Part V (part 2 of 2)

Part V (part 2 of 2)

It was a little worm-eaten bench, placed at a turn in the alley. Every time they came in this direction Alexandre was accustomed to making a short pause on this seat.

He sat down and with a proud and familiar gesture he took his beautiful white beard in his hand, and, closing his, fingers over it, ran them down to the point, which he held for a minute at the pit of his stomach, as if once more to verify the length of this growth.

Madame Maramballe continued: “I married him; it is only just and natural that I should bear his injustice; but what I do not understand is why you also should have supported it, my good Alexandre!”

He merely shrugged his shoulders and answered: “Oh! I—madame.”

She added: “Really. I have often wondered. When I married him you were his orderly and you could hardly do otherwise than endure him. But why did you remain with us, who pay you so little and who treat you so badly, when you could have done as every one else does, settle down, marry, have a family?”

He answered: “Oh, madame! with me it's different.”

Then he was silent; but he kept pulling his beard as if he were ringing a bell within him, as if he were trying to pull it out, and he rolled his eyes like a man who is greatly embarrassed.

Madame Maramballe was following her own train of thought: “You are not a peasant. You have an education—”

He interrupted her proudly: “I studied surveying, madame.”

“Then why did you stay with us, and blast your prospects?”

He stammered: “That's it! that's it! it's the fault of my dispositton.”

“How so, of your disposition?”

“Yes, when I become attached to a person I become attached to him, that's all.”

She began to laugh: “You are not going to try to tell me that Maramballe's sweet disposition caused you to become attached to him for life.”

He was fidgeting about on his bench visibly embarrassed, and he muttered behind his long beard:

“It was not he, it was you!”

The old lady, who had a sweet face, with a snowy line of curly white hair between her forehead and her bonnet, turned around in her chair and observed her servant with a surprised look, exclaiming: “I, my poor Alexandre! How so?”

He began to look up in the air, then to one side, then toward the distance, turning his head as do timid people when forced to admit shameful secrets. At last he exclaimed, with the courage of a trooper who is ordered to the line of fire: “You see, it's this way—the first time I brought a letter to mademoiselle from the lieutenant, mademoiselle gave me a franc and a smile, and that settled it.”

Not understanding well, she questioned him “Explain yourself.”

Then he cried out, like a malefactor who is admitting a fatal crime: “I had a sentiment for madame! There!”

She answered nothing, stopped looking at him, hung her head, and thought. She was good, full of justice, gentleness, reason, and tenderness. In a second she saw the immense devotion of this poor creature, who had given up everything in order to live beside her, without saying anything. And she felt as if she could cry. Then, with a sad but not angry expression, she said: “Let us return home.”

He rose and began to push the wheeled chair.

As they approached the village they saw Captain Maramballe coming toward them. As soon as he joined them he asked his wife, with a visible desire of getting angry: “What have we for dinner?”

“Some chicken with flageolets.”

He lost his temper: “Chicken! chicken! always chicken! By all that's holy, I've had enough chicken! Have you no ideas in your head, that you make me eat chicken every day?”

She answered, in a resigned tone: “But, my dear, you know that the doctor has ordered it for you. It's the best thing for your stomach. If your stomach were well, I could give you many things which I do not dare set before you now.”

Then, exasperated, he planted himself in front of Alexandre, exclaiming: “Well, if my stomach is out of order it's the fault of that brute. For thirty-five years he has been poisoning me with his abominable cooking.”

Madame Maramballe suddenly turned about completely, in order to see the old domestic. Their eyes met, and in this single glance they both said “Thank you!” to each other.

THE LOG

The drawing-room was small, full of heavy draperies and discreetly fragrant. A large fire burned in the grate and a solitary lamp at one end of the mantelpiece threw a soft light on the two persons who were talking.

She, the mistress of the house, was an old lady with white hair, but one of those old ladies whose unwrinkled skin is as smooth as the finest paper, and scented, impregnated with perfume, with the delicate essences which she had used in her bath for so many years.

He was a very old friend, who had never married, a constant friend, a companion in the journey of life, but nothing more.

They had not spoken for about a minute, and were both looking at the fire, dreaming of no matter what, in one of those moments of friendly silence between people who have no need to be constantly talking in order to be happy together, when suddenly a large log, a stump covered with burning roots, fell out. It fell over the firedogs into the drawing-room and rolled on to the carpet, scattering great sparks around it. The old lady, with a little scream, sprang to her feet to run away, while he kicked the log back on to the hearth and stamped out all the burning sparks with his boots.

When the disaster was remedied, there was a strong smell of burning, and, sitting down opposite to his friend, the man looked at her with a smile and said, as he pointed to the log:

“That is the reason why I never married.”

She looked at him in astonishment, with the inquisitive gaze of women who wish to know everything, that eye which women have who are no longer very young,—in which a complex, and often roguish, curiosity is reflected, and she asked:

“How so?”

“Oh, it is a long story,” he replied; “a rather sad and unpleasant story.

“My old friends were often surprised at the coldness which suddenly sprang up between one of my best friends whose Christian name was Julien, and myself. They could not understand how two such intimate and inseparable friends, as we had been, could suddenly become almost strangers to one another, and I will tell you the reason of it.

“He and I used to live together at one time. We were never apart, and the friendship that united us seemed so strong that nothing could break it.

“One evening when he came home, he told me that he was going to get married, and it gave me a shock as if he had robbed me or betrayed me. When a man's friend marries, it is all over between them. The jealous affection of a woman, that suspicious, uneasy and carnal affection, will not tolerate the sturdy and frank attachment, that attachment of the mind, of the heart, and that mutual confidence which exists between two men.

“You see, however great the love may be that unites them a man and a woman are always strangers in mind and intellect; they remain belligerents, they belong to different races. There must always be a conqueror and a conquered, a master and a slave; now the one, now the other—they are never two equals. They press each other's hands, those hands trembling with amorous passion; but they never press them with a long, strong, loyal pressure, with that pressure which seems to open hearts and to lay them bare in a burst of sincere, strong, manly affection. Philosophers of old, instead of marrying, and procreating as a consolation for their old age children, who would abandon them, sought for a good, reliable friend, and grew old with him in that communion of thought which can only exist between men.

“Well, my friend Julien married. His wife was pretty, charming, a little, curly-haired blonde, plump and lively, who seemed to worship him. At first I went but rarely to their house, feeling myself de trop. But, somehow, they attracted me to their home; they were constantly inviting me, and seemed very fond of me. Consequently, by degrees, I allowed myself to be allured by the charm of their life. I often dined with them, and frequently, when I returned home at night, thought that I would do as he had done, and get married, as my empty house now seemed very dull.

“They appeared to be very much in love, and were never apart.

“Well, one evening Julien wrote and asked me to go to dinner, and I naturally went.

“'My dear fellow,' he said, 'I must go out directly afterward on business, and I shall not be back until eleven o'clock; but I shall be back at eleven precisely, and I reckon on you to keep Bertha company.'

“The young woman smiled.

“'It was my idea,' she said, 'to send for you.'

“I held out my hand to her.

“'You are as nice as ever, I said, and I felt a long, friendly pressure of my fingers, but I paid no attention to it; so we sat down to dinner, and at eight o'clock Julien went out.

“As soon as he had gone, a kind of strange embarrassment immediately seemed to arise between his wife and me. We had never been alone together yet, and in spite of our daily increasing intimacy, this tete- a-tete placed us in a new position. At first I spoke vaguely of those indifferent matters with which one fills up an embarrassing silence, but she did not reply, and remained opposite to me with her head down in an undecided manner, as if she were thinking over some difficult subject, and as I was at a loss for small talk, I held my tongue. It is surprising how hard it is at times to find anything to say.

“And then also I felt something in the air, something I could not express, one of those mysterious premonitions that warn one of another person's secret intentions in regard to yourself, whether they be good or evil.

“That painful silence lasted some time, and then Bertha said to me:

“'Will you kindly put a log on the fire for it is going out.'

“So I opened the box where the wood was kept, which was placed just where yours is, took out the largest log and put it on top of the others, which were three parts burned, and then silence again reigned in the room.

“In a few minutes the log was burning so brightly that it scorched our faces, and the young woman raised her eyes to mine—eyes that had a strange look to me.

“'It is too hot now,' she said; 'let us go and sit on the sofa over there.'

“So we went and sat on the sofa, and then she said suddenly, looking me full in the face:

“'What would you do if a woman were to tell you that she was in love with you?'

“'Upon my word,' I replied, very much at a loss for an answer, 'I cannot foresee such a case; but it would depend very much upon the woman.'

“She gave a hard, nervous, vibrating laugh; one of those false laughs which seem as if they must break thin glass, and then she added: 'Men are never either venturesome or spiteful.' And, after a moment's silence, she continued: 'Have you ever been in love, Monsieur Paul?' I was obliged to acknowledge that I certainly had, and she asked me to tell her all about it. Whereupon I made up some story or other. She listened to me attentively, with frequent signs of disapproval and contempt, and then suddenly she said:

“'No, you understand nothing about the subject. It seems to me that real love must unsettle the mind, upset the nerves and distract the head; that it must—how shall I express it?—be dangerous, even terrible, almost criminal and sacrilegious; that it must be a kind of treason; I mean to say that it is bound to break laws, fraternal bonds, sacred obligations; when love is tranquil, easy, lawful and without dangers, is it really love?'

“I did not know what answer to give her, and I made this philosophical reflection to myself: 'Oh! female brain, here; indeed, you show yourself!'

“While speaking, she had assumed a demure saintly air; and, resting on the cushions, she stretched herself out at full length, with her head on my shoulder, and her dress pulled up a little so as to show her red stockings, which the firelight made look still brighter. In a minute or two she continued:

“'I suppose I have frightened you?' I protested against such a notion, and she leaned against my breast altogether, and without looking at me, she said: 'If I were to tell you that I love you, what would you do?'

“And before I could think of an answer, she had thrown her arms around my neck, had quickly drawn my head down, and put her lips to mine.

“Oh! My dear friend, I can tell you that I did not feel at all happy! What! deceive Julien? become the lover of this little, silly, wrong- headed, deceitful woman, who was, no doubt, terribly sensual, and whom her husband no longer satisfied.

“To betray him continually, to deceive him, to play at being in love merely because I was attracted by forbidden fruit, by the danger incurred and the friendship betrayed! No, that did not suit me, but what was I to do? To imitate Joseph would be acting a very stupid and, moreover, difficult part, for this woman was enchanting in her perfidy, inflamed by audacity, palpitating and excited. Let the man who has never felt on his lips the warm kiss of a woman who is ready to give herself to him throw the first stone at me.

“Well, a minute more—you understand what I mean? A minute more, and—I should have been—no, she would have been!—I beg your pardon, he would have been—when a loud noise made us both jump up. The log had fallen into the room, knocking over the fire irons and the fender, and on to the carpet, which it had scorched, and had rolled under an armchair, which it would certainly set alight.

“I jumped up like a madman, and, as I was replacing on the fire that log which had saved me, the door opened hastily, and Julien came in.

“'I am free,' he said, with evident pleasure. 'The business was over two hours sooner than I expected!'

“Yes, my dear friend, without that log, I should have been caught in the very act, and you know what the consequences would have been!

“You may be sure that I took good care never to be found in a similar situation again, never, never. Soon afterward I saw that Julien was giving me the 'cold shoulder,' as they say. His wife was evidently undermining our friendship. By degrees he got rid of me, and we have altogether ceased to meet.

“I never married, which ought not to surprise you, I think.”

JULIE ROMAIN

Two years ago this spring I was making a walking tour along the shore of the Mediterranean. Is there anything more pleasant than to meditate while walking at a good pace along a highway? One walks in the sunlight, through the caressing breeze, at the foot of the mountains, along the coast of the sea. And one dreams! What a flood of illusions, loves, adventures pass through a pedestrian's mind during a two hours' march! What a crowd of confused and joyous hopes enter into you with the mild, light air! You drink them in with the breeze, and they awaken in your heart a longing for happiness which increases with the hun ger induced by walking. The fleeting, charming ideas fly and sing like birds.

I was following that long road which goes from Saint Raphael to Italy, or, rather, that long, splendid panoramic highway which seems made for the representation of all the love-poems of earth. And I thought that from Cannes, where one poses, to Monaco, where one gambles, people come to this spot of the earth for hardly any other purpose than to get embroiled or to throw away money on chance games, displaying under this delicious sky and in this garden of roses and oranges all base vanities and foolish pretensions and vile lusts, showing up the human mind such as it is, servile, ignorant, arrogant and full of cupidity.

Suddenly I saw some villas in one of those ravishing bays that one meets at every turn of the mountain; there were only four or five fronting the sea at the foot of the mountains, and behind them a wild fir wood slopes into two great valleys, that were untraversed by roads. I stopped short before one of these chalets, it was so pretty: a small white house with brown trimmings, overrun with rambler roses up to the top.

The garden was a mass of flowers, of all colors and all kinds, mixed in a coquettish, well-planned disorder. The lawn was full of them, big pots flanked each side of every step of the porch, pink or yellow clusters framed each window, and the terrace with the stone balustrade, which enclosed this pretty little dwelling, had a garland of enormous red bells, like drops of blood. Behind the house I saw a long avenue of orange trees in blossom, which went up to the foot of the mountain.

Over the door appeared the name, “Villa d'Antan,” in small gold letters.

I asked myself what poet or what fairy was living there, what inspired, solitary being had discovered this spot and created this dream house, which seemed to nestle in a nosegay.

A workman was breaking stones up the street, and I went to him to ask the name of the proprietor of this jewel.

“It is Madame Julie Romain,” he replied.

Julie Romain! In my childhood, long ago, I had heard them speak of this great actress, the rival of Rachel.

No woman ever was more applauded and more loved—especially more loved! What duets and suicides on her account and what sensational adventures! How old was this seductive woman now? Sixty, seventy, seventy-five! Julie Romain here, in this house! The woman who had been adored by the greatest musician and the most exquisite poet of our land! I still remember the sensation (I was then twelve years of age) which her flight to Sicily with the latter, after her rupture with the former, caused throughout France.

She had left one evening, after a premiere, where the audience had applauded her for a whole half hour, and had recalled her eleven times in succession. She had gone away with the poet, in a post-chaise, as was the fashion then; they had crossed the sea, to love each other in that antique island, the daughter of Greece, in that immense orange wood which surrounds Palermo, and which is called the “Shell of Gold.”

People told of their ascension of Mount Etna and how they had leaned over the immense crater, arm in arm, cheek to cheek, as if to throw themselves into the very abyss.

Now he was dead, that maker of verses so touching and so profound that they turned, the heads of a whole generation, so subtle and so mysterious that they opened a new world to the younger poets.

The other one also was dead—the deserted one, who had attained through her musical periods that are alive in the memories of all, periods of triumph and of despair, intoxicating triumph and heartrending despair.

And she was there, in that house veiled by flowers.

I did not hesitate, but rang the bell.

A small servant answered, a boy of eighteen with awkward mien and clumsy hands. I wrote in pencil on my card a gallant compliment to the actress, begging her to receive me. Perhaps, if she knew my name, she would open her door to me.

The little valet took it in, and then came back, asking me to follow him. He led me to a neat and decorous salon, furnished in the Louis- Philippe style, with stiff and heavy furniture, from which a little maid of sixteen, slender but not pretty, took off the covers in my honor.

Then I was left alone.

On the walls hung three portraits, that of the actress in one of her roles, that of the poet in his close-fitting greatcoat and the ruffled shirt then in style, and that of the musician seated at a piano.

She, blond, charming, but affected, according to the fashion of her day, was smiling, with her pretty mouth and blue eyes; the painting was careful, fine, elegant, but lifeless.

Those faces seemed to be already looking upon posterity.

The whole place had the air of a bygone time, of days that were done and men who had vanished.

A door opened and a little woman entered, old, very old, very small, with white hair and white eyebrows, a veritable white mouse, and as quick and furtive of movement.

She held out her hand to me, saying in a voice still fresh, sonorous and vibrant:

“Thank you, monsieur. How kind it is of the men of to-day to remember the women of yesterday! Sit down.”

I told her that her house had attracted me, that I had inquired for the proprietor's name, and that, on learning it, I could not resist the desire to ring her bell.

“This gives me all the more pleasure, monsieur,” she replied, “as it is the first time that such a thing has happened. When I received your card, with the gracious note, I trembled as if an old friend who had disappeared for twenty years had been announced to me. I am like a dead body, whom no one remembers, of whom no one will think until the day when I shall actually die; then the newspapers will mention Julie Romain for three days, relating anecdotes and details of my life, reviving memories, and praising me greatly. Then all will be over with me.”

After a few moments of silence, she continued:

“And this will not be so very long now. In a few months, in a few days, nothing will remain but a little skeleton of this little woman who is now alive.”

She raised her eyes toward her portrait, which smiled down upon this caricature of herself; then she looked at those of the two men, the disdainful poet and the inspired musician, who seemed to say: “What does this ruin want of us?”

An indefinable, poignant, irresistible sadness overwhelmed my heart, the sadness of existences that have had their day, but who are still debating with their memories, like a person drowning in deep water.

From my seat I could see on the highroad the handsome carriages that were whirling from Nice to Monaco; inside them I saw young, pretty, rich and happy women and smiling, satisfied men. Following my eye, she understood my thought and murmured with a smile of resignation:

“One cannot both be and have been.”

“How beautiful life must have been for you!” I said.

She heaved a great sigh.

“Beautiful and sweet! And for that reason I regret it so much.”

I saw that she was disposed to talk of herself, so I began to question her, gently and discreetly, as one might touch bruised flesh.

She spoke of her successes, her intoxications and her friends, of her whole triumphant existence.

“Was it on the stage that you found your most intense joys, your true happiness?” I asked.

“Oh, no!” she replied quickly.

I smiled; then, raising her eyes to the two portraits, she said, with a sad glance:

“It was with them.”

“Which one?” I could not help asking.

“Both. I even confuse them up a little now in my old woman's memory, and then I feel remorse.”

“Then, madame, your acknowledgment is not to them, but to Love itself. They were merely its interpreters.”

“That is possible. But what interpreters!”

“Are you sure that you have not been, or that you might not have been, loved as well or better by a simple man, but not a great man, who would have offered to you his whole life and heart, all his thoughts, all his days, his whole being, while these gave you two redoubtable rivals, Music and Poetry?”

“No, monsieur, no!” she exclaimed emphatically, with that still youthful voice, which caused the soul to vibrate. “Another one might perhaps have loved me more, but he would not have loved me as these did. Ah! those two sang to me of the music of love as no one else in the world could have sung of it. How they intoxicated me! Could any other man express what they knew so well how to express in tones and in words? Is it enough merely to love if one cannot put all the poetry and all the music of heaven and earth into love? And they knew how to make a woman delirious with songs and with words. Yes, perhaps there was more of illusion than of reality in our passion; but these illusions lift you into the clouds, while realities always leave you trailing in the dust. If others have loved me more, through these two I have understood, felt and worshipped love.”

Suddenly she began to weep.

She wept silently, shedding tears of despair.

I pretended not to see, looking off into the distance. She resumed, after a few minutes:

“You see, monsieur, with nearly every one the heart ages with the body. But this has not happened with me. My body is sixty-nine years old, while my poor heart is only twenty. And that is the reason why I live all alone, with my flowers and my dreams.”

There was a long silence between us. She grew calmer and continued, smiling:

“How you would laugh at me, if you knew, if you knew how I pass my evenings, when the weather is fine. I am ashamed and I pity myself at the same time.”

Beg as I might, she would not tell me what she did. Then I rose to leave.

“Already!” she exclaimed.

And as I said that I wished to dine at Monte Carlo, she asked timidly:

“Will you not dine with me? It would give me a great deal of pleasure.”

I accepted at once. She rang, delighted, and after giving some orders to the little maid she took me over her house.

A kind of glass-enclosed veranda, filled with shrubs, opened into the dining-room, revealing at the farther end the long avenue of orange trees extending to the foot of the mountain. A low seat, hidden by plants, indicated that the old actress often came there to sit down.

Then we went into the garden, to look at the flowers. Evening fell softly, one of those calm, moist evenings when the earth breathes forth all her perfumes. Daylight was almost gone when we sat down at table. The dinner was good and it lasted a long time, and we became intimate friends, she and I, when she understood what a profound sympathy she had aroused in my heart. She had taken two thimblefuls of wine, as the phrase goes, and had grown more confiding and expansive.

“Come, let us look at the moon,” she said. “I adore the good moon. She has been the witness of my most intense joys. It seems to me that all my memories are there, and that I need only look at her to bring them all back to me. And even—some times—in the evening—I offer to myself a pretty play—yes, pretty—if you only knew! But no, you would laugh at me. I cannot—I dare not—no, no—really—no.”

I implored her to tell me what it was.

“Come, now! come, tell me; I promise you that I will not laugh. I swear it to you—come, now!”

She hesitated. I took her hands—those poor little hands, so thin and so cold!—and I kissed them one after the other, several times, as her lovers had once kissed them. She was moved and hesitated.

“You promise me not to laugh?”

“Yes, I swear it to you.”

“Well, then, come.”

She rose, and as the little domestic, awkward in his green livery, removed the chair behind her, she whispered quickly a few words into his ear.

“Yes, madame, at once,” he replied.

She took my arm and led me to the veranda.

The avenue of oranges was really splendid to see. The full moon made a narrow path of silver, a long bright line, which fell on the yellow sand, between the round, opaque crowns of the dark trees.

As these trees were in bloom, their strong, sweet perfume filled the night, and swarming among their dark foliage I saw thousands of fireflies, which looked like seeds fallen from the stars.

“Oh, what a setting for a love scene!” I exclaimed.

She smiled.

“Is it not true? Is it not true? You will see!”

And she made me sit down beside her.

“This is what makes one long for more life. But you hardly think of these things, you men of to-day. You are speculators, merchants and men of affairs.

“You no longer even know how to talk to us. When I say 'you,' I mean young men in general. Love has been turned into a liaison which very often begins with an unpaid dressmaker's bill. If you think the bill is dearer than the woman, you disappear; but if you hold the woman more highly, you pay it. Nice morals—and a nice kind of love!”

She took my hand.

“Look!”

I looked, astonished and delighted. Down there at the end of the avenue, in the moonlight, were two young people, with their arms around each other's waist. They were walking along, interlaced, charming, with short, little steps, crossing the flakes of light; which illuminated them momentarily, and then sinking back into the shadow. The youth was dressed in a suit of white satin, such as men wore in the eighteenth century, and had on a hat with an ostrich plume. The girl was arrayed in a gown with panniers, and the high, powdered coiffure of the handsome dames of the time of the Regency.

They stopped a hundred paces from us, and standing in the middle of the avenue, they kissed each other with graceful gestures.

Suddenly I recognized the two little servants. Then one of those dreadful fits of laughter that convulse you made me writhe in my chair. But I did not laugh aloud. I resisted, convulsed and feeling almost ill, as a man whose leg is cut off resists the impulse to cry out.

As the young pair turned toward the farther end of the avenue they again became delightful. They went farther and farther away, finally disappearing as a dream disappears. I no longer saw them. The avenue seemed a sad place.

I took my leave at once, so as not to see them again, for I guessed that this little play would last a long time, awakening, as it did, a whole past of love and of stage scenery; the artificial past, deceitful and seductive, false but charming, which still stirred the heart of this amorous old comedienne.

THE RONDOLI SISTERS I

I set out to see Italy thoroughly on two occasions, and each time I was stopped at the frontier and could not get any further. So I do not know Italy, said my friend, Charles Jouvent. And yet my two attempts gave me a charming idea of the manners of that beautiful country. Some time, however, I must visit its cities, as well as the museums and works of art with which it abounds. I will make another attempt to penetrate into the interior, which I have not yet succeeded in doing.

You don't understand me, so I will explain: In the spring of 1874 I was seized with an irresistible desire to see Venice, Florence, Rome and Naples. I am, as you know, not a great traveller; it appears to me a useless and fatiguing business. Nights spent in a train, the disturbed slumbers of the railway carriage, with the attendant headache, and stiffness in every limb, the sudden waking in that rolling box, the unwashed feeling, with your eyes and hair full of dust, the smell of the coal on which one's lungs feed, those bad dinners in the draughty refreshment rooms are, according to my ideas, a horrible way of beginning a pleasure trip.

After this introduction, we have the miseries of the hotel; of some great hotel full of people, and yet so empty; the strange room and the doubtful bed!

I am most particular about my bed; it is the sanctuary of life. We entrust our almost naked and fatigued bodies to it so that they may be reanimated by reposing between soft sheets and feathers.

There we find the most delightful hours of our existence, the hours of love and of sleep. The bed is sacred, and should be respected, venerated and loved by us as the best and most delightful of our earthly possessions.

I cannot lift up the sheets of a hotel bed without a shudder of disgust. Who has occupied it the night before? Perhaps dirty, revolting people have slept in it. I begin, then, to think of all the horrible people with whom one rubs shoulders every day, people with suspicious-looking skin which makes one think of the feet and all the rest! I call to mind those who carry about with them the sickening smell of garlic or of humanity. I think of those who are deformed and unhealthy, of the perspiration emanating from the sick, of everything that is ugly and filthy in man.

And all this, perhaps, in the bed in which I am about to sleep! The mere idea of it makes me feel ill as I get into it.

And then the hotel dinners—those dreary table d'hote dinners in the midst of all sorts of extraordinary people, or else those terrible solitary dinners at a small table in a restaurant, feebly lighted by a wretched composite candle under a shade.

Again, those terribly dull evenings in some unknown town! Do you know anything more wretched than the approach of dusk on such an occasion? One goes about as if almost in a dream, looking at faces that one never has seen before and never will see again; listening to people talking about matters which are quite indifferent to you in a language that perhaps you do not understand. You have a terrible feeling, almost as if you were lost, and you continue to walk on so as not to be obliged to return to the hotel, where you would feel more lost still because you are at home, in a home which belongs to anyone who can pay for it; and at last you sink into a chair of some well-lighted cafe, whose gilding and lights oppress you a thousand times more than the shadows in the streets. Then you feel so abominably lonely sitting in front of the glass of flat bock beer that a kind of madness seizes you, the longing to go somewhere or other, no matter where, as long as you need not remain in front of that marble table amid those dazzling lights.

And then, suddenly, you are aware that you are really alone in the world, always and everywhere, and that in places which we know, the familiar jostlings give us the illusion only of human fraternity. At such moments of self-abandonment and sombre isolation in distant cities one thinks broadly, clearly and profoundly. Then one suddenly sees the whole of life outside the vision of eternal hope, apart from the deceptions of our innate habits, and of our expectations of happiness, which we indulge in dreams never to be realized.

It is only by going a long distance from home that we can fully understand how short-lived and empty everything near at hand is; by searching for the unknown, we perceive how commonplace and evanescent everything is; only by wandering over the face of the earth can we understand how small the world is, and how very much alike it is everywhere.

How well I know, and how I hate and almost fear, those haphazard walks through unknown streets; and this was the reason why, as nothing would induce me to undertake a tour in Italy by myself, I made up my mind to accompany my friend Paul Pavilly.

You know Paul, and how he idealizes women. To him the earth is habitable only because they are there; the sun gives light and is warm because it shines upon them; the air is soft and balmy because it blows upon their skin and ruffles the soft hair on their temples; and the moon is charming because it makes them dream and imparts a languorous charm to love. Every act and action of Paul's has woman for its motive; all his thoughts, all his efforts and hopes are centered in them.

When I mentioned Italy to Paul he at first absolutely refused to leave Paris. I, however, began to tell him of the adventures I had on my travels. I assured him that all Italian women are charming, and I made him hope for the most refined pleasures at Naples, thanks to certain letters of introduction which I had; and so at last he allowed himself to be persuaded.

II

We took the express one Thursday evening, Paul and I. Hardly anyone goes south at that time of the year, so that we had the carriages to ourselves, and both of us were in a bad temper on leaving Paris, sorry for having yielded to the temptation of this journey, and regretting Marly, the Seine, and our lazy boating excursions, and all those pleasures in and near Paris which are so dear to every true Parisian.

As soon as the train started Paul stuck himself in his corner, and said, “It is most idiotic to go all that distance,” and as it was too late for him to change his mind then, I said, “Well, you should not have come.”

He made no answer, and I felt very much inclined to laugh when I saw how furious he looked. He is certainly always rather like a squirrel, but then every one of us has retained the type of some animal or other as the mark of his primitive origin. How many people have jaws like a bulldog, or heads like goats, rabbits, foxes, horses, or oxen. Paul is a squirrel turned into a man. He has its bright, quick eyes, its hair, its pointed nose, its small, fine, supple, active body, and a certain mysterious resemblance in his general bearing; in fact, a similarity of movement, of gesture, and of bearing which might almost be taken for a recollection.

At last we both went to sleep with that uncomfortable slumber of the railway carriage, which is interrupted by horrible cramps in the arms and neck, and by the sudden stoppages of the train.

We woke up as we were passing along the Rhone. Soon the continued noise of crickets came in through the windows, that cry which seems to be the voice of the warm earth, the song of Provence; and seemed to instill into our looks, our breasts, and our souls the light and happy feeling of the south, that odor of the parched earth, of the stony and light soil of the olive with its gray-green foliage.

When the train stopped again a railway guard ran along the train calling out “Valence” in a sonorous voice, with an accent that again gave us a taste of that Provence which the shrill note of the crickets had already imparted to us.

Nothing fresh happened till we got to Marseilles, where we alighted for breakfast, but when we returned to our carriage we found a woman installed there.

Paul, with a delighted glance at me, gave his short mustache a mechanical twirl, and passed his fingers through his, hair, which had become slightly out of order with the night's journey. Then he sat down opposite the newcomer.

Whenever I happen to see a striking new face, either in travelling or in society, I always have the strongest inclination to find out what character, mind, and intellectual capacities are hidden beneath those features.

She was a young and pretty woman, certainly a native of the south of France, with splendid eyes, beautiful wavy black hair, which was so thick and long that it seemed almost too heavy for her head. She was dressed with a certain southern bad taste which made her look a little vulgar. Her regular features had none of the grace and finish of the refined races, of that slight delicacy which members of the aristocracy inherit from their birth, and which is the hereditary mark of thinner blood.

Her bracelets were too big to be of gold; she wore earrings with large white stones that were certainly not diamonds, and she belonged unmistakably to the People. One surmised that she would talk too loud, and shout on every occasion with exaggerated gestures.

When the train started she remained motionless in her place, in the attitude of a woman who was indignant, without even looking at us.

Paul began to talk to me, evidently with an eye to effect, trying to attract her attention, as shopkeepers expose their choice wares to catch the notice of passersby.

She, however, did not appear to be paying the least attention.

“Toulon! Ten minutes to wait! Refreshment room!” the porters shouted.

Paul motioned to me to get out, and as soon as we had done so, he said:

“I wonder who on earth she can be?”

I began to laugh. “I am sure I don't know, and I don't in the least care.”

He was quite excited.

“She is an uncommonly fresh and pretty girl. What eyes she has, and how cross she looks. She must have been dreadfully worried, for she takes no notice of anything.”

“You will have all your trouble for nothing,” I growled.

He began to lose his temper.

“I am not taking any trouble, my dear fellow. I think her an extremely pretty woman, that is all. If one could only speak to her! But I don't know how to begin. Cannot you give me an idea? Can't you guess who she is?”

“Upon my word, I cannot. However, I should rather think she is some strolling actress who is going to rejoin her company after a love adventure.”

He seemed quite upset, as if I had said something insulting.

“What makes you think that? On the contrary, I think she looks most respectable.”

“Just look at her bracelets,” I said, “her earrings and her whole dress. I should not be the least surprised if she were a dancer or a circus rider, but most likely a dancer. Her whole style smacks very much of the theatre.”

He evidently did not like the idea.

“She is much too young, I am sure; why, she is hardly twenty.”

“Well,” I replied, “there are many things which one can do before one is twenty; dancing and elocution are among them.”

“Take your seats for Nice, Vintimiglia,” the guards and porters called.

We got in; our fellow passenger was eating an orange, and certainly she did not do it elegantly. She had spread her pocket-handkerchief on her knees, and the way in which she tore off the peel and opened her mouth to put in the pieces, and then spat the pips out of the window, showed that her training had been decidedly vulgar.

She seemed, also, more put out than ever, and swallowed the fruit with an exceedingly comic air of rage.

Paul devoured her with his eyes, and tried to attract her attention and excite her curiosity; but in spite of his talk, and of the manner in which he brought in well-known names, she did not pay the least attention to him.

After passing Frejus and St. Raphael, the train passed through a veritable garden, a paradise of roses, and groves of oranges and lemons covered with fruits and flowers at the same time. That delightful coast from Marseilles to Genoa is a kingdom of perfumes in a home of flowers.

June is the time to see it in all its beauty, when in every narrow valley and on every slope, the most exquisite flowers are growing luxuriantly. And the roses! fields, hedges, groves of roses. They climb up the walls, blossom on the roofs, hang from the trees, peep out from among the bushes; they are white, red, yellow, large and small, single, with a simple self-colored dress, or full and heavy in brilliant toilettes.

Their breath makes the air heavy and relaxing, and the still more penetrating odor of the orange blossoms sweetens the atmosphere till it might almost be called the refinement of odor.

The shore, with its brown rocks, was bathed by the motionless Mediterranean. The hot summer sun stretched like a fiery cloth over the mountains, over the long expanses of sand, and over the motionless, apparently solid blue sea. The train went on through the tunnels, along the slopes, above the water, on straight, wall-like viaducts, and a soft, vague, saltish smell, a smell of drying seaweed, mingled at times with the strong, heavy perfume of the flowers.

But Paul neither saw, looked at, nor smelled anything, for our fellow traveller engrossed all his attention.

When we reached Cannes, as he wished to speak to me he signed to me to get out, and as soon as I did so, he took me by the arm.

“Do you know, she is really charming. Just look at her eyes; and I never saw anything like her hair.”

“Don't excite yourself,” I replied, “or else address her, if you have any intentions that way. She does not look unapproachable; I fancy, although she appear to be a little bit grumpy.”

“Why don't you speak to her?” he said.

“I don't know what to say, for I am always terribly stupid at first; I can never make advances to a woman in the street. I follow them, go round and round them, and quite close to them, but never know what to say at first. I only once tried to enter into conversation with a woman in that way. As I clearly saw that she was waiting for me to make overtures, and as I felt bound to say something, I stammered out, 'I hope you are quite well, madame?' She laughed in my face, and I made my escape.”

I promised Paul to do all I could to bring about a conversation, and when we had taken our places again, I politely asked our neighbor:

“Have you any objection to the smell of tobacco, madame?”

She merely replied, “Non capisco.”

So she was an Italian! I felt an absurd inclination to laugh. As Paul did not understand a word of that language, I was obliged to act as his interpreter, so I said in Italian:

“I asked you, madame, whether you had any objection to tobacco smoke?”

With an angry look she replied, “Che mi fa!”

She had neither turned her head nor looked at me, and I really did not know whether to take this “What do I care” for an authorization, a refusal, a real sign of indifference, or for a mere “Let me alone.”

“Madame,” I replied, “if you mind the smell of tobacco in the least—”

She again said, “Mica,” in a tone which seemed to mean, “I wish to goodness you would leave me alone!” It was, however, a kind of permission, so I said to Paul:

“You may smoke.”

He looked at me in that curious sort of way that people have when they try to understand others who are talking in a strange language before them, and asked me:

“What did you say to her?”

“I asked whether we might smoke, and she said we might do whatever we liked.”

Whereupon I lighted my cigar.

“Did she say anything more?”

“If you had counted her words you would have noticed that she used exactly six, two of which gave me to understand that she knew no French, so four remained, and much can be said in four words.”

Paul seemed quite unhappy, disappointed, and at sea, so to speak.

But suddenly the Italian asked me, in that tone of discontent which seemed habitual to her, “Do you know at what time we shall get to Genoa?”

“At eleven o'clock,” I replied. Then after a moment I went on:

“My friend and I are also going to Genoa, and if we can be of any service to you, we shall be very happy, as you are quite alone.” But she interrupted with such a “Mica!” that I did not venture on another word.

“What did she say?” Paul asked.

“She said she thought you were charming.”

But he was in no humor for joking, and begged me dryly not to make fun of him; so I translated her question and my polite offer, which had been so rudely rejected.

Then he really became as restless as a caged squirrel.

“If we only knew,” he said, “what hotel she was going to, we would go to the same. Try to find out so as to have another opportunity to make her talk.”

It was not particularly easy, and I did not know what pretext to invent, desirous as I was to make the acquaintance of this unapproachable person.

We passed Nice, Monaco, Mentone, and the train stopped at the frontier for the examination of luggage.

Although I hate those ill-bred people who breakfast and dine in railway- carriages, I went and bought a quantity of good things to make one last attack on her by their means. I felt sure that this girl must, ordinarily, be by no means inaccessible. Something had put her out and made her irritable, but very little would suffice, a mere word or some agreeable offer, to decide her and vanquish her.

We started again, and we three were still alone. I spread my eatables on the seat. I cut up the fowl, put the slices of ham neatly on a piece of paper, and then carefully laid out our dessert, strawberries, plums, cherries and cakes, close to the girl.

When she saw that we were about to eat she took a piece of chocolate and two little crisp cakes out of her pocket and began to munch them.

“Ask her to have some of ours,” Paul said in a whisper.

“That is exactly what I wish to do, but it is rather a difficult matter.”

As she, however, glanced from time to time at our provisions, I felt sure that she would still be hungry when she had finished what she had with her; so, as soon as her frugal meal was over, I said to her:

“It would be very kind of you if you would take some of this fruit.”

Again she said “Mica!” but less crossly than before.

“Well, then,” I said, “may I offer you a little wine? I see you have not drunk anything. It is Italian wine, and as we are now in your own country, we should be very pleased to see such a pretty Italian mouth accept the offer of its French neighbors.”

She shook her head slightly, evidently wishing to refuse, but very desirous of accepting, and her mica this time was almost polite. I took the flask, which was covered with straw in the Italian fashion, and filling the glass, I offered it to her.

“Please drink it,” I said, “to bid us welcome to your country.”

She took the glass with her usual look, and emptied it at a draught, like a woman consumed with thirst, and then gave it back to me without even saying “Thank you.”

I then offered her the cherries. “Please take some,” I said; “we shall be so glad if you will.”

Out of her corner she looked at all the fruit spread out beside her, and said so rapidly that I could scarcely follow her: “A me non piacciono ne le ciriegie ne le susine; amo soltano le fragole.”

“What does she say?” Paul asked.

“That she does riot care for cherries or plums, but only for strawberries.”

I put a newspaper full of wild strawberries on her lap, and she ate them quickly, tossing them into her mouth from some distance in a coquettish and charming manner.

When she had finished the little red heap, which soon disappeared under the rapid action of her hands, I asked her:

“What may I offer you now?”

“I will take a little chicken,” she replied.

She certainly devoured half of it, tearing it to pieces with the rapid movements of her jaws like some carnivorous animal. Then she made up her mind to have some cherries, which she “did not like,” and then some plums, then some little cakes. Then she said, “I have had enough,” and sat back in her corner.

I was much amused, and tried to make her eat more, insisting, in fact, till she suddenly flew into a rage, and flung such a furious mica at me, that I would no longer run the risk of spoiling her digestion.

I turned to my friend. “My poor Paul,” I said, “I am afraid we have had our trouble for nothing.”

The night came on, one of those hot summer nights which extend their warm shade over the burning and exhausted earth. Here and there, in the distance, by the sea, on capes and promontories, bright stars, which I was, at times, almost inclined to confound with lighthouses, began to shine on the dark horizon:

The scent of the orange trees became more penetrating, and we breathed with delight, distending our lungs to inhale it more deeply. The balmy air was soft, delicious, almost divine.

Suddenly I noticed something like a shower of stars under the dense shade of the trees along the line, where it was quite dark. It might have been taken for drops of light, leaping, flying, playing and running among the leaves, or for small stars fallen from the skies in order to have an excursion on the earth; but they were only fireflies dancing a strange fiery ballet in the perfumed air.

One of them happened to come into our carriage, and shed its intermittent light, which seemed to be extinguished one moment and to be burning the next. I covered the carriage-lamp with its blue shade and watched the strange fly careering about in its fiery flight. Suddenly it settled on the dark hair of our neighbor, who was half dozing after dinner. Paul seemed delighted, with his eyes fixed on the bright, sparkling spot, which looked like a living jewel on the forehead of the sleeping woman.

The Italian woke up about eleven o'clock, with the bright insect still in her hair. When I saw her move, I said: “We are just getting to Genoa, madame,” and she murmured, without answering me, as if possessed by some obstinate and embarrassing thought:

“What am I going to do, I wonder?”

And then she suddenly asked:

“Would you like me to come with you?”

I was so taken aback that I really did not understand her.

“With us? How do you mean?”

She repeated, looking more and more furious:

“Would you like me to be your guide now, as soon as we get out of the train?”

“I am quite willing; but where do you want to go.”

She shrugged her shoulders with an air of supreme indifference.

“Wherever you like; what does it matter to me?” She repeated her “Che mi fa” twice.

“But we are going to the hotel.”

“Very well, let us all go to the hotel,” she said, in a contemptuous voice.

I turned to Paul, and said:

“She wishes to know whether we should like her to come with us.”

My friend's utter surprise restored my self-possession. He stammered:

“With us? Where to? What for? How?”

“I don't know, but she made this strange proposal to me in a most irritated voice. I told her that we were going to the hotel, and she said: 'Very well, let us all go there!' I suppose she is without a penny. She certainly has a very strange way of making acquaintances.”

Paul, who 'was very much excited, exclaimed:

“I am quite agreeable. Tell her that we will go wherever she likes.” Then, after a moment's hesitation, he said uneasily:

“We must know, however, with whom she wishes to go—with you or with me?”

I turned to the Italian, who did not even seem to be listening to us, and said:

“We shall be very happy to have you with us, but my friend wishes to know whether you will take my arm or his?”

She opened her black eyes wide with vague surprise, and said, “Che ni fa?”

I was obliged to explain myself. “In Italy, I believe, when a man looks after a woman, fulfils all her wishes, and satisfies all her caprices, he is called a patito. Which of us two will you take for your patito?”

Without the slightest hesitation she replied:

“You!”

I turned to Paul. “You see, my friend, she chooses me; you have no chance.”

“All the better for you,” he replied in a rage. Then, after thinking for a few moments, he went on:

“Do you really care about taking this creature with you? She will spoil our journey. What are we to do with this woman, who looks like I don't know what? They will not take us in at any decent hotel.”

I, however, just began to find the Italian much nicer than I had thought her at first, and I was now very desirous to take her with us. The idea delighted me.

I replied, “My dear fellow, we have accepted, and it is too late to recede. You were the first to advise me to say 'Yes.'”

“It is very stupid,” he growled, “but do as you please.”

The train whistled, slackened speed, and we ran into the station.

I got out of the carriage, and offered my new companion my hand. She jumped out lightly, and I gave her my arm, which she took with an air of seeming repugnance. As soon as we had claimed our luggage we set off into the town, Paul walking in utter silence.

“To what hotel shall we go?” I asked him. “It may be difficult to get into the City of Paris with a woman, especially with this Italian.”

Paul interrupted me. “Yes, with an Italian who looks more like a dancer than a duchess. However, that is no business of mine. Do just as you please.”

I was in a state of perplexity. I had written to the City of Paris to retain our rooms, and now I did not know what to do.

Two commissionaires followed us with our luggage. I continued: “You might as well go on first, and say that we are coming; and give the landlord to understand that I have a—a friend with me and that we should like rooms quite by themselves for us three, so as not to be brought in contact with other travellers. He will understand, and we will decide according to his answer.”

But Paul growled, “Thank you, such commissions and such parts do not suit me, by any means. I did not come here to select your apartments or to minister to your pleasures.”

But I was urgent: “Look here, don't be angry. It is surely far better to go to a good hotel than to a bad one, and it is not difficult to ask the landlord for three separate bedrooms and a dining-room.”

I put a stress on three, and that decided him.

He went on first, and I saw him go into a large hotel while I remained on the other side of the street, with my fair Italian, who did not say a word, and followed the porters with the luggage.

Paul came back at last, looking as dissatisfied as my companion.

“That is settled,” he said, “and they will take us in; but here are only two bedrooms. You must settle it as you can.”

I followed him, rather ashamed of going in with such a strange companion.

There were two bedrooms separated by a small sitting-room. I ordered a cold supper, and then I turned to the Italian with a perplexed look.

“We have only been able to get two rooms, so you must choose which you like.”

She replied with her eternal “Che mi fa!” I thereupon took up her little black wooden trunk, such as servants use, and took it into the room on the right, which I had chosen for her. A bit of paper was fastened to the box, on which was written, Mademoiselle Francesca Rondoli, Genoa.

“Your name is Francesca?” I asked, and she nodded her head, without replying.

“We shall have supper directly,” I continued. “Meanwhile, I dare say you would like to arrange your toilette a little?”

She answered with a 'mica', a word which she employed just as frequently as 'Che me fa', but I went on: “It is always pleasant after a journey.”

Then I suddenly remembered that she had not, perhaps, the necessary requisites, for she appeared to me in a very singular position, as if she had just escaped from some disagreeable adventure, and I brought her my dressing-case.

I put out all the little instruments for cleanliness and comfort which it contained: a nail-brush, a new toothbrush—I always carry a selection of them about with me—my nail-scissors, a nail-file, and sponges. I uncorked a bottle of eau de cologne, one of lavender-water, and a little bottle of new-mown hay, so that she might have a choice. Then I opened my powder-box, and put out the powder-puff, placed my fine towels over the water-jug, and a piece of new soap near the basin.

She watched my movements with a look of annoyance in her wide-open eyes, without appearing either astonished or pleased at my forethought.

“Here is all that you require,” I then said; “I will tell you when supper is ready.”

When I returned to the sitting-room I found that Paul had shut himself in the other room, so I sat down to wait.

A waiter went to and fro, bringing plates and glasses. He laid the table slowly, then put a cold chicken on it, and told me that all was ready.

I knocked gently at Mademoiselle Rondoli's door. “Come in,” she said, and when I did so I was struck by a strong, heavy smell of perfumes, as if I were in a hairdresser's shop.

The Italian was sitting on her trunk in an attitude either of thoughtful discontent or absent-mindedness. The towel was still folded over the waterjug that was full of water, and the soap, untouched and dry, was lying beside the empty basin; but one would have thought that the young woman had used half the contents of the bottles of perfume. The eau de cologne, however, had been spared, as only about a third of it had gone; but to make up for that she had used a surprising amount of lavender- water and new-mown hay. A cloud of violet powder, a vague white mist, seemed still to be floating in the air, from the effects of her over- powdering her face and neck. It seemed to cover her eyelashes, eyebrows, and the hair on her temples like snow, while her cheeks were plastered with it, and layers of it covered her nostrils, the corners of her eyes, and her chin.

When she got up she exhaled such a strong odor of perfume that it almost made me feel faint.

When we sat down to supper, I found that Paul was in a most execrable temper, and I could get nothing out of him but blame, irritable words, and disagreeable remarks.

Mademoiselle Francesca ate like an ogre, and as soon as she had finished her meal she threw herself upon the sofa in the sitting-room. Sitting down beside her, I said gallantly, kissing her hand:

“Shall I have the bed prepared, or will you sleep on the couch?”

“It is all the same to me. 'Che mi fa'!”

Her indifference vexed me.

“Should you like to retire at once?”

“Yes; I am very sleepy.”

She got up, yawned, gave her hand to Paul, who took it with a furious look, and I lighted her into the bedroom. A disquieting feeling haunted me. “Here is all you want,” I said again.

The next morning she got up early, like a woman who is accustomed to work. She woke me by doing so, and I watched her through my half-closed eyelids.

She came and went without hurrying herself, as if she were astonished at having nothing to do. At length she went to the dressing-table, and in a moment emptied all my bottles of perfume. She certainly also used some water, but very little.

When she was quite dressed, she sat down on her trunk again, and clasping one knee between her hands, she seemed to be thinking.

At that moment I pretended to first notice her, and said:

“Good-morning, Francesca.”

Without seeming in at all a better temper than the previous night, she murmured, “Good-morning!”

When I asked her whether she had slept well, she nodded her head, and jumping out of bed, I went and kissed her.

She turned her face toward me like a child who is being kissed against its will; but I took her tenderly in my arms, and gently pressed my lips on her eyelids, which she closed with evident distaste under my kisses on her fresh cheek and full lips, which she turned away.

“You don't seem to like being kissed,” I said to her.

“Mica!” was her only answer.

I sat down on the trunk by her side, and passing my arm through hers, I said: “Mica! mica! mica! in reply to everything. I shall call you Mademoiselle Mica, I think.”

For the first time I fancied that I saw the shadow of a smile on her lips, but it passed by so quickly that I may have been mistaken.

“But if you never say anything but Mica, I shall not know what to do to please you. Let me see; what shall we do to-day?”

She hesitated a moment, as if some fancy had flitted through her head, and then she said carelessly: “It is all the same to me; whatever you like.”

“Very well, Mademoiselle Mica, we will have a carriage and go for a drive.”

“As you please,” she said.

Paul was waiting for us in the dining-room, looking as bored as third parties usually do in love affairs. I assumed a delighted air, and shook hands with him with triumphant energy.

“What are you thinking of doing?” he asked.

“First of all, we will go and see a little of the town, and then we might get a carriage and take a drive in the neighborhood.”

We breakfasted almost in silence, and then set out. I dragged Francesca from palace to palace, and she either looked at nothing or merely glanced carelessly at the various masterpieces. Paul followed us, growling all sorts of disagreeable things. Then we all three took a drive in silence into the country and returned to dinner.

The next day it was the same thing and the next day again; and on the third Paul said to me: “Look here, I am going to leave you; I am not going to stop here for three weeks watching you make love to this creature.”

I was perplexed and annoyed, for to my great surprise I had become singularly attached to Francesca. A man is but weak and foolish, carried away by the merest trifle, and a coward every time that his senses are excited or mastered. I clung to this unknown girl, silent and dissatisfied as she always was. I liked her somewhat ill-tempered face, the dissatisfied droop of her mouth, the weariness of her look; I liked her fatigued movements, the contemptuous way in which she let me kiss her, the very indifference of her caresses. A secret bond, that mysterious bond of physical love, which does not satisfy, bound me to her. I told Paul so, quite frankly. He treated me as if I were a fool, and then said:

“Very well, take her with you.”

But she obstinately refused to leave Genoa, without giving any reason. I besought, I reasoned, I promised, but all was of no avail, and so I stayed on.

Paul declared that he would go by himself, and went so far as to pack up his portmanteau; but he remained all the same.

Thus a fortnight passed. Francesca was always silent and irritable, lived beside me rather than with me, responded to all my requirements and all my propositions with her perpetual Che mi fa, or with her no less perpetual Mica.

My friend became more and more furious, but my only answer was, “You can go if you are tired of staying. I am not detaining you.”

Then he called me names, overwhelmed me with reproaches, and exclaimed: “Where do you think I can go now? We had three weeks at our disposal, and here is a fortnight gone! I cannot continue my journey now; and, in any case, I am not going to Venice, Florence and Rome all by myself. But you will pay for it, and more dearly than you think, most likely. You are not going to bring a man all the way from Paris in order to shut him up at a hotel in Genoa with an Italian adventuress.”

When I told him, very calmly, to return to Paris, he exclaimed that he intended to do so the very next day; but the next day he was still there, still in a rage and swearing.

By this time we began to be known in the streets through which we wandered from morning till night. Sometimes French people would turn round astonished at meeting their fellow-countrymen in the company of this girl with her striking costume, who looked singularly out of place, not to say compromising, beside us.

She used to walk along, leaning on my arm, without looking at anything. Why did she remain with me, with us, who seemed to do so little to amuse her? Who was she? Where did she come from? What was she doing? Had she any plan or idea? Where did she live? As an adventuress, or by chance meetings? I tried in vain to find out and to explain it. The better I knew her the more enigmatical she became. She seemed to be a girl of poor family who had been taken away, and then cast aside and lost. What did she think would become of her, or whom was she waiting for? She certainly did not appear to be trying to make a conquest of me, or to make any real profit out of me.

I tried to question her, to speak to her of her childhood and family; but she never gave me an answer. I stayed with her, my heart unfettered and my senses enchained, never wearied of holding her in my arms, that proud and quarrelsome woman, captivated by my senses, or rather carried away, overcome by a youthful, healthy, powerful charm, which emanated from her fragrant person and from the well-molded lines of her body.

Another week passed, and the term of my journey was drawing on, for I had to be back in Paris by the eleventh of July. By this time Paul had come to take his part in the adventure, though still grumbling at me, while I invented pleasures, distractions and excursions to amuse Francesca and my friend; and in order to do this I gave myself a great amount of trouble.

One day I proposed an excursion to Sta Margarita, that charming little town in the midst of gardens, hidden at the foot of a slope which stretches far into the sea up to the village of Portofino. We three walked along the excellent road which goes along the foot of the mountain. Suddenly Francesca said to me: “I shall not be able to go with you to-morrow; I must go and see some of my relatives.”

That was all; I did not ask her any questions, as I was quite sure she would not answer me.

The next morning she got up very early. When she spoke to me it was in a constrained and hesitating voice:

“If I do not come back again, shall you come and fetch me?”

“Most certainly I shall,” was my reply. “Where shall I go to find you?”

Then she explained: “You must go into the Street Victor-Emmanuel, down the Falcone road and the side street San-Rafael and into the furniture shop in the building at the right at the end of a court, and there you must ask for Madame Rondoli. That is the place.”

And so she went away, leaving me rather astonished.

When Paul saw that I was alone, he stammered out: “Where; is Francesca?” And when I told him what had happened, he exclaimed:

“My dear fellow, let us make use of our opportunity, and bolt; as it is, our time is up. Two days, more or less, make no difference. Let us go at once; go and pack up your things. Off we go!”

But I refused. I could not, as I told him, leave the girl in that manner after such companionship for nearly three weeks. At any rate, I ought to say good-by to her, and make her accept a present; I certainly had no intention of behaving badly to her.

But he would not listen; he pressed and worried me, but I would not give way.

I remained indoors for several hours, expecting Francesca's return, but she did not come, and at last, at dinner, Paul said with a triumphant air:

“She has flown, my dear fellow; it is certainly very strange.”

I must acknowledge that I was surprised and rather vexed. He laughed in my face, and made fun of me.

“It is not exactly a bad way of getting rid of you, though rather primitive. 'Just wait for me, I shall be back in a moment,' they often say. How long are you going to wait? I should not wonder if you were foolish enough to go and look for her at the address she gave you. 'Does Madame Rondoli live here, please?' 'No, monsieur.' I'll bet that you are longing to go there.”

“Not in the least,” I protested, “and I assure you that if she does not come back to-morrow morning I shall leave by the express at eight o'clock. I shall have waited twenty-four hours, and that is enough; my conscience will be quite clear.”

I spent an uneasy and unpleasant evening, for I really had at heart a very tender feeling for her. I went to bed at twelve o'clock, and hardly slept at all. I got up at six, called Paul, packed up my things, and two hours later we set out for France together.

III

The next year, at just about the same period, I was seized as one is with a periodical fever, with a new desire to go to Italy, and I immediately made up my mind to carry it into effect. There is no doubt that every really well-educated man ought to see Florence, Venice and Rome. This travel has, also, the additional advantage of providing many subjects of conversation in society, and of giving one an opportunity for bringing forward artistic generalities which appear profound.

This time I went alone, and I arrived at Genoa at the same time as the year before, but without any adventure on the road. I went to the same hotel, and actually happened to have the same room.

I was hardly in bed when the recollection of Francesca which, since the evening before, had been floating vaguely through my mind, haunted me with strange persistency. I thought of her nearly the whole night, and by degrees the wish to see her again seized me, a confused desire at first, which gradually grew stronger and more intense. At last I made up my mind to spend the next day in Genoa to try to find her, and if I should not succeed, to take the evening train.

Early in the morning I set out on my search. I remembered the directions she had given me when she left me, perfectly—Victor-Emmanuel Street, house of the furniture-dealer, at the bottom of the yard on the right.

I found it without the least difficulty, and I knocked at the door of a somewhat dilapidated-looking dwelling. It was opened by a stout woman, who must have been very handsome, but who actually was only very dirty. Although she had too much embonpoint, she still bore the lines of majestic beauty; her untidy hair fell over her forehead and shoulders, and one fancied one could see her floating about in an enormous dressing-gown covered with spots of dirt and grease. Round her neck she wore a great gilt necklace, and on her wrists were splendid bracelets of Genoa filigree work.

In rather a hostile manner she asked me what I wanted, and I replied by requesting her to tell me whether Francesca Rondoli lived there.

“What do you want with her?” she asked.

“I had the pleasure of meeting her last year, and I should like to see her again.”

The old woman looked at me suspiciously.

“Where did you meet her?” she asked.

“Why, here in Genoa itself.”

“What is your name?”

I hesitated a moment, and then I told her. I had hardly done so when the Italian put out her arms as if to embrace me. “Oh! you are the Frenchman how glad I am to see you! But what grief you caused the poor child! She waited for you a month; yes, a whole month. At first she thought you would come to fetch her. She wanted to see whether you loved her. If you only knew how she cried when she saw that you were not coming! She cried till she seemed to have no tears left. Then she went to the hotel, but you had gone. She thought that most likely you were travelling in Italy, and that you would return by Genoa to fetch her, as she would not go with you. And she waited more than a month, monsieur; and she was so unhappy; so unhappy. I am her mother.”

I really felt a little disconcerted, but I regained my self-possession, and asked:

“Where is she now?”

“She has gone to Paris with a painter, a delightful man, who loves her very much, and who gives her everything that she wants. Just look at what she sent me; they are very pretty, are they not?”

And she showed me, with quite southern animation, her heavy bracelets and necklace. “I have also,” she continued, “earrings with stones in them, a silk dress, and some rings; but I only wear them on grand occasions. Oh! she is very happy, monsieur, very happy. She will be so pleased when I tell her you have been here. But pray come in and sit down. You will take something or other, surely?”

But I refused, as I now wished to get away by the first train; but she took me by the arm and pulled me in, saying:

“Please, come in; I must tell her that you have been in here.”

I found myself in a small, rather dark room, furnished with only a table and a few chairs.

She continued: “Oh, she is very happy now, very happy. When you met her in the train she was very miserable; she had had an unfortunate love affair in Marseilles, and she was coming home, poor child. But she liked you at once, though she was still rather sad, you understand. Now she has all she wants, and she writes and tells me everything that she does. His name is Bellemin, and they say he is a great painter in your country. He fell in love with her at first sight. But you will take a glass of sirup?-it is very good. Are you quite alone, this year?”

“Yes,” I said, “quite alone.”

I felt an increasing inclination to laugh, as my first disappointment was dispelled by what Mother Rondoli said. I was obliged; however, to drink a glass of her sirup.

“So you are quite alone?” she continued. “How sorry I am that Francesca is not here now; she would have been company for you all the time you stayed. It is not very amusing to go about all by oneself, and she will be very sorry also.”

Then, as I was getting up to go, she exclaimed:

“But would you not like Carlotta to go with you? She knows all the walks very well. She is my second daughter, monsieur.”

No doubt she took my look of surprise for consent, for she opened the inner door and called out up the dark stairs which I could not see:

“Carlotta! Carlotta! make haste down, my dear child.”

I tried to protest, but she would not listen.

“No; she will be very glad to go with you; she is very nice, and much more cheerful than her sister, and she is a good girl, a very good girl, whom I love very much.”

In a few moments a tall, slender, dark girl appeared, her hair hanging down, and her youthful figure showing unmistakably beneath an old dress of her mother's.

The latter at once told her how matters stood.

“This is Francesca's Frenchman, you know, the one whom she knew last year. He is quite alone, and has come to look for her, poor fellow; so I told him that you would go with him to keep him company.”

The girl looked at me with her handsome dark eyes, and said, smiling:

“I have no objection, if he wishes it”

I could not possibly refuse, and merely said:

“Of course, I shall be very glad of your company.”

Her mother pushed her out. “Go and get dressed directly; put on your blue dress and your hat with the flowers, and make haste.”

As soon as she had left the room the old woman explained herself: “I have two others, but they are much younger. It costs a lot of money to bring up four children. Luckily the eldest is off my hands at present.”

Then she told all about herself, about her husband, who had been an employee on the railway, but who was dead, and she expatiated on the good qualities of Carlotta, her second girl, who soon returned, dressed, as her sister had been, in a striking, peculiar manner.

Her mother examined her from head to foot, and, after finding everything right, she said:

“Now, my children, you can go.” Then turning to the girl, she said: “Be sure you are back by ten o'clock to-night; you know the door is locked then.” The answer was:

“All right, mamma; don't alarm yourself.”

She took my arm and we went wandering about the streets, just as I had wandered the previous year with her sister.

We returned to the hotel for lunch, and then I took my new friend to Santa Margarita, just as I had taken her sister the year previously.

During the whole fortnight which I had at my disposal, I took Carlotta to all the places of interest in and about Genoa. She gave me no cause to regret her sister.

She cried when I left her, and the morning of my departure I gave her four bracelets for her mother, besides a substantial token of my affection for herself.

One of these days I intend to return to Italy, and I cannot help remembering with a certain amount of uneasiness, mingled with hope, that Madame Rondoli has two more daughters.

ORIGINAL SHORT STORIES, Vol. 7.

GUY DE MAUPASSANT ORIGINAL SHORT STORIES Translated by ALBERT M. C. McMASTER, B.A. A. E. HENDERSON, B.A. MME. QUESADA and Others

VOLUME VII.

THE FALSE GEMS

Monsieur Lantin had met the young girl at a reception at the house of the second head of his department, and had fallen head over heels in love with her.

She was the daughter of a provincial tax collector, who had been dead several years. She and her mother came to live in Paris, where the latter, who made the acquaintance of some of the families in her neighborhood, hoped to find a husband for her daughter.

They had very moderate means, and were honorable, gentle, and quiet.

The young girl was a perfect type of the virtuous woman in whose hands every sensible young man dreams of one day intrusting his happiness. Her simple beauty had the charm of angelic modesty, and the imperceptible smile which constantly hovered about the lips seemed to be the reflection of a pure and lovely soul. Her praises resounded on every side. People never tired of repeating: “Happy the man who wins her love! He could not find a better wife.”

Monsieur Lantin, then chief clerk in the Department of the Interior, enjoyed a snug little salary of three thousand five hundred francs, and he proposed to this model young girl, and was accepted.

He was unspeakably happy with her. She governed his household with such clever economy that they seemed to live in luxury. She lavished the most delicate attentions on her husband, coaxed and fondled him; and so great was her charm that six years after their marriage, Monsieur Lantin discovered that he loved his wife even more than during the first days of their honeymoon.

He found fault with only two of her tastes: Her love for the theatre, and her taste for imitation jewelry. Her friends (the wives of some petty officials) frequently procured for her a box at the theatre, often for the first representations of the new plays; and her husband was obliged to accompany her, whether he wished it or not, to these entertainments which bored him excessively after his day's work at the office.

After a time, Monsieur Lantin begged his wife to request some lady of her acquaintance to accompany her, and to bring her home after the theatre. She opposed this arrangement, at first; but, after much persuasion, finally consented, to the infinite delight of her husband.

Now, with her love for the theatre, came also the desire for ornaments. Her costumes remained as before, simple, in good taste, and always modest; but she soon began to adorn her ears with huge rhinestones, which glittered and sparkled like real diamonds. Around her neck she wore strings of false pearls, on her arms bracelets of imitation gold, and combs set with glass jewels.

Her husband frequently remonstrated with her, saying:

“My dear, as you cannot afford to buy real jewelry, you ought to appear adorned with your beauty and modesty alone, which are the rarest ornaments of your sex.”

But she would smile sweetly, and say:

“What can I do? I am so fond of jewelry. It is my only weakness. We cannot change our nature.”

Then she would wind the pearl necklace round her fingers, make the facets of the crystal gems sparkle, and say:

“Look! are they not lovely? One would swear they were real.”

Monsieur Lantin would then answer, smilingly:

“You have bohemian tastes, my dear.”

Sometimes, of an evening, when they were enjoying a tete-a-tete by the fireside, she would place on the tea table the morocco leather box containing the “trash,” as Monsieur Lantin called it. She would examine the false gems with a passionate attention, as though they imparted some deep and secret joy; and she often persisted in passing a necklace around her husband's neck, and, laughing heartily, would exclaim: “How droll you look!” Then she would throw herself into his arms, and kiss him affectionately.

One evening, in winter, she had been to the opera, and returned home chilled through and through. The next morning she coughed, and eight days later she died of inflammation of the lungs.

Monsieur Lantin's despair was so great that his hair became white in one month. He wept unceasingly; his heart was broken as he remembered her smile, her voice, every charm of his dead wife.

Time did not assuage his grief. Often, during office hours, while his colleagues were discussing the topics of the day, his eyes would suddenly fill with tears, and he would give vent to his grief in heartrending sobs. Everything in his wife's room remained as it was during her lifetime; all her furniture, even her clothing, being left as it was on the day of her death. Here he was wont to seclude himself daily and think of her who had been his treasure-the joy of his existence.

But life soon became a struggle. His income, which, in the hands of his wife, covered all household expenses, was now no longer sufficient for his own immediate wants; and he wondered how she could have managed to buy such excellent wine and the rare delicacies which he could no longer procure with his modest resources.

He incurred some debts, and was soon reduced to absolute poverty. One morning, finding himself without a cent in his pocket, he resolved to sell something, and immediately the thought occurred to him of disposing of his wife's paste jewels, for he cherished in his heart a sort of rancor against these “deceptions,” which had always irritated him in the past. The very sight of them spoiled, somewhat, the memory of his lost darling.

To the last days of her life she had continued to make purchases, bringing home new gems almost every evening, and he turned them over some time before finally deciding to sell the heavy necklace, which she seemed to prefer, and which, he thought, ought to be worth about six or seven francs; for it was of very fine workmanship, though only imitation.

He put it in his pocket, and started out in search of what seemed a reliable jeweler's shop. At length he found one, and went in, feeling a little ashamed to expose his misery, and also to offer such a worthless article for sale.

“Sir,” said he to the merchant, “I would like to know what this is worth.”

The man took the necklace, examined it, called his clerk, and made some remarks in an undertone; he then put the ornament back on the counter, and looked at it from a distance to judge of the effect.

Monsieur Lantin, annoyed at all these ceremonies, was on the point of saying: “Oh! I know well enough it is not worth anything,” when the jeweler said: “Sir, that necklace is worth from twelve to fifteen thousand francs; but I could not buy it, unless you can tell me exactly where it came from.”

The widower opened his eyes wide and remained gaping, not comprehending the merchant's meaning. Finally he stammered: “You say—are you sure?” The other replied, drily: “You can try elsewhere and see if any one will offer you more. I consider it worth fifteen thousand at the most. Come back; here, if you cannot do better.”

Monsieur Lantin, beside himself with astonishment, took up the necklace and left the store. He wished time for reflection.

Once outside, he felt inclined to laugh, and said to himself: “The fool! Oh, the fool! Had I only taken him at his word! That jeweler cannot distinguish real diamonds from the imitation article.”

A few minutes after, he entered another store, in the Rue de la Paix. As soon as the proprietor glanced at the necklace, he cried out:

“Ah, parbleu! I know it well; it was bought here.”

Monsieur Lantin, greatly disturbed, asked:

“How much is it worth?”

“Well, I sold it for twenty thousand francs. I am willing to take it back for eighteen thousand, when you inform me, according to our legal formality, how it came to be in your possession.”

This time, Monsieur Lantin was dumfounded. He replied:

“But—but—examine it well. Until this moment I was under the impression that it was imitation.”

The jeweler asked:

“What is your name, sir?”

“Lantin—I am in the employ of the Minister of the Interior. I live at number sixteen Rue des Martyrs.”

The merchant looked through his books, found the entry, and said: “That necklace was sent to Madame Lantin's address, sixteen Rue des Martyrs, July 20, 1876.”

The two men looked into each other's eyes—the widower speechless with astonishment; the jeweler scenting a thief. The latter broke the silence.

“Will you leave this necklace here for twenty-four hours?” said he; “I will give you a receipt.”

Monsieur Lantin answered hastily: “Yes, certainly.” Then, putting the ticket in his pocket, he left the store.

He wandered aimlessly through the streets, his mind in a state of dreadful confusion. He tried to reason, to understand. His wife could not afford to purchase such a costly ornament. Certainly not.

But, then, it must have been a present!—a present!—a present, from whom? Why was it given her?

He stopped, and remained standing in the middle of the street. A horrible doubt entered his mind—She? Then, all the other jewels must have been presents, too! The earth seemed to tremble beneath him—the tree before him to be falling; he threw up his arms, and fell to the ground, unconscious. He recovered his senses in a pharmacy, into which the passers-by had borne him. He asked to be taken home, and, when he reached the house, he shut himself up in his room, and wept until nightfall. Finally, overcome with fatigue, he went to bed and fell into a heavy sleep.

The sun awoke him next morning, and he began to dress slowly to go to the office. It was hard to work after such shocks. He sent a letter to his employer, requesting to be excused. Then he remembered that he had to return to the jeweler's. He did not like the idea; but he could not leave the necklace with that man. He dressed and went out.

It was a lovely day; a clear, blue sky smiled on the busy city below. Men of leisure were strolling about with their hands in their pockets.

Monsieur Lantin, observing them, said to himself: “The rich, indeed, are happy. With money it is possible to forget even the deepest sorrow. One can go where one pleases, and in travel find that distraction which is the surest cure for grief. Oh if I were only rich!”

He perceived that he was hungry, but his pocket was empty. He again remembered the necklace. Eighteen thousand francs! Eighteen thousand francs! What a sum!

He soon arrived in the Rue de la Paix, opposite the jeweler's. Eighteen thousand francs! Twenty times he resolved to go in, but shame kept him back. He was hungry, however—very hungry—and not a cent in his pocket. He decided quickly, ran across the street, in order not to have time for reflection, and rushed into the store.

The proprietor immediately came forward, and politely offered him a chair; the clerks glanced at him knowingly.

“I have made inquiries, Monsieur Lantin,” said the jeweler, “and if you are still resolved to dispose of the gems, I am ready to pay you the price I offered.”

“Certainly, sir,” stammered Monsieur Lantin.

Whereupon the proprietor took from a drawer eighteen large bills, counted, and handed them to Monsieur Lantin, who signed a receipt; and, with trembling hand, put the money into his pocket.

As he was about to leave the store, he turned toward the merchant, who still wore the same knowing smile, and lowering his eyes, said:

“I have—I have other gems, which came from the same source. Will you buy them, also?”

The merchant bowed: “Certainly, sir.”

Monsieur Lantin said gravely: “I will bring them to you.” An hour later, he returned with the gems.

The large diamond earrings were worth twenty thousand francs; the bracelets, thirty-five thousand; the rings, sixteen thousand; a set of emeralds and sapphires, fourteen thousand; a gold chain with solitaire pendant, forty thousand—making the sum of one hundred and forty-three thousand francs.

The jeweler remarked, jokingly:

“There was a person who invested all her savings in precious stones.”

Monsieur Lantin replied, seriously:

“It is only another way of investing one's money.”

That day he lunched at Voisin's, and drank wine worth twenty francs a bottle. Then he hired a carriage and made a tour of the Bois. He gazed at the various turnouts with a kind of disdain, and could hardly refrain from crying out to the occupants:

“I, too, am rich!—I am worth two hundred thousand francs.”

Suddenly he thought of his employer. He drove up to the bureau, and entered gaily, saying:

“Sir, I have come to resign my position. I have just inherited three hundred thousand francs.”

He shook hands with his former colleagues, and confided to them some of his projects for the future; he then went off to dine at the Cafe Anglais.

He seated himself beside a gentleman of aristocratic bearing; and, during the meal, informed the latter confidentially that he had just inherited a fortune of four hundred thousand francs.

For the first time in his life, he was not bored at the theatre, and spent the remainder of the night in a gay frolic.

Six months afterward, he married again. His second wife was a very virtuous woman; but had a violent temper. She caused him much sorrow.

FASCINATION

I can tell you neither the name of the country, nor the name of the man. It was a long, long way from here on a fertile and burning shore. We had been walking since the morning along the coast, with the blue sea bathed in sunlight on one side of us, and the shore covered with crops on the other. Flowers were growing quite close to the waves, those light, gentle, lulling waves. It was very warm, a soft warmth permeated with the odor of the rich, damp, fertile soil. One fancied one was inhaling germs.

I had been told, that evening, that I should meet with hospitality at the house of a Frenchman who lived in an orange grove at the end of a promontory. Who was he? I did not know. He had come there one morning ten years before, and had bought land which he planted with vines and sowed with grain. He had worked, this man, with passionate energy, with fury. Then as he went on from month to month, year to year, enlarging his boundaries, cultivating incessantly the strong virgin soil, he accumulated a fortune by his indefatigable labor.

But he kept on working, they said. Rising at daybreak, he would remain in the fields till evening, superintending everything without ceasing, tormented by one fixed idea, the insatiable desire for money, which nothing can quiet, nothing satisfy. He now appeared to be very rich. The sun was setting as I reached his house. It was situated as described, at the end of a promontory in the midst of a grove of orange trees. It was a large square house, quite plain, and overlooked the sea. As I approached, a man wearing a long beard appeared in the doorway. Having greeted him, I asked if he would give me shelter for the night. He held out his hand and said, smiling:

“Come in, monsieur, consider yourself at home.”

He led me into a room, and put a man servant at my disposal with the perfect ease and familiar graciousness of a man-of-the-world. Then he left me saying:

“We will dine as soon as you are ready to come downstairs.”

We took dinner, sitting opposite each other, on a terrace facing the sea. I began to talk about this rich, distant, unknown land. He smiled, as he replied carelessly:

“Yes, this country is beautiful. But no country satisfies one when they are far from the one they love.”

“You regret France?”

“I regret Paris.”

“Why do you not go back?”

“Oh, I will return there.”

And gradually we began to talk of French society, of the boulevards, and things Parisian. He asked me questions that showed he knew all about these things, mentioned names, all the familiar names in vaudeville known on the sidewalks.

“Whom does one see at Tortoni's now?

“Always the same crowd, except those who died.” I looked at him attentively, haunted by a vague recollection. I certainly had seen that head somewhere. But where? And when? He seemed tired, although he was vigorous; and sad, although he was determined. His long, fair beard fell on his chest. He was somewhat bald and had heavy eyebrows and a thick mustache.

The sun was sinking into the sea, turning the vapor from the earth into a fiery mist. The orange blossoms exhaled their powerful, delicious fragrance. He seemed to see nothing besides me, and gazing steadfastly he appeared to discover in the depths of my mind the far-away, beloved and well-known image of the wide, shady pavement leading from the Madeleine to the Rue Drouot.

“Do you know Boutrelle?”

“Yes, indeed.”

“Has he changed much?”

“Yes, his hair is quite white.”

“And La Ridamie?”

“The same as ever.”

“And the women? Tell me about the women. Let's see. Do you know Suzanne Verner?”

“Yes, very much. But that is over.”

“Ah! And Sophie Astier?”

“Dead.”

“Poor girl. Did you—did you know—”

But he ceased abruptly: And then, in a changed voice, his face suddenly turning pale, he continued:

“No, it is best that I should not speak of that any more, it breaks my heart.”

Then, as if to change the current of his thoughts he rose.

“Would you like to go in?” he said.

“Yes, I think so.”

And he preceded me into the house. The downstairs rooms were enormous, bare and mournful, and had a deserted look. Plates and glasses were scattered on the tables, left there by the dark-skinned servants who wandered incessantly about this spacious dwelling.

Two rifles were banging from two nails, on the wall; and in the corners of the rooms were spades, fishing poles, dried palm leaves, every imaginable thing set down at random when people came home in the evening and ready to hand when they went out at any time, or went to work.

My host smiled as he said:

“This is the dwelling, or rather the kennel, of an exile, but my own room is cleaner. Let us go there.”

As I entered I thought I was in a second-hand store, it was so full of things of all descriptions, strange things of various kinds that one felt must be souvenirs. On the walls were two pretty paintings by well- known artists, draperies, weapons, swords and pistols, and exactly in the middle, on the principal panel, a square of white satin in a gold frame.

Somewhat surprised, I approached to look at it, and perceived a hairpin fastened in the centre of the glossy satin. My host placed his hand on my shoulder.

“That,” said he, “is the only thing that I look at here, and the only thing that I have seen for ten years. M. Prudhomme said: 'This sword is the most memorable day of my life.' I can say: 'This hairpin is all my life.'”

I sought for some commonplace remark, and ended by saying:

“You have suffered on account of some woman?”

He replied abruptly:

“Say, rather, that I am suffering like a wretch.”

“But come out on my balcony. A name rose to my lips just now which I dared not utter; for if you had said 'Dead' as you did of Sophie Astier, I should have fired a bullet into my brain, this very day.”

We had gone out on the wide balcony from whence we could see two gulfs, one to the right and the other to the left, enclosed by high gray mountains. It was just twilight and the reflection of the sunset still lingered in the sky.

He continued:

“Is Jeanne de Limours still alive?”

His eyes were fastened on mine and were full of a trembling anxiety. I smiled.

“Parbleu—she is prettier than ever.”

“Do you know her?”

“Yes.”

He hesitated and then said:

“Very well?”

“No.”

He took my hand.

“Tell me about her,” he said.

“Why, I have nothing to tell. She is one of the most charming women, or, rather, girls, and the most admired in Paris. She leads a delightful existence and lives like a princess, that is all.”

“I love her,” he murmured in a tone in which he might have said “I am going to die.” Then suddenly he continued:

“Ah! For three years we lived in a state of terror and delight. I almost killed her five or six times. She tried to pierce my eyes with that hairpin that you saw just now. Look, do you see that little white spot beneath my left eye? We loved each other. How can I explain that infatuation? You would not understand it.”

“There must be a simple form of love, the result of the mutual impulse of two hearts and two souls. But there is also assuredly an atrocious form, that tortures one cruelly, the result of the occult blending of two unlike personalities who detest each other at the same time that they adore one another.”

“In three years this woman had ruined me. I had four million francs which she squandered in her calm manner, quietly, eat them up with a gentle smile that seemed to fall from her eyes on to her lips.”

“You know her? There is something irresistible about her. What is it? I do not know. Is it those gray eyes whose glance penetrates you like a gimlet and remains there like the point of an arrow? It is more likely the gentle, indifferent and fascinating smile that she wears like a mask. Her slow grace pervades you little by little; exhales from her like a perfume, from her slim figure that scarcely sways as she passes you, for she seems to glide rather than walk; from her pretty voice with its slight drawl that would seem to be the music of her smile; from her gestures, also, which are never exaggerated, but always appropriate, and intoxicate your vision with their harmony. For three years she was the only being that existed for me on the earth! How I suffered; for she deceived me as she deceived everyone! Why? For no reason; just for the pleasure of deceiving. And when I found it out, when I treated her as a common girl and a beggar, she said quietly: 'Are we married?'

“Since I have been here I have thought so much about her that at last I understand her. She is Manon Lescaut come back to life. It is Marion, who could not love without deceiving; Marion for whom love, amusement, money, are all one.”

He was silent. After a few minutes he resumed:

“When I had spent my last sou on her she said simply:

“'You understand, my dear boy, that I cannot live on air and weather. I love you very much, better than anyone, but I must live. Poverty and I could not keep house together.”

“And if I should tell you what a horrible life I led with her! When I looked at her I would just as soon have killed her as kissed her. When I looked at her . . . I felt a furious desire to open my arms to embrace and strangle her. She had, back of her eyes, something false and intangible that made me execrate her; and that was, perhaps, the reason I loved her so well. The eternal feminine, the odious and seductive feminine, was stronger in her than in any other woman. She was full of it, overcharged, as with a venomous and intoxicating fluid. She was a woman to a greater extent than any one has ever been.”

“And when I went out with her she would look at all men in such a manner that she seemed to offer herself to each in a single glance. This exasperated me, and still it attached me to her all the more. This creature in just walking along the street belonged to everyone, in spite of me, in spite of herself, by the very fact of her nature, although she had a modest, gentle carriage. Do you understand?

“And what torture! At the theatre, at the restaurant she seemed to belong to others under my very eyes. And as soon as I left her she did belong to others.

“It is now ten years since I saw her and I love her better than ever.”

Night spread over the earth. A strong perfume of orange blossoms pervaded the air. I said:

“Will you see her again?”

“Parbleu! I now have here, in land and money, seven to eight thousand francs. When I reach a million I shall sell out and go away. I shall have enough to live on with her for a year—one whole year. And then, good-bye, my life will be finished.”

“But after that?” I asked.

“After that, I do not know. That will be all, I may possibly ask her to take me as a valet de chambre.”

YVETTE SAMORIS “The Comtesse Samoris.”

“That lady in black over there?”

“The very one. She's wearing mourning for her daughter, whom she killed.”

“You don't mean that seriously? How did she die?”

“Oh! it is a very simple story, without any crime in it, any violence.”

“Then what really happened?”

“Almost nothing. Many courtesans are born to be virtuous women, they say; and many women called virtuous are born to be courtesans—is that not so? Now, Madame Samoris, who was born a courtesan, had a daughter born a virtuous woman, that's all.”

“I don't quite understand you.”

“I'll—explain what I mean. The comtesse is nothing but a common, ordinary parvenue originating no one knows where. A Hungarian or Wallachian countess or I know not what. She appeared one winter in apartments she had taken in the Champs Elysees, that quarter for adventurers and adventuresses, and opened her drawing-room to the first comer or to any one that turned up.

“I went there. Why? you will say. I really can't tell you. I went there, as every one goes to such places because the women are facile and the men are dishonest. You know that set composed of filibusters with varied decorations, all noble, all titled, all unknown at the embassies, with the exception of those who are spies. All talk of their honor without the slightest occasion for doing so, boast of their ancestors, tell you about their lives, braggarts, liars, sharpers, as dangerous as the false cards they have up their sleeves, as delusive as their names—in short, the aristocracy of the bagnio.

“I adore these people. They are interesting to study, interesting to know, amusing to understand, often clever, never commonplace like public functionaries. Their wives are always pretty, with a slight flavor of foreign roguery, with the mystery of their existence, half of it perhaps spent in a house of correction. They have, as a rule, magnificent eyes and incredible hair. I adore them also.

“Madame Samoris is the type of these adventuresses, elegant, mature and still beautiful. Charming feline creatures, you feel that they are vicious to the marrow of their bones. You find them very amusing when you visit them; they give card parties; they have dances and suppers; in short, they offer you all the pleasures of social life.

“And she had a daughter—a tall, fine-looking girl, always ready for amusement, always full of laughter and reckless gaiety—a true adventuress' daughter—but, at the same time, an innocent, unsophisticated, artless girl, who saw nothing, knew nothing, understood nothing of all the things that happened in her father's house.

“The girl was simply a puzzle to me. She was a mystery. She lived amid those infamous surroundings with a quiet, tranquil ease that was either terribly criminal or else the result of innocence. She sprang from the filth of that class like a beautiful flower fed on corruption.”

“How do you know about them?”

“How do I know? That's the funniest part of the business! One morning there was a ring at my door, and my valet came up to tell me that M. Joseph Bonenthal wanted to speak to me. I said directly:

“'And who is this gentleman?' My valet replied: 'I don't know, monsieur; perhaps 'tis some one that wants employment.' And so it was. The man wanted me to take him as a servant. I asked him where he had been last. He answered: 'With the Comtesse Samoris.' 'Ah!' said I, 'but my house is not a bit like hers.' 'I know that well, monsieur,' he said, 'and that's the very reason I want to take service with monsieur. I've had enough of these people: a man may stay a little while with them, but he won't remain long with them.' I required an additional man servant at the time and so I took him.

“A month later Mademoiselle Yvette Samoris died mysteriously, and here are all the details of her death I could gather from Joseph, who got them from his sweetheart, the comtesse's chambermaid.

“It was a ball night, and two newly arrived guests were chatting behind a door. Mademoiselle Yvette, who had just been dancing, leaned against this door to get a little air.

“They did not see her approaching, but she heard what they were saying. And this was what they said:

“'But who is the father of the girl?'

“'A Russian, it appears; Count Rouvaloff. He never comes near the mother now.'

“'And who is the reigning prince to-day?'

“'That English prince standing near the window; Madame Samoris adores him. But her adoration of any one never lasts longer than a month or six weeks. Nevertheless, as you see, she has a large circle of admirers. All are called—and nearly all are chosen. That kind of thing costs a good deal, but—hang it, what can you expect?'

“'And where did she get this name of Samoris?'

“'From the only man perhaps that she ever loved—a Jewish banker from Berlin who goes by the name of Samuel Morris.'

“'Good. Thanks. Now that I know what kind of woman she is and have seen her, I'm off!'

“What a shock this was to the mind of a young girl endowed with all the instincts of a virtuous woman! What despair overwhelmed that simple soul! What mental tortures quenched her unbounded gaiety, her delightful laughter, her exultant satisfaction with life! What a conflict took place in that youthful heart up to the moment when the last guest had left! Those were things that Joseph could not tell me. But, the same night, Yvette abruptly entered her mother's room just as the comtesse was getting into bed, sent out the lady's maid, who was close to the door, and, standing erect and pale and with great staring eyes, she said:

“'Mamma, listen to what I heard a little while ago during the ball.'

“And she repeated word for word the conversation just as I told it to you.

“The comtesse was so stunned that she did not know what to say in reply at first. When she recovered her self-possession she denied everything and called God to witness that there was no truth in the story.

“The young girl went away, distracted but not convinced. And she began to watch her mother.

“I remember distinctly the strange alteration that then took place in her. She became grave and melancholy. She would fix on us her great earnest eyes as if she wanted to read what was at the bottom of our hearts. We did not know what to think of her and used to imagine that she was looking out for a husband.

“One evening she overheard her mother talking to her admirer and later saw them together, and her doubts were confirmed. She was heartbroken, and after telling her mother what she had seen, she said coldly, like a man of business laying down the terms of an agreement:

“'Here is what I have determined to do, mamma: We will both go away to some little town, or rather into the country. We will live there quietly as well as we can. Your jewelry alone may be called a fortune. If you wish to marry some honest man, so much the better; still better will it be if I can find one. If you don't consent to do this, I will kill myself.'

“This time the comtesse ordered her daughter to go to bed and never to speak again in this manner, so unbecoming in the mouth of a child toward her mother.

“Yvette's answer to this was: 'I give you a month to reflect. If, at the end of that month, we have not changed our way of living, I will kill myself, since there is no other honorable issue left to my life.'

“And she left the room.

“At the end of a month the Comtesse Samoris had resumed her usual entertainments, as though nothing had occurred. One day, under the pretext that she had a bad toothache, Yvette purchased a few drops of chloroform from a neighboring chemist. The next day she purchased more, and every time she went out she managed to procure small doses of the narcotic. She filled a bottle with it.

“One morning she was found in bed, lifeless and already quite cold, with a cotton mask soaked in chloroform over her face.

“Her coffin was covered with flowers, the church was hung in white. There was a large crowd at the funeral ceremony.

“Ah! well, if I had known—but you never can know—I would have married that girl, for she was infernally pretty.”

“And what became of the mother?”

“Oh! she shed a lot of tears over it. She has only begun to receive visits again for the past week.”

“And what explanation is given of the girl's death?”

“Oh! they pretended that it was an accident caused by a new stove, the mechanism of which got out of order. As a good many such accidents have occurred, the thing seemed probable enough.”

A VENDETTA

The widow of Paolo Saverini lived alone with her son in a poor little house on the outskirts of Bonifacio. The town, built on an outjutting part of the mountain, in places even overhanging the sea, looks across the straits, full of sandbanks, towards the southernmost coast of Sardinia. Beneath it, on the other side and almost surrounding it, is a cleft in the cliff like an immense corridor which serves as a harbor, and along it the little Italian and Sardinian fishing boats come by a circuitous route between precipitous cliffs as far as the first houses, and every two weeks the old, wheezy steamer which makes the trip to Ajaccio.

On the white mountain the houses, massed together, makes an even whiter spot. They look like the nests of wild birds, clinging to this peak, overlooking this terrible passage, where vessels rarely venture. The wind, which blows uninterruptedly, has swept bare the forbidding coast; it drives through the narrow straits and lays waste both sides. The pale streaks of foam, clinging to the black rocks, whose countless peaks rise up out of the water, look like bits of rag floating and drifting on the surface of the sea.

The house of widow Saverini, clinging to the very edge of the precipice, looks out, through its three windows, over this wild and desolate picture.

She lived there alone, with her son Antonia and their dog “Semillante,” a big, thin beast, with a long rough coat, of the sheep-dog breed. The young man took her with him when out hunting.

One night, after some kind of a quarrel, Antoine Saverini was treacherously stabbed by Nicolas Ravolati, who escaped the same evening to Sardinia.

When the old mother received the body of her child, which the neighbors had brought back to her, she did not cry, but she stayed there for a long time motionless, watching him. Then, stretching her wrinkled hand over the body, she promised him a vendetta. She did not wish anybody near her, and she shut herself up beside the body with the dog, which howled continuously, standing at the foot of the bed, her head stretched towards her master and her tail between her legs. She did not move any more than did the mother, who, now leaning over the body with a blank stare, was weeping silently and watching it.

The young man, lying on his back, dressed in his jacket of coarse cloth, torn at the chest, seemed to be asleep. But he had blood all over him; on his shirt, which had been torn off in order to administer the first aid; on his vest, on his trousers, on his face, on his hands. Clots of blood had hardened in his beard and in his hair.

His old mother began to talk to him. At the sound of this voice the dog quieted down.

“Never fear, my boy, my little baby, you shall be avenged. Sleep, sleep; you shall be avenged. Do you hear? It's your mother's promise! And she always keeps her word, your mother does, you know she does.”

Slowly she leaned over him, pressing her cold lips to his dead ones.

Then Semillante began to howl again with a long, monotonous, penetrating, horrible howl.

The two of them, the woman and the dog, remained there until morning.

Antoine Saverini was buried the next day and soon his name ceased to be mentioned in Bonifacio.

He had neither brothers nor cousins. No man was there to carry on the vendetta. His mother, the old woman, alone pondered over it.

On the other side of the straits she saw, from morning until night, a little white speck on the coast. It was the little Sardinian village Longosardo, where Corsican criminals take refuge when they are too closely pursued. They compose almost the entire population of this hamlet, opposite their native island, awaiting the time to return, to go back to the “maquis.” She knew that Nicolas Ravolati had sought refuge in this village.

All alone, all day long, seated at her window, she was looking over there and thinking of revenge. How could she do anything without help—she, an invalid and so near death? But she had promised, she had sworn on the body. She could not forget, she could not wait. What could she do? She no longer slept at night; she had neither rest nor peace of mind; she thought persistently. The dog, dozing at her feet, would sometimes lift her head and howl. Since her master's death she often howled thus, as though she were calling him, as though her beast's soul, inconsolable too, had also retained a recollection that nothing could wipe out.

One night, as Semillante began to howl, the mother suddenly got hold of an idea, a savage, vindictive, fierce idea. She thought it over until morning. Then, having arisen at daybreak she went to church. She prayed, prostrate on the floor, begging the Lord to help her, to support her, to give to her poor, broken-down body the strength which she needed in order to avenge her son.

She returned home. In her yard she had an old barrel, which acted as a cistern. She turned it over, emptied it, made it fast to the ground with sticks and stones. Then she chained Semillante to this improvised kennel and went into the house.

She walked ceaselessly now, her eyes always fixed on the distant coast of Sardinia. He was over there, the murderer.

All day and all night the dog howled. In the morning the old woman brought her some water in a bowl, but nothing more; no soup, no bread.

Another day went by. Semillante, exhausted, was sleeping. The following day her eyes were shining, her hair on end and she was pulling wildly at her chain.

All this day the old woman gave her nothing to eat. The beast, furious, was barking hoarsely. Another night went by.

Then, at daybreak, Mother Saverini asked a neighbor for some straw. She took the old rags which had formerly been worn by her husband and stuffed them so as to make them look like a human body.

Having planted a stick in the ground, in front of Semillante's kennel, she tied to it this dummy, which seemed to be standing up. Then she made a head out of some old rags.

The dog, surprised, was watching this straw man, and was quiet, although famished. Then the old woman went to the store and bought a piece of black sausage. When she got home she started a fire in the yard, near the kennel, and cooked the sausage. Semillante, frantic, was jumping about, frothing at the mouth, her eyes fixed on the food, the odor of which went right to her stomach.

Then the mother made of the smoking sausage a necktie for the dummy. She tied it very tight around the neck with string, and when she had finished she untied the dog.

With one leap the beast jumped at the dummy's throat, and with her paws on its shoulders she began to tear at it. She would fall back with a piece of food in her mouth, then would jump again, sinking her fangs into the string, and snatching few pieces of meat she would fall back again and once more spring forward. She was tearing up the face with her teeth and the whole neck was in tatters.

The old woman, motionless and silent, was watching eagerly. Then she chained the beast up again, made her fast for two more days and began this strange performance again.

For three months she accustomed her to this battle, to this meal conquered by a fight. She no longer chained her up, but just pointed to the dummy.

She had taught her to tear him up and to devour him without even leaving any traces in her throat.

Then, as a reward, she would give her a piece of sausage.

As soon as she saw the man, Semillante would begin to tremble. Then she would look up to her mistress, who, lifting her finger, would cry, “Go!” in a shrill tone.

When she thought that the proper time had come, the widow went to confession and, one Sunday morning she partook of communion with an ecstatic fervor. Then, putting on men's clothes and looking like an old tramp, she struck a bargain with a Sardinian fisherman who carried her and her dog to the other side of the straits.

In a bag she had a large piece of sausage. Semillante had had nothing to eat for two days. The old woman kept letting her smell the food and whetting her appetite.

They got to Longosardo. The Corsican woman walked with a limp. She went to a baker's shop and asked for Nicolas Ravolati. He had taken up his old trade, that of carpenter. He was working alone at the back of his store.

The old woman opened the door and called:

“Hallo, Nicolas!”

He turned around. Then releasing her dog, she cried:

“Go, go! Eat him up! eat him up!”

The maddened animal sprang for his throat. The man stretched out his arms, clasped the dog and rolled to the ground. For a few seconds he squirmed, beating the ground with his feet. Then he stopped moving, while Semillante dug her fangs into his throat and tore it to ribbons. Two neighbors, seated before their door, remembered perfectly having seen an old beggar come out with a thin, black dog which was eating something that its master was giving him.

At nightfall the old woman was at home again. She slept well that night.

MY TWENTY-FIVE DAYS

I had just taken possession of my room in the hotel, a narrow den between two papered partitions, through which I could hear every sound made by my neighbors; and I was beginning to arrange my clothes and linen in the wardrobe with a long mirror, when I opened the drawer which is in this piece of furniture. I immediately noticed a roll of paper. Having opened it, I spread it out before me, and read this title:

My Twenty-five Days.

It was the diary of a guest at the watering place, of the last occupant of my room, and had been forgotten at the moment of departure.

These notes may be of some interest to sensible and healthy persons who never leave their own homes. It is for their benefit that I transcribe them without altering a letter.

“CHATEL-GUYON, July 15th.

“At the first glance it is not lively, this country. However, I am going to spend twenty-five days here, to have my liver and stomach treated, and to get thin. The twenty-five days of any one taking the baths are very like the twenty-eight days of the reserves; they are all devoted to fatigue duty, severe fatigue duty. To-day I have done nothing as yet; I have been getting settled. I have made the acquaintance of the locality and of the doctor. Chatel-Guyon consists of a stream in which flows yellow water, in the midst of several hillocks on which are a casino, some houses, and some stone crosses. On the bank of the stream, at the end of the valley, may be seen a square building surrounded by a little garden; this is the bathing establishment. Sad people wander around this building—the invalids. A great silence reigns in the walks shaded by trees, for this is not a pleasure resort, but a true health resort; one takes care of one's health as a business, and one gets well, so it seems.

“Those who know affirm, even, that the mineral springs perform true miracles here. However, no votive offering is hung around the cashier's office.

“From time to time a gentleman or a lady comes over to a kiosk with a slate roof, which shelters a woman of smiling and gentle aspect, and a spring boiling in a basin of cement: Not a word is exchanged between the invalid and the female custodian of the healing water. She hands the newcomer a little glass in which air bubbles sparkle in the transparent liquid. The guest drinks and goes off with a grave step to resume his interrupted walk beneath the trees.

“No noise in the little park, no breath of air in the leaves; no voice passes through this silence. One ought to write at the entrance to this district: 'No one laughs here; they take care of their health.'

“The people who chat resemble mutes who merely open their mouths to simulate sounds, so afraid are they that their voices might escape.

“In the hotel, the same silence. It is a big hotel, where you dine solemnly with people of good position, who have nothing to say to each other. Their manners bespeak good breeding, and their faces reflect the conviction of a superiority of which it might be difficult for some to give actual proofs.

“At two o'clock I made my way up to the Casino, a little wooden hut perched on a hillock, which one reaches by a goat path. But the view from that height is admirable. Chatel-Guyon is situated in a very narrow valley, exactly between the plain and the mountain. I perceive, at the left, the first great billows of the mountains of Auvergne, covered with woods, and here and there big gray patches, hard masses of lava, for we are at the foot of the extinct volcanoes. At the right, through the narrow cut of the valley, I discover a plain, infinite as the sea, steeped in a bluish fog which lets one only dimly discern the villages, the towns, the yellow fields of ripe grain, and the green squares of meadowland shaded with apple trees. It is the Limagne, an immense level, always enveloped in a light veil of vapor.

“The night has come. And now, after having dined alone, I write these lines beside my open window. I hear, over there, in front of me, the little orchestra of the Casino, which plays airs just as a foolish bird might sing all alone in the desert.

“A dog barks at intervals. This great calm does one good. Goodnight.

“July 16th.—Nothing new. I have taken a bath and then a shower bath. I have swallowed three glasses of water, and I have walked along the paths in the park, a quarter of an hour between each glass, then half an hour after the last. I have begun my twenty-five days.

“July 17th.—Remarked two mysterious, pretty women who are taking their baths and their meals after every one else has finished.

“July 18th.—Nothing new.

“July 19th.—Saw the two pretty women again. They have style and a little indescribable air which I like very much.

“July 20th.—Long walk in a charming wooded valley, as far as the Hermitage of Sans-Souci. This country is delightful, although sad; but so calm; so sweet, so green. One meets along the mountain roads long wagons loaded with hay, drawn by two cows at a slow pace or held back by them in going down the slopes with a great effort of their heads, which are yoked together. A man with a big black hat on his head is driving them with a slender stick, tipping them on the side or on the forehead; and often with a simple gesture, an energetic and serious gesture, he suddenly halts them when the excessive load precipitates their journey down the too rugged descents.

“The air is good to inhale in these valleys. And, if it is very warm, the dust bears with it a light odor of vanilla and of the stable, for so many cows pass over these routes that they leave reminders everywhere. And this odor is a perfume, when it would be a stench if it came from other animals.

“July 21st.—Excursion to the valley of the Enval. It is a narrow gorge inclosed by superb rocks at the very foot of the mountain. A stream flows amid the heaped-up boulders.

“As I reached the bottom of this ravine I heard women's voices, and I soon perceived the two mysterious ladies of my hotel, who were chatting, seated on a stone.

“The occasion appeared to me a good one, and I introduced myself without hesitation. My overtures were received without embarrassment. We walked back together to the hotel. And we talked about Paris. They knew, it seemed, many people whom I knew, too. Who can they be?

“I shall see them to-morrow. There is nothing more amusing than such meetings as this.

“July 22d.—Day passed almost entirely with the two unknown ladies. They are very pretty, by Jove!—one a brunette and the other a blonde. They say they are widows. H'm?

“I offered to accompany them to Royat tomorrow, and they accepted my offer.

“Chatel-Guyon is less sad than I thought on my arrival.

“July 23d.—Day spent at Royat. Royat is a little patch of hotels at the bottom of a valley, at the gate of Clermont-Ferrand. A great many people there. A large park full of life. Superb view of the Puyde-Dome, seen at the end of a perspective of valleys.

“My fair companions are very popular, which is flattering to me. The man who escorts a pretty woman always believes himself crowned with an aureole; with much more reason, the man who is accompanied by one on each side of him. Nothing is so pleasant as to dine in a fashionable restaurant with a female companion at whom everybody stares, and there is nothing better calculated to exalt a man in the estimation of his neighbors.

“To go to the Bois, in a trap drawn by a sorry nag, or to go out into the boulevard escorted by a plain woman, are the two most humiliating things that could happen to a sensitive heart that values the opinion of others. Of all luxuries, woman is the rarest and the most distinguished; she is the one that costs most and which we desire most; she is, therefore the one that we should seek by preference to exhibit to the jealous eyes of the world.

“To exhibit to the world a pretty woman leaning on your arm is to excite, all at once, every kind of jealousy. It is as much as to say: 'Look here! I am rich, since I possess this rare and costly object; I have taste, since I have known how to discover this pearl; perhaps, even, I am loved by her, unless I am deceived by her, which would still prove that others also consider her charming.

“But, what a disgrace it is to walk about town with an ugly woman!

“And how many humiliating things this gives people to understand!

“In the first place, they assume she must be your wife, for how could it be supposed that you would have an unattractive sweetheart? A true woman may be ungraceful; but then, her ugliness implies a thousand disagreeable things for you. One supposes you must be a notary or a magistrate, as these two professions have a monopoly of grotesque and well-dowered spouses. Now, is this not distressing to a man? And then, it seems to proclaim to the public that you have the odious courage, and are even under a legal obligation, to caress that ridiculous face and that ill-shaped body, and that you will, without doubt, be shameless enough to make a mother of this by no means desirable being—which is the very height of the ridiculous.

“July 24th.—I never leave the side of the two unknown widows, whom I am beginning to know quite well. This country is delightful and our hotel is excellent. Good season. The treatment is doing me an immense amount of good.

“July 25th.—Drive in a landau to the lake of Tazenat. An exquisite and unexpected jaunt decided on at luncheon. We started immediately on rising from table. After a long journey through the mountains we suddenly perceived an admirable little lake, quite round, very blue, clear as glass, and situated at the bottom of an extinct crater. One side of this immense basin is barren, the other is wooded. In the midst of the trees is a small house where sleeps a good-natured, intellectual man, a sage who passes his days in this Virgilian region. He opens his dwelling for us. An idea comes into my head. I exclaim:

“'Supposing we bathe?'

“'Yes,' they said, 'but costumes.'

“'Bah! we are in the wilderness.'

“And we did bathe!

“If I were a poet, how I would describe this unforgettable vision of those lissome young forms in the transparency of the water! The high, sloping sides shut in the lake, motionless, gleaming and round, as a silver coin; the sun pours into it a flood of warm light; and along the rocks the fair forms move in the almost invisible water in which the swimmers seemed suspended. On the sand at the bottom of the lake one could see their shadows as they moved along.

“July 26th.—Some persons seem to look with shocked and disapproving eyes at my rapid intimacy with the two fair widows. There are some people, then, who imagine that life consists in being bored. Everything that appears to be amusing becomes immediately a breach of good breeding or morality. For them duty has inflexible and mortally tedious rules.

“I would draw their attention, with all respect, to the fact that duty is not the same for Mormons, Arabs Zulus, Turks, Englishmen, and Frenchmen, and that there are very virtuous people among all these nations.

“I will cite a single example. As regards women, duty begins in England at nine years of age; in France at fifteen. As for me, I take a little of each people's notion of duty, and of the whole I make a result comparable to the morality of good King Solomon.

“July 27th.—Good news. I have lost 620 grams in weight. Excellent, this water of Chatel-Guyon! I am taking the widows to dine at Riom. A sad town whose anagram constitutes it an objectionable neighbor to healing springs: Riom, Mori.

“July 28th.—Hello, how's this! My two widows have been visited by two gentlemen who came to look for them. Two widowers, without doubt. They are leaving this evening. They have written to me on fancy notepaper.

“July 29th.—Alone! Long excursion on foot to the extinct crater of Nachere. Splendid view.

“July 30th.—Nothing. I am taking the treatment.

“July 31st.—Ditto. Ditto. This pretty country is full of polluted streams. I am drawing the notice of the municipality to the abominable sewer which poisons the road in front of the hotel. All the kitchen refuse of the establishment is thrown into it. This is a good way to breed cholera.

“August 1st.—Nothing. The treatment.

“August 2d.—Admirable walk to Chateauneuf, a place of sojourn for rheumatic patients, where everybody is lame. Nothing can be queerer than this population of cripples!

“August 3d.—Nothing. The treatment.

“August 4th.—Ditto. Ditto.

“August 5th.—Ditto. Ditto.

“August 6th.—Despair! I have just weighed myself. I have gained 310 grams. But then?

“August 7th.—Drove sixty-six kilometres in a carriage on the mountain. I will not mention the name of the country through respect for its women.

“This excursion had been pointed out to me as a beautiful one, and one that was rarely made. After four hours on the road, I arrived at a rather pretty village on the banks of a river in the midst of an admirable wood of walnut trees. I had not yet seen a forest of walnut trees of such dimensions in Auvergne. It constitutes, moreover, all the wealth of the district, for it is planted on the village common. This common was formerly only a hillside covered with brushwood. The authorities had tried in vain to get it cultivated. There was scarcely enough pasture on it to feed a few sheep.

“To-day it is a superb wood, thanks to the women, and it has a curious name: it is called the Sins of the Cure.

“Now I must say that the women of the mountain districts have the reputation of being light, lighter than in the plain. A bachelor who meets them owes them at least a kiss; and if he does not take more he is only a blockhead. If we consider this fairly, this way of looking at the matter is the only one that is logical and reasonable. As woman, whether she be of the town or the country, has her natural mission to please man, man should always show her that she pleases him. If he abstains from every sort of demonstration, this means that he considers her ugly; it is almost an insult to her. If I were a woman, I would not receive, a second time, a man who failed to show me respect at our first meeting, for I would consider that he had failed in appreciation of my beauty, my charm, and my feminine qualities.

“So the bachelors of the village X often proved to the women of the district that they found them to their taste, and, as the cure was unable to prevent these demonstrations, as gallant as they were natural, he resolved to utilize them for the benefit of the general prosperity. So he imposed as a penance on every woman who had gone wrong that she should plant a walnut tree on the common. And every night lanterns were seen moving about like will-o'-the-wisps on the hillock, for the erring ones scarcely like to perform their penance in broad daylight.

“In two years there was no longer any room on the lands belonging to the village, and to-day they calculate that there are more than three thousand trees around the belfry which rings out the services amid their foliage. These are the Sins of the Cure.

“Since we have been seeking for so many ways of rewooding France, the Administration of Forests might surely enter into some arrangement with the clergy to employ a method so simple as that employed by this humble cure.

“August 7th.—Treatment.

“August 8th.—I am packing up my trunks and saying good-by to the charming little district so calm and silent, to the green mountain, to the quiet valleys, to the deserted Casino, from which you can see, almost veiled by its light, bluish mist, the immense plain of the Limagne.

“I shall leave to-morrow.”

Here the manuscript stopped. I will add nothing to it, my impressions of the country not having been exactly the same as those of my predecessor. For I did not find the two widows!

“THE TERROR”

You say you cannot possibly understand it, and I believe you. You think I am losing my mind? Perhaps I am, but for other reasons than those you imagine, my dear friend.

Yes, I am going to be married, and will tell you what has led me to take that step.

I may add that I know very little of the girl who is going to become my wife to-morrow; I have only seen her four or five times. I know that there is nothing unpleasing about her, and that is enough for my purpose. She is small, fair, and stout; so, of course, the day after to- morrow I shall ardently wish for a tall, dark, thin woman.

She is not rich, and belongs to the middle classes. She is a girl such as you may find by the gross, well adapted for matrimony, without any apparent faults, and with no particularly striking qualities. People say of her:

“Mlle. Lajolle is a very nice girl,” and tomorrow they will say: “What a very nice woman Madame Raymon is.” She belongs, in a word, to that immense number of girls whom one is glad to have for one's wife, till the moment comes when one discovers that one happens to prefer all other women to that particular woman whom one has married.

“Well,” you will say to me, “what on earth did you get married for?”

I hardly like to tell you the strange and seemingly improbable reason that urged me on to this senseless act; the fact, however, is that I am afraid of being alone.

I don't know how to tell you or to make you understand me, but my state of mind is so wretched that you will pity me and despise me.

I do not want to be alone any longer at night. I want to feel that there is some one close to me, touching me, a being who can speak and say something, no matter what it be.

I wish to be able to awaken somebody by my side, so that I may be able to ask some sudden question, a stupid question even, if I feel inclined, so that I may hear a human voice, and feel that there is some waking soul close to me, some one whose reason is at work; so that when I hastily light the candle I may see some human face by my side—because—because —I am ashamed to confess it—because I am afraid of being alone.

Oh, you don't understand me yet.

I am not afraid of any danger; if a man were to come into the room, I should kill him without trembling. I am not afraid of ghosts, nor do I believe in the supernatural. I am not afraid of dead people, for I believe in the total annihilation of every being that disappears from the face of this earth.

Well—yes, well, it must be told: I am afraid of myself, afraid of that horrible sensation of incomprehensible fear.

You may laugh, if you like. It is terrible, and I cannot get over it. I am afraid of the walls, of the furniture, of the familiar objects; which are animated, as far as I am concerned, by a kind of animal life. Above all, I am afraid of my own dreadful thoughts, of my reason, which seems as if it were about to leave me, driven away by a mysterious and invisible agony.

At first I feel a vague uneasiness in my mind, which causes a cold shiver to run all over me. I look round, and of course nothing is to be seen, and I wish that there were something there, no matter what, as long as it were something tangible. I am frightened merely because I cannot understand my own terror.

If I speak, I am afraid of my own voice. If I walk, I am afraid of I know not what, behind the door, behind the curtains, in the cupboard, or under my bed, and yet all the time I know there is nothing anywhere, and I turn round suddenly because I am afraid of what is behind me, although there is nothing there, and I know it.

I become agitated. I feel that my fear increases, and so I shut myself up in my own room, get into bed, and hide under the clothes; and there, cowering down, rolled into a ball, I close my eyes in despair, and remain thus for an indefinite time, remembering that my candle is alight on the table by my bedside, and that I ought to put it out, and yet—I dare not do it.

It is very terrible, is it not, to be like that?

Formerly I felt nothing of all that. I came home quite calm, and went up and down my apartment without anything disturbing my peace of mind. Had any one told me that I should be attacked by a malady—for I can call it nothing else—of most improbable fear, such a stupid and terrible malady as it is, I should have laughed outright. I was certainly never afraid of opening the door in the dark. I went to bed slowly, without locking it, and never got up in the middle of the night to make sure that everything was firmly closed.

It began last year in a very strange manner on a damp autumn evening. When my servant had left the room, after I had dined, I asked myself what I was going to do. I walked up and down my room for some time, feeling tired without any reason for it, unable to work, and even without energy to read. A fine rain was falling, and I felt unhappy, a prey to one of those fits of despondency, without any apparent cause, which make us feel inclined to cry, or to talk, no matter to whom, so as to shake off our depressing thoughts.

I felt that I was alone, and my rooms seemed to me to be more empty than they had ever been before. I was in the midst of infinite and overwhelming solitude. What was I to do? I sat down, but a kind of nervous impatience seemed to affect my legs, so I got up and began to walk about again. I was, perhaps, rather feverish, for my hands, which I had clasped behind me, as one often does when walking slowly, almost seemed to burn one another. Then suddenly a cold shiver ran down my back, and I thought the damp air might have penetrated into my rooms, so I lit the fire for the first time that year, and sat down again and looked at the flames. But soon I felt that I could not possibly remain quiet, and so I got up again and determined to go out, to pull myself together, and to find a friend to bear me company.

I could not find anyone, so I walked to the boulevard to try and meet some acquaintance or other there.

It was wretched everywhere, and the wet pavement glistened in the gaslight, while the oppressive warmth of the almost impalpable rain lay heavily over the streets and seemed to obscure the light of the lamps.

I went on slowly, saying to myself: “I shall not find a soul to talk to.”

I glanced into several cafes, from the Madeleine as far as the Faubourg Poissoniere, and saw many unhappy-looking individuals sitting at the tables who did not seem even to have enough energy left to finish the refreshments they had ordered.

For a long time I wandered aimlessly up and down, and about midnight I started for home. I was very calm and very tired. My janitor opened the door at once, which was quite unusual for him, and I thought that another lodger had probably just come in.

When I go out I always double-lock the door of my room, and I found it merely closed, which surprised me; but I supposed that some letters had been brought up for me in the course of the evening.

I went in, and found my fire still burning so that it lighted up the room a little, and, while in the act of taking up a candle, I noticed somebody sitting in my armchair by the fire, warming his feet, with his back toward me.

I was not in the slightest degree frightened. I thought, very naturally, that some friend or other had come to see me. No doubt the porter, to whom I had said I was going out, had lent him his own key. In a moment I remembered all the circumstances of my return, how the street door had been opened immediately, and that my own door was only latched and not locked.

I could see nothing of my friend but his head, and he had evidently gone to sleep while waiting for me, so I went up to him to rouse him. I saw him quite distinctly; his right arm was hanging down and his legs were crossed; the position of his head, which was somewhat inclined to the left of the armchair, seemed to indicate that he was asleep. “Who can it be?” I asked myself. I could not see clearly, as the room was rather dark, so I put out my hand to touch him on the shoulder, and it came in contact with the back of the chair. There was nobody there; the seat was empty.

I fairly jumped with fright. For a moment I drew back as if confronted by some terrible danger; then I turned round again, impelled by an imperious standing upright, panting with fear, so upset that I could not collect my thoughts, and ready to faint.

But I am a cool man, and soon recovered myself. I thought: “It is a mere hallucination, that is all,” and I immediately began to reflect on this phenomenon. Thoughts fly quickly at such moments.

I had been suffering from an hallucination, that was an incontestable fact. My mind had been perfectly lucid and had acted regularly and logically, so there was nothing the matter with the brain. It was only my eyes that had been deceived; they had had a vision, one of those visions which lead simple folk to believe in miracles. It was a nervous seizure of the optical apparatus, nothing more; the eyes were rather congested, perhaps.

I lit my candle, and when I stooped down to the fire in doing so I noticed that I was trembling, and I raised myself up with a jump, as if somebody had touched me from behind.

I was certainly not by any means calm.

I walked up and down a little, and hummed a tune or two. Then I double- locked the door and felt rather reassured; now, at any rate, nobody could come in.

I sat down again and thought over my adventure for a long time; then I went to bed and blew out my light.

For some minutes all went well; I lay quietly on my back, but presently an irresistible desire seized me to look round the room, and I turned over on my side.

My fire was nearly out, and the few glowing embers threw a faint light on the floor by the chair, where I fancied I saw the man sitting again.

I quickly struck a match, but I had been mistaken; there was nothing there. I got up, however, and hid the chair behind my bed, and tried to get to sleep, as the room was now dark; but I had not forgotten myself for more than five minutes, when in my dream I saw all the scene which I had previously witnessed as clearly as if it were reality. I woke up with a start, and having lit the candle, sat up in bed, without venturing even to try to go to sleep again.

Twice, however, sleep overcame me for a few moments in spite of myself, and twice I saw the same thing again, till I fancied I was going mad. When day broke, however, I thought that I was cured, and slept peacefully till noon.

It was all past and over. I had been feverish, had had the nightmare. I know not what. I had been ill, in fact, but yet thought I was a great fool.

I enjoyed myself thoroughly that evening. I dined at a restaurant and afterward went to the theatre, and then started for home. But as I got near the house I was once more seized by a strange feeling of uneasiness. I was afraid of seeing him again. I was not afraid of him, not afraid of his presence, in which I did not believe; but I was afraid of being deceived again. I was afraid of some fresh hallucination, afraid lest fear should take possession of me.

For more than an hour I wandered up and down the pavement; then, feeling that I was really too foolish, I returned home. I breathed so hard that I could hardly get upstairs, and remained standing outside my door for more than ten minutes; then suddenly I had a courageous impulse and my will asserted itself. I inserted my key into the lock, and went into the apartment with a candle in my hand. I kicked open my bedroom door, which was partly open, and cast a frightened glance toward the fireplace. There was nothing there. A-h! What a relief and what a delight! What a deliverance! I walked up and down briskly and boldly, but I was not altogether reassured, and kept turning round with a jump; the very shadows in the corners disquieted me.

I slept badly, and was constantly disturbed by imaginary noises, but did not see him; no, that was all over.

Since that time I have been afraid of being alone at night. I feel that the spectre is there, close to me, around me; but it has not appeared to me again.

And supposing it did, what would it matter, since I do not believe in it, and know that it is nothing?

However, it still worries me, because I am constantly thinking of it. His right arm hanging down and his head inclined to the left like a man who was asleep—I don't want to think about it!

Why, however, am I so persistently possessed with this idea? His feet were close to the fire!

He haunts me; it is very stupid, but who and what is he? I know that he does not exist except in my cowardly imagination, in my fears, and in my agony. There—enough of that!

Yes, it is all very well for me to reason with myself, to stiffen my backbone, so to say; but I cannot remain at home because I know he is there. I know I shall not see him again; he will not show himself again; that is all over. But he is there, all the same, in my thoughts. He remains invisible, but that does not prevent his being there. He is behind the doors, in the closed cupboard, in the wardrobe, under the bed, in every dark corner. If I open the door or the cupboard, if I take the candle to look under the bed and throw a light on the dark places he is there no longer, but I feel that he is behind me. I turn round, certain that I shall not see him, that I shall never see him again; but for all that, he is behind me.

It is very stupid, it is dreadful; but what am I to do? I cannot help it.

But if there were two of us in the place I feel certain that he would not be there any longer, for he is there just because I am alone, simply and solely because I am alone!

LEGEND OF MONT ST. MICHEL

I had first seen it from Cancale, this fairy castle in the sea. I got an indistinct impression of it as of a gray shadow outlined against the misty sky. I saw it again from Avranches at sunset. The immense stretch of sand was red, the horizon was red, the whole boundless bay was red. The rocky castle rising out there in the distance like a weird, seignorial residence, like a dream palace, strange and beautiful-this alone remained black in the crimson light of the dying day.

The following morning at dawn I went toward it across the sands, my eyes fastened on this, gigantic jewel, as big as a mountain, cut like a cameo, and as dainty as lace. The nearer I approached the greater my admiration grew, for nothing in the world could be more wonderful or more perfect.

As surprised as if I had discovered the habitation of a god, I wandered through those halls supported by frail or massive columns, raising my eyes in wonder to those spires which looked like rockets starting for the sky, and to that marvellous assemblage of towers, of gargoyles, of slender and charming ornaments, a regular fireworks of stone, granite lace, a masterpiece of colossal and delicate architecture.

As I was looking up in ecstasy a Lower Normandy peasant came up to me and told me the story of the great quarrel between Saint Michael and the devil.

A sceptical genius has said: “God made man in his image and man has returned the compliment.”

This saying is an eternal truth, and it would be very curious to write the history of the local divinity of every continent as well as the history of the patron saints in each one of our provinces. The negro has his ferocious man-eating idols; the polygamous Mahometan fills his paradise with women; the Greeks, like a practical people, deified all the passions.

Every village in France is under the influence of some protecting saint, modelled according to the characteristics of the inhabitants.

Saint Michael watches over Lower Normandy, Saint Michael, the radiant and victorious angel, the sword-carrier, the hero of Heaven, the victorious, the conqueror of Satan.

But this is how the Lower Normandy peasant, cunning, deceitful and tricky, understands and tells of the struggle between the great saint and the devil.

To escape from the malice of his neighbor, the devil, Saint Michael built himself, in the open ocean, this habitation worthy of an archangel; and only such a saint could build a residence of such magnificence.

But as he still feared the approaches of the wicked one, he surrounded his domains by quicksands, more treacherous even than the sea.

The devil lived in a humble cottage on the hill, but he owned all the salt marshes, the rich lands where grow the finest crops, the wooded valleys and all the fertile hills of the country, while the saint ruled only over the sands. Therefore Satan was rich, whereas Saint Michael was as poor as a church mouse.

After a few years of fasting the saint grew tired of this state of affairs and began to think of some compromise with the devil, but the matter was by no means easy, as Satan kept a good hold on his crops.

He thought the thing over for about six months; then one morning he walked across to the shore. The demon was eating his soup in front of his door when he saw the saint. He immediately rushed toward him, kissed the hem of his sleeve, invited him in and offered him refreshments.

Saint Michael drank a bowl of milk and then began: “I have come here to propose to you a good bargain.”

The devil, candid and trustful, answered: “That will suit me.”

“Here it is. Give me all your lands.”

Satan, growing alarmed, wished to speak “But—”

The saint continued: “Listen first. Give me all your lands. I will take care of all the work, the ploughing, the sowing, the fertilizing, everything, and we will share the crops equally. How does that suit you?”

The devil, who was naturally lazy, accepted. He only demanded in addition a few of those delicious gray mullet which are caught around the solitary mount. Saint Michael promised the fish.

They grasped hands and spat on the ground to show that it was a bargain, and the saint continued: “See here, so that you will have nothing to complain of, choose that part of the crops which you prefer: the part that grows above ground or the part that stays in the ground.” Satan cried out: “I will take all that will be above ground.”

“It's a bargain!” said the saint. And he went away.

Six months later, all over the immense domain of the devil, one could see nothing but carrots, turnips, onions, salsify, all the plants whose juicy roots are good and savory and whose useless leaves are good for nothing but for feeding animals.

Satan wished to break the contract, calling Saint Michael a swindler.

But the saint, who had developed quite a taste for agriculture, went back to see the devil and said:

“Really, I hadn't thought of that at all; it was just an accident, no fault of mine. And to make things fair with you, this year I'll let you take everything that is under the ground.”

“Very well,” answered Satan.

The following spring all the evil spirit's lands were covered with golden wheat, oats as big as beans, flax, magnificent colza, red clover, peas, cabbage, artichokes, everything that develops into grains or fruit in the sunlight.

Once more Satan received nothing, and this time he completely lost his temper. He took back his fields and remained deaf to all the fresh propositions of his neighbor.

A whole year rolled by. From the top of his lonely manor Saint Michael looked at the distant and fertile lands and watched the devil direct the work, take in his crops and thresh the wheat. And he grew angry, exasperated at his powerlessness.

As he was no longer able to deceive Satan, he decided to wreak vengeance on him, and he went out to invite him to dinner for the following Monday.

“You have been very unfortunate in your dealings with me,” he said; “I know it, but I don't want any ill feeling between us, and I expect you to dine with me. I'll give you some good things to eat.”

Satan, who was as greedy as he was lazy, accepted eagerly. On the day appointed he donned his finest clothes and set out for the castle.

Saint Michael sat him down to a magnificent meal. First there was a 'vol-au-vent', full of cocks' crests and kidneys, with meat-balls, then two big gray mullet with cream sauce, a turkey stuffed with chestnuts soaked in wine, some salt-marsh lamb as tender as cake, vegetables which melted in the mouth and nice hot pancake which was brought on smoking and spreading a delicious odor of butter.

They drank new, sweet, sparkling cider and heady red wine, and after each course they whetted their appetites with some old apple brandy.

The devil drank and ate to his heart's content; in fact he took so much that he was very uncomfortable, and began to retch.

Then Saint Michael arose in anger and cried in a voice like thunder: “What! before me, rascal! You dare—before me—”

Satan, terrified, ran away, and the saint, seizing a stick, pursued him. They ran through the halls, turning round the pillars, running up the staircases, galloping along the cornices, jumping from gargoyle to gargoyle. The poor devil, who was woefully ill, was running about madly and trying hard to escape. At last he found himself at the top of the last terrace, right at the top, from which could be seen the immense bay, with its distant towns, sands and pastures. He could no longer escape, and the saint came up behind him and gave him a furious kick, which shot him through space like a cannonball.

He shot through the air like a javelin and fell heavily before the town of Mortain. His horns and claws stuck deep into the rock, which keeps through eternity the traces of this fall of Satan.

He stood up again, limping, crippled until the end of time, and as he looked at this fatal castle in the distance, standing out against the setting sun, he understood well that he would always be vanquished in this unequal struggle, and he went away limping, heading for distant countries, leaving to his enemy his fields, his hills, his valleys and his marshes.

And this is how Saint Michael, the patron saint of Normandy, vanquished the devil.

Another people would have dreamed of this battle in an entirely different manner.

A NEW YEAR'S GIFT

Jacques de Randal, having dined at home alone, told his valet he might go out, and he sat down at his table to write some letters.

He ended every year in this manner, writing and dreaming. He reviewed the events of his life since last New Year's Day, things that were now all over and dead; and, in proportion as the faces of his friends rose up before his eyes, he wrote them a few lines, a cordial New Year's greeting on the first of January.

So he sat down, opened a drawer, took out of it a woman's photograph, gazed at it a few moments, and kissed it. Then, having laid it beside a sheet of notepaper, he began:

“MY DEAR IRENE: You must by this time have received the little souvenir I sent you addressed to the maid. I have shut myself up this evening in order to tell you——”

The pen here ceased to move. Jacques rose up and began walking up and down the room.

For the last ten months he had had a sweetheart, not like the others, a woman with whom one engages in a passing intrigue, of the theatrical world or the demi-monde, but a woman whom he loved and won. He was no longer a young man, although he was still comparatively young for a man, and he looked on life seriously in a positive and practical spirit.

Accordingly, he drew up the balance sheet of his passion, as he drew up every year the balance sheet of friendships that were ended or freshly contracted, of circumstances and persons that had entered into his life.

His first ardor of love having grown calmer, he asked himself with the precision of a merchant making a calculation what was the state of his heart with regard to her, and he tried to form an idea of what it would be in the future.

He found there a great and deep affection; made up of tenderness, gratitude and the thousand subtleties which give birth to long and powerful attachments.

A ring at the bell made him start. He hesitated. Should he open the door? But he said to himself that one must always open the door on New Year's night, to admit the unknown who is passing by and knocks, no matter who it may be.

So he took a wax candle, passed through the antechamber, drew back the bolts, turned the key, pulled the door back, and saw his sweetheart standing pale as a corpse, leaning against the wall.

He stammered:

“What is the matter with you?”

She replied:

“Are you alone?”

“Yes.”

“Without servants?”

“Yes.”

“You are not going out?”

“No.”

She entered with the air of a woman who knew the house. As soon as she was in the drawing-room, she sank down on the sofa, and, covering her face with her hands, began to weep bitterly.

He knelt down at her feet, and tried to remove her hands from her eyes, so that he might look at them, and exclaimed:

“Irene, Irene, what is the matter with you? I implore you to tell me what is the matter with you?”

Then, amid her sobs, she murmured:

“I can no longer live like this.”

“Live like this? What do you mean?”

“Yes. I can no longer live like this. I have endured so much. He struck me this afternoon.”

“Who? Your husband?”

“Yes, my husband.”

“Ah!”

He was astonished, having never suspected that her husband could be brutal. He was a man of the world, of the better class, a clubman, a lover of horses, a theatergoer and an expert swordsman; he was known, talked about, appreciated everywhere, having very courteous manners, a very mediocre intellect, an absence of education and of the real culture needed in order to think like all well-bred people, and finally a respect for conventionalities.

He appeared to devote himself to his wife, as a man ought to do in the case of wealthy and well-bred people. He displayed enough of anxiety about her wishes, her health, her dresses, and, beyond that, left her perfectly free.

Randal, having become Irene's friend, had a right to the affectionate hand-clasp which every husband endowed with good manners owes to his wife's intimate acquaintance. Then, when Jacques, after having been for some time the friend, became the lover, his relations with the husband were more cordial, as is fitting.

Jacques had never dreamed that there were storms in this household, and he was bewildered at this unexpected revelation.

He asked:

“How did it happen? Tell me.”

Thereupon she related a long story, the entire history of her life since the day of her marriage, the first disagreement arising out of a mere nothing, then becoming accentuated at every new difference of opinion between two dissimilar dispositions.

Then came quarrels, a complete separation, not apparent, but real; next, her husband showed himself aggressive, suspicious, violent. Now, he was jealous, jealous of Jacques, and that very day, after a scene, he had struck her.

She added with decision: “I will not go back to him. Do with me what you like.”

Jacques sat down opposite to her, their knees touching. He took her hands:

“My dear love, you are going to commit a gross, an irreparable folly. If you want to leave your husband, put him in the wrong, so that your position as a woman of the world may be saved.”

She asked, as she looked at him uneasily:

“Then, what do you advise me?”

“To go back home and to put up with your life there till the day when you can obtain either a separation or a divorce, with the honors of war.”

“Is not this thing which you advise me to do a little cowardly?”

“No; it is wise and sensible. You have a high position, a reputation to protect, friends to preserve and relations to deal with. You must not lose all these through a mere caprice.”

She rose up, and said with violence:

“Well, no! I cannot stand it any longer! It is at an end! it is at an end!”

Then, placing her two hands on her lover's shoulders, and looking him straight in the face, she asked:

“Do you love me?”

“Yes.”

“Really and truly?”

“Yes.”

“Then take care of me.”

He exclaimed:

“Take care of you? In my own house? Here? Why, you are mad. It would mean losing you forever; losing you beyond hope of recall! You are mad!”

She replied, slowly and seriously, like a woman who feels the weight of her words:

“Listen, Jacques. He has forbidden me to see you again, and I will not play this comedy of coming secretly to your house. You must either lose me or take me.”

“My dear Irene, in that case, obtain your divorce, and I will marry you.”

“Yes, you will marry me in—two years at the soonest. Yours is a patient love.”

“Look here! Reflect! If you remain here he'll come to-morrow to take you away, seeing that he is your husband, seeing that he has right and law on his side.”

“I did not ask you to keep me in your own house, Jacques, but to take me anywhere you like. I thought you loved me enough to do that. I have made a mistake. Good-by!”

She turned round and went toward the door so quickly that he was only able to catch hold of her when she was outside the room:

“Listen, Irene.”

She struggled, and would not listen to him. Her eyes were full of tears, and she stammered:

“Let me alone! let me alone! let me alone!”

He made her sit down by force, and once more falling on his knees at her feet, he now brought forward a number of arguments and counsels to make her understand the folly and terrible risk of her project. He omitted nothing which he deemed necessary to convince her, finding even in his very affection for her incentives to persuasion.

As she remained silent and cold as ice, he begged of her, implored of her to listen to him, to trust him, to follow his advice.

When he had finished speaking, she only replied:

“Are you disposed to let me go away now? Take away your hands, so that I may rise to my feet.”

“Look here, Irene.”

“Will you let me go?”

“Irene—is your resolution irrevocable?”

“Will you let me go.”

“Tell me only whether this resolution, this mad resolution of yours, which you will bitterly regret, is irrevocable?”

“Yes—let me go!”

“Then stay. You know well that you are at home here. We shall go away to-morrow morning.”

She rose to her feet in spite of him, and said in a hard tone:

“No. It is too late. I do not want sacrifice; I do not want devotion.”

“Stay! I have done what I ought to do; I have said what I ought to say. I have no further responsibility on your behalf. My conscience is at peace. Tell me what you want me to do, and I will obey.”'

She resumed her seat, looked at him for a long time, and then asked, in a very calm voice:

“Well, then, explain.”

“Explain what? What do you wish me to explain?”

“Everything—everything that you thought about before changing your mind. Then I will see what I ought to do.”

“But I thought about nothing at all. I had to warn you that you were going to commit an act of folly. You persist; then I ask to share in this act of folly, and I even insist on it.”

“It is not natural to change one's mind so quickly.”

“Listen, my dear love. It is not a question here of sacrifice or devotion. On the day when I realized that I loved you, I said to myself what every lover ought to say to himself in the same case: 'The man who loves a woman, who makes an effort to win her, who gets her, and who takes her, enters into a sacred contract with himself and with her. That is, of course, in dealing with a woman like you, not a woman with a fickle heart and easily impressed.'

“Marriage which has a great social value, a great legal value, possesses in my eyes only a very slight moral value, taking into account the conditions under which it generally takes place.

“Therefore, when a woman, united by this lawful bond, but having no attachment to her husband, whom she cannot love, a woman whose heart is free, meets a man whom she cares for, and gives herself to him, when a man who has no other tie, takes a woman in this way, I say that they pledge themselves toward each other by this mutual and free agreement much more than by the 'Yes' uttered in the presence of the mayor.

“I say that, if they are both honorable persons, their union must be more intimate, more real, more wholesome, than if all the sacraments had consecrated it.

“This woman risks everything. And it is exactly because she knows it, because she gives everything, her heart, her body, her soul, her honor, her life, because she has foreseen all miseries, all dangers all catastrophes, because she dares to do a bold act, an intrepid act, because she is prepared, determined to brave everything—her husband, who might kill her, and society, which may cast her out. This is why she is worthy of respect in the midst of her conjugal infidelity; this is why her lover, in taking her, should also foresee everything, and prefer her to every one else whatever may happen. I have nothing more to say. I spoke in the beginning like a sensible man whose duty it was to warn you; and now I am only a man—a man who loves you—Command, and I obey.”

Radiant, she closed his mouth with a kiss, and said in a low tone:

“It is not true, darling! There is nothing the matter! My husband does not suspect anything. But I wanted to see, I wanted to know, what you would do. I wished for a New Year's gift—the gift of your heart—another gift besides the necklace you sent me. You have given it to me. Thanks! thanks! God be thanked for the happiness you have given me!”

FRIEND PATIENCE What became of Leremy?”

“He is captain in the Sixth Dragoons.”

“And Pinson?”

“He's a subprefect.”

“And Racollet?”

“Dead.”

We were searching for other names which would remind us of the youthful faces of our younger days. Once in a while we had met some of these old comrades, bearded, bald, married, fathers of several children, and the realization of these changes had given us an unpleasant shudder, reminding us how short life is, how everything passes away, how everything changes. My friend asked me:

“And Patience, fat Patience?”

I almost, howled:

“Oh! as for him, just listen to this. Four or five years ago I was in Limoges, on a tour of inspection, and I was waiting for dinner time. I was seated before the big cafe in the Place du Theatre, just bored to death. The tradespeople were coming by twos, threes or fours, to take their absinthe or vermouth, talking all the time of their own or other people's business, laughing loudly, or lowering their voices in order to impart some important or delicate piece of news.

“I was saying to myself: 'What shall I do after dinner?' And I thought of the long evening in this provincial town, of the slow, dreary walk through unknown streets, of the impression of deadly gloom which these provincial people produce on the lonely traveller, and of the whole oppressive atmosphere of the place.

“I was thinking of all these things as I watched the little jets of gas flare up, feeling my loneliness increase with the falling shadows.

“A big, fat man sat down at the next table and called in a stentorian voice:

“'Waiter, my bitters!'

“The 'my' came out like the report of a cannon. I immediately understood that everything was his in life, and not another's; that he had his nature, by Jove, his appetite, his trousers, his everything, his, more absolutely and more completely than anyone else's. Then he looked round him with a satisfied air. His bitters were brought, and he ordered:

“'My newspaper!'

“I wondered: 'Which newspaper can his be?' The title would certainly reveal to me his opinions, his theories, his principles, his hobbies, his weaknesses.

“The waiter brought the Temps. I was surprised. Why the Temps, a serious, sombre, doctrinaire, impartial sheet? I thought:

“'He must be a serious man with settled and regular habits; in short, a good bourgeois.'

“He put on his gold-rimmed spectacles, leaned back before beginning to read, and once more glanced about him. He noticed me, and immediately began to stare at me in an annoying manner. I was even going to ask the reason for this attention, when he exclaimed from his seat:

“'Well, by all that's holy, if this isn't Gontran Lardois.'

“I answered:

“'Yes, monsieur, you are not mistaken.'

“Then he quickly rose and came toward me with hands outstretched:

“'Well, old man, how are you?'

“As I did not recognize him at all I was greatly embarrassed. I stammered:

“'Why-very well-and-you?'

“He began to laugh “'I bet you don't recognize me.'

“'No, not exactly. It seems—however—'

“He slapped me on the back:

“'Come on, no joking! I am Patience, Robert Patience, your friend, your chum.'

“I recognized him. Yes, Robert Patience, my old college chum. It was he. I took his outstretched hand:

“'And how are you?'

“'Fine!'

“His smile was like a paean of victory.

“He asked:

“'What are you doing here?'

“I explained that I was government inspector of taxes.

“He continued, pointing to my red ribbon:

“'Then you have-been a success?'

“I answered:

“'Fairly so. And you?'

“'I am doing well!'

“'What are you doing?'

“'I'm in business.'

“'Making money?'

“'Heaps. I'm very rich. But come around to lunch, to-morrow noon, 17 Rue du Coq-qui-Chante; you will see my place.'

“He seemed to hesitate a second, then continued:

“'Are you still the good sport that you used to be?'

“'I—I hope so.'

“'Not married?'

“'No.'

“'Good. And do you still love a good time and potatoes?'

“I was beginning to find him hopelessly vulgar. Nevertheless, I answered “'Yes.'

“'And pretty girls?'

“'Most assuredly.'

“He began to laugh good-humoredly.

“'Good, good! Do you remember our first escapade, in Bordeaux, after that dinner at Routie's? What a spree!'

“I did, indeed, remember that spree; and the recollection of it cheered me up. This called to mind other pranks. He would say:

“'Say, do you remember the time when we locked the proctor up in old man Latoque's cellar?'

“And he laughed and banged the table with his fist, and then he continued:

“'Yes-yes-yes-and do you remember the face of the geography teacher, M. Marin, the day we set off a firecracker in the globe, just as he was haranguing about the principal volcanoes of the earth?'

“Then suddenly I asked him:

“'And you, are you married?'

“He exclaimed:

“'Ten years, my boy, and I have four children, remarkable youngsters; but you'll see them and their mother.'

“We were talking rather loud; the people around us looked at us in surprise.

“Suddenly my friend looked at his watch, a chronometer the size of a pumpkin, and he cried:

“'Thunder! I'm sorry, but I'll have to leave you; I am never free at night.'

“He rose, took both my hands, shook them as though he were trying to wrench my arms from their sockets, and exclaimed:

“'So long, then; till to-morrow noon!'

“'So long!'

“I spent the morning working in the office of the collector-general of the Department. The chief wished me to stay to luncheon, but I told him that I had an engagement with a friend. As he had to go out, he accompanied me.

“I asked him:

“'Can you tell me how I can find the Rue du Coq-qui-Chante?'

“He answered:

“'Yes, it's only five minutes' walk from here. As I have nothing special to do, I will take you there.'

“We started out and soon found ourselves there. It was a wide, fine- looking street, on the outskirts of the town. I looked at the houses and I noticed No. 17. It was a large house with a garden behind it. The facade, decorated with frescoes, in the Italian style, appeared to me as being in bad taste. There were goddesses holding vases, others swathed in clouds. Two stone cupids supported the number of the house.

“I said to the treasurer:

“'Here is where I am going.'

“I held my hand out to him. He made a quick, strange gesture, said nothing and shook my hand.

“I rang. A maid appeared. I asked:

“'Monsieur Patience, if you please?'

“She answered:

“'Right here, sir. Is it to monsieur that you wish to speak?'

“'Yes.'

“The hall was decorated with paintings from the brush of some local artist. Pauls and Virginias were kissing each other under palm trees bathed in a pink light. A hideous Oriental lantern was ranging from the ceiling. Several doors were concealed by bright hangings.

“But what struck me especially was the odor. It was a sickening and perfumed odor, reminding one of rice powder and the mouldy smell of a cellar. An indefinable odor in a heavy atmosphere as oppressive as that of public baths. I followed the maid up a marble stairway, covered with a green, Oriental carpet, and was ushered into a sumptubus parlor.

“Left alone, I looked about me.

“The room was richly furnished, but in the pretentious taste of a parvenu. Rather fine engravings of the last century represented women with powdered hair dressed high surprised by gentlemen in interesting positions. Another lady, lying in a large bed, was teasing with her foot a little dog, lost in the sheets. One drawing showed four feet, bodies concealed behind a curtain. The large room, surrounded by soft couches, was entirely impregnated with that enervating and insipid odor which I had already noticed. There seemed to be something suspicious about the walls, the hangings, the exaggerated luxury, everything.

“I approached the window to look into the garden. It was very big, shady, beautiful. A wide path wound round a grass plot in the midst of which was a fountain, entered a shrubbery and came out farther away. And, suddenly, yonder, in the distance, between two clumps of bushes, three women appeared. They were walking slowly, arm in arm, clad in long, white tea-gowns covered with lace. Two were blondes and the other was dark-haired. Almost immediately they disappeared again behind the trees. I stood there entranced, delighted with this short and charming apparition, which brought to my mind a whole world of poetry. They had scarcely allowed themselves to be seen, in just the proper light, in that frame of foliage, in the midst of that mysterious, delightful park. It seemed to me that I had suddenly seen before me the great ladies of the last century, who were depicted in the engravings on the wall. And I began to think of the happy, joyous, witty and amorous times when manners were so graceful and lips so approachable.

“A deep voice made me jump. Patience had come in, beaming, and held out his hands to me.

“He looked into my eyes with the sly look which one takes when divulging secrets of love, and, with a Napoleonic gesture, he showed me his sumptuous parlor, his park, the three women, who had reappeared in the back of it, then, in a triumphant voice, where the note of pride was prominent, he said:

“'And to think that I began with nothing—my wife and my sister-in-law!'”

ABANDONED

“I really think you must be mad, my dear, to go for a country walk in such weather as this. You have had some very strange notions for the last two months. You drag me to the seaside in spite of myself, when you have never once had such a whim during all the forty-four years that we have been married. You chose Fecamp, which is a very dull town, without consulting me in the matter, and now you are seized with such a rage for walking, you who hardly ever stir out on foot, that you want to take a country walk on the hottest day of the year. Ask d'Apreval to go with you, as he is ready to gratify all your whims. As for me, I am going back to have a nap.”

Madame de Cadour turned to her old friend and said:

“Will you come with me, Monsieur d'Apreval?”

He bowed with a smile, and with all the gallantry of former years:

“I will go wherever you go,” he replied.

“Very well, then, go and get a sunstroke,” Monsieur de Cadour said; and he went back to the Hotel des Bains to lie down for an hour or two.

As soon as they were alone, the old lady and her old companion set off, and she said to him in a low voice, squeezing his hand:

“At last! at last!”

“You are mad,” he said in a whisper. “I assure you that you are mad. Think of the risk you are running. If that man—”

She started.

“Oh! Henri, do not say that man, when you are speaking of him.”

“Very well,” he said abruptly, “if our son guesses anything, if he has any suspicions, he will have you, he will have us both in his power. You have got on without seeing him for the last forty years. What is the matter with you to-day?”

They had been going up the long street that leads from the sea to the town, and now they turned to the right, to go to Etretat. The white road stretched in front of him, then under a blaze of brilliant sunshine, so they went on slowly in the burning heat. She had taken her old friend's arm, and was looking straight in front of her, with a fixed and haunted gaze, and at last she said:

“And so you have not seen him again, either?”

“No, never.”

“Is it possible?”

“My dear friend, do not let us begin that discussion again. I have a wife and children and you have a husband, so we both of us have much to fear from other people's opinion.”

She did not reply; she was thinking of her long past youth and of many sad things that had occurred. How well she recalled all the details of their early friendship, his smiles, the way he used to linger, in order to watch her until she was indoors. What happy days they were, the only really delicious days she had ever enjoyed, and how quickly they were over!

And then—her discovery—of the penalty she paid! What anguish!

Of that journey to the South, that long journey, her sufferings, her constant terror, that secluded life in the small, solitary house on the shores of the Mediterranean, at the bottom of a garden, which she did not venture to leave. How well she remembered those long days which she spent lying under an orange tree, looking up at the round, red fruit, amid the green leaves. How she used to long to go out, as far as the sea, whose fresh breezes came to her over the wall, and whose small waves she could hear lapping on the beach. She dreamed of its immense blue expanse sparkling under the sun, with the white sails of the small vessels, and a mountain on the horizon. But she did not dare to go outside the gate. Suppose anybody had recognized her!

And those days of waiting, those last days of misery and expectation! The impending suffering, and then that terrible night! What misery she had endured, and what a night it was! How she had groaned and screamed! She could still see the pale face of her lover, who kissed her hand every moment, and the clean-shaven face of the doctor and the nurse's white cap.

And what she felt when she heard the child's feeble cries, that wail, that first effort of a human's voice!

And the next day! the next day! the only day of her life on which she had seen and kissed her son; for, from that time, she had never even caught a glimpse of him.

And what a long, void existence hers had been since then, with the thought of that child always, always floating before her. She had never seen her son, that little creature that had been part of herself, even once since then; they had taken him from her, carried him away, and had hidden him. All she knew was that he had been brought up by some peasants in Normandy, that he had become a peasant himself, had married well, and that his father, whose name he did not know, had settled a handsome sum of money on him.

How often during the last forty years had she wished to go and see him and to embrace him! She could not imagine to herself that he had grown! She always thought of that small human atom which she had held in her arms and pressed to her bosom for a day.

How often she had said to M. d'Apreval: “I cannot bear it any longer; I must go and see him.”

But he had always stopped her and kept her from going. She would be unable to restrain and to master herself; their son would guess it and take advantage of her, blackmail her; she would be lost.

“What is he like?” she said.

“I do not know. I have not seen him again, either.”

“Is it possible? To have a son and not to know him; to be afraid of him and to reject him as if he were a disgrace! It is horrible.”

They went along the dusty road, overcome by the scorching sun, and continually ascending that interminable hill.

“One might take it for a punishment,” she continued; “I have never had another child, and I could no longer resist the longing to see him, which has possessed me for forty years. You men cannot understand that. You must remember that I shall not live much longer, and suppose I should never see him, never have seen him! . . . Is it possible? How could I wait so long? I have thought about him every day since, and what a terrible existence mine has been! I have never awakened, never, do you understand, without my first thoughts being of him, of my child. How is he? Oh, how guilty I feel toward him! Ought one to fear what the world may say in a case like this? I ought to have left everything to go after him, to bring him up and to show my love for him. I should certainly have been much happier, but I did not dare, I was a coward. How I have suffered! Oh, how those poor, abandoned children must hate their mothers!”

She stopped suddenly, for she was choked by her sobs. The whole valley was deserted and silent in the dazzling light and the overwhelming heat, and only the grasshoppers uttered their shrill, continuous chirp among the sparse yellow grass on both sides of the road.

“Sit down a little,” he said.

She allowed herself to be led to the side of the ditch and sank down with her face in her hands. Her white hair, which hung in curls on both sides of her face, had become tangled. She wept, overcome by profound grief, while he stood facing her, uneasy and not knowing what to say, and he merely murmured: “Come, take courage.”

She got up.

“I will,” she said, and wiping her eyes, she began to walk again with the uncertain step of an elderly woman.

A little farther on the road passed beneath a clump of trees, which hid a few houses, and they could distinguish the vibrating and regular blows of a blacksmith's hammer on the anvil; and presently they saw a wagon standing on the right side of the road in front of a low cottage, and two men shoeing a horse under a shed.

Monsieur d'Apreval went up to them.

“Where is Pierre Benedict's farm?” he asked.

“Take the road to the left, close to the inn, and then go straight on; it is the third house past Poret's. There is a small spruce fir close to the gate; you cannot make a mistake.”

They turned to the left. She was walking very slowly now, her legs threatened to give way, and her heart was beating so violently that she felt as if she should suffocate, while at every step she murmured, as if in prayer:

“Oh! Heaven! Heaven!”

Monsieur d'Apreval, who was also nervous and rather pale, said to her somewhat gruffly:

“If you cannot manage to control your feelings, you will betray yourself at once. Do try and restrain yourself.”

“How can I?” she replied. “My child! When I think that I am going to see my child.”

They were going along one of those narrow country lanes between farmyards, that are concealed beneath a double row of beech trees at either side of the ditches, and suddenly they found themselves in front of a gate, beside which there was a young spruce fir.

“This is it,” he said.

She stopped suddenly and looked about her. The courtyard, which was planted with apple trees, was large and extended as far as the small thatched dwelling house. On the opposite side were the stable, the barn, the cow house and the poultry house, while the gig, the wagon and the manure cart were under a slated outhouse. Four calves were grazing under the shade of the trees and black hens were wandering all about the enclosure.

All was perfectly still; the house door was open, but nobody was to be seen, and so they went in, when immediately a large black dog came out of a barrel that was standing under a pear tree, and began to bark furiously.

There were four bee-hives on boards against the wall of the house.

Monsieur d'Apreval stood outside and called out:

“Is anybody at home?”

Then a child appeared, a little girl of about ten, dressed in a chemise and a linen, petticoat, with dirty, bare legs and a timid and cunning look. She remained standing in the doorway, as if to prevent any one going in.

“What do you want?” she asked.

“Is your father in?”

“No.”

“Where is he?”

“I don't know.”

“And your mother?”

“Gone after the cows.”

“Will she be back soon?”

“I don't know.”

Then suddenly the lady, as if she feared that her companion might force her to return, said quickly:

“I shall not go without having seen him.”

“We will wait for him, my dear friend.”

As they turned away, they saw a peasant woman coming toward the house, carrying two tin pails, which appeared to be heavy and which glistened brightly in the sunlight.

She limped with her right leg, and in her brown knitted jacket, that was faded by the sun and washed out by the rain, she looked like a poor, wretched, dirty servant.

“Here is mamma,” the child said.

When she got close to the house, she looked at the strangers angrily and suspiciously, and then she went in, as if she had not seen them. She looked old and had a hard, yellow, wrinkled face, one of those wooden faces that country people so often have.

Monsieur d'Apreval called her back.

“I beg your pardon, madame, but we came in to know whether you could sell us two glasses of milk.”

She was grumbling when she reappeared in the door, after putting down her pails.

“I don't sell milk,” she replied.

“We are very thirsty,” he said, “and madame is very tired. Can we not get something to drink?”

The peasant woman gave them an uneasy and cunning glance and then she made up her mind.

“As you are here, I will give you some,” she said, going into the house, and almost immediately the child came out and brought two chairs, which she placed under an apple tree, and then the mother, in turn, brought out two bowls of foaming milk, which she gave to the visitors. She did not return to the house, however, but remained standing near them, as if to watch them and to find out for what purpose they had come there.

“You have come from Fecamp?” she said.

“Yes,” Monsieur d'Apreval replied, “we are staying at Fecamp for the summer.”

And then, after a short silence, he continued:

“Have you any fowls you could sell us every week?”

The woman hesitated for a moment and then replied:

“Yes, I think I have. I suppose you want young ones?”

“Yes, of course.”

“'What do you pay for them in the market?”

D'Apreval, who had not the least idea, turned to his companion:

“What are you paying for poultry in Fecamp, my dear lady?”

“Four francs and four francs fifty centimes,” she said, her eyes full of tears, while the farmer's wife, who was looking at her askance, asked in much surprise:

“Is the lady ill, as she is crying?”

He did not know what to say, and replied with some hesitation:

“No—no—but she lost her watch as we came along, a very handsome watch, and that troubles her. If anybody should find it, please let us know.”

Mother Benedict did not reply, as she thought it a very equivocal sort of answer, but suddenly she exclaimed:

“Oh, here is my husband!”

She was the only one who had seen him, as she was facing the gate. D'Apreval started and Madame de Cadour nearly fell as she turned round suddenly on her chair.

A man bent nearly double, and out of breath, stood there, ten-yards from them, dragging a cow at the end of a rope. Without taking any notice of the visitors, he said:

“Confound it! What a brute!”

And he went past them and disappeared in the cow house.

Her tears had dried quickly as she sat there startled, without a word and with the one thought in her mind, that this was her son, and D'Apreval, whom the same thought had struck very unpleasantly, said in an agitated voice:

“Is this Monsieur Benedict?”

“Who told you his name?” the wife asked, still rather suspiciously.

“The blacksmith at the corner of the highroad,” he replied, and then they were all silent, with their eyes fixed on the door of the cow house, which formed a sort of black hole in the wall of the building. Nothing could be seen inside, but they heard a vague noise, movements and footsteps and the sound of hoofs, which were deadened by the straw on the floor, and soon the man reappeared in the door, wiping his forehead, and came toward the house with long, slow strides. He passed the strangers without seeming to notice them and said to his wife:

“Go and draw me a jug of cider; I am very thirsty.”

Then he went back into the house, while his wife went into the cellar and left the two Parisians alone.

“Let us go, let us go, Henri,” Madame de Cadour said, nearly distracted with grief, and so d'Apreval took her by the arm, helped her to rise, and sustaining her with all his strength, for he felt that she was nearly fainting, he led her out, after throwing five francs on one of the chairs.

As soon as they were outside the gate, she began to sob and said, shaking with grief:

“Oh! oh! is that what you have made of him?”

He was very pale and replied coldly:

“I did what I could. His farm is worth eighty thousand francs, and that is more than most of the sons of the middle classes have.”

They returned slowly, without speaking a word. She was still crying; the tears ran down her cheeks continually for a time, but by degrees they stopped, and they went back to Fecamp, where they found Monsieur de Cadour waiting dinner for them. As soon as he saw them, he began to laugh and exclaimed:

“So my wife has had a sunstroke, and I am very glad of it. I really think she has lost her head for some time past!”

Neither of them replied, and when the husband asked them, rubbing his hands:

“Well, I hope that, at least, you have had a pleasant walk?”

Monsieur d'Apreval replied:

“A delightful walk, I assure you; perfectly delightful.”

THE MAISON TELLIER

They went there every evening about eleven o'clock, just as they would go to the club. Six or eight of them; always the same set, not fast men, but respectable tradesmen, and young men in government or some other employ, and they would drink their Chartreuse, and laugh with the girls, or else talk seriously with Madame Tellier, whom everybody respected, and then they would go home at twelve o'clock! The younger men would sometimes stay later.

It was a small, comfortable house painted yellow, at the corner of a street behind Saint Etienne's Church, and from the windows one could see the docks full of ships being unloaded, the big salt marsh, and, rising beyond it, the Virgin's Hill with its old gray chapel.

Madame Tellier, who came of a respectable family of peasant proprietors in the Department of the Eure, had taken up her profession, just as she would have become a milliner or dressmaker. The prejudice which is so violent and deeply rooted in large towns, does not exist in the country places in Normandy. The peasant says:

“It is a paying-business,” and he sends his daughter to keep an establishment of this character just as he would send her to keep a girls' school.

She had inherited the house from an old uncle, to whom it had belonged. Monsieur and Madame Tellier, who had formerly been innkeepers near Yvetot, had immediately sold their house, as they thought that the business at Fecamp was more profitable, and they arrived one fine morning to assume the direction of the enterprise, which was declining on account of the absence of the proprietors. They were good people enough in their way, and soon made themselves liked by their staff and their neighbors.

Monsieur died of apoplexy two years later, for as the new place kept him in idleness and without any exercise, he had grown excessively stout, and his health had suffered. Since she had been a widow, all the frequenters of the establishment made much of her; but people said that, personally, she was quite virtuous, and even the girls in the house could not discover anything against her. She was tall, stout and affable, and her complexion, which had become pale in the dimness of her house, the shutters of which were scarcely ever opened, shone as if it had been varnished. She had a fringe of curly false hair, which gave her a juvenile look, that contrasted strongly with the ripeness of her figure. She was always smiling and cheerful, and was fond of a joke, but there was a shade of reserve about her, which her occupation had not quite made her lose. Coarse words always shocked her, and when any young fellow who had been badly brought up called her establishment a hard name, she was angry and disgusted.

In a word, she had a refined mind, and although she treated her women as friends, yet she very frequently used to say that “she and they were not made of the same stuff.”

Sometimes during the week she would hire a carriage and take some of her girls into the country, where they used to enjoy themselves on the grass by the side of the little river. They were like a lot of girls let out from school, and would run races and play childish games. They had a cold dinner on the grass, and drank cider, and went home at night with a delicious feeling of fatigue, and in the carriage they kissed Madame' Tellier as their kind mother, who was full of goodness and complaisance.

The house had two entrances. At the corner there was a sort of tap-room, which sailors and the lower orders frequented at night, and she had two girls whose special duty it was to wait on them with the assistance of Frederic, a short, light-haired, beardless fellow, as strong as a horse. They set the half bottles of wine and the jugs of beer on the shaky marble tables before the customers, and then urged the men to drink.

The three other girls—there were only five of them—formed a kind of aristocracy, and they remained with the company on the first floor, unless they were wanted downstairs and there was nobody on the first floor. The salon de Jupiter, where the tradesmen used to meet, was papered in blue, and embellished with a large drawing representing Leda and the swan. The room was reached by a winding staircase, through a narrow door opening on the street, and above this door a lantern inclosed in wire, such as one still sees in some towns, at the foot of the shrine of some saint, burned all night long.

The house, which was old and damp, smelled slightly of mildew. At times there was an odor of eau de Cologne in the passages, or sometimes from a half-open door downstairs the noisy mirth of the common men sitting and drinking rose to the first floor, much to the disgust of the gentlemen who were there. Madame Tellier, who was on friendly terms with her customers, did not leave the room, and took much interest in what was going on in the town, and they regularly told her all the news. Her serious conversation was a change from the ceaseless chatter of the three women; it was a rest from the obscene jokes of those stout individuals who every evening indulged in the commonplace debauchery of drinking a glass of liqueur in company with common women.

The names of the girls on the first floor were Fernande, Raphaele, and Rosa, the Jade. As the staff was limited, madame had endeavored that each member of it should be a pattern, an epitome of the feminine type, so that every customer might find as nearly as possible the realization of his ideal. Fernande represented the handsome blonde; she was very tall, rather fat, and lazy; a country girl, who could not get rid of her freckles, and whose short, light, almost colorless, tow-like hair, like combed-out hemp, barely covered her head.

Raphaele, who came from Marseilles, played the indispensable part of the handsome Jewess, and was thin, with high cheekbones, which were covered with rouge, and black hair covered with pomatum, which curled on her forehead. Her eyes would have been handsome, if the right one had not had a speck in it. Her Roman nose came down over a square jaw, where two false upper teeth contrasted strangely with the bad color of the rest.

Rosa was a little roll of fat, nearly all body, with very short legs, and from morning till night she sang songs, which were alternately risque or sentimental, in a harsh voice; told silly, interminable tales, and only stopped talking in order to eat, and left off eating in order to talk; she was never still, and was active as a squirrel, in spite of her embonpoint and her short legs; her laugh, which was a torrent of shrill cries, resounded here and there, ceaselessly, in a bedroom, in the loft, in the cafe, everywhere, and all about nothing.

The two women on the ground floor, Lodise, who was nicknamed La Cocotte, and Flora, whom they called Balancoise, because she limped a little, the former always dressed as the Goddess of Liberty, with a tri-colored sash, and the other as a Spanish woman, with a string of copper coins in her carroty hair, which jingled at every uneven step, looked like cooks dressed up for the carnival. They were like all other women of the lower orders, neither uglier nor better looking than they usually are.

They looked just like servants at an inn, and were generally called “the two pumps.”

A jealous peace, which was, however, very rarely disturbed, reigned among these five women, thanks to Madame Tellier's conciliatory wisdom, and to her constant good humor, and the establishment, which was the only one of the kind in the little town, was very much frequented. Madame Tellier had succeeded in giving it such a respectable appearance, she was so amiable and obliging to everybody, her good heart was so well known, that she was treated with a certain amount of consideration. The regular customers spent money on her, and were delighted when she was especially friendly toward them, and when they met during the day, they would say: “Until this evening, you know where,” just as men say: “At the club, after dinner.” In a word, Madame Tellier's house was somewhere to go to, and they very rarely missed their daily meetings there.

One evening toward the end of May, the first arrival, Monsieur Poulin, who was a timber merchant, and had been mayor, found the door shut. The lantern behind the grating was not alight; there was not a sound in the house; everything seemed dead. He knocked, gently at first, but then more loudly, but nobody answered the door. Then he went slowly up the street, and when he got to the market place he met Monsieur Duvert, the gunmaker, who was going to the same place, so they went back together, but did not meet with any better success. But suddenly they heard a loud noise, close to them, and on going round the house, they saw a number of English and French sailors, who were hammering at the closed shutters of the taproom with their fists.

The two tradesmen immediately made their escape, but a low “Pst!” stopped them; it was Monsieur Tournevau, the fish curer, who had recognized them, and was trying to attract their attention. They told him what had happened, and he was all the more annoyed, as he was a married man and father of a family, and only went on Saturdays. That was his regular evening, and now he should be deprived of this dissipation for the whole week.

The three men went as far as the quay together, and on the way they met young Monsieur Philippe, the banker's son, who frequented the place regularly, and Monsieur Pinipesse, the collector, and they all returned to the Rue aux Juifs together, to make a last attempt. But the exasperated sailors were besieging the house, throwing stones at the shutters, and shouting, and the five first-floor customers went away as quickly as possible, and walked aimlessly about the streets.

Presently they met Monsieur Dupuis, the insurance agent, and then Monsieur Vasse, the Judge of the Tribunal of Commerce, and they took a long walk, going to the pier first of all, where they sat down in a row on the granite parapet and watched the rising tide, and when the promenaders had sat there for some time, Monsieur Tournevau said:

“This is not very amusing!”

“Decidedly not,” Monsieur Pinipesse replied, and they started off to walk again.

After going through the street alongside the hill, they returned over the wooden bridge which crosses the Retenue, passed close to the railway, and came out again on the market place, when, suddenly, a quarrel arose between Monsieur Pinipesse, the collector, and Monsieur Tournevau about an edible mushroom which one of them declared he had found in the neighborhood.

As they were out of temper already from having nothing to do, they would very probably have come to blows, if the others had not interfered. Monsieur Pinipesse went off furious, and soon another altercation arose between the ex-mayor, Monsieur Poulin, and Monsieur Dupuis, the insurance agent, on the subject of the tax collector's salary and the profits which he might make. Insulting remarks were freely passing between them, when a torrent of formidable cries was heard, and the body of sailors, who were tired of waiting so long outside a closed house, came into the square. They were walking arm in arm, two and two, and formed a long procession, and were shouting furiously. The townsmen hid themselves in a doorway, and the yelling crew disappeared in the direction of the abbey. For a long time they still heard the noise, which diminished like a storm in the distance, and then silence was restored. Monsieur Poulin and Monsieur Dupuis, who were angry with each other, went in different directions, without wishing each other good-by.

The other four set off again, and instinctively went in the direction of Madame Tellier's establishment, which was still closed, silent, impenetrable. A quiet, but obstinate drunken man was knocking at the door of the lower room, antd then stopped and called Frederic, in a low voice, but finding that he got no answer, he sat down on the doorstep, and waited the course of events.

The others were just going to retire, when the noisy band of sailors reappeared at the end of the street. The French sailors were shouting the “Marseillaise,” and the Englishmen “Rule Britannia.” There was a general lurching against the wall, and then the drunken fellows went on their way toward the quay, where a fight broke out between the two nations, in the course of which an Englishman had his arm broken and a Frenchman his nose split.

The drunken man who had waited outside the door, was crying by that time, as drunken men and children cry when they are vexed, and the others went away. By degrees, calm was restored in the noisy town; here and there, at moments, the distant sound of voices could be heard, and then died away in the distance.

One man only was still wandering about, Monsieur Tournevau, the fish curer, who was annoyed at having to wait until the following Saturday, and he hoped something would turn up, he did not know what; but he was exasperated at the police for thus allowing an establishment of such public utility, which they had under their control, to be closed.

He went back to it and examined the walls, trying to find out some reason, and on the shutter he saw a notice stuck up. He struck a wax match and read the following, in a large, uneven hand: “Closed on account of the Confirmation.”

Then he went away, as he saw it was useless to remain, and left the drunken man lying on the pavement fast asleep, outside that inhospitable door.

The next day, all the regular customers, one after the other, found some reason for going through the street, with a bundle of papers under their arm to keep them in countenance, and with a furtive glance they all read that mysterious notice:

“Closed on account of the Confirmation.”