← Court Memoirs of France Series — Complete

Chapter I…

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Source: Project Gutenberg e-text #3900, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (504)
  1. Opening about 2 min
  2. Translator'S Preface about 12 min
  3. Letter I under 1 min
  4. Letter II under 1 min
  5. Letter III under 1 min
  6. Letter IV under 1 min
  7. Letter VI under 1 min
  8. Letter VII under 1 min
  9. Letter IX under 1 min
  10. Letter X under 1 min
  11. Letter XI under 1 min
  12. Letter XIII under 1 min
  13. Letter XIV under 1 min
  14. Letter XV under 1 min
  15. Letter XVI under 1 min
  16. Letter XVII under 1 min
  17. Letter XIX under 1 min
  18. Letter XX under 1 min
  19. Letter XXI under 1 min
  20. Letter I about 9 min
  21. Letter II about 8 min
  22. Letter III about 8 min
  23. Letter IV about 8 min
  24. V. The Massacre of St. Bartholomew's Day about 6 min
  25. Letter VI about 5 min
  26. Letter VII about 4 min
  27. VIII. What Happened at Lyons about 8 min
  28. Letter IX about 8 min
  29. Letter X about 8 min
  30. Letter XI about 6 min
  31. XII. The Peace of Sens betwixt Henri III. and the Huguenots about 9 min
  32. Letter XIII about 11 min
  33. Letter XIV about 19 min
  34. Letter XV about 8 min
  35. Letter XVI about 16 min
  36. Letter XVII about 11 min
  37. XVIII. The Brothers Reconciled.--Alencon Restored to His Liberty about 11 min
  38. Letter XIX about 9 min
  39. Letter XX about 16 min
  40. Letter XXI about 1 h 44 min
  41. Book V about 4 min
  42. Book I about 59 min
  43. Book II about 3 h 22 min
  44. Book III about 1 h 50 min
  45. Book IV about 49 min
  46. Book V about 6 min
  47. 1. TRANSLATOR'S PREFACE about 2 min
  48. I. The Reason for Writing These Memoirs.--Gabrielle d'Estrees about 2 min
  49. Chapter II about 1 min
  50. Chapter III about 11 min
  51. Chapter IV about 2 min
  52. Chapter V about 2 min
  53. Chapter VI about 5 min
  54. Chapter VII about 2 min
  55. Chapter VIII about 5 min
  56. Chapter IX about 3 min
  57. Chapter X about 1 min
  58. Chapter XI about 4 min
  59. Chapter XII about 2 min
  60. Chapter XIII about 10 min
  61. Chapter XIV about 5 min
  62. Chapter XV about 3 min
  63. Chapter XVI about 4 min
  64. Chapter XVII about 3 min
  65. Chapter XVIII about 4 min
  66. Chapter XIX about 3 min
  67. Chapter XX about 5 min
  68. Chapter XXI about 2 min
  69. Chapter XXII about 2 min
  70. Chapter XXIII about 4 min
  71. Chapter XXIV about 5 min
  72. Chapter XXV about 4 min
  73. Chapter XXVI about 4 min
  74. Chapter XXVII about 3 min
  75. Chapter XXVIII about 2 min
  76. Chapter XXIX about 3 min
  77. Chapter XXX about 4 min
  78. Chapter XXXI about 5 min
  79. Chapter XXXII about 2 min
  80. Chapter XXXIII about 6 min
  81. Chapter XXXIV about 5 min
  82. Chapter XXXV about 6 min
  83. Chapter XXXVI about 10 min
  84. Chapter XXXVII about 8 min
  85. Chapter XXXVIII about 1 min
  86. Chapter XXXIX about 4 min
  87. Chapter XL about 3 min
  88. Chapter XLI about 4 min
  89. Chapter XLII about 4 min
  90. Chapter XLIII about 4 min
  91. XLIV. Mexica.--Philippa.--Molina.--The Queen's Jester about 5 min
  92. XLV. Le Bouthilier de Ranch, Abbe de la Trappe about 3 min
  93. Chapter XLVI about 8 min
  94. XLVII. Moliere.--Racine.--Their Mutual Esteem.--Racine in Mourning about 2 min
  95. Chapter XLVIII about 4 min
  96. Chapter XLIX about 7 min
  97. Chapter L about 5 min
  98. Chapter LI about 3 min
  99. Chapter LII about 5 min
  100. Chapter LIII about 4 min
  101. Chapter LIV about 3 min
  102. Chapter LV about 3 min
  103. Chapter LVI about 7 min
  104. Chapter LVII about 4 min
  105. Chapter LVIII about 5 min
  106. Chapter LIX about 12 min
  107. Chapter LX about 7 min
  108. Chapter LXI about 10 min
  109. Chapter I about 7 min
  110. Chapter II about 5 min
  111. Chapter III about 4 min
  112. Chapter IV about 3 min
  113. Chapter V about 5 min
  114. Chapter VI about 3 min
  115. Chapter VII about 5 min
  116. Chapter VIII about 3 min
  117. Chapter IX about 3 min
  118. Chapter X about 6 min
  119. Chapter XI about 5 min
  120. Chapter XII about 3 min
  121. Chapter XIII about 3 min
  122. Chapter XIV about 3 min
  123. Chapter XV about 5 min
  124. Chapter XVI about 5 min
  125. Chapter XVII about 5 min
  126. Chapter XVIII about 5 min
  127. Chapter XIX about 4 min
  128. Chapter XX about 3 min
  129. Chapter XXI about 3 min
  130. XXII. Progress of Madame de Maintenon.--The Anonymous Letter about 3 min
  131. Chapter XXIII about 7 min
  132. Chapter XXIV about 4 min
  133. Chapter XXV about 5 min
  134. Chapter XXVI about 5 min
  135. Chapter XXVII about 3 min
  136. Chapter XXVIII about 8 min
  137. Chapter XXIX about 5 min
  138. Chapter XXX about 4 min
  139. Chapter XXXI about 4 min
  140. Chapter XXXII about 5 min
  141. Chapter XXXIII about 5 min
  142. Chapter XXXIV about 7 min
  143. Chapter XXXV about 13 min
  144. Chapter XXXVI about 8 min
  145. Chapter XXXVII about 5 min
  146. Chapter XXXVIII about 6 min
  147. Chapter XXXIV about 7 min
  148. Chapter XL about 6 min
  149. Chapter XLI about 5 min
  150. Chapter XLII about 8 min
  151. Chapter XLIII about 7 min
  152. Chapter XLIV about 4 min
  153. Chapter XLV about 10 min
  154. Chapter XLVI about 7 min
  155. Chapter XLVII about 15 min
  156. 1. PREFACE about 1 h 36 min
  157. Book 2 about 1 h 42 min
  158. Book 3 about 1 h 16 min
  159. Book 4 about 1 h 35 min
  160. Chapter I under 1 min
  161. Chapter II under 1 min
  162. Chapter III under 1 min
  163. Chapter IV under 1 min
  164. Chapter V under 1 min
  165. Chapter VI under 1 min
  166. Chapter VII under 1 min
  167. Chapter VIII under 1 min
  168. Chapter IX under 1 min
  169. Chapter X under 1 min
  170. Chapter XI under 1 min
  171. Chapter XII under 1 min
  172. Chapter XIII under 1 min
  173. Chapter XIV under 1 min
  174. Chapter XV under 1 min
  175. Chapter XVI under 1 min
  176. Chapter XVII under 1 min
  177. Chapter XVIII under 1 min
  178. Chapter XIX under 1 min
  179. Chapter XX under 1 min
  180. Chapter XXI under 1 min
  181. Chapter XXII under 1 min
  182. Chapter XXIII under 1 min
  183. Chapter XXIV under 1 min
  184. Chapter XXV under 1 min
  185. Chapter XXVI under 1 min
  186. Chapter XXVII under 1 min
  187. Chapter XXVIII under 1 min
  188. Chapter XXIX under 1 min
  189. Chapter XXX under 1 min
  190. Chapter XXXI under 1 min
  191. Chapter XXXII under 1 min
  192. Chapter XXXIII under 1 min
  193. Chapter XXXIV under 1 min
  194. Chapter XXXV under 1 min
  195. Chapter XXXVI under 1 min
  196. Chapter XXXVII under 1 min
  197. Chapter XXXVIII under 1 min
  198. Chapter XXXIX under 1 min
  199. Chapter XL under 1 min
  200. Chapter XLI under 1 min
  201. Chapter XLII under 1 min
  202. Chapter XLIII under 1 min
  203. Chapter XLIV under 1 min
  204. Chapter XLV under 1 min
  205. Chapter XLVI under 1 min
  206. Chapter XLVII under 1 min
  207. Chapter XLVIII under 1 min
  208. Chapter XLIX under 1 min
  209. Chapter L under 1 min
  210. Chapter LI under 1 min
  211. Chapter LII under 1 min
  212. Chapter LIII under 1 min
  213. Chapter LIV under 1 min
  214. Chapter LV under 1 min
  215. Chapter LVI under 1 min
  216. Chapter LVII under 1 min
  217. Chapter LVIII under 1 min
  218. Chapter LIX under 1 min
  219. Chapter LX under 1 min
  220. Chapter LXI under 1 min
  221. Chapter LXII under 1 min
  222. Chapter LXIII under 1 min
  223. Chapter LXIV under 1 min
  224. Chapter LXV under 1 min
  225. Chapter LXVI under 1 min
  226. Chapter LXVII under 1 min
  227. Chapter LXVIII under 1 min
  228. Chapter LXIX under 1 min
  229. Chapter LXX under 1 min
  230. Chapter LXXI under 1 min
  231. Chapter LXXII under 1 min
  232. Chapter LXXIII under 1 min
  233. Chapter LXXIV under 1 min
  234. Chapter LXXV under 1 min
  235. Chapter LXXVI under 1 min
  236. Chapter LXXVII under 1 min
  237. Chapter LXXVIII under 1 min
  238. Chapter LXXIX under 1 min
  239. Chapter LXXX under 1 min
  240. Chapter LXXXI under 1 min
  241. Chapter LXXXII under 1 min
  242. Chapter LXXXIII under 1 min
  243. Chapter LXXXIV under 1 min
  244. Chapter LXXXV under 1 min
  245. Chapter LXXXVI under 1 min
  246. Chapter LXXXVII under 1 min
  247. Chapter LXXXVIII under 1 min
  248. Chapter LXXXIX under 1 min
  249. Chapter XC under 1 min
  250. Chapter XCI under 1 min
  251. Chapter XCII under 1 min
  252. Chapter XCIII under 1 min
  253. Chapter XCIV under 1 min
  254. Chapter XCV under 1 min
  255. Chapter XCVI under 1 min
  256. Chapter XCVII under 1 min
  257. Chapter XCVIII under 1 min
  258. Chapter XCIX under 1 min
  259. Chapter C under 1 min
  260. Chapter CI under 1 min
  261. Chapter CII under 1 min
  262. Chapter CIII under 1 min
  263. Chapter CIV under 1 min
  264. Chapter CV under 1 min
  265. Chapter CVI under 1 min
  266. Chapter CVII under 1 min
  267. Chapter CVIII under 1 min
  268. Chapter CIX under 1 min
  269. Chapter CX under 1 min
  270. Chapter CXI under 1 min
  271. Chapter CXII under 1 min
  272. Chapter CXIII under 1 min
  273. Chapter CXIV under 1 min
  274. Chapter CXV under 1 min
  275. Chapter CXVI under 1 min
  276. Chapter CXVII under 1 min
  277. Chapter CXVIII under 1 min
  278. Chapter CXIX under 1 min
  279. Introduction about 5 min
  280. Chapter I about 15 min
  281. Chapter II about 20 min
  282. Chapter III about 11 min
  283. Chapter IV about 14 min
  284. Chapter V about 12 min
  285. Chapter VI about 16 min
  286. Chapter VII about 19 min
  287. Chapter VIII about 12 min
  288. Chapter IX about 18 min
  289. Chapter X about 11 min
  290. Chapter XI about 18 min
  291. Chapter XII about 15 min
  292. Chapter XIII about 15 min
  293. Chapter XIV about 17 min
  294. Chapter XV about 16 min
  295. Chapter XVI about 20 min
  296. Chapter XVII about 15 min
  297. Chapter XVIII about 17 min
  298. Chapter XIX about 19 min
  299. Chapter XX about 9 min
  300. Chapter XXI about 17 min
  301. Chapter XXII about 17 min
  302. Chapter XXIII about 12 min
  303. Chapter XXIV about 12 min
  304. Chapter XXV about 12 min
  305. Chapter XXVI about 10 min
  306. Chapter XXVII about 14 min
  307. Chapter XXVIII about 16 min
  308. Chapter XXIX about 20 min
  309. Chapter XXX about 15 min
  310. Chapter XXXI about 17 min
  311. Chapter XXXII about 15 min
  312. Chapter XXXIII about 12 min
  313. Chapter XXXIV about 16 min
  314. Chapter XXXV about 13 min
  315. Chapter XXXVI about 14 min
  316. Chapter XXXVII about 21 min
  317. Chapter XXXVIII about 19 min
  318. Chapter XXXIX about 17 min
  319. Chapter XL about 18 min
  320. Chapter XLI about 11 min
  321. Chapter XLII about 14 min
  322. Chapter XLIII about 16 min
  323. Chapter XLIV about 18 min
  324. Chapter XLV about 15 min
  325. Chapter XLVI about 10 min
  326. Chapter XLVII about 17 min
  327. Chapter XLVIII about 10 min
  328. Chapter XLIX about 16 min
  329. Chapter L about 15 min
  330. Chapter LI about 16 min
  331. Chapter LII about 9 min
  332. Chapter LIII about 11 min
  333. Chapter LIV about 17 min
  334. Chapter LV about 10 min
  335. Chapter LVI about 18 min
  336. Chapter LVII about 18 min
  337. Chapter LVIII about 23 min
  338. Chapter LIX about 21 min
  339. Chapter LX about 17 min
  340. Chapter LXI about 14 min
  341. Chapter LXII about 16 min
  342. Chapter LXIII about 17 min
  343. Chapter LXIV about 23 min
  344. Chapter LXV about 14 min
  345. Chapter LVI about 11 min
  346. Chapter LXVII about 9 min
  347. Chapter LXVIII about 15 min
  348. Chapter LXIX about 15 min
  349. Chapter LXX about 20 min
  350. Chapter LXXI about 11 min
  351. Chapter LXXII about 22 min
  352. Chapter LXXIII about 14 min
  353. Chapter LXXIV about 8 min
  354. Chapter LXXV about 12 min
  355. Chapter LXXVI about 14 min
  356. Chapter LXXVII about 12 min
  357. Chapter LXXVIII about 19 min
  358. Chapter LXXIX about 19 min
  359. Chapter LXXX about 15 min
  360. Chapter LXXXI about 10 min
  361. Chapter LXXXII about 8 min
  362. Chapter LXXXIII about 12 min
  363. Chapter LXXXIV about 13 min
  364. Chapter LXXXV about 12 min
  365. Chapter LXXXVI about 13 min
  366. Chapter LXXXVII about 11 min
  367. Chapter LXXXVIII about 7 min
  368. Chapter LXXXIX about 6 min
  369. Chapter XC about 15 min
  370. Chapter XCI about 18 min
  371. Chapter XCII about 29 min
  372. Chapter XCIII about 19 min
  373. Chapter XCIV about 10 min
  374. Chapter XCV about 12 min
  375. Chapter XCVI about 13 min
  376. Chapter XCVII about 9 min
  377. Chapter XCVII about 22 min
  378. Chapter XCIX about 14 min
  379. Chapter C about 13 min
  380. Chapter CI about 13 min
  381. Chapter CII about 7 min
  382. Chapter CIII about 10 min
  383. Chapter CIV about 17 min
  384. Chapter CV about 12 min
  385. Chapter CVI about 10 min
  386. Chapter CVII about 15 min
  387. Chapter CVIII about 13 min
  388. Chapter CIX about 12 min
  389. Chapter CX about 13 min
  390. Chapter CXI about 11 min
  391. Chapter CXII about 21 min
  392. Chapter CXIII about 19 min
  393. Chapter CXIV about 12 min
  394. Chapter CXV about 24 min
  395. Chapter CXVI about 12 min
  396. Chapter CXVII about 11 min
  397. Chapter CXVIII about 18 min
  398. Chapter CXIX about 12 min
  399. Introduction about 3 h
  400. Introduction about 2 h 18 min
  401. 2. SECTION I about 2 h 48 min
  402. Postscript about 3 h 11 min
  403. Chapter I about 23 min
  404. Chapter II about 13 min
  405. Chapter III about 20 min
  406. Chapter IV about 14 min
  407. Chapter V about 26 min
  408. Chapter VI about 24 min
  409. Chapter VII about 14 min
  410. Chapter VIII about 19 min
  411. Chapter IX about 29 min
  412. Chapter X about 27 min
  413. Chapter XI about 23 min
  414. Chapter XII about 15 min
  415. Chapter XIII about 28 min
  416. Chapter XIV about 21 min
  417. Chapter I about 17 min
  418. Chapter II about 34 min
  419. Chapter III about 16 min
  420. Chapter IV about 16 min
  421. Chapter V about 33 min
  422. Chapter VI about 29 min
  423. Chapter VII about 27 min
  424. Chapter VIII about 34 min
  425. Chapter IX about 1 h 59 min
  426. I. PARIS, August, 1805 about 8 min
  427. II. PARIS, August, 1805 about 5 min
  428. III. PARIS, August, 1805 about 7 min
  429. IV. PARIS, August, 1805 about 7 min
  430. V. PARIS, August, 1805 about 6 min
  431. VI. PARIS, August, 1805 about 7 min
  432. VII. PARIS, August, 1805 about 7 min
  433. VIII. PARIS, August, 1805 about 4 min
  434. IX. PARIS, August, 1805 about 6 min
  435. X. PARIS, August, 1805 about 5 min
  436. XI. PARIS, August, 1805 about 6 min
  437. XII. PARIS, August, 1805 about 6 min
  438. XIII. PARIS, August, 1805 about 5 min
  439. XIV. PARIS, August, 1805 about 9 min
  440. XV. PARIS, August, 1805 about 9 min
  441. XVI. PARIS, August, 1805 about 7 min
  442. XVII. PARIS, August, 1805 about 6 min
  443. XVIII. Paris, August, 1805 about 7 min
  444. XIX. PARIS, August, 1805 about 8 min
  445. XX. PARIS, August, 1805 about 7 min
  446. XXI. PARIS, August, 1805 about 7 min
  447. XXII. PARIS, August, 1805 about 5 min
  448. XXIII. PARIS, August, 1805 about 5 min
  449. XXIV. PARIS, August, 1805 about 5 min
  450. XXV. PARIS, August, 1805 about 8 min
  451. XXVI. PARIS, August, 1805 about 7 min
  452. XXVII. PARIS, August, 1805 about 12 min
  453. XXVIII. PARIS, August, 1805 about 6 min
  454. XXIX. Paris, August, 1805 about 10 min
  455. XXX. PARIS, August, 1805 about 9 min
  456. XXXI. PARIS, August, 1805 about 7 min
  457. XXXII. PARIS, August, 1805 about 9 min
  458. XXXIII. PARIS, August, 1805 about 6 min
  459. XXXIV. PARIS, August, 1805 about 7 min
  460. XXXV. PARIS, August, 1805 about 7 min
  461. XXXVI. PARIS, September, 1805 about 9 min
  462. XXXVII. PARIS, September, 1805 about 10 min
  463. XXXVIII. PARIS, September, 1805 about 8 min
  464. XXXIX. PARIS, September, 1805 about 9 min
  465. XL. PARIS, September, 1805 about 11 min
  466. I. PARIS, September, 1805 about 8 min
  467. II. PARIS, September, 1805 about 8 min
  468. III. PARIS, September, 1805 about 7 min
  469. IV. PARIS, September, 1805 about 7 min
  470. V. PARIS, September, 1805 about 6 min
  471. VI. PARIS, September, 1805 about 5 min
  472. VII. PARIS, September, 1805 about 9 min
  473. VIII. PARIS, September, 1805 about 9 min
  474. IX. PARIS, September, 1805 about 11 min
  475. X. PARIS, September, 1805 about 10 min
  476. XI. PARIS, September, 1805 about 10 min
  477. XII. PARIS, September, 1805 about 7 min
  478. XIII. PARIS, September, 1805 about 5 min
  479. XIV. PARIS, September, 1805 about 7 min
  480. XV. PARIS, September, 1805 about 6 min
  481. XVI. PARIS, September, 1805 about 5 min
  482. XVII. PARIS, September, 1805 about 6 min
  483. XVIII. PARIS, September, 1805 about 8 min
  484. XIX. PARIS, September, 1805 about 5 min
  485. XX. PARIS, October, 1805 about 6 min
  486. XXI. PARIS, October, 1805 about 4 min
  487. XXII. PARIS, October, 1805 about 6 min
  488. XXIII. PARIS, October, 1805 about 5 min
  489. XXIV. PARIS, October, 1805 about 7 min
  490. XXV. PARIS, October, 1805 about 7 min
  491. XXVI. PARIS, October, 1805 about 6 min
  492. XXVII. PARIS, October, 1805 about 6 min
  493. XXVIII. PARIS, October, 1805 about 6 min
  494. XXIX. PARIS, October, 1805 about 4 min
  495. XXX. PARIS, October, 1805 about 8 min
  496. XXXI. PARIS, October, 1805 about 6 min
  497. XXXII. PARIS, October, 1805 about 6 min
  498. XXXIII. PARIS, October, 1805 about 7 min
  499. XXXIV. PARIS, October, 1805 about 5 min
  500. XXXV. PARIS, October, 1805 about 6 min
  501. XXXVI. PARIS, October, 1805 about 8 min
  502. XXXVII. PARIS, October, 1805 about 23 min
  503. Introduction about 7 h 7 min
  504. Court Memoirs of France Series — Complete (part 41 of 41) about 12 min

Continue:

Chapter I

I was fifteen years of age when I was appointed reader to Mesdames. I will begin by describing the Court at that period.

Maria Leczinska was just dead; the death of the Dauphin had preceded hers by three years; the Jesuits were suppressed, and piety was to be found at Court only in the apartments of Mesdames. The Duc de Choiseuil ruled.

Etiquette still existed at Court with all the forms it had acquired under Louis XIV.; dignity alone was wanting. As to gaiety, there was none. Versailles was not the place at which to seek for assemblies where French spirit and grace were displayed. The focus of wit and intelligence was Paris.

The King thought of nothing but the pleasures of the chase: it might have been imagined that the courtiers indulged themselves in making epigrams by hearing them say seriously, on those days when the King did not hunt, "The King does nothing to-day."--[In sporting usance (see SOULAIRE, p. 316).]

The arrangement beforehand of his movements was also a matter of great importance with Louis XV. On the first day of the year he noted down in his almanac the days of departure for Compiegne, Fontainebleau, Choisy, etc. The weightiest matters, the most serious events, never deranged this distribution of his time.

Since the death of the Marquise de Pompadour, the King had no titled mistress; he contented himself with his seraglio in the Parc-aux-Cerfs. It is well known that the monarch found the separation of Louis de Bourbon from the King of France the most animating feature of his royal existence. "They would have it so; they thought it for the best," was his way of expressing himself when the measures of his ministers were unsuccessful. The King delighted to manage the most disgraceful points of his private expenses himself; he one day sold to a head clerk in the War Department a house in which one of his mistresses had lodged; the contract ran in the name of Louis de Bourbon, and the purchaser himself took in a bag the price of the house in gold to the King in his private closet.

[Until recently little was known about the Parc-aux-Cerfs, and it was believed that a great number of young women had been maintained there at enormous expense. The investigations of M. J. A. Le Roi, given in his interesting work, "Curiosites Historiques sur Louis XIII., Louis XIV., Louis XV.," etc., Paris, Plon, 1864, have thrown fresh light upon the matter. The result he arrives at (see page 229 of his work) is that the house in question (No. 4 Rue St. Mederic, on the site of the Parc-aux-Cerfs, or breeding-place for deer, of Louis XIII) was very small, and could have held only one girl, the woman in charge of her, and a servant. Most of the girls left it only when about to be confined, and it sometimes stood vacant for five or six months. It may have been rented before the date of purchase, and other houses seem sometimes to have been used also; but in any case, it is evident that both the number of girls and the expense incurred have been absurdly exaggerated. The system flourished under Madame de Pompadour, but ceased as soon as Madame du Barry obtained full power over the King, and the house was then sold to M. J. B. Sevin for 16,000 livres, on 27th May, 1771, Louis not acting under the name of Louis de Bourbon, but as King,--"Vente par le Roi, notre Sire." In 1755 he had also been declared its purchaser in a similar manner. Thus, Madame Campan is in error in saying that the King made the contract as Louis de Bourbon.]--[And it also possible that Madam Campan was correct and that the house she refers to as sold for a "bag of gold" was another of the several of the seraglio establishments of Louis XV. D.W.]

Louis XV. saw very little of his family. He came every morning by a private staircase into the apartment of Madame Adelaide.

[Louis XV. seemed to feel for Madame Adelaide the tenderness he had had for the Duchesse de Bourgogne, his mother, who perished so suddenly, under the eyes and almost in the arms of Louis XIV. The birth of Madame Adelaide, 23d March, 1732, was followed by that of Madame Victoire Louise Marie Therese on the 11th May, 1733. Louis had, besides, six daughters: Mesdames Sophie and Louise, who are mentioned in this chapter; the Princesses Marie and Felicite, who died young; Madame Henriette died at Versailles in 1752, aged twenty-four; and finally, Madame the Duchess of Parma, who also died at the Court.]

He often brought and drank there coffee that he had made himself. Madame Adelaide pulled a bell which apprised Madame Victoire of the King's visit; Madame Victoire, on rising to go to her sister's apartment, rang for Madame Sophie, who in her turn rang for Madame Louise. The apartments of Mesdames were of very large dimensions. Madame Louise occupied the farthest room. This latter lady was deformed and very short; the poor Princess used to run with all her might to join the daily meeting, but, having a number of rooms to cross, she frequently in spite of her haste, had only just time to embrace her father before he set out for the chase.

Every evening, at six, Mesdames interrupted my reading to them to accompany the princes to Louis XV.; this visit was called the King's 'debotter',--[Debotter, meaning the time of unbooting.]--and was marked by a kind of etiquette. Mesdames put on an enormous hoop, which set out a petticoat ornamented with gold or embroidery; they fastened a long train round their waists, and concealed the undress of the rest of their clothing by a long cloak of black taffety which enveloped them up to the chin. The chevaliers d'honneur, the ladies in waiting, the pages, the equerries, and the ushers bearing large flambeaux, accompanied them to the King. In a moment the whole palace, generally so still, was in motion; the King kissed each Princess on the forehead, and the visit was so short that the reading which it interrupted was frequently resumed at the end of a quarter of an hour; Mesdames returned to their apartments, and untied the strings of their petticoats and trains; they resumed their tapestry, and I my book.

During the summer season the King sometimes came to the residence of Mesdames before the hour of his 'debotter'. One day he found me alone in Madame Victoire's closet, and asked me where 'Coche'[Piggy] was; I started, and he repeated his question, but without being at all the more understood. When the King was gone I asked Madame of whom he spoke. She told me that it was herself, and very coolly explained to me, that, being the fattest of his daughters, the King had given her the familiar name of 'Coche'; that he called Madame Adelaide, 'Logue' [Tatters], Madame Sophie, 'Graille'[Mite], and Madame Louise, 'Chiffie'[Rubbish]. The people of the King's household observed that he knew a great number of such words; possibly he had amused himself with picking them out from dictionaries. If this style of speaking betrayed the habits and tastes of the King, his manner savoured nothing of such vulgarity; his walk was easy and noble, he had a dignified carriage of the head, and his aspect, with out being severe, was imposing; he combined great politeness with a truly regal demeanour, and gracefully saluted the humblest woman whom curiosity led into his path.

He was very expert in a number of trifling matters which never occupy attention but when there is a lack of something better to employ it; for instance, he would knock off the top of an egg-shell at a single stroke of his fork; he therefore always ate eggs when he dined in public, and the Parisians who came on Sundays to see the King dine, returned home less struck with his fine figure than with the dexterity with which he broke his eggs.

Repartees of Louis XV., which marked the keenness of his wit and the elevation of his sentiments, were quoted with pleasure in the assemblies of Versailles.

This Prince was still beloved; it was wished that a style of life suitable to his age and dignity should at length supersede the errors of the past, and justify the love of his subjects. It was painful to judge him harshly. If he had established avowed mistresses at Court, the uniform devotion of the Queen was blamed for it. Mesdames were reproached for not seeking to prevent the King's forming an intimacy with some new favourite. Madame Henriette, twin sister of the Duchess of Parma, was much regretted, for she had considerable influence over the King's mind, and it was remarked that if she had lived she would have been assiduous in finding him amusements in the bosom of his family, would have followed him in his short excursions, and would have done the honours of the 'petits soupers' which he was so fond of giving in his private apartments.

Mesdames too much neglected the means of pleasing the wing, but the cause of that was obvious in the little attention he had paid them in their youth.

In order to console the people under their sufferings, and to shut their eyes to the real depredations on the treasury, the ministers occasionally pressed the most extravagant measures of reform in the King's household, and even in his personal expenses.

Cardinal Fleury, who in truth had the merit of reestablishing the finances, carried this system of economy so far as to obtain from the King the suppression of the household of the four younger Princesses. They were brought up as mere boarders in a convent eighty leagues distant from the Court. Saint Cyr would have been more suitable for the reception of the King's daughters; but probably the Cardinal shared some of those prejudices which will always attach to even the most useful institutions, and which, since the death of Louis XIV., had been raised against the noble establishment of Madame de Maintenon. Madame Louise often assured me that at twelve years of age she was not mistress of the whole alphabet, and never learnt to read fluently until after her return to Versailles.

Madame Victoire attributed certain paroxysms of terror, which she was never able to conquer, to the violent alarms she experienced at the Abbey of Fontevrault, whenever she was sent, by way of penance, to pray alone in the vault where the sisters were interred.

A gardener belonging to the abbey died raving mad. His habitation, without the walls, was near a chapel of the abbey, where Mesdames were taken to repeat the prayers for those in the agonies of death. Their prayers were more than once interrupted by the shrieks of the dying man.

When Mesdames, still very young, returned to Court, they enjoyed the friendship of Monseigneur the Dauphin, and profited by his advice. They devoted themselves ardently to study, and gave up almost the whole of their time to it; they enabled themselves to write French correctly, and acquired a good knowledge of history. Italian, English, the higher branches of mathematics, turning and dialing, filled up in succession their leisure moments. Madame Adelaide, in particular, had a most insatiable desire to learn; she was taught to play upon all instruments, from the horn (will it be believed!) to the Jew's-harp.

Madame Adelaide was graced for a short time with a charming figure; but never did beauty so quickly vanish. Madame Victoire was handsome and very graceful; her address, mien, and smile were in perfect accordance with the goodness of her heart. Madame Sophie was remarkably ugly; never did I behold a person with so unprepossessing an appearance; she walked with the greatest rapidity; and, in order to recognise the people who placed themselves along her path without looking at them, she acquired the habit of leering on one side, like a hare. This Princess was so exceedingly diffident that a person might be with her daily for years together without hearing her utter a single word. It was asserted, however, that she displayed talent, and even amiability, in the society of some favourite ladies. She taught herself a great deal, but she studied alone; the presence of a reader would have disconcerted her very much. There were, however, occasions on which the Princess, generally so intractable, became all at once affable and condescending, and manifested the most communicative good-nature; this would happen during a storm; so great was her alarm on such an occasion that she then approached the most humble, and would ask them a thousand obliging questions; a flash of lightning made her squeeze their hands; a peal of thunder would drive her to embrace them, but with the return of the calm, the Princess resumed her stiffness, her reserve, and her repellent air, and passed all by without taking the slightest notice of any one, until a fresh storm restored to her at once her dread and her affability. [Which reminds one of the elder (and puritanic) Cato who said that he "embraced" his wife only when it thundered, but added that he did enjoy a good thunderstorm. D.W.]

Mesdames found in a beloved brother, whose rare attainments are known to all Frenchmen, a guide in everything wanting to their education. In their august mother, Maria Leczinska, they possessed the noblest example of every pious and social virtue; that Princess, by her eminent qualities and her modest dignity, veiled the failings of the King, and while she lived she preserved in the Court of Louis XV. that decorous and dignified tone which alone secures the respect due to power. The Princesses, her daughters, were worthy of her; and if a few degraded beings did aim the shafts of calumny at them, these shafts dropped harmless, warded off by the elevation of their sentiments and the purity of their conduct.

If Mesdames had not tasked themselves with numerous occupations, they would have been much to be pitied. They loved walking, but could enjoy nothing beyond the public gardens of Versailles; they would have cultivated flowers, but could have no others than those in their windows.

The Marquise de Durfort, since Duchesse de Civrac, afforded to Madame Victoire agreeable society. The Princess spent almost all her evenings with that lady, and ended by fancying herself domiciled with her.

Madame de Narbonne had, in a similar way, taken pains to make her intimate acquaintance pleasant to Madame Adelaide.

Madame Louise had for many years lived in great seclusion; I read to her five hours a day. My voice frequently betrayed the exhaustion of my lungs; the Princess would then prepare sugared water for me, place it by me, and apologise for making me read so long, on the score of having prescribed a course of reading for herself.

One evening, while I was reading, she was informed that M. Bertin, 'ministre des parties casuelles', desired to speak with her; she went out abruptly, returned, resumed her silks and embroidery, and made me resume my book; when I retired she commanded me to be in her closet the next morning at eleven o'clock. When I got there the Princess was gone out; I learnt that she had gone at seven in the morning to the Convent of the Carmelites of St. Denis, where she was desirous of taking the veil. I went to Madame Victoire; there I heard that the King alone had been acquainted with Madame Louise's project; that he had kept it faithfully secret, and that, having long previously opposed her wish, he had only on the preceding evening sent her his consent; that she had gone alone into the convent, where she was expected; and that a few minutes afterwards she had made her appearance at the grating, to show to the Princesse de Guistel, who had accompanied her to the convent gate, and to her equerry, the King's order to leave her in the monastery.

Upon receiving the intelligence of her sister's departure, Madame Adelaide gave way to violent paroxysms of rage, and reproached the King bitterly for the secret, which he had thought it his duty to preserve. Madame Victoire missed the society of her favourite sister, but she shed tears in silence only. The first time I saw this excellent Princess after Madame Louise's departure, I threw myself at her feet, kissed her hand, and asked her, with all the confidence of youth, whether she would quit us as Madame Louise had done. She raised me, embraced me; and said, pointing to the lounge upon which she was extended, "Make yourself easy, my dear; I shall never have Louise's courage. I love the conveniences of life too well; this lounge is my destruction." As soon as I obtained permission to do so, I went to St. Denis to see my late mistress; she deigned to receive me with her face uncovered, in her private parlour; she told me she had just left the wash-house, and that it was her turn that day to attend to the linen. "I much abused your youthful lungs for two years before the execution of my project," added she. "I knew that here I could read none but books tending to our salvation, and I wished to review all the historians that had interested me."

She informed me that the King's consent for her to go to St. Denis had been brought to her while I was reading; she prided herself, and with reason, upon having returned to her closet without the slightest mark of agitation, though she said she felt so keenly that she could scarcely regain her chair. She added that moralists were right when they said that happiness does not dwell in palaces; that she had proved it; and that, if I desired to be happy, she advised me to come and enjoy a retreat in which the liveliest imagination might find full exercise in the contemplation of a better world. I had no palace, no earthly grandeur to sacrifice to God; nothing but the bosom of a united family; and it is precisely there that the moralists whom she cited have placed true happiness. I replied that, in private life, the absence of a beloved and cherished daughter would be too cruelly felt by her family. The Princess said no more on the subject.

The seclusion of Madame Louise was attributed to various motives; some were unkind enough to suppose it to have been occasioned by her mortification at being, in point of rank, the last of the Princesses. I think I penetrated the true cause. Her aspirations were lofty; she loved everything sublime; often while I was reading she would interrupt me to exclaim, "That is beautiful! that is noble!" There was but one brilliant action that she could perform,--to quit a palace for a cell, and rich garments for a stuff gown. She achieved it!

I saw Madame Louise two or three times more at the grating. I was informed of her death by Louis XVI. "My Aunt Louise," said he to me, "your old mistress, is just dead at St. Denis. I have this moment received intelligence of it. Her piety and resignation were admirable, and yet the delirium of my good aunt recalled to her recollection that she was a princess, for her last words were, 'To paradise, haste, haste, full speed.' No doubt she thought she was again giving orders to her equerry."

[The retirement of Madame Louise, and her removal from Court, had only served to give her up entirely to the intrigues of the clergy. She received incessant visits from bishops, archbishops, and ambitious priests of every rank; she prevailed on the King, her father, to grant many ecclesiastical preferments, and probably looked forward to playing an important part when the King, weary of his licentious course of life, should begin to think of religion. This, perhaps, might have been the case had not a sudden and unexpected death put an end to his career. The project of Madame Louise fell to the ground in consequence of this event. She remained in her convent, whence she continued to solicit favours, as I knew from the complaints of the Queen, who often said to me, "Here is another letter from my Aunt Louise. She is certainly the most intriguing little Carmelite in the kingdom." The Court went to visit her about three times a year, and I recollect that the Queen, intending to take her daughter there, ordered me to get a doll dressed like a Carmelite for her, that the young Princess might be accustomed, before she went into the convent, to the habit of her aunt, the nun.--MADAME CAMPAN]

Madame Victoire, good, sweet-tempered, and affable, lived with the most amiable simplicity in a society wherein she was much caressed; she was adored by her household. Without quitting Versailles, without sacrificing her easy chair, she fulfilled the duties of religion with punctuality, gave to the poor all she possessed, and strictly observed Lent and the fasts. The table of Mesdames acquired a reputation for dishes of abstinence, spread abroad by the assiduous parasites at that of their maitre d'hotel. Madame Victoire was not indifferent to good living, but she had the most religious scruples respecting dishes of which it was allowable to partake at penitential times. I saw her one day exceedingly tormented by her doubts about a water-fowl, which was often served up to her during Lent. The question to be determined was, whether it was 'maigre' or 'gras'. She consulted a bishop, who happened to be of the party: the prelate immediately assumed the grave attitude of a judge who is about to pronounce sentence. He answered the Princess that, in a similar case of doubt, it had been resolved that after dressing the bird it should be pricked over a very cold silver dish; if the gravy of the animal congealed within a quarter of an hour, the creature was to be accounted flesh; but if the gravy remained in an oily state, it might be eaten without scruple. Madame Victoire immediately made the experiment: the gravy did not congeal; and this was a source of great joy to the Princess, who was very partial to that sort of game. The abstinence which so much occupied the attention of Madame Victoire was so disagreeable to her, that she listened with impatience for the midnight hour of Holy Saturday; and then she was immediately supplied with a good dish of fowl and rice, and sundry other succulent viands. She confessed with such amiable candour her taste for good cheer and the comforts of life, that it would have been necessary to be as severe in principle as insensible to the excellent qualities of the Princess, to consider it a crime in her.

Madame Adelaide had more mind than Madame Victoire; but she was altogether deficient in that kindness which alone creates affection for the great, abrupt manners, a harsh voice, and a short way of speaking, rendering her more than imposing. She carried the idea of the prerogative of rank to a high pitch. One of her chaplains was unlucky enough to say 'Dominus vobiscum' with rather too easy an air; the Princess rated him soundly for it after mass, and told him to remember that he was not a bishop, and not again to think of officiating in the style of a prelate.

Mesdames lived quite separate from the King. Since the death of Madame de Pompadour he had lived alone. The enemies of the Duc de Choiseul did not know in what department, nor through what channel, they could prepare and bring about the downfall of the man who stood in their way. The King was connected only with women of so low a class that they could not be made use of for any delicate intrigue; moreover, the Parc-aux-Cerfs was a seraglio, the beauties of which were often replaced; it was desirable to give the King a mistress who could form a circle, and in whose drawing-room the long-standing attachment of the King for the Duc de Choiseul might be overcome. It is true that Madame du Barry was selected from a class sufficiently low. Her origin, her education, her habits, and everything about her bore a character of vulgarity and shamelessness; but by marrying her to a man whose pedigree dated from 1400, it was thought scandal would be avoided. The conqueror of Mahon conducted this coarse intrigue.

[It appeared at this period as if every feeling of dignity was lost. "Few noblemen of the French Court," says a writer of the time, "preserved themselves from the general corruption. The Marechal de Brissac was one of the latter. He was bantered on the strictness of his principles of honour and honesty; it was thought strange that he should be offended by being thought, like so many others, exposed to hymeneal disgrace. Louis XV., who was present, and laughed at his angry fit, said to him: 'Come, M. de Brissac, don't be angry; 'tis but a trifling evil; take courage.'--'Sire,' replied M. de Brissac, 'I possess all kinds of courage, except that which can brave shame.'"--NOTE BY THE EDITOR.]

Such a mistress was judiciously selected for the diversion of the latter years of a man weary of grandeur, fatigued with pleasure, and cloyed with voluptuousness. Neither the wit, the talents, the graces of the Marquise de Pompadour, her beauty, nor even her love for the King, would have had any further influence over that worn-out being.

He wanted a Roxalana of familiar gaiety, without any respect for the dignity of the sovereign. Madame du Barry one day so far forgot propriety as to desire to be present at a Council of State. The King was weak enough to consent to it. There she remained ridiculously perched upon the arm of his chair, playing all sorts of childish monkey tricks, calculated to please an old sultan.

Another time she snatched a packet of sealed letters from the King's hand. Among them she had observed one from Comte de Broglie. She told the King that she knew that rascal Broglie spoke ill of her to him, and that for once, at least, she would make sure he should read nothing respecting her. The King wanted to get the packet again; she resisted, and made him run two or three times round the table, which was in the middle of the council-chamber, and then, on passing the fireplace, she threw the letters into the grate, where they were consumed. The King became furious; he seized his audacious mistress by the arm, and put her out of the door without speaking to her. Madame du Barry thought herself utterly disgraced; she returned home, and remained two hours, alone, abandoned to the utmost distress. The King went to her; she threw herself at his feet, in tears, and he pardoned her.

Madame la Marechale de Beauvau, the Duchesse de Choiseul, and the Duchesse de Grammont had renounced the honour of the King's intimate acquaintance rather than share it with Madame du Barry. But a few years after the death of Louis XV., Madame la Marechale being alone at the Val, a house belonging to M. de Beauvau, Mademoiselle de Dillon saw the Countess's calash take shelter in the forest of St. Germain during a violent storm. She invited her in, and the Countess herself related these particulars, which I had from Madame de Beauvau.

The Comte du Barry, surnamed 'le roue' (the profligate), and Mademoiselle du Barry advised, or rather prompted, Madame du Barry in furtherance of the plans of the party of the Marechal de Richelieu and the Duc d'Aiguillon. Sometimes they even set her to act in such a way as to have a useful influence upon great political measures. Under pretence that the page who accompanied Charles I. in his flight was a Du Barry or Barrymore, they persuaded the Comtesse du Barry to buy in London that fine portrait which we now have in the Museum. She had the picture placed in her drawing-room, and when she saw the King hesitating upon the violent measure of breaking up his Parliament, and forming that which was called the Maupeou Parliament, she desired him to look at the portrait of a king who had given way to his Parliament.

[The "Memoirs of General Dumouriez," vol. i., page 142, contain some curious particulars about Madame Du Barry; and novel details respecting her will be found at page 243 of "Curiosites Historiques," by J. A. Le Rol (Paris, Plon, 1864). His investigations lead to the result that her real name was Jean Becu, born, 19th August, 1743, at Vaucouleurs, the natural daughter of Anne Becu, otherwise known as "Quantiny." Her mother afterwards married Nicolas Rancon. Comte Jean du Barry met her among the demi-monde, and succeeded, about 1767, and by the help of his friend Label, the valet de chambre of Louis XV., in introducing her to the King under the name of Mademoiselle l'Ange. To be formally mistress, a husband had to be found. The Comte Jean du Barry, already married himself, found no difficulty in getting his brother, Comte Guillaume, a poor officer of the marine troops, to accept the post of husband. In the marriage-contract, signed on 23d July, 1768, she was described as the daughter of Anne Becu and of an imaginary first husband, Sieur Jean Jacques Gomard de Vaubernier," and three years were taken off her age. The marriage-contract was so drawn as to leave Madame du Barry entirely free from all control by her husband. The marriage was solemnised on 1st September, 1768, after which the nominal husband returned to Toulouse. Madame du Barry in later years provided for him; and in 1772, tired of his applications, she obtained an act of separation from him. He married later Jeanne Madeleine Lemoine, and died in 1811. Madame du Barry took care of her mother, who figured as Madame de Montrable. In all, she received from the King, M. Le Roi calculates, about twelve and a half millions of livres. On the death of Louis XV. she had to retire first to the Abbey of Pont-aux-Dames, near Meaux, then she was allowed to go to her small house at St. Vrain, near Arpajon, and, finally, in 1775, to her chateau at Louveciennes. Much to her credit be it said, she retained many of her friends, and was on the most intimate terms till his death with the Duc de Brissac (Louis Hercule Timoldon de Cosse-Brissac), who was killed at Versailles in the massacre of the prisoners in September, 1792, leaving at his death a large legacy to her. Even the Emperor Joseph visited her. In 1791 many of her jewels were stolen and taken to England. This caused her to make several visits to that country, where she gained her suit. But these visits, though she took every precaution to legalise them, ruined her. Betrayed by her servants, among them by Zamor, the negro page, she was brought before the Revolutionary tribunal, and was guillotined on 8th December, 1793, in a frenzy of terror, calling for mercy and for delay up to the moment when her head fell.]

The men of ambition who were labouring to overthrow the Duc de Choiseul strengthened themselves by their concentration at the house of the favourite, and succeeded in their project. The bigots, who never forgave that minister the suppression of the Jesuits, and who had always been hostile to a treaty of alliance with Austria, influenced the minds of Mesdames. The Duc de La Vauguyon, the young Dauphin's governor, infected them with the same prejudices.

Such was the state of the public mind when the young Archduchess Marie Antoinette arrived at the Court of Versailles, just at the moment when the party which brought her there was about to be overthrown.

Madame Adelaide openly avowed her dislike to a princess of the House of Austria; and when M. Campan, my father-in-law, went to receive his orders, at the moment of setting off with the household of the Dauphiness, to go and receive the Archduchess upon the frontiers, she said she disapproved of the marriage of her nephew with an archduchess; and that, if she had the direction of the matter, she would not send for an Austrian.

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Chapter II

MARIE ANTOINETTE JOSEPHE JEANNE DE LORRAINE, Archduchess of Austria, daughter of Francois de Lorraine and of Maria Theresa, was born on the 2d of November, 1755, the day of the earthquake at Lisbon; and this catastrophe, which appeared to stamp the era of her birth with a fatal mark, without forming a motive for superstitious fear with the Princess, nevertheless made an impression upon her mind. As the Empress already had a great number of daughters, she ardently desired to have another son, and playfully wagered against her wish with the Duc de Tarouka, who had insisted that she would give birth to an archduke. He lost by the birth of the Princess, and had executed in porcelain a figure with one knee bent on the earth, and presenting tablets, upon which the following lines by Metastasio were engraved:

I lose by your fair daughter's birth Who prophesied a son; But if she share her mother's worth, Why, all the world has won!

The Queen was fond of talking of the first years of her youth. Her father, the Emperor Francis, had made a deep impression upon her heart; she lost him when she was scarcely seven years old. One of those circumstances which fix themselves strongly in the memories of children frequently recalled his last caresses to her. The Emperor was setting out for Innspruck; he had already left his palace, when he ordered a gentleman to fetch the Archduchess Marie Antoinette, and bring her to his carriage. When she came, he stretched out his arms to receive her, and said, after having pressed her to his bosom, "I wanted to embrace this child once more." The Emperor died suddenly during the journey, and never saw his beloved daughter again.

The Queen often spoke of her mother, and with profound respect, but she based all her schemes for the education of her children on the essentials which had been neglected in her own. Maria Theresa, who inspired awe by her great qualities, taught the Archduchesses to fear and respect rather than to love her; at least I observed this in the Queen's feelings towards her august mother. She therefore never desired to place between her own children and herself that distance which had existed in the imperial family. She cited a fatal consequence of it, which had made such a powerful impression upon her that time had never been able to efface it.

The wife of the Emperor Joseph II. was taken from him in a few days by an attack of smallpox of the most virulent kind. Her coffin had recently been deposited in the vault of the imperial family. The Archduchess Josepha, who had been betrothed to the King of Naples, at the instant she was quitting Vienna received an order from the Empress not to set off without having offered up a prayer in the vault of her forefathers. The Archduchess, persuaded that she should take the disorder to which her sister-in-law had just fallen a victim, looked upon this order as her death-warrant. She loved the young Archduchess Marie Antoinette tenderly; she took her upon her knees, embraced her with tears, and told her she was about to leave her, not for Naples, but never to see her again; that she was going down then to the tomb of her ancestors, and that she should shortly go again there to remain. Her anticipation was realised; confluent smallpox carried her off in a very few days, and her youngest sister ascended the throne of Naples in her place.

The Empress was too much taken up with high political interests to have it in her power to devote herself to maternal attentions. The celebrated Wansvietten, her physician, went daily, to visit the young imperial family, and afterwards to Maria Theresa, and gave the most minute details respecting the health of the Archdukes and Archduchesses, whom she herself sometimes did not see for eight or ten days at a time. As soon as the arrival of a stranger of rank at Vienna was made known, the Empress brought her family about her, admitted them to her table, and by this concerted meeting induced a belief that she herself presided over the education of her children.

The chief governesses, being under no fear of inspection from Maria Theresa, aimed at making themselves beloved by their pupils by the common and blamable practice of indulgence, so fatal to the future progress and happiness of children. Marie Antoinette was the cause of her governess being dismissed, through a confession that all her copies and all her letters were invariably first traced out with pencil; the Comtesse de Brandes was appointed to succeed her, and fulfilled her duties with great exactness and talent. The Queen looked upon having been confided to her care so late as a misfortune, and always continued upon terms of friendship with that lady. The education of Marie Antoinette was certainly very much neglected. With the exception of the Italian language, all that related to belles lettres, and particularly to history, even that of her own country, was almost entirely unknown to her. This was soon found out at the Court of France, and thence arose the generally received opinion that she was deficient in sense. It will be seen in the course of these "Memoirs" whether that opinion was well or ill founded. The public prints, however, teemed with assertions of the superior talents of Maria Theresa's children. They often noticed the answers which the young Princesses gave in Latin to the harangues addressed to them; they uttered them, it is true, but without understanding them; they knew not a single word of that language.

Mention was one day made to the Queen of a drawing made by her, and presented by the Empress to M. Gerard, chief clerk of Foreign Affairs, on the occasion of his going to Vienna to draw up the articles for her marriage-contract. "I should blush," said she, "if that proof of the quackery of my education were shown to me. I do not believe that I ever put a pencil to that drawing." However, what had been taught her she knew perfectly well. Her facility of learning was inconceivable, and if all her teachers had been as well informed and as faithful to their duty as the Abbe Metastasio, who taught her Italian, she would have attained as great a superiority in the other branches of her education. The Queen spoke that language with grace and ease, and translated the most difficult poets. She did not write French correctly, but she spoke it with the greatest fluency, and even affected to say that she had lost German. In fact she attempted in 1787 to learn her mother-tongue, and took lessons assiduously for six weeks; she was obliged to relinquish them, finding all the difficulties which a Frenchwoman, who should take up the study too late, would have to encounter. In the same manner she gave up English, which I had taught her for some time, and in which she had made rapid progress. Music was the accomplishment in which the Queen most delighted. She did not play well on any instrument, but she had become able to read at sight like a first-rate professor. She attained this degree of perfection in France, this branch of her education having been neglected at Vienna as much as the rest. A few days after her arrival at Versailles, she was introduced to her singing-master, La Garde, author of the opera of "Egle." She made a distant appointment with him, needing, as she said, rest after the fatigues of the journey and the numerous fetes which had taken place at Versailles; but her motive was her desire to conceal how ignorant she was of the rudiments of music. She asked M. Campan whether his son, who was a good musician, could give her lessons secretly for three months. "The Dauphiness," added she, smiling, "must be careful of the reputation of the Archduchess." The lessons were given privately, and at the end of three months of constant application she sent for M. la Garde, and surprised him by her skill.

The desire to perfect Marie Antoinette in the study of the French language was probably the motive which determined Maria Theresa to provide for her as teachers two French actors: Aufresne, for pronunciation and declamation, and Sainville, for taste in French singing; the latter had been an officer in France, and bore a bad character. The choice gave just umbrage to our Court. The Marquis de Durfort, at that time ambassador at Vienna, was ordered to make a representation to the Empress upon her selection. The two actors were dismissed, and the Princess required that an ecclesiastic should be sent to her. Several eminent ecclesiastics declined taking upon themselves so delicate an office; others who were pointed out by Maria Theresa (among the rest the Abbe Grisel) belonged to parties which sufficed to exclude them.

The Archbishop of Toulouse one day went to the Duc de Choiseul at the moment when he was much embarrassed upon the subject of this nomination; he proposed to him the Abby de Vermond, librarian of the College des Quatre Nations. The eulogistic manner in which he spoke of his protege procured the appointment for the latter on that very day; and the gratitude of the Abbe de Vermond towards the prelate was very fatal to France, inasmuch as after seventeen years of persevering attempts to bring him into the ministry, he succeeded at last in getting him named Comptroller-General and President of the Council.--[Comte de Brienne, later Archbishop of Sens.]

This Abbe de Vermond directed almost all the Queen's actions. He established his influence over her at an age when impressions are most durable; and it was easy to see that he had taken pains only to render himself beloved by his pupil, and had troubled himself very little with the care of instructing her. He might have even been accused of having, by a sharp-sighted though culpable policy, purposely left her in ignorance. Marie Antoinette spoke the French language with much grace, but wrote it less perfectly. The Abbe de Vermond revised all the letters which she sent to Vienna. The insupportable folly with which he boasted of it displayed the character of a man more flattered at being admitted into her intimate secrets than anxious to fulfil worthily the high office of her preceptor.

[The Abbe de Vermond encouraged the impatience of etiquette shown by Marie Antoinette while she was Dauphiness. When she became Queen he endeavoured openly to induce her to shake off the restraints she still respected. If he chanced to enter her apartment at the time she was preparing to go out, "For whom," he would say, in a tone of raillery, "is this detachment of warriors which I found in the court? Is it some general going to inspect his army? Does all this military display become a young Queen adored by her subjects?" He would call to her mind the simplicity with which Maria Theresa lived; the visits she made without guards, or even attendants, to the Prince d'Esterhazy, to the Comte de Palfi, passing whole days far from the fatiguing ceremonies of the Court. The Abbe thus artfully flattered the inclinations of Marie Antoinette, and showed her how she might disguise, even from herself, her aversion for the ceremonies observed by the descendants of Louis XIV.-MADAME CAMPAN.]

His pride received its birth at Vienna, where Maria Theresa, as much to give him authority with the Archduchess as to make herself acquainted with his character, permitted him to mix every evening with the private circle of her family, into which the future Dauphiness had been admitted for some time. Joseph II., the elder Archduchess, and a few noblemen honoured by the confidence of Maria Theresa, composed the party; and reflections on the world, on courts, and the duties of princes were the usual topics of conversation. The Abbe de Vermond, in relating these particulars, confessed the means which he had made use of to gain admission into this private circle. The Empress, meeting him at the Archduchess's, asked him if he had formed any connections in Vienna. "None, Madame," replied he; "the apartment of the Archduchess and the hotel of the ambassador of France are the only places which the man honoured with the care of the Princess's education should frequent." A month afterwards Maria Theresa, through a habit common enough among sovereigns, asked him the same question, and received precisely the same answer. The next day he received an order to join the imperial family every evening.

It is extremely probable, from the constant and well-known intercourse between this man and Comte de Mercy, ambassador of the Empire during the whole reign of Louis XVI., that he was useful to the Court of Vienna, and that he often caused the Queen to decide on measures, the consequences of which she did not consider. Not of high birth, imbued with all the principles of the modern philosophy, and yet holding to the hierarchy of the Church more tenaciously than any other ecclesiastic; vain, talkative, and at the same time cunning and abrupt; very ugly and affecting singularity; treating the most exalted persons as his equals, sometimes even as his inferiors, the Abbe de Vermond received ministers and bishops when in his bath; but said at the same time that Cardinal Dubois was a fool; that a man such as he, having obtained power, ought to make cardinals, and refuse to be one himself.

Intoxicated with the reception he had met with at the Court of Vienna, and having till then seen nothing of high life, the Abbe de Vermond admired no other customs than those of the imperial family; he ridiculed the etiquette of the House of Bourbon incessantly; the young Dauphiness was constantly incited by his sarcasms to get rid of it, and it was he who first induced her to suppress an infinity of practices of which he could discern neither the prudence nor the political aim. Such is the faithful portrait of that man whom the evil star of Marie Antoinette had reserved to guide her first steps upon a stage so conspicuous and so full of danger as that of the Court of Versailles.

It will be thought, perhaps, that I draw the character of the Abbe de Vermond too unfavourably; but how can I view with any complacency one who, after having arrogated to himself the office of confidant and sole counsellor of the Queen, guided her with so little prudence, and gave us the mortification of seeing that Princess blend, with qualities which charmed all that surrounded her, errors alike injurious to her glory and her happiness?

While M. de Choiseul, satisfied with the person whom M. de Brienne had presented, despatched him to Vienna with every eulogium calculated to inspire unbounded confidence, the Marquis de Durfort sent off a hairdresser and a few French fashions; and then it was thought sufficient pains had been taken to form the character of a princess destined to share the throne of France.

The marriage of Monseigneur the Dauphin with the Archduchess was determined upon during the administration of the Duc de Choiseul. The Marquis de Durfort, who was to succeed the Baron de Breteuil in the embassy to Vienna, was appointed proxy for the marriage ceremony; but six months after the Dauphin's marriage the Duc de Choiseul was disgraced, and Madame de Marsan and Madame de Guemenee, who grew more powerful through the Duke's disgrace, conferred that embassy, upon Prince Louis de Rohan, afterwards cardinal and grand almoner.

Hence it will be seen that the Gazette de France is a sufficient answer to those libellers who dared to assert that the young Archduchess was acquainted with the Cardinal de Rohan before the period of her marriage. A worse selection in itself, or one more disagreeable to Maria Theresa, than that which sent to her, in quality, of ambassador, a man so frivolous and so immoral as Prince Louis de Rohan, could not have been made. He possessed but superficial knowledge upon any subject, and was totally ignorant of diplomatic affairs. His reputation had gone before him to Vienna, and his mission opened under the most unfavourable auspices. In want of money, and the House of Rohan being unable to make him any considerable advances, he obtained from his Court a patent which authorised him to borrow the sum of 600,000 livres upon his benefices, ran in debt above a million, and thought to dazzle the city and Court of Vienna by the most indecent and ill-judged extravagance. He formed a suite of eight or ten gentlemen, of names sufficiently high-sounding; twelve pages equally well born, a crowd of officers and servants, a company of chamber musicians, etc. But this idle pomp did not last; embarrassment and distress soon showed themselves; his people, no longer receiving pay, in order to make money, abused the privileges of ambassadors, and smuggled

[I have often heard the Queen say that, at Vienna, in the office of the secretary of the Prince de Rohan, there were sold in one year more silk stockings than at Lyons and Paris together.--MADAME CAMPAN.]

with so much effrontery that Maria Theresa, to put a stop to it without offending the Court of France, was compelled to suppress the privileges in this respect of all the diplomatic bodies, a step which rendered the person and conduct of Prince Louis odious in every foreign Court. He seldom obtained private audiences from the Empress, who did not esteem him, and who expressed herself without reserve upon his conduct both as a bishop and as an ambassador. He thought to obtain favour by assisting to effect the marriage of the Archduchess Elizabeth, the elder sister of Marie Antoinette, with Louis XV., an affair which was awkwardly undertaken, and of which Madame du Barry had no difficulty in causing the failure. I have deemed it my duty to omit no particular of the moral and political character of a man whose existence was subsequently so injurious to the reputation of Marie Antoinette.

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Chapter III

A superb pavilion had been prepared upon the frontier near Kehl. It consisted of a vast salon, connected with two apartments, one of which was assigned to the lords and ladies of the Court of Vienna, and the other to the suite of the Dauphiness, composed of the Comtesse de Noailles, her lady of honour; the Duchesse de Cosse, her dame d'atours; four ladies of the palace; the Comte de Saulx-Tavannes, chevalier d'honneur; the Comte de Tesse, first equerry; the Bishop of Chartres, first almoner; the officers of the Body Guard, and the equerries.

When the Dauphiness had been entirely undressed, in order that she might retain nothing belonging to a foreign Court (an etiquette always observed on such an occasion), the doors were opened; the young Princess came forward, looking round for the Comtesse de Noailles; then, rushing into her arms, she implored her, with tears in her eyes, and with heartfelt sincerity, to be her guide and support.

While doing justice to the virtues of the Comtesse de Noailles, those sincerely attached to the Queen have always considered it as one of her earliest misfortunes not to have found, in the person of her adviser, a woman indulgent, enlightened, and administering good advice with that amiability which disposes young persons to follow it. The Comtesse de Noailles had nothing agreeable in her appearance; her demeanour was stiff and her mien severe. She was perfect mistress of etiquette; but she wearied the young Princess with it, without making her sensible of its importance. It would have been sufficient to represent to the Dauphiness that in France her dignity depended much upon customs not necessary at Vienna to secure the respect and love of the good and submissive Austrians for the imperial family; but the Dauphiness was perpetually tormented by the remonstrances of the Comtesse de Noailles, and at the same time was led by the Abbe de Vermond to ridicule both the lessons upon etiquette and her who gave them. She preferred raillery to argument, and nicknamed the Comtesse de Noailles Madame l'Etiquette.

The fetes which were given at Versailles on the marriage of the Dauphin were very splendid. The Dauphiness arrived there at the hour for her toilet, having slept at La Muette, where Louis XV. had been to receive her; and where that Prince, blinded by a feeling unworthy of a sovereign and the father of a family, caused the young Princess, the royal family, and the ladies of the Court, to sit down to supper with Madame du Barry.

The Dauphiness was hurt at this conduct; she spoke of it openly enough to those with whom she was intimate, but she knew how to conceal her dissatisfaction in public, and her behaviour showed no signs of it.

She was received at Versailles in an apartment on the ground floor, under that of the late Queen, which was not ready for her until six months after her marriage.

The Dauphiness, then fifteen years of age, beaming with freshness, appeared to all eyes more than beautiful. Her walk partook at once of the dignity of the Princesses of her house, and of the grace of the French; her eyes were mild, her smile amiable. When she went to chapel, as soon as she had taken the first few steps in the long gallery, she discerned, all the way to its extremity, those persons whom she ought to salute with the consideration due to their rank; those on whom she should bestow an inclination of the head; and lastly, those who were to be satisfied with a smile, calculated to console them for not being entitled to greater honours.

Louis XV. was enchanted with the young Dauphiness; all his conversation was about her graces, her vivacity, and the aptness of her repartees. She was yet more successful with the royal family when they beheld her shorn of the splendour of the diamonds with which she had been adorned during the first days of her marriage. When clothed in a light dress of gauze or taffety she was compared to the Venus dei Medici, and the Atalanta of the Marly Gardens. Poets sang her charms; painters attempted to copy her features. One artist's fancy led him to place the portrait of Marie Antoinette in the heart of a full-blown rose. His ingenious idea was rewarded by Louis XV.

The King continued to talk only of the Dauphiness; and Madame du Barry ill-naturedly endeavoured to damp his enthusiasm. Whenever Marie Antoinette was the topic, she pointed out the irregularity of her features, criticised the 'bons mots' quoted as hers, and rallied the King upon his prepossession in her favour. Madame du Barry was affronted at not receiving from the Dauphiness those attentions to which she thought herself entitled; she did not conceal her vexation from the King; she was afraid that the grace and cheerfulness of the young Princess would make the domestic circle of the royal family more agreeable to the old sovereign, and that he would escape her chains; at the same time, hatred to the Choiseul party contributed powerfully to excite the enmity of the favourite.

The fall of that minister took place in November, 1770, six months after his long influence in the Council had brought about the alliance with the House of Austria and the arrival of Marie Antoinette at the Court of France. The Princess, young, frank, volatile, and inexperienced, found herself without any other guide than the Abbe de Vermond, in a Court ruled by the enemy of the minister who had brought her there, and in the midst of people who hated Austria, and detested any alliance with the imperial house.

The Duc d'Aiguillon, the Duc de La Vauguyon, the Marechal de Richelieu, the Rohans, and other considerable families, who had made use of Madame du Barry to overthrow the Duke, could not flatter themselves, notwithstanding their powerful intrigues, with a hope of being able to break off an alliance solemnly announced, and involving such high political interests. They therefore changed their mode of attack, and it will be seen how the conduct of the Dauphin served as a basis for their hopes.

The Dauphiness continually gave proofs of both sense and feeling. Sometimes she even suffered herself to be carried away by those transports of compassionate kindness which are not to be controlled by the customs which rank establishes.

In consequence of the fire in the Place Louis XV., which occurred at the time of the nuptial entertainments, the Dauphin and Dauphiness sent their, whole income for the year to the relief of the unfortunate families who lost their relatives on that disastrous day.

This was one of those ostentatious acts of generosity which are dictated by the policy of princes, at least as much as by their compassion; but the grief of Marie Antoinette was profound, and lasted several days; nothing could console her for the loss of so many innocent victims; she spoke of it, weeping, to her ladies, one of whom, thinking, no doubt, to divert her mind, told her that a great number of thieves had been found among the bodies, and that their pockets were filled with watches and other valuables. "They have at least been well punished," added the person who related these particulars. "Oh, no, no, madame!" replied the Dauphiness; "they died by the side of honest people."

The Dauphiness had brought from Vienna a considerable number of white diamonds; the King added to them the gift of the diamonds and pearls of the late Dauphiness, and also put into her hands a collar of pearls, of a single row, the smallest of which was as large as a filbert, and which had been brought into France by Anne of Austria, and appropriated by that Princess to the use of the Queens and Dauphinesses of France.

The three Princesses, daughters of Louis XV., joined in making her magnificent presents. Madame Adelaide at the same time gave the young Princess a key to the private corridors of the Chateau, by means of which, without any suite, and without being perceived, she could get to the apartments of her aunts, and see them in private. The Dauphiness, on receiving the key, told them, with infinite grace, that if they had meant to make her appreciate the superb presents they were kind enough to bestow upon her, they should not at the same time have offered her one of such inestimable value; since to that key she should be indebted for an intimacy and advice unspeakably precious at her age. She did, indeed, make use of it very frequently; but Madame Victoire alone permitted her, so long as she continued Dauphiness, to visit her familiarly. Madame Adelaide could not overcome her prejudices against Austrian princesses, and was wearied with the somewhat petulant gaiety of the Dauphiness. Madame Victoire was concerned at this, feeling that their society and counsel would have been highly useful to a young person otherwise likely to meet with none but sycophants. She endeavoured, therefore, to induce her to take pleasure in the society of the Marquise de Durfort, her lady of honour and favourite. Several agreeable entertainments took place at the house of this lady, but the Comtesse de Noailles and the Abbe de Vermond soon opposed these meetings.

A circumstance which happened in hunting, near the village of Acheres, in the forest of Fontainebleau, afforded the young Princess an opportunity of displaying her respect for old age, and her compassion for misfortune. An aged peasant was wounded by the stag; the Dauphiness jumped out of her calash, placed the peasant, with his wife and children, in it, had the family taken back to their cottage, and bestowed upon them every attention and every necessary assistance. Her heart was always open to the feelings of compassion, and the recollection of her rank never restrained her sensibility. Several persons in her service entered her room one evening, expecting to find nobody there but the officer in waiting; they perceived the young Princess seated by the side of this man, who was advanced in years; she had placed near him a bowl full of water, was stanching the blood which issued from a wound he had received in his hand with her handkerchief, which she had torn up to bind it, and was fulfilling towards him all the duties of a pious sister of charity. The old man, affected even to tears, out of respect allowed his august mistress to act as she thought proper. He had hurt himself in endeavouring to move a rather heavy piece of furniture at the Princess's request.

In the month of July, 1770, an unfortunate occurrence that took place in a family which the Dauphiness honoured with her favour contributed again to show not only her sensibility but also the benevolence of her disposition. One of her women in waiting had a son who was an officer in the gens d'armes of the guard; this young man thought himself affronted by a clerk in the War Department, and imprudently sent him a challenge; he killed his adversary in the forest of Compiegne. The family of the young man who was killed, being in possession of the challenge, demanded justice. The King, distressed on account of several duels which had recently taken place, had unfortunately declared that he would show no mercy on the first event of that kind which could be proved; the culprit was therefore arrested. His mother, in the deepest grief, hastened to throw herself at the feet of the Dauphiness, the Dauphin, and the young Princesses. After an hour's supplication they obtained from the King the favour so much desired. On the next day a lady of rank, while congratulating the Dauphiness, had the malice to add that the mother had neglected no means of success on the occasion, having solicited not only the royal family, but even Madame du Barry. The Dauphiness replied that the fact justified the favourable opinion she had formed of the worthy woman; that the heart of a mother should hesitate at nothing for the salvation of her son; and that in her place, if she had thought it would be serviceable, she would have thrown herself at the feet of Zamor.

[A little Indian who carried the Comtesse du Barry's train. Louis XV. often amused himself with the little marmoset, and jestingly made him Governor of Louveciennes; he received an annual income of 3,000 francs.]

Some time after the marriage entertainments the Dauphiness made her entry into Paris, and was received with transports of joy. After dining in the King's apartment at the Tuileries, she was forced, by the reiterated shouts of the multitude, with whom the garden was filled, to present herself upon the balcony fronting the principal walk. On seeing such a crowd of heads with their eyes fixed upon her, she exclaimed, "Grand-Dieu! what a concourse!"--"Madame," said the old Duc de Brissac, the Governor of Paris, "I may tell you, without fear of offending the Dauphin, that they are so many lovers." 2 The Dauphin took no umbrage at either acclamations or marks of homage of which the Dauphiness was the object. The most mortifying indifference, a coldness which frequently degenerated into rudeness, were the sole feelings which the young Prince then manifested towards her. Not all her charms could gain even upon his senses. This estrangement, which lasted a long time, was said to be the work of the Duc de La Vauguyon.

The Dauphiness, in fact, had no sincere friends at Court except the Duc de Choiseul and his party. Will it be credited that the plans laid against Marie Antoinette went so far as divorce? I have been assured of it by persons holding high situations at Court, and many circumstances tend to confirm the opinion. On the journey to Fontainebleau, in the year of the marriage, the inspectors of public buildings were gained over to manage so that the apartment intended for the Dauphin, communicating with that of the Dauphiness, should not be finished, and a room at the extremity of the building was temporarily assigned to him. The Dauphiness, aware that this was the result of intrigue, had the courage to complain of it to Louis XV., who, after severe reprimands, gave orders so positive that within the week the apartment was ready. Every method was tried to continue or augment the indifference which the Dauphin long manifested towards his youthful spouse. She was deeply hurt at it, but she never suffered herself to utter the slightest complaint on the subject. Inattention to, even contempt for, the charms which she heard extolled on all sides, nothing induced her to break silence; and some tears, which would involuntarily burst from her eyes, were the sole symptoms of her inward sufferings discoverable by those in her service.

Once only, when tired out with the misplaced remonstrances of an old lady attached to her person, who wished to dissuade her from riding on horseback, under the impression that it would prevent her producing heirs to the crown, "Mademoiselle," said she, "in God's name, leave me in peace; be assured that I can put no heir in danger."

The Dauphiness found at the Court of Louis XV., besides the three Princesses, the King's daughters, the Princes also, brothers of the Dauphin, who were receiving their education, and Clotilde and Elisabeth, still in the care of Madame de Marsan, governess of the children of France. The elder of the two latter Princesses, in 1777, married the Prince of Piedmont, afterwards King of Sardinia. This Princess was in her infancy, so extremely large that the people nicknamed her 'gros Madame.'

[Madame Clotilde of France, a sister of the King, was extraordinarily fat for her height and age. One of her playfellows, having been indiscreet enough even in her presence to make use of the nickname given to her, received a severe reprimand from the Comtesse de Marsan, who hinted to her that she would do well in not making her appearance again before the Princess. Madame Clotilde sent for her the next day: "My governess," said she, "has done her duty, and I will do mine; come and see me as usual, and think no more of a piece of inadvertence, which I myself have forgotten." This Princess, so heavy in body, possessed the most agreeable and playful wit. Her affability and grace rendered her dear to all who came near her.--NOTE BY THE EDITOR]

The second Princess was the pious Elisabeth, the victim of her respect and tender attachment for the King, her brother. She was still scarcely out of her leading-strings at the period of the Dauphin's marriage. The Dauphiness showed her marked preference. The governess, who sought to advance the Princess to whom nature had been least favourable, was offended at the Dauphiness's partiality for Madame Elisabeth, and by her injudicious complaints weakened the friendship which yet subsisted between Madame Clotilde and Marie Antoinette. There even arose some degree of rivalry on the subject of education; and that which the Empress Maria Theresa bestowed on her daughters was talked of openly and unfavourably enough. The Abbe de Vermond thought himself affronted, took a part in the quarrel, and added his complaints and jokes to those of the Dauphiness on the criticisms of the governess; he even indulged himself in his turn in reflections on the tuition of Madame Clotilde. Everything becomes known at Court. Madame de Marsan was informed of all that had been said in the Dauphiness's circle, and was very angry with her on account of it.

From that moment a centre of intrigue, or rather gossip, against Marie Antoinette was established round Madame de Marsan's fireside; her most trifling actions were there construed ill; her gaiety, and the harmless amusements in which she sometimes indulged in her own apartments with the more youthful ladies of her train, and even with the women in her service, were stigmatised as criminal. Prince Louis de Rohan, sent through the influence of this clique ambassador to Vienna, was the echo there of these unmerited comments, and threw himself into a series of culpable accusations which he proffered under the guise of zeal. He ceaselessly represented the young Dauphiness as alienating all hearts by levities unsuitable to the dignity of the French Court. The Princess frequently received from the Court of Vienna remonstrances, of the origin of which she could not long remain in ignorance. From this period must be dated that aversion which she never ceased to manifest for the Prince de Rohan.

About the same time the Dauphiness received information of a letter written by Prince Louis to the Duc d'Aiguillon, in which the ambassador expressed himself in very free language respecting the intentions of Maria Theresa with relation to the partition of Poland. This letter of Prince Louis had been read at the Comtesse du Barry's; the levity of the ambassador's correspondence wounded the feelings and the dignity of the Dauphiness at Versailles, while at Vienna the representations which he made to Maria Theresa against the young Princess terminated in rendering the motives of his incessant complaints suspected by the Empress.

Maria Theresa at length determined on sending her private secretary, Baron de Neni, to Versailles, with directions to observe the conduct of the Dauphiness with attention, and form a just estimate of the opinion of the Court and of Paris with regard to that Princess. The Baron de Neni, after having devoted sufficient time and intelligence to the subject, undeceived his sovereign as to the exaggerations of the French ambassador; and the Empress had no difficulty in detecting, among the calumnies which he had conveyed to her under the specious excuse of anxiety for her august daughter, proofs of the enmity of a, party which had never approved of the alliance of the House of Bourbon with her own.

At this period the Dauphiness, though unable to obtain any influence over the heart of her husband, dreading Louis XV., and justly mistrusting everything connected with Madame du Barry and the Duc d'Aiguillon, had not deserved the slightest reproach for that sort of levity which hatred and her misfortunes afterwards construed into crime. The Empress, convinced of the innocence of Marie Antoinette, directed the Baron de Neni to solicit the recall of the Prince de Rohan, and to inform the Minister for Foreign Affairs of all the motives which made her require it; but the House of Rohan interposed between its protege and the Austrian envoy, and an evasive answer merely was given.

It was not until two months after the death of Louis XV. that the Court of Vienna obtained his recall. The avowed grounds for requiring it were, first, the public gallantries of Prince Louis with some ladies of the Court and others; secondly, his surliness and haughtiness towards other foreign ministers, which would have had more serious consequences, especially with the ministers of England and Denmark, if the Empress herself had not interfered; thirdly, his contempt for religion in a country where it was particularly necessary to show respect for it. He had been seen frequently to dress himself in clothes of different colours, assuming the hunting uniforms of various noblemen whom he visited, with so much audacity that one day in particular, during the Fete-Dieu, he and all his legation, in green uniforms laced with gold, broke through a procession which impeded them, in order to make their way to a hunting party at the Prince de Paar's; and fourthly, the immense debts contracted by him and his people, which were tardily and only in part discharged.

The succeeding marriages of the Comte de Provence and the Comte d'Artois with two daughters of the King of Sardinia procured society for the Dauphiness more suitable to her age, and altered her mode of life.

A pair of tolerably fine eyes drew forth, in favour of the Comtesse de Provence, upon her arrival at Versailles, the only praises which could reasonably be bestowed upon her. The Comtesse d'Artois, though not deformed, was very small; she had a fine complexion; her face, tolerably pleasing, was not remarkable for anything except the extreme length of the nose. But being good and generous, she was beloved by those about her, and even possessed some influence so long as she was the only Princess who had produced heirs to the crown.

From this time the closest intimacy subsisted between the three young families. They took their meals together, except on those days when they dined in public. This manner of living en famille continued until the Queen sometimes indulged herself in going to dine with the Duchesse de Polignac, when she was governess; but the evening meetings at supper were never interrupted; they took place at the house of the Comtesse de Provence. Madame Elisabeth made one of the party when she had finished her education, and sometimes Mesdames, the King's aunts, were invited. The custom, which had no precedent at Court, was the work of Marie Antoinette, and she maintained it with the utmost perseverance.

The Court of Versailles saw no change in point of etiquette during the reign of Louis XV. Play took place at the house of the Dauphiness, as being the first lady of the State. It had, from the death of Queen Maria Leczinska to the marriage of the Dauphin, been held at the abode of Madame Adelade. This removal, the result of an order of precedence not to be violated, was not the less displeasing to Madame Adelaide, who established a separate party for play in her apartments, and scarcely ever went to that which not only the Court in general, but also the royal family, were expected to attend. The full-dress visits to the King on his 'debotter' were continued. High mass was attended daily. The airings of the Princesses were nothing more than rapid races in berlins, during which they were accompanied by Body Guards, equerries, and pages on horseback. They galloped for some leagues from Versailles. Calashes were used only in hunting.

The young Princesses were desirous to infuse animation into their circle of associates by something useful as well as pleasant. They adopted the plan of learning and performing all the best plays of the French theatre. The Dauphin was the only spectator. The three Princesses, the two brothers of the King, and Messieurs Campan, father and son, were the sole performers, but they endeavoured to keep this amusement as secret as an affair of State; they dreaded the censure of Mesdames, and they had no doubt that Louis XV. would forbid such pastimes if he knew of them. They selected for their performance a cabinet in the entresol which nobody had occasion to enter.

A kind of proscenium, which could be taken down and shut up in a closet, formed the whole theatre. The Comte de Provence always knew his part with imperturbable accuracy; the Comte d'Artois knew his tolerably well, and recited elegantly; the Princesses acted badly. The Dauphiness acquitted herself in some characters with discrimination and feeling. The chief pleasure of this amusement consisted in all the costumes being elegant and accurate. The Dauphin entered into the spirit of these diversions, and laughed heartily at the comic characters as they came on the scene; from these amusements may be dated his discontinuance of the timid manner of his youth, and his taking pleasure in the society of the Dauphiness.

It was not till a long time afterwards that I learnt these particulars, M. Campan having kept the secret; but an unforeseen event had well-nigh exposed the whole mystery. One day the Queen desired M. Campan to go down into her closet to fetch something that she had forgotten; he was dressed for the character of Crispin, and was rouged. A private staircase led direct to the entresol through the dressing-room. M. Campan fancied he heard some noise, and remained still, behind the door, which was shut. A servant belonging to the wardrobe, who was, in fact, on the staircase, had also heard some noise, and, either from fear or curiosity, he suddenly opened the door; the figure of Crispin frightened him so that he fell down backwards, shouting with his might, "Help! help!" My father-in-law raised him up, made him recognise his voice, and laid upon him an injunction of silence as to what he had seen. He felt himself, however, bound to inform the Dauphiness of what had happened, and she was afraid that a similar occurrence might betray their amusements. They were therefore discontinued.

The Princess occupied her time in her own apartment in the study of music and the parts in plays which she had to learn; the latter exercise, at least, produced the beneficial effect of strengthening her memory and familiarising her with the French language.

While Louis XV. reigned, the enemies of Marie Antoinette made no attempt to change public opinion with regard to her. She was always popular with the French people in general, and particularly with the inhabitants of Paris, who went on every opportunity to Versailles, the majority of them attracted solely by the pleasure of seeing her. The courtiers did not fully enter into the popular enthusiasm which the Dauphiness had inspired; the disgrace of the Duc de Choiseul had removed her real support from her; and the party which had the ascendency at Court since the exile of that minister was, politically, as much opposed to her family as to herself. The Dauphiness was therefore surrounded by enemies at Versailles.

Nevertheless everybody appeared outwardly desirous to please her; for the age of Louis XV., and the apathetic character of the Dauphin, sufficiently warned courtiers of the important part reserved for the Princess during the following reign, in case the Dauphin should become attached to her.

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Chapter IV

About the beginning of May, 1774, Louis XV., the strength of whose constitution had promised a long enough life, was attacked by confluent smallpox of the worst kind. Mesdames at this juncture inspired the Dauphiness with a feeling of respect and attachment, of which she gave them repeated proofs when she ascended the throne. In fact, nothing was more admirable nor more affecting than the courage with which they braved that most horrible disease. The air of the palace was infected; more than fifty persons took the smallpox, in consequence of having merely loitered in the galleries of Versailles, and ten died of it.

The end of the monarch was approaching. His reign, peaceful in general, had inherited strength from the power of his predecessor; on the other hand, his own weakness had been preparing misfortune for whoever should reign after him. The scene was about to change; hope, ambition, joy, grief, and all those feelings which variously affected the hearts of the courtiers, sought in vain to disguise themselves under a calm exterior. It was easy to detect the different motives which induced them every moment to repeat to every one the question: "How is the King?" At length, on the 10th of May, 1774, the mortal career of Louis XV. terminated.

[Christopher de Beaumont, Archbishop of Paris, the ardent apostle of frequent communion, arrived at Paris with the intention of soliciting, in public, the administration of the sacrament to the King, and secretly retarding it as much as possible. The ceremony could not take place without the previous and public expulsion of the, concubine, according to the canons of the Church and the Jesuitical party, of which Christopher was the leader. This party, which had made use of Madame du Barry to suppress the Parliaments, to support the Duc d'Aiguillon, and ruin the Choiseul faction, could not willingly consent to disgrace her canonically. The Archbishop went into the King's bedchamber, and found there Madame Adelaide, the Duc d'Aumont, the Bishop of Senlis, and Richelieu, in whose presence he resolved not to say one word about confession for that day. This reticence so encouraged Louis XV. that, on the Archbishop withdrawing, he had Madame du Barry called in, and kissed her beautiful hands again with his wonted affection. On the 2d of May the King found himself a little better. Madame du Barry had brought him two confidential physicians, Lorry and Borden, who were enjoined to conceal the nature of his sickness from him in order to keep off the priests and save her from a humiliating dismissal. The King's improvement allowed Madame du Barry to divert him by her usual playfulness and conversation. But La Martiniere, who was of the Choiseul party, and to whom they durst not refuse his right of entry, did not conceal from the King either the nature or the danger of his sickness. The King then sent for Madame du Barry, and said to her: "My love, I have got the smallpox, and my illness is very dangerous on account of my age and other disorders. I ought not to forget that I am the most Christian King, and the eldest son of the Church. I am sixty-four; the time is perhaps approaching when we must separate. I wish to prevent a scene like that of Metz." (when, in 1744, he had dismissed the Duchesse de Chateauroux.) "Apprise the Duc d'Aiguillon of what I say, that he may arrange with you if my sickness grows worse; so that we may part without any publicity." The Jansenists and the Duc de Choiseurs party publicly said that M. d'Aiguillon and the Archbishop had resolved to let the King die without receiving the sacrament rather than disturb Madame du Barry. Annoyed by their remarks, Beaumont determined to go and reside at the Lazaristes, his house at Versailles, to avail himself of the King's last moments, and sacrifice Madame du Barry when the monarch's condition should become desperate. He arrived on the 3d of May, but did not see the King. Under existing circumstances, his object was to humble the enemies of his party and to support the favourite who had assisted to overcome them.

A contrary zeal animated the Bishop of Carcassonne, who urged that "the King ought to receive the sacrament; and by expelling the concubine to give an example of repentance to France and Christian Europe, which he had scandalised."--" By what right," said Cardinal de la Roche-Aymon, a complaisant courtier with whom the Bishop was at daggers drawn, "do you instruct me?"--"There is my authority," replied the Bishop, holding up his pectoral cross. "Learn, monseigneur, to respect it, and do not suffer your King to die without the sacraments of the Church, of which he is the eldest son." The Duc d'Aiguillon and the Archbishop, who witnessed the discussion, put an end to it by asking for the King's orders relative to Madame du Barry. "She must be taken quietly to your seat at Ruelle," said the King; "I shall be grateful for the care Madame d'Aiguillon may take of her."

Madame du Barry saw the King again for a moment on the evening of the 4th, and promised to return to Court upon his recovery. She was scarcely gone when the King asked for her. "She is gone," was the answer. From that moment the disorder gained ground; he thought himself a dead man, without the possibility of recovery. The 5th and 6th passed without a word of confession, viaticum, or extreme unction. The Duc de Fronsac threatened to throw the Cure of Versailles out of the window if he dared to mention them, but on the 7th, at three in the morning, the King imperatively called for the Abbe Maudous. Confession lasted seventeen minutes. The Ducs de la Vrillilere and d'Aiguillon wished to delay the viaticum; but La Martiniere said to the King: "Sire, I have seen your Majesty in very trying circumstances; but never admired you as I have done to-day. No doubt your Majesty will immediately finish what you have so well begun." The King had his confessor Maudoua called back; this was a poor priest who had been placed about him for some years before because he was old and blind. He gave him absolution.

The formal renunciation desired by the Choiseul party, in order to humble and annihilate Madame du Barry with solemnity, was no more mentioned. The grand almoner, in concert with the Archbishop, composed this formula, pronounced in presence of the viaticum: "Although the King owes an account of his conduct to none but God, he declares his repentance at having scandalised his subjects, and is desirous to live solely for the maintenance of religion and the happiness of his people."

On the 8th and 9th the disorder grew worse; and the King beheld the whole surface of his body coming off piecemeal and corrupted. Deserted by his friends and by that crowd of courtiers which had so long cringed before him, his only consolation was the piety of his daughters.--SOULAVIE, "Historical and Political Memoirs," vol. i.]

The Comtesse du Barry had, a few days previously, withdrawn to Ruelle, to the Duc d'Aiguillon's. Twelve or fifteen persons belonging to the Court thought it their duty to visit her there; their liveries were observed, and these visits were for a long time grounds for disfavour. More than six years after the King's death one of these persons being spoken of in the circle of the royal family, I heard it remarked, "That was one of the fifteen Ruelle carriages."

The whole Court went to the Chateau; the oiel-de boeuf was filled with courtiers, and the palace with the inquisitive. The Dauphin had settled that he would depart with the royal family the moment the King should breathe his last sigh. But on such an occasion decency forbade that positive orders for departure should be passed from mouth to mouth. The heads of the stables, therefore, agreed with the people who were in the King's room, that the latter should place a lighted taper near a window, and that at the instant of the King's decease one of them should extinguish it.

The taper was extinguished. On this signal the Body Guards, pages, and equerries mounted on horseback, and all was ready for setting off. The Dauphin was with the Dauphiness. They were expecting together the intelligence of the death of Louis XV. A dreadful noise, absolutely like thunder, was heard in the outer apartment; it was the crowd of courtiers who were deserting the dead sovereign's antechamber, to come and do homage to the new power of Louis XVI. This extraordinary tumult informed Marie Antoinette and her husband that they were called to the throne; and, by a spontaneous movement, which deeply affected those around them, they threw themselves on their knees; both, pouring forth a flood of tears, exclaimed: "O God! guide us, protect us; we are too young to reign."

The Comtesse de Noailles entered, and was the first to salute Marie Antoinette as Queen of France. She requested their Majesties to condescend to quit the inner apartments for the grand salon, to receive the Princes and all the great officers, who were desirous to do homage to their new sovereigns. Marie Antoinette received these first visits leaning upon her husband, with her handkerchief held to her eyes; the carriages drove up, the guards and equerries were on horseback. The Chateau was deserted; every one hastened to fly from contagion, which there was no longer any inducement to brave.

On leaving the chamber of Louis XV., the Duc de Villequier, first gentleman of the bedchamber for the year, ordered M. Andouille, the King's chief surgeon, to open the body and embalm it. The chief surgeon would inevitably have died in consequence. "I am ready," replied Andouille; "but while I operate you shall hold the head; your office imposes this duty upon you." The Duke went off without saying a word, and the corpse was neither opened nor embalmed. A few under-servants and workmen continued with the pestiferous remains, and paid the last duty to their master; the surgeons directed that spirits of wine should be poured into the coffin.

The entire Court set off for Choisy at four o'clock; Mesdames the King's aunts in their private carriage, and the Princesses under tuition with the Comtesse de Marsan and the under-governesses. The King, the Queen, Monsieur, the King's brother, Madame, and the Comte and Comtesse d'Artois went in the same carriage. The solemn scene that had just passed before their eyes, the multiplied ideas offered to their imaginations by that which was just opening, had naturally inclined them to grief and reflection; but, by the Queen's own confession, this inclination, little suited to their age, wholly left them before they had gone half their journey; a word, drolly mangled by the Comtesse d'Artois, occasioned a general burst of laughter; and from that moment they dried their tears.

The communication between Choisy and Paris was incessant; never was a Court seen in greater agitation. What influence will the royal aunts have,--and the Queen? What fate is reserved for the Comtesse du Barry? Whom will the young King choose for his ministers? All these questions were answered in a few days. It was determined that the King's youth required a confidential person near him; and that there should be a prime minister. All eyes were turned upon De Machault and De Maurepas, both of them much advanced in years. The first had retired to his estate near Paris; and the second to Pont Chartrain, to which place he had long been exiled. The letter recalling M. de Machault was written, when Madame Adelaide obtained the preference of that important appointment for M. de Maurepas. The page to whose care the first letter had been actually consigned was recalled.

The Duc d'Aiguillon had been too openly known as the private friend of the King's mistress; he was dismissed. M. de Vergennes, at that time ambassador of France at Stockholm, was appointed Minister for Foreign Affairs; Comte du Muy, the intimate friend of the Dauphin, the father of Louis XVI.[?? D.W.], obtained the War Department. The Abbe Terray in vain said, and wrote, that he had boldly done all possible injury to the creditors of the State during the reign of the late King; that order was restored in the finances; that nothing but what was beneficial to all parties remained to be done; and that the new Court was about to enjoy the advantages of the regenerating part of his plan of finance; all these reasons, set forth in five or six memorials, which he sent in succession to the King and Queen, did not avail to keep him in office. His talents were admitted, but the odium which his operations had necessarily brought upon his character, combined with the immorality of his private life, forbade his further stay at Court; he was succeeded by M. de Clugny. De Maupeou, the chancellor, was exiled; this caused universal joy. Lastly, the reassembling of the Parliaments produced the strongest sensation; Paris was in a delirium of joy, and not more than one person in a hundred foresaw that the spirit of the ancient magistracy would be still the same; and that in a short time it would make new attempts upon the royal authority. Madame du Barry had been exiled to Pont-aux-Dames. This was a measure rather of necessity than of severity; a short period of compulsory retreat was requisite in order completely to break off her connections with State affairs. The possession of Louveciennes and a considerable pension were continued to her.

[The Comtesse du Barry never forgot the mild treatment she experienced from the Court of Louis XVI.; during the most violent convulsions of the Revolution she signified to the Queen that there was no one in France more grieved at the sufferings of her sovereign than herself; that the honour she had for years enjoyed, of living near the throne, and the unbounded kindness of the King and Queen, had so sincerely attached her to the cause of royalty that she entreated the Queen to honour her by disposing of all she possessed. Though they did not accept her offer, their Majesties were affected at her gratitude. The Comtesse du Barry was, as is well known, one of the victims of the Revolution. She betrayed at the last great weakness, and the most ardent desire to live. She was the only woman who wept upon the scaffold and implored for mercy. Her beauty and tears made an impression on the populace, and the execution was hurried to a conclusion.--MADAME CAMPAN.]

Everybody expected the recall of M. de Choiseul; the regret occasioned by his absence among the numerous friends whom he had left at Court, the attachment of the young Princess who was indebted to him for her elevation to the throne of France, and all concurring circumstances, seemed to foretell his return; the Queen earnestly entreated it of the King, but she met with an insurmountable and unforeseen obstacle. The King, it is said, had imbibed the strongest prejudices against that minister, from secret memoranda penned by his father, and which had been committed to the care of the Duc de La Vauguyon, with an injunction to place them in his hands as soon as he should be old enough to study the art of reigning. It was by these memoranda that the esteem which he had conceived for the Marechal du Muy was inspired, and we may add that Madame Adelaide, who at this early period powerfully influenced the decisions of the young monarch, confirmed the impressions they had made.

The Queen conversed with M. Campan on the regret she felt at having been unable to procure the recall of M. de Choiseul, and disclosed the cause of it to him. The Abbe de Vermond, who, down to the time of the death of Louis XV., had been on terms of the strictest friendship with M. Campan, called upon him on the second day after the arrival of the Court at Choisy, and, assuming a serious air, said, "Monsieur, the Queen was indiscreet enough yesterday to speak to you of a minister to whom she must of course be attached, and whom his friends ardently desire to have near her; you are aware that we must give up all expectation of seeing the Duke at Court; you know the reasons why; but you do not know that the young Queen, having mentioned the conversation in question to me, it was my duty, both as her preceptor and her friend, to remonstrate severely with her on her indiscretion in communicating to you those particulars of which you are in possession. I am now come to tell you that if you continue to avail yourself of the good nature of your mistress to initiate yourself in secrets of State, you will have me for your most inveterate enemy. The Queen should find here no other confidant than myself respecting things that ought to remain secret." M. Campan answered that he did not covet the important and dangerous character at the new Court which the Abbe wished to appropriate; and that he should confine himself to the duties of his office, being sufficiently satisfied with the continued kindness with which the Queen honoured him. Notwithstanding this, however, he informed the Queen, on the very same evening, of the injunction he had received. She owned that she had mentioned their conversation to the Abbe; that he had indeed seriously scolded her, in order to make her feel the necessity of being secret in concerns of State; and she added, "The Abbe cannot like you, my dear Campan; he did not expect that I should, on my arrival in France, find in my household a man who would suit me so exactly as you have done. I know that he has taken umbrage at it; that is enough. I know, too, that you are incapable of attempting anything to injure him in my esteem; an attempt which would besides be vain, for I have been too long attached to him. As to yourself, be easy on the score of the Abbe's hostility, which shall not in any way hurt you."

The Abbe de Vermond having made himself master of the office of sole confidant to the Queen, was nevertheless agitated whenever he saw the young King; he could not be ignorant that the Abbe had been promoted by the Duc de Choiseul, and was believed to favour the Encyclopedists, against whom Louis XVI. entertained a secret prejudice, although he suffered them to gain so great an ascendency during his reign. The Abbe had, moreover, observed that the King had never, while Dauphin, addressed a single word to him; and that he very frequently only answered him with a shrug of the shoulders. He therefore determined on writing to Louis XVI., and intimating that he owed his situation at Court solely to the confidence with which the late King had honoured him; and that as habits contracted during the Queen's education placed him continually in the closest intimacy with her, he could not enjoy the honour of remaining near her Majesty without the King's consent. Louis XVI. sent back his letter, after writing upon it these words: "I approve the Abbe de Vermond continuing in his office about the Queen."

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Chapter V

At the period of his grandfather's death, Louis XVI. began to be exceedingly attached to the Queen. The first period of so deep a mourning not admitting of indulgence in the diversion of hunting, he proposed to her walks in the gardens of Choisy; they went out like husband and wife, the young King giving his arm to the Queen, and accompanied by a very small suite. The influence of this example had such an effect upon the courtiers that the next day several couples, who had long, and for good reasons, been disunited, were seen walking upon the terrace with the same apparent conjugal intimacy. Thus they spent whole hours, braving the intolerable wearisomeness of their protracted tete-a-tetes, out of mere obsequious imitation.

The devotion of Mesdames to the King their father throughout his dreadful malady had produced that effect upon their health which was generally apprehended. On the fourth day after their arrival at Choisy they were attacked by pains in the head and chest, which left no doubt as to the danger of their situation. It became necessary instantly to send away the young royal family; and the Chateau de la Muette, in the Bois de Boulogne, was selected for their reception. Their arrival at that residence, which was very near Paris, drew so great a concourse of people into its neighbourhood, that even at daybreak the crowd had begun to assemble round the gates. Shouts of "Vive le Roi!" were scarcely interrupted for a moment between six o'clock in the morning and sunset. The unpopularity the late King, had drawn upon himself during his latter years, and the hopes to which a new reign gives birth, occasioned these transports of joy.

A fashionable jeweller made a fortune by the sale of mourning snuff-boxes, whereon the portrait of the young Queen, in a black frame of shagreen, gave rise to the pun: "Consolation in chagrin." All the fashions, and every article of dress, received names expressing the spirit of the moment. Symbols of abundance were everywhere represented, and the head-dresses of the ladies were surrounded by ears of wheat. Poets sang of the new monarch; all hearts, or rather all heads, in France were filled with enthusiasm. Never did the commencement of any reign excite more unanimous testimonials of love and attachment. It must be observed, however, that, amidst all this intoxication, the anti-Austrian party never lost sight of the young Queen, but kept on the watch, with the malicious desire to injure her through such errors as might arise from her youth and inexperience.

Their Majesties had to receive at La Muette the condolences of the ladies who had been presented at Court, who all felt themselves called on to pay homage to the new sovereigns. Old and young hastened to present themselves on the day of general reception; little black bonnets with great wings, shaking heads, low curtsies, keeping time with the motions of the head, made, it must be admitted, a few venerable dowagers appear somewhat ridiculous; but the Queen, who possessed a great deal of dignity, and a high respect for decorum, was not guilty of the grave fault of losing the state she was bound to preserve. An indiscreet piece of drollery of one of the ladies of the palace, however, procured her the imputation of doing so. The Marquise de Clermont-Tonnerre, whose office required that she should continue standing behind the Queen, fatigued by the length of the ceremony, seated herself on the floor, concealed behind the fence formed by the hoops of the Queen and the ladies of the palace. Thus seated, and wishing to attract attention and to appear lively, she twitched the dresses of those ladies, and played a thousand other tricks. The contrast of these childish pranks with the solemnity which reigned over the rest of the Queen's chamber disconcerted her Majesty: she several times placed her fan before her face to hide an involuntary smile, and the severe old ladies pronounced that the young Queen had decided all those respectable persons who were pressing forward to pay their homage to her; that she liked none but the young; that she was deficient in decorum; and that not one of them would attend her Court again. The epithet 'moqueuse' was applied to her; and there is no epithet less favourably received in the world.

The next day a very ill-natured song was circulated; the stamp of the party to which it was attributable might easily be seen upon it. I remember only the following chorus:

"Little Queen, you must not be So saucy, with your twenty years; Your ill-used courtiers soon will see You pass, once more, the barriers. Fal lal lal, fal lal la."

The errors of the great, or those which ill-nature chooses to impute to them, circulate in the world with the greatest rapidity, and become historical traditions, which every one delights to repeat.

More than fifteen years after this occurrence I heard some old ladies in the most retired part of Auvergne relating all the particulars of the day of public condolence for the late King, on which, as they said, the Queen had laughed in the faces of the sexagenarian duchesses and princesses who had thought it their duty to appear on the occasion.

The King and the Princes, his brothers, determined to avail themselves of the advantages held out by inoculation, as a safeguard against the illness under which their grandfather had just fallen; but the utility of this new discovery not being then generally acknowledged in France, many persons were greatly alarmed at the step; those who blamed it openly threw all the responsibility of it upon the Queen, who alone, they said, could have ventured to give such rash advice, inoculation being at this time established in the Northern Courts. The operation upon the King and his brothers, performed by Doctor Jauberthou, was fortunately quite successful.

When the convalescence of the Princes was perfectly established, the excursions to Marly became cheerful enough. Parties on horseback and in calashes were formed continually. The Queen was desirous to afford herself one very innocent gratification; she had never seen the day break; and having now no other consent than that of the King to seek, she intimated her wish to him. He agreed that she should go, at three o'clock in the morning, to the eminences of the gardens of Marly; and, unfortunately, little disposed to partake in her amusements, he himself went to bed. Foreseeing some inconveniences possible in this nocturnal party, the Queen determined on having a number of people with her; and even ordered her waiting women to accompany her. All precautions were ineffectual to prevent the effects of calumny, which thenceforward sought to diminish the general attachment that she had inspired. A few days afterwards, the most wicked libel that appeared during the earlier years of her reign was circulated in Paris. The blackest colours were employed to paint an enjoyment so harmless that there is scarcely a young woman living in the country who has not endeavoured to procure it for herself. The verses which appeared on this occasion were entitled "Sunrise."

The Duc d'Orleans, then Duc de Chartres, was among those who accompanied the young Queen in her nocturnal ramble: he appeared very attentive to her at this epoch; but it was the only moment of his life in which there was any advance towards intimacy between the Queen and himself. The King disliked the character of the Duc de Chartres, and the Queen always excluded him from her private society. It is therefore without the slightest foundation that some writers have attributed to feelings of jealousy or wounded self-love the hatred which he displayed towards the Queen during the latter years of their existence.

It was on this first journey to Marly that Boehmer, the jeweller, appeared at Court,--a man whose stupidity and avarice afterwards fatally affected the happiness and reputation of Marie Antoinette. This person had, at great expense, collected six pear-formed diamonds of a prodigious size; they were perfectly matched and of the finest water. The earrings which they composed had, before the death of Louis XV., been destined for the Comtesse du Barry.

Boehmer; by the recommendation of several persons about the Court, came to offer these jewels to the Queen. He asked four hundred thousand francs for them. The young Princess could not withstand her wish to purchase them; and the King having just raised the Queen's income, which, under the former reign, had been but two hundred thousand livres, to one hundred thousand crowns a year, she wished to make the purchase out of her own purse, and not burthen the royal treasury with the payment. She proposed to Boehmer to take off the two buttons which formed the tops of the clusters, as they could be replaced by two of her own diamonds. He consented, and then reduced the price of the earrings to three hundred and sixty thousand francs; the payment for which was to be made by instalments, and was discharged in the course of four or five years by the Queen's first femme de chambre, deputed to manage the funds of her privy purse. I have omitted no details as to the manner in which the Queen first became possessed of these jewels, deeming them very needful to place in its true light the too famous circumstance of the necklace, which happened near the end of her reign.

It was also on this first journey to Marly that the Duchesse de Chartres, afterwards Duchesse d'Orleans, introduced into the Queen's household Mademoiselle Bertin, a milliner who became celebrated at that time for the total change she effected in the dress of the French ladies.

It may be said that the mere admission of a milliner into the house of the Queen was followed by evil consequences to her Majesty. The skill of the milliner, who was received into the household, in spite of the custom which kept persons of her description out of it, afforded her the opportunity of introducing some new fashion every day. Up to this time the Queen had shown very plain taste in dress; she now began to make it a principal occupation; and she was of course imitated by other women.

All wished instantly to have the same dress as the Queen, and to wear the feathers and flowers to which her beauty, then in its brilliancy, lent an indescribable charm. The expenditure of the younger ladies was necessarily much increased; mothers and husbands murmured at it; some few giddy women contracted debts; unpleasant domestic scenes occurred; in many families coldness or quarrels arose; and the general report was,--that the Queen would be the ruin of all the French ladies.

Fashion continued its fluctuating progress; and head-dresses, with their superstructures of gauze, flowers, and feathers, became so lofty that the women could not find carriages high enough to admit them; and they were often seen either stooping, or holding their heads out of the windows. Others knelt down in order to manage these elevated objects of ridicule with less danger.

[If the use of these extravagant feathers and head-dresses had continued, say the memoirs of that period very seriously, it would have effected a revolution in architecture. It would have been found necessary to raise the doors and ceilings of the boxes at the theatre, and particularly the bodies of carriages. It was not without mortification that the King observed the Queen's adoption of this style of dress: she was never so lovely in his eyes as when unadorned by art. One day Carlin, performing at Court as harlequin, stuck in his hat, instead of the rabbit's tail, its prescribed ornament, a peacock's feather of excessive length. This new appendage, which repeatedly got entangled among the scenery, gave him an opportunity for a great deal of buffoonery. There was some inclination to punish him; but it was presumed that he had not assumed the feather without authority.-NOTE BY THE EDITOR.]

Innumerable caricatures, exhibited in all directions, and some of which artfully gave the features of the Queen, attacked the extravagance of fashion, but with very little effect. It changed only, as is always the case, through the influence of inconstancy and time.

The Queen's toilet was a masterpiece of etiquette; everything was done in a prescribed form. Both the dame d'honneur and the dame d'atours usually attended and officiated, assisted by the first femme de chambre and two ordinary women. The dame d'atours put on the petticoat, and handed the gown to the Queen. The dame d'honneur poured out the water for her hands and put on her linen. When a princess of the royal family happened to be present while the Queen was dressing, the dame d'honneur yielded to her the latter act of office, but still did not yield it directly to the Princesses of the blood; in such a case the dame d'honneur was accustomed to present the linen to the first femme de chambre, who, in her turn, handed it to the Princess of the blood. Each of these ladies observed these rules scrupulously as affecting her rights. One winter's day it happened that the Queen, who was entirely undressed, was just going to put on her shift; I held it ready unfolded for her; the dame d'honneur came in, slipped off her gloves, and took it. A scratching was heard at the door; it was opened, and in came the Duchesse d'Orleans: her gloves were taken off, and she came forward to take the garment; but as it would have been wrong in the dame d'honneur to hand it to her she gave it to me, and I handed it to the Princess. More scratching it was Madame la Comtesse de Provence; the Duchesse d'Orleans handed her the linen. All this while the Queen kept her arms crossed upon her bosom, and appeared to feel cold; Madame observed her uncomfortable situation, and, merely laying down her handkerchief without taking off her gloves, she put on the linen, and in doing so knocked the Queen's cap off. The Queen laughed to conceal her impatience, but not until she had muttered several times, "How disagreeable! how tiresome!"

All this etiquette, however inconvenient, was suitable to the royal dignity, which expects to find servants in all classes of persons, beginning even with the brothers and sisters of the monarch.

Speaking here of etiquette, I do not allude to majestic state, appointed for days of ceremony in all Courts. I mean those minute ceremonies that were pursued towards our Kings in their inmost privacies, in their hours of pleasure, in those of pain, and even during the most revolting of human infirmities.

These servile rules were drawn up into a kind of code; they offered to a Richelieu, a La Rochefoucauld and a Duras, in the exercise of their domestic functions, opportunities of intimacy useful to their interests; and their vanity was flattered by customs which converted the right to give a glass of water, to put on a dress, and to remove a basin, into honourable prerogatives.

Princes thus accustomed to be treated as divinities naturally ended by believing that they were of a distinct nature, of a purer essence than the rest of mankind.

This sort of etiquette, which led our Princes to be treated in private as idols, made them in public martyrs to decorum. Marie Antoinette found in the Chateau of Versailles a multitude of established customs which appeared to her insupportable.

The ladies-in-waiting, who were all obliged to be sworn, and to wear full Court dresses, were alone entitled to remain in the room, and to attend in conjunction with the dame d'honneur and the tirewoman. The Queen abolished all this formality. When her head was dressed, she curtsied to all the ladies who were in her chamber, and, followed only by her own women, went into her closet, where Mademoiselle Bertin, who could not be admitted into the chamber, used to await her. It was in this inner closet that she produced her new and numerous dresses. The Queen was also desirous of being served by the most fashionable hairdresser in Paris. Now the custom which forbade all persons in inferior offices, employed by royalty, to exert their talents for the public, was no doubt intended to cut off all communication between the privacy of princes and society at large; the latter being always extremely curious respecting the most trifling particulars relative to the private life of the former. The Queen, fearing that the taste of the hairdresser would suffer if he should discontinue the general practice of his art, ordered him to attend as usual certain ladies of the Court and of Paris; and this multiplied the opportunities of learning details respecting the household, and very often of misrepresenting them.

One of the customs most disagreeable to the Queen was that of dining every day in public. Maria Leczinska had always submitted to this wearisome practice; Marie Antoinette followed it as long as she was Dauphiness. The Dauphin dined with her, and each branch of the family had its public dinner daily. The ushers suffered all decently dressed people to enter; the sight was the delight of persons from the country. At the dinner-hour there were none to be met upon the stairs but honest folks, who, after having seen the Dauphiness take her soup, went to see the Princes eat their 'bouilli', and then ran themselves out of breath to behold Mesdames at their dessert.

Very ancient usage, too, required that the Queens of France should appear in public surrounded only by women; even at meal-times no persons of the other sex attended to serve at table; and although the King ate publicly with the Queen, yet he himself was served by women with everything which was presented to him directly at table. The dame d'honneur, kneeling, for her own accommodation, upon a low stool, with a napkin upon her arm, and four women in full dress, presented the plates to the King and Queen. The dame d'honneur handed them drink. This service had formerly been the right of the maids of honour. The Queen, upon her accession to the throne, abolished the usage altogether. She also freed herself from the necessity of being followed in the Palace of Versailles by two of her women in Court dresses, during those hours of the day when the ladies-in-waiting were not with her. From that time she was accompanied only by a single valet de chambre and two footmen. All the changes made by Marie Antoinette were of the same description; a disposition gradually to substitute the simple customs of Vienna for those of Versailles was more injurious to her than she could possibly have imagined.

When the King slept in the Queen's apartment he always rose before her; the exact hour was communicated to the head femme de chambre, who entered, preceded by a servant of the bedchamber bearing a taper; she crossed the room and unbolted the door which separated the Queen's apartment from that of the King. She there found the first valet de chambre for the quarter, and a servant of the chamber. They entered, opened the bed curtains on the King's side, and presented him slippers generally, as well as the dressing-gown, which he put on, of gold or silver stuff. The first valet de chambre took down a short sword which was always laid within the railing on the King's side. When the King slept with the Queen, this sword was brought upon the armchair appropriated to the King, and which was placed near the Queen's bed, within the gilt railing which surrounded the bed. The first femme de chambre conducted the King to the door, bolted it again, and, leaving the Queen's chamber, did not return until the hour appointed by her Majesty the evening before. At night the Queen went to bed before the King; the first femme de chambre remained seated at the foot of her bed until the arrival of his Majesty, in order, as in the morning, to see the King's attendants out and bolt the door after them. The Queen awoke habitually at eight o'clock, and breakfasted at nine, frequently in bed, and sometimes after she had risen, at a table placed opposite her couch.

In order to describe the Queen's private service intelligibly, it must be recollected that service of every kind was honour, and had not any other denomination. To do the honours of the service was to present the service to a person of superior rank, who happened to arrive at the moment it was about to be performed. Thus, supposing the Queen asked for a glass of water, the servant of the chamber handed to the first woman a silver gilt waiter, upon which were placed a covered goblet and a small decanter; but should the lady of honour come in, the first woman was obliged to present the waiter to her, and if Madame or the Comtesse d'Artois came in at the moment, the waiter went again from the lady of honour into the hands of the Princess before it reached the Queen. It must be observed, however, that if a princess of the blood instead of a princess of the family entered, the service went directly from the first woman to the princess of the blood, the lady of honour being excused from transferring to any but princesses of the royal family. Nothing was presented directly to the Queen; her handkerchief or her gloves were placed upon a long salver of gold or silver gilt, which was placed as a piece of furniture of ceremony upon a side-table, and was called a gantiere. The first woman presented to her in this manner all that she asked for, unless the tirewoman, the lady of honour, or a princess were present, and then the gradation pointed out in the instance of the glass of water was always observed.

Whether the Queen breakfasted in bed or up, those entitled to the petites entrees were equally admitted; this privilege belonged of right to her chief physician, chief surgeon, physician in ordinary, reader, closet secretary, the King's four first valets de chambre and their reversioners, and the King's chief physicians and surgeons. There were frequently from ten to twelve persons at this first entree. The lady of honour or the superintendent, if present, placed the breakfast equipage upon the bed; the Princesse de Lamballe frequently performed that office.

As soon as the Queen rose, the wardrobe woman was admitted to take away the pillows and prepare the bed to be made by some of the valets de chambre. She undrew the curtains, and the bed was not generally made until the Queen was gone to mass. Generally, excepting at St. Cloud, where the Queen bathed in an apartment below her own, a slipper bath was rolled into her room, and her bathers brought everything that was necessary for the bath. The Queen bathed in a large gown of English flannel buttoned down to the bottom; its sleeves throughout, as well as the collar, were lined with linen. When she came out of the bath the first woman held up a cloth to conceal her entirely from the sight of her women, and then threw it over her shoulders. The bathers wrapped her in it and dried her completely. She then put on a long and wide open chemise, entirely trimmed with lace, and afterwards a white taffety bed-gown. The wardrobe woman warmed the bed; the slippers were of dimity, trimmed with lace. Thus dressed, the Queen went to bed again, and the bathers and servants of the chamber took away the bathing apparatus. The Queen, replaced in bed, took a book or her tapestry work. On her bathing mornings she breakfasted in the bath. The tray was placed on the cover of the bath. These minute details are given here only to do justice to the Queen's scrupulous modesty. Her temperance was equally remarkable; she breakfasted on coffee or chocolate; at dinner ate nothing but white meat, drank water only, and supped on broth, a wing of a fowl, and small biscuits, which she soaked in a glass of water.

The tirewoman had under her order a principal under-tirewoman, charged with the care and preservation of all the Queen's dresses; two women to fold and press such articles as required it; two valets, and a porter of the wardrobe. The latter brought every morning into the Queen's apartments baskets covered with taffety, containing all that she was to wear during the day, and large cloths of green taffety covering the robes and the full dresses. The valet of the wardrobe on duty presented every morning a large book to the first femme de chambre, containing patterns of the gowns, full dresses, undresses, etc. Every pattern was marked, to show to which sort it belonged. The first femme de chambre presented this book to the Queen on her awaking, with a pincushion; her Majesty stuck pins in those articles which she chose for the day,--one for the dress, one for the afternoon-undress, and one for the full evening dress for card or supper parties in the private apartments. The book was then taken back to the wardrobe, and all that was wanted for the day was soon after brought in in large taffety wrappers. The wardrobe woman, who had the care of the linen, in her turn brought in a covered basket containing two or three chemises and handkerchiefs. The morning basket was called pret du jour. In the evening she brought in one containing the nightgown and nightcap, and the stockings for the next morning; this basket was called pret de la nuit. They were in the department of the lady of honour, the tirewoman having nothing to do with the linen. Nothing was put in order or taken care of by the Queen's women. As soon as the toilet was over, the valets and porter belonging to the wardrobe were called in, and they carried all away in a heap, in the taffety wrappers, to the tirewoman's wardrobe, where all were folded up again, hung up, examined, and cleaned with so much regularity and care that even the cast-off clothes scarcely looked as if they had been worn. The tirewoman's wardrobe consisted of three large rooms surrounded with closets, some furnished with drawers and others with shelves; there were also large tables in each of these rooms, on which the gowns and dresses were spread out and folded up.

For the winter the Queen had generally twelve full dresses, twelve undresses called fancy dresses, and twelve rich hoop petticoats for the card and supper parties in the smaller apartments.

She had as many for the summer; those for the spring served likewise for the autumn. All these dresses were discarded at the end of each season, unless, indeed, she retained some that she particularly liked. I am not speaking of muslin or cambric gowns, or others of the same kind--they were lately introduced; but such as these were not renewed at each returning season, they were kept several years. The chief women were charged with the care and examination of the diamonds; this important duty was formerly confided to the tirewoman, but for many years had been included in the business of the first femmes de chambre.

The public toilet took place at noon. The toilet-table was drawn forward into the middle of the room. This piece of furniture was generally the richest and most ornamented of all in the apartment of the Princesses. The Queen used it in the same manner and place for undressing herself in the evening. She went to bed in corsets trimmed with ribbon, and sleeves trimmed with lace, and wore a large neck handkerchief. The Queen's combing cloth was presented by her first woman if she was alone at the commencement of the toilet; or, as well as the other articles, by the ladies of honour if they were come. At noon the women who had been in attendance four and twenty hours were relieved by two women in full dress; the first woman went also to dress herself. The grandee entrees were admitted during the toilet; sofas were placed in circles for the superintendent, the ladies of honour, and tirewomen, and the governess of the children of France when she came there; the duties of the ladies of the bedchamber, having nothing to do with any kind of domestic or private functions, did not begin until the hour of going out to mass; they waited in the great closet, and entered when the toilet was over. The Princes of the blood, captains of the Guards, and all great officers having the entry paid their court at the hour of the toilet. The Queen saluted by nodding her head or bending her body, or leaning upon her toilet-table as if moving to rise; the last mode of salutation was for the Princes of the blood. The King's brothers also came very generally to pay their respects to her Majesty while her hair was being dressed. In the earlier years of the reign the first part of the dressing was performed in the bedchamber and according to the laws of etiquette; that is to say, the lady of honour put on the chemise and poured out the water for the hands, the tirewoman put on the skirt of the gown or full dress, adjusted the handkerchief, and tied on the necklace. But when the young Queen became more seriously devoted to fashion, and the head-dress attained so extravagant a height that it became necessary to put on the chemise from below,--when, in short, she determined to have her milliner, Mademoiselle Benin, with her whilst she was dressing, whom the ladies would have refused to admit to any share in the honour of attending on the Queen, the dressing in the bedchamber was discontinued, and the Queen, leaving her toilet, withdrew into her closet to dress.

On returning into her chamber, the Queen, standing about the middle of it, surrounded by the superintendent, the ladies of honour and tirewomen, her ladies of the palace, the chevalier d'honneur, the chief equerry, her clergy ready to attend her to mass, and the Princesses of the royal family who happened to come, accompanied by all their chief attendants and ladies, passed in order into the gallery as in going to mass. The Queen's signatures were generally given at the moment of entry into the chamber. The secretary for orders presented the pen. Presentations of colonels on taking leave were usually made at this time. Those of ladies, and, such as had a right to the tabouret, or sitting in the royal presence, were made on Sunday evenings before card-playing began, on their coming in from paying their respects. Ambassadors were introduced to the Queen on Tuesday mornings, accompanied by the introducer of ambassadors on duty, and by M. de Sequeville, the secretary for the ambassadors. The introducer in waiting usually came to the Queen at her toilet to apprise her of the presentations of foreigners which would be made. The usher of the chamber, stationed at the entrance, opened the folding doors to none but the Princes and Princesses of the royal family, and announced them aloud. Quitting his post, he came forward to name to the lady of honour the persons who came to be presented, or who came to take leave; that lady again named them to the Queen at the moment they saluted her; if she and the tirewoman were absent, the first woman took the place and did that duty. The ladies of the bedchamber, chosen solely as companions for the Queen, had no domestic duties to fulfil, however opinion might dignify such offices. The King's letter in appointing them, among other instructions of etiquette, ran thus: "having chosen you to bear the Queen company." There were hardly any emoluments accruing from this place.

The Queen heard mass with the King in the tribune, facing the grand altar and the choir, with the exception of the days of high ceremony, when their chairs were placed below upon velvet carpets fringed with gold. These days were marked by the name of grand chapel day.

The Queen named the collector beforehand, and informed her of it through her lady of honour, who was besides desired to send the purse to her. The collectors were almost always chosen from among those who had been recently presented. After returning from mass the Queen dined every Sunday with the King only, in public in the cabinet of the nobility, a room leading to her chamber. Titled ladies having the honours sat during the dinner upon folding-chairs placed on each side of the table. Ladies without titles stood round the table; the captain of the Guards and the first gentleman of the chamber were behind the King's chair; behind that of the Queen were her first maitre d'hotel, her chevalier d'honneur, and the chief equerry. The Queen's maitre d'hotel was furnished with a large staff, six or seven feet in length, ornamented with golden fleurs-de-lis, and surmounted by fleurs-de-lis in the form of a crown. He entered the room with this badge of his office to announce that the Queen was served. The comptroller put into his hands the card of the dinner; in the absence of the maitre d'hotel he presented it to the Queen himself, otherwise he only did him the honours of the service. The maitre d'hotel did not leave his place, he merely gave the orders for serving up and removing; the comptroller and gentlemen serving placed the various dishes upon the table, receiving them from the inferior servants.

The Prince nearest to the crown presented water to wash the King's hands at the moment he placed himself at table, and a princess did the same service to the Queen.

The table service was formerly performed for the Queen by the lady of honour and four women in full dress; this part of the women's service was transferred to them on the suppression of the office of maids of honour. The Queen put an end to this etiquette in the first year of her reign. When the dinner was over the Queen returned without the King to her apartment with her women, and took off her hoop and train.

This unfortunate Princess, against whom the opinions of the French people were at length so much excited, possessed qualities which deserved to obtain the greatest popularity. None could doubt this who, like myself, had heard her with delight describe the patriarchal manners of the House of Lorraine. She was accustomed to say that, by transplanting their manners into Austria, the Princes of that house had laid the foundation of the unassailable popularity enjoyed by the imperial family. She frequently related to me the interesting manner in which the Ducs de Lorraine levied the taxes. "The sovereign Prince," said she, "went to church; after the sermon he rose, waved his hat in the air, to show that he was about to speak, and then mentioned the sum whereof he stood in need. Such was the zeal of the good Lorrainers that men have been known to take away linen or household utensils without the knowledge of their wives, and sell them to add the value to their contribution. It sometimes happened, too, that the Prince received more money than he had asked for, in which case he restored the surplus."

All who were acquainted with the Queen's private qualities knew that she equally deserved attachment and esteem. Kind and patient to excess in her relations with her household, she indulgently considered all around her, and interested herself in their fortunes and in their pleasures., She had, among her women, young girls from the Maison de St. Cyr, all well born; the Queen forbade them the play when the performances were not suitable; sometimes, when old plays were to be represented, if she found she could not with certainty trust to her memory, she would take the trouble to read them in the morning, to enable her to decide whether the girls should or should not go to see them,--rightly considering herself bound to watch over their morals and conduct.

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Chapter VI

During the first few months of his reign Louis XVI. dwelt at La Muette, Marly, and Compiegne. When settled at Versailles he occupied himself with a general examination of his grandfather's papers. He had promised the Queen to communicate to her all that he might discover relative to the history of the man with the iron mask, who, he thought, had become so inexhaustible a source of conjecture only in consequence of the interest which the pen of a celebrated writer had excited respecting the detention of a prisoner of State, who was merely a man of whimsical tastes and habits.

I was with the Queen when the King, having finished his researches, informed her that he had not found anything among the secret papers elucidating the existence of this prisoner; that he had conversed on the matter with M. de Maurepas, whose age made him contemporary with the epoch during which the story must have been known to the ministers; and that M. de Maurepas had assured him he was merely a prisoner of a very dangerous character, in consequence of his disposition for intrigue. He was a subject of the Duke of Mantua, and was enticed to the frontier, arrested there, and kept prisoner, first at Pignerol, and afterwards in the Bastille. This transfer took place in consequence of the appointment of the governor of the former place to the government of the latter. It was for fear the prisoner should profit by the inexperience of a new governor that he was sent with the Governor of Pignerol to the Bastille.

Such was, in fact, the truth about the man on whom people have been pleased to fix an iron mask. And thus was it related in writing, and published by M. ----- twenty years ago. He had searched the archives of the Foreign Office, and laid the real story before the public; but the public, prepossessed in favour of a marvellous version, would not acknowledge the authenticity of his account. Every man relied upon the authority of Voltaire; and it was believed that a natural or a twin brother of Louis XIV. lived many years in prison with a mask over his face. The story of this mask, perhaps, had its origin in the old custom, among both men and women in Italy, of wearing a velvet mask when they exposed themselves to the sun. It is possible that the Italian captive may have sometimes shown himself upon the terrace of his prison with his face thus covered. As to the silver plate which this celebrated prisoner is said to have thrown from his window, it is known that such a circumstance did happen, but it happened at Valzin, in the time of Cardinal Richelieu. This anecdote has been mixed up with the inventions respecting the Piedmontese prisoner.

In this survey of the papers of Louis XV. by his grandson some very curious particulars relative to his private treasury were found. Shares in various financial companies afforded him a revenue, and had in course of time produced him a capital of some amount, which he applied to his secret expenses. The King collected his vouchers of title to these shares, and made a present of them to M. Thierry de Ville d'Avray, his chief valet de chambre.

The Queen was desirous to secure the comfort of Mesdames, the daughters of Louis XV., who were held in the highest respect. About this period she contributed to furnish them with a revenue sufficient to provide them an easy, pleasant existence: The King gave them the Chateau of Bellevue; and added to the produce of it, which was given up to them, the expenses of their table and equipage, and payment of all the charges of their household, the number of which was even increased. During the lifetime of Louis XV., who was a very selfish prince, his daughters, although they had attained forty years of age, had no other place of residence than their apartments in the Chateau of Versailles; no other walks than such as they could take in the large park of that palace; and no other means of gratifying their taste for the cultivation of plants but by having boxes and vases, filled with them, in their balconies or their closets. They had, therefore, reason to be much pleased with the conduct of Marie Antoinette, who had the greatest influence in the King's kindness towards his aunts.

Paris did not cease, during the first years of the reign, to give proofs of pleasure whenever the Queen appeared at any of the plays of the capital. At the representation of "Iphigenia in Aulis," the actor who sang the words, "Let us sing, let us celebrate our Queen!" which were repeated by the chorus, directed by a respectful movement the eyes of the whole assembly upon her Majesty. Reiterated cries of 'Bis'! and clapping of hands, were followed by such a burst of enthusiasm that many of the audience added their voices to those of the actors in order to celebrate, it might too truly be said, another Iphigenia. The Queen, deeply affected, covered her eyes with her handkerchief; and this proof of sensibility raised the public enthusiasm to a still higher pitch.

The King gave Marie Antoinette Petit Trianon.

[The Chateau of Petit Trianon, which was built for Louis XV., was not remarkably handsome as a building. The luxuriance of the hothouses rendered the place agreeable to that Prince. He spent a few days there several times in the year. It was when he was setting off from Versailles for Petit Trianon that he was struck in the side by the knife of Damiens, and it was there that he was attacked by the smallpox, of which he died on the 10th of May, 1774.--MADAME CAMPAN.]

Henceforward she amused herself with improving the gardens, without allowing any addition to the building, or any change in the furniture, which was very shabby, and remained, in 1789, in the same state as during the reign of Louis XV. Everything there, without exception, was preserved; and the Queen slept in a faded bed, which had been used by the Comtesse du Barry. The charge of extravagance, generally made against the Queen, is the most unaccountable of all the popular errors respecting her character. She had exactly the contrary failing; and I could prove that she often carried her economy to a degree of parsimony actually blamable, especially in a sovereign. She took a great liking for Trianon, and used to go there alone, followed by a valet; but she found attendants ready to receive her,--a concierge and his wife, who served her as femme de chambre, women of the wardrobe, footmen, etc.

When she first took possession of Petit Trianon, it was reported that she changed the name of the seat which the King had given her, and called it Little Vienna, or Little Schoenbrunn. A person who belonged to the Court, and was silly enough to give this report credit, wishing to visit Petit Trianon with a party, wrote to M. Campan, requesting the Queen's permission to do so. In his note he called Trianon Little Vienna. Similar requests were usually laid before the Queen just as they were made: she chose to give the permissions to see her gardens herself, liking to grant these little favours. When she came to the words I have quoted she was very, much offended, and exclaimed, angrily, that there were too many, fools ready, to aid the malicious; that she had been told of the report circulated, which pretended that she had thought of nothing but her own country, and that she kept an Austrian heart, while the interests of France alone ought to engage her. She refused the request so awkwardly made, and desired M. Campan to reply, that Trianon was not to be seen for some time, and that the Queen was astonished that any man in good society should believe she would do so ill-judged a thing as to change the French names of her palaces to foreign ones.

Before the Emperor Joseph II's first visit to France the Queen received a visit from the Archduke Maximilian in 1775. A stupid act of the ambassador, seconded on the part of the Queen by the Abbe de Vermond, gave rise at that period to a discussion which offended the Princes of the blood and the chief nobility of the kingdom. Travelling incognito, the young Prince claimed that the first visit was not due from him to the Princes of the blood; and the Queen supported his pretension.

From the time of the Regency, and on account of the residence of the family of Orleans in the bosom of the capital, Paris had preserved a remarkable degree of attachment and respect for that branch of the royal house; and although the crown was becoming more and more remote from the Princes of the House of Orleans, they had the advantage (a great one with the Parisians) of being the descendants of Henri IV. An affront to that popular family was a serious ground of dislike to the Queen. It was at this period that the circles of the city, and even of the Court, expressed themselves bitterly about her levity, and her partiality for the House of Austria. The Prince for whom the Queen had embarked in an important family quarrel--and a quarrel involving national prerogatives--was, besides, little calculated to inspire interest. Still young, uninformed, and deficient in natural talent, he was always making blunders.

He went to the Jardin du Roi; M. de Buffon, who received him there, offered him a copy of his works; the Prince declined accepting the book, saying to M. de Buffon, in the most polite manner possible, "I should be very sorry to deprive you of it."

[Joseph II, on his visit to France, also went to see M. de Buffon, and said to that celebrated man, "I am come to fetch the copy of your works which my brother forgot."--NOTE BY THE EDITOR.]

It may be supposed that the Parisians were much entertained with this answer.

The Queen was exceedingly mortified at the mistakes made by her brother; but what hurt her most was being accused of preserving an Austrian heart. Marie Antoinette had more than once to endure that imputation during the long course of her misfortunes. Habit did not stop the tears such injustice caused; but the first time she was suspected of not loving France, she gave way to her indignation. All that she could say on the subject was useless; by seconding the pretensions of the Archduke she had put arms into her enemies' hands; they were labouring to deprive her of the love of the people, and endeavoured, by all possible means, to spread a belief that the Queen sighed for Germany, and preferred that country to France.

Marie Antoinette had none but herself to rely on for preserving the fickle smiles of the Court and the public. The King, too indifferent to serve her as a guide, as yet had conceived no love for her, notwithstanding the intimacy that grew between them at Choisy. In his closet Louis XVI. was immersed in deep study. At the Council he was busied with the welfare of his people; hunting and mechanical occupations engrossed his leisure moments, and he never thought on the subject of an heir.

The coronation took place at Rheims, with all the accustomed pomp. At this period the people's love for Louis XVI. burst forth in transports not to be mistaken for party demonstrations or idle curiosity. He replied to this enthusiasm by marks of confidence, worthy of a people happy in being governed by a good King; he took a pleasure in repeatedly walking without guards, in the midst of the crowd which pressed around him, and called down blessings on his head. I remarked the impression made at this time by an observation of Louis XVI. On the day of his coronation he put his hand up to his head, at the moment of the crown being placed upon it, and said, "It pinches me." Henri III. had exclaimed, "It pricks me." Those who were near the King were struck with the similarity between these two exclamations, though not of a class likely to be blinded by the superstitious fears of ignorance.

While the Queen, neglected as she was, could not even hope for the happiness of being a mother, she had the mortification of seeing the Comtesse d'Artois give birth to the Duc d'Angouleme.

Custom required that the royal family and the whole Court should be present at the accouchement of the Princesses; the Queen was therefore obliged to stay a whole day in her sister-in-law's chamber. The moment the Comtesse d'Artois was informed a prince was born, she put her hand to her forehead and exclaimed with energy, "My God, how happy I am!" The Queen felt very differently at this involuntary and natural exclamation. Nevertheless, her behaviour was perfect. She bestowed all possible marks of tenderness upon the young mother, and would not leave her until she was again put into bed; she afterwards passed along the staircase, and through the hall of the guards, with a calm demeanour, in the midst of an immense crowd. The poissardes, who had assumed a right of speaking to sovereigns in their own vulgar language, followed her to the very doors of her apartments, calling out to her with gross expressions, that she ought to produce heirs. The Queen reached her inner room, hurried and agitated; he shut herself up to weep with me alone, not from jealousy of her sister-in-law's happiness,--of that he was incapable,--but from sorrow at her own situation.

Deprived of the happiness of giving an heir to the crown, the Queen endeavoured to interest herself in the children of the people of her household. She had long been desirous to bring up one of them herself, and to make it the constant object of her care. A little village boy, four or five years old, full of health, with a pleasing countenance, remarkably large blue eyes, and fine light hair, got under the feet of the Queen's horses, when she was taking an airing in a calash, through the hamlet of St. Michel, near Louveciennes. The coachman and postilions stopped the horses, and the child was rescued without the slightest injury. Its grandmother rushed out of the door of her cottage to take it; but the Queen, standing up in her calash and extending her arms, called out that the child was hers, and that destiny had given it to her, to console her, no doubt, until she should have the happiness of having one herself. "Is his mother alive?" asked the Queen. "No, Madame; my daughter died last winter, and left five small children upon my hands." "I will take this one, and provide for all the rest; do you consent?" "Ah, Madame, they are too fortunate," replied the cottager; "but Jacques is a bad boy. I hope he will stay with you!" The Queen, taking little Jacques upon her knee, said that she would make him used to her, and gave orders to proceed. It was necessary, however, to shorten the drive, so violently did Jacques scream, and kick the Queen and her ladies.

The arrival of her Majesty at her apartments at Versailles, holding the little rustic by the hand, astonished the whole household; he cried out with intolerable shrillness that he wanted his grandmother, his brother Louis, and his sister Marianne; nothing could calm him. He was taken away by the wife of a servant, who was appointed to attend him as nurse. The other children were put to school. Little Jacques, whose family name was Armand, came back to the Queen two days afterwards; a white frock trimmed with lace, a rose-coloured sash with silver fringe, and a hat decorated with feathers, were now substituted for the woollen cap, the little red frock, and the wooden shoes. The child was really very beautiful. The Queen was enchanted with him; he was brought to her every morning at nine o'clock; he breakfasted and dined with her, and often even with the King. She liked to call him my child,

[This little unfortunate was nearly twenty in 1792; the fury of the people and the fear of being thought a favourite of the Queen's had made him the most sanguinary terrorist of Versailles. He was killed at the battle of Jemappes.]

and lavished caresses upon him, still maintaining a deep silence respecting the regrets which constantly occupied her heart.

This child remained with the Queen until the time when Madame was old enough to come home to her august mother, who had particularly taken upon herself the care of her education.

The Queen talked incessantly of the qualities which she admired in Louis XVI., and gladly attributed to herself the slightest favourable change in his manner; perhaps she displayed too unreservedly the joy she felt, and the share she appropriated in the improvement. One day Louis XVI. saluted her ladies with more kindness than usual, and the Queen laughingly said to them, "Now confess, ladies, that for one so badly taught as a child, the King has saluted you with very good grace!"

The Queen hated M. de La Vauguyon; she accused him alone of those points in the habits, and even the sentiments, of the King which hurt her. A former first woman of the bedchamber to Queen Maria Leczinska had continued in office near the young Queen. She was one of those people who are fortunate enough to spend their lives in the service of kings without knowing anything of what is passing at Court. She was a great devotee; the Abbe Grisel, an ex-Jesuit, was her director. Being rich from her savings and an income of 50,000 livres, she kept a very good table; in her apartment, at the Grand Commun, the most distinguished persons who still adhered to the Order of Jesuits often assembled. The Duc de La Vauguyon was intimate with her; their chairs at the Eglise des Reollets were placed near each other; at high mass and at vespers they sang the "Gloria in Excelsis" and the "Magnificat" together; and the pious virgin, seeing in him only one of God's elect, little imagined him to be the declared enemy of a Princess whom she served and revered. On the day of his death she ran in tears to relate to the Queen the piety, humility, and repentance of the last moments of the Duc de La Vauguyon. He had called his people together, she said, to ask their pardon. "For what?" replied the Queen, sharply; "he has placed and pensioned off all his servants; it was of the King and his brothers that the holy man you bewail should have asked pardon, for having paid so little attention to the education of princes on whom the fate and happiness of twenty-five millions of men depend. Luckily," added she, "the King and his brothers, still young, have incessantly laboured to repair the errors of their preceptor."

The progress of time, and the confidence with which the King and the Princes, his brothers, were inspired by the change in their situation since the death of Louis XV., had developed their characters. I will endeavour to depict them.

The features of Louis XVI. were noble enough, though somewhat melancholy in expression; his walk was heavy and unmajestic; his person greatly neglected; his hair, whatever might be the skill of his hairdresser, was soon in disorder. His voice, without being harsh, was not agreeable; if he grew animated in speaking he often got above his natural pitch, and became shrill. The Abbe de Radonvilliers, his preceptor, one of the Forty of the French Academy, a learned and amiable man, had given him and Monsieur a taste for study. The King had continued to instruct himself; he knew the English language perfectly; I have often heard him translate some of the most difficult passages in Milton's poems. He was a skilful geographer, and was fond of drawing and colouring maps; he was well versed in history, but had not perhaps sufficiently studied the spirit of it. He appreciated dramatic beauties, and judged them accurately. At Choisy, one day, several ladies expressed their dissatisfaction because the French actors were going to perform one of Moliere's pieces. The King inquired why they disapproved of the choice. One of them answered that everybody must admit that Moliere had very bad taste; the King replied that many things might be found in Moliere contrary to fashion, but that it appeared to him difficult to point out any in bad taste?

[The King, having purchased the Chateau of Rambouillet from the Duc de Penthievre, amused himself with embellishing it. I have seen a register entirely in his own handwriting, which proves that he possessed a great variety of information on the minutiae of various branches of knowledge. In his accounts he would not omit an outlay of a franc. His figures and letters, when he wished to write legibly, were small and very neat, but in general he wrote very ill. He was so sparing of paper that he divided a sheet into eight, six, or four pieces, according to the length of what he had to write. Towards the close of the page he compressed the letters, and avoided interlineations. The last words were close to the edge of the paper; he seemed to regret being obliged to begin another page. He was methodical and analytical; he divided what he wrote into chapters and sections. He had extracted from the works of Nicole and Fenelon, his favourite authors, three or four hundred concise and sententious phrases; these he had classed according to subject, and formed a work of them in the style of Montesquieu. To this treatise he had given the following general title: "Of Moderate Monarchy" (De la Monarchie temperee), with chapters entitled, "Of the Person of the Prince;" "Of the Authority of Bodies in the State;" "Of the Character of the Executive Functions of the Monarchy." Had he been able to carry into effect all the grand precepts he had observed in Fenelon, Louis XVI. would have been an accomplished monarch, and France a powerful kingdom. The King used to accept the speeches his ministers presented to him to deliver on important occasions; but he corrected and modified them; struck out some parts, and added others; and sometimes consulted the Queen on the subject. The phrase of the minister erased by the King was frequently unsuitable, and dictated by the minister's private feelings; but the King's was always the natural expression. He himself composed, three times or oftener, his famous answers to the Parliament which he banished. But in his letters he was negligent, and always incorrect. Simplicity was the characteristic of the King's style; the figurative style of M. Necker did not please him; the sarcasms of Maurepas were disagreeable to him. Unfortunate Prince! he would predict, in his observations, that if such a calamity should happen, the monarchy would be ruined; and the next day he would consent in Council to the very measure which he had condemned the day before, and which brought him nearer the brink of the precipice.--SOULAVIE, "Historical and Political Memoirs of the Reign of Louis XVI.," vol. ii.]

This Prince combined with his attainments the attributes of a good husband, a tender father, and an indulgent master.

Unfortunately he showed too much predilection for the mechanical arts; masonry and lock-making so delighted him that he admitted into his private apartment a common locksmith, with whom he made keys and locks; and his hands, blackened by that sort of work, were often, in my presence, the subject of remonstrances and even sharp reproaches from the Queen, who would have chosen other amusements for her husband.

[Louis XVI. saw that the art of lock-making was capable of application to a higher study, He was an excellent geographer. The most valuable and complete instrument for the study of that science was begun by his orders and under his direction. It was an immense globe of copper, which was long preserved, though unfinished, in the Mazarine library. Louis XVI. invented and had executed under his own eyes the ingenious mechanism required for this globe.--NOTE BY THE EDITOR.]

Austere and rigid with regard to himself alone, the King observed the laws of the Church with scrupulous exactness. He fasted and abstained throughout the whole of Lent. He thought it right that the queen should not observe these customs with the same strictness. Though sincerely pious, the spirit of the age had disposed his mind to toleration. Turgot, Malesherbes, and Necker judged that this Prince, modest and simple in his habits, would willingly sacrifice the royal prerogative to the solid greatness of his people. His heart, in truth, disposed him towards reforms; but his prejudices and fears, and the clamours of pious and privileged persons, intimidated him, and made him abandon plans which his love for the people had suggested.

Monsieur--

[During his stay at Avignon, Monsieur, afterwards Louis XVIII, lodged with the Duc de Crillon; he refused the town-guard which was offered him, saying, "A son of France, under the roof of a Crillon, needs no guard."--NOTE BY THE EDITOR.]

had more dignity of demeanour than the King; but his corpulence rendered his gait inelegant. He was fond of pageantry and magnificence. He cultivated the belles lettres, and under assumed names often contributed verses to the Mercury and other papers.

His wonderful memory was the handmaid of his wit, furnishing him with the happiest quotations. He knew by heart a varied repertoire, from the finest passages of the Latin classics to the Latin of all the prayers, from the works of Racine to the vaudeville of "Rose et Colas."

The Comte d'Artoisi had an agreeable countenance, was well made, skilful in bodily exercises, lively, impetuous, fond of pleasure, and very particular in his dress. Some happy observations made by him were repeated with approval, and gave a favourable idea of his heart. The Parisians liked the open and frank character of this Prince, which they considered national, and showed real affection for him.

The dominion that the Queen gained over the King's mind, the charms of a society in which Monsieur displayed his wit, and to which the Comte d'Artois--[Afterwards Charles X.]--gave life by the vivacity of youth, gradually softened that ruggedness of manner in Louis XVI. which a better-conducted education might have prevented. Still, this defect often showed itself, and, in spite of his extreme simplicity, the King inspired those who had occasion to speak to him with diffidence. Courtiers, submissive in the presence of their sovereign, are only the more ready to caricature him; with little good breeding, they called those answers they so much dreaded, Les coups de boutoir du Roi.--[The literal meaning of the phrase "coup de boutoir," is a thrust from the snout of a boar.]

Methodical in all his habits, the King always went to bed at eleven precisely. One evening the Queen was going with her usual circle to a party, either at the Duc de Duras's or the Princesse de Glumenee's. The hand of the clock was slily put forward to hasten the King's departure by a few minutes; he thought bed-time was come, retired, and found none of his attendants ready to wait on him. This joke became known in all the drawing-rooms of Versailles, and was disapproved of there. Kings have no privacy. Queens have no boudoirs. If those who are in immediate attendance upon sovereigns be not themselves disposed to transmit their private habits to posterity, the meanest valet will relate what he has seen or heard; his gossip circulates rapidly, and forms public opinion, which at length ascribes to the most august persons characters which, however untrue they may be, are almost always indelible.

NOTE. The only passion ever shown by Louis XVI. was for hunting. He was so much occupied by it that when I went up into his private closets at Versailles, after the 10th of August, I saw upon the staircase six frames, in which were seen statements of all his hunts, when Dauphin and when King. In them was detailed the number, kind, and quality of the game he had killed at each hunting party during every month, every season, and every year of his reign.

The interior of his private apartments was thus arranged: a salon, ornamented with gilded mouldings, displayed the engravings which had been dedicated to him, drawings of the canals he had dug, with the model of that of Burgundy, and the plan of the cones and works of Cherbourg. The upper hall contained his collection of geographical charts, spheres, globes, and also his geographical cabinet. There were to be seen drawings of maps which he had begun, and some that he had finished. He had a clever method of washing them in. His geographical memory was prodigious. Over the hall was the turning and joining room, furnished with ingenious instruments for working in wood. He inherited some from Louis XV., and he often busied himself, with Duret's assistance, in keeping them clean and bright. Above was the library of books published during his reign. The prayer books and manuscript books of Anne of Brittany, Francois I, the later Valois, Louis XIV., Louis XV., and the Dauphin formed the great hereditary library of the Chateau. Louis XVI. placed separately, in two apartments communicating with each other, the works of his own time, including a complete collection of Didot's editions, in vellum, every volume enclosed in a morocco case. There were several English works, among the rest the debates of the British Parliament, in a great number of volumes in folio (this is the Moniteur of England, a complete collection of which is so valuable and so scarce). By the side of this collection was to be seen a manuscript history of all the schemes for a descent upon that island, particularly that of Comte de Broglie. One of the presses of this cabinet was full of cardboard boxes, containing papers relative to the House of Austria, inscribed in the King's own hand: "Secret papers of my family respecting the House of Austria; papers of my family respecting the Houses of Stuart and Hanover." In an adjoining press were kept papers relative to Russia. Satirical works against Catherine II. and against Paul I. were sold in France under the name of histories; Louis XVIII. collected and sealed up with his small seal the scandalous anecdotes against Catherine II., as well as the works of Rhulieres, of which he had a copy, to be certain that the secret life of that Princess, which attracted the curiosity of her contemporaries, should not be made public by his means.

Above the King's private library were a forge, two anvils, and a vast number of iron tools; various common locks, well made and perfect; some secret locks, and locks ornamented with gilt copper. It was there that the infamous Gamin, who afterwards accused the King of having tried to poison him, and was rewarded for his calumny with a pension of twelve thousand livres, taught him the art of lock-making. This Gamin, who became our guide, by order of the department and municipality of Versailles, did not, however, denounce the King on the 20th December, 1792. He had been made the confidant of that Prince in an immense number of important commissions; the King had sent him the "Red Book," from Paris, in a parcel; and the part which was concealed during the Constituent Assembly still remained so in 1793. Gamin hid it in a part of the Chateau inaccessible to everybody, and took it from under the shelves of a secret press before our eyes. This is a convincing proof that Louis XVI. hoped to return to his Chiteau. When teaching Louis XVI. his trade Gamin took upon himself the tone and authority of a master. "The King was good, forbearing, timid, inquisitive, and addicted to sleep," said Gamin to me; "he was fond to excess of lock-making, and he concealed himself from the Queen and the Court to file and forge with me. In order to convey his anvil and my own backwards and forwards we were obliged to use a thousand stratagems, the history of which would: never end." Above the King's and Gamin's forges and anvils was an, observatory, erected upon a platform covered with lead. There, seated on an armchair, and assisted by a telescope, the King observed all that was passing in the courtyards of Versailles, the avenue of Paris, and the neighbouring gardens. He had taken a liking to Duret, one of the indoor servants of the palace, who sharpened his tools, cleaned his anvils, pasted his maps, and adjusted eyeglasses to the King's sight, who was short-sighted. This good Duret, and indeed all the indoor servants, spoke of their master with regret and affection, and with tears in their eyes.

The King was born weak and delicate; but from the age of twenty-four he possessed a robust constitution, inherited from his mother, who was of the House of Saxe, celebrated for generations for its robustness. There were two men in Louis XVI., the man of knowledge and the man of will. The King knew the history of his own family and of the first houses of France perfectly. He composed the instructions for M. de la Peyrouse's voyage round the world, which the minister thought were drawn up by several members of the Academy of Sciences. His memory retained an infinite number of names and situations. He remembered quantities and numbers wonderfully. One day an account was presented to him in which the minister had ranked among the expenses an item inserted in the account of the preceding year. "There is a double charge," said the King; "bring me last year's account, and I will show it yet there." When the King was perfectly master of the details of any matter, and saw injustice, he was obdurate even to harshness. Then he would be obeyed instantly, in order to be sure that he was obeyed.

But in important affairs of state the man of will was not to be found. Louis XVI. was upon the throne exactly what those weak temperaments whom nature has rendered incapable of an opinion are in society. In his pusillanimity, he gave his confidence to a minister; and although amidst various counsels he often knew which was the best, he never had the resolution to say, "I prefer the opinion of such a one." Herein originated the misfortunes of the State.--SOULAVIE'S "Historical and Political Memoirs Of the Reign Of LOUIS XVI.," VOL ii.

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Chapter VII

The winter following the confinement of the Comtesse d'Artois was very severe; the recollections of the pleasure which sleighing-parties had given the Queen in her childhood made her wish to introduce similar ones in France. This amusement had already been known in that Court, as was proved by sleighs being found in the stables which had been used by the Dauphin, the father of Louis XVI. Some were constructed for the Queen in a more modern style. The Princes also ordered several; and in a few days there was a tolerable number of these vehicles. They were driven by the princes and noblemen of the Court. The noise of the bells and balls with which the harness of the horses was furnished, the elegance and whiteness of their plumes, the varied forms of the carriages, the gold with which they were all ornamented, rendered these parties delightful to the eye. The winter was very favourable to them, the snow remaining on the ground nearly six weeks; the drives in the park afforded a pleasure shared by the spectators.

[Louis XVI., touched with the wretched condition of the poor of Versailles during the winter of 1776, had several cart-loads of wood distributed among them. Seeing one day a file of those vehicles passing by, while several noblemen were preparing to be drawn swiftly over the ice, he uttered these memorable words: "Gentlemen, here are my sleighs!"--NOTE BY THE EDITOR.]

No one imagined that any blame could attach to so innocent an amusement. But the party were tempted to extend their drives as far as the Champs Elysees; a few sleighs even crossed the boulevards; the ladies being masked, the Queen's enemies took the opportunity of saying that she had traversed the streets of Paris in a sleigh.

This became a matter of moment. The public discovered in it a predilection for the habits of Vienna; but all that Marie Antoinette did was criticised.

Sleigh-driving, savouring of the Northern Courts, had no favour among the Parisians. The Queen was informed of this; and although all the sleighs were preserved, and several subsequent winters lent themselves to the amusement, she would not resume it.

It was at the time of the sleighing-parties that the Queen became intimately acquainted with the Princesse de Lamballe, who made her appearance in them wrapped in fur, with all the brilliancy and freshness of the age of twenty,--the emblem of spring, peeping from under sable and ermine. Her situation, moreover, rendered her peculiarly interesting; married, when she was scarcely past childhood, to a young prince, who ruined himself by the contagious example of the Duc d'Orleans, she had had nothing to do from the time of her arrival in France but to weep. A widow at eighteen, and childless, she lived with the Duc de Penthievre as an adopted daughter. She had the tenderest respect and attachment for that venerable Prince; but the Queen, though doing justice to his virtues, saw that the Duc de Penthievre's way of life, whether at Paris or at his country-seat, could neither afford his young daughter-in-law the amusements suited to her time of life, nor ensure her in the future an establishment such as she was deprived of by her widowhood. She determined, therefore, to establish her at Versailles; and for her sake revived the office of superintendent, which had been discontinued at Court since the death of Mademoiselle de Clermont. It is said that Maria Leczinska had decided that this place should continue vacant, the superintendent having so extensive a power in the houses of queens as to be frequently a restraint upon their inclinations. Differences which soon took place between Marie Antoinette and the Princesse de Lamballe respecting the official prerogatives of the latter, proved that the wife of Louis XV. had acted judiciously in abolishing the office; but a kind of treaty made between the Queen and the Princess smoothed all difficulties. The blame for too strong an assertion of claims fell upon a secretary of the superintendent, who had been her adviser; and everything was so arranged that a firm friendship existed between these two Princesses down to the disastrous period which terminated their career.

Notwithstanding the enthusiasm which the splendour, grace, and kindness of the Queen generally inspired, secret intrigues continued in operation against her. A short time after the ascension of Louis XVI. to the throne, the minister of the King's household was informed that a most offensive libel against the Queen was about to appear. The lieutenant of police deputed a man named Goupil, a police inspector, to trace this libel; he came soon after to say that he had found out the place where the work was being printed, and that it was at a country house near Yverdun. He had already got possession of two sheets, which contained the most atrocious calumnies, conveyed with a degree of art which might make them very dangerous to the Queen's reputation. Goupil said that he could obtain the rest, but that he should want a considerable sum for that purpose. Three thousand Louis were given him, and very soon afterwards he brought the whole manuscript and all that had been printed to the lieutenant of police. He received a thousand louis more as a reward for his address and zeal; and a much more important office was about to be given him, when another spy, envious of Goupil's good fortune, gave information that Goupil himself was the author of the libel; that, ten years before, he had been put into the Bicetre for swindling; and that Madame Goupil had been only three years out of the Salpetriere, where she had been placed under another name. This Madame Goupil was very pretty and very intriguing; she had found means to form an intimacy with Cardinal de Rohan, whom she led, it is said, to hope for a reconciliation with the Queen. All this affair was hushed up; but it shows that it was the Queen's fate to be incessantly attacked by the meanest and most odious machinations.

Another woman, named Cahouette de Millers, whose husband held an office in the Treasury, being very irregular in conduct, and of a scheming turn of mind, had a mania for appearing in the eyes of her friends at Paris as a person in favour at Court, to which she was not entitled by either birth or office. During the latter years of the life of Louis XV. she had made many dupes, and picked up considerable sums by passing herself off as the King's mistress. The fear of irritating Madame du Barry was, according to her, the only thing which prevented her enjoying that title openly. She came regularly to Versailles, kept herself concealed in a furnished lodging, and her dupes imagined she was secretly summoned to Court.

This woman formed the scheme of getting admission, if possible, to the presence of the Queen, or at least causing it to be believed that she had done so. She adopted as her lover Gabriel de Saint Charles, intendant of her Majesty's finances,--an office, the privileges of which were confined to the right of entering the Queen's apartment on Sunday. Madame de Villers came every Saturday to Versailles with M. de Saint Charles, and lodged in his apartment. M. Campan was there several times. She painted tolerably well, and she requested him to do her the favour to present to the Queen a portrait of her Majesty which she had just copied. M. Campan knew the woman's character, and refused her. A few days after, he saw on her Majesty's couch the portrait which he had declined to present to her; the Queen thought it badly painted, and gave orders that it should be carried back to the Princesse de Lamballe, who had sent it to her. The ill success of the portrait did not deter the manoeuvrer from following up her designs; she easily procured through M. de Saint Charles patents and orders signed by the Queen; she then set about imitating her writing, and composed a great number of notes and letters, as if written by her Majesty, in the tenderest and most familiar style. For many months she showed them as great secrets to several of her particular friends. Afterwards, she made the Queen appear to write to her, to procure various fancy articles. Under the pretext of wishing to execute her Majesty's commissions accurately, she gave these letters to the tradesmen to read, and succeeded in having it said, in many houses, that the Queen had a particular regard for her. She then enlarged her scheme, and represented the Queen as desiring to borrow 200,000 francs which she had need of, but which she did not wish to ask of the King from his private funds. This letter, being shown to M. Beranger, 'fermier general' of the finances, took effect; he thought himself fortunate in being able to render this assistance to his sovereign, and lost no time in sending the 200,000 francs to Madame de Villers. This first step was followed by some doubts, which he communicated to people better informed than himself of what was passing at Court; they added to his uneasiness; he then went to M. de Sartine, who unravelled the whole plot. The woman was sent to St. Pelagie; and the unfortunate husband was ruined, by replacing the sum borrowed, and by paying for the jewels fraudulently purchased in the Queen's name. The forged letters were sent to her Majesty; I compared them in her presence with her own handwriting, and the only distinguishable difference was a little more regularity in the letters.

This trick, discovered and punished with prudence and without passion, produced no more sensation out of doors than that of the Inspector Goupil.

A year after the nomination of Madame de Lamballe to the post of superintendent of the Queen's household, balls and quadrilles gave rise to the intimacy of her Majesty with the Comtesse Jules de Polignac. This lady really interested Marie Antoinette. She was not rich, and generally lived upon her estate at Claye. The Queen was astonished at not having seen her at Court earlier. The confession that her want of fortune had even prevented her appearance at the celebration of the marriages of the Princes added to the interest which she had inspired.

The Queen was full of consideration, and took delight in counteracting the injustice of fortune. The Countess was induced to come to Court by her husband's sister, Madame Diane de Polignac, who had been appointed lady of honour to the Comtesse d'Artois. The Comtesse Jules was really fond of a tranquil life; the impression she made at Court affected her but little; she felt only the attachment manifested for her by the Queen. I had occasion to see her from the commencement of her favour at Court; she often passed whole hours with me, while waiting for the Queen. She conversed with me freely and ingenuously about the honour, and at the same time the danger, she saw in the kindness of which she was the object. The Queen sought for the sweets of friendship; but can this gratification, so rare in any rank, exist between a Queen and a subject, when they are surrounded, moreover, by snares laid by the artifice of courtiers? This pardonable error was fatal to the happiness of Marie Antoinette.

The retiring character of the Comtesse Jules, afterwards Duchesse de Polignac, cannot be spoken of too favourably; but if her heart was incapable of forming ambitious projects, her family and friends in her fortune beheld their own, and endeavoured to secure the favour of the Queen.

[The Comtesse, afterwards Duchesse de Polignac, nee Polastron, Married the Comte (in 1780 the Duc) Jules de Polignac, the father of the Prince de Polignac of Napoleon's and of Charles X.'s time. She emigrated in 1789, and died in Vienna in 1793.]

The Comtesse de Diane, sister of M. de Polignac, and the Baron de Besenval and M. de Vaudreuil, particular friends of the Polignac family, made use of means, the success of which was infallible. One of my friends (Comte de Moustier), who was in their secret, came to tell me that Madame de Polignac was about to quit Versailles suddenly; that she would take leave of the Queen only in writing; that the Comtesse Diane and M. de Vaudreuil had dictated her letter, and the whole affair was arranged for the purpose of stimulating the attachment of Marie Antoinette. The next day, when I went up to the palace, I found the Queen with a letter in her hand, which she was reading with much emotion; it was the letter from the Comtesse Jules; the Queen showed it to me. The Countess expressed in it her grief at leaving a princess who had loaded her with kindness. The narrowness of her fortune compelled her to do so; but she was much more strongly impelled by the fear that the Queen's friendship, after having raised up dangerous enemies against her, might abandon her to their hatred, and to the regret of having lost the august favour of which she was the object.

This step produced the full effect that had been expected from it. A young and sensitive queen cannot long bear the idea of contradiction. She busied herself in settling the Comtesse Jules near her, by making such a provision for her as should place her beyond anxiety. Her character suited the Queen; she had merely natural talents, no pedantry, no affectation of knowledge. She was of middle size; her complexion very fair, her eyebrows and hair dark brown, her teeth superb, her smile enchanting, and her whole person graceful. She was seen almost always in a demi-toilet, remarkable only for neatness and good taste. I do not think I ever once saw diamonds about her, even at the climax of her fortune, when she had the rank of Duchess at Court.

I have always believed that her sincere attachment for the Queen, as much as her love of simplicity, induced her to avoid everything that might cause her to be thought a wealthy favourite. She had not one of the failings which usually accompany that position. She loved the persons who shared the Queen's affections, and was entirely free from jealousy. Marie Antoinette flattered herself that the Comtesse Jules and the Princesse de Lamballe would be her especial friends, and that she should possess a society formed according to her own taste. "I will receive them in my closet, or at Trianon," said she; "I will enjoy the comforts of private life, which exist not for us, unless we have the good sense to secure them for ourselves." The happiness the Queen thought to secure was destined to turn to vexation. All those courtiers who were not admitted to this intimacy became so many jealous and vindictive enemies.

It was necessary to make a suitable provision for the Countess. The place of first equerry, in reversion after the Comte de Tesse, given to Comte Jules unknown to the titular holder, displeased the family of Noailles. This family had just sustained another mortification, the appointment of the Princesse de Lamballe having in some degree rendered necessary the resignation of the Comtesse de Noailles, whose husband was thereupon made a marshal of France. The Princesse de Lamballe, although she did not quarrel with the Queen, was alarmed at the establishment of the Comtesse Jules at Court, and did not form, as her Majesty had hoped, a part of that intimate society, which was in turn composed of Mesdames Jules and Diane de Polignac, d'Andlau and de Chalon, and Messieurs de Guignes, de Coigny, d'Adhemar, de Besenval, lieutenant-colonel of the Swiss, de Polignac, de Vaudreuil, and de Guiche; the Prince de Ligne and the Duke of Dorset, the English ambassador, were also admitted.

It was a long time before the Comtesse Jules maintained any great state at Court. The Queen contented herself with giving her very fine apartments at the top of the marble staircase. The salary of first equerry, the trifling emoluments derived from M. de Polignac's regiment, added to their slender patrimony, and perhaps some small pension, at that time formed the whole fortune of the favourite. I never saw the Queen make her a present of value; I was even astonished one day at hearing her Majesty mention, with pleasure, that the Countess had gained ten thousand francs in the lottery. "She was in great want of it," added the Queen.

Thus the Polignacs were not settled at Court in any degree of splendour which could justify complaints from others, and the substantial favours bestowed upon that family were less envied than the intimacy between them and their proteges and the Queen. Those who had no hope of entering the circle of the Comtesse Jules were made jealous by the opportunities of advancement it afforded.

However, at the time I speak of, the society around the Comtesse Jules was fully engaged in gratifying the young Queen. Of this the Marquis de Vaudreuil was a conspicuous member; he was a brilliant man, the friend and protector of men of letters and celebrated artists.

The Baron de Besenval added to the bluntness of the Swiss all the adroitness of a French courtier. His fifty years and gray hairs made him enjoy among women the confidence inspired by mature age, although he had not given up the thought of love affairs. He talked of his native mountains with enthusiasm. He would at any time sing the "Ranz des Vaches" with tears in his eyes, and was the best story-teller in the Comtesse Jules's circle. The last new song or 'bon mot' and the gossip of the day were the sole topics of conversation in the Queen's parties. Wit was banished from them. The Comtesse Diane, more inclined to literary pursuits than her sister-in-law, one day, recommended her to read the "Iliad" and "Odyssey." The latter replied, laughing, that she was perfectly acquainted with the Greek poet, and said to prove it:

"Homere etait aveugle et jouait du hautbois."

(Homer was blind and played on the hautboy.)

[This lively repartee of the Duchesse de Polignac is a droll imitation of a line in the "Mercure Galant." In the quarrel scene one of the lawyers says to his brother quill: 'Ton pere etait aveugle et jouait du hautbois.']

The Queen found this sort of humour very much to her taste, and said that no pedant should ever be her friend.

Before the Queen fixed her assemblies at Madame de Polignac's, she occasionally passed the evening at the house of the Duc and Duchesse de Duras, where a brilliant party of young persons met together. They introduced a taste for trifling games, such as question and answer, 'guerre panpan', blind man's buff, and especially a game called 'descampativos'. The people of Paris, always criticising, but always imitating the customs of the Court, were infected with the mania for these childish sports. Madame de Genlis, sketching the follies of the day in one of her plays, speaks of these famous 'descampativos'; and also of the rage for making a friend, called the 'inseparable', until a whim or the slightest difference might occasion a total rupture.

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Chapter VIII

The Duc de Choiseul had reappeared at Court on the ceremony of the King's coronation for the first time after his disgrace under Louis XV. in 1770. The state of public feeling on the subject gave his friends hope of seeing him again in administration, or in the Council of State; but the opposite party was too firmly seated at Versailles, and the young Queen's influence was outweighed, in the mind of the King, by long-standing prejudices; she therefore gave up for ever her attempt to reinstate the Duke. Thus this Princess, who has been described as so ambitious, and so strenuously supporting the interest of the House of Austria, failed twice in the only scheme which could forward the views constantly attributed to her; and spent the whole of her reign surrounded by enemies of herself and her house.

Marie Antoinette took little pains to promote literature and the fine arts. She had been annoyed in consequence of having ordered a performance of the "Connstable de Bourbon," on the celebration of the marriage of Madame Clotilde with the Prince of Piedmont. The Court and the people of Paris censured as indecorous the naming characters in the piece after the reigning family, and that with which the new alliance was formed. The reading of this piece by the Comte de Guibert in the Queen's closet had produced in her Majesty's circle that sort of enthusiasm which obscures the judgment. She promised herself she would have no more readings. Yet, at the request of M. de Cubieres, the King's equerry, the Queen agreed to hear the reading of a comedy written by his brother. She collected her intimate circle, Messieurs de Coigny, de Vaudreuil, de Besenval, Mesdames de Polignac, de Chalon, etc., and to increase the number of judges, she admitted the two Parnys, the Chevalier de Bertin, my father-in-law, and myself.

Mold read for the author. I never could satisfy myself by what magic the skilful reader gained our unanimous approbation of a ridiculous work. Surely the delightful voice of Mold, by awakening our recollection of the dramatic beauties of the French stage, prevented the wretched lines of Dorat Cubieres from striking on our ears. I can assert that the exclamation Charming! charming! repeatedly interrupted the reader. The piece was admitted for performance at Fontainebleau; and for the first time the King had the curtain dropped before the end of the play. It was called the "Dramomane" or "Dramaturge." All the characters died of eating poison in a pie. The Queen, highly disconcerted at having recommended this absurd production, announced that she would never hear another reading; and this time she kept her word.

The tragedy of "Mustapha and Mangir," by M. de Chamfort, was highly successful at the Court theatre at Fontainebleau. The Queen procured the author a pension of 1,200 francs, but his play failed on being performed at Paris.

The spirit of opposition which prevailed in that city delighted in reversing the verdicts of the Court. The Queen determined never again to give any marked countenance to new dramatic works. She reserved her patronage for musical composers, and in a few years their art arrived at a perfection it had never before attained in France.

It was solely to gratify the Queen that the manager of the Opera brought the first company of comic actors to Paris. Gluck, Piccini, and Sacchini were attracted there in succession. These eminent composers were treated with great distinction at Court. Immediately on his arrival in France, Gluck was admitted to the Queen's toilet, and she talked to him all the time he remained with her. She asked him one day whether he had nearly brought his grand opera of "Armide" to a conclusion, and whether it pleased him. Gluck replied very coolly, in his German accent, "Madame, it will soon be finished, and really it will be superb." There was a great outcry against the confidence with which the composer had spoken of one of his own productions. The Queen defended him warmly; she insisted that he could not be ignorant of the merit of his works; that he well knew they were generally admired, and that no doubt he was afraid lest a modesty, merely dictated by politeness, should look like affectation in him.

[Gluck often had to deal with self-sufficiency equal to his own. He was very reluctant to introduce long ballets into "Iphigenia." Vestris deeply regretted that the opera was not terminated by a piece they called a chaconne, in which he displayed all his power. He complained to Gluck about it. Gluck, who treated his art with all the dignity it merits, replied that in so interesting a subject dancing would be misplaced. Being pressed another time by Vestris on the same subject, "A chaconne! A chaconne!" roared out the enraged musician; "we must describe the Greeks; and had the Greeks chaconnes?" "They had not?" returned the astonished dancer; "why, then, so much the worse for them!"--NOTE BY THE EDITOR.]

The Queen did not confine her admiration to the lofty style of the French and Italian operas; she greatly valued Gretry's music, so well adapted to the spirit and feeling of the words. A great deal of the poetry set to music by Gretry is by Marmontel. The day after the first performance of "Zemira and Azor," Marmontel and Gretry were presented to the Queen as she was passing through the gallery of Fontainebleau to go to mass. The Queen congratulated Gretry on the success of the new opera, and told him that she had dreamed of the enchanting effect of the trio by Zemira's father and sisters behind the magic mirror. Gretry, in a transport of joy, took Marmontel in his arms, "Ah! my friend," cried he, "excellent music may be made of this."--"And execrable words," coolly observed Marmontel, to whom her Majesty had not addressed a single compliment.

The most indifferent artists were permitted to have the honour of painting the Queen. A full-length portrait, representing her in all the pomp of royalty, was exhibited in the gallery of Versailles. This picture, which was intended for the Court of Vienna, was executed by a man who does not deserve even to be named, and disgusted all people of taste. It seemed as if this art had, in France, retrograded several centuries.

The Queen had not that enlightened judgment, or even that mere taste, which enables princes to foster and protect great talents. She confessed frankly that she saw no merit in any portrait beyond the likeness. When she went to the Louvre, she would run hastily over all the little "genre" pictures, and come out, as she acknowledged, without having once raised her eyes to the grand compositions.

There is no good portrait of the Queen, save that by Werthmuller, chief painter to the King of Sweden, which was sent to Stockholm, and that by Madame Lebrun, which was saved from the revolutionary fury by the commissioners for the care of the furniture at Versailles.

[A sketch of very great interest made when the Queen was in the Temple and discovered many years afterwards there, recently reproduced in the memoirs of the Marquise de Tourzel (Paris, Plon), is the last authentic portrait of the unhappy Queen. See also the catalogue of portraits made by Lord Ronald Gower.]

The composition of the latter picture resembles that of Henriette of France, the wife of the unfortunate Charles I., painted by Vandyke. Like Marie Antoinette, she is seated, surrounded by her children, and that resemblance adds to the melancholy interest raised by this beautiful production.

While admitting that the Queen gave no direct encouragement to any art but that of music, I should be wrong to pass over in silence the patronage conferred by her and the Princes, brothers of the King, on the art of printing.

[In 1790 the King gave a proof of his particular good-will to the bookselling trade. A company consisting of the first Parisian booksellers, being on the eve of stopping payment, succeeded in laying before the King a statement of their distressed situation. The monarch was affected by it; he took from the civil list the sum of which the society stood in immediate need, and became security for the repayment of the remainder of the 1,200,000 livres, which they wanted to borrow, and for the repayment of which he fixed no particular time.]

To Marie Antoinette we are indebted for a splendid quarto edition of the works of Metastasio; to Monsieur, the King's brother, for a quarto Tasso, embellished with engravings after Cochin; and to the Comte d'Artois for a small collection of select works, which is considered one of the chef d'oeuvres of the press of the celebrated Didot.

In 1775, on the death of the Marechal du Muy, the ascendency obtained by the sect of innovators occasioned M. de Saint-Germain to be recalled to Court and made Minister of War. His first care was the destruction of the King's military household establishment, an imposing and effectual rampart round the sovereign power.

When Chancellor Maupeou obtained from Louis XV. the destruction of the Parliament and the exile of all the ancient magistrates, the Mousquetaires were charged with the execution of the commission for this purpose; and at the stroke of midnight, the presidents and members were all arrested, each by two Mousquetaires. In the spring of 1775 a popular insurrection had taken place in consequence of the high price of bread. M. Turgot's new regulation, which permitted unlimited trade in corn, was either its cause or the pretext for it; and the King's household troops again rendered the greatest services to public tranquillity.

I have never be enable to discover the true cause of the support given to M. de Saint-Germain's policy by the Queen, unless in the marked favour shown to the captains and officers of the Body Guards, who by this reduction became the only soldiers of their rank entrusted with the safety of the sovereign; or else in the Queen's strong prejudice against the Duc d'Aiguillon, then commander of the light-horse. M. de Saint-Germain, however, retained fifty gens d'armes and fifty light-horse to form a royal escort on state occasions; but in 1787 the King reduced both these military bodies. The Queen then said with satisfaction that at last she should see no more red coats in the gallery of Versailles.

From 1775 to 1781 were the gayest years of the Queen's life. In the little journeys to Choisy, performances frequently took place at the theatre twice in one day: grand opera and French or Italian comedy at the usual hour; and at eleven at night they returned to the theatre for parodies in which the best actors of the Opera presented themselves in whimsical parts and costumes. The celebrated dancer Guimard always took the leading characters in the latter performance; she danced better than she acted; her extreme leanness, and her weak, hoarse voice added to the burlesque in the parodied characters of Ernelinde and Iphigenie.

The most magnificent fete ever given to the Queen was one prepared for her by Monsieur, the King's brother, at Brunoy. That Prince did me the honour to admit me, and I followed her Majesty into the gardens, where she found in the first copse knights in full armour asleep at the foot of trees, on which hung their spears and shields. The absence of the beauties who had incited the nephews of Charlemagne and the gallants of that period to lofty deeds was supposed to occasion this lethargic slumber. But when the Queen appeared at the entrance of the copse they were on foot in an instant, and melodious voices announced their eagerness to display their valour. They then hastened into a vast arena, magnificently decorated in the exact style of the ancient tournaments. Fifty dancers dressed as pages presented to the knights twenty-five superb black horses, and twenty-five of a dazzling whiteness, all most richly caparisoned. The party led by Augustus Vestris wore the Queen's colours. Picq, balletmaster at the Russian Court, commanded the opposing band. There was running at the negro's head, tilting, and, lastly, combats 'a outrance', perfectly well imitated. Although the spectators were aware that the Queen's colours could not but be victorious, they did not the less enjoy the apparent uncertainty.

Nearly all the agreeable women of Paris were ranged upon the steps which surrounded the area of the tourney. The Queen, surrounded by the royal family and the whole Court, was placed beneath an elevated canopy. A play, followed by a ballet-pantomime and a ball, terminated the fete. Fireworks and illuminations were not spared. Finally, from a prodigiously high scaffold, placed on a rising ground, the words 'Vive Louis! Vive Marie Antoinette!' were shown in the air in the midst of a very dark but calm night.

Pleasure was the sole pursuit of every one of this young family, with the exception of the King. Their love of it was perpetually encouraged by a crowd of those officious people who, by anticipating the desires and even the passions of princes, find means of showing their zeal, and hope to gain or maintain favour for themselves.

Who would have dared to check the amusements of a queen, young, lively, and handsome? A mother or a husband alone would have had the right to do it; and the King threw no impediment in the way of Marie Antoinette's inclinations. His long indifference had been followed by admiration and love. He was a slave to all the wishes of the Queen, who, delighted with the happy change in the heart and habits of the King, did not sufficiently conceal the ascendency she was gaining over him.

The King went to bed every night at eleven precisely; he was very methodical, and nothing was allowed to interfere with his rules. The noise which the Queen unavoidably made when she returned very late from the evenings which she spent with the Princesse de Gugmenee or the Duc de Duras, at last annoyed the King, and it was amicably agreed that the Queen should apprise him when she intended to sit up late. He then began to sleep in his own apartment, which had never before happened from the time of their marriage.

During the winter the Queen attended the Opera balls with a single lady of the palace, and always found there Monsieur and the Comte d'Artois. Her people concealed their liveries under gray cloth greatcoats. She never thought she was recognized, while all the time she was known to the whole assembly, from the first moment she entered the theatre; they pretended, however, not to recognise her, and some masquerade manoeuvre was always adopted to give her the pleasure of fancying herself incognito.

Louis XVI. determined once to accompany the Queen to a masked ball; it was agreed that the King should hold not only the grand but the petit coucher, as if actually going to bed. The Queen went to his apartment through the inner corridors of the palace, followed by one of her women with a black domino; she assisted him to put it on, and they went alone to the chapel court, where a carriage waited for them, with the captain of the Guard of the quarter, and a lady of the palace. The King was but little amused, spoke only to two or three persons, who knew him immediately, and found nothing to admire at the masquerade but Punches and Harlequins, which served as a joke against him for the royal family, who often amused themselves with laughing at him about it.

An event, simple in itself, brought dire suspicion upon the Queen. She was going out one evening with the Duchesse de Lupnes, lady of the palace, when her carriage broke down at the entrance into Paris; she was obliged to alight; the Duchess led her into a shop, while a footman called a 'fiacre'. As they were masked, if they had but known how to keep silence, the event would never have been known; but to ride in a fiacre is so unusual an adventure for a queen that she had hardly entered the Opera-house when she could not help saying to some persons whom she met there: "That I should be in a fiacre! Is it not droll?"

From that moment all Paris was informed of the adventure of the fiacre. It was said that everything connected with it was mysterious; that the Queen had kept an assignation in a private house with the Duc de Coigny. He was indeed very well received at Court, but equally so by the King and Queen. These accusations of gallantry once set afloat, there were no longer any bounds to the calumnies circulated at Paris. If, during the chase or at cards, the Queen spoke to Lord Edward Dillon, De Lambertye, or others, they were so many favoured lovers. The people of Paris did not know that none of those young persons were admitted into the Queen's private circle of friends; the Queen went about Paris in disguise, and had made use of a fiacre; and a single instance of levity gives room for the suspicion of others.

Conscious of innocence, and well knowing that all about her must do justice to her private life, the Queen spoke of these reports with contempt, contenting herself with the supposition that some folly in the young men mentioned had given rise to them. She therefore left off speaking to them or even looking at them. Their vanity took alarm at this, and revenge induced them either to say, or to leave others to think, that they were unfortunate enough to please no longer. Other young coxcombs, placing themselves near the private box which the Queen occupied incognito when she attended the public theatre at Versailles, had the presumption to imagine that they were noticed by her; and I have known such notions entertained merely on account of the Queen's requesting one of those gentlemen to inquire behind the scenes whether it would be long before the commencement of the second piece.

The list of persons received into the Queen's closet which I gave in the preceding chapter was placed in the hands of the ushers of the chamber by the Princesse de Lamballe; and the persons there enumerated could present themselves to enjoy the distinction only on those days when the Queen chose to be with her intimates in a private manner; and this was only when she was slightly indisposed. People of the first rank at Court sometimes requested special audiences of her; the Queen then received them in a room within that called the closet of the women on duty, and these women announced them in her Majesty's apartment.

The Duc de Lauzun had a good deal of wit, and chivalrous manners. The Queen was accustomed to see him at the King's suppers, and at the house of the Princesse de Guemenee, and always showed him attention. One day he made his appearance at Madame de Guemenee's in uniform, and with the most magnificent plume of white heron's feathers that it was possible to behold. The Queen admired the plume, and he offered it to her through the Princesse de Guemenee. As he had worn it the Queen had not imagined that he could think of giving it to her; much embarrassed with the present which she had, as it were, drawn upon herself, she did not like to refuse it, nor did she know whether she ought to make one in return; afraid, if she did give anything, of giving either too much or too little, she contented herself with once letting M. de Lauzun see her adorned with the plume. In his secret "Memoirs" the Duke attaches an importance to his present, which proves him utterly unworthy of an honour accorded only to his name and rank

A short time afterwards he solicited an audience; the Queen granted it, as she would have done to any other courtier of equal rank. I was in the room adjoining that in which he was received; a few minutes after his arrival the Queen reopened the door, and said aloud, and in an angry tone of voice, "Go, monsieur." M. de Lauzun bowed low, and withdrew. The Queen was much agitated. She said to me: "That man shall never again come within my doors." A few years before the Revolution of 1789 the Marechal de Biron died. The Duc de Lauzun, heir to his name, aspired to the important post of colonel of the regiment of French guards. The Queen, however, procured it for the Duc du Chaatelet. The Duc de Biron espoused the cause of the Duc d'Orleans, and became one of the most violent enemies of Marie Antoinette.

It is with reluctance that I enter minutely on a defence of the Queen against two infamous accusations with which libellers have dared to swell their envenomed volumes. I mean the unworthy suspicions of too strong an attachment for the Comte d'Artois, and of the motives for the tender friendship which subsisted between the Queen, the Princesse de Lamballe, and the Duchesse de Polignac. I do not believe that the Comte d'Artois was, during his own youth and that of the Queen, so much smitten as has been said with the loveliness of his sister-in-law; I can affirm that I always saw that Prince maintain the most respectful demeanour towards the Queen; that she always spoke of his good-nature and cheerfulness with that freedom which attends only the purest sentiments; and that none of those about the Queen ever saw in the affection she manifested towards the Comte d'Artois more than that of a kind and tender sister for her youngest brother. As to the intimate connection between Marie Antoinette and the ladies I have named, it never had, nor could have, any other motive than the very innocent wish to secure herself two friends in the midst of a numerous Court; and notwithstanding this intimacy, that tone of respect observed by persons of the most exalted rank towards majesty never ceased to be maintained.

The Queen, much occupied with the society of Madame de Polignac, and an unbroken series of amusements, found less time for the Abbe de Vermond; he therefore resolved to retire from Court. The world did him the honour to believe that he had hazarded remonstrances upon his august pupil's frivolous employment of her time, and that he considered himself, both as an ecclesiastic and as instructor, now out of place at Court. But the world was deceived his dissatisfaction arose purely from the favour shown to the Comtesse Jules. After a fortnight's absence we saw him at Versailles again, resuming his usual functions.

The Queen could express herself with winning graciousness to persons who merited her praise. When M. Loustonneau was appointed to the reversion of the post of first surgeon to the King, he came to make his acknowledgments. He was much beloved by the poor, to whom he had chiefly devoted his talents, spending nearly thirty thousand francs a year on indigent sufferers. The Queen replied to his thanks by saying: "You are satisfied, Monsieur; but I am far from being so with the inhabitants of Versailles. On the news of your appointment the town should have been illuminated."--"How so, Madame?" asked the astonished surgeon, who was very modest. "Why," replied the Queen, "if the poor whom you have succoured for the past twenty years had each placed a single candle in their windows it would have been the most beautiful illumination ever witnessed."

The Queen did not limit her kindness to friendly words. There was frequently seen in the apartments of Versailles a veteran captain of the grenadiers of France, called the Chevalier d'Orville, who for four years had been soliciting from the Minister of War the post of major, or of King's lieutenant. He was known to be very poor; but he supported his lot without complaining of this vexatious delay in rewarding his honourable services. He regularly attended the Marechal de Segur, at the hour appointed for receiving the numerous solicitations in his department. One day the Marshal said to him: "You are still at Versailles, M. d'Orville?"--"Monsieur," he replied, "you may observe that by this board of the flooring where I regularly place myself; it is already worn down several lines by the weight of my body." The Queen frequently stood at the window of her bedchamber to observe with her glass the people walking in the park. Sometimes she inquired the names of those who were unknown to her. One day she saw the Chevalier d'Orville passing, and asked me the name of that knight of Saint Louis, whom she had seen everywhere for a long time past. I knew who he was, and related his history. "That must be put an end to," said the Queen, with some vivacity. "Such an example of indifference is calculated to discourage our soldiers." Next day, in crossing the gallery to go to mass, the Queen perceived the Chevalier d'Orville; she went directly towards him. The poor man fell back in the recess of a window, looking to the right and left to discover the person whom the Queen was seeking, when she thus addressed him: "M. d'Orville, you have been several years at Versailles, soliciting a majority or a King's lieutenancy. You must have very powerless patrons."--"I have none, Madame," replied the Chevalier, in great confusion. "Well! I will take you under my protection. To-morrow at the same hour be here with a petition, and a memorial of your services." A fortnight after, M. d'Orville was appointed King's lieutenant, either at La Rochelle or at Rochefort.

[Louis XVI. vied with his Queen in benevolent actions of this kind. An old officer had in vain solicited a pension during the administration of the Duc de Choiseul. He returned to the charge in the times of the Marquis de Montesnard and the Duc d'Aiguillon. He urged his claims, to Comte du Muy, who made a note of them. Tired of so many fruitless efforts, he at last appeared at the King's supper, and, having placed himself so as to be seen and heard, cried out at a moment when silence prevailed, "Sire." The people near him said, "What are you about? This is not the way to speak to the King."--"I fear nothing," said he, and raising his voice, repeated, "Sire." The King, much surprised, looked at him and said, "What do you want, monsieur."--"Sire," answered he, "I am seventy years of age; I have served your Majesty more than fifty years, and I am dying for want."--"Have you a memorial?" replied the King. "Yes, Sire, I have."--"Give it to me;" and his Majesty took it without saying anything more. Next morning he was sent for by the, King, who said, "Monsieur, I grant you an annuity of 1,500 livres out of my privy purse, and you may go and receive the first year's payment, which is now due." ("Secret Correspondence of the Court: Reign of Louis XVI.") The King preferred to spend money in charity rather than in luxury or magnificence. Once during his absence, M. d'Augivillers caused an unused room in the King's apartment to be repaired at a cost of 30,000 francs. On his return the King made Versailles resound with complaints against M. d'Augivillers: "With that sum I could have made thirty families happy," he said.]

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