Saenger, superior of the convent of Unterzell, near Würzburg (1748). At Landshut, in Bavaria, in 1756, a young girl of thirteen years was convicted of impure intercourse with the Devil, and put to death. Seville in 1781, and Glaris in 1783, saw the last two known victims to this fatal superstition.' [175]
The Reformation swept away in Northern countries, for the upper classes, as many Christian saints and angels as priestcraft had previously turned to enemies for the lower. The poor and ignorant simply tried to evoke the same ideal spirit-guardians under the pagan forms legendarily associated with a golden age. Witchcraft was a pathetic appeal against a cruel present to a fair, however visionary, past. But Protestantism has brought on famine of another kind--famine of the heart. The saints of the Church have followed those of paganism; and although one result of the process has been a vast increase in enterprise, science, and wealth, man cannot live by these alone. Modern spiritualism, which so many treat with a superciliousness little creditable to a scientific age, is a cry of starved sentiment and affections left hopeless under faded heavens, as full of pathetic meaning as that which was wrung from serfs enticed into temples only to find them dens of thieves. Desolate hearts take up the burthen of desolate homes, and appeal to invisible powers for guidance; and for attestation of hopes which science has blighted, ere poetry, art, and philanthropy have changed these ashes into beauty. Because these so-called spirits, evoked by mediums out of morbid nerves, are really longed-for ideals, the darker features of witchcraft are not called about them. That fearful movement was a wronged Medea whose sorrows had made Hecate--to remember the dreadful phrase of Euripides--'the chosen assistant dwelling in the inmost recesses of her house.' Modern spiritualism is Rachel weeping for her children, not to be comforted if they are not. But the madness of the one is to be understood by the plaintive appeal of the other.
XXV. FAUST AND MEPHISTOPHELES
Mephisto and Mephitis--The Raven Book--Papal sorcery--Magic seals--Mephistopheles as dog--George Sabellicus alias Faustus--The Faust myth--Marlowe's Faust--Good and evil angels--El Magico Prodigioso--Cyprian and Justina--Klinger's Faust--Satan's sermon--Goethe's Mephistopheles--His German characters--Moral scepticism--Devil's gifts--Helena--Redemption through Art--Defeat of Mephistopheles.
The name Mephistopheles has in it, I think, the priest's shudder at the fumes of the laboratory. Duntzer [176] finds that the original form of the word was 'Mephostophiles,' and conjectures that it was a bungling effort to put together three Greek words, to mean 'not loving the light.' In this he has the support of Bayard Taylor, who also thinks that it was so understood by Goethe. The transformation of it was probably amid the dreaded gases with which the primitive chemist surrounded himself. He who began by 'not loving the light' became the familiar of men seeking light, and lover of their mephitic gases. The ancient Romans had a mysterious divinity called Mephitis, whose grove and temple were in the Esquiliæ, near a place it was thought fatal to enter. She is thought to have been invoked against the mephitic exhalations of the earth in the grove of Albunea. Sulphur springs also were of old regarded as ebullitions from hell, and both Schwarz and Roger Bacon particularly dealt in that kind of smell. Considering how largely Asmodeus, as 'fine gentleman,' entered into the composition of Mephistopheles, and how he flew from Nineveh to Egypt (Tobit) to avoid a bad smell, it seems the irony of mythology that he should turn up in Europe as a mephitic spirit.
Mephistopheles is the embodiment of all that has been said in preceding chapters of the ascetic's horror of nature and the pride of life, and of the mediæval priest's curse on all learning he could not monopolise. The Faust myth is merely his shadow cast on the earth, the tracery of his terrible power as the Church would have the people dread it. The early Raven Book at Dresden has the title:--' † † † D. J. Fausti † † † Dreifacher Höllen-Zwung und Magische (Geister-Commando) nebst den schwarzen Raaben. Romæ ad Arcanum Pontificatus unter Papst Alexander VI. gedruckt. Anno (Christi) MDI.' In proof of which claim there is a Preface purporting to be a proclamation signed by the said Pope and Cardinal Piccolomini concerning the secrets which the celebrated Dr. Faust had scattered throughout Germany, commanding ut ad Arcanum Pontificatus mandentur et sicut pupilla oculi in archivio Nostro serventur et custodiantur, atque extra Valvas Vaticanas non imprimantur neque inde transportentur. Si vero quiscunque temere contra agere ausus fuerit, Divinam maledictionem latæ sententiæ ipso facto servatis Nobis Solis reservandis se incursurum sciat. Ita mandamus et constituemus Virtute Apostolicæ Ecclesiæ Jesu Christi sub poena Excommunicationis ut supra. Anno secundo Vicariatus Nostri. Romæ Verbi incarnati Anno M.D.I.
This is an impudent forgery, but it is an invention which, more than anything actually issued from Rome, indicates the popular understanding that the contention of the Church was not against the validity of magic arts, but against their exercise by persons not authorised by itself. It was, indeed, a tradition not combated by the priests, that various ecclesiastics had possessed such powers, even Popes, as John XXII., Gregory VII., and Clement V. The first Sylvester was said to have a dragon at his command; John XXII. denounced his physicians and courtiers for necromancy; and the whispers connecting the Vatican with sorcery lasted long enough to attribute to the late Pius IX. a power of the evil eye. Such awful potencies the Church wished to be ascribed to itself alone. Faust is a legend invented to impress on the popular mind the fate of all who sought knowledge in unauthorised ways and for non-ecclesiastical ends.
In the Raven Book just mentioned, there are provisions for calling up spirits which, in their blending of christian with pagan formulas, oddly resemble the solemn proceedings sometimes affected by our spiritual mediums. The magician (Magister) had best be alone, but if others are present, their number must be odd; he should deliberate beforehand what business he wishes to transact with the spirits; he must observe God's commandment; trust the Almighty's help; continue his conjuration, though the spirits do not appear quickly, with unwavering faith; mark a circle on parchment with a dove's blood; within this circle write in Latin the names of the four quarters of heaven; write around it the Hebrew letters of God's name, and beneath it write Sadan; and standing in this circle he must repeat the ninety-first Psalm. In addition there are seals in red and black, various Hebrew, Greek, and Latin words, chiefly such as contain the letters Q, W, X, Y, Z,--e.g., Yschyros, Theos, Zebaoth, Adonay. The specimen (Fig. 22), which I copied from the book in Dresden, is there called 'Sigillum Telschunhab.' The 'Black Raven' is pictured in the book, and explained as the form in which the angel Raphael taught Tobias to summon spirits. It is said also that the Magician must in certain cases write with blood of a fish (Tobit again) or bat on 'maiden-parchment,'--this being explained as the skin of a goat, but unpleasantly suggestive of a different origin.
In this book, poorly printed, and apparently on a private press, Mephistopheles is mentioned as one of the chief Princes of Hell. He is described as a youth, adept in all arts and services, who brings spirit-servants or familiars, and brings treasures from earth and sea with speed. In the Frankfort Faust Book (1587), Mephistopheles says, 'I am a spirit, and a flying spirit, potently ruling under the heavens.' In the oldest legends he appears as a dog, that, as we have seen, being the normal form of tutelary divinities, the symbol of the Scribe in Egypt, guard of Hades, and psychopomp of various mythologies. A dog appears following the family of Tobias. Manlius reports Melancthon as saying, 'He (Faust) had a dog with him, which was the Devil.' Johann Gast ('Sermones Conviviales') says he was present at a dinner at Basle given by Faust, and adds: 'He had also a dog and a horse with him, both of which, I believe, were devils, for they were able to do everything. Some persons told me that the dog frequently took the shape of a servant, and brought him food.' In the old legends this dog is named Praestigiar. [177]
As for the man Faust, he seems to have been personally the very figure which the Church required, and had the friar, in whose guise Mephistopheles appears, been his actual familiar, he could hardly have done more to bring learning into disgrace. Born at the latter part of the fifteenth century at Knittlingen, Wurtemberg, of poor parents, the bequest of an uncle enabled him to study medicine at Cracow University, and it seems plain that he devoted his learning and abilities to the work of deluding the public. That he made money by his 'mediumship,' one can only infer from the activity with which he went about Germany and advertised his 'powers.' It was at a time when high prices were paid for charms, philtres, mandrake mannikins; and the witchcraft excitement was not yet advanced enough to render dealing in such things perilous. It seems that the Catholic clergy made haste to use this impostor to point their moral against learning, and to identify him as first-fruit of the Reformation; while the Reformers, with equal zeal, hurled him back upon the papists as outcome of their idolatries. Melancthon calls him 'an abominable beast, a sewer of many devils.' The first mention of him is by Trithemius in a letter of August 20, 1507, who speaks of him as 'a pretender to magic' ('Magister Georgius Sabellicus, Faustus Junior'), whom he met at Gelnhaussen; and in another letter of the same year as at Kreuznach, Conrad Mudt, friend of Luther and Melancthon, mentions (Oct. 3, 1513) the visit to Erfurth of Georgius Faustus Hemitheus Hedebeyensis, 'a braggart and a fool who affects magic,' whom he had 'heard talking in a tavern,' and who had 'raised theologians against him.' In Vogel's Annals of Leipzig (1714), kept in Auerbach's Cellar, is recorded under date 1525 Dr. Johann Faust's visit to the Cellar. He appears therefore to have already had aliases. The first clear account of him is in the 'Index Sanitatis' of Dr. Philip Begardi (1539), who says: 'Since several years he has gone through all regions, provinces, and kingdoms, made his name known to everybody, and is highly renowned for his great skill, not alone in medicine, but also in chiromancy, necromancy, physiognomy, visions in crystal, and the like other arts. And also not only renowned, but written down and known as an experienced master. Himself admitted, nor denied that it was so, and that his name was Faustus, and called himself philosophum philosophorum. But how many have complained to me that they were deceived by him--verily a great number! But what matter?--hin ist hin.'
These latter words may mean that Faust had just died. He must have died about that time, and with little notice. The rapidity with which a mythology began to grow around him is worthy of more attention than the subject has received. In 1543 the protestant theologian Johann Gast has ('Sermones Convivialium') stories of his diabolical dog and horse, and of the Devil's taking him off, when his body turns itself five times face downward. In 1587 Philip Camerarius speaks of him as 'a well-known magician who lived in the time of our fathers.' April 18, 1587, two students of the University of Tübingen were imprisoned for writing a Comedy of Dr. Faustus: though it was not permitted to make light of the story, it was thought a very proper one to utilise for pious purposes, and in the autumn of the same year (1587) the original form of the legend was published by Spiess in Frankfort. It describes Faust as summoning the Devil at night, in a forest near Wittenberg. The evil spirit visits him on three occasions in his study, where on the third he gives his name as 'Mephostophiles,' and the compact to serve him for twenty-four years for his soul is signed. When Faust pierces his hand, the blood flows into the form of the words O homo fuge! Mephistopheles first serves him as a monk, and brings him fine garments, wine, and food. Many of the luxuries are brought from the mansions of prelates, which shows the protestant bias of the book; which is also shown in the objection the Devil makes to Faust's marrying, because marriage is pleasing to God. Mephistopheles changes himself to a winged horse, on which Faust is borne through many countries, arriving at last at Rome. Faust passes three days, invisible, in the Vatican, which supplies the author with another opportunity to display papal luxury, as well as the impotence of the Pope and his cardinals to exorcise the evil powers which take their food and goblets when they are about to feast. On his further aerial voyages Faust gets a glimpse of the garden of Eden; lives in state in the Sultan's palace in the form of Mohammed; and at length becomes a favourite in the Court of Charles V. at Innsbruck. Here he evokes Alexander the Great and his wife. In roaming about Germany, Faust diverts himself by swallowing a load of hay and horses, cutting off heads and replacing them, making flowers bloom at Christmas, drawing wine from a table, and calling Helen of Troy to appear to some students. Helen becomes his mistress; by her he has a son, Justus Faustus; but these disappear simultaneously with the dreadful end of Dr. Faustus, who after a midnight storm is found only in the fragments with which his room is strewn.
Several of these legends are modifications of those current before Faust's time. The book had such an immense success that new volumes and versions on the same subject appeared not only in Germany but in other parts of Europe,--a rhymed version in England, 1588; a translation from the German in France, 1589; a Dutch translation, 1592; Christopher Marlowe's drama in 1604.
In Marlowe's 'Tragical History of Doctor Faustus,' the mass of legends of occult arts that had crystallised around a man thoroughly representative of them was treated with the dignity due to a subject amid whose moral and historic grandeur Faust is no longer the petty personality he really was. He is precisely the character which the Church had been creating for a thousand years, only suddenly changed from other-worldly to worldly desires and aims. What he seeks is what all the energy of civilisation seeks.
EVIL ANGEL. Go forward, Faustus, in that famous art Wherein all Nature's treasure is contained: Be thou on earth as Jove is in the sky, Lord and commander of these elements.
FAUST. How am I glutted with conceit of this! Shall I make spirits fetch me what I please, Resolve me of all ambiguities, Perform what desperate enterprise I will? I'll have them fly to India for gold, Ransack the ocean for orient pearl, And search all corners of the new-found world For pleasant fruits and princely delicates; I'll have them read me strange philosophy, And tell the secrets of all foreign kings; I'll have them wall all Germany with brass, And make swift Rhine circle fair Wertenberg; I'll have them fill the public schools with silk, Wherewith the students shall be bravely clad.
For this he is willing to pay his soul, which Theology has so long declared to be the price of mastering the world.
This word damnation terrifies not him, For he confounds hell in Elysium: His ghost be with the old philosophers!
The 'Good Angel' warns him:
O Faustus, lay that damned book aside, And gaze not on it, lest it tempt thy soul, And heap God's heavy wrath upon thy head! Read, read the Scriptures:--that is blasphemy.
So, dying away amid the thunders of the Reformation, were heard the echoes of the early christian voices which exulted in the eternal tortures of the Greek poets and philosophers: the anathemas on Roger Bacon, Socinus, Galileo; the outcries with which every great invention has been met. We need only retouch the above extracts here and there to make Faust's aspirations those of a saint. Let the gold be sought in New Jerusalem, the pearl in its gates, the fruits in paradise, the philosophy that of Athanasius, and no amount of selfish hunger and thirst for them would grieve any 'Good Angel' he had ever heard of.
The 'Good Angel' has not yet gained his wings who will tell him that all he seeks is included in the task of humanity, but warn him that the method by which he would gain it is just that by which he has been instructed to seek gold and jasper of the New Jerusalem,--not by fulfilling the conditions of them, but as the object of some favouritism. Every human being who ever sought to obtain benefit by prayers or praises that might win the good graces of a supposed bestower of benefits, instead of by working for them, is but the Faust of his side--be it supernal or infernal. Hocus-pocus and invocation, blood-compacts and sacraments,--they are all the same in origin; they are all mean attempts to obtain advantages beyond other people without serving up to them or deserving them. To Beelzebub Faust will 'build an altar and a church;' but he had probably never entered a church or knelt before an altar with any less selfishness.
A strong Nemesis follows Self to see that its bounds are not overpassed without retribution. Its satisfactions must be weighed in the balance with its renunciations. And the inflexible law applies to intellect and self-culture as much as to any other power of man. Mephistopheles is 'the kernel of the brute;' he is the intellect with mere canine hunger for knowledge because of the power it brings. Or, falling on another part of human nature, it is pride making itself abject for ostentation; or it is passion selling love for lust. Re-enter Mephistopheles with Devils, who give crowns and rich apparel to Faustus, dance, and then depart. To the man who has received his intellectual and moral liberty only to so spend it, Lucifer may well say, in Marlowe's words--
Christ cannot save thy soul, for he is just: There's none but I have interest in the same.
Perhaps he might even better have suggested to Faust that his soul was not of sufficient significance to warrant much anxiety.
Something was gained when it was brought before the people in popular dramas of Faust how little the Devil cared for the cross which had so long been regarded as the all-sufficient weapon against him. [178] Faust and Mephistopheles flourish in the Vatican despite all the crosses raised to exorcise them. The confession of the cross which once meant martyrdom of the confessor had now come to mean martyrdom of the denier. Protestantism put its faith in Theology, Creeds, and Orthodoxy. But Calderon de la Barca blended the legend of Faust with the legendary temptation of St. Cyprian, and in 'El Magico Prodigioso' we have, in impressive contrast, the powerlessness of the evil powers over the heart of a pure woman, and its easy entrance into a mind fully furnished with the soundest sentiments of theology. St. Cyprian had been a worshipper of pagan deities [179] before his conversion, and even after this he had once saved himself while other christians were suffering martyrdom. It is possible that out of this may have grown the legend of his having called his earlier deities--theoretically changed to devils--to his aid; a trace of the legend being that magical 'Book of Cyprianus' mentioned in another chapter. In his tract 'De Gratia Dei' Cyprian says concerning his spiritual condition before conversion, 'I lay in darkness, and floating on the world's boisterous sea, with no resting-place for my feet, ignorant of my proper life, and estranged from truth and light.' Here is a metaphorical 'vasty deep' from which the centuries could hardly fail to conjure up spirits, one of them being the devil of Calderon's drama, who from a wrecked ship walks Christ-like over the boisterous sea to find Cyprian on the sea-shore. The drama opens with a scene which recalls the most perilous of St. Anthony's temptations. According to Athanasius, the Devil having utterly failed to conquer Anthony's virtue by charming images, came to him in his proper black and ugly shape, and, candidly confessing that he was the Devil, said he had been vanquished by the saint's extraordinary sanctity. Anthony prevailed against the spirit of pride thus awakened; but Calderon's Cyprian, though he does not similarly recognise the Devil, becomes complacent at the dialectical victory which the tempter concedes him. Cyprian having argued the existence and supremacy of God, the Devil says, 'How can I impugn so clear a consequence?' 'Do you regret my victory?' 'Who but regrets a check in rivalry of wit?' He leaves, and Cyprian says, 'I never met a more learned person.' The Devil is equally satisfied, knowing, no doubt, that gods worked out by the wits alone remain in their abode of abstraction and do not interfere with the world of sense. Calderon is artful enough to throw the trial of Cyprian back into his pagan period, but the mirror is no less true in reflecting for those who had eyes to see in it the weakness of theology.
'Enter the Devil as a fine gentleman,' is the first sign of the temptation in Calderon's drama--it is Asmodeus [180] again, and the 'pride of life' he first brings is the conceit of a clever theological victory. So sufficient is the doorway so made for all other pride to enter, that next time the devil needs no disguise, but has only to offer him a painless victory over nature and the world, including Justina, the object of his passion.
Wouldst thou that I work A charm over this waste and savage wood, This Babylon of crags and aged trees, Filling its coverts with a horror Thrilling and strange?... I offer thee the fruit Of years of toil in recompense; whate'er Thy wildest dream presented to thy thought As object of desire, shall be thine. [181]
Justina knows less about the philosophical god of Cyprian, and more of the might of a chaste heart. To the Devil she says--
Thought is not in my power, but action is: I will not move my foot to follow thee.
The Devil is compelled to say at last--
Woman, thou hast subdued me, Only by not owning thyself subdued.
He is only able to bring a counterfeit of Justina to her lover.
Like Goethe's Mephistopheles, Cyprian's devil is unable to perform his exact engagements, and consequently does not win in the game. He enables Cyprian to move mountains and conquer beasts, until he boasts that he can excel his infernal teacher, but the Devil cannot bring Justina. She has told Cyprian that she will love him in death. Cyprian and she together abjure their paganism at Antioch, and meet in a cell just before their martyrdom. Over their bodies lying dead on the scaffold the Devil appears as a winged serpent, and says he is compelled to announce that they have both ascended to heaven. He descends into the earth.
What the story of Faust and Mephistopheles had become in the popular mind of Germany, when Goethe was raising it to be an immortal type of the conditions under which genius and art can alone fulfil their task, is well shown in the sensational tragedy written by his contemporary, the playwright Klinger. The following extract from Klinger's 'Faust' is not without a certain impressiveness.
'Night covered the earth with its raven wing. Faust stood before the awful spectacle of the body of his son suspended upon the gallows. Madness parched his brain, and he exclaimed in the wild tones of dispair:
'Satan, let me but bury this unfortunate being, and then you may take this life of mine, and I will descend into your infernal abode, where I shall no more behold men in the flesh. I have learned to know them, and I am disgusted with them, with their destiny, with the world, and with life. My good action has drawn down unutterable woe upon my head; I hope that my evil ones may have been productive of good. Thus should it be in the mad confusion of earth. Take me hence; I wish to become an inhabitant of thy dreary abode; I am tired of light, compared with which the darkness in the infernal regions must be the brightness of mid-day.'
But Satan replied: 'Hold! not so fast--Faust; once I told thee that thou alone shouldst be the arbiter of thy life, that thou alone shouldst have power to break the hour-glass of thy existence; thou hast done so, and the hour of my vengeance has come, the hour for which I have sighed so long. Here now do I tear from thee thy mighty wizard-wand, and chain thee within the narrow bounds which I draw around thee. Here shalt thou stand and listen to me, and tremble; I will draw forth the terrors of the dark past, and kill thee with slow despair.
'Thus will I exult over thee, and rejoice in my victory. Fool! thou hast said that thou hast learned to know man! Where? How and when? Hast thou ever considered his nature? Hast thou ever examined it, and separated from it its foreign elements? Hast thou distinguished between that which is offspring of the pure impulses of his heart, and that which flows from an imagination corrupted by art? Hast thou compared the wants and the vices of his nature with those which he owes to society and prevailing corruption? Hast thou observed him in his natural state, where each of his undisguised expressions mirrors forth his inmost soul? No--thou hast looked upon the mask that society wears, and hast mistaken it for the true lineaments of man; thou hast only become acquainted with men who have consecrated their condition, wealth, power, and talents to the service of corruption; who have sacrificed their pure nature to your Idol--Illusion. Thou didst at one time presume to show me the moral worth of man! and how didst thou set about it! By leading me upon the broad highways of vice, by bringing me to the courts of the mighty wholesale butchers of men, to that of the coward tyrant of France, of the Usurper in England! Why did we pass by the mansions of the good and the just? Was it for me, Satan, to whom thou hast chosen to become a mentor, to point them out to thee? No; thou wert led to the places thou didst haunt by the fame of princes, by thy pride, by thy longing after dissipation. And what hast thou seen there? The soul-seared tyrants of mankind, with their satellites, wicked women and mercenary priests, who make religion a tool by which to gain the object of their base passions.
'Hast thou ever deigned to cast a glance at the oppressed, who, sighing under his burden, consoles himself with the hope of an hereafter? Hast thou ever sought for the dwelling of the virtuous friend of humanity, for that of the noble sage, for that of the active and upright father of a family?
'But how would that have been possible? How couldst thou, the most corrupt of thy race, have discovered the pure one, since thou hadst not even the capacity to suspect his existence?
'Proudly didst thou pass by the cottages of the pure and humble, who live unacquainted with even the names of your artificial vices, who earn their bread in the sweat of their brow, and who rejoice at their last hour that they are permitted to exchange the mortal for the immortal. It is true, hadst thou entered their abode, thou mightst not have found thy foolish ideal of an heroic, extravagant virtue, which is only the fanciful creation of your vices and your pride; but thou wouldst have seen the man of a retiring modesty and noble resignation, who in his obscurity excels in virtue and true grandeur of soul your boasted heroes of field and cabinet. Thou sayest that thou knowest man! Dost thou know thyself? Nay, deeper yet will I enter into the secret places of thy heart, and fan with fierce blast the flames which thou hast kindled there for thee.
'Had I a thousand human tongues, and as many years to speak to thee, they would be all insufficient to develop the consequences of thy deeds and thy recklessness. The germ of wretchedness which thou hast sown will continue its growth through centuries yet to come; and future generations will curse thee as the author of their misery.
'Behold, then, daring and reckless man, the importance of actions that appear circumscribed to your mole vision! Who of you can say, Time will obliterate the trace of my existence! Thou who knowest not what beginning, what middle, and end are, hast dared to seize with a bold hand the chain of fate, and hast attempted to gnaw its links, notwithstanding that they were forged for eternity!
'But now will I withdraw the veil from before thy eyes, and then--cast the spectre despair into thy soul.'
'Faust pressed his hands upon his face; the worm that never dieth gnawed already on his heart.'
The essence and sum of every devil are in the Mephistopheles of Goethe. He is culture.
Culture, which smooth the whole world licks, Also unto the Devil sticks.
He represents the intelligence which has learned the difference between ideas and words, knows that two and two make four, and also how convenient may be the dexterity that can neatly write them out five.
Of Metaphysics learn the use and beauty! See that you most profoundly gain What does not suit the human brain! A splendid word to serve, you'll find For what goes in--or won't go in--your mind.
On words let your attention centre! Then through the safest gate you'll enter The temple halls of certainty. [182]
He knows, too, that the existing moment alone is of any advantage; that theory is grey and life ever green; that he only gathers real fruit who confides in himself. He is thus the perfectly evolved intellect of man, fully in possession of all its implements, these polished till they shine in all grace, subtlety, adequacy. Nature shows no symbol of such power more complete than the gemmed serpent with its exquisite adaptations,--freed from cumbersome prosaic feet, equal to the winged by its flexible spine, every tooth artistic.
From an ancient prison was this Ariel liberated by his Prospero, whose wand was the Reformation, a spirit finely touched to fine issues. But his wings cannot fly beyond the atmosphere. The ancient heaven has faded before the clearer eye, but the starry ideals have come nearer. The old hells have burnt out, but the animalism of man couches all the more freely on his path, having broken every chain of fear. Man still walks between the good and evil, on the hair-drawn bridge of his moral nature. His faculties seem adapted with equal precision to either side of his life, upper or under,--to Wisdom or Cunning, Self-respect or Self-conceit, Prudence or Selfishness, Lust or Love.
Such is the seeming situation, but is it the reality? Goethe's 'Faust' is the one clear answer which this question has received.
In one sense Mephistopheles may be called a German devil. The Christian soul of Germany was from the first a changeling. The ancient Nature-worship of that race might have had its normal development in the sciences, and alone with this intellectual evolution there must have been formed a related religion able to preserve social order through the honour of man. But the native soul of Germany was cut out by the sword and replaced with a mongrel Hebrew-Latin soul. The metaphorical terrors of tropical countries,--the deadly worms, the burning and suffocating blasts and stenches, with which the mind of those dwelling near them could familiarise itself when met with in their scriptures, acquired exaggerated horrors when left to be pictured by the terrorised imagination of races ignorant of their origin. It is a long distance from Potsdam and Hyde Park to Zahara. Christianity therefore blighted nature in the north by apparitions more fearful than the southern world ever knew, and long after the pious there could sing and dance, puritanical glooms hung over the Christians of higher latitudes. When the progress of German culture began the work of dissipating these idle terrors, the severity of the reaction was proportioned to the intensity of the delusions. The long-famished faculties rushed almost madly into their beautiful world, but without the old reverence which had once knelt before its phenomena. That may remain with a few, but the cynicism of the noisiest will be reflected even upon the faces of the best. Goethe first had his attention drawn to Spinoza by a portrait of him on a tract, in which his really noble countenance was represented with a diabolical aspect. The orthodox had made it, but they could only have done so by the careers of Faust, Paracelsus, and their tribe. These too helped to conventionalise Voltaire into a Mephistopheles. [183]
Goethe was probably the first European man to carry out this scepticism to its full results. He was the first who recognised that the moral edifice based upon monastic theories must follow them; and he had in his own life already questioned the right of the so-called morality to its supreme if not tyrannous authority over man. Hereditary conscience, passing through this fierce crucible, lay levigable before Goethe, to be swept away into dust-hole or moulded into the image of reason. There remained around the animal nature of a free man only a thread which seemed as fine as that which held the monster Fenris. It was made only of the sentiment of love and that of honour. But as Fenris found the soft invisible thread stronger than chains, Faust proved the tremendous sanctions that surround the finer instincts of man.
Emancipated from grey theory, Faust rushes hungrily at the golden fruit of life. The starved passions will have their satisfaction, at whatever cost to poor Gretchen. The fruit turns to ashes on his lips. The pleasure is not that of the thinking man, but of the accomplished poodle he has taken for his guide. To no moment in that intrigue can the suffrage of his whole nature say, 'Stay, thou art fair!' That is the pact--it is the distinctive keynote of Goethe's 'Faust.'
Canst thou by falsehood or by flattery Make me one moment with myself at peace, Cheat me into tranquillity?--come then And welcome life's last day. Make me to the passing moment plead. Fly not, O stay, thou art so fair! Then will I gladly perish.
The pomp and power of the court, luxury and wealth, equally fail to make the scholar at peace with himself. They are symbolised in the paper money by which Mephistopheles replenished the imperial exchequer. The only allusion to the printing-press, whose inventor Fust had been somewhat associated with Faust, is to show its power turned to the work of distributing irredeemable promises.
At length one demand made by Faust makes Mephistopheles tremble. As a mere court amusement he would have him raise Helen of Troy. Reluctant that Faust should look upon the type of man's harmonious development, yet bound to obey, Mephistopheles sends him to the Mothers,--the healthy primal instincts and ideals of man which expressed themselves in the fair forms of art. Corrupted by superstition of their own worshippers, cursed by christianity, they 'have a Hades of their own,' as Mephistopheles says, and he is unwilling to interfere with them. The image appears, and the sense of Beauty is awakened in Faust. But he is still a christian as to his method: his idea is that heaven must be taken by storm, by chance, wish, prayer, any means except patient fulfilment of the conditions by which it may be reached. Helen is flower of the history and culture of Greece; and so lightly Faust would pluck and wear it!
Helen having vanished as he tried to clasp her, Faust has learned his second lesson. When he next meets Helen it is not to seek intellectual beauty as, in Gretchen's case, he had sought the sensuous and sensual. He has fallen under a charm higher than that of either Church or Mephistopheles; the divorce of ages between flesh and spirit, the master-crime of superstition, from which all devils sprang, was over for him from the moment that he sees the soul embodied and body ensouled in the art-ideal of Greece.
The redemption of Faust through Art is the gospel of the nineteenth century. This is her vesture which Helen leaves him when she vanishes, and which bears him as a cloud to the land he is to make beautiful. The purest Art--Greek Art--is an expression of Humanity: it can as little be turned to satisfy a self-culture unhumanised as to consist with a superstition which insults nature. When Faust can meet with Helen, and part without any more clutching, he is not hurled back to his Gothic study and mocking devil any more: he is borne away until he reaches the land where his thought and work are needed. Blindness falls on him--or what Theology deems such: for it is metaphorical--it means that he has descended from clouds to the world, and the actual earth has eclipsed a possible immortality.
The sphere of Earth is known enough to me; The view beyond is barred immortality: A fool who there his blinking eyes directeth, And o'er his clouds of peers a place expecteth! Firm let him stand and look around him well! This World means something to the capable; Why needs he through Eternity to wend?
The eye for a fictitious world lost, leaves the vision for reality clearer. In every hard chaotic object Faust can now detect a slumbering beauty. The swamps and pools of the unrestrained sea, the oppressed people, the barrenness and the flood, they are all paths to Helen--a nobler Helen than Greece knew. When he has changed one scene of Chaos into Order, and sees a free people tilling the happy earth, then, indeed, he has realised the travail of his manhood, and is satisfied. To a moment which Mephistopheles never brought him, he cries 'Stay, thou art fair!'
Mephistopheles now, as becomes a creation of the Theology of obtaining what is not earned, calls up infernal troops to seize Faust's soul, but the angels pelt them with roses. The roses sting them worse than flames. The roses which Faust has evoked from briars are his defence: they are symbols of man completing his nature by a self-culture which finds its satisfaction in making some outward desert rejoice and blossom like the rose.