Opening…

Introduction

It is fair to characterise the three suites of original water-colour drawings, as executed by our artist, as unique examples of the great George Cruikshank’s special individual proficiency as an exponent of this branch of technical dexterity. Moreover, it may be regarded as a fortunate circumstance that the three works, here reproduced with amazing fidelity in facsimile, represent happily the very chefs d’oeuvre of his wonderful productions; in their respective categories, preserving the best examples of his remarkable genius as an imaginative creator of vivid pictures, alike stirring and animated, and representing at one glance his vast dramatic powers, his mastery of the humorous side of life, and the intensity he was consistently able to infuse into terrible and tragic scenes.

It is noteworthy that the inimitable artist George Cruikshank but rarely produced finished water-colour drawings; the bulk of his prolific and familiarly recognised designs for book illustrations were mostly dainty pencil sketches, occasionally finished in pen and ink. It is a problem difficult to solve satisfactorily whether, beyond the three memorable instances of the works here reproduced in facsimile, there are in existence any other complete suites of original illustrations by George Cruikshank--that is to say, fully executed by his master hand as finished water-colour drawings. Tinted sketches may be found in the prized possessions of Cruikshank collectors, and spirited studies for many of his favourite and most successful subjects have been cleverly touched in with watercolours; for instance, such as certain of his original drawings as designed for the illustrations of Harrison Ainsworth’s Tower of London, and the clever historical and picturesque series of Windsor Castle designs; these are, however, to be regarded as exceptional cases, for the bulk of these most successful and popular designs were carefully executed in pencil, or occasionally outlined with the pen, and highly finished with washes of warm sepia. It is worthy of recollection that Cruikshank was a most dexterous artist in this monochrome branch, his earlier artistic experiences having been almost exclusively in the walk of aqua-tinted etchings; all his early book illustrations, his caricatures, and satirical plates--social or political--were uniformly etched by his hand in the most spirited fashion, after his ready sketches and rough studies, and when the outline etching was bitten in, Cruikshank elaborately worked out his colour suggestions, for light and shade, with a brush over the first-etched outline, in tones of sepia or Indian ink, for the guidance of the professional ‘aquatinters’--the school of artists to whose trained skill was entrusted the task of completing these plates to produce the effect of highly finished washed drawings in monochrome. By this, his youthful practice, George Cruikshank had acquired remarkable dexterity, his original pen-and-ink designs, and the outline etchings, after his earlier book illustrations, being worked up in monochrome to the dainty finish of delicate miniatures, in which art both his father Isaac and his brother Isaac Robert were first-class proficients, as he himself has recorded with pride in describing the special gifts and qualifications which distinguished the Cruikshank family.

The present series includes the inimitable suite of designs, pictorially unfolding the progress and subsequent dramatic experiences of a parish boy, as graphically related by the great literary genius of CHARLES DICKENS in the realistic romance, universally appreciated as--‘THE ADVENTURES OF OLIVER TWIST,’ with the truly interesting series of characteristic pictures, so vividly delineating ‘Life in London’ in the Hogarthian time, at the date of the abortive Jacobite rising in 1745. A realistic panoramic suite, introducing marvellously faithful pictures of antique localities of the old City of Westminster, with life-like studies, reproducing the contemporary aspects of the past, both topographically and socially, of the time-renowned pleasure resorts of the era, when these amusements were at the height of their vogue, and the entertainments which then attracted the crowd. The Mall, St. James’s Park, with the world of fashion which formed its attraction; ‘The Folly,’ a floating place of entertainment, opposite Somerset House; Marylebone Gardens and Vauxhall Gardens at their palmiest date; the gayest souvenirs of Ranelagh Gardens, with crowds of fashionable frequenters, and rounds of enjoyable amusements. Spirited materials, crowded with literary suggestions, which the artist, from his vast experiences of the past, rejoiced to thus graphically and realistically furnish to the author to further the creation of the sympathetic and brilliant romance, subsequently written, embodying the diversified phases of life in antique London, as suggested by George Cruikshank’s suite of graphic and life-like pictures of a brilliant past, which lent their special attractions and interest to the most successful and popular novel by HARRISON AINSWORTH, ‘THE MISER’S DAUGHTER,’ illustrated with Twenty of George Cruikshank’s happiest pictures.

To the two foregoing and most noteworthy productions are added the third suite of original water-colour drawings, the most tragically terrible of all George Cruikshank’s graphic productions, illustrating in the unmistakably realistic manner characteristic of the artist’s genius for delineating terrifying episodes, exhibiting with all tragic intensity and the vigorous force of his imagination the lurid horrors of revolution, as disclosed in the horrifying revelations of the sanguinary atrocities which ensanguined with floods of gore the chronicles of ‘THE IRISH REBELLION OF 1798,’ as disclosed in the actually terrific and terrifying narrative--MAXWELL’S ‘HISTORY.’

George Cruikshank was too candidly honest an artist to conceal his appreciative sense of the popular success which these xiii generally familiar works had happily secured. The artist himself scorned to disguise his pride in ‘these creatures of his brain,’ as he esteemed them, with paternal admiration! On the strength of these famous dramatic suites, with the designs so well known as constituting the pictorial skeleton or framework of Oliver Twist, the designer extended his claim for fuller recognition, to the point of feeling it a deep personal grievance that the respective ‘gifted authors’ had wilfully adopted all his best ideas, without the formality of acknowledging their literary obligations and indebtedness to the artist himself. To do him full justice, it must be acknowledged that from the date of their first appearance in monthly parts, Cruikshank made these claims persistently amongst friends and in the presence of mutual acquaintances.

The story of the injury, fanciful or real, was lengthy and vexatious, and for the most part rather filled the minds of the artist’s best-wishers with dismay; but as there had never been offered during Dickens’s lifetime any sort of disproof that the ‘Parish Boy’s Progress,’ as a pictorial suite, was one of George Cruikshank’s numerous fruitful original suggestions, and The Miser’s Daughter scheme was obviously completely his own as regards the main idea of representing fashionable ‘Life in London’ in the days of Hogarth, just as ‘Life in London’ of his jaunty youth had been by his hand portrayed in the ‘Corinthian epoch’ of the sportive ‘Tom and Jerry’ doings under the Regency era, the question in some degree resolved itself into the distinctions between inspiration and clever hack-work, the art of making the best possible use of suggested materials, wherein the faculty of imagination makes the workman. The artist demonstrated that his genius invented both series graphically, that the drawings, in the first instance designed to simply tell the story on his own lines, later suggested the development of their ideas to his literary collaborateurs, at least as concerns the projection of Oliver Twist and The Miser’s Daughter alike, both series strongly characteristic of Cruikshank’s own peculiar genius; and confessedly the evidences of the drawings completely justify his not unreasonable contention.

These original designs, executed as water-colour drawings, are all in existence, and are here reproduced in facsimile.

Dickens never denied that the artist had in the first instance designed the suite of illustrations portraying a parish boy’s progress, in advance of Boz’s undertaking to write Oliver Twist. Nor could Ainsworth for an instant assume to claim the first idea of the scheme of eighteenth century fashionable ‘Life in London,’ as it might have unfolded itself panoramically to the observation of William Hogarth himself--the effective scenario of The Miser’s Daughter, in a word.

Moreover, subsequent suites--of correspondingly graphic and melodramatic character--also similarly dramatised on their publication, confirm the bona fides of the artist’s somewhat startling theory, which proved so disconcerting to the minds of George Cruikshank’s actual literary collaborateurs.

In his monograph--‘A Critico-Biographical Essay upon George Cruikshank’--Professor William Bates, B.A., has elucidated the controversial aspects of these trying questions from his personal impressions: ‘In viewing the representation of The Bottle, as produced on the stage, an adaptation from Cruikshank’s famous series, one was much more struck with the artist’s talent for seizing upon the most dramatic situations of the story for the exercise of the pencil.’

Moncrieff, so the tale goes (Every Night Booky or Life after Dark, 1827), when he dramatised for the Adelphi ‘Tom and Jerry’ (Life in London), ‘wrote his piece from Cruikshank’s plates,’ and ‘boiled his kettle with Pierce Egan’s letterpress.’

Half a century later, Andrew Halliday, adapting The Miser’s Daughter for the same theatre, made up his most effective scenes from the designs of the artist.

It was on witnessing the performance of this latter, and finding his part in its production was totally ignored--always a sensitive subject with the combative veteran--that George Cruikshank was incited to make that public vindication of his claim to a share in the authorship of this and other works--notably Oliver Twist--illustrated by his hand, and involving the candour and sense of justice of Ainsworth, Dickens, and himself.

The aggrieved humorist, who had a fairly founded opinion of his own gifts and reputation, and whose imaginative faculties were always abnormally fervid, was still full of fight. Dickens had been at rest for two years, but his biographer, John Forster, was in the flesh; as was W. Harrison Ainsworth, Cruikshank’s colleague and partner of the ‘thirties’ and ‘forties,’ so that it is not surprising to find the artist in 1872--then an octogenarian veteran--entering fiercely upon a seemingly Quixotic campaign against the before-time literary colleagues of his prime era of artistic production, the period when his picturesquely dramatic fancy evolved The Parish Boys Progress, The Miser’s Daughter, and similarly popularly endorsed emanations of his hand and brain.

It was ever the ‘great George’s’ grievance that in his later years the public assumed him to be his own descendant of the first or even second generation. It was avowedly as a protest against this fairly natural assumption that G. Cruikshank had carried out his famous and successful ‘Exeter Hall Exhibition’ in 1863. Under the circumstances related, finding his well-recognised name and strongly-marked personality steadily ignored or obscured, and smarting under intolerable injustices and accumulated grievances--alike real and imaginary--the vigorous genius of the opening of the eighteenth century, fighting hero as he was constitutionally, re-entered the lists to vindicate his name and fame; and, as he might well have foreseen, had not the burning sense of unmerited wrongs obscured his perceptions, quickly had ‘a pretty quarrel’ on his hands, his powers of onslaught hampered from the circumstance that his present weapon was the pen, whereas his accustomed arm for offence and defence was the etching-point, the weapon he had been accustomed to wield with fine incisive spirit in earlier conflicts. In the present tourney G. C. was confessedly under the manifest disqualification of being ‘out of his element.’

Open as daylight, ‘a knight sans peur et sans reproche’--he gallantly sought to unhorse his wily antagonist. The quarrel has left its record in print, in pamphlet form, now reckoned rarissime:--

THE ARTIST AND THE AUTHOR

A statement of facts by the Artist, George Cruikshank, proving that the Distinguished Author, Mr. W. Harrison Ainsworth, is labouring under a singular delusion with respect to the origin of The Miser’s Daughter, The Tower of London, etc.

In the following letter, which appeared in The Times of the 8th of April 1872, it will be seen that I therein claimed to be the Originator of a tale or romance entitled ‘The Miser’s Daughter,’ which was written by Mr. Ainsworth and illustrated by me. G. C.

To the Editor of ‘The Times’

Sir--Under the heading of ‘Easter Amusements’ in The Times of the 2nd inst. it is stated that Mr. W. Harrison Ainsworth’s novel of The Miser’s Daughter had been dramatized by Mr. Andrew Halliday, and produced at the Adelphi Theatre, and as my name is not mentioned in any way in connection with the novel--not even as the illustrator--I shall feel greatly obliged if you will allow me to inform the public through the medium of your columns of the fact (which all my private friends are aware of) that this tale of The Miser’s Daughter originated from me, and not from Mr. Ainsworth.

My idea suggested to that gentleman was to write a story in which the principal character should be a miser, who had a daughter, and that the struggles of feelings between the love for his child and his love of money should produce certain effects and results; and as all my ancestors were mixed up in the Rebellion of ‘45, I suggested that the story should be of that date, in order that I might introduce some scenes and circumstances connected with that great party struggle; and also wishing to let the public of the present day have a peep at the places of amusement of that period, I took considerable pains to give correct views and descriptions of those places, which are now copied and produced upon the stage; and I take this opportunity of complimenting my friend Halliday for the very excellent and effective manner in which he has dramatized the story.

I do not mean to say that Mr. Ainsworth when writing this novel did not introduce some of his own ideas; but as the first idea and all the principal points and characters emanated from me, I think it will be allowed that the title of originator of The Miser’s Daughter should be conferred upon, Sir, your obedient servant,

George Cruikshank.

263 Hampstead Road,

6th April 1872.

This letter brought forth the following reply from the writer of this romance:--

To the Editor of ‘The Times’

Sir--In a letter from Mr. George Cruikshank which appeared in The Times of to-day, that distinguished artist claims to be the originator of The Miser’s Daughter. I content myself with giving the statement a positive contradiction.

Mr. Cruikshank appears to labour under a singular delusion in regard to novels he has illustrated; it is not long since he claimed to be the originator of Mr. Dickens’s Oliver Twist.--Your faithful servant,

W. Harrison Ainsworth.

8th April 1872.

Upon seeing this ‘positive contradiction,’ I wrote a second letter to The Times, which the Editor kindly inserted:--

‘THE MISER’S DAUGHTER’

To the Editor of ‘The Times’

Sir--I am fully aware that you will not allow any controversy to be carried on in The Times upon such a trifling matter as this; but as Mr. W. Harrison Ainsworth gives a positive contradiction to my statement which appeared in The Times on the 8th inst., I have to beg that you will permit me to express my very great surprise at this denial, and also to express my regret that his memory should be in such a defective state, that he should have forgotten the circumstances and facts as to the origin of Oliver Twist and of The Miser’s Daughter; and I regret also that this contradiction of his will compel me, in justice to myself, to give, in a work I am preparing for the press, a full, true, and particular account of all the professional transactions between Mr. Ainsworth and myself, in which I shall prove, beyond all fear of contradiction, that I am the sole originator of what is called Ainsworth’s Tower of London, as well as another work bearing his name, but the ideas and suggestions of which were given to him by, Sir, your obedient servant, George Cruikshank.

10th April 1872.

P.S.--Allow me to add that it ought to be understood that it is one thing for an artist to illustrate an author’s own ideas, and quite a different matter when a literary man adopts and writes out the ideas of another person.

This second letter brought forth another contradiction (a flat one) from Mr. W. H. A.:--

To the Editor of ‘The Times’

Sir--I disdain to reply to Mr. Cruikshank’s preposterous assertions, except to give them, as before, a flat contradiction.--Your faithful servant, W. Harrison Ainsworth.

11th April 1872.

To this the Editor added:--‘We can publish no more letters on this subject.’

It will be seen in my second letter that I intended to give an explanation of this affair in a work I am preparing for the press, but, as ‘delays are dangerous,’ it occurred to me that I had better bring forward my statement without delay.

As Mr. Ainsworth’s positive and flat contradictions and his contemptible insinuation as to my labouring under a singular delusion have led some persons to form erroneous ideas and to draw false conclusions upon this question, I feel placed in a very serious position as regards my character for truthfulness and the condition of my intellect; and I am therefore compelled in self-defence to place certain facts before the public to prove beyond the fear of contradiction that what I have asserted is the truth, and that it is Mr. Ainsworth who is labouring under a delusion, or has unfortunately lost his memory.

And in order that this question may be clearly understood, I now proceed to give a full and particular account of all the professional transactions between myself and Mr. W. Harrison Ainsworth when we were both on the most friendly terms and both working together to amuse the public; and also to show how it was that this friendship and joint labour ceased, now some twenty-eight years ago; and although I feel it a positive duty to myself to make these statements, it is, nevertheless, to me rather a painful task, well knowing that it will place Mr. Ainsworth in a very awkward position as regards his conduct towards me, the explanation of which he will feel bitterly, but which he has brought upon himself, for had he, in common justice, acknowledged that I was the originator of certain ideas and characters up to which he had written, the facts which I am now about to state would never have been placed before the public.

A question has been asked publicly, and which I grant is rather an important one in this case, and that is, Why have I not until lately claimed to be the originator of ‘Oliver Twist’? To this I reply that ever since these works were published, and even when they were in progress, I have in private society, when conversing upon such matters, always explained that the original ideas and characters of these works emanated from me, and the reason why I publicly claimed to be the originator of Oliver Twist was to defend Dr. K. Shelton Mackenzie, who was charged by Mr. John Forster, in his Life of Mr. Charles Dickens, with publishing a falsehood (or a word of three letters as he describes it; Mr. Forster in a marginal note puts it thus: ‘Falsehood ascribed to a distinguished artist’), whereas the Doctor was only repeating what I had told him at the time Oliver Twist was in progress. Mr. Forster designates Dr. Mackenzie’s statement as ‘a wonderful story,’ or ‘a marvellous fable,’ and in a letter from the Doctor to the Philadelphia Press, December 19, 1871, he says: ‘My wonderful story was printed in an American periodical years before Mr. Dickens died.’ And then asks, ‘Why did not Mr. Forster inquire into this matter, for surely he must have known it?’ And I presume Mr. Dickens must also have heard of this ‘wonderful story,’ the truth of which he did not deny, for this reason--because he could not! And with respect to Mr. Ainsworth’s insinuation as to my ‘labouring under a delusion’ upon this point, all my literary friends at that time knew that I was the originator of Oliver Twist, and as Mr. A. and I were at that time upon such intimate terms, and both working together on Bentley’s Miscellany, is it at all likely that I should have concealed such a fact from him? No! no! he knew this as well as I did, and, therefore, in this matter at any rate, it is he who is ‘labouring under a delusion.’

And I will here refer to a part of my letter, which was published in The Times, December 30, 1871, upon the origin of Oliver Twist, wherein I state that Mr. Ainsworth and Mr. Dickens came together one day to my house, upon which occasion it so happened that I then and there described and performed the character of ‘Fagin’ for Mr. Dickens to introduce into the work as a ‘receiver of stolen goods,’ and that some time after this, upon seeing Mr. Ainsworth again, he said to me, ‘I was so much struck with your description of that Jew to Mr. Dickens that I think you and I could do something together.’ Now I do not know whether Mr. Ainsworth has ever made any allusion to this; perhaps he disdains to do so; but perhaps he may give this also a ‘positive contradiction’; and, if he does, then all I have to say is that his memory is gone!

I will now explain the reason why I have publicly asserted my right as the originator of The Miser’s Daughter.

On the 1st of December 1871 there appeared in No. 28 of The Illustrated Review a short Biographical Sketch of Mr. W. Harrison Ainsworth, with a portrait of that gentleman; and in the list of the many and various works written by him the following are placed in chronological order: No. 1, Rookwood; 2, Jack Shepherd; 3, Guy Fawkes; 4, The Tower of London; 5, Old St. Pau’s; 6, The Miser s Daughter; 7, Windsor Castle; 8, St. James’s; or, The Court of Queen Anne.

Now, six of these works were illustrated entirely by me, and one--Windsor Castle--partly so, numbering altogether One Hundred and Forty-Four of the very best designs and etchings which I have ever produced; and yet in this Biographical Sketch my name is not mentioned in any way as connected with these works, which omission, I thought, was not only very ungenerous but also very unjust. For, if Mr. W. H. Ainsworth did not himself sketch out this ‘Biographical Sketch’ of himself, he must have known full well what the writer was stating; and he might as well have said to that gentleman, ‘Just mention that Mr. George Cruikshank illustrated several of the novels written by me,’ and have given the titles, and also have acknowledged that I had given him the original ideas of three of the tales, and assisted him with suggestions when these works were being produced; and, had he done this, I should have been satisfied. But to be thus ignored altogether not only created a feeling of surprise but also of dissatisfaction. And when it was announced that Mr. Andrew Halliday had dramatised Ainsworth’s Miser’s Daughter, I went to see the performance; and when I saw represented on the stage scenes and characters which had emanated from me and my name not mentioned, I then publicly claimed to to be the originator of that romance, and to have suggested the original idea and the characters to Mr. Ainsworth.

No. 2, Jack Shepherd, illustrated by me, and published in monthly parts in Bentley’s Miscellany. This story originated from Mr. Ainsworth, and, when preparing it for publication, he showed me about two or three pages of manuscript on ‘post paper’; and I beg that it may be observed that this was the only bit of manuscript written by this author that I ever saw in the whole course of my life!

No. 4, The Tower of London, the Original Idea of which was suggested by me to Mr. Ainsworth, and also illustrated by me and published in monthly numbers. In this work Mr. Ainsworth and I were partners holding equal shares.

And now comes the question of how it should so happen, as Mr. W. H. Ainsworth and I were such friends and fellow-workers and partners in the work of The Tower of London, that he should have got another artist to illustrate Old St. Paul’s [‘one of my pet subjects, which I had nursed in my brains for years, and which I had long intended to have placed before the public with my own hands,’ as G. C. relates in another charge)? And, after that was finished, to have employed a French artist to illustrate Windsor Castle. Ay, that is the question! And now comes the answer and the reason for this most extraordinary proceeding. I must here first state that as large sums of money had been realised from my ideas and suggestions for the work of Oliver Twist, it occurred to me one day that I would try and get a little of the same material from the same source; and as Mr. Ainsworth and I were at that time upon the most friendly--I may say brotherly--terms, I suggested to him that we should jointly produce a work on our own account and publish it in monthly numbers, and get Mr. Bentley to join us as the publisher. Mr. Ainsworth was delighted with the idea of such a partnership, and at once acceded to the proposition; and when I told him that I had a capital subject for the first work he inquired what it was, and upon my telling him it was The Tower of London, with some incidents in the life of Lady Jane Grey, he was still more delighted; and I then told him that I had long since seen the room in ‘the Tower’ where that beautiful and accomplished dear lady was imprisoned, and other parts of that fortress to which the public were not admitted, and if he would go with me to the Tower I would show these places to him. He at once accepted my offer, and off we went to ‘Hungerford Stairs,’ now the site of the Charing Cross Railway Station, and whilst waiting on the beach for a boat to go to London Bridge, we there met my dear friend the late W. Jordan, the well-known editor and part-proprietor of The Literary Gazette, who inquired where we were going to. My reply was that I was taking Mr. Ainsworth a prisoner to the Tower! With this joke we parted. I then took Mr. Ainsworth to the royal prison, and when we arrived there I introduced him to my friend Mr. Stacey, the storekeeper, in whose department were these ‘Chambers of Horrors’; and then and there did Mr. Ainsworth, for the first time, see the apartment in which the dear Lady Jane was placed until the day she was beheaded, or, in other words, the day on which she was murdered, and which place I had long before made sketches of for the purpose of introducing them in a Life of Lady Jane Grey, and which for many years I had intended to place before the public.

I have now most distinctly to state that Mr. Ainsworth wrote up to most of my suggestions and designs, although some of the subjects we jointly arranged to introduce into the work; and I used every month to send him the tracings or outlines of the sketches or drawings from which I was making the etchings to illustrate the work, in order that he might write up to them, and that they should be accurately described. And I beg the reader to understand that all these etchings or plates were printed and ready for publication before the letterpress was printed, and sometimes even before the Author had written his manuscript; and I assert that I never saw a page of this work until after it was published, and then hardly ever read a line of it. It is a curious coincidence, but clearly proves what I have just stated with respect to these outlines or tracings--that Mr. Ainsworth in January last was applied to for these and other tracings or outlines, and his reply was, that ‘he would be very happy to send the tracings mentioned, but he had no idea what had become of them, as he had not seen them since ‘The Tower of London’ was published. This letter I have in my possession.

This Tower of London became so very popular, that before it was finished, a bookseller came to me and said if we brought out another work similar in style and interest, that he would take 20,000 a month to begin with, and pay ready money for them; and another bookseller offered to take 25,000 or 30,000 a month upon the same terms.

When this work was completed, I told Mr. Ainsworth that I had another capital subject for our next work. ‘Ah! what is it?’ said he; to which I replied, ‘The Plague and the Fire of London.’

‘Oh!’ he exclaimed, ‘that is first-rate!’

[The aggrieved Artist proceeded to state at length his sense of injury at the hands of the Author, who, on the facts set forth, had not considered Cruikshank’s rights in several instances, notably Old Saint Paul’s and Windsor Castle. This first break between the partners was bridged over, owing to the peace-making overtures of a mutual friend, and Cruikshank’s publication of The Omnibus was suspended and finally abandoned in favour of that artist consenting to collaborate (as in Bentley’s Miscellany) in a new venture, namely Ainsworth’s Magazine.]

The Artist’s statement is thus continued:--

Before Ainsworth’s Magazine was published, advertisements were put forth that I, George Cruikshank, was to be the illustrator thereof; and the Artist and the Author then held a consultation as to what tale or romance we were to commence with, and which I was to illustrate; and, well knowing the importance of having an attractive subject for the first number of a work, I then suggested to Mr. Ainsworth my idea of ‘The Miser’s Daughter’ (the plot of which will be seen in my first letter to The Times upon this subject, and which I had originally intended to have had written by some literary friend, and published it in my ‘Omnibus’). This romance (as I expected), with my illustrations, did attract the public attention, and did to some extent make this magazine a success.

There was published in Ainsworth’s Magazine, No. 2, March 1842, a woodcut of a drawing made by me, at Mr. Ainsworth’s suggestion, of the Author and the Artist, seated ‘in council,’ or conversing together in his library. And surely this looks as if he then considered me something more than a mere illustrator of his magazine.

[Then follows a statement of the final break up of the friendly collaboration of these old colleagues, explaining the Artist’s grievances in connection with Windsor Castle--also contributed to Ainsworth’s Magazine--and the fatal ending of these long associations, when the Author, unaccountably disregarding Cruikshank’s joint interests, elected to sell his magazine to the publishers; this seems to have fairly disgusted the Artist.] Here is his indignant protest:--

So it really appears as if all this gentleman’s promises, like pie-crust, were made to be broken; and as, in this instance, also, there was not any written agreement, the arrangements which he had made, and the engagements he had entered into with me, when I agreed to work with him in his magazine, all broke down, and I, as it were, again ‘thrown overboard’ or ‘left in the lurch.’ And thus ended the second edition of this Author’s extraordinary conduct towards the Artist.

I will not go into the details of how I assisted this Author with head and hand work in these novels, but I did my best to design and suggest.

The foregoing statements will, I think, clearly explain why I have never, since that time (written 1872)--now some twenty-eight years back--given any more original ideas, suggestions, and characters for any other tales or romances for Mr. Ainsworth to write up to; and also why I have never, from that time, illustrated any of this Author’s writings.

I now feel it necessary to inform the public that the usual or ordinary way of producing illustrated novels or romances is, for an Author either to write out, from his own ideas, the whole of the tale, or in parts; the manuscript or letterpress of which is then handed to an Artist to read and select subjects from for his illustrations, or sometimes for the Author to suggest to the Artist such subjects, scenes, or parts as he might wish to be illustrated. And I, being known generally only as an Artist, or illustrator, it would therefore very naturally be supposed that, in all cases, I have merely worked out other men’s ideas. But, if I have the opportunity, I shall be able to show that other men have sometimes worked out my ideas--but this will be for another occasion. And I will now explain that Oliver Twist, The Tower of London, The Miser’s Daughter, etc., were produced in an entirely different manner from what would be considered the usual course; for I, the Artist, suggested to the Authors of these works the original idea or subject--for them to write out--furnishing, at the same time, the principal characters and the scenes; and then, as the tale had to be produced in monthly parts, the Writer or Author, and the Artist had every month to arrange and settle what scenes or subjects and characters were to be introduced; and the Author had to weave in such scenes as I wished to represent, and sometimes I had to work out his suggestions.

And as to Mr. W. Harrison Ainsworth’s ‘singular delusion’ of an artist claiming to be the originator of works which he had merely illustrated, no more absurd or contemptible and rubbishing nonsense could ever be conceived; for no artist could possibly be in his right mind who would make such a claim, and it becomes a serious question as to whether any one who brings forth such nonsense can be in his right mind, and if this Author has really lost his memory, and, as an invalid, is suffering under ‘singular delusions,’ he has my pity and commiseration.

I lay no claim to anything that has originated from the mind of Mr. Ainsworth, or any other man, but where the original idea has emanated from my own mind, that I feel I have a right to claim, and by that right I will stand firm, and I trust that at no distant date I may be able to publish what I have already stated, to show the world how these ideas originated in my mind, and why I wished to place them before the public.

Amongst the many friends who were acquainted with the facts of this case, I may mention the names of T. J. Pettigrew (the eminent surgeon), the Rev. Canon Barham (author of the Ingoldsby Legends), Laman Blanchard, Douglas Jerrold, Albert Smith, Mark Lemon, Gilbert A’Becket, John Leech, Messrs. Bradbury and Evans, Richard Bentley, the publisher of the Miscellany, and many other dear friends, now, to my sorrow, passed away; but there are a few still living who are ready to substantiate my statements one a clergyman of the City of London, an old member of the Society of Antiquaries; another who is a literary man, a member of the Conservative Club; and also a dear and valued friend, who is a member of the Athenæum Club and Deputy Lord Lieutenant of one of our counties. This friend sent a letter to several of the newspapers--one of which was forwarded to me--a copy of which I here insert:--

Origin of the Work entitled ‘The Tower of London’

To the Editor of the ‘Liverpool Post’

Sir--I hope you will allow me to say that it is half a century since George Cruikshank has been my intimate and valued friend.

I have a vivid recollection of his drawings of the Tower, and of having been frequently in company with the artist while these sketches were in progress; the strong impression on my mind was, and is, that the interesting tale called The Tower of London was mainly written up to George Cruikshank’s drawings, and that they, in a great measure, suggested the story to Mr. Ainsworth.

I think it therefore only right that justice should be done in this matter to the veteran artist who for so many years has amused the world, and striven to raise its moral tone. I enclose my card, and have the honour to be, yours, etc., A. B.

Athenæum Club, London,

22nd April 1872. I

I must add a postscript to say that respecting The Miser’s Daughter I know nothing, as I was living on the Continent at the time it was written; but this I do know, that George Cruikshank is a man of honour, and would not assert anything he did not believe to be true.

OLIVER TWIST,

Or, The Parish Boy’s Progress

By Charles Dickens

I TREATS OF THE PLACE WHERE OLIVER TWIST WAS BORN AND OF THE CIRCUMSTANCES ATTENDING HIS BIRTH

II TREATS OF OLIVER TWIST’S GROWTH, EDUCATION, AND BOARD

III RELATES HOW OLIVER TWIST WAS VERY NEAR GETTING A PLACE WHICH WOULD NOT HAVE BEEN A SINECURE

IV OLIVER, BEING OFFERED ANOTHER PLACE, MAKES HIS FIRST ENTRY INTO PUBLIC LIFE

V OLIVER MINGLES WITH NEW ASSOCIATES. GOING TO A FUNERAL FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS

VI OLIVER, BEING GOADED BY THE TAUNTS OF NOAH, ROUSES INTO ACTION, AND RATHER ASTONISHES HIM

VII OLIVER CONTINUES REFRACTORY

VIII OLIVER WALKS TO LONDON. HE ENCOUNTERS ON THE ROAD A STRANGE SORT OF YOUNG GENTLEMAN

IX CONTAINING FURTHER PARTICULARS CONCERNING THE PLEASANT OLD GENTLEMAN, AND HIS HOPEFUL PUPILS

X OLIVER BECOMES BETTER ACQUAINTED WITH THE CHARACTERS OF HIS NEW ASSOCIATES; AND PURCHASES EXPERIENCE AT A HIGH PRICE. BEING A SHORT, BUT VERY IMPORTANT CHAPTER, IN THIS HISTORY

XI TREATS OF MR. FANG THE POLICE MAGISTRATE; AND FURNISHES A SLIGHT SPECIMEN OF HIS MODE OF ADMINISTERING JUSTICE

XII IN WHICH OLIVER IS TAKEN BETTER CARE OF THAN HE EVER WAS BEFORE. AND IN WHICH THE NARRATIVE REVERTS TO THE MERRY OLD GENTLEMAN AND HIS YOUTHFUL FRIENDS.

XIII SOME NEW ACQUAINTANCES ARE INTRODUCED TO THE INTELLIGENT READER, CONNECTED WITH WHOM VARIOUS PLEASANT MATTERS ARE RELATED, APPERTAINING TO THIS HISTORY

XIV COMPRISING FURTHER PARTICULARS OF OLIVER’S STAY AT MR. BROWNLOW’S, WITH THE REMARKABLE PREDICTION WHICH ONE MR. GRIMWIG UTTERED CONCERNING HIM, WHEN HE WENT OUT ON AN ERRAND

XV SHOWING HOW VERY FOND OF OLIVER TWIST, THE MERRY OLD JEW AND MISS NANCY WERE

XVI RELATES WHAT BECAME OF OLIVER TWIST, AFTER HE HAD BEEN CLAIMED BY NANCY

XVII OLIVER’S DESTINY CONTINUING UNPROPITIOUS, BRINGS A GREAT MAN TO LONDON TO INJURE HIS REPUTATION

XVIII HOW OLIVER PASSED HIS TIME IN THE IMPROVING SOCIETY OF HIS REPUTABLE FRIENDS

XIX IN WHICH A NOTABLE PLAN IS DISCUSSED AND DETERMINED ON

XX WHEREIN OLIVER IS DELIVERED OVER TO MR. WILLIAM SIKES

XXI THE EXPEDITION

XXII THE BURGLARY

XXIII WHICH CONTAINS THE SUBSTANCE OF A PLEASANT CONVERSATION BETWEEN MR. BUMBLE AND A LADY; AND SHOWS THAT EVEN A BEADLE MAY BE SUSCEPTIBLE ON SOME POINTS

XXIV TREATS ON A VERY POOR SUBJECT. BUT IS A SHORT ONE, AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY

XXV WHEREIN THIS HISTORY REVERTS TO MR. FAGIN AND COMPANY

XXVI IN WHICH A MYSTERIOUS CHARACTER APPEARS UPON THE SCENE; AND MANY THINGS, INSEPARABLE FROM THIS HISTORY, ARE DONE AND PERFORMED

XXVII ATONES FOR THE UNPOLITENESS OF A FORMER CHAPTER; WHICH DESERTED A LADY, MOST UNCEREMONIOUSLY

XXVIII LOOKS AFTER OLIVER, AND PROCEEDS WITH HIS ADVENTURES

XXIX HAS AN INTRODUCTORY ACCOUNT OF THE INMATES OF THE HOUSE, TO WHICH OLIVER RESORTED

XXX RELATES WHAT OLIVER’S NEW VISITORS THOUGHT OF HIM

XXXI INVOLVES A CRITICAL POSITION

XXXII OF THE HAPPY LIFE OLIVER BEGAN TO LEAD WITH HIS KIND FRIENDS

XXXIII WHEREIN THE HAPPINESS OF OLIVER AND HIS FRIENDS, EXPERIENCES A SUDDEN CHECK

XXXIV CONTAINS SOME INTRODUCTORY PARTICULARS RELATIVE TO A YOUNG GENTLEMAN WHO NOW ARRIVES UPON THE SCENE; AND A NEW ADVENTURE WHICH HAPPENED TO OLIVER

XXXV CONTAINING THE UNSATISFACTORY RESULT OF OLIVER’S ADVENTURE; AND A CONVERSATION OF SOME IMPORTANCE BETWEEN HARRY MAYLIE AND ROSE

XXXVI IS A VERY SHORT ONE, AND MAY APPEAR OF NO GREAT IMPORTANCE IN ITS PLACE, BUT IT SHOULD BE READ NOTWITHSTANDING, AS A SEQUEL TO THE LAST, AND A KEY TO ONE THAT WILL FOLLOW WHEN ITS TIME ARRIVES

XXXVII IN WHICH THE READER MAY PERCEIVE A CONTRAST, NOT UNCOMMON IN MATRIMONIAL CASES

XXXVIII CONTAINING AN ACCOUNT OF WHAT PASSED BETWEEN MR. AND MRS. BUMBLE, AND MR. MONKS, AT THEIR NOCTURNAL INTERVIEW

XXXIX INTRODUCES SOME RESPECTABLE CHARACTERS WITH WHOM THE READER IS ALREADY ACQUAINTED, AND SHOWS HOW MONKS AND THE JEW LAID THEIR WORTHY HEADS TOGETHER

XL A STRANGE INTERVIEW, WHICH IS A SEQUEL TO THE LAST CHAMBER

XLI CONTAINING FRESH DISCOVERIES, AND SHOWING THAT SUPRISES, LIKE MISFORTUNES, SELDOM COME ALONE

XLII AN OLD ACQUAINTANCE OF OLIVER’S, EXHIBITING DECIDED MARKS OF GENIUS, BECOMES A PUBLIC CHARACTER IN THE METROPOLIS

XLIII WHEREIN IS SHOWN HOW THE ARTFUL DODGER GOT INTO TROUBLE

XLIV THE TIME ARRIVES FOR NANCY TO REDEEM HER PLEDGE TO ROSE MAYLIE. SHE FAILS.

XLV NOAH CLAYPOLE IS EMPLOYED BY FAGIN ON A SECRET MISSION

XLVI THE APPOINTMENT KEPT

XLVII FATAL CONSEQUENCES

XLVIII THE FLIGHT OF SIKES

XLIX MONKS AND MR. BROWNLOW AT LENGTH MEET. THEIR CONVERSATION, AND THE INTELLIGENCE THAT INTERRUPTS IT

L THE PURSUIT AND ESCAPE

LI AFFORDING AN EXPLANATION OF MORE MYSTERIES THAN ONE, AND COMPREHENDING A PROPOSAL OF MARRIAGE WITH NO WORD OF SETTLEMENT OR PIN-MONEY

LII FAGIN’S LAST NIGHT ALIVE

LIII AND LAST

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I. TREATS OF THE PLACE WHERE OLIVER TWIST WAS BORN AND OF THE CIRCUMSTANCES ATTENDING HIS BIRTH

Among other public buildings in a certain town, which for many reasons it will be prudent to refrain from mentioning, and to which I will assign no fictitious name, there is one anciently common to most towns, great or small: to wit, a workhouse; and in this workhouse was born; on a day and date which I need not trouble myself to repeat, inasmuch as it can be of no possible consequence to the reader, in this stage of the business at all events; the item of mortality whose name is prefixed to the head of this chapter.

For a long time after it was ushered into this world of sorrow and trouble, by the parish surgeon, it remained a matter of considerable doubt whether the child would survive to bear any name at all; in which case it is somewhat more than probable that these memoirs would never have appeared; or, if they had, that being comprised within a couple of pages, they would have possessed the inestimable merit of being the most concise and faithful specimen of biography, extant in the literature of any age or country.

Although I am not disposed to maintain that the being born in a workhouse, is in itself the most fortunate and enviable circumstance that can possibly befall a human being, I do mean to say that in this particular instance, it was the best thing for Oliver Twist that could by possibility have occurred. The fact is, that there was considerable difficulty in inducing Oliver to take upon himself the office of respiration,--a troublesome practice, but one which custom has rendered necessary to our easy existence; and for some time he lay gasping on a little flock mattress, rather unequally poised between this world and the next: the balance being decidedly in favour of the latter. Now, if, during this brief period, Oliver had been surrounded by careful grandmothers, anxious aunts, experienced nurses, and doctors of profound wisdom, he would most inevitably and indubitably have been killed in no time. There being nobody by, however, but a pauper old woman, who was rendered rather misty by an unwonted allowance of beer; and a parish surgeon who did such matters by contract; Oliver and Nature fought out the point between them. The result was, that, after a few struggles, Oliver breathed, sneezed, and proceeded to advertise to the inmates of the workhouse the fact of a new burden having been imposed upon the parish, by setting up as loud a cry as could reasonably have been expected from a male infant who had not been possessed of that very useful appendage, a voice, for a much longer space of time than three minutes and a quarter.

As Oliver gave this first proof of the free and proper action of his lungs, the patchwork coverlet which was carelessly flung over the iron bedstead, rustled; the pale face of a young woman was raised feebly from the pillow; and a faint voice imperfectly articulated the words, ‘Let me see the child, and die.’

The surgeon had been sitting with his face turned towards the fire: giving the palms of his hands a warm and a rub alternately. As the young woman spoke, he rose, and advancing to the bed’s head, said, with more kindness than might have been expected of him:

‘Oh, you must not talk about dying yet.’

‘Lor bless her dear heart, no!’ interposed the nurse, hastily depositing in her pocket a green glass bottle, the contents of which she had been tasting in a corner with evident satisfaction.

‘Lor bless her dear heart, when she has lived as long as I have, sir, and had thirteen children of her own, and all on ‘em dead except two, and them in the wurkus with me, she’ll know better than to take on in that way, bless her dear heart! Think what it is to be a mother, there’s a dear young lamb do.’

Apparently this consolatory perspective of a mother’s prospects failed in producing its due effect. The patient shook her head, and stretched out her hand towards the child.

The surgeon deposited it in her arms. She imprinted her cold white lips passionately on its forehead; passed her hands over her face; gazed wildly round; shuddered; fell back--and died. They chafed her breast, hands, and temples; but the blood had stopped forever. They talked of hope and comfort. They had been strangers too long.

‘It’s all over, Mrs. Thingummy!’ said the surgeon at last.

‘Ah, poor dear, so it is!’ said the nurse, picking up the cork of the green bottle, which had fallen out on the pillow, as she stooped to take up the child. ‘Poor dear!’

‘You needn’t mind sending up to me, if the child cries, nurse,’ said the surgeon, putting on his gloves with great deliberation. ‘It’s very likely it will be troublesome. Give it a little gruel if it is.’ He put on his hat, and, pausing by the bed-side on his way to the door, added, ‘She was a good-looking girl, too; where did she come from?’

‘She was brought here last night,’ replied the old woman, ‘by the overseer’s order. She was found lying in the street. She had walked some distance, for her shoes were worn to pieces; but where she came from, or where she was going to, nobody knows.’

The surgeon leaned over the body, and raised the left hand. ‘The old story,’ he said, shaking his head: ‘no wedding-ring, I see. Ah! Good-night!’

The medical gentleman walked away to dinner; and the nurse, having once more applied herself to the green bottle, sat down on a low chair before the fire, and proceeded to dress the infant.

What an excellent example of the power of dress, young Oliver Twist was! Wrapped in the blanket which had hitherto formed his only covering, he might have been the child of a nobleman or a beggar; it would have been hard for the haughtiest stranger to have assigned him his proper station in society. But now that he was enveloped in the old calico robes which had grown yellow in the same service, he was badged and ticketed, and fell into his place at once--a parish child--the orphan of a workhouse--the humble, half-starved drudge--to be cuffed and buffeted through the world--despised by all, and pitied by none.

Oliver cried lustily. If he could have known that he was an orphan, left to the tender mercies of church-wardens and overseers, perhaps he would have cried the louder.

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II. TREATS OF OLIVER TWIST’S GROWTH, EDUCATION, AND BOARD

For the next eight or ten months, Oliver was the victim of a systematic course of treachery and deception. He was brought up by hand. The hungry and destitute situation of the infant orphan was duly reported by the workhouse authorities to the parish authorities. The parish authorities inquired with dignity of the workhouse authorities, whether there was no female then domiciled in ‘the house’ who was in a situation to impart to Oliver Twist, the consolation and nourishment of which he stood in need. The workhouse authorities replied with humility, that there was not. Upon this, the parish authorities magnanimously and humanely resolved, that Oliver should be ‘farmed,’ or, in other words, that he should be dispatched to a branch-workhouse some three miles off, where twenty or thirty other juvenile offenders against the poor-laws, rolled about the floor all day, without the inconvenience of too much food or too much clothing, under the parental superintendence of an elderly female, who received the culprits at and for the consideration of sevenpence-halfpenny per small head per week. Sevenpence-halfpenny’s worth per week is a good round diet for a child; a great deal may be got for sevenpence-halfpenny, quite enough to overload its stomach, and make it uncomfortable. The elderly female was a woman of wisdom and experience; she knew what was good for children; and she had a very accurate perception of what was good for herself. So, she appropriated the greater part of the weekly stipend to her own use, and consigned the rising parochial generation to even a shorter allowance than was originally provided for them. Thereby finding in the lowest depth a deeper still; and proving herself a very great experimental philosopher.

Everybody knows the story of another experimental philosopher who had a great theory about a horse being able to live without eating, and who demonstrated it so well, that he had got his own horse down to a straw a day, and would unquestionably have rendered him a very spirited and rampacious animal on nothing at all, if he had not died, four-and-twenty hours before he was to have had his first comfortable bait of air. Unfortunately for, the experimental philosophy of the female to whose protecting care Oliver Twist was delivered over, a similar result usually attended the operation of her system; for at the very moment when the child had contrived to exist upon the smallest possible portion of the weakest possible food, it did perversely happen in eight and a half cases out of ten, either that it sickened from want and cold, or fell into the fire from neglect, or got half-smothered by accident; in any one of which cases, the miserable little being was usually summoned into another world, and there gathered to the fathers it had never known in this.

Occasionally, when there was some more than usually interesting inquest upon a parish child who had been overlooked in turning up a bedstead, or inadvertently scalded to death when there happened to be a washing--though the latter accident was very scarce, anything approaching to a washing being of rare occurrence in the farm--the jury would take it into their heads to ask troublesome questions, or the parishioners would rebelliously affix their signatures to a remonstrance. But these impertinences were speedily checked by the evidence of the surgeon, and the testimony of the beadle; the former of whom had always opened the body and found nothing inside (which was very probable indeed), and the latter of whom invariably swore whatever the parish wanted; which was very self-devotional. Besides, the board made periodical pilgrimages to the farm, and always sent the beadle the day before, to say they were going. The children were neat and clean to behold, when they went; and what more would the people have!

It cannot be expected that this system of farming would produce any very extraordinary or luxuriant crop. Oliver Twist’s ninth birthday found him a pale thin child, somewhat diminutive in stature, and decidedly small in circumference. But nature or inheritance had implanted a good sturdy spirit in Oliver’s breast. It had had plenty of room to expand, thanks to the spare diet of the establishment; and perhaps to this circumstance may be attributed his having any ninth birth-day at all. Be this as it may, however, it was his ninth birthday; and he was keeping it in the coal-cellar with a select party of two other young gentleman, who, after participating with him in a sound thrashing, had been locked up for atrociously presuming to be hungry, when Mrs. Mann, the good lady of the house, was unexpectedly startled by the apparition of Mr. Bumble, the beadle, striving to undo the wicket of the garden-gate.

‘Goodness gracious! Is that you, Mr. Bumble, sir?’ said Mrs. Mann, thrusting her head out of the window in well-affected ecstasies of joy. ‘(Susan, take Oliver and them two brats upstairs, and wash ‘em directly.)--My heart alive! Mr. Bumble, how glad I am to see you, sure-ly!’

Now, Mr. Bumble was a fat man, and a choleric; so, instead of responding to this open-hearted salutation in a kindred spirit, he gave the little wicket a tremendous shake, and then bestowed upon it a kick which could have emanated from no leg but a beadle’s.

‘Lor, only think,’ said Mrs. Mann, running out,--for the three boys had been removed by this time,--‘only think of that! That I should have forgotten that the gate was bolted on the inside, on account of them dear children! Walk in sir; walk in, pray, Mr. Bumble, do, sir.’

Although this invitation was accompanied with a curtsey that might have softened the heart of a church-warden, it by no means mollified the beadle.

‘Do you think this respectful or proper conduct, Mrs. Mann,’ inquired Mr. Bumble, grasping his cane, ‘to keep the parish officers a waiting at your garden-gate, when they come here upon porochial business with the porochial orphans? Are you aweer, Mrs. Mann, that you are, as I may say, a porochial delegate, and a stipendiary?’

‘I’m sure Mr. Bumble, that I was only a telling one or two of the dear children as is so fond of you, that it was you a coming,’ replied Mrs. Mann with great humility.

Mr. Bumble had a great idea of his oratorical powers and his importance. He had displayed the one, and vindicated the other. He relaxed.

‘Well, well, Mrs. Mann,’ he replied in a calmer tone; ‘it may be as you say; it may be. Lead the way in, Mrs. Mann, for I come on business, and have something to say.’

Mrs. Mann ushered the beadle into a small parlour with a brick floor; placed a seat for him; and officiously deposited his cocked hat and cane on the table before him. Mr. Bumble wiped from his forehead the perspiration which his walk had engendered, glanced complacently at the cocked hat, and smiled. Yes, he smiled. Beadles are but men: and Mr. Bumble smiled.

‘Now don’t you be offended at what I’m a going to say,’ observed Mrs. Mann, with captivating sweetness. ‘You’ve had a long walk, you know, or I wouldn’t mention it. Now, will you take a little drop of somethink, Mr. Bumble?’

‘Not a drop. Nor a drop,’ said Mr. Bumble, waving his right hand in a dignified, but placid manner.

‘I think you will,’ said Mrs. Mann, who had noticed the tone of the refusal, and the gesture that had accompanied it. ‘Just a leetle drop, with a little cold water, and a lump of sugar.’

Mr. Bumble coughed.

‘Now, just a leetle drop,’ said Mrs. Mann persuasively.

‘What is it?’ inquired the beadle.

‘Why, it’s what I’m obliged to keep a little of in the house, to put into the blessed infants’ Daffy, when they ain’t well, Mr. Bumble,’ replied Mrs. Mann as she opened a corner cupboard, and took down a bottle and glass. ‘It’s gin. I’ll not deceive you, Mr. B. It’s gin.’

‘Do you give the children Daffy, Mrs. Mann?’ inquired Bumble, following with his eyes the interesting process of mixing.

‘Ah, bless ‘em, that I do, dear as it is,’ replied the nurse. ‘I couldn’t see ‘em suffer before my very eyes, you know sir.’

‘No’; said Mr. Bumble approvingly; ‘no, you could not. You are a humane woman, Mrs. Mann.’ (Here she set down the glass.) ‘I shall take a early opportunity of mentioning it to the board, Mrs. Mann.’ (He drew it towards him.) ‘You feel as a mother, Mrs. Mann.’ (He stirred the gin-and-water.) ‘I--I drink your health with cheerfulness, Mrs. Mann’; and he swallowed half of it.

‘And now about business,’ said the beadle, taking out a leathern pocket-book. ‘The child that was half-baptized Oliver Twist, is nine year old to-day.’

‘Bless him!’ interposed Mrs. Mann, inflaming her left eye with the corner of her apron.

‘And notwithstanding a offered reward of ten pound, which was afterwards increased to twenty pound. Notwithstanding the most superlative, and, I may say, supernat’ral exertions on the part of this parish,’ said Bumble, ‘we have never been able to discover who is his father, or what was his mother’s settlement, name, or condition.’

Mrs. Mann raised her hands in astonishment; but added, after a moment’s reflection, ‘How comes he to have any name at all, then?’

The beadle drew himself up with great pride, and said, ‘I inwented it.’

‘You, Mr. Bumble!’

‘I, Mrs. Mann. We name our fondlings in alphabetical order. The last was a S,--Swubble, I named him. This was a T,--Twist, I named him. The next one comes will be Unwin, and the next Vilkins. I have got names ready made to the end of the alphabet, and all the way through it again, when we come to Z.’

‘Why, you’re quite a literary character, sir!’ said Mrs. Mann.

‘Well, well,’ said the beadle, evidently gratified with the compliment; ‘perhaps I may be. Perhaps I may be, Mrs. Mann.’ He finished the gin-and-water, and added, ‘Oliver being now too old to remain here, the board have determined to have him back into the house. I have come out myself to take him there. So let me see him at once.’

‘I’ll fetch him directly,’ said Mrs. Mann, leaving the room for that purpose. Oliver, having had by this time as much of the outer coat of dirt which encrusted his face and hands, removed, as could be scrubbed off in one washing, was led into the room by his benevolent protectress.

‘Make a bow to the gentleman, Oliver,’ said Mrs. Mann.

Oliver made a bow, which was divided between the beadle on the chair, and the cocked hat on the table.

‘Will you go along with me, Oliver?’ said Mr. Bumble, in a majestic voice.

Oliver was about to say that he would go along with anybody with great readiness, when, glancing upward, he caught sight of Mrs. Mann, who had got behind the beadle’s chair, and was shaking her fist at him with a furious countenance. He took the hint at once, for the fist had been too often impressed upon his body not to be deeply impressed upon his recollection.

‘Will she go with me?’ inquired poor Oliver.

‘No, she can’t,’ replied Mr. Bumble. ‘But she’ll come and see you sometimes.’

This was no very great consolation to the child. Young as he was, however, he had sense enough to make a feint of feeling great regret at going away. It was no very difficult matter for the boy to call tears into his eyes. Hunger and recent ill-usage are great assistants if you want to cry; and Oliver cried very naturally indeed. Mrs. Mann gave him a thousand embraces, and what Oliver wanted a great deal more, a piece of bread and butter, less he should seem too hungry when he got to the workhouse. With the slice of bread in his hand, and the little brown-cloth parish cap on his head, Oliver was then led away by Mr. Bumble from the wretched home where one kind word or look had never lighted the gloom of his infant years. And yet he burst into an agony of childish grief, as the cottage-gate closed after him. Wretched as were the little companions in misery he was leaving behind, they were the only friends he had ever known; and a sense of his loneliness in the great wide world, sank into the child’s heart for the first time.

Mr. Bumble walked on with long strides; little Oliver, firmly grasping his gold-laced cuff, trotted beside him, inquiring at the end of every quarter of a mile whether they were ‘nearly there.’ To these interrogations Mr. Bumble returned very brief and snappish replies; for the temporary blandness which gin-and-water awakens in some bosoms had by this time evaporated; and he was once again a beadle.

Oliver had not been within the walls of the workhouse a quarter of an hour, and had scarcely completed the demolition of a second slice of bread, when Mr. Bumble, who had handed him over to the care of an old woman, returned; and, telling him it was a board night, informed him that the board had said he was to appear before it forthwith.

Not having a very clearly defined notion of what a live board was, Oliver was rather astounded by this intelligence, and was not quite certain whether he ought to laugh or cry. He had no time to think about the matter, however; for Mr. Bumble gave him a tap on the head, with his cane, to wake him up: and another on the back to make him lively: and bidding him to follow, conducted him into a large white-washed room, where eight or ten fat gentlemen were sitting round a table. At the top of the table, seated in an arm-chair rather higher than the rest, was a particularly fat gentleman with a very round, red face.

‘Bow to the board,’ said Bumble. Oliver brushed away two or three tears that were lingering in his eyes; and seeing no board but the table, fortunately bowed to that.

‘What’s your name, boy?’ said the gentleman in the high chair.

Oliver was frightened at the sight of so many gentlemen, which made him tremble: and the beadle gave him another tap behind, which made him cry. These two causes made him answer in a very low and hesitating voice; whereupon a gentleman in a white waistcoat said he was a fool. Which was a capital way of raising his spirits, and putting him quite at his ease.

‘Boy,’ said the gentleman in the high chair, ‘listen to me. You know you’re an orphan, I suppose?’

‘What’s that, sir?’ inquired poor Oliver.

‘The boy is a fool--I thought he was,’ said the gentleman in the white waistcoat.

‘Hush!’ said the gentleman who had spoken first. ‘You know you’ve got no father or mother, and that you were brought up by the parish, don’t you?’

‘Yes, sir,’ replied Oliver, weeping bitterly.

‘What are you crying for?’ inquired the gentleman in the white waistcoat. And to be sure it was very extraordinary. What could the boy be crying for?

‘I hope you say your prayers every night,’ said another gentleman in a gruff voice; ‘and pray for the people who feed you, and take care of you--like a Christian.’

‘Yes, sir,’ stammered the boy. The gentleman who spoke last was unconsciously right. It would have been very like a Christian, and a marvellously good Christian too, if Oliver had prayed for the people who fed and took care of him. But he hadn’t, because nobody had taught him.

‘Well! You have come here to be educated, and taught a useful trade,’ said the red-faced gentleman in the high chair.

‘So you’ll begin to pick oakum to-morrow morning at six o’clock,’ added the surly one in the white waistcoat.

For the combination of both these blessings in the one simple process of picking oakum, Oliver bowed low by the direction of the beadle, and was then hurried away to a large ward; where, on a rough, hard bed, he sobbed himself to sleep. What a novel illustration of the tender laws of England! They let the paupers go to sleep!

Poor Oliver! He little thought, as he lay sleeping in happy unconsciousness of all around him, that the board had that very day arrived at a decision which would exercise the most material influence over all his future fortunes. But they had. And this was it:

The members of this board were very sage, deep, philosophical men; and when they came to turn their attention to the workhouse, they found out at once, what ordinary folks would never have discovered--the poor people liked it! It was a regular place of public entertainment for the poorer classes; a tavern where there was nothing to pay; a public breakfast, dinner, tea, and supper all the year round; a brick and mortar elysium, where it was all play and no work. ‘Oho!’ said the board, looking very knowing; ‘we are the fellows to set this to rights; we’ll stop it all, in no time.’ So, they established the rule, that all poor people should have the alternative (for they would compel nobody, not they), of being starved by a gradual process in the house, or by a quick one out of it. With this view, they contracted with the water-works to lay on an unlimited supply of water; and with a corn-factor to supply periodically small quantities of oatmeal; and issued three meals of thin gruel a day, with an onion twice a week, and half a roll of Sundays. They made a great many other wise and humane regulations, having reference to the ladies, which it is not necessary to repeat; kindly undertook to divorce poor married people, in consequence of the great expense of a suit in Doctors’ Commons; and, instead of compelling a man to support his family, as they had theretofore done, took his family away from him, and made him a bachelor! There is no saying how many applicants for relief, under these last two heads, might have started up in all classes of society, if it had not been coupled with the workhouse; but the board were long-headed men, and had provided for this difficulty. The relief was inseparable from the workhouse and the gruel; and that frightened people.

For the first six months after Oliver Twist was removed, the system was in full operation. It was rather expensive at first, in consequence of the increase in the undertaker’s bill, and the necessity of taking in the clothes of all the paupers, which fluttered loosely on their wasted, shrunken forms, after a week or two’s gruel. But the number of workhouse inmates got thin as well as the paupers; and the board were in ecstasies.

The room in which the boys were fed, was a large stone hall, with a copper at one end: out of which the master, dressed in an apron for the purpose, and assisted by one or two women, ladled the gruel at mealtimes. Of this festive composition each boy had one porringer, and no more--except on occasions of great public rejoicing, when he had two ounces and a quarter of bread besides.

The bowls never wanted washing. The boys polished them with their spoons till they shone again; and when they had performed this operation (which never took very long, the spoons being nearly as large as the bowls), they would sit staring at the copper, with such eager eyes, as if they could have devoured the very bricks of which it was composed; employing themselves, meanwhile, in sucking their fingers most assiduously, with the view of catching up any stray splashes of gruel that might have been cast thereon. Boys have generally excellent appetites. Oliver Twist and his companions suffered the tortures of slow starvation for three months: at last they got so voracious and wild with hunger, that one boy, who was tall for his age, and hadn’t been used to that sort of thing (for his father had kept a small cook-shop), hinted darkly to his companions, that unless he had another basin of gruel per diem, he was afraid he might some night happen to eat the boy who slept next him, who happened to be a weakly youth of tender age. He had a wild, hungry eye; and they implicitly believed him. A council was held; lots were cast who should walk up to the master after supper that evening, and ask for more; and it fell to Oliver Twist.

The evening arrived; the boys took their places. The master, in his cook’s uniform, stationed himself at the copper; his pauper assistants ranged themselves behind him; the gruel was served out; and a long grace was said over the short commons. The gruel disappeared; the boys whispered each other, and winked at Oliver; while his next neighbors nudged him. Child as he was, he was desperate with hunger, and reckless with misery. He rose from the table; and advancing to the master, basin and spoon in hand, said: somewhat alarmed at his own temerity:

‘Please, sir, I want some more.’

The master was a fat, healthy man; but he turned very pale. He gazed in stupefied astonishment on the small rebel for some seconds, and then clung for support to the copper. The assistants were paralysed with wonder; the boys with fear.

‘What!’ said the master at length, in a faint voice.

‘Please, sir,’ replied Oliver, ‘I want some more.’

The master aimed a blow at Oliver’s head with the ladle; pinioned him in his arm; and shrieked aloud for the beadle.

The board were sitting in solemn conclave, when Mr. Bumble rushed into the room in great excitement, and addressing the gentleman in the high chair, said,

‘Mr. Limbkins, I beg your pardon, sir! Oliver Twist has asked for more!’

There was a general start. Horror was depicted on every countenance.

‘For more!’ said Mr. Limbkins. ‘Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?’

‘He did, sir,’ replied Bumble.

‘That boy will be hung,’ said the gentleman in the white waistcoat. ‘I know that boy will be hung.’

Nobody controverted the prophetic gentleman’s opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the gate, offering a reward of five pounds to anybody who would take Oliver Twist off the hands of the parish. In other words, five pounds and Oliver Twist were offered to any man or woman who wanted an apprentice to any trade, business, or calling.

‘I never was more convinced of anything in my life,’ said the gentleman in the white waistcoat, as he knocked at the gate and read the bill next morning: ‘I never was more convinced of anything in my life, than I am that that boy will come to be hung.’

As I purpose to show in the sequel whether the white waistcoated gentleman was right or not, I should perhaps mar the interest of this narrative (supposing it to possess any at all), if I ventured to hint just yet, whether the life of Oliver Twist had this violent termination or no.

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III. RELATES HOW OLIVER TWIST WAS VERY NEAR GETTING A PLACE WHICH WOULD NOT HAVE BEEN A SINECURE

For a week after the commission of the impious and profane offence of asking for more, Oliver remained a close prisoner in the dark and solitary room to which he had been consigned by the wisdom and mercy of the board. It appears, at first sight not unreasonable to suppose, that, if he had entertained a becoming feeling of respect for the prediction of the gentleman in the white waistcoat, he would have established that sage individual’s prophetic character, once and for ever, by tying one end of his pocket-handkerchief to a hook in the wall, and attaching himself to the other. To the performance of this feat, however, there was one obstacle: namely, that pocket-handkerchiefs being decided articles of luxury, had been, for all future times and ages, removed from the noses of paupers by the express order of the board, in council assembled: solemnly given and pronounced under their hands and seals. There was a still greater obstacle in Oliver’s youth and childishness. He only cried bitterly all day; and, when the long, dismal night came on, spread his little hands before his eyes to shut out the darkness, and crouching in the corner, tried to sleep: ever and anon waking with a start and tremble, and drawing himself closer and closer to the wall, as if to feel even its cold hard surface were a protection in the gloom and loneliness which surrounded him.

Let it not be supposed by the enemies of ‘the system,’ that, during the period of his solitary incarceration, Oliver was denied the benefit of exercise, the pleasure of society, or the advantages of religious consolation. As for exercise, it was nice cold weather, and he was allowed to perform his ablutions every morning under the pump, in a stone yard, in the presence of Mr. Bumble, who prevented his catching cold, and caused a tingling sensation to pervade his frame, by repeated applications of the cane. As for society, he was carried every other day into the hall where the boys dined, and there sociably flogged as a public warning and example. And so far from being denied the advantages of religious consolation, he was kicked into the same apartment every evening at prayer-time, and there permitted to listen to, and console his mind with, a general supplication of the boys, containing a special clause, therein inserted by authority of the board, in which they entreated to be made good, virtuous, contented, and obedient, and to be guarded from the sins and vices of Oliver Twist: whom the supplication distinctly set forth to be under the exclusive patronage and protection of the powers of wickedness, and an article direct from the manufactory of the very Devil himself.

It chanced one morning, while Oliver’s affairs were in this auspicious and comfortable state, that Mr. Gamfield, chimney-sweep, went his way down the High Street, deeply cogitating in his mind his ways and means of paying certain arrears of rent, for which his landlord had become rather pressing. Mr. Gamfield’s most sanguine estimate of his finances could not raise them within full five pounds of the desired amount; and, in a species of arithmetical desperation, he was alternately cudgelling his brains and his donkey, when passing the workhouse, his eyes encountered the bill on the gate.

‘Wo--o!’ said Mr. Gamfield to the donkey.

The donkey was in a state of profound abstraction: wondering, probably, whether he was destined to be regaled with a cabbage-stalk or two when he had disposed of the two sacks of soot with which the little cart was laden; so, without noticing the word of command, he jogged onward.

Mr. Gamfield growled a fierce imprecation on the donkey generally, but more particularly on his eyes; and, running after him, bestowed a blow on his head, which would inevitably have beaten in any skull but a donkey’s. Then, catching hold of the bridle, he gave his jaw a sharp wrench, by way of gentle reminder that he was not his own master; and by these means turned him round. He then gave him another blow on the head, just to stun him till he came back again. Having completed these arrangements, he walked up to the gate, to read the bill.

The gentleman with the white waistcoat was standing at the gate with his hands behind him, after having delivered himself of some profound sentiments in the board-room. Having witnessed the little dispute between Mr. Gamfield and the donkey, he smiled joyously when that person came up to read the bill, for he saw at once that Mr. Gamfield was exactly the sort of master Oliver Twist wanted. Mr. Gamfield smiled, too, as he perused the document; for five pounds was just the sum he had been wishing for; and, as to the boy with which it was encumbered, Mr. Gamfield, knowing what the dietary of the workhouse was, well knew he would be a nice small pattern, just the very thing for register stoves. So, he spelt the bill through again, from beginning to end; and then, touching his fur cap in token of humility, accosted the gentleman in the white waistcoat.

‘This here boy, sir, wot the parish wants to ‘prentis,’ said Mr. Gamfield.

‘Ay, my man,’ said the gentleman in the white waistcoat, with a condescending smile. ‘What of him?’

‘If the parish vould like him to learn a right pleasant trade, in a good ‘spectable chimbley-sweepin’ bisness,’ said Mr. Gamfield, ‘I wants a ‘prentis, and I am ready to take him.’

‘Walk in,’ said the gentleman in the white waistcoat. Mr. Gamfield having lingered behind, to give the donkey another blow on the head, and another wrench of the jaw, as a caution not to run away in his absence, followed the gentleman with the white waistcoat into the room where Oliver had first seen him.

‘It’s a nasty trade,’ said Mr. Limbkins, when Gamfield had again stated his wish.

‘Young boys have been smothered in chimneys before now,’ said another gentleman.

‘That’s acause they damped the straw afore they lit it in the chimbley to make ‘em come down again,’ said Gamfield; ‘that’s all smoke, and no blaze; vereas smoke ain’t o’ no use at all in making a boy come down, for it only sinds him to sleep, and that’s wot he likes. Boys is wery obstinit, and wery lazy, Gen’l’men, and there’s nothink like a good hot blaze to make ‘em come down vith a run. It’s humane too, gen’l’men, acause, even if they’ve stuck in the chimbley, roasting their feet makes ‘em struggle to hextricate theirselves.’

The gentleman in the white waistcoat appeared very much amused by this explanation; but his mirth was speedily checked by a look from Mr. Limbkins. The board then proceeded to converse among themselves for a few minutes, but in so low a tone, that the words ‘saving of expenditure,’ ‘looked well in the accounts,’ ‘have a printed report published,’ were alone audible. These only chanced to be heard, indeed, or account of their being very frequently repeated with great emphasis.

At length the whispering ceased; and the members of the board, having resumed their seats and their solemnity, Mr. Limbkins said:

‘We have considered your proposition, and we don’t approve of it.’

‘Not at all,’ said the gentleman in the white waistcoat.

‘Decidedly not,’ added the other members.

As Mr. Gamfield did happen to labour under the slight imputation of having bruised three or four boys to death already, it occurred to him that the board had, perhaps, in some unaccountable freak, taken it into their heads that this extraneous circumstance ought to influence their proceedings. It was very unlike their general mode of doing business, if they had; but still, as he had no particular wish to revive the rumour, he twisted his cap in his hands, and walked slowly from the table.

‘So you won’t let me have him, gen’l’men?’ said Mr. Gamfield, pausing near the door.

‘No,’ replied Mr. Limbkins; ‘at least, as it’s a nasty business, we think you ought to take something less than the premium we offered.’

Mr. Gamfield’s countenance brightened, as, with a quick step, he returned to the table, and said,

‘What’ll you give, gen’l’men? Come! Don’t be too hard on a poor man. What’ll you give?’

‘I should say, three pound ten was plenty,’ said Mr. Limbkins.

‘Ten shillings too much,’ said the gentleman in the white waistcoat.

‘Come!’ said Gamfield; ‘say four pound, gen’l’men. Say four pound, and you’ve got rid of him for good and all. There!’

‘Three pound ten,’ repeated Mr. Limbkins, firmly.

‘Come! I’ll split the diff’erence, gen’l’men,’ urged Gamfield. ‘Three pound fifteen.’

‘Not a farthing more,’ was the firm reply of Mr. Limbkins.

‘You’re desperate hard upon me, gen’l’men,’ said Gamfield, wavering.

‘Pooh! pooh! nonsense!’ said the gentleman in the white waistcoat. ‘He’d be cheap with nothing at all, as a premium. Take him, you silly fellow! He’s just the boy for you. He wants the stick, now and then: it’ll do him good; and his board needn’t come very expensive, for he hasn’t been overfed since he was born. Ha! ha! ha!’

Mr. Gamfield gave an arch look at the faces round the table, and, observing a smile on all of them, gradually broke into a smile himself. The bargain was made. Mr. Bumble, was at once instructed that Oliver Twist and his indentures were to be conveyed before the magistrate, for signature and approval, that very afternoon.

In pursuance of this determination, little Oliver, to his excessive astonishment, was released from bondage, and ordered to put himself into a clean shirt. He had hardly achieved this very unusual gymnastic performance, when Mr. Bumble brought him, with his own hands, a basin of gruel, and the holiday allowance of two ounces and a quarter of bread. At this tremendous sight, Oliver began to cry very piteously: thinking, not unnaturally, that the board must have determined to kill him for some useful purpose, or they never would have begun to fatten him up in that way.

‘Don’t make your eyes red, Oliver, but eat your food and be thankful,’ said Mr. Bumble, in a tone of impressive pomposity. ‘You’re a going to be made a ‘prentice of, Oliver.’

‘A prentice, sir!’ said the child, trembling.

‘Yes, Oliver,’ said Mr. Bumble. ‘The kind and blessed gentleman which is so many parents to you, Oliver, when you have none of your own: are a going to ‘prentice’ you: and to set you up in life, and make a man of you: although the expense to the parish is three pound ten!--three pound ten, Oliver!--seventy shillins--one hundred and forty sixpences!--and all for a naughty orphan which nobody can’t love.’

As Mr. Bumble paused to take breath, after delivering this address in an awful voice, the tears rolled down the poor child’s face, and he sobbed bitterly.

‘Come,’ said Mr. Bumble, somewhat less pompously, for it was gratifying to his feelings to observe the effect his eloquence had produced; ‘Come, Oliver! Wipe your eyes with the cuffs of your jacket, and don’t cry into your gruel; that’s a very foolish action, Oliver.’ It certainly was, for there was quite enough water in it already.

On their way to the magistrate, Mr. Bumble instructed Oliver that all he would have to do, would be to look very happy, and say, when the gentleman asked him if he wanted to be apprenticed, that he should like it very much indeed; both of which injunctions Oliver promised to obey: the rather as Mr. Bumble threw in a gentle hint, that if he failed in either particular, there was no telling what would be done to him. When they arrived at the office, he was shut up in a little room by himself, and admonished by Mr. Bumble to stay there, until he came back to fetch him.

There the boy remained, with a palpitating heart, for half an hour. At the expiration of which time Mr. Bumble thrust in his head, unadorned with the cocked hat, and said aloud:

‘Now, Oliver, my dear, come to the gentleman.’ As Mr. Bumble said this, he put on a grim and threatening look, and added, in a low voice, ‘Mind what I told you, you young rascal!’

Oliver stared innocently in Mr. Bumble’s face at this somewhat contradictory style of address; but that gentleman prevented his offering any remark thereupon, by leading him at once into an adjoining room: the door of which was open. It was a large room, with a great window. Behind a desk, sat two old gentleman with powdered heads: one of whom was reading the newspaper; while the other was perusing, with the aid of a pair of tortoise-shell spectacles, a small piece of parchment which lay before him. Mr. Limbkins was standing in front of the desk on one side; and Mr. Gamfield, with a partially washed face, on the other; while two or three bluff-looking men, in top-boots, were lounging about.

The old gentleman with the spectacles gradually dozed off, over the little bit of parchment; and there was a short pause, after Oliver had been stationed by Mr. Bumble in front of the desk.

‘This is the boy, your worship,’ said Mr. Bumble.

The old gentleman who was reading the newspaper raised his head for a moment, and pulled the other old gentleman by the sleeve; whereupon, the last-mentioned old gentleman woke up.

‘Oh, is this the boy?’ said the old gentleman.

‘This is him, sir,’ replied Mr. Bumble. ‘Bow to the magistrate, my dear.’

Oliver roused himself, and made his best obeisance. He had been wondering, with his eyes fixed on the magistrates’ powder, whether all boards were born with that white stuff on their heads, and were boards from thenceforth on that account.

‘Well,’ said the old gentleman, ‘I suppose he’s fond of chimney-sweeping?’

‘He doats on it, your worship,’ replied Bumble; giving Oliver a sly pinch, to intimate that he had better not say he didn’t.

‘And he will be a sweep, will he?’ inquired the old gentleman.

‘If we was to bind him to any other trade to-morrow, he’d run away simultaneous, your worship,’ replied Bumble.

‘And this man that’s to be his master--you, sir--you’ll treat him well, and feed him, and do all that sort of thing, will you?’ said the old gentleman.

‘When I says I will, I means I will,’ replied Mr. Gamfield doggedly.

‘You’re a rough speaker, my friend, but you look an honest, open-hearted man,’ said the old gentleman: turning his spectacles in the direction of the candidate for Oliver’s premium, whose villainous countenance was a regular stamped receipt for cruelty. But the magistrate was half blind and half childish, so he couldn’t reasonably be expected to discern what other people did.

‘I hope I am, sir,’ said Mr. Gamfield, with an ugly leer.

‘I have no doubt you are, my friend,’ replied the old gentleman: fixing his spectacles more firmly on his nose, and looking about him for the inkstand.

It was the critical moment of Oliver’s fate. If the inkstand had been where the old gentleman thought it was, he would have dipped his pen into it, and signed the indentures, and Oliver would have been straightway hurried off. But, as it chanced to be immediately under his nose, it followed, as a matter of course, that he looked all over his desk for it, without finding it; and happening in the course of his search to look straight before him, his gaze encountered the pale and terrified face of Oliver Twist: who, despite all the admonitory looks and pinches of Bumble, was regarding the repulsive countenance of his future master, with a mingled expression of horror and fear, too palpable to be mistaken, even by a half-blind magistrate.

The old gentleman stopped, laid down his pen, and looked from Oliver to Mr. Limbkins; who attempted to take snuff with a cheerful and unconcerned aspect.

‘My boy!’ said the old gentleman, ‘you look pale and alarmed. What is the matter?’

‘Stand a little away from him, Beadle,’ said the other magistrate: laying aside the paper, and leaning forward with an expression of interest. ‘Now, boy, tell us what’s the matter: don’t be afraid.’

Oliver fell on his knees, and clasping his hands together, prayed that they would order him back to the dark room--that they would starve him--beat him--kill him if they pleased--rather than send him away with that dreadful man.

‘Well!’ said Mr. Bumble, raising his hands and eyes with most impressive solemnity. ‘Well! of all the artful and designing orphans that ever I see, Oliver, you are one of the most bare-facedest.’

‘Hold your tongue, Beadle,’ said the second old gentleman, when Mr. Bumble had given vent to this compound adjective.

‘I beg your worship’s pardon,’ said Mr. Bumble, incredulous of having heard aright. ‘Did your worship speak to me?’

‘Yes. Hold your tongue.’

Mr. Bumble was stupefied with astonishment. A beadle ordered to hold his tongue! A moral revolution!

The old gentleman in the tortoise-shell spectacles looked at his companion, he nodded significantly.

‘We refuse to sanction these indentures,’ said the old gentleman: tossing aside the piece of parchment as he spoke.

‘I hope,’ stammered Mr. Limbkins: ‘I hope the magistrates will not form the opinion that the authorities have been guilty of any improper conduct, on the unsupported testimony of a child.’

‘The magistrates are not called upon to pronounce any opinion on the matter,’ said the second old gentleman sharply. ‘Take the boy back to the workhouse, and treat him kindly. He seems to want it.’

That same evening, the gentleman in the white waistcoat most positively and decidedly affirmed, not only that Oliver would be hung, but that he would be drawn and quartered into the bargain. Mr. Bumble shook his head with gloomy mystery, and said he wished he might come to good; whereunto Mr. Gamfield replied, that he wished he might come to him; which, although he agreed with the beadle in most matters, would seem to be a wish of a totally opposite description.

The next morning, the public were once informed that Oliver Twist was again To Let, and that five pounds would be paid to anybody who would take possession of him.

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IV. OLIVER, BEING OFFERED ANOTHER PLACE, MAKES HIS FIRST ENTRY INTO PUBLIC LIFE

In great families, when an advantageous place cannot be obtained, either in possession, reversion, remainder, or expectancy, for the young man who is growing up, it is a very general custom to send him to sea. The board, in imitation of so wise and salutary an example, took counsel together on the expediency of shipping off Oliver Twist, in some small trading vessel bound to a good unhealthy port. This suggested itself as the very best thing that could possibly be done with him: the probability being, that the skipper would flog him to death, in a playful mood, some day after dinner, or would knock his brains out with an iron bar; both pastimes being, as is pretty generally known, very favourite and common recreations among gentleman of that class. The more the case presented itself to the board, in this point of view, the more manifold the advantages of the step appeared; so, they came to the conclusion that the only way of providing for Oliver effectually, was to send him to sea without delay.

Mr. Bumble had been despatched to make various preliminary inquiries, with the view of finding out some captain or other who wanted a cabin-boy without any friends; and was returning to the workhouse to communicate the result of his mission; when he encountered at the gate, no less a person than Mr. Sowerberry, the parochial undertaker.

Mr. Sowerberry was a tall gaunt, large-jointed man, attired in a suit of threadbare black, with darned cotton stockings of the same colour, and shoes to answer. His features were not naturally intended to wear a smiling aspect, but he was in general rather given to professional jocosity. His step was elastic, and his face betokened inward pleasantry, as he advanced to Mr. Bumble, and shook him cordially by the hand.

‘I have taken the measure of the two women that died last night, Mr. Bumble,’ said the undertaker.

‘You’ll make your fortune, Mr. Sowerberry,’ said the beadle, as he thrust his thumb and forefinger into the proffered snuff-box of the undertaker: which was an ingenious little model of a patent coffin. ‘I say you’ll make your fortune, Mr. Sowerberry,’ repeated Mr. Bumble, tapping the undertaker on the shoulder, in a friendly manner, with his cane.

‘Think so?’ said the undertaker in a tone which half admitted and half disputed the probability of the event. ‘The prices allowed by the board are very small, Mr. Bumble.’

‘So are the coffins,’ replied the beadle: with precisely as near an approach to a laugh as a great official ought to indulge in.

Mr. Sowerberry was much tickled at this: as of course he ought to be; and laughed a long time without cessation. ‘Well, well, Mr. Bumble,’ he said at length, ‘there’s no denying that, since the new system of feeding has come in, the coffins are something narrower and more shallow than they used to be; but we must have some profit, Mr. Bumble. Well-seasoned timber is an expensive article, sir; and all the iron handles come, by canal, from Birmingham.’

‘Well, well,’ said Mr. Bumble, ‘every trade has its drawbacks. A fair profit is, of course, allowable.’

‘Of course, of course,’ replied the undertaker; ‘and if I don’t get a profit upon this or that particular article, why, I make it up in the long-run, you see--he! he! he!’

‘Just so,’ said Mr. Bumble.

‘Though I must say,’ continued the undertaker, resuming the current of observations which the beadle had interrupted: ‘though I must say, Mr. Bumble, that I have to contend against one very great disadvantage: which is, that all the stout people go off the quickest. The people who have been better off, and have paid rates for many years, are the first to sink when they come into the house; and let me tell you, Mr. Bumble, that three or four inches over one’s calculation makes a great hole in one’s profits: especially when one has a family to provide for, sir.’

As Mr. Sowerberry said this, with the becoming indignation of an ill-used man; and as Mr. Bumble felt that it rather tended to convey a reflection on the honour of the parish; the latter gentleman thought it advisable to change the subject. Oliver Twist being uppermost in his mind, he made him his theme.

‘By the bye,’ said Mr. Bumble, ‘you don’t know anybody who wants a boy, do you? A porochial ‘prentis, who is at present a dead-weight; a millstone, as I may say, round the porochial throat? Liberal terms, Mr. Sowerberry, liberal terms?’ As Mr. Bumble spoke, he raised his cane to the bill above him, and gave three distinct raps upon the words ‘five pounds’: which were printed thereon in Roman capitals of gigantic size.

‘Gadso!’ said the undertaker: taking Mr. Bumble by the gilt-edged lappel of his official coat; ‘that’s just the very thing I wanted to speak to you about. You know--dear me, what a very elegant button this is, Mr. Bumble! I never noticed it before.’

‘Yes, I think it rather pretty,’ said the beadle, glancing proudly downwards at the large brass buttons which embellished his coat. ‘The die is the same as the porochial seal--the Good Samaritan healing the sick and bruised man. The board presented it to me on Newyear’s morning, Mr. Sowerberry. I put it on, I remember, for the first time, to attend the inquest on that reduced tradesman, who died in a doorway at midnight.’

‘I recollect,’ said the undertaker. ‘The jury brought it in, “Died from exposure to the cold, and want of the common necessaries of life,” didn’t they?’

Mr. Bumble nodded.

‘And they made it a special verdict, I think,’ said the undertaker, ‘by adding some words to the effect, that if the relieving officer had--’

‘Tush! Foolery!’ interposed the beadle. ‘If the board attended to all the nonsense that ignorant jurymen talk, they’d have enough to do.’

‘Very true,’ said the undertaker; ‘they would indeed.’

‘Juries,’ said Mr. Bumble, grasping his cane tightly, as was his wont when working into a passion: ‘juries is ineddicated, vulgar, grovelling wretches.’

‘So they are,’ said the undertaker.

‘They haven’t no more philosophy nor political economy about ‘em than that,’ said the beadle, snapping his fingers contemptuously.

‘No more they have,’ acquiesced the undertaker.

‘I despise ‘em,’ said the beadle, growing very red in the face.

‘So do I,’ rejoined the undertaker.

‘And I only wish we’d a jury of the independent sort, in the house for a week or two,’ said the beadle; ‘the rules and regulations of the board would soon bring their spirit down for ‘em.’

‘Let ‘em alone for that,’ replied the undertaker. So saying, he smiled, approvingly: to calm the rising wrath of the indignant parish officer.

Mr Bumble lifted off his cocked hat; took a handkerchief from the inside of the crown; wiped from his forehead the perspiration which his rage had engendered; fixed the cocked hat on again; and, turning to the undertaker, said in a calmer voice:

‘Well; what about the boy?’

‘Oh!’ replied the undertaker; ‘why, you know, Mr. Bumble, I pay a good deal towards the poor’s rates.’

‘Hem!’ said Mr. Bumble. ‘Well?’

‘Well,’ replied the undertaker, ‘I was thinking that if I pay so much towards ‘em, I’ve a right to get as much out of ‘em as I can, Mr. Bumble; and so--I think I’ll take the boy myself.’

Mr. Bumble grasped the undertaker by the arm, and led him into the building. Mr. Sowerberry was closeted with the board for five minutes; and it was arranged that Oliver should go to him that evening ‘upon liking’--a phrase which means, in the case of a parish apprentice, that if the master find, upon a short trial, that he can get enough work out of a boy without putting too much food into him, he shall have him for a term of years, to do what he likes with.

When little Oliver was taken before ‘the gentlemen’ that evening; and informed that he was to go, that night, as general house-lad to a coffin-maker’s; and that if he complained of his situation, or ever came back to the parish again, he would be sent to sea, there to be drowned, or knocked on the head, as the case might be, he evinced so little emotion, that they by common consent pronounced him a hardened young rascal, and ordered Mr. Bumble to remove him forthwith.

Now, although it was very natural that the board, of all people in the world, should feel in a great state of virtuous astonishment and horror at the smallest tokens of want of feeling on the part of anybody, they were rather out, in this particular instance. The simple fact was, that Oliver, instead of possessing too little feeling, possessed rather too much; and was in a fair way of being reduced, for life, to a state of brutal stupidity and sullenness by the ill usage he had received. He heard the news of his destination, in perfect silence; and, having had his luggage put into his hand--which was not very difficult to carry, inasmuch as it was all comprised within the limits of a brown paper parcel, about half a foot square by three inches deep--he pulled his cap over his eyes; and once more attaching himself to Mr. Bumble’s coat cuff, was led away by that dignitary to a new scene of suffering.

For some time, Mr. Bumble drew Oliver along, without notice or remark; for the beadle carried his head very erect, as a beadle always should: and, it being a windy day, little Oliver was completely enshrouded by the skirts of Mr. Bumble’s coat as they blew open, and disclosed to great advantage his flapped waistcoat and drab plush knee-breeches. As they drew near to their destination, however, Mr. Bumble thought it expedient to look down, and see that the boy was in good order for inspection by his new master: which he accordingly did, with a fit and becoming air of gracious patronage.

‘Oliver!’ said Mr. Bumble.

‘Yes, sir,’ replied Oliver, in a low, tremulous voice.

‘Pull that cap off your eyes, and hold up your head, sir.’

Although Oliver did as he was desired, at once; and passed the back of his unoccupied hand briskly across his eyes, he left a tear in them when he looked up at his conductor. As Mr. Bumble gazed sternly upon him, it rolled down his cheek. It was followed by another, and another. The child made a strong effort, but it was an unsuccessful one. Withdrawing his other hand from Mr. Bumble’s he covered his face with both; and wept until the tears sprung out from between his chin and bony fingers.

‘Well!’ exclaimed Mr. Bumble, stopping short, and darting at his little charge a look of intense malignity. ‘Well! Of all the ungratefullest, and worst-disposed boys as ever I see, Oliver, you are the--’

‘No, no, sir,’ sobbed Oliver, clinging to the hand which held the well-known cane; ‘no, no, sir; I will be good indeed; indeed, indeed I will, sir! I am a very little boy, sir; and it is so--so--’

‘So what?’ inquired Mr. Bumble in amazement.

‘So lonely, sir! So very lonely!’ cried the child. ‘Everybody hates me. Oh! sir, don’t, don’t pray be cross to me!’ The child beat his hand upon his heart; and looked in his companion’s face, with tears of real agony.

Mr. Bumble regarded Oliver’s piteous and helpless look, with some astonishment, for a few seconds; hemmed three or four times in a husky manner; and after muttering something about ‘that troublesome cough,’ bade Oliver dry his eyes and be a good boy. Then once more taking his hand, he walked on with him in silence.

The undertaker, who had just put up the shutters of his shop, was making some entries in his day-book by the light of a most appropriate dismal candle, when Mr. Bumble entered.

‘Aha!’ said the undertaker; looking up from the book, and pausing in the middle of a word; ‘is that you, Bumble?’

‘No one else, Mr. Sowerberry,’ replied the beadle. ‘Here! I’ve brought the boy.’ Oliver made a bow.

‘Oh! that’s the boy, is it?’ said the undertaker: raising the candle above his head, to get a better view of Oliver. ‘Mrs. Sowerberry, will you have the goodness to come here a moment, my dear?’

Mrs. Sowerberry emerged from a little room behind the shop, and presented the form of a short, then, squeezed-up woman, with a vixenish countenance.

‘My dear,’ said Mr. Sowerberry, deferentially, ‘this is the boy from the workhouse that I told you of.’ Oliver bowed again.

‘Dear me!’ said the undertaker’s wife, ‘he’s very small.’

‘Why, he is rather small,’ replied Mr. Bumble: looking at Oliver as if it were his fault that he was no bigger; ‘he is small. There’s no denying it. But he’ll grow, Mrs. Sowerberry--he’ll grow.’

‘Ah! I dare say he will,’ replied the lady pettishly, ‘on our victuals and our drink. I see no saving in parish children, not I; for they always cost more to keep, than they’re worth. However, men always think they know best. There! Get downstairs, little bag o’ bones.’ With this, the undertaker’s wife opened a side door, and pushed Oliver down a steep flight of stairs into a stone cell, damp and dark: forming the ante-room to the coal-cellar, and denominated ‘kitchen’; wherein sat a slatternly girl, in shoes down at heel, and blue worsted stockings very much out of repair.

‘Here, Charlotte,’ said Mr. Sowerberry, who had followed Oliver down, ‘give this boy some of the cold bits that were put by for Trip. He hasn’t come home since the morning, so he may go without ‘em. I dare say the boy isn’t too dainty to eat ‘em--are you, boy?’

Oliver, whose eyes had glistened at the mention of meat, and who was trembling with eagerness to devour it, replied in the negative; and a plateful of coarse broken victuals was set before him.

I wish some well-fed philosopher, whose meat and drink turn to gall within him; whose blood is ice, whose heart is iron; could have seen Oliver Twist clutching at the dainty viands that the dog had neglected. I wish he could have witnessed the horrible avidity with which Oliver tore the bits asunder with all the ferocity of famine. There is only one thing I should like better; and that would be to see the Philosopher making the same sort of meal himself, with the same relish.

‘Well,’ said the undertaker’s wife, when Oliver had finished his supper: which she had regarded in silent horror, and with fearful auguries of his future appetite: ‘have you done?’

There being nothing eatable within his reach, Oliver replied in the affirmative.

‘Then come with me,’ said Mrs. Sowerberry: taking up a dim and dirty lamp, and leading the way upstairs; ‘your bed’s under the counter. You don’t mind sleeping among the coffins, I suppose? But it doesn’t much matter whether you do or don’t, for you can’t sleep anywhere else. Come; don’t keep me here all night!’

Oliver lingered no longer, but meekly followed his new mistress.

CHAPTER V -- OLIVER MINGLES WITH NEW ASSOCIATES. GOING TO A FUNERAL FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS

Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand. An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror. Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets. Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance. The shop was close and hot. The atmosphere seemed tainted with the smell of coffins. The recess beneath the counter in which his flock mattress was thrust, looked like a grave.

Nor were these the only dismal feelings which depressed Oliver. He was alone in a strange place; and we all know how chilled and desolate the best of us will sometimes feel in such a situation. The boy had no friends to care for, or to care for him. The regret of no recent separation was fresh in his mind; the absence of no loved and well-remembered face sank heavily into his heart.

But his heart was heavy, notwithstanding; and he wished, as he crept into his narrow bed, that that were his coffin, and that he could be lain in a calm and lasting sleep in the churchyard ground, with the tall grass waving gently above his head, and the sound of the old deep bell to soothe him in his sleep.

Oliver was awakened in the morning, by a loud kicking at the outside of the shop-door: which, before he could huddle on his clothes, was repeated, in an angry and impetuous manner, about twenty-five times. When he began to undo the chain, the legs desisted, and a voice began.

‘Open the door, will yer?’ cried the voice which belonged to the legs which had kicked at the door.

‘I will, directly, sir,’ replied Oliver: undoing the chain, and turning the key.

‘I suppose yer the new boy, ain’t yer?’ said the voice through the key-hole.

‘Yes, sir,’ replied Oliver.

‘How old are yer?’ inquired the voice.

‘Ten, sir,’ replied Oliver.

‘Then I’ll whop yer when I get in,’ said the voice; ‘you just see if I don’t, that’s all, my work’us brat!’ and having made this obliging promise, the voice began to whistle.

Oliver had been too often subjected to the process to which the very expressive monosyllable just recorded bears reference, to entertain the smallest doubt that the owner of the voice, whoever he might be, would redeem his pledge, most honourably. He drew back the bolts with a trembling hand, and opened the door.

For a second or two, Oliver glanced up the street, and down the street, and over the way: impressed with the belief that the unknown, who had addressed him through the key-hole, had walked a few paces off, to warm himself; for nobody did he see but a big charity-boy, sitting on a post in front of the house, eating a slice of bread and butter: which he cut into wedges, the size of his mouth, with a clasp-knife, and then consumed with great dexterity.

‘I beg your pardon, sir,’ said Oliver at length: seeing that no other visitor made his appearance; ‘did you knock?’

‘I kicked,’ replied the charity-boy.

‘Did you want a coffin, sir?’ inquired Oliver, innocently.

At this, the charity-boy looked monstrous fierce; and said that Oliver would want one before long, if he cut jokes with his superiors in that way.

‘Yer don’t know who I am, I suppose, Work’us?’ said the charity-boy, in continuation: descending from the top of the post, meanwhile, with edifying gravity.

‘No, sir,’ rejoined Oliver.

‘I’m Mister Noah Claypole,’ said the charity-boy, ‘and you’re under me. Take down the shutters, yer idle young ruffian!’ With this, Mr. Claypole administered a kick to Oliver, and entered the shop with a dignified air, which did him great credit. It is difficult for a large-headed, small-eyed youth, of lumbering make and heavy countenance, to look dignified under any circumstances; but it is more especially so, when superadded to these personal attractions are a red nose and yellow smalls.

Oliver, having taken down the shutters, and broken a pane of glass in his effort to stagger away beneath the weight of the first one to a small court at the side of the house in which they were kept during the day, was graciously assisted by Noah: who having consoled him with the assurance that ‘he’d catch it,’ condescended to help him. Mr. Sowerberry came down soon after. Shortly afterwards, Mrs. Sowerberry appeared. Oliver having ‘caught it,’ in fulfilment of Noah’s prediction, followed that young gentleman down the stairs to breakfast.

‘Come near the fire, Noah,’ said Charlotte. ‘I saved a nice little bit of bacon for you from master’s breakfast. Oliver, shut that door at Mister Noah’s back, and take them bits that I’ve put out on the cover of the bread-pan. There’s your tea; take it away to that box, and drink it there, and make haste, for they’ll want you to mind the shop. D’ye hear?’

‘D’ye hear, Work’us?’ said Noah Claypole.

‘Lor, Noah!’ said Charlotte, ‘what a rum creature you are! Why don’t you let the boy alone?’

‘Let him alone!’ said Noah. ‘Why everybody lets him alone enough, for the matter of that. Neither his father nor his mother will ever interfere with him. All his relations let him have his own way pretty well. Eh, Charlotte? He! he! he!’

‘Oh, you queer soul!’ said Charlotte, bursting into a hearty laugh, in which she was joined by Noah; after which they both looked scornfully at poor Oliver Twist, as he sat shivering on the box in the coldest corner of the room, and ate the stale pieces which had been specially reserved for him.

Noah was a charity-boy, but not a workhouse orphan. No chance-child was he, for he could trace his genealogy all the way back to his parents, who lived hard by; his mother being a washerwoman, and his father a drunken soldier, discharged with a wooden leg, and a diurnal pension of twopence-halfpenny and an unstateable fraction. The shop-boys in the neighbourhood had long been in the habit of branding Noah in the public streets, with the ignominious epithets of ‘leathers,’ ‘charity,’ and the like; and Noah had bourne them without reply. But, now that fortune had cast in his way a nameless orphan, at whom even the meanest could point the finger of scorn, he retorted on him with interest. This affords charming food for contemplation. It shows us what a beautiful thing human nature may be made to be; and how impartially the same amiable qualities are developed in the finest lord and the dirtiest charity-boy.

Oliver had been sojourning at the undertaker’s some three weeks or a month. Mr. and Mrs. Sowerberry--the shop being shut up--were taking their supper in the little back-parlour, when Mr. Sowerberry, after several deferential glances at his wife, said,

‘My dear--’ He was going to say more; but, Mrs. Sowerberry looking up, with a peculiarly unpropitious aspect, he stopped short.

‘Well,’ said Mrs. Sowerberry, sharply.

‘Nothing, my dear, nothing,’ said Mr. Sowerberry.

‘Ugh, you brute!’ said Mrs. Sowerberry.

‘Not at all, my dear,’ said Mr. Sowerberry humbly. ‘I thought you didn’t want to hear, my dear. I was only going to say--’

‘Oh, don’t tell me what you were going to say,’ interposed Mrs. Sowerberry. ‘I am nobody; don’t consult me, pray. I don’t want to intrude upon your secrets.’ As Mrs. Sowerberry said this, she gave an hysterical laugh, which threatened violent consequences.

‘But, my dear,’ said Sowerberry, ‘I want to ask your advice.’

‘No, no, don’t ask mine,’ replied Mrs. Sowerberry, in an affecting manner: ‘ask somebody else’s.’ Here, there was another hysterical laugh, which frightened Mr. Sowerberry very much. This is a very common and much-approved matrimonial course of treatment, which is often very effective. It at once reduced Mr. Sowerberry to begging, as a special favour, to be allowed to say what Mrs. Sowerberry was most curious to hear. After a short duration, the permission was most graciously conceded.

‘It’s only about young Twist, my dear,’ said Mr. Sowerberry. ‘A very good-looking boy, that, my dear.’

‘He need be, for he eats enough,’ observed the lady.

‘There’s an expression of melancholy in his face, my dear,’ resumed Mr. Sowerberry, ‘which is very interesting. He would make a delightful mute, my love.’

Mrs. Sowerberry looked up with an expression of considerable wonderment. Mr. Sowerberry remarked it and, without allowing time for any observation on the good lady’s part, proceeded.

‘I don’t mean a regular mute to attend grown-up people, my dear, but only for children’s practice. It would be very new to have a mute in proportion, my dear. You may depend upon it, it would have a superb effect.’

Mrs. Sowerberry, who had a good deal of taste in the undertaking way, was much struck by the novelty of this idea; but, as it would have been compromising her dignity to have said so, under existing circumstances, she merely inquired, with much sharpness, why such an obvious suggestion had not presented itself to her husband’s mind before? Mr. Sowerberry rightly construed this, as an acquiescence in his proposition; it was speedily determined, therefore, that Oliver should be at once initiated into the mysteries of the trade; and, with this view, that he should accompany his master on the very next occasion of his services being required.

The occasion was not long in coming. Half an hour after breakfast next morning, Mr. Bumble entered the shop; and supporting his cane against the counter, drew forth his large leathern pocket-book: from which he selected a small scrap of paper, which he handed over to Sowerberry.

‘Aha!’ said the undertaker, glancing over it with a lively countenance; ‘an order for a coffin, eh?’

‘For a coffin first, and a porochial funeral afterwards,’ replied Mr. Bumble, fastening the strap of the leathern pocket-book: which, like himself, was very corpulent.

‘Bayton,’ said the undertaker, looking from the scrap of paper to Mr. Bumble. ‘I never heard the name before.’

Bumble shook his head, as he replied, ‘Obstinate people, Mr. Sowerberry; very obstinate. Proud, too, I’m afraid, sir.’

‘Proud, eh?’ exclaimed Mr. Sowerberry with a sneer. ‘Come, that’s too much.’

‘Oh, it’s sickening,’ replied the beadle. ‘Antimonial, Mr. Sowerberry!’

‘So it is,’ acquiesced the undertaker.

‘We only heard of the family the night before last,’ said the beadle; ‘and we shouldn’t have known anything about them, then, only a woman who lodges in the same house made an application to the porochial committee for them to send the porochial surgeon to see a woman as was very bad. He had gone out to dinner; but his ‘prentice (which is a very clever lad) sent ‘em some medicine in a blacking-bottle, offhand.’

‘Ah, there’s promptness,’ said the undertaker.

‘Promptness, indeed!’ replied the beadle. ‘But what’s the consequence; what’s the ungrateful behaviour of these rebels, sir? Why, the husband sends back word that the medicine won’t suit his wife’s complaint, and so she shan’t take it--says she shan’t take it, sir! Good, strong, wholesome medicine, as was given with great success to two Irish labourers and a coal-heaver, only a week before--sent ‘em for nothing, with a blackin’-bottle in,--and he sends back word that she shan’t take it, sir!’

As the atrocity presented itself to Mr. Bumble’s mind in full force, he struck the counter sharply with his cane, and became flushed with indignation.

‘Well,’ said the undertaker, ‘I ne--ver--did--’

‘Never did, sir!’ ejaculated the beadle. ‘No, nor nobody never did; but now she’s dead, we’ve got to bury her; and that’s the direction; and the sooner it’s done, the better.’

Thus saying, Mr. Bumble put on his cocked hat wrong side first, in a fever of parochial excitement; and flounced out of the shop.

‘Why, he was so angry, Oliver, that he forgot even to ask after you!’ said Mr. Sowerberry, looking after the beadle as he strode down the street.

‘Yes, sir,’ replied Oliver, who had carefully kept himself out of sight, during the interview; and who was shaking from head to foot at the mere recollection of the sound of Mr. Bumble’s voice.

He needn’t haven taken the trouble to shrink from Mr. Bumble’s glance, however; for that functionary, on whom the prediction of the gentleman in the white waistcoat had made a very strong impression, thought that now the undertaker had got Oliver upon trial the subject was better avoided, until such time as he should be firmly bound for seven years, and all danger of his being returned upon the hands of the parish should be thus effectually and legally overcome.

‘Well,’ said Mr. Sowerberry, taking up his hat, ‘the sooner this job is done, the better. Noah, look after the shop. Oliver, put on your cap, and come with me.’ Oliver obeyed, and followed his master on his professional mission.

They walked on, for some time, through the most crowded and densely inhabited part of the town; and then, striking down a narrow street more dirty and miserable than any they had yet passed through, paused to look for the house which was the object of their search. The houses on either side were high and large, but very old, and tenanted by people of the poorest class: as their neglected appearance would have sufficiently denoted, without the concurrent testimony afforded by the squalid looks of the few men and women who, with folded arms and bodies half doubled, occasionally skulked along. A great many of the tenements had shop-fronts; but these were fast closed, and mouldering away; only the upper rooms being inhabited. Some houses which had become insecure from age and decay, were prevented from falling into the street, by huge beams of wood reared against the walls, and firmly planted in the road; but even these crazy dens seemed to have been selected as the nightly haunts of some houseless wretches, for many of the rough boards which supplied the place of door and window, were wrenched from their positions, to afford an aperture wide enough for the passage of a human body. The kennel was stagnant and filthy. The very rats, which here and there lay putrefying in its rottenness, were hideous with famine.

There was neither knocker nor bell-handle at the open door where Oliver and his master stopped; so, groping his way cautiously through the dark passage, and bidding Oliver keep close to him and not be afraid the undertaker mounted to the top of the first flight of stairs. Stumbling against a door on the landing, he rapped at it with his knuckles.

It was opened by a young girl of thirteen or fourteen. The undertaker at once saw enough of what the room contained, to know it was the apartment to which he had been directed. He stepped in; Oliver followed him.

There was no fire in the room; but a man was crouching, mechanically, over the empty stove. An old woman, too, had drawn a low stool to the cold hearth, and was sitting beside him. There were some ragged children in another corner; and in a small recess, opposite the door, there lay upon the ground, something covered with an old blanket. Oliver shuddered as he cast his eyes toward the place, and crept involuntarily closer to his master; for though it was covered up, the boy felt that it was a corpse.

The man’s face was thin and very pale; his hair and beard were grizzly; his eyes were bloodshot. The old woman’s face was wrinkled; her two remaining teeth protruded over her under lip; and her eyes were bright and piercing. Oliver was afraid to look at either her or the man. They seemed so like the rats he had seen outside.

‘Nobody shall go near her,’ said the man, starting fiercely up, as the undertaker approached the recess. ‘Keep back! Damn you, keep back, if you’ve a life to lose!’

‘Nonsense, my good man,’ said the undertaker, who was pretty well used to misery in all its shapes. ‘Nonsense!’

‘I tell you,’ said the man: clenching his hands, and stamping furiously on the floor,--‘I tell you I won’t have her put into the ground. She couldn’t rest there. The worms would worry her--not eat her--she is so worn away.’

The undertaker offered no reply to this raving; but producing a tape from his pocket, knelt down for a moment by the side of the body.

‘Ah!’ said the man: bursting into tears, and sinking on his knees at the feet of the dead woman; ‘kneel down, kneel down--kneel round her, every one of you, and mark my words! I say she was starved to death. I never knew how bad she was, till the fever came upon her; and then her bones were starting through the skin. There was neither fire nor candle; she died in the dark--in the dark! She couldn’t even see her children’s faces, though we heard her gasping out their names. I begged for her in the streets: and they sent me to prison. When I came back, she was dying; and all the blood in my heart has dried up, for they starved her to death. I swear it before the God that saw it! They starved her!’ He twined his hands in his hair; and, with a loud scream, rolled grovelling upon the floor: his eyes fixed, and the foam covering his lips.

The terrified children cried bitterly; but the old woman, who had hitherto remained as quiet as if she had been wholly deaf to all that passed, menaced them into silence. Having unloosened the cravat of the man who still remained extended on the ground, she tottered towards the undertaker.

‘She was my daughter,’ said the old woman, nodding her head in the direction of the corpse; and speaking with an idiotic leer, more ghastly than even the presence of death in such a place. ‘Lord, Lord! Well, it is strange that I who gave birth to her, and was a woman then, should be alive and merry now, and she lying there: so cold and stiff! Lord, Lord!--to think of it; it’s as good as a play--as good as a play!’

As the wretched creature mumbled and chuckled in her hideous merriment, the undertaker turned to go away.

‘Stop, stop!’ said the old woman in a loud whisper. ‘Will she be buried to-morrow, or next day, or to-night? I laid her out; and I must walk, you know. Send me a large cloak: a good warm one: for it is bitter cold. We should have cake and wine, too, before we go! Never mind; send some bread--only a loaf of bread and a cup of water. Shall we have some bread, dear?’ she said eagerly: catching at the undertaker’s coat, as he once more moved towards the door.

‘Yes, yes,’ said the undertaker, ‘of course. Anything you like!’ He disengaged himself from the old woman’s grasp; and, drawing Oliver after him, hurried away.

The next day, (the family having been meanwhile relieved with a half-quartern loaf and a piece of cheese, left with them by Mr. Bumble himself,) Oliver and his master returned to the miserable abode; where Mr. Bumble had already arrived, accompanied by four men from the workhouse, who were to act as bearers. An old black cloak had been thrown over the rags of the old woman and the man; and the bare coffin having been screwed down, was hoisted on the shoulders of the bearers, and carried into the street.

‘Now, you must put your best leg foremost, old lady!’ whispered Sowerberry in the old woman’s ear; ‘we are rather late; and it won’t do, to keep the clergyman waiting. Move on, my men,--as quick as you like!’

Thus directed, the bearers trotted on under their light burden; and the two mourners kept as near them, as they could. Mr. Bumble and Sowerberry walked at a good smart pace in front; and Oliver, whose legs were not so long as his master’s, ran by the side.

There was not so great a necessity for hurrying as Mr. Sowerberry had anticipated, however; for when they reached the obscure corner of the churchyard in which the nettles grew, and where the parish graves were made, the clergyman had not arrived; and the clerk, who was sitting by the vestry-room fire, seemed to think it by no means improbable that it might be an hour or so, before he came. So, they put the bier on the brink of the grave; and the two mourners waited patiently in the damp clay, with a cold rain drizzling down, while the ragged boys whom the spectacle had attracted into the churchyard played a noisy game at hide-and-seek among the tombstones, or varied their amusements by jumping backwards and forwards over the coffin. Mr. Sowerberry and Bumble, being personal friends of the clerk, sat by the fire with him, and read the paper.

At length, after a lapse of something more than an hour, Mr. Bumble, and Sowerberry, and the clerk, were seen running towards the grave. Immediately afterwards, the clergyman appeared: putting on his surplice as he came along. Mr. Bumble then thrashed a boy or two, to keep up appearances; and the reverend gentleman, having read as much of the burial service as could be compressed into four minutes, gave his surplice to the clerk, and walked away again.

‘Now, Bill!’ said Sowerberry to the grave-digger. ‘Fill up!’

It was no very difficult task, for the grave was so full, that the uppermost coffin was within a few feet of the surface. The grave-digger shovelled in the earth; stamped it loosely down with his feet: shouldered his spade; and walked off, followed by the boys, who murmured very loud complaints at the fun being over so soon.

‘Come, my good fellow!’ said Bumble, tapping the man on the back. ‘They want to shut up the yard.’

The man who had never once moved, since he had taken his station by the grave side, started, raised his head, stared at the person who had addressed him, walked forward for a few paces; and fell down in a swoon. The crazy old woman was too much occupied in bewailing the loss of her cloak (which the undertaker had taken off), to pay him any attention; so they threw a can of cold water over him; and when he came to, saw him safely out of the churchyard, locked the gate, and departed on their different ways.

‘Well, Oliver,’ said Sowerberry, as they walked home, ‘how do you like it?’

‘Pretty well, thank you, sir’ replied Oliver, with considerable hesitation. ‘Not very much, sir.’

‘Ah, you’ll get used to it in time, Oliver,’ said Sowerberry. ‘Nothing when you are used to it, my boy.’

Oliver wondered, in his own mind, whether it had taken a very long time to get Mr. Sowerberry used to it. But he thought it better not to ask the question; and walked back to the shop: thinking over all he had seen and heard.

CHAPTER VI -- OLIVER, BEING GOADED BY THE TAUNTS OF NOAH, ROUSES INTO ACTION, AND RATHER ASTONISHES HIM

The month’s trial over, Oliver was formally apprenticed. It was a nice sickly season just at this time. In commercial phrase, coffins were looking up; and, in the course of a few weeks, Oliver acquired a great deal of experience. The success of Mr. Sowerberry’s ingenious speculation, exceeded even his most sanguine hopes. The oldest inhabitants recollected no period at which measles had been so prevalent, or so fatal to infant existence; and many were the mournful processions which little Oliver headed, in a hat-band reaching down to his knees, to the indescribable admiration and emotion of all the mothers in the town. As Oliver accompanied his master in most of his adult expeditions too, in order that he might acquire that equanimity of demeanour and full command of nerve which was essential to a finished undertaker, he had many opportunities of observing the beautiful resignation and fortitude with which some strong-minded people bear their trials and losses.

For instance; when Sowerberry had an order for the burial of some rich old lady or gentleman, who was surrounded by a great number of nephews and nieces, who had been perfectly inconsolable during the previous illness, and whose grief had been wholly irrepressible even on the most public occasions, they would be as happy among themselves as need be--quite cheerful and contented--conversing together with as much freedom and gaiety, as if nothing whatever had happened to disturb them. Husbands, too, bore the loss of their wives with the most heroic calmness. Wives, again, put on weeds for their husbands, as if, so far from grieving in the garb of sorrow, they had made up their minds to render it as becoming and attractive as possible. It was observable, too, that ladies and gentlemen who were in passions of anguish during the ceremony of interment, recovered almost as soon as they reached home, and became quite composed before the tea-drinking was over. All this was very pleasant and improving to see; and Oliver beheld it with great admiration.

That Oliver Twist was moved to resignation by the example of these good people, I cannot, although I am his biographer, undertake to affirm with any degree of confidence; but I can most distinctly say, that for many months he continued meekly to submit to the domination and ill-treatment of Noah Claypole: who used him far worse than before, now that his jealousy was roused by seeing the new boy promoted to the black stick and hatband, while he, the old one, remained stationary in the muffin-cap and leathers. Charlotte treated him ill, because Noah did; and Mrs. Sowerberry was his decided enemy, because Mr. Sowerberry was disposed to be his friend; so, between these three on one side, and a glut of funerals on the other, Oliver was not altogether as comfortable as the hungry pig was, when he was shut up, by mistake, in the grain department of a brewery.

And now, I come to a very important passage in Oliver’s history; for I have to record an act, slight and unimportant perhaps in appearance, but which indirectly produced a material change in all his future prospects and proceedings.

One day, Oliver and Noah had descended into the kitchen at the usual dinner-hour, to banquet upon a small joint of mutton--a pound and a half of the worst end of the neck--when Charlotte being called out of the way, there ensued a brief interval of time, which Noah Claypole, being hungry and vicious, considered he could not possibly devote to a worthier purpose than aggravating and tantalising young Oliver Twist.

Intent upon this innocent amusement, Noah put his feet on the table-cloth; and pulled Oliver’s hair; and twitched his ears; and expressed his opinion that he was a ‘sneak’; and furthermore announced his intention of coming to see him hanged, whenever that desirable event should take place; and entered upon various topics of petty annoyance, like a malicious and ill-conditioned charity-boy as he was. But, making Oliver cry, Noah attempted to be more facetious still; and in his attempt, did what many sometimes do to this day, when they want to be funny. He got rather personal.

‘Work’us,’ said Noah, ‘how’s your mother?’

‘She’s dead,’ replied Oliver; ‘don’t you say anything about her to me!’

Oliver’s colour rose as he said this; he breathed quickly; and there was a curious working of the mouth and nostrils, which Mr. Claypole thought must be the immediate precursor of a violent fit of crying. Under this impression he returned to the charge.

‘What did she die of, Work’us?’ said Noah.

‘Of a broken heart, some of our old nurses told me,’ replied Oliver: more as if he were talking to himself, than answering Noah. ‘I think I know what it must be to die of that!’

‘Tol de rol lol lol, right fol lairy, Work’us,’ said Noah, as a tear rolled down Oliver’s cheek. ‘What’s set you a snivelling now?’

‘Not you,’ replied Oliver, sharply. ‘There; that’s enough. Don’t say anything more to me about her; you’d better not!’

‘Better not!’ exclaimed Noah. ‘Well! Better not! Work’us, don’t be impudent. Your mother, too! She was a nice ‘un she was. Oh, Lor!’ And here, Noah nodded his head expressively; and curled up as much of his small red nose as muscular action could collect together, for the occasion.

‘Yer know, Work’us,’ continued Noah, emboldened by Oliver’s silence, and speaking in a jeering tone of affected pity: of all tones the most annoying: ‘Yer know, Work’us, it can’t be helped now; and of course yer couldn’t help it then; and I am very sorry for it; and I’m sure we all are, and pity yer very much. But yer must know, Work’us, yer mother was a regular right-down bad ‘un.’

‘What did you say?’ inquired Oliver, looking up very quickly.

‘A regular right-down bad ‘un, Work’us,’ replied Noah, coolly. ‘And it’s a great deal better, Work’us, that she died when she did, or else she’d have been hard labouring in Bridewell, or transported, or hung; which is more likely than either, isn’t it?’

Crimson with fury, Oliver started up; overthrew the chair and table; seized Noah by the throat; shook him, in the violence of his rage, till his teeth chattered in his head; and collecting his whole force into one heavy blow, felled him to the ground.

A minute ago, the boy had looked the quiet child, mild, dejected creature that harsh treatment had made him. But his spirit was roused at last; the cruel insult to his dead mother had set his blood on fire. His breast heaved; his attitude was erect; his eye bright and vivid; his whole person changed, as he stood glaring over the cowardly tormentor who now lay crouching at his feet; and defied him with an energy he had never known before.

‘He’ll murder me!’ blubbered Noah. ‘Charlotte! missis! Here’s the new boy a murdering of me! Help! help! Oliver’s gone mad! Char--lotte!’

Noah’s shouts were responded to, by a loud scream from Charlotte, and a louder from Mrs. Sowerberry; the former of whom rushed into the kitchen by a side-door, while the latter paused on the staircase till she was quite certain that it was consistent with the preservation of human life, to come further down.

‘Oh, you little wretch!’ screamed Charlotte: seizing Oliver with her utmost force, which was about equal to that of a moderately strong man in particularly good training. ‘Oh, you little un-grate-ful, mur-de-rous, hor-rid villain!’ And between every syllable, Charlotte gave Oliver a blow with all her might: accompanying it with a scream, for the benefit of society.

Charlotte’s fist was by no means a light one; but, lest it should not be effectual in calming Oliver’s wrath, Mrs. Sowerberry plunged into the kitchen, and assisted to hold him with one hand, while she scratched his face with the other. In this favourable position of affairs, Noah rose from the ground, and pommelled him behind.

This was rather too violent exercise to last long. When they were all wearied out, and could tear and beat no longer, they dragged Oliver, struggling and shouting, but nothing daunted, into the dust-cellar, and there locked him up. This being done, Mrs. Sowerberry sunk into a chair, and burst into tears.

‘Bless her, she’s going off!’ said Charlotte. ‘A glass of water, Noah, dear. Make haste!’

‘Oh! Charlotte,’ said Mrs. Sowerberry: speaking as well as she could, through a deficiency of breath, and a sufficiency of cold water, which Noah had poured over her head and shoulders. ‘Oh! Charlotte, what a mercy we have not all been murdered in our beds!’

‘Ah! mercy indeed, ma’am,’ was the reply. I only hope this’ll teach master not to have any more of these dreadful creatures, that are born to be murderers and robbers from their very cradle. Poor Noah! He was all but killed, ma’am, when I come in.’

‘Poor fellow!’ said Mrs. Sowerberry: looking piteously on the charity-boy.

Noah, whose top waistcoat-button might have been somewhere on a level with the crown of Oliver’s head, rubbed his eyes with the inside of his wrists while this commiseration was bestowed upon him, and performed some affecting tears and sniffs.

‘What’s to be done!’ exclaimed Mrs. Sowerberry. ‘Your master’s not at home; there’s not a man in the house, and he’ll kick that door down in ten minutes.’ Oliver’s vigorous plunges against the bit of timber in question, rendered this occurance highly probable.

‘Dear, dear! I don’t know, ma’am,’ said Charlotte, ‘unless we send for the police-officers.’

‘Or the millingtary,’ suggested Mr. Claypole.

‘No, no,’ said Mrs. Sowerberry: bethinking herself of Oliver’s old friend. ‘Run to Mr. Bumble, Noah, and tell him to come here directly, and not to lose a minute; never mind your cap! Make haste! You can hold a knife to that black eye, as you run along. It’ll keep the swelling down.’

Noah stopped to make no reply, but started off at his fullest speed; and very much it astonished the people who were out walking, to see a charity-boy tearing through the streets pell-mell, with no cap on his head, and a clasp-knife at his eye.

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VII. OLIVER CONTINUES REFRACTORY

Noah Claypole ran along the streets at his swiftest pace, and paused not once for breath, until he reached the workhouse-gate. Having rested here, for a minute or so, to collect a good burst of sobs and an imposing show of tears and terror, he knocked loudly at the wicket; and presented such a rueful face to the aged pauper who opened it, that even he, who saw nothing but rueful faces about him at the best of times, started back in astonishment.

‘Why, what’s the matter with the boy!’ said the old pauper.

‘Mr. Bumble! Mr. Bumble!’ cried Noah, with well-affected dismay: and in tones so loud and agitated, that they not only caught the ear of Mr. Bumble himself, who happened to be hard by, but alarmed him so much that he rushed into the yard without his cocked hat,--which is a very curious and remarkable circumstance: as showing that even a beadle, acted upon a sudden and powerful impulse, may be afflicted with a momentary visitation of loss of self-possession, and forgetfulness of personal dignity.

‘Oh, Mr. Bumble, sir!’ said Noah: ‘Oliver, sir,--Oliver has--’

‘What? What?’ interposed Mr. Bumble: with a gleam of pleasure in his metallic eyes. ‘Not run away; he hasn’t run away, has he, Noah?’

‘No, sir, no. Not run away, sir, but he’s turned wicious,’ replied Noah. ‘He tried to murder me, sir; and then he tried to murder Charlotte; and then missis. Oh! what dreadful pain it is!

Such agony, please, sir!’ And here, Noah writhed and twisted his body into an extensive variety of eel-like positions; thereby giving Mr. Bumble to understand that, from the violent and sanguinary onset of Oliver Twist, he had sustained severe internal injury and damage, from which he was at that moment suffering the acutest torture.

When Noah saw that the intelligence he communicated perfectly paralysed Mr. Bumble, he imparted additional effect thereunto, by bewailing his dreadful wounds ten times louder than before; and when he observed a gentleman in a white waistcoat crossing the yard, he was more tragic in his lamentations than ever: rightly conceiving it highly expedient to attract the notice, and rouse the indignation, of the gentleman aforesaid.

The gentleman’s notice was very soon attracted; for he had not walked three paces, when he turned angrily round, and inquired what that young cur was howling for, and why Mr. Bumble did not favour him with something which would render the series of vocular exclamations so designated, an involuntary process?

‘It’s a poor boy from the free-school, sir,’ replied Mr. Bumble, ‘who has been nearly murdered--all but murdered, sir,--by young Twist.’

‘By Jove!’ exclaimed the gentleman in the white waistcoat, stopping short. ‘I knew it! I felt a strange presentiment from the very first, that that audacious young savage would come to be hung!’

‘He has likewise attempted, sir, to murder the female servant,’ said Mr. Bumble, with a face of ashy paleness.

‘And his missis,’ interposed Mr. Claypole.

‘And his master, too, I think you said, Noah?’ added Mr. Bumble.

‘No! he’s out, or he would have murdered him,’ replied Noah. ‘He said he wanted to.’

‘Ah! Said he wanted to, did he, my boy?’ inquired the gentleman in the white waistcoat.

‘Yes, sir,’ replied Noah. ‘And please, sir, missis wants to know whether Mr. Bumble can spare time to step up there, directly, and flog him--‘cause master’s out.’

‘Certainly, my boy; certainly,’ said the gentleman in the white waistcoat: smiling benignly, and patting Noah’s head, which was about three inches higher than his own. ‘You’re a good boy--a very good boy. Here’s a penny for you. Bumble, just step up to Sowerberry’s with your cane, and see what’s best to be done. Don’t spare him, Bumble.’

‘No, I will not, sir,’ replied the beadle. And the cocked hat and cane having been, by this time, adjusted to their owner’s satisfaction, Mr. Bumble and Noah Claypole betook themselves with all speed to the undertaker’s shop.

Here the position of affairs had not at all improved. Sowerberry had not yet returned, and Oliver continued to kick, with undiminished vigour, at the cellar-door. The accounts of his ferocity as related by Mrs. Sowerberry and Charlotte, were of so startling a nature, that Mr. Bumble judged it prudent to parley, before opening the door. With this view he gave a kick at the outside, by way of prelude; and, then, applying his mouth to the keyhole, said, in a deep and impressive tone:

‘Oliver!’

‘Come; you let me out!’ replied Oliver, from the inside.

‘Do you know this here voice, Oliver?’ said Mr. Bumble.

‘Yes,’ replied Oliver.

‘Ain’t you afraid of it, sir? Ain’t you a-trembling while I speak, sir?’ said Mr. Bumble.

‘No!’ replied Oliver, boldly.

An answer so different from the one he had expected to elicit, and was in the habit of receiving, staggered Mr. Bumble not a little. He stepped back from the keyhole; drew himself up to his full height; and looked from one to another of the three bystanders, in mute astonishment.

‘Oh, you know, Mr. Bumble, he must be mad,’ said Mrs. Sowerberry.

‘No boy in half his senses could venture to speak so to you.’

‘It’s not Madness, ma’am,’ replied Mr. Bumble, after a few moments of deep meditation. ‘It’s Meat.’

‘What?’ exclaimed Mrs. Sowerberry.

‘Meat, ma’am, meat,’ replied Bumble, with stern emphasis. ‘You’ve over-fed him, ma’am. You’ve raised a artificial soul and spirit in him, ma’am unbecoming a person of his condition: as the board, Mrs. Sowerberry, who are practical philosophers, will tell you. What have paupers to do with soul or spirit? It’s quite enough that we let ‘em have live bodies. If you had kept the boy on gruel, ma’am, this would never have happened.’

‘Dear, dear!’ ejaculated Mrs. Sowerberry, piously raising her eyes to the kitchen ceiling: ‘this comes of being liberal!’

The liberality of Mrs. Sowerberry to Oliver, had consisted of a profuse bestowal upon him of all the dirty odds and ends which nobody else would eat; so there was a great deal of meekness and self-devotion in her voluntarily remaining under Mr. Bumble’s heavy accusation. Of which, to do her justice, she was wholly innocent, in thought, word, or deed.

‘Ah!’ said Mr. Bumble, when the lady brought her eyes down to earth again; ‘the only thing that can be done now, that I know of, is to leave him in the cellar for a day or so, till he’s a little starved down; and then to take him out, and keep him on gruel all through the apprenticeship. He comes of a bad family. Excitable natures, Mrs. Sowerberry! Both the nurse and doctor said, that that mother of his made her way here, against difficulties and pain that would have killed any well-disposed woman, weeks before.’

At this point of Mr. Bumble’s discourse, Oliver, just hearing enough to know that some allusion was being made to his mother, recommenced kicking, with a violence that rendered every other sound inaudible. Sowerberry returned at this juncture. Oliver’s offence having been explained to him, with such exaggerations as the ladies thought best calculated to rouse his ire, he unlocked the cellar-door in a twinkling, and dragged his rebellious apprentice out, by the collar.

Oliver’s clothes had been torn in the beating he had received; his face was bruised and scratched; and his hair scattered over his forehead. The angry flush had not disappeared, however; and when he was pulled out of his prison, he scowled boldly on Noah, and looked quite undismayed.

‘Now, you are a nice young fellow, ain’t you?’ said Sowerberry; giving Oliver a shake, and a box on the ear.

‘He called my mother names,’ replied Oliver.

‘Well, and what if he did, you little ungrateful wretch?’ said Mrs. Sowerberry. ‘She deserved what he said, and worse.’

‘She didn’t’ said Oliver.

‘She did,’ said Mrs. Sowerberry.

‘It’s a lie!’ said Oliver.

Mrs. Sowerberry burst into a flood of tears.

This flood of tears left Mr. Sowerberry no alternative. If he had hesitated for one instant to punish Oliver most severely, it must be quite clear to every experienced reader that he would have been, according to all precedents in disputes of matrimony established, a brute, an unnatural husband, an insulting creature, a base imitation of a man, and various other agreeable characters too numerous for recital within the limits of this chapter. To do him justice, he was, as far as his power went--it was not very extensive--kindly disposed towards the boy; perhaps, because it was his interest to be so; perhaps, because his wife disliked him. The flood of tears, however, left him no resource; so he at once gave him a drubbing, which satisfied even Mrs. Sowerberry herself, and rendered Mr. Bumble’s subsequent application of the parochial cane, rather unnecessary. For the rest of the day, he was shut up in the back kitchen, in company with a pump and a slice of bread; and at night, Mrs. Sowerberry, after making various remarks outside the door, by no means complimentary to the memory of his mother, looked into the room, and, amidst the jeers and pointings of Noah and Charlotte, ordered him upstairs to his dismal bed.

It was not until he was left alone in the silence and stillness of the gloomy workshop of the undertaker, that Oliver gave way to the feelings which the day’s treatment may be supposed likely to have awakened in a mere child. He had listened to their taunts with a look of contempt; he had borne the lash without a cry: for he felt that pride swelling in his heart which would have kept down a shriek to the last, though they had roasted him alive. But now, when there were none to see or hear him, he fell upon his knees on the floor; and, hiding his face in his hands, wept such tears as, God send for the credit of our nature, few so young may ever have cause to pour out before him!

For a long time, Oliver remained motionless in this attitude. The candle was burning low in the socket when he rose to his feet. Having gazed cautiously round him, and listened intently, he gently undid the fastenings of the door, and looked abroad.

It was a cold, dark night. The stars seemed, to the boy’s eyes, farther from the earth than he had ever seen them before; there was no wind; and the sombre shadows thrown by the trees upon the ground, looked sepulchral and death-like, from being so still. He softly reclosed the door. Having availed himself of the expiring light of the candle to tie up in a handkerchief the few articles of wearing apparel he had, sat himself down upon a bench, to wait for morning.

With the first ray of light that struggled through the crevices in the shutters, Oliver arose, and again unbarred the door. One timid look around--one moment’s pause of hesitation--he had closed it behind him, and was in the open street.

He looked to the right and to the left, uncertain whither to fly.

He remembered to have seen the waggons, as they went out, toiling up the hill. He took the same route; and arriving at a footpath across the fields: which he knew, after some distance, led out again into the road; struck into it, and walked quickly on.

Along this same footpath, Oliver well-remembered he had trotted beside Mr. Bumble, when he first carried him to the workhouse from the farm. His way lay directly in front of the cottage. His heart beat quickly when he bethought himself of this; and he half resolved to turn back. He had come a long way though, and should lose a great deal of time by doing so. Besides, it was so early that there was very little fear of his being seen; so he walked on.

He reached the house. There was no appearance of its inmates stirring at that early hour. Oliver stopped, and peeped into the garden. A child was weeding one of the little beds; as he stopped, he raised his pale face and disclosed the features of one of his former companions. Oliver felt glad to see him, before he went; for, though younger than himself, he had been his little friend and playmate. They had been beaten, and starved, and shut up together, many and many a time.

‘Hush, Dick!’ said Oliver, as the boy ran to the gate, and thrust his thin arm between the rails to greet him. ‘Is any one up?’

‘Nobody but me,’ replied the child.

‘You musn’t say you saw me, Dick,’ said Oliver. ‘I am running away. They beat and ill-use me, Dick; and I am going to seek my fortune, some long way off. I don’t know where. How pale you are!’

‘I heard the doctor tell them I was dying,’ replied the child with a faint smile. ‘I am very glad to see you, dear; but don’t stop, don’t stop!’

‘Yes, yes, I will, to say good-b’ye to you,’ replied Oliver. ‘I shall see you again, Dick. I know I shall! You will be well and happy!’

‘I hope so,’ replied the child. ‘After I am dead, but not before. I know the doctor must be right, Oliver, because I dream so much of Heaven, and Angels, and kind faces that I never see when I am awake. Kiss me,’ said the child, climbing up the low gate, and flinging his little arms round Oliver’s neck. ‘Good-b’ye, dear! God bless you!’

The blessing was from a young child’s lips, but it was the first that Oliver had ever heard invoked upon his head; and through the struggles and sufferings, and troubles and changes, of his after life, he never once forgot it.

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